Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Simply joy’ Category


This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4346 Post No. : 15656 Movie Count :

4311

So far I have discussed three of the six feature films which Sai Paranjpye has directed in her filmy career – ‘Sparsh’ (1980) in “Geeton Ki Duniya Mein Sargam Hain Hum“,  ‘Chashm-e-Baddoor’ (1981) in “Is Nadi Ko Mera Aaina Maan Lo” and ‘Saaz’ (1997) in “Baa. . .dal Ghumadh Badh Aaye“. In this article, I take up one more film by her – ‘Disha’ (1990) which, is not well known to the public at large. Sai Paranjpye accords this film as her best feature film in terms of excellence in all the main departments of the film making – story, screen-play, dialogues, direction, and the acting contributions from all the actors associated with this film.

According to Sai Paranjpye, the story of the film was in the making process for about 17 years before it got fructified in 1990. The unique feature of the film is that the story is based on three different experiences she got over these 17 years which have no connection with each other. Yet, she weaved a story around three events linking them with a common theme of the problems of migrants and casual workers. She believed that the life around us offers so much material for the films that there is no need to get inspired from Hollywood movies. In other words, Sai Paranjpye’s sources of ‘plagiarisation’ are life around her.

Sometime in early 1970s, Sai Paranjpye made a visit to a village in Pune district along with her two friends who had adopted that village for water harvesting. During that time, she met a villager, an agricultural labourer who owned a small parcel of barren land. He was convinced that under his barren land was the source of water. So, for about 12 years, he had been digging the well, all alone in his free time, sometime even the whole night. But there was no trace of water. The villagers had branded him as a mad man. Fed up with his obsession for digging well, his wife has left him many times but would eventually return. And then one day, he struck water in the well. Villagers who were earlier calling him as mad man made him the hero of the village. The well was named after him. The story of that villager was cinematic but it was not enough to make a full-length film.

After few years, Sai Paranjpye met her friend, Sabhashini Ali (ex-wife of producer-director, Muzaffar Ali) in Mumbai. She was doing some social work among the mill workers who were mostly migrants and staying in what is known in Mumbai Chawls as Gala (a type of dormitory). This was at a time when old mills in Mumbai were in the verge of closure as they could not compete with mills with technologically advanced power looms.  She accompanied Sabhashini Ali to one of the Galas in mill area and was shocked to observe their staying conditions. In a single Gala, there were nearly 40 persons staying together in the shifts of 8 hours. They seem to enjoy their life. All were doing different activities – playing musical instruments, playing cards, shaving, some going out for practising lezim (folk dance). Sai Paranjpye talked to most of the mill workers after which she felt that it was a good theme for a cinema.

After some days, Sai Paranjpye once again met her two friends who had returned from Niphani after leading a protest against the tobacco growers and bidi makers for exploitation of tobacco workers. Those days, the middleman will recruit women from the nearby villages for making bidis at the end of which they would get daily wages based on the number of bidis they rolled in a day. But the middleman will exploit them by rejecting some rolled bidis on some false pretext. Also, some of the middlemen would make attempts for sexual favours as rewards for not rejecting some of the bidis rolled by them. Her two friends had taken up the issues with bidi factories and on behalf of the bidi workers.

With these three real stories, Sai Paranjpye wrote the script linking them with a common theme of the problems of migratory mill workers of Mumbai. This time, she decided to produce the film herself besides directing, writing the script, dialogues and songs. She roped in her favourite actors and also took Nana Patekar for the first time under her direction. The first part of the film was shot in a village near Pune. The second part of the film was shot in Mumbai in Sitaram and Indu Mills and the scenes of the migrant workers were shot in a real Gala of a Chawl. Some mill workers also acted in the films.

The main cast of ‘Disha’ (1990) consisted of Shabana Azmi, Om Puri, Nana Patekar, Raghuvir Yadav, Rajshri Sawant, Neelu Phule, Shayaji Shinde, Achyut Potdar etc. The gist of the story of the film is as under:

Bakuri is a non-descript village about one hour from Pune by road. In this village, the family of Parshuram (Om Puri) consisting of his wife, Hansa (Shabana Azmi), his five children and his younger brother, Soma (Raghuvir Yadav) stays in a hut. Parshuram is an agricultural labourer and has a small barren land in which nothing grows on it except the wild-flowers. However, he is convinced that under his barren land is the source of water. Hence for the last 12 years, he has been digging well, all alone whenever he is free. Hansa resents Parshuram’s obsession with digging well and often threatens to leave him. Soma plans to go to Mumbai for getting a job as most of the time, he is unemployed.

