Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rajesh Khanna songs’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day: 4263 Post No.: 15489

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Blog 10-Year Challenge (2010-2020) – Song No. 13
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In olden days (even today for that matter) Indians were expected to behave in a particular manner. For instance, when it came to their day to day live, most of them were “gareeb” and they were told that they had the sole right on the resources of the nation in the form of doles aka subsidies. All political parties claimed to be pro poor parties and promised to “hataao” gareebi if voted to power. After repeatedly getting voted to power on the plank of hataaoing gareebi, the same politicians now claim to be for the “gareeb”. These “gareeb” are supposed to be gullible possessing of short memory so the politicians can get away despite failing to fulfill their past promises.

Movie makers were no different. They too made movies for the same segment of society that were treated as “gareeb” by the political classes. This section of society was supposed to like movies with escapist stories that bore little resemblance to real life. Depicting real life was considered no no. Movies depicting real life were considered boring. Why would a “gareeb” audience come to the movie hall to watch movies depicting his real dull life ? This was what the movie makers believed in.

Sometimes, some movie makers would make movies with realistic movies. Ordinary movie goers and even press would describe these movies as boring. Most movies like this flopped.

Top stars acted in such movies for creative satisfaction, but the ordinary fans felt betrayed when they would go to the movie hall and find their star sans his usual mannerisms.

Rajesh Khanna is “Aavishkaar” (1973), and Amitabh Bachchan in “Man Aazaad Hoon” (1990) are two such movies that readily comes to my mind.

“Aavishkaar” (1973) was directed by Basu Bhattacharya Aarohi Film Makers Bombay. This movie had Rajesh Khanna, Sharmila Tagore, Dina Gandhi, Denis Clement, Satyen Kappu, Monika Jasnan (child artist), Devendra Khandelwal, Margaret, new discoveries Mahesh Sharma and Minna Johar etc in it.

The movie dealt with a real life “boring” tale, viz the marital life of a couple, played by Rajesh Khanna and Sharmila Tagore. Fans of superstar Rajesh Khanna, who went to the movie hass expecting a movie like “Aaraadhana”(1969) were disappointed. There was no way juvenile fans (including yours truly) of Rajesh Khanna, who were brought up on stuff like “Haathi Mere Saathi”(1971) and “Apna Desh” (1972) were going to like this movie.

This movie was only for “mature” movie goers. Just like “rich” people were looked down upon by “gareeb” people, “mature” people, with their occasional boring movies were looked down upon by people loving “mainstream” movies.

Please do not believe the review of “Aavishkaar”(1973) that is carried by wikipedia etc. These reviews are written with the benefit of hindsight by people who were not even born when this movie was released. I remember the reviews carried out in mainstream Hindi media during 1973 which bore no resemblance whatsoever with its review that we now find online.

Coming to the songs of the movie, “Aavishkaar” (1973) had five songs in it. Four of these songs are covered in the past as described hereunder:-

Song Posted On
Hansne ki chaah ne kitna mujhe 19.09.2008
Naina hain pyaase mere 20.03.2010
Mahaa shoonya ke mahaan vistaar mein 18.07.2016
Baabul mora, naihar chhuto hi jaaye 27.05.2019

From the table above, we can see that one song from the movie was covered on this day, ten years ago. So, this movie provides us an opportunity to have a blog ten year challenge. At the same time, all the songs of the movie get covered as well.

Ten years ago on this day, two songs were covered in the blog

Song Movie title-Year Remarks
Naina hain pyaase mere Aavishkaar-1973 04 of 05 songs posted
Kaali badariya maare najariya Do Roti-1957 All Songs posted on the blog

Here is the fifth and final song from “Aavishkaar”(1973) to appear in the blog. The song is sung by Manna Dey. Gyandev Agnihotri is the lyricist. Music is composed by Kanu Roy.

Lyrics of this song were sent to me by Avinash Scrapwala.

With this song, “Aavishkaar”(1973) joins the list of movies that have all their songs covered in the blog.

Video

Audio

Song-Maa ko pukaar kar poochha bachche ne (Aavishkaar)(1973) Singer-Manna Dey, Lyrics-Gyandev Agnihotri, MD-Kanu Roy

Lyrics(Provided by Avinash Scrapwala)

maa ko pukaar kar poochha bachche ne
aaya kahaan se hoon maa
bolo to
padaa kahaan paaya
bolo to
sun kar sawaal ye
maa ke stanon se ufan padaa doodh
aur bah aaya aankhon se
uttar

mere laal
tum to hamesha thhe
mere man ki abhilaasha mein
tan ki paribhaasha mein
bachpan ke gudiyaaghar mein ae
kitni baar tujhe
khelte khelte
toda aa
todte todte ae
jodaa aa

paakar khoya aur
kho kar payaa aa hai
kahaan se bataaun tu aaya hai
padaa tujhe maine kahaan paaya hai
mere ae laal

tu
haan tu hi to hai
meri amar aasha
subah ka sapna
maa aur daadi ki
sunehri khwaahish
prem ki paramparaa aa
aag ki khwaahish
aur prem ki aasha se
bani teri kaaya hai
kahaan se bataaun tu aaya hai
padaa tujhe maine kahaan paaya hai
mere laal

————————————
Devnagri Script lyrics(Provided by Avinash Scrapwala)
—————————————
माँ को पुकार कर पूछा बच्चे ने
आया कहाँ से हूँ माँ
बोलो तो
पडा कहाँ पाया
बोलो तो
सुन कर सवाल ये
माँ के स्तनों से उफन पडा दूध
और बह आया आँखों से
उत्तर

मेरे लाल
तुम तो हमेशा थे
मेरे मन की अभिलाषा में
तन की परिभाषा में
बचपन के गुड़ियाघर में ए
कितनी बार तुझे
खेलते खेलते तोड़ा आ
तोड़ते तोड़ते ए
जोड़ा आ

पाकर खोया और
खो कर पाया आ है
कहाँ से बताऊँ तू आया है
पडा तुझे मैंने कहाँ पाया है
मेरे ए लाल

तू
हां तू ही तो है
मेरी अमर आशा
सुबह का सपना
माँ और दादी कि
सुनहरी ख्वाईश
प्रेम की परंपरा आ
आग की ख्वाईश
और प्रेम की आशा से
बनी तेरी काया है
कहाँ से बताऊँ तू आया है
पडा तुझे मैंने कहाँ पाया है
मेरे लाल


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4210 Post No. : 15407

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Blog 10-Year Challenge (2010-2020) – Song No. 5
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Welcome all to this post, where, under the ‘Blog ten-year challenge’, we have another movie which has completed a ‘decade’ on the blog with only one of its song posted on the blog.

This movie is ‘Prem Bandhan-1978’*. And the song ‘main tere pyaar mein paagal’ from this movie was posted on the blog exactly ten years back i.e. on 27.01.2010.

Two more songs were posted on that day and the three songs posted that day were as given below;

Song Movie title-Year Remarks
Door papeeha bola raat aadhi rah gayi Gajre-1948
Husn bhi hai udaas udaas Fareb-1953
Main tere pyaar mein paagal Prem Bandhan-1978

Browsing other songs from ‘Prem Bandhan-1978’ it is clear that only the above-mentioned song of this movie was the most popular song from this movie. It ranked at number 14 in the ‘annual list’ of ‘Binaca Geetmala’ of the year ‘1979’. Since the movie was passed by the Censor Board on 26.12.1978 it must have been released in theatres in around year end 1978 or around first week of January’1979 I guess.

The title song from ‘Ankhiyon Ke Jharokhon Se-1978’ topped the annual list of ‘Binaca Geetmala’ of that year followed by ‘aadmi musaafir hai’ from ‘Apnaapan-1977’.

The other movies released in 1978 and where music was composed by Laxmikant-Pyarelal are as given below;

SNo Movie Passed by Censor Board on
01 Aahuti 25.04.1978
02 Amar Shakti 16.09.1978
03 Badalte Rishtey 03.11.1978
04 Chakravyuha 22.07.1978
05 Daakoo Aur Jawaan 22.11.1978
06 Dil Aur Deewaar 08.09.1978
07 Kaalaa Aadmi 23.02.1978
08 Main Tulsi Tere Aangan Ki 14.07.1978
09 Phaansi 04.03.1978
10 Phool Khile Hain Gulshan Gulshan 04.09.1978
11 Prem Bandhan 26.12.1978
12 Saawan Ke Geet 16.02.1978
13 Satyam Shivam Sundaram 22.03.1978

Songs from ‘Satyam Shivam Sundaram’(two songs), ‘Phaansi’(one song), ‘Main Tulsi Tere Aangan Ki’(two songs) made it to the annual list of ‘Binaca Geetmala-1978’.

Coming back to today’s movie, ‘Prem Bandhan-1978’ was directed by Ramanand Sagar for ‘Gouri Films Pvt. Ltd, Bombay’. It was produced by R.R. Nanda. It had Rajesh Khanna, Rekha, Moushami Chatterjee, Vikram, Keshto Mukherjee, Prema Narayan, A.K. Hangal, Lalita Pawar, Helen with Sheetal, Janki Dass, Bhagwan, Gopi Krishna, Mumtaz Begam, Birbal, V. Suri, Brahm Bharadwaj, Satyadev Dubey, Bhakatani, Surinder Bhatia, Manmauji, Ramlal, Kanwar Sarhadi, Dr. Jayant Abhyankar, Narbada Shankar, Chandru Atma, Sunder Taneja, Ram Avtar, Javed Khan.

