Archive for the ‘“beach” song’ Category
ye hai chaakoo ye hai chhuri
Posted on: February 12, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5321 | Post No. : | 17449 |
#the Decade of Sixties – 1961 – 1970 #
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Today’s song is from the movie “Saara Jahaan Hamaara-1961”.
Three songs from this movie have been posted on the blog earlier. I do not remember to have heard the song associated with this movie name earlier. I had not read also about this movie earlier till the preparation of this post.
“Saara Jahaan Hamaara-1961” was directed by Prakash Chhabra for ‘India Films’.
It had Premnath, Shyama, Heeralal, Rajeshwari, Azra, Jankidas, Majnu, Ajay Kumar and others.
Here is brief information about this movie provided by Shri Arunkumar ji in his comments on a song from this movie posted on the blog earlier.
SARA JAHAN HAMARA-1961 was a film when Premnath as a hero was becoming a misfit, due to his age. As such he had started accepting some character roles also.
An India Films movie, it was directed by Prakash Chhabda, who had earlier directed one flop film Shahzada in 1955.The music was by Babul(of the Bipin-Babul jodi) and the lyrics were by Anjum Jaipuri and Kaamil Chandpuri.Mangal (Premnath) is a deadly criminal. When he comes, even the police are afraid. An orphan, Vagabond and gunda mangal is a Terror. But this same Mangal is very kind to the poor, helpless and orphans. He gives free foods and medicines to the needy. He is treated like God by the downtrodden people.
he accidentally comes to know about a sex racket, in which the main criminal head of the Racket’Seth ji'(Heeralal) trades poor good-looking girls who are helpless.A chance meeting with Rama(Shyama),and he comes to know of a plan to deport few girls to dubai for immoral purpose. Seth ji also tries his hand at one of the girls when mangal appears there and kills him, setting the girls free. Chhabili, Katari and other girls call him their brother. But the ruthless police arrest him, make a case and send him to 7 yrs’ jail.
When he comes out he is welcomed with flowers and Rama is still waiting for him.
Premnath preferred roles which were like Robin Hood. He enjoyed such roles.
“Saara Jahaan Hamaara-1961” has seven songs. Four of them were written by Anjum Jaipuri and one by Kaamil Chaandpuri. Lyricist name for one song is not mentioned in HFGK Vol-IV (1961-1970).
Going through the song-titles doesn’t ring any bell for me. I only find one song a little familiar one which is ‘ye phoolon ka gajraa, ye mera singaar’. However it seems that all the other songs of this movie are ‘new’ to me.
Here is the list of songs of this movie:-
| SNo | Song Title | Lyricist | Singer/s | Posted On |
|---|---|---|---|---|
| 01 | Haaye main mar gayin | Khawar Zamaan | Sudha Malhotra | |
| 02 | Yahaan jo jhhoothh bolega wahi noton se khelega | Not mentioned | Asha Bhonsle, Mohd Rafi | |
| 03 | Dil bechten hain, jigar bechten hain | Anjum Jaipuri | Shamshad Begam, Mahendra Kapoor, chorus | |
| 04 | Bhare hain aankh mein aansoo | Anjum Jaipuri | Asha Bhonsle, Mukesh | 29.02.2012 |
| 05 | Ye hain chaaku ye hai chhoori, ye hain kainchi | … Anjum Jaipuri | Asha Bhonsle | |
| 06 | Ye phoolon ka gajraa, ye mera singaar | Anjum Jaipuri | Suman Kalyanpur | 25.07.2013 |
| 07 | Hai ye zameen hamaari wo aasmaan hamaaara | Kaamil Chaandpuri | Mukesh | 22.07.2020 |
As mentioned above three songs from this movie have been posted on the blog earlier.This song is the fourth song from this movie to be posted on the blog.
This song is sung by Asha Bhonsle. The song is picturised on Shyama (I guess). This song seems to be picturised near ‘Bombay Chowpati’. I cannot say if I can call it as ‘sales-pitch’ song or not. (?)
Lyrics are by Anjum Jaipuri.
Music is composed by Babul.
Below is brief information about music director Babul shared by our respected Shri Arunkumar ji, in his comments on the same song mentioned earlier above.
Syed Maqbul Babul was an assistant to Madan Mohan for a long time. His speciality was making melodious tunes.
Independently, he gave music to 5 films-
Chalis din-59
Mujrim kaun khooni kaun-65
Reshmi Rumal-61
Nakli Nawab-62 and
Sara jahan hamara-61Many of his songs became famous,e.g. ‘ main deewaana mastana-Mukesh,40 din, Gardish mein ho taare-mukesh, reshmi Rumaal and ‘sarpe chunariya kaali motiyan wali’ etc.also ‘chheda jo dil ka tarana-rafi, Nakli Naqab.
He also acted as a Choreographer in the film ‘Ek baar muskura do’-1972.
After this he migrated to Pakistan and died there penniless in 1995.
He did a better and more fulfilling work as a jodi of Bipin-Babul.
Let us now listen to this song which is sung by Asha Bhonsle and is picturised on Shyama.
Lyrics for this song were sent by Prakashchandra.
Audio
Partial video
Song-Ye hai chaakoo ye hai chhuri (Saara Jahaan Hamaara)(1961) Singer-Asha Bhonsle, Lyrics-Anjum Jaipuri, MD-Babul
Lyrics (Provided by Prakashchandra)
Hey hey
ye hai chaaku ye hai chhuri
ye hai kainchi ye hai khanjar
aur main hoon kataari baaboo oo
aur main hoon kataari laala aa
ye hai chaaku ye hai chhuri
ye hai kainchi ye hai khanjar
aur main hoon kataari baaboo oo
aur main hoon kataari laala aa
ye hai chaaku ye hai chhuri
ye hai kainchi ye hai khanjar
moonchhon waale kainchi lekar
moonchhein seedhi kar lo o ho o
dil thhaame ae aa jaayegaa woh
jis par nazrein daalo o o
apnaa muqaddar aazmaa le
o dil waale ae
ye hai chaaku ye hai chhuri
ye hai kainchi ye hai khanjar
aur main hoon kataari baaboo..oo
aur main hoon kataari laala aa
ye hai chaaku ye hai chhuri
ye hai kainchi ye hai khanjar
tirchhi topi waale chhailaa
le lo khanjar meraa aa aa
roz haseenon ki galiyon kaa
karnaa heraa pheraa aa
ye dil ke armaan tujhpe qurbaan
ae meri jaan
ye hai chaaku ye hai chhuri
ye hai kainchi ye hai khanjar
aur main hoon kataari baaboo oo
aur main hoon kataari laala aa
ye hai chaaku ye hai chhuri
ye hai kainchi ye hai khanjar
meraa chehraa dekhnaa baaboo
haathh mein mere chhuriyaan
aan aan
nahin chalegi ham par teri
jaadu ki ye pudiyaan haan
khaali hi jaaye ye nishaane
ho o deewaane
ye hai chaaku ye hai chhuri
ye hai kainchi ye hai khanjar
aur main hoon kataari baaboo oo
aur main hoon kataari laala aa
ye hai chaaku ye hai chhuri
ye hai kainchi ye hai khanjar
aur main hoon kataari baaboo oo
aur main aen hoon kataari laala aa
ye hai chaaku ye hai chhuri
ye hai kainchi ye hai khanjar
Ae Mere Dil, La La La La
Posted on: October 6, 2022
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5193 | Post No. : | 17173 | Movie Count : |
4624 |
I first met him on screen in 1971. The film was ‘Mere Apne’, a story of a destitute old lady fallen on to hard times, intersecting with gang wars between young street smarts. I had heard his name before. In 1968, when Sunil Dutt launched his younger brother Som Dutt via his home production ‘Man Ka Meet’, one also read in the news that another new face was being introduced – name Vinod Khanna.
Remembering Vinod Khanna on his birth anniversary today. He would have been celebrating his 76th year on this planet. He passed away five years ago, on 27th April, after losing a battle with the dreaded cancer.
As the decade of 1960s came to a close, the latter half introduced a few handsome young men to the the Hindi screen, that would go on to make big name for themselves over next few decades – Rishi Kapoor, Rajesh Khanna, Jeetendra, Amitabh Bachchan – and yes, Vinod Khanna.
I was verily impressed by his screen presence in ‘Mere Apne’. An attractive physique, a stoic and solemn demeanor that is not easily ruffled, a determined and earnest quietness, an un-agitated dialogue delivery that conveys a commanding confidence. His screen presence felt good and comfortable.
As the decade would progress, there would be more impressive performances that added to his stature as an accomplished actor in Hindi cinema. Starting with the villain’s role in ‘Man Ka Meet’, he went on to doing side roles or shared leads in films like ‘Purab Aur Paschim’, ‘Mastaana’, ‘Aan Milo Sajna’ and ‘Sachcha Jhootha’ (all 1970) and ‘Reshma Aur Shera’ (1971), he moved into the lead role with the film ‘Hum, Tum Aur Who’ (1971) opposite Bharati. That year also witnessed two more of his great perfromances – ‘Mere Apne’ by Gulzar and ‘Mera Gaon Mera Desh’ by Raj Khosla. In the former he share the lead with Shatrughan Sinha, and in the latter with an established Dharmendra. And he stood his ground well in both these outings.
In 1972, we see him as the best friend of the hero in Gulzar’s ‘Parichay’. All this while, his presence in films is growing rapidly. In 1973 he plays the role of an army officer inadvertently caught in an illicit love triangle in ‘Achanak’, a film by Gulzar and KA Abbas. This role earned him a lot of critical acclaim.
In 1974, another very impressive performance in ‘Imtihan’ and also in ‘Haath Ki Safai’. For the latter performance, he got the Filmfare’s Best Supporting Actor award for the year. From 1976 I remember his roles in ‘Shaque’ and ‘Hera Pheri’. Moving on to bigger and better in 1977, we see him in ‘Parvarish’, the outstanding cops and robbers story ‘Inkaar’ and the blockbuster hit ‘Amar Akbar Anthony’.
1978 turned out to be yet another big year for him with films like ‘Main Tulsi Tere Aangan Ki’ and ‘Muqaddar Ka Sikandar’. 1979 saw him play the role of Rana ji in Gulzar’s ‘Meera’. And in 1980 he made it big with films like ‘Qurbani’ and ‘The Burning Train’. From 1981 I remember him in ‘Kudrat’, a film by Chetan Anand.
Although Vinod Khanna went on to a brilliant career, the above listed films are the ones that are in my mind as mine, my selection – I have watched them on the big screen.
In 1982, Vinod took a break in his career, to be with Acharya Rajneesh, his spiritual Guru. That break ended in 1986, as he returned to India, after Acharya Rajneesh was made to leave the US by the authorities. Coming back, Vinod rejoined the industry and continued with his career. We see him active in the industry all the way up to 2015. Later, the medical issues overtook his life and he passed away in 2017. His last role was in a film released posthumously in 2020 – ‘Guns Of Banaras’.
The song I present today is from the 1974 film ‘The Cheat’ aka ‘Farebi’. The film is from Jaimini Dewan Productions. (Readers will recall that Jaimini Dewan was the elder brother of actor Karan Dewan). It is directed by Sudesh Issar. The cast of the film is listed as Vinod Khanna, Maushumi Chatterjee, Nirupa Rai, Anwar Hussain, Fariyal, Ranjeet, Randhir, Uma Dutt, Jankidas, Dubey, Naidu, Nishan Singh, Haroon Khan, Madhu Chauhan, Shah Agha, Soni, Ratan Gaurang, Jawahar Chopra, Sunil Sharma, Sat Prakash, and Bindu.
The film has six songs, all have been penned by Verma Malik. Music is composed by Laxmikant Pyaarelal. The singing voice is that of Kishore Kumar. With this song, the film ‘The Cheat’ makes its debut on our blog.
The lyrics of this song have been provided by dear Prakash ji.
Video
Audio
Song – Ae Mere Dil, La La La La (The Cheat) (1974) Singer – Kishore Kumar, Lyrics – Verma Malik, MD – Laxmikant Pyaarelal
Lyrics (Provided by Prakashchandra)
ae mere dil
la la la la
khushi se machal
la la la la
ae mere dil
la la la la
khushi se machal
la la la la
poori karunga main teri tamanna
aaj mere kadmon me duniya
ae mere dil
la la la la
khushi se machal
la la la la
ae mere dil
ye dil fareb din nasheen
ye moorten haseen haaen
ye dil fareb din nasheen
ye moorten haseen haaen
ye roop ki numaaishen
ye shokh shokh naazneen
thaam loon baahon ko
main rokun teri raahon ko
dil na mila na sahi
mila gaeen nigaahon ko
mila gaeen nigaahon ko
ae mere dil
la la la la
khushi se machal
la la la la
ae mere dil
bhara bhara ye jaam hai
ye mehki mehki shaam hai
bhara bhara ye jaam hai
ye mehki mehki shaam hai
ae dil mere bharam na kar
ye sab tumhaare naam hai
ye mere dil ki pyaas hai
ye zindagi ki aas hai
aaj tum se door jo
wo kal tumhare paas hai
wo kal tumhare paas hai
ae mere dil
la la la la
khushi se machal
la la la la
poori karunga main teri tamanna
aaj mere kadmon me duniya
ae mere dil
la la la la
khushi se machal
la la la la
ae mere dil
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Hindi script lyrics (Provided by Sudhir Kapur)
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ए मेरे दिल
ला ला ला ला
खुशी से मचल
ला ला ला ला
ए मेरे दिल
ला ला ला ला
खुशी से मचल
ला ला ला ला
पूरी करूंगा मैं तेरी तमन्ना
आज मेरे कदमों में दुनिया
ए मेरे दिल
ला ला ला ला
खुशी से मचल
ला ला ला ला
ए मेरे दिल
ये दिल फरेब दिलनशीं
ये मूरतें हसीं हसीं
ये दिल फरेब दिलनशीं
ये मूरतें हसीं हसीं
ये रूप की नुमाइशें
ये शोख शोख नाज़नीन
थाम लूँ बाहों को
मैं रोकूँ तेरी राहों को
दिल ना मिला ना सही
मिला गईं निगाहों को
मिला गईं निगाहों को
ए मेरे दिल
ला ला ला ला
खुशी से मचल
ला ला ला ला
ए मेरे दिल
भरा भरा ये जाम है
ये महको महकी महकी शाम है
भरा भरा ये जाम है
ये महको महकी महकी शाम है
ए मेरे दिल भरम ना कर
ये सब तुम्हारे नाम है
ये मेरे दिल की प्यास है
या ज़िंदगी की आस है
आज तुमसे दूर जो
वो कल तुम्हारे पास है
वो कल तुम्हारे पास है
ए मेरे दिल
ला ला ला ला
खुशी से मचल
ला ला ला ला
पूरी करूंगा मैं तेरी तमन्ना
आज मेरे कदमों में दुनिया
ए मेरे दिल
ला ला ला ला
खुशी से मचल
ला ला ला ला
ए मेरे दिल
- In: "beach" song | Baag/Bagiya song | Boat song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Post by Sudhir | Rafi solo | Rafi songs | Songs of 1960s (1961 to 1970) | Songs of 1966 | Yearwise breakup of songs
- 13 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5092 | Post No. : | 17019 |
My first real jaan-pehchaan with this actor happened in 1970. The film – ‘Anand’. He plays the role of Dr. Prakash Kulkarni, friend of Dr. Bhaskar Bannerji (Amitabh Bachchan). His role was impressive and touching. At the climax of the film, when Anand is battling for his last breaths, Bhaskar is not present. He has gone on a last ditch hunt for a miracle medicine. Prakash is the doctor present in the room besides Renu (Sumita Sanyal), attending to Anand. It is 4.15 early morning.The final moments arrive. Anand requests for the spool tape player to be put on. Prakash realizes – the worst is about to happen. He asks the attending nurse to prepare an injection. And while the tape is playing Anand calls out for Babu Moshai, and his breathing ceases. Prakash is stunned and cannot move. There is horror and grief and dejection writ large on his face. These moments, this expression, the welling of tears in his eyes, and the unwilling acceptance of a final defeat – left an imprint on my mind strong enough to now remember the name of this actor – Ramesh Deo.
And then, the familiar face with now a recognized name – I could see him in many more films that followed. I would also become familiar with his earlier roles in Hindi films starting with ‘Aarti’ in 1962. I would see these earlier films, later as reruns or on Doordarshan. And somehow, he always made an impact on my mind with his performances. In ‘Khilona’ (1970), as Kishore, the wayward ghar-jamaai (resident son-in-law) of the Thakur Suraj Singh’s (Bipin Gupta) household, he is hell bent on throwing out a pregnant Chand (Mumtaz) for obvious inheritance gains. In 1971, one sees him in ‘Mere Apne’ as Arun Gupta, a low middle income householder, who tricks an aged Anandi Devi (Meena Kumari) to come and live in his home as an unpaid full time servant. In ‘Joru Ka Ghulam’ (1972), he is Ramesh, the scheming nephew of the rich businessman Shyamlal (Om Prakash), who continuously siphons off part of whatever money he handles in the business.
Then in ‘Jeevan Mrityu’ (1970), he plays the role of barrister P Amarnath, one of the three baddies (along with Harishchandra (Ajit) and Ramakant (Krishan Dhawan)), who commit a fraud at a bank and implicate Ashok (Dharmendra). Later, when Ashok returns and plans revenge against these three, he first destroys them financially through stock market wrangling. At this point in the film, there is a scene with an excellent performance by Ramesh Deo. As the news comes in that all their investment is lost at the stock market, it effects the brain of barrister Amarnath, and he goes mad. There is a two minutes long sequence with an editing gap of 15 seconds in between, which is performed by him. He goes mad, he cries, he laughs, he proclaims he wants to be rich, and then he runs out of the office room. He meets Ashok outside. Ashok is supposedly dead. So there is now a reaction of fear and horror, he runs away from him, crashes into a parked car, then runs off on to the road and is hit by another car. This sequence which is about 700 feet of reel length is supposedly shot as a single performance sequence. His histrionics are impressive and authentic.
Ramesh Deo, a veteran of almost 300 Hindi films, about 200 Marathi films, 30 Marathi stage plays with almost a thousand live performances – passed away on 2nd February earlier this year. Besides the impressive portfolio of stage and screen performances, he also has to his credit being the producer of many TV serials, documentaries and approximately 250 ad films through his own production company – Ramesh Deo Productions. A part of this body of work was also directed by him.
He traces his ancestry to the Rajput clans of Jodhpur. His great grandfather and grandfather were engineers who were part of the team that built the Jodhpur palace. Later they were invited by Shahu Maharaj of Kolhapur, for constructing newer parts of the city. His grandfather was appointed as the chief engineer of the project. Later, his father, who studied law, became the legal advisor in the city administration of Kolhapur.
Ramesh was born in Kolhapur on 30th January, 1926. After his normal school and college education, he got introduced to films through Dinkar Patel, a Marathi film maker, who was a family friend. Once when Dinkar Patel was filming in Kolhapur, Ramesh and a group of his friends went to see the shooting. Quite unexpectedly, Dinkar Patel invited the group to join a scene in a college sequence being filmed, as students. The film was ‘Paatlachi Por’ (released in 1951). As per Ramesh, it was by this chance participation that the film bug bit him, and he decided to make acting as a career. This is in 1950.
He started his career as a junior artist and soon graduated to featured roles. His first notable performance that received critical acclaim was as a villain in ‘Andhala Magto Ek Dola’ (1956). Later, he signed up as a villain for ‘Saata Janmaachaa Sobati’, but was offered the lead instead when the hero was removed. Never typecast, many of his films’ publicity material would have a teaser asking audiences to guess whether he was the hero or villain!
Through the 1950s, Ramesh confined himself to Marathi cinema and stage, Then happened a chance encounter. The drama troupe he was working with was traveling in the rural Maharashtra. Having tea at a roadside tea shop, he realized that no one knew him as an actor. He felt let down within, that after having worked in the industry for almost a decade, he was a nobody for the common man. The same common man would readily recognize and acknowledge Hindi film stars. And he made up his mind to move to Hindi cinema also.
His first role in a Hindi film was in ‘Aarti’ 1962. And after that there was no looking back. In film after film in the sixties, he made a mark for himself, and a firm position in the Hindi film industry as a character artist. At 96, when he passed away, he was still actively working. In a manner of speaking, he died literally with his boots on.
The song being presented today is from the film ‘Love And Murder’ from 1966. The film is produced under the banner of Adarshlok, Bombay and is directed by Raja Paranjape. The brief star cast is listed as Prithviraj, Ramesh Deo, Jaimala, Heeralal, Helen, Kammo, Edwina, and Chandrakant Gokhale. Ramesh Deo plays the role of Ranjit, apparently a small time con-man, but in reality he is the unknown boss of the underworld gang. The plot of the film is available on MuVyz website at Love And Murder – Plot.
On screen, the song is performed by Ramesh Deo. The quality of the video is not very good, and I am not able to identify the lady companion for whom Ramesh is lip syncing this song. I request other knowledgeable readers to please help identify the lady actor in this video clip.
Ramesh Deo – a lasting presence in Marathi and Hindi cinema. A career that goes from 1950 to 2022. Seventy two years of active work in the cinema and theater industry – this must be a record of some sort. He had completed 96 years of his life’s journey when he bid the forever good bye to the world. As mentioned earlier, literally with his boots on – still actively working when he passed away.
He leaves behind his wife and two sons. Seema Deo, his spouse of 59 years, is a lasting romance of his life. This must also be a record of some sorts – the two appeared in more than 50 films as husband wife or as lovers. Ramesh had first seen her in a suburban train while heading to a studio and realized that she too was looking for film work. “That day, I got a plum assignment. We introduced ourselves, became friends, and soon got married,” he had said. Today, their children, actor-filmmaker Ajinkya Deo and filmmaker Abhinay Deo (‘Delhi Belly’) have done them proud.
Peace and divinity be with you Ramesh Deo. It has been an especially long innings. You will always be remembered for the huge variety of roles that you presented.
Good Bye.
Video
Audio
Song – Tere Gesuon Ka Saaya Meri Jaan Jis Ne Paaya (Love And Murder) (1966) Singer – Mohammed Rafi, Lyrics – Aziz Kashmiri, MD – OP Nayyar
Lyrics
tere gesuon ka saaya
meri jaan jis ne paaya
tere gesuon ka saaya
meri jaan jis ne paaya
usey mil gayi khudaai
usey mil gayi khudaai
wo naseeb le ke aaya
tere gesuon ka saaya
meri jaan jis ne paaya
usey mil gayi khudaai
wo naseeb le ke aaya
tere gesuon ka saaya
ye reshmi andhera
jo baney naseeb mera
ye reshmi andhera
jo baney naseeb mera
main na aaftaab dekhoon
main na aaftaab dekhoon
kabhi umr bhar khudaaya
tere gesuon ka saaya
meri jaan jis ne paaya
usey mil gayi khudaai
wo naseeb le ke aaya
tere gesuon ka saaya
is dil ki ye khata hai
ke ye tujh pe mar mita hai
is dil ki ye khata hai
ke ye tujh pe mar mita hai
isey kaise main sambhaloon
isey kaise main sambhaloon
ye to ho gaya paraaya
tere gesuon ka saaya
meri jaan jis ne paaya
usey mil gayi khudaai
wo naseeb le ke aaya
tere gesuon ka saaya
mere dil mein dard bhar de
ya jala ke khaaq kar de
mere dil mein dard bhar de
ya jala ke khaaq kar de
meri khaaq bhi kahegi
meri khaaq bhi kahegi
mujhe yaar ne mitaaya
tere gesuon ka saaya
meri jaan jis ne paaya
usey mil gayi khudaai
wo naseeb le ke aaya
tere gesuon ka saaya
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
तेरे गेसूओं का साया
मेरी जान जिस ने पाया
तेरे गेसूओं का साया
मेरी जान जिस ने पाया
उसे मिल गई खुदाई
उसे मिल गई खुदाई
वो नसीब ले के आया
तेरे गेसूओं का साया
मेरी जान जिस ने पाया
उसे मिल गई खुदाई
वो नसीब ले के आया
तेरे गेसूओं का साया
ये रेशमी अंधेरा
जो बने नसीब मेरा
ये रेशमी अंधेरा
जो बने नसीब मेरा
मैं ना आफताब देखूँ
मैं ना आफताब देखूँ
कभी उम्र भर खुदाया
तेरे गेसूओं का साया
मेरी जान जिस ने पाया
उसे मिल गई खुदाई
वो नसीब ले के आया
तेरे गेसूओं का साया
इस दिल की ये ख़ता है
के ये तुझ पे मर मिटा है
इस दिल की ये ख़ता है
के ये तुझ पे मर मिटा है
इसे कैसे मैं संभालूँ
इसे कैसे मैं संभालूँ
ये तो हो गया पराया
तेरे गेसूओं का साया
मेरी जान जिस ने पाया
उसे मिल गई खुदाई
वो नसीब ले के आया
तेरे गेसूओं का साया
मेरे दिल में दर्द भर दे
या जला के ख़ाक
मेरे दिल में दर्द भर दे
या जला के ख़ाक
मेरी ख़ाक भी कहेगी
मेरी ख़ाक भी कहेगी
मुझे यार ने मिटाया
तेरे गेसूओं का साया
मेरी जान जिस ने पाया
उसे मिल गई खुदाई
वो नसीब ले के आया
तेरे गेसूओं का साया
- In: "beach" song | "Fisherman" song | Asha Bhonsle songs | Dance song | Devnagri script lyrics by Avinash Scrapwala | Group Dance | Guest posts | Inspirational song | Kishore Kumar songs | Lyrics contributed by readers | Post by Avinash Scrapwala | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Shailendra Singh songs | Song sung by three or more singers | Songs of 1980s (1981 to 1990) | Songs of 1982 | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day: |
4912 | Post No. : | 16732 |
Rajesh Khanna – The Phenomenon – 9
– – – – – – – – – – – – – – – – – – – –- – –
Today 29th December’2021 is the seventy-nineth birth anniversary (29 December 1942 – 18 July 2012) of Rajesh Khanna, born as Jatin Khanna.
On this occasion we pay our tributes to him and listen a song from one of his movies.
In this ninth episode of ‘Rajesh Khanna- The Phenomenon’ we look at Rajesh Khanna movies in the year 1982. In the year 1982 the following six movies of Rajesh Khanna were released (including ‘Disco Dancer’* where he had a friendly appearance).
| S No | Movie Title | Director | Passed by Censor Board |
| 01 | Ashaanti | Umesh Mehra | 01.05.1982 |
| 02 | Dharam Kaantaa | Sultan Ahmed | 28.07.1982 |
| 03 | Disco Dancer* | B. Subhash | 10.12.1982 |
| 04 | Jaanwar | Ali Raza | 20.12.1982 |
| 05 | Raajput | Vijay Anand | 08.04.1982 |
| 06 | Suraag** | Dr Jagmohan Mundra | 01.01.1982 |
(*Friendly Appearance, **Guest Appearance)
In the previous post in this series ‘Rajesh Khanna – The Phenomenon – 8’ we had discussed how Rajesh Khanna in the late seventies switched on to different roles exploring and introspecting himself and taking a new challenge for his ‘second innings’.
In the late seventies and early eighties, he has a string of successful movies viz. ‘Amardeep’ (1979), ’Thodi Si Bewafaai’ (1980), and critically acclaimed movies like ‘Red Rose) (1980), ‘Phir Wohi Raat’ (1980), and ‘Bandish’ (1980).
In 1981 he tasted more success with movies like ‘Dard’, ‘Dhanwan’, ‘Dil e Naadan’, ‘Qudrat’ and ‘Fifty-Fifty’.
‘Qudrat’ (1981) was a multi-starrer movie and had good success at the box-office. That saw Kaka putting more efforts to change his image and considering films in the ‘multi-starrer’ and ‘action’ genres, which he thought earlier was not his ‘cup of tea’. It can also be said that these two ‘genres’, where he was not doing films, were partly responsible for the failure of his earlier movies on the box-office.
In 1982 we had Kaka’s films like ‘Raaput’, ‘Ashaanti’, ‘Dharam Kaanta’ which were multi-starrer as well as action movies. He further continued doing such ‘multi-starrer-masaala’ films like ‘Paapi Pet Ka Sawaal Hai’, ‘Dharm Aur Qaanoon’, ‘Maqsad’, ‘Bewafaai’, ‘Awaam’, ‘Vijay’, etc. coming in the next few years.
Today’s song is from one of the above movies and that movie is ‘Ashaanti’. This song also beautifully catches the ‘spirit of team efforts’ instead of a ‘one-man-show’ and advocates ‘helping each other’ to get success.
‘Ashaanti’ is directed by Umesh Mehra for Eagle Films, Bombay, and is produced by Parvesh C. Mehra.
The movie has Rajesh Khanna, Zeenat Aman, Parveen Babi, Shabana Azmi, Mithun Chakravarty, Kanwaljeet, Amrish Puri, Jeevan, Narendra Nath, Monty, Mac Mohan, Kishore Kapoor, Yusuf Khan, Ram Sethi, Nadira, Satyen Kappu, Bob Christo, Mohan Choti, Avtar Gill, Ajay Agrawal, Amir Jambra, Yusuf, Ganesh, and others. Prem Kishan and Ramesh Deo makes a special appearance in this movie.
This movie was passed by Censor Board on 01.05.1982.
This movie has five songs composed by RD Burman. Lyrics for all the five songs are penned by Anand Bakshi. Following is the list of songs this movie had.
| S.No. | Song Title | Singer/s | Posted On |
| 01. | Ru ru ru ru … Dil diya hai maine dil diya hai | Asha Bhonsle, Amit Kumar | |
| 02 | Main hoon sharaabi, nahin ji nahin | Shailendra Singh | |
| 03 | Naa tujhse naa mujhse oye naa mujhse naa tujhse, hamse hai yah duniya |
Asha Bhonsle, Kishore Kumar, Shailendra Singh | |
| 04 | Suniye main jis shahar mein jaati hoon… laungi mirchi main Kolhapurchi |
Lata Mangeshkar, Asha Bhonsle, | 19.11.2017 |
| 05 | Shakti de ma … o pag pag thokar khaaun chal naa paaun … | Chandrashekhar Gadgil, chorus | 29.12.2012 |
That was all around forty years back now. And if we go back further ten years to the year 1972. That is around fifty years back from now, we have the following movies of Rajesh Khanna released in that year.
(Rajesh Khanna movies – 1972)
| S No | Movie Title | Director | Passed by Censor Board |
| 01 | Anuraag** | Shakti Samanta | 22.11.1972 |
| 02 | Apnaa Desh | Jambu | 28.03.1972 |
| 03 | Bawarchi | Hrishikesh Mukherjee | 30.06.1972 |
| 04 | Dil Daulat Duniya | Prem Narayan Arora | 12.06.1972 |
| 05 | Joroo Ka Ghulaam | A Bhim Singh | 07.09.1972 |
| 06 | Maalik | A Bhim Singh | 26.10.1972 |
| 07 | Mere Jeewan Saathi | Ravi Nagaich | 19.09.1972 |
| 08 | Shaahzaadaa | K. Shankar | 05.09.1972 |
(*Guest appearance, ** Friendly/Special Appearance)
We can see all the above movies had great music too as usual for Kaka movies.
Coming back to the today’s song it is from the movie 1982 movie ‘Ashaanti’. As mentioned above Lyrics for all the songs are written by Anand Bakshi and music is composed by RD Burman.
In today’s song Rajesh Khanna is lip-syncing for the voice of Kishore Kumar, Mithun Chakravarty for Shailendra Singh, Kanwaljeet for Kishore Kumar and Zeenat Aman, Parveen Babi and Shabana Azmi are lip-syncing for the voice of Asha Bhonsle.
We can see many others in the picturisation of this song.
Let us now enjoy this foot-tapping song now …
Video
Audio
Song – Na Tujh Se Na Mujh Se, Na Mujh Se Na Tujh Se (Ashaanti) (1982) Singer -Kishore Kumar, Asha Bhosle, Shailendra Singh, Lyrics – Anand Bakshi, MD – RD Burman
Kishore Kumar + Asha Bhosle
Shailendra Singh + Asha Bhosle
Chorus
Lyrics
naa tujh se
naa mujh se
oye naa mujh se
naa tujh se
hamse hai ye duniya aa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
arey main bin tere
tu bin mere
kya
o saathiyaa
ho o saathiyaa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya
o saathiyaa
ho ho o saathiyaa
tera sahaaraa ban jaaun main
mera shaaraa tu ban jaa
tera sahaaraa ban jaaun main
mera shaaraa tu ban jaa
main nadiya ki dharaa banoon
mera kinaaraa tu ban ja
dhadke tera dil
to dhadke mera jiya
o saathiyaa
ho ho o saathiyaa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya
o saathiyaa
ho o saathiyaa
ho o mere binaa ye kis kaam ki
hoye hoye
iske bina main kis kaam ka
arey mere binaa ye kis kaam ki
hoye hoye
iske bina main kis kaam ka
meri ya botal ki baat hai
aashiq hai tu kiske naam ka
dil aadhaa aadhaa donon ko hamne diya
o saathiyaa
ho ho o saathiyaa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya
o saathiyaa
ho o o saathiyaa aa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
arey main bin tere
tu bin mere
kya
o saathiyaa
ho o saathiyaa
do haathon se ye taali baje
la la laa
mehfil akele se naa saje
la la la laa
do haathon se ye taali baje
mehfil akele se naa saje
sab ho magar jo ik tu naa ho
tere binaa ye ji na lagey
baati na ho jo kaise jaley ye diyaa
ho o o o saathiyaa
o ho ho o saathiyaa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya kya kya kya
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya
o o saathiyaa aa
o saathiyaa aa
——————————————————————————–
Hindi script lyrics (Provided by Avinash Scrapwala)
——————————————————————————–
ना तुझ से
ना मुझ से
ओये ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
अरे मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो ओ साथिया
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो हो ओ साथिया
तेरा सहारा बन जाऊं मैं
मेरा सहारा तू बन जा
तेरा सहारा बन जाऊं मैं
मेरा सहारा तू बन जा
मैं नदिया कि धरा बनूं
मेरा किनारा तू बन जा
धडके तेरा दिल
तो धडके मेरा जिया
ओ साथिया
हो हो ओ साथिया
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
अरे मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो ओ साथिया
हो ओ मेरे बिना ये किस काम कि
होए होए
इसके बिना में किस काम का
अरे मेरे बिना ये किस काम कि
होए होए
इसके बिना मैं किस काम का
मेरी या बोतल कि बात है
आशिक है तू किसके नाम का
दिल आधा आधा दोनों को हमने दिया
ओ साथिया
हो हो ओ साथिया
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो ओ ओ साथिया
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो हो ओ साथिया
दो हाथों से ये ताली बजे
ल ल ला
महफ़िल अकेले से ना सजे
ल ल ल ला
दो हाथों से ये ताली बजे
महफ़िल अकेले से ना सजे
सब हो मगर जो इक तू ना हो
तेरे बिना ये जी ना लगे
बाती न हो जो कैसे जले ये दिया
हो ओ ओ ओ साथिया
ओ हो हो ओ साथिया
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
क्या क्या क्या क्या
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
ओ साथिया आ
ओ साथिया आ आ
Hamne maar liyaa maidaan
Posted on: March 8, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4616 | Post No. : | 16253 |
Sahir Ludhianvi & His Music Directors-11
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Welcome all to this post on ‘Sahir and His Music Directors’.
Today’s post is the last post in this series. In this post, I will give update on Sahir’s filmography and the statistics of the songs so far covered on the blog.
Let us take a look on the posts earlier covered under this series;
| Sr.No. | Song Title | Movie Name & its Year | Music Director | Posted On |
|---|---|---|---|---|
| 01 | Ho balle balle bhai reshmi dupatta waaliye | ‘Dhanwaan-1981’ | Hridaynath Mangeshkar | 26.10.2020 |
| 02 | Aaja meri jawaani ko mastaani ko | ‘Bhaai Ho To Aisa-1972’ | Sonik Omi | 04.12.2020 |
| 03 | O natkhat nanhi laadli | ‘Nanhaa Farishta-1969’ | Kalyanji-Anandji | 26.12.2020 |
| 04 | Sharmaa na yoon | ‘Joshila-1973’ | R.D. Burman | 02.01.2021 |
| 05 | Marta hai koyi to mar jaaye | ‘Chambal Ki Kasam-1979’ | Khayyam | 30.01.2021 |
| 06 | Haathhaapaayee naa karo | ‘Jiyo Aur Jeene Do-1982’ | Laxmikant-Pyarelal | 02.02.2021 |
| 07 | Meharbaan kaise kaise | ‘Jaagriti-1977’ | Laxmikant-Pyarelal | 09.02.2021 |
| 08 | Main hoon pari adaaon bhari | ‘Chehre Pe Chehra-1980’ | N. Datta | 28.02.2021 |
| 09 | Jaane kyun baar baar baar mera dil | ‘Paisa Ya Pyaar-1969’ | Ravi | 02.03.2021 |
| 10 | Meri baari re kaahe ko bhoole banwaari | ‘Chingaari-1971/1989’ | Ravi | 04.03.2021 |
The purpose of the above posts was to take a look on the collaboration of Sahir Ludhianvi as Lyricist with various music directors, and to discuss a song composed by the respective music director from a movie which has so far not been ‘Yippeeee’ed’ on the blog.
In the ‘one-movie collaboration’ three movies were eligible viz. ‘Aazaadi Ki Raah Pe-1948’ (MD-G.D. Kapoor), ‘Bhaai Ho To Aisa-1972’ (MD-Sonik Omi) and ‘Dhanwaan-1981’ (MD- Hridaynath Mangeshkar).
Sahir wrote four songs for ‘Aazaadi Ki Raah Pe-1948’ of which only one has been posted on the blog earlier. The remaining three songs have not been traced or are unavailable as of now.
From ‘Bhaai Ho To Aisa-1972’ only one song had been posted earlier but ‘Dhanwaan-1981’ was only one short of Yippeeee, so here we took a song composed by Hridaynath Mangeshkar from ‘Dhanwaan-1981’ and it was posted on 26.10.2020.
Moving forward we covered another song from the ‘one movie collaboration’ where the movie ‘Bhaai Ho To Aisa-1972’ was having only one song posted since 24.01.2009.
In the third post we discussed the ‘two-movies collaboration’ with a song from music director Kalyanji-Anandji from ‘Nanha Farishta-1969’ as it was the oldest movie not ‘Yippeeee’ed’ on the blog from this ‘collaboration’. (Here in this scenario, we were also having songs composed by Ravindra Jain from the movie ‘Ham Tere Aashiq Hain-1979’ to be posted on the blog.)
The ‘three-movies collaboration’ of Sahir was only with music director Madan Mohan and all the songs of this ‘collaboration’ were already covered on the blog. So, we moved to the ‘four-movies collaboration’ where we had an opportunity to cover songs composed by R.D. Burman. Out of the four movies of ‘Sahir-Pancham collaboration’, we had two movies viz. ‘Joshilaa-1973’ and ‘The Burning Train-1980’ of which songs were available to be posted. We covered a song from ‘Joshilaa-1973’ as it was the oldest movie pending.
In the ‘five-movies collaboration’ we had two music directors viz. O.P. Nayyar and Khayyam Saab.
All songs composed by O.P. Nayyar had already been covered on the blog long back and we had only one movie ‘Chambal Ki Kasam-1979’ where music was composed by Khayyam Saab, and few of its songs were remaining to be posted. In the post no.5, we discussed a song from ‘Chambal Ki Kasam-1979’.
We did not have any ‘six-movies collaboration’, so we move to ‘seven-movies collaboration’ where we had Roshan and Laxmikant-Pyarelal collaborating with Sahir for seven movies each.
But in this case also we first discussed a song from a debutant movie which was so far not launched on the blog. This movie was ‘Jiyo Aur Jeene Do-1982’ where Sahir Ludhianvi had written lyrics for two songs and music was composed by Laxmikant-Pyarelal. We covered a song from this movie in the sixth post under this series.
In the next article we again took a song from the above collaboration from the movie ‘Jaagriti-1977’ which was already present on the blog.
After this ‘seven-movie collaboration’, we were left with three great collaborations of Sahir Ludhianvi with music directors N. Datta, S.D. Burman and Ravi. All these were more than ‘ten-movies collaborations’.
In the eighth post we discussed the Sahir-N. Datta collaboration for seventeen movies with a song from ‘Chehre Pe Chehra-1980’.
Next collaboration as per the number of movies was eighteen movies of Sahir-S.D. Burman collaboration.
From this collaboration three songs of ‘Laal Kunwar’ are pending to be covered, but these songs are not available and it seems that they were difficult to find. We are not concluding them as ‘lost’ hoping that someday somebody will come up with their links.
However, one ‘snippet’ of ‘verses’ from ‘Pyaasaa-1957’ was available to covered which we left to be covered on a ‘special day’ with ‘special post’.
Here we move on to the next ‘big collaboration’ which is ‘Sahir Ludhianvi and music director Ravi’. They collaborated in nineteen movies. In the ninth post we took a song from the oldest movie pending on the blog which was ‘Paisaa Ya Pyaar-1969’ because one song from ‘Gumraah-1963’ has not been traced till date and we hope that this will also be found some day or other in the future.
Taking ‘cinematic liberty 😊’ again, in the tenth post, we covered a beautiful bhajan composed by Music Director Ravi from the movie ‘Chingaari-1971/1989’. And we also took a look at the filmography of ‘Sahir-Ravi collaboration’.
In this series we tried to bring on board songs by various music directors that were yet to be posted on the blog.
And after the last post i.e., post no. 10 of 04.03.2021 the list of remaining Sahir songs on the blog is as given below;
| Sno | Name of the Movie | Year | Music Director | Remaining songs |
|---|---|---|---|---|
| 1 | Aazadi Ki Raah Pe | 1948 | G.D. Kapoor | 3 |
| 7 | Laal Kunwar | 1952 | S.D. Burman | 3 |
| 53 | Dilli Ka Daada | 1962 | N. Dutta | 1 |
| 58 | Gumraah | 1963 | Ravi | 1 |
| 78 | Nanha Farishta | 1969 | Kalyanji – Anandji | 2 |
| 79 | Paisaa Ya Pyaar | 1969 | Ravi | 1 |
| 85 | Bhaai Ho To Aisa | 1972 | Sonik Omi | 3 |
| 91 | Mehmaan | 1973 | Ravi | 2 |
| 101 | Jaagriti | 1977 | Laxmikant-Pyarelal | 2 |
| 104 | Hum Tere Aashiq Hain | 1979 | Ravindra Jain | 5 |
| 106 | Chambal Ki Qasam | 1979 | Khayyam | 2 |
| 107 | Chehre Pe Chehra | 1980 | N. Dutta | 4 |
| 109 | The Burning Train | 1980 | R.D. Burman | 2 |
| 112 | Jiyo Aur Jeene Do | 1982 | Laxmikant-Pyarelal | 1 |
| 115 | Chingaari | 1989 | Ravi | 2 |
Readers might have noted that while discussing the songs composed by various music directors, we have so far not covered a song composed by music director Ravindra Jain.
So, here in this post today, we are discussing a song composed by him from the movie ‘Ham Tere Aashiq Hain-1979’ of which only one song has been posted so far on 27.06.2019 on the blog.
Today’s song is sung by Asha Bhonsle and Kishore Kumar. It is lip synced on screen by Hema Malini and Jeetendra respectively.
The words of the song are interesting in the context of this series ‘planned’ by me and the ‘goal’ to be achieved 😊
But still as on today I cannot say ‘maar liyaa maidaan’ as the song goes … though I can say ‘ghodaa-maidaan door nahin’ 😊 and only readers can tell ‘kaisaa rahaa palaan’ 😊 ‘badhhiyaa rahaa ya nahin’ 😊
I leave it here for the song to be enjoyed by readers (a lesser heard song though, may be because the movie was also not successful, I think) …
As a parting gift for today, here is the list of Sahir filmography with respect to the songs already posted on the blog excluding the today’s song; (readers can well guess here ‘what the ‘goal’ is. If it is achieved well and good, and even if it is not achieved, I am satisfied that I tried my best to do something … now leaving it to the ‘powers’ beyond my control 😊)
(I am thankful to Atul ji and Sudhir ji for giving me this opportunity to do this write-ups and also I am thankful to all readers of this blog who have read this posts and given their feedback with comments) …
| Sno | Movie | Year | MD | Songs of lyricist in the blog | Song penned by lyricist in movie as per HFGK | Song penned by lyricist in movie as per the book -The People’s Poet |
|---|---|---|---|---|---|---|
| 1 | Aazadi Ki Raah Pe | 1948 | G.D. Kapoor | 1 | 4 | 4 |
| 2 | Baazi | 1951 | S.D. Burman | 8 | 8 | 8 |
| 3 | Naujawan | 1951 | S.D. Burman | 7 | 7 | 7 |
| 4 | Sazaa | 1951 | S.D. Burman | 1 | 1 | 1 |
| 5 | Doraaha | 1952 | Anil Biswas | 1 | 1 | 1 |
| 6 | Jaal | 1952 | S.D. Burman | 8 | 8 | 8 |
| 7 | Laal Kunwar | 1952 | S.D. Burman | 8 | 11 | 11 |
| 8 | Alif Laila | 1953 | Shyam Sundar | 8 | 8 | 8 |
| 9 | Armaan | 1953 | S.D. Burman | 8 | 8 | 8 |
| 10 | Baabla | 1953 | S.D. Burman | 6 | 6 | 6 |
| 11 | Humsafar | 1953 | Ali Akbar Khan | 7 | 8 | 8 |
| 12 | Jeevan Jyoti | 1953 | S.D. Burman | 8 | 7 | 7 |
| 13 | Shahenshah | 1953 | S.D. Burman | 9 | 9 | 9 |
| 14 | Sholey | 1953 | Dhani Ram | 1 | 1 | 1 |
| 15 | Angaarey | 1954 | S.D. Burman | 10 | 10 | 10 |
| 16 | Radha Krishna | 1954 | S.D. Burman | 2 | 2 | 2 |
| 17 | Saavdhan | 1954 | Vasant Ramchandra | 7 | 7 | 7 |
| 18 | Taxi Driver | 1954 | S.D. Burman | 8 | 8 | 8 |
| 19 | Chingaari | 1955 | Manohar | 1 | 1 | 1 |
| 20 | Devdas | 1955 | S.D. Burman | 10 | 10 | 10 |
| 21 | House No.44 | 1955 | S.D. Burman | 8 | 8 | 9 |
| 22 | Joru Ka Bhaai | 1955 | Jaidev | 2 | 2 | 2 |
| 23 | Marine Drive | 1955 | N. Dutta | 6 | 6 | 6 |
| 24 | Milaap | 1955 | N. Dutta | 8 | 8 | 8 |
| 25 | Munimji | 1955 | S.D. Burman | 7 | 7 | 7 |
| 26 | Railway Platform | 1955 | Madan Mohan | 10 | 10 | 8 |
| 27 | Society | 1955 | S.D. Burman | 8 | 8 | 8 |
| 28 | Chandrakaanta | 1956 | N. Dutta | 9 | 9 | 8 |
| 29 | Funtoosh | 1956 | S.D. Burman | 8 | 8 | 9 |
| 30 | Bade Sarkar | 1957 | O.P. Nayyar | 4 | 4 | 4 |
| 31 | Naya Daur | 1957 | O.P. Nayyar | 9 | 9 | 9 |
| 32 | Pyaasa | 1957 | S.D. Burman | 12 | 8 | 12 |
| 33 | Tumsa Nahin Dekha | 1957 | O.P. Nayyar | 1 | 1 | 1 |
| 34 | 12 O’ Clock | 1958 | O.P. Nayyar | 2 | 2 | 2 |
| 35 | Light House | 1958 | N. Dutta | 7 | 7 | 7 |
| 36 | Phir Subah Hogi | 1958 | Khayyam | 8 | 8 | 8 |
| 37 | Sadhna | 1958 | N. Dutta | 6 | 6 | 6 |
| 38 | Sone Ki Chidiya | 1958 | O.P. Nayyar | 7 | 7 | 7 |
| 39 | Bhai Bahan | 1959 | N. Dutta | 8 | 8 | 8 |
| 40 | Chaar Dil Chaar Raahein | 1959 | Anil Biswas | 7 | 7 | 6 |
| 41 | Dhool Ka Phool | 1959 | N. Dutta | 8 | 8 | 9 |
| 42 | Didi | 1959 | N. Dutta | 5 | 5 | 5 |
| Didi | 1959 | Sudha Malhotra | 1 | 1 | 1 | |
| 43 | Laal Nishaan | 1959 | Nirmal Kumar | 1 | 1 | 1 |
| 44 | Naach Ghar | 1959 | N. Dutta | 10 | 10 | 10 |
| 45 | Baabar | 1960 | Roshan | 5 | 5 | 5 |
| 46 | Barsaat Ki Raat | 1960 | Roshan | 12 | 12 | 9 |
| 47 | Girl Friend | 1960 | Hemant Kumar | 7 | 7 | 7 |
| 48 | Hum Hindustani | 1960 | Usha Khanna | 1 | 1 | 1 |
| 49 | Maasoom | 1960 | Robin Banerjee | 1 | 1 | 1 |
| 50 | Dharamputra | 1961 | N. Dutta | 8 | 8 | 8 |
| 51 | Hum Dono | 1961 | Jaidev | 6 | 6 | 6 |
| 52 | Dilli Ka Daada | 1962 | N. Dutta | 3 | 4 | 4 |
| 53 | Kaalaa Samandar | 1962 | N. Dutta | 1 | 1 | 1 |
| 54 | Aaj Aur Kal | 1963 | Ravi | 9 | 8 | 9 |
| 55 | Bahurani | 1963 | C. Ramchandra | 7 | 7 | 7 |
| 56 | Dil Hi To Hai | 1963 | Roshan | 11 | 10 | 11 |
| 57 | Gumraah | 1963 | Ravi | 7 | 8 | 8 |
| 58 | Mujhe Jeene Do | 1963 | Jaidev | 6 | 5 | 5 |
| 59 | Pyaar Ka Bandhan | 1963 | Ravi | 5 | 5 | 5 |
| 60 | Taj Mahal | 1963 | Roshan | 10 | 10 | 11 |
| 61 | Chaandi Ki Deewaar | 1964 | N. Dutta | 8 | 8 | 9 |
| 62 | Chitralekha | 1964 | Roshan | 8 | 8 | 7 |
| 63 | Dooj Ka Chaand | 1964 | Roshan | 9 | 8 | 9 |
| 64 | Ghazal | 1964 | Madan Mohan | 8 | 7 | 8 |
| 65 | Shagoon | 1964 | Khayyam | 8 | 8 | 8 |
| 66 | Bahu Beti | 1965 | Ravi | 7 | 7 | 7 |
| 67 | Kaajal | 1965 | Ravi | 11 | 11 | 13 |
| 68 | Waqt | 1965 | Ravi | 8 | 8 | 8 |
| 69 | Bahu Begum | 1967 | Roshan | 9 | 9 | 9 |
| 70 | Humraaz | 1967 | Ravi | 5 | 5 | 5 |
| 71 | Aaankhein | 1968 | Ravi | 6 | 6 | 6 |
| 72 | Do Kaliyaan | 1968 | Ravi | 8 | 8 | 8 |
| 73 | Izzat | 1968 | Laxmikant-Pyarelal | 7 | 7 | 7 |
| 74 | Neel Kamal | 1968 | Ravi | 7 | 7 | 8 |
| 75 | Vaasna | 1968 | Chitragupta | 6 | 6 | 6 |
| 76 | Aadmi Aur Insaan | 1969 | Ravi | 9 | 9 | 10 |
| 77 | Nanha Farishta | 1969 | Kalyanji-Anandji | 2 | 4 | 4 |
| 78 | Paisaa Ya Pyaar | 1969 | Ravi | 4 | 5 | 5 |
| 79 | Mann Ki Aankhein | 1970 | Laxmikant-Pyarelal | 6 | 6 | 6 |
| 80 | Nayaa Raasta | 1970 | N.Dutta | 8 | 8 | 8 |
| 81 | Samaaj Ko Badal Daalo | 1970 | Ravi | 7 | 8 | 9 |
| 82 | Ganga Tera Paani Amrit | 1971 | Ravi | 4 | 4 | 4 |
| 83 | Sansaar | 1971 | Chitragupta | 7 | 7 | 7 |
| 84 | Bhaai Ho To Aisa | 1972 | Sonik Omi | 2 | 5 | 5 |
| 85 | Daastaan | 1972 | Laxmikant-Pyarelal | 5 | 5 | 6 |
| 86 | Aa Galey Lag Jaa | 1973 | R.D. Burman | 6 | 6 | 5 |
| 87 | Daag | 1973 | Laxmikant-Pyarelal | 7 | 7 | 6 |
| 88 | Dhundh | 1973 | Ravi | 4 | 3 | 3 |
| 89 | Joshila | 1973 | R.D. Burman | 8 | 8 | 8 |
| 90 | Mehmaan | 1973 | Ravi | 4 | 6 | 6 |
| 91 | 36 Ghante | 1974 | Sapan Chakravarty | 4 | 4 | 4 |
| 92 | Deewaar | 1975 | R.D. Burman | 5 | 5 | 5 |
| 93 | Ek Mahal Ho Sapnon Ka | 1975 | Ravi | 7 | 5 | 8 |
| 94 | Zameer | 1975 | Sapan Chakravarty | 7 | 7 | 8 |
| 95 | Kabhie Kabhie | 1976 | Khayyam | 10 | 10 | 12 |
| 96 | Laila Majnu | 1976 | Madan Mohan | 6 | 6 | 7 |
| Laila Majnu | 1976 | Jaidev | 4 | 4 | 3 | |
| 97 | Shankar Shambhu | 1976 | Kalyanji-Anandji | 5 | 5 | 5 |
| 98 | Amaanat | 1977 | Ravi | 8 | 8 | 7 |
| 99 | Jaagriti | 1977 | Laxmikant-Pyarelal | 2 | 4 | 4 |
| 100 | Nawaab Saahib | 1978 | C. Arjun | 5 | 4 | 5 |
| 101 | Trishul | 1978 | Khayyam | 7 | 7 | 8 |
| 102 | Hum Tere Aashiq Hain | 1979 | Ravindra Jain | 1 | 6 | 6 |
| 103 | Kaalaa Patthar | 1979 | Rajesh Roshan | 6 | 6 | 7 |
| 104 | Chambal Ki Qasam | 1979 | Khayyam | 6 | 8 | 8 |
| 105 | Chehre Pe Chehra | 1980 | N.Dutta | 2 | 6 | 6 |
| 106 | Insaaf Ka Taraazu | 1980 | Ravindra Jain | 4 | 4 | 4 |
| 107 | The Burning Train | 1980 | R.D. Burman | 4 | 6 | 6 |
| 108 | Dhanwaan | 1981 | Hridaynath Mangeshkar | 5 | 5 | 5 |
| 109 | Deedaar-E-Yaar | 1982 | Laxmikant-Pyarelal | 4 | 5 | 4 |
| 110 | Jiyo Aur Jeene Do | 1982 | Laxmikant-Pyarelal | 3 | 2 | 2 |
| 111 | Lakshmi | 1982 | Usha Khanna | 2 | 2 | 2 |
| 112 | Sachche Moti | 1962/1967 | N.Dutta | 6 | 6 | 6 |
| 113 | Chingaari | 1989 | Ravi | 5 | 7 | 7 |
| TOTAL | 695 | 717 | 733 | |||
| 114 | Picnic | Unreleased | N. Dutta | 1 | ||
| TOTAL | 696 | 717 | 733 | |||
Let us now enjoy this song. It is a light hearted song but Sahir still finds opportunities to slip in comments about social malpractices viz jaat paat, naslwaad, rang bhed etc. etc.
Video
Audio
Song-Hamne maar liya maidaan (Ham Tere Aashiq Hain)(1979) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-Ravindra Jain
Both
Lyrics
hurrrrrey ae ae ae
maar liyaa maidaan
hamne maar liyaa maidaan
kaisaa rahaa palaan
apnaa badhiyaa rahaa palaan
waah re chaachaa
waah bhatiji
main to donon pe qurbaan
oye qurbaan n a
waah re chaachaa
waah re bhatije
main to donon pe qurbaan
arey
maar liyaa maidaan
hamne maar liyaa maidaan
dekh liyaa ye
duniyaa kyaa hai
kyaa hai duniyaawaale ae ae
sone ki chaabi se khulte
sab ke dilon ke taaley ae
jo is bhed se waaqif hain
wo sabko jeb mein daalen
jo is bhed se waaqif hain
wo sabko jeb mein daalen
haan
hamne ye gur seekh liyaa
ham hain qaabil insaan
you are right meri jaan
hamne ye gur seekh liyaa
ham hain qaabil insaan
arey
maar liyaa maidaan
hamne maar liyaa maidaan
rang ka bhed aur
nasl ke jhagde
sab kehne ki baatein ae
jinke ghar lakshami ka deraa
unki oonchi jaatein
arey aage chaley rupaiyyaa paisaa
peechhe chale baraatein
aage chaley rupaiyyaa paisaa
peechhe chale baraatein
dukaanon ke label dekh ke
bikte hain pakwaan
you are right meri jaan
dukaanon ke label dekh ke
bikte hain pakwaan
arey
maar liyaa maidaan
hamne maar liyaa maidaan
kaisaa rahaa palaan
apnaa badhiyaa rahaa palaan
laa laa laa
laa laa laa laa laal aa
laa laa laa laa
la la la la laal aa
la la ra la ra laa
- In: "beach" song | "Jeep" song | "wooing" song | Dev Anand present without lip syncing | Dev Anand songs | Dev Anand songs by Kishore Kumar | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Lata solo | Lata song | Multiple version song | Post by nahm | Songs of 1970s (1971 to 1980) | Songs of 1974 | Sulking-Appeasing song | Theme song | Yearwise breakup of songs
- 6 Comments
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4453 | Post No. : | 15919 |
Dev Anand – 97th Birth Anniversary
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Dharamdev Pishorimal Anand (26 September 1923 – 3 December 2011), is the full name of the dashing, debonair yet chocolate hero of the 50’s, also nicknamed as the ever green actor, he was a hero, director, producer and what not. He is known for never say die attitude and being a gentleman of the old world sense. He formed a trio of superstars with Dilip Kumar and Raj Kapoor in the black n white era.
He was like a shining star which kept shining when all his neighbour, were laid down by age, health and simply lack of motivation. In the old ways, the culture of the film industry was about respect of seniors, treating others including junior artists, with respect and values which were based on humanity and equality in opportunities etc. The background of Dev Anand is an educated family of means. Plus that was an erawhen people with means had rich tastes and it converted into their conduct and dealing with fellow human beings. I have no knowledge how charitable or not Dev Anand himself was, because charity is not just sharing of monetary wealth, but sharing of positivity and knowledge also amounts of charity. Of course, there are people with such meanness in their makeup they will not lift an eyebrow, to facilitate someone else. And if such a person did lift an eyebrow, and someone else was slightly benefitted from it, the former will not like it. Ah…. I don’t know where I am going with this, but this is not towards Dev Anand.
I have recently seen his movies, “Kaala Bazaar” “Manzil” and “Kaala Paani” on youtube. Other unforgettable movie are such classics as “Guide”, “Tere Ghar Ke Saamne , “Jewel theif”, etc. I have read the Wikipedia page on Dev Anand. As I read through it, things got curious, as there is not filmography there. Very few films are mentioned, some of them I am yet to see. Zeenat Aman finds a mention as being discovered by him, but there is no mention of “Hare Rama Hare Krishna”. Also I found amiss the mention of his brothers Vijay Anand and Chetan Anand who were instrumental in his life and career. No mention of his great equation with SDB-RDB and Kishore Kumar.
There is also this line :
“Guru Dutt, Mohammed Rafi, Pran, Dilip Kumar, Raj Kapoor, Sunil Dutt, Nargis, Kishore Kumar, S.D. Burman and R.D. Burman were his closest friends from the film industry.” If a man is known by the company he keeps, than there are no better examples.
The song I am presenting as a tribute to Dev Anand on his 97th birth anniversary is from the film “Amir Garib” (1974). The song comprises of two separate solos, by Lata Mangeshkar and Kishore Kumar, which are the mirror images of each other. The song picturization and the lyrics are also mirroring each other. Both songs are picturised on Dev Anand and Hema malini, singing the two solos. With colourful clothes, a beach, an open jeep on the beach, than the Swimming pool at the Sun & Sand just beyond the Juhubeach(Common in both songs, with extra’s looking like Europeans in colourful swim suits) and a park road with a tonga ride. This is a beach song, tonga song, car song swimming pool song, teasing song, pacifying song all rolled into one.
About version songs which are mirror image of each other, I can recall one song from the film “Himalaya ki god mein”
.
The following three songs from “Ameer Gareeb”(1974)are already posted in the blog :
| Song | Date posted |
|---|---|
| Mere pyaale mein sharaab daal de phir dekh tamaasha | 21 June 2009 |
| Main aaya hoon leke saaz haathon mein | 12 August 2012 |
| Kahin janaab ko mera to intezaar nahin | 3 December 2018 |
The post is by Peevesie’s Mom which has a synopsis of the film. Another trivia is that the first song from this movie appeared on the blog as early as 21.06.2009, within its first year.
Audio – Lata version
Video – Lata version
Audio – Kishore Kumar version
Video – Kishore Kumar version
Song-Soni aur moni ki hai jodi ajeeb (Ameer Gareeb)(1974) Singer-Lata/ Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
————————
Lata version
————————
ho moni
Ho moni
soni aur moni ki hai Jodi ajeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
soni aur moni ki hai Jodi ajeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
ik door jaaye ik aaye qareeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
khoya phire
rangraliyon mein
galiyon mein bada shor
sunaa tere naam kaa
galiyon mein bada shor
sunaa tere naam kaa
maana tere paas hai baajaa
tu hai raajaa
magar raani binaa kis kaam kaa aa
magar raani binaa kis kaam kaa
hohohoho
apna milan ho to
badle naseeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
soni aur moni ki hai Jodi ajeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
aise koyi
tujh ko sataaye
tadpaaye kalejaa phat ke reh jaayeea
tadpaaye kalejaa phat ke reh jaaye
hans ke na kare piyaa baaten
mulaaqaaten
piya jal kat ke reh jaayeea
piya jal kat ke reh jaaye
hohohoho
hai mera mehboob meraa raqeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
soni aur moni ki hai Jodi ajeeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
ik door jaaye ik aaye qareeb
saajan ameer sajni gareeb
saajan ameer sajni gareeb
———————————-
Kishore Kumar version :
———————————-
ho Soni
ho soni
moni aur soni ki hai jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
ik door jaaye ik aaye qareeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
khoyi phire
rangraliyon mein
galiyon mein bada shor
sunaa tere naam kaa aa
galiyon mein bada shor
sunaa tere naam kaa
maana teraa naam hai raani
mahaarai
magar raajaa binaa kis kaam kaa aa
magar raajaa binaa kis kaam kaa
hohohoho
apna milan ho to
badle naseeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
aise koyi
tujh ko sataaye
tadpaaye kalejaa phat ke reh jaaye ae
tadpaaye kalejaa phat ke reh jaaye
hans ke na kare kabhi baaten
mulaaqaaten
jiya jalkat ke reh jaaye ae
jiya jal kat ke reh jaaye
hohohoho
mehboob meraa hai meraa raqeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
moni aur soni ki hai Jodi ajeeb
sajni ameer saajan gareeb
sajni ameer saajan gareeb
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4449 | Post No. : | 15907 |
64th Birthday of Ranjeeta Kaur – 22.09.2020
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I wish life could be just a song for the road just like this song on a motorcycle. A song heard in childhood, mainly on radio. In 1980 we had a T.V. at home, but that was only aired in the evening. The radio could be heard during the day also, but they were on air for specific hours only, be it “vividh bharati” or “All india Radio”, of which urdu service was the one for film songs. All these years the lyrics of the song complete with the first stanza have stayed in the memory. After the advent of youtube, I may have looked up this song too alongwith many other old songs.
I have seen quite a few films of Ranjeeta while she was active in the 80’s, as I and my mother used to like her innocent, homely looks. Many of these films were B grade low-budget films like ‘Qismat”, “Tarana” and ‘Khwaab” to name a few. She was paired with Mithun Chakrovorty in these films. I was under the impression that “Ankhiyon ke jharoke se”(1978) was a debut film for her, whereas she had appeared in the hit film “Laila Majnu” in 1976, opposite Rishi Kapoor. Both these are notable films of her career. But there after she appeared in few A grade films in bit roles like ‘‘Rajput”, “Satte Pe Satta” and “Krodhi”. Films like “Ham se Badhkar kaun”, “Aap to aise na the”, “Ustadi Ustad se” and “Tarana” are all seen and forgotten films.
As Ranjeeta Kaur turns 64 today, I am presenting this happy romantic song where she is singing this duet on motorcycle and the beach. The name of the film is “Khwaab”(1980) and singers are Hemlata and Yasudas. The lyricist and music director is Ravindra Jain.
Two songs from the film are posted.
Tu hi wo haseen hai
Ek aas liye vishwaas liye
“Khwaab” is one of its kind title as I could find no other film with the title as ‘Khwab” or ‘Khwaab”. The word means dream, and this year 2020 is turning out like a bad dream. I am sure all of us have had this feeling that we are asleep and embroiled in a bad dream, and hope fervently that we will wake up soon and this whole tragic crisis will disappear. Hope that it will dissolve like a bad dream, is soon forgotten.
Let us go to the song, which I would have categorized as a “in the family way songs” seeing the words of first stanza, but this one is not such a song. I have a few songs for this category in mind. Let us see when I get around to those songs. They are mostly 80’s/90’s songs, so this can be a precursor to that series.
This song starts with the urdu alphabet ‘khai’ making it one of rare songs for ‘antakshari” 🙂 . Only other song I can remember is “khwaab ho tum ya koyi haqeeqat kaun ho tum batlaao……..”. Not that most people bother with the fine distinction between the ‘kh’ of “khilauna” and ‘kh’ of ‘Khwaab’. I can wish all I want for a way of distinguishing it in the English script, with a dot or some such thing. Rekhta.com has adopted an entirely different way of spelling the urdu /hindi words in English script, which is rather complicated even for someone like me. Urdu is a language with fewest dictionary words. Sometimes the same word is used for different meanings in different situation. One example is the word “taarikh” which means “date” and history, but not inclusive. Then there is the confusion with ‘q’ and ‘k’.
Common words where K is correct are :
Mushkil – difficulty
Ashk – tear (aansoo)
Rashk – envy
Shak – doubt
Kalaam – spoken word or talk
Shikwa – grievance
Shikayat – complaint
Shaukat – power or dignity
Q is appropriate here :
Qalam – pen
Ishq – love
Raqs – dance
Qalb – heart
Sadaqah – charity (sort of)
Beqaraar – restless, disturbed
Shauq – deep interest, zeal
Qataar – line, queue or array
Iqraar – acceptance or agree, promise
And there is added complication of words where ‘Q’ is compulsorily written as ‘que’ as it is done in ‘Ishque’ or ‘aashiqui’ or some names such as siddique and taarique. I have not gotten to two different alphabet with different sounds for whom the alphabet ‘t’ is used. The ‘t’ of ‘taara’ is different from the ‘t’ of ‘totaa’. There is confusion galore for the untutored. So we let it be, the ‘no pain no gain’ school of thought be brushed under the carpet 🙂 .
Now that I have heard the song two three times, I have realized that it remained in the memory because of its very sweet and melodious sound. It is memorable for the lyrics as well as tune and the singing of both Hemlata and Yasudas.
Video
Song-Ham khwaab ko badal denge haqeeqat mein (Khwaab)(1980) Singers-Yesudas, Hemlata, Lyrics-Ravindra Jain, MD-Ravindra Jain
Both
Lyrics
khwaab ko
badal denge
haqeeqat mein
ham khwaab ko
badal denge
haqeeqat mein
mil ke rahenge donon
armaanon ki jannat mein
ham apne khwaab ko
badal denge ae
haqeeqat mein
ham khwaab ko
badal denge ae
haqeeqat mein
chhotaa sa ek ghar hogaa
haan chhotaa sa ek ghar hogaa
aur ghar mein honge
saanwle salone
hanste bolte khilaune
ham do hamaare do
nahin nahin
mere do tumhaare do
kat jaayegaa ye jeewan
unhi ki hifaajat mein
ham apne khwaab ko
badal denge
haqeeqat mein
ham khwaab ko
badal denge
haqeeqat mein
kabhi kabhi
beete dinon par
jaayegi jab nazar
oo ooo
sochenge kitne haseen thhe
woh shaam woh sehar
oo ooo
sochenge kitne haseen thhe
woh shaam woh sehar
nit aayengi bahaaren
nit khilenge phool suhaane
oo hoo ooo
nit aayengi bahaaren
nit khilenge phool suhaane
yoonhi rahenge zamaanon tak
khushiyon ke zamaane
aa haa haa
aa haa haa
ham tum judaa na honge
ab to kisi soorat mein
ham apne khwaab ko
badal denge
haqeeqat mein
ham khwaab ko
badal denge
haqeeqat mein
Toone mera maine tera dil le liyaa
Posted on: May 9, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4313 | Post No. : | 15592 |
—————————————————————————
Blog 10-Year Challenge (2010-2020) – Song No. 27
—————————————————————————
“Qaidi No 911″(1959) was produced and directed by Aspi for Basant Pictures, Bombay. The movie had Shaikh Mukhtar, Nanda, Minoo Mumtaz, Daisy Irani, Mehmood, Mukri, Gajanan Jagirdar,Hiralal,Achla sachdev,Protima devi,Babu raje,uma dutt,tuntun,
Nagpal,altaf,Bhudo advani,fazloo,mithoo miya,mohan sandow,ram murthy,shetty,shafi,gulab,
prem sagar,hanuman,Krishan kumar,bagla,afsar jhan,munira begum & honey irani
On this day ten years ago, two songs were covered. One song from “Samundar”(1957) and one song from “Qaidi No 911″(1959).
“Samundar”(1957) has been YIPPEED by now. That leaves “Qaidi No 911″(1959) as the only candidate for Blog Ten Year challenge today.
“Qaidi No 911″(1959) had six songs in it. Four songs (including a multiple version song) have been covered in the blog.
Here are the details of the songs from this movie that have been covered so far:-
| Song | Posted On |
|---|---|
| Meethi meethi baaton se bachna zaraa Multiple version song | 29-Sep-2009 |
| Pyaar bhari ye ghataayen | 9-May-2010 |
| Tere teer ko hamne pyaar se dil mein rakh liyaa | 2-Jan-2012 |
Latching on to this Blog Ten year Challenge opportunity, Prakashchandra has sent me the lyrics of a song from “Qaidi No 911″(1959). this song is sung by Lata. Hasrat Jaipuri is the lyricist. Music is composed by Dattaram.
The song is picturised as a roadside tamasha dance song on the beach of Chaupati I guess. Mukri is trying to attract customers for his bioscope, but the potential customers get diverted to watch the dance performance of Nanda. 🙂
The picturistion is somewhat reminiscent of “Don”(198) song,“Ee hai Bambai nagariya tu dekh babua”.
video link:
Song-Toone mera maine tera dil le liya (Qaidi No 911)(1959) Singer-Lata, Lyrics-Hasrat Jaipuri, MD-Dattaram
Lyrics (audio link) (Provided by Prakashchandra)
toone mera maine tera dil le liyaa
haayye toone mera maine tera dil le liyaa
do nain milaa ke haaye rey deewaana kar diya
hoyye deewaana kar diyaa
hoyye toone mera maine tera dil le liyaa
do nain milaa ke haaye rey deewaana kar diya
hoyye deewaana kar diyaa
aaj ruk jaa deewaane
yehi hai apni marzi
pyaar ki raahon mein
aur chaahon mein aisi kya jaldi
aaj ruk jaa deewaane
yehi hai apni marzi
pyaar ki raahon mein
aur chaahon mein aisi kya jaldi
karo na phir ishaaraa
liyaa kyun dil hamaaraa
bataa do
bataa do kab kahaan aur kaisey
toone mera maine tera dil le liyaa
hoyye toone mera maine tera dil le liyaa
do nain milaa ke haaye rey deewaena kar diya
hoyye deewaana kar diyaa
baat sunn le bedardi
phiroon main ghaayal hirni
chaandni raaton mein barsaaton mein
lehraati gaati
baat sunn le bedardi
phiroon main ghaayal hirni
chaandni raaton mein barsaaton mein
lehraati gaati
ye kaissa teer chalaayaa
nazar na hamko aayaa
bataa do
bataa do kab kahaan aur kaisey
toone mera maine tera dil le liyaa
ho toone mera maine tera dil le liyaa
do nain milaa ke haaye rey deewaana kar diya
hoyye deewaana kar diyaa
bheekh de do ulfat ki
bharo jee dil ki jholi
pyaar ki raani hoon
deewaani hoon main aisi bholi
bheekh de do ulfat ki
bharo jee dil ki jholi
pyaar ki raani hoon
deewaani hoon main aisi bholi
ye kaisi aag lagaayi
kali dil ki khilaayi
bataa do
bataa do kab kahaan aur kaisey
toone mera maine tera dil le liyaa
hhoyye toone mera maine tera dil le liyaa
do nain milaa ke haaye rey deewaanaa kar diya
hoyye deewaana kar diyaa
hoyye toone mera maine tera dil le liyaa
do nain milaa ke haaye rey deewaanaa kar diyaa
- In: "beach" song | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Love song | Lyrics contributed by readers | Post by Sudhir | Songs of 1970s (1971 to 1980) | Songs of 1973 | Yearwise breakup of songs
- 3 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4271 | Post No. : | 15501 |
Four films in his debut year. An accomplishment that is not claimed by many other music directors. The year – 1966. And the films – ‘Thakur Jarnail Singh’, ‘Smuggler’, ‘Shera Daku’ and ‘Husn Aur Ishq’. And a sampler of hits from these films – the all time favorite “Hum Tere Bin Jee Na Sakenge Sanam”; the timeless Rafi Sb – Suman Kalyanour duet “Hum Jahaan Hai Wo Maqaam Husn Aur Ishq Hai”; the lilting Mukesh solo “Ae Mere Dil Teri Manzil”; the haunting Lata solo “Intezaar Ka Aalam, Tanhaai Aur Hum”; the racy cabaret number by Lata – “Dil Ka Lagaana Is Duniya Mein”. Songs all made memorable by the lilting tunes mixed with wonderful rhythm and orchestration – the music coming from the mind of Ganesh Prasad Sharma.