Soma is very friendly with Basanta (Nana Patekar) who stays with his old and sickly father (Neelu Phoole) in a hut close to Parshuram’s hut. Basanta is also an agricultural labourer whose marriage has been fixed with Phoolwanti (Rajshri Sawant) from an adjoining village. Basanta’s father wants his marriage to be performed with fun fare for which he takes a loan of Rs.10000/- against the hypothecation of a cow and a buffalo. The marriage of Basant and Phoolwanti is solemnised.

Soma comes to Mumbai for job and stays in a Gala where 40 other mill workers are staying, a few from his village. He gets a job in the mill. He sends money to his brother, Parshuram every month and sometime also sends readymade garments for his nephews and niece. Basanta, after his marriage feels uncomfortable as he is unemployed and the loan instalments are to be repaid which his father has taken for his marriage. So, he also departs for Mumbai in search of employment and lands in mill workers’ gala where his friend, Soma is also staying. Basanta also gets the job in the same mill where Soma is working.

After getting to know the realities in working condition in Mumbai, Basanta is determined to return to his village after working in the mill for 2-3 years and also advises Soma to return to the village  with him so that with the money they earned, they can start a cooperative farming in the village. But Soma is determined to work in Mumbai for a long time as he is now addicted to the life of Mumbai.

After few months of stay in Mumbai, Basanta calls his wife, Phoolwanti to Mumbai to show her the city. One of his roommates in the gala arranges a independent room in a chawl for 7 days. After seeing the staying conditions of Basanta in Mumbai, his wife tells him to return to the village as early as possible when she leaves Mumbai for her village.

In the meanwhile, to run the household, both Hansa and Phoolwanti works in a bidi making unit to roll bidis for which they get daily wages in terms of the number of bidis rolled. But the munshi (Achyut Potdar) of the bidi making unit tries to exploit them by finding their faults while rolling the bidis for which no amount is paid. His intention is to force them to give him some sexual favours.

At one time, Basanta’s father writes a letter to him to come to the village for some urgent work. He returns and finds that his father has got a transistor radio and supplies of bidis from Munshi. He also comes to know that his wife is working for a bidi making unit. He is unhappy that his wife has to work for running the household.

The next day, Parshuram strikes water in the well which he has been digging for 12 years. The whole village rejoices and the mad Parshuram becomes a hero in the village. There is a felicitation by the entire village during which he declares that the water in the well is for the entire village.

Basanta returns to Mumbai earlier than schedule and his friend, Soma is surprised. Basanta tells him that he got bored in the village within two days. Then there is a twist in the story. Basanta who has been pressurising Soma to return to the village along with him after 2-3 years, decides that he is going to work in Mumbai on a long-term basis to earn good amount of money as Soma has been advising him. However, this time, Soma surprises him by revealing that his brother has struck water in the well and he is going back to the village to do farming. The film ends with Soma boarding a state transport bus which is driving to his village away from Mumbai with Basanta struck in Mumbai.

From the above narration, the story of the film looks simple. I found the film interesting to watch because Sai Paranjpye in her usual way has relied on visuals to speak for the story along with some punch-line dialogues. For example, Shabana Azmi regards the well as her ‘soutan’ as Om Puri spends more time in the well than in the house. Sometime, he takes his afternoon siesta in the well itself. To this, Om Puri’s repartee to Shabana Azmi is that she should be thankful that her ‘soutan’ is ‘baanjh’ (infertile); otherwise one more platoon of children would have joined the family. Here ‘baanjh’ has another meaning in that despite digging for many years, water has not struck in the well.

The film was released in Mumbai in November 1991 and thereafter in Pune by Sai Paranjpye as no one was willing to distribute the film. It generated interest in the initial few days with house-full board. After watching the film, Manmohan Desai offered to release the film in the Delhi circuit. With the releases in limited theatres. the box office collection could barely cover the budget of the film.

The film did not get any award in India. However, when the film was shown in Chennai International Film Festival in 1991 as a private entry (it could not be shown in Indian Panorama as it had not won any award), it was highly appreciated because of which over a period of time, the film got invitations  in as many as 23 international film festivals all over the world where it has won 5 awards with cash prizes including one at Cannes international film festival.

Sai Paranjpye has mentioned in her book that the film had three songs. However, I found only two songs in the film – one is a lavani song and the other a fun song. Songs were not released on audio format. I am presenting the fun song, “Bambai Bambai Bambai Bambai Bam’ sung by Vinay Mandke, Ravindra Sathe, Tyagraj Khadilkar, Arun Joglekar and Chorus. The song is written by Sai Paranjpye which is set to music by Anand Modak. I am not able to segregate the lyrics according to playback singers as I am not familiar with their voices except that of Ravindra Sathe. I have also observed that playback singers seem to lip sync for multiple actors  According to Sai Paranjpye, the ‘anokhe bol’ in the song have been rendered by Vinay Mandke in addition to his part of the song.

