Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1990s (1991 to 2000)’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5098 Post No. : 17029 Movie Count :

4609

Hullo Atuldom

Pandit Hariprasad Chaurasia was born on 1st July 1938 to a father who wanted the son to be a wrestler. The obedient son did go to the Akhada and trained with his father along with learning music and practising at a friend’s home.

Pt. Hariji has said once, and I quote, “he was not very good at wrestling but the training had helped him build up strength and stamina which has helped him play the bansuri (flute) to this day.”

Initially he was learning vocal music but switched to playing the flute and Bholanath Prasanna of Varanasi was his guru. After a few years, Annapurna Devi was his guide and that is when he turned to playing the flute left-handed. Panditji is the recipient of numerous awards including the Padma Bhushan and Padma Vibhushan. He has collaborated with Pandit Shiv Kumar Sharma since the 60s with albums like “Call of the Valley”. The Shiv-Hari combo gave music to a few Hindi films too, most of them from YashRaj Films.

Today we are wishing Panditji on turning 84 a few days back with a composition that is from Yash Chopra directed, Firoz A Nadiadwala produced and May 1993 released “Parampara”.

Much of the movie was shot in the famous boarding school of Ajmer -Mayo College. It starred Sunil Dutt, Vinod Khanna, Anupam Kher as the seniors. Raveena Tandon, Neelam Kothari, Aamir Khan, Saif Ali Khan (this was his debut in Hindi films) formed the young brigade. Ashwini Bhave and Ramya Krishnan were cast as Vinod Khanna’s wives – one chosen by him and the other by his father Sunil Dutt. Saif and Aamir were VK’s children who are educated in a boarding school where they sing today’s song. Anand Bakshi wrote the songs.

This is a song which has Amit Kumar and Lata Mangeshkar singing for the collegiates who are enjoying after “lights out” (I have seen this movie a long time back, hope I am correct?)

3rd July a very important date in the life of a singer who has carried the legacy of his family, in HFM. His uncle began as an actor who used to sing his own songs; most of which are popular to this date. I am speaking of the Ganguly family and the uncle I spoke of was Ashok Kumar. 3rd July happens to be the birthdate of Amit Kumar who was born into the Ganguly Family as son of Kishore Kumar (a singer-actor in his own league) and Ruma (who was also an actor-singer).

There are singers and people connected with the arts in Ruma’s lineage too -Ruma’s mother was also a singer. It is hardly surprising that Amit Kumar took to singing early in life. There are interviews available in public Domain where Amit Kumar has spoken about how he used to sing at Durga Pooja pandals and how his mother complained to his ‘Baba’ etc. Amit Kumar has also spoken about how his father “Baba” took him to Bombay (Mumbai back then) and how he began his journey. One thing about Amit Kumar is that he never tried to ape his father. His voice was distinct and we have a few duets of Kishore Kumar and Amit Kumar where the distinction is obvious (two of these are on the blog.)

We have had 58 Amit Kumar songs (only) on the blog. The categories listed on the right hand side of the blog show that he has had duets with all possible male and female playback singers. We also have songs (on the blog) where he has appeared on-screen. Today- 3rd July – we wish Amit Kumar on turning 70.

What!!!! did I say 70!!!! Unbelievable. He is still so youthful when we see him on the various reality shows as judge. He is his father’s biggest fan. And we are his fans. A very Very Happy Birthday Amitda.

Belated Wishes to Pandit Hariprasad Chaurasia on turning an year older.

With this Shiv-Hari song from “Parampara” which makes its debut on the blog.

Video

Audio

Song-Aadhi raat ko palkon ki chhaaon mein (Parampara)(1993) Singers-Lata, Amit Kumar, Lyrics-Anand Bakshi, MD-Shiv Hari
Amit Kumar + Male chorus
Lata + Female chorus
Lata + Amit Kumar

Lyrics

aadhi raat ko
palkon ki chaanv mein
aadhi raat ko
palkon ki chaanv mein
chubh gaya pyaar ka
hey chubh gaya pyaar ka kaanta mere paanv mein
chubh gaya pyaar ka kaanta mere paanv mein
ho aadhi raat ko zulfon ki chhaanv mein
aadhi raat ko zulfon ki chaanv mein
ho pad gayi pyaar ki
haaye
ho pad gayi pyaar ki bedi mere paanv mein

pad gayi pyaar ki bedi mere paanv mein

aadhi raat mein rut paagal ho gayi
rut paagal ho gayi
rut paagal ho gayi
ho aashiq jaag uthhe
ho aashiq jaag uthhe
saari duniya so gayi
aashiq jaag uthhe
saari duniya so gayi

ho aadhi raat mein jaadu chalne lage
ho jaadu chalne lage
jaadu chalne lage
batti bujh gayi
haaye
ho batti bujh gayi
ye dil jalne lage
batti bujh gayi
ye dil jalne lage
ho batti bujh gayi ye dil jalne lage
batti bujh gayi ye dil jalne lage

aadhi raat ka ye mausam khoob hai
ye mausam khoob hai
ye mausam khoob hai
mere saamne

ho mere saamne mera mehboob hai
mere saaamne mera mahboob hai
aadhi raat hai baaki
ho aadhi raat ha baaki
haaye kuchh keejiyee
haaye kuchh keejiye
kuchh keejiye
aadhi raat hai baki
kuchh kijiye
jaldi se
o jaldi se
ubah na hone deejiye
jaldi se subah na hone deejiye

aadhi raat bhi baaton mein kho gayi
baaton mein kho gayi
baaton mein kho gayi
jaane do mujhe
re jaane do mujhe
ab subah ho gayi
jaane do mujhe
ab subah ho gayi

ho aadhi raat ko
ho aadhi raat ko
ho aadhi raat ko
kal phir tu aayegi
kal phir tu aayegi
kal phir tu aayegi
waada aaj ye
ho waada aaj ye tu karke jaayegi
waada aaj ye tu karke jaayegi

waada aaj ye main karke jaaungi
waada aaj ye main karke jaaungi
ho waada aaj ye tu karke jaayegi
waada aaj ye tu karke jaayegi

waada aaj ye main karke jaaungi
waada aaj ye main karke jaungi

ho waada aaj ye tu karke jaayegi
waada aaj ye main karke jaaungi
waada aaj ye tu karke jaayegi
waada aaj ye main karke jaaungi


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5085 Post No. : 17010 Movie Count :

4608

Today, 20th June, 2022 is the birthday of our Respected Dear Atul ji. On this occasion we wish him a very happy birthday and a healthy, wealthy, peaceful and ‘full of musical life’ ahead. . .

Previously while selecting a song for this occasion we were specially looking for songs having ‘geet, safar, gaanaa, gaata chal, gaaye jaa, gungunaata chal, gaata chalaa gaya, etc. and words like these and/or similar words like these woven in a ‘philosophical’ song set up to convey the ‘musical journey’ of Atul ji and this blog. However today I am presenting a totally different song to celebrate this occasion with a rocking song and music, once again in a ‘Jat Yamla’ style. 😀

 Also today I will not repeat again what I usually like to mention about Atul ji and my feelings for him and feelings for the blog. I would only like that today he listens to and enjoys this song presented with this post here 🙂

I would once again say ‘Many Happy Returns of the Day to Atul ji’ and move forward to today’s song and its movie.

Today’s song is from the ‘1999’ movie ‘Dillagi’. Today this movie is making its debut on the blog. This film was produced and directed by Sunny Deol for his home production company Vijayta Films. It was presented by Dharmendra.

The movie has Sunny Deol, Bobby Deol, Urmila Matondkar, Dara Singh, Zohra Sehgal, Harish Patel, Kulbhushan Kharbanda, Reema, Vijay Kashyap, Sushmita Mukherjee, Deepshikha, Vaibhavi Raut, Rajshri Solanki, Dimple Inamdar, Goldie Choudhary, Raj Zutshi, Alistar Woodham, Pervinder Gujral, Kanika Shivpuri, Tora Khasgir, Narinder Kaur, Shefali Ganguly, Mac Singh, Raspal Virdee, Steve Nijjar, Bebz Jetha, Col. Kapoor, Jasbir Thandi, Prakash Agarwal, Nirmal, Master Anand, Master Mayank, Master Deepak, Master Arbaaz, and others. New actors introduced in this movie are Praveen Dabas, Amrik Randhawa, Apsara Iyengar, Denise Butler. The movie also has Surekha Sikri in a Guest Apprearance and Preity Zinta in a Special Appearance.

