Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rajesh Khanna songs’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4415 Post No. : 15820

Today 19th August 2020 is the first ‘Remembrance Anniversary’ (18th February 1927- 19th August 2019) of Music Director Mohammed Zahur “Khayyam” Hashmi Saab, whom we fondly know as Khayyam Saab.

On this occasion here is a song from the 1981 movie ‘Dil-E-Naadaan’ where the music for the movie was composed by Khayyam Saab. He had given beautiful melodies like ‘Chaandni raat mein ek baar tujhe dekha hai’, ‘Tera ishq hai meri zindagi’ etc. in this movie.

In the year 1981, Khayyam Saab had given us the unforgettable music in several movies viz. ‘Umrao Jaan’, ‘Dard’, ‘Aahistaa Aahistaa’ and ‘Naakhuda’.
Here is the list of these movies and the lyricists he collaborated with in these movies;

SNo Movie Title Year Lyricists Total no of songs Songs covered on the blog
01 Aahistaa Aahistaa 1981 Nida Fazli (6), Naqsh Lyallpuri (2) 8 3
02 Dard 1981 Naqsh Lyallpuri 7 5
03 Dil E Naadaan 1981 Naqsh Lyallpuri 5 3
04 Naakhuda 1981 Nida Fazli 5 2
05 Umrao Jaan 1981 Shaharayaar 9 7

“Dil E Naadaan-1981” was directed by C.V. Sridhar for ‘Sri Sanjay Chitra, Madras’. S.M. Sundaram was the executive producer of this movie. It had Rajesh Khanna, Shatrughan Sinha, Smita Patil, Jayaprada, Agha, Shivraj, Keshto Mukherjee, Jagdish Raj, Raj Mehra, Bina Pathak, Ashalata, Kavita Kiron, Vanita, Ashok, Umesh Sharma, Lalita Kumari etc. Om Prakash had done a guest appearance in this movie.

Story and screenplay of this movie was written by C.V. Sridhar who was also the director of this movie.

Dialogues of this movie were written by Charandas Shokh. Editing was done by Subba Rao.

This movie was passed by Censor Board on 11.12.1981.

This movie had five songs including two songs which had two-parts. Lyrics for all the songs were written by Naqsh Lyallpuri. Music was composed by Khayyam.

Lata Mangeshkar, Asha Bhonsle, Kishore Kumar and Suresh Wadkar had given their voices to the songs in this movie.

So far, the following three songs from this movie have been covered on the blog;

SNo. Song Title Posted on
01 Chaandni raat mein ek baar tujhe dekha hai 28.09.2012
02 Tera ishq hai meri zindagi 17.10.2013
03 Agar leta hoon tera naam 11.07.2018

Today’s lovely song is sung by Asha Bhonsle. It is lip synced onscreen by Jayaprada. Rajesh Khanna is also visible.

As mentioned above lyrics are by Naqsh Lyallpuri and music is composed by Khayyam Saab.

Let us now enjoy today’s song and pay our tributes the musical maestro Khayyam Saab ….

Full audio

Song-Dil tera hai jaan bhi hai teri piya (Dil e Naadaan)(1981) Singer-Asha Bhonsle, Lyrics-Naqsh Llayalpuri, MD-Khayyam

Lyrics(based on audio version)

Dil tera hai
Jaan bhi hai teri piya

Dil tera hai
Ho Dil tera hai
Jaan bhi hai teri piya aa
Dil tera hai
Ho Dil tera hai
Jaan bhi hai teri piya
Meri dhadkan mein ae
Meri saanson mein ae
Tu hi tu hai basaa
Dil tera hai
Ho Dil tera hai
Jaan bhi hai teri piya aa

Meri palkhon mein chhaaya
Tere sapnon ka saaya
Meri palkhon mein chhaaya aa aa
Tere sapnon ka saaya
Mujhe dekar aawaazein
Kabhi toone chaunkaaya
Kabhi ubhrey
Ho Kabhi ubhrey
Kitaabon mein chehra tera
Meri dhadkan mein
Meri saanson mein
Tu hi tu hai basaa aa
Dil tera hai
Ho Dil tera hai
Jaan bhi hai teri piya aa

Teri aankhon mein aisi
Sharaarat pehle na thhi
Teri aankhon mein aisi ee
Sharaarat pehle naa thhi
Kabhi tere chehre ki
Ye rangat pehle na thhi
Toone baahon ke
Haan
Toone baahon ke ghere mein
Le hi liya
Meri dhadkan mein ae
Meri saanson mein ae
Tu hi tu hai basaa aa
Dil tera hai
Ho Dil tera hai
Jaan bhi hai teri piya aa

Sajan ye maine maana
Tu hai mera deewaana aa
Sajan ye maine maana aa
Tu hai mera deewaana
Banoon main teri dulhan
To aisa pyaar jataana
Main na rokoongi
Ho Main na rokoongi tujhko
Ye waada rahaa
Meri dhadkan mein ae
Meri saanson mein ae
Tu hi tu hai basaa
Dil tera hai
Haan Dil tera hai
Jaan bhi hain teri piya
Meri dhadkan mein ae
Meri saanson mein ae
Tu hi tu hai basaa
Dil tera hai
Haan Dil tera hai
Jaan bhi hai teri piya aa aa

————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————-

दिल तेरा है
जाँ भी है तेरी पिया
दिल तेरा है
हो
दिल तेरा है
जाँ भी है तेरी पिया आ
दिल तेरा है
हो
दिल तेरा है
जाँ भी है तेरी पिया
मेरी धड़कन में ए
मेरी साँसों में ए
तू ही तू है बसा
दिल तेरा है
हो
दिल तेरा है
जाँ भी है तेरी पिया आ
मेरी पलकों में छाया
तेरे सपनों का साया
मेरी पलकों में छाया आ आ
तेरे सपनों का साया
मुझे देकर आवाजें
कभी तूने चौंकाया
कभी उभरे
हो
कभी उभरे
किताबों में चेहरा तेरा
मेरी धड़कन में
मेरी साँसों में
तू ही तू है बसा आ
दिल तेरा है
हो
दिल तेरा है
जाँ भी है तेरी पिया आ

तेरी आँखों में ऐसी
शरारत पहले ना थी
तेरी आँखों में ऐसी ई
शरारत पहले ना थी
कभी तेरे चेहरे की
ये रंगत पहले ना थी
तूने बाहों के
हाँ
तूने बाहों के घेरे में
ले ही लिया
मेरी धड़कन में ए
मेरी साँसों में ए
तू ही तू है बसा आ
दिल तेरा है
हो
दिल तेरा है
जाँ भी है तेरी पिया आ

सजन ये मैं माना
तू है मेरा दीवाना आ
सजन ये मैं माना आ
तू है मेरा दीवाना
बनू मैं तेरी दुल्हन
तो ऐसा प्यार जताना
मैं न रोकूंगी
हो
मैं न रोकूंगी तुझको
ये वादा रहा
मेरी धड़कन में ए
मेरी साँसों में ए
तू ही तू है बसा
दिल तेरा है
हो
दिल तेरा है
जाँ भी है तेरी पिया
मेरी धड़कन में ए
मेरी साँसों में ए
तू ही तू है बसा
दिल तेरा है
हो
दिल तेरा है
जाँ भी है तेरी पिया आ आ

Tags:

This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4400 Post No. : 15783

I cut my HFM teeth in late 1960s when old order was giving way to new. Old order meant Rafi as the male playback singer of choice, Shammi Kapoor as the heart throb, and Shankar Jaikishan as the music directors of choice for big banners. In a matter of a few years or so, the musical order was turned upside down. When the dus settled, we found Shammi Kapoor being replaced by Rajesh Khanna, Rafi by Kishore Kumar and Shankar Jaikishan by R D Burman.

I became a young music lover sometime in mid to late 1960s. From being used to Rafi voice blaring from loudspeakers, I found a new male voice beginning to blare out of loudspeakers. Alongwith rest of the population, I too was mesmerised by this voice. The vesry first time I listened to the voice of Kishore Kumar, i loved it. the song was the iconic “Padosan”(1968) song-“mere saamne waali khidki”.

Rajesh Khanna meanwhile took the movie world by storm with “Aradhana”(1969), and that was followed by a string of hits. I would have loved to watch all those Rajesh Khanna songs, but I ended up watching “Haathi Mere Saathi”(1971) and “Apna Desh”(1971), that is all. By the time my movie watchin spree began in right earnest in june 1978, Rajesh Khanna had lost his crown as the first superstar of Hindi movies. That crown had passed on to Amitabh Bachchan.

Unlike Rajesh Khanna, Kishore Kumar never lost the crown of the top male playback singer. He continued to hold this crown troughout his life, till 1987. What longevity ! It is not easy to hold on to the top spot, as we see from the example of Rajesh Khanna. If Kishore Kumar could do it for close to two decades till his death, they this speaks highly of his durability and saleability. In fact, I feel that he almost singlehandedly held up the quality of playback singing during 1980s after all other leading playback singers had passed away.

On the occasion of Kishore Kumar’s 91st birth anniversary today on 4 august 2020 here is an archtypical Rajesh Khanna song sung by Kishore Kumar. The song is a duet from “Shahzaada”(1972). This movie was directed by K Shankar for Amar Chhaaya, Bombay. The movie had Rajesh Khanna, Raakhee, Madan Puri, Veena, Karan Dewan, Pandari Bai, Jairaj, Sunder, Mohan Choti, Gulshan Baawra, Badri Prasad, Halam, Varalakshmi, Shreeram Shastri etc in it. The movie had five songs in it. Two songs have been covered in the past.