The song is picturised in a gala where about 40 mill workers stay. Except for about  10 actors, rest of the participants in the song are real mill workers staying in the gala. If one goes through the lyrics of the song, it would be observed that the sad realities of mill workers (or for that matter, migrant workers in general) have been presented in the mask of a fun song. In the last two stanzas, there are ‘locals verses migrants’ theme presented in ‘lavani’ style. The prelude music of the songs with “Dhak Dhak Dhak. . .” is akin to the sound generated by the power looms of a mill when they are operational.

This song is the essence of the film’s main theme. With this song, ‘Disha’ (1990) make a debut in the Blog.

Acknowledgements:

Some of the information about the background for making the film ‘Disha’ (1990) is based on

  1. An interview conducted by Sridhar Rangayan and Saagar Gupta titled ‘Queen of Humour: A Candid Interview with Award-Winning Director and Writer Sai Paranjpye,’ South Asianist, Vol 2, No.3 (2010).
  2. The Marathi book, ‘Sai – Maaza Kalapravaas’ (2016) written by Sai Paranjpye.

Song – Bambai Bambai Bambai Bambai Bam (Disha) (1990) Singer -Vinay Mandke, Ravindra Sathe, Tyagraj Khadilkar, Arun Joglekar, Lyrics – Sai Paranjpye, MD – Anand Modak
Chorus

Lyrics

dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak dhak dhak
dhak dhak
dhak dhak
dhak daa dham
dhak dhak
dhak dhak
dhak daa dham

arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam
 
gaon mein behti doodh ki ganga aa
haay
gaon mein behti doodh ki ganga aa
kaanha murli bajaawat hai bhai 
kaanha murli bajaawat hai
aisa gokul chhoda… haay
aisa gokul chhoda bhai
kya narakpuri ye bhaawat hai
makdi ke jaal mein keeden ham
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
bam b-bam b-bam bam
arre bambai bambai bambai bambai bam
bam b-bam b-bam bam
 
dhuaan gootan aur bimaari
dhuaan gootan aur bimaari
yahaan jawaan mard ke baal pakey
har kuchh bikta hai is nagri mein
bol tumhaara chaar takey
arre chaar take bhi naahin kam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam
 
wahaan aankh bichaaye baithi radha
aansoo uske sookh gaye
wahaan aankh bichaaye baithi radha
aansoo uske sookh gaye
bachche jo peechhe chhode wo
shaql baap ki dbhool gaye
bachche jo peechhe chhode wo
shaql baap ki bhool gaye
arre bhool gaye to kya hai gham
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
bam bam bam bam
arre bambai bambai bambai bambai bam
bam bam bam bam
 
haaaaaaaaaaa
arre kameenon
beimaanon
badh badh taane dete ho
phir bharti kyunkar hote ho
tum phir bharti kyunkar hote ho
dham chik chik dham chik dham
arre bina bhulaaye tum mehmaan
upar se ho namak haram
waapas jaao
hari gun gaao,,o
waapas jaao
hari gun gaao
yahaan tumhaara kya hai kaam
yahaan timhaara kya hai kaam
kissa abhi karo ye khatam
khatam khatam bhai karo khatam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
bambai bambai bambai bam
arre bambai bambai bambai bambai bam
bam b-bam b-bam bam bam bam
arre bambai bambai bambai bambai bam
bam b-bam b-bam bam bam bam
 
aiyya
paapi pet yahaan le aaya…aa….aa
arre paapi pet yahaan le aaya
nagar nahi ye bhul bhulaiyya
khoon paseena yahaan bahaaya
arre khoon paseena yahaan bahaaya
iss nagri ka namak chukaaya..aa aa aa aaa
yahin basera ho ab hardam
yahin basera ho ab hardam
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam
b-bam bam bambai
arre bambai bambai bambai bambai bam
arre bambai bambai bambai bambai bam


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3898 Post No. : 14946

Little earlier in the day, Atul ji mentioned about the timing of posting of Holi songs, and I quote,

Different festivals remain topical for different duration of time. If we do not post a write up within this time then the post loses its relevance. In case of Holi, it is the first half of the day mostly when people are mostly in festive mood, though it spills over to the afternoon as well.

