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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Kishore Kumar songs’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4013 Post No. : 15120 Movie Count :

4153

“Ek Naari Ek Brahmchaari”(1971) was directed by K P atma for Jyoti Navshakti Combines, Bombay. This “social” movie had Jeetendra, Mumtaz, Sohrab Modi, Durga Khote, Jagdeep, Aruna Irani, Mukri, Mohan Choti, Brahmchaari, B B Bhalla, Polson, Birbal, Harinath Thakur, Vishnu Malhotra, Renu etc, with guest appearances by eshto Mukherji and Krishn Dhawan and special appearances by Shatrughan Sinha and Malka.

The movie had five songs in it.

Here is the first song from “Ek Naari Ek Brahmchaari”(1971) to appear in the blog. The song is sung by Kishore Kumar. Hasrat Jaipuri is the lyricist. Music is composed by Shankar Jaikishan.

The song is picturised on Jeetendra and Mumtaz.

With this song, “Ek Naari Ek Brahmchaari”(1971) makes its debut in the blog.


Song-Ye pyaar to milan hai (Ek Naari Ek Brahmchaari)(1971) Singer-Kishore Kumar, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan

Lyrics (Sent by Prakashchandra)

ye pyaar to milan hai
yahaan milen wahaan milen
jahaan kaho jaise kaho wahaan milen
ye pyaar to milan hai
yahaan milen wahaan milen
jahaan kaho jaise kaho wahaan milen
ye pyar to milan hai

dekho na aise mujhko
kyun dil jala rahi ho
mauka hai pyaar ka ye
kyon door ja rahi ho
dekho na aise mujhko
kyon dil jala rahi ho
mauka hai pyaar ka ye
kyon door ja rahi ho
ye pyaar to milan hai
yahaan milen wahaan milen
jahaan kaho jaise kaho wahaan milen
ye pyaar to milan hai

koi janam ho gori
tujhko rahoonga pake
dharti ho ya gagan ho
tujhse miloonga aake
koi janam ho gori tujhko rahoonga pake
dharti ho ya gagan ho
tujhse miloonga aake
ye pyaar to milan hai
yahaan milen wahaan milen
jahaan kaho jaise kaho wahaan milen
ye pyaar to milan hai
yahaan milen wahaan milen
jahaan kaho jaise kaho wahaan milen
ye pyaar to milan hai
hai ae ae

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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3998 Post No. : 15095

Yesterday (26th June) there was a discussion on the ‘Atulites Whatsapp group’ regarding songs containing the word ‘June’ in them. I thought that some of us would definitely point out this song – how can seventies’ fans miss this. So, our beloved Raja ji pointed out this song and reminding it that it was quite a popular song in those days. I must be 2/3 years old then, so I can’t say much about this 🙂 but, after listening this song now, I can say that it’s tune is quite nice and enjoyable and one can easily be humming this song after listening to it once.

I had come across this song few months back during my routine browsing, and since the starting of this month – ‘June’, I wanted to share the song during this month. I was thinking of sharing this song, but as the month progressed it was very hectic on work front for me and it slipped out of mind. But nevertheless, since yesterday’s discussion I thought we still have few days in this month of June and can enjoy this song.

The song is from the 1970 movie ‘Jawaab’ and it is picturised on the favourite comic side plot jodi of the seventies i.e. Mehmood and Aruna Irani. I was also wondering how our regular Mehmood fans have missed this song or maybe they have shared and waiting for its posting. By Mehmood fans I mean our respected Atul ji and Nalini ji. I apologize Atul ji, if he already had a post on this song in his mind. And if he has any, I would like that he present this song with his post here, because all his posts on Mehmood are very very nice and enjoyable.

The following other songs were noted during the discussion.

  • Hai ye June ka maheena – from the 1962 movie ‘Mud Mud Ke Naa Dekh’ – and this also is yet to be posted on the blog!!
  • The other song having the world June is ‘Mere Piyaa gaye Rangoon’

The movie ‘Jawaab’ was directed by Ramanna for RR Pictures, Madras’.  It had Ashok Kumar, Meena Kumari, Jeetendra, Leena Chandavarkar, Prem Chopra, Jyothi Lakshmi, Ulhas, Aruna Irani, Rajan Haksar, Leela Mishra, Prem Kumar, Madhumati, Kanhaiyya, Lakshmi, Pandey, Indra Acharya and Mehmood.

NS Bedi was the dialogue director for this movie. Editing of this movie was done by MS Money. Dialogues of this movie were written by Rajinder Krishan who also wrote the lyrics for all the six songs of this movie. Music for this movie was composed by Lakshmikant-Pyaarelal. Asha Bhonsle, Hemlata, Kishore Kumar, Lata Mangeshkar and Mohd Rafi had given their voices to the songs in this movie.

From the re-certification date of the movie (available online) – 15.07.1980, it can be concluded that it was originally passed by Censor on 15.07.1970). Two songs from this movie have already been posted on the blog earlier.

This song is a fun love song picturised in a well and when Mehmood is there its entertaining and enjoyable given his own specialities. When I noted the lyrics from the video, the mukhda of this song goes like ‘aaja meri jaan ye hai june ka maheena, june ka maheena hai ye june ka maheena’. However, there is one audio version where the second line of the mukhda is different and having the words as ‘garmi hi garmi, paseena hi paseena’. Except this change in mukhda and “zulfon ki chhaon mein…” in place of “palkon ki chhaon mein bitthaa le o haseena”, rest of the lyrics are same in both versions. HFGK Vol – IV in its listing of this song also mentions the song title as “aaja meri jaan ye hai june ka maheena, garmi hi garmi, paseena hi paseena”, though I could not get to refer the appendices of this Vol IV of HFGK so I am not aware if any additional information about this is noted there. It seems that the first mukhda was overlaid later, in the movie version, before released. Possibly some objection by the censors. The change can be noticed in the lip movements of Mehmood.

Well, as Raja ji mentioned “though the Monsoon has started over and spreading its ‘wings’ across, some parts of the country still may be hot and humid”. So for those areas where monsoon has not yet reached, I think the words “garmi hi garmi, paseena hi paseena” and this song is still very applicable 🙂 .

Let us now enjoy this song…

Video

Audio

Song – Aa Ja Meri Jaan Ye Hai June Ka Mahina  (Jawaab) (1970) Singer – Asha Bhosle, Kishore Kumar, Lyrics – Rajendra Krishan, MD – Lakshmikant Pyaarelal
Asha Bhosle + Kishore Kumar

Lyrics (Based on Video Clip)

aa aa
aa aa aa aa

hey ae ae
hey hey hey hey hey ae
ho o o o o ho

aaja meri jaan
aaja meri jaan
ye hai june ka maheena
aaja meri jaan
ye hai june ka maheena

arey june ka maheena hai ye
june ka maheena
june ka maheena hai ye
june ka maheena
palkon ki chhaaon mein
bithha le o haseena
aaja meri jaan
ye hai june ka maheena
chak june ka maheena hai ye
june ka maheena

ajab hai ye duniyaa
hmm hmm hmm hmm
ajab hai ye duniyaa
ajab ye jahaan hai
ke naa ye zameen hai
naa ye aasmaan hai
ke naa ye zameen hai
naa ye aasmaan hai
naa dar hai
naa khidki
naa hai koi zeena
hyaa hmm hmm
hyaa hmm hmm
aaja meri jaan
hai ye june ka maheena
aaja meri jaan
ye hai june ka maheena

mile jo thhandi thhandi ee ee ee
mile jo thhandi thhandi
kunwe ki hawaayen
to kyun tokyo mein
ya paris mein jaaye
to kyun tokyo mein
ya paris mein jaaye
ye love in well
ye love in well
ye love in well
suni hogi kabhi naa
aaja
ja ja
arey aaja meri jaan
ye hai june ka maheena
palkon ki chhaaon mein
bithha le o haseena
aaja meri jaan
ye hai june ka maheena
aaja meri jaan
ye hai june ka maheena


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3996 Post No. : 15090

Hullo to all of Atuldom

Welcome to a post which will get a reaction of “Yeh gaana baaki hai???” And I am sure Atulji will put this song under the category “How did I forget to post this song earlier?”.