This movie introduced Rippy Singh, Arvind Trivedi and Madhu Shah. Story of this movie was written by Suhridkar.

The screenplay was written by Ramanand Sagar, Satish Bhatnagar, Suhridkar. Satish Bhatnagar also wrote the dialogues of this movie. Editing of this movie was done by Lachmandass while C.L. Kavish wrote the script of this movie.

Lyrics of this movie were written by Anand Bakshi and music was composed by Laxmikant-Pyarelal.

HFGK Vol-V (1971-1980) lists total six number of songs in this movie. The voices of Lata Mangeshkar, Kishore Kumar, Asha Bhosle, Mahendra Kapoor, Manna Dey and Chandru Atma were used for the songs in this movie).
(HFGK Vol V mentions the voice of Pankaj in today’s song however in the movie credits his name is not appearing among the list of Singers).

This movie was passed by Censor Board on 26.12.1978.

Only one song from this movie has been posted earlier and the today’s song is the second song from this movie to be posted on the blog.

Today’s song is sung by Pankaj, Asha Bhonsle, and Kishore Kumar. Rajesh Khanna and Rekha are lip syncing in the voices of Kishore Kumar and Asha Bhonsle respectively. Prema Narayan and many others are also seen in the picturization of this song.

The song is interesting and nice to listen to and watch. (I think if the video of the full song would have been available it would have been more enjoyable to watch. None the less we can still listen and enjoy this beautiful composition).

As mentioned above I could not locate the full video of this song. However, the audio of the full song is available and the lyrics are noted as per the audio link of this song. I guess that this song was also edited in the movie or maybe it is edited in the online version of this movie.

I have not watched this movie and I would request knowledgeable readers to throw more light on the movie and its songs …

This song is also a nice one and I am sure readers will also like this song like me.
Let us now enjoy the today’s song …

Audio (Full)

Video (Partial)

Song-Hoti hai kisi se jab preet (Prem Bandhan)(1978) Singers- Pankaj, Kishore Kumar, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Asha Bhonsle+Kishore Kumar
Chorus
Male chorus
Female Chorus

Lyrics

Hoti hai kisi se ae jab preet
Janam leta hai ae koi nayaa geet

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Didhim naatim didhim naatim
didhim naatim
Daiyya

(Haiyya haiyya
Haiyya ho
Haiyya haiyya
)

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Ho o o o o o naiyya ka maanjhi
Maanjhi ki naiyya

(Haiyya haiyya
Ho ho
Haiyya haiyya
)

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Hoti hai kisise jab preet
Janam leta hai koi nayaa geet
Jise gaate hain galiyon mein log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Hoti hai kisise jab preet
Janam leta hain koi nayaa geet
Jise gaate hai galiyon mein log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Ghar mein gali mein ae ae ae ae ae ae
jee nahin lagtaa
Jee nahin lagtaa
Achchha buraa kuchh nahin lagtaa
Jee nahin lagtaa
Oye
Jee nahin lagtaa
Kuchh iska kaaran
Hota hai saajan
Kaahe lete hai
Kaahe lete hai jogi jog
Rama

Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Ho ho ho o
Ho ho ho ho o
Ho ho ho o
Ho ho ho ho o

Aa haa aa aa

Ho ho ho o
Ho ho ho ho o
Ho ho ho o
Ho ho ho ho o

Ho ho ho o o o o o

Aa

Ho ho ho o
Ho ho ho ho o

Aa
Aa

Ho ho ho o
Ho ho ho ho o

Aa haa

Ho ho ho o
Ho ho ho ho o

Aa haa

Jaane kahaan se chalti hai dhaaraa
Jaane kahaan se chalti hai dhaaraa
O ho o o
Jaane kahaan se chalti hai dhaaraa
Jaane kahaan milta hai kinaaraa
Kab kaise dekho do premiyon ko
O o o o

Milaa dete hain
Milaa dete hain ye sanjog
Ramaa
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Sach kehti hai duiyaa ye saari
Sach kehti hai duiyaa ye saari
Ye preet aisi ek chingaari
Ye preet aisi ek chingaari
Lagti nahin ye
Bujhti nahin ye
Jal jaate hai
Jal jaate hain isme log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog
Hoti hai kisise jab preet
Janam leta hai koi nayaa geet
Jise gaate hain galiyon mein log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Lagtaa hain ae ae ae ae
O lagtaa aa aa aa aa
Rog
Lagtaa hai ae ae
Ishq ka aa aa aa rog
Ho ishq ka rog
Rama aa haan aa
Ho o Rama
Ho o Rama


This article is meant to be posted in atulsongaday.me.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4190 Post No. : 15372

Today (7 january 2020) is the 63rd birthday of Reena Roy (DoB 7 january 1957). She made her debut in Hindi movies with B R Ishara who cast her in “Zaroorat”(1972) in a “bold” role. She was considered suitable for songs that are these days considered item songs. “Jaise Ko Taisa”(1973) may not be remembered today, but someone like me associate this movie with the song “able saawan mein jee dare rimjhim tan pe paani gire”. This song was picturised on Reena Roy and Jeetendra.

Reena Roy formed a hit pair with Shatrughan Sinha beginning with “Kallicharan”(1976) followed by “Vishwanath”(1978)- 16 movies in all. She also formed a hit pair with Sunil Dutt. She figured in “Naagin”(1976), “Jaani Dushman”(1979) etc with Sunil Dutt.

Reena Roy’s pairing with Jeetendra in typical Madrasi family dramas led to some memorable tear jerkers viz. Apnapan(1977), Badalte Rishtey(1978), Asha(1980), Pyaasa Saawan(1982), Arpan(1983) etc (22 movies in all). She won Filmfare award for best supporting actress for her role in “Apnapan”(1977).

Reena Roy also got to work with Rajesh Khanna, after he was no longer a superstar. They worked together in four movies. One such movie was “Dhanwan”(1983). Here Reena Roy plays the widow of Rakesh Roshan- another of her “strong” roles that she was known for in 1980s.

On this occasion, here is a song from “Dhanwaan”(1981). This song is sung by Lata. Sahir Ludhianvi is the lyricist. Music is composed by Hridaynath Mangeshkar.

The song is picturised as a stage dance song where Rajesh Khanna has bought the entire show and he is the only one in the hall watching the performance. The same situation would later arise with Jaya Prada and Amitabh Bachchan is another movie, viz “Sharaabi”(1984). 🙂

Lyrics of this song were sent to me by Avinash Scrapwala.

Video

Audio (containing wrong poster)

Song-Kuchh log mohabbat ko vyopaar samajhte hain (Dhanwaan)(1981) Singer-Lata, Lyrics-Sahir Ludhianvi, Md-Hridaynath Mangeshkar

Lyrics(Provided by Avinash Scrapwala)

Mohabbat ka aa taalluk
Shaan o shaukat se nahin hota
Ye saudaa
Aisa aa saudaa hain
Jo daulat se nahin ee ee ee hota

Kuchh log mohabbat ko
Kuchh log mohabbat ko
Byopaar samajhte hain ae ae
Duniya ko khilaunon ka
Baazar samajhte hain ae ae ae
Kuchh log mohabbat ko
Byopaar samajhte hain ae ae
Kuchh log mohabbat ko

Daulat ka nashaa inn ko
Kuchh itna jyaada hai
Daulat ka nashaa inn ko
Kuchh itna jyaada hai
Duniya ki har ik shay ko
Aa aa aa aa aa
Duniya ki har ik shay ko
Paane ka iraada hain
Apne ko do aalam ka aa
Apne ko do aalam ka
Mukhtaar samajhte hain ae
Kuchh log mohabbat ko o

Dil kya hain wafaa kya hain
Ye log na samajhenge
Dil kya hain wafaa kya hain
Ye log na samajhenge
Mitne ki adaa kya hain
Aa aa aa aa aa
Mitne ki adaa kya hain
Ye log na samajhenge
Har shahks ko bikne par
Har shakhs ko bikne par
Taiyyar samajhte hain ae ae
Kuchh log mohabbat ko o

Kahiye bhi to inn jaise
Dildaaron ko kya kahiye
Kahiye bhi to inn jaise
Dildaaron ko kya kahiye ae ae
Mazboor hain aadat se
Aa aa aa aa aa
Mazboor hain aadat se
Bechaaron ko kya kahiye
Ham aise dimaagon ko
Ham aise dimaagon ko
Ham aise dimaagon ko
O o o
Ham aise dimaagon ko
Beemaar samajhte hain ae ae
Kuchh log mohabbat ko
Byopaar samajhte hain ae ae
Kuchh log mohabbat ko

——————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————
मोहब्बत का आ ताल्लुक
शान ओ शौकत से नहीं होता
ये सौदा
ऐसा आ सौदा हैं
जो दौलत से नहीं ई ई ई होता

कुछ लोग मोहब्बत को
कुछ लोग मोहब्बत को
ब्योपार समझते हैं ए ए
दुनिया को खिलौनों का
बाज़ार समझते हैं ए ए ए
कुछ लोग मोहब्बत को
ब्योपार समझते हैं ए ए
कुछ लोग मोहब्बत को

