Archive for the ‘Sadhna Sargam Solo Songs’ Category
Nainaa neer bahaaye
Posted on: February 27, 2023
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5337 | Post No. : | 17503 | Movie Count : |
4710 |
Amritsar born Canadian Indian, Deepa Mehta has been known for making feature films on social issues. Her most passionate film making project has been the ‘Element Trilogy’ – ‘Fire’ (1996), ‘1947 Earth’ (1998) and ‘Water’ (2005) for which she had received critical acclaim worldwide and also won her many awards. The themes of her films are progressive for some and controversial for others. So, controversies surrounded her most of the time when film’s shooting was to commence or at the time of the release of the films.
I have not yet watched ‘Fire’ (1996) and ‘1947 Earth’ (1998). But I have watched ‘Water’ (2005) for which there were a lot of controversies as soon as the film’s unit landed in Varanasi for shooting in 2000. I remember to have read the news in those days that film’s set in Varanasi was destroyed by the miscreants even though the film units had received approvals from both the Central and State governments for shooting. There was also the death threat to Deepa Mehta. She cancelled the shooting of the film and went back to her home city, Toronto.
After waiting for about 4 years, Deepa Mehta shifted her shooting location from Varanasi to Sri Lanka in 2004. The art director created a set of Varanasi with its ghats and ashrams at the shore of Bolgoda Lake, near Colombo. The inordinate delay in resumption of shooting resulted in taking a new set of actors including those from Sri Lanka. Earlier actors included Shabana Azmi, Nandita Das and Akshay Kumar. They were replaced by Seema Biswas, Lisa Ray, and John Abraham respectively. The role of 8-year young widow, one of the main actors was performed by Sarala Kariyawasam, a class 7th student from Galle, Sri Lanka.
‘Water’ (2005) takes the film audience back to 1938 when the widowed women (child, young or even old) were shifted to shelter homes (ashram) specially created for them. The film brings to the notice of the modern society the poverty, deprivation and exploitation of widows as prevailed in pre-independent India. This practice is not completely eradicated in some places in the post-independent India.
The film was produced by Deepa Mehta’s Canada based home production company, David Hamilton Production. The star cast included John Abraham, Lisa Ray, Seema Biswas, Sarala Kariyawasam, Manorama, Kulbhushan Kharbanda, Raghuveer Yadav, Vinay Pathak, Vidula Javalgekar Waheeda Rehman (special appearance), Garson D’Cunha etc. The gist of the film’s story is as under:
Chuyia (Sarala), the 8-year old widow is shifted to a ashram in Varanasi after the death of her husband. It is a traumatic experience for her to be separated from the parents in such a young age and live in a state of poverty among the widows. But her arrival in the ashram results in an atmosphere of activities in otherwise quiet life. Her energetic activities in the ashram get her noticed from two other widows – a young Kalyani (Lisa Ray) and a middle-aged Shakuntala (Seema Biswas). They become the protector of Chuyia.
Kalyani had become widow at age of 7 and is the most beautiful of the widows in the Ashram. Madhumati (Manorama), the ‘boss’ of the ashram has allowed Kalyani to grow her hairs because Madhumati has an arrangement with the pimp Gulabi (Raghuvir Yadav) to take Kalyani to wealthy clients, as a source of income for the ashram.
Shakuntala is only among the widows who can read and write. She is sharp and short tempered. Hence, Madhumati, despite being a ‘boss’ of the ashram, avoids bossing her. Shakuntala is God fearing and follow the dictates of the widowhood as explained to her by a priest (Kulbhushan Kharbanda). At the same time, she feels unjust to be a widow. When she asks the priest whether there is any other way to avoid the stigma of being widow, he says that there is a law which now allows widows to remarry. She is surprised as to why this was not brought to their notice. The priest cooly says that “we do not always follow the law when it is inconvenient”.
Narayan (John Abraham) returns to his home in Varanasi after becoming a lawyer in Kolkata. He has become the follower of Mahatma Gandhi who has been campaigning, among other things, for breaking social and religious barriers for widow remarriage. Narayan’s father, Dwarkanath (Gerson D’Cunha) has an aristocratic lifestyle and is liberal in his views. His mother (Waheeda Rehman) on the other hand is conservative and tradition bound.
