Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘“Raja” song’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4823 Post No. : 16601

On this 1st October 2021, I am completing 9 years of my blogging here. My first post was published on this Blog on 1-10-2012. It was on the film Savitri-1937. Since then in the last 9 years I have been continuously writing here and elsewhere. Though my writings are also published on several other Blogs and sites, my main favourite place is this one only.

Most of my original works were first published first here, except the interviews of relatives of old time artistes, which were published on memsaabstory.com. Some articles were published on anmol fankaar, Sangeet ke Sitare,Harveypam Blog, Kalyan Music Group, Songs of yore etc etc. In the last 9 years I have written, till today, 1020 posts here. It works out to an average of 1 article every 3.2 days-every 4th day- continuously for 9 years. In addition I have written film synopses of more than 600 films and more than 500 comments on this Blog alone. When I look back, I get surprised. How did I do it ?

There are reasons how and why I could do it. First, I like the atmosphere of this Blog. Secondly, Atul ji is a silent motivator, a good leader and he encourages contributors by giving a free hand and without disturbing styles of narrations. Thirdly, it is a very congenial and friendly team of Atulites. There are many more points but we all know them.

The Blog has created a special place for itself in the Blogosphere for its Credibility, Variety, Quantum of songs with lyrics and pots of information not available easily elsewhere. The Blog has actually become ” A Point Of Reference” for most other music and old film lovers. Information from the Blog is invariably quoted as proof and authenticity. Credit for all this goes to Atul ji. Thanks Atul ji. We feel proud to be associated with atusongaday !

Today’s song is from a Mythological film – Jai Bhim-1949. The film was made by Nav Jhankar productions, Bombay. It was directed by Anant mane -who became one of the all time successful Directors of marathi Cinema, later on. Music was by Sudhir Phadke, for songs written by lyricist Amar Verma- who married the famous Classical Singer Manik Dadarkar, better known as Manik Verma. The cast of the film was Vishwas, Vasant Thengdi, Ganapatrao Bakre, uma Devi, kusum deshpande, kanta kumari and many others.

Film Jai Bhim-49 was a MYthological film, but its information is not available anywhere. It is one of those films which have existance only in HFGK pages. The film was directed by Anant Mane. He was a struggling Director in 1949, but due to hard work and of course with good luck, he became a very big and renowned director in Marathi cinema. His contribution in the Hindi cinema was of a minimal nature but his Marathi films were mostly Hit films.

Anant mane was born in a lower middle class family of kolhapur, on 22-9-1915. His uncle Gyanba Mane was working in Prabhat films as an actor (in his last days Gyanba was seen selling vegetables on the roads of Kolhapur, for survival). Anant used to go with him to Prabhat studio. The studio life attracted him. At the age of 15 years, he left school and joined Prabhat. he was given work in the Laboratory. First 2 years he worked without pay and then he got a salary of Rs.10 pm.

While in Prabhat he worked and learned a lot in editing, Artwork, Sound recording in addition to working as an extra in a Mob scene. He was impressed with Shantaram’s knowledge in the studio. When the film ” Sairandhri” was made, he was given Vishnu’s role in it.

His diligence impressed Shantaram and he was taken in Editing laboratory. When Prabhat shifted to Poona, he too came with it and continued working in editing. He did editing of all Prabhat films till 1941. When Shantaram left Prabhat in 1942, he too left but joined as an assistant to director Raja nene till 1946. In 1949, he directed his first Hindi film ” Jai Bhim”-1949.

In 1950, Anant mane and Dada Dharmadhikari started ” Alhad Chitra”. Its very first Marathi film ” Bala jo jo re” became a hit and celebrated Silver jubilee. Their next two films ” Stree janma hi tuzi kahani” and ” Chimni Pakhare” also became Jubilee films. Chimni Pakhare was remade in Hindi as Nanhe Munne-1952. Anant mane directed 2 Hindi films in 1954-Kalakar and Suhagan, which were remakes of their Marathi films.

After this he concentrated only on marathi cinema and became a well known and successful director of 58 Marathi films. He also wrote stories and screenplays of 14 films. He won many State and Central Government awards. He considered Shantaram as his Guru. Even after being so successful, he worked as an assistant director to Shantaram for his famous film ‘ Pinjara”-1972.

Anant Mane died on 5-10-1995.