Screenplay of this movie was written by Sutanu Gupta. Dialogues of this movie were written by Sanjay Masoom. Editing of this movie was done by Keshav Naidu. This movie was passed by Censor Board on 08.11.1999.

This movie has as many as eleven songs . Lyrics for this movie are written by Javed Akhtar, Sukhwinder Singh, and Tejpal Kaur. Music for this movie is composed by Jatin-Lalit, Shankar-Ehsaan-Loy, Sukhwinder Singh, and Anand-Milind. We will know more about this movie in the future when the other songs of this movie are discussed on the blog.

Lyricist for the today’s song is Sukhwinder Singh who has also composed this song. The singing voices are Mahendra Kapoor, Shankar Mahadevan, Sukhwinder Singh, Mridula Desai, Mohini Brahmabhatt and chorus. It is picturised on Sunny Deol, Dara Singh, Bobby Deol, Zohra Sehgal and many other artists are also present there during the picturisation of this song.

Let us now listen to the today’s song and welcome this musical movie on the blog.

Once again wishing our Atul ji a very happy birthday today !!!

Dhoom Dhoom Luck Luck

Audio

Video

Song – Dhoom Dhoom Lak Lak (Dillagi) (1999) Singers – Mahendra Kapoor, Shankar Mahadevan, Sukhwinder Singh, Mridula Desai, Mohini Brahmabhatt, Lyrics – Sukhwinder Singh, MD – Sukhwinder Singh
Chorus

Lyrics

dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak

aaja bhangde ch maar ke chhadaappa pair rakh
dhoom dhoom lak lak
dhoom dhoom lak lak
aaja bhangde ch maar ke chhadaappa pair rakh
dhoom dhoom lak lak
dhoom dhoom lak lak
aaja bhangde ch maar ke chhadaappa pair rakh
aaja bhangech maarke
chhadaappa pair rakh
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak

ho o tere chehre pe laakhon sitaare mitra
tujhe dekh ke dilon ki ho jaaye dhak dhak
i want to step in for good luck
and let me try this dhoom lak lak

dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
aaja bhangde ch maar ke chhadaappa pair rakh
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom lak lak
dhoom dhoom lak lak
ho o o o
ho o ho o o
dhoom dhoom lak lak
dhoom dhoom lak lak

putt jattan di bhangde de jad sajnaa raunak lag di
sajnaa raunak lag dii
rut mastaani khol ke zulfaan mehfil de vich nachdi
mehfil de vich nachdi

dola ve dola
haay dola
aaja dove nachiye
haay dola

dola ve dola
haay dola
aa ha aaja dove nachiye
haay dola

he rut mastaani
haay dola
husn ki raani
haay dola
hoy halle ta jawaani
haay dola
he he ae ae
badi deewaani
haay dola

ho ho o o o ho ho
laa laa laa laa laa laa laa
ho o o o o
laa laa laa laa laa laa laa

ho ho o o o o
ho ho ho o ho ho o

kehte hain duniyawaale
daulat ka rang sunehra
daulat ka rang sunehra
par dil waalon ki duniya ka hai
rang badaa hi gehraa
rang badaa hi gehraa

hey jaadugar jaadu kar jaayega
jaadugar jaadu kar jaayega
haa
pi ke gulaabi tar jaayegaa
jaadugar jaadu kar jaayegaa

sun patli patang
chal mere sang sang
patli patang
chal mere sang sang
ik baat kahe dilwaala
ke ghoonghtaa
ke ghoonghtaa aa
ke ghoonghtaa khol zaraa
main bhi dekhoon til kaala
ke ghoonghtaa khol zaraa aa
aa

dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak

hoye hoye hoye hoye
dhoom dhoom lak lak
dhoom dhoom lak lak
yaari yaari yaari
dhoom dhoom lak lak
aari aari aari
bruuaah
ke aj main pi leni
ke aj main pi leni
ye saari ki saari
ke aj main chak leni
aj main chak leni
pisti naar kunwaari
mujhe koyi naa roke ae
mujhe koyi naa roke
naa roke duniyaadaari
ke aj main chak leni
pisti naar kunwaari
ke aj main chak leni

paa ji ee ee ee ee
tussi top ho
top ho
top ho
top ho

main keya kaka ji
tussi India di hope ho
o o o o o o

dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak

dha tirkit dha …

dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak

dha tirkit dha ….

dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak

ho o o o

dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak

dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak

o o o o


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5070 Post No. : 16991

In one of my earlier articles here, I had mentioned that the month of June is one of my most favorite months. There are several important days in this month and different anniversaries of our close ones too (including me 🙂 ).

Today 5th June is one such important day. It is the ‘World Environment Day’ today.

Here again I will repeat what I have mentioned in my post for the short song “Ye Hanste Huye Phool, Ye Mehka Hua Gulshan”  from film ‘Pyaasa’ (1957) written for ‘Environment Day – 2017’ and posted on the blog on 08.06.2017 (instead of 05.06.2017).

I am approaching today’s post in a different manner. Instead of going into the details of the environmental agencies, their history and purpose, the significant environmental issues being faced by humanity on this planet, etc. I am thinking of our Hindi films and their music. The nature is so intimately connected herein. We cannot imagine our Hindi Film Music without ‘connecting with nature.

 Well, for today I would like to make a little correction in the above lines. That year 2017 the theme of the ‘WED (World Environment Day) was ‘Connecting with Nature’ and I had tried to connect the same with the songs, lyrics and music of our Hindi movies.

This year ‘2022’ the theme of the ‘WED’ is “Only One Earth – Living Sustainably in Harmony with Nature”. So I would like to add here that I am thinking of those Hindi Films which carried a ‘message’ related to environment and our planet ‘the earth’. And since this is the blog of songs we need a song to connect this celebration today.

The movie of today ‘Aasmaan Se Gira’ (1991) has a message for all of us in its climax. Today’s song, though doesn’t exactly match the theme of today, it connects to the ‘philosophy of life’ and alerts us that ultimately our destination is ‘one’ and we have leave everything here. So let us leave everything in a good shape, better prospects, and in compassion to the humanity and nature.  Leave the ‘shad-ripus’ (kaam, krodh, lobh, moh, mad, matsar) to attain ‘moksh’. I have listened and watch this song several times and it is an enlightening song woven in comical situation in the movie. The movie also needs to be watched even though it’s a movie for children.

In today’s post I am not going into the details of this movie which I had mentioned in my earlier article with other song of this movie earlier on the blog – “Ghar Jaana Hai Mujhe, Ghar Jaana Hai“. A brief about this movie is given below.

A young prince is being trained for a time when he will grow up to become king. The lonely boy is frustrated at being kept secluded while being taught the art of statesmanship by great scholars. One day while frustrated he is crying for help ‘a strange little man’ arrives in his room.

This ‘little man’ is from another planet. His name is Trishanku. Trishanku was travelling to attend the wedding of his friend, but since the ‘rays of sorrow’ from the little prince caught him on the way he lands there to help the little prince.

The prince and Trishanku exchange views about their own worlds. Trishankhu is homesick and wishes to return back to his planet. He has his three friends from his planet who had earlier lost their way after coming to earth and then stayed back on the planet earth thereafter. Each one of the three knows the ‘part of the mantra’ that will allow Trishanku to go back to his home planet.

The two-escape trying to find ways for Trishankhu to go back. On their journey they develop a deep bonding and it is hard for Trishankhu to let go.

When Trishanku meets each of his three friends, each one gives him one part of the mantra which is presented in the form of a song and that is our song for today. It is picturised in three parts on Anil Kapoor, Sheeba, Sridevi, and Anupam Kher. The forth part of the song is picturised on Trishanku i.e. Raghuveer Yadav who is singing it at the ‘Jantar Mantar’ from where he is supposed to find his way to his planet after singing the ‘mantras’. In all the four parts of the song the little prince i.e. Master Abhishek is present in the picturisation of this song.

Finally Trishanku lands on his planet and he enters the ‘darbaar’ of his master (God of Outer Planet) i.e. ‘Baadshaah-e-Kahkashaan’ played by Amjad Khan. And, there we have the following conversation between ‘Baadshaah-e-Kahkashaan’ and Trishanku, where the master has a message for all on this ‘Planet – The Earth’.

Trishanku – takai t takai t takai t … main aa gaya ‘baadshaah-e-kahkashaan’,
                      andar aane ki ijaazat hai?