In the 70s, and for all the 43 years since, this song has been extremely popular. It is a love song where the young couple meet on the sly, in the middle of the night. It was sung by Asha Bhonsle and Kishore Kumar for a sweet seventeen Neetu Singh and a handsome/ charming 23-year-old Rishi Kapoor. It had very simple choreography by PL Raj that made the pair look very adorable. It was written by Gulshan Bawra and set to tune by our today’s birthday boy.

27th June our dear RD Burman would have turned 80. Like I have written in my post which accompanied the song to remember Kishore Kumar on his last birthday, how I wish Pancham or RDB had not left this world when he did. Then the treasure trove of wonderful songs would have been overflowing. But then that was not to be and we lost him in 1994. But there is still a treasure trove which gives us a lot of songs which if played continuously will last us for days on end. There is a song for every mood. Currently as I write this, I have chosen some random songs on amazon prime music which began with “Chaand Churaa Ke Laya Hoon” (‘Devta’, 1978) went on to “Meri Bheegi Bheegi Si Palkon Pe” (‘Anaamika’, 1973) followed by “O Maanjhi Re” (‘Khushboo’, 1975) and has another 20 songs which include “Bangle Ke Peeche Teri Beri Ke Neeche” (‘Samaadhi’, 1972), “Roz Roz Dali Dali” (‘Angoor’, 1982), and “Mera Pyaar. . . Shalimar” (‘Shaimar’, 1978). Now I must admit I love RDB songs and what I chose to hear were songs which I have not heard in a while. I am totally impartial in my selections. 🙂

Now on to today’s song. Thank you, RD Burman, for bequeathing to us a huge set of songs to remember you with.

Editor comment-With this song, Asha Bhonsle completes 2600 songs as a playback singer in the blog.

Song – Ek Main Aur Ek Tu, Dono Miley Is Tarah  (Khel Khel Mein) (1975) Singer – Kishore Kumar, Asha Bhosle, Lyrics – Gulshan Baawra, MD – RD Burman
Kishore Kumar + Asha Bhosle

Lyrics

ek main aur ek tu
dono miley is tarah
ek main aur ek tu
dono miley is tarah
aur joh tan mann mein ho raha hai
ye to hona hi tha
ek main aur ek tu
dono miley is tarah
ek main aur ek tu
dono miley is tarah
aur joh tan mann mein ho raha hai
ye to hona hi tha

yoon nahi
milte hai yaar yaar se
de.. mujhe..
pyaar ka jawaab pyar se
dhadkanen hui jawaan
waqt bhi hai meharbaan
phir ye kaisi dooriyan
bolo bolo bolo bolo bolo bolo
ssshhh
ek main aur ek tu
dono miley is tarah
ho oo ek main aur ek tu
dono miley is tarah
ek main aur ek tu
dono miley is tarah
aur joh tan mann mein ho raha hai
ye to hona hi tha

lalalalalalaaa
lalalalallalaaaa

ho.. dooriyan
waqt aane pe mitaayenge
ek.. din..
itna paas paas aayenge
intezaar tab talak
beqaraar tab talak
yoon hi pyar tab talak
bolo bolo bolo bolo bolo bolo
sshh sshh sshh
ek main aur ek tu
dono miley is tarah
haan ek main aur ek tu
dono miley is tarah
aur joh tan mann mein ho raha hai
ye to hona hi tha

dillagi
ban gayi hai dil ki lagi
hey.. zindagi
naam hai isika zindagi
ho khel khel main sanam,
aa gaye jahaan pe hum
rok le wahin kadam
bolo bolo bolo bolo bolo bolo
sshh sshh sshh

ek main aur ek tu
dono miley is tarah
ek main aur ek tu
dono miley is tarah
aur joh tan mann me ho raha hai
hmmm hmmm hmmm hmmm hmmmmm
ye to hona hi tha
. . to hona hi tha
ye to hona hi tha

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

एक मैं और एक तू
दोनों मिले इस तरह
एक मैं और एक तू
दोनों मिले इस तरह
और जो॰ह तन मन में हो रहा है
ये तो होना ही था
एक मैं और एक तू
दोनों मिले इस तरह
एक मैं और एक तू
दोनों मिले इस तरह
और जो॰ह तन मन में हो रहा है
ये तो होना ही था

यूं नहीं
मिलते हैं यार यार से
दे॰॰ मुझे॰॰
प्यार का जवाब प्यार से
धड़कनें हुईं जवां
वक़्त भी है मेहरबान
फिर ये कैसी दूरीयां
बोलो बोलो बोलो बोलो बोलो
शशश
एक मैं और एक तू
दोनों मिले इस तरह
हो ओ एक मैं और एक तू
दोनों मिले इस तरह
और जो॰ह तन मन में हो रहा है
ये तो होना ही था

लालालालालाला॰ ॰ ॰
लालालालालाला॰ ॰ ॰

हो दूरीयां
वक़्त आने पे मिटाएँगे
एक॰॰ दिन॰॰
इतना पास पास आएंगे
इंतज़ार तब तलक
बेक़रार तब तलक
यूं ही प्यार तब तलक
बोलो बोलो बोलो बोलो बोलो
शश शश शश
एक मैं और एक तू
दोनों मिले इस तरह
हाँ एक मैं और एक तू
दोनों मिले इस तरह
और जो॰ह तन मन में हो रहा है
ये तो होना ही था

दिल्लगी॰॰
बन गई है दिल की लगी
हे ज़िंदगी॰॰
नाम है इसी का ज़िंदगी
हो खेल खेल में सनम
आ गए जहां पे हम
रोक ले वहीं कदम
बोलो बोलो बोलो बोलो बोलो
शश शश शश
एक मैं और एक तू
दोनों मिले इस तरह
एक मैं और एक तू
दोनों मिले इस तरह
और जो॰ह तन मन में हो रहा है
हम्म हम्म हम्म हम्म हम्म हम्म
ये तो होना ही था
॰॰ तो होना ही था
ये तो होना ही था


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3979 Post No. : 15067 Movie Count :

4134

“Kahaani Ek Chor Ki”(1981) was produced by Balubhai Shah and directed by S Ramnathan for Deepak International, Bombay. This obscure “social” movie had Jeetendra, Vinod Mehra, Mausami Chatterji, Laxmi, Nirupa Roy, Aruna Irani, Asrani, Madan Puri, A K Hangal, Ranjan, Master Titu, Ranjeet, Bhagwan, Chaandrashekhar, Sundar, Jairaj, Shukla, Major Anand, Mukri, Viju Khote, Yusuf, Raju, Ratna, Madhumati Sharma, Uma Khosla, Manik Chaudhary, Master Laddoo, Chiku etc in it.