One day Chuyia, while trying to catch her puppy who ran away from her, gets lost on her way back to ashram. She meets Narayan who drops her on the doorstep of Kalyani’s room in the ashram. He is shocked to see a young Kalyani who will be spending rest of her life in austerity and deprived of her rights. Narayan wants to marry Kalyani but she is not ready because she is God-fearing and tradition bound. With much persuasion by Narayan, Kalyani agrees to the marriage. Despite facing obstacles from Madhumati, Kalyani reaches the shore of River Ganga where Narayan is waiting to take her to his house across the river to meet his parents. When Kalyani sees the house from the boat, she at once tells Narayan to turn the boat back as she gets to know that Narayan’s father is also one of Madhumati’s clients on whom she was forced upon.
Kalyani returns to ashram and in the night, she commits suicide by drowning herself in the River Ganga. Narayan is shocked to know his father’s views on widows despite being liberal in views. He blames his father for Kalyani’s tragic end. He leaves the house to join Mahatma Gandhi. He meets Shankutala on the way at the shore of River Ganga. Both are at loss for words after the death of Kalyani. At last, Shakuntala asked Narayan a pertinent question. ‘Why are widows sent to ashram’? Narayan gives a practical explanation for this ancient practice: “One less mouth to feed, four less saris in a year, and a free corner in the house. Disguised as customs and traditions, it’s just about money”.
In the absence of Kalyani, Madhumati sends Chuyia as a replacement for the client in the guise of telling her that she is going back to her own house. When Shakuntala comes to know about this, she rushes to rescue Chuyia only to know that she was too late. She takes the traumatized Chuyia in her arms, confused as to what to do now to make her safe from Madhumati. She learns that Mahatma Gandhi would be arriving at the railway station to proceed to Allahabad. She rushes to the railway station. In the midst of crowded platform, Shakuntala runs to hand over Chuyia to any one of the passengers in the already slow moving train, pleading to take her with them. She finds to her surprise that it is Narayan who takes Chuyia from her in the overcrowded train.
There are some poignant moments in the film. For instance, in a few minutes after the opening scene, Chuyia who is in her deep sleep in the house is woken up by her father to tell her that her husband is no more, and she has become a widow now. She asks her father innocently “how long, father”? In one scene, she innocently asks ‘is there man-widow ashram also’? In spite of some poignant moments in the film, Deepa Mehta has successfully avoided the film turning into an intense melodrama. The subtle message from the film is that even if one goes by customs and traditions of widowhood, the ashram is at the shore of River Ganga whose water is the symbol of purification. The widows in the ashram have to remain self-restrained and chaste. But in reality, ashram has become a place for exploitation of widows. The other message is that widows have rights as a human beings.
‘Water’ (2005) became the official Oscar entry from Canada which made into the final five in the category of the best foreign language films. The film could be released in India only in 2007 which received lukewarm responses from the film audience. The film was meant for the niche audience most of whom may have probably watched the film on DVD released in 2005.
‘Water’ (2005) had 6 songs of which 5 songs were written by Sukhwinder Singh and one was the devotional song of Narsinh Mehta. A R Rahman has composed all the songs in raagdari music with some shades of folk music. In a long interview with Arjit Singh about Hindi film music, A R Rahman had said that ‘Water’ (2005) has been his most satisfying work as a music director. He said that he had composed all the six songs before the film’s shooting was stalled in 2000.
I am presenting the first song, ‘naina neer bahaaye’ from the film to appear on the Blog. The song is written by Sukhwinder Singh and is rendered by Sadhana Sargam. In the interview quoted above, A R Rahman revealed that he got inspired from a one-minute advertisement jingle in Hindi rendered by Kavita Krishnamurthy. Rahman could not recall the name of the composer of the jingle but remembered him as one of the most talented composers. He further said that he composed the tune of the song based on Raag Bhatiyari (the same raag which was used in the jingle).
When my extensive surfing on the internet did not get me anywhere about the jingle referred to by A R Rahman, a comment on the video clip of the song under discussion led me to this jingle:
purab se surya uga phaila ujiyaara
jaage har disha disha jaaga jag saara.
The video clip of the jingle is here.
This jingle was composed by Ashok Patki, the music director of Marathi films, plays and T V Serials. I have watched this advertisement many times on Doordarshan in early 90s. Kavita Krishnamurthy revealed in an interview that when she met A R Rahman for the first time for a song recording, he specifically pointed out this jingle and appreciated it for its musical composition. This indicates that this jingle remained in the mind of A R Rahman for a long time.
In the film, only the mukhda of the song is picturised. The background of the song is that after meeting Narayan who clears Kalyani’s misconception about widow remarriage, she decides to get married with him. This news gets leaked to Madhumati, the ‘boss’ of the ashram who cuts Kalyani’s hair and locks her in the room. The mukhda of the song plays in the background as she prays to Lord Krishna. The Director has compared Kalyani’s situation as that of Meerabai whose desire was to be with Giridhar despite many obstacles. Here Kalyani believes that her Giridhar (Narayan) would come and rescue her.
The song under discussion is pure Hindustani classical music, which is beautifully rendered by Sadhana Sargam, bringing out the underlying intense pathos. Unfortunately, this song ( as also other songs from the film) remained on the back burner due to delay in film’s released in India and after the release, its quick eclipse from the theatres.
Audio Clip:
Video Clip (Partial):
Song-Nainaa neer bahaaye (Water)(2005) Singer-Sadhana Sargam, Lyrics-Sukhwinder Singh, MD-A R Rahman
Lyrics (based on Audio Clip)
naina…aaaaaaa
naina neer bahaaye…ae ae
naina…aaaaaaa
naina neer bahaye..aae
mujh birhan kaa dil sajaan sang
mujh birhan kaa dil saajan sang
jhoom jhoom ke gaaye…ae ae
naina…aaaaaaa
naina neer bahaye…ae ae
naina…aaa
naina neer bahaaye ae
mujh birhan ka dil saajan sang
mujh birhan ka dil saajan sang
jhoom jhoom ke gaaye…ae ae
naina…aaa
naina neer bahaaye ae
ha aa aa aa
aa aa aa aa
vish kaa pyaala kaam na aaya
meera ne pee ke dikhlaaya..aa
vish ka pyaala kaam na aaya
meera ne pee ke dikhlaaya..aa
prem to hai gangajal ismein
prem to hai gangajal ismein
prem to hai gangajal ismein
vish amrit ban jaaye..ae ae
naina…aaaaaaa
naina neer bahaaye.. ae ae
prem hai Giridhar ki baansuriya..aa aa
prem hai Giridhar ki baansuriya
prem hai Radha ki saanwariya aa
ye hai saat suron kaa dariya
ye yai saat suron kaa dariya
jhar jhar bahta jaaye..ae ae
naina…aaaaaaa
naina neer bahaaye..ae ae
naina…aaaaaaa
naina neer bahaaye..ae ae
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4666 | Post No. : | 16340 |
Today’s song is from the 1993 movie – ‘Ham Hain Raahi Pyaar Ke’. Music for this movie was composed by Nadeem-Sharvan.
Shravan Rathod of this music duo team passed away recently on 22nd April’2021 (13.11.1954 – 22.04.2021), and as a tribute to him we remember this movie and its songs on the blog.
This movie had six songs composed by Nadeem-Shravan. Five songs have been posted on the blog earlier.
The name of music director duo Nadeem-Shravan will always be remembered for composing some of the scintillating music of the nineties for HFM.
Music of the movie ‘Aashiqui-1990/91’ had created a sensation among HFM fans. It was followed by movies like ‘Saajan-1991’, ‘Sadak-1991’, ‘Deewaanaa-1992’, ‘Dil Hai Ke Maanta Nahin-1992’, ‘Ham Hain Raahi Pyaar Ke-1993’, ‘Raja Hindustani-1996’,‘Pardes-1997’, ‘Dil Ka Rishta-2003’ and others where this duo composed the music.
I am not a big fan of their music, but I cannot say that I do not their music totally. I like some of their compositions from the movies mentioned above.
However very soon music director Nadeem of the duo had to leave the industry and later made a comeback (giving music virtually, I think).
I had watched some of the movies mentioned above during my stay at Kota (Rajasthan).
‘Ham Hain Raahi Pyaar Ke-1993’ is one such movie which I watched then. I remember I liked this movie very much and I watched it twice or thrice. I also liked the songs of this movie very much.
‘Ham Hain Raahi Pyaar Ke-1993’ was directed by Mahesh Bhatt for ‘Tahir Hussain Enterprises’ & T.V. Films Pvt Ltd. It was produced by Tahir Hussain.
It had Amir Khan, Juhi Chawala, Dilip Tahil, Navneet Nishan, K.D. Chandran, Veeru Krishnan, Tiku Talsania, Mushtaq Khan, Javed Khan, Baby Ashrafa, Sharokh Bharucha, Master Kunal Khemu and others.
Story, screenplay, and dialogues for this movie were written by Robin Bhatt. (Amir Khan is also credited in writing screenplay with Robin Bhatt?).
Editing of this movie was done by Sanjay Sankla.
This movie had six songs written by Sameer and composed by Nadeem-Shravan.
Here are the details of songs of this movie and their date of posting on the blog;
| S.No. | Song Title | Posted On |
|---|---|---|
| 01 | Bambai se gayi Poona Poona se gayi Dilli | 10.09.2015 |
| 02 | Yoonhi kat jaayega safar saath chalne se | 04.10.2016 |
| 03 | Ghoonghat ki aad se dilbar ka | 13.11.2017 |
| 04 | Mujhse mohabbat ka izhaar karta | 13.11.2019 |
| 05 | Chikni surat tu kahaan thha ab talak ye bataa | 20.09.2020 |
| 06 | Wo meri neend mera chain mujhe lautaa do | Final song being posted today |
As we can see from the above table five songs of this movie have already been posted on the blog.
Today’s song is the sixth and final song from this movie ‘Ham Hain Raahi Pyaar Ke-1993’. It is sung by Sadhana Sargam. Sameer is the lyricist and music is composed by Nadeem-Shravan.
With today’s song all songs of this movie ‘Ham Hain Raahi Pyaar Ke-1993’ have been posted on the blog and the movie stands ‘Yippeeee’ed 😊
Let us listen to today’s song now ….
Audio
Video
Song-Wo meri neend mera chain mujhe lautaa do (Ham Hain Raahi Pyaar Ke)(1993) Singer-Sadhana Sargam, Lyrics-Sameer, MD-Nadeem Shravan
Lyrics
wo meri neend mera chain
mujhe lautaa do o
wo meri neend mera chain
mujhe lautaa do
wo mera pyaar mera dard
mujhe lautaa do
neend jitni bhi maine khoyi hai
chain jitnaa bhi maine khoya hai
wo meri neend mera chain
mujhe lautaa do
wo mera pyaar mera dard
mujhe lautaa do o
ek maasoom dil hai aur
sitam hain kitne ae
ek maasoom dil hai aur
sitam hain kitne
is muhabbat ke siwa
aur bhi gham hain kitne ae
is muhabbat ke siwa
aur bhi gham hain kitne ae
mere ishq ka imtehaan yoon naa lo
tumhen hai qasam meri jaan yoon naa lo
khwaab jitney bhi maine dekhe hain
yaad jitnaa kiya hai maine tujhe
wo mere khwaab
meri yaad mujhe lautaa do
wo meri neend mera chain
mujhe lautaa do
wo mera pyaar mera dard
mujhe lautaa do o
ye meri bhool thhi
jo maine tujhe pyaar kiya
ye meri bhool thhi
jo maine tujhe pyaar kiya
na milne waali mohabbat ka
intezaar kiya
na milne waali mohabbat ka
intezaar kiya
ye kya rang laayi hai meri wafaa
mili hai mujhe kisliye ye sazaa
teri chaahat ki pyaas thhi mujhko
isko paane ki thhi ummeed mujhe
wo meri pyaas wo ummeed
mujhe lautaa do
wo meri neend mera chain
mujhe lautaa do
neend jitni bhi maine khoyi hai
chain jitnaa bhi maine khoya hai
wo meri neend mera chain
mujhe lautaa do
wo mera pyaar mera dard
mujhe lautaa do o
wo mere khwaab
meri yaad mujhe lautaa do
wo meri pyaas wo ummeed
mujhe lautaa do o
Main har janam teri bahna banoon
Posted on: August 15, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4045 | Post No. : | 15173 | Movie Count : |
4169 |
Today (15 august 2019) is not only the independence day, it also happens to be the festival of Rakhi.
I have managed to post one independence day song on this occasion. Now it is time I cover a Rakhi festival song as well, before the day wears off.
This raakhi festival song is from “Dav Pech”(1989). The correct spelling should be “Daanv Pench”. This movie was produced by Padmini Kolhapure and directed by Kewal Verma for Padmini Films Private Limited, Bombay. The movie had Jeetendra, BhanuPriya(south),Prem Chopra, Dinesh Hingoo, Chandrashekhar,Shakti Kapoor, Bob Christo, Sunil Dhawan, Renu Joshi,C.S.Dubey, Manik Irani,Kamaldeep, Neeta Kapoor,
Sangeeta Kapoor,Master Rinku,Gurbachchan Singh, Gauri Verma,Jugnu, Azad Irani,Umesh Khanna, Surbhi Zaveri etc in it.
This rakhi song had two versions. The duet version (happy version) was sung by Sadhana Sargam and Shailendra Singh. It was picturised on Gauri Verma, Jeetendra and Master Rinku. The sad female solo version was just one stanza long and it was sung by Sadhana Sargam.
Indeewar is the lyricist. Music is composed by Anu Malik.
Lyrics of the song were sent to me by Prakashchandra long back.
With this song, “Dav Pech”(1989) makes its debut in the blog.
I take this opportunity to wish our visitors happy Raakhi and also happy independence day.
Duet
Female solo
Song-Main har janam teri bahna banoon (Daanv Pench)(1989) Singers-Sadhana Sargam, Shailendra Singh, Lyrics-Indeewar, MD-Anu Malik
Both
Lyrics(Provided by Prakashchandra)
———————————
Duet version
———————————
hoooo…oooooo…ooooo
oooo…oooooo…….oooooo
main har janam teri behnaa banoon
tu har janam meraa bhaiyyaa bane
main har janam teri behnaa banoon
tu har janam meraa bhaiyyaa bane
ek janam kyaa
saaton janam
teraa hi saayaa
sar pe rahe ae
main har janam teraa bhaiyyaa banoon
tu har janam meri behnaa bane
rishte naate bahut hain jag mein
koyee na rishtaa aisaa
bhai behan kaa pyaar hai paawan
gangaa jal ke jaisaa
main uss ghar ki karoon hifaazat
tu jis ghar ka gehnaa bane ae
main har janam teri behnaa banoon
tu har janam meraa bhaiyyaa bane
des rahen pardes rahen hum
badlenge naa iraade
raakhi ke dhaagon mein chhupe hain
pyaar bhare kuchch vaade
buri nazar koyee
chhoo na paaye
tu meraa laaj rakhaiyyaa bane ae
main har janam teraa bhaiyyaa banoon
tu har janam meri behnaa bane
ek janam kyaa
saaton janam
teraa hi saayaa
sar pe rahe ae
main har janam teri behnaa banoon
tu har janam meraa bhaiyyaa bane
hooooo….oooooooooo…ooooo ooooo….oooooooooo…..
ooooo….hoooooooooo……….ooooooooooooo….ooooo
————————————-
Lyrics (Sad female solo version)
————————————-
main har janam teri behnaa banoon
tu har janam meraa bhaiyya bane
ek janam kyaa
saaton janam teraa hi saayaa sar pe rahe ae
main har janam teri behnaa banoon
tu har janam meraa bhaiyya bane
tu har janam meraa bhaiyya bane
- In: "baadal" song | 10th Anniversary Celebration Song | Devnagri script lyrics by Avinash Scrapwala | Duet | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Nostalgic song | Post by Avinash Scrapwala | Sadhna Sargam Solo Songs | Sadhna Sargam Songs | Songs of 1990s (1991 to 2000) | Songs of 2000 | Suresh Wadkar - Sadhna Sargam Duet | Suresh Wadkar songs | Yearwise breakup of songs
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3649 | Post No. : | 14488 |
ASAD 10th Anniversary Celebrations – 5
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Our blog will be completing a decade online on 19th July, 2018, and I think this is a great great achievement of Atul ji – our leader – who over all these years has keep it going with his tireless efforts and dedication towards the blog in spite of having his own personal priorities including his full-time job.
I got an opportunity to get in contact with this blog since (my first comment on 15.09.2009 – Kashti Ka Khaamosh Safar Hai …) and after that it took me few years to become a part of the ASAD team on 05.09.2012 when my first contribution – Pyaar Ka Badlaa Mujhe – was posted on the blog. So, after a couple of months it will mark my six years on this blog as a contributor and team member of this family.
As I have said in one of my earlier articles here that when I joined this blog, my main objective was the songs which were in my memory since childhood and these were the songs which are very nostalgic for me and those which brings back wonderful memories for me – Tere Mere Yaaraane ho o. Revisiting those songs is like reviving again the old days – the days I was growing – the childhood and the ‘magic of cinema’.
Over these years since 2012, after the initial phase of sharing ‘lot of songs’ from the seventies, I have also shared some of my anecdotes and written about movies which I may not have watched but their songs are part of my memories. After coming into the contact with this blog I also got to learn and became aware of many songs of yesteryears, got to know about the great personalities associated with these songs, and about the vast treasure trove that HFM is.
In few of my earlier posts I have already written about ‘what this blog is for me (Hum Se Roothhe Hi Bhale Saara Zamaana) and how over all these years it has become an essential part of my life. Hence, I will not repeat all those feelings here, and will come to the song in today’s post.
For this 10th anniversary celebrations of the blog, my theme is ‘nostalgia’. What I want to express in today’s post is that other than the ‘nostalgia’ of songs and movies that I share on this blog, now this blog itself has become a ‘nostalgic’ part of my daily routine. As I browse it daily it brings back memories of initial years a ‘contributor’ and the communications that I have been doing all these years with the team of contributors. And the most beautiful thing of all to happen was meeting some of our team members in person – the gang outs 🙂 – Is Mulaqaat Bas Mazaa Lijiye.
This is the most beautiful part of ‘my’ life and I think I can write it – ‘our life’. Because we, ‘strangers’ to each other, have now become as one ‘soul’ and ‘one life’ because of this blog only. The joy of meeting each other in the ‘gang outs’ cannot be described in words here. It is an everlasting feeling and after every meeting we long to meet next time with many new things to share.
Personally, I feel myself very fortunate to be a part of this blog and to have met some wonderful peoples- our seniors and fellow team members – in my lifetime and it’s like ‘jeevan dhanya ho gaya’, so what more one wants because ‘main to kuchh bhi nahin tha, is blog ne mujhe bahot kuchh bana diya’ 🙂 . In the near future I hope to meet other members whom I have not yet met in person 🙂 . This ‘Suhaana Safar’ will be continuing on and on. . .
In India, this month of July brings the monsoon and nowadays it’s raining in almost all the parts of the country. The monsoon generally takes over and covers the whole country in this month. For me, it is a regular here since months and even in this winter season here in Kenya now, we have regular rains. That is why when I think about the birthday of this blog, it was in July in 2008. Every year on the anniversary of this blog, Atul ji must be remembering those days when he was thinking of launching this blog or putting his thoughts together which later on became a ‘full online regular blog’ 😊
aise hi kuchh din rahe honge wo bhi
jab kaale kaale baadal mandlaa rahe honge
aur idhar geeton ki varsha barasne ki tayyari ho rahi thi. . .
With these thoughts in mind let us enjoy this lovely song and fall in love with HFM yet once again – the songs that brings back memories and the ‘nostalgia’ everybody has been associated with in one’s life. Because hereafter when these celebrations are over the memories of this wonderful week will become a part of our ‘nostalgia’ forever and will be remembered every year. And if the virtual gang out happens, it will also leave behind memories to cherish forever.
Let us now enjoy this wonderful composition from Rajesh Roshan penned by Qateel Shifai, and which has the sweet and melodious voices of Sadhna Sargaam and Suresh Wadkar. The film is ‘Anjaane’. As per information available online, this film was launched in 1993, and its music was released in 1995. However, production delays and other issues caused the film to be released only in 2000. I have not seen this film and I would request knowledgeable readers to throw light on this movie and its songs.
Once again thanking Atul ji and all other members of this blog and wishing all the best in the future, let us enjoy this song.
(Video – Partial)
(Audio)
Song – Kaale Kaale Baadal Jab Bhi Chhaayenge (Anjaane) (2000) Singer – Sadhna Sargam, Suresh Wadkar , Lyrics – Qateel Shaifai, MD – Rajesh Roshan
Sadhna Sargam + Suresh Wadkar
Chorus
Lyrics
aa aa aa aa
aa aa aa aa
kaale kaale baadal jab bhi chhayenge..ae
kaale kaale baadal jab bhi chhayenge
ye din pyaare pyaare yaad aayenge
hmm hmm hmm hmm hmm
aa aa aa aa aa
kaaley kaaley baadal jab bhi chhayenge
ye din pyaare pyaare yaad aayenge
o gori
kya boli
mann ki beena chhedi re
o gori kya boli
arey mann ki beena chhedi re
gun gun karte bhanware
jab bhi gaayenge
ye din pyaare pyaare yaad aayenge
kaaley kaaley baadal jab bhi chhayenge
ye din pyaare pyaare yaad aayenge
aa aa aa
aa aa aa aa aa aa
meethhe jharnon ka paani
chhede nayi si kahaani
meethhe jharnon ka paani
chhede nayi si kahaani
waadiyon pe lagaa
panchhiyon ka mela
mujhse poochhe ghadi ghadi
ye suhaani bela
tere saath hai ye kaun albelaa
albelaa
o gori
kya boli
mann ki duniya doli re
o gori
kya boli
arey mann ki duniya doli re
mausam ye bahaarein jab bhi laayenge
ye din pyaare pyaare yaad aayenge
kaale kaale baadal jab bhi chhayenge
ye din pyaare pyaare yaad aayenge
kaajal bhed tera kholey
bindiya chupke se ye boley
kaajal bhed tera kholey
bindiya chupke se ye boley
hai haseena tu thodi si deewaani
dil hi dil mein ye sochey fiza mastaani
hogi kiske tu khwaabon ki raani
tu raani
miltey hai
jo saathi
yaad nahin unki jaati
miltey hai
jo saathi
arey yaad nahin unki jaati
ham chaahe jahaan bhi chaley jaayenge
ye din pyaare pyaare yaad aayenge ae
hmm hmm hmm hmm hmm
aa aa aa aa aa
kaale kaale baadal jab bhi chhayenge
ye din pyaare pyaare yaad aayenge ae
o gori
kya boli
mann ki beena chhedi re
o gori
kya boli
arey man ki beena chhedi re
gun gun karte bhanware
jab bhi gaayenge
ye din pyaare pyaare yaad aayenge
hmm hmm hmm hmm hmm hmm
laa laa laa laa aa
hmm hmm hmm hmm hmm hmm
laa laa laa laa aa
———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
आ आ आ आ
आ आ आ आ
काले काले बादल जब भी छायेंगे ए
काले काले बादल जब भी छायेंगे
ये दिन प्यारे प्यारे याद आयेंगे
हम्म हम्म हम्म हम्म हम्म
आ आ आ आ आ
काले काले बादल जब भी छायेंगे
ये दिन प्यारे प्यारे याद आयेंगे
ओ गोरी
क्या बोली
मन कि बीना छेड़ी रे
ओ गोरी
क्या बोली
अरे मन कि बीना छेड़ी रे
गुन गुन करते भंवरे
जब भी गायेंगे
ये दिन प्यारे प्यारे याद आयेंगे
काले काले बादल जब भी छायेंगे ए
ये दिन प्यारे प्यारे याद आयेंगे ए
आ आ आ
आ आ आ आ आ आ
मीठे झरनों का पानी
छेड़े नयी सी कहानी
मीठे झरनों का पानी
छेड़े नयी सी कहानी
वादियों पे लगा
पंछियों का मेला
मुझसे पूछे घडी घडी
ये सुहानी बेला
तेरे साथ है ये कौन अलबेला
अलबेला
ओ गोरी
क्या बोली
मन कि दुनिया डोली रे
ओ गोरी
क्या बोली
अरे मन कि दुनिया डोली रे
मौसम ये बहारें जब भी लायेंगे
ये दिन प्यारे प्यारे याद आयेंगे
काले काले बादल जब भी छायेंगे
ये दिन प्यारे प्यारे याद आयेंगे
काजल भेद तेरा खोले
बिंदिया चुपके से ये बोले
काजल भेद तेरा खोले
बिंदिया चुपके से ये बोले
है हसीना तू थोडीसी दीवानी
दिल ही दिल में ये सोचे फिजा मस्तानी
होगी किसके तू ख़्वाबों कि रानी
तू रानी
मिलते है जो साथी
याद नहीं उनकी जाती
मिलते है जो साथी
अरे याद नहीं उनकी जाती
हम चाहे जहां भी चले जायेंगे
ये दिन प्यारे प्यारे याद आयेंगे
हम्म हम्म हम्म हम्म हम्म
आ आ आ आ आ
काले काले बादल जब भी छायेंगे
ये दिन प्यारे प्यारे याद आयेंगे ए
ओ गोरी
क्या बोली ई
मन कि बीना छेड़ी रे
ओ गोरी
क्या बोली
अरे मन कि बीना छेड़ी रे
गुन गुन करते भंवरे
जब भी गायेंगे
ये दिन प्यारे प्यारे याद आयेंगे
हम्म हम्म हम्म हम्म हम्म हम्म
ला ला ला ला आ
हम्म हम्म हम्म हम्म हम्म हम्म
ला ला ला ला आ
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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