दौलत का नशा इन को
कुछ इतना ज्यादा है
दौलत का नशा इन को
कुछ इतना ज्यादा है
दुनिया कि हर इक शय को
आ आ आ आ आ
दुनिया कि हर इक शय को
पाने का इरादा है
अपने को दो आलम का आ
अपने को दो आलम का
मुख्तार समझते हैं ए
कुछ लोग मोहब्बत को ओ

दिल क्या हैं वफ़ा क्या हैं
ये लोग न समझेंगे
दिल क्या हैं वफ़ा क्या हैं
ये लोग न समझेंगे
मिटने कि अदा क्या है
आ आ आ आ आ
मिटने कि अदा क्या है
ये लोग न समझेंगे
हर शख्स को बिकने पर
हर शख्स को बिकने पर
तैयार समझते हैं ए ए
कुछ लोग मोहब्बत को ओ

कहिये भी तो इन जैसे
दिलदारों को क्या कहिये
कहिये भी तो इन जैसे
दिलदारों को क्या कहिये ए ए
आ आ आ आ आ
मजबूर हैं आदत से
बेचारों को क्या कहिये
हम ऐसे दिमागों को
हम ऐसे दिमागों को
हम ऐसे दिमागों को
ओ ओ ओ
हम ऐसे दिमागों को
बीमार समझते हैं ए ए
कुछ लोग मोहब्बत को
ब्योपार समझते हैं ए ए
कुछ लोग मोहब्बत को


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4190 Post No. : 15371

———————————————–——————————-
Blog 10-Year Challenge (2010-20) – Song No. 1
——————————————————————————

Welcome all to this first post under the ‘Blog 10-Year Challenge’ in this year “2020”, where we will be going back to the movies represented on the blog in the year “2010”.

Today we begin our journey in this year with a not-so-popular but yet a nice hummable song from the movie ‘Aashiq Hoon Bahaaron Ka-1977’. I had planned the post in the month of December’2019 itself when I had browsed for the movies represented in the month of January’2010.

However, I had not selected the song for the post then. The song that readily came to my mind was the ‘title song’ of this movie and since it had not been posted I thought I would present this one. But when I listened to the other song remaining from this movie, I like it and presenting the same today, since it also talks of a ‘journey’ and a ‘continuing journey’ without reaching the ‘destination’.😊

We, on the blog, have already entered in the thirteenth ‘calendar year’ for the blog since its inception in 2008, and we have still a long way to go and many new ‘topics’ to be explored and this song perfectly sets the tune for another entertaining musical year ahead …

So far, the following three songs from this movie have been posted on the blog earlier;

Song Posted on
mashrique-se-jo-nikle-maghrib-mein-kho-gaye 07.01.2010
I-am-in-love-you-are-in-love 18.07.2013
mere-gorey-gaalon-ka 20.03.2014

This movie had total five songs in it and the two remaining songs to be posted are;
‘nahin dekha kabhi pehle … main aashiq hoon bahaaron ka’
‘tera dil kya kehta hai mera dil to ye kehta hai’

(and if the listing of songs given in HFGK Vol V is in correct order of appearance of the songs in this movie, the above two songs remaining are the first and the last song appearing in this movie).

Looking back ten years back i.e. on 07.10.2010 the following two movies were represented on the blog ten years back (in ascending order of presentation).

Song Movie title-Year Remarks
Gudiya hamse roothi rahogi Dosti-1964 All songs covered on the blog
Mashrique se jo aaye … Aashiq Hoon Bahaaron Ka-1977 03 of 05 songs posted so far

“Aashiq Hoon Bahaaron Ka-1977” was directed by J. Omprakash for ‘Shiv Kala Mandir’, Bombay. S.K. Chand was its Chief Assistant Director.

“Aashiq Hoon Bahaaron Ka-1977” was produced by K.K. Talwar and Raj Bathija. It had Rajesh Khanna, Zeenat Aman, Danny Dengongpa with Asrani and Om Prakash. Sulochana makes a special appearance in this movie. Its supporting cast includes Rehman, Preeti Ganguly, Pinchoo Kapoor, Madhup Sharma, Julie and Nadira.

Story and screenplay of this movie was written by Ram Kelkar. Its dialogues were written by Ramesh Pant. Editing of this movie was done by Pratap Dave and Prakash Dave.

This movie was passed by Censor Board on 18.11.1977.

This movie had total five songs in it and only Lata Mangeshkar and Kishore Kumar gave their voices to the songs in this movie where Lata Mangeshkar had one solo song, Kishore Kumar had three solo songs and there was only one duet sung by them.

Lyrics for all the five songs were penned by Anand Bakshi and music was composed by Laxmikant-Pyarelal.

Today’s song is the fourth song from this movie to appear on the blog.

I think that, other than the title song of this movie and the song ‘I am in love’, the other songs were not very much popular, though I find the today’s song a nice hummable and an enjoying one. (also, I do not remember to have listened to the today’s song earlier before taking it for the presentation in this post).

I have not watched this movie so I cannot say much about it. I would request knowledgeable readers to throw more light on the movie and its songs …

Let us now enjoy this song …

(The songs is picturized on Rajesh Khanna and Zeenat Aman and many others are seen in the picturization of this song which is picturized on foreign locations).

Video

Audio

Song-Tera dil kya kehta hai (Aashiq Hoon Bahaaron Ka)(1977) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

(dialogues from the video link are not included)

Hmm hmm hmm
hmm hmm hmm
Hmm hmm hmm
Haa
Aa ha haa
Aa ha haa

Tera dil kya kehta hai
Mera dil to ye kehta hai
Yoon hi raston pe
chalte jaayen ham
Aur manzil kabhi bhi naa aaye
Hey la la laa
La la laa
La la laa
La la laa
Laa aa
Tera dil kya kehta hai
Mera dil to ye kehta hai
Yoon hi raston pe
chalte jaayen ham
Aur manzil kabhi bhi naa aaye
Hey la la laa
La la laa
La la laa
La la laa
Laa aa

Manzil jo nazdeek aayegi
Manzil jo nazdeek aayegi
Tu mujhse door chali jaayegi
Tere jaane ke baad
Teri yaad aayegi
Tere jaane ke baad
Teri yaad aayegi
Main tujh ko kahaan dhoondhoongaa
Tera pataa kis’se poochhoonga
Yoon hi raston pe
chalte jaayen ham
Aur manzil kabhi bhi naa aaye
Hey la la laa
La la laa
La la laa
La la laa
Laa aa

Mujhko to neend nahin aayegi
Mujhko to neend nahin aayegi
Tu kya mujhe bhool jaayegi
Mere jaane ke baad
Meri yaad aayegi
Mere jaane ke baad
Meri yaad aayegi
Achchhaa hai is doori se
Phir milne ki majboori se
Yoon hi raston pe
chalte jaayen ham
Aur manzil kabhi bhi naa aaye
Hey la la laa
La la laa
La la laa
La la laa
Laa aa

Tera dil kya kehta hai
Mera dil to ye kehta hai
Yoon hi raston pe
chalte jaayen ham
Aur manzil kabhi bhi naa aaye
Hey la la laa
La la laa
La la laa
La la laa
Laa aa

la la laa
La la laa
La la laa
La la laa
Hmm mm

———————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————–
हम्म हम्म हम्म
हम्म हम्म हम्म
हा
आ हा हा
आ हा हा
तेरा दिल क्या कहता है
मेरा दिल तो ये कहता है
यूं ही रस्तों पे
चलते जाएँ हम
और मंजिल कभी भी ना आये
हे ल ल ला
ल ल ला
ल ल ला
ल ल ला
ला आ
तेरा दिल क्या कहता है
मेरा दिल तो ये कहता है
यूं ही रस्तों पे
चलते जाएँ हम
और मंजिल कभी भी ना आये
हे ल ल ला
ल ल ला
ल ल ला
ल ल ला
ला आ
मंज़िल जो नज़दीक आएगी
मंज़िल जो नज़दीक आएगी
तू मुझसे दूर चली जायेगी
तेरे जाने के बाद
तेरी याद आएगी
तेरे जाने के बाद
तेरी याद आएगी
मैं तुझ को कहाँ ढूंढूंगा
तेरा पता किस से पूछूंगा
यूं ही रस्तों पे
चलते जाएँ हम
और मंजिल कभी भी ना आये
हे ल ल ला
ल ल ला
ल ल ला
ल ल ला
ला आ
मुझको तो नींद नहीं आएगी
मुझको तो नींद नहीं आएगी
तू क्या मुझे भूल जायेगी
मेरे जाने के बाद
मेरी बाद याद आएगी
मेरे जाने के बाद
मेरी बाद याद आएगी
अच्छा है इस दूरी से
फिर मिलने कि मजबूरी से
यूं ही रस्तों पे
चलते जाएँ हम
और मंजिल कभी भी ना आये
हे ल ल ला
ल ल ला
ल ल ला
ल ल ला
ला आ
तेरा दिल क्या कहता है
मेरा दिल तो ये कहता है
यूं ही रस्तों पे
चलते जाएँ हम
और मंजिल कभी भी ना आये
हे ल ल ला
ल ल ला
ल ल ला
ल ल ला
ला आ
ल ल ला
ल ल ला
ल ल ला
ल ल ला
हम्म म्म


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4181 Post No. : 15360

Hullo Atuldom

Wishing everyone a Happy (last) Sunday of 2019. Last chance to be a TEEN for this century.

December saw a few posts from me and like last year I missed sending posts for a few birthdates for which I would have liked to write posts. But here is the song which I was saving up for today.

Today, 29th December we are thinking of THE FIRST SUPERSTAR of Bollywood. Born Jatin Khanna in 1942 in Amritsar and brought up by his adopted parents in Delhi and Bombay. He was a schoolmate of a person called Ravi Kapoor (Jeetendra). They grew up in the old Bombay region of Girgaon and attended school in Thakurdwar area. They were active on the stage in their school and college and even won prizes in Inter-college drama competitions.

Jatin Khanna played a wounded mute soldier in a play called ‘Andha Yug’ in 1962 and impressed the chief guest so much that he suggested that Khanna should try films. Khanna entered the 1965 All India Talent Contest as Rajesh Khanna, a name given by his uncle. He was one of eight finalists from among 10000 contestants. United Producers was created by the likes of BR Chopra, G P Sippy, Bimal Roy, H S Rawail, Nasir Hussain, J. Om Prakash, Mohan Saigal, Shakthi Samanta and Subodh Mukherjee; and they were the judges of the talent hunt. Khanna’s first film was Chetan Anand’s “Aakhri Khat” in 1966 followed by “Raaz” both of which were his pre-determined prize for winning the contest.

His real taste of success came with “Aradhana” which came after he had a few releases from 1967 to 1969 (when Aradhana released). He was appreciated in “Itteeaq” “Doli” etc. which are part of the contract with United Producers and he was noticed for his performances in them. But “Aradhana” saw him rise to instant national fame and then the floodgates to successful movies were thrown open. And that kind of fame has never been experienced by any actor since. His fans still rave about his movies like “Safar”, “Amar Prem”, “Aap Ki Kasam”, “The Train”, “Do Raaste”, “Aan Milo Sajna”, “Sachcha Jhootha” etc. (I am not going to name all the 15/17 superhits of that period here). And I am not a biographer, I am only a fan of his and loved him in all his movies from “Haathi Mere Saathi” to all his later releases; whether “Janta Hawaldar” or “Aaj Ka MLA Ramavatar” or “Avatar” or “Thodi Si Bewafaii” and the movies which released in the 80s too; when he was trying to rebuild his career by pairing with Sridevi, Jaya Prada, Tina Munim, Poonam Dhillon etc.

For today’s post I was on the lookout for a song where he is on-screen with a child, preferably girl child, and ran through a whole lot of song-videos beginning from “Babu”, “Apna Desh” etc and zeroed in on this song from “Hamshakal”. It had him in a dual role as husband to Tanuja and Moushumi Chatterjee. He had a child from each of them. One of them loses her baby in the course of the movie the other loses her mental balance when she witnesses an accident and in that state of mental imbalance gives birth to a baby girl. Now that is the story of the two heroines, as far as the two Rajesh Khannas are concerned, one stands-in for the other so that the first one can solve the accident issue, due to which his wife had become mentally unstable. This movie I have seen at the time of its release in the movie hall, and a few years ago on satellite television. I think what I have written about the movie is right.

Today’s song is sung onscreen by Moushumi’s husband at the birthday party of Tanuja’s daughter. If I recollect correctly Tanuja is partially recovered at this stage and Moushumi has begun to feel that her husband is two-timing her. The song shows how much expressive Rajesh Khanna’s eyes were and we could feel his sadness without his breaking into tears when he remembers his dead child during the song. It is sung by the Kishore Kumar under music by R D Burman and song is written by Anand Bakshi. The unavoidable combination of RDB-Kishore- Rajesh appears again. And a song written by Anand Bakshi is a joy to listen to.

Let us assume that the baby girl’s role is played by Twinkle Khanna and wish her too a very Happy Birthday. We know there cannot be any song where the father and daughter appeared together so I am using this song. Twinkle was an actress who starred in about 16 films from 1995 to 2001 beginning with “Barsaat” which was also Bobby Deol’s debut into filmdom. Her last film as heroine was “Love Ke Liye Kuch Bhi Karega” in 2001 with Fardeen Khan. So, the tradition that the father started of acting with the Khans – Rajesh Khanna and Feroz Khan were seen together in “Safar” and “Aurat”; Twinkle’s “Love ke liye Kuch Bhi Karega” had Feroz Khan’s son Fardeen Khan as the lead. Another parallel between the careers of father and daughter was that both of them had movies with the title “Joru Ka Ghulam” and the movies were comedies. These days the actress in Twinkle has retired and become an interior designer and also a writer whose fortnightly column in the papers are widely read. Her writings have a fun streak in them and one of her books is titled “Mrs. Funnybones”.

Video

Audio

Song-Ek taara thha bada pyaaraa thha (Hamshakal)(1974) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman

Lyrics (Based on video)

Aao bachchon
mein tumhe ek bahut hi achchi kahaani sunata hoon, kya?
jhoomo tum naacho
main gaata hoon
jhoomo tum naacho
main gaata hoon
sabko ek kahaani main sunaata hoon
ek taara thha
bada pyaara thha
hmm hmm hmm hmm hmm hmm
bada nyaara thha

papa papa papa

kaali kaali raaton mein jab woh chamakta thha
aasmaan ki pariyon ka bhi dil dhadakta thha
kaali kaali raaton mein jab woh chamakta thha
aasmaan ki pariyon ka bhi dil dhadakta thha
sitaare
nazaare
sab us’se jalte thhe
main bataata hoon
kya
ek taara thha
bada pyaara thha
hmm hmm hmm hmm hmm hmm
bada nyaara thha

maine us’se poochha
tum kya kaam karte ho
maine us’se poochha
tum kya kaam karte ho
jagmag jagmag tim tim
subah shaam karte ho
maine us’se poochha
tum kya kaam karte ho
jagmag jagmag tim tim
subah shaam karte ho
toh dola
woh bola
tumko meethhe sapne
main dikhaata hoon
kya
ek taara thha
bada pyaara thha
la la laa la lalla lal
bada nyaara thha

phir kya hua
bolo na
aage kya hua

bolo na
rota sabko chhod gaya
woh sabse roothh ke
jaane kahaan gir gaya
ambar se toot ke
rota sabko chhod gaya
woh sabse roothh ke
jaane kahaan gir gaya
ambar se toot ke
na jaana
deewaana
uski yaad mein aansoo
main bahaata hoon
ek taara thha
bada pyaara thha
ek taara thha
bada pyaara thha
ek taara thha
bada pyaara thha
ek taara thha
bada pyaara thha
ek taara thha
bada pyaara thha


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4154 Post No. : 15320

#the Decade of Seventies – 1971 – 1980 #
———————————————————–—-
#Bhoole-Bisre Geet # 88 #
—————————————

Welcome all to this post which comes after a long gap. I call it a ‘Long gap’ because this post was conceived by me ‘long back’ like many other posts of mine which remained unfinished aften getting started due to various reasons.

My last post on the blog was on 20th November. It was posted when I going through some health-related issues. I had to visit a Hospital in Nairobi, which is around 125 kms from my base station. Since some tests were to be conducted, I had to stay in Nairobi for four days. I stayed with colleagues working there in the Head Office. That didn’t allow me to concentrate on posts though I continued listening to music and watching songs. I even kept reminding our authors about movies that were falling under the ‘blog-ten-year challenge’.

The visit to the Hospital and Doctor made me recall many Hindi movies that had stories woven around ‘medical profession or serious medical complications’ (or diseases, if it is the right word?).

This time I had to specially visit ‘Dil Ka Doctor’. Its English translation ‘cardiologist’ has entirely different connotations from the Hindi word. This offers me material for a separate post provided I came across a suitable song to go with that proposed article.
.
T was another Doctor in India (in ‘Atulites WhatsApp’ group) who was already aware about my ‘dil ka haal’, and was already providing me guidance on the symptoms so that ‘I can bounce back’ without thinking that ‘beemaari ho to aisi ho jiska naam kisi Viceroy se kam naa lage’:)😊

The tests were conducted and results were awaited after two days (due to weekend holidays), I had realized that the problem was not serious and everything was going to be ok. The worries were mainly ‘Beemari ka shaq’like Doctor Kulkarni’s ‘Main usi shaq ka ilaaj karta hoon’, and hence the ‘tests’:)

Finally, the results were ‘declared’ and everything was well in order except a minor ‘Blood Pressure’ on the higher side. I thanked both the Doctors!!!

***

The movie of today’s song has a storyline around ‘Doctors’ or medical profession. But today’s post has nothng to do with that. This covers an an entirely different story behind it.

People of different generations have different taste for music and naturally everybody’s musical nostalgia keeps growing according to the surroundings they grow in and/or even the circumstances they live in (I think so).

Music lovers have their musical nostalgia, which depends on factors like the generation/ backgrounds/ circumstances in which they grow up. This musical nostaligia gets triggered up whenever they are reminded of those days.

Sometimes, people of different generations/ background/ circumstances pass on their brand of musical nostalgia to another (viz younger generation) music lovers. This results in the curious situation when music lovers in their teenns or twenties start loving vintage era music created during the times of his forefathers.

People coming in contact with me are slowly coming to know about my love for Hindi songs and Hindi movies. Some of them who become close friends have also come to know about our blog and my activities for the blog.