This movie, which I had never heard of, despite being in the midst of movie watching spree, had four songs in it.

Here is the first song from the movie to appear in the blog. The song is sung mainly by Kishore Kumar, with a few words by Hemlata. Hasrat Jaipuri is the lyricist. Music is composed by Ravindra Jain.

The song is ip synced by Vinod Mehra (disguised as a bearded old man) and Laxmi (I hope I have identified her correctly. This song , picturised in a public garden,is apparently a ruse meant to sow seeds of doubt in the mind of Asrani, who is also visible in the songs towards the end.

With this song, “Kahaani Ek Chor Ki”(1981) makes its debut in the blog.


Song-Karishma ye kya meri jaan ho gaya (Kahaani Ek Chor Ki)(1981) Singers-Kishore Kumar, Hemlata, Lyrics-Hasrat Jaipuri, MD-Ravindra Jain

Lyrics

karishma ye kya meri jaan ho gaya
karishma ye kya meri jaan ho gaya
tujhse nazren milin
main jawaan ho gaya
tujhse nazren milin
main jawaan ho gaya
ae buddhe chal hatt
karishma ye kya meri jaan ho gaya
karishma ye kya meri jaan ho gaya
haan

aisi bijli hai tu
kya
aisi bijli hai tu
jo bhi chhoo le jhatka khaaye
main bhi jhatka kha gaya
jaaneman
aisi titli hai tu
are aisi titli hai tu
tere peechhe main jo bhaaga
barson peechhe aa gaya
aaya thha kis kaam se
kar baitha kya kaam
raam naam ki umar mein
tera hua ghulaam
haaye haaye
budhaape mein bhi imtahaa ho gaya
arre arre arre arre
budhaape mein bhi imtahaa ho gaya
ho ho ho

ghar ka de de pata
ae jaani ghar ka de de pata
yoon raste mein chhed khaani karte
aaye hai sharam
meri jaan maaf karna khaata
maaf karna khata
dhandha khota sahi
lekin banda dil ka hai naram
main logon ki mushqilen
karta hoon aasaan
dhan ke haathon bik gaya
na bechoon imaan
dekho jabhi to khuda
meharbaan ho gaya
hahaaha
waah bade miyaan

dekho khuda meharban ho gaya
tujhse nazren milin
main jawaan ho gaya
tujhse nazren milin
main jawaan ho gaya


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3973 Post No. : 15059

Today’s song is from the film Aabshaar aka Waterfall-1953.

To me, songs from the fifty’s decade work like a breeze of fresh air or a cup of hot filter coffee. Discussing songs from the 30s and the 40s continuously gives me a feeling of being a very old man which, actually, I am ! But then, being so and feeling so, are two different things. Toying with a song from the 50s takes me back to my college days. If the song is of Kishore, Sugar gets added to the Coffee further.

Listening to songs of Kishore Kumar from his early years is truly a feast. His song from film ‘Aandolan’-1951 is my eternal favourite. Many times, when I am in a depression, tension, sad mood or simply bored, I like to listen to Vintage songs of Kishore Kumar. For this purpose I have his songs on my Mobile phone itself. His early film songs like Funtoosh, Bahaar, Paying Guest, New Delhi, Begunah etc are unparallelled. In fact, I had run a series of 21 songs under the title ” Vintage Kishore ” from 17-12-2013 to 18-1-2014, on this Blog.

Film Aabshaar-53 was made by Globe Pictures and was produced and directed by Hasrat Lucknowi. When the film’s shooting started, Ghulam Hyder was the composer. He recorded 3 songs of Pakistani singer Munawar Sultana. After partition GH used to come to India to compose music to films, and at the same time, he would compose for Pakistani films too. However, his films like Shahida-49, Beqasoor-50,Akeli-51 and Bheegi Palken-52 were all flops.

While doing music of Aabshaar in India, he was also doing film Gulnar of Pakistan. Meanwhile his health worsened and he abandoned film Aabshaar and left for Pakistan to complete Gulnar. Film Gulnar was released on 2-11-1953 and Ghulam Hyder died on 9-11-1953 !

After he left, the film was given to Bhola Shreshtha and Mohd. Shafi. Bhola composed 3 songs and Shafi did 2 songs, which included today’s Kishore song. His other song was by Asha Bhosle. Besides all this jhamela in Music, film Aabshaarearned a place in Hindi Film History, for being the First ever film to start the system of ” Guest artistes”, mentioned in credits. Film Aabshaar had the cast of Nimmi, Raaj Kumar, Lalita Pawar, kuldip Kaur, Iftikhar, Tiwari and others. It had Guest artistes- AshokKumar, Shyama, Om Prakash and Nigar Sultana. The film was released in Minerva Theatre on 2-10-1953.

The Hero, Raaj kumar was still a novice, this film being onlynhis third film. he started with Rangeeli-52, then came Anmol Sahara-52 and now this film. He was kulbhushan Pandit in real life. Before coming to films, he was a Police Inspector in Bombay police force. It is believed that he was removed from Police force because a criminal died during his investigation by Raaj Kumar.

RAAJ KUMAR ( 8-10-1926 to 3-7-1996 ) – the dashing Hero known for his Dialoguebazi. In Hindi cinema after Sohrab Modi,it was Raaj kumar whose dialogues were popular. He was famous for his favourite word ” Jaani “. The other day,while going through the discussions on RMIM group of Google I found an interesting question,” Why Raaj kumar is called Jaani,when he never used this word in his film dialogues ? “. On checking thoroughly,one found that it was only in the film Saudagar and Tiranga,Raajkumar had used the word Jaani ,only once each. Thats all.
Then why this word became his identity ? The answer is this word was used by Raajkumar in private conversations and interviews very frequently,that is why !

Raaj Kumar was Extra ordinary, in the sense that most of the time he behaved unlike other stars.

He kept his personal life in close wraps. He believed in keeping personal and professional lives separate. He sent his children to Boarding schools to keep them away from films,to get the best education,and not to become like other star children.
He had built a bungalow on Worli sea face and no one except his family was ever allowed inside. Whenever he left for work,a bunch of high pedigreed Dogs used to see him off till the Gate and welcome him on his arrival. He loved his Dogs very much. He used to say ” Insan kutta ban sakta hai lekin kutta Insaan nahi ban sakta. Ye bahot achhi baat hai.”

In any Filmi party, he used to carry his own bottles. He never ever asked any special favours or concessions from any Producer. He was very punctual and one hour afternoon siesta was a must every day. This used to be one of the conditions in his work contracts with the producers. His name was never involved with any actress.

Raajkumar acted in 73 films from Rangilee-52 to God and Gun-1995.

The cast of film Aabshaar-53 was a mix of old fading artistes and new generation stars. one of them was the daredevil Kuldip Kaur. She was born sometime in 1927 and brought up like a princess. Her spoiled Sardar husband wanted his wife to be like a modern westernized lady. He wanted his wife to learn swimming and rub shoulders with the club-going English elite based in Lahore and Amritsar.Once exposed to the club culture, Kuldip Kaur also started getting a taste of its dark side.