In the cast of this film you will find 2 names- Vasant Thengdi and Kusum Deshpande. They were husband and wife in real life. Thengdi was a very handsome person. Vasant Thengadi was born on 11-1-1910 at Nagpur. He was son of Congress leader Dhaniram Thengadi. Vasant had his education in Poona. He could not join the Army, because of his father’s political connections. He had to leave his Engineering college after father’s death. Being very handsome,tall and with good physique, he started working in Marathi dramas and films. He started his Hindi work with the film Dhuwandhar-35. ( This was also the Debut film for Leela Chitnis and Meera Alexander). He started doing Villain roles and became popular and famous. Besides Marathi films, his Hindi films were Taramati-45, Phir bhi apna hai-46, Mera Ladka-38, Din Raat-45, Ten o clock-42 etc. Later he also worked as assistant director to Raja Nene.

Kusum Deshpande was born on 20-11-1914 at Nagpur. She came to Bombay in 1930 and worked in Minerva as an apprentice, without pay. She worked in A.I.R. and some Marathi dramas and films. Her first Hindi film was Ghar ki Rani-40. She also did Charnon ki Daasi-41, Village Girl-45, Wamaq Azra-46 and Zamin Asmaan-46. In all she did 20 Hindi films. She married actor Vasant Thengadi on 30-11-1944.

After she stopped getting roles in Hindi films, she turned to Marathi films and had a long and fruitful career in it. She was the sister of actress Ranjana, who was Dilip Kumar’s Heroine in film Milan-1946( a bilingual in Hindi and Bangla, made by Bombay talkies).

Today’s song is a duet by Sudhir Phadke and Lalit Deulkar ( after this film they got married on 29-5-1949).


Song-O roop nagar ki raani dekho roothh ke na jaao (Jai Bhim)(1949) Singers- Sudhir Phadke, Lalita Deulkar, Lyricist- Amar Verma, MD-Sudhir Phadke

Lyrics

O roop nagar ki raani
dekho roothh ke na jaao
O roop nagar ki raani
dekho roothh ke na jaao o
roothh ke na jaao
mera jiya na dukhaao
o o
roothh ke na jaao
O roop nagar ki raani
dekho roothh ke na jaao

o o o
prem nagar ke raaja
prem nagar ke raaja
haath na lagaao o
haath na lagaao
jahaan rahe wahi jaao
haath na lagaao

main to jaan gaya
tere man ki batiyaan
o main to jaan gaya
tere man ki batiyaan
bolo kahaan thhe teen din tin ratiyaan
kahaan thhe teen din tin ratiyaan
bolo kahaan thhe teen din tin ratiyaan
kahaan thhe teen din tin ratiyaan

haan
to isliye roothhhi thi meri raani
suno
main to thha Panchal desh mein
jahaan hua Draupadi swayamwar
jahaan hua Draupadi swayamwar
nagar nagar ke raaja aaye
bade dhanurdhar veer dhurandhar
bade dhanurdhar veer dhurandhar
sabne apne dhanush baan ki
vidhya ke kaushal dikhlaaye
vidhya ke kaushal dikhlaaye
par koi bhi chakr beech
machhli ki aankhen bhed na paaye
haay raam
phir kya hua

phir brahman ke vesh mein
aaya Arjun veer
chhaaya dekhi tel mein
diya lakshya ko cheer

tab muskaayi jyun sadi
tab muskaayi jyun sadi
prem ras tabhi laga ??
phir mangal baaje baje
Parth ko varmaala pahnaai
o roopnagar ki raani
aao naacho dhoom machaao
dhoom machaao
o prem nagar ke raaja
aao naacho dhoom machaao
dhoom machaao


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 16600th article in the blog.

Blog Day :

4822 Post No. : 16600

With passage of time, we in this blog have become sedate and relaxed, as befits people who have matured (read aged). 🙂 Things that we found exciting in the past fail to enthuse us any longer. The sense of keen anticipation is no longer there. People in the past would begin to think and talk in advance about forthcoming important blog events. That is no longer the case.

Take the case of Blog Century posts. This regular event used to be a keenly anticipated event in the past, even when such an even used to occur once every fortnight. Today, this event has become more rare and happens once in two months (or more), and yet goes largely unnoticed.

But the important thing is, the blog never stops. The rate of posting of songs may have slowed down considerably, but we ensure that there is no DOT day in the blog. The last DOT day in the blog was on 25 December 2019. After that, the blog has not had a DOT day for last 645 days ! And that gives us the confidence and the feeling that the blog is always on the move.

