Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Kishore Kumar songs’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4835 Post No. : 16619 Movie Count :

4526

Hullo Atuldom

Remembering our very own Abhas Kumar Ganguly with this post on his death anniversary. It is 34 years since he bade goodbye to this mortal world but his works are still with us- his fans and followers.

He was a versatile singer, actor, writer, producer, director, composer etc. In short an all-rounder who was the voice of many generations of actors beginning with Dev Anand for whom his voice was first used in 1948. World over, lovers of Hindi film music just love and adore this artiste and he himself was a huge fan of the actor-singer of the early-talkies and films of the ’30s and ’40s- K.L. Saigal. Abhas Kumar Ganguly had a great respect for the poet/ musician Rabindranath Tagore.

He could sing an ‘eena meena deeka’ with the same ease as he sang ‘koi humdum na raha koi sahara na raha’. His fans loved his voice on Ashok Kumar, Dev Anand, Rajesh Khanna, Amitabh Bachchan, Dharmendra, Jeetendra and every single actor that graced the silver-screen from 1948 (when he made his debut) to 1987 (till death took him away from us). There were some actors of the older generation (meaning ’50s and ’60s) who had other singers as their permanent go-to voice; but Kishore Kumar (as Abhas Kumar Ganguly was popularly called) sang for these people in the later part of their careers- post 1970, I mean to say. Kishoreda’s voice was used for the next generation of actors too meaning Dharam’s son Sunny, Rajendra Kumar’s son Kumar Gaurav, Sunil Dutt’s son Sanjay Dutt , and all of Raj Kapoor’s sons etc. in addition to the new entrant actors of the ’70s and ’80s like Govinda, Anil Kapoor, Jackie Shroff etc. I have a feeling that if he had been around then the Khans of the ’90s would have sounded different but that was not to be.

It is Sharad Navaratri and so I searched for a song/mata bhajan to go with this post. I am not sure how many songs Kishoreda has sung in this genre, but I do remember there are a few under Bappi Lahiri and Laxmi Pyare’s music direction in some ‘made in South India’ films.
Today’s is from the 1986 release “Swarag Se Sundar”. On-screen Jaya Prada and Jeetendra lip-sync to Kishoreda and Lata didi and appeal to the Devi maa to cure the child of their family, of whatever ailment it is suffering from; the “dawa ki nahin, dua ki zaroorat hai” situation (I have seen this movie a few times over the years, the child is shown to have high fever).

“Swarag Se Sundar” was a movie directed by K. Bapaiah, had dialogues by Kadar Khan, songs written by Anand Bakshi and Laxmi-Pyare were the music composers. Asha Bhonsle, Lata Mangeshkar and Kishore Kumar were the playback singers used. Mithun Chakraborty and Padmini Kolhapure played the second couple with Shubha Khote, Aruna Irani, Shoma Anand, Kadar Khan, Prem Chopra, Asrani, Bharat Bhushan, Satyen Kappu etc in supporting cast.
Thinking of Kishoreda on his anniversary

Audio

Video

Song-Maata prakat ho door sankat ho (Swarg Se Sundar)(1986) Singers-Kishore Kumar, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both

Lyrics

maata prakat ho
door sankat ho
maata prakat ho
door sankat ho o o
ho devi maata raani toone sabki maani
ho devi maata raani toone sabki maani
hum pe bhi ho jaaye
hum pe bhi ho jaaye teri meharbaani

ho devi maata raani toone sabki maani
hum pe bhi ho jaaye
hum pe bhi ho jaaye teri meharbaani
ho devi maata raani toone sabki maani

maata tu mahaan hai
mamta ki pehchaan hai
maata tu mahaan hai
mamta ki pehchaan hai
lena teri shaan nahin
dena teri shaan hai
toot na jaaye aaj ye
toot na jaaye aaj ye teri reet puraani
ho devi maata raani
toone sabki maani
ho devi maata raani
toone sabki maani

tere dwaare pe maine deepak din raat jalaaye hain
tere dwaare pe maine deepak din raat jalaaye hain
isiliye kya maata toone mere haath jalaaye hain
isiliye kya maata toone mere haath jalaaye hain
sun le maata tu meri
sun le maata tu meri ye ankahi kahaani
ho devi maata raani toone sabki maani
ho devi maata raani toone sabki maani

tere mandir se hum khaali haath na vaapas jaayenge
tere mandir se hum khaali haath na vaapas jaayenge
teri chaukat pe sar takra takra ke ae mar jaayenge ae
teri chaukat pe sar takra takra ke ae mar jaayenge
jaan ke badle denge
jaan ke badle denge hum jaan ki kurbaani
ho devi maata raani
toone sabki maani
hum pe bhi ho jaaye
hum pe bhi ho jaaye teri meharbaani
ho devi maata raani toone sabki maani
maata prakat ho
door sankat ho
maata prakat ho
door sankat ho
maata prakat ho
door sankat ho


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4825 Post No. : 16604

Today’s song is from the ‘1973’ movie ‘Samjhauta’. This movie had five songs already p0sted on the blog and it has been waiting for its final song since 17.07.2021, when the last song of this movie was posted.

The remaining song of this movie was already sent by our dear Prakash ji. I was about to send it with regular details to Atul ji so that we can ‘Yippeeee’ this movie.

However, when I listened to the song, its lyrics triggered some thoughts and what follows below are some real-life situations that I came across and the thoughts that came to my mind.

***
#Flashback-1, Year 2010#

Let me tell you one incidence. One fine day I was coming back, after finishing my work at the Bank at its Mundra (Kachchh) Port Branch. I was driving and on the way to my home in Mundra.

On the way there was a young lad waiving for lift. I give him lift and drive to Mundra. On reaching his destination he got off from the car and said thanks. I just enquired about him and came to know that he had finished his diploma in Mech Engineering just few months back and he was looking for a job.

He came from MP to his relatives at Mundra for job prospectus in their organisation, but that organisation did not oblige relatives of employees for job, so he was looking for other prospects.

The organisation where I was working were looking for candidates for my department i.e., Stores. So, I asked this guy to send his CV so that I can call him for an interview with the recruitment committee members.

However, there were some changes in the recruitment plans at our organisation, so it was all cancelled for then.

This guy later left Mundra to his hometown in MP and later I came to know that he got a job in a company having their works at Nagpur.

I was happy to know this.

During this period this guy was always in touch with me, as we share the same interests i.e., reading and writing.

***

I had in one of my post have mentioned how I started my professional journey and how people and my seniors helped me to become what I am today.
I will always be grateful to them for giving me the opportunity to learn and grow.

Yes, some people like me are lucky enough to get ‘right push’ whereas many like me may be deprived of opportunities or that just one chance to prove themselves, and they might have been lost permanently in oblivion. After all it is a game of luck first and your hard work later, but combination of both always.

Inheriting the generousness from my parents and other generous people who helped me, it was very natural for me to help people as and when possible, given the resources I had.

The exposure I got at the workplace was also in favour as I got to be in ‘decision-making’ positions in all my professional life except the earlier few years. After that most of the time I was as an in-charge of something or other or Head of the Department for my function (in middle management layer).
Simultaneously with working I had joined learning through distance education mode. I was also attending many behavioural and functional trainings on my own. Sometimes these would be sponsored by my employer too. This all helped a lot in the growth of me professionally, personally, and functionally.

As usual for the position of a departmental head people always keep approaching for employment either for their near and dear ones, or distant relatives or friends and their relatives. Given my nature I always tried to help and give opportunity to people coming to me irrespective of their caste, creed, religion, and region.

I always tried to select people on the merit basis and those who are ready to work hard.
Since I had myself already gone through a tough route, I expect others to put that much of effort to gain the knowledge of the subject at work. Also, I wanted to ensure that no injustice is done to anybody.

Secondly, I was very much interested in training the new recruits, explaining them the processes and the needs of complying with the standards, by arranging various training programs for them.
I always enjoyed the joy of training somebody and imparting the training on functional as well as behavioural and the management standards. I was always ready to share whatever I know about anything.

I also wanted the boys to give their 100% percent and enjoy the work. Keep trying, learn new things and share all that I give to them. And so that simultaneously they can grow in their personal and professional life. (I must mention here that all of them who worked under me keep in touch with me even after my leaving the organisation and they fondly remember me. )

Sometimes I may have been more possessive for something, but whatever I had done was to achieve excellence in the function and to reduce the response time by giving prompt service to our customers – either internal or external.

During this process I was also exploring my ‘purpose’ of life. I want to realise what my true potential was. I meet my motivational guru Late Shri. Rooshikumar Pandya around this time in 2010.

My morale was very high during those days and I had also joined a new organisation as a ‘Manager’. I had also taken membership and later become a life member of AMA & QCFI in the quest of learning more. I was all enjoying this with my work.

It was then when I had got published my daughter’s poem when she was studying in VIIth standard only.
So overall I was just moving upward in all spheres of life.

***

#Flashback -2, Year 2015 …

I was at Nagpur and working with an engineering construction company. Before that in December’2014 I had left my job and was looking for job opportunities. I had contacted some of my close contacts – my ex-bosses – and that is how I finally landed in Nagpur.

Here I had the responsibility of maintaining supply of materials to the various sites running in different parts of the country. (It was during this period that I attended the Atulites’ gang-outs too).

Along with the responsibility at corporate office I was given an independent charge to look after our site works at Mundi (near Khandwa). We were also hiring peoples for different sites.

This guy, whom I mentioned above, who had met me at Mundra, was looking for a job. He had left the job at Nagpur, after working one year there he later joined studies for graduation in engineering. Now he had completed his studies and was looking for job opportunity.

He contacted me with a request to help him. I recommended him to my immediate senior to give him a chance.
What I was asked by my senior was how I knew this person and how he knew me?
I told the above incidence of giving lift to this person and what followed next.
(Some of my colleagues also crack jokes on me what I was doing).

How do I trust a guy whom I had meet only once and that too on the road? was the next question.

Chairman of this company was the same person who had given me a chance to work when he was my Site In charge at Parli – Vaijnath (in 1985) when I was working in construction line as a ‘storekeeper’ and had just started my journey of industrial working.

I told my senior (vice president) that we should give an opportunity to this person so that he can start earning something and shape his career further, in the same way how I was given an opportunity in the past. If I had not been given an opportunity to work in my earlier days, I would never have reached where I am today.

This person was included in the team, and he served there for almost two years. In between he was always discussing with me about his interests and each time I guided him to follow what his heart dctated. I also encouraged him as and when required.
(My guru had given us a ‘mantra’ ‘do whatever you want, but excel in whatever you do’.
This person then started uploading his ‘poetry recitation videos’ on YouTube.

