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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Kishore Kumar songs’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3828 Post No. : 14833

Today’s song is from film Hum kisi se kam nahin-77, made under the banner of Nasir Hussain films.

This is the 3rd consecutive song from the 70s that I am discussing. Do not wonder whether I have shifted sides- from writing on films of 30s and 40s to the 70s. Possibly, for the time being, this is the last one from this period. Actually, I have nothing against the musical or film aspect of the period 70s and beyond. It is only that, mostly they are not of my likings. Of course, I have always said that , ” Everything that was made before 70s was not all good, as much as everything made after 70s was not bad either.”

Good or bad depends upon the personal perceptions, because these are opinions. If you measure them on a scale- like say-durability, then it is measurable and no one can deny the durability quotient of old songs vis-a- vis songs after 70s. A lot can be said on this issue, but not today and not here. Anyway, to each his own !

Why do people like a movie ? If the correct answer was known to anybody, he would be a Trillionnaire in no time ! However, when this question is asked to a common man on the street, the answers one would get would be 1. Story is good. 2. Acting is good. 3. Music is good. 4. I like this Hero/Heroine and many such explanations. My observation is that Music and Songs is one major reason for a movie to be popular and successful. There are many examples like Albela-51, Baiju Bawra-52, Anarkali-53, almost all films of Saigal, most Noorjehan and Suraiya films and most films made by Producer, Director and Writer Nasir Hussain.

Nasir Hussain probably had received from God, the formula for successful films-for a short term use. Out of his 13 films, first 10 were hit films- primarily due to Romance and excellent music. It is said that being a script and story writer himself he used one story for all his films-with some variations, of course- and the time he changed the story his films became a flop. Shammi kapoor, whose sinking career took up turn because of the Nasir Hussain film ” Tumsa nahin dekha”-57, had once said, ” we have heard stories of Marwadis coming here with just one Lota and building empires. Here was a man who used one story for his films for 30 years and succeeded !”

Mohammed Nasir Hussain Khan aka Nasir Hussain was born on 2-2-1931 ( wiki says it is 16-11-1926) in Bhopal.His family was related to Maulana Abul Kalam Azaad. While studying in Lucknow University, he wrote several dramas for A.I.R., Lucknow. He even got First prize for 2 consecutive years in the University writing competition .( one of these stories were used to make film ‘ Baharon ke Sapne’). In 1948, he came to Bombay and joined Filmistan.

His first story was for film Shabnam-49, jointly with Qamar Jalalabadi. Independently he wrote story/screenplay/dialogues for Shabistan-51, Anarkali-53, Shart-54, Munimji-55 and Paying Guest-57. Then he wrote Tumsa Nahin Dekha and insisted to direct the film himself. Tolaram Jalan, the owner of Filmistan was not ready to give it to a New director, but when NH threatened to quit, he relented unwillingly but cut the film’s budget. Nasir took Shammi Kapoor ( who had given 9 flops in a row) and new comer Ameeta and made the low budget film Tumsa Nahin Dekha-57.

When Tolaram Jalan saw the film, he was not happy at all,but the film celebrated Jubilees in 30 cities in India. Nasir Hussain got Rs. 10000/- for the story and his salary for 8 months, Rs.8000/- a total of Rs 18000 for this successful film ! When his mentor Shashdhar Mukherjee left Filmistan, to start his own ‘ Filmalaya Studios’, Nasir also left. For this new company. he made Dil Deke Dekho- 59, introducing Asha parekh as New Heroine. The film was a Hit , but he got only Rs. 25000- . Nasir decided that only his own company can give him more money.

With just Rs. 10,000/- in pocket he established his own Nasir Hussain Films Ltd. and made ‘ Jab pyar kisise hota hai-61. Another Hit. Then he made Phir wohi dil laya hoon-63, Teesri manzil-66. Baharon ke sapne-67, Pyar ka Mausam-69, Carvan-71, Yadon ki baraat-73 and Hum kisise kam nahin-77.

For film Teesri manzil-66, the film started with Dev Anand as the Hero. After 2 reels’ shooting, Dev had some differences and he left the film. Shammi Kapoor was roped in. The film was directed by Vijay Anand and for the first time R D Burman was taken for providing Music. Later on Nasir Hussain, Majrooh Sultanpuri and RD Burman collaborated for another 5 films.R D Burman continued till 1985, doing in all 9 films for Nasir Hussain.

After his films in 1981,84 and 85 flopped serially, Nasir Hussain stopped direction and wrote screen play and dialogues for Qayamat se Qayamat taq-88 and Jo Jeeta Wohi Sikandar-92. His nephew Amir Khan was launched in these films. Nasir Hussain died on 13-3-2002 after a Heart attack.

Actors Asha Parekh, Rajendra Nath , Sidhu, Malika and Krishan Mehta owe their career to Nasir Hussain. Shammi Kapoor ,a struggling actor was given a new identity by him & thanks to him, Shammi Kapoor reached at the pinnacle of popularity. Even Amita became a hit property overnight by the success of Tum Sa Nahin Dekha,

While he encouraged new comers, he did not forget the veteran actors ,who had passed their prime . Late B M Vyas ,who was getting roles only in period/religious/Arabian Night movies was chosen by Nasir Hussain for an important role in main stream movie Tum Sa Nahin Dekha. Old timer Wasti ,who regaled the audiences with his natural acting in Sanjog , Rattan, Pugree made in forties and many Punjabi & Hindi movies later on , was passing through a bad phase . Nasir honored him by offering the roles of substance in Dil Deke Dekho,Jab Pyar Kisi Se Hota Hai & Phir Wohi Dil Laya Hoon. He rekindled the fond memories of the forties ,when he signed actors of proven caliber like Rajinder Singh, Mubarak, Kanu Roy, Raj Mehra ,Mumtaz Ali , Surendra Nath & many more . Here I’ll specifically mention the name of Nasir Khan & Bharat Bhushan ,who were passing through the most difficult phase of their lives . The benign film maker Nasir took them in his movies Yaadon Ki Baraat & Pyar Ka Mausam respectively ,just to assure them that they have not been forgotten and the industry recognizes their contribution . It is my strong belief that it was the blessings of those grateful old timer actors ,which made Nasir Hussain so prosperous and successful.

Nasir Hussain had that typical story formula in most of his films of “overhearing” ! In Tumsa Nahi Dekha, Pran overhears about Shammi Kapoor arriving & after stealing Shammi Kapoor’s recommendation letter, introduces himself as Shankar (Shammi Kapoor) . In Dil Deke Dekho, JPKSHH & Pyar Ka Mausam, the heroes concerned, overhear the heroine speaking about a comedian’s arriving (mostly as a marriage candidate) & after packing the comedian back,the hero banks on the name of the comedian. In Teesri Manzil, Shammi Kapoor overhears Asha Parekh speak, that she has come there to take revenge on himself (Rocky) and implies to Asha & her friends that he is different person named Anil Kumar Sona .
Even though with this common formula in most of his films , all his movies did well at the theatre on the basis of good songs & music !

There was a letter from a reader, in Filmfare, which stated thus, ” It is not at all important to pay attention to that so-called Hindi movie critic group who always referred and called Nasir Hussain as man of the movie with Escapism themes all the time to make his movie at box office hit. Working men need to have some kind of entertainment after spending hours and hours in heaps of works and concerned chores. Naturally there grows the tendency to escape from daily reality by engaging in daydreaming, fantasy….and there comes Nasir Hussain with this magical stick plus his established style of screenplay writing and later directing evergreen chocolate hero viz. Dev Anand…rebellious Shammi Kapoor…smiling Joy Mukherjee….charming Shashi Kapoor….handsome Jeetendra….and there was all time beautiful dancing lady ever present in her gorgeous smile…Asha Parekh who worked with these heroes with her fresh enthusiasm. What else an ordinary cine goer wish to have while spending his money for a ticket at window ? Apart from main hero and heroine there were devoted character actors playing various parts . ”

The Hero of the film Hum kisise kam nahin-77 was Rishi Kapoor, born on 4-9-1952. His first entry through Mera Naam Joker-70 fetched him a Film fare award. His debut as a Hero in Bobby-73 also brought him an award from filmfare. He is one actor who is popular even after he retired from films-not fully though. A film The Body-2019, was just released last week, directed by Jitu Joseph.His son Ranbir Kapoor is carrying the Kapoor mantle very ably.

Rishi Kapoor aka Chintoo has some different records on his name. He is the only actor having had 45 different heroines with whom he was cast. He also worked with 20 New entrant Heroines in their Debut films. He was Hero to seniors like Shabana Azmi, Rekha, Rakhee and Hema ( she was launched by his father), then with Madhuri, Shridevi, Tina Munim and Raveena Tandon. He worked with Simi Garewal in film Karz-1980, after his first film Mera Naam Joker-70. Some of his New heroines were Dimple, Kajal Kiran, Bhavna Bhatt, Ashwini Bhave, Radhika, Farah, Vinita, Zeba, Divya, Naseem, Rukhsaar etc etc. He acted in 162 films and also directed 1 film-Aa ab laut chale-99. He lent his voice in 7 songs in 6 films.

Today’s song is a copy of the famous Abba song ” Mama Mia”. So be it, seeing the youthful Rishi and Kajal Kiran singing and dancing is a real treat, in this video. Enjoy….
( For this article I have used information from Yadon ki Baraat by S Kanekar, The Hindu, wiki, MuVyz, HFGK, article by M N Sardana ji in woh din yaad karo and my notes)


Song- Mil gaya hum ko saathi mil gaya (Ham Kisi Se Kam Nahin)(1977) Singers- Asha Bhonsle, Kishore Kumar, Lyrics- Majrooh Sultanpuri, MD- R D Burman
Chorus

Lyrics

mil gaya
hum ko saathi mil gaya
hum se gar koi jal gaya
wu wu
jalne de
wu wu
jalne de
chal gaya
pyaar ka jaadu chal gaya
hum se gar koi jal gaya
wu wu
jalne de
wu wu
jalne de

tere liye
zamaana tere liye
aur tu mere liye
tere liye
zamaana tere liye
aur tu mere liye

mil gaya
humko saathi mil gaya
hum se gar koi jal gaya

wu wu
jalne de
wu wu
jalne de

tere liye
zamaana tere liye
aur tu mere liye

tere liye
zamaana tere liye
aur tu mere liye

haa

ae haa

hey

ae haa

haa

turuturututu
ha
turuturututu
ha
turuturututu
ha
turuturututu

wow beauty

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This article is written by Peevesi’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3822 Post No. : 14822

Hullo to all of Atuldom 🙂

At the outset I must wish all the followers of Atulsongaday a happy and music-filled 2019.

January 4th is one of the dates for which I just have to write a song, with or without a post. How can I miss remembering our very own R D Burman- not that we can escape his music on other days, right? Every second song that plays in our mind would invariably be a Pancham composition specially if we have grown up in the 70s or 80s. Even those who subscribe to the view that the music of the 70s or the later years was not a patch on the music of the golden era would grudgingly say they love “chura liya hai tumne jo dil ko”; “mere naina saawan bhadon”; “kya hua tera waada”; “jis gali mein tera ghar na ho balama”; “abhi toh haath mein jaam hai” or “zindagi hai khel koi pass koi fail”. So, there is no escape from Panchamda or R D Burman and you have a song by him for any genre, mood occasion etc.