Perhaps it is past experience, or may be it is my inherent laid back nature that these days I do not think much amout the century post till the last moment ! Only when I realise that the Century post is due and it has to be posted TODAY that I start wondering what song to select for the occasion.

Initially, I had considered a “new” song for the occasion and I had collected some details as well. But when I searched, I was unable to find those details that I had collected after spending several hours. So I had to postpone that song for some future occasion.

The songs covered in the guest posts that were covered during thelast few days gave me some idea what song I should pick as the century song. I had almost decided that the final song of “Hamraahi”(1945) should be the century song. This was a rare song. This was a song that grew up on me the more I listened to it. But then I realised that I needed to pick this song based on other consideration. There were two consideration. I noticed that a music director duo was on 299. I also noticed that the songs covered from movies of a particular year added up to 599. So, this called for a song from that year and composed by that music director duo. In addition, we recently had the birthday of Lata Mangeshkar. So this song should be sung by her.

Considering all that, I decided to combine all the above centuries to decide on the next blog century , viz Blog century number 166, or in other words , blog post number 16600.

This post, the blog post number 16600, covers a song from “Saawan Bhaadon”(1949). “Saawan Bhaadon”(1949) directed by Ravindra Dave for Prakash Pictures, Bombay. The movie had Munawar Sultana, Omprakash, Indu, Raj Adeeb, Jankidas etc in it.

The movie had ten songs in it. Five songs have been covered in the past.

This song, the sixth song from the movie, is sung by Lata Mangeshkar. Mulkraj Bhakri is the lyricist. Music is composed by Husnlal Bhagatram.

This song is the 300th song of Husnlal Bhagatram as a music director in the blog. This song is the 600th song in the blog from movies released in 1949. We in the blog have 500 plus songs from movies of other years, but this song makes 1949 the first year in the blog that has now contributed 600 songs in the blog.

It was the year 1949 that marked the beginning of the golden era of Hindi film music. Husnlal Bhagatram played a major role in making 1949 a musically supersaturated year. This year also saw the emergence of Lata Mangeshkar as a playback singer who would rule the HFM for the next six decades and more. Husnlal Bhagatram were the first music directors to complete 50 songs with Lata Mangeshkar. They utilised the voice of Lata Mangeshkar in 28 songs in 1949 and 40 songs in 1950. C Ramchandra were second, in using Lata Mangeshkar voice in 19 songs in 1949 and 30 songs in 1950. And this song serves as a (belated) birthday celebration song for Lata Mangeshkar !

So, one can see that this song from this movie “Saawan Bhaadon”(1949) ticks all the boxes, as far its eligibility as a Blog century song is concerned. If there is still any doubts in anyone’s mind about the credentials of this song, that would be removed when one listens to this song. Personally I listened to this song only now for the first time, more that 72 years later. And it sounds as sweet and divine as it may have sounded to the ears of music lovers who were around in 1949 !

With this song, the blog completes yet another century, and we duly take fresh guard for the next century.

I take this opportunity to thank one and all, whose continued and consistent support, encouragement and contributions is providing this musical bandwagon with the necessary fuel to keep taking us the newer and nbewer destinations in this musical journey.


song-Tum bin Raja nahin maika chain ho (Saawan Bhaadon)(1949) Singer-Lata, Lyrics-Mulkraj Bhakri, MD-Husnlal Bhagatram

Lyrics

Tum bin raaja nahin maika chain ho
tum bin raaja nahin maika chain ho
tum to raaja pardes sidhaare
kaase kahoon teri bain ho
tum bin raaja nahin maika chain ho
tum bin raaja nahin maika chain ho

aankh us shokh se mila baithhe ae
teer chhuriyaan jigar pe kha baithhe ae
tere kurbaan o gesuon waale
tere phande mein dil phansa baithhe ae
tum bin raaja nahin maika chain ho
tum bin raaja nahin maika chain ho
tum bin tum bin tum bin
tum bin raaja nahin maika chain ho o

suraj chhipe adli badli
aur chandr chhipe amaawas aayo
paani ki boond paataal chhupe
aur meen chhupe ?? jal paayo
bhor bhayi sab chor chhupe
aur ?? chhupe phaagun ritu aayo
laakh na ghoonghat oat karo
par chanchal nain chhupe na chhupaayo
tum bin raaja nahin maika chain ho
tum bin raaja nahin maika chain ho
tum bin raaja nahin maika chain ho
tum bin raaja nahin maika chain ho
tum bin raaja nahin maika chain ho o