Later he left the company to ‘realise his true potential’ and soon found his ‘purpose of life’. He keeps uploading his videos of ‘poem recitation’ on ‘YouTube’. Slowly his followers keep increasing on ‘YT’ and ‘Instagram’.

Meanwhile I left for Kenya for a job opportunity (where one of my ex-bosses was a director and there was a suitable opportunity suiting my profile).

***

I came back from Kenya after completing a project and I was there for almost three years.
The guy in my story is now famous as a ‘motivational speaker’, and famous for his ‘motivational poems’ and other ‘poems’ recitation’. His videos are watched and seen by many on YouTube and on Instagram.

He had also published a book of his writings.

Even today whenever we discuss he fondly remembers that day and always tells me ‘Sir, that day has changed my life forever, it is because of you whatever I have achieved today’.

***

“I quote a few lines from today’s song below

kitney hi taansen gumnaam rah gaye ae
ek mauka naa milaa to
naakaam ho gaye
tulsidas kayee hain
kayee tagore bhi yahaan
ek aap hi na samjhen
hain ghaalib aur bhi yahaan
hain laakhon kalaakaar
paarkhi ki kami hai
heerey to hain hazaar
jauhari ki kami hai

That reminded me of the following ‘sanskrit shloka’ which my guru used to quote in his training programs.

“Aamantram aksharon naasti
Naasti mulamanaushdham
Ayogya puroshoh naasti
Yojaksya tatra durlabh”

‘There is not a single letter of an alphabet out of which you cannot make a ‘mantra’,
There is not a single root of a tree out of which you cannot make a ‘medicine’,
There is not a single person who is unfit or incapable,
The one who brings out mantra from a letter of an alphabet, medicine from the root of a tree, and the best of people, those people are rare’

***

Today’s song is sung by Kishore Kumar. It is lip synced by Anil Dhawan on screen. We can also see Pradeep Kumar, Ajitesh Bannerjee, Junior artiste Maqsood, and dancer Chinoo Rajput and many others in the picturisation of this song.

“Samjhautaa-1973” was directed by Ajoy Biswas for ‘Jwala Pictures Pvt. Ltd, Bombay’.
It was produced by Sundeep Sethi.

It had Yogita Bali, Anil Dhawan, Shatrughan Sinha, Ajitesh, Pradeep Kumar, Naaz, Sulochana, Asit Sen, Sajjan, Randhir, Tarun Bose, Jankidas, Manik Dutt, Jagdish Raj, Polsan, Dilip Dutt, Madhu Apte, Samar Roy, Gautam Mukherji, Bachan Singh, Sajan, Prem Master Bunty.

This movie introduced Ajitesh Bannerjee, and Keshto Mukherjee and Bipin Gupta had a special appearance in this movie.

Story of this movie was written by Sukhen Das, whereas the screenplay and dialogues of this movie was written by Inder Raj Anand.

Editing of this movie was done by Tarun Dutta.

This movie was passed by Censor Board on 31.05.1973.

This movie had six songs including one multiple version song. Lyrics for the five out of six songs were written by Indeevar (including one multiple version song) and for one song lyrics were written by Verma Malik.

Music for this movie was composed by Kalyanji-Anandji.

Here are the details of the songs of this movie.

Sno Song Title Singer Lyricist Posted On
1 Tanak tuk tandaa… aise logon ka dhandha Kishore Kumar Verma Malik 17 July 2021
2 Badi door se aaye hain pyaar ka tohfa laaye hain Mohd Rafi Indeevar 03 December 2008
3 Koi nahin hai mera Mohd Rafi Indeevar 21 November 2008
4 & 6 Samjhauta ghamon se kar lo Multiple version song Lata Mangeshkar/ Kishore Kumar Indeevar 24 July 2010
5 Saikado Kishore yahaan…na roop dekhiye na naam dekhiye Kishore Kumar Indeevar Being covered today

Let us now enjoy today’s song.

Lyrics for this song were sent by Prakash ji.

With today’s song all songs of this movie ‘Samjhauta-1973’ gets covered on the blog and this movie joins the ‘Yippeeee-club’ 😊

Video


Song-Na roop dekhiye na naam dekhiye (Samjhauta)(1973) Singer-Kishore Kumar, Lyrics-Indeewar MD-Kalyanji Anandji

Lyrics(Provided by Prakashchandra)

saikdon kishore yahaan
arrey sainkdon lata aa
bin suney chalega tumhen
kis tarah pataa aa
dil naa badhaao na sahi ee
dil to naa todo o
bekason pe zulm ke yoon
teer naa chhodo

naa roop dekhiye
naa naam dekhiye
jo dekhiye to aadmi ka kaam dekhiye
jo dekhiye to aadmi ka kaam dekhiye
naa roop dekhiye
naa naam dekhiye
jo dekhiye to aadmi ka kaam dekhiye
jo dekhiye to aadmi ka kaam dekhiye

ye puraane log
ye puraane raaste ae
ye puraane log
ye puraane raaste
maut hai puraanaapan
kalaa ke waaste
maukaa naye khoon ko
diya hi naa jaayegaa
maukaa naye khoon ko gar diya hi naa jaayegaa
kalaa mein phir nayaapan
kahaan se aa paayegaa
jo aaj hain mash’hoor oo oo oor
jo aaj hain mash’hoor
kal wo bhi thhe naye
aage kisi ne unko badhaaya to badh gaye
aage kisi ne unko
badhaaya to badh gaye
na roop dekhiye
naa naam dekhiye
jo dekhiye to aadmi ka kaam dekhiye
jo dekhiye to aadmi ka kaam dekhiye

kitney hi taansen gumnaam rah gaye ae
kitney hi taansen gumnaam rah gaye ae
ik mauka naa milaa to
naakaam rah gaye
tulsidas kayee hain
kayee tagore bhi yahaan
tulsidas kayee hain
kayee tagore bhi yahaan
ek hi aap na samjhen
hain ghaalib aur bhi yahaan
hain laakhon kalaakaar aa aa aa rr
hain laakhon kalaakaar
paarkhi ki kami hai
heerey to hain hazaar
jauhari ki kami hai
heerey to hain hazaar
jauhari ki kami hai
na roop dekhiye
naa naam dekhiye
jo dekhiye to aadmi ka kaam dekhiye
jo dekhiye to aadmi ka kaam dekhiye
na roop dekhiye
naa naam dekhiye
jo dekhiye to aadmi ka kaam dekhiye
jo dekhiye to aadmi ka kaam dekhiye

——————————————-
Smaller version
——————————————–
apnaa ke mujhe aapne yoon zindagi de di
khoya thha andheron mein mujhe raushni de di
yoon de ke pyaar aapne mera dil badhhaa diyaa
chhotey se ik chiraag ko sooraj banaa diyaa
hum jaise aur bhi naye aayenge kalaakaar
ummeed hai unn sabko aap denge yoon hi pyaar
ummeed hai unn sabko aap denge yoon hi pyaar

(Clapping sound)


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4815 Post No. : 16586 Movie Count :

4520

Hullo Atuldom

I am super charged as I sit to write this post. I don’t know how to express my SURPRISE that the songs of this movie are yet to appear on the blog. I made a quick call to Atulji to confirm that this movie has not yet made its debut. I was making sure that it doesn’t appear under any other spelling. Atulji said that he is aware that it is yet to debut, so let us have it.

This 1980 release is a fantasy film based on a story from the Arabian Nights. Something that every child would have grown up reading, hence I am refraining from giving the story/ synopsis. I shall just say that this film had a generous dose of romance and romantic songs along with good quality action scenes. The film was an Indo-Soviet joint venture with the Uzbek director Latif Faiziyev and Indian director Umesh Mehra directing a set of Bollywood stars/actors and some Russian, Caucasian and Central Asian actors. Anand Bakshi and RD Burman were in charge of the songs that are popular till today and only three singers were used- Asha Bhonsle, Kishore Kumar and Lata Mangeshkar.

Before I present the song I would like to go into flashback with this song. That was to wish the actor Prem Chopra on his birthday. In there I had mentioned how his pairing with Rajesh Khanna was sure formula for success in the early 70s- he appeared in 19 movies as a co-actor of Rajesh Khanna.

Another actor with whom he was acceptable to the audiences was Dharmendra with whom he has appeared in around 30 films.

There are other actors with whom he has been regularly appreciated with and has done sizeable number of films – like 16 with Manoj Kumar, 24 with Amitabh Bachchan. I would like to know the count of films that Prem Chopra appeared, with respect to other prominent actors like Dev Anand, Jeetendra, Feroz Khan, Sunil Dutt, Rishi Kapoor etc. I know for sure that he has acted in 4 movies with his idol Dilip Kumar.

In my post of the 23rd September 2018, I had also mentioned how there were numerous songs where the heroines will sing love songs with the characters played by Chopra in order to get a response from the hero. Today’s song is similar to Kitna mazaa aa raha hai(Raja Jani)(1972) with a minor difference. Here we have the heroine dancing to the tunes of the hero. The ultimate aim being to rescue the girl from her predicament and an unwanted marriage with the wily Shamsher (Prem Chopra). Here the hero Alibaba (Dharmendra) has come as a Jadugar and has promised Shamsher that he will do some ‘mumbo-jumbo’ and get Marjina (Hema Malini) agree to his marriage proposal. For starters, the Jadugar gets Shamsher to dance and Marjina stands like a statue. But when she sees her lost ‘paayal’ (called ‘ghungroo’ in the song) she recognizes the Jadugar and joins him in the song-n-dance routine.

I have read in one of Prem Chopra’s interviews in the past, that he is scared of snakes and that he was petrified to shoot this song as the last stanza has a snake appearing out of nowhere. So possibly the priceless expression that he has given was not acting.

Prem Chopra has been a great supporting actor for almost 61 years. He began his career with a Punjabi film in 1960, followed by brief roles in ‘Hum Hindustani’, ‘Woh Kaun Thi’ etc. ‘Shaheed’ along side Manoj Kumar can be said to be his breakthrough film. ‘Upkaar’ and ‘Do Raaste’ also need to be mentioned as they presented him with different types of characters in spite of being Gray-shaded.It is well-known that he is connected to the Kapoor Khandaan as his wife and Raj Kapoor’s wife were sisters so that also makes him a brother-in-law to Prem Nath, Rajendra Nath and Narendra Nath.
Here is wishing this Tall and Handsome actor on his 86th birthday good health and lots of happiness.

Presenting ‘Alibaba aur 40 Chor’ (1980) on the blog, with this song, which I have written without hearing the video. After writing the lyrics I heard the song and found one error in what I had noted. I found that in all these years (41 years) I was singing this one line bas hadd kar di o bedardi wrong.