As I am rushing to complete this post, it is already around 6 pm. Yes, the festivities for the day have been over for some time. Mostly the people have cleaned up and many would have had their afternoon siestas too. Maybe the only remaining sign of the festivities from earlier part of the day are the splashes of colored water on walls and floors, which most people would address tomorrow morning. Ah yes, another lingering evidence of the celebration could be some people still in the hangover of the bhaang, maybe still sleeping it off, or if awake, not yet back from the cuckoo land. 🙂

This post is coming somewhat late in the day, but the attempt is cover an important aspect of the celebrations of today. The festival of Holi, for ages now, has been intimately associated with the story of Lord Krishna. And so, the celebration somehow does not seem to be complete without having one song about Holi in Biraj, or Brij, the native place where the child Krishna grew up. There abound many a legends and folk songs that tell of the Holi celebrations when Krishna was in Brij. And the same has also been carried over into the Hindi films. Many a songs of Holi in Hindi films revolve around the stories and pastimes of Krishna.

I present this lovely Holi song from the 1970 film ‘Mastaana’. The lyrics for this song have been sent in by dear Prakash ji.

Produced under the banner of Suchitra and directed by A Subbarao, the cast of actors in this film is Mehmood, Padmini, Vinod Khanna, Bharti, Rehman, Bobby, Shyama, Ramesh Dev, Manorama, Mukri, Leela Mishra, Kamal Kapoor, Shivraj, Paro, Narbada Shankar, Mumtaz Begum, Raj Kishore, Jankidas, Ravikant, Prabhat Kumar, Habeeb, and Guddi.

The song is written by Anand Bakshi and the music composition is by Laxmikant Pyaarelal. We have three singing voices in this song – Mohammed Rafi, Asha Bhosle and Mukesh. Interestingly, Asha ji’s voice is used as playback for three artists on screen – Padmini, the child actor Bobby who plays the role of child Krishna in this song, and Bharati. Rafi Sb’s voice is used for playback for Mehmood and Mukesh’s voice for Vinod Khanna. Another dear song that I was not aware that it has not yet been posted here.

Interesting part of the song – it uses four different folk dance forms. Initially it is the typical filmi style choreography that is used. Then later in the song, we see the four flavors, and the language of the chorus also gets modified accordingly. First we have the typical Brij rendition and folk dance. Then we have the Punjabi bhangra and Punjabi words in the chorus. This is followed by Gujarati dandia raas, with Gujarati words in the chorus. And then we have the Maharashtra folk dance steps, and Marathi words in the chorus. Very interestingly done. 🙂

Greetings for the festival yet once more before the day is out. Well, it is still daytime in other parts of the world. Khyati Ben is probably just in the process of waking up, and for her, the planning and cooking and the celebration is still to happen. 🙂  Krishna makes his appearance for the festivities and we all wish everyone, a very happy and colorful ambiance of this festival to last and continue through to the next year. And then, we shall have more songs to post. 🙂

Happy Holi.

Song – Nand Laala. . . Holi Khelen Biraj Mein Dhoom Machi Hai  (Mastaana) (1970) Singer – Mohammed Rafi, Asha Bhosle, Mukesh, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Male Chorus
Female Chorus
All Chorus

Lyrics (Provided by Prakashchandra)

hoyye
nandlaala
holi khele
biraj mein dhoom machhi hai
nandlaala
holi khele
biraj mein dhoom machhi hai

heyye
sa ra rara rara rara rara rara
sar se paaon tak bheej gayi brij baala
ara rara rara rara
beech dagar mein
raadhaa ko rang daala
daala
nandlaala
holi khele
biraj mein dhoom machhi hai
nandlaala
holi khele
biraj mein dhoom machhi hai

ho sa ra rara rara rara rara rara
goraa mukh
neelaa peelaa kar daalaa
ara rara rara rara
bhaago daudo
aayaa murli waala
laala
nandlaala
holi khele
biraj mein dhoom machhi hai
nandlaala

gagari phodoonga
main na chhodoonga
gagari phodoonga
o main na chhodoonga
tu aagey daudegi
main peechhe daudoongaa..aa
gagari phodoonga
main na chhodoonga
tu gokul ki ek gujariyaa
main mathura ka gwaalaa
tera mukhda kyon goraa
jab mera mukdaa kaalaa
kaalaa
nandlaala
holi khele
biraj mein dhoom machhi hai
nandlaala

holi khelenge
jhaanjhar waali se
holi khelenge
jhaanjhar waali se
o hum kya darte hain
kisi ki gaali se..ae
holi khelenge
jhaanjhar waali se
haayye rey barjori
peechhe pad gaya ye matwaalaa
tooti meri kaanch ki choodi
gir gaya kaan ka baala
baala
nandlaala
holi khele
biraj mein dhoom machhi hai
nandlaala
holi khele
biraj mein dhoom machhi hai
nandlaala

sa ra rara rara rara raa. . .