Assuming that you are considered a music lover, sometimes people approach you with their music related query. A query , that can stump even music “experts” is when we are asked to tell the details of a song whose details are known only partially or vaguely.

Most of the times I am able to provide the details or answer mkost of the time, but sometimes the challenge is quite tough.

For instance, take the example of a song which someone has heard but he remembers very few details of the song. And hewants you to find that song for him, without providing the usual details about mukhda of the song, or its tune, the artists, or the movie. Only thing he can tell is that this song is picturised on a ‘lady wearing white-blue saree and singing with some ladies sitting around a sea-beach or kisi nadi ke kinaare?

With such sketchy details, you are asked to find the song, because you claim to be a music expert songs and movies? You are also challenged and mocked that if you cannot find this song then
you should not talk about songs of movies 🙂 , chhod do gaane sun’na aur filmon ki baatein karna 😊 .

Anybody in my place would feel like my honour is at stake, and would definitely give this challenge a serious try, so I did …

It happened on one such week-end get together on Saturday evening here in the camp (where we are staying in Kenya). We regularly have such get togethers. If the get together is big and the occasion so demands, then listening to songs and even dancing becomes customary. This calls for a separate detailed post in future. 😊

It was in one such get together that our friend a QC guy, fifteen years younger to me challenged me when we were enjoying listening to songs. This guy wanted me to find a song for him. He must have watched this song on TV somewhere. What he remembered of it was that it is sung by a lady in ‘blue-white saree’ with ‘some ladies sitting around a ‘river bank’ or ‘sea-beach’ (he was not sure).

This guy who was born in early 1980s had one favourite Hindi song.

Guess which?

‘Do ghoont mujhe bhi pilaa de o saaki dekh phir hota hai kya’

He had listened to this song somewhere while he was with his friend on a long drive and since then this song was the most liked Hindi song for him. He is from Andhra so he is not aware of that much of Hindi songs, except few like the above. And, whenever there is a party, he would ask us to play this song so that he can enjoy it 🙂

We are aware that this song is from the movie ‘Jheel Ke Us Paar’ and the year of the movie is 1973 🙂 (and surprisingly this song has not been posted yet on the blog 🙂 )

Now given the challenge, I had to find him this song lip synced by a lady with a blue or white saree, so I was looking for hints. 🙂

The first song that readily came to my mind was the title song from ‘Jheel Ke Us Paar’ and the second thing I made up in my mind was that the song he was looking for must be a ‘haunting song’ or somewhat sad song like ‘naa koi umang hai’ so I started searching on YouTube by entering terms like ‘woman singing a song near sea-beach, river’, woman in white saree singing a song, heroine singing along river bank, sea-beach etc etc

I was sure that the song this guy was looking for must be a ‘haunting song’ (and not his fault though) because I know ‘gham ke chhod ke manaao rang raili’ was not in a white saree, then I thought white saree means should be a widow singing a song or like that.

After browsing couple of songs like ‘naina barse’ I turned to the songs of ‘Mera Saaya’ and ‘Anita’. Now, searching in YouTube has an advantage of suggestions appearing according to your search. (And over the years I have also learnt entering ‘out of the box’ search terms to find a song, it had successfully worked many times 🙂 )

And there with the songs of Anita in the suggestions I found this song …

Can you guess this song my friend was looking for was ‘sun ri pawan, pawan purvaiyya’…

My friend bowed to me, but I told him my friend it is not a white saree song but a blue saree with white border song !!

But I must admit that while my friend was correct in mentioning the scenario. It was I who interpreted it wrong and I was searching with wrong terms and still landed on the right song …

Also, he never mentioned that the song he was looking for is where the heroine is making a ‘baalu ka ghar’ (sand home 🙂 or is it a ‘mud-home’?) on the sea-beach.

Incidentally both the songs that my friend likes are the songs where the heroine is blind.

And our team member Pam Harvey has on his blog covered some blind women songs from Hindi movies in his article here.

And finally, the song we were looking for was a ‘happy song’ instead of a ghost song or haunting song which I presumed it should be.

For today’s post I am presenting a song which I think fits with the theme which I imagined was the theme for song my friend was looking for. 🙂

This song is from the 1980 movie ‘Bandish’, and it is performed on screen by Hema Malini where she is trying to ‘trap’ Rajesh Khanna by posing as a ‘bhatakti aatma’.

I remember to have watched this movie in our colony club during regular weekly screening may be in 1982-1983, I think.

‘Bandish-1980’ was directed by K. Bappaiah for ‘Suresh Productions, Madras’. It was produced by D. Rama Naidu. It had Rajesh Khanna, Hema Malini, Danny, Om Prakash, Asrani, Jeevan, Om Shivpuri, Madan Puri, Mohan Choti, Pinchoo Kapoor, Jagdish Raj, Maruti, Yousuff, Ranveer, Umesh Khanna, Prem Kumar, Dharmesh, Vijay Kumar, Shashiraj, Ganesh Nagpal, Raj Baldev Raj, Vijay Kumar, Kiron, Bedi, Pradeep Jain, Bindiya Goswami, Nalini Jaywant, Manorama, Preeti Ganguly and Tanuja, Padmini Kapila, Vakkalanka Padma, Ashoo, Munni.

Story of this movie was written by V.C. Kuganathan. K.A. Marthand was the Chief Editor of this movie. This movie was passed by Censor Board on 07.10.1980.

The movie had five songs composed by Laxmikant-Pyarelal. Lyrics of all the songs were written by Anand Bakshi.

So far only one song from this movie – ‘Rang bhare mausam se rang churaa ke’ has been posted on the blog and that was on 04.08.2011.

Asha Bhonsle, Kishore Kumar and Lata Mangeshkar had given their voices to the songs in this movie.

Incidentally there was only one Lata song – solo song – in this movie and this song is the one being presented here today.

(PS: recently there was a comment by Peevesie’s Mom ji regarding this ‘song searching or finding a song type issue which I am forgetting where it was, though I had noted the point earlier for this post 😊 )

Video

Audio

Song-Main kaun hoon (Bandish)(1980) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

aa aa aa
aa aa aa
aa aa aa
aa aa aa aa
aa aa aa aa

main kaun hoon oon oon
main kaun hoon oon
ae chaand taaron
main kaun hoon oon oon
ae chaand taaron
mera naam le ke
koyi pukaaro o o
main kaun hoon oon
ae chaand taaron
main kaun hoon oon oon

Pyaasa mera man n n
Pyaase mere nainaa aa
Pyaasa mera man n n
Pyaase mere nainaa
Kya dhoondhte hain ae ae
Saari saari rainaa
Kuchh to kaho jaago
Neend ke maaro o
Main kaun hoon oon
Ae chaand taaron o
main kaun hoon oon
ae chaand taaron

haan ye wahi hai ae
phoolon ki galiyaan
haan ye wahi hai ae
phoolon ki galiyaan
main rakh gayee thhi ee
yahaan kuchh kaliyaan
unka huaa kya
bolo o bahaaron
Main kaun hoon oon
Ae chaand taaron o
main kaun hoon oon
ae chaand taaron

Dekhe hain kisne ae ae
Jhonke hawaa ke
Dekhe hain kisne ae ae
Jhonke hawaa ke
Dekho naa mujhko o o
Haath lagaa ke
Door se meri zulfen sanwaaro o
Main kaun hoon oon
Ae chaand taaron o
Mera naam le ae ke
Koyi pukaaro o
Main kaun hoon oon
Ae chaand taaron o
Main kaun hoon oon oon
Main kaun hoon oon
Main kaun hoon oon oon

—————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————–
आ आ आ
आ आ आ
आ आ आ
आ आ आ आ आ
आ आ आ आ आ

मैं कौन हूँ ऊँ ऊँ
मैं कौन हूँ ऊँ
अय चाँद तारों
मैं कौन हूँ ऊँ ऊँ
अय चाँद तारों
मेरा नाम ले के
कोई पुकारो ओ ओ
मैं कौन हूँ ऊँ
अय चाँद तारों
मैं कौन हूँ ऊँ ऊँ

प्यासा मेरा मन अं अं
प्यासे मेरे नैना आ
प्यासा मेरा मन अं अं
प्यासे मेरे नैना
क्या ढूंढते हैं ए ए
सारी सारी रैना
कुछ तो कहो जागो
नींद के मारो ओ
मैं कौन हूँ ऊँ
अय चाँद तारों ओ
मैं कौन हूँ ऊँ ऊँ
अय चाँद तारों

हां ये वही है ए
फूलों की गलियाँ
हां ये वही है ए
फूलों की गलियाँ
मैं रख गयी थी ई
यहाँ कुछ कलियाँ
उनका हुआ क्या
बोलो ओ बहारों
मैं कौन हूँ ऊँ
अय चाँद तारों ओ
मैं कौन हूँ ऊँ ऊँ
अय चाँद तारों

देखें हैं कितने ए ए
झोंके हवा के
देखें हैं कितने ए ए
झोंके हवा के
देखो ना मुझको ओ ओ
हाथ लगा के
दूर से मेरी जुल्फें संवारो ओ
मैं कौन हूँ ऊँ ऊँ
अय चाँद तारों
मेरा नाम ले के
कोई पुकारो ओ
मैं कौन हूँ ऊँ
अय चाँद तारों ओ
मैं कौन हूँ ऊँ ऊँ
मैं कौन हूँ ऊँ
मैं कौन हूँ ऊँ ऊँ


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4123 Post No. : 15276

“Tyaag”(1976) was Produced by N S Kabir and directed by Deendayaal Sharma for Films and Films Interbnational Production, Bombay. The movie had Sharmila Tagore,Rajesh Khanna,Bindu,Dheeraj Kumar, Master Tito, Sulochana Latkar, Prem Chopra, Mukri, Asit Sen,Murad,Amrit Patel, Tuntun, Kamal Kapoor, Chandrima Bhaduri, Mohan Jerry ,Mahendra Zaveri,Om prakash, Nayim, Billimoria, Anand, Lalita Kumari etc with uest appearances by Bindu, Master Satyajit, Dheeraj, Gurnam Singh, Sona, Raza Murad in it.