Baadshaah – aao … der lagaa di tumne, chuk gaye shaadi, yaad karte rahe sab

Trishanku – main kya karta, ve tinon itni door door thhe ek yahaan, doosra
                      wahaan , teesra jaane kahaan, badi mushqil huyi

Baadshaah – kya dekha tinon ne, pataa nahin … nahin laute… manaa kiya maine,
                       nahin maane
                       moorkh
                       bewaqoof
                       prithvi ke log
                      nahin samajhte
                      itni achchhi prithvi achaanak nahin bani… mehnat lagi.. koshish..
                      tum to thhe… yaad hain?

Trishanku –  haan yaad hain

Baadshaah – barbaad kar diya prithvi ko… tahas nahas… jung golaa barood
                         hathiyaar ladaayi … ped tod todkar nangaa kar diya prithvi ko
                         paani mein zehar … hawaa mein zehar …
                         mutthibhar log, hukumat karte karodon par
                         anaaj hain, bhookhe rehte hain laakhon… anaaj bechkar hathiyaar
                         kharidte hain
                         moorkh!  moorkh!!  moorkh!!!

Trishanku        theek kehte hain …lekin sabhi wahaan aise nahin hai …ek bachchaa hai
                            kautuk …main uski madad karna chaahtaa hoon

Baadshaah        nahin, nahin, nahin, hamaara kaanoon hai, rishta mat banana
                             prithvi ke logon ke saath… madad mat karna un murkhon ki
                             koshish ki thhi pehle kabhi, gayi bekaar… bhool jaao…bhool jaao o

 Trishanku –      theek hai prithviwaale dusht hain, lobhi hain, moorkh hain …ek doosre ka khoon choosnewaale hain, ek jhande ke pichhe aapas mein lad mar jaate hain, anaaj bechkar hathiyaar kharidte hain,  lekin sabhi aise nahin hain..kautuk jaise log bhi hai wahaan, usne yahaan aane mein meri madad ki … main bhi uski madad karna chaahta haoon…

(After this Trishanku tells Baadshaah how good and friendly Kautuk is and what consequences he may be facing after being alone now.)

Kautuk wants to play , wants to fly kite, wants to eat mango.. but Maasheela is such a cruel queen who has prohibited everything for Kautuk and he cannot even go out of his palace… saying this Trishanku breaks into tears and Baadshaah surprisingly asks him what is flowing from his eyes and why. Trishanku explains him that this is the ‘gift’ he got from the ‘people of prithvi’.

Baadshaah orders to bring Maasheela to his darbaar. And when Maasheela (Kalpana Aiyer) threatens Baadshaah of his life, the Baadshaah wants to kill her but Kautuk intervene and request Baadshaah to forgive her and he begs him for her life. 

Trishanku – dekha kitne zulm kiye hain is aurat ne is par, phir bhi ye uske praanon ki bheekh maang rahaa hai…ise kehte hain kshamaa, prem, kautuk jaise aur bhi log hain prithvi par, jab tak aise log hain hamen prithvi se naa-umeed nahin hona chahiye

(Maasheela hugs kautuk and is emotional. She asks kautuk to forgive her misdeeds. She showers her love on kautuk.)

This incident brings tears to the Baadshaah and he forgives all and with the following message…

jaao kautuk jaao… jab tak tum jaise log prithvi par rahenge …prithvi rahegi
jaao aur apne duniya ke logon ko samjhaa do…
aapsi prem khatm ho jaayega kuchh nahin bachega sab kuchh khatm ho jaayegaa

Kautuk returns to prithvi after taking a promise from Trishanku to visit him on his birthday every year.

This heart-warming film by popular TV and film director Pankaj Parashar stars a galaxy of Bollywood stars in guest appearances including Sridevi, Amjad Khan, Anil Kapoor and Anupam Kher.

Before we enjoy today’s entertaining song I just wish that may there be many such movies and may such songs which I can present for occasions like today. We need to have more movies to bring the awareness on issues of environment and pollution.

Yesterday, it was there in the news that people are throwing dead animals into canals… Many must have seen the dumping sites where every day garbage heap is dumped and which are slowly turning into big mountains …

And last but not the least … keep watching children’s movies in between … not necessary that all children’s movies are for children only. People can learn a lot from them.

Also I would like to request the film-makers that ‘meaningful movies’ on the issues around us can be made for adult audiences too and they should not limit this for the children only.

It is good to see that in recent years there have been movies coming on ‘environmental issues’ too. We will keep presenting songs from such movies in the future on the blog.

 

 

Song – Ghar Jaanam, Ghar Jaanam (Aasmaan Se Gira) (1991) Singer – Shailendra Singh, Suresh Wadkar, Kavita Krishnamurthy, Raghuveer Yadav, Master Abhishek, Lyrics – Kamlesh Pandey, MD – Louis Banks

Lyrics

Part 1

Shailendra Singh, Suresh Wadkar, Both

ghar jaanam

ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam

ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam

lobh, krodh, mad
maaya
matsar
sar sar sar sar
tum tar tar tar

lobh, krodh, mad
maaya
matsar
sar sar sar sar
tum tar tar tar
tum sar sar sar
tum tum sar sar
sar sar tum tum
tumsar tumsar

sarvas tyaagam
ghar jaanam
sarvas tyaagam
ghar jaanam

lobh, krodh, mad
maaya
matsar
sarvas tyaagam

ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam

prithvi tyaagam
ghar jaanam
om ghar jaanam


——————————————————————–

Part 2

Suresh Wadkar, Kavita Krishnamurthy, Both

saans baansuri

sari sari dha dhadkan
dha dha dhina dha 

saans baansuri
sari sari dha dhadkan
dha dha dhin dha
dha

tirkit dhoom tirkit dhoom dha dha

tirkit dhoom tirkit dhoom dha dha

[classical notations not deciphered]

dha tir dha tir dha dha
taa tir taa tir dha dha

dha tir kit dha dha
taa tir kit dha dha

dha tir dha tir dha dha dha
dha tir dha tir dha dha dha
dha tir dha tir dha dha dha

tatvamasi dha
shoonyam tha
shoonyam poornam
ghar jaanam

tatvamasi dha
shoonyam tha
shoonyam poornam
ghar jaanam

ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam

ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam

saans baansuri
tatvamasi dha
shoonyam poornam
ghar jaanam

ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam

ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam …

——————————————————————


Part 3

Anupam Kher, Suresh Wadkar, Chorus
Anupam Kher + Suresh Wadkar

ghar jaanam

ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
hmm hmm hmm

ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam

dhobi aaya
kapde laaya
kapde maaya aa
daag lagaaya

dhobi aaya
kapde laaya
kapde maaya aa
daag lagaaya

chintaa bikhri
dhoor pataas kar
khonch khonch kar
daag chhudaaya
dhobi aaya aa

chintaa bikhri
dhoor pataas kar
khonch khonch kar
daag chhudaaya
dhobi aaya aa

tv video
baingan aaloo
sab kuchh tyaagam
ghar jaanam

tv video
baingan aaloo
sab kuchh tyaagam
ghar jaanam

hi hi hi hi

chaadar maili
chalo utaaram
ghar jaanam

chaadar maili
chalo utaaram
ghar jaanam

ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam

ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam

dhobi aaya
kapde laaya
maya utaaram
ghar jaanam

ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam

————————————————————————


Part 4

Suresh Wadkar, Chorus

ghar jaanam

ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam

ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam

aa aa aa aa
aa aa aa aa

lobh, krodh, mad
maaya
matsar
sarvas tyaagam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam

aa aa aa aa
aa aa aa aa

saans baansuri
tatvamasi dha
shoonyam poornam
ghar jaanam
om ghar jaanam
prithvi tyaagam

dhobi aaya
kapde laaya
mail utaaram
ghar jaanam
om ghar jaanam
prithvi tyaagam
om ghar jaanam



This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5035 Post No. : 16946

Today 1st May’2022 is the one hundred and third birth anniversary of legendary Singer Manna Dey (01.05.1919-24.10.2013). As a tribute to him, I am presenting a motivational song sung by him from the movie ‘Prahaar-1991’.

‘PRAHAAR: The Final Attack’ was a film Produced by Sudhakar Bokade and Directed by Nana Patekar. The star cast includes Nana Patekar, Dimple Kapadia, Madhuri Dixit, and Gautam Joglekar who played the second lead with Madhuri Dixit. Prominent Stage artist Shri.Habib Tanvir played the role of Gautam’s father.
The film was produced under the banner of ‘Divya Films combine’. Its cinematography was done by Debu Deodhar.