Song-Jaadugar jaadoo kar jaayega(Alibaba Aur 40 Chor)(1980) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Anand Bakshi, MD-R D Burman
Both

Lyrics

jaadugar jaadoo kar jaayega
kisi ko samajh nahin aayega
o marjina naach haseena
mushkil kar de sab ka jeena
nahin toh
nahin toh
jaadugar jaadoo kar jaayega
kisi ko samajh nahin aayega
o marjina naach haseena
mushkil kar de sab ka jeena
nahin toh
nahin toh
jaadugar jaadoo kar jaayega
kisi ko samajh nahin aayega

naachegi teri jawaani
dekhegi duniya deewaani
har cheez hai mere bas mein
kya aag hai kya hai paani
o naachegi teri jawaani
dekhegi duniya deewaani
har cheez hai mere bas mein
kya aag hai kya hai paani
arre chhoomantar chhoo
dekh idhar tu
pehen le inko
le yeh ghunghroo
warna ghazab ho jaayega
ae jaadugar jaadoo kar jaayega
kisi ko samajh nahin aayega

maana tujhe maine maana
tu jaadugar hai deewaana
bebas mujhe kar diya yoon
thhehra hai saara zamaana
ho o o
maana tujhe maine maana
tu jaadugar hai deewaana
bebas mujhe kar diya yoon
thhehra hai saara zamaana
bas hadd kar di o bedardi
batla kya hai teri marzi
kab tak mujhe tadpaayega
u u u u

ae jaadugar jaadoo kar jaayega
kisi ko samajh nahin aayega

kismat kaa chamka sitaara
toone mujhe jab pukaara

chup-chaap tu naachti ja
jab tak karoon main ishaara
oooo
kismat kaa chamka sitaara
toone mujhe jab pukaara

chup-chaap tu naachti ja
jab tak karoon main ishaara
o o
tere kadmon mein ye sar hai
tu hai toh phir kis ka darr hai
jo hoga dekha jaayega
oooo ooo

aye jaadugar jadoo kar jaayega
kisi ko samajh nahin aayega
o marjina naach haseena
mushkil kar de sab ka jeena
nahin toh
nahin toh
jaadugar jaadoo kar jaayega
kisi ko samajh nahin aayega


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4809 Post No. : 16577

We have Ganpati Festival being celebrated all over. It brings back lot of memories for peoples like me. Especially the memories of the entertainment programs organized over the ten days of this festival. And secondly it’s the ‘prasada’ especially the ‘modaks’ 😊

Those were the years when I was growing. But the excitement and the thrill remain the same even today and savoring the varieties of modaks has only been more interesting and more joyful every year as it comes.

We were staying at Paras (District-Akola, Maharashtra) then. I was born in 1968 and we stayed there up to 1984. Thus, I spent my growing years to ‘mid-teens’ there in a colony for the employees of electricity board for the thermal power plant there.

Every year the Ganpati Festival would be celebrated for all, and it was called ‘Sarwajanik Ganesh Utsav’. A committee of selected members from the employees would be in charge for all the programs to be held during this festival.

The main attractions or the most awaited programs were screening of a movie, orchestras and plays. People were more interested in these as compared to other programs.

Normally the festival always started with ‘sthaapna’ and ‘bhajans’. The following days were spread over containing two orchestra programs, two plays, one movie, one mimicry show, one ‘katha-kathan (story telling)/pravachan/ or ‘one-act-plays.

One day would be specifically reserved for ‘cultural program’ wherein artists from the employees and their families used to perform their acts (song, dance, singing, folk song/dance etc. etc.).

And the last day would be ‘Shri Satyanarayan Katha and Prasad distribution’.

In this episode I am sharing the memories of the ‘naatak’ or ‘Marathi plays.

There were two (amateur) groups in our colony who normally staged Marathi plays.

My parents were part of one group. And both acted in many plays then. (Even I used to participate and act in plays for children then).

There must be many plays which I may have watched and took part in the rehearsals with my parents. I remember to accompany my parents in the rehearsals of the ‘plays’. During the process I would get the complete script embedded in my mind and many times I would help the participant if they forgot their dialogues.
(Later I was also promoted as a ‘prompter’ behind the ‘curtains’ as my voice was suitable for this activity then). (I think I have shared the same in one my posts or in the comments on the blog).

Some of the plays that I vividly remember are ‘taroon turk mhaataare ark’, ‘Rajkaaran gela chulit’, ‘raaygadaala jenvha jaag yete’, ‘thank you mr glad’, ‘ashroonchi jhaali phoole’, ‘sunbai ghar tujhach aahe’ etc.

***

In the ‘mode’ of the festival and the above memories playing in mind when I was browsing our blog couple of days back, I came across the movie ‘Aansoo Ban Gaye Phool’. To my surprise this movie so far had got only two songs posted on the blog and yet to be ‘Yippeeee’ed’.

The name of this movie reminded me the famous Marathi play ‘Ashroonchi Jhaali Phoole’ on which this movie was based. I am sure I must have watched the play first and the movie much later when it was on a TV channel.

I do not remember now but it is also possible that I may have watched this movie with elders in the family. Because as a grown-up boy when once I heard its’ song ‘jaane kaisa hai mera deewaana’, in my uncle’s collection of songs, I found it a little familiar to me.
After this I got this song it in my collection in 1999-2000 in an Asha Bhonsle-Kishore Kumar compilation. That time I was staying at Bareilly.

Well, the story of this movie ‘Aansoo Ban Gaye Phool-1969’ was written by eminent Marathi Playwright and writer Vasant Shankar Kanetkar. He was awarded the ‘Filmfare award for Best Story’ for this movie.

I had always had a great admiration for him ever since I had watched the play ‘Raaygadaaalaa Jenvha Jaag Yete’ and reading his writings in our school text books.

Vasant Kanetkar was born on 20th March’1922 at a small village Rahimatpur, in Satara District. He was second among the four siblings his parents have. His father Shankar Keshav Kanetkar was a famous Marathi poet, and he wrote by the pen name of ‘Girish’.
Vasant Kanetkar spent his earlier life in Pune, and he graduated from the Ferguson College Pune in Arts and later done his post-graduation (M.A.) from Sangli. During his higher studies he got the guidance from V.S. Khandekar and Kannada litterateur V.K. Gokak whose writings influenced him the most. He also had the influence of Shakespeare’s writings on him.

He joined the H.P.T. Arts college of Gokhale Education Society in Nashik and later went to become a professor and life member of this institute. He took on to writing short stories and novels during his services, and his first play ‘vedyanche ghar unhaat’ (Madman have his home in Sun/heat) came in 1957.
His play ‘raaygadaala jenvha jaag yete’ (When Raaygadaa awakens) brought him more fame and admiration and went on to become a milestone play in the history of Marathi Plays.

The Sangeet Naatak Academy awarded this play as the ‘Best Indian Play’ in 1964.

‘Ashroonchi Jhali Phoole’ was the next to bring him more fame and it was a commercially successful play too.
His ‘plays’ give a new life to Marathi theatre in terms of creativity and commercial success.
In his writing career of over fifty-four years, he penned down forty-two plays, four novels, many short stories along with writing for films, writing screen plays for TV etc etc.

He presided over the ‘Marathi Sahitya Sammelan in 1988’. He was felicitated with the ‘Maharashtra Gaurav Puraskar’ in 1990 and was honored with Padma Shri in 1992 for his accomplishments in writing. His writings have been translated into many languages.
He passed away on 30th January ‘2001.

I am reproducing here the plot of this play ‘Ashroonchi Jhaali Phooley’ (Tears have become Flowers) as given on the ‘wiki-page’ of this play.

The movie ‘Aansoo Ban Gaye Phool is based on this story.

The play depicts the turns in fortunes in the lives of the two main protagonists, Vidyanand, a professor of mathematics, and his young protégé Lalya.
Professor Vidyanand is a morally upright, brilliant professor of mathematics in a college in a town in Maharashtra. He comes across an intransigent student, Lalyaa, and succeeds in reforming him. Lalya graduates from college and enters the Indian Police Service as a cadet. Meanwhile, his college is taken over by a local politician, Dharmappa, who also has strong criminal links. Dharmappa wants to exploit the college for commercial gain. When Vidyanand resists, Dharmappa subverts Vidyanand’s own colleagues to implicate him falsely under embezzlement charges.

Vidyanand is removed from his position and is thrown in jail. In jail, he undergoes a transformation, and comes out as a hardened criminal, bent on enacting revenge against those who falsely implicated him. He teams up with his childhood friend turned con-man, Shambhu Mahadev, and puts in motion a plan to defraud the politician who has ruined his life.

In the meantime, Lalya, who is now a senior police officer, is assigned to apprehend Vidyanand. Lalya, oblivious to Vidyanand’s transformation, embarks on this mission. Eventually, Vidyanand achieves his revenge, but in the process finds he has lost his moral center and compromised the very values he has stood for. In the end, Vidyanand is apprehended by his protégé, but finds redemption in the fact that his life as a teacher caused his protégé Lalya to reform himself.

“Aansoo Ban Gaye Phool-1969” was directed by Satyen Bose for ‘Anoop Kumar Productions’. It was produced by S.M. Sagar and Anoop Kumar. It had Ashok Kumar, Deb Mukherjee, Alka, Nirupa Roy, Raj Mehra, Anoop Kumar, Rakesh, with Helen and Pran. They were supported by Kumud Tripathi, Manik Dutt, Kumari Uma, Mughni Abbasi, Shekhar Purohit, Janki Das, Tarun Ghosh, Bazid Khan, Radhey Shyam, Gautam Mukherjee, Pardesi, Uma Dutt, Madhup Sharma, Prakash Misra, Behari, M.A. Latif, Vinod Sharma, Lalit Kapoor, Genius, Ramlal, Amrit Rana, Nadir, Deepak, Aziz Siddiqui, and Habib.

As mentioned above story of this movie was written by Vasant S. Kanetkar.
Screenplay of this movie was written by Nabendu Ghosh, and dialogues were written by Govind Moonis.
Editing of this movie was done by Wamanrao (which I guess is Wamanrao Bhonsle of the duo Waman Bhonsle-Guru Dutt Shirali).

This movie had five songs in it. Lyrics for four songs were written by Taj Bhopali and Govind Moonis penned one song.

Kishore Kumar and Asha Bhonsle lent their voices to songs of this movie.

Music for this movie was composed by Laxmikant-Pyarelal.

Following is the list of songs in this movie.

SNo Song Title Singer/s Posted On
01 Election mein maalik ke ladke khade hain Kishore Kumar, chorus
02 Jaane kaisa hai mera deewaana Asha Bhonsle, Kishore Kumar 08.05.2009
03* Ye dil sadaa aa dhadkaa kiya Kishore Kumar
04 O o suno to jaani o o meri kahaani Asha Bhonsle
05 Meharbaan mehboob dilbar jaan-e-man Asha Bhonsle 16.05.2009

(* Note – Song number 03 mentioned above does not feature in HFGK Vol-IV (1961-1970) in the list of songs of this movie. I have not come across any corrigendum or addendum regarding this. However, this song is very much there in the movie that is available online. I am not aware if this was added to the movie after its release?

So, the total number of songs of this movie are five and it needs to be corrected on the blog. This is also a song that does not find mention in HFGK.)

Today’s song is the third song of this movie to be posted on the blog. The earlier two songs of this movie posted on the blog were posted in the month of May’2009. That means the third song of this movie is coming after long gap of 4507 days (including 16.09.2021).

Today’s beautiful romantic song is sung by Kishore Kumar. We have Debu Mukherjee lip-syncing it on screen for Alka.

Let us now enjoy today’s song …

Video

Audio

Song-Ye dil sadaa dhadkaa kiya (Aansoo Ban Gaye Phool)(1969) Singer-Kishore Kumar, Lyrics-Taj Bhopali, MD-Laxmikant Pyarelal

Lyrics

ye dil sadaa aa
dhadkaa kiya aa
jis ke liye
wo raat aa gayi ee
ye dil sadaa aa
dhadkaa kiya aa
jis ke liye
wo raat aa gayi ee
jo lab kahen
jo lab sunen
lab par mere
wo baat aa gayi
ee ee
ye dil sadaa aa

aa paas to
aa
chhoo loon zaraa
aa
aa paas to
aa
chhoo loon zaraa
ye lat teri
ye mukhdaa tera
ho o o o o
kitni haseen
hai ye ghataa
ye chaandni
jo haath aa gayi
ee ee
ye dil sadaa aa

mujhse milin
jo
nazren teri
haan
mujhse milin
jo
nazren teri
rangeen labon pe
kheli hansi
ho o o o o
aisaa lagaa aa
dil mein mere
taaron saji
baraat aa gayi
ee ee
ye dil sadaa aa

sapne saje
hain
palkon taley ae
haan
sapne saje
hain
palkon taley
saanson mein hain
sau
deepak jaley
ho o o o o
kehnaa hai kya
is raat ka
tujhko liye
jo saath aa gayi
ee ee
ye dil sadaa aa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4806 Post No. : 16574 Movie Count :

4515

Pancham’s Music – Eighties (1981-1990) -3 (1983)
——————————————————————

In today’s post we move on to Pancham’s music in 1983.

If we talk actor wise the year ‘1983’ belonged to Rajesh Khanna. He delivered hits like Avtaar, Sautan, and Agar Tum Naa Hote. That readily brings to our mind his favourite music director and lyricist viz. Rahul Dev Burman and Anand Bakshi respectively.

In the annual list of ‘Binaca Geetmala’ of that year the song that was a ‘topper’ was a song from Rajesh Khanna movie, but it was composed by Usha Khanna and not Rahul Dev Burman. The song was ‘shaayad meri shaadi ka khayaal’. On the 2nd and 3rd spot of this list, were the songs of ‘Nikaah’ composed by Ravi.

There was only one Rajesh Khanna movie that year where Pancham had composed the music. This movie was ‘Agar Tum Naa Hote’. Its popular title song ranked twenty-third in the annual list of ‘Binaca Geetmala’.

The other Rajesh Khanna movie that found representation in the annual list of ‘Binaca Geetmala’ was ‘Avtaar’ (its song ‘zindagi mauj udaane ka naam hai’ was at 25th position). (I have not included ‘Disco Dancer-1982 where Kaka had special appearance).

Following movies which were released in 1983 had their music composed by R.D. Burman.

Sno Movie Title Director Lyricist Date of Censor Certificate Status on the Blog
1 Aan Aur Shaan Ravi Tandon Majrooh Sultanpuri 14.11.1983 1 of 4 songs posted
2 Agar Tum Na Hote Lekh Tandon Gulshan Bawra 27.10.1983 3 of 8 songs posted
3 Bade Dilwaalaa Bappie Soni Majrooh Sultanpuri 24.09.1983 5 of 7 songs posted
4 Betaab Rahul Rawail Anand Bakshi 30.07.1983 2 of 5 songs posted
5 Bindiyaa Chamkegi Tarun Dutt Anjaan 20.10.1983 0 of 5 songs posted
6 Boxer Raj N Sippy Gulshan Bawra 31.12.1983 1 of 4 songs posted
7 Chor Police Amjad Khan Nida Fazli 11.04.1983 1 of 5 songs posted
8 Farishtaa Sunil Sikand Anand Bakshi 13.10.1983 1 of 6 songs posted
9 Jaan E Jaan / Nikamma Ramesh Behl Gulshan Bawra 06.04.1983 2 of 5 songs posted
10 Kaun? Kaise? Anil Ganguly Gulshan Bawra 06.05.1983 1 of 5 songs posted
11 Lovers Bharathi Raja Anand Bakshi 07.05.1983 1 of 6 songs posted
12 Mahaan S. Ramnathan Anjaan 08.04.1983 2 of 7 songs posted
13 Main Aawaaraa Hoon Aseem Samanta Anand Bakshi 25.11.1983 0 of 5 songs posted
14 Mazdoor Ravi Chopra Hasan Kamaal 06.10.1983 2 of 7 songs posted
15 Pukaar Ramesh Behl Gulshan Bawra 01.11.1983 1 of 6 songs posted
16 Qayaamat Raj N Sippy Majrooh Sultanpuri 01.10.1983 1 of 5 songs posted
17 Rang Birangi Hrishikesh Mukherjee Kaka Hathrasi, Yogesh, Maya Govind 23.04.1983 2 of 4 songs posted
18 Romance Ramanand Sagar Anand Bakshi 12.10.1983 1 of 6 songs posted
19 Shubh Kaamnaa K. Vishwanath Anjaan 23.07.1983 1 of 5 songs posted

From the above list one song each of ‘Betaab’, ‘Lovers’ and ‘Pukaar’ appeared at spot no.4, 16 and 31 respectively in the annual list of ‘Geetmala – 1983’.

In addition to this one song each from the movies ‘Maasoom’ and ‘Shakti’ ranked at number 11 and 22 respectively. But these were the movies released in 1982.

Two songs – one each from ‘Betaab’ and ‘Maasoom’ appeared in the shadow list of that year’s annual list of Binaca Geetmala.

For today’s presentation I have chosen a song from ‘Main Aawaaraa Hoon-1983’. Two movies from the year 1983, where Pancham composed music, have not debuted on the blog out of nineteen movies. One is ‘Main Aawaaraa Hoon’ and other is ‘Bindiyaa Chamkegi’.

I am not aware of the songs from ‘Bindiyaa Chamkegi’ and songs of ‘Main Aawaaraa Hoon’. But except the one song that is the today’s song from ‘Main Aawaaraa Hoon’. I was aware of this song, but I was not aware the name of the movie it was from.

It is nice sentimental-hummable song ‘kisi ki bewafaai ka sabab ban jaaya karti hai’. I remember this song was played frequently on Radio and cassette recorders in Restaurants and Hotels.
(I was staying at Akola (Maharashtra) then for my 11-12th standard studies 😊)

“Main Aawaaraa Hoon-1983” was directed by Aseem Samanta for his father’s productions ‘Shakti Films, Bombay’. It was produced by Shakti Samanta. It had Sanjay Dutt, Rati Agnihotri, Jayaprada, Raj Babbar, Shakti Kapoor, Madan Puri, Iftekhar, Satyen Kappu, Shubha Khote, Ramesh Deo, Rashmi Chauhan, Raj Bharati, Dinesh Hingoo, Asit Sen, Madhumalini, Tarun Ghosh, Rajendra Nath, Krishnakant, Birbal, Jugnu, Robin Kar, Manorama and others.

This movie was passed by Censor Board on 25.11.1983.

“Main Aawaaraa Hoon-1983” had five songs, all written by Anand Bakshi. Music was composed by Rahul Dev Burman.

Following is the list of songs this movie had.

SNo Song Title Singer/s
01 O mera rastaa meri manzil …main aawaaraa hoon Kishore Kumar, chorus
02 Jaane ya na jaane koyi …bolo ji kaisi kahi Kishore Kumar, Alka Yagnik
03 Suna hai tumhe hamse koi shikaayat hai … Asha Bhonsle
04 Kisi ki bewafaai ka sabab ban jaaya karti hai Kishore Kumar
05 Pyaar kise kehte hain ae ae … Kishore Kumar, Asha Bhonsle

Let us now listen to today’s song which on screen is lip-synced by Sanjay Dutt in the voice of Kishore Kumar who has sung this song with his special touch. The song grows up on us if we listen to it more than once…

Other than Sanjay Dutt we can see Raj Babbar, Rati Agnihotri, Shubha Khote, Rajendra Nath, Iftekhar, Asit Sen and others in the picturisation of this song.

Video

Audio

Song-Kisi ki bewafaai ka sabab ban jaaya karti hai(Main Aawaara Hoon)(1983) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman

Lyrics(Based on Audio link)

kisi ki bewafaai ka
sabab ban jaaya karti hai
kisi ki bewafaai ka
sabab ban jaaya karti hai
mohobbat hi judaai ka
mohobbat hi judaai ka
sabab ban jaya karti hai
kisi ki bewafaai ka
sabab ban jaaya karti hai

puraane log chehre par
nayaa chehraa lagaaye
puraane log chehre par
nayaa chehraa lagaaye
miley gairon se hanske
apnon se milte hain aaye
hayaa bhi behayaai ka
hayaa bhi behayaai ka
sabab ban jaya karti hai
kisi ki bewafaai ka
sabab ban jaaya karti hai

bachaaya hai hamaari muflisi ne
ham fakeeron ko
bachaaya hai hamaari muflisi ne
ham fakeeron ko
bahot nazdeek se dekha hai hamne
kuchh ameeron ko
ye daulat har buraayi ka
ye daulat har buraayi ka
sabab ban jaya karti hai
kisi ki bewafaai ka
sabab ban jaaya karti hai

bane na baat jab koi
to koyi kuchh kahe kaise
bane na baat jab koi
to koyi kuchh kahe kaise
jo kuchh kehna zaroori ho to
insaan chup rahe kaise
ye chup dil ki duhaayi ka
ye chup dil ki duhaayi ka
sabab ban jaya karti hai
kisi ki bewafaai ka
sabab ban jaaya karti hai
mohobbat hi judaai ka
mohobbat hi judaai ka
sabab ban jaya karti hai
kisi ki bewafaai ka
sabab ban jaaya karti hai

———————————–
Devnagri script lyrics (Provided by Avinash Scrapwala)
———————————–
किसी की बेवफाई का
सबब बन जाया करती है
किसी की बेवफाई का
सबब बन जाया करती है
मोहोब्बत ही जुदाई का
मोहोब्बत ही जुदाई का
सबब बन जाया करती है
किसी की बेवफाई का
सबब बन जाया करती है

पुराने लोग चेहरे पर
नया चेहरा लगाए
पुराने लोग चेहरे पर
नया चेहरा लगाए
मिले गैरों से हंसके
अपनों से मिलते हैं आये
हया भी बेहयाई का
हया भी बेहयाई का
सबब बन जाया करती है
किसी की बेवफाई का
सबब बन जाया करती है

बचाया है हमारी मुफलिसी ने
हम फकीरों को
बचाया है हमारी मुफलिसी ने
हम फकीरों को
बहोत नजदीक से देखा है हमने
कुछ अमीरों को
ये दौलत हर बुराई का
ये दौलत हर बुराई का
सबब बन जाया करती है
किसी की बेवफाई का
सबब बन जाया करती है

बने ना बात जब कोई
तो कोई कुछ कहे जैसे
बने ना बात जब कोई
तो कोई कुछ कहे जैसे
जो कुछ कहना ज़रूरी हो तो
इंसान चुप रहे कैसे
ये चुप दिल की दुहाई का
ये चुप दिल की दुहाई का
सबब बन जाया करती है
किसी की बेवफाई का
सबब बन जाया करती है
मोहोब्बत ही जुदाई का
मोहोब्बत ही जुदाई का
सबब बन जाया करती है
किसी की बेवफाई का
सबब बन जाया करती है


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4797 Post No. : 16559

Pancham’s Music – Eighties (1981-1990) -2 (1982)
——————————————————————–

In today’s post we move on to Pancham’s music in the year 1982 , viz the second year of the decade of 1981-1990.

Following movies released in 1982 had their music composed by R.D. Burman.

Sno Movie Title Director Lyricist Date of Censor Certificate Status on the blog
1 Aamne Saamne Aseem Samanta Anand Bakshi 07.01.1982 Yet to be introduced
2 Adhooraa Aadmi Amjad Khan Yogesh 21.09.1982 Yet to be introduced
3 Ashaanti Umesh Mehra Anand Bakshi 01.05.1982 2 of 5 songs posted
4 Bemisaal Hrishikesh Mukherjee Anand Bakshi 24.02.1982 Yippeeee’ed
5 Dard Kaa Rishtaa Sunil Dutt Anand Bakshi 31.12.1982 2 of 6 songs posted
6 Gangaa Meri Maa Shyam Ralhan Gulshan Bawra 27.08.1982 Yet to be introduced
7 Maasoom Shekhar Kapoor Gulzar 18.10.1982 Yippeeee’ed
8 Namkeen Gulzar Gulzar 30.01.1982 Yippeeee’ed
9 Sanam Teri Qasam Narendra Bedi Gulshan Bawra 06.05.1982 2 of 6 songs posted
10 Shakti Ramesh Sippy Anand Bakshi 22.09.1982 2 of 5 songs posted
11 Shauqeen Basu Chatterjee Yogesh 16.04.1982 Yippeeee’ed
12 Swaami Daadaa Dev Anand Anjaan 11.08.1982 2 of 6 songs posted
13 Teri Qasam A.C. Trilokchander Anand Bakshi 20.05.1982 1 of 6 songs posted
14 Yeh To Kamaal Ho Gayaa T. Ramarao Anand Bakshi 15.10.1982 Yet to be introduced
15 Yeh Vaadaa Rahaa Kapil Kapoor Gulshan Bawra 31.03.1982 2 of 6 songs posted

Pancham was still giving some of his very best music, just like the previous year 1981.

From the above movies I had watched ‘Aamne Saamne’, ‘Dard Ka Rishtaa’, ‘Maasoom’, ‘Sanam Teri Qasam’, ‘Teri Qasam’, ‘Ye To Kamaal Ho Gayaa’ and ‘Yeh Vaadaa Rahaa’.

I do not remember all of them now except ‘Maasoom’, ‘Ye Vaadaa Rahaa’ and ‘Dard Ka Rishtaa’. But I remember the music of most of these movies. I also remember some songs from ‘Bemisaal’, ‘Ashaanti’, ‘Aamne Saamne’, ‘Shakti’ and ‘Swaami Daada’. ‘Shauqeen’ and ‘Namkeen’. I think I did watch ‘Shauqeen’ and ‘Namkeen’ on ‘cable TV’.

The annual list of ‘Binaca Geetmala-1982’ had as many as ‘ten songs composed by R.D. Burman’ in the annual list. Out of them three songs also have the voice of R.D. Burman. However, this year too none of the R.D. Burman songs made it to the top three ranks in ‘Binaca Geetmala Annual List’.

These ten songs were as given below.

S No Song Movie
1) Kitne bhi tu karle sitam Sanam Teri Qasam
2) Bolo bolo kuchh to … Poocho na yaar kya hua Zamaane Ko Dikhaanaa Hai (1981)
3) Jaana o meri jaana Sanam Teri Qasam
4) Dil lena khel hai dildaar ka Zamaane Ko Dikhaanaa Hai (1981)
5) Dukki pe dukki ho Satte Pe Satta (1981)
6) Yeh din to aata hai Mahaan (1983)
7) Yeh zameen gaa rahi hai Teri Qasam
8) Pyar mein dil pe Mahaan (1983)
9) Jabse tumko dekha Kaaliya (1981)
10) Jahaañ teri yeh nazar hai Kaaliya (1981)

Two R.D. Burman songs were considered in the ‘shade’ list i.e.

1) ‘Kaun kisi ko baandh sakaa’ – from Kaaliya-1981 and
2) ‘Tu, tu hai wahi dil ne jise apna kahaa -’ from ‘Ye Vaadaa Rahaa-1982’.

For me the surprise omission in the above list was the songs of the movie ‘Ye Vaada Rahaa’. I personally think that this movie had some very good songs. One song from this movie made it to the ‘chhaaon’ list or shade list.

‘Ye Vaadaa Rahaa-1982’ was directed by Kapil Kapoor for ‘Rose Movies, Bombay’. It was produced by Ramesh Behl. It had Rishi Kapoor, Tina Munim, Poonam Dhillon, Sarika, Rakhi, Rakesh Bedi, Iftekhar, Agha, Sundar, Gulshan Bawra, Hari Shivdasani, Chandu Prakash, Madan Joshi, Shrimati Mistry, Prasad, Pappu, Geeta, Aditya, Shanta, Salma, Asha, Avinash Thakur and others.

Shammi Kapoor made a special appearance in this movie.

This movie was passed by Censor Board on 31.03.1982.

‘Ye Vaada Rahaa-1982’ had six songs penned by Gulshan Bawra and composed to music by Rahul Dev Burman.

The six songs from this movie are as listed below.

S. No Song Title Singer/s Posted On
01 Aisa kabhi huaa nahin Kishore Kumar, chorus
02 Jeene ko to jeete hain sabhi Kishore Kumar, Asha Bhonsle
03 Ho maine tujhe kabhi kuchh kahaa tha Kishore Kumar, Asha Bhonsle 17.12.2013
04 Tu, tu hai wahi dil ne jise apnaa kahaa Kishore Kumar, Asha Bhonsle
05 Ishq mera bandagi hai, ishq meri zindagi hai Kishore Kumar, Asha Bhonsle
06 Mil gayeen aaj do lehren kuchh is tarah Asha Bhonsle 24.12.2013

We can see from the above table that only two songs from this movie have been posted on the blog and that was in 2013. These two songs appear back-to-back in December 2013 on 17th and 24th.

Same is the case with another Pancham movie from the same year i.e., 1982 is ‘Sanam Teri Kasam’ which I was under the impression that it should have been Yippeeee’ed on the blog. But so far only two songs from this movie have been posted on the blog and that was on 21.04.2012 and 07.11.2013.

Let us now listen to the today’s song sung by Kishore Kumar and Asha Bhonsle where on screen it is lip-synced by Rishi Kapoor and Poonam Dhillon respectively. The picturisation of the songs shows it at a party occasion where Poonam Dhillon tries to sing but some of the persons from the audience starts raising slogans and hooting. At this point Rishi Kapoor enters and start singing and the audience welcomes him and listen the song.

Video

Audio

Song-Jeene ko to jeete hain sabhi (Ye Vaada Rahaa)(1982) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Gulshan Baawra, MD-R D Burman
Both

Lyrics

laa laa laa laa laa laa laa aa
laa laa laa laa laa laa laa aa
laa laa laa laa laa laa laa aa
laa laa laa laa laa laa laa aa
laa laa laa laa laa laa laa
laa laa laa laa laa laa
laa laa laa laa laa ….

(noise)

(Dialogues not included)

hey
hey
hey

jeene ko to jeete hain sabhi ee
pyaar binaa kaisi zindagi ee
jeene ko to jeete hain sabhi ee
pyaar binaa kaisi zindagi ee
aao mil jul ke dukh sukh baante
kyon ham rahen ajnabi ee ee
hamsafar hain sabhi

jeene ko to jeete hain sabhi ee
pyaar binaa kaisi zindagi ee
aao mil jul ke dukh sukh baante
kyon ham rahen ajnabi ee ee
hamsafar hain sabhi ee

(Clapping sound)

sur mein hamaare aa ke sur to milaa
pyaar bharey naghme zamaane ko sunaa
sur mein hamaare aa ke sur to milaa
pyaar bharey naghme zamaane ko sunaa
lootaa de
kisike
liye ae
tu
apni khushi
jeene ko to jeete hain sabhi
pyaar binaa kaisi zindagi
aao mil jul ke dukh sukh baante
kyon ham rahen ajnabi ee ee
hamsafar hain sabhi ee

laa aa laa laa laa
he he he ae
tum bhi gaao naa

laa laa la la la laa laa laa aa
haan
laa laa la la la laa laa laa aa
laa laa la la la laa laa laa aa
laa laa la la la laa laa laa aa
laa laa la la la laa laa laa aa

apne liye jo bhi jeete hain yahaan
unko bhulaa de ik pal mein jahaan
apne liye jo bhi jeete hain yahaan
unko bhulaa de ik pal mein jahaan
rahenge
dilon mein
jo baante
sab ko hansi ee
jeene ko to jeete hain sabhi ee
pyaar binaa kaisi zindagi ee
aao mil jul ke sukh dukh baanten
kyon ham rahen ajnabi ee ee
hamsafar hain sabhi ee
jeene ko to jeete hain sabhi ee

shikwe giley bhi hain
pyaar ki adaa aa
kyon naa bhulaa den
jo bhi huaa
shikwe giley bhi hain
pyaar ki adaa aa
kyon naa bhulaa den
jo bhi huaa
milenge
dilon mein
jalaa ke
lau pyaar ki ee
jeene ko to jeete hain sabhi ee
pyaar binaa kaisi zindagi ee
aao mil jul ke sukh dukh baanten
kyon ham rahen ajnabi ee ee
hamsafar hain sabhi ee

(Clapping sound)

————————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————
ला ला ला ला ला ला ला आ
ला ला ला ला ला ला ला आ
ला ला ला ला ला ला ला आ
ला ला ला ला ला ला ला आ
ला ला ला ला ला ला ला
ला ला ला ला ला ला
ला ला ला ला ला

(लोगों के शोरगुल की आवाज़)

(संवाद जो शामिल नहीं किये गए)
हे
हे
हे

जीने को तो जीते हैं सभी ई
प्यार बिना कैसी ज़िन्दगी ई
जीने को तो जीते हैं सभी ई
प्यार बिना कैसी ज़िन्दगी ई
आओ मिल जुल के
दुःख सुख बाँटे
क्यों हम रहे अजनबी ई ई
हमसफ़र हैं सभी

जीने को तो जीते हैं सभी ई
प्यार बिना कैसी ज़िन्दगी ई
आओ मिल जुल के
दुःख सुख बाँटे
क्यों हम रहे अजनबी ई ई
हमसफ़र हैं सभी

(तालियों की गूँज की आवाज़)

सुर में हमारे आ के सुर तो मिला आ
प्यार भरे नगमें ज़माने को सूना
सुर में हमारे आ के सुर तो मिला आ
प्यार भरे नगमें ज़माने को सूना
लूटा दे
किसीके
लिए ए
तू
अपनी ख़ुशी ई
जीने को तो जीते हैं सभी
प्यार बिना कैसी ज़िन्दगी
आओ मिल जुल के दुःख सुख बाँटे
क्यों हम रहे अजनबी ई ई
हमसफ़र हैं सभी ई

ला आ ला ला ला
हे हे हे
तुम भी गाओ ना

ला ला ला ला ला ला ला आ
ला ला ल ल ल ला ला ला आ

हाँ
ला ला ल ल ला ला ला आ
ला ला ल ल ला ला ला आ
ला ला ल ल ला ला ला आ
ला ला ल ल ला ला ला आ

अपने लिए जो भी जीते हैं यहाँ
उनको भुला दे इक पल में जहाँ
अपने लिए जो भी जीते हैं यहाँ
उनको भुला दे इक पल में जहाँ
रहेंगे
दिलों में
जो बाँटे
सब को हंसी ई
जीने को तो जीते हैं सभी
प्यार बिना कैसी ज़िन्दगी
आओ मिलजुल के सुख दुःख बाँटे
क्यों हम रहें अजनबी ई ई
हमसफ़र हैं सभी ई
जीने को तो जीते हैं सभी ई

शिकवे गिले भी हैं
प्यार कीअदा आ
क्यों ना भुला दे
जो भी हुआ
शिकवे गिले भी हैं
प्यार की अदा आ
क्यों ना भुला दे
जो भी हुआ
मिलेंगे दिलों में
जला के
लौ
प्यार की ई
जीने को तो जीते हैं सभी
प्यार बिना कैसी ज़िन्दगी
आओ मिलजुल के
सुख दुःख बाँटे
क्यों हम रहें अजनबी ई ई
हमसफ़र हैं सभी ई

(तालियों की गूँज की आवाज़)


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4795 Post No. : 16556

Hullo Atuldom

2015 was the first time I wrote a post for this celebrity’s birthday. I will not say that I am a huge fan of his but I definitely like is work. He is one of the many actors who are in the film industry due to the legendary Pransaab i.e. this celebrity is inspired by or may even be a fan of Pransaab and has enacted a variety of characters on-screen much like the legend Pransaab.

Today’s celebrity began by doing inconsequential roles from 1975 after arriving in MAYANAGARI Bombay from New Delhi where Kirorimal College was his Alma-mater and is also trained from Pune’s FTII. He may have been in blink-and-miss roles in some Dara Singh and Arjun Hingorani films before Sunil Dutt cast him in the role of an antagonist in his son’s (Sanjay Dutt) launch movie ‘Rocky’ and also the named him Shakti Kapoor, his birthname was Sunil Sikanderlal Kapoor. His next two big movies were Feroz Khan’s ‘Qurbani’ (1980) which released before ‘Rocky’ (1981) and Subhash Ghai’s ‘Hero’ (1983). 1983 also had him appear in Sridevi’s Bollywood debut ‘Himmatwala’. 1981 saw him in big and small roles in ‘Naseeb’, ‘Poonam’, ‘Kaatilon Ke kaatil’, ‘Wardaat’, ‘Dhanwaan”, ‘Aapas Ki Baat’ etc. But the standout or big films of his initial days are definitely ‘Rocky’, ‘Qurbani’, ‘Hero’ and ‘Himmatwala’. But even in that period we do recall him as Kadar Khan’s younger son in ‘Naseeb’, the free-loading Portuguese Captain Gomes in ‘Armaan’ (1981), the totla (lisping) Mangal in ‘Satte Pe Satta’ (1982), and then there were more.

Post ‘Himmatwala’ he was a permanent fixture in many South Indian productions which had him team up with Kadar Khan, Asrani and Aruna Irani in movies like ‘Mawaali'(1983), ‘Tohfa’ (1984), ‘Maqsad’ (1984) etc. He was seen in comic characters in ‘Chaalbaaz’ (1989), ‘Andaz Apna Apna’ (1994) etc. He is one of the few actors whose looks could pass him off as a ‘good guy’ before the main characters of the movie realise that he was up to ‘no-good’, he is and was extremely good-looking. He was a decent enough dancer too as we have witnessed in ‘Rocky’, ‘Hero’, ‘Dance Dance’ (alongside Mithun Chakraborty), ‘Inquilaab’ (alongside Amitabh Bachchan in a guest appearance), and all the ‘n’ number of Govinda movies of the early ’90s starting with ‘Raja Babu’ (1994).

The trigger for today’s song is a social media app. There is a group dedicated to (what else) Bollywood music where the host sets some theme and group members post song-links of the songs they remember, the only condition being that particular song should not have been already posted by another member. Bollywood music treasure-pot being what it is, many songs will be common on multiple themes, but that is allowed. The theme over the last two days was songs whose lyrics include words and phrases related to STARS ( तारा, तारे, सितारा, सितारे etc.) One member posted the song which I am presenting here, today. I was looking for the word related to ‘stars’ in the the song, through the song, considering it is one of my all-time loved song. So I asked the person who posted it: “where are the stars in the song?” And he replied “at the absolute beginning”. Silly me!!! forgot the start of the song itself!!Emoji
This song is an all-male chorus by Bhupinder, R D Burman, Sapan Chakravarthy, Gulshan Bawra and The Kishore Kumar. Except for Amitabh Bachchan lip syncing mostly to Kishore Kumar all other singers are used randomly for the various actors with RDB doing all the extra vocals and Gulshan Bawra doing the “Haaye”. It is written by Gulshan Bawra and tuned by R D Burman It is filmed on a set of characters who are called Ravi, Som, Mangal, Budh, Guru, Shukra and Shani (usually addressed in a modern way as Sunny). The characters are all brothers who are living by themselves on a large farm; if the story was set in any part of the US of A then it may have been called a Ranch. An elegant lady enters the life of these bachelors as their Bhabhi (eldest wife’s brother of course) and is shocked to see the condition that the brothers live in. She first transforms their Huliya (appearance), teaches them etiquette ands also how to be good and cordial to ladies. Promptly, all the younger brothers also find beautiful girls and cupid strikes. The result of cupid striking is today’s song. After writing all this do I need to name the movie ?

I shall simply add why I love Shakti Kapoor in this song:- he gives a different expression to each “Haay”. I have heard or read an anecdote by Sachin (Pilgaonkar who played Shani a.k.a Sunny in the movie) that the large jeep used in this song had its bonnet open and Paintal (played Budh sometimes addressed as Buddhu) nearly fell onto the bonnet as shown in the song. I will also identify the other brothers- Ravi was Amitabh Bachchan, Som was Sudhir, Guru was Kanwaljit Singh, and Shukra was Vikram Sahu (also credited as Vimal Sahu in some places, was son of yesteryear actor/producer/director Kishore Sahu).

Let us listen to this lively song and wish Shakti Kapoor on his birthday.

Video

Audio

Song-Pyaar hamen kis mod pe le aaya(Satte Pe Satta)(1982) Singers-Kishore Kumar, Bhupinder Singh, R D Burman, Sapan Chakravarthy, Gulshan Bawra, Lyrics-Gulshan Bawra, MD-R D Burman

Lyrics

hmm
tumne woh kya dekha
jo kaha deewaana aaa aa
hmm
hamko nahin kuchh
samajh zara samjhaana

pyaar mein jab bhi aankh kahin lad jaaye
tab dhadkan aur bechaini badh jaaye
ru ru ooo
jab koi ginta hai raaton ko taare ae ae
ru ru oooo
tab samjho usey pyaar ho gaya pyaare

pyaar tumhen kis mod pe le aaya aaaa aa
ke dil kare haaye
haaye
koi yeh bataaye kya hoga
ru ru ru ru ru
pyaar humein kis mod pe le aaya aa
ke dil kare haaye
haaye
koi yeh bataaye kya hoga
ru ru ru ru ru

battiyaan bujha do
arre batti toh bujha de yaar

battiyaan bujha do ke neend nahin aati hai ae
ru ru oo
battiyaan bujhaane se bhi neend nahin aayegi
ru ru ru ru ru ru oo
battiyaan bujhaane waali jaane kab aayegi
ssh ssh ssh
shor na machaao warna bhaabhi jaag jaayegi

pyaar tumhen kis mod pe le aaya aaa a
ke dil kare haaye
haaye
koi to bataye, kya hoga
ru ru ru ru
pyaar hamen kis mod pe le aaya
ke dil kare haaye
haaye
koi toh bataye, kya hogaaa

hai hai hai
pyaar tumhe kis mod pe le aaya aa aaa
ke dil kare haaye
haaye
koi yeh bataaye kya hoga
di da da da doo
pyar hume kis mod pe le aaya aa aaa
ke dil kare haaye
haaye
koi yeh bataaye kya hoga
haa

aakhir kya hai aisi bhi majboori
arre mil gaye dil phir bhi kyon hai ye doori
arre dam hai toh unse chheen ke le aayenge ae ae
arre di na gharwaalon ne agar manjoori
di ra di ra di
dam hai toh unse cheen ke le aayenge ae ae
arre di na gharwaalon ne agar manjoori
di ra di ra di
pyaar hamen kis mod pe le aaya aa
ke dil kare haaye
haaye
koi yeh bataaye kya hoga
da ra pa da ra pa da ra pa da ra pa
pyaar hame kis mod pe le aaya aa
ke dil kare haaye
haaye,
koi yeh bataaye kya hoga
aaaa aaaa ha


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4792 Post No. : 16552

Hullo Atuldom

Today’s song is from the 1982 release “Raaste Pyaar Ke”. It was directed and produced by V B Rajendra Prasad; essentially meaning it was a South Indian production house. It was a remake of a Telugu hit of the ’70s. It had music by Laxmi-Pyare and songs were written by Anand Bakshi. Lata Mangeshkar, Asha Bhonsle, Usha Mangeshkar, Anuradha Paudwal, SP Balasubramanyam, Kishore Kumar were the singers used.

The movie had six songs of which the folllowing two are on the blog:

Song Date of posting
Ye waqt na kho jaaye 4 June 2012
Tedhe medhe oonche neeche lambe laambe raaste pyaar ke 10 October 2020

The cast had Shabana Azmi-Rekha-Jeetendra as the main protagonists and Utpal Dutt, Shaukat Kaifi (mother of Shyama- Shabana Azmi), Parikshit Sahni, Ashalata (bhaiyya and bhabhi to Mohan- Jeetendra), Dr. Shreeram Lagoo, Nadira (uncle and aunt of Mohan and Sohan). Then we had Om Puri (playing a good friend to Gauri- Rekha), Yunus Parvez, Mazhar Khan, Baby Khusboo (niece to Mohan) also in the movie. The post by Nahmji gives a general idea about the film’s story.

The festival season has begun with the arrival of the months of Aashaada, Shraavan and Bhadrapada. We had Raksha Bandhan, Nariyal Purnima and a few other festivals last weekend. This week it is Gokulashtami/ Krishnashtami/ Janmashtami; call it by any name but we are celebrating the birth of Lord Krishna who is said to have been born on the night of Ashtami (eighth day) after the full moon.

Lord Krishna was born when his parents were held captive by his uncle in Mathura. But at the particular hour, when the Lord was born, the guards, miraculously, were fast asleep. This gave time to Vasudev (the lord’s father) time to transport the new-born across the river Yamuna to Gokul to foster parents Nanda and Yashoda. It was raining heavily that night. He is said to have been transported in a wicker basket with the multiheaded serpent- Vasuki shielding the baby from the rain. So the next day after Janmashtami can be described as Gokulashtami. There are many legends of the lord which are related with great relish by generations of devotees. Stories about how he loved to play pranks on the Gopikas of Brindavan and played Raas-Leela with them, ate freshly churned butter with relish, his friendship with Sudama etc. and many more were bed-time stories that grandparents told their grandkids.

Coming back to the celebrations associated with the festival, different regions of the country celebrate it differently. Even the prasad (offerings to the lord) differs region to region. But the offerings will definitely have preparations of Poha (beaten rice), butter and curds. It is said that these three are most loved by the lord. Then there are devotees who keep whole night vigil praying and singing bhajans and distribute prasad around midnight. They bathe and decorate their idols of the lord, dress him up and put the Balgopal in tiny cradles and pull the cradles with ropes of flower garland.

Today’s multi-singer (Asha- Usha- Kishore) song has Mohan playing a KRISHNA with Shyama, Gauri and their friends; there are ropes of flower garland, flute, mor-mukkut etc. That is the reason for me presenting this song today where the words are for lord Krishna and sung for Mohan the bachpan ka friend (childhood friend) of Shyama and Gauri.


Song-Gokul ki galiyon ka gwaalaa (Raaste Pyaar Ke)(1982) Singers-Asha Bhonsle, Usha Mangeshkar, Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Asha Bhonsle + Usha Mangeshkar

Lyrics

gokul ki galiyon ka gwaala aaa
natkhat bada nand lala aaa
gore se ho gaya kaala
gokul ki galiyon ka gwaala aa
natkhat bada nand laala aa
gore se ho gaya kaala

kaale ne sab ko ang lagaake
kaale rang mein rang dala aa aa

gokul ki galiyon ka gwala aaa
natkhat bada nand lala aa
gore se ho gaya kala

lo chandan ka tika lagaa do o o
lo chandan ka tika lagaa do
mohan ko manmohan bana..aa..do
mor mukut iss ko pehna do
haathon mein murli pakda do
murli bana loon
munh se lagaa loon
aa tohe o brij ba..aa..ala aa

gokul ki galiyon ka gwala
natkhat bada nand lala
gore se ho gaya kala

jamna kinaare apna thhikaana
jamna kinaare apna thhikaana
paniya bharan tu pangat pe aana
ghunghat mein phir yeh

ooi
mukhdha chhupaana
ooi
chhedega tujhko saara zamaana
dhamkee deta hai
bilkul/font>
deta hai dhamkee
todke matki
maakhan churaane waala aa
gokul ki galiyon ka gwaala aa
natkhat bada nand laala aa
gore se ho gaya kaala

pakda gaya chhaliya sab dekhe ae ae
bhaagega kaise ye ab dekhen
ho pakda gaya chhaliya sab dekhen
bhaagega kaise ye ab dekhen
mera dhang mera sab dekhen
aaj tamasha sab dekhen
kisi jatan se
nahin kisi ke
haath mein aane wa..aa..la aa

gokol ki galiyon ka gwala
natkhat bada nand laala
gore se ho gaya kaala

hey kaale ne sab ko ang lagaake
kaale rang mein rang daala aa

gokol ki galiyon ka gwaala aa
natkhat bada nand laala aa
gore se ho gaya kaala



This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4790 Post No. : 16547

Pancham’s Music – Eighties (1981-1990) -1 (1981)
————————————————————–

We are back to ‘Pancham’s musical world’ again, or rather let me take you there once again 😊!

Regulars on the blog are well aware that I have been looking for movies that made their debut in the initial months of the blog and later got neglected so much so that, they had to wait for their second song on the blog for more than ten to twelve years.

Today’s movie is one such movie. Though this movie got its second song posted immediately after its’ first song, but now it has been more than twelve years that this movie is waiting for the third song.

This movie is ‘Daulat-1981’. Knowledgeable readers must surely be aware of the scintillating music of this movie which was composed by R.D. Burman.

I had also listened some of its songs earlier, but I was not aware that they were from ‘Daulat-1981’.

Two songs from this movie ‘Daulat-1981’ have been posted on the blog – the first one ‘zindagi ye zindagi’ on 30th January’2009, and the second song posted was – ‘teri har adaa hai haseen’ – posted on 1st February’2009.

Both these songs have very nice music and especially I like ‘zindagi ye zindagi’ very much.
But when I checked the remaining songs of this movie, I discoverd today’s song. I was surprised that this lesser-known movie had such great songs too. I am saying it a lesser-known movie because I do not remember to have heard or read about this movie during all these years.
I am sure readers must be remembering today’s song very well or they may have listened to it frequently on radio.

This song is sung by Kishore Kumar.

Lyrics for all songs of this movie are written jointly by Vitthalbhai Patel and Nida Fazli.

HFGK Vol-VI (1981-1985) mentions this in the footnote of this movie’s information.

Today’s movie ‘Daulat-1981’ was directed by Mohan Saigal for ‘Milan Movies, Bombay’.

It was produced by Jawaharlal Bafna- C.D. Mehta –Vasant Doshi- Smt. B.N. Shah

It had Vinod Khanna, Zeenat Aman, Raj Babbar, Sarika, Deven Verma, Dr Shreeram Lagoo, Amjad Khan, Om Shivpuri, Dev Kumar, Mohan Shery, Ramesh Deo, Poornima Jairam, Chand Usmani, Shivraj, Yunus Parvez, Mac Mohan, Brahm Bharadwaj, Yusuf Khan, Birbal, Padma Chavan, Parveen Pal, Madhu Malhotra, Gauri Verma, Asha Chandra, Ranveer Raj, Manmauji, Raj Kaul, Prince Shakeel, Madhav Achwal, Shabnam, Sunil Dhawan, Baby Geeta, Master Raju, Master Gautam, Master Rajesh, C.S. Dubey, Ashok Saxena, Bholanath, Raj Kishore, Gopal Saigal, Yogesh Chandra, Baby Gazala, R.R. Somaiyya and others.

This movie was passed by Censor Board on 11.12.1981.
(As per HFGK Vol-VI (1981-1985) there have been two more movies with the same title ‘Daulat’ passed by Censor Board in ‘1937’ and ‘1949’).

This movie had five songs as per details given below.

SNo Song Title Singer/s
01 Moti ho to baandh ke rakh doon Kishore Kumar
02 Teri har adaa hai haseen Asha Bhonsle, Kishore Kumar
03 Main to hoon sholaa badan Asha Bhonsle, chorus
04 Aa aa aji taaron mein chamak Asha Bhonsle, Suresh Wadkar, Chandrashekhar Gadgil, chorus
05 Zindagi ye zindagi, do ghadi ki zindagi

Lyrics writing for above songs is jointly credited to Vitthalbhai Patel-Nida Fazli.

As mentioned above music for this movie was composed by R.D. Burman.

In spite of having good songs, no songs from this movie featured in the ‘annual list’ of ‘Binaca Geetmala’ of the year 1981.

However, songs from the following movies, where R.D. Burman had composed music, featured in the ‘Binaca Geetmala annual list of 1981’. (Though top three songs in this list were ‘non-Pancham’ songs.
1) Love Story-1981
2) Shaan (1980)
3) Rocky – 1981
4) Biwi O Biwi – 1981
5) Sanam Teri Kasam (1982)

(Songs of the following movies where music was composed by R.D. Burman and passed by Censor Board in ‘1981’ made it to the ‘annual list of Binaca Geetmala-1982’, but again none of them featured in the ‘top three’ of the list.
1) Zamaane Ko Dikhaanaa Hai – 1981
2) Satte Pe Sattaa – 1981
3) Kaaliyaa – 1981)

Let us have a look on the movies passed by Censor Board in 1981 and where the music is composed by R.D. Burman with their respective status on the blog.