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4730 Post No. : 16450

Hullo Atuldom

“Ek Shrimaan Ek Shrimati” (1969) was produced by Surinder Kapoor and directed by Bhappie Sonie with songs written by Rajinder Krishan and composed by Kalyanji Anandji. It had a cast of Babita, Shashi Kapoor, Om Prakash, Rajendranath, Prem Chopra, Kamini Kaushal, Helen Hari Shivdasani etc.

The story was a straight forward one of a rich girl (Babita) falling in love with Prem Chopra who is after her wealth (as usual). Pritam (Shashi Kapoor) falls in love with this girl and tries to woo her away from her chosen person and has the approval of her rich uncle (Om Prakash) and is eventually successful. Then there is a minor twist regarding the birth mother foster mother etc. That is the synopsis. The movie had 7 songs of which the blog has 6 as under:-

Song Date of posting
Chaandni raat mein yoon dil ko jalaake to na jaa 8 July 2009
Pyaar to ik din honaa thhaa 1 May 2010
Kuchh kahen to khafa chup rahen to khafa 17 Aug 2010
Aaye baithhe khaaye piye khiske 21 August 2010
Hey hey hello hello 5 September 2013
Jeewan pathh par pyaar ne chhedi madhur madhur sargam (full of statistics and marked a milestone) 30 November 2020

We are visiting the movie again today to mark the 93rd birth anniversary of Kalyanji Virji Shah. There is enough material on the blog giving life history of the music legend so let us get directly on to the song.
Audio

Video

Song-Raaja tohe nainon se madira pilaaye doon (Ek Shrimaan Ek Shrimati)(1970) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Kalyanji Anandji
Chorus

Lyrics(Provided by Prakashchandra)

ho o ho o ho o ho o ho o ho o
ho o ho o ho o ho o ho ho o

hey ae ae

hoye

raaja tohe
raaja tohe nainon se madira pilaaye doon
raaja tohe nainon se madira pilaaye doon
tu preet ka khiladi
magar hai anaadi
aaja daanv main sikhaay doon oon oon hoye
raaja tohe nainon se madira pilaaye doon
raaja tohe nainon se madira pilaaye doon

aaaa
hoye hoye
oooo
hoye hoye hoye
aaaaa
hoye hoye hoye
oooo
hoye hoye

oooo o o aa aa aa aa
oooo o o aa aa aa

chandaniya ki chhainyya mein
galbahiyaan daar ke
handaniya ki chhainyya mein
galbahiyaan daar ke
main rang dhang sainyyan
dikha doon tohe pyaar ke
main rang dhang sainyyan
dikha doon tohe pyaar ke
pyaar ke pyaar ke haaan
raaja tohe
raaja tohe nainon se madira pilaaye doon
raaja tohe nainon se madira pilaaye doon

ye jangal mein mangal
manaane ki raatein
ye jangal mein mangal
manaane ki raatein
najar se najariya milaane ki raatein
najar se najariya milaane ki raatein
ki raatein
ki raatein
ho
raaja tohe
raaja tohe nainon se madira pilaaye doon
raaja tohe nainon se madira pilaaye doon

aaaa
ho ho
oooo
ho ho
aaaaa
hoye hoye hoye
oooo
hoye hoye

o o o o o o aa aa aa
o o o o o o aa aa aa

o preet mori tora jiyarva na jaane
o preet mori tora jiyarva na jaane
agan more man ki piyarava na jaane
agan more man ki piyarava na jaane
na jaane na jaane ho

raaja tohe
raaja tohe nainon se madira pilaay doon
raaja tohe nainon se madira pilaay doon
tu preet ka khilaadi
magar hai anaadi
aaja daanv main sikha doon oon oon
haay
raaja tohe nainon se madira pilaay doon
raaja tohe nainon se madira pilaay doon

aaaa
hoye hoye
oooo
hoy hoy
o o o o
hoye hoye hoye
aaaaa
ho ho
oooo
hoy hoy hoy
aaaa
hoye hoye hoye


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4706 Post No. : 16411

Hullo Atuldom

“Mehrban” (1967) as spelt in the titles of the movie was an AVM (Madras) production written and directed by A. Bhimsingh. It’s cast was headed by Ashok Kumar, Nutan, Sunil Dutt and had Ramesh Deo, Shyama, Ashim kumar, Jayanthi, Shashikala, Bharathi, Mehmood, Soodesh Kumar and Sulochana Latkar. The dialogues and lyrics were written by Rajinder Kishan and Ravi was the music director. The movie had seven songs of which the blog has the following two.