‘Prahaar’ had as many as three songs, and the one under discussion today has three versions sung two by Manna Dey (happy and sad) and one by Kavita Krishnamurthy. The lyrics are written by Mangesh Kulkarni, and music is scored by Laxmikant–Pyarelal.

I had watched this movie during my stay at Kota (Rajasthan) and I liked it very much. I watched this movie at least three-four times.

The movie highlights many issues within our society and for me this is one of the bests movies of Hindi Cinema. I will not go into the details of the story of the movie as it is better to watch and feel than to read about this movie. I wish that this film should be watched by everyone in India and introspect ourselves and our surroundings and the happenings around us… for a better India.

All the actors and actresses acting in the movie have delivered a power packed performance.

A detailed article about this movie has been written by our Respected Shri Sadanand ji while presenting the song Dhadkan zara ruk gayee hai.

Today’s song has three versions and all of them are being presented here. This song is sung by Manna Dey and Kavita Krishnamurthy. The highly motivational lyrics are by Mangesh Kulkarni, and the divine music is given by Laxmikant-Pyarelal.

Let us listen to this wonderful song …

Male version (normal)-Audio

Male version (Slow)-Audio

Female version (normal)-Audio

Male versio video (Partial)

Song-Hamaari hi mutthi mein aakaash saara (Prahaar)(1991) Singer-Manna Dey/ Kavita Krishnamoorthy, Lyrics-Mangesh Kulkarni, MD-Laxmikant Pyarelal
chorus

Lyrics

———————-
Male version (Normal)/ Female version (similar except last humming stanza)
———————-

Hmm hmm hmm
Hmm hmm
Hmm hmm hmm
Hmm hmm hmm hmm

Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taraa

Kabhi naa dhale jo
Wo hi sitaaraa
Dishaa jis se pehchaane
Sansaar saara aa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa

Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa

Hatheli pe rekhaayen
Hain sab adhoori
Kis ne likhi hai
Nahin jaananaa hai
Hatheli pe rekhaayen
Hain sab adhoori
Kis ne likhi hai
Nahin jaananaa hai

Suljhaane unko naa
Aayegaa koyi
Samajhnaa hai unko
Ye apanaa karam hai
Hmm hmm hmm hmm
Aa aa aa aa

Apne karam se
Dikhaanaa hai sab ko
Khud kaa panapanaa,
Ubharnaa hai khud ko
Hmm hmm hmm hmm
Andheraa mitaaye jo nanhaa sharaaraa
Hmm hmm hmm hmm
Dishaa jis se pehchaane
Hmm hmm hmm hmm
Sansaar saaraa
Hamaari hi mutthhi mein
Hmm hmm
Aakaash saaraa
Hmm hmm
Jab bhi khulegi
Hmm hmm
Chamakegaa taaraa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa

Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai
Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai

Jin par hai chalnaa
Nayee peedhiyon ko
Unhi raaston ko
Banaanaa hamein hai

Hmm hmm hmm hmm
Aa aa aa aa

Jo bhi saath aaye
Unhein saath le len
Agar naa koyi saath de to akele
Hmm hmm hmm hmm
Sulgaa ke khud ko
Hmm hmm
Mitaa de andheraa
Hmm hmm
Dishaa jis se pehchaane
Hmm hmm
Sansaar saara

Hamaari hi mutthhi mein
Hmm hmm
Aakaash saaraa
Hmm hmm
Jab bhi khulegi
Hmm hmm
Chamakegaa taraa

Kabhi naa dhale jo
Wo hi sitaaraa
Dishaa jis se pehchaane
Sansaar saara
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taraa

Aa aa aa aa
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm

Aa aa aa aa
Hmm hmm hmm
Aa aa aa aa
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Aa aa aa aa

Aa aa aa aa

—————————-
Male version(Slow version)
—————————-

Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai
Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai

Jin par hai chalnaa
Nayee peedhiyon ko
Unhi raaston ko
Banaanaa hamein hai
Hmm hmm hmm hmm
Aa aa aa aa

Jo bhi saath aaye
Unhein saath le le
Agar naa koyi saath de to akele
Hmm hmm hmm hmm
Sulgaa ke khud ko
Hmm hmm
Mitaa de andheraa
Hmm hmm
Dishaa jis se pehchaane
Hmm hmm
Sansaar saara
Hamaari hi mutthhi mein
Hmm hmm
Aakaash saaraa
Hmm hmm
Jab bhi khulegi
Hmm hmm
Chamakegaa taraa

Kabhi naa dhale jo
Wo hi sitaraa
Dishaa jis se pehchaane
Sansaar saara aa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taraa

Aa aa aa aa aa
aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Hmm hmm hmm
Aa aa aa aa aa
aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Hmm hmm hmm
Aa aa aa aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Hmm hmm hmm
Aa aa aa aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Aa aa aa aa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4998 Post No. : 16896 Movie Count : 4590

Hullo Atuldom

In the (almost) 14 years of its existence, there have been many changes in the lives of those associated with atulsongaday.me.

Our Atulji has shifted base a few times in these years. If I am not wrong his daughter has qualified to be a doctor as also Nahmji’s son and Shri Arunkumar Deshmukhji’s (Guruji) grandson/s have also become doctors. Peevesie who entered the world of ASAD and was called the youngest follower turning to contributor and mouthpiece (for the blog) among her friends and family has since become a working adult and even has a life-partner as also Nahmji’s daughter. Avinashji has also shifted base a few times and also had an overseas stint in the years in between. Maheshji (Mukesh Fan is his second name) has returned to Motherland and is no longer an NRA (non-resident atulite). I know that similar changes, in life & on the work front, have happened in the lives of other Atulites too. I have myself graduated from being a full-time mother to a leisurely-paced mother.

There is a lesser-known Atulite who has contributed only one post as a guest-poster (she took over the mantle of youngest contributor). Her forte’ is that she is musically inclined as her father (a hyper-active atulite). I know that she also pens verses which are very meaningful. She had given her father this post on his birthday six years back. She was welcomed wholeheartedly by atulites who wanted more from her but her preoccupation with education and other activities may not have given her time to contribute more to the blog. But the song with that post was so meaningful, it would have been appropriate for today. She has grownup into a young adult and is stepping into a new phase of her life. Here is wishing her all the best for the future.

There is a happy event happening in the life of our Guruji too in the next few days. Wishing him lots of joy and all the best to his grandson.

“Jab Pyar Kisise Hota Hai” is a title that was first used in Hindi films in 1961 which was written and directed by Nasir Husain and had his time-tested formula of hero impersonating, heroine falling in love with the impersonator, misunderstandings creeping in due to the villain and heroine’s father, and finally the hero and heroine getting married with the blessings of all elders. The movie was littered with great songs.

The title was repeated again in 1998. This time the director was Deepak Sareen who had started his career as assistant to Yash Chopra in ‘Deewar’. He had been assistant in ‘Kabhi Kabhi’, ‘Doosra Aadmi’, ‘Silsila’, ‘Mashaal’ and ‘Faasle’ before independently directing ‘Ranbhoomi’, ‘Aaina’, ‘Gaddar’, ‘Jab Pyaar Kisise Hota Hai’, and ‘Albela’. This romantic film had a skirt-chaser for a hero who is disliked by the girl initially. He woos her by promising to give up his errant ways, convinces both families that they are ready to marry. But the twist in the tale comes in the form of the hero’s son from a previous girlfriend who insists that he will tell-all to the fiancee if the hero doesn’t tell himself. The story comes to a happy ending with the girl and the child forgiving the hero and ‘THE END’

“Jab Pyaar Kisi Se Hota Hai” (1998) starred Twinkle Khanna, Farida Jalal, Himani Shivpuri, Namrata Shirodkar (guest appearance), Salman Khan, Anupam Kher, Johnny Lever, Saeed Jaffery, and Master Aditya Narayan. The movie had songs written by Anand Bakshi and composed by Jatin-Lalit. Today we are having the movie debuting with a song sung by Alka Yagnik and Sonu Nigam. It has the whole cast except Aditya Narayan enjoying the engagement of Salman and Twinkle.