Panchamda’s music has helped the careers of so many actors and actresses; launched a few star kids and most often it used to be songs written by Majrooh or Anand Bakshi. But today I found an RD song written by Nida Fazli. I have been hearing and humming it since I had heard it for the first time in the 80s and for some reason presumed that it was written by Anand Bakshi (so much for my so-called knowledge about movies and HFM).

One of the reasons for my presumption could be that the hero of the movie was Randhir Kapoor. But that is also a misplaced assumption, as the scene stealer in the movie is or was Sanjeev Kumar and in a double-role too.

So here is the song from the 1981 RK Film’s (another assumption bursts here, all these years I thought Randhir Kapoor was the producer, turns out to be Raj Kapoor) “Biwi ‘o’ Biwi” directed by Rahul Rawail. This movie had all songs except one by Nida Fazli i.e. 5 out of 6 was by Nida and the last one by Vitthalbhai Patel. RD used Kishore Kumar, Mohd. Rafi, Lata Mangeshkar and Asha Bhonsle for playback. Today’s song is by Kishore Kumar on Randhir Kapoor who is seen romancing Poonam Dhillon in front of all her friends which is headed by Prema Narayan.

I was trying to visualise how he would have looked today- at 80- if he had not left us all those years ago. He didn’t even wait to enjoy the success of “1942 a love story”. But I don’t want to push the readers’ mind into sadness as a song composed by RD or Panchamda- as people loved to call him – has always had the ability to bring the listener on to the dance floor.


Song-Sadiyon se duniya mein yahi to kissa hai (Biwi O Biwi)(1981) Singer-Kishore Kumar, Lyrics-Nida Fazli,MD-R D Burman

Lyrics

sadiyon se duniya mein yahi to kissa hai
sadiyon se duniya mein yahi to kissa hai
ek hi toh ladki hai
ek hi toh ladka hai
jab bhi yeh mil gaye
pyaar ho gaya
sadiyon se duniya mein yahi to kissa hai
ek hi toh ladki hai
ek hi toh ladka hai
jab bhi yeh mil gaye
pyaar ho gaya

mohan ki raadha hai,
majnu ki hai laila
har yug mein lagta hai
dilwaalon ka mela
mohan ki raadha hai,
majnu ki hai laila
har yug mein lagta hai
dilwaalon ka mela
ek se do huye
pyaar ho gaya
arre sadiyon se duniya mein yahi to kissa hai
ek hi toh ladki hai
ek hi toh ladka hai
jab bhi yeh mil gaye
pyaar ho gaya

patthar ki masjid ho
ya chaandi ki moorat
duniya mein pyaar bina koi nahin teerath
patthar ki masjid ho
ya chaandi ki moorat
duniya mein pyaar bina koi nahin teerath
dil se dil jab mile pyaar ho gaya
sadiyon se duniya mein yahi to kissa hai
ek hi toh ladki hai
ek hi toh ladka hai
jab bhi ye mil gaye
pyaar ho gaya

saagar ki oar chale
nadiya ghoonghat khole
bhanwara bhi kaliyon ke aage-peechhe dole
saagar ki oar chale
nadiya ghoonghat khole
bhanwra bhi kaliyon ke aage-peechhe dole
faasle kam huye
pyaar ho gaya
sadiyon se duniya mein yahi to kissa hai
ek hi toh ladki hai
ek hi toh ladka hai
jab bhi yeh mil gaye
pyaar ho gaya

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

सदियों से दुनिया में
ये ही तो किस्सा है

सदियों से दुनिया में
ये ही तो किस्सा है
एक ही तो लड़की है
एक ही तो लड़का है
जब भी ये
मिल गए
प्यार हो गया
सदियों से दुनिया में
ये ही तो किस्सा है
एक ही तो लड़की है
एक ही तो लड़का है
जब भी ये
मिल गए
प्यार हो गया

मोहन की राधा है
मजनू की है लैला
हर युग में लगता है
दिलवालों का मेला
मोहन की राधा है
मजनू की है लैला
हर युग में लगता है
दिलवालों का मेला
एक से
दो हुये
प्यार हो गया
अरे सदियों से दुनिया में
ये ही तो किस्सा है
एक ही तो लड़की है
एक ही तो लड़का है
जब भी ये
मिल गए
प्यार हो गया

पत्थर की मस्जिद हो
या चाँदी की मूरत
दुनिया में प्यार बिना
कोई नहीं तीर्थ
पत्थर की मस्जिद हो
या चाँदी की मूरत
दुनिया में प्यार बिना
कोई नहीं तीर्थ
दिल से दिल
जब मिले
प्यार हो गया
सदियों से दुनिया में
ये ही तो किस्सा है
एक ही तो लड़की है
एक ही तो लड़का है
जब भी ये
मिल गए
प्यार हो गया

सागर की ओर चले
नदिया घूँघट खोले
भँवरा भी कलियों के
आगे पीछे डोले
सागर की ओर चले
नदिया घूँघट खोले
भँवरा भी कलियों के
आगे पीछे डोले
फासले कम हुये
प्यार हो गया
सदियों से दुनिया में
ये ही तो किस्सा है
एक ही तो लड़की है
एक ही तो लड़का है
जब भी ये
मिल गए
प्यार हो गया


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3820 Post No. : 14819

Hullo to all of Atuldom

Let me start by wishing all you readers a very Happy New Year. I hope you and your loved ones have a wonderful 2019, with a lot of happiness, good health and success in whatever you wish to achieve.

Today is the 2nd of January and our Anniversary Page tells me it is the birth anniversary of Sadashiv Amrapurkar, and the death anniversary of David.

But neither of these is the subject of my post today.

Absolutely no disrespect to them, but today’s post is about a couple of other persons who also happen to have their birthday today.

A few days ago, Avinashji contacted me and reminded me that the birthday of two Atulites was coming up. He had a song in mind, and asked me if I could do a post for the occasion.

Now every year around this time (end-Dec/early Jan) I get a bit busier than usual. I have family visiting me from overseas, as it is Christmas vacation in most places around the world. Besides, this year I have some family events also around New Year’s time, requiring me to plan and travel.

So I wasn’t absolutely sure I’d be able to write this post – so I told Avinashji I’d try.

So here I am.

I will not keep you in suspense any longer about the identity of the two Atulites involved.

First, Pradeepji. (I am taking them up one by one so that you don’t stop reading right here. And no, you’re not allowed to skip to the next part of the post. 🙂 )

If some more recent readers of this blog are not particularly familiar with Pradeepji, I can understand. In recent times, he has not been very active on the blog – but he has a long history with it. And when there is a mega occasion, like when the blog completed 10 years a few months ago, we can always expect him to write a post for the occasion.

I’ve known Pradeepji from the early days when he used to comment on the blog. Then we finally got to meet in October 2014, when we had our first Atulites’ gangout in Bangalore. Pradeepji came all the way from Chennai for the event.

It was just wonderful to meet him, as also all the other Atulites who I finally got to meet face-to-face. We had a fantastic time, discussing music (of course!) but also other stuff.

Pradeepji is multi-faceted, in that not only is he a keen lover of music in a passive sense, he also tries to use his tech-oriented mind to look for ways to propagate music. It was Pradeepji who first tried to get our blog onto mobile devices in a manner that could enhance its richness, using features of software like itunes.

Pradeepji was keen to exploit the richness of our blog beyond its existing framework. So, after discussion with Atul and others, he started a project where, when all songs of a film were covered on the blog, he would load that film’s songs onto another platform. This process would involve enriching the data by adding more tags, thus allowing for even more filtering possibilities. To provide an even more nostalgic experience, he would add a poster of the film wherever possible.

I will not discuss this project in more detail because I don’t want to expose my ignorance on it. 🙂 But some of us were happy to join in and help out. I was also involved for a brief period, but there were others who were involved for much longer.

Now, for a film to be eligible to be picked up by Pradeepji for his project, all its songs had to be posted on the blog. There’s no point in doing multiple iterations for the same film. So Pradeepji would wait for a film to be “complete”. And whenever that would happen, he would respond in the comments with a “Yippeeee”. 🙂

And that’s how the project got its name, that’s how the name stuck.

So much so, that when Atul would post the final song of a film here, he’d himself mention that the film is ready to be “Yippeeed”. In other words, ready to be taken over by Pradeepji and his team. 🙂

As a result, for many of us, if we had to represent Pradeepji with one word, it would be “Yippeeee”! 🙂

After that first Bangalore gangout, we had a couple of others too, but Pradeepji couldn’t attend. However I did get to meet him earlier this year on a visit to Chennai. Although it was only for a few minutes, not more than half an hour, it felt really good. We caught up with developments. Pradeepji, multi-faceted person that he is, is busy on multiple projects, developing websites for e-commerce. Mostly out of passion for trying out different things.

From my interactions with Pradeepji, whether face-to-face or otherwise (during the Yippeeee project), I noticed that he is not just a warm person and extremely down-to-earth, he also has a lot of energy and enthusiasm for things. I believe the term for this sort of enthusiastic persion is “zinda dil”?

Anyway, today, on his birthday, I wish him a very happy birthday on behalf of all Atulites.

Now, to our second Atulite birthday today.

If you’ve been sharp enough, you might have picked up a hint already from the way I started this post. It’s not my usual style.

There’s one Atulite who starts posts in this manner – “Hullo to all in Atuldom”.

And that is Peevisie’s Mom.

It’s her birthday also today, and it gives me great pleasure to be able to write this post to wish her on the occasion.

Now Peevisie’s Mom (PM) and I have met a few times more than Pradeepji and I. We live in the same city, so it’s easier to meet up for an occasion. We first met on that first Bangalore Gangout day in October 2014 (the same one that Pradeepji also attended). Thereafter, we met at the next one too, and also on other occasions like when Arunji and Avinashji visited Bangalore, or when Lalitha visited Bangalore (when I first got to meet Peevisie’s Dad too). Besides, we speak on the phone every now and then – usually discussing a post, or she reminds me of an anniversary coming up. 🙂

I talked about Pradeepji’s enthusiasm and his being “zinda dil” – that applies equally to PM too. She too is a very enthusiastic and cheerful person – so much so, that it even tends to rub off on an otherwise gloomy me. Everytime after a conversation with her, usually on the phone for a few minutes, I feel better. And I can’t say that for a lot of people. 🙂

She’s also one of the most active persons on our Atulite whatsapp group, participating in every discussion. But that’s the energy she brings with her – whether on the group, or in conversation or in a post. She’s a wonderfully friendly and warm person – and that warmth is infectious. Which also explains why I feel better after a conversation with her. 🙂

She’s also hugely passionate about HFM and movies – which is what brought us all together to this blog in the first place. But unlike me, her knowledge isn’t limited to any specific eras or genres. For example, I barely know 5 songs of this millennium, she would know almost every film released and its music. No wonder many of the post-2000 songs posted here are from her (and Peevisie herself, of course). And yet she also knows old songs – maybe partly because she also listens to radio or watches song programmes on TV. So her knowledge is definitely wide.

She’s very fond of this blog – we can see that she tries to post on as many anniversary occasions as possible. I remember there was a time when I had more posts here than she did. In fact at that time, I had even a few posts more than Avinashji. But clearly, they were both going to overtake me, because I was hardly posting at that time. She called me up and when this topic came up, she said “bade bhai se aage nikalne ka permission chaahiye”. 🙂 We had a good laugh about it. 🙂

All in all, she’s a wonderful friend to have – and I’m fortunate to have her as a friend.

I wish her too a very happy birthday on behalf of all Atulites.

Now, for the song for today.

It’s a song picked by Avinashji – a fitting birthday song for the occasion. I want to mention here that this post wouldn’t have happened if not for Avinashji’s initiative, so it must be seen as a joint effort by both of us.

The song is “Pam para rum pum” from Trishna (1978), a GP Sippy Productions film. It is sung by Kishore Kumar and the chorus (in which a very young Sadhana Sargam got a chance to sing).

I’ve seen this movie but I don’t recall too much of the story now. It had to do with relationships, a “murder”, suspicion etc, from what I vaguely remember. I need to watch the film again.

In any case, let’s enjoy the song, as we wish both Pradeepji and Peevisie’s Mom a very happy birthday.
Editor’s note-Today is the birthday of Sheela Ji, Avinash ji’s better half’s birthday as well. So happy birthday and many happy returns of the day to her as well.


Song-Pam para rum pum (Trishna)(1978) Singer-Kishore Kumar, Lyrics-Indeewar, MD-Kalyanji Anandji
Chorus

Lyrics

aa aa
Very good!
aa aa
Shaabaash!

Hey Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam
Hey
Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam

Har rang mein
Har roop mein
Har rang mein
Har roop mein
Tum hanste raho har dum
Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

Shaabaash!
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

Tum pyaare pyaare phoolon ko dekho
Dekho
Dekho
Hai na?
Haan
Tum pyaare pyaare phoolon ko dekho
Todey jaane se bhi hanste hain
Todey jaane se bhi hanste hain
Hanste hain jo bhi aisi adaa se
Sabke dil mein wohi baste hain
Sabke dil mein wohi baste hain
Kaisebhi haan haalaat apne bas mein ye baat
Kaise bhi haan haalaat apne bas mein ye baat
Dhoondhh sakte hain gham mein bhi khushi hum
Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

shaabaash
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

La la la
La la la la la
La la la
La la la la la

Kal jo aaya nahin uska gham kya
Kal jo aaya nahin uska gham kya
Kal jo beeta hai kya uska rona
Kal jo beeta hai kya uska rona
Aaj mein hi chhupa saara jeevan
Aaj ke din ko yunh hi na khona
Aaj ke din ko yunh hi na khona
Saare jeevan ka mol
Bas pyaar ke do bol
Saare jeevan ka mol
Bas pyaar ke do bol
Muskura do badal jaaye mausam
Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

Har rang mein
Har roop mein
Har rang mein
Har roop mein
Tum hanste raho har dum

Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

Phir se ek baar bolo
Pam para rum pum
shaabaash
Pum pum pum
Pum para rum pum
Pum pum pum

ye baat hai
Bole bole
Jeevan ki sargam

La la la
La la la la la
La la la
La la la la la

Aaiye aaiye
Aaiye
Gaaiye na
Oho come on please
La la la
La la la la la
La la la
La la la la la

———————————–
Devnagri script Lyrics (Provided by Avinash Scrapwala )
———————————–
व्हेरी गुड
शाबाश

हे तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम

हे तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम

हर रंग में
हर रूप में
हर रंग में
हर रूप में
तुम हँसते रहो हरदम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम
शाबाश
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम

तुम प्यारे प्यारे फूलों को देखो
देखो
देखो
हैं ना
हाँ
तुम प्यारे प्यारे फूलों को देखो
तोड़े जाने पे भी हँसते हैं
तोड़े जाने पे भी हँसते हैं
हँसते है जो भी ऐसी अदा से ए
सब के दिल में वही बसते है
सब के दिल में वही बसते है
कैसे भी हों हालात
अपने बस में ये बात
कैसे भी हों हालात
अपने बस में ये बात
ढूंढ सकते है
ग़म में ख़ुशी हम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम
शाबाश
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम

ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला

कल जो आया नहीं उसका ग़म क्या
कल जो आया नहीं उसका ग़म क्या
कल जो बीता है क्या उसका रोना
कल जो बीता है क्या उसका रोना
आज में ही छुपा सारा जीवन
आज के दिन को यूँही न खोना
आज के दिन को यूँही न खोना
सारे जीवन का मोल
बस प्यारे के दो बोल
सारे जीवन का मोल
बस प्यारे के दो बोल
मुस्कुरा दो
बदल जाए मौसम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम

हर रंग में
हर रूप में
हर रंग में
हर रूप में
तुम हँसते रहो हरदम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम
फिर से एक बार बोलो

तम तारा रम पम
पम पम पम

शाबाश
पम पारा पम पम
पम पम पम

ये बात है
बोले बोले जीवन की सरगम
ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला

ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला

आईये आईये
आईये
गाईये न
ओह ओ
कामे ऑन प्लीज …
हे ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3819 Post No. : 14818 Movie Count :

4052

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 76# Memories of the Seventies – Composer Rajesh Roshan #
————————————————————————————————–———————-

Welcome all and wishing all a very Happy New Year 2019!!!

May this New Year bring us all peace, prosperity, good health, and growth of our country in all areas which are concerned with the ‘common man’ and which helps to improve the ‘quality of life’ and ‘quality of living’ for the people of this country.

Within few months general elections for the parliament will also be held and people will get a chance to vote for their ‘fate’ and ‘fate’ of the country.

Let ‘positivity’ prevails and let the ‘truth’ triumphs over ‘misleading negativity’ and ‘social evils’ that are still a ‘threat’ for the ‘unity’ and ‘overall development’ of this country.

***

On the beginning of every year I always think that I should share a song which has celebration, a message in it and it should be motivational and/or inspirational too. And the better if it is a group song or having ‘chorus singing’ in it, to give it a sense of ‘collective spirit’ and ‘team spirit’ 🙂

I think the song I am presenting today serves this purpose I am looking for and it also motivates for ‘hard work’ (mehnat) to fulfil the dreams of individual and for the betterment of the society overall.

And the other reason for this article once again is ‘nostalgia’ and ‘songs that brings back memories’ …

It was not suddenly that the song came to my mind. It so happened that one day while I was travelling from my Camp place to work place and just give a look at the Sun which was shining brightly in the morning.

(Normally when I do that, giving a look at the Sun or staring it a while, the first thing coming to my mind is Kapil Dev 🙂 )

But that day when I try to stare at the Sun more, I break into singing these lines … ‘sooraj se aankhen milaa’ … yes there is song which I had heard in my childhood, but another moment I confused it with ‘oonchi oonchi baaton se kisi ka pet bharta nahin’, but corrected myself that that the two were different songs.

Somewhere the tune of both of these songs appear to be connected because both songs are composed by the same music director Rajesh Roshan.
However, I had forgotten the name of the movie of this song ‘sooraj se aankhen milaa’.

So, I checked about the song and also checked on the blog if it was already covered.
Luckily it was not and thus this opportunity for me to present it here on the blog.

This song is from the 1978 movie ‘Muqqaddar’!!!

Earlier I had planned to send this article during the festival of Diwali, however I could not send it then …

***
When I was still finishing this article, I got to listen the last episode of ‘2018’ of our Primer Minister’s ‘Man Ki Baat’ and also became aware of the recent happenings of the All India DGP/IGP Conference and the awards for ‘National Unity’. Then the PM also highlighted about the many achievements in Sports by India and I when he narrated about a twenty-year-old cyclist and the feat she achieved I real felt very proud about it and was stunned to know that she cycled almost 300 kms every day to complete world tour in 159 days (and to become the ‘first Asian’ to do so) …

At the same time, I was very sad to read a news about a ‘fact check’ for PM’s waiving a train – whether he was ‘waiving an empty train’, which was on its first journey from the newly inaugurated of ‘Bogibeel Bridge’.

This news proves how low we have fallen down in our ‘socio-political’ ‘ethics and morality’. And I am not taking side of any parties involved in this. Even this thought of raising doubt at such an event at this level is very disappointing and it is a sad comment on our day to day affairs where other serious issues are being mocked by peoples having their ‘own selfish motives’.

Let us wish that ‘false propaganda’ and ‘false allegations’ not take over the real concerning issues of our country and let people use the social media with maturity.

Well ‘neki aur badi ki ladaayi jabse duniya bani hai tabse se chali aa rahi hain, agar buraayi na ho to koi achchaayi ko na poochhe, oonchaai ko samajhne ke liye hamehsa nichhayi ko samajhna chaahiye’

And between this ‘neki and badi’ is our Police force who safeguards us and safeguards our Nation in turn from the various ‘crimes’ in our society … I salute to them all and hope they keep up the good work rising above ‘caste, creed, religion, and beliefs’, in the interest of ‘National Unity’ forever …

Our today’s movie – ‘Muqaddar-1978’ is ‘DEDICATED TO, THE TWENTY-FOUR-HOUR SOLDIERS! THE UNSUNG HEROES! THE POLICE!!

And the dialogues mentioned above are not mine … Abdul Bhai (Yunus Parvez) is saying this to Inspector Vijay Saxena (Sanjeev Kumar) in our today’s movie …

Abdul Bhai runs a ‘road side dhaba’ and Inspector Vijay is his daily customer, and when Abdul Bhai suggests Vijay that he should get married so that he doesn’t have to worry about his food …

‘meri shaadi to us din ho gayi thhi jis din main police mein bharti huaa thha’
‘Chori dakaiti murder ye sab ek wafaadaar biwi ki tarah hamesha mere saath lage rehte hai…
‘Aisaa lagta hai Abdul Bhai is duniya se achchhe aadmi uthh gaye hain’

(Sanjeev Kumar at his best and the dialogues of this movie also, I think, very nice, I thought it was Kader Khan, but no, they are by Dr. Balkrishna Mauj)

Meanwhile as Inspector is taking his dinner a ‘bhikhari budhhiya’ comes and ask for ‘kuchh khilaa do’, Vijay asks Abdul Bhai’s assistant to give her food and he will pay for it …
‘main gareeb ki madad karne ke khilaaf nahin hoon Vijay Bhai, lekin kisika haath paaon salaamat ho to use bheekh dena use kaamchor banaana hai’ … (Abdul Bhai’s sincere thoughts …)

‘Abdul Bhai aadmi ka sabse badaa dushman uska pet hai, agar wo bhara rahe to thhik hai, agar khali ho jaaye to dimaag se jhagdaa karta, aur phir kuchh karta hai jise ham pasand nahin karte’ (Inspector Vijay’s statement on reality (fact check? 😊 )

As the Bhikhari Buddhiya is crossing the road a car hits her and run away … Inspector Vijay follows the car, and as usual taking ‘Kaanoon’ in his hands ‘beats the ‘badmaash(s)’ … but then he has to face his senior – played by Jairaj – and his ‘quintessential’ questions (which are valid even today?)

