Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1983’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4211 Post No. : 15412

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Blog 10-Year Challenge (2010-2020) – Song No. 6
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“Arpan”(1983) was produced and directed by J Om Prakash for Filmyug Private Limited, Bombay. The movie had Jeetendra, Reena Roy, Parveen Babi, Raj Babbar, Preeti Sapru, Shashi Puri, Sujit Kumar, Sulochana Latkar, Dina Pathak supported by Sudhir Dalvi, Ranveer Raj, Tom Alter, Vikas Anand, Sunder Taneja, Harjeet, Feroz, Vishwanath Shetty, Shafiq Pathan, R.R. Somaiya etc in it.

The movie had five songs in it. Three songs have been covered in the past.

The movie made its debut in the blog on 21 january 2010 with the song Pardes jaake pardesiyaa bhool na jaana piyaa . The second song was discussed one week later on 28 january 2010 and it was Likhne waale ne likh daale .

For the next ten years, no other songs from this movie were covered. Then there was sudden activity exactyly ten years later and the third song from the movie was discussed on 21 january 2020, exactly one decade after this movie had debuted in the blog. This song was Mohabbat ab tijaarat ban gayi hai Avinash Scrapwala, who is very enthusiastic about the “blog ten year challenge”.

Seeing that the second song from the movie was covered on 28 january 2010, today presents us with another “blog ten year challenge” opportunity as far as this movie is concerened. So here is another song from the movie. This song is sung by Lata and chorus. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

This song is picturised as a stage dance song on Parveen Babi and others. Jeetendra is seen among the audience.

I find this song so reminiscent of “Asha”(1980) songs where too Jeetendra would be seen witnessing the stage dance performances. That movie had Reena Roy instead of Parveen Babi. This resemblence is not coincidence. Both these movies were by J OmPrakash. His stories used to be similar. Jeetendra used to be a fixture in his movies. and the titles of his movies would start from the letter A. He produced 23 movies in his career, styaring from “Aas Ka Panchhi”(1961) till “Afsaana Dilwaalon Ka” (2001). 22 of his titles started with A. Only exception being “Bhagwan Dada” (1986), after which he reverted back to his lucky letter A.

Music of his movies during that succeesful spell (Apnapan, Asha, Arpan) used to be by Laxmikant Pyarelal. That is the reason why the songs of these movies sound similar to me.

Here is this nice song from “Arpan”(1983). Incidentally, all the four songs that have been covered so far were quite popular and they have remained so till now.


Song-Tauba kaise hain naadaan ghunghroo paayal ke (Arpan)(1983) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Lata + Chorus

Lyrics

taubaa taubaa aa aa
taubaa taubaa aa aa
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
sharm ke maare laal pad gayaa rang meraa baadaami
chhanak chhanak ke gali gali mein karen meri badnaami
ghunghruu paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke

kaise koi bhed chhupaaye ae ae
ghar kaa bhedi lankaa dhaaye
kaise koi bhed chhupaaye ae
ghar kaa bhedi lankaa dhaaye
dede ke main haari saari raam raheem ki kasmen
aisaa lagataa hai ye nigode nahin kisi ke bas mein
hindu hai na musalmaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke

chhup ke gali se kaise guzroon
chhat se main neeche kaise utroon
chhup ke galii se kaise guzroon
chhat se main neeche kaise utroon
kabhi kabhi main sochoon inko phenkoon abhi utaaroon
tokne waali usi padosan ke munh par de maaroon
bharte hain logon ke kaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke

jab chham se ye baj uthhte hain
pag men kaanten chubhte hain haaye
jab chham se ye baj uthte hain
pag mein kaanten chubhte hain
meethhaa meethhaa dard nigodaa mere man se nikle
inhen nikaaloon pairon se to jaan badan se nikle
mere dil ke hain armaan ghunghruu paayal ke
ho mere dil ke hain armaan ghunghruu paayal ke

taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke
ho taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke
ho taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4204 Post No. : 15392

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Blog 10-Year Challenge (2010-2020) – Song No. 4
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Ten years back on this day the following movies were represented on the blog;
(in ascending order of the posts on that day)

Song Movie title-Year Remarks
Kyun jhuki jhuki hain palkein Chhaila Babu-1967 All songs covered on the blog (4/4)
Pilaa de magar shart ye hogi saaqi Sab Ka Ustaad-1967 04 of 07 songs posted
Pardes jaake pardesiya bhool naa jaana piyaa Arpan-1983 02 of 05 songs posted

Today I am presenting a beautiful song from the movie ‘Arpan-1983’. The song is sung by Anwar and as I have mentioned in my post on Anwar I like this song very much.

‘Arpan-1983’ was one of the best musical scores of Laxmikant-Pyarelal. I like all songs of this movie and I remember it were very popular then. Though the top three songs in that year’s (1983) annual list of ‘Binaca Geetmala’ were from ‘Souten-1983’ – 01 song and ‘Nikaah-1983’-02 songs respectively at no.1,2 & 3.

However, some of the best music for that year came from Laxmikant-Pyarelal, while Bappi Lahiri and R.D. Burman also gave some of their best musical scores in the same year.

They composed music for as many as twelve movies released in 1983 and the songs from ‘Hero-1983’ released at the end of 1983 ruled the charts in next year i.e. in 1984 and its song ‘tu mera jaanu hai’ ranked at no.1 of the annual ‘Binaca Geetmala’ list of 1984.

SNo Movie Passed by Censor Board on
01 Andhaa Qaanoon 04.04.1983
02 Arpan 07.02.1983
03 Avtaar 27.01.1983
04 Beqaraar 01.08.1983
05 Coolie 14.11.1983
06 Hero 05.12.1983
07 Mujhe Insaaf Chaahiye 13.09.1983
08 Paakhandi 08.09.1983
09 Prem Tapasya 15.01.1983
10 Who Saat Din 23.06.1983
11 Yeh Ishq Nahin Aasaan 28.01.1983
12 Zaraa Si Zindagi 03.01.1983

‘Arpan -1983’ was directed by J. Om Prakash for his home production ‘Filmyug Pvt. Ltd.’ He was also the producer of this movie.

Jagdish Kumar and Vijay Kumar Soorma were Executive Producers of this movie.
Harish Khatri was the Chief Assistant Director, and Surinder Shorey and Jawahar Bhandari were its Associate Directors.

It had Jeetendra, Reena Roy, Parveen Babi, Raj Babbar. Also featuring in it were Preeti Sapru, Shashi Puri, Sujit Kumar, Sulochana Latkar, Dina Pathak supported by Sudhir Dalvi, Ranveer Raj, Tom Alter, Vikas Anand, Sunder Taneja, Harjeet, Feroz, Vishwanath Shetty, Shafiq Pathan, R.R. Somaiya.

Story of this movie was written by J. Om Prakash.

The screenplay and dialogues of this movie were written by Ramesh Pant. Editing was done by Nand Kumar and Prakash Dave was his associate.

Lyrics of this movie were written by Anand Bakshi and music was composed by Laxmikant-Pyarelal.

The movie had total five songs in it for which the voices used were of Lata Mangeshkar, Kishore Kumar and Suresh Wadkar.

This movie was passed by Censor Board on 07.02.1983.

Today’s song is sung by Anwar and lyrics are by Anand Bakshi. Music is composed by Laxmikant-Pyarelal as mentioned above.

Two songs from this movie have been posted on the blog earlier (and even if we consider the second song posted from this movie which was on 28.01.2010, this movie is completing ‘ten years’ run on the blog and still to be ‘Yippeeee’ed 😊

Song Posted on
pardes-jaake-pardesiya-bhool-naa-jaanaa-piyaa 21.01.2010
likhne-waale-ne-likh-daale 28.01.2010

Today’s song is the third song from this movie to appear on the blog.

While Jeetendra is lip-syncing in Anwar’s voice, Parveen Babi, Reena Roy, Raj Babbar and others are also present in the picturization of this song.

1982-83 was my ‘10th standard – educational year’ so I was not supposed to watch many movies in that year. But I remember after appearing the Board exams and exams of my younger brothers we get to watch many movies thereafter. In between, cricket was going on as usual and there was ‘World Cup 1983 win’ too 😊

But this movie ‘Arpan-1983’ still remains to be watched for me and as such I cannot say much about it, though I loved its songs very much. I would request knowledgeable readers to throw more light on the movie and its songs …

Let us now enjoy today’s song …

Video

Audio

Song-Mohabbat ab tijaarat ban gayi hai (Arpan)(1983) Singer-Anwar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

mohabbat ab tijaarat ban gayi hai
tijaarat ab mohabbat ban gayi hai

mohabbat ab tijaarat ban gayi hai
tijaarat ab mohabbat ban gayi hai ay ay
mohabbat ab tijaarat ban gayi hai ae
tijaarat ab mohabbat ban gayi hai

kisi se khelna phir chhod dena aa
kisi se khelna phir chhod dena aa aa
khilaunon ki tarah dil tod dena
haseenon o o o o
haseenon ki ye aadat
ban gayi hai ay ay
mohabbat ab tijaarat ban gayi hai
tijaarat ab mohabbat ban gayi hai

kabhi thha naam iska
bewafaayee ee ee
kabhi thha naam iska
bewafaayee
magar ab aajkal ye behayaayee
shareefon ki sharaafat ban gayi hai
tijaarat ab mohabbat ban gayi hai
mohabbat ab tijaarat ban gayi hai
tijaarat ab mohabbat ban gayi hai

kisi mandir ki moorat thhi kabhi ye
kisi mandir ki moorat thhi kabhi ye ae ae
badi hi khubsoorat thhi kabhi ye
magar kya aa aa aa
magar kya iski soorat ban gayi hai ae ae
mohabbat ab tijaarat ban gayi hai
tijaarat ab mohabbat ban gayi hai ay ay
mohabbat ab tijaarat ban gayi hai
tijaarat ab mohabbat ban gayi …

 

(Tijaarat – trade, commerce)
(Behayaayi- shamelessness, immodesty)
——————————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
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मोहब्बत अब तिजारत बन गयी है
तिजारत अब मोहब्बत बन गयी है

मोहब्बत अब तिजारत बन गयी है
तिजारत अब मोहब्बत बन गयी है ए ए

मोहब्बत अब तिजारत बन गयी है ए
तिजारत अब मोहब्बत बन गयी है

किसी से खेलना फिर छोड़ देना आ
किसी से खेलना फिर छोड़ देना आ आ
खिलौनों की तरह दिल तोड़ देना
हसीनों ओ ओ ओ ओ
हसीनों की ये आदत
बन गयी है ए ए
मोहब्बत अब तिजारत बन गयी है
तिजारत अब मोहब्बत बन गयी है

कभी था नाम इसका
बेवफाई ई ई
कभी था नाम इसका
बेवफाई
मगर अब आजकल ये बेहयाई
शरीफों की शराफत बन गयी है
तिजारत अब मोहब्बत बन गयी है
मोहब्बत अब तिजारत बन गयी है
तिजारत अब मोहब्बत बन गयी है

किसी मंदिर की मूरत थी कभी ये
किसी मंदिर की मूरत थी कभी ये ए ए
बड़ी ही ख़ूबसूरत थी कभी ये
मगर क्या आ आ आ
मगर क्या इसकी सूरत बन गयी है ए ए
मोहब्बत अब तिजारत बन गयी है
तिजारत अब मोहब्बत बन गयी है ए ए
मोहब्बत अब तिजारत बन गयी है
तिजारत अब मोहब्बत बन गयी …


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4202 Post No. : 15388

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Blog 10-Year Challenge (2010-2020) – Song No. 3
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Under the ‘Blog ten-year challenge’ today’s movie is ‘Kalaakaar-1983’.

This movie is completing full cycle of ten years today on the blog with only one of its songs posted on the blog so far. The song already posted on the blog i.e. ‘Neele Neele Ambar Par Chaand Jab Aaye’ was the most popular song from this movie.

In 1983, I was studying in 11th standard. I remember the above-mentioned song particularly as that song could be heard wherever you passed by (specifically the Kishore Kumar version), either on radio or tape-recorders in shops/hotels. I didn’t like it too much then and it was very irritating to have it playing around every time.

I was under the impression that this song topped the charts then, but when I checked the ‘Binaca Geetmala annual list’ during the preparation of this post, I was surprised to note that this song didn’t appear in the 1983 list where ‘Shaayad Meri Shaadi Ka Khayaal’ from ‘Souten’ was the topper. This may be because the movie ‘Kalaakaar’ must have been released at the end of that year 1983.

However, the above song appeared in the 1984 ‘Binaca Geetmala annual list’ and ranked at number 22 as per information available online.

Coming back to today’s post, I am presenting another good song from this movie which I think was also somewhat popular song. One more song from the movie that I remember ‘Khoye khoye rahe teri chaahon mein’ was a nice song too.

Today’s song is sung by Anuradha Paudwal and Suresh Wadkar.

Ten years back on this day only two movies were represented on the blog;
(here they are in ascending order)

Song Movie title-Year Remarks
Teri nazar mein main rahoon Band Master – 1963 All songs covered on the blog (4/4)
Neele neele ambar par chaand jab aaye Kalaakaar – 1983 01 of 08 songs posted

Incidentally there are three movies with same title viz ‘Kalaakaar’ – whic were released in 1942, 1954 & 1983 – that are represented on the blog so far. Each of these three movies are one s represented by just one song each in the blog.

‘Kalaakaar-1983’ was directed by P. Sambasivarao. It was produced by P. Anand Rao under ‘Anandalakshmi Art Movies’ banner. It had Kunal Goswami, Sreedevi, Dr. Shreeram Lagoo, Rakesh Bedi, Krishan Dhawan, Madhu Malini, Agha, Vijayalakshmi, Rajkishore, Dhanalakshmi, Swaraj Kumar, Kiran, and Paintal in Special appearance.

L.V. Prasad makes a special guest appearance in this movie. Bappi Lahiri and Indeevar make a friendly appearance in this movie.
Mehmood and Kanwal Jeet Singh make a Guest appearance in this movie.

Story of this movie was written by Kovai Thambi and its dialogues were written by Inder Raj Anand. Editing was done by M.G. Balurao.

K. Ganesh was the chief assistant director, and Kuku Kapoor was the dialogue director.

Lyrics of this movie were written by Indeevar, with Manoj Kumar writing one song which was the climax song in the movie.

Music was composed by Kalyanji-Anandji.

The movie had total eight songs (including one multiple version song-already posted on the blog). Kishore Kumar, Suresh Wadkar, Anuradha Paudwal and Sadhna Sargam had given their voices to the songs in this movie.

This movie was passed by Censor Board on 09.11.1983.

Today’s song is the second song from this movie to appear on the blog.

The picturization of the song happens to be in music studio while recording for a song where Kunal Goswami is lip syncing in Suresh Wadkar’s voice with a female artist (I am unable to identify her though she seems to be a familiar face) lip syncing in Anuradha Paudwal’s voice. Sridevi is also seen in the picturization of the song with other artists present in the recording studio shown in this song.