Song-Chal pyaar karegi haan jee haan jee (Jab Pyaar Kisi Se Hota Hai)(1998) Singers-Sonu Nigam, Alka Yagnik, Lyrics-Anand Bakshi, MD-Jatin Lalit
Male Chorus
Female chorus

Lyrics

o ladke deewaane
kahaan se aaya tu
dulhan ko le jaane
kahaan se aaya tu
o ladke deewaane
kahaan se aaya tu
dulhan ko le jaane
kahaan se aaya tu

chal pyar karengi
haan jee haan jee
mere saath chalengi
na jee na jee
ho chal pyaar karengi
haan jee haan jee
o mere saath chalengi
na jee na jee
arre tu haan kar
ya na kar teri marzi soniye ae
hum tujhko uthhakar le jaayenge
doli mein bithhakar le jaayenge ae ae
hum ghar mein kahin chhup jaayenge
sang tere nahin hum jaayenge

chal pyar karengi
haan jee haan jee

hoye hoye hoye
ahaa ahaa ahaa

o gore gore mukhde waali
o kaale kaale nainon waali
maan mera ehsaan ke maine haan kar di ee
tu warna kunwaari reh jaati
ye shaadi hamaari reh jaati ee ee
tu warna kunwaari reh jaati
ye shaadi hamaari reh jaati ee
chal pyaar karegi
haan jee haan jee
mere saath chalegi
na jee na jee

ho ho ho
aa aahaa aahaa aa aahaa
ho ho ho
aa aahaa aahaa aa aahaa

ja main nahin karti shaadi vaadi
mujhko pyaari hai yeh aazaadi
main toh apne baabul ke baaghon ki bulbul hoon oon
bas tujhse mujhe yeh kehna hai
pinjre mein mujhe nahin rehna hai ae ae

bas tujhse mujhe yeh kehna hai
pinjre mein mujhe nahin rehna hai

chal pyar karegi
haan jee haan jee
o mere saath chalegi
na jee na jee

oye oye oye
ahaa ahaa ahaa

aankhon se kaajal le jaayenge
zulfon ke baadal le jaayenge
arre hum aaye hain door se
yoon waapas na jayenge ae
hum apni sajaniya le jaayenge
arre hum apni dulhaniya le jaayenge ae
hum apni sajaniya le jaayenge
arre hum apni dulhaniya le jaayenge

hey chal pyar karegi
haan jee haan jee
mere saath chalegi
na jee na jee
arre tu haan kar ya na kar
teri marzi soniye ae
hum tujhko uthhakar le jaayenge
arre doli mein bithhakar le jaayenge ae ae
hum apni sajaniya le jaayenge
arre hum apni dulhaniya le jaayenge ae


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4987 Post No. : 16877

Hullo Atuldom

The screen turns to a dark, cloudy sky. There is thunder and lightning. A shimmering disk appears against this backdrop, accompanied by music that has certain magical quality about it. As the background score gently works its way to a crescendo, finishing with a flourish of cymbals, a Greek column-like pedestal, bearing the ‘NH Films’ insignia appears against a smoke-filled screen. Almost instantly a booming voice recites a couplet, with a soft but distinct drum roll accompanying the oration. The couplet goes:

Kya ishq ne samjha hai, kya husn ne jaana hai
Hum khaaq-nasheenon ki thokar mein zamaana hai

The voiceover ends with an emphatic drumbeat. The credits follow led by the opening credit, NASIR HUSAIN FILMS Presents…..

This is from the introductory page of the book “Music Masti Modernity- The cinema of NASIR HUSAIN” by Akshay Manwani – a gift that my daughter gave me last year for Mother’s Day. From the book I learnt that Maulana Abul Kalam Azad was Nasir Husain’s mother’s maternal uncle. He (Nasir Husain) was the fourth of five children with Tahir Husain being his younger brother. Actors Tariq (of kya hua tera waada) and Aamir Khan are his nephews where Tariq is his older brother – Anees’s son and Aamir is Tahir Husain’s son. His grandson Imran Khan (daughter Nuzhat’s son) is an actor. A very interesting trivia that I learnt from the book is that Nasir Sa’ab’s wife – Ayesha Khan- was born Margaret Francina Lewis, and she was an assistant choreographer in films.Subodh Mukherjee used his assistant Nasir and the choreographer’s assistant whenever he setup shots and almost played cupid in their life.

We (the regular followers of this blog) know that Nasir Husain began his life in the film industry as a writer at Filmistan when the screenwriter Aghajani Kashmeri fell ill and Nasir Sa’ab was asked to complete the unfinished dialogues for “Chandni Raat” (1949); the book says he was not credited for this. We also know that he went on to produce and direct films and gave audiences breezy musical romantic entertainers right till the 1980s when he directed “Zabardast” (1985) which was produced by Mushir-Riaz which had Rati Agnihotri- Jaya Prada- Tanuja- Geeta Kak- Sunny Deol- Rajiv kapoor- Sanjeev Kumar- Amrish Puri and others in the cast.

1988 saw Nasir Sa’ab’s son Mansoor Khan turn director with “Qayamat Se Qayamat Tak” which was produced by Nasir Husain Films, and the story-screenplay and dialogues were by Nasir Husain. The next two films directed by Mansoor Khan- “Jo Jeeta Wahi Sikandar” {JJWS (1992)} and “Akele Hum Akele Tum” (1995) also had dialogues by Nasir Husain. That means career began and ended Nasir Sa’ab with being a writer. I think he hung up his boots post this.

“Yaadon Ki Baraat” (1973) made by Nasir Husain Films had a long song which changes beat/ tempo etc. with ‘Dil mil gaye toh um khil gaye’- which is almost like a second song with a life of its own. The song closes with Tariq, Zeenat Aman, Vijay Arora and the whole audience breaking into ‘Dum Maro Dum’ and we get the third song. Nasir Husain repeated this kind of song picturisation in ‘Hum Kisi Se Kum Nahin’ and ‘Zamaane Ko Dikhana Hai’. Mansoor Khan followed his father’s formula of two-three songs in one with ‘Jawaan ho yaaro yeh tumko hua kya’; ‘deewane hum pyar ke, parwaane hum pyar ke’ and ‘Naam hai mera Fonseca” in “JJWS”. Today we shall see one of the three.

We can see Aamir Khan, Ayesha Julka, Pooja Bedi, Deepak Tijori, Mamik Singh, Kiran Jhaveri, Deven Bhojani etc in this stage song which is sung by Udit Narayan and Vijeyta Pandit. It is written by Majrooh Sultanpuri and composed by Jatin-Lalit.

Incidentally 13th March was Nasir Husain’s death anniversary and 14th March is Aamir Khan’s birthday. So here is a song connecting the Uncle and Nephew.

Audio (Longer)


Video

Song-Jawaan ho yaaron ye tumko hua kya(Jo Jeeta Wohi Sikandar)(1992) Singers-Udit Narayan, Vijeyta Pandit, Lyrics-Majrooh Sultanpuri, MD-Jatin Lalit
Udit Narayan + Vijeyta Pandit

Lyrics

jawaan ho yaaron
yeh tumko hua kya
aji hamko dekho zara aa
jawaan ho yaaron
yeh tumko hua kya
aji hamko dekho zara
ye maana abhi hain khaali haath
na honge sada yahi din raat
kabhi toh banegi apni baat
arre yaaron
mere pyaaron
meri maano
ho dildaaron

jawaan ho yaaron
yeh tumko hua kya
aji hamko dekho zara
yeh maana abhi hain khaali haath
na honge sada yahi din raat
kabhi toh banegi apni baat
arre yaaron
mere pyaaron
meri maano ho dildaaron

mehnat se miley jo
uspe guzaar
dooje ke maal ko
thhokar se maar
aayegi idhar bhi
ek din bahaar
hoga yeh zamaana
ham pe nisaar

yeh maana abhi hain khaali haath
na honge sada yahi din raat
kabhi toh banegi apni baat
arre yaaron
mere pyaaron
meri maano ho dildaaron

isko chhoona nahin
hey raam raam
ye toh hai paap ki
gathhri tamaam
kab yeh rut badal jaaye
kisko khabar
lag jaaye hamein bhi
sone ke par

phir aise udenge
ham sab yaar

gulon se ladegi motar car
haseena hogi gale ka haar
arre yaaron mere pyaaron
meri maano ho dildaaron

jawaan ho yaaron
yeh tumko hua kya
aji hamko dekho zara
yeh maana abhi hain khaali haath
na honge sada yahi din raat
kabhi toh banegi apni baat
arre yaaron
mere pyaaron
meri maano ho dildaaron


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4980 Post No. : 16862 Movie Count : 4587

Hullo Atuldom

March 7th sees Anupam Kher, the versatile actor, turn a year older. He has played characters beyond his calendar age in numerous films. He has played the archetypal villain with as much finesse as serious supporting roles. He has also tried playing characters which are comic but of course some of these have been over-the-top and mostly making faces, using odd hair-get-ups etc. would be used to create comic effect. But I think we can excuse this fine actor of these excesses as he used to balance them by doing roles as in “Daddy” (1989), Utsav (1984), Karma (1986), Rao Saheb (1985), Kaash (1987), Zevar etc.