This movie was apparently produced by Sharmila Tagore seeing that the producer was her secretary. The movie had the same lead pair as that of the blockbuster “Aradhana”(1969).

“Tyaag”(1976) had five songs in it. One song has been covered in the blog. This movie was one of the last movies with music by S D Burman.

Today (31 october 2019) is the 44th remembrance day of S D Burman (1 October 1906 – 31 October 1975). On this occasion, here is a song from “Tyaag”(1976). This song is sung by Kishore Kumar and Asha Bhonsle. Anand Bakshi is the lyricist. Music is composed by S D Burman.

This song, containing the phrase “Kora kaaghaz”, which was there in a song of “Aradhana”(1969) as well, is picturised on Rajesh Khanna and Sharmila Tagore.

Lyrics of this song were sent to me by Prakashchandra.

Audio (Full)

Video (Partial)

Song-Kore kaaghaz pe likhwaa le (Tyaag)(1976) Singers-Kishore Kumar, Asha Bhosle, Lyrics-Anand Bakshi, MD-S D Burman
Both

Lyrics (Audio link)(Provided by Prakashchandra)

hmmm hmm hmm
hmm hmm
hmm hmmm
aaahaa haaa haaa
aa haa
aaa haaa

ohho ho o
hhaa haaa haa
ae hey hey ae ae he ae ae

kore kaaghaz pe likhwa le
kore kaaghaz pe likhwa le
jiya kiya tere hawaaley
ho ho o o
kore kaaghaz pe likhwa le ae ae
jiya kiyaa tere hawaaley

ho ho o o
kore kaaghaz pe likhwa le

kabhi sochta hoon mere sapnon ki raadhaa
kabhi sochta hoon mere sapnon ki raadhaa
kaanha se nain churaa ke
bhulaa de na waadaa
o Radhaa aa aa
bhula de na waadaa
bade be-imaan hain
bade be-imaan hain tere
naina matwaale
kore kaaghaz pe likhwa le
haan aaan jiya kiyaa tere hawaale
ho ho o
kore kagaz pe likhwa le

aa aa aa aa
aa aa aa aa
tera naam mera jeevan
teri preet pooja
tera naam mera jeevan
teri preet pooja
teri yaad bin iss mann mein
nahin koi doojaa rey mitwaa aaa
nahin koi dooja
mujhe bhool jaaye ae
mujhe bhool jaaye ab
ye duniya waale ae
kore kaaghaz pe likhwa le ae ae

jiya kiyaa tere hawaale
ho o o
kore kaaghaz pe

likhwa le
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
(hho ho oo o o o o ae hey hey ae )

badi hi niraali
dil ne likhi ye kahaani
ho o o badi hi niraali
dil ne likhi ye kahaani
galiyon ka raaja
main tu
mehlon ki raani deewaani
mehlon ki raani
ho o o
tere aagey mehlon waaley
tere aagey mehlon waaley
kyaa hain dilwaaley ae

kore kaaghaz pe likhwaa le
jiya kiya tere hawaale
ho o o
kore kaaghaz pe
likhwaa le


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4101 Post No. : 15249

Hullo Atuldom

The 80s was a period when there were a whole set of “Made in South” movies. Movies essentially remakes of popular and successful Telugu, Tamil and Kannada movies. Movies with nearly same formula- one hero and two heroines, both ladies loving the hero equally with the hero behaving courteously with one and loving the other passionately. To add further twist, the heroines will be sisters (as in Tohfa), childhood best friends (as in Raaste Pyar Ke), or meet accidentally and become good friends (as in Maang Bharo Sajna and Asha Jyoti).

All the movies would have good songs which used to be popular in the 80s and 90s but may have been forgotten since. The most important aspect of these movies used to be that one of the heroines would sacrifice her love or never reveal her love so that the other can lead a happy life with her partner/ husband etc. The hero in most of these South-made movies was Jeetendra and the heroines were mostly Rekha, Reena Roy, Shabana Azmi, Moushumi Chatterjee, Jaya Prada or Sridevi. Taking note of the success of Jeetendra in these movies Rajesh Khanna also acted in a few South-made movies.

Asha Jyoti was one of them. The movie had five songs with Anuradha Paudwal, Asha Bhonsle and Kishore Kumar as playback singers. Anjaan was the lyricist and Laxmi Pyare were the music directors. One song has been posted from the movie. In that post Atulji has speculated about the status of the relations between the main cast. I have seen this movie a long time back and here is the story of the movie, hope that it clears all speculations. 🙂

Asha Jyoti (1984) had Rajesh Khanna, Reena Roy and Rekha as the main cast. The film was directed by Dasari Narayana Rao, who had also directed Aaj Ka M.L.A. Ram Avtar with Khanna in the lead role and music was given by Laxmikant Pyarelal. The film is remake of Telugu Movie Srivari Muchatlu (1981).

Ramesh Chander (Om Shivpuri), a businessman, asks his son Deepak (Rajesh Khanna), a musician, if he would marry his childhood friend Asha (Rekha), but Deepak keeps declining this idea. Deepak falls in love with one of his fans named Jyoti (Reena Roy), a dancer, and he informs his parents by telegram that he has chosen a girl. Deepak promises to pay off the debts owed by Jyoti’s father. But when Deepak reaches his home in Bombay (now Mumbai), he finds that Ramesh has committed suicide due to bankruptcy. Ramesh expresses his last wish that his second wife and her daughter be taken care of. Deepak is delayed in Bombay and is unable to return to Kashmir.

In Kashmir, Jyoti’s creditor asks her father for money, but Jyoti expresses her inability to pay, so the creditor warns Jyoti’s father she will be in grave trouble. When Deepak does arrive at Jyoti’s house, her father lies, saying that he has married her off to the creditor. Deepak is heartbroken and returns home.

Seth Badri Prasad (Madan Puri), a rich man and childhood friend of Ramesh, bails Deepak out from bankruptcy and gets Ramesh’s creditors to not to file suit against Deepak and to auction the bungalow that he would buy. Deepak feels indebted to Prasad. Badri Prasad had been forcing his friend Ramesh Chander to ask Deepak to marry Asha, daughter of Badri Prasad. After Deepak returns to Bombay, his mother suggests to him that he should now get settled in his life and bring some happiness in his life and so he marries Asha. During the wedding, Deepak observes a woman similar to Jyoti. Deepak searches for the Jyoti lookalike and finds the woman was actually Jyoti.

Now Deepak knows that Jyoti was not married to Hukumchand (Roopesh Kumar) and that her father had lied to him. Jyoti had come to Bombay in search of Deepak and tells him that she is the mother of Deepak’s child. Deepak decides to end his marriage with Asha and to tell Asha the truth, but Jyoti insists that Asha would not be able to remarry as society might discard her. Jyoti asks Deepak to act as if they had never met and be a loyal husband of Asha, so that Jyoti can take care of Deepak’s child.

Later, Jyoti becomes a popular dance teacher in her city. Asha decides to learn dancing form Jyoti and they become close friends. Asha discloses that her husband is not loving her and he does not even come close to her. Jyoti visits Asha’s home and learns that Asha is none other than Deepak’s wife. Jyoti tells Deepak to be a true husband to Asha and give Asha the pleasures of married life.

Asha learns that Jyoti and Deepak were lovers before her marriage to Deepak and suspects they are having an affair. Asha found that Deepak and Jyoti are well-wishers of Asha, are innocent and victims of the unpredictable nature of fate. After coming to know the truth, Asha and Jyoti decide to sacrifice their respective lives to let the other live a nice happy married life with Deepak.

Sitting through the movie was not a pain. I loved the way the ladies (over) dressed in silk sarees and had extra long hair plaited in the traditional South Indian Style complete with a garden full of flowers on their hair and heavy jewellery. There was a time in my life when I yearned to have hair like my idol -Rekha- sported in these movies. These movies also showed that Rekha was an artist who followed all instructions of the choreographer and enacted the semi-classical dances that were there in the movie, as can be seen in the song of this movie that is already posted. She also had large eyes that conveyed a variety of emotions.

Today’s song comes towards the end of the movie where we have Asha dressing up Jyoti as a bride and trying to rectify the wrong that fate has delivered on Deepak and his Jyoti (the movies in this genre excelled in naming their characters). We also see that Deepak and Jyoti are not comfortable with this turn of events but Asha prevails on them and we have this Asha Bhonsle play backed song.