Here is the third song from “Shehzaada”(1972) to appear in the blog. the song is sung by Kishore Kumar and Lata Mangeshkar. The song is penned by Rajinder Krishan. Music is composed by RD Burman. This roothhna manaana genre of song is picturised on Rajesh Khanna and Raakhi.

Lyrics of this song were sent to me by Avinash Scrapwala.


Song-Na jaiyyo chhod ke na jaiyyo meri raani (Shehzaada)(1972) Singer-Kishore Kumar, Lata, Lyrics-Rajinder Krishan, MD-R D Burman

Lyrics(Provided by Avinash Scrapwala)

Na jaiyyo o
Na jaiyyo o o
Chhod ke na jaiyyo meri raani
Na jaiyyo o o
Chhod ke na jaiyyo meri raani
Haan jaayegi saath tere
Jaayegi saath tere
Meri zindgaani
Haan Na jaiyyo
Chhod ke na jaiyyo meri raani
Na jaiyyo
Hoye
Chhodke na jaiyyo meri raani

Baagon mein kaliyaan khilne ke din
Baagon mein kaliyaan khilne ke din
Ankhiyon se ankhiyaan milne ke din
Hey ae
Baagon mein kaliyaan khilne ke din
Ankhiyon se ankhiyaan milne ke din
O ho
De doonga jaan meri
De doonga jaan meri
Baat jo na maani haan
Naa jaaun
Chhodke naa jaaun tohe jaani
Ho kadmon mein tere meri
Kadmon mein tere meri
Phool si jawaani
Ho jaani jaaun
Naa jaaun
Naa jaaun
Chhodke naa jaaun tohe jaani

Tu hi sawera
Tu hi meri shaam
Tu hi sawera
Tu hi meri shaam
Duniya se pyaara
Mujhe tera naam re
Tu hi sawera
Tu hi meri shaam
Duniya se pyaara
Mujhe tera naam
Likh de jiya pe mere
Likh de jiya pe mere
Preet ki kahaani
Ho jaani jaaun
Naa jaaun
naa jaaaun
Chhodke naa jaaun tohe jaani

Kaahe ko roothhi thhi
pehle Gujariya
Jaanoon thhi manaa lega mera
Sawariyaa aa
Aankh micholi ki ye
Aankh micholi ki ye
Reet hai puraani
Ho jaani jaaun
Naa jaaun
naa jaaun
Chhodke naa jaaun tohe jaani

Ho
Jaayegi saath tere
haan
jaayegi saath tere
Meri zindgaani
Haan
Na jaiyyo oye
Chhodke na jaiyyo meri raani


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4383 Post No. : 15734 Movie Count :

4338

Hullo Atuldom

‘Amrit’ released on 27th June 1986. It was written, produced and directed by Mohan Kumar (01/06/1934- 10/11/2017) whose wife happened to be the sister-in-law of J Om Prakash, and actor Deepak Parashar happens to be his sister’s son. Mohan Kumar made films under his banner EmKay Films Pvt. Ltd. and began as writer-producer-director with ‘Aas Ka Panchhi’ (1961) which was a Filmyug Presentation.

‘Amrit’ has Smita Patil and Rajesh Khanna play senior citizens whose children ill-treat them after their respective spouses’ death. Amrit played by Rajesh Khanna has a son whose wife makes her father-in-law a male-nanny cum servant in-charge of buying essentials etc. Amrit loves his grandson very much and he in turn is hand-in-glove with the grandpa in eating chocolates and ice creams on the sly. Similarly, Kamla Devi played by Smita Patil has a son, daughter-in-law, daughter-in-law’s brother and a granddaughter for family where she is reduced to being a maid and nanny. Both the seniors come in contact with each other because of the grand kids who happen to be classmates and playmates. The seniors develop a rapport and look after each other when they fall sick and they have a group of sympathizers in the local doodhwala, dhabawala, and a jobless lawyer and his wife (Satish Shah, Birbal, Shafi Inamdar and Aruna Irani). This is unacceptable to their children who take that as an excuse to show the door to their parents. The elders re-locate and Amrit finds a job as a school bus conductor and Kamla devi takes to training ladies in tailoring etc. The grand kids come looking for the grandparents after they grow up and get married. Simple tear-jerker family drama movie.

Today on the occasion of Kaka’s (a.k.a. Rajesh Khanna) death anniversary, let us have a song from ‘Amrit’ which was one of his successful movies in the period after his reign as superstar. We have him minus his characteristic mannerisms in this movie. This movie was Kaka’s next association with Mohan Kumar after the successful ‘Avtaar’.

This song is a Karva Chauth song and Smita Patil is seen breaking her fast with Shashi Puri (guest appearance) playing her husband. Then we see Kaka going into flashback about his wife and their way of celebrating the festival. Zarina Wahab in a guest appearance plays the role of the wife. The song is written by Anand Bakshi to Laxmi-Pyare’s music. Anuradha Paudwal and Manhar Udhas are the playback.

I have seen this movie a few times and I am always amazed at the exact same red colour that both the ladies wear in this song and their accessories. Kamla Devi (Smita Patil) taking pains with accessories is understandable as she is in a better financial position as compared to Savitri (Zarina Wahab) who is the wife of a signalman at Rajpur station. By the time the song ends Savitri also joins in (she seems to have learnt it too). Another thing is both couple sing the same song. Kya baat hai!!!.  How?

Incidentally, Zarina Wahab who made her debut in 1974 in the Dev Anand produced and directed ‘Ishk Ishk Ishk’ celebrated her 61st birthday on 17th July. Here is wishing her belatedly, all happiness and health.

Thinking of Kaka today, on his 8th death anniversary.

Video

Audio

Song – Aur Nahin Kuchh Tumse Kehna  (Amrit) (1986) Singer – Anuradha Paudwal, Manhar Udhas, Lyrics – Anand Bakshi, MD – Lakshmikant Pyaarelal
Anuradha Paudwal + Manhar Udhas

Lyrics 

aur nahin kuchh tumse kehna
aur nahin kuchh tumse kehna
jeewan saathi
jeewan saathi
jeewan saathi saath mein rehna
jeewan saathi saath mein rehna

deep nahin to kaisi jyoti
deep nahin to kaisi jyoti
seep nahin to kaisa moti
seep nahin to kaisa moti
chaand bina kya chaandni hoti
chaand bina kya chaandni hoti
raat se din hai
din se raina
raat se din hai
din se raina
jeewan saathi
jeewan saathi
jeewan saathi saath mein rehna
jeewan saathi saath mein rehna

aur nahin kuchh tumse kehna
aur nahin kuchh tumse kehna
jeewan saathi
jeewan saathi
jeewan saathi saath mein rehna
jeewan saathi saath mein rehna

sita ke bin ram adhura 
sita ke bin ram adhura
radha ke bin shyam adhura 
radha ke bin shyam adhura
ek akela naam adhura 
ek akela naam adhura
tum hi kehna
yeh sach hai na 
tum hi kehna
yeh sach hai na
jeewan saathi
jeewan saathi 
jeewan saathi saath mein rehna
jeewan saathi saath mein rehna

kuchh dekhoon jab tumko dekhoon
kuchh dekhoon jab tumko dekhoon
chhod ke main sab tumko dekhoon
chhod ke main sab tumko dekhoon
jab dekhoon tab tumko dekhoon
jab dekhoon tab tumko dekhoon
aur na dekhen
kuchh yeh naina
aur na dekhen
kuchh yeh naina
jeewan saathi
jeewan saathi
jeewan saathi saath mein rehna
jeewan saathi saath mein rehna

rakh do pyaar ka naam kinaara 
rakh do pyaar ka naam kinaara
hum maujen ye jeewan dhaara 
hum maujen ye jeewan dhaara
behta jaaye ye jag saara 
behta jaaye ye jag saara
mujh se alag ho
kar mat behna 
mujh se alag ho
kar mat behna
jeewan saathi
jeewan saathi 
jeewan saathi saath mein rehna
jeewan saathi saath mein rehna

aaa aaa aaaa
aur nahin kuchh tumse kehna 
aur nahin kuchh tumse kehna
jeewan saathi
jeewan saathi 
jeewan saathi saath mein rehna
jeewan saathi saath mein rehna
jeewan saathi saath mein rehna 
jeewan saathi saath mein rehna

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

और नहीं कुछ तुमसे कहना
और नहीं कुछ तुमसे कहना
जीवन साथी
जीवन साथी
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना

दीप नहीं तो कैसी ज्योति
दीप नहीं तो कैसी ज्योति
सीप नहीं तो कैसा मोती
सीप नहीं तो कैसा मोती
चाँद बिना क्या चाँदनी होती
चाँद बिना क्या चाँदनी होती
रात से दिन है
दिन से रैना
रात से दिन है
दिन से रैना
जीवन साथी
जीवन साथी
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना

और नहीं कुछ तुमसे कहना
और नहीं कुछ तुमसे कहना
जीवन साथी
जीवन साथी
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना

सीता के बिन राम अधूरा
सीता के बिन राम अधूरा
राधा के बिन श्याम अधूरा
राधा के बिन श्याम अधूरा
एक अकेला नाम अधूरा
एक अकेला नाम अधूरा
तुम ही कहना
ये सच है ना
तुम ही कहना
ये सच है ना
जीवन साथी
जीवन साथी
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना

कुछ देखूँ जब तुमको देखूँ
कुछ देखूँ जब तुमको देखूँ
छोड़ के मैं सब तुमको देखूँ
छोड़ के मैं सब तुमको देखूँ
जब देखूँ तब तुमको देखूँ
जब देखूँ तब तुमको देखूँ
और ना देखें
कुछ ये नैना
और ना देखें
कुछ ये नैना
जीवन साथी
जीवन साथी
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना

रख दो प्यार का नाम किनारा
रख दो प्यार का नाम किनारा
हम मौजें ये जीवन धारा
हम मौजें ये जीवन धारा
बहता जाये ये जग सारा
बहता जाये ये जग सारा
मुझसे अलग हो
कर मत बहना
मुझसे अलग हो
कर मत बहना
जीवन साथी
जीवन साथी
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना

आsss आsss आssss
और नहीं कुछ तुमसे कहना
और नहीं कुछ तुमसे कहना
जीवन साथी
जीवन साथी
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4383 Post No. : 15733

Rajesh Khanna – The Phenomenon – 6
– – – – – – – – – – – – – – – – – – – –

Today 18th July is the Remembrance Day of Rajesh Khanna. He passed away on 18th July 2012. As a tribute to him here is song from the 1980 movie ‘Thodi Si Bewafaai’.

My last post in this series ‘Rajesh Khanna-The Phenomenon’ came almost one and half year back on his birth anniversary. In that post I had discussed a song from the 1979 movie ‘Amardeep’ and for today’s post we move to Rajesh Khanna movies in 1980.

The seventies ended on a positive note for Rajesh Khanna with ‘Amardeep’ being a hit at the box office. But, then 1980 was more like ‘turning around’ year for him on a positive note. And few of his movies performed well at the box office though only one of them viz. ‘Thodi Si Bewafaai’ became a ‘hit’ movie.

If we look back on the year 1980 from the point of view of Rajesh Khanna’s film career this was an important year for him – after his fourteen years in the film industry and recovering back after a string of commercially unsuccessful movies at the box-office.

However, these unsuccessful movies saw him playing different roles and it was like if he himself was trying to get out of his ‘Rajesh Khanna’ image and maybe it was a time for him where as an ‘actor’ he was doing an introspection of self.

As an actor he was looking for stronger roles. Nobody could have imagined that any star but Rajesh Khanna will be playing a role of a ‘psychopath who rapes and kills young women’ in those times in Hindi movies, but Kaka accepted this role in ‘Red Rose’. The movie was praised by all though it bombed at the box office. But it is considered a fine piece of the talent of the director Bharathiraja and Rajesh Khanna’s performance in it.

The other four movies of the same year 1980 viz ‘Phir Wohi Raat’, ‘Aanchal’, ‘Bandish’ and the today’s movie ‘Thodi Si Bewafaai’ also had him playing different roles a like a ‘psychiatrist’ in the ‘horror’ genre ‘Phir Wohi Raat’, a villager in ‘Aanchal’, a medical college student in ‘Bandish’ and a rich jeweler’s son in ‘Thodi Si Bewafaai’.

He appeared in the following movies in 1980;

S.No. Movie Year Passed by Censor Board Director
01 Thodi Si Bewafaai 1980 29.04.1980 Eesmaayil Shroff
02 Red Rose 1980 23.05.1980 Bharathiraja
03 Phir Wohi Raat 1980 06.08.1980 Danny Denzongpa
04 Aanchal 1980 18.09.1980 Anil Ganguly
05 Bandish 1980 07.10.1980 K. Bappaiah

‘Thodi Si Bewafaai-1980’ was directed by Esmayeel Shroff for Konark Kombine International. It was produced by Nand Mirani and Srichand Asrani, while Rashid Ismail was the co-producer of this movie. It was presented by Nand B. Mansharamaney. Subhash Sonik was the chief assistant director of this movie. Vasant Katkar was the art director of this movie. Editing of this movie was done by Rajoo. Esmayeel Shroff was the writer of this movie and its dialogues of this movie were written by Moin-ud-din. The movie was passed by Censor Board on 29.04.1980.

It had Rajesh Khanna, Shabana Azmi, Sushant Ray, Padmini Kolhapure, Deven Verma, Dr. Shreeram Lagoo, AK Hangal, Jalal Agha, Shashi Kiran, Raja Bakshi, Urmila Bhatt, Gayatri, Gouri Khorana, Preeti Ganguly, Deena Pathak, Leela Mishra, Madhu Chauhan, Lalita Kumari, Murad, Dharamveer, Moolchand, Ramavtar, Manmauji, Jameel, Kishore, Sunder Taneja, Gopal Sirkar, Mani and others. This movie introduced Dr. Maya Alagh.

This movie had total six songs written by Gulzar and composed by Khayyam Saab. Singers Lata Mangeshkar, Kishore Kumar, Asha Bhonsle, Sulakshana Pandit, Anwar, Jagjit Kaur and Bhupendra had given their voices to the songs in this movie. Today’s song is a background song (cum theme song too) sung by Bhupinder Singh.

This song is in three parts – first part happens as the movie starts with court proceedings where the court rules in favor of Neema (Shabana Azmi) and allows her to live separately from Arun Choudhary (Rajesh Khanna). The court also gives the custody of their child to Neema and allows Arun to meet the child for two hours once in a week on Sunday. As Neema, her child, her brother and Arun came out of the court, Arun once again tries to convince Neema to think about her decision but she is adamant and leaves with the child. Here the titles of the movie are rolling and the song continues.

Second part happens when Neema visits an optical shop for getting her spectacles repaired. The shop owner is Deven Verma and Arun (Rajesh Khanna) is working there. Here again very less dialogue is exchanged between them and Neema leaves the shop as Arun keeps watching her. The second part plays in the background here.

Third part of this song gets played when Arun visits Neema after a gap of twelve years to get his son back with him (as allowed by the court when the child completes fourteen years of age). However, he is told by Neema that Nandu (Sushant Ray) their son has gone to Bombay without telling her. Arun leaves in fury threatening Neema to meet once again in court. As he leaves Neema, who is shattered in grief, regrets to herself …

meraa to jeewan ujad gayaa …
main muqadamaa jeet kar haar gayi
tum muqadamaa haar kar jeet gaye
tumhaare liye Nandu sab kuchh hai, aur main kuchh bhi nahin,
ek baar mujhe bulaa kar to dekh liyaa hota, saaraa jeewan tumhaare pichhe pichhe chalti rehti …

Enjoy the words of Gulzar Saab, and Bhupinder Singh’s voice a perfect fit for such poignant philosophical songs and Khayyam Saab’s timeless music.

I have deliberately selected this background theme song for today where we can watch and enjoy the nuanced performances by both Rajesh Khanna and Shabana Azmi.

Enjoy the ‘times’ and ‘charisma’ of Superstar – Rajesh Khanna. . .

Video (Part I)

Video (Part II)

Video (Part III)

Audio

Song-Aaj bichhde hain kal ka darr bhi nahin (Thhodi Si Bewafaai)(1980) Singer-Bhupinder Singh, Lyrics-Gulzar, MD-Khayyam

Lyrics

—————————–
Part-1
—————————–
aaj bichhde hain
aaj bichhde hain
kal ka dar bhi nahin
zindagi itni mukhtsar bhi nahin

aaj bichhde hain ae
aaj bichhde hain
aaj bichhde hain
kal ka dar bhi nahin
zindagi itni mukhtsar bhi nahin
aaj bichhde hain ae

zakhm dikhte nahin abhi lekin
zakhm dikhte nahin abhi lekin
thhande honge to dard niklegaa aa
taish utregaa waqt ka jab bhi
chehraa andar se zard niklegaa aa aa
aaj bichhde hain
aaj bichhde hain
kal ka dar bhi nahin
zindagi itni mukhtsar bhi nahin
aaj bichhde hain ae

kehnewaalon ka kuchh nahin jaata
sehnewaale kamaal karte hain
kaun dhoondhe jawaab dardon ke
log to bas sawaal karte hain aen
aaj bichhde hain
aaj bichhde hain
kal ka dar bhi nahin
zindagi itni mukhtsar bhi nahin
aaj bichhde hain ae

aaj bichhde hain ae
kal ka dar bhi nahin
zindagi itni mukhtasar bhi nahin
aaj bichhde hain ae

———————————————-
Part-2
———————————————

kal jo aayega jaane kya hogaa
beet jaayen jo kal nahin aate ae
waqt ki shaakh todne waalon
tootee shaakhon pe phal nahin aate ae
aaj bichhde hain
aaj bichhde hain
kal ka dar bhi nahin
zindagi itni mukhtsar bhi nahin
aaj bichhde hain ae

———————————————–
Part-3
———————————————–
kachchi mitti hai
dil bhi insaan bhi
dekhne hi mein sakht lagtaa hai ae
aansoo ponchhe ke aansoo’on ke nishaan
khushq hone mein waqt lagtaa hai ae ae
aaj bichhde hain
aaj bichhde hain
kal ka dar bhi nahin
zindagi itni mukhtsar bhi nahin
aaj bichhde hain ae
aaj bichhde hain ae
aaj bichhde hain ae

_________________________________________________________________

Devnagri Script lyrics(Provided by Avinash Scrapwala)
_________________________________________________________________

भाग-१
_________________________________________________________________

आज बिछड़े हैं
आज बिछड़े हैं
कल का डर भी नहीं
ज़िन्दगी इतनी मुख़्तसर भी नहीं
आज बिछड़े हैं ए

आज बिछड़े हैं
आज बिछड़े है
कल का डर भी नहीं
ज़िन्दगी इतनी मुख़्तसर भी नहीं
आज बिछड़े हैं ए

ज़ख्म दिखते नहीं अभी लेकिन
ज़ख्म दिखते नहीं अभी लेकिन
ठंडे होंगे तो दर्द निकलेगा आ
तैश उतरेगा वक़्त का जब भी
चेहरा अन्दर से ज़र्द निकलेगा आ आ आ

आज बिछड़े हैं
आज बिछड़े है
कल का डर भी नहीं
ज़िन्दगी इतनी मुख़्तसर भी नहीं
आज बिछड़े हैं ए

कहनेवालों का कुछ नहीं जाता
सहनेवाले कमाल करते हैं
कौन ढूंढें जवाब दर्दों के
लोग तो बस सवाल करते है
आज बिछड़े हैं
आज बिछड़े है
कल का डर भी नहीं
ज़िन्दगी इतनी मुख़्तसर भी नहीं
आज बिछड़े हैं ए

आज बिछड़े है
कल का डर भी नहीं
ज़िन्दगी इतनी मुख़्तसर भी नहीं
आज बिछड़े हैं ए
____________________________________________________________________

भाग-२
_________________________________________________________________

कल जो आएगा जाने क्या होगा
कल जो आएगा जाने क्या होगा
बीत जाए जो कल नहीं आते ए
वक़्त कि शाख तोड़ने वालों
टूटी शाखों पे फल नहीं आते
आज बिछड़े हैं
आज बिछड़े है
कल का डर भी नहीं
ज़िन्दगी इतनी मुख़्तसर भी नहीं
आज बिछड़े हैं ए

_________________________________________________________________

भाग-३
_________________________________________________________________

कच्ची मिटटी हैं
दिल भी इंसा भी
देखने ही में सख्त लगता है ए
आँसू पोंछे के आंसूओं के निशाँ
खुश्क होने में वक़्त लगता है ए ए
आज बिछड़े हैं
आज बिछड़े है
कल का डर भी नहीं
ज़िन्दगी इतनी मुख़्तसर भी नहीं
आज बिछड़े हैं ए
आज बिछड़े हैं ए
आज बिछड़े हैं ए


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4383 Post No. : 15732

Today, the 18th of July, is the death anniversary of one of the Hindi film industry’s biggest superstars. Probably one of its most controversial too. And certainly one of its most polarizing.

No prizes for guessing who I’m talking about. Of course, I’m talking about the one-time heartthrob of millions of women, Rajesh Khanna.

It’s been 8 years now since that day in 2012. I still remember the morning I got to hear the news – I was stunned. I knew he was ailing, but even so I never expected it would be so soon.

Since then, I’ve been writing posts on his birth and death anniversaries regularly here. To be honest, I don’t think the posts themselves contain any new material as such. But I still write – this is my small way of paying tribute to him.

As I’m writing a tribute to Rajesh Khanna, I’d like to think what he would like me to write about.

It’s no secret that he’d like me to write about his glory days. The days when he just had to tilt his head, and women would swoon. Or smile in a way only he could, and women would sigh. Or utter one dialogue in that deliberate drawn-out style and women would want to tie the knot that minute with him, even if they were already married.

Yes, he’d probably want me to write about all of this. How, during THAT period, he delivered hit after hit with such regularity that nothing else in the film mattered as long as Rajesh Khanna was hero. So much so that even a film which was mostly about elephants, and which Rajesh Khanna was admittedly not too keen on being part of, ended up becoming a smashing superhit.

Yes, he’d probably want me to write about all of this. And probably not too much about what followed after THAT period.

And yet, every single time when I’ve written about Rajesh Khanna, I haven’t been able to limit myself to just “the good bits”. I don’t do hagiography – and this isn’t like a highlights video, where you see a rather distorted and very selective picture of events.

So everytime I’ve written about him, I’ve also presented the not-so-flattering side of his persona.

Perhaps one reason is that I’m not able to easily separate the art from the artist. Not just in his case, but in anyone’s case. I know a lot of people say one should – but it’s easier said than done. This is also the reason that most of my posts here on Sahir and Rafisaab (two personalities I’ve discussed the most here) are also a lot about their character and persona outside their specific field.

Staying with Rajesh, like I said at the very start, he was a polarizing personality. You either loved him, or hated him. And I think this was something that he bore right through, till his death.
Even on his death, while there were condolences being offered, there were plenty of people constantly reminding everyone of his misdeeds.

Anyway, that’s how the world is. I don’t know if Rajesh did any good deeds, but all the things he did wrong are constantly brought up in a discussion about him.

Am reminded of that famous Mark Antony speech from Shakespeare’s Julius Caesar.

“Friends, Romans, countrymen, lend me your ears
I come to bury Caesar, not to praise him
The evil that men do lives after them
The good is oft interred with their bones
So let it be with Caesar”

So let’s accept the same for Rajesh Khanna too. I’m not here to defend his wrongdoings. And I don’t think he’d want me to either. In the latter part of his life, he himself realized the mistakes he had made. And was honest enough to admit them. Which is the best you can do. You cannot undo what’s already done, but you can acknowledge your mistakes and try to make amends.

And boy, did Rajesh Khanna make mistakes! He made a LOT of them. Success came to him too soon, and SO overwhelmingly that it completely went to his head. By his own admission, he didn’t know how to deal with it. It made him supremely arrogant. It made him treat others with disdain and contempt. It made him thoroughly unprofessional. It brought with it a lot of vices in his lifestyle. It also brought with it a number of sycophants who only told him what he wanted to hear. Even when his films were beginning to fail, they kept the bad news away from him.

No wonder he fell the way he did. If your echo chamber keeps you insulated from reality, you have no corrective feedback mechanism to correct yourself.

It took Rajesh Khanna many years to come to terms with reality. For a long while, he still lived in that bubble.

I don’t think many realize that in 1975, when his decline began getting visible, Rajesh was still just 32-33. By then he had seen SO much success, that it was all only downhill from then on. It’s extremely hard for a superstar to reconcile with the thought that you’ve lost your mojo by 33.

By contrast, Amitabh Bachchan, a couple of months older to Rajesh, had just started seeing success at 33. That too, after quite a struggle.

And that’s another point I want to make here.

Many say that Amitabh Bachchan was/is THE thorough professional. He was a director’s delight. Just as much as Rajesh Khanna was a director’s nightmare. Amitabh was always punctual – even embarrassingly so for his co-stars.
And even at the peak of his superstardom. Rajesh Khanna’s tantrums were often just tolerated by his directors, because he was a superstar. So naturally when he began flopping, he didn’t have too many wanting to pick him up.

My point therefore is, if Amitabh Bachchan is a role model for any aspiring young actor (or person in any profession), we can also say Rajesh Khanna is probably the antithesis of that role model.

So you actually learn from BOTH of them. From Amitabh on how to conduct yourself, even when you see success. And from Rajesh on how NOT to conduct yourself, ESPECIALLY when you see success.

An older Rajesh would probably say to a class of youngsters “Don’t make the mistakes I made”.

There’s a lot to learn from observing others.

I realize I haven’t talked at all about Rajesh Khanna’s films (except for a reference to Haathi Mere Saathi). But then, that’s a whole new post in itself – and this one has already become long enough.

I’ll move on to the song for today.

As is now routine, lyrics of this song have come to me, courtesy Avinashji. He sent me a number of songs to choose from – I went with this. The title song of “Aashiq Hoon Bahaaron Ka”. This is the only song of this film yet to be posted – so with this, the movie gets yippeeed.

It’s actually somewhat ironic that I picked this movie’s song for today. For it was this film that made me do a blackout of Rajesh films.

By the time AHBK was released in 1977, Rajesh was well and truly on his way down. Amitabh had established himself as the new star, well on his way to becoming superstar. Rajesh’s movies had been flopping one after another, for at least two years by then.

And yet, fans like myself, would not give up hope. We’d watch with dismay as his movies would come and go. I remember Chalta Purza (1977) lasting barely a week at our local cinema hall. This, while Amar Akbar Anthony ran for many weeks.

Anyway, so AHBK came along. It was a very expensive movie, with foreign locales and all – one of the most expensive at the time. And how it flopped! J Om Prakash, director, admitted later that he didn’t want to make the film, but did so only because of his friendship with Rajesh Khanna. Danny also realized it would flop and warned the director.

This is what imdb says

Danny Denzongpa realized the film was going to be a disaster and warned the director. When the schedule went to Switzerland, Danny’s fears came true and the shooting went haywire due to the script being written at the last minute and disorganization.

When I watched the film all those years ago, I couldn’t take it anymore. I’d been hoping against hope that Rajesh would come back – but if THIS was the type of film he was going to act in, I saw no hope.

So after this film, I imposed a black-out on myself to not watch any other Rajesh film. It was just too painful to watch his films of that time.

For more than 25 years thereafter, I didn’t watch any Rajesh Khanna film. Except for 2 films that both appeared on Doordarshan – Thodisi Bewafai (1980) and Avtaar (1983), and one film I watched in a film hall in Calcutta with friends (I wasn’t keen, but I tagged along) – Dharam Kanta (1982).

Much later, I did catch up on films that I had missed. And I must admit many of them weren’t too bad.

But for me, AHBK will always be the turning point in my Rajesh experience. 🙂

And here I am, posting a song from this film. 🙂

More details of the film can be found on this post by Avinashji himself.

I will move on to the title song, which was fairly popular in its time, especially considering the disaster that the film was. 🙂

But that should not take away from Rajesh Khanna. If the script is rubbish, you can’t blame the actors. Amitabh Bachchan himself said once about some of his late 1980s films that he acted in them, very reluctantly only to accommodate friends.

So, as I close this, I just want to say to Rajesh Khanna…

Kaka, we still remember you fondly. Well, some of us do. Speaking for me personally, I will always remember you, and thank you, for the fond memories of my childhood, whether it be “ye shaam mastaani”, “yahaan wahaan saare” or “rona kabhi nahin rona”.

I hope wherever you are today, you are in a good place, and having fun with friends Kishore da and Pancham. 🙂

Editor’s note:- With this song, all the songs of the movie have been covered. So, “Aashiq Hoon Bahaaron Ka” (1977) joins the list of movies that have been YIPPEED in the blog.

Video

Audio

Song-Main aashiq hoon baharon ka (Aashiq Hoon Bahaaron Ka)(1977) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics (Provided by Avinash Scrapwala)

nahin dekhaa
kabhi pehle
kabhi pehle ae
nahin dekhaa
ye phool hai kin gulzaaron kaa
main aashiq hoon oon oon bahaaron kaa
main aashiq hoon oon oon bahaaron kaa
nahin dekhaa
kabhi pehle
kabhi pehle ae
nahin dekhaa
ye phool hai kin gulzaaron kaa
main aashiq hoon oon oon bahaaron kaa
main aashiq hoon oon bahaaron kaa aa
main aashiq hoon bahaaron kaa

mujhe jo pasand ho main
chhodtaa nahin
par daro mat phoolon ko main
todtaa nahin
mujhe jo pasand ho main
chhodtaa nahin ee
par daro mat phoolon ko main
todtaa nahin
mujhko khabar hai ke
tumsi naazuk kaliyaan
chhoone se sharmaa jaati hai
ye hai aadat meri binaa matlab ke
ye nazrein kisi chehre pe
yoon hi ruk jaati hain
yoon hi ruk jaati hain
nahin dil mein
kuchh mere
mujhe shauk hai sirf
nazaaron ka aa
main aashiq hoon oon oon bahaaron kaa
main aashiq hoon oon oon bahaaron kaa

tumse haseenon ki ho
khaaq qadar
ham log rang roop ko na
dekhen agar
tumse haseenon ki ho
khaaq qadar
ham log rang roop ko na
dekhen agar
jiski taraf koyi dekhtaa nahin
poochho us’se kitni taqleef hoti hai
jal jaataa hai wo dil hi dil mein
jab saamne unke auron ki taareef hoti hai ae
taareef hoti hai
to lat uljhhi
suljhaa doon
matlab hai ye mere ishaaron kaa aa
main aashiq hoon oon oon bahaaron kaa
main aashiq hoon oon bahaaron kaa
nahin dekhaa
kabhi pehle
kabhi pehle ae
nahin dekhaa
ye phool hai kin gulzaaron kaa
main aashiq hoon oon oon bahaaron kaa aa
main aashiq hoon oon bahaaron kaa aa
main aashiq hoon oon oon bahaaron kaa aa

———————————————
Devnagri script lyrics (Provided by Avinash Scrapwala)
——————————————–
नहीं देखा
कभी पहले
कभी पहले ए
नहीं देखा
ये फूल है किन गुलज़ारों का
मैं आशिक हूँ ऊँ ऊँ बहारों का
मैं आशिक हूँ ऊँ ऊ बहारों का
नहीं देखा
कभी पहले
कभी पहले ए
नहीं देखा
ये फूल है किन गुलज़ारों का
मैं आशिक हूँ ऊँ ऊँ बहारों का
मैं आशिक हूँ ऊँ बहारों का आ
मैं आशिक हूँ ऊँ बहारों का

मुझे जो पसंद हो मैं
छोड़ता नहीं
पर डरो मत फूलों को मैं
तोड़ता नहीं
मुझे जो पसंद हो मैं
छोड़ता नहीं ई
पर डरो मत फूलों को मैं
तोड़ता नहीं
मुझको खबर है के
तुमसी नाज़ुक कलियाँ
छूने से शरमा जाती है
ये है आदत मेरी बिना मतलब के
ये नज़रें किसी चेहरे पे
यूं ही रुक जाती है
यूं ही रुक जाती है
नहीं दिल में
कुछ मेरे
मुझे शौक है सिर्फ
नजारों का आ
मैं आशिक हूँ ऊँ ऊँ बहारों का
मैं आशिक हूँ ऊँ ऊँ बहारों का

तुमसे हसीनों की हो
खाक कदर
हम लोग रंग रूप को न
देखें अगर
तुमसे हसीनों की हो
खाक कदर
हम लोग रंग रूप को न
देखें अगर
जिसकी तरफ कोई देखता नहीं
पूछो उससे कितनी तकलीफ होती है
जल जाता है वो दिल ही दिल में
जब साने उनके औरों की तारीफ़ होती है ए
तारीफ़ होती है
तो लट उलझी
सुलझा दूं
मतलब है ये मेरे इशारों का आ
मैं आशिक हूँ ऊँ ऊँ बहारों का
मैं आशिक हूँ ऊँ बहारों का

नहीं देखा
कभी पहले
कभी पहले ए
नहीं देखा
ये फूल है किन गुलज़ारों का
मैं आशिक हूँ ऊँ ऊँ बहारों का आ
मैं आशिक हूँ ऊँ बहारों का आ
मैं आशिक हूँ ऊँ ऊँ बहारों का आ


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4367 Post No. : 15696

Today (2 july 2020) is the 66th birth anniversary of Sayeed Mohammed Aziz-un-Nabi, better known as singer Mohammed Aziz (2 July 1954 – 27 November 2018).

I was under the impression that he made his debut as a playback singer in 1970s. I was mistaking him with Anwar, who began his career in 1970s. Mohammad Aziz made his debut as a playback singer in HFM in 1984. He shot to fame with “Main mard taange waala”, the title song of “Mard”(1985). He then sung some other memorable songs. One of them being “Mai se meena se na saaqi se”.

On the occasion of his birth anniversary, here is a song from “Aakhir Kyon”(1985). This song is sung by Md Aziz. Indeewar is the lyricist. Music is composed by Rajesh Roshan.

The song gets played on a radio / two in one while Rajesh Khanna and Smita Patil, playing an estranged couple, look on.

The lyrics of the song are quite inspirational. The lyrics makes this song a forgotten gem.

Lyrics of this song were sent to me by Avinash Scrapwala.

Video

Audio

Song-Ek andhera laakh sitaare (Aakhir Kyon)(1985) Singer-Md Aziz, Lyrics-Indeewar, MD-Rajesh Roshan

Lyrics

hmm hmm hmm hmm hmm hmm
hmm hmm
hmm hmm hmm

ek andheraa laakh sitaaare ae
ek niraasha laakh sahaare
sabse badi saugaat hai jeewan
naadaan hain jo jeewan se haare ae
ek andheraa laakh sitaaare ae
ek niraasha laakh sahaare
sabse badi ee saugaat hai jeewan
naadaan hai jo jeewan se haare ae
ek andheraa laakh sitaare ae ae

duniya ki ye bagiyaa aisi
jitney kaanten phool bhi utne
duniya ki ye ae ae bagiyaa aisi
jitney kaanten phool bhi utne
daaman mein khud aa jaayenge
jinki taraf tu haath pasaaare
ek andheraa laakh sitaare ae

beete huye kal ki khaatir tu
aanewaala kal mat khona
beete hue kal ki khaatir tu
aanewaala kal mat khona
jaane kaun kahaan se aakar
raahen teri phir se sanwaaare ae
ek andheraa laakh sitaare ae

dukh se agar pehchaan na ho to
kaisaa sukh aur kaisi khushiyaan
dukh se agar pehchaan na ho to
kaisaa sukh aur kaisi khushiyaan
toofaanon se lad kar hi to
lagte hain saahil kitne pyaaare ae
ek andheraa laakh sitaaare
ek niraasha laakh sahaaare
sabse badi saugaat hai jeewan
naadaan hain jo jeewan se haare ae
ek andheraa laakh sitaare ae ae ae

—————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————-
ह्म ह्म ह्म ह्म ह्म ह्म
ह्म ह्म ह्म ह्म ह्म …

एक अन्धेरा लाख सितारे ए
एक निराशा लाख सहारे
सबसे बड़ी सौगात है जीवन
नादाँ है जो जीवन से हारे ए
एक अन्धेरा लाख सितारे ए
एक निराशा लाख सहारे
सबसे बड़ी सौगात है जीवन
नादाँ है जो जीवन से हारे ए
एक अन्धेरा लाख सितारे ए ए

दुनिया की ये बगिया ऐसी
जितने कांटे फूल भी उतने
दुनिया की ये बगिया ऐसी
जितने कांटे फूल भी उतने
दामन में खुद आ जायेंगे
जिनकी तरफ तू हाथ पसारे
एक अन्धेरा लाख सितारे ए

बीते हुए कल की खातिर तू
आनेवाला कल मत खोना
बीते हुए कल की खातिर तू
आनेवाला कल मत खोना
जाने कौन कहाँ से आकर
राहें तेरी फिर से सँवारे ए
एक अन्धेरा लाख सितारे ए

दुःख से अगर पहचान न हो तो
कैसा सुख और कैसी खुशियाँ
दुःख से अगर पहचान न हो तो
कैसा सुख और कैसी खुशियाँ
तूफानों से लड़कर ही तो
लगते हैं साहिल कितने प्यारे ए
एक अन्धेरा लाख सितारे ए
एक निराशा लाख सहारे
सबसे बड़ी सौगात है जीवन
नादाँ है जो जीवन से हारे ए
एक अन्धेरा लाख सितारे ए ए ए


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day: 4263 Post No.: 15489

———————————————–——————————-
Blog 10-Year Challenge (2010-2020) – Song No. 13
——————————————————————————

In olden days (even today for that matter) Indians were expected to behave in a particular manner. For instance, when it came to their day to day live, most of them were “gareeb” and they were told that they had the sole right on the resources of the nation in the form of doles aka subsidies. All political parties claimed to be pro poor parties and promised to “hataao” gareebi if voted to power. After repeatedly getting voted to power on the plank of hataaoing gareebi, the same politicians now claim to be for the “gareeb”. These “gareeb” are supposed to be gullible possessing of short memory so the politicians can get away despite failing to fulfill their past promises.

Movie makers were no different. They too made movies for the same segment of society that were treated as “gareeb” by the political classes. This section of society was supposed to like movies with escapist stories that bore little resemblance to real life. Depicting real life was considered no no. Movies depicting real life were considered boring. Why would a “gareeb” audience come to the movie hall to watch movies depicting his real dull life ? This was what the movie makers believed in.

Sometimes, some movie makers would make movies with realistic movies. Ordinary movie goers and even press would describe these movies as boring. Most movies like this flopped.

Top stars acted in such movies for creative satisfaction, but the ordinary fans felt betrayed when they would go to the movie hall and find their star sans his usual mannerisms.

Rajesh Khanna is “Aavishkaar” (1973), and Amitabh Bachchan in “Man Aazaad Hoon” (1990) are two such movies that readily comes to my mind.

“Aavishkaar” (1973) was directed by Basu Bhattacharya Aarohi Film Makers Bombay. This movie had Rajesh Khanna, Sharmila Tagore, Dina Gandhi, Denis Clement, Satyen Kappu, Monika Jasnan (child artist), Devendra Khandelwal, Margaret, new discoveries Mahesh Sharma and Minna Johar etc in it.

The movie dealt with a real life “boring” tale, viz the marital life of a couple, played by Rajesh Khanna and Sharmila Tagore. Fans of superstar Rajesh Khanna, who went to the movie hass expecting a movie like “Aaraadhana”(1969) were disappointed. There was no way juvenile fans (including yours truly) of Rajesh Khanna, who were brought up on stuff like “Haathi Mere Saathi”(1971) and “Apna Desh” (1972) were going to like this movie.

This movie was only for “mature” movie goers. Just like “rich” people were looked down upon by “gareeb” people, “mature” people, with their occasional boring movies were looked down upon by people loving “mainstream” movies.

Please do not believe the review of “Aavishkaar”(1973) that is carried by wikipedia etc. These reviews are written with the benefit of hindsight by people who were not even born when this movie was released. I remember the reviews carried out in mainstream Hindi media during 1973 which bore no resemblance whatsoever with its review that we now find online.

Coming to the songs of the movie, “Aavishkaar” (1973) had five songs in it. Four of these songs are covered in the past as described hereunder:-

Song Posted On
Hansne ki chaah ne kitna mujhe 19.09.2008
Naina hain pyaase mere 20.03.2010
Mahaa shoonya ke mahaan vistaar mein 18.07.2016
Baabul mora, naihar chhuto hi jaaye 27.05.2019

From the table above, we can see that one song from the movie was covered on this day, ten years ago. So, this movie provides us an opportunity to have a blog ten year challenge. At the same time, all the songs of the movie get covered as well.

Ten years ago on this day, two songs were covered in the blog

Song Movie title-Year Remarks
Naina hain pyaase mere Aavishkaar-1973 04 of 05 songs posted
Kaali badariya maare najariya Do Roti-1957 All Songs posted on the blog

Here is the fifth and final song from “Aavishkaar”(1973) to appear in the blog. The song is sung by Manna Dey. Gyandev Agnihotri is the lyricist. Music is composed by Kanu Roy.

Lyrics of this song were sent to me by Avinash Scrapwala.

With this song, “Aavishkaar”(1973) joins the list of movies that have all their songs covered in the blog.

Video

Audio

Song-Maa ko pukaar kar poochha bachche ne (Aavishkaar)(1973) Singer-Manna Dey, Lyrics-Gyandev Agnihotri, MD-Kanu Roy

Lyrics(Provided by Avinash Scrapwala)

maa ko pukaar kar poochha bachche ne
aaya kahaan se hoon maa
bolo to
padaa kahaan paaya
bolo to
sun kar sawaal ye
maa ke stanon se ufan padaa doodh
aur bah aaya aankhon se
uttar

mere laal
tum to hamesha thhe
mere man ki abhilaasha mein
tan ki paribhaasha mein
bachpan ke gudiyaaghar mein ae
kitni baar tujhe
khelte khelte
toda aa
todte todte ae
jodaa aa

paakar khoya aur
kho kar payaa aa hai
kahaan se bataaun tu aaya hai
padaa tujhe maine kahaan paaya hai
mere ae laal

tu
haan tu hi to hai
meri amar aasha
subah ka sapna
maa aur daadi ki
sunehri khwaahish
prem ki paramparaa aa
aag ki khwaahish
aur prem ki aasha se
bani teri kaaya hai
kahaan se bataaun tu aaya hai
padaa tujhe maine kahaan paaya hai
mere laal

————————————
Devnagri Script lyrics(Provided by Avinash Scrapwala)
—————————————
माँ को पुकार कर पूछा बच्चे ने
आया कहाँ से हूँ माँ
बोलो तो
पडा कहाँ पाया
बोलो तो
सुन कर सवाल ये
माँ के स्तनों से उफन पडा दूध
और बह आया आँखों से
उत्तर

मेरे लाल
तुम तो हमेशा थे
मेरे मन की अभिलाषा में
तन की परिभाषा में
बचपन के गुड़ियाघर में ए
कितनी बार तुझे
खेलते खेलते तोड़ा आ
तोड़ते तोड़ते ए
जोड़ा आ

पाकर खोया और
खो कर पाया आ है
कहाँ से बताऊँ तू आया है
पडा तुझे मैंने कहाँ पाया है
मेरे ए लाल

तू
हां तू ही तो है
मेरी अमर आशा
सुबह का सपना
माँ और दादी कि
सुनहरी ख्वाईश
प्रेम की परंपरा आ
आग की ख्वाईश
और प्रेम की आशा से
बनी तेरी काया है
कहाँ से बताऊँ तू आया है
पडा तुझे मैंने कहाँ पाया है
मेरे लाल


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4210 Post No. : 15407

———————————————–——————————-
Blog 10-Year Challenge (2010-2020) – Song No. 5
——————————————————————————

Welcome all to this post, where, under the ‘Blog ten-year challenge’, we have another movie which has completed a ‘decade’ on the blog with only one of its song posted on the blog.

This movie is ‘Prem Bandhan-1978’*. And the song ‘main tere pyaar mein paagal’ from this movie was posted on the blog exactly ten years back i.e. on 27.01.2010.

Two more songs were posted on that day and the three songs posted that day were as given below;

Song Movie title-Year Remarks
Door papeeha bola raat aadhi rah gayi Gajre-1948
Husn bhi hai udaas udaas Fareb-1953
Main tere pyaar mein paagal Prem Bandhan-1978

Browsing other songs from ‘Prem Bandhan-1978’ it is clear that only the above-mentioned song of this movie was the most popular song from this movie. It ranked at number 14 in the ‘annual list’ of ‘Binaca Geetmala’ of the year ‘1979’. Since the movie was passed by the Censor Board on 26.12.1978 it must have been released in theatres in around year end 1978 or around first week of January’1979 I guess.

The title song from ‘Ankhiyon Ke Jharokhon Se-1978’ topped the annual list of ‘Binaca Geetmala’ of that year followed by ‘aadmi musaafir hai’ from ‘Apnaapan-1977’.

The other movies released in 1978 and where music was composed by Laxmikant-Pyarelal are as given below;

SNo Movie Passed by Censor Board on
01 Aahuti 25.04.1978
02 Amar Shakti 16.09.1978
03 Badalte Rishtey 03.11.1978
04 Chakravyuha 22.07.1978
05 Daakoo Aur Jawaan 22.11.1978
06 Dil Aur Deewaar 08.09.1978
07 Kaalaa Aadmi 23.02.1978
08 Main Tulsi Tere Aangan Ki 14.07.1978
09 Phaansi 04.03.1978
10 Phool Khile Hain Gulshan Gulshan 04.09.1978
11 Prem Bandhan 26.12.1978
12 Saawan Ke Geet 16.02.1978
13 Satyam Shivam Sundaram 22.03.1978

Songs from ‘Satyam Shivam Sundaram’(two songs), ‘Phaansi’(one song), ‘Main Tulsi Tere Aangan Ki’(two songs) made it to the annual list of ‘Binaca Geetmala-1978’.