He played Shahrukh Khan’s son-friendly father in a few movies, as also father to Salman Khan and other heroes of the 90s. But I have never been able to get over the fact that he played father to Anil Kapoor in one movie and grandfather in the next movie. Similarly, he has played friend, jija, father, grandfather etc to Rishi Kapoor. I can go on and on about the various actors with whom he played such characters. All of these just show the love this man has towards all things connected with films and movie making.

He turned producer in 2000 with “Bariwali” which was in Bengali and had his wife Kirron Kher play a lonely, sad, unfortunate, middle-aged woman. He directed ‘Om Jai Jagdish” in 2002. Additionally he has appeared in a few international television serials, and films. He has also been seen in Punjabi, Bengali, Tamil, Malayalam, Marathi films.

His brother Raju Kher is an actor as also his wife and her son (his step-son) Sikandar Kher are actors.

This was a song that I posted in 2020 on Anupamji’s birthday. There are so many choices available to go with today’s post. I have zeroed in on a song where we have Rishi Kapoor playing Anupam Kher’s ‘chela’ reminding us of Joy Mukherjee and I.S Johar in “Shaagird”.

This movie “Shreemaan Aashique” (1993) was directed by Deepak Anand and produced by Shakeel Noorani. The film starred Urmila Matondkar, Rishi Kapoor, Anupam Kher, Bindu, Reema Lagoo, Mehmood, Annu Kapoor etc. Music was by Nadeem-Shravan, Sameer and Noor Kaskar (never heard this name before) were the lyricists. I recently discovered that Anupam Kher has sung a few songs in movies and today’s song is one of them. The other voice in the song is Ahmed Mirza (never heard this name too).

I apologize to all the purists in subjecting them to this song, but we shall see the positive side that this actor didn’t mind making himself a buffoon too.
Wishing Anupam Kher health and happiness


Song-Abhi to main jawaan hoon (Shreeman Aashique)(1993) Singer-Ahmed Mirza, Anupam Kher, Lyrics-Sameer, MD-Nadeem Shrawan

Lyrics

abhi to main jawaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon
umang hai jawaan meri
tarang hai jawaan meri
umang hai jawaan meri
tarang hai jawaan meri
ajab hai daastaan meri
jawaan dilon ki shaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon

abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
jawaani ko nikhaar le
ye zulf to sanwaar le
jawaani ko nikhaar le
ye zulf to sanwaar le
zara tu seedhi chaal chal
na ladkhada
sambhal sambhal
na ladkhada
sambhal sambhal
kamar teri kamaan hai ae
kamar teri kamaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai

payjama kurta na pahan
deewaane up to date ban
payjama kurta na pahan
deewaane up to date ban
disco mein jaakar dance kar
ab khul ke tu romance kar
ab khul ke tu romance kar
ghabraata hai naadaan hai
ghabraata hai naadaan hai
jawaani ki tu shaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai

ab doodh pee
baadaam kha
uthh ke subah jogging ko ja
ab doodh pee
baadaam kha
uthh ke subah jogging ko ja
gaalon pe hongi surkhiyaan
jaayengi saari jhurriyaan
jaayengi saari jhurriyaan
tujhmein abhi tak jaan hai
tujhmein abhi tak jaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4957 Post No. : 16826 Movie Count :

4579

Hullo Atuldom

The title-cards of movies that he was present in always billed him as “And Pran”.

His was the character needed to bring out the hero in Raj-Dilip-Dev, Dharam-Rajendra-Sunil. Shammi Kapoor fooled him in “Kashmir Ki Kali”, “Bluffmaster” etc’ Kishore Kumar made him run after him in “Half Ticket”. He was unhappily-married to the girl Manoj Kumar loved in “Do Badan”.

He was a strict-rich-unbending father to Rishi Kapoor in “Bobby”. A friend to Ashok Kumar in reel and real life, they came together on-screen for the first time in “Afsana” (1951). {I hope this is correct!!! In-house encyclopediaji and other knowledgeable Atulites need to confirm this}.

He was seen along side Ashok Kumar in close to 27 movies till 1987 when Ashok Kumar played Pran’s (Thakur Satyaprakash) trusted driver, Man-Friday etc. in the Prayag Raj directed “Hifazat”. (Hope I am right here, have seen this film a long time back on television).

His association with Manoj Kumar has material for a post on its own, but I feel like mentioning that it was Manoj Kumar who thought that Pransaab (as the industry addressed him) will be able to do justice to the character of Malangbaba in “Upkaar”. The last time Pransaab acted in a Manoj Kumar was “Jai Hind” in 1999.

Additionally Pransaab was instrumental in making characters of Amitabh Bachchan, Jeetendra and various other actors of the 70s and 80s standout in numerous films.

It is very difficult to write a post about this lovable artiste, without touching on the extra touch, that he added to all his characters so that no-two villains looked same or had similar traits. He looked menacing blowing smoke-rings holding his pipe/cigar/cigarette in different styles. The mustache of Raka in ‘Jis desh mein Ganga behte hain” was different from the one he sported in “Ram aur Shyam”. If Helen experimented with her outfits for her dance numbers, Pransaab was known to play around his hair styles. I am sure that the readers will feel that I am a huge fan of this actor who was awarded the “Villain of the Millenium” by Stardust in 2000, the Padma Bhushan by the Government of India in 2001 and the Dadasaheb Phalke award in 2013.

Yes, I loved to see this actor in action. I found him adorable. There is a whole list of songs filmed on this actor and the following are the ones I loved him most in.

Song Movie (Year) Date posted Singer
Daaru ki bottle mein saahab paani bharta hai Majboor (1974) 14 Nov 2008 Kishore Kumar
Aake seekhi lagi Half Ticket (1962) 8 Feb 2009 Kishore Kumar, Pran
Kasme waade pyaar wafa waahe hain waadon ka kya Upkaar (1967) 1 March 2009 Manna Dey
Dil ki umangen hain jawaan Munimjee(194) 27 April 2009 Hemant Kumar, Geeta Dutt, Pran
Raaz ki baat keh doon to jaane mehfi mein phir kya ho Dharma (1973) 21 May 2009 Asha Bhonsle, Rafi
Do bechaare bina sahaare Victoria number 203 (1971) 10 March 2011 Mahendra Kapoor, Kishore Kumar
Yaari hai imaan mera yaar meri zindagi Zanjeer (1973) 12 February 2012 Manna Dey
Mujhse nazren milaane ki jurrat na kar Maan Gaye Ustaad (1981) 26 November 2012 Rafi, Manna Dey
Mera ek sawaal hai sawaal ka jawaab do Maan Gaye Ustaad (1981) 12 February 2018 Rafi, Chandrani Mukherjee, Dilraj Kaur
Aji sunte ho Raja Aur Rana (1983) 12 February 2019 Mahesh Kumar, Kishore Kumar
Shaam suhaani aayi khushiyaan banke pehli baar Zinda Dil (1975) 12 February 2020 Lata, Shailendra Singh, Mahendra Kapoor

The list is not complete, there are more songs where either he is simply standing and smiling benevolently or menacingly (depending on the era of the song). I remember a song from the 90s where he is seen partying on his wedding anniversary with Asha Parekh. Everytime I see this song I think of Pran and Asha Parekh from all those movies of the 60s when he played the spoke in her love-life with the hero of those films:- “Jab Pyaar kisise hota hai”, “Love In Tokyo”, “Do Badan”, and the list is long here too. What more does one expect when a person has a career starting from 1940 and going on till 2007.

Thinking of this actor today on his 102nd birth anniversary with the party song that I mentioned in the previous paragraph. The movie is the 1993 release “Bhagyawan” which had Govinda play the son of Asha Parekh & Pran, with Juhi Chawla, Ranjeet, Aruna Irani, Kirti Kumar (Govinda’s real-life brother), Johnny Lever etc forming the rest of the cast. The movie was a typical family drama. It had songs written by Sameer, M G Hashmat, and Hasrat Jaipuri. Today’s song is sung by Abhijeet. Anand Milind were the music directors of this film.

I take this as the party to celebrate two other occasions- birthday of one Atulite and wedding anniversary of another Atulite (sirf hint hi kaafi hai).
Wishing all the best to both the Atulites.


Song-Akkad bakkad timbaktu (Bhaagyawaan)(1993) Singer-Abhijeet, Lyrics-M G Hashmat, MD-Anand Milind
Pran
Unknown male voice
Chorus
All

Lyrics

akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you
aapne mujhko pyaar diya
maine tay kiya
ab to le jaaunga main pakad ke
aise dekho na mujhko akad ke
ab to le jaaunga main pakad ke
aise dekho na mujhko akad ke
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you

bhool nahin paaunga
main aapke ehsaan ko
meethhi meethhi pyaari pyaari
mamta ki zubaan ko
bhool nahin paaunga
main aapke ehsaan ko
meethhi meethhi pyaari pyaari
mamta ki zubaan ko
thhandi thhandi raaton mein jab neend nahin aati thhi
loriyaan suna ke apne aanchal sulaati thhi
zindagi ke raste mein
raushani dikhaati thhi
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you

arre baba
pare baba
papappa
pare baba
arre baba
pare baba
papappa
pare baba

ye maine kuchh nahin kiya beta
ye to sab upar waale ka qasoor hai

jhoothh mat boliye jee
aapka qasoor hai
aaj ke zamaane mein kya
pyaar ka dastoor hai
jhoothh mat boliye jee
aapka qasoor hai
aaj ke zamaane mein kya
pyaar ka dastoor hai
jaane kaise dukhde sah ke
bachche paale jaate hain
bade ho ke badon se wo door kyun ho jaate hain
good bye mummy bye bye papa
kah ke chale jaate hain
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you
aapne mujhko pyaar diya
maine tay kiya
ab to le jaaunga main pakad ke
aise dekho na mujhko akad ke
akkad bakkad
timbak tu
you love me and
I love you/font>
akkad bakkad
timbak tu
you love me and
I love you
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4950 Post No. : 16813

Hullo Atuldom

‘Pehli Baar’ (First Time) is a program that is aired on a channel of the DTH service that I am subscribed to. It gives background about how some celebrities met or got together for the first time ever. Of course the incidents, and content in that program is possibly stuff that many of us have read over the years over-and-over again, and also in all the Filmfares, Screen (the magazines of yesteryear), Star & Style, Stardust, Cine Blitz etc. that were available in all the circulating libraries of those times. Stories like how Nargis had batter in her hand when she opened the door for Raj Kapoor, how Balraj Sahni saw Johnny Walker mimicking actors as he sold tickets in Mumbai’s BEST buses etc.

When I write a post I try to bring songs from the first movie of the celebrity who I am focusing on. The ‘Pehli Baar’ of the artistes who have made a place in our hearts and minds. The Pehli Baar that I mentioned star-kid (now a grown-up man) Abhishek Bachchan in a post, must have been this song – “Happy Days Are Here Again“.

But that was not his debut in Hindi films, his debut was in JP Dutta’s ‘Refugee’ in 2000. The movie was also the first released film for Kareena Kapoor. Jackie Shroff, Suneil Shetty, Reena Roy, Anupam Kher, Kulbhushan Kharbanda, Shadaab Khan (Amjad Khan’s son), Ashish Vidyarthi and a whole set of known faces forming the supporting cast were part of the film which was about a Muslim family from Bihar that had migrated to East Pakistan post the partition of India in 1947. But after the formation of Bangladesh in 1971 this family along with several such families are forced to relocate to West Pakistan. For this they choose the Dhaka-Guwahati-Delhi-Ajmer route. From Ajmer they go to Haji Peer in Pakistan through Bhuj in Rann of Kutch. In this endeavor they are assisted by an agent who is simply addressed as Refugee (Abhishek Bachchan). He normally is very impersonal when escorting people across the border and is unaware that he is assisting terrorists too. But he begins to like the daughter (Kareena Kapoor) of this family and keeps visiting her even after the family is settled into Pakistan. The rest of the movie talks about the hardships the lovers face due to involvement of the border security forces, terrorism in the region etc. And as in all JP Dutta movies there is exchange of fire, across the border, between the Indian and Pakistani forces and a thought provoking question at the close of the film when Kareena Kapoor delivers her baby in the no-man’s land area between the two nations.

‘Refugee’ was an average grosser at the box-office and both the debutantes got positive reviews too. Following its release Abhishek was seen in ‘Tera Jadoo Chal gaya’ and ‘Dhai Akshar Prem Ke’ in the same year. ‘Dhai Akshar Prem Ke’ was the Pehli Baar that we saw Aishwarya Rai with AB Jr. (as he is popular in the social media world). There were other 10-12 movies of AB Jr’s that released between 2000 and 2004, all of which were not-so-commercially successful. But most of them had the critics appreciating Abhishek. ‘Yuva’ (2004) by Mani Ratnam is a point in case. ‘Bunty Aur Babli’ (2005) and ‘Dhoom’ (2004 ) were his biggest successes in that period. He has been trolled (a term that is in vogue in this age and times) for being his parents’ son and wife’s husband for the past few years. But he is a person who has never responded to any of the negatives that are being thrown at him and has been quietly working with a movie of his releasing every year.

Let me clear my stand here:- I am his parents’ fan not his. But I really like his work and the sincerity with which he dances and emotes. I don’t think there is any harm in appreciating good work and Abhishek does have some good movies in his filmography. I have seen him switch between atrocious comedy and absolute serious scenes with ease in Rohit Shetty’s ‘Bol Bachchan’ (2012) and ‘Zameen’ (2003). He is definitely his parents’ son (and I am not mentioning it in a negative way here). He has been around for 22 years and nobody will invest money on a flop actor if he was not going to give good returns.

So let us wish him well on his birthday today.

I have a whole set of possible songs to go with this post, but I shall stick to AB Jr’s first screen appearance. ‘Refugee’ had six songs of which the following two are on the blog – “Aisa Lagta Hai Jo Na Hua Hone Ko Hai” and “Raat Ki Hathlei Par Chaand Jagmagaata Hai“.

The first song appeared almost 10 years ago. Here is the next. It is sung by Sonu Nigam and Alka Yagnik, written by Javed Akhtar and Anu Malik is the music director. The song shows the young lovers building their future home.

Song – Taal Pe Jab Ye Zindgani Chali (Refugee) (2000) Singer – Alka Yagnik, Sonu Nigam, Lyrics – Javed Akhtar, MD – Anu Malik
Chorus

Lyrics (Provided by Sudhir)

aaaa aaaaa aaaaaa
aaaa aaaa
haa..aaye
ho  oo

taal pe jab ye zindgani chali
taal pe jab ye zindgani chali
hum hain deewaane
hum hain deewaane
ye kahaani chali
oo oo oo oo oo
aaa aaa aaa aaa aaa

taal pe jab ye zindgani chali
taal pe jab ye zindgani chali
hum hain deewaane
hum hain deewaane
ye kahaani chali
oo oo oo oo oo
aaa aaa aaa aaa aaa

[sargam]

oo oo oo oo oo oo
aaa aaa aaa aaa aaa aaa

teri nazar ki dhoop hai jis ne mujh ko roop diya hai
nikhar gai hoon
sanwar gai hoon
jab se pyaar kiya hai
teri nazar ki dhoop hai jis ne mujh ko roop diya hai
nikhar gai hoon
sanwar gai hoon
jab se pyaar kiya hai
sach to ye hai sanam
hai ye tera karam
hosh saara ganvaa ke deewaani chali
taal pe jab ye zindgani chali
taal pe jab ye zindgani chali
hum hain deewaane
ye kahaani chali
oo oo oo oo oo
aaa aaa aaa aaa aaa

————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
आ॰॰आ आ॰॰आ आ॰॰आ
आ॰॰आ आ॰॰आ
हा॰॰ये
हो ओ

ताल पे जब ये ज़िंदगानी चली
ताल पे जब ये ज़िंदगानी चली
हम हैं दीवाने
हम हैं दीवाने
ये कहानी चली
ओ ओ ओ ओ ओ
आ आ आ आ आ

ताल पे जब ये ज़िंदगानी चली
ताल पे जब ये ज़िंदगानी चली
हम हैं दीवाने
हम हैं दीवाने
ये कहानी चली
ओ ओ ओ ओ ओ
आ आ आ आ आ

[सरगम]

ओ ओ ओ ओ ओ ओ
आ आ आ आ आ आ

तेरी नज़र की धूप है जिसने मुझको रूप दिया है
निखर गई हूँ
संवर गई हूँ
जबसे प्यार किया है
तेरी नज़र की धूप है जिसने मुझको रूप दिया है
निखर गई हूँ
संवर गई हूँ
जबसे प्यार किया है
सच तो ये है सनम
है ये तेरा करम
होश सारा गंवा के दीवानी चली
ताल पे जब ये ज़िंदगानी चली
ताल पे जब ये ज़िंदगानी चली
हम हैं दीवाने
ये कहानी चली
ओ ओ ओ ओ ओ
आ आ आ आ आ


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4940 Post No. : 16795 Movie Count :

4570

Hullo Atuldom

A very Happy Republic Day to every Indian on this earth. It is 73 years since The Indian Constitution came into effect replacing the Government of India Act and turning the nation into a newly formed Republic.