holi
nandlaala
holi khele
biraj mein dhoom machhi
holi nandlaala

aa ho
nandlaala
holi khele
biraj wich dhoom machhi
aa ho
nandlaala

bhaa lo
nandlaala
holi ramey
biraj maa dhoom machhi
ke bhaalo
nandlaala

aa laa
nandlaala
holi kheru
brij nu raas ho la
aa laa
nandlaala

hoo ooo
ooo ooo ooo oooooo oo

rangey ik rang mein
o apne begaane
ho rangey ik rang mein
o apne begaane
to kaise phir koi
kisi ko pehchaane..e..e
rangey ik rang mein
ho apne begaane
saamne jo bhi aaya
hum ne kuchh na dekha bhaala
dusman ke bhi galey mein hum ne
daal di prem ki maala
maala

nandlaala
holi khele
biraj mein dhoom machhi hai

ik maati ke hum putle
(nandlaala. . .  holi khele)
ye kehta hai mastaana
(biraj mein dhoom machhi hai)
bhed bhaav jo mann mein rakhe
(nandlaala. . .  holi khele)
wo paagal deewaana
(biraj mein dhoom machhi hai)

nandlaala
holi khele
biraj mein dhoom machhi hai

nandlaala
holi khele
biraj mein dhoom machhi hai

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

होये॰ ॰ ॰
नंदलाला
होली खेले
बिरज में धूम मची है
नंदलाला
होली खेले
बिरज में धूम मची है

हेय॰ ॰ ॰
स र रर रर रर रर रर
सर से पाँव तक भीज गई ब्रिजबाला
आरा रारा रारा रारा
बीच डगर में
राधा को रंग डाला
डाला
नंदलाला
होली खेले
बिरज में धूम मची है
नंदलाला
होली खेले
बिरज में धूम मची है

हो स र रर रर रर रर रर
गोरा मुख
नीला पीला कर डाला
आरा रारा रारा रारा
भागो दौड़ो
आया मुरली वाला
लाला
नंदलाला
होली खेले
बिरज में धूम मची है

गगरी फोड़ूंगा
मैं ना छोड़ूंगा
गगरी फोड़ूंगा
ओ मैं ना छोड़ूंगा
तू आगे दौड़ेगी
मैं पीछे दौड़ूंगा
गगरी फोड़ूंगा
मैं ना छोड़ूंगा
तू गोकुल की एक गुजरिया
मैं मथुरा का ग्वाला
तेरा मुखड़ा क्यों गोरा
जब मेरा मुखड़ा काला
काला
नंदलाला
होली खेले
बिरज में धूम मची है

होली खेलेंगे
झांझरवाली से
होली खेलेंगे
झांझरवाली से
ओ हम क्या डरते हैं
किसी की गाली से
होली खेलेंगे
झांझरवाली से
हाये रे बरजोरी
पीछे पड़ गया ये मतवाला
टूटी मेरी काँच की चूड़ी
गिर गया कान का बाला
बाला
नंदलाला
होली खेले
बिरज में धूम मची है
नंदलाला
होली खेले
बिरज में धूम मची है
नंदलाला

स र रर रर रर रर रर

होली
नंदलाला
होली खेले
बिरज में धूम मची है
होली नंदलाला

आ हो
नंदलाला
होली खेले
बिरज विच धूम मची
आ हो
नंदलाला

भालो नंदलाला
होली रमे
बिरज मा धूम मची
के भालो नंदलाला

आला नंदलाला
होली खेरू
बिरज नू रास हो ला
आला नंदलाला

होss ओss
ओss ओss ओss ओsssss ओs

रंगे इक रंग में
ओ अपने बेगाने
हो रंगे इक रंग में
ओ अपने बेगाने
तो कैसे फिर कोई
किसी को पहचाने॰॰ए॰॰ए
हो रंगे इक रंग में
अपने बेगाने
सामने जो भी आया
हमने कुछ ना देखा भाला
दुसमन के भी गले में हमने
दाल दी प्रेम की माला
माला

नंदलाला
होली खेले
बिरज में धूम मची है

इक माटी के हम पुतले
(नंदलाला॰ ॰ ॰ होली खेले)
ये कहता है मस्ताना
(बिरज में धूम मची है)
भेद भाव जो मन में रखे
(नंदलाला॰ ॰ ॰ होली खेले)
वो पागल दीवाना
(बिरज में धूम मची है)

नंदलाला
होली खेले
बिरज में धूम मची है

नंदलाला
होली खेले
बिरज में धूम मची है


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3898 Post No. : 14943 Movie Count :

4082

Colorful greetings to all readers and friends. May this festival of colors, bring happiness and good health, to yourself, and to everyone you know. 🙂  May these colors multiply and spread good cheer across every day in the calendar.