‘jis buddhiya ki khaatir tumne ye sab kuchh kiya hai wo ab bhi maje se bheekh maang rahi hai, aur jinhe jail mein hona chaahiye thha wo asptaal mein pade hain’
‘Police force ko tumne apne haathon ki taaqat aajmaane ka jariyaa samjha hai’(Jairaj)

Sir un logon ne mujhe rishwat dene ki koshish ki hai, samajhte thhe Police ko kharida ja saktaa hai, is tauheen se mera khoon khaul utthaa’

Tumne unhe wahin sazaa dene ki koshish …, Ye dekho aaj ke akhbaar, ‘police maarpit ke liye hai ya rokne ke liye’, Governer, Mayor na jaane kitne phone aa chuke hain,
‘wo sab chaahte hai ke tumhaare khilaaf action liyaa jaaye’

Lekin Sir mujhe unse koi jaati dushmani nahin thhi

Jaati dushmani mujhe bhi tumse nahin hai …

Main tumhe dhaaravi ke ilaake mein transfer karta hoon, Jahaan kuchh sakht kisam ke mujrim active hai … tumhe apni taaqat aazmaane ka poora poora mauqa milega’ Ya to tumhaari sakhti se sudhar jaayenge, ya to wo log tumhe apne aap par kaabu rakhna sikha denge

So, our Inspector is now in Dharavi, and he already has a sincere and dedicated assistant there – Patil (Bharat Kapoor) … who eventually sacrifices his life since he has been asked that ‘is mujrim pe goli mat chalana’ … but mujrim fires on him …

In Dharavi we have Parishit Sahni as a ‘labour leader’ working in a ‘kapada mill’ of Amjad Khan who is also interested in ‘smuggling’ and to become the ‘wealthiest smuggler’ …
Amjad Khan has a sister – played by Rekha – who is interested in social work and has a soft corner towards labors in the ‘basti’ and Ramu Dada is there in the form of Shashi Kapoor who is a ‘spoiled’ younger brother of Parishit Sahni.
Vidya Sinha plays wife of Parishit Sahni, Shashi’s Bhabhi and Rekha’s friend. Paintal is Shashi’s lieutenant and accompanies him whenever he is driving truck and enjoying ‘mujaras’ after the day’s hard work …

Sanjeev Kumar after reaching Dharavi destroys many ‘daaru and matke ka addaas’ and declares to the goons …
“Aaj se jurm ki wo tehniyaa kat gayin hain, jinpe baithhke tum manmaani kiya karte thhe”

Ramu Dada is still not co-operating Inspector Vijay until he realises the real game of the Smugglers …
Vijay is hopeful of rehabilitating Ramu Dada and reform him to the ‘regular stream’ of ‘good people’ …

But how does it happen finally is after the today’s song and I would like the readers interest intact to watch this movie so not going in further details of this movie here … 🙂

Since the beginning of the movie many are waiting for ‘Dushehra’ festival, like Amjad Khan declares bonus to workers as he wants them to work on ‘Dushehre ki Chhutti’ and he can in hide of it arrange ‘smugglers meet’ so that no one doubts …

***
A beggar (Chandu) – deaf and dumb – always asking for money from Amar Babu (Parikshit Sahni), on his advice has given up begging and from the money given by Amar Babu is now making pictures of ‘Ganesh, Sai Baba’, and ‘Shri Ram’ made by Rangoli on the road side …

***

Peoples are celebrating ‘Dushehra’ now and that is where the today’s song happens …

‘The evil -Raavana’s effigy is set with its ten faces of ‘evils’ and Parikshit Sahni, Rekha, Vidya Sinha with the labors in the basti starts celebrating with this song and Shashi Kapoor joins in between ( coming back from his tour to Goa) , and at the end of the celebrations as the Ravana’s effigy is set to fire by the arrows of Parikshit and Shashi Kapoor, enters our Inspector Vijay Saxena – Sanjeev Kumar – for checking of the ‘truck’ driven by Shashi from Goa with smuggled items 😊

***

‘Muqaddar-1978’ was directed by Ravi Tandon for ‘Sneh Films, Bombay’.
It was produced by Ravi Anand.
It had Shashi Kapoor, Sanjeev Kumar, Parikshit Sahni, Rekha, Vidya Sinha, Paintal and Amjad Khan.
Other star cast includes Mac Mohan, Yunus Parvez, Jankidas, Rajesh Behl, Bharat Kapoor, Nandita Thakur, Vikas Anand, Praveen Pal, Ranveer Raj, Chandu, Master Shaka, Master Rajeev, Baby Rani, Uma Dhawan, Sudhir, O.P. Goyal and Jayshree T.

Aruna Irani makes a guest appearance in this movie.

Editing of this movie was done by S.R. Kabre. Dialogues of this movie were written by Dr. Balkrishna Mauj.
Story and Screenplay was written by Mukul Anand.

This movie had four songs (as per HFGK Vol V 1971-1980) written by Anjaan and composed by Rajesh Roshan. Asha Bhonsle, Kishore Kumar, Mohd Rafi, Usha Mangeshkar had given their voices to the songs in this movie.

This movie was passed by Censor Board on 31.05.1978.

(This also serves my purpose of introducing the movies having ‘same title’ and one movie with the same title ‘Muqaddar-1950’ is already on the blog.

Let us enjoy today’ song now and welcome this ‘new year’ on this ‘nostalgic note from the Seventies’ 🙂

Video

Audio

Song-Sooraj se aankhen milaa (Muqaddar)(1978) Singers-Kishore Kumar, Asha Bhonsle, Usha Mangeshkar, Rafi, Lyrics-Anjaan, MD-Rajesh Roshan
Chorus
Asha Bhonsle + Usha Mangeshkar

Lyrics

okey re faakeerey
okey re jaanoon re
okey re faakeerey aa
Bhai bhai
okey re faakeerey
okey re jaanu re
okey re faakeerey aa
Bhai …

Hey ae
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa

Arey ye dharti teri hai
Ye sapne tere hain
Aur sab apne tere hain
Tu mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa

Hey ae
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa

Arey ye dharti teri hai
Ye sapne tere hain
Aur sab apne tere hain
Tu mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa
He ha aa
ho ho o o

Aa aa aa
Ho ho o
Aa aa aa
Ho ho o
Aa aa aa
Ho ho o
Aa aa aa

Pyaar ki lau jagaa de re
Har andheraa jalaa de

Dooriyaan ye dilon ki ee
Dil milaa ke mitaa de ae
Hey rang udey kahin deep jaley
Aayi holi deewaali saath

Arey aaj to aake naa jaaye re saathi
Rangon bhari aisi raat
Hey rang udey kahin deep jaley
Aayi holi deewaali saath
Arey aaj to aake naa jaaye re saathi
Rangon bhari aisi raat

Kaanton mein kaliyaan khilaa aa
Phoolon se gulshan sajaa
Kaanton mein kaliyaan khilaa aa
Phoolon se gulshan sajaa aa

Arey do din ki hasti mein
Dil jhoome masti mein
Aur sapnon ki basti mein
Tu mehnat ki jalti mashaalen jalaa aa
Sadiyon se soyaa muqaddar jagaa aa

Hoye ae ae ae ae
Hoye hoye hoye ae

Raat din hon ye mele re
Dil na tarse akele
Dil tera jisko chaahe ae
Badhke baahon mein le le

Ae saanson se bandh le
Saanson ki dori
Haathon mein le ke haath

Jaati hai jaan to jaaye khushi se
Chhoote kabhi naa ye saath

Ae saanson se bandh le
Saanson ki dori
Haathon mein le ke haath
Jaati hai jaan to jaaye khushi se
Chhoote kabhi naa ye saath

Baahon ke saaye mein aa
Sharmaa ke aankhen milaa

Ae baahon ke saaye mein aa
Sharmaa ke aankhen milaa
Phir paayal chhankegi
Phir choodi khankegi
Aur phir bindiyaa chamkegi
Tu mehnat ki jalti mashaalen jalaa aa
Sadiyon se soyaa muqaddar jagaa aa

Ho o ho ho o o

Barse tan ka paseena re
Ban ke saawan maheenaa

Katraa ban jaaye moti ee
Zarraa zarraa nageena
Hey aaj jahaan teri raahon mein saathi
Udey ghamon ke ye dhool

Phool khilenge wahin kal
Jhoom ke mast bahaaron ke phool

Aaj jahaan teri raahon mein saathi
Udey ghamon ke ye dhool
Phool khilenge wahin kal
Jhoomke mast bahaaron ke phool

Hey ae
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa

Ye dharti teri hai
Ye sapne tere hain
Aur sab apne tere hain
Tu mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa
He ae ae aa
Mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa
Bachke bachke bachke …
Mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa
Immaandaari se aha aa aa
Mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa

—————————————————-
Devnagri script Lyrics (Provided by Avinash Scrapwala)
—————————————————–
ओके रे फकीरे
ओके रे जानू रे
ओके रे फकीरे आ
ओके रे जानू रे
भाई भाई
ओके रे फकीरे
ओके रे जानू रे
ओके रे फकीरे आ
ओके रे जानू रे
भाई …
ओके रे फकीरे

हे ए
सूरज से आँखें मिला
तारों को ओ धरती पे ला आ
सूरज से आँखें मिला
तारों को ओ धरती पे ला आ

अरे ये धरती तेरी है
ये सपने तेरे है
और सब अपने तेरे हैं
तू मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा

हे ए
सूरज से आँखें मिला
तारों को ओ धरती पे ला आ
सूरज से आँखें मिला
तारों को ओ धरती पे ला

अरे ये धरती तेरी है
ये सपने तेरे है
और सब अपने तेरे हैं
तू मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा
हे हा आ हो हो ओ ओ

आ आ आ
हो हो ओ
आ आ आ
हो हो ओ
आ आ आ
हो हो ओ
आ आ आ

प्यार की लौ जगा दे रे ए
हर अन्धेरा जला दे

दूरियां ये दिलों की ई
दिल मिला के मिटा दे ए
हे रंग उड़े कहीं दीप जले
आई होली दीवाली साथ

अरे आज तो आके ना जाए रे साथी
रंगों भरी ऐसी रात
हे रंग उड़े कहीं दीप जले
आई होली दीवाली साथ
अरे आज तो आके ना जाए रे साथी
रंगों भरी ऐसी रात

काँटों में कलियाँ खिला
फूलों से गुलशन सजा
काँटों में कलियाँ खिला आ
फूलों से गुलशन सजा आ

अरे दो दिन की हस्ती में
दिल झूमे मस्ती में
और सपनों की बस्ती में
तू मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा

होए ए ए ए ए
होए होए होए ए

रात दिन हो ये मेले रे
दिल न तरसे अकेले
दिल तेरा जिसको चाहे
बढ़के बाहों में ले ले

ए साँसों से बाँध ले
साँसों की डोरी
हाथों में ले के हाथ

जाती है जान तो जाए ख़ुशी से
छूटे कभी ना ये साथ

ए साँसों से बाँध ले
साँसों की डोरी
हाथों में ले के हाथ
जाती है जान तो जाए ख़ुशी से
छूटे कभी ना ये साथ

बाहों के साए में आ
शर्मा के आँखें मिला

ए बाहों के साए में आ
शर्मा के आँखें मिला
फिर पायल छनकेगी
फिर चूड़ी खनकेगी
और फिर बिंदिया चमकेगी
तू मेहनत की जलती मशालें जला आ
सदियों से सोया मुक़द्दर जगा आ

हो ओ हो हो ओ ओ

बरसे तन का पसीना रे
बन के सावन महीना आ

कतरा बन जाए मोती
ज़र्र्रा ज़र्रा नगीना
हे आज जहां तेरी राहों में साथी
उड़े ग़मों की ये धूल

फूल खिलेंगे वहीँ कल
झूमके मस्त बहारों के फूल

आज जहां तेरी राहों में साथी
उड़े ग़मों की ये धूल
फूल खिलेंगे वहीँ कल
झूमके मस्त बहारों के फूल

हे ए
सूरज से आँखें मिला
तारों को ओ धरती पे ला आ
सूरज से आँखें मिला
तारों को ओ धरती पे ला आ

ये धरती तेरी है
ये सपने तेरे है
और सब अपने तेरे हैं
तू मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा
हे ए ए ए
मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा
बचके बचके बचके …
मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा
इमानदारी से अहा हा हा
मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3817 Post No. : 14815

Rajesh Khanna – The Phenomenon – 5
– – – – – – – – – – – – – – – – – – – –

Welcome to today’s post (albeit one day late) under this series. Today’s post under this series is coming after a long gap of almost two years, though in between I had written two articles on Rajesh Khanna’s anniversaries.

29th December 2018 is the 76th birth anniversary of Rajesh Khanna (29.12.1942-18.07.2012).

In the previous article under this series we had a song from the ‘1978 movie ‘Chakravyuh’ and today we move forward to the year ‘1979’ …

I had mentioned it earlier and our Atul ji has also been writing this that by ‘mid-seventies’ the Rajesh Khanna magic started declining and his ‘golden period’ was almost over.

Why I am writing ‘almost over’ was because though his movies were failing at the ‘box-office’ they were still coming and he was seen in doing many different types of roles.

The difference was that his movies were not getting commercial success or they do not generate the same hysteria as his movies had been from ‘1969 to 1975’ or we can say from the period of ‘Aradhana’ to ‘Prem Kahaani’.

In ‘1976’ we had his much awaited and talked about movie ‘Mehboobaa’ directed by Kaka’s favorite director Shakti Samanta and the ‘team’ of RD-Anand Bakshi-Kishore together though creating the magical ‘mere naina saawan bhaadon’, ‘parbat ke peechhe’, etc it was not successful at the ‘box-office’.

In ‘1977’ Kaka had a ‘hit’ in ‘Chhaila Baabu’. And the critically acclaimed ‘Palkon Ki Chhaaon Mein’…

‘1978’ again was not seen as good for him though his performances in ‘Chakravyuha’ and ‘Naukari’ were appreciated by the critics.

If we go through the filmography of Rajesh Khanna for these years i.e. 1976 to 1979, we can see his seeking different roles like and some of them like a ‘common man’ or ‘man next door’ viz. in ‘Mahaachor’, ‘Palkon Ki Chhaon Mein-1977’ (where he played a ‘postman’), ‘Chakravyuha-1978’, ‘Bhola-Bhala-1978’- an insurance agent (another role is of a ‘dacoit),

Then we can just see the range of directors he was working with for example if we talk of his ‘lean period’ or I can say those years where he was still a ‘under current’ existing strongly and waiting to hit on the ‘top’ again;

He had movies with directors like B.R. Chopra, Basu Chatterjee, Hrishikesh Mukherji, Narinder Bedi, Ramanand Sagar, Mehmood, Joy Mukherji, Omprakash and his favorite Shakti Samant.

Year Passed by Censor on Movie Director
1976 19.07.1976 Mehboobaa Shakti Samant
1976 * 29.07.1976 * Tyaag Deendayal Sharma
1976 16.10.1976 Mahaachor Narinder Bedi
1976 04.12.1976 Bandalbaaz Shammi Kapoor
1977 31.01.1977 Anurodh Shakti Samant
1977 20.04.1977 Chhaila Babu Joy Mukherji
1977 27.04.1977 Karm B.R. Chopra
1977 16.06.1977 Chalta Purza Bhappi Sonie
1977 18.11.1977 Aashiq Hoon Bahaaron Ka J. Omprakash
1977 04.11.1977 Palkon Ki Chhaon Mein Meraj
1978 25.04.1978 Bholaa Bhaalaa Satpal
1978 02.06.1978 Naukari Hrishikesh Mukherjee
1978 22.07.1978 Chakravyuha Basu Chatterjee
1978 26.12.1978 Prem Bandhan Ramanand Sagar
1979 10.01.1979 Jantaa Hawaldaar Mehmood
1979 18.04.1979 Amar Deep K. Vijayan and R. Krishnamurti

(* I have not included his movies with ‘Special Appearance’ like ‘Tinku’, ‘Hatyaara’, ‘Naya Bakraa’ etc in above list and corrected myself by including ‘Prem Bandhan’ for ‘1978’ which I missed to include in my previous article 😊)

And if we include ‘awards’ in our discussion he was nominated for the Best Actor Award by BFJA (Bengal Film Journalists’ Association Awards) for ‘Mehboobaa’, ‘Anurodh’, ‘Chakravyuha’, and ‘Amar Deep’ during this period.

He won the ‘All India Critics Association Award’ for ‘Best Actor’ for the movie ‘Chhaila Babu-1977’.

At the ‘Filmfare’ awards he was nominated in ‘Best Actor’ category for the movie ‘Amar Deep-1979’ (and this nomination for him at ‘Filmfare’ came after 1974 when he was nominated for the ‘Best Actor’ award for ‘Prem Nagar-1974’).

(for that matter sometimes, I think that he was loved very much by ‘Bengal’ and they loved him the most. I have a personal experience related to this, which I intend to share in my future articles under this series).
***

In my previous posts I start giving the details of the movies of Rajesh Khanna in that particular year of the song I was presenting therewith. And so, in the last two posts where we discussed the songs of Rajesh Khanna movies of 1977 and 1978, I am presenting today’s post with a song of a movie released in 1979.

His movie list of 1979 is as given below;

SNo Movie Year Passed by Censor Board
01 Jantaa Hawaldaar 1979 10.01.1979
02 Nayaa Bakraa 1979 16.02.1979*
03 Amardeep 1979 18.04.1979
04 Muqaabalaa 1979 14.09.1979*

(*special appearance)

(So, that is one change that I have made in my ‘presentation’ of the posts in this series. And, while I find it interesting, I am sure that readers will also enjoy this.)

Because, in this journey we have started from the years where Rajesh Khanna’s golden period was over and his movies in row were getting flopped at the box-office and he was ‘trying hard’ to get over to the ‘top’ again.

And though his movies, acting wise some the best of his career, had miserable failures at the box office his fans were still there and while Kaka was ‘as always’ in his heart saying to them ‘is kadar itnaa tumhe ham pyaar kartein hain’, his fans were waiting and more fans were waiting, to welcome him back again with ‘tum nahin jaanoge, tum nahin maanoge ‘kis kadar kitnaa’ tumhe ham pyaar kartein hain’ …

With this movie ‘Amar Deep-1979’ we move to the ‘eighties’ where Kaka’s style and mannerisms hit the screens again and Rajesh Khanna days were back again reaching to its heights (in terms of number of his number of movies in a single year) …

***

‘Amar Deep-1979’ was directed by K. Vijayan and R. Krishnamurti for ‘Sujatha International, Madras’. Presented by K. Balaje.

It had Rajesh Khanna, Vinod Mehra, Shabana Azmi, Deven Verma, A.K. Hangal, Roopesh Kumar, Bindu and others. Ashok Kumar had a special appearance in the movie while Mithun Chakravarty had a ‘guest appearance’ in this movie. This movie introduced actress Deepa (from South).

Dialogues of this movie were written by Ali Raza, and Prem Kapoor was the dialogue director. Editing for this movie was done by B. Kandaswamy.

Music of this movie was composed by Laxmikant-Pyarelal. This movie had four songs written by Anand Bakshi. Anuradha Paudwal, Asha Bhonsle, Kishore Kumar and Lata Mangeshkar had given their voices to these songs.

Rafi Saab had sung a song (few lines) which appears at the end of the movie and had already been posted on the blog here.

In the very beginning of the titles of the movie ‘sincere thanks’ have been expressed to Kaifi Azmi and Rafi Saab, so I guess that these lines were written by Kaifi Azmi.

HFGK Vol-V does not mention this song in the list of songs of this movie. (However, I would request editors to correct the number of songs of this movie to ‘five’ on the blog, with the today’s song it will be (3/5))

One other song from this movie ‘koi na tere pehle thhi’ was posted earlier on the blog in 2013.

I get to watch this movie after Rajesh Khanna’s sad demise in 2012 on a TV Channel.

Let us now enjoy today’s song. The song is picturised on Rajesh Khanna and Shabana Azmi.

Audio

Video


Song-Tum nahin maanoge (Amardeep)(1979) Singers-Kishore Kumar, Anuradha Paudwal, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

Tum nahin maanoge
Tum nahin jaanoge
Iss kadar itnaa tumhe
Ham pyaar kartein hain
Zindagi hai tumse
Har khushi hai tumse
Hum tumhaare saamne iqraar kartey hain
Tum nahin maanoge
tum nahin jaanoge
Kiss kadar kitna tumhen hum pyaar kartein hain
Aankh jhuk jaati hai
saans ruk jaati hai
Jab kabhi hum pyaar ka ijhaar kartey hain
Tum nahin maanoge

Arey tum nahin jaanoge ae

Har ik din ahaa milan ka din
Ahaa
Har ik din ahaa milan ka din
Har ik raat milan ki raat

Ab tumse kahen kaise
Lab pe jo ruki hai baat
Hum kahaan us baat se inkaar karte hain
Kiss kadar kitna tumhe hum pyaar kartein hain
Tum nahin maanoge ae

Tum nahin jaanoge ae

Rut badli samaa badlaa aa aa
Rut badli samaa badlaa
Lehraaya naya mausam
Aise mein kaho tum to
Kaanon mein kahen kuchh hum

Jo kaho manzoor hum sarkaar kartey hain
Ham tumhaare saamne iqraar kartey hain
Tum nahin manaoge
Tum nahin jaanoge

Jhaanko to mere dil mein
Samjho kya kahaani hai

Ye apni mohabbat ki
Badi pyaari nishaani hai
Oon oon oon oon oon oon oon
Ye apni mohabbat ki
Badi pyaari nishaani hai
Dillagi kya yoon sarey bazaar karte hain
Are iss kadar itna tumhe hum pyaar kartein hain
Tum nahin maanoge
Tum nahin jaanoge
Kiss kadar kitnaa tumhe hum pyaar kartey hain

Iss kadar itnaa tumhe hum pyaar kartein hain
Tum nahin maanoge
Tum nahin jaanoge

———————————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————————–
तुम नहीं मानोगे
तुम नहीं जानोगे
इस कदर इतना तुम्हे
हम प्यार करतें हैं
ज़िन्दगी है तुमसे
हर ख़ुशी हैं तुमसे
हम तुम्हारे सामने इकरार करते हैं
तुम नहीं मानोगे
तुम नहीं जानोगे
किस कदर कितना तुम्हे हम प्यार करतें हैं
आँख झुक जाती हैं
साँस रुक जाती हैं
जब कभी हम प्यार का इजहार करते हैं
तुम नहीं मानोगे

अरे तुम नहीं जानोगे ए

हर एक दिन अहा मिलन का दिन
अहा
हर एक दिन अहा मिलन का दिन
हर एक रात मिलन की रात

अब तुमसे कहें कैसे
लब पे जो रुकी हैं बात
हम कहाँ उस बात से इनकार करतें हैं
किस कदर कितना तुम्हे हम प्यार करतें हैं
तुम नहीं मानोगे

तुम नहीं जानोगे

रुत बदली समा बदला आ आ
लहराया नया मौसम
ऐसे में कहो तुम तो
कानों में कहें कुछ हम

जो कहो मंज़ूर हम सरकार करते हैं
हम तुम्हारे सामने इकरार करते हैं
तुम नहीं मानोगे
तुम नहीं जानोगे

झांको तो मेरे दिल में
समझो क्या कहानी है

ये अपनी मोहब्बत की
बड़ी प्यारी निशानी है
ऊँ ऊँ ऊँ ऊँ ऊँ ऊँ ऊँ
ये अपनी मोहब्बत की
बड़ी प्यारी निशानी है
दिल्लगी क्या यूं सरे बाज़ार करतें हैं
अरे इस कदर इतना तुम्हे हम प्यार करतें हैं
तुम नहीं मानोगे
तुम नहीं जानोगे
किस कदर कितना तुम्हे हम प्यार करतें हैं

इस कदर इतना तुम्हे हम प्यार करतें हैं
तुम नहीं मानोगे
तुम नहीं जानोगे


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3798 Post No. : 14788

“Bullet”(1976) was directed by Vijay Anand for Navketan Productions on the occasion of the silver jubilee of this production house. This movie had Dev Anand, Parveen Babi, Rakesh Roshan, Kabir Bedi, Jyoti Bakshi (new discovery), Sonia Sahni, Shreeram Laagoo, Jagdeep, Mohan Sherry, Ranjana Sachdev, Murad, Ranjan, Sheela, Shefali, Jazebel, Julie, Ratna, Julien, Mamaji, Moolchand, Sharat Saxena etc in it.

This movie had four songs in it. Three songs have been covered in the past. Here is the list of the songs already covered:-

Song Title

Post No.

Post Date

Jab tum chale jaaoge to yaad bahut aaoge 5100 4-Dec-11
Chori chori chupke chupke tere mere bin 13614 26-Sep-17
Mat chhedo gham ki baaten 14785 9-Dec-18

The fourth and final song left to be covered is in fact the first song in the movie. It is the title song of the movie as well, where the word bullet appears more than fifty times.
Sudhir Jee, in his comments to the earlier song mentions that

Praveen Babi is the love interest of Dev Anand, and Jyoti Bakshi is the love interest of Rakesh Roshan. Both are police officers. Praveen Babi works for Kabir Bedi, who is actually a gangster. Dev Anand is after him, but Kabir Bedi is successful in getting Dev Anand suspended from the police force on fabricated charges.

In the sequence of events, Jyoti Bakshi gets killed, and that pits Rakesh Roshan against Dev Anand, as the suspicion falls on the latter. Dev Anand then visits Kabir Bedi in his office and drops a bullet on his table, and challenges him that this bullet carries his (Kabir Bedi’s name) and that his days are numbered. That is where the title of the film comes from.

The song is sung by Kishore Kumar. Anand Bakshi is the lyricist. Music is composed by R D Burman.

With this song, “Bullet”(1976) joins the list of movies that have all their songs covered in the blog.

Audio

Video

Song-Bullet bullet (Bullet)(1976) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman
Chorus

Lyrics

bullet
bullet
bullet
bullet
bullet
bullet
bullet
bullet
bullet
bullet

hey dekho
yeh kya hai
ispe naam tera likha hai
arre dekho
yeh kya hai
ispe naam tera likha hai

bullet bullet bullet bullet
bullet bullet bullet
bullet bullet bullet bullet
bullet bullet bullet

hey dekho yeh kya hai
ispe naam tera likha hai

bekhabar baitha hai
mast hai peene mein
ek din yeh lagegi pyaare tere seene mein
bekhabar baitha hai
mast hai peene mein
ek din yeh lagegi pyaare tere seene mein
are yaar mere abb hota kya hai aage aage aage aage
dekho yeh kya hai
tere dard e dil ki dawa hai
ispe naam tera likha hai
bullet bullet bullet bullet
bullet bullet bullet

are dekho yeh kya hai
ispe naam tera likha hai

lallalala
lala
lalla
lalla

yeh nahin toh kya hai
jisse tu darta hai
main tujhe aur tu kisko talaash karta hai
yeh nahin toh kya hai
jisse tu darta hai
main tujhe aur tu kisko talaash karta hai

are yaar mere ab hota kya hai
aage aage aage aage
dekho yeh kya hai
yeh kya hai yeh tujhko pata hai
ispe naam tera likha hai
bullet bullet bullet bullet
bullet bullet bullet

are are dekho yeh kya hai, ispe naam tera likha hai

yaad rakh deewaane
yaad rakh deewaane
tu woh parwaana hai
usko apni lagaayi aag mein jal jaana hai
yaad rakh deewaane
tu woh parwaana hai
usko apni lagaayi aag mein jal jaana hai
arre yaar mere abb hota kya hai aage aage aage aage
dekho yeh kya hai,
yeh inaam hai ya saza hai
ispe naam tera likha hai
bullet bullet bullet bullet
bullet bullet bullet

hey dekho yeh kya hai
ispe naam tera likha hai
bullet bullet bullet bullet
bullet bullet bullet


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3795 Post No. : 14783

Hullo, hi, pranaam. Good day to all of Atuldom.

Today (8 december 2018) we have a handsome man turning a year older. He has crossed 80 a few years ago but that has not reduced his charisma or charm or fan-following. He is still active on the silver-screen, even if only in home productions, and has his sons as his co-stars.

He has had a rather loooonnnngggg journey having started in 1960. He was the son of a village school headmaster in Ludhiana of Punjab. His mother was the one who supported him in fulfilling his dream of being an actor (he has mentioned this in various interviews of his). He was bitten by the acting bug after seeing Dilip Kumar on-screen. To pursue his dream, he entered the Filmfare New Talent Contest and won it. He was launched by Arjun Hingorani in “Dil Bhi Tera Hum Bhi Tere” in 1960. From then on, he has been entertaining us.

Dharmendra – the he-man with a soft heart. I have read in numerous of his interviews and heard him on television too that his home is always open to anyone who needs his help. The first time I registered this actor or fell in love with him was probably in “Guddi” along with Jaya Bhadhuri (she was also shown to be a Dharmendra fan) or was it in “Seeta aur Geeta”. Or it could be that I saw “Sholay” fell in love with Veeru and then subsequently saw “Guddi” and “Seeta aur Geeta” on Doordarshan and realized who Raka or Dharmendra (he played himself in Guddi) the actor was.

After “Sholay” I have seen many of his movies, even those where he stood next to a bookshelf and sang – “ya dil ki suno duniyawalon ya mujhko abhi chup rehne do” or stood looking out of a window with the “Meghdhoot” in had singing – “tum pukarlo, tumhara intezaar hai”. Loved him even with his heavy lip-sticked- makeup singing “aap ki haseen rukh pe aaj naya noor hai”.

How can anyone forget his pairing with Meena Kumari, Asha Parekh, Waheeda Rehman, Nutan, Vyjayanthimala, Sadhana, Saira Bano, Mumtaz, Babita and all the other ladies of the 60s. He is a lucky guy as he got to romance all the leading ladies of the 70s & 80s. He was sensible enough in not trying to play a romantic lead in the 90s and the few movies where he had heroines it was either Jaya Prada or Sridevi. In the other movies he played a mentor or guardian to the hero or heroine as in “Dadagiri” {1987} he mentors Padmini Kolhapure and helps her in her mission to take revenge against Amrish Puri.

Similarly, in the 1988 “Paap ko jalakar raakh kar doonga” he is shown his to keep his emotions under control in front of his niece played by Farha after her husband is killed by ‘goondas’ and quietly trying to take revenge against the people responsible of the havoc caused in his ‘hasta khelta’ niece’s life. He is an actor who held his ground during the Rajesh Khanna and Amitabh Bachchan wave.

There are many movies starring Dharmendra and we have covered all his popular ones. Atleast that is what I expected. But I am proved wrong there are many more out there which makes it a difficult job to decide what song to present here. I am taking the easy way out and posting the song which is topmost on my head. It is by the Kishore Kumar- Anand Bakshi- R D Burman trio, from the 1978 Pramod Chakravarty produced and directed “Azaad” which was decently successful at the box office.

It was a typical masala movie where Hema Malini played a rich-spoilt- haughty princess and Dharam an eccentric do-gooder (Ashok) who first has his run-ins with the Rajkumari, teaches her to respect food, the poor etc and finally lands up in a factory owned by her. The movie goes through the routine of the princess trying to humiliate Ashok, then falling in love with him and the evil villains trying every trick to bring the movie to the climax.

Today’s song happens when Hema is in the haughty phase and Dharam wants to protect all of the jungle creatures if possible. The song shows our darling Dharam in his trade mark style of being rough and tough (junglee to an extent) and Prem Chopra to be a little stupid. But this is the perfect song to show who or what we experienced when we saw Dharmendra on screen in the late 70s and early 80s.

Wishing you a very Happy Birthday dear Veeru or Garam Dharam alias Dharmendra.


Song-Main Laila ka Majnu Shirin ka Farhaad (Aazaad)(1978) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman

Lyrics

O hoooo
o hoooooo

main laila ka majnu
shireen ka farhaad
main hoon sabse pehle
arre sab hain mere baad
main aazaad
main aazaad
main laila ka majnu
shireen ka farhaad
main hoon sabse pahle
arre sab hain mere baad
main aazaad
main aazaad

Ooooo
Ooooo

pehle bano nishaana
phir tum teer chalaana
thhaam ke apne dil ko phir tum saamne aana
arre pehle bano nishaana
phir tum teer chalaana
thhaam ke apne dil ko phir tum saamne aana
tum jaise dekhe hain
maine bade saiyyaad
main laila ka majnu
shireen ka farhaad
main aazaad
main aazaad

mujhse bachke rehna
baat bigad jaayegi
saari raat kasam se tumko
neend nahin aayegi
arre mujhse bachke rehna
baat bigad jaayegi
saari raat kasam se tumko
neend nahin aayegi
bhool na paaogi tum
main aaunga yaad
main laila ka majnu
shireen ka farhaad
main aazaad
main aazaad

inn aankhon ke raste
dil mein bas jaaoonga
tum naagin toh main sapera
tumko das jaaoonga
arre inn aankhon ke raste
dil mein bas jaaoonga
tum naagin to main sapera
tumko das jaaoonga
ab karti ho gussa
phir karna fariyaad
main laila ka majnu
shireen ka farhaad
main aazaad


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3790 Post No. : 14774

Hullo to Atuldom

At the outset let me wish our friend of Atuldom “A very Happy Birthday” and lotsa of love and joy forever. Let her always be a mystery (paheli); atleast till I meet her personally. But from accounts about her that Sudhirji had once shared on the blog and Atulji’s had written in his post I am very eager to meet her. Till then I will be content with the occasional telephonic chat or WhatsApp masti that we indulge in. Wish you a very Happy Birthday Khyatiji. Have a great day musical day.

“Amir Garib” is a movie I have seen ages back at the time it was released. I have very foggy memory of the contents, only thing I recollect is both Dev Anand and Hema play petty thieves in addition to picking each other’s pockets, and sing the same song one after the other i.e. “soni aur moni ki hai jodiajeeb” has two versions that follow each other in quick succession, in Kishore Kumar and Lata Mangeshkar. Also, I recollect how gorgeous and petite Hema lookedand Dev Anand’s style of dressing, and dancing.

For the plot content I consulted the WIKI and this is what I found :-

The film starts with Mumbai police officials deliberating how to crack a spate of robberies targeting the rich in the city by a masked thief called Bagula Bhagat. Inspector Anand (Sujeet Kumar) is given charge of the case.
Meanwhile, one gets to see musician and singer, Manmohan, alias Moni, working in a hotel owned by Seth Daulatram (Premnath) who is pursued by Sunita aka Soni, a pickpocket, who lives with her foster mother (Sulochana). In fact, Sunita’s rich businessman father died when he was duped by his treacherous manager, Daulatram.

Actually, Bagula Bhagat is Moni in disguise, whose informers (including Birbal and Tuntun) garner information about the misdeeds of unscrupulous traders and businessmen. These then become the target of Bagula Bhagat, who robs them of their riches only to distribute among the poor and the needy. Moni’s heart beats for the ill trodden after a childhood incident, in which his grandfather was killed by a ruthless landowner, who not only belittles him for his poverty, and mocks him about Moni’s mother having been duped by a rich man.

After a series of incidents-some interesting, others outright boring and outlandish Moni and Soni agree to teach Seth Daulatram a lesson for his misdeeds. But before that, Moni comes to know that Soni’s foster mother is actually his mother and that inspector Sujeet Kumar is the fiancé of his foster sister. The film ends after a courtroom drama, in which the judge tries Bagula Bhagat for his misdemeanours. Does the judge take a lenient view of Moni’s plea for rights of the poor? Or is he delivered a harsh punishment?

Lets have this party song today to celebrate our Khyatji’s birthday. It has the normal masala movie setup of a climax song, with the villain (Premnath) bringing in the heroine’s mother (Sulochana) as his hidden trump to thwart the hero and heroine in their mission. We have Ranjeet playing Premnath’s chamcha.

This song also shows Dev Anand in the style he was known for after the advent of colour in movies.

Video

Audio

Song-Kahin janaab ko mera to intzaar nahin (Ameer Ghareeb)(1974) Singers-Lata, Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both

Lyrics(Based on Audio version)

thha intzar jiska aaa
woh raat aa gayi hai
thha intzaar jiska
woh raat aa gayi hai
dulha miyaan kahaan hai
baaraat aa gayi hai
uljhe huye hain saahib
uljhan ko dhoondhte hain
mehfil mein doston ki ee
dushman ko dhoondhte hain

nashe ka jhonka hai woh
nazar kaa dhokha hai woh
nashe ka jhonka hai woh
nazar kaa dhokha hai woh
huzoor aayega woh zuroor
aayega woh

magar woh dushman e jaan
na aa chuka ho yahaan
magar woh dushman e jaan
na aa chuka ho yahaan
kisi pe kya hai yaqeen
kahin woh main toh nahin
kisi pe kya hai yaqeen
kahin woh main toh nahin
kuchh aitbaar nahin ee
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin
kisi pe kya hai yaqeen
kahin woh main toh nahin
kuchh aitbar nahin
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin

nazar udaas hai kyon
labon pe pyaas hai kyon
nazar udaas hai kyon
labon pe pyaas hai kyon
uthhaaon jaam piyo
usi ke naam piyo
guzarne do yeh ghadi
badi hai raat padi
guzarne do yeh ghadi
badi hai raat padi
ke thhodi der mein woh kahega aake suno
tumhen karaar nahin
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin

aaa
aa aa aa aa aa
yeh ameer aur gareeb
zara se aayen kareeb
yeh ameer aur gareeb
zara se aayen kareeb
toh koyi baat bane
meri baaraat bane
yahi toh soch ke haan
main aa gaya hoon yahaan
yahi toh soch ke haan
main aa gaya hoon yahaan
yeh meri bhool sahi
ghalat asool sahi
main sharmsaar nahin ee
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin

mera jo haal hai abb
kiya hai tumne yeh sab
mera jo haal hai abb
kiya hai tumne yeh sab
tumhaara kaam hai yeh
ke intekaam hai yeh
diya jo toone mujhe
wahi main doongi tujhe
diya jo toone mujhe
wahi main doongi tujhe
yahi hai kaam mera
khizaa hai nam mera
ke main bahaar nahi ee
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin
kisi pe kya hai yaqeen
kahin woh main toh nahin
kuchh aitbaar nahin
kahin janaab ko

mera toh intzaar nahin
kahin janaab ko mera toh intzaar nahin


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3778 Post No. : 14757

‘Dhongee’ (censor certificate 23-12-1976), was a movie directed by Ashok Roy and produced by Kant Kumar productions. It seems to have had a delayed release (Wikipedia says it was released 4th May 1979). It has a starcast of Randhir Kapoor, Neetu Singh, Asrani, Sujit Kumar, Farida Jalal, Iftikhar, and Premnath. Rakesh Roshan had a friendly appearance. The lyricist to this movie was Anand Bakshi and music director was Rahul Dev Burman. The movie had five songs and Asha Bhonsle, Kishore Kumar and Amit Kumar were the playback singers. One song of this film – “Haaye Re Haaye Tera Ghunghta” – has been posted earlier, as a contribution by Pamir Harvey where a brief outline of the movie is provided. This song is popular to this day. I remember that sometime in the late 90s or early 2000 there was a remix version to this song which triggered the memory of this song. As I sat to write this post I discovered that there has been another version of this song which has been used in a recent movie titled ‘Paisa Vasool’ (2004) – I don’t know anything about this recent movie.

Continuing after seeing the movie 🙂

So, ‘Dhongee’ is the usual masaala stuff, with a brother (Randhir Kapoor) and sister (Farida Jalal) loving and helping each other with wooing their prospective fathers-in-laws (Raj Mehra and Satyen Kappu). The brother’s aim is to fulfil his ‘dead’ father’s promise to the groom’s father and see that his sister lives a happy married life. On the way to fulfilling this he meets with an accident and ‘dies’. The insurance amount that his sister gets post the brother’s death is used by his fiancée (Neetu Singh) and her father to get the sister married. This is one part of the movie. But it is not even ‘interval time’ in the movie. Now begins the tale. The brother has actually survived the accident, has been unconscious for about 2 months, tended by a Nepali Gurkha – typically named Bahadur; recovers just in time to remember his sister’s wedding date; rushes home to witness the wedding without being seen by anyone. Now he is guilt-ridden that he has cheated the insurance company and is ready to do any activity that will earn him the money to repay the insurance. Here Bahadur steps in, suggests a name and location change & sends him to Nepal. Randhir Kapoor (Anand) is intrigued that random people around Kathmandu recognise him and escort him to a palace. After a few scenes that show the goings-on in the palace it is revealed that the palace is the headquarters for printing fake notes, belongs to Bahadur alias John and Anand has been cleverly sweet-talked into standing-in for the actual John (Premnath – it was the period when he used to play the BADMAN). Additionally, it is also revealed that the ‘dead’ father is a captive in the palace; the fiancée reaches Kathmandu (on duty, being an air-hostess); sees Anand; goes back; reports to the sister and then the whole family comes to help and rescue the father and brother and finish the movie. The songs are spread through the movie with a mandatory dance with the villain – Premnath is made to sing and dance.

Remembering Premnath today on his birth anniversary, he would have been 92. He was already the cute roly-poly fisherman – Braganza (‘Bobby’, 1973)- when I first became aware of the actor. And through the 70s he was Rai Saab Bhupendra Singh (‘Johnny Mera Naam’, 1970) Khan Badshah (‘Shor’, 1972), Dharmdas ‘Dharmatma‘ (‘Dharmatma’, 1975), IG Khanna (‘Kalicharan’, 1976), Sir Juda (‘Karz’, 1980) etc. I don’t remember having seen any of his movies where he had played a hero. I remember my father was a fan of the songs pictured on him in Raj Kapoor’s ‘Barsaat’ (1949) – “Patli Kamar Hai Tirchhi Nazar Hai“; “Main Gareebon Ka Dil Hoon Watan Ki Zabaan” from ‘Aab-e-Hayaat’ (1955) and “Main Raahi Bhatakne Waala Hoon” from ‘Baadal’ (1951). I recently discovered Vodafone Play – an app offered by Vodafone – which has a section dedicated to old movies, and I discovered ‘Saaqi’ (1952) – an interesting Arabian Nights type fantasy film where he co-starred with Madhubala.

Today’s song has Premnath sharing screen space with Randhir Kapoor (his nephew – ‘bhaanja’, in real life) and Neetu Singh, and shaking a leg outside the Kathmandu temple. I think this was a popular song in the past. Amit Kumar is the playback for Premnath.

Song – Rangon Ki Chhaaon Dhoop Mein (Dhongee) (1976) Singer – Asha Bhosle, Kishore Kumar, Amit Kumar, Lyrics – Anand Bakshi, MD – RD Burman

Lyrics

ho o oooo
ooo ooo
ooo ooo

mmmm. . .
usey jaan lo
pehechaan lo

rangon ki chhaon dhoop mein
wo aaya hai naye roop mein
rangon ki chhaon dhoop mein
wo aaya hai naye roop mein
wo hai. . . ek behroopiya
usey jaan lo
pehechaan lo
usey jaan lo oo
pehechaan lo
rangon ki chhaon dhoop mein
woh aaya hai naye roop mein
rangon ki chhaon dhoop mein
wo aaya hai naye roop mein
wo hai. . . ek behroopiya
usey jaan lo
pehechaan lo
usey jaan lo oo
pehechaan lo

jaise koi dulha baandhe sehra
us ke chehre pe hai naqli chehra
hooo ooo
jaise koi dulha baandhe sehra
us ke chehre pe hai naqli chehra
aaaa aaaaa
ab is mein kya raaz hai
poora dhokhebaaz hai
usey jaan lo pehechaan lo
rangon ki chhaon dhoop mein
wo aaya hai naye roop mein
wo hai. . . ek behroopiya
usey jaan lo
pehechaan lo
usey jaan lo oo
pehechaan lo

suljha di aankhon ne dil uljhan
haan haan yahi to hai hum sab ka dushman
he he
suljha di aankhon ne dil uljhan
haan haan yahi toh hai hum sab ka dushman
ooo oooooo
ooo ooo
ooo ooo
ooo ooo
iski sab kahaaniyan
iski hai nishaaniyan
usey jaan lo pehechaan lo
rangon ki chhaon dhoop mein
wo aaya hai naye roop mein
wo hai. . . ek behroopiya
usey jaan lo
pehechaan lo
usey jaan lo oo
pehechaan lo

tum dhongee ho to hum bhi kuchh kam nahin
tum ne jaal bichhaaya hai to gham nahin
he he
tum dhongee ho to hum bhi kuchh kam nahin
tum ne jaal bichhaaya hai to gham nahin
in baaton mein dam nahin
darne waale hum nahi
hamen jaan lo pehechan lo
rangon ki chhaon dhoop mein
main aaya hoon naye roop mein
arey
main hoon. . . ek behroopiya
hamen jaan lo
pehechaan lo
hamen jaan lo
pehechaan lo

———————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————

हो ओ ओssss
ओsss ओsss
ओsss ओsss

मम्ममम॰ ॰ ॰
उसे जान लो
पहचान लो

रगों की छाँव धूप में
वो आया है नए रूप में
रगों की छाँव धूप में
वो आया है नए रूप में
वो॰ ॰ ॰ है एक बहरूपिया
उसे जान लो
पहचान लो
उसे जान लो॰॰ओ
पहचान लो
रगों की छाँव धूप में
वो आया है नए रूप में
रगों की छाँव धूप में
वो आया है नए रूप में
वो॰ ॰ ॰ है एक बहरूपिया
उसे जान लो
पहचान लो
उसे जान लो॰॰ओ
पहचान लो

जैसे कोई दूल्हा बांधे सेहरा
उसके चेहरे पे है नक़ली चेहरा’
हो ओ
जैसे कोई दूल्हा बांधे सेहरा
उसके चेहरे पे है नक़ली चेहरा’
आsss आsss
अब इस में क्या राज़ है
पूरा धोखेबाज़ है
उसे जान लो
पहचान लो
रगों की छाँव धूप में
वो आया है नए रूप में
वो॰ ॰ ॰ है एक बहरूपिया
उसे जान लो
पहचान लो
उसे जान लो॰॰ओ
पहचान लो
उसे जान लो॰॰ओ
पहचान लो

सुलझा दी आँखों ने दिल की उलझन
हाँ हाँ यही तो है हम सबका दुश्मन
हे हे
सुलझा दी आँखों ने दिल की उलझन
हाँ हाँ यही तो है हम सबका दुश्मन
ओsss ओsssss
ओsss ओsss
ओsss ओsss
ओsss ओsss
इसकी सब कहानियाँ
इसकी हैं निशानियाँ
उसे जान लो॰॰ओ
पहचान लो
रगों की छाँव धूप में
वो आया है नए रूप में
वो॰ ॰ ॰ है एक बहरूपिया
उसे जान लो
पहचान लो
उसे जान लो॰॰ओ
पहचान लो
उसे जान लो॰॰ओ
पहचान लो

तुम ढ़ोंगी हो तो हम भी कुछ कम नहीं
तुमने जाल बिछाया है तो ग़म नहीं
हे हे
तुम ढ़ोंगी हो तो हम भी कुछ कम नहीं
तुमने जाल बिछाया है तो ग़म नहीं
इन बातों में दम नहीं
डरने वाले हम नहीं
हमें जान लो
पहचान लो
रगों की छाँव धूप में
मैं आया हूँ नए रूप में
मैं॰ ॰ ॰ हूँ एक बहरूपिया
मुझे जान लो
पहचान लो
मुझे जान लो
पहचान लो


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3757 Post No. : 14725

Today (31 october 2018) is the 43rd remembrance day of S D Burman (1 october 1906- 31 october 1975).

As a tribute, we already had a long and interesting article on S D Burman by our inhouse HFM historian cum researcher Mr Sadanand Kamath.

SLBC (Sri Lanka Broadcasting Corporation too spent almost the whole broadcast duration today by playing 27 S D Burman compositions today out of 28- the last being a K L Saigal song, of course. 27 S D Burman composition out of 670 odd HFM songs that S D Burman composed in his career work out to about 4 % of all S D Burman HFM songs.

My way of paying tributes to HFM artists is to present detaile filmography of those artists. It is no different today. Here in this aricle I will provide full filmography of S D Burman as far as Hindi movies are concerned.

S D Burman composed musuc in 89 released movies and one unreleased movie, as far as I can tell. As many as 74 of these movies are already YIPPEED in the blog. Overall, S D Burman composed some 670 songs in these movies. This blog has 626 of these songs. The blog also has 5 non film songs composed by S D Burman.

So in summary, only around 45 SD Burman HFM songs from 15 movies are left to be covered. All of these songs may not be available. My guess is that another 30 odd songs out of these 45 may be available and then S D Burman willjoin artists like K L Saigal and Suraiyya whose available songs are fully represented in the blog.

Here are the details of S D Burman songs from his hindi movies :-

Movie Name Year Songs in the blog Songs in movie Remarks
Aath Din 1946 6 7 Balance song not available
Shikaari 1946 9 10 Balance song not available
Dil Ki Raani 1947 9 9 One multiple version song
Chittor Vijay 1947 0 8 Songs of this movie are not available
Do Bhai 1947 9 9
Vidya 1948 10 10
Kamal 1949 10 10
Shabnam 1949 10 10
Afsar 1950 7 7
Mashaal 1950 7 7
Pyaar 1950 8 8
Baazi 1951 8 8
Bahaar 1951 8 8
Buzdil 1951 6 6
Ek Nazar 1951 9 9
Naujawaan 1951 7 7
Sazaa 1951 8 8
Jaal 1952 8 8
Laal Kunwar 1952 8 11
Armaan 1953 8 8
Baabla 1953 6 6
Jeevan Jyoti 1953 9 9
Shahanshah 1953 9 9
Angaarey 1954 10 10
Chaalis Baba Ek Chor 1954 8 12
Radha Krishna 1954 2 9
Taxi Driver 1954 8 8
Devdas 1955 10 10
House No 44 1955 8 8
Mad Bhare Nain 1955 8 8
Munim Ji 1955 11 11
Society 1955 8 8
Funtoosh 1956 8 8
Miss India 1957 10 10
Nau Do Gyarah 1957 8 8
Paying Guest 1957 7 7
Pyaasa 1957 11 11
Chalti Ka Naam Gaadi 1958 8 8
Kaala Paani 1958 6 6
Lajwanti 1958 6 6
Sitaaron se Aage 1958 8 10
Solva Saal 1958 5 5
Insaan Jaag Uthhaa 1959 7 7
Kaaghaz Ke Phool 1959 7 7
Sujata 1959 7 7
Apna Haath Jagannaath 1960 8 8
Bambai Ka Babu 1960 7 7
Bewaqoof 1960 9 9
Ek Ke Baad Ek 1960 8 8
Kaal Bazaar 1960 8 8
Manzil 1960 8 8
Miyaa Biwi Raazi 1960 7 7
Baat Ek Raat Ki 1962 8 8
Dr Vidya 1962 8 8
Naughty Boy 1962 6 8
Bandini 1963 7 7
Meri Soorat Teri Aankhen 1963 6 6
Tere Ghar Ke Saamne 1963 7 7
Benazir 1964 11 11
Kaise Kahoon 1964 7 7
Ziddi 1964 8 8
Guide 1965 10 10
Teen Deviyaan 1965 6 6
Jewel Thief 1967 7 7
Aradhana 1969 7 7
Jyoti 1969 5 5
Talaash 1969 8 8
Gambler 1970 5 5
Ishq Par Zor Nahin 1970 5 8
Prem Pujari 1970 7 7
Naya Zamaana 1971 7 7
Sharmeeli 1971 7 7
Tere Mere Sapne 1971 9 9
Anuraag 1972 6 6
Ye Gulistaan Hamaara 1972 4 7
Zindagi Zindagi 1972 7 7
Abhimaan 1973 7 7
Chhupa Rustam 1973 4 7
Jugnu 1973 6 6
Phagun 1973 3 6
Prem Nagar 1974 8 8
Sagina 1974 4 4
Us Paar 1974 5 5
Chupke Chupke 1975 4 4
Mili 1975 3 3
Arjun Pandit 1976 2 3
Baarood 1976 5 5
Deewaangi 1976 1 1
Tyaag 1976 1 5
Saaz (UR) 0 0
Total 89 movies 626 671 74 YIPPEED

As a tribute to S D Burman,I have chosen a song from “Naughty Boy”(1962).

“Naughty Boy”(1962) was produced and directed by Shakti Samanta. The movie had Kishore Kumar, Kalpana, Omprakash, Sundar, Madan Puri, Kanu Roy, Krishnkant, Kundan, Praveen Paul, Shivraj, Sulochana Cahtterji, Prretibala, Nand Kishore, Masud, Paachhi, Manjula, Samar Chatterji, Kamaldeep, etc in it.

The movie had eight songs in it. Six songs from this movie have been discussed in the past.

Here is the sixth song from the movie to appear in the blog. This song is sung by Kishore Kumar. Shailendra is the lyricist. Music is composed by S D Burman.

The song is picturised on Kishore Kumar and others. One can see, among others, Edvina in the picturisation of this song. I am not familiar with others visible. I request our knowledgeable readers to help identify the other actors in the picturisation.


Song-Nazren milaa ke jo duniya ki nazron se dare (Naughty Boy)(1962) Singer-Kishore Kumar, Lyrics-Shailendra, MD-S D Burman

Lyrics

nazre milaa ke jo duniya ki nazron se dare
milna na chaahe jo milne ke vaade hi kare
wo to buzdil hai
bada buzdil
wo wo wo to buzdil hai
bada buzdil
nazren milaa ke jo duniya ki nazron se dare
milna na chaahe jo milne ke vaade hi kare
wo to buzdil hai
bada buzdil
wo wo wo to buzdil hai
bada buzdil

zaalim hamaare dil ko na todo
chhupna chhupaana chhodo
haan
zaalim hamaare dil ko na todo
chhupna chhupaana chhodo
tere bin ab mera jeena mushqil hai
jeena mushqil hai
nazren milaa ke jo duniya ki nazron se dare
milna na chaahe jo milne ke vaade hi kare
wo to buzdil hai
bada buzdil
wo wo wo to buzdil hai
bada buzdil

seekha hai humne jab tumpe marna
phir dard se kya darna
haan
seekha hai humne jab tumpe marna
phir dard se kya darna
mohabbat dariya hai
dard saahil hai
dard saahil hai
wo wo wo wo wo wo
nazren milaa ke jo duniya ki nazron se dare
milna na chaahe jo milne ke vaade hi kare
wo to buzdil hai
bada buzdil
wo wo wo to buzdil hai
bada buzdil

maana ki tu to husn e jahaan hai
humsa bhi aashiq kahaan hai
haan
maana ki tu to husne jahaan hai
humsa bhi aashiq kahaan hai
ye tera banda bhi tere kaabil hai
tere kaabil hai
nazren milaa ke jo duniya ki nazron se dare
milna na chaahe jo milne ke vaade hi kare
wo to buzdil hai
bada buzdil
wo wo wo to buzdil hai
bada buzdil


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14800 song posts by now.

This blog is active and online for over 3800 days since its beginning on 19 july 2008.

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Movies with all their songs covered =1158
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