Various videos have started doing rounds on the social media over the last few days, and the one that is shared the most is this one. This video has Cyrus Broacha, the theatre and television personality who excels in tongue-in-cheek satire, quiz a few youngsters about what they think of the national holidays- 15th August and 26sup>th January. I don’t know if I should feel sad about the replies that the respondents gave or feel ashamed of how little information we have passed on to the generation that followed ours – we being the generation that followed those who had worked towards independence for India and making it a Sovereign Democratic Republic. (I myself didn’t know answers to few of the questions).

Here I am reminded of this post by Peevesie where she has expressed her thoughts on National pride, patriotism, and the behaviour of the citizens when such national days approach. I am sure that the thoughts in there would open no-holds and no-age barred debates, and evoke sentimental responses all around.

I don’t want to continue the lament so I just came back to the spirit of this blog which is music.

Over the last few years we have had a few films which were based on Real achievements of this vast country of ours. Atulji has written some highly educative and informative posts for songs from these movies (one reading of these posts is not enough to understand the spirit behind these National achievements).

The posts are almost like an insiders’ view, as he works for one of the largest employers of the country, the Indian Railways which is instrumental in binding the country into one whole unit. The other large employer being the Armed Forces. These two organisations of the country work relentlessly 24/7 and salute to them.
These are the posts Shubh din aayo; dil mein Mars hai which speak of modern India’s achievements that should make very Indian proud (I don’t know if every Indian knows everything about India.)

Before beginning this post, I just went over the songs posted in the blog on the very first Republic day (for the blog) and found these

Song Posted at
Ye desh hai veer jawaanon ka (posted at 7.46 a.m.)
Mere desh ki dharti sona ugle (posted at 7.54 a.m.)
Dulhan chali o pahan chali (posted at 7.59 a.m.)
Hai pree jahaan ki reet sada (posted at 8.15 a.m.)
Abke baras (posted at 8.34 a.m.)
Chhodo kal ki baaten (posted at 8.47 a.m.)

As can be seen from above, there were six patriotic songs on that date, all posted well before 9 a.m. I am sure post this activity Atulji would have left for the official flag unfurling program at his work place.

Here I would like to mention that Flag Hoisting takes place on Independence day and Flag Unfurling for Republic Day. Also the main celebrations for the country happens in New Delhi -the national capital- where the Prime Minister hoists the National flag and addresses the nation on Independence day from the ramparts of the Red fort and The President unfurls the flag on Rajpath – the venue of the Republic Day parade. The President, being the Supreme Commander of the Indian Armed Forces, presides over the Republic Day parade. The Republic Day celebrations begin with the Prime Minister paying homage (on behalf of a thankful nation) to the unknown soldiers, who laid down their lives for the country, at the memorial at India Gate. There is going to be a slight departure this year, as the Amar Jawan Jyoti -the eternal flame at the memorial – which was constructed after the 1971 Indo- Pak war and inaugurated on 26th January 1972 has been merged with the newer one at the National War Memorial on 21st January 2022.

Coming back to the songs that were posted on 26th January 2009, of the six songs posted one was from a Black and White movie (at the time of its release) “Naya Daur” having Ajit and Dilip Kumar in the song. The last song posted that day was from “Hum Hindustani” which had Sunil Dutt and we can also see some military and para-military force parades in the song. The other four songs were from Manoj Kumar starrers, each song showcasing a different aspect of patriotism. All the posts were short, crisp posts. (I must say that Atulji has become more vocal as the blog grew.)

These are my last two contributions to the blog on the occasion of Indian Republic day.

Song Date of posting
Mera mulk mera desh mera ye watan 26 January 2021
Vande Maatram 26 January 2020

Today we are having a song from Mukul S. Anand’s unfinished, unreleased 1997 movie “Dus”. The film began production in May 1997 and 40% shooting was completed by August. Songs from the movie were already released for public viewing on various music channels of satellite television. Unfortunately Mukul Anand (the director), died during the movie’s shoot on location in Utah, and the movie was shelved. The co-producer Nitin Manmohan released another movie with the same title but unrelated subject in 2005. Mukul Anand’s ‘Dus’ had a cast of Sanjay Dutt, Vinod Khanna, Salman Khan, Shilpa Shetty, Raveena Tandon etc. It had music by Shankar- Ehsaan- Loy and Sandeep Chowta. Lyrics were by Sameer and Deepak Choudhary.

Today’s song is in the voices of Udit Narayan, Shankar Mahadevan, Mahalakshmi Iyer, Dominique Cerejo and lyrics are by Sameer. It had been filmed as a stage song and tells the world that India will be “sabse aage” in the years to come. That means one of the leading nations of the world. And we can see there is a lot of good happening in the country and hope to see positive changes in the years to come.

This was the promotional video that was up on Mukul Anand’s official website.
When I see such songs I feel all is not lost and there is still some patriotic fervour among the country’s youth and they express it in their own way.
Happy Republic day once again.


Song-Suno gaur se duniya waalon (Dus)(1997) Singers-Udit Narayan, Shankar Mahadevan, Mahalaxmi Iyer, Dominique Cerezo, Lyrics-Sameer, MD-Shankar Ehsan Loy

Lyrics

suno gaur se duniya waalon
buri nazar naa humpe daalo
suno gaur se duniya walon
buri nazar naa humpe daalo
chaahe jitna zor laga lo
sabse aage honge hindustani

suno gaur se duniya waalon
buri nazar naa humpe daalo
chaahe jitna zor laga lo
sabse aage honge hindustani
hamne kaha hai
tum bhi kaho
hamne kaha hai jo
tum bhi kaho

aao ham mil jul ke bolen abb to yaara
apna jahaan hai sabse pyaara
aao ham mil jul ke bolen abb to yaara
apna jahaan hai sabse pyaara
hamne kaha hai jo
tum bhi kaho o o
o o o o
o o
o o o o
o o
o o o o
o o
o o o o
o o

jalte sharaare hain paani ke dhare hain
ham kaate katate nahin
jo waada karte hain
karke nibhaate hain
ham peechhe hatate nahin
waqt hai umr hai
josh hai aur jaan hai
naa jhuke naa mite
desh to apni shaan hai
waqt hai umr hai
josh hai aur jaan hai
naa jhuke naa mite
desh to apni shan hai
hamne kaha hai jo
tum bhi kaho
ae suno gaur se duniya walon
buri nazar naa humpe daalo
chaahe jitna zor laga lo
sabse aage honge hindustani
Hindustani

sabke dilon ko mohabbat se baandhe
jo ham aisi zanjeer hain
oonchi udaanen hain
oonche iraade hain
ham kal ki tasveer hain
jo hamen pyaar de
ham use yaar pyaar den
dosti ke liye zindagi apni vaar den
jo hamen pyaar de
ham use yaar pyaar den
dosti ke liye zindagi apni vaar den

hamne kaha hai jo
tum bhi kaho
yeah yeah
suno gaur se duniya walo
buri najar naa humpe dalo
chahe jitna jor laga lo
sabse aage honge hindustani
Hindustani

Hindustani

Hindustani

o o o o o
o o
Hindustani
o o o o o
o o
o o o o o
o o
Hindustani
o o o o o
o o
o o o o o
o o
Hindustani
o o o o o
o o
o o o o o
o o
Hindustaaani
o o o o o
o o
Hindustani


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 17000 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17014

Number of movies covered in the blog

Movies with all their songs covered =1325
Total Number of movies covered=4609

Total visits so far

  • 15,308,944 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,989 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Historical dates

Blog Start date: 19 july 2008

Active for more than 5000 days.

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory
%d bloggers like this: