Archive for the ‘Mukesh songs’ Category
- In: Background song | Blog Ten Year Challenge (2013-2023) | Devnagri script lyrics by Sudhir | Lyrics by Prakashchandra | Lyrics by Sudhir | Lyrics contributed by readers | Mukesh solo | Mukesh songs | Poignant Song | sad song | Separation song | Songs of 1960s (1961 to 1970) | Songs of 1967 | Theme song | Title song | Yearwise breakup of songs
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5371 | Post No. : | 17612 |
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Blog 10-Year Challenge (2013-2023) – Song No.56
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On this date ten years ago (2 April 2013), eight songs were covered in the blog. Seven of them were from seven different movie while one song was a non film song. Here are the details:-
Post No | Song Title | Name of the movie | Remarks |
---|---|---|---|
7801 | Kis paapi sang uljhhin ankhiyaan | Suhaag Raat (1948) | Movie YIPPEED by now |
7802 | Aayi milan ki bahaar re | Naiyya (1947) | 3 songs covered out of 6 by now |
7803 | Jab pyaar kiya to marna kyun | Raaz(1967) | movie YIPPEED by now |
7804 | Aankh milaaye na muskuraaye na | Milan Ki Raat (1967) | 2 songs covered out of 5 by now |
7805 | Raaj Kapoor ki neeli aankhen | Maa Aur Mamta (1970) | 4 songs covered out of 6 by now |
7806 | Tere sang jeena tere sang marna | Naach Uthhe Sansaar(1976) | 2 songs covered out of 6 by now |
7807 | Phir shaam se dooba jaaye dil mera | Suman Kalyanpur NFS(1981) | |
7808 | Dhoop ke makaan sa ye | Break Ke Baad (2010) | One song covered out of 6 by now |
We observe that two movies (out of 7) whose songs were covered on this date ten years ago (on 2 april 2013) have since been YIPPEED. That leaves us with five unYIPPEED movies that re eligible for Blog Ten Year Challenge today (2 april 2023).
One of the unYIPPEED movies has been taken up under BTYC earlier in the day.
Chronoologically the second oldest unYIPPEED movie of that date was “Milan Ki Raat”(1967). This movie was produced by Makin,Pratima(Protima),Yusuf & Prakash and directed by R Bhattacharya for Musical movies, Bombay. The movie had Sharmila Tagore, Sanjay, Prakash Thapa, Helen, Johnny Walker, Abhi Bhattacharya, Laxmi Chhaya, Jeevan Kala, Chand Usmani, S.K.Prem, Jankidas, Amar, Rirkoo, Moni Chatterji, Jerry, Mirza Musharraf, Master Ranu, Vijay Kumar, Shyama, Sulochana(Latkar), Shahid Bijnori, Paul Sharma, Ranoo, Rajan Kapoor etc in it.
“Milan Ki Raat”(1967) had five songs in it. Two songs have been covered so far.
Here is the third song from the movie. It is sung by Mukesh. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.
The song is picturised as a poignant background song with sombre looking Sharmila Tagore visible, whereas Sanjay Khan is seen trying to pacify a disconsolate master Ranu. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
Lyrics of the song were sent to me by Prakashchandra.
Editor’s Note:
[Updated 06 Apr, 2023]
Dear Mahesh ji pointed out with reference to the Mukesh Geet Kosh, that the film version and the 78 rpm version of this song are entirely different. However, the 78 rpm version song is not yet available anywhere online. His observation led me to track down the 78 rpm version of this song from my hard disk, and upload it on YT. The lyrics section below has also been updated with the lyrics of the 78 rpm version.
Thanks Mahesh ji, for your alert tracking.
Audio
Video
Audio (from 78 rpm – two extra stanzas)
Song-Gham ki badli chhaayee judaayee leke aayee milan ki raat (Milan Ki Raat)(1967) Singer-Mukesh, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics (Provided by Prakashchandra)
gham ki badli chhaai
judaai leke aayi
milan ki raat
gham ki badli chhaai
judaai leke aayi milan ki raat
o mere raama rey teri duhaai
judaai leke aayi milan ki raat
gham ki badli chhaai
judaai leke aayi milan ki raat
bichchdaa ek maa se dulaara
bichchdaa ek maa se dulaara
doobaa in aankhon ka taara
tootaa is man ka sahaara
man ka sahaara
hamre aangan mein bhes judaai
badal kar aayi eee
milan kee raat
gham ki badli chhaai
judaayi leke aayi milan ki raat
dukh ne saarey ae sukh loote
dukh ne saarey sukh lootey ae
sach nikley ae saarey jhoothhey ae
sapnon ke ae ae mandir tootey
mandir tootey
roothey raadha se krishn kanhaai
ke baanh chhudaai
milan ki raat
gham ki badli chhaai
judaai leke aayi milan kee raat
o mere raamaa re teri duhaai
judaai leke aayi
milan ki raat
gham ki badli chhaai
judaai leke aayi milan ki raat
milan ki raat
milan ki raat
milan ki raat
Lyrics (78 rpm version) (Provided by Sudhir)
gham ki badli chhaayi
judaai leke aayi
milan ki raat
gham ki badli chhaayi
judaai leke aayi milan kee raat
o mere raama rey teri duhaai
judaai leke aayi milan ki raat
gham ki badli chhaayi
judaai leke aayi milan ki raat
is raat ki reet nahin ye
is raat ki reet nahin ye
is rut ka geet nahin ye
dushman hai meet nahin ye
chali roti hui re puvaai
baji na shehnai
milan ki raat
gham ki badli chhaayee
judaayee leke aayee milan kee raat
yun bichhde hum saajan se
yun bichhde hum saajan se
jaise rimjhim saawan se
koi poochhe toot mann se
toot mann se
mann tadpa najar bhar aayi
yun hum ne bitaai
milan ki raat
gham ki badli chhaayee
judaayee leke aayee milan kee raat
o mere raamaa rey teree duhaayee
judaayee leke aayee milan ki raat
gham ki badli chhaayee
judaayee leke aayee milan ki raat
Hindi Lyrics (Provided by Sudhir)
ग़म की बदली छाई
जुदाई लेके आई
मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात
ओ मेरे रामा रे तेरी दुहाई
जुदाई लेके आई मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात
बिछड़ा एक माँ से दुलारा
बिछड़ा एक माँ से दुलारा
डूबा इन आँखों का तारा
टूटा इस मन का सहारा
मन का सहारा
हमरे आँगन में भेस जुदाई
बादल कर आई
मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात
दुख ने सारे सुख लूटे
दुख ने सारे सुख लूटे
सच निकले सारे झूठे
सपनों के मंदिर टूटे
मंदिर टूटे
रूठे राधा से कृष्ण कन्हाई
के बाँह छुड़ाई
मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात
ओ मेरे रामा रे तेरी दुहाई
जुदाई लेके आई मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात
मिलन की रात
मिलन की रात
मिलन की रात
Hindi Lyrics (78 rpm version)
ग़म की बदली छाई
जुदाई लेके आई
मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात
ओ मेरे रामा रे तेरी दुहाई
जुदाई लेके आई मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात
इस रात की रीत नहीं ये
इस रात की रीत नहीं ये
इस रुत का गीत नहीं ये
दुश्मन है ये मीत नहीं ये
चली रोती हुई पुरवाई
बाजी ना शहनाई
मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात
यूं बिछड़े हम साजन से
यूं बिछड़े हम साजन से
जैसे रिमझिम सावन से
कोई पूछे टूटे मन से
टूटे मन से
मन तड़पा नजर भर आई
यूं हमने बिताई
मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात
ओ मेरे रामा रे तेरी दुहाई
जुदाई लेके आई मिलन की रात
ग़म की बदली छाई
जुदाई लेके आई मिलन की रात
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5364 | Post No. : | 17592 | Movie Count : |
4729 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # (Debutante Movie-Bhagwaan Samaaye Sansaar Mein-1976)
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Today we get introduced to the ‘1976’ movie ‘Bhagwaan Samaaye Sansaar Mein’.
It was directed by Satish Kumar for ‘Jayshree Enterprises’. Babubhai N. Shah was the producer of this movie.
The cast of this movie included Kanan Kaushal, Ashish Kumar, Bharat Bhushan, Abhi Bhattacharya, Jeevan, B.M. Vyas, Satyadeep, Mohan Choti, Jayshree T., Lalita Kumari, Radheshyam, Chand Usmani, Anant Marathe, Tuntun, Sundar, Bhagwan Sinha, Moolchand, Ratna, Master Alankar, Baby Nilofar, Baby Rehana and others.
Story, screenplay and dialogues of this movie were written by Pt. R. Priyadarshi. Editing of this movie was done by Kamlakar.
‘Bhagwaan Samaaye Sansaar Mein-1976’ was passed by Censor Board on 12.11.1976.
This movie has six songs –all written by B.D. Mishra. Music for this movie was composed by Anil-Arun.
Mukesh, Mahendra Kapoor, Asha Bhonsle, Anuradha and Usha Mangeshkar had given their voices to the songs in this movie.
Here is the list of songs in this movie:-
SNo | Song Title | Singer/s |
---|---|---|
01 | Bhagwaan samaaye sansaar mein | Mukesh, Anuradha Paudwal |
02 | Jay jay Lakshmi maataa, tu sun le meri pukaar | Anuradha Paudwal |
03 | Aur bairaagi ban anuraagi, main hoon niraali | Asha Bhonsle |
04 | Meri laaj rahe nandlala | Mahendra Kapoor, chorus |
05 | Aaj baba aayenge, ham paawan ho jaayenge | Usha Mangeshkar |
06 | Paap na hone de dharti pe ye tera apmaan hai… dekh le aa ke apnaa jahaan | Mahendra Kapoor, Anuradha Paudwal |
Today we present the first song from this movie on the blog. This song is the title song as well as the ‘theme song’ of this movie which emphasizes the presence of God in everything that exists in this ‘mortal world’.
The first part of this song is played in the back ground when the titles of this movie are rolling on the screen.
This song is sung by Mukesh and Anuradha Paudwal. In the second part of this song we can see Jeevan (as Narad muni and disguising as Sadhu later) and Master Alankar lip-syncing this song in the voices of Mukesh and Anuradha Paudwal respectively. In this part the first stanza of the first part is repeated and added with another stanza. In the video we can also see other artistes and some child artistes too.
Picturisation of the third part shows Ashish Kumar lip-syncing in Mukesh’s voice and we can see many others listening to him.
The fourth part of this song is a sad version where we can see Kanan Kaushal and Ashish Kumar helping sick people and getting tired and exhausted in the end. This part is played in the background. We can also see other artist in the video of this song.
I guess that this movie was inspired by the success of ‘Jai Santoshi Maa-1975’ and the lead pair of this movie was repeated here too. HFGK (Vol-V) also mentions that this movie was earlier titled as ‘Kan Kan Mein Bhagwan’ as the records of songs of this movie were released by the this title.
Let us now listen to the today’s song of this movie and welcome ‘Bhagwaan Samaaye Sansaar Mein-1976’ on the blog …
Lyricist for the song is B.D. Mishra and music is composed by Anil-Arun.
Audio (Part !, 2, 4)
Video (Part 1)
Video (Part 2)
Video (Part 3)
Video (Part 4)
Song-Chaahe dekho jal mein chaahe dekho thhal mein (Bhagwaan Samaaye Sansaar Mein)(1976) Singers-Mukesh, Anuradha Paudwal, Lyrics-B D Mishra, MD-Anil Arun
Both
————————–
Part 1
————————–
ramayan se
aur geeta se
miltaa hai ye gyaan
dekh lo man ke ae
nain khol ke ae
kan kan mein bhagwaan,/em>
chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye sansaar mein
wo hi sab ke man mein
wo hi kan kan mein
jahaan chaaho unko
pukaar lo o
bhagwaan samaaye sansaar mein ae
chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye sansaar mein
ban ke ann wo
dharti se upjey
sab ki bhookh mitaaye
ae ae ae
phool bagiyaa ban
wo hi mahke
phal aur phool lutaaye ae
har mausam hai
vesh(?0 usikaa
jo bhi aaye jaaye ae
paani ke ye jharne
parvaton ko gehne
usne hi diye hain
uphaar mein ae
bhagwaan samaaye
sansaar mein
chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye
sansaar mein
————————-
Part 2
————————-
wo apni hi
ichchhaa se hai
saaraa jagat rachaataa
aa aa aa
rang birange
pardon se hai
jag ka manch sajaataa aa
apne an-gin roop banaa kar
abhinay karne aataa
muskaaye wo sukh mein
murjhaaye wo dukh mein
doob jaaye ansuan ki
dhaar mein ae
bhagwaan samaaye
sansaar mein
—————————-
(Part-3, video, Singer- Mukesh)
———————————
ramayan se
aur geeta se
miltaa hai ye gyaan
dekh lo man ke ae
nain khol ke ae
kan kan mein bhagwaan
chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye
sansaar mein
bhagwaan samaaye
sansaar mein
mathura puri mein ae
shri hari janme ae
jinki devki maiyyaa aa aa
yashoda ke aangan mein
wo khele ae
ban ke krishn kanhaiyya aa
bansi bajaaye
sab ko rijhaaye
ban mein charaaye gaiyyaa aa
raas leelaa jisne
kee hai saare brij mein
jhoome jag ye
uske hi pyaar mein ae
bhagwaan samaaye
sansaar mein
chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye
sansaar mein
bhagwaan samaaye
sansaar mein
——————————–
(Part-4, video, (sad))
——————————–
har praani mein
parmeshwar ko
jisne sadaa nihaaraa aa aa
deen dukhi ki
sewaa karnaa
lagtaa usko pyaaraa aa ,/em>
asahaayon ko o
beemaaron ko
detaa wo hi sahaaraa
chintaa usko apni
hoti hai na kabhi bhi
lagaa rahe jo
sabke upkaar mein
bhagwaan samaaye
sansaar mein
chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye
sansaar mein
bhagwaan samaaye
sansaar mein
bhagwaan samaaye
sansaar mein
bhagwaan samaaye
sansaar mein
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5336 | Post No. : | 17502 |
Mukesh and his Composers – 23
This post is dedicated to Shri Harish Raghuwanshi ji of Surat for his pioneering work in collating songs and providing invaluable information on films and artists.
Mukesh’s collaboration with composer Lachhiram hardly rings any bell and rightly so as “they never worked in any film”.
With some surfing on the net, one comes across two devotional NFS that Mukesh sang for him. With more rigorous search one can find references of some rare and untraceable couplet that Mukesh sang in Lachhiram’s last film Main Suhangan Hoon released in 1964.
Arguably, this was the last as well as the most famous film that he scored music for. All available compilations of this film’s songs on the net and elsewhere rightly contain 7 songs. In fact, this film is also yipped on this blog with all the 7 songs duly represented.
And this is where the work of Harish ji comes into picture. In his latest version of Mukesh Geetkosh, there is no reference to this film in the index. However, under 1964 songs, there is a special mention that Mukesh rendered a short 33 second couplet in this film.
Thus, with all eagerness, I started to “watch” the film on youtube where it is fortunately uploaded. Apparently, the credit titles do not reflect Mukesh’s name under playback singers. But then a little over half an hour into the movie, there is unmistakable voice of Mukesh for the said couplet.
The first thought that came to my mind on hearing the 33 second rendering was to thank Harish ji for all the painstaking efforts that he has taken to compile almost everything that Mukesh ever sang.
Music lovers and especially Mukesh fans will always remain indebted to Harish ji.
A short table of the two NFS and this couplet under consideration are presented in the table below as far as the work of Lachhiram and Mukesh is concerned. Needless to say, even the two NFS are yet to be covered on the blog.
S. No | Name of the song | Movie (Year of release) | Lyricist |
---|---|---|---|
1 | Chhod jhamela jhoote jag ka | Devotional NFS | Madhukar Rajasthani |
2 | Ram kare so hoy re manvaa | Devotional NFS | Madhukar Rajasthani |
3 | Bigadi main koi | Main Suhagan Hoon (1964) | Unknown |
One can only guess as to why the composer who never used Mukesh for his work, thought of including his voice for such short snippet in the film. One could be that during the recording of these two NFS, the composer must have felt that a short song be introduced at this juncture of the film to depict the suffering and state of mind of the actor. And he must have felt that the voice of Mukesh could do justice to the scenes.
Anyway, these are just presumptions, and the real reasons may never be known.
I have requested multiple tasks to our Sudhir ji, including attributing the lyrics, cutting of the snippet from the film and uploading, lyrics etc. I thank him in advance for all his help in completing this post.
I have not dwelled much into the life and works of Lachhiram. However, plenty of information on Lachchiram can be found on AK ji’s blog.
song-Bigdi mein koi (Main Suhaagan Hoon)(1964) Singer-Mukesh, Lyrics-Unknown, MD-Pt Lachchiram
Lyrics
Bigdi mein koi
poochhne waala nahin hotaaa
aa aa aa aa
sau deep jalaao o to o o
ujaalaa nahin hota
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5305 | Post No. : | 17383 |
Mukesh and his Co-Singers –9
———————————————-
Let me begin this post with a disclaimer to make it more interesting.
If you are reading this post, it means the editors have gratefully accepted my take on the subject and for the inclusion of this NFS in the above quoted series.
The series Mukesh and his co-singers had begun with Mukesh’s association with Rafi saab. Thereafter, I have covered a total of 4 each male and female co-singers. Amongst male singers apart from Rafi saab, Talat Mehmood, Kishore Kumar and Manna Dey have been covered.
A very important name missing amongst male singers was of course Mahendra Kapoor who not only has some good number of songs with Mukesh, but also had a close and friendly relationship with him. The obvious reason for the delay of this post was the fact that all of the known 12 songs in which they collaborated had already been covered on the blog.
So what do I have in store in this post? Well, when the words “rare” and “Mukesh” appear together anywhere, I take them quite seriously and one of the first thoughts that comes to my mind is if the same has been represented on the blog or if there is any scope for its immediate inclusion.
Thus, a couple of months back, when Zafar bhai of Delhi shared the NFS of the combo from his invaluable collection, I knew I had a chance of making this post.
Before we go into the details as to how this post came about, here is the table of songs with all details and the respective links on the blog. The duo has a dozen songs in which they sang together (triads, quartets and a quintet included) and which are quite familiar and remembered to this day. I shall run through them without much detailing.
S.No | Name of the Song | Movie (Year of release) | Other co-singers if any | Music Director | Lyricist |
---|---|---|---|---|---|
1 | Kadam kadam se dil de | Chaar Dil Chaar Raahen (1959) | Manna Dey, Meena Kapoor | Anil Biswas | Sahir Ludhianvi |
2 | Hai aag hamaare seene mein | Jis Desh Mein Ganga Behti Hai (1960) | Geeta Dutt, Manna Dey, Lata Mangeshkar | Shankar Jaikishan | Shailendra |
3 | Ik baat kahoon wallaah | Shrimaan Satyawad (1960) | Suman Kalyanpur | Dattaram | Gulzar |
4 | Ham dilli ke daade hain | Dilli Ka Dada (1962) | N Datta | Sahir Ludhianvi | |
5 | Yeh haseen bambai | Holiday In Bombay (1963) | N Datta | Anjaan | |
6 | Har dil jo pyaar karegaa | Sangam (1964) | Lata Mangeshkar | Shankar Jaikishan | Shailendra |
7 | Mera rang de basanti chola | Shaheed (1965) | Rajendra Mehta | Prem Dhawan | Prem Dhawan |
8 | Jo chalaa gayaa usey bhool jaa | Saathi (1968) | Naushad | Majrooh Sultanpuri | |
9 | Zindagi hai kya | Satyakaam (1969) | Kishore Kumar | Laxmikant Pyarelal | Kaifi Azmi |
10 | Dhol bajaa dhol | Vishwaas (1969) | Usha Timothy, Hemlata | Kalyanji Anandji | Gulshan Baawra |
11 | Bheetar-bheetar khaaye chalo | Sankalp (1974) | Khayyam | Kaifi Azmi | |
12 | Kuncham kuncham thodaa thodaa | Imaan Dharam (1977) | Asha Bhonsle | Laxmikant Pyarelal | Anand Bakshi |
13 | Seva Core Ke Jawan | NFS (1975) | Chorus | Khayyam | Sahir Ludhianvi |
Song No 1 in the table is probably only one of its kind, wherein all 4 singers name starts with the letter “M”.
2 again is a rare song with 5 great singers coming together for a quintet in a classic film.
3 is chirpy and hummable.
4 and 5 are under the composition of N Datta and incidentally both the songs are about our two metro cities.
6 is probably the most known song in the table.
7 is of course a patriotic song sung with much gusto.
8 is a known song, but what most people probably do not know is that the refrain “bhool jaa” is sung by Mahendra Kapoor where as Mukesh sings most of the song.
This was Mukesh’s association with Naushad after nearly two decades. Incidentally, it was my debut post of another series called Mukesh and his composers. That post was sans the table which became a regular feature in my posts later on. I am contemplating writing again on the combo as new information has come to my knowledge.
9 to 12 are quite familiar and readers can easily associate with them just by reading the name of the song.
13 is what this post is all about and so read on.
So, after having come across the posting by Zafar bhai, a quick search on the net and I came across
the following:-
==
The relevant text is as follows.
ASC CORPS SONG
In Oct 1975 the Corps song entitled ‘Seva Corps KeJawan’ was composed and recorded on a 45 RPM disc by HMV. The Corps song depicts in simple language the various facets of the Corps. Shri Sahir Ludhianvi composed the song; Shri Khayyam has scored the music and it is sung by late Mukesh, Mahendra Kapoor and others under the able direction of Shri Yash Chopra, the famous director.
From the picture of the disc that he has shared along with the audio, artists involved in the NFS; the singers, lyricist, composer and this case the director Yash Chopra are quite evident.
And now starts the story, which, as I write; am afraid has no definite answers or conclusions.
Even before the two famed voices start singing the NFS, the prelude composition unmistakably takes us back to the radio days program “Jaimala” on Vividh Bharathi. Yes, the popular signature tune of the program. It’s used once before the voices start singing and thrice at the end of the song. So was the signature tune of Jaimala program used from this particular composition of Khayyam saab or someone else had composed the tune earlier and Khayyam saab took the liberty of burrowing it for obvious reasons?
In this quest, apart from our editors, I sought help from our Avinash ji also. A good friend that he is, instead of helping me, he put up a bigger problem and that too with documentary proof.
Apparently, the book Khayyam The Man – His Music, researched, compiled and edited by Vishwas Nerurkar and Bishwanath Chatterjee has a special mention of this NFS in the footnotes and states that Mukesh is not part of the song.
Well, on listening to the song, it is true that Mukesh’s voice is extremely difficult to identify as Mahendra Kapoor’s strong metallic voice overshadows and looms large in the entire song. However, with due regards to the authors of the book on Khayyam, I have the following to submit.
1. On keener listening at the start of the song, there is indeed a trace of Mukesh’s voice that can be heard separately. It lasts for a very short while though.
2. Again, there seems to be a difference when Mahendra Kapoor is singing in unison with Mukesh and the chorus is rendering its part in the song. I mean, evidently, there is one more voice with Mahendra Kapoor.
3. The official home page of the Indian Army under its section Corps Colour And Song clearly attributes the artists involved in the making of the song and Mukesh is very much mentioned.
4. The gramophone record disk clearly displays Mukesh’s name on it. In fact, Mukesh is printed before Mahendra Kapoor. 🙂
5. A few articles on the net which seem to have copied info from the army website invariably mention Mukesh.
6. There is photograph easily available on the net depicting the two singers. Though there were quite a few private concerts that the two participated, this particular snap because of the attire seems to be very much from the recording of the said NFS. Mukesh also has a book in his left hand and some notes can be seen. I wonder if the same can be deciphered to conclude the matter.
Harish Raghuwanshi’s latest edition of MGK also does not feature this NFS. In my brief interaction with him on email, I was given to understand that he did get this information a few years back but could not lay his hands on the audio. He as such has not ruled out Mukesh’s voice in the song.
So, there are two important aspects to be firmly decided.
1. If Khayyam saab was the original composer of the signature tune used in Jaimala program.
2. The undeniable and irrefutable fact of Mukesh being the co-singer with Mahendra Kapoor in view of the footnote in the book on Khayyam saab.
I leave it to the editors, readers and knowledgeable contributors to throw more light and perceptions on the above two points.
It was important to include a post on Mukesh’s collaboration with Mahendra Kapoor along with the table of songs and I am happy that I got an opportunity to do so with this NFS.
I take this opportunity to thank all the seva core jawans for the invaluable service that they are rendering to our country.
Further, today on 26 January 2023, while we celebrate our 74th Republic Day, let us be thankful and express our sincere gratitude to all the soldiers of our armed forces for the supreme sacrifice they are making in keeping us safe.
Long live our motherland.
Jai Hind.
Youtube Link:
Song-Hum Sewa corps ke jawaan sada chalen seena taan (Patriotic NFS)(1975) Singers-Mukesh, Mahendra Kapoor, Lyrics-Sahir Ludhianvi, MD-Khayyam
Lyrics
hum
Sewa corps ke jawaan
sada chalen seena taan
hamen rokne na paaye
koi aandhi ya toofaan
sewa corps ke jawaan
sada chalen seena taan
hamen rokne na paaye
koi aandhi ya toofaan
sewa corps ke jawaan
sada chalen seena taan
sarhad sarhad pahunchaayen hum
fauzon ka saamaan
sarhad sarhad pahunchaayen hum
fauzon ka saamaan
apne jaan se pyaari samjhen
har sainik ki jaan
Sewa corps ke jawaan
sada chalen seena taan
hamen rokne na paaye
koi aandhi ya toofaan
Sewa corps ke jawaan
sada chalen seena taan
parwat faanden nadiyaan cheeren
jungle daalen chhaan
parwat faanden nadiyaan cheeren
jungle daalen chhaan
mushqil se mushqil manzil ko
hum samjhen aasaan
Sewa corps ke jawaan
sada chalen seena taan
hamen rokne na paaye
koi aandhi ya toofaan
Sewa corps ke jawaan
sada chalen seena taan
desh ki sewa fauz ki sewa
apna dharm imaan
desh ki sewa fauz ki sewa
apna dharm imaan
apni corps pe maan hai humko
apni corps mahaan
Sewa corps ke jawaan
sada chalen seena taan
hamen rokne na paaye
koi aandhi ya toofaan
Sewa corps ke jawaan
sada chalen seena taan
hamen rokne na paaye
koi aandhi ya toofaan
Sewa corps ke jawaan
sada chalen seena taan
desh ki sewa fauz ki sewa
apna dharm imaan
desh ki sewa fauz ki sewa
apna dharm imaan
apni corps pe maan hai humko
apni corps mahaan
Sewa corps ke jawaan
sada chalen seena taan
hamen rokne na paaye
koi aandhi ya toofaan
Sewa corps ke jawaan
sada chalen seena taan
hamen rokne na paaye
koi aandhi ya toofaan
Sewa corps ke jawaan
sada chalen seena taan
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5289 | Post No. : | 17322 | Movie Count : |
4664 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # (Missing movies of 1973-5)
——————————————-——————————
Today we introduce the movie “Pyaasi Nadi” from the year ‘1973’ on the blog.
It was directed by Shankar Kinagi for ‘Ishwar Art International’.
This movie was produced by M.N. Bakia.
This movie introduced actor Vikram and actress Vani Ganpati (as mentioned in the titles of this movie).
It also had Gulshan Arora, Prashant (in special appearance), Shahina and Helen. They were supported by Bipin Gupta, Asit Sen, Murad, V. Gopal, Chandrakant Gokhale, Tribak Joshi, Narsi Patel, Albert, Barot, Daksh Dave, Puroshottam Shah, Himanshu Patel, Ashok Khanna, Vasu Naik, Chimanlal, Shantilal, Jagdish, Shrimati Bhasin, Kewal, Jadhav, Ramesh Jani, Seema Kapoor, Shefali, Hansa Chokshi, Urmila Bhatt, Bhola, Das, Raj, Ravi, Kallu Khan and others.
Story of this movie was written by Ranu and Screenplay was written by Ram Kelkar. Dialogues of this movie were written by Gulshan Jalalabadi and Ram Kelkar.
A.Javeed was the Dialogue Instructor of this movie. Editing of this movie was done by Ramrao Ghatke.
This movie was passed by Censor Board on 03.08.1973.
This movie has five songs. They were written by Gulshan Bawra (two songs), Mahendra Dehalvi (one song) and Tajdar Taj (two songs).
Music for this movie was composed by Ratandeep-Hemraaj.
Here is the list of songs from this movie.
SNo | Song Title | Lyricist | Singer/s |
---|---|---|---|
01 | Laakh yugon ka ek baras ho | Tajdar Taj | Asha Bhonsle |
02 | O re sajanwa, saagar mein kyun aate toofaan | Tajdar Taj | Mukesh, Chandrani Mukherjee |
03 | Zaalim ne pilaa de hai | Mahendra Dehalvi | Asha Bhonsle |
04 | Three six, two four, .. phone karo aur | Gulshan Bawra | Asha Bhonsle, chorus |
05 | Meri jaan kah ke log | Gulshan Bawra | Chandrani Mukherjee |
Today’s song is sung by Chandrani Mukherjee and Mukesh. It is lip-synced on screen by Vani Ganpati and Vikram. It is a sweet song happening on a boat sailing in a river.
I am not aware of the context in which this song takes place happens, but in the video of the song Vani Ganpati utters some dialogues for Vikram and that can give us some clue, I think.
Lyrics for today’s song are written by Tajdar Taj and music is composed by Ratandeep-Hemraaj.
Let us listen to today’s duet in the voices of Mukesh and Chandrani Mukherjee now…
With today’s song this movie ‘Pyaasi Nadi-1973’ makes its debut on the blog.
Audio
Video
Song-O re sajanwa saagar mein kyun aate hain toofaan (Pyaasi Nadi)(1973) Singers-Chandrani Mukherjee, Mukesh, Lyrics-Tajdar Taj, MD-Ratandeep Hemraj
Lyrics
hmm hmm
hmm hmmm
o re sajanwa aa
o re sajanwa
saagar mein kyun
aate hain toofaan
pyaasi dhaara
chaand ko chaahe
tere mere samaan
o raama ho o ho
o ri sajaniya
o ri sajaniya
kya hoti hai
saawan ki pehchaan
badraa sang chaley
purwaiyya
tere mere samaan
ho raama ho ho o
tu mera maanjhi hai ae
main teri naiyya hoon
o de de tu sahaara
o maanjhi
kinaara bana ke baahon ko
dilon ke milne se ae
zamaana jaltaa hai ae
ho mohe dar laage
ye bairi naa roke
hamaari raahon ko
o o o o o o
duniya se dar ke
main naa rahoongi
saare bandhan tod doongi
teri chaah mein ae
o ri sajaniya
o ri sajaniya
kya hoti hai
saawan ki pehchaan
badraa sang chaley purwaiyya
tere mere samaan
ho raama ho ho o
maanjhi re ae ae
O maanjhi ee ee
mere man aangan pe
tu aise barsi hai
o jaise dharti pe ye kaali
niraali ghataa rimjhim barse
mera dil kehtaa hai
main teri hoon sainyyaan
o aise lag jaaun
jaise
nadi ka milan ho saagar se
ho o o o o
waada kiya to
karke nibhaana
phool ban ke muskuraana
meri raah mein ae ae
o re sajanwa aa
o re sajanwa
saagar mein kyun
aate hain toofaan
pyaasi dhaara
chaand ko chaahe
tere mere samaan
o raama ho o o
o ri sajaniya
o ri sajaniya
kya hoti hai
saawan ki pehchaan
badraa sang chaley purwaiyya
tere mere samaan
ho raama ho ho o
ho raama ho ho o
ho raama ho ho o
ho raama ho ho o
Besharmi se sharm na kar
Posted November 3, 2022
on:- In: "Advice" song | Blog Ten Year Challenge (2012-2022) | Light hearted song | Lyrics by Prakashchandra | Lyrics contributed by readers | Manna Dey songs | Mukesh songs | Rafi songs | Song sung by three or more singers | Songs of 1970s (1971 to 1980) | Songs of 1973 | Yearwise breakup of songs
- Leave a Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5221 | Post No. : | 17213 |
———————————————–—————————————
Blog 10-Year Challenge (2012-2022) – Song No. 123
————————————————————————————–
Ten years back on this date viz on 3 October 2012, six songs from six movies were covered on the blog. Here are the details:-
Blog post number | Song | Movie (Year) | Remarks |
---|---|---|---|
6939 | Chori chori tori aayi hai Radha | Ham Hindustani (1960) | Movie YIPPEED by now |
6940 | Pawan morey angna mein dheere dheere aana | Shehnaayi (1964) | Movie YIPPEED by now |
6941 | Tere labon ke muqaabil gulaab kyaa hoga | Mukesh NFS(1965) | |
6942 | Ham ne jo tum ko salaam kiya | Insaan Aur Shaitaan (1970) | Movie YIPPEED by now |
6943 | Man ke khajaane mein maaya hi maaya | Teen Chor(1973) | One song out of five done |
6944 | Ek chhatri aur ham hain do | Maan Gaye Ustaad(1981) | 3 songs covered out of 7 done |
We can see that three movies whose songs were covered on this date ten years ago have since been YIPPEED. Fourth song was an NFS. That leaves us with two movies that are eligoible for blog ten year challenge today (3 November 2022).
“Teen Chor”(1973) is one such movie.
“Teen Chor”(1973) was produced by Gordhandas and Ravi Malik and directed by V Dada Mirasee for The Bharat Pictures, Madras. Th movie had Om Prakash, I.S.Johar, Jeevan, Vinod Mehra, Zaheeda, Ranjeet, Ashoo, Sulochana Latkar, Chaman Puri, Manmohan Krishna, Manmohan, Jagadish Raj, Sudesh Kumar etc in it.
The movie had five songs in it. One song has been covered so far and that song was covered ten years ago. Now exactly ten years later to the date, here is the second song from “Teen Chor”(1973) to appear in the blog. The song is sung by Rafi Manna Dey and Mukesh. It is lip synced by m Prakash, Jeevan and I.S.Johar respectively.
Rajinder Krishan is the lyricist. Music is composed by Sonk Omi.
Lyrics of the song and other details were sent to me by Prakashchandra.
audio link:(includes only 1st and 3rd stanza)
Video link:
Song-Besharmi se sharm na kar (Teen Chor)(1973) Singers-Rafi, Manna Dey, Mukesh, Lyrics-Rajinder Krishan, MD-Sonik Omi
All three
Lyrics(Provided by Prakashchandra) (Video link)
besharmi se ae sharam na kar
hera pheri se mat dar
arrey besharmi se sharam na kar
arrey hera pheri se mat dar
ek pate ki baat kahein hum
jisskaa jootaa
usee kaa sar
ho mister
jiskaa joota usee kaa sar
arrey besharmi se sharam na kar
arrey hera pheri se mat dar
ho besharmi se sharam na kar
arrey hera pheri se mat dar
arrey ek pate ki baat kahein hum
jiskaa jootaa
usee kaa sar
ho mister
jisskaa joothaa usee kaa sar
jhuko toh ye duniyaa thukraaye
akdo toh ye gale lagaaye
jhoothe kaa toh bol hai baalaa
sachchaa dar dar thokar khaaye
jhuko toh ye duniyaa thukraaye
akdo toh ye gale lagaaye
jhoothe kaa toh bol hai baalaa
sachchaa dar dar thokar khaaye
arrey baabaa jhooth ko nis din maalish kar
hoyye sach pe boot ki paalish kar
jhooth ko niss din maalish kar
sach pe boot ki paalish kar
ek pate ki baat kahein hum
jiskaa jootaa usee kaa sar
ho bitwa
jiskaa jootaa usee kaa sar
dekh kabhi naa khotaa sapnaa
maal paraayaa kar le apnaa
apnaa kaam nikal jaaye toh
raam naam ki maalaa japnaa
dekh kabhi naa khotaa sapnaa
maal paraayaa kar le apnaa
arrey apnaa kaam nikal jaaye toh
raam naam ki maalaa japnaa
guru ne ik din khush ho kar
diyaa tha hamko ye mantarrrrrrr
arrey
guru ne ek din khush hokar
diyaa tha hamko ye mantharrr
arrey
ek pate ki baat kahein hum
jiskaa jootaa usee kaa sar
o munna
jisskaa jootaa usee kaa sar
haa
sethon kaa imaan hai paisaa
nirdhan kaa bhagwaan hai paisaa
waisey toh bejaan hai lekin
duniyaa bhar ki jaan hai paisa
arrey baabaa
sethon kaa imaan hai paisaa
nirdhan kaa bhagwaan hai paisaa
waissey toh bejaan hai lekin
duniyaa bhar ki ee jaan hai paisaa
khoon aadmi ee kaa pee kar
aur kaan mein kehtaa thha machchar
arrey khoon aadmi kaa peekar
kaan mein kehtaa tha machchar
ek pate ki baat kahein hum
jisska jootaa usee kaa sar
waahh rey waah
jiskaa jootaa usee kaa sar
arrey besharmi se sharam na kar
hera pheri se mat dar
besharmi se sharam na kar
hera pheri se mat dar
ek pate ki baat kahein hum
jiskaa jootaa usee kaa sar
ho mister
jisskaa joota usee kaa sar
laallalalalaala lalalalalaalaall
lllalalalalalala lllaalalalalalalala
babbababababbbaa..bbbaaaaaaa
Baat hai ik boond si
Posted October 30, 2022
on:This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5217 | Post No. : | 17206 |
———————————————–—————————————
Blog 10-Year Challenge (2012-2022) – Song No. 121
————————————————————————————–
Ten years back on this date viz on 30th October 2012, six songs from six movies were covered on the blog. Here are the details:-
Blog post number | Song | Movie (Year) | Remarks |
---|---|---|---|
6916 | Chaahe duniya laakh sataaye | Neelam Pari (1952) | Movie YIPPEED by now |
6917 | Maana ke tum haseen ho | Moorti(1945) | Movie YIPPEED by now |
6918 | Jaao jee jaao tumhe maan liya sainyya | Chaacha Zindabad (1959) | Movie YIPPEED by now |
6919 | Zamaane mein aji aise kayi naadaan hote hain | Jeewan Mrityu(1970) | Movie YIPPEED by now |
6920 | Aise tadpoon ki jaise jal bin machhli | Jal Bin Machhli Nritya Bin Bijli(1971) | 6 songs covered out of 8 by now |
6921 | Phir wohi raat hai khwaab ki | Ghar (1978) | Movie YIPPEED by now |
We observe that as many as five movies (out of six) whose songs were covered on this date ten years ago (30 october 2012) have since been YIPPEED in the blog. That leaves us with only one movie that is eligible for blog Ten year challenge today (30 october 2022).
That movie is “Jal Bin Machhli Nritya Bin Bijli”(1971). This movie was produced and directed by V Shantaram for V Shantaram Private Limited, Bombay. The movie had Sandhya, Abhijeet, Minal, Praveen Kumar, Sushant Ray aka Siddharth, Dina Gandhi aka Pathak, Iftekhar, Raja Paranjape, Ravindra, Basant, Presh Nanda, Birbal, Vatsala Deshmukh, Vasant Parekh etc in it.
“Jal Bin Machhli Nritya Bin Bijli”(1971) had eight songs according to HFGK. Six songs have been covered so far.
Here is the seventh song from the movie to appear in the blog. The song is sung by Lata Mangeshkar and Mukesh. Majrooh Sultanpuri is the lyricist. Music is composed by Laxmikant Pyarelal.
Only audio of the song is available. I am not sure if this song was picturised in the movie. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of the song and other details were sent to me by Prakashchandra.
Song-Baat hai ik boond si (Jal Bin Machhli Nritya Bin Bijli)(1971) Singers-Lata, Mukesh, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Lyrics(Provided by Prakashchandra)
baat hai
ik boond si
dil ke pyaale mein
baat hai
baat hai
ik boond si
dil ke pyaale mein
aate-aate honthon tak
toofaan na ban jaaye
na ban jaaye
na ban jaaye
baat kya armaan wo kya
dil ke liye
baat kya
toofaan mein jo jeene ka saamaan
na ban jaaye
na ban jaaye
na ban jaaye
baat kya
armaan wo kya
dil ke liye
baat kya
raaz hai kya aisa
umm hmm
umm hmm
dekho taalo na
um hmm
um hmm
hum koi gair hain kya
umm hmm
umm hmm
phir keh daalo na
hai dil ki wo lahar aisi chanchal
jo ise chheda kisi matwaale ne
jo ise
aate-aate honthon tak
toofaan na ban jaaye
na ban jaaye
na ban jaaye
baat kya
armaan wo kya
dil ke liye
baat kya
meri aankhen padhin
umm hmm
umm hmm hmm
kuchch likha hoga
umm hmm
umm hmm hmm
dhadkan sunte ho
um hmm
um hmm
dil sunta hoga
waise to hai mere dil mein bhi halchal
phir bhi
halchal wo kya dil ke liye
phir bhi
toofaan mein jo jeene ka saamaan na ban jaaye
na ban jaaye
na ban jaaye
baat hai ik boond si
dil ke pyaale mein
baat hai
tum kahaan main kahaan
o ho
o ho ho
hum tum sang sang hain
um hmm
umm hmm
dharti aur ambar
o ho
o ho ho
donon ek rang hain
tum ho mere
keh doon jo ye armaan
sun liya
jo chhupke kisi duniya waale ne
sun liya
aate-aate honthon tak
toofaan na ban jaaye
na ban jaaye
na ban jaaye
baat kya armaan wo kya
dil ke liye
baat hai ik boond si
dil ke pyaale mein
baat hai
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (5 July 2022) is the 5100th day for the blog.
Blog Day : |
5100 | Post No. : | 17034 |
Regulars may have noticed lack of activity in the blog on my part for the last ten odd days. From June 25 till June 28, 7 posts were published and all these articles were posted by Sudhir jee. I had specifically requested him on 24 June 2022 that “it will be difficult for me to find time for publishing new posts from 24 june till 27 June. So I request you to uphold the blog flag for these four days.”
Sudhir jee had promised to do the needful, viz ensuring that we had at least one post on each of these days. He ended up publishing four posts on 27 June 2022, prompted by an over-enthusiastic Avinash Scrapwala, who sent many RD Burman write ups on that day for publication. 🙂
I was extremely busy from the evening of 23 June till noon of 28 June. I was journeying throughout these days, crisscrossing various places, never staying in one place for more than one day. I was in mission mode to achieve mission critical tasks where Icould not afford to fail.
What exactly were there mission critical tasks ?
Convocation ceremony of 2016 batch of MBBS students of LTMMC was to take place on 24 June. As proud parents of our daughter who was among the one hundred plus MBBS students successfully completing their course and internship from LTMMC (Lokmanya Tilak Municipal Medical college), I and my wife obviously had to be present in Mumbai on this occasion. I took an evening flight from Gorakhpur to Mumbai on 23 june and arrived Mumbai at around 9 PM. My wife, who was at Bhopal, took an evening train (Punjab Mail) at Rani Kamlapati and arrived Mumbai on the morning of 24 June.
The convocation ceremony took place at the iconic Shanmukhananda auditorium of Mumbai, which is located close to LTMMC in Sion, Mumbai. I had read about this famous auditorium many times. Many well known cultural programs have taken place in this auditorium. Portraits of some legendary artists hang on the walls of the auditorium.
The convocation ceremony, which was supposed to start at 10 AM, started late, after 12 noon. The 2700 plus seat capacity auditorium was full of relatives of the students. While there were many from Mumbai and other parts of Maharashtra, several sets of parents and relatives had come from all over India, and some from abroad as well.
The 14 dignitaries (including six ladies) who were welcomed and seated on the dais were the “who is who” of medical fraternity in Mumbai.
The function was not a boring affair. These convocations held at Mumbai are very much like the film city functions, full of songs and dances. The students entered the hall dancing to some new popular Hindi movie songs, which I was obviously oblivious of. 🙂 They then took their seats in the front rows of the auditorium.
All the 14 dignitaries gave their speeches. That was followed by the function where individual students were called by name and handed over their certificates, medals etc. It was quite filmy ishtyle program. The name of the student and his/her details would be announced. Then a filmy song would play and the student would make a grand entry on the stage, dancing to that tune. Most of these tunes were new (unfamiliar to me), but I was happy to note that some of the students danced to the tunes of 1970s and 1980s Hindi movie songs as well. 🙂
The medals and certificate distribution went on till after 2 PM. then it was lunch break. After lunch break, four videos, prepared and shot by the students themselves, that showed their stay during these years in the college, were played. My daughter was co producer, director, (and actor too) in one of these videos. 🙂
It was evening when the gala function finally came to a close. The hectic and satisfying day had passed, but another hectic day awaited the two of us the next day. I and my wife had to catch an early morning flight to Gorakhpur the next day (25 June 2022).
We checked in to a hotel near the airport on the night of 24 June. We woke up at 4 AM in the morning and left for the airport. The flight was at 6 AM. We arrived Gorkhpur before time at 8 AM on 25 June which was a Saturday. After arriving at home, I (rather my wife), got busy in the task that was upon us. 90 % of the household items, including the car had already been sent to Bhopal in February 2022. The remaining items were now required to be packed and loaded on a truck to be dispatched to Bhopal. This work is normally done by professional packers, but my wife does it herself.
The truck was dispatched in the afternoon. Then we went to the gas agency and surrendered the gas connection.
The most important ‘item’ that we needed to shift was not luggage, but the two pets, namely Bhole and Izza. The cat had been shifted to Bhopal in February and that was less challenging because the cat went in our car along with wife and daughter. Taking the dogs by car for 1000 km was out of question because the car was no longer there in Gorakhpur. Moreover, the junior dog, Izza, is a very poor road traveller and she gets sick at the prospect of a road travel.
Fortuitously, there was one direct train from Gorakhpur towards Bhopal the very next morning (26 June 2022). It is the only train from Gorakhpur towards Bhopal that has an AC first coach in it. According to Railway rules, dogs can be taken either in dog box kept in Guard van (an unrealistic rule) or in AC first coach, if fellow passengers do not object. The best way to eliminate fellow passengers’ objection is to ensure that we book a two berth coupe (there are two such coupes in AC first coach). I had asked my staff to sound out the person who allots berths in the train including AC first that we should be allotted a two berth coupe.
But that is not all. Dogs are needed to be booked on the train. You need to have health certificate for them issued by a vet who certifies that they are fit to travel by train. That certificate is produced at the parcel office along with owners’ ticket and ID proof. Then a ticket is issued for the dogs allowing then to travel by train. Mostly, this booking of pets takes place one hour before the train has to start and the pets must be presented at the booking office. But that was a very challenging scenario. Gorakhpur Railway station is a very vast Railway station. The parcel booking office is in platform number one, whereas the train leaves from platform number nine. The two platforms are like two terminals of Mumbai Airport. So I sent my staff to convince the parcel officials to issue the pets documents earlier, if possible.
Next morning, my staff, who had reached the station at 5 AM, phoned me informing me that the tickets for the pets had been booked. Booked without taking the pets to the parcel office ! That was a big relief. So we directly reached at platform nine. There is a road running parallel to the platform. So we reached close to our coach and boarded the train along with the pets and luggage.The staff who had got the pets ticket booked handed me the document. I profusely thanked the staff, but failed to notice that the ticket price was Rs 400/-. However, I paid the money to the staff later.
After some initial discomfiture, both dogs, including Izza made themselves comfortable. Bhole, as is his wont being a down to earth dog, preferred to sit down on the floor. I made Izza sit on the lower berth and she soon made herself comfortable there, much to our relief.
Though we had sent most of our luggage earlier, but subsequently my wife discovered some more items that needed to be carried with us. So our luggage had become considerable. In Gorakhpur, the staff took care of carrying the luggage. I needed similar help at Bhopal. So I phoned the mechanical officer at Bhopal and requested for the help of his staff in carrying my luggage. The train arrived Bhopal before time at 8:40 PM (scheduled arrival time was 8:55 PM). The luggage and pets were deboarded.
Our daughter, after her convocation on 24 June had taken a morning flight to Bhopal on 25 June. She was to receive us at Bhopal. All the luggage and the two pets were somehow accommodated in the car. Izza, whom I was holding in the front passenger seat was putting up a stiff fight. Somehow I managed to restrain her while we arrived at the home. So our pets were successfully transported from Gorakhpur to Bhopal.
Next morning (27 June), the daughter had to go back to Mumbai. She drove the car herself to the airport. In the return direction, I drove the car back to the home. By the time we arrived home and had our breakfast etc, the daughter had already reached Mumbai. 🙂
I had my train back towards Gorakhpur in the afternoon. The train got delayed by about three hours. I boarded the train in the evening instead of afternoon, and arrived Gorakhpur at noon of 28 June, instead of morning.
If I was busy till morning on 28 June, the other engagements for the next three days were even more important. It is just that I did not have to travel on these days.
The residence items had all been sent. So I needed some other accommodation at Gorakhpur. I had already booked a transit accommodation room in a Railway Officers rest house. I went there. After getting ready, I went to office and sent the quarter vacation memo to the concerned officials. I asked my staff to find out all the clearances that are required to be taken and to take them promptly. It turned out that clearances from five different departments (electricity, telephone etc.) is needed. My staff got busy arranging for these clearances, while I got busy doing things that needed my presence.
Though we had submitted the gas cylinders and regulator two days earlier, but papers were not given on that day because the dealer was unavailable. I went to the gas agency and waited for an hour before the concerned person arrived and I could take the relevant document with me.
In the evening, there was one get together in the Railway Museum in my honor. Looking at my hectic schedule, the organizers of the function were wondering whether I would be able to attend this function. I managed to attend it. When I was asked to give a speech on the occasion, I gave a long speech, all extempore of course.
The next day, viz 29 June 2022 was rather sedate by comparison as there were no pressing engagements on that day. There was one function in the evening where my staff working directly under me honored me. There too I gave one extempore speech. My contents in this speech were different from my speech of 28 June 2022. 🙂
The next date, viz 30 June 2022 was the all important day. More than the day, I was interested in the next day, the pehli taareekh,viz 1 July 2022, when I had an early morning train to Bhopal. It was the same train in which we had transported our pets from Gorakhpur to Bhopal on 26 June 2022.
I spent the morning of 30 June 2022 packing my stuff. I was under strict instructions from my wife not to leave anything behind, not to misplace anything, and complete my packing well in advance etc. I was trying to do all that but as always, I had to leave my packing till last moment, even though my train was early morning on 1 July 2022.
In the office, I tried to clean up my stuff from almirahs, computers etc. In the computer I had logged in to my accounts of WordPress, Gmail, Office365 etc. I tried to log off from most of them but I ran out of time.
There was a function in the afternoon in HQ meeting hall headed by AGM (Additional General Manager). It was followed by a function in our own mechanical department.
Final program of the day was organised in Railway Officers club at night. Officers and their spouses were present in good number on the occasion. It was organised to honor four people including me. After cultural programs, it was time for speeches. When it was time for my speech, I gave another extempore speech. It was a lighthearted speech containing fun facts that was well received by the audience. I also mentioned the song blog towards the end of my speech. I mentioned that I had a Hindi movie songs related site called Atul Song A Day, ASAD in short. Till today, it was ASAD Gorakhpuri, from tomorrow it will be ASAD Bhopali. 🙂
The speeches were followed by dinner. Some of the guests complimented me for my witty speech, which I had thought up at the spur of the moment.
The club day was over at 10:30 PM. I went back to rest house, tried to complete the packing, but I could see that some packing could only be done at the last moment. I set alarm for 4 AM in my mobile and tried to go to sleep.
It was the alarm that woke me up. Then I realized that I had to get ready for the early morning train. I took bath, packed the remaining stuff, and checked to see that nothing was left behind. The car driver was supposed to arrive at 5 :30 AM. My luggage was all packed. All dues of all people (milkman, newsman, the person who booked my pets) were paid. My mobile which gets discharge very fast was plugged in for charging.
The car arrived. I got the stuff loaded in the car, handed over the key to the reception, and left for the station. Halfway towards the station, I pressed my left pant pocket and realized that my mobile was not there. I had forgotten the mobile back in the room. I asked the driver to turn back, the key was again taken from reception. The mobile, plugged in the power socket, was taken along with the charger. Heaving a big sigh of relief, I restarted for the station.
The train, unlike on 26 June 2022, started late. This train kept getting delayed because it went from a much longer diverted route and that took seven hours longer to reach Bhopal. The train, that was supposed to arrive Bhopal at 8:55 PM on 1 July arrived Bhopal at 4:20 AM on 2 July 2022. My luggage had become sizable and I needed to help of Railway staff this time too. The staff arrived to carry my luggage after I had already unloaded them from the train. Just as I was thinking that I may have to wait, I found my wife entering the platform. So, she had arrived to receive me, along with her sister this time. All the luggage was easily accommodated in her sister’s MUV and we left for the Bhopal home. We arrived there when it was early morning.
Why all these hectic activities ? “Blame” my birthday for this which took place on 20 June. That birthday, unlike the previous birthdays meant that it was finally time to say goodbye to Railway service. In other words, I was to retire on 30 June 2022. All the hectic engagements and functions were being held for that reason.
I am very happy and relieved that I managed to overcome all the logistical challenges successfully without any failure anywhere. It was quite a logistical challenge and it took some meticulous planning and co operation of many that led to successful executions of all the plans that were laid out.
To cut a long story short, with effect from 1 July 2022, I am a retired person settled in Bhopal. So this blog is now officially ASAD Bhopali. 😀
Today (5 July 2022) happens to be the 5100th day for the blog. It is an appropriate occasion for me to break this news to the readers of the blog. 🙂
On this occasion, I have chosen a song from ‘Sher e Watan’ (1971). It was directed by Harbans for New Sunrise Productions, Bombay. The movie had Prithviraj Kapoor, Dara Singh, Nishi, Rajan Haksar, Nadira, Bela Bose, Aruna Irani, Bhagwan, Roopali, Pal Sharma, Dhanraj, Saudagar Singh, Prakash, Trilok Singh, Uma Khosla, Bramhachari etc in it.
The movie had four songs in it. One song has already been covered in the blog. This song is sung by Mukesh and Asha Bhonsle. The song is picturised on two females where one plays the role of a male by attaching a thin mustache under her nose.
Usha Khanna is the music director. The main reason why I chose this song is that it is penned by Asad Bhopali. 😀
I request our knowledgeable readers to throw light on the picturisation of the song.
This rarely heard song is a song that grows on you as you get exposed to this song.
It is a nice feeling to be able to join the club of our seniors. Hopefully I will be able to have an active and fruitful second innings like them. 🙂
Song-Zara hamse milo hamse milo hamse milo jaan(Sher e Watan)(1971) Singers-Mukesh, Asha Bhonsle, Lyrics-Asad Bhopali, MD-Usha Khanna
Mukesh + Asha Bhonsle
Lyrics
zara humse milo
zara humse milo
humse milo humse milo jaan
zara humse milo
humse milo humse milo jaan
dekho to dil mein hain kya kya armaan
zara humse milo
zara humse milo
humse milo
humse milo jaan
zara humse milo
humse milo
humse milo jaan
dekhen to dil mein hain kya kya armaan
zara humse milo
humse milo
humse milo jaan
malika e husn
bahaaron ki haseen shehzaadi
chaand ka noor
sitaaron ki haseen shehzaadi
aao in champai honthon ko gulaabi kar den
aao in nargisi aankhon ko sharaabi kar den
in jhuki jhuki nazron pe dil kurbaan
ho jhuki jhuki nazron pe dil kurbaan
humse milo
humse milo
humse milo
humse milo jaan
honth kuchch aur bhi kaanpenge gulaabi hoke
aankh kuchch aur bhi behkengi sharaabi hoke
zulf ki chhaanv mein
is raat ko dhal jaane do
pyaar ki aag mein
do jismon ko jal jaane do
aaj nahin khwaabon mein dil e naadaan
aaj nahin khwaabon mein dil e naadaan
zara humse milo
hey zara humse milo
humse milo humse milo jaan
aag kuchch aur bhi bhadkegi
galey mil mil ke
ik mulaakaat mein niklenge na armaan dil ke
zindagi ab inhin baahon mein basar karna hai
pyaar hi pyaar hamen
shaam o sahar karna hai
tum bhi yahi waada karo
mere meharbaan
tum bhi yahi waada karo
mere meharbaan
zara humse milo
hey zara humse milo
humse milo
humse milo jaan
dekhen to dil mein hain kya kya armaan
zara humse milo
zara humse milo
humse milo
humse milo jaan
dekho to dil mein hain kya kya armaan
zara humse milo
humse milo
humse milo jaan
Hamne dekha thha ek sapna
Posted January 30, 2022
on:This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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In Memory of Mahatma Gandhi – the father of the nation.
——————————————————————-
Eknath Easwaran writes in the preface of a book:
“In India, Mahatma Gandhi is officially Father of the Nation. Under his leadership India attained freedom from the British Empire through a 30-year campaign based on complete non-violence that ended with both sides allied in respect and friendship. That alone will secure his place in the history books, but not necessarily his place in a series of the world’s spiritual classics.”
He says further:
“One of the first lessons Gandhi learned in South Africa was to begin by bringing people together onto higher ground. India was exploitable because it exploited our own people. We were weak because we were divided into innumerable factions, each seeking its own gain, making it simple to play us against each other – an old Roman empire tactic practiced by the East India Company and made official imperial policy after the mutiny (1857). His analysis made perfect sense, once grasped, but it wasn’t a matter of politics to Gandhi. It was the obvious corollary of the unity of life, in which the welfare of all of us together was bound up with those whom the poet Rabindranath Tagore called “the lowest, the lowliest, and the lost.”Those ideas sound conventional enough today, but to put them into proactive is always a shock. In India they caused an earthquake. By linking independence with the way, we treated one another, Gandhi shook the country from top to bottom. Gandhi made a cornerstone of his campaign for national freedom the freedom of those whom the rest of India called “untouchable”. He campaigned for them from the Himalayas to India’s southernmost tip.
Everywhere he told us that all of us were one and that we would never have the unity to throw off foreign rule, or even be worthy of self-government, until we ceased exploiting our own people……..It was an impossible appeal because it attacked ways of thinking ground deep into unconscious conditioning for countless generations. Yet people all over India responded……..The man had to walk! And with equal joy and amazement India rose too.
These are some of the quotes of Mahatma Gandhi’s various writings and editorials:
“For me patriotism is the same as humanity. I am patriot because I am human and humane. It is not exclusive. I will not hurt England or Germany to serve India……The law of the patriot is not different from the law of the patriarch. And a patriot is so much a patriot, if he is a lukewarm humanitarian. There is no conflict between private and political law. A non-cooperator, for instance, would act exactly in the same manner towards his father or brother as he is today acting towards the (British) Government.” – Young India, March 16, 1921.
“Our ability to reach unity in diversity will be the beauty and the test of our civilization.” – Young India, January 8, 1925.
“A man is but a product of his thoughts; what he thinks, he becomes.” – Ethical religion.
This song I am presenting is from an unreleased movie titled “Bapu ka Sapna”. The song is not really talking about Mahatma Gandhi, but pays tribute to his philosophy in the beginning, with these lines:
Eeshwar Allah tero naam
Sab ko sanmati de bhagwaan
This is the only song recorded for this film, as per the list on myswar.com. There is an interesting story about how found this song. Today 30th January is also the 93rd birthday of an actor of repute in hindi and Marathi films, theatre and TV, Ramesh Deo. When I saw his name in the anniversary page, I remembered a video the a Rafi song filmed on Ramesh Deo in a black in a white film. I had seen it a few days ago and thought I had saved the details somewhere. I started looking for it but could not find it. I searched for the song on youtube, but found another song in colour, a duet of Rafi sahab and Usha Mangeshkar. Then I looked for the imdb page on him for his filmography (https://www.imdb.com/name/nm0219946/) , where I found this film “Bapu ka sapna”.
January 30 is also 74th anniversary of the assassination of Mahatma Gandhi, I decided to post this song from the film, that was starred Ramesh Deo, but never released. For Ramesh Deo, this birthday post had appeared in 2018.
(Kaun sachcha hai kaun jhoothha hai).
Ramesh Deo was commonly seen in movies of 70’s and 80’s with his wife Seema Deo, in character roles. Notable film I remember is ‘Anand’.
I found these posts which are posted in the blog on the occasion of his death anniversary:
Kahaa raam hey raam |
Mohandas Karanchand Gandhi para pujaari ahinsa ke |
Jai bolo Mahatma Gandhi ki |
Suno suno ae duniyaawaalon |
There are many more posts celebrating October 2nd as Gandhi ji’s birth anniversary, but I find that the death anniversary posts have ceased after 2015. No matter, this can soon be rectified.
Dr. Martin Luther King, Jr. says, “Gandhi was inevitable. If humanity is to progress. Gandhi is inescapable…….we may ignore him at our own risk.”
Mahatma Gandhi returned to India in 1915, after having spent 20 years in South Africa, spearheading civil right movements there. Having gone to Britain to study law as a young man, returned to India to practice law and shifted to South Africa to practice law, but turned into a civil activist, fighting for the human rights of native Indians there, the experience and exposure to varied issues of humans was instrumental in shaping the man and his intellectual abilities.
What use is the higher education, or the study in the world’s best universities, if one is not able to make use of the advantages it gives, the broadening of mental horizons it entails, to have a true arial view of the issues at hand. Arial view, as in watching a scene, as not a part of the scene, but from the outside.
People of my generation can only imagine, those times, when Gandhi ji was assassinated, so soon after the independence and partition of the cohesive entity that the United State of India, was becoming. From all accounts Gandhi ji was opposed to the partition of the country, and surprisingly, he was not assassinated before 15th August 1947. He is said to have eventually agreed to the partition but his disillusionment with the other leaders is well known. And it is not surprising that he opposed the partition, as it is the very antithesis of his philosophy of unity of ‘highest with the lowest’. The have’s and the have not’s, in other words. I also think, that the visionary in him, is bound have expected this to happen. That a colonial power, having seen the dare-devilry and bravery of all those who opposed their colonisation, and made them struggle for 2 long years, in attaining control of the various kingdoms and states, the cultural and spiritual power of an ancient civilization, with rich natural and human resources, the intellectual power (that the visionaries of united India, could see as a future super power, not just a soft power), were never going to leave the sub-continent intact. They had vast experiences in destroying the united forces, and they toiled for full 5 years, to dismantle ‘the ottoman empire’ brick by brick, brick by brick. The writings were on the wall, and Gandhi could do nothing to stop it. But eventually, paid the price for his high ideals with his life.
And today, the same world powers are hunting for a new ‘theatre of war’, to sell their arms and ammunitions which can revive their fledging economies. Big economies, liberalised one’s are relatively safe, as they can’t be put to flames in a war. So, our visionary economists have done well to liberalise the Indian economy in the 90’s.
It is never the time to not remember and remind ourselves of the gandhian principles of non-violence and non-violent solutions. I had heard some predictions that 3rd world war is going to be for ‘water’ and 4th one will be fought for parking. This joke apart, the wars are still over power, money, money power and power money.
Mahatma Gandhi’s legacy and his preaching of non-violence methods of struggle, have gone on to be emulated in various freedom and civil rights movements the world over. I have seen Richard Attenborough’s ‘Gandhi’(1982), where Ben Kingsley played the role of Mahatma Gandhi and won an Oscar for his efforts. I agree with those people, who thought that future generations, will be seeing Ben Kingsley’s movie stills and think that this is the real Gandhi.
In just over 30 years, of Mahatma Gandhi’s involvement in the freedom struggle, he has to his credit, many successful movements. Non-cooperation movement, the swadeshi movement, dandi march, the jail bharo movement are notable in this struggle. Sustaining such a movement for this long in a country full of poor people, is no small task. It required great leadership and mobilization of collective imagination. They imagined ‘swaraj’ and freedom, so they believed in it and achieved it. It is the full truth that every movement and revolutions start in the mind. That is exactly the reason he is hailed as among the greatest of leaders in human history.
I consider it prudent to repeat what Dr. Martin Luther King, Jr. said about Gandhi:
“Gandhi was inevitable. If humanity is to progress. Gandhi is inescapable…….we may ignore him at our own risk.”
Okay, I have said enough. So, we move on to the rare song from ‘Bapu ka Sapna’. The singers are Mukesh, Hemlata accompanied by chorus. Lyrics are by Taajdar Taj and Ratandeep-Hemraj are the composers.
Audio:
Song-Ham ne dekha thha ek sapna (Bapu Ka Sapna)(1970)(UR) Singers-Mukesh, Hemlata, Lyrics-Taajdar Taj, Music director-Ratandeep-Hemraj
both together,
male chorus,
female chorus
Lyrics
(Shankh…..)
(church bells)
Allah o akbar
Allah o akbar
Allah o akbar
Allah o akbar
Aaa aaaaaaaa
Aaaa aaaaaaa
Aaaaaaaaaa
Vande maataram
Aaaaa aaaaaa
Vande maataram
Aaaaa aaaaaa
Eeshwar Allah tero naam
Vande maataram
Sab ko sanmati de bhagwaan
Vande maataram
Aaaaa aaaaaaaa
Aaaaaaaaaaaa
Aaaaaaaaaaa
Ham ne dekha thha ek sapnaa
Ham ne dekha thha ek sapnaa
Raat andheri pal do pal ki
Apni hongi khushiyaan kal ki
Aane waali nayi pehar ka
Suraj hai apnaa aaa
Ham ne dekha thha ek sapnaa
Ham ne dekha thha ek sapnaa
Aaa aaaaaa
Aaaaaa aaaaaaa
Aaaaaa aaaaaaa
Aaaaa aaaaaaa
Toot gayi zanjeer e ghulaami
Jaage sab ke bhaag yehaan
Waqt ne lekin chhod diye thhe
Jung ke kaale naag yehaan
Jung ki baazi jeetne waalon
Aur bhi hai ek aag yehaan
Aag mein jis ki jal jaate hain
Jeewan ke sab raag yehaan
Jeewan ke sab raag yehaan
Jeewan ke sab raag yehaan
Aaa aaaaaa
Aaaaaa aaaaaaa
Aaaaaa aaaaaaa
Aaaaa aaaaaaa
Ham ne dekha thha ek sapnaa
Ooo oooooo oooo
Oooooo
Kheton ki yeh paawan mitti
Mehki aur gulzar hui
Oye Mehki aur gulzar hui
Jaal milon ka aisa phaila
Kapde ki bharmaar hui
Oye Kapde ki bharmaar hui
Aaaaa aaaaaaa
Aaaaa aaaaaa
Aaaaa aaaaaa
Log hain phir bhi bhooke nanage
Mehnat sab bekaar hui
Kuchh to socho
Desh ki janta aa aaa
Kuchh to socho
Desh ki janta aa
Itni kyun laachaar hui
Itni kyun laachaar hui
Itni kyun laachaar hui
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