Happy Holi to all.

On this blog, we are celebrating the eleventh iteration of this festival. Statistics is one thing – apart from that, the wonderful fact is that the songs of Holi in Hindi films, seem like a supply with no end. Of course yes, when the films and their directors continue to add more songs celebrating this festival every year.

I bring to your attention, this wonderfully fabulous song of the spirit of Holi, from a really very recent film – ‘Ye Jawaani Hai Deewaani’ from 2013. This film was one of the most successful films of that year, and I am sure you must be aware of it, even though it is possible that your tastes and preferences are rooted in the 1940s and 50s which is the gold standard for melody and music in Hindi films. However, that does not mean that music of the decades after the golden . . . – well it does deserve credit. It does catch your attention, and the music and songs still grow into your mind to become darling memories.

Although I have myself not been paying much attention and time to the music of the current years. But quite decidedly, along comes a film with a blast of music that forcefully captures your attention, and insists on becoming part of your list of favorites. Something quite of this sort happened with this 2013 film, for me. And it started very much with this song.

After a long time, I must say, that I have encountered a song of this festival, that simply takes your breath away. The spirit of celebration, and all the emotions that uniquely make this festival what it is – is not so totally and carefully represented every time. But surely, this song does it.

There is color, lots and lots of it.
There is water – it starts off with that.
There is cheer – for every person who is part of this song, and everyone else who may be listening and enjoying it.
There is music – yes of course.
There is dancing – goodness you must be kidding.
There is ‘bhaang’, and there is noise.
There is a large dipping pool – nay, a large dunking pool.
Oh yes, there is “छेड़ छाड़” – chhed chhaad, there is “ज़ोर ज़बरदस्ती” – zor zabardasti.
There are fair maidens running away to save themselves from being smothered with color and water.
And there are insistent and forceful young charmers who will not take ‘no’ for an answer. Or rather they do not even care what the answer is – they will force the color into your face and hair. They will chase you, and run you down, and cuddle you – and they will be more insistent, the more resistance one puts up.
There are drums.
There is singing – very loud, yes.
There is nonsense lyrics – like “लट्टू पड़ोसन की भाभी हो गई” – lattu padosan ki bhabhi ho gayi.
There are meaningful verses – “ज़ुल्मी ये हाजिर जवाबी हो गई. . .” – zulmi ye haazir jawaabi ho gai.
There is “नोक झोंक” – nok-jhonk – that is very verbal and very physical too.
There is humor, and there is suggestive propositioning – like “अरमानों में बेहिसाबी हो गई” – armaanon mein behisaabi ho gai.
And there is flights of fancy.
And there is uncharacteristic expressions of festivity from unexpected quarters
And there is a glimmer of surprised realizations.
The matters of heart, unexpressed, are just beneath the surface sheen.
And of course there is a shock of unexpected and amazing realizations – yes, this could surely be it.
There is joy of shared happinesses.
There is a loud cheer of good spirit.
And everything, each and every one of these ingredients put together into the mix to convince you – yayyy, it is Holi – get colored, and get wet, very wet.

Amazing, simply and truly amazing – after a long time, comes along a new sound that astonishes the mind with the honesty with which the true spirit of the festival is so sweetly captured. Needless to say it – but yes, I am quite truly floored.

I have not yet seen the complete film. I got introduced to the songs of this film over the past many months. Especially this Holi song was forcefully dumped into my notice just about a year ago, yes around the last iteration of this celebration. Enthused as I was, I could not make and present a post in time for the festival; now coming around to it after a wait of a full year. Even with this passage of time, the charm of this song has not diminished even one bit. I simply do not seem to be getting enough of this song. 🙂

The lyrics are written by Amitabh Bhattacharya and the music is by Preetam. Singing voices are of Vishal Dadlani and Shalmali Kholgade. On screen, the song is performed by Deepika Padukone, Ranbir Kapoor, Kalki Koechlin, Aditya Roy Kapoor and a ton of dancers. Deepika and Ranbir are so truly convincing in the complete free form enjoyment in this song. The movie makes its debut on our blog with this song.