Sno Movie Title Director Lyricist Date of Censor Certificate Status on the Blog
1 Angoor Gulzar Gulzar 31.12.1981 Yippeeee’ed
2 Barsaat Ki Ek Raat Shakti Samanta Anand Bakshi 06.02.1981 3 of 5 songs posted
3 Baseraa Ramesh Talwar Gulzar 05.09.1981 1 of 6 songs posted
4 Biwi O Biwi Rahul Rawail Vitthal Bhai Patel, Nida Fazli 15.05.1981 2 of 7 songs posted
5 Daulat Mohan Saigal Vitthal Bhai Patel-Nida Fazli 11.12.1981 2 of 5 songs posted
6 Dhuaan Dulal Guha Majrooh Sultanpuri 23.03.1981 Yet to be introduced
7 Gehra Zakhm Deepak Bahri Vitthal Bhai Patel, Nida Fazli 05.10.1981 1 of 5 songs posted
8 Ghunghroo Ki Aawaaz Tulsi Ramsay-Shyam Ramsay Vijay Anand 29.09.1981 2 of 5 songs posted
9 Harjaai Ramesh Behl Gulshan Bawra, Vitthal Bhai Patel, Nida Fazli 22.04.1981 4 of 8 songs posted
10 Jail Yaatraa Bhappie Soni Majrooh Sultanpuri 07.09.1981 Yet to be introduced
11 Kaaliyaa Tinu Anand Majrooh Sultanpuri 11.12.1981 Yippeeee’ed
12 Kachche Heere Narendra Bedi Majrooh Sultanpuri 10.07.1981 Yippeeee’ed
13 Love Story Rahul Rawail-David Dhawan Anand Bakshi 21.01.1981 2 of 6 songs posted
14 Mangalsutra B. Vijay Kavi Pradeep, Nida Fazli 13.03.1981 1 of 5 songs posted
15 Naram Garam Hrishikesh Mukherjee Gulzar 28.02.1981 3 of 6 songs posted
16 Qudarat Chetan Anand Majrooh Sultanpuri, Qateel Shifai 27.02.1981 Yippeeee’ed
17 Rakshaa Ravikant Nagaich Anand Bakshi 31.10.1981 2 of 5 songs posted
18 Rocky Sunil Dutt Anand Bakshi 28.04.1981 3 of 6 songs posted
19 Satte Pe Sattaa Raj N. Sippy Gulshan Bawra 28.12.1981 3 of 7 songs posted
20 Zamaane Ko Dikhaanaa Hai Naseer Hussain Majrooh Sultanpuri, Joseph Alwariz 30.12.1981 3 of 6 songs posted

From the above list we can already see how this year ‘1981’ was a great year for Pancham as he delivered some of his very best music in many of the movies as mentioned above…

We now move to the listening of the today’s wonderful song from ‘Daulat-1981’…

On screen Vinod Khanna is lip syncing for Kishore Kumar’s voice and also seen in the picturisation of the song is Zeenat Aman and others.

Video

Audio (Longer)

Song-Moti ho to baandh ke rakh doon (Daulat)(1981) Singer-Kishore Kumar, Lyrics-Vitthal Bhai Patel-Nida Fazli, MD-R D Burman

Lyrics

moti ho to baandh ke rakh doon
pyaar chhupaaun kaise
wo chehraa hai
har chehre mein
usey bhulaaun kaise

moti ho to baandh ke rakh doon
pyaar chhupaaun kaise
wo chehraa hai
har chehre mein
usey bhulaaun kaise
moti ho to baandh ke rakh doon
pyaar chhupaaun kaise
wo chehraa hai
har chehre mein
usey bhulaaun kaise

ho o chaand nahin
phool nahin
koyi nahin unsaa haseen een een
chaand nahin
phool nahin ee ee
koyi nahin unsaa haseen
kaun hai wo
kya naam hai unka
yahaan bataaun kaise
moti ho to baandh ke rakh doon
pyaar chhupaaun kaise
wo chehraa hai
har chehre mein
usey bhulaaun kaise ae

ho o khoya huaa hai har samaa aa
yaar binaa soonaa hai jahaan aan aan
khoya huaa hai har samaa aa aa
yaar binaa soonaa hai jahaan
neel gagan ke chaand ko baanhon mein
le aaun kaise
moti ho to baandh ke rakh doon
pyaar chhupaaun kaise
wo chehraa hai
har chehre mein
usey bhulaaun kaise ae

ho o chaahe jinhen meri nazar
haaye nahin unko khabar r r
chaahe jinhen meri nazar
haaye nahin unko khabar
band hai mandir ka darwaaza
phool chadhaaun kaise
moti ho to baandh ke rakh doon
pyaar chhupaaun kaise
wo chehraa hai
har chehre mein
usey bhulaaun kaise ae
usey bhulaaun kaise ae

—————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————–

मोती हो तो बाँध के रख दूं
प्यार छुपाऊं कैसे
वो चेहरा है
हर चेहरे में
उसे भुलाऊं कैसे

मोती हो तो बाँध के रख दूं
प्यार छुपाऊं कैसे
वो चेहरा है
हर चेहरे में
उसे भुलाऊं कैसे

मोती हो तो बाँध के रख दूं
प्यार छुपाऊं कैसे
वो चेहरा है
हर चेहरे में
उसे भुलाऊं कैसे

हो ओ चाँद नहीं
फूल नहीं
कोई नहीं उनसा हसींन ई
चाँद नहीं
फूल नहीं ई ई
कोई नहीं उनसा हसीन
कौन है वो क्या नाम है उनका
यहाँ बताऊँ कैसे
मोती हो तो बाँध के रख दूं
प्यार छुपाऊं कैसे
वो चेहरा है
हर चेहरे में
उसे भुलाऊं कैसे ए

हो ओ खोया हुआ है हर समा आ
यार बिना सूना है जहान आँ
खोया हुआ है हर समा आ
यार बिना सूना है जहान
नील गगन के चाँद को बाहों में
ले आऊं कैसे
मोती हो तो बाँध के रख दूं
प्यार छुपाऊं कैसे
वो चेहरा है
हर चेहरे में
उसे भुलाऊं कैसे ए

हो ओ चाहे जिन्हें मेरी नज़र

हाए नहीं उनको खबर ,र ,र
हो ओ चाहे जिन्हें मेरी नज़र
हाए नहीं उनको खबर ,र ,र
बन्द है मंदिर का दरवाज़ा
फूल चढाऊं कैसे
मोती हो तो बाँध के रख दूं
प्यार छुपाऊं कैसे
वो चेहरा है
हर चेहरे में ए
उसे भुलाऊं कैसे ए


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4765 Post No. : 16513 Movie Count :

4489

#The Decade of Seventies – 1971 – 1980 #
—————————————————
# Bhoole-Bisre Geet # 148 # A tribute to Kishore Kumar#
———————————————–———————————————

Today 4th August 2021 is the ninety-second birth anniversary of legendary Kishore Kumar.

He was born on 4th August 1929 at Khandwa (nowadays MP) and passed away on 13th October’1987 at Mumbai. Had he been alive, he would have celebrated his ninety-second birthday today. But he passed away at the age of fifty-eight years only and left his musical memories with us forever to cherish and enjoy.

For today’s occasion, I was looking for a song from a movie not presented on the blog and a song which is different. While searching in HFGK Vol-V (1971-1980) I came across today’s movie ‘Yauwan’. I was neither aware of the movie nor its songs.

Luckily this movie has not been presented on the blog and it contains a Kishore Kumar song and that too a ‘solo’ song. This is also the only Kishore Kumar song in this movie. And this is the song which I do not remember to have listened earlier. A low-pitched soft song this song serves the purpose of being a ‘different song’ from other well-known Kishore Kumar songs still to come up on the blog. This is a lesser heard song too. In summary, this song is just what the doctor ordered. 🙂

“Yauwan-1973” was directed by Ranjan Bose for ‘N.P. International, Bombay’. It was produced by N.P. Singh. It had Yogeeta Bali, Anil Dhawan, Sujit Kumar, Sundar, Mohan Choti, Jankidas, Poornima, Sajjan, Aashu, Rajpal, Renu, Rajanibala, Amar Grewal, Rameshwar, Bharat, Ratan Gaurang, Mehta, Sharma, Jugnu, Baby Sajju, Rajpal and others.

It had Kabir Bedi also featuring in a special appearance which the movie titles mentioned as ‘and a brief encounter with Kabir Bedi’ 😊

Story and screenplay of this movie was written by Ranjan Bose who was also the director of this movie. Dialogues of this movie were written by Madan Joshi and editing was done by Bhaskar Rao.

This movie was passed by Censor Board on 12.02.1973.

“Yauwan-1973” had five songs in it, all written by Onkar Verma. Music for this movie was composed by Sonik-Omi.

All the five songs in this movie are solo songs. Four of them are sung by Asha Bhonsle and one by Kishore Kumar.

Here is the list of songs in this movie as appearing in the movie-page of this movie in HFGK Vol-V.

S.No Song Title Singer/s
01 Ye reshmi andhera lut jaane ka mausam Asha Bhonsle
02 Bandariya naach dikhaaye ki haathi dhhol bajaaye Asha Bhonsle
03 Jalta hai ye tan, sun o jaaneman Asha Bhonsle
04 Tumhaari berukhi se pareshaan hain nazaare Kishore Kumar
05 Kuchh chaahe aye aa, kuchh dhhoondhhe aye aa Asha Bhonsle

As mentioned above today’s song is sung by Kishore Kumar . It is lip-synced by Anil Dhawan who is singing the song to cheer up Yogeeta Bali.

I have not watched this movie so can’t say much about it. I would request knowledgeable readers to throw more light on this movie ‘Yauwan-1973’ and its songs.

Let us now listen to today’s song and pay our tributes to one and the only ‘Kishore Kumar’.

With this song, the movie ‘Yauwan-1973’ makes its debut on the blog.

Video (Longer)

Audio (shorter)

Song-Tumhaari berukhi se pareshaan hain nazaare(Yauwan)(1973) Singer-Kishore Kumar, Lyrics-Omkar Verma, MD-Sonik Omi

Lyrics

tumhaari berukhi ee se
pareshaan hain nazaare ae
tumhaari berukhi se
pareshaan hain nazaare
zaraa sa muskuraa ke
tum inhen de do sahaare
tumhaari berukhi se
pareshaan hain nazaare
zaraa sa muskuraa ke
tum inhen de do sahaare
tumhaari berukhi se

pashemaan kis liye hoti ho
tum apni jawaani se
pashemaan kis liye hoti ho
tum apni ee jawaani se
khushi aur gham ka rishtaa to
rahegaa zindagaani se
hai gham kaisaa kaho hamse
jo hai dil mein tumhaare
tumhaari berukhi se
pareshaan hain nazaare ae
tumhaari berukhi se

jalegaa dil bahaaron ka
jo tum aansoo bahaaogi
jalegaa dil bahaaron ka
jo tum aansoo bahaaogi
milegaa chain kaliyon ko
agar tum muskuraaogi
usi ki zindagi hai jo ise
hans kar guzaare
tumhaari berukhi se
pareshaan hain nazaare
zaraa sa muskuraa ke
tum inhen de do sahaare
tumhaari berukhi se
hmm hmm hmm hmm
hmm hmm
hmm hmm hmm hmm
hmm hmm


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16600 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16615

Number of movies covered in the blog

Movies with all their songs covered =1280
Total Number of movies covered=4520

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