I am sure the readers have guessed why I chose a song that has the “oh! so beautiful!” Rekha for today’s post. Yes, she turns a year older today and it has become a compulsion for me that write atleast a small post to wish her.
Wish you a very happy birthday Rekhaji.


Song-Aayi pehli milan ki wo raat (Asha Jyoti)(1984) Singer-Asha Bhonsle, Lyrics-Anjaan, MD-Laxmikant Pyarelal

Lyrics

aayi pehli milan ki woh raat
sajan se na sharmaana
aayi pehli milan ki woh raat
sajan se na sharmaana
kya kya huyi re piya ke sang baat
kya kya huyi re piya ke sang baat
sawere humen batlaana
aayi pehli milan ki woh raat
sajan se na sharmaana

ho o o
kitne saawan pyaase tarse
tabhi suhaagan raat aati hai
aati hai toh
pyaar se mann ka kora aanchal bhar jaati hai
kora aanchal bhar jaati hai ae
pyaase mann pe huyi kya barsaat
sawere humen batlaana
aayi pehli milan ki woh raat
sajan se na sharmaana

tan se tan ka milan nahin yeh
tan se tan ka milan nahin yeh
yeh hai do saanson ka sangam
apne jiya ko bas mein rakhna
dil ki dhadkan jaaye na thham
kaisi hoti hai
kaisi hoti hai pehli mulaakaat
sawere humen batlaana
aayi pehli milan ki woh raat
sajan se na sharmaana

madhur milan ki iss bela mein
tan mann jeewan kar de arpan
madhur milan ki iss bela mein
tan mann jeewan kar de arpan
pyaar se saajan ka mann jeete
wahi dulhan hai yahaan suhaagan
o o o o
kiski jeet huyi re kiski maat
sawere hume batlaana
aayi pehli milan ki woh raat
sajan se na sharmaana
kya kya huyi re piya ke sang baat
kya kya huyi re piya ke sang baat
sawere humen batlaana
aayi pehli milan ki woh raat
sajan se na sharmaana


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4089 Post No. : 15230

Today (28 september 2019) is the 90th birthday of Lata Mangeshkar (DoB 28 september 1929).

She started her playback career in 1940s and she went on to sing till early 2000s, viz for seven decades ! Mindboggling indeed.

She sang just under 5700 songs in Hindi movies according to our estimate. The blog has 3475 of her songs and so we are one of the rare places on internet where so many of her songs can be accessed at one place.

Another 2000 odd of her songs remain uncovered. it is a matter of time before her remaining songs (that are available) will also find representation in the blog.

On this occasion, here is a song from “Dard”(1981). “Dard”(1981) was produced by Shyam Sundar Shivdasani and directed by Ambreesh Sangal fo Murghan Enterprises, Bombay. This “social” movie had Rajesh Khanna, Hema Malini, Poonam Dhillon, Om Shivpuri, Krishn Dhawan, Pinchoo Kapoor, Shashi Kiran, Madhup Sharma, Kamaldeep, Harjeet, Poornima Jairam, Mazhar Khan (2), Master Raju etc wih special appearance by Ranjeeta.

The movie had seven songs in it. Four songs have already been covered in the past.

Here is the fifth song from “Dard”(1981) to appear in the song. This song is sung by Lata. Naqsh Llayalpuri is the lyricist. Music is composed by Khayyam.

The song is picturised as an expression of love song on Hema Malini and Rajesh Khanna. The song is not lip synced by Hema Malini rather it gets plays in the background.

Lyrics of this song were sent to me by Avinash Scrapwala.

Video

Song-Na jaane kya hua jo toone chhoo liya(Dard)(1981) Singer-Lata, Lyrics-Naqsh Llayalpuri, MD-Khayyam

Lyrics(Provided by Avinash Scrapwala)

Na jaane kyaa huaa
Jo toone chhoo liyaa
Naa jaane kyaa huaa
Jo toone chhoo liyaa
Khilaa gulaab ki tarah
Meraa badan
Nikhar nikhar gayee
Sanwar sanwar gayee
Nikhar nikhar gayee
Sanwar sanwar gayee
Banaa ke aainaa tujhe ae jaaneman
Na jaane kyaa huaa
Jo toone chhoo liyaa aa

Bikhraa hai kaajal fizaa mein
Bheegi bheegi hai shaamein
Boondon ki rimjhim se jaagi
Aag thhandi hawaa mein
Aajaa sanam
ye haseen aag ham
Len dil mein basaa
Naa jaane kyaa huaa
Jo toone chhoo liyaa
Khilaa gulaab ki tarah
Meraa badan
Na jaane kyaa huaa
Jo toone chhoo liyaa aa

Aanchal kahaan
main kahaan hoon
Ye mujhe hosh kyaa hai
Ye bekhudi toone di hai
Pyaar kaa ye nashaa hai
Sun le zaraa
saaz e dil gaa rahaa
Hai naghmaa teraa
Na jaane kyaa huaa
Jo toone chhoo liyaa
Khilaa gulaab ki tarah
Meraa badan
Na jaane kyaa huaa
Jo toone chhoo liyaa aa

Kaliyon ki ye sej mehke
Raat jaage milan ki
Kho jaayein dhadkan mein teri
Dhadkanen mere mann ki
Aa paas aa
teri har saans mein
Main jaaun samaa
Na jaane kyaa huaa
Jo toone chhoo liyaa
Khilaa gulaab ki tarah
Meraa badan
Nikhar nikhar gayee
Sanwar sanwar gayee
Banaa ke aainaa tujhe ae jaaneman
Na jaane kyaa huaa
Jo toone chhoo liyaa
Na jaane kyaa huaa
Jo toone chhoo liyaa
Na jaane kyaa huaa
Jo toone chhoo liyaa

——————————–
Devnagri Script lyrics(Provided by Avinash Scrapwala)
——————————
न जाने क्या हुआ
जो तूने छू लिया
न जाने क्या हुआ
जो तूने छू लिया
खिला गुलाब की तरह
मेरा बदन
निखर निखर गयी
संवर संवर गयी
निखर निखर गयी
संवर संवर गयी
बनाके आइना तुझे अय जानेमन
न जाने क्या हुआ
जो तूने छू लिया आ

बिखरा है काजल फिजा में
भीगी भीगी है शामें
बूंदों की रिमझिम से जागी
आग ठंडी हवा में
आजा सनम
ये हसीं आग हम
ले दिल में बसा
न जाने क्या हुआ
जो तूने छू लिया
खिला गुलाब की तरह
मेरा बदन
न जाने क्या हुआ
जो तूने छू लिया आ

आँचल कहाँ
मैं कहाँ हूँ
ये मुझे होश क्या है
ये बेखुदी तूने दी है
प्यार का ये नशा है
सुन ले ज़रा
साज़ ए दिल गा रहा
है नगमा तेरा
न जाने क्या हुआ
जो तूने छू लिया
खिला गुलाब की तरह
मेरा बदन
न जाने क्या हुआ
जो तूने छू लिया आ

कलियों की ये सेज महके
रात जागे मिलन की
खो जाएँ धड़कन में तेरी
धडकने मेरे मन की
आ पास आ
तेरी हर सांस में
मैं जाऊं समा
न जाने क्या हुआ
जो तूने छू लिया
खिला गुलाब की तरह
मेरा बदन
निखर निखर गयी
संवर संवर गयी
बना के आइना तुझे अय जानेमन
न जाने क्या हुआ
जो तूने छू लिया आ
न जाने क्या हुआ
जो तूने छू लिया आ
न जाने क्या हुआ
जो तूने छू लिया आ


This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4017 Post No. : 15124

The years roll by – time stops for no one.

And, just like that, it is now 7 years since that day in 2012.

I still remember that day very well – I first got the news on Facebook.

One of my friends had posted “vaada tera vaada”, saying “RIP Rajesh Khanna”.

It shook me – I immediately checked Twitter for validation. (Now Twitter is known to post fake death news from time to time. Not so long ago, they had posted news of Mumtaz’s death – thankfully, fake.) But I wanted a second source.

Sadly, and I realized this very soon with a sinking feeling, the news on 18th July 2012 was not fake. Rajesh Khanna (or Kaka, as he was more affectionately known) HAD passed away. For the past year, he had been suffering from cancer – and the cancer had finally won.

I felt miserable that day. Not that I didn’t know he was suffering from cancer, but I never expected him to go when he did.

That day my Facebook status was
Kya samjhega ye aalam koi
Badaa bhaari hai dil ye mera
Ki le gaye ho saath safar pe tumhaare
Tukda jo kabhi tha dil ye mera

Rubbish poetry, I know – but hey, it did reflect my mood.

Those were the times when I’d seek refuge in my blog. I’d just dump my thoughts onto my blog, for my own sake. It was my way of releasing my feelings, not suppressing them within.

That day too I went to my blog, and wrote a piece for Rajesh Khanna. A personal piece – well, about as personal a piece that one can write about someone he has never met, someone whose many character flaws one acknowledges, and yet someone who was a big part of one’s childhood.

I’ve written about Kaka several times here, and I don’t want to bore readers by repeating stuff.

I’ll just say a few things, and then move on to the song.

Firstly, most times when I discuss Kaka with others (I don’t do much of this anymore), I get the following reactions.
Firstly, a criticism of his acting – mostly his set mannerisms, and his hamming.
Secondly, criticism about him as a person.

I’ve noticed that people who dislike Kaka, tend to dislike him rather intensely. 🙂 On one, or both, of the above counts.

And, I must admit, they would not be wrong.

The first point first.

Without doubt, Kaka’s acting lost its freshness after a few years – and was a big reason for his decline. His superstar success lasted only a few years. During this period, he acted in a whole lot of films. Both he, and his producers, wanted to cash in on his name. Just his name used to be enough to sell a film. Sure, the films were all successful – Kaka holds the record for maximum number of consecutive hits.

But over-exposure comes with its risks. Especially when you’re boxed into a method of acting, expected to conform to set mannerisms, and a set dialogue delivery style. Yes, they made you successful, but style wears out after a while. Kaka’s mannerisms did become an issue. That the storylines also were beginning to get thin, did not help.

Much later in his career, we got to see a different Rajesh Khanna. Not THE superstar anymore, he could afford to act differently, in different roles. Let’s not forget he got his break in films by winning an acting contest, so he couldn’t have been that bad an actor. 🙂

Now, to the second point.

Again, I have to agree. It’s no secret that Kaka allowed success to get to his head. His unprofessional, and possibly even mean, behaviour with colleagues and others, left a lot of people bitter. No doubt many would have been happy to see him go down. A point made even more stark when compared with the upcoming star, Amitabh Bachchan, who was the model professional actor, punctual and polite.

I will not defend Kaka on this front at all. Much later in life, he did realize this himself.

All I will say is, every one of us has failings. Maybe if Kaka’s success had been more gradual, he’d have been a different person. Failure teaches us much more than success – Amitabh had a string of failures before becoming a superstar.

One person’s life is often a lesson for another. Just as people can tell aspiring youngsters “Look at Amitabh – how he struggled early in his career, but his perseverance and professionalism made him a superstar”, they can also say “Look at Rajesh Khanna – how he let success get to his head at a young age, and destroyed his career and relationships”.

One can learn from both.

To me, while I accept these criticisms, I will always remember, and thank, Rajesh Khanna for giving me many wonderful memories in my childhood.

That tilt of the head, that smile, that kurta, that dialogue delivery – today people might mock all of this, but in those days, these are what millions swooned over. That “Pushpa, I hate tears” line is still one of the best-known lines in Hindi cinema.

His films of that era made me feel good when I saw them in the early 70s. Later, when I saw them again, I’d still smile at “rona kabhi nahin rona”, “yahaan wahaan saare”, “nainon mein nindiya hai”, “ye shaam mastaani” and a whole lot of other songs. They’d bring back memories of my childhood.

Like one of my best friends (in class I) would always sing “pyaar deewana hota hai” from Kati Patang. It was his favourite song. I liked it a lot too, but I’d counter him with “ye shaam mastaani”. I know it sounds silly, but these are not just songs for me – they have memories attached to them. Like the incident attached to “o mere dil ke chain” – I’ve discussed the incident here earlier.

And that’s the thing. Each person’s memories are different, and therefore connect with someone is different. And while I acknowledge all Kaka’s failings, I also want to give him back a little bit of that love that I got from watching his films during my childhood.

That’s also the reason for this post. I haven’t written for a while now, but Avinashji requested me to write a post for this occasion. I was hesitant, since I sincerely believe I’ve lost my writing ability. I even told Avinashji “I can’t write anything longer than a tweet now” :-). But he was kind enough to share with me a whole lot of Kaka songs not posted yet, so I could easily pick one.

Now to the song.

Initially I thought of posting a sad song, considering it is on Kaka’s death anniversary. But then I thought again.

What I’d like to remember most of Kaka is the joy I got from watching his films, from before his decline. I think, from up there, he’d also probably like most people to remember him for those films.

So today’s song is from one of his early films – Bandhan (1969). I remember seeing this film long ago, though I don’t remember the story now.

By the way, it is exactly 50 years since this film was released. 1969 was a milestone year for Kaka – this was the year he became a superstar with Aradhana. And Do Raaste was a huge hit too.

The song “jaana hai to jao” shows early glimpses of the superstar-to-be. One can see some of those mannerisms that would become his hallmark in the coming years. And it is always fun to see Kaka and Mumtaz together, even if this was a less-known film than their more famous films to come.

The song is in the voices of Mahendra Kapoor and Asha Bhosle. Not surprising that Mahendra Kapoor was used, considering music is by Kalyanji-Anandji. The MK-KA combo had a huge hit with Upkar (1967), so KA were happy to use MK again. And at that time, Rajesh Khanna was “just another hero”. Kishore Kumar had not yet become his voice. In fact, in this film, even Mukesh sings a happy song for Rajesh Khanna. 🙂

I hope you like the song.

Thanks for the memories, Kaka.

Whatever the world might say about you, remember, when it comes to romance in film,

“tere hi to sar pe mohabbat ka taaj hai”.


Song-Arrey jaana hai to jaao manaayenge nahin (Bandhan)(1969) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Indeewar, MD-Kalyanji Anandji

Lyrics(Provided by Avinash Scrapwala)

Arrey jaana hai to jaao
arrey jaana hai to jaao manaayenge nahin
jaana hai to jaao
manaayenge nahin
nakhre kisi ke uthhaayenge nahin
nakhre kisi ke uthhaayenge nahin

eh
aana hai to aao
bulaayenge nahin
aana hai to aao
bulaayenge nahin
kadmon pe sar ko jhhukaayenge nahin
kadmon pe sar ko jhhukaayenge nahin
hmph
aana hai to aao

dekhi hai dekhi hai dekhi
arrey dekhi hai dekhi hai
tere jaisi kitni chhoriyaan
marti hain marti hain mujhper
saare gaaon ki goriyaan

arrey budhhu hai budhhu hai bilkul
tu kya dulhan laayega
Lagta hai tu kunwaara mar jaayega
Lagta hai tu kunwaara mar jaayega
hum kahen aur kya
tera bhaiyya khada
tujhe
nazron mein uski giraayenge nahin
ha ha ha
nazron me uski giraayenge nahin

arre samjhe
jaana hai to jaao manaayenge nahin
jaana hai to jaao manaayenge nahin
nakhre kisi ke uthhaayenge nahin
nakhre kisi ke uthhaayenge nahin
jaana hai to jaao

jab raaja mahaaraaja
koi mujhe byaahne aayega
jab raaja mahaaraaja
koi mujhe byaahne aayega
seene pe seene pe tere
saanp sa lahra jaayega

arrey tu hai bandariya
hmphh
chal chal
arrey tu hai bandariya
koi madaari hi tujhko le jaayega
kas ke maarega dande
nachaayega
kas ke maarega dande
nachaayega
haa haa
akl moti teri
O naak chhoti teri
mendhki ko to munh hum lagaayenge nahin
chhi chhi
mendhki ko munh hum lagaayenge nahin
eh
jaana hai to jaao
jaana hai to jaao bulaayenge nahin
jaana hai to jaao bulaayenge nahin
kadmon pe sar ko jhhukaayenge nahin
jaa
jaana hai to jaao

———————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————
अरे जाना है तो जाओ
अरे जाना है तो जाओ
मनाएंगे नहीं
जाना है तो जाओ
मनाएंगे नहीं
नखरे किसी के उठायेंगे नहीं
नखरे किसी के उठायेंगे नहीं
ये
आना है तो आओ
बुलायेंगे नहीं
आना है तो आओ
बुलायेंगे नहीं
क़दमों पे सर को झुकायेंगे नहीं
क़दमों पे सर को झुकायेंगे नहीं
हं
आना है तो आओ

देखी है देखी है देखी
अरे
देखी है देखी है
तेरे जैसी कितनी छोरियां
मरती है मरती है मुझपे
सारे गाँव की गोरियाँ
अरे बुद्धू है बुद्धू है बिलकुल
तू क्या दुल्हन लाएगा
लगता है तू कुंवारा मर जाएगा
लगता है तू कुंवारा मर जाएगा
हम कहे और क्या
तेरा भैय्या खडा
तुझे
नज़रों में उसकी गिराएंगे नहीं
हं हं हं
नज़रों में उसकी गिराएंगे नहीं

अरे समझे
जाना है तो जाओ मनाएंगे नहीं
जाना है तो जाओ
मनाएंगे नहीं
नखरे किसी के उठायेंगे नहीं
नखरे किसी के उठायेंगे नहीं
जाना है तो जाओ

जब राजा महाराजा कोई
मुझे ब्याहने आएगा
जब राजा महाराजा कोई
मुझे ब्याहने आएगा
सीने पे सीने पे तेरे
सांप सा लहरा जाएगा

अरे तू है बंदरिया
चल चल
अरे तू है बंदरिया
कोई मदारी ही तुझको ले जाएगा
कसके मारेगा डंडे
नचाएगा
कसके मारेगा डंडे
नचाएगा
हां हां
अक्ल मोटी तेरी
ओ नाक छोटी तेरी
मेढकी को तो मुंह हम लगायेंगे नहीं
छी छी
मेढकी को मुंह हम लगायेंगे नहीं
ये
जाना है तो आओ
जाना है तो आओ
बुलायेंगे नहीं
जाना है तो आओ
बुलायेंगे नहीं
क़दमों पे सर को झुकायेंगे नहीं
जा
जाना है तो जाओ


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has more than 15500 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

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