Since Lahore was a film city, Kuldip Kaur started dreaming about becoming a film actress. According to one story, Kuldip Kaur started admiring the professional qualities of actor Pran Nath, who was in film acting in Lahore since 1940, when he successfully performed the role of a hero in Punjabi film “Yamla Jutt” (The Simple Peasant).

By July and August of 1947, communal violence erupted into a full-fledged exercise in ethnic cleansing, with Muslims on one side and Sikhs and Hindus on the other. Both Lahore and Amritsar were engulfed in the worst sectarian violence in recent history.
Both Pran and Kuldip Kaur were made to leave Lahore in a jiffy, leaving virtually every belonging behind. Her own village being right on the border was also not peaceful. So Kuldip Kaur left straight for Bombay. According to one story, in order to impress Pran, Kuldip Kaur
decided to bring Pran’s stranded car from Lahore to Bombay. In a gesture of unprecedented daredevilry, she travelled from the safety of Amritsar to Lahore and drove Pran’s car first to Amritsar and then all the way to Bombay, where she handed over
the keys to a surprised but grateful Pran.

After leaving for Bombay, Kuldip Kaur’s contact with her parents and in-laws got diminished. On arrival in Bombay, Kuldip Kaur made up her mind to plunge headlong into the film industry. She was prepared to act in Hindi/Urdu as well as Punjabi films. The experts of film industry were of the opinion that her large piercing eyes and her flat chin made her an ideal choice for the role of a vamp.

The first ranking heroines of the time included Naseem Bano, Madhubala, Nargis, Suraiya and Nutan. Other heroines included Binarai, Shyama, Nimmi, Nirupa Roy, Meena Shori, Nigar Sultana, Veena and Kamini Kaushal. There was a shortage of ladies willing to perform the role of vamps.
One of Kuldip Kaur’s first films was a Punjabi blockbuster “Chaman” (1948). Within the same year Kuldip Kaur acted in two Hindi/Urdu films “Ziddi” and “Grahasthi“. All her 1948 films did well. After that she never looked back and went from strength to strength. At one stage Kuldip
Kaur was so busy in her film roles that for a long duration she did not visit Punjab.

In 1949, Kuldip Kaur worked in at least two films “Ek Thi Ladki” and “Kaneez”. “Ek Thi Ladki” was a blockbuster. Music Director Vinod composed some great tunes for this movie. “Kaneez” did not do too well.In 1950, Kuldip Kaur acted in two great musical Hindi movies “Samadhi” and “Adhi Raat” and did two Punjabi movies “Madaari” and “Chhai”. 1951 was a great year for her: she played the roles of vamps in six movies – “Stage”, “Rajput”, “Nai Zindagi”, “Ek Nazar”, “Afsana” and “Mukhra”. Her role in film “Afsana” received critical acclaim.

1952 was another great year for Kuldip Kaur. She worked in four movies – “Shisham”, “Nau Bahar”, “Baiju Bawra” and “Anjaam”. Again her role was highly praised in what became an all-time classic, “Baiju Bawra”. In 1953 again, Kuldip Kaur had four films – “Mashooka”, “Baaz”, “Anarkali” and “Aabshar”. Of these, “Anarkali” was a super hit and her role stole the limelight. 1954 proved another great year. She was featured in three movies – “Lal Pari”, “Gul Bahar” and “Daak Babu”. 1955 was one of her busiest professional years. She played the bad girl’s role in “Teer Andaz”, “Miss Coca Cola”, “Mast Qalandar” and “Jashan”.

In 1956, things slowed down a bit. She worked in two films, but none was released. Two of Kuldip Kaur starrers spilled over into the new year and were released in 1957. These were “Sheroo” and “Ek Saal”. In 1958 Kuldip Kaur had her roles in two films “Sahara” and “Panchyat”. In 1959, she did three films – “Pyaar Ka Rishta”, “Mohar” and “Jagir”. Out of these, one film, “Mohar,” was a great musical. Its music composed by Madan Mohan was simply outstanding. When Kuldip had fewer Hindi films in hand, she worked in Punjabi films.
1960 started as a reasonably good year for Kuldip Kaur. She had a Hindi film, “Maa Baap,” and a Punjabi film, “Yamla Jutt”.But during this very year, her life was cut short when she got some thorns in her feet and legs and she pulled those out by herself. True to her character of a daredevil woman, she did not seek medical advice immediately. Her sores became not only septic, but she contracted tetanus too, which was then incurable.

Kuldip Kaur died on 3rd February 1960. She worked in 69 films. ( adapted, with thanks, from apna.org )

Everything about this film seems to be special, including 3 MDs. Today’s song is composed by Mohd. Shafi. His name may not be very well known because mostly he worked behind the scene in helping Naushad in composing music. However, he too gave music to some films. Composer Mohd. Shafi ( 25-12-1925 to 30-4-1980 ) was one of those talented artistes of Hindi Film Music who was only used by others and never got enough credit for his work.He is honoured as “The original Arranger” in the industry.He was an excellent Sitar player. He started with Imperial Film company-where he played Bulbul Tarang. In 1937 he went to Calcutta, joined New Theatres and played Sitar in films Kapal Kundala-39 and Aandhi-40, as an assistant to Pankaj Mullick and K.C.Dey. He played sitar in film “Ujala”-42. In this film, the Hero-Prithviraj kapoor was shown as a Sitar player, hence the expertise of Shafi was fully utilised in this film.

Starting with film ‘Haqdaar’-46, he gave music to 19 Hindi films and 2 Marathi films. He worked with Naushad, as his assistant and Arranger, for 14 years.He was considered a ‘Dada’ in Background music.He gave Back ground music to about 70 films( for Naushad and others). For Mughal E Azam, K. Asif used to send his personal car to fetch him to studio. It was Shafi who gave the first break to Suman Hemmadi(Kalyanpur) in Mangu-54 and Hemlata in unreleased film Iraada.

Shafi had bought his first car when he was just 15 year old. He had a posh flat in Shivaji Park area of Dadar in Bombay. In the end , everything was gone. He had helped the families of Shakeel Badayuni and Ghulam Mohammed after their deaths. However in his last difficult days , except Rafi, no one came for his help. In the final few months, his memory had gone. His Begum ruefully said,” Good that he does not remember anything. All took his advantage and gave him nothing. There were more things to forget than to remember ! ”

It is said that the entire music of Sohni Mahiwal-58 was done by him. Naushad was sick during this period and did not attend even one recording. “Do hanson ka joda”and “Dhoondho dhoondho re saajna” Gunga Jamuna-61 were his creations. He used to give tunes to many composers too-whoever asked for help.

Let us now enjoy the song sung by Kishore Kumar, a couple of unidentified male voices and chorus.