Wishing a grand celebration of this festival today, to all friends and readers. Go out, get doused in colors, make up some fun lyrics – like “लट्टू पड़ोसन की भाभी हो गई” types, and sing it out at the top of the voice. It does not matter – it is Holi. Just down one glass of bhang and then blame it for everything. 😀 😀 😀

Happy Holi – – – celebrate.

 

Song – Balam Pichkaari Jo Tu Ne Mujhe Maari  (Ye Jawaani Hai Deewaani) (2013) Singer – Shalmali Kholgade, Vishal Dadlaani, Lyrics – Amitabh Bhattacharya, MD – Preetam
Chorus

Lyrics

abbey chashmish

kaun chashmish

holi hai. . .

itna mazzaa
kyon aa raha hai
tu ne hawa mein bhaang milaaya

itna mazzaa
kyon aa raha hai
tu ne hawa mein bhaang milaaya
duguna nasha
kyon ho raha hai
aankhon se meetha tu ne khilaaya
ho teri malmal ki kurti gulaabi ho gai
tu chali chaal jaise nawaabi ho gai
to
balam pichkaari
jo tu ne mujhe maari
to seedhi saadi chhori sharaabi ho gai
o jean pehan ke
jo tu ne maara thumka
to lattu padosan ki bhabhi ho gai
balam pichkaari
jo tu ne mujhe maari
to seedhi saadi chhori sharaabi ho gai
o jean pehan ke
jo tu ne maara thumka
to lattu padosan ki bhabhi ho gai

teri kalaai hai
haathon mein aai hai
maine maroda to
lagti malaai hai
mehnga padega ye
chaska malaai ka
upvaas karne mein
teri bhalaai hai
ho bindiya teri marhagaabi ho gai
ke armaanon mein behisaabi ho gai
teri to
balam pichkaari
jo tu ne mujhe maari
to seedhi saadi chhori sharaabi ho gai
o jean pehan ke
jo tu ne maara thumka
to lattu padosan ki bhabhi ho gai

kyon no vacancy ki
hothon pe gaali hai
jab ke tere dil ka
kamra to khaali hai
mujhko pata hai re
kya chaahta hai tu
boli bhajan teri
neeyat qawwaali hai
zulmi ye haazir jawaabi ho gai
tu to har taale ki aaj chaabi ho gai
o o
balam pichkaari
jo tu ne mujhe maari
to seedhi saadi chhori sharaabi ho gai
o jean pehan ke
jo tu ne maara thumka
to lattu padosan ki bhabhi ho gai

balam pichkaari
jo tu ne mujhe maari
to seedhi saadi chhori sharaabi ho gai
o jean pehan ke
jo tu ne maara thumka
to lattu padosan ki bhabhi ho gai

haan bole re zamaana kharaabi ho gai

haan bole re zamaana kharaabi ho gai

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

अबे चशमिश

कौन चशमिश

होली है॰ ॰ ॰

इतना मज़ा
क्यों आ रहा है
तूने हवा में भांग मिलाया

इतना मज़ा
क्यों आ रहा है
तूने हवा में भांग मिलाया
दुगुना नशा
क्यों हो रहा है
आँखों से मीठा तू ने खिलाया
हो तेरी मलमल की कुर्ती गुलाबी हो गई
तू चली चाल जैसे नवाबी हो गई
तो
बलम पिचकारी
जो तूने मुझे मारी
तो सीधी साड़ी छोरी शराबी हो गई
ओ जीन पहन के
जो तूने मारा ठुमका
तो लट्टू पड़ोसन की भाभी हो गई
बलम पिचकारी
जो तूने मुझे मारी
तो सीधी साड़ी छोरी शराबी हो गई
ओ जीन पहन के
जो तूने मारा ठुमका
तो लट्टू पड़ोसन की भाभी हो गई

तेरी कलाई है
हाथों में आई है
मैंने मरोड़ा तो
लगती मलाई है
महंगा पड़ेगा ये
चसका मलाई का
उपवास करने में
तेरी भलाई है
हो बिंदिया तेरी महारगाबी हो गई
के अरमानों में बेहिसाबी हो गई
तेरी तो
बलम पिचकारी
जो तूने मुझे मारी
तो सीधी साड़ी छोरी शराबी हो गई
ओ जीन पहन के
जो तूने मारा ठुमका
तो लट्टू पड़ोसन की भाभी हो गई