Song Date of posting
Ae mere dost ae mere hamdam 21 January 2013
Mera gadha gadhon ka leader 9 December 2016

As we can see this movie last made its appearance in 2016 with a wonderful post by Rajaji who was pushed to write by Avinashji. Infact, for the both songs posted, Avinashji was the lyrics contributor.

The 2013 post had a brief synopsis of the movie. It equated the movie to the 1990 David Dhawan directed Rajesh Khanna- Govinda starrer “Swarg”. I happened to see “Mehrbaan” recently and realised that the similarity is limited. Yes, Rajesh Khanna played the rich-man in “Swarg” similar to Ashok Kumar’s character in “Mehrban”. Govinda played the orphan who is devoted to the family similar to Sunil Dutt’s character in “Mehrban”.

The variations in the 1967 movie is that the wealthy couple Shanti Swarup (Ashok Kumar) and Parvati (Sulochana) have three sons and two daughters in addition to being the adoptive parents of Kanhaiya (Sunil Dutt). (In “Swarg” the wealthy couple are childess) They also bring in Laxmi (Nutan) whose parents were known to them and who die leaving Laxmi to fend for herself. So, as we can see it is a full house. That gives the story all kinds of good, bad and ugly characters which helps the writer to gives us a three-hour long movie with lots of ‘rona-dhona’ ‘kasam khana and khilana’ etc. i.e. a highly emotional movie. The end is predictable in that all the family members come together and live happily, once again.

Just remembered another variation between “Swarg” and “Mehrban”. In “Swarg” Krishna (Govinda) becomes rich by acting in movies, buys back the property of his ‘sahabji’ (Rajesh Khanna) and teaches the errant brothers a lesson or two before bringing them back to apologise for all the wrongs that they have done. Kanhaiya of ‘Mehrban’ doesn’t wait to earn riches before coming back to set matters right in the adoptive family. Kanhaiya (Sunil Dutt) has Laxmi (whom he marries before being sent away from the home by Sulochana) for support whereas Krishna does it with the help of his friend ‘Airport’ (Satish Kaushik).
Also, in ‘Swarg’ Sahabji’s wife dies of shock and in ‘Mehrban’ Shanti Swarup dies leaving his wife to the mercy of his ungrateful children.

‘Swarg’ was said to be a remake of ‘Mehrban’ which itself was a remake from the 1960 Tamil hit ‘Padikkadha Medhai’ (Uneducated Genius) which in turn was a remake of the 1953 Bengali movie ‘Jog Biyog’ which was based on the novel of the same name by Ashapurna Devi. So, that means this story will hold good in any time and age.

We are revisiting this movie today with a duet sung by Lata Mangeshkar and Mohd Rafi but (surprise) it is not a romantic song. In fact, the movie doesn’t have any romantic song, in the true sense of the term. There is a Lata Mangeshkar solo which has Nutan pacifying a sad Sunil Dutt. This song relates the story of Shanti Swarup to his grandchildren.

This is one of five movies where Nutan and Sunil Dutt played the lead. As I was looking up the anniversaries tab of the blog I found that the birth-dates of the two were one day apart. I wondered what scenario it would have been, back then, when the shooting of the movies were on. Nutan would have turned 85 on 4th June and Sunil (birth-name Balraj) Dutt would have been 92. Just a passing thought, their sons are actors too and have acted together in a few movies.

Editor’s note-Lyrics of this song, which turns out to be a multiple version song, were sent by Avinash Scrapwala long ago.