Song-Yeh duniya suit boot ki baabu (Aabshaar)(1953) Singers- Kishore Kumar, Male voice 1, male voice 2, Lyrics- Wahid Qureshi, MD- Mohd. Shafi
chorus
All

Lyrics

hooba hooba
looba looba
hingi cheeka
dooba dooba
pudra wata
pudrwati
cheeka bum
daa dru
jhingarwa jhingarwa
jhingar po o

ye duniyaa suit boot ki baabu
kara lo boot polish
kara lo boot polish
ho babu ji
suited booted
suited booted
suited booted

ho
ye duniyaa suit boot ki baabu
kara lo boot polish
kara lo boot polish
ho babu ji
suited booted
suited booted
suited booted

ho

kiya tha matric jab paas
bandhi thi kaisi kaisi aas
bandhi thi kaisi kaisi aas
banengen deputy collector
police inspector
writer actor music directar
bus conductor
tinak tin dhaagi
tinka tin dhaagi
tinak tin aa

chop
chop
chop

arre kaahe khaali peeli bom maarta hai re bhaai
kaahe ko khaali peeli bom maartaa hai ae ae
bom maarta hai
kaahe ko rota hai
arre bom maarta hai
kaahe ko rota hai

wahi hota hai
jo manzoor e khuda hota hai

wahi hota hai
jo manzoor e khuda hota hai

bom maarta hai
kaahe ko rota hai

o o o
bom maarta hai
kaahe ko rota hai

kahat kabir suno bhai saadhu
lo himmat se kaam

ho bhaiya lo himmat se kaam
usi haal mein khush raho bhaiyya
jaa mein raakhe raam

ho bhaiyyaa
jaa mein raakhe raam

raam naam hi sat hai pyaare
baaki dholam pol

sat vachan aahe
jis dharti par basti duniya
wo dharti hai gol
wo dharti hai gol

isi liye to kaha thha bhaiyya
kya kahaa thhaa

gol
gol
are duniyaa ka har anda gol
dhagita dhagita dhit
dhagita

roti gol
paratha gol
chaklaka chaklaka chaklaka
are paisa gol
rupaiya gol
dhritagida dhirtaagida
arre suraj gol aur chanda gol
jis polish se chamak damak hai
ae ae

jis polish se chamak damak hai
us polish ki dabbi gol
dabba gol
duniyaa gol
polam gol
kara lo boot polish
kara lo boot polish
ho babu ji
suited booted
suited booted
suited booted
ho
ho suited booted
suited booted
suited booted
ho

hoy
chakalaka lakalaka lakalaka lakalaka
pikchak pikchak pikchak
hey
lakalakalakalakalakalaka
ahaahaahaahaahaaha
ahaahaahaahaaha


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3970 Post No. : 15054

Peevesie’s mom is one blog regular who keeps in touch with me on phone almost on a regular basis. Nearly one month ago, she phoned to enquire whether my daughter was at Mumbai seeing that summer vacations had started in Mumbai colleges. So I informed her that my daughter, and also my wife, were on their way to join me for their respective vacations.

So it came as no surprise to Peevesie’s mom when my posts during the last month were reduced to a trickle.

Day before yesterday, Peevesie’s mom phoned me informing me that she had sent a late article in the evening and whether I would be able to post it. I informed her that I was on the job. She enquired why I was not posting my articles in the blog. I was posting guest articles all right but she was interested about my “man ki baat”” kind of articles. I informed her that my wife was still around and I would be able to post by “well” researched article only after I am away from the watchful eyes of my wife, which would be from the afternoon of 1 june 2019. 🙂

Then the talk veered to the TV programme that I was watching. She asked whether I was watching the world cup cricket match or the swearing in ceremony of Indian ministers. I informed her that I was watching the later, viz the swearing in ceremony.

We agreed that Indians were busy for the last one month and a half in General elections and now they would get busy following cricket world cup for the next one month and a half. Peevesie’s mom is not aware that I would stay busy after the cricket world cup as well, seeing that Premier Kabaddi League would start immediately after cricket world cup.

My wife stayed with me for nearly one month and she is leaving in the afternoon. So the excuse of there being no time for blogging will no longer be there for me. 🙂

There are lots of topics that I would have loved to discuss but I could not find time. I can even hold forth on a subject like “JCK ki khudaai” if I can find time and I apply my mind to it. 🙂 Yesterday, I was actually invited to watch “JCB ki khudaai” inside my workplace. 🙂

Right now, I was trying to post one article a day. Hopefully I will be in a position to be able to post several articles a day which used to happen so regularly in the past. I could try to turn the clock back a decade, when there used to be six or seven songs a day everyday. 🙂

“Badalte Rishte”(1978) was directed by R Jhalani for Vijayshree pictures Bombay. The movie had Jeetendra, Rishi Kapoor, Reena Roy, Asrani, A K Hangal, Pinchoo Kapoor, Shubha Khote, Urmila Bhatt, Deena pathak, Master Raju, Omkar, Madan Joshi, Pardesi, Raja Duggal, Makhan Singh, Chandar Dhaani, Chandra Prabha, etc in it, with new discoveries Shashi Bala Saxena and Rachna Bhatt.

The movie had five songs in it. Two songs have been covered in the past.

This song, the third song from the movie, is sung by Kishore Kumar and Suman Kalyanpur. Anjaan is the lyricist. Music is composed by Laxmikant Pyarelal.

This “naa naa followed by haan haan” kind of “iqraar” song is picturised on Rishi Kapoor and Reena Roy.

This movie is from 1978, a year when I becan to watch movies with a vengeance. But I did not watch this movie and I was not aware of this song. So this song is a “new”song for me and I haerd this song for the first time today, more than four decades after this song was created.


Song-Tum chaahe hamko pasand na karo (Badalte Rishte)(1978) Singers-Kishore Kumar, Suman Kalyanpur, Lyrics-Anjaan, MD-Laxmikant Pyarelal

Lyrics

tum chaahe humko pasand na karo
par tum humko pasand ho
pasand ho
par tum humko pasand ho
chhaliya jo sau sau roop badle ae ae
wo humen kaise pasand ho
pasand ho
wo humen kaise pasand ho

chhaanv jaise baadal ki
dhoop jaise saawan ki
waise na jaane kis pal tum badlo
baat jaise sapne ki
rang jaise mausam ka
waise na jaane kis pal
tum badlo

deewaane ko kyun tadpaana
tum jo humen dil se pasand kar lo
apni to kismat buland ho
buland ho
apni to kismat buland ho
chhaliya jo sau sau roop badle ae ae
wo humen kaise pasand ho
pasand ho
wo humen kaise pasand ho

bin soche dil kho ke
pyaar mein paagal hoke
tum in bahaaron mein kabhi ee khoyi nahin
ye bahaaren bolengi
bhed dil ke kholengi
dil mein tumhaare siva to koi nahin
laakh manaaya dil na maana
hum kaise tumko pasand na karen
jab tum dil ko pasand ho
pasand ho
haan tum dil ko pasand ho
haan tum humko pasand ho
pasand ho
haan tum humko pasand ho


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3968 Post No. : 15052

———————————————–——————————————
Blog 10-Year Challenge (2009-19) – Song No. 33
——————————————————————————————

30th May – ten years ago. The steady pace of six songs per day is quite natural, and consistent. The six movies that were represented that day are

  • Chaandni Chowk             1954
  • Aas Ka Panchhi               1961
  • Aadhi Raat Ke Baad         1965
  • Zanjeer                          1973
  • Hamshakal                      1974
  • Bhola Bhaalaa                 1978

The first four films on this list above are already fully represented on our blog. The reprisal song for today is from the 1978 film ‘Bhola Bhaala’. This film is directed by Satpal, under the banner of Venkteshewara Pictures, Bombay. The cast of actors is listed as Rajesh Khanna, Rekha, Maushumi Chatterjee, Joginder, Satyen Kappu, Sulochana, Pinchoo Kapoor, V Gopal, Sudhir Thakkar, Jankidas, Rajkumar, Devraj, Master Chiku, Shakti, Ashu, Deven Verma, Jagdeep, Sudhir, Ratnamala, Raj Mehra, and Aruna Irani.