I have not watched this movie so I cannot say much about it. I would request knowledgeable readers to throw more light on the movie and its songs.

Let us now enjoy today’s song.

Video

Audio

Song-Mera pyaar mujh se roothha (Kalaakaar)(1983) Singers- Anuradha Paudwal, Suresh Wadkar, Lyrics-Indeewar, MD-Kalyanji Anandji
Both

Lyrics

Mera pyaar mujhse roothha
O o o o o
Mera pyaar mujhse roothha
Mujhe zindagi ne loota
Jab do kadam manzil rahi
Saathi ka saath chhoota
O o o o o
Mera pyaar mujhse roothha
Mujhe zindagi ne ae loota aa

Duniya mein do premi ee
Milne hi nahin paate hain
Milne hi nahin paate hain

(coughing sound)

Duniya mein do premi
Milne hi nahin paate hain ae
Milne hi nahin paate hain

(coughing sound)

Duniya mein do premi
Milne hi nahin paate hain ae
Milne hi nahin paate hain

Ye zamaana
ye chaahat
Badle se nazar aate hain ae
Badle se nazar aate hain
Ya pyaar hi hota nahin
Ya har premi jhoothha

(coughing sound)

O o o o o
Mera pyaar mujhse roothha
Mujhe zindagi ne ae loota aa

Koyi poochhe kismat se ae
Sab kuchh hamse kyun chheena aa
Sab kuchh hamse kyun chheena

(coughing sound)

Koyi poochhe kismat se
Sab kuchh hamse kyun chheena aa
Sab kuchh hamse kyun chheena
Ik jaisa lagta hai
Kya marna
Aur kya jeena aa
Kya marna
Aur kya jeena aa

Khuli aankh to khuli reh gayi

(coughing sound)

Kahaan jaa ke khwaab toota

(coughing sound)

O o o o o
Mera pyaar mujhse roothha
Mujhe zindagi ne ae loota aa
Jab do kadam manzil rahi
Saathi ka saath chhoota
O o o o o
Mera pyaar mujhse roothha
Mujhe zindagi ne ae loota aa

____________________________________________________________
Devnagri Script lyrics (Provided by Avinash Scrapwala)
____________________________________________________________
मेरा प्यार मुझसे रूठा
ओ ओ ओ ओ ओ
मेरा प्यार मुझसे रूठा
मुझे ज़िन्दगी ने लूटा
जब दो कदम मंजिल रही
साथी का साथ छूटा
ओ ओ ओ ओ ओ
मेरा प्यार मुझसे रूठा
मुझे ज़िन्दगी ने लूटा आ

दुनिया में दो प्रेमी ई
मिलने ही नहीं पातें हैं
मिलने ही नहीं पातें हैं

(पुरुष स्वर में खांसने की आवाज़)

दुनिया में दो प्रेमी
मिलने ही नहीं पातें हैं ए
मिलने ही नहीं पातें हैं

(पुरुष स्वर में खांसने की आवाज़)

दुनिया में दो प्रेमी
मिलने ही नहीं पातें हैं ए
मिलने ही नहीं पातें हैं

ये ज़माना ये चाहत
बदले से नज़र आते हैं ए
बदले से नज़र आते हैं
या प्यार ही होता नहीं
या हर प्रेमी झूठा

(पुरुष स्वर में खांसने की आवाज़)
ओ ओ ओ ओ ओ
मेरा प्यार मुझसे रूठा
मुझे ज़िन्दगी ने ए लूटा आ

कोई पूछे किस्मत से ए
सब कुछ हमसे क्यूँ छीना आ
सब कुछ हमसे क्यूँ छीना

(पुरुष स्वर में खांसने की आवाज़)

कोई पूछे किस्मत से ए
सब कुछ हमसे क्यूँ छीना आ
सब कुछ हमसे क्यूँ छीना
इक जैसा लगता है
क्या मरना
और क्या जीना आ
क्या मरना
और क्या जीना आ
खुली आँख तो
(पुरुष स्वर में खांसने की आवाज़)
खुली रह गयी
कहाँ जा के ख्वाब टूटा

(पुरुष स्वर में खांसने की आवाज़)
ओ ओ ओ ओ ओ
मेरा प्यार मुझसे रूठा
मुझे ज़िन्दगी ने लूटा आ
जब दो कदम मंजिल रही
साथी का साथ छूटा
ओ ओ ओ ओ ओ
मेरा प्यार मुझसे रूठा
मुझे ज़िन्दगी ने लूटा आ


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4178 Post No. : 15355 Movie Count :

4233

Songs Repeated in Hindi Films – 14
– – – – – – – – – – – – – – – – – –

An iconic song from 1965 – absoute gem, absolutely unforgettable. “Kaanton Se Kheench Ke Ye Aanchal. . . Aaj Phir Jeene Ki Tamanna Hai” from the 1965 film ‘Guide’. Created by the greats of that era – Shailendra, SD Burman and Lata Mangeshkar. And coming from a film directed by Vijay Anand, one is assured that the picturization would be superlative, which it surely is. The song continues to sustain its beauty even after more than five decades. It is such a genuine treat both visually and aurally.

Eighteen years after this song came into being, it was used again in the 1983 film ‘Qayaamat’. This film is one of the plethora of crime-and-punishment films that crowded the screens during the 1980s and 90s. The main roles are played by Dharmendra, Shatrughan Sinha, Smita Patil, Jayaprada and Poonam Dhillon. Dharmendra and Shatrughan Sinha are close friends. But there is a falling out in their friendship, when Dharmendra is sent to jail, and he holds his police officer friend responsible for it. On returning from jail, he seeks to avenge himself for something that he considers as injustice meted out to him.

I have not seen the film and so will not be able to comment on the sequencing of this song within the storyline. Apparently, Jayaparada is the love interest of Dharmendra, and she appears in flashback in the movie. So there is some tragedy also related here. The occasion for the song is the birthday party of Shatrughan Sinha. Dharmendra is calling on a phone line to greet his friend. He finds out that Smita is about to sing a song at the party. He requests his friend to keep the phone line open so that he can listen. Then the song starts. It starts in the party, and almost immediately Dharmendra rewinds to the past where he sees Jayaprada singing in a very picturesque hillside setting. Rest of the song plays out in this flashback, returning to the party just moments before it ends.

Personally speaking, the song and its theme does not seem to fit into the birthday setting or even the hillside flashback interlude. It seems like force fitted, and completely out of place. But then that is just me.

The song has been reused in its original form. It is not re-recorded. So we get to enjoy the original audio, picturized on a different set of actors, in a different setting.

This song was identified and suggested by our dear Satyajit Rajurkar ji, for inclusion in this series. Thanks Satyajit ji.

 

Song – Aaj Phir Jeene Ki Tamanna Hai  (Qayaamat) (1983) Singers – Lata Mangeshkar, Lyrics – Shailendra, MD – SD Burman

Lyrics

ho o o
kaanton se kheench ke ye aanchal

tod ke bandhan baandhi paayal
ho o
koi na roko dil ki udaan ko
dil wo chalaa
aa aa aa aa aa aa
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai

apne hi bas mein nahin main
dil hai kahin to hoon kahin main
ho o o
apne hi bas mein nahin main
dil hai kahin to hoon kahin main
ho o o
jaane kya paake meri zindagi ne
hans kar kaha
haa haa haa aa ha aa
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai

main hoon gubaar yaa toofaan hoon
koi bataaye main kahaan hoon
ho o o
main hoon gubaar yaa toofaan hoon
ko
i bataaye main kahaan hoon
ho o o
dar hai safar mein kahin kho na jaaun main
rastaa nayaa
a a aa aa aa aa
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai

kal ke andheron se nikal ke
dekha hai aankhen malte malte
ho o o
kal ke andheron se nikal ke
dekha hai aankhen malte malte
ho o o
phool hi phool zindagi bahaar hai
tay kar liyaa
a a aa aa aa aa
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai

————————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————————

हो ओ ओ
काँटों से खींच के ये आँचल
तोड़ के बंधन बांधी पायल
हो ओ
कोई न रोको दिल की उड़ान को
दिल वो चला
आ आ आ आ आ आ

आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है

अपने ही बस में नहीं मैं
दिल है कहीं तो हूँ कहीं मैं
हो ओ ओ
अपने ही बस में नहीं मैं
दिल है कहीं तो हूँ कहीं मैं
हो ओ ओ
जाने क्या पा के मेरी ज़िंदगी ने
हंस कर कहा
हा हा हा आ हा आ
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है

मैं हूँ गुबार या तूफाँ हूँ
कोई बताए मैं कहाँ हूँ
हो ओ ओ
मैं हूँ गुबार या तूफाँ हूँ
कोई बताए मैं कहाँ हूँ
हो ओ ओ
डर है सफर में कहीं खो ना जाऊँ मैं
रस्ता नया
आ आ आ आ आ आ
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है

कल के अँधेरों से निकल के
देखा है आँखें मलते मलते
हो ओ ओ
कल के अँधेरों से निकल के
देखा है आँखें मलते मलते
हो ओ ओ
फूल ही फूल ज़िंदगी बहार है
तय कर लिया
आ आ आ आ आ आ
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4146 Post No. : 15312 Movie Count :

4218

Hullo Atuldom

24th November 2019 is the 75th birthday of Amol Palekar – the actor who played a common man or the boy next door character so convincingly that it jolted the audience when they saw him play a cold-blooded murderer in Vinod Chopra’s “Khamosh” (1985). He played a similar grey-shaded character in “Teesra Kaun” (1994) and “Aanchal” (1980). So, it is not as if he always stuttered in front of a strict boss as in “Golmaal” (1979), “Damaad” (1978), a person who is hyper worried that he will die of some grave illness, leaving his beautiful young wife grieving – “Meri Biwi Ki Shaadi” (1979) etc.

In between he also attempted playing a different kind of character in “Pyaasi Aankhen” (1983). At least that is what I have deduced from the video that is accompanying today’s song. To be truthful, I had never heard of this movie or its songs till I thought of writing this post. I have heard two songs from the movie and they seem to portray a different kind of Amol Palekar. The movie feels like it will be a heavy, 4-5 handkerchief movie, as tear-jerker movies used to be called back then. This movie was directed by Ram Kelkar who was essentially a screenplay/ dialogue/ script writer for many movies like “Piya Ka Ghar”, “aasha”, “Aap Ki Kasam” and many more successful films. On further googling information on Ram Kelkar we find that he has directed only one other movie- “Duniyadari” in 1977.

“Pyaasi Aankhen” had star cast of Waheeda Rehman- Shabana Azmi- Asha Sachdev- Amol Palekar- Om Prakash, with music by Usha Khanna. Indeevar and Rana Saheri (never heard this name) wrote the songs which were sung by Asha Bhonsle Usha Khanna and Kishore Kumar. This is all the information I could gather on the internet;

I would love to know what the story is and why there is a romantic number between Asha Sachdev and Amol Palekar. Also, I would love to know if Waheeda Rehman played his all sacrificing mother, who is an eye-sore for the haughty daughter-in-law played by Asha Sachdev (my assumption) as I found a song that preached the story of a son who plucks out the mother’s heart because the d-i-l asked for it.

I also found a dance number where Amol Palekar and Shabana have actually done a Bollywood-style folk number. We have always seen this pair in semi-serious avatar as in “Apne Paraye”, Kumar Sahani’s “Tarang” (an art film), and a few more (cannot recollect off-hand).

Today we have a lively song sung by Kishore Kumar and Usha Khanna. After seeing the video, I must admit Amol Palekar is a person with a sense of rhythm and moves well to the beats, he didn’t make a spectacle of himself. He is joined by Om Prakash, Sundar and Shabana and we see Waheeda Rehman being dragged into the dance towards the end. Asha Sachdev is seen enjoying herself. This song from a lesser known movie is a discovery for me.


Song-Kya chamatkaar hai tere ik baar ke deedaar mein (Pyaasi Aankhen)(1983) Singers-Kishore Kumar, Usha Khanna. Lyrics-Indeewar, MD-Usha Khanna
Female chorus
Male chorus
All chorus

Lyrics

hey ae ae
ho o o o
h ooooooo ho ho
oooooo

he ae ae ae ae
ho ho oooooo

kya chamatkaar hai
tere ik baar ke deedaar mein
kya chamatkaar hai
tere ik baar ke deedaar mein
jogi jog chhad ke
aa gaye hain sansaar mein
jogi jog chhad ke
aa gaye hain sansaar mein
aaa aaaa aaaa aaaa
aaaaa aaaaa aaaaaa
aaaaa aaaaaaa

aankh banke tujh ko hi takta rahoon
galiyon mein teri bhatakta rahoon
aankh banke tujh ko hi takta rahoon
galiyon mein teri bhatakta rahoon
tere liye kaanton pe chalna toh kya
sooli pe hanske latakta rahoon
jogi jog chhad ke
aa gaye hain sansaar mein
jogi jog chhad ke
aa gaye hain sansaar mein
ho ho ho ho
oo

aaaaaaa aaaaa
ho ho ho ho ho ho
aaaaaaa aaaaa

maangoon mein rab se wafaayein teri
yun hi sunta rahoon bas sadaayein teri
maangoon mein rab se wafaayein teri
yun hi sunta rahoon bas sadaayein teri
jo lakha kitaabaan sikha na sakin
sikha gayin woh mujhko adayien teri
jogi jog chhad ke
aa gaye hain sansaar mein
jogi jog chhad ke
aa gaye hain sansaar mein

jogi
jogi
jog chhad ke
jog chhad ke
aa aye hain sansaar mein
jogi
jogi
jog chhad ke
jog chhadke
aa aye hain sansaar mein

pyaar ke ae ae
naam par
maine pooja tujhe
har moorat mein ae ae
maine toh dekha tujhe

pyaar ke naam par maine pooja tujhe
har moorat mein maine toh dekha tujhe
teri khushi par vaaroon apni khushi
jo pyaara tujhe woh hai pyaara mujhe
jogi jog chhad ke

he aa gaye hain sansaar mein
jogi jog chhad ke
aa gaye hain sansaar mein
kya chamatkaar hai
tere ik baar ke deedaar mein
jogi jog chhad ke
aa gaye hain sansaar mein
jogi jog chhad ke
aa gaye hain sansaar mein

ye baat hai
o zara jam ke
o zara khul ke
he turr
haan
hoye hoye hoye hoye
hey hey
ye baat hai
zara imaandaari se
arre baja baja
aha
ha
ha ha
ha ha


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4097 Post No. : 15243

“Bade Dil Waala”(1983) was produced and directed by Bhappi Sonie for Bhappie Sonie Productions, Bombay.This “social” movie had Rishi Kapoor, Tina Munim, Sarika, Aruna irani, Jagdeep, Madan Puri, Kalpana Aiyyar, Roopesh Kumar, Bharat Bhushan etc in it.

The movie had seven songs in it. Four songs from the movie have been covered in the past. Here is the fifth song from the movie to appear in the blog.

This song is sung by Kishore Kumar and chorus. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.

This song is lip synced by Rishi Kapoor as a party song in the movie.

Audio

Video

Song-Aaya sanam aaya deewaana tera (Bade Dil Waala)(1983) Singer-Kishore Kumar, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Chorus

Lyrics

hey
aaya sanam
aaya deewaana tera
o sanam o sanam o sanam
hey aaya sanam aaya deewana tera
o sanam o sanam o sanam
anokha ishq mera
niraali aan baan
nishaane par ye dil hai
hatheli par hai jaan
o jaani o jaani o jaani o jaani
arre aaya sanam aaya deewaana tera
o sanam o sanam o sanam
o aaya sanam aaya deewaana tera

ru ru ru ru
ru ru ru ru
ru ru ru ru
ru ru ru ru
ru ru ru ru
ru ru ru ru
ru

wo hi nahin ya main hi nahin
ab yaar ki mehfil mein
main bhi to dekhoon
zor hai kitna
baazu-e-kaatil mein
tere peechhe jo main hoon
mere peechhe jahaan
ru ru ru ru
nishaane par ye dil hai
hatheli par hai jaan
o jaani o jaani o jaani o jaani
hey aaya sanam aaya deewaana tera
o sanam o sanam o sanam
o aaya sanam aaya deewaana tera

ru ru ru ru
ru ru ru ru
ru ru ru ru
ru ru
ru ru ru ru
ru ru ru

dekh raha main sar pe mere maut khadi muskaaye
phir bhi tujhko pyaar karoonga
jaan rahe ya jaaye
anokha ishq mera
niraali aan baan
ru ru ru ru
nishaane par ye dil hai
hatheli par hai jaan
o jaani o jaani o jaani o jaani
arre aaya sanam aaya deewaana tera
o sanam o sanam o sanam
hey aaya sanam aaya deewaana tera
o sanam o sanam o sanam
anokha ishq mera
niraali aan baan
nishaane par ye dil hai
hatheli par hai jaan
o jaani o jaani o jaani o jaani
hey aaya sanam aaya deewaana tera


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4054 Post No. : 15185

Jai Sri Krishna.
Jai Govinda Jai Gopala.

The accompanying song is from Vinod Doshi presented 1983 release ‘Nastik’ which was directed by Pramod Chakravarthy. It starred Hema Malini, Nalini Jaywant, Reeta Bhadhuri, Sarika, Amitabh Bachchan, Pran, Amjad Khan, Deven Verma, Madan Puri, Bharat Bhushan, Lalitha Pawar, Jayshree T, Ratanmala, Praveen Paul, Kamal Kapoor, Shammi, Bhagwan, Yusuf Khan, Kamran, Viju Khote, Azaad, Pehalwan, Julian, Jaswant, Habib, Bob Christo, Daljeet, Tom Alter, Jezebel, Ranveer Raj, Darshan, Sehgal, Sunder Taneja, Umesh Khanna, Mehar Singh, Manik, Vaman, Master Raju, Baby Pinky, and Master Rajesh (young landlord grows up to be Amjad Khan).

It was basically an action-drama showcasing Amitabh as a young man (Shankar) who is outraged when his father is killed by the village landlord’s son Tiger (Amjad Khan) who also separates him from his mother and sister. He becomes an atheist – Nastik, and vows revenge on Tiger. Enroute to this destination of his, he encounters two small time crooks in Hema Malini and Pran. Like any masala movie the separated family members rediscover each other, Pran’s daughter regains consciousness to identify the person who tried to rape and kill her. So now Pran and Amitabh join forces and the family reunites in the climax at their village and the wrong doer is brought to book.

This movie had eight songs one of which is there on the blog. Today on the occasion of Sri Krishnashtami or Janmashtami, I present this bhajan, which appears twice in the movie. The movie opens with this bhajan as it is Shri Krishna Jayanti in the movie too. The first part is in the voices of Alka Yagnik and Sadhana Sargam. The bhajan comes again at the climax when Amitabh Bachchan has to deal with an almost dying sister – Reeta Bhadhuri and recollects the bhajan that he had sung with his father, sister etc in his childhood. The second version is in the voices of Mahendra Kapoor and Manhar Udhas (for Bharat Bhushan, Amitabh does not lip sync).

Govind Bolo Ke Krishna Kaho,
Shyaam Kaho Ya Murliwala
Matlab To Kanhaiya Se Hai

Haathi Ghoda Palki
Jai Kanhaiyalal ki

Part I

Part II

Song – Sagre Jagat Ka Ek Rakhwaala  (Nastik) (1983) Singer – Alka Yagnik, Sadhna Sargam, Manhar, Mahendra Kapoor, Lyrics – Anand Bakshi, MD – Kalyanji Anandji
Alka Yagnik + Sadhna Sargam
Chorus

Lyrics

Part 1
sagre jagat ka ek rakhwaala

sagre jagat ka ek rakhwaala
mohan murli waala..aa
mohan murli waala
shaam savere..ae
shaam savere jap mann mere
shyam ke naam ki maala..aa
sagre jagat ka ek rakhwaala
mohan murli waala
sagre jagat ka ek rakhwaala

[dialogues]

ho ooo ooooo
sab ka meet hai krishna kanhaiya
krishna kanhaiya
krishna kanhaiya
kanhaiya krishna kanhaiya
oooo oooo
jeewan geet hai krishna kanhaiya
krishna kanhaiya
krishna kanhaiya
kanhiya  krishna kanhaiya
jhoom uthe sab. . .
jhoom uthe tab
bansuriya jab
chhede nand ka lala..aa..aa
sagre jagat ka ek rakhwaala
mohan murli waala
sagre jagat ka ek rakhwaala

[dialogues]

ooo ooooo
woh hi sab ki laaj bachaaye,
laaj bachaaye
krishna kanhaiya
kanhiya krishna kanhaiya
hooo oooo
sabke bigde kaaj banaaye,
kaaj banaaye
krishna kanhaiya,
kanhiya krishna kanhaiya
antaryaami..ee
antaryaami sab ka swami
gokul ka woh gwaala..aa
sagre jagat ka ek rakhwaala

ooo ooooo
oooo ooooooo ooooo ooo
ye sukh dukh ye mann ye jeevan
ye mann ye jeevan
ye sukh dukh ye mann ye jeewan
sab tera sab tere arpan
sab tera sab tere arpan
tu hi sab kuchh dene waala
tu hi lene waala
sagre jagat ka ek rakhwaala
mohan murli waala
sagre jagat ka ek rakhwaala

gopala jai jai gopala
gopala jai jai gopala
ho ooo
gopala jai jai gopala

[dialogues]

gopala jai jai gopala
govinda jai jai Gopala
govinda jai jai gopala
hooo govinda jai jai Gopala
govinda jai jai gopala
krishna kanhaiya
kanhaiya murli wala
krishna kanhaiya
kanhaiya murli wala
krishna kanhaiya
kanhaiya murli wala
kanhiya murli wala
kanhaiya murli wala
kanhaiya murli wala
kanhaiya murli wala
kanhaiya murli wala

Part 2

oooooo oooooooo
tod ke jhoothe bharam ke phande
tod ke jhoothe bharam ke phande
sheesh jhuka kar dekh to bande
sheesh jhuka kar dekh to bande
ho sakta hai ae ae ae
ho sakta hai
teri bhi sun le
sab ki sun’ne waala
sagre jagat ka ek rakhwaala
aaaa aaaaa aaaa aaaa
aaaa aaaaa aaaa aaaa
aaaa aaaaa aaaa aaaa

shyam ki leela main kya jaanu
aaaa aaaa
o o shyam ki leela main kya jaanu
main logon ki baat na maanu
aaaa aaaaa aaaa 
dars dikhaaye
aaaa aaaaa aaaa 
saamne aaye
aaaa aaaaa aaaa 
dars dikhaaye saamne aaye
mujhse chhupne waala..aa..aa
sagre jagat ka ek rakhwaala
mohan murli waala
sagre jagat ka ek rakhwaala


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3869 Post No. : 14887

———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 7
————————————————

On this day ten years ago (viz on 20 february 2009), six songs from six different movies were presented. Four of these movies have since been YIPPEED in the blog. Of the remaining two movies, one is from 1938 and another is from 1983. The 1938 movie (Shreet Singer) has two songs left to be covered and these songs are not available as far as I am aware.

So that leaves us with the 1983 movie viz “Sweekaar Kiya Maine” as the only eligible movie for our blog 10 year challenge.

“Sweekar Kiya Maine” (1983) was produced by S M Kothari and directed by Zaheer D Lari. The movie had Shabana Azmi, Vinod Mehra, Prema Narayan, Madan Puri etc in it. This movie was a remake of 1954 movie “Adhikaar” with Kishore Kumar and Usha Kiran in title roles. In “Sweekar Kiya Maine” (1983), Vinod Mehra and Shabana Azmi play the same roles.

“Adhikaar”(1954) is already YIPPEED in the blog. Curiously, Kishore Kumar sang a duet song Kamaata hoon bahut kuchh with Geeta Dutt, and in “Sweekaar Kiya Maine”(1983), he sang the same song again- this time with Asha Bhonsle. This duet is not yet covered in the blog.

So far, three songs from “Sweekaar Kiya Maine”(1983) have been covered in the blog. Ten years ago on this day, the blog presented a song, Chaand ke paas jo sitaara hai. Today, ten years later, here is another song from the movie. This song is sung by Lata. Nida Fazli is the lyricist. Music is composed by Usha Khanna.

This song is picturised on Shabana Azmi as a stage performance song.

Audio (Full)

Video

Song-Pyaar to sapna hai dard hi apna hai(Sweekaar Kiya Maine)(1983) Singer-Lata, Lyrics-Nida Fazli, MD-Usha Khanna

Lyrics

pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai
neend jahaan khulti hai
khwaab pighal jaate hain
dard wohi rehta hai
naam badal jaate hain
pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai
neend jahaan khulti hai
khwaab pighal jaate hain
dard wohi rehta hai
naam badal jaate hain
pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai

muskraana to gham chhupaana hai
har khushi door ka taraana hai
aa aa aa aa
aa aa aa
muskraana to gham chhupaana hai
har khushi door ka taraana hai
hosh ki raahon mein
dil hi deewaana hai
hosh ki raahon mein
dil hi deewaana hai ae ae
pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai

koi rishta na koi bandhan hai
har hansi aansuon ki chilman hai
koi rishta na koi bandhan hai
har hansi aansuon ki chilman hai
phool hain daaman mein
aankhon mein saawan hai
phool hain daaman mein
aankhon mein saawan hai
pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai

jo bhi dil ke kareeb aata hai ae
zakhm ban ke sada sataata hai
aa aa aa
aa aa aa
jo bhi dil ke kareeb aata hai ae
zakhm ban ke sada sataata hai
geet jo gaata hai
gham ko behlaata hai
geet jo gaata hai
gham ko behlaata hai ae ae ae ae
pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai
neend jahaan khulti hai
khwaab pighal jaate hain
dard wohi rehta hai
naam badal jaate hain
pyaar to sapna hai
dard hi apna hai
pyar to sapna hai
dard hi apna hai


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3861 Post No. : 14877 Movie Count :

4068

Hullo to all in Atuldom

Back to writing after a break and am having a problem trying to get my thoughts in order. These last few days I have made a few posts mentally and here I am trying to write about one of my favourite actors who would have turned 99 today.

The year 1972 saw a new genre of films wherein two actors who were past their prime – 61 and 52 was definitely not the age where actors play college students or young characters- were playing the central characters in a movie where the lead actor or the supposed- hero played second fiddle to these two. I am talking of Victoria No 203 by Brij Sadanah. Brij himself made another movie a few years later “Chori Mera Kaam” with these two seniors playing central characters. I am talking of an all-time favourite Jodi of cinelovers – Ashok Kumar and Pran.

S. K. Kapur was another producer -director who made this Jodi the centre of his stories in the moves of 70s and early 80s – Apna Khoon, Shankar Dada, Durga, Maan Gaye Ustaad. But the best tribute to the lovable Jodi was Kapur’s movie “Raja Aur Rana” – it didn’t have a regular actor playing the hero. Puneet Issar made his debut in this movie and was supposed to be a hero but “Raja aur Rana” was essentially Ashok Kumar- Pran all over. They did every antic that they were famous for from the time “Victoria No 203” became a success.

Before I go any further let me clarify one thing- Ashok Kumar and Pran did not team up for the first time in “Victoria No 203”; they have been cast together in movies since the 50s or even before that. Back then they used to play serious characters, mostly the protagonist and the antagonist. “Victoria No 203” changed all that. We saw the comic timing of these two senior actors.

I need to clarify one more thing- both these actors have performed in song situations through their career but post “Victoria 203” that also changed. The ability of these two to switch from insane characters of Raja and Rana can be gauged from the fact that about the same time Ashok Kumar played the grandfather in “Anuraag” and Pran was the grandfather in “Parichay”; Pransaab (as he used to be addressed) also played a regular cigar munching villain in “Roop Tera Mastana” that year. Such great actors and trailblazers – there are no replacements for them only actors who are inspired by them and aspire to be like them.

Today I bring to the blog a song from S. K. Kapur produced and Shibu Mitra directed “Raja Aur Rana”. The cast included Ajit, Shakti Kapoor, Puneet Issar, Madhu Malhotra, Chand Usmani, Aaloka etc etc supporting Ashok Kumar and Pran (Pran was always billed in the credits of movies as “And Pran”).

I have not seen the movie but I fell in love with this super Jodi all over again when I accidentally saw this song a few months back. We have Pransaab cross-dressing in this song and Shakti Kapoor and his henchmen playing the peeping- toms on the “loving couple”. The song was written by Varma Malik and Bappi Lahiri was the music director. We have Kishore Kumar singing for Ashok Kumar and Mahesh Kumar singing for Pransaab – the female voice belongs to Mahesh Kumar about whom our in-house encyclopaedia had written a few lines in a post of his. The post contained a song sung by Mahesh Kumar in dual voice, it seems he could sing in 32 voices.

This is such a cute husband-wife exchange with which we remember the adorable Pransaab on his 99th Birth anniversary.

I would also like to wish a fellow Atulite on his birthday today with lots of fun and music in his life. All the best to Avinashji on his birthday.


Song-Aji sunte ho (Raja Aur Rana)(1983) Singers-Mahesh Kumar, Kishore Kumar, Lyrics-Verma Malik, MD-Bappi Lahiri
Both

Lyrics

haaye haaye
haaye haaye haaye
aji sunte ho
o aji sunte ho
haan sunta hoon
aji sunte ho
lekar tum akhbaar ka panna
race ke ghode ginte ho
o aji sunte ho
koi vaid bulaao
koi doctor laao
hakeem mangaao
aji sunte ho

mujhe nauwaan lagaa hai
ik dard jagaa hai
haaye yahaan se uthha
aur yahaan gayaa hai
shaadi na hoti
main aaj na roti
dulhan na banti
bacche na janti
zaalim ye mahina
mera dhadke hai seena
tu dekh le apna
ye kaarnaama
kyun mujhe phansaaya
kar kar ke drama
ki toone mujhse
kartoot hai koi
tu mard nahin hai
jinn bhoot hai koi
o aji sunte ho
o aji sunte ho
haan sunta hoon

oye
ab kyun roti hai meri dulhan
pyaari tumhen yaad nahi aati
ab kyun roti hai meri dulhan
pyaari tumhen yaad nahin aati
woh baatein saari
har roz tu kehti
mujhe sair kara de
mujhe ticket manga de
mujhe film dikha de
chal India gate mein
zara ghoom ke aayen
aur Tajmahal mein
hum khaana khaayen
tu surkhi laali
powder bhi lagaati
aur daal ke surma
tu teer chalaati
tu karke fashion
har roz aa jaati
aur kehti le chal
mujhe Juhu Chowpati
wahaan paani puri
tu khoob udaati
kabhi idli dosa
kabhi kulfi khaati
main ho gaya kadka
palle nahin paayi
tera sair sapaata
kha gaya kamaayi
o bhool gayi tu
jab maze udaati
ab dard uthha toh
phir kyun chillaati
main sunta hoon
jeb mein kitne paise reh gaye
baitha baitha ginta hoon
main sunta hoon

munnu ke paapa
tera karoon siyaapa
mujhe hichki aaye (hitchki)
mera ji machlaaye (hitchki)
mujhe saans na aaye (hitchki)
mera sar chakraaye
mera munh bedardi
kya halaat kar di
main baithhi baithhi
khaaun hichkaule
koi amma amma
ander se bole
tu roz yeh kehta
ke munda hoga
agar tujhpe gaya woh
koi gunda hoga
main aath maheene
mushqil se bitaaye
tu pyaqr se ek din
nahin poochhne aaye
o aji sunte ho
koi vaidh bulaao
koi doctor laao
hakeem mangao
o aji sunte ho

kyon taane deti
sapnon ki raani
tere dushman mar jaayen
teri jiye jawaani
pehla aur dooja
kab tumhen laga thha
na tujhko khabar thhi
na mujhko pata thha
phir teeje maheene
meri khench rajaai
toone aadhi raat ko
khushkhabri sunaai
aur chauthhe paanchve
jab tu ghabraai
aur chhathe maheene
tujhe ulti aayi
main bhaag ke aaya
tujhe paass bulaaya
tujhe maalish ki thi
tujhe tel lagaaya
chhodo ab gussa
aa tujhe sula doon
tu thhak chuki hai
tere paanv daba doon
hai hai hai hai hai hai hai hai

biwi ke har koi (some sound by Ashok Kumar)
hai paanv dabaata
tu tel lagaake
ehsaan jataata
kis baat ke liye
phir tu akadta
gharwaala hoke
mere sar pe chadhta
aurat ka farz hai
bacchon ko janna
koi toone anokha
nahin kaam ye karna

mere paass na aana
batti na bujhaana
mujhe seeti bajaa ke
nahin kabhi bulana
meri tauba tauba
kaanon ko pakdoon
hai meri galti
main naak bhi ragdoon

jhaado na bhaashan
ka milta ration
hai ye situation
karwaao operation
dono nasbandi
chal kar karwaayen
kyun apne desh ki
aabaadi badhaayen

is mehangaai mein
ek baccha kaafi
aage se tauba
aage se maafi
aage se tauba
aage se maafi
aage se tauba
aage se maafi


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3776 Post No. : 14754 Movie Count :

4035

Muzzafar Ali, the producer-director of some of the parallel films has been very proud of the Awadhi culture. His father was the raja of Kotwara which is located in Lakhimpur Kheri district, a part of Awadh region. Moreover, he had completed his schooling in Lucknow, the centre of Awadhi culture. His sensibility towards Awadhi culture can be judged from his films, Gaman’ (1978), ‘Umrao Jaan’ (1981), Aagaman’ (1984), ‘Anjuman’ (1986) and the last one, “Jaanisaar’ (2015) with Awadh as background. “More than a ‘royal’, I am ‘loyal’ to my root – Awadh” says Muzzafar Ali.

In ‘Gaman’ (1978), the young Ghulam Hasan goes to Mumbai from Lucknow in search of employment opportunity and ultimately become a taxi driver living in a slum. His wife and the ailing mother live in Lucknow eagerly waiting for his return. But he has no saving after working as a taxi driver for months to visit his native place. True to his love for Awadh, Muzzafar Ali chose the location in Kotwara for shooting a part of the film covering the scenes of Ghulam Hasan’s wife and his ailing mother. The dialogues during the scenes in the film in the native village between Ghulam Hasan, his wife and mother were in Awadhi.

Muzzafar Ali was so much into Awadh that for ‘Gaman’ (1978), he had first approached Amitabh Bachchan who is also from the Awadh region, for the role of Ghulam Hasan (The reason could be that there were many dialogues in the film in Awadhi). Amitabh Bachchan had first agreed to do the role in principle. However, later he felt that his ‘angry young man’ image would be affected by doing the role in the film. So he declined the offer. The role went to Farooque Shaikh. (This was revealed by Mazzafar Ali in a documentary video film).

In ‘Umrao Jaan’ (1981), Muzaffar Ali takes us to the heartland of Awadhi culture – Lucknow-Faizabad belt in the film. The film depicts the nawabi Lucknow with its all grandeur – the language, the costumes, the sets etc. Probably, after his first experience of film production with ‘Gaman’ (1978), Muzzafar Ali became wiser. So he built into this film, some elements of commercial films like selecting Rekha for the role of Umrao Jaan. On a second thought, Asha Bhonsle was selected to sing songs for Rekha. He also selected the well-known theatre actors like Naseeruddin Shah, Shaukat Azmi, Deena Pathak, Gajanan Jagirdar to give the film a strong acting prowess in subsidiary roles. The mixing this ‘parallel’ film with commercial elements paid a rich dividend to Muzzafar Ali in that even after 37 years, this film has remained in the bloodstream of cinema fans.

‘Aagaman’ (1984) was Muzaffar Ali’s 3rd film, making it a part of the trilogy of films with the commonality of Awadhi culture. The film was produced by Uttar Pradesh Sugarcane Seed and Development Corporation under the banner of Integrated Films and was directed by Muzzafar Ali. The star cast included Suresh Oberoi, Bharat Bhushan, Saeed Jaffrey, Anupam Kher (his debut film), Dilip Dhawan, Deepa (her debut film), Sudhir Pandey, Yunus Parvez, Raj Bisaria, Javed Khan, Anjaan Srivastav etc.

It was the idea of Muzzaffar Ali to Vishwanath Pratap Singh, the then Chief Minister of Uttar Pradesh to commission a feature film highlighting the plights of sugarcane growers in Lakhimpur Kheri, which is called the ‘sugar bowl of Uttar Pradesh’. Most of the shooting of the film had taken place in Kotwar and around.

It is surprising that ‘Aagaman’ (1984) is not available for watching online. It appears that the DVD of the film is also not available for sale. I remember that in one of the programmes on Doordarhsan, Muzzafar Ali had mentioned that the sound negatives of both ‘Aagaman’ (1984) and ‘Anjuman’ (1986) were lost/destroyed. That means that the only chance to see the film is from the private collectors. I find that video clips of most of the songs of ‘Aagaman’ (1984) are available online.

Anyway, the broad story line of the film as I understand from some online sources is that a sugar mill owner of a village has been exploiting the sugarcane growers by not paying them remunerative prices. As a result, sugarcane growers remained poor and debtors. A young man from the village after completion of his education from Lucknow takes up the issue of sugarcane growers with the sugar mill owner. But his efforts do not bear fruit as there are vested interests in the village. Ultimately, with great persuasion, he makes reasons to sugarcane growers to set up a cooperative sugar mill. Now they not only get the fair price for the sugarcane but being the members of the cooperative sugar mill, they also share the profits from the mill.

The film has 8 songs out of which as many as 7 songs were composed on the published nazms of Faiz Ahmed Faiz. The remaining one song was written by Hasrat Jaipuri. All the songs were set to music by Padma Vibhushan Ustad Ghulam Mustafa Khan. It was his first film as a music director.

I am presenting the first song ‘nisaar mein teri galiyon ke ae watan ke jahaan’ from the film which is a nazm written by Faiz Ahmed Faiz. He wrote this nazm in the backdrop of the establishment of Pakistan’s first military government in 1958 when many repressive measures were taken. Dissents were not tolerated. There was censorship on the newspapers. Political leaders and intellectuals were arrested and imprisoned. The song is rendered by Ustad Ghulam Mustafa Khan.

Ustad Ghulam Mustafa Khan (born 03/03/1931) is the doyen of Rampur-Sahaswan Gharana and is highly respected among the new generation of Hindustani classical singers. He has a large number of his disciples/trainees which include Asha Bhonsle, Geeta Dutt, Manna Dey, Kamal Barot, Suresh Wadkar, Hariharan, A R Rahman, Alisha Chinoy, Sonu Nigam, Shaan etc. I propose to write a detailed article on him sometime later.

The song in the video clip is somewhat shorter than the record version of the song due to a few lines repeated in the latter version. Furthermore, the order in which antara parts of the song is recorded in record version is different than the order in the sound track.

With this song, ‘Aagaman’ (1983) makes its debut in the Blog. The singer-composer also makes his debut in the blog.

Video Clip:

Audio Clip:

Song-Nisaar main teri galiyon pe ae watan (Aagaman)(1983) Singer-Ustad Ghulam Mustafa Khan, Lyrics-Faiz Ahmad Faiz, MD-Ustad Ghulam Mustafa Khan

Lyrics (based on video clip)

nisaar main teri galiyon pe ae watan ke jahaan
chali hai rasm ke koi na sar uthha ke chale ae
nisaar main teri galiyon pe ae watan ke jahaan
jo koi chaahne waala tawaaf ko nikle
nazar churaa ke chale jism-o-jaan bachaa ke chale
nisaar main teri galiyon pe ae watan ke jahaan

bahut hain zulm ke dast-e-bahaana joo ke liye
jo chand ahl-e-junoon tere naam leva hain
bane hain ahl-e-hawas muddai bhi munsif bhi
kise vakil karen kis se munsafi chaahen
magar guzaarne waalon ke din guzarte hain
tere firaaq mein hi subah-o-shaam karten hain
nisaar main teri galiyon pe ae watan ke jahaan

yoon hi hamesha ulajhti rahi hai zulm se khalq
na unki rasm nayi hai na apni reet nayi
yoon hi hamesha khilaayen hain hamne aag mein phool
na unki haar nayi hai na apni jeet nayi
isi sabab se falak ka gila nahin karte
tere firaaq mein hum dil bura nahin karte
nisaar main teri galiyon pe ae watan ke jahaan

gar aaj tujhse juda hain to kal baham honge
ye raat bhar ki judaai to koi baat nahin
gar aaj auj pe hain taala-e-raqib to kya
ye chaar din ki khudaai to koi baat nahin
jo tujhse ahd-e-wafa ustawaar rakhte hain
ilaaj-e-gardish-e-lail-o-nihaar rakhte hain
nisaar main teri galiyon pe ae watan ke jahaan

bujha jo rauzan-e-zindaan to dil ye samjha hai
ke teri maang sitaaron se bhar gayi hogi
chamak uthhe hain salaasal to hamne jaana
ke ab sahar tere rukh par bhi kar gayi hogi
garaz-e-tasawwur-e-shaam-o-sahar mein jeete hain
giraft-e-saaya-e-deewaar-o-dar mein jeete hain
nisaar main teri galiyon pe ae watan ke jahaan

———————————————
Translation (Provided by Sadanand Kamath)
———————————————-
nisaar main teri galiyon pe ae watan ke jahaan
chali hai rasam ke koi na sar utha ke chale
jo koi chaahne waala tawaaf ko nikle
nazar churaaake chale jism-o-jaan bachaake chale

O my country! I bow to your streets.
They have decreed a custom that none shall walk holding his head high.
If any one wishes to take a round of walk,
walk sneakily, walk with a bend body (to avoid detection).

bahut hai zulm ke dast-e-bahaana-joo ke liye
jo chand ahl–e-junoon tera naam leva hain
bane hain ahl-e-hawas mudaai bhi munsif bhi
kise vakil kare kis se munsafi chaahen
magar gujaarne waalon ke din gujarten hain
tere firaaq mein hi subah-o-shaam karten hain

There are many excuses to continue the oppression
for some crazy people in the guise of your name.
With power of lust, they are both the plaintiff and the judge,
Whom to appoint lawyer and from whom does get justice?
But one has to persist with these hard times for days.
In separation from you, they spend time from dawn to dusk.

yoon hi hamesha uljhati rahi hai zulm se khalq
na unki rasm nayi hai na apni reet nayi
yoon hi humesha khilaayen hain humne aag mein phool
na unki haar nayi hai na apni jeet nayi
isi sabab se falak ka gila nahi karte
tere firaaq mein hum dil bura nahi karte

As always, we reel under oppression.
Neither their rituals nor our traditions is new
As always we have made flowers to bloom in fire
Neither their defeat, nor our victory is new
We do not blame the sky
Nor we feel bad in our hearts for separation from you.

gar aaj tujhse juda hai to kal baham honge
ye raat bhar ki judaai to koi baat nahin
gar aaj auj pe hai taale-e-raqib to kya
ye chaar din ki khudaai to koi baat nahin
jo tujhse ahd-e-wafa ustuvaar rakhte hain
ilaaj-e-gardish-e-lail-o-nahaar rakhte hain

Though separated today, tomorrow we shall be re-united.
Separation is only for the night it does not matter.
If today our rivals are at the peak of powers, so what?
These four days of divinity do not matter.
Those who love you keep a firm belief in you.
We keep the remedy of revolution day and night.

bujha jo rauzan-e-zindaan to dil ye samjha hai
ke teri maang sitaaron se bhar gayi hogi
chamak uthi hai salasil to hamne jaana hai
ke ab sahar tere rukh par bhikar gayi hogi
garaz-e-tasawwur-e-shaam-o-sahar mein jeete hain
giraft-e-saya-o-deewaar-o-dar mein jeete hain

When lights in the prison dim, my heart has felt
that your forehead has been lighted with stars.
When my chains have sparkled, I have known
that the dawn must have straggled upon your face.
We live by imagining the dawn and dusk
We live in the shadows of the high prison walls


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has more than 15500 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15505

Number of movies covered in the blog

Movies with all their songs covered =1195
Total Number of movies covered =4273

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