Remembering music director Ganesh – he passed away on 28th March, 2000. He was 58.
Ganesh Prasad Sharma, son of the venerable Ram Prasad Sharma, came on to the film scene in early 1960s, working along with the music director duo of Laxmikant Pyaarelal. He was the younger brother of Pyaarelal. His work accompanying his elder brother as and arranger and orchestration expert. As the word got around about his talent, and his ability to create attractive rhythm and orchestration arrangements, and by the middle of the decade he started getting assignments as independent music directors. The rush of assignments was such that he had to turn down some offers, right at the beginning of his career.
Over the years, however, despite creating some very wonderful music for films, his career did not really develop much beyond the initial euphoria. Around mid 1970s, after having composed music for almost 25 films, his career simply faded away. The general opinion is that Ganesh could not get away from the shadow of the more illustrious and successful team of Laxmi-Pyaare. Since he continued to work with L-P also, the quality and characteristics of the music of his own independent films never really stood out as distinct. The similarity between the two threads of music did not allow him to create a truly independent identity for himself.
Today, I present a duet song from the 1973 film ‘Ek Naari Do Roop’. The film is remembered for the iconic favorite in Rafi Sb’s voice – “Dil Ka Soona Saaz Taraana Dhoondega”. The film is produced by the famous BR Ishara under the banner of Co-Operative Pictures, Bombay, and is directed by Madhusudan. The cast of actors is listed as Shatrughan Sinha, Rashmi Dhawan, Mehmood (Junior), Iftekhar, Madan Puri, Nadira, Roopesh Kumar, Malika, Chaman Puri, Honey Chhaya, Sapru, Lalita Kumari, Maruti, Kaajal, Rajni, Moolchand, Qureshi, Ranveer Raj, Subhash, Master Sheru, Master Ratan, and Master Chiku, with a guest appearance by Asha Sachdev.
The film has five songs listed. Four of these songs are already showcased on our blog. Today we bring on board the fifth and final song of this film. The song is penned by Naqsh Lyallpuri. The singing voices are of Asha Bhosle and Kishore Kumar. On screen, the song is performed by Shatrughan Sinha and Rashmi Dhawan. The name Rashmi Dhawan is not very familiar as a heroine. Her name can be seen in just one more film ‘Mann Tera Tan Mera’ from 1971, which is also produced by BR Ishara. She had a side role in that film – the lead pair is listed as Anil Dhawan and Rehana Sultana. So apparently, ‘Ek Naari Do Roop’ is the only film of this actress as the heroine.
The song is picturised as a love song, with the protagonists expressing their feelings of first love for each other, in a beach scenario. Shatrughan has a very trim and fresh look in this film,
The post also rings in the Yippeee status for this film. The earlier four songs of this film have appeared in the blog as follows.
|
S.No. |
Song Title | Film | Year | Post No, |
Post Date |
| 1 | Dil Ka Soona Saaz Taraana Dhoondhega | Ek Naari Do Roop | 1973 | 13 | 31-Jul-08 |
| 2 | Mere Mann Pawan Sang Udd Chal | Ek Naari Do Roop | 1973 | 7771 | 28-Mar-13 |
| 3 | Zindagi Mein Sada Muskuraate Raho | Ek Naari Do Roop | 1973 | 14830 | 8-Jan-19 |
| 4 | Ham Hi Jaanen Ek Torey Manwa Ki Peer | Ek Naari Do Roop | 1973 | 15028 | 14-May-19 |
A very interesting thing to note here. The first song of this film, posted as far back as on 31st July, 2008, is the first teen song of our blog. And the film is the first teen film. What I mean is that this film made its debut as the 13th song on the blog, and also that it is the 13th film to appear on the blog. 🙂
And further, those were the days when the blog was still following ‘song-a-day’ convention. So it was also the 13th day for the blog. 🙂
Audio
Video
Song – Tum Samjho To Achha Hai, Main Bolun To Kya Bolun (Ek Naari Do Roop) (1973) Singer – Asha Bhosle, Kishore Kumar, Lyrics – Naqsh Lyallpuri, MD – Ganesh
Asha Bhosle + Kishore Kumar
Lyrics
hmmmm hmmmm hmmm
hmmm hmmm
hmmm hmmmmmm
aa ha ha ha ha
arey
chup kyon ho gayi
gaao naa
na
na
na
na
oohn hoon
tum samjho
to achha hai
main bolun
to kya bolun
tum samjho to achha hai
main bolun to kya bolun
bolo bolo bolo bolo bolo
tum se hi jawaani hai
ye duniya suhaani hai
meri jaan
tum ye kya jaano
kya keh rahin hain aap
tum samjho to achha hai
main bolun to kya bolun
arey tum samjho to achha hai
main bolun to kya bolun
ho ke dewwana main kaise luta
dil se mere tum ye poochho zara
ho ke dewwana main kaise luta
dil se mere tum ye poochho zara
kehta hai ye mera dil
meri hai yahi manzil
meri jaan tum ye kya jaano
tum bolo to achha ha
main bolun. . .
na na na
tum samjho to achha hai
dekha jo tumko ae mere sanam
meri jawaani ke behke kadam
oy hoy
dekha jo tumko ae mere sanam
meri jawaani ke behke kadam
pehle bhi mila saawan
bheega bhi nahin daaman
meri jaan tum ye kya jaano
tum samjho to achha hai
na
tum bolo to achha ha
main bolun to kya bolun
baahon mein le lo ye mehka badan
tum ho meri tumko jaane chaman
baahon mein le lo ye mehka badan
tum ho meri tumko jaane chaman
chheena hai
hazaaron se
maanga hai
bahaaron se
meri jaan tum ye kya jaano
tum bolo to achha ha
main bolun to kya bolun
bolo
bolo bolo bolo bolo bolo bolo
tum se hi jawaani hai
ye duniya suhaani hai
meri jaan
tum ye kya jaano
kya keh rahin hain aap
tum bolo to achha ha
main bolun to kya bolun
——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
हम्ममम हम्ममम हम्मम
हम्मम हम्मम
हम्मम हम्ममममम
आ हा हा हा हा
अरे चुप क्यों गईं
गाओ ना
ना
ना
ना
ना
ऊँ हूँ
तुम समझो
तो अच्छा है
मैं बोलूँ
तो क्या बोलूँ
तुम समझो तो अच्छा है
मैं बोलूँ तो क्या बोलूँ
बोलो बोलो बोलो बोलो बोलो
तुमसे ही जवानी है
ये दुनिया सुहानी है
मेरी जाँ
तुम ये क्या जानो
क्या कह रहीं हैं आप
तुम समझो तो अच्छा है
मैं बोलूँ तो क्या बोलूँ
अरे तुम समझो तो अच्छा है
मैं बोलूँ तो क्या बोलूँ
हो के दीवाना मैं कैसे लुटा
दिल से मेरे तुम ये पूछो ज़रा
हो के दीवाना मैं कैसे लुटा
दिल से मेरे तुम ये पूछो ज़रा
कहता है ये मेरा दिल
मेरी है यही मंज़िल
मेरी जाँ तुम ये क्या जानो
तुम बोलो तो अच्छा है
मैं बोलूँ॰ ॰ ॰
ना ना ना
तुम समझो तो अच्छा है
देखा जो तुमको ए मेरे सनम
मेरी जवानी के बहके कदम
ओय होय
देखा जो तुमको ए मेरे सनम
मेरी जवानी के बहके कदम
पहले भी मिला सावन
भीगा भी नहीं दामन
मेरी जाँ तुम ये क्या जानो
तुम समझो तो अच्छा है
ना
तुम बोलो तो अच्छा है
मैं बोलूँ तो क्या बोलूँ
बाहों में ले लो ये महका बदन
तुम हो मेरी तुमको जाने चमन
बाहों में ले लो ये महका बदन
तुम हो मेरी तुमको जाने चमन
छीना है
हजारों से
मांगा है
बहारों से
मेरी जाँ तुम ये क्या जानो
तुम बोलो तो अच्छा है
मैं बोलूँ तो क्या बोलूँ
बोलो
बोलो बोलो बोलो बोलो बोलो बोलो
तुमसे ही जवानी है
ये दुनिया सुहानी है
मेरी जाँ
तुम ये क्या जानो
क्या कह रहे हैं आप
तुम बोलो तो अच्छा है
मैं बोलूँ तो क्या बोलूँ
Dekh o baabu dekh
Posted on: January 24, 2020
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4207 | Post No. : | 15401 |
Today’s song is from a ‘C’ grade stunt film – ‘Return of Mr. Superman’ aka ‘Superman Ki Wapsi’ (1960).
Hindi film industry is full of third grade, mindless and cheap copies of successful foreign films and stories. Indian films can not copy the costly scenes, sets and A grade actors for C grade films, so they make do with childish cheap sets, unknown producers or directors, actors who are at the fag end of their careers and overall an easy treatment to films. It is painful to see such films.
There was an era, when even action/stunt films carried some prestige. They were made by reputed or specialist film makers like, Wadias, Mohan Pictures, Imperial, Ranjit or even Master Bhagwan. They used to spend a fair amount on erecting sets or on outdoor shootings. Above all, their stunts used to be real and actually breath taking. Famous stunt actors like Azad, Prakash, John Cavas, Fearless Nadia, Vasantrao and Baburao Pehelwan etc. used to undertake thrilling stunts using trained animals like tigers, lions, horses, monkeys, dogs and even jalopy cars and motor cycles. The audience went to watch the stunts. Story, histrionics or music/songs were secondary.
Superman is a comics character popularised first in USA. The first cinema on Superman came in 1948 with actor Kirk Alyn as the hero. This was like a film serial. The feature film came in 1951 with George Reeves first and then the most popular Christopher Reeves. Many actors have done this role till now. A Superman with extraordinary powers has been a dream for mankind since a long long time. May be, perhaps, the Gods in almost every religion were endowed with such powers in fiction and the mythology.
Indian film makers were hardly to miss such stories. But I find that more than flying in the air or jumping from building to building, like Batman or Spiderman, Indian audiences lapped up the ‘Invisible Man’ theme more. The first such film was made by Prakash Pictures, ‘Khwaab Ki Duniya’ in 1938. Then came the successful 1957 film ‘Mr. X’ and lastly the most popular film came on this theme in 1987 as ‘Mr. India’.
On this background, no wonder, Superman, Batman or Spiderman never captured the imagination or fascination of Indian film audience. 1960 saw 2 films on Superman and one was in 1987. Comparatively, Tarzan films became more popular here. Creative producers combined Tarzan with any and every character of Arabian nights, gave him son, daughter and brought him to city or even Circus. Indian avatars of Tarzan like, Zambo and Zimbo were also popular. these films helped Dara Singh to establish himself in Hindi films. Anyway, gone are the days when action or stunt films had special audience. Neither that audience nor those films have any presence now.
Since the day SFX (special effects – an improved version of old trick scenes) became popular in India, every hero has become a stuntman himself. Except probably Ajay Devgan and Akshay Kumar, most other actors are stuntmen by SFX only.
Coming to today’s film ‘Return of Mr. Superman’, the film was made by Manmohan Films – owned by the producer, director and lyricist Manmohan Sabir. From 1952 to 1986, he had directed 10 films. Today’s film was his 6th film as a director. Some songs of the film were also written by PL Santoshi, Kaif Irfani and Anand Bakshi. The cast of the film was Jairaj, Sheila Ramani, Majnu, Naazi, David, Ram Mohan, Rajan Haksar, Master Navin and many others.
Music Director of this C grade stunt film was Anil Biswas, who was once upon a time an A grade composer and many other composers followed him as their ‘Guru’. Anil Biswas (7-7-1914 to 31-5-2003) started his career in music in the early 1930’s. Usually, one generation is considered as 25 to 30 years, but in film music the generation period is 12 to 15 years. So, in his career from early 30s to late 60s, Anil Biswas saw two generations of music lovers. It was easier for him to adapt to changing tastes of music from 30s to late 40s. However, to adapt to changed tastes from 50s to 60s, it became difficult for him. The audience tastes changed drastically from 1930s to 60’s music. In the 30s and the 40s , the music was closer to traditional Indian music, but in the 60s, the film music followed the world music trends like Rock N Roll, Twist and other types.
In this stage of his career, Anil Biswas was in two minds – whether to continue what he knew best or to change over to new way of film music demands. He chose to mix the two, but this took him nowhere. This film music was a compromise on his abilities. After this film, he did two more non descript movies – ‘Lucky Number’ (1961) and ‘Hamen Khelne Do’ (1962). At last he retired after completing his last film ‘Chhoti Chhoti Baaten’ (1965) and left for Delhi to serve at AIR (All India Radio), Delhi. He gave music to 90 films composing 767 songs. He also sang 59 songs in 31 films.
The heroine of this film Sheila Ramani was one of my early favourites, from the time I saw her with Dev Anand in film ‘Funtoosh’ (1956). Earlier too I had seen her in few films, but she looked quite attractive and glamorous in ‘Funtoosh’.
Sheila Ramani, a forgotten name today, but most of us still remember her in Navketan’s ‘Taxi Driver’ (1954) where she was cast as Anglo-Indian club Dancer – Sylvie. Sheila was born on 2-3-1932, in Sindh province. She was selected as ‘Miss Mussoorie 1948’ and adjudged ‘Miss Simla 1950’. Made her debut as Champa, the femme fatale of ‘Badnaam’ (1952), and revealed herself as a danseuse of charm in ‘Anand Math’ (1952). She was one of the few Sindhi actresses besides Sadhana, who made it big in Bollywood. She was mostly seen as upper class mod girl in the 50s, a role she enacted to perfection all through that swinging era in films like V Shantaram’s ‘Teen Batti Chaar Raasta’ (1953), Sheikh Mukhtar’s ‘Mangu’ (1954), ‘Meenar’ (1954), ‘Railway Platform’ (1955), and ‘Funtoosh’ (1956).
Her Uncle Sheikh Latif alias Lachchu was a famous Pakistani producer who produced films like ‘Pattan’ (1955), ‘Khizan Kai Baad’ (1955), ‘Darbar-e-Habib’ (1956) etc. Sheila visited Karachi – Pakistan on the request of her uncle, to play the lead in Pakistani film ‘Anokhi’ (1956). The film was based on Hollywood’s ‘Fabulous Senorita’. “Gaadi Ko Chalana Babu, Zara Halkey Halkey Halkey, Zara Dil Ka Jaam Na Chalkey” sung by Zubaida Khanum was the popular song from the film which did modest to good business in Pakistan. The movie’s great music was composed jointly by Timir Baran (a Bengali who came from India for this purpose) and Hassan Latif. Sheila went back to India and remained as a middle-of-the-range performer in Bombay films. In the later part of her career, she was reduced to obscure films with titles that sounded like ‘Jungle King’ (1959), and ‘The Return of Superman’ (1960). In all, she acted in 24 films. Her last film was ‘Awaara Ladki’ (1967).
Sheila was very fond of sports especially football and swimming. Ballroom dancing was a virtual addiction for her and she used to go out for dancing as often as she could. Sheila was 5 feet four inches tall, and was so fastidious that any dress she would wear won’t be repeated for six months to come at least.
According to her son Rahul Cowasji, she married late Jall Edi Cowasji (President of Bombay Dyeing) on 31st March 1963 and retired from acting in 1962. Part of her family that remained in Pakistan converted to Islam. She was a Hindu. She used to live in Bombay with her husband Jall Cowasji till 1981. They moved to Khartoum (in Sudan, Africa) for 3 years and then to Sri Lanka for 3 years. After her husband’s death in 1984 she migrated to Australia on her own in the late 1980’s and lived in Sydney and Surfer’s Paradise until health problems required her to return to India in the new millennium. She used to live in her husband’s ancestral home in Mhow, near Indore (Madhya Pradesh). She was frail and bed ridden for few years before her death on 15-7-2015.
Her favorite Hindi film of her career was ‘Taxi Driver’ (1954). Sheila was also the leading lady of India’s first Sindhi film after partition – ‘Abana’ (1958), in which, young Baby Sadhana played her younger sister’s role. (Thanks to Cineplot and Sheila’s son Rahul, for some of the information in this Bio).
One more person from the cast of the film – Ram Mohan – needs introduction to our readers with his short Bio. Ram Mohan Sharma, a young, handsome lad from Ambala, was born on 2-11-1929. He was a graduate (BA) and had come to Bombay in 1945 in search of a career in cinema.
The youngster, who was in his early twenties, with fair colour, curly hairs & sharp features, approached Jagdish Sethi to get work in movies as an actor. Jagdish Sethi found him sincere and gave him a supporting role in ‘Jaggu’ (52), which he was to make. The movie had very good music, scored by Hansraj Behl & it had moderate success, when released. Later, Ram Mohan got small roles in few movies & in 1954, Sethi Sahab took him in the romantic role opposite Shyama in ‘Pensioner’. The movie did not do well & it was the end of Ram Mohan’s career as hero.
Life goes on and he decided to accept any role offered to him. Soon he was a known name in the film circles. In ‘Do Behnen’ (1959), which had Shyama in double role, Ram Mohan enacted the role of villain, which gave his career a big boost as bad man. Later he came in contact with Sunil Dutt & Nargis and forged a permanent friendship with them. Although Ram Mohan mostly got roles of tough characters, but inside he was soft hearted. He was a member of film artists association. He requested Sunil Dutt Ji who was feeling depressed after Nargis Ji passed away, to help the ‘Have Nots’ of film industry. Virtually an encyclopedia of film industry, Ram Mohan knew every technician, junior artists as well as old & forgotten artists, who needed help. Whenever they both were free, they used to visit the ailing artists in hospital or their residences, to give them moral and financial support. Charatcter actor Rajan Haksar was in a charity hospital, after failure of his kidneys. Both benevolent persons visited the hapless artist to boost his spirit. Ram Mohan was a confidant of Asha Parekh, the kind hearted lady who was president of the Artists Association & they together helped many artists, who were in dire need of assistance.
Ram Mohan was also the vice president of CINTAA (Cine and TV Artists Association) for 4 years and secretary for 6 years. Ram Mohan Ji had high reputation every where and when he came to know about the miserable condition of AK Hangal, he met a political leader and arranged the financial help through Maharashtra Govt, on a regular basis. At the time of bereavement, he made it a point to help the family till all religious formalities were over. Every one in the film industry used to address him as Ram Mohan Ji ,to show their genuine respect to him.
In his career of more than five decades, Ram Mohan appeared in more than 250 movies (the number varies from 240 to 277), mostly in negative roles. He did not believe in self publicity and did his philanthropic work quietly. Ram Mohan was keeping indifferent health for six months, when his pillar of strength, his life partner passed away. Ram Mohan Ji also followed suit and breathed his last on 06th December 2015 .
Ram Mohan had 3 sons and 1 daughter, all very well settled in life. He will always be gratefully remembered by thousands of anonymous film artists who were helped by him. His memories will be cherished by his admirers, who loved his work on and off the screen. Truly, to find people like him, in this era is rarity. Let us hope his selfless work will inspire other persons connected with the film industry to help their less fortunate colleagues and the tradition of Vasudhaiva Kutumbkam set by him will continue. He found an admirer in Gulzar Sahab ,who always referred him as Ram Mohan Ji. Please see the credit titles of Izaazat, where his name is mentioned as Ram Mohan ji. (Thanks to Blog – ‘Beete Hue Din’, and Shri MN Sardana ji, for some of this information).
Today’s song certainly reminds us the type of club music of the late 1950s and early 1960s. This, of course, is not a club song, but a love song between hero and heroine. The song does not have anything to suggest the famous Anil Biswas touch of yore. It is one of those routine songs of those times.
Audio
Video
Song – Dekh o babu dekh (Return of Mr Superman) (1960) Singer – Meena Kapoor, Lyricist – PL Santoshi, MD – Anil Biswas
Lyrics
dekh o baabu dekh
o baabu dekh
dekh o baabu dekh
o baabu dekh
dil ki dukaan se main layi hoon ye cake
marzi ho to take baabu
marzi ho na take
o babu dekh
dekh o baabu dekh
o baabu dekh
dekh o baabu dekh
bahut hai mehngi
bahut hai sasti
gaahak ki jaisi ho hasti
bahut hai mahangi
bahut hai sasti
gaahak ki jaisi ho hasti
le jaayega koi dilwaala kismat waala cake
o baabu dekh
dekh o baabu dekh
o baabu dekh
dekh o ba abu dekh
dekh ke iski lazzat mister
ho jaayegi ulfat mister
dekh ke iski lazzat mister
ho jaayegi ulfat mister
lekin sun lo shart humari
doge na tum phenk
for godsake
dekh o baabu dekh
o baabu dekh
dekh o baabu dekh
hum to tumse pyaar karega
pyar ka hi iqraar karega
hum to tumse pyaar karega
pyar ka hi iqraar karega
chaahe ho nadiya ka kinara
chaahe romantic lake
o baabu dekh
dekh o baabu dekh
o baabu dekh
dekh o baabu dekh
dil se dil ka sauda kar lo
pyaar se apna pocket bhar lo
dil se dil ka sauda kar lo
pyaar se apna pocket bhar lo
beet gayi gar yoonhi jawaani
ho jaaoge late
o baabu dekh
dekh o baabu dekh
o baabu dekh
dekh o baabu dekh
———————————————————–
Devnagri Script lyrics (Provided by Sudhir)
———————————————————–
देख ओ बाबू देख
ओ बाबू देख
देख ओ बाबू देख
ओ बाबू देख
दिल की दुकान से मैं लाई हूँ एक केक
मर्ज़ी हो तो टेक बाबू
मर्ज़ी हो ना टेक
ओ बाबू देख
देख ओ बाबू देख
ओ बाबू देख
देख ओ बाबू देख
बहुत है महंगी
बहुत है सस्ती
गाहक की जैसी हो हस्ती
बहुत है महंगी
बहुत है सस्ती
गाहक की जैसी हो हस्ती
ले जाएगा कोई दिलवाला किस्मत वाला केक
ओ बाबू देख
देख ओ बाबू देख
ओ बाबू देख
देख ओ बाबू देख
देख के इसकी लज़्ज़त मिस्टर
हो जाएगी उलफत मिस्टर
देख के इसकी लज़्ज़त मिस्टर
हो जाएगी उलफत मिस्टर॰॰र्र
लेकिन सुन लो शर्त हमारी
दोगे ना तुम फेंक
फॉर गॉड सेक
देख ओ बाबू देख
ओ बाबू देख
देख ओ बाबू देख
हम तो तुमसे प्यार करेगा
प्यार का ही इक़रार करेगा
हम तो तुमसे प्यार करेगा
प्यार का ही इक़रार करेगा
चाहे हो नदिया का किनारा
चाहे रोमांटिक लेक
ओ बाबू देख
देख ओ बाबू देख
ओ बाबू देख
देख ओ बाबू देख
दिल से दिल का सौदा कर लो
प्यार से अपना पाकिट भर लो
दिल से दिल का सौदा कर लो
प्यार से अपना पाकिट भर लो
बीत गई गर यूं ही जवानी
हो जाओगे लेट
ओ बाबू देख
देख ओ बाबू देख
ओ बाबू देख
देख ओ बाबू देख
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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