The six songs in this film are all penned by Anand Bakshi. Music direction is by RD Burman. This is the third song of this film to appear on our blog.

On screen, this song is lip synced by Rajesh Khanna, disguised as a sanyaasi. Rekha also appears in this song, as the main dancer attraction. She is also wearing saffron clothes, but she is not lip syncing. Apparently, a certain rich man is making an offering of a costly chhatr (‘छत्र’), as he has been blessed with a son after a very long wait.

This song seems to be a song of deception, to steal that costly offering. I have not seen this film, and so I request other knowledgeable readers to please add more information about this film and this song situation.

Video

Audio

Song – Dheere Dheere Naach Ri Jogan (Bhola Bhaala) (1978) Singer – Kishore Kumar, Lyrics – Anand Bakshi, MD – RD Burman
Chorus

Lyrics (Provided by Avinash Scrapwala)

dheere dheere naach ri jogan
paayal thhak nahin jaaye
prabhu darshan ke samay kisi ki
palak jhapak nahin jaaye
prabhu darshan ke samay
kisi ki 
palak jhapak nahin jaaye

dheere dheere naach ri jogan
paayal thhak nahin jaaye
prabhu darshan ke samay kisi ki
palak jhapak nahin jaaye
prabhu darshan ke samay kisi ki
palak jhapak nahin jaaye

sab jaage hain
sab soye hain
sab jaage hain
sab soye hain
maaya ke jaal mein khoye hain
kaun hain saadhu oo
kaun hain daaku oo
kaun hain saadhu
kaun hain daaku
kisi pe shaq nahin jaa..aaye
teri paayal thhak nahin jaaye
prabhu darshan ke samay
kisi ki 
palak jhapak nahin jaa..aaye
prabhu darshan ke samay
kisi ki
palak jhapak nahin jaaye

teri paayal ki..ee
jhankaar kahe
teri paayal ki
jhankaar kahe
har ek bhagat taiyyaar rahe
aise samay mein..ae
dil koyi..ee
aise samay mein dil koyi
naadan dhadak nahin jaa..aaye
teri paayal thhak nahin jaaye
prabhu darshan ke samay kisi ki
palak jhapak nahin jaa..aaye
prabhu darshan ke samay kisi ki
palak jhapak nahin jaaye

[Dialogue: maharaj chhatra aa rahaa hain
pooja ki saamagri taiyyaar rakhiye!]

[shankar ji ki krupa se
baarah saal ke baad sethji ke ghar
ladka paida hua hai!]

[tabhi to chhatra chadhaa rahe hain
do laakh ka!]
[aayiye aayiye aayiye
aayiye aayiye!]

ab darshan honay waala hain
kuchh arpan honay waala hain
hoshiyaa..aar
ek ki baat kisi duje ke
kaanon tak nahin jaa..aaye
paayal thhak nahin jaaye
prabhu darshan ke samay kisi ki
palak jhapak nahin jaa..aaye
prabhu darshan ke samay kisi ki
palak jhapak nahin jaaye

dheere dheere naach ri jogan
paayal thhak nahin jaaye
prabhu darshan ke samay kisi ki 
palak jhapak nahin jaa..aaye
prabhu darshan ke samay kisi ki
palak jhapak nahin jaaye

———————————————————-
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————-
धीरे धीरे नाच री जोगन
पायल थक नहीं जा॰॰॰ए
धीरे धीरे नाच री जोगन
पायल थक नहीं जा॰॰॰ए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जा॰॰॰ए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जा॰॰॰ए

धीरे धीरे नाच री जोगन
पायल थक नहीं जा॰॰॰ए
धीरे धीरे नाच री जोगन
पायल थक नहीं जा॰॰॰ए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जा॰॰॰ए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जा॰॰॰ए

सब जागे हैं
सब सोये हैं
सब जागे हैं
सब सोये हैं
माया के जाल में खोये हैं
कौन हैं साधू॰॰ऊ
कौन हैं डाकू॰॰ऊ
कौन हैं साधू
कौन हैं डाकू
किसी पे शक नहीं जा॰॰॰ए
तेरी पायल थक नहीं जाए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जा॰॰॰ए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जाए

तेरी पायल की॰॰ई
झंकार कहे ए
तेरी पायल की
झंकार कहे
हर एक भगत तैयार रहे
ऐसे समय में
दिल कोई ई
ऐसे समय में
दिल कोई
नादान धड़क नहीं जा॰॰॰ए
तेरी पायल थक नहीं जाए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जा॰॰॰ए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जाए

[संवाद-
महाराज छत्र आ रहा हैं
पूजा की सामग्री तैयार रखिये,]

[शंकर जी की कृपा से
बारह साल के बाद सेठजी के घर
लड़का पैदा हुआ हैं,
तभी तो छत्र चढ़ा रहे हैं
दो लाख का !!]
[आईये आईये आईये
आईये आईये …!!! ]

अब दर्शन होने वाला हैं
कुछ अर्पण होने वाला हैं
होशियार
एक की बात किसी दूजे के
कानों तक नहीं जा॰॰॰ए ए
तेरी पायल थक नहीं जाए
प्रभु दर्शन के समय किसी कि
पलक झपक नहीं जा॰॰॰ए
प्रभु दर्शन के समय किसी कि
पलक झपक नहीं जाए

धीरे धीरे नाच री जोगन
पायल थक नहीं जाए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जा॰॰॰ए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जा॰॰॰ए



This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3963 Post No. : 15042 Movie Count :

4125

Hullo to all Atulwaale

‘Daaku Aur Jawaan’ was a 1978 release. It was directed by Sunil Dutt and starred Reena Roy, Leena Chandavarkar, Bindu, Sunil Dutt, Vinod Khanna, Ranjeet, Om Prakash, Anwar Hussain, Kanhaiyalal, Asrani, Padma Khanna, Tun Tun, Sundar etc. Its music composers were Laxmikant  Pyarelal and Anand Bakshi was the lyricist.

This is the story of the movie as given on Wikipedia-

Birju (Sunil Dutt) and Ramu (Vinod Khanna) are brothers and have a friendly bond with each other, They do a lot of pranks with the villagers, but the pressure of the landlord {Anwar Hussain) and the urban bad guy Bhairon Singh (Ranjeet) leads villagers to pay a fee for their lands to work on them. This leads Ramu to join the army as a Jawaan (Soldier). Bhairon Singh, with the help of Thakurain (Bindu) plans to frame Birju as a criminal on the night of Janamashtmi. Bhairon Singh brutally rapes Ganga (Reena Roy) and steals the entire wealth from the safe of her father. After getting raped by Bhairon Singh, Ganga commits suicide by jumping into the well. Bhairon Singh frames Birju for the rape and murder of Ganga and stealing the money. Birju is arrested by the police, but escapes and takes a pledge on Ganga’s funeral pyre that he will take revenge of her death and he turns into a Daaku (Dacoit). Ramu, in the war, is fighting against enemies, but gets back to his village after losing one leg. After a lot of turns and twists, Seeta (Leena Chandavarkar) finally reveals the truth that Bhairon Singh had raped Ganga and he has stolen all the wealth from her house with the help of Thakurain. When Birju comes to know about it, he beats Bhairon Singh in front of all the villagers and finally kills him by throwing him into the well where Ganga committed suicide. Now, Thakurain tries to kill Ramu, but Birju takes the bullet in his chest saving Ramu in the process. Thakurain is arrested by the police. Birju, finally breathing his last, requests Ramu to read the letter which was written by him. After listening to the letter from Ramu, Birju dies reuniting with Ganga in Heaven. In the end, Ramu marries Seeta and they lived happily ever after.