क्यों नो वेकेंसी की
होठों पे गाली है
जब के तेरे दिल का
कमरा तो खाली है
मुझको पता है रे
क्या चाहता है तू
बोली भजन तेरी
नीयत क़व्वाली है
ज़ुल्मी ये हाजिर जवाबी हो गई
तू तो हर ताले की आज चाबी हो गई
ओ ओ
बलम पिचकारी
जो तूने मुझे मारी
तो सीधी साड़ी छोरी शराबी हो गई
ओ जीन पहन के
जो तूने मारा ठुमका
तो लट्टू पड़ोसन की भाभी हो गई

बलम पिचकारी
जो तूने मुझे मारी
तो सीधी साड़ी छोरी शराबी हो गई
ओ जीन पहन के
जो तूने मारा ठुमका
तो लट्टू पड़ोसन की भाभी हो गई

हाँ बोले रे ज़माना खराबी हो गई

हाँ बोले रे ज़माना खराबी हो गई


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3603 Post No. : 14380

“Dekha Pyaar Tumhaara”(1963) was directed by K Parvez (aka Kalptaru) for Mamta Movies, Bombay. The movie had Naaz, Subi Raj, Bhagwan, Achla Sachdev, Helen, Madan Puri, Sadhna Chaudhry, Shyam etc in it.

THe movie had six songs in it.

One song has been covered and that was five years ago.

Here is the second song from “Dekha Pyaar Tumhaara”(1963) to appear in the blog. This song is sung by Lata. Majrooh Sultanpuri is the lyricist. Music is composed by Raj Ratan.

The song is picturised as a joie de vivre song on Naaz, with Subiraj and Achla Sachdev also visible in the picturisation.


Song-Aayi bahaar mere angna mein aali (Dekha Pyaar Tumhaara)(1963) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Raj Ratan

Lyrics

l’la l’la l’la l’la lallaa lallaa laa
aayi bahaar mere
aayi bahaar mere angna mein aali
doloon main bani phoolon ki daali
o o o o
aayi bahaar mere
aayi bahaar mere angna mein aali
doloon main bani phoolon ki daali

o o o
l’ la laa
l’ la laa
l’ la laa la laa
ho o o
tan se
mann se
rang chhoote
jaise chaand kiran
mukh se phoote
jaise chaand kiran
mukh se phoote
honth ban gaye phoolon ke boote
honth ban gaye phoolon ke boote
zulf ho gayi
ho zulf ho gayi kuchh aur kaali
ho o o o
aayi bahaar mere
aayi bahaar mere angna mein aali
doloon main bani phoolon ki daali

o o o
l’ la laa
l’ la laa
l’ la laa la laa
ho o o o
chham chham
karti
gungunaati
aise jhoom chali
dagmagaati
aise jhum chali
dagmagati
jyon chale koi madhura ki maati
jyon chale koi madhura ki maati
hamse jaaye nahin
o hamse jaaye nahin chunari sambhaali
ho o o o
aayi bahaar mere
aayi bahaar mere angna mein aali
doloon main bani phoolon ki daali

o o o
l’ la laa
l’ la laa
l’ la laa la laa
ho o o
dil ka armaan
dil mein jaga
kya kahoon main jiya
kaa se laga
kya kahoon main jiya
kaa se laaga
paas hai mere sapnon ka raaja
paas hai mere sapnon ka raaja
phir bhi raah takoon
ho phir bhi raah takoon main nainon waali
o o o o
aayi bahaar mere
aayi bahaar mere angna mein aali
doloon main bani phoolon ki daali
ho o o o


If one has to see how one can express one’s feelings of joy and happiness through a semi classical song and dance, then look no further than this song.
Read more on this topic…


“Kashmir Ki Kali” (1964) is an out and out entertainer of an movie. Shammi Kapoor and debutant Sharmila Tagore, not to speak of Pran, Anoop Kumar and co make this movie a great fun to watch.
Read more on this topic…


“Mirza Sahibaan” (1957) is an obscure movie which had Shammi Kapoor and Shyama in lead roles.
Read more on this topic…


What is the way to win a person over ? By treating him/ her well. Musically, it means making him/her listen to music that is soothing/ pleasing to the senses. Creators of music need not impress the listeners by their ability to create great music with impressive orchestra. The listeners gets impressed more when he gets so involved in the song that he begins to visualise the imagery alluded to in the song.
Read more on this topic…


When you need to look for iconic songs on any topic, you should look for songs composed by Ravi. I have noticed that majority of iconic Bollywood songs, whatever be their topics, have been composed by Ravi.
Read more on this topic…


One of the most lovable category of songs are those that I call “mental massage” category. These are basically sweet, melodious songs with simple lyrics and minimal music that do not tax one’s mental faculties and make one feel relaxed .
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15700 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15715

Number of movies covered in the blog

Movies with all their songs covered =1211
Total Number of movies covered =4326

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