Duet version


Rafi solo version

Song-Ek raaja ki sun lo kahaani (Meharbaan)(1967) Singer-Lata, Rafi, Lyrics-Rajinder Krishan, MD-Ravi
Both

Lyrics(Provided by Avinash Scrapwala)

—————————–
Duet version
——————————

ek raja ki sun lo kaha..aa..ni
ek raja ki sun lo kaha..aa..ni
kahin haathi na ghode na sena koi
na kahin thhi koi rajdha..aa..ni
ek raja ki sun lo kaha..aa..ni
ek raja ki sun lo kaha..aa..ni

teen bete thhe aankhon ke taare
bade pyaare pyaare
dilon ke sahaa..aa..re
woh thhe raja ke anmol moti
nigaahon ki jyoti
thhe maa ke dula..aa..re
palkon ki chhanv mein guzra tha bachpan
masti mein doobi jawa..aa..ni
ek raja ki sun lo kaha..aa..ni
ek raja ki sun lo kaha..aa..ni

ek aisa magar din bhi aaya
jisne raja ko nirdhan banaya
ho gaye khaali saare khazaane ae
haaye kaisa ye andher chhaaya

woh jo bete thhe aankhon ke taare
raja rani ke dil sahaare
kaam aise mein woh bhi naa aaye
chhupte phirte the aankhen churaaye

aaram ke saathi kya kya the
jab waqt padha toh koi nahi
dhan daulat ke sab rishtey hai
dhan rooth gaya toh koi nahin
kaun girte ko deta sahaara
woh raja bechaara
thaka aur ha..aa..ra
sochta thha kahaan hai woh moti
woh aankhon ki jyoti
bane jo saha..aa..ra
raja to chup chaap peeta tha aansoo
chup chup ke roti thi ra..aa..ni
ek raja ki sun lo kaha..aa..ni
ek raja ki sun lo kaha..aa..ni

ho gaya apna khoon paraaya
ho gaya apna khoon paraaya
kaam magar ek chaakar aaya
ek bhola insaan wahaan thha
bachpan se mehmaan wahaan thha
usne jiske tukde khaaye
sada usi ke paanv dabaaye
un bedardon ki mehfil mein
ek wahi hamdard bacha thha
lekin maalik ko kya deta
bechaare ke paas hi kya thha
bechaare ke paas hi kya thha

apne malik ke kadmon mein ro ro ke
khush hota charan uske dho dho ke
apna tan man nichhavar woh karta raha
ek ishaare pe malik ke marta raha
hai kahaani magar baat kal hi ki hai
na samjhna ise tum pura..aa..ni
ek raja ki sun lo kaha..aa..ni
ek raja ki sun lo kaha..aa..ni

—————————
Rafi solo version
————————–
Ek raja ki sunlo kahaani
Ek raja ki sunlo kahaani

Pehle rehte the saagar kinaare
Ab samaaye dilon mein hamaare
Yaad unki rahegi jahaan mein
Jab talak hai ye chaand aur taare
Jo naa mitaaye mitegi kisi se
Chhodi hai aisi nishaani

Ek raja ki sunlo kahaani
Ek raja ki sunlo kahaani


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4633 Post No. : 16288

#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 126 # Tumhaari Kasam-1978
——————————————-—————————

Most of us are familiar with this lovely song ‘ham dono milke kaaghaz pe dil ke chitthi likhenge, jawaab aayegaa’ from the movie ‘Tumhaari Kasam-1978’. This song used to be played frequently on radio when I was growing up(going by the release date of the movie I was just above ten years of age then).

I like this song very much and so when I prepared my list of songs that bring back memories this was by default included in my list. But what about other songs from this movie? I think they were not notable songs and were easily forgotten?

I was not aware about the other songs from this movie until this article when I looked upon to present a song from this movie on the blog.

‘Tumhaari Kasam-1978’ had made its debut on the blog well in the initial days of the blog i.e., on 04.10.2008.
So, today after a gap of ’12 years,05 months, and twenty-one days (‘4555’ days – including 24.03.2021) we are adding the second song of this movie. And I have deliberately chosen a lesser-known song from this movie sung by Preeti Sagar and lip synced on screen by Master Rajoo.

“Tumhaari Kasam-1978” was directed by Ravi Chopra for ‘Associated Films & Finance Corporation’. It was produced by C.V.K. Shastry.

This movie had Jeetendra, Navin Nischol, Moushumi Chatterjee, Padmini Kapila, Master Rajoo, Vimal Ahuja, Jagdish Raj, Prem Sagar, Achala Sachdev, Narbada Shankar, Lina Das, Ranjeet Sood, Anand Balraj, R.S. Chopra, Master Shaka and others. Komila Virk, Alka, Roopesh Kumar and Pradeep Kumar make special appearance in this movie.