So that then seems to be a very normal Hindi film story where any reason is good enough for the hero to turn a ‘daaku‘. And I must say Sunil Dutt would have made an imposing daaku remembering him from all the daaku roles he had played starting from ‘Mother India’ (1957), – his first role as a daaku. Incidentally, in that films also, his role name is Birju. And to have Vinod Khanna play his brother would have been “a sight to soothe sore eyes”. Another of his earlier films in which he plays the role of daaku is ‘Mujhe Jeene Do’ in 1963.

Today on the death anniversaries of Laxmikant Shantaram Kudalkar (its 21 years today since his passing away) and Sunil Dutt (14 years today) let us have a song from this 1978 movie which will give us an idea of their talents at the height of their careers.

Also, with this post, the film ‘Daaku Aur Jawaan’ makes its debut on our blog.

 

Video

Audio

Song – Rakh Di Hai Beech Sadak Maine Gagariya  (Daaku Aur Jawaan) (1978) Singer – Asha Bhosle, Kishore Kumar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal

Lyrics

ho rakh di hai. . .

ho rakh di hai beech sadak maine gagariya
tod sakey to tod saanwariya
rakh di hai
haan haan rakh di hai
beech sadak maine gagariya
tod sakey to tod saanwariya
rok li hai
haan haan rok li hai
dekh maine teri dagariya
daud sakey to daud gujariya
rok li hai dekh maine teri dagariya
daud sakey to daud gujariya
rakh di hai
han haan rok li hai

naina jhuka ke jara baat kar
nakhra na aurat jaat kar
naina jhuka ke jara baat kar
nakhra na aurat jaat kar
naajuk kalaai toot jaayegi
toot jaayegi
na jor mardon ke saath kar
na jor mardon ke saath kar
chheen li hai
haan haan
chheen li hai maine teri dhaani chunariya
odh sakey to odh gujariya
rakh di hai beech sadak maine gagariya
tod sakey to tod saanwariya
rakh di hai

do bol kya boley pyqar mein
oye oye oye oye oye
akad gaya tu to bazaar mein
o muaa
do bol kya boley pyqar mein
hey..y..y
akad gaya tu to bazaar mein
o koi teri bandhi main nahin hoon
rahiyo na is aitbaar mein
rahiyo na is aitbaar mein
tod di hai
haan haan
tod di hai maine teri prem rasariya
jod sakey to jod saanwariya
rok li hai dekh maine teri dagariya
daud sakey to daud gujariya
rok li hai
haan

pakdoon kamar se uchhaal doon
dum kham tere sab nikaal doon
pakdoon kamar se uchhaal doon
dum kham tere sab nikaal doon
ho jiya chaahe le jaaun uthaaye ke
ho tujhe nadiya ke paani mein daal doon
nadiya ke paani mein daal doon
thaam liya
haaye re thaam liya maine tujhe
ban ke baawariya
chhod sakey to chhod
saanwariya
rakh di hai
beech sadak maine gagariya
tod sakey to tod
saanwariya
rok li hai
dekh maine teri dagariya
daud sakey to daud
gujariya
rakh di hai
haan haan rok li hai

———————————————————-
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————-

हो रख दी है॰ ॰ ॰

हो रख दी है बीच सड़क मैंने गगरिया
तोड़ सके तो तोड़ साँवरिया
रख दी है
हाँ हाँ रख दी है
बीच सड़क मैंने गगरिया
तोड़ सके तो तोड़ साँवरिया
रोक ली है
हाँ हाँ रोक ली है
देख मैंने तेरी डगरीया
दौड़ सके तो दौड़ गुजरिया
रोक ली है देख मैंने तेरी डगरीया
दौड़ सके तो दौड़ गुजरिया
रख दी है
हाँ हाँ रोक ली है

नैना झुका के जरा बात कर
नखरा ना औरत जात कर
नैना झुका के जरा बात कर
नखरा ना औरत जात कर
नाजुक कलाई टूट जाएगी
टूट जाएगी
ना ज़ोर मर्दों के साथ कर
ना ज़ोर मर्दों के साथ कर
छीन ली है
हाँ हाँ
छीन ली है मैंने तेरी धानी चुनरिया
ओढ़ सके तो ओढ़ गुजरिया
रख दी है बीच सड़क मैंने गगरिया
तोड़ सके तो तोड़ साँवरिया
रख दी है

दो बोल क्या बोले प्यार में
ओय ओय ओय ओय ओय ओय
अकड़ गया तू तो बाज़ार में
ओ मुआ
दो बोल क्या बोले प्यार में
हे॰॰ए॰॰ए
अकड़ गया तू तो बाज़ार में
ओ कोई तेरी बंधी मैं नहीं हूँ
रहियों ना इस एतबार में
रहियों ना इस एतबार में
तोड़ दी है
हाँ हाँ
तोड़ दी है मैंने तेरी प्रेम रसरिया
जोड़ सके तो जोड़ साँवरिया
रोक ली है देख मैंने तेरी डगरीया
दौड़ सके तो दौड़ गुजरिया
रोक ली है
हाँ

पकड़ूँ कमर से उछाल दूँ
दम खम मैं तेरे निकाल दूँ
पकड़ूँ कमर से उछाल दूँ
दम खम मैं तेरे निकाल दूँ
हो जिया चाहे ले जाऊँ उठाए के
हो तुझे नदिया के पानी में डाल दूँ
नदिया के पानी में डाल दूँ
थाम लिया
थाम लिया मैंने तुझे बन के बावरिया
छोड़ सके तो छोड़
साँवरिया
रोक ली है देख मैंने तेरी डगरीया
दौड़ सके तो दौड़
गुजरिया
रख दी है
हाँ हाँ रोक ली है’

 

 

 


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3962 Post No. : 15040

Hullo to all Atulwaale

Majrooh Sultanpuri was an Urdu poet and also a lyricist or song writer for Bollywood movies. He was born in 1919 in Sultanpur Uttar Pradesh as Asrar ul Hassan Khan to a father who was a police officer. His father, though, a police officer, was not too keen on his son receiving English education and Majrooh was therefore sent for traditional ‘Madrasa education’ which led to his obtaining the qualification first of Dars-e-Nizami – a seven-year course which concentrated on religious affairs along with proficiency in Arabic and Persian- and then the certificate of Alim.(Personally, I don’t know what Alim is). He thereafter joined Lucknow’s Takmeel-ut-Tib College of Unani. He was a struggling Hakim when he happened to recite one of his ghazals at a mushaira in Sultanpur. The ghazal was a hit with the audience and Majrooh decided to drop his fledgling medical practice and began writing poetry seriously. Soon he was a ‘regular’ at mushairas and a “shagird” i.e. disciple of the then top name in Urdu Mushairas viz: Jigar Moradabadi.

While Majrooh is popular as a film lyricist and is widely known in that capacity, be it known that he also created one of the best-known verses of Urdu poetry, “Main akela hee chala tha janibe manzil magar, log saath aate gaye aur carvan banta gaya!” (I set off alone towards the destination but people joined in and soon it became a caravan!) Majrooh Saab (I think that is how an elder should be addressed) visited Bombay (now Mumbai) to attend a Mushaira where producer A.R. Kardar was part of the audience. He contacted Majroohsaab through Jigar Moradabadi and offered him a chance to write for movies which Majroohsaab refused as he didn’t think highly of them. But he relented on Jigar Moradabadi’s persuasion. Kardar then took him to Naushadsaab who tested whether Majrooh, gave him a tune and asked him to write something to fit that and Majrooh returned with “Jab Usne Gesu Bikhraye, Badal Aaye Jhoom Ke”; Naushad was impressed and they worked together in Majrooh’s first movie “Shahjehan” in 1946.So that then was Majrooh’s entry into movies. His work lasted well into the next millennium with movies that had songs penned by him releasing as late as 2004 – a forgettable masala movie “Ek se Badkar Ek” had “aankhon hi aankhon mein yeh kya baat ho gayi” which was penned by Majroohsaab. And I must say the song was good inspite of the movie.

A small trivia here: 2011 had a movie called “Soundtrack” which had my favourite Majrooh song of all times “ruk jaana nahin tu kahin har ke” and the makers of this movie were decent enough to give credit to Laxmi-Pyare and Majroohsaab.

In his long innings in Bollywood he had associated with the father S D Burman from “Paying Guest” (or even before that) to “Abhimaan” and with the son R D Burman we had albums like “Caravan” “Yaadon Ki Baraat”“Teesri Manzil” and all the etceteras that anyone cares to add. Majroohsaab also had association with another father -son pair. Can anyone forget “rahe na rahe hum mehka karenge” or “ab kya misaal doon mein tumhare shabab ki” with Roshan’s music? His work with Roshan’s son Rajesh Roshan is nothing less and equally popular. If I am not wrong the association started with “Kunwara Baap” in 1974 and went on with works like “Udhar ka Sindoor’’ “Jay Vijay’’ “Inkaar’’ –remember ’’tu mungda mein gud ki dali’’ was from the pen of Majroohsaab, unbelievable no? the 2001 release “Mujhe meri biwi se bachaao” was the last time Rajesh Roshan got to work with Majroohsaab. Of course, we cannot forget all the other albums the two have associated for in the intervening years – “Doosra Aadmi” “Janta Hawaldaar” “Ek baap chhe bete” etc.

“Doosra Aadmi” was a movie that was produced by Yash Chopra and directed by Ramesh Talwar. This was Ramesh Talwar’s debut as director. It was written by Raju Saigal and Sagar Sarhadi and had a cast of Rakhee, Shashi Kapoor, Rishi Kapoor, Parikshat Sahni, Satyen Kappu, Deven Verma, Gita Siddharth, Sheetal etc.

Atulji has posted the first song from this movie in 2008. He had given a brief of the story in that post. He followed it up with a post that had Deven Verma singing a beautiful song.

Here is the next song from this movie which was requested by someone called Bharati in the comments section to the song “Kya Mausam hai”. It is sung by Kishore Kumar and Lata Mangeshkar. It is more of a background song played at a house-party and Rakhee and Rishi waltz to the tune in a dimly lit room with Parikshat Sahni looking not-so-approvingly as he is the only person who knows that Rakhee is looking for Shashi Kapoor in Rishi Kapoor.

Today on the occasion of Majrooh saab’s remembrance day and Rajesh Roshan’s 64th birthday a song they gave us in 1977 i.e. 42 years back.


Song-Aao manaayen jashne mohabbat (Doosra Aadmi)(1977) Singers-Lata, Kishore Kumar, Lyrics-Majrooh Sultanpuri, MD-Rajesh Roshan
Both

Lyrics

Aaa
aao manaayen jashn-e-mohabbat
jaam uthhaayen jaam ke baad
shaam se pehle kaun ye soche
kya hona hai shaam ke baad
aao manaayen

hamaari tamanna tumhen pyaar karna
hamein aur karna kya
hamein aur karna kya
mohabbat mein ruswa
huye bhi toh kya hai
duniya se darna kya

aage koyi ilzaam nahin hai
chaahat ke ilzaam ke baad
aao manaayen jashn-e-mohabbat
jaam uthaayen jaam ke baad
aao manaayen

yeh aalam hai jaise
udda jaa raha hoon
tumhein leke baahon mein
tumhein leke baahon mein

tumhaare labon se
hamaare labon tak
nahin koyi raahon mein
kaise koyi
abb dil ko sambhaale
itne haseen paighaam ke baad

aao manaayen jashn-e-mohabbat
jaam uthhaayen jaam ke baad
shaam se pehle kaun ye soche
kya hona hai shaam ke baad
aao manaayen


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3954 Post No. : 15030

“Dil Aur Deewaar” (1978) was directed by K Bapaiyya for Vijaya and Suresh Combines, Madras. The movie had Jeetendra, Mausami Chatterji, Rakesh Roshan, Sarika, Ashok Kumar, Prem Chopra, Vijay Arora, Jagdeep, Roopesh Kumar, Madhu Malini, Nirupa Roy, Kamini Kaushal, Rajan Haksar, Pichoo Kapoor, Jagdish Raj etc in it.

The movie had six songs in it. One song from the movie has been covered in the past.

I remember having watched the trailer of this movie while watching another movie in a movie hall. The trailer played the theme song of the movie. That theme song has been covered in the past one year ago.

Here is the second song from “Dil Aur Deewaar” (1978) to appear in the song. The song is sung by Kishore Kumar. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

Only the audio of the song seems to be available. I request our knowledgeable readers to throw light on the picturisation of the song. It seems certain that the song was lip synced by Jeetendra.


Song-Mujhse poochhen mere meet (Dil Aur Deewaar)(1978) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

mujhse poochhen mere meet
geet kaise bante hain
kya hai bhed
kya hai reet
geet kaise bante hain
mujhse poochhen mere meet

paagal hote hain kuchh log
jinko lagta hai ye rog
paagal hote hain kuchh log
baithhe aahe bharte hain
kaaghaz kaale karte hain
dil mein aati hai jo baat
likhte jaate hain din raat
uspe un deewaanon ko
kisi se ho jaati hai preet
geet aise bante hain
mujhse poochhen mere meet
mujhse poochhen mere meet

geeton ke hain roop anek
unmein se ye roop hai ek
geeton ke hain roop anek
unmein se ye roop hai ek
gori ke matvaare nain
le jaate hain man ka chain
gauri ki matvaari chaal
ban jaati hai sur aur taal
gori ke do meethhe bol
ban jaate hain man sangeet
geet aise bante hain
mujhse poochhen mere meet
geet kaise bante hain
kya hai bhed
kya hai reet
geet kaise bante hain
mujhse poochhen mere meet


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 15100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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Movies with all their songs covered =1172
Total Number of movies covered =4153

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