Coming back to today’s movie, ‘Prem Bandhan-1978’ was directed by Ramanand Sagar for ‘Gouri Films Pvt. Ltd, Bombay’. It was produced by R.R. Nanda. It had Rajesh Khanna, Rekha, Moushami Chatterjee, Vikram, Keshto Mukherjee, Prema Narayan, A.K. Hangal, Lalita Pawar, Helen with Sheetal, Janki Dass, Bhagwan, Gopi Krishna, Mumtaz Begam, Birbal, V. Suri, Brahm Bharadwaj, Satyadev Dubey, Bhakatani, Surinder Bhatia, Manmauji, Ramlal, Kanwar Sarhadi, Dr. Jayant Abhyankar, Narbada Shankar, Chandru Atma, Sunder Taneja, Ram Avtar, Javed Khan.

This movie introduced Rippy Singh, Arvind Trivedi and Madhu Shah. Story of this movie was written by Suhridkar.

The screenplay was written by Ramanand Sagar, Satish Bhatnagar, Suhridkar. Satish Bhatnagar also wrote the dialogues of this movie. Editing of this movie was done by Lachmandass while C.L. Kavish wrote the script of this movie.

Lyrics of this movie were written by Anand Bakshi and music was composed by Laxmikant-Pyarelal.

HFGK Vol-V (1971-1980) lists total six number of songs in this movie. The voices of Lata Mangeshkar, Kishore Kumar, Asha Bhosle, Mahendra Kapoor, Manna Dey and Chandru Atma were used for the songs in this movie).
(HFGK Vol V mentions the voice of Pankaj in today’s song however in the movie credits his name is not appearing among the list of Singers).

This movie was passed by Censor Board on 26.12.1978.

Only one song from this movie has been posted earlier and the today’s song is the second song from this movie to be posted on the blog.

Today’s song is sung by Pankaj, Asha Bhonsle, and Kishore Kumar. Rajesh Khanna and Rekha are lip syncing in the voices of Kishore Kumar and Asha Bhonsle respectively. Prema Narayan and many others are also seen in the picturization of this song.

The song is interesting and nice to listen to and watch. (I think if the video of the full song would have been available it would have been more enjoyable to watch. None the less we can still listen and enjoy this beautiful composition).

As mentioned above I could not locate the full video of this song. However, the audio of the full song is available and the lyrics are noted as per the audio link of this song. I guess that this song was also edited in the movie or maybe it is edited in the online version of this movie.

I have not watched this movie and I would request knowledgeable readers to throw more light on the movie and its songs …

This song is also a nice one and I am sure readers will also like this song like me.
Let us now enjoy the today’s song …

Audio (Full)

Video (Partial)

Song-Hoti hai kisi se jab preet (Prem Bandhan)(1978) Singers- Pankaj, Kishore Kumar, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Asha Bhonsle+Kishore Kumar
Chorus
Male chorus
Female Chorus

Lyrics

Hoti hai kisi se ae jab preet
Janam leta hai ae koi nayaa geet

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Didhim naatim didhim naatim
didhim naatim
Daiyya

(Haiyya haiyya
Haiyya ho
Haiyya haiyya
)

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Ho o o o o o naiyya ka maanjhi
Maanjhi ki naiyya

(Haiyya haiyya
Ho ho
Haiyya haiyya
)

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Hoti hai kisise jab preet
Janam leta hai koi nayaa geet
Jise gaate hain galiyon mein log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Hoti hai kisise jab preet
Janam leta hain koi nayaa geet
Jise gaate hai galiyon mein log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Ghar mein gali mein ae ae ae ae ae ae
jee nahin lagtaa
Jee nahin lagtaa
Achchha buraa kuchh nahin lagtaa
Jee nahin lagtaa
Oye
Jee nahin lagtaa
Kuchh iska kaaran
Hota hai saajan
Kaahe lete hai
Kaahe lete hai jogi jog
Rama

Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Ho ho ho o
Ho ho ho ho o
Ho ho ho o
Ho ho ho ho o

Aa haa aa aa

Ho ho ho o
Ho ho ho ho o
Ho ho ho o
Ho ho ho ho o

Ho ho ho o o o o o

Aa

Ho ho ho o
Ho ho ho ho o

Aa
Aa

Ho ho ho o
Ho ho ho ho o

Aa haa

Ho ho ho o
Ho ho ho ho o

Aa haa

Jaane kahaan se chalti hai dhaaraa
Jaane kahaan se chalti hai dhaaraa
O ho o o
Jaane kahaan se chalti hai dhaaraa
Jaane kahaan milta hai kinaaraa
Kab kaise dekho do premiyon ko
O o o o

Milaa dete hain
Milaa dete hain ye sanjog
Ramaa
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Sach kehti hai duiyaa ye saari
Sach kehti hai duiyaa ye saari
Ye preet aisi ek chingaari
Ye preet aisi ek chingaari
Lagti nahin ye
Bujhti nahin ye
Jal jaate hai
Jal jaate hain isme log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog
Hoti hai kisise jab preet
Janam leta hai koi nayaa geet
Jise gaate hain galiyon mein log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Lagtaa hain ae ae ae ae
O lagtaa aa aa aa aa
Rog
Lagtaa hai ae ae
Ishq ka aa aa aa rog
Ho ishq ka rog
Rama aa haan aa
Ho o Rama
Ho o Rama


This article is meant to be posted in atulsongaday.me.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4190 Post No. : 15372

Today (7 january 2020) is the 63rd birthday of Reena Roy (DoB 7 january 1957). She made her debut in Hindi movies with B R Ishara who cast her in “Zaroorat”(1972) in a “bold” role. She was considered suitable for songs that are these days considered item songs. “Jaise Ko Taisa”(1973) may not be remembered today, but someone like me associate this movie with the song “able saawan mein jee dare rimjhim tan pe paani gire”. This song was picturised on Reena Roy and Jeetendra.

Reena Roy formed a hit pair with Shatrughan Sinha beginning with “Kallicharan”(1976) followed by “Vishwanath”(1978)- 16 movies in all. She also formed a hit pair with Sunil Dutt. She figured in “Naagin”(1976), “Jaani Dushman”(1979) etc with Sunil Dutt.

Reena Roy’s pairing with Jeetendra in typical Madrasi family dramas led to some memorable tear jerkers viz. Apnapan(1977), Badalte Rishtey(1978), Asha(1980), Pyaasa Saawan(1982), Arpan(1983) etc (22 movies in all). She won Filmfare award for best supporting actress for her role in “Apnapan”(1977).

Reena Roy also got to work with Rajesh Khanna, after he was no longer a superstar. They worked together in four movies. One such movie was “Dhanwan”(1983). Here Reena Roy plays the widow of Rakesh Roshan- another of her “strong” roles that she was known for in 1980s.

On this occasion, here is a song from “Dhanwaan”(1981). This song is sung by Lata. Sahir Ludhianvi is the lyricist. Music is composed by Hridaynath Mangeshkar.

The song is picturised as a stage dance song where Rajesh Khanna has bought the entire show and he is the only one in the hall watching the performance. The same situation would later arise with Jaya Prada and Amitabh Bachchan is another movie, viz “Sharaabi”(1984). 🙂

Lyrics of this song were sent to me by Avinash Scrapwala.

Video

Audio (containing wrong poster)

Song-Kuchh log mohabbat ko vyopaar samajhte hain (Dhanwaan)(1981) Singer-Lata, Lyrics-Sahir Ludhianvi, Md-Hridaynath Mangeshkar

Lyrics(Provided by Avinash Scrapwala)

Mohabbat ka aa taalluk
Shaan o shaukat se nahin hota
Ye saudaa
Aisa aa saudaa hain
Jo daulat se nahin ee ee ee hota

Kuchh log mohabbat ko
Kuchh log mohabbat ko
Byopaar samajhte hain ae ae
Duniya ko khilaunon ka
Baazar samajhte hain ae ae ae
Kuchh log mohabbat ko
Byopaar samajhte hain ae ae
Kuchh log mohabbat ko

Daulat ka nashaa inn ko
Kuchh itna jyaada hai
Daulat ka nashaa inn ko
Kuchh itna jyaada hai
Duniya ki har ik shay ko
Aa aa aa aa aa
Duniya ki har ik shay ko
Paane ka iraada hain
Apne ko do aalam ka aa
Apne ko do aalam ka
Mukhtaar samajhte hain ae
Kuchh log mohabbat ko o

Dil kya hain wafaa kya hain
Ye log na samajhenge
Dil kya hain wafaa kya hain
Ye log na samajhenge
Mitne ki adaa kya hain
Aa aa aa aa aa
Mitne ki adaa kya hain
Ye log na samajhenge
Har shahks ko bikne par
Har shakhs ko bikne par
Taiyyar samajhte hain ae ae
Kuchh log mohabbat ko o

Kahiye bhi to inn jaise
Dildaaron ko kya kahiye
Kahiye bhi to inn jaise
Dildaaron ko kya kahiye ae ae
Mazboor hain aadat se
Aa aa aa aa aa
Mazboor hain aadat se
Bechaaron ko kya kahiye
Ham aise dimaagon ko
Ham aise dimaagon ko
Ham aise dimaagon ko
O o o
Ham aise dimaagon ko
Beemaar samajhte hain ae ae
Kuchh log mohabbat ko
Byopaar samajhte hain ae ae
Kuchh log mohabbat ko

——————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————
मोहब्बत का आ ताल्लुक
शान ओ शौकत से नहीं होता
ये सौदा
ऐसा आ सौदा हैं
जो दौलत से नहीं ई ई ई होता

कुछ लोग मोहब्बत को
कुछ लोग मोहब्बत को
ब्योपार समझते हैं ए ए
दुनिया को खिलौनों का
बाज़ार समझते हैं ए ए ए
कुछ लोग मोहब्बत को
ब्योपार समझते हैं ए ए
कुछ लोग मोहब्बत को

दौलत का नशा इन को
कुछ इतना ज्यादा है
दौलत का नशा इन को
कुछ इतना ज्यादा है
दुनिया कि हर इक शय को
आ आ आ आ आ
दुनिया कि हर इक शय को
पाने का इरादा है
अपने को दो आलम का आ
अपने को दो आलम का
मुख्तार समझते हैं ए
कुछ लोग मोहब्बत को ओ

दिल क्या हैं वफ़ा क्या हैं
ये लोग न समझेंगे
दिल क्या हैं वफ़ा क्या हैं
ये लोग न समझेंगे
मिटने कि अदा क्या है
आ आ आ आ आ
मिटने कि अदा क्या है
ये लोग न समझेंगे
हर शख्स को बिकने पर
हर शख्स को बिकने पर
तैयार समझते हैं ए ए
कुछ लोग मोहब्बत को ओ

कहिये भी तो इन जैसे
दिलदारों को क्या कहिये
कहिये भी तो इन जैसे
दिलदारों को क्या कहिये ए ए
आ आ आ आ आ
मजबूर हैं आदत से
बेचारों को क्या कहिये
हम ऐसे दिमागों को
हम ऐसे दिमागों को
हम ऐसे दिमागों को
ओ ओ ओ
हम ऐसे दिमागों को
बीमार समझते हैं ए ए
कुछ लोग मोहब्बत को
ब्योपार समझते हैं ए ए
कुछ लोग मोहब्बत को


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4190 Post No. : 15371

———————————————–——————————-
Blog 10-Year Challenge (2010-20) – Song No. 1
——————————————————————————

Welcome all to this first post under the ‘Blog 10-Year Challenge’ in this year “2020”, where we will be going back to the movies represented on the blog in the year “2010”.

Today we begin our journey in this year with a not-so-popular but yet a nice hummable song from the movie ‘Aashiq Hoon Bahaaron Ka-1977’. I had planned the post in the month of December’2019 itself when I had browsed for the movies represented in the month of January’2010.

However, I had not selected the song for the post then. The song that readily came to my mind was the ‘title song’ of this movie and since it had not been posted I thought I would present this one. But when I listened to the other song remaining from this movie, I like it and presenting the same today, since it also talks of a ‘journey’ and a ‘continuing journey’ without reaching the ‘destination’.😊

We, on the blog, have already entered in the thirteenth ‘calendar year’ for the blog since its inception in 2008, and we have still a long way to go and many new ‘topics’ to be explored and this song perfectly sets the tune for another entertaining musical year ahead …

So far, the following three songs from this movie have been posted on the blog earlier;

Song Posted on
mashrique-se-jo-nikle-maghrib-mein-kho-gaye 07.01.2010
I-am-in-love-you-are-in-love 18.07.2013
mere-gorey-gaalon-ka 20.03.2014

This movie had total five songs in it and the two remaining songs to be posted are;
‘nahin dekha kabhi pehle … main aashiq hoon bahaaron ka’
‘tera dil kya kehta hai mera dil to ye kehta hai’

(and if the listing of songs given in HFGK Vol V is in correct order of appearance of the songs in this movie, the above two songs remaining are the first and the last song appearing in this movie).

Looking back ten years back i.e. on 07.10.2010 the following two movies were represented on the blog ten years back (in ascending order of presentation).

Song Movie title-Year Remarks
Gudiya hamse roothi rahogi Dosti-1964 All songs covered on the blog
Mashrique se jo aaye … Aashiq Hoon Bahaaron Ka-1977 03 of 05 songs posted so far

“Aashiq Hoon Bahaaron Ka-1977” was directed by J. Omprakash for ‘Shiv Kala Mandir’, Bombay. S.K. Chand was its Chief Assistant Director.

“Aashiq Hoon Bahaaron Ka-1977” was produced by K.K. Talwar and Raj Bathija. It had Rajesh Khanna, Zeenat Aman, Danny Dengongpa with Asrani and Om Prakash. Sulochana makes a special appearance in this movie. Its supporting cast includes Rehman, Preeti Ganguly, Pinchoo Kapoor, Madhup Sharma, Julie and Nadira.

Story and screenplay of this movie was written by Ram Kelkar. Its dialogues were written by Ramesh Pant. Editing of this movie was done by Pratap Dave and Prakash Dave.

This movie was passed by Censor Board on 18.11.1977.

This movie had total five songs in it and only Lata Mangeshkar and Kishore Kumar gave their voices to the songs in this movie where Lata Mangeshkar had one solo song, Kishore Kumar had three solo songs and there was only one duet sung by them.

Lyrics for all the five songs were penned by Anand Bakshi and music was composed by Laxmikant-Pyarelal.

Today’s song is the fourth song from this movie to appear on the blog.

I think that, other than the title song of this movie and the song ‘I am in love’, the other songs were not very much popular, though I find the today’s song a nice hummable and an enjoying one. (also, I do not remember to have listened to the today’s song earlier before taking it for the presentation in this post).

I have not watched this movie so I cannot say much about it. I would request knowledgeable readers to throw more light on the movie and its songs …

Let us now enjoy this song …

(The songs is picturized on Rajesh Khanna and Zeenat Aman and many others are seen in the picturization of this song which is picturized on foreign locations).

Video

Audio

Song-Tera dil kya kehta hai (Aashiq Hoon Bahaaron Ka)(1977) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

(dialogues from the video link are not included)

Hmm hmm hmm
hmm hmm hmm
Hmm hmm hmm
Haa
Aa ha haa
Aa ha haa

Tera dil kya kehta hai
Mera dil to ye kehta hai
Yoon hi raston pe
chalte jaayen ham
Aur manzil kabhi bhi naa aaye
Hey la la laa
La la laa
La la laa
La la laa
Laa aa
Tera dil kya kehta hai
Mera dil to ye kehta hai
Yoon hi raston pe
chalte jaayen ham
Aur manzil kabhi bhi naa aaye
Hey la la laa
La la laa
La la laa
La la laa
Laa aa

Manzil jo nazdeek aayegi
Manzil jo nazdeek aayegi
Tu mujhse door chali jaayegi
Tere jaane ke baad
Teri yaad aayegi
Tere jaane ke baad
Teri yaad aayegi
Main tujh ko kahaan dhoondhoongaa
Tera pataa kis’se poochhoonga
Yoon hi raston pe
chalte jaayen ham
Aur manzil kabhi bhi naa aaye
Hey la la laa
La la laa
La la laa
La la laa
Laa aa

Mujhko to neend nahin aayegi
Mujhko to neend nahin aayegi
Tu kya mujhe bhool jaayegi
Mere jaane ke baad
Meri yaad aayegi
Mere jaane ke baad
Meri yaad aayegi
Achchhaa hai is doori se
Phir milne ki majboori se
Yoon hi raston pe
chalte jaayen ham
Aur manzil kabhi bhi naa aaye
Hey la la laa
La la laa
La la laa
La la laa
Laa aa

Tera dil kya kehta hai
Mera dil to ye kehta hai
Yoon hi raston pe
chalte jaayen ham
Aur manzil kabhi bhi naa aaye
Hey la la laa
La la laa
La la laa
La la laa
Laa aa

la la laa
La la laa
La la laa
La la laa
Hmm mm

———————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————–
हम्म हम्म हम्म
हम्म हम्म हम्म
हा
आ हा हा
आ हा हा
तेरा दिल क्या कहता है
मेरा दिल तो ये कहता है
यूं ही रस्तों पे
चलते जाएँ हम
और मंजिल कभी भी ना आये
हे ल ल ला
ल ल ला
ल ल ला
ल ल ला
ला आ
तेरा दिल क्या कहता है
मेरा दिल तो ये कहता है
यूं ही रस्तों पे
चलते जाएँ हम
और मंजिल कभी भी ना आये
हे ल ल ला
ल ल ला
ल ल ला
ल ल ला
ला आ
मंज़िल जो नज़दीक आएगी
मंज़िल जो नज़दीक आएगी
तू मुझसे दूर चली जायेगी
तेरे जाने के बाद
तेरी याद आएगी
तेरे जाने के बाद
तेरी याद आएगी
मैं तुझ को कहाँ ढूंढूंगा
तेरा पता किस से पूछूंगा
यूं ही रस्तों पे
चलते जाएँ हम
और मंजिल कभी भी ना आये
हे ल ल ला
ल ल ला
ल ल ला
ल ल ला
ला आ
मुझको तो नींद नहीं आएगी
मुझको तो नींद नहीं आएगी
तू क्या मुझे भूल जायेगी
मेरे जाने के बाद
मेरी बाद याद आएगी
मेरे जाने के बाद
मेरी बाद याद आएगी
अच्छा है इस दूरी से
फिर मिलने कि मजबूरी से
यूं ही रस्तों पे
चलते जाएँ हम
और मंजिल कभी भी ना आये
हे ल ल ला
ल ल ला
ल ल ला
ल ल ला
ला आ
तेरा दिल क्या कहता है
मेरा दिल तो ये कहता है
यूं ही रस्तों पे
चलते जाएँ हम
और मंजिल कभी भी ना आये
हे ल ल ला
ल ल ला
ल ल ला
ल ल ला
ला आ
ल ल ला
ल ल ला
ल ल ला
ल ल ला
हम्म म्म


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 15900 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15916

Number of movies covered in the blog

Movies with all their songs covered =1221
Total Number of movies covered =4362

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Active for more than 4000 days.

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