Story of this movie was written by Tikam. Screenplay and dialogues of this movie were written by Kamleshwar.
Pran Mehra was the Chief Editor for this movie and Editing was done by S.B. Mane with Pradeep Mehra as his assistant.

This movie was passed by Censor Board on 09.03.1978.

This movie had four songs (including one two-part song) written by Anand Bakshi. Music was composed by Rajesh Roshan.

Lata Mangeshkar, Mukesh, Asha Bhonsle, Preeti Sagar and Kishore Kumar give their voices to the songs in this movie.

here is a brief about this movie taken from ‘Wikipedia’;

Vidya (Moushumi Chatterjee) and Raja (Raju Shrestha) live in poverty. They get separated due to certain circumstances. Vidya starts working at Anand’s (Jeetendra) house as a maid. Raja is forced to beg for a local gang. While Vidya is attending to her chores, the alcoholic, Anand, tries to molest her. She escapes but is unfortunately hit by a speeding vehicle driven by Sunil Verma (Navin Nischol). This accident makes her visually impaired. The guilt-ridden Anand wants to apologize to Vidya. Will she accept the apology? Will Vidya reunite with her brother?

here is the list of songs of this movie as appearing in HFGK Vol-V (1971-1980);

S.No. Song Title Singer/s Posted On
01 Ye naa hogaa, nahin hoga hoga…ham donon milke kaaghaz pe dil ke Asha Bhonsle, Mukesh 04.10.2008
02 Mera naam Raaja, main bheekh maangu kaise Preeti Sagar Being presented today
03 Hmm, zu zu … main husn ka hoon deewaanaa Kishore Kumar
04 Aye mast hawaa ye to bataa kis waqt yahaan Lata Mangeshkar
05 Ae ladki pyaar karegi, tu mera aitbaar karegi

(in two parts) Lata Mangeshkar, Kishore Kumar
*HFGK included the ‘title music track’ of this movie as the sixth soundtrack*

I have not watched this movie and only thing I associate this movie name is its ‘Asha-Mukesh’ duet so far. Also, I think this movie was not successful on the box office.

I would request knowledgeable readers to throw more light on this movie and its songs.

Let us now listen to today’s song which also has the ‘signature touch’ of Rajesh Roshan. As mentioned above Master Rajoo is lip-syncing for Preeti Sagar’s voice and also seen in the picturization of the song are Anand Balraj, Moushumi Chatterjee and many others.


Song-Mera naam Raaja main bheekh maangoon kaise (Tumhaari Kasam)(1978) Singer-Preeti Sagar, Lyrics-Anand Bakshi, MD-Rajesh Roshan

Lyrics

mera naam raaja
main bheekh maangoon kaise
bheekh main naa maangoon to
bolo jiyun kaise
mera naam raaja aa
mera naam raaja
main bheekh maangoon kaise
bheekh main naa maangoon to
bolo jiyun kaise
mera naam raaja

raste mein miley to
main poochhoon bhagwan se
teri kya thhi dushmani
is chhoti si jaan se ae
din bhar bhaagoon
raat ko jaagoon
din bhar bhaagoon
raat ko jaagoon
maa se sune loriyaan
bachche mere jaise
bheekh main naa maangoon to
bolo jiyun kaise
mera naam raaja aa

apne in haathon pe
mujhko badaa guroor thha
bheekh main inse maangoon
qismat ko ye Manzoor thha
sapne toote
apne chhoote ae
sapne toote
apne chhoote
thehro jaanewaalon
dete jaao do paise ae
bheekh main naa maangoon to
bolo jiyun kaise
mera naam raaja aa
main bheekh maangoon kaise
bheekh main naa maangoon to
bolo jiyun kaise
mera naam raaja aa


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4458 Post No. : 15937 Movie Count :

4369

01/10/2020 – 101st Birth anniversary of Majrooh Sultanpuri.
—————————————————————————-
Mujh se kaha jibrayil e junoon ne ye bhi vahi-e-ilaahi hai
Mazhab to bas mazhab-e-dil hai baaqi sab gumraahi hai

The Angel(of obsession) tells me that this too is divine decree,
The religion of love is the faith, rest all is deception

Dekh zindaan se pare, rang-e-chaman josh-e-bahaar
Raqs karna hai to phir paaon ki zanjeer na dekh

Look far away from the dungeons, towards the colourful garden and spirited spring
Want to dance (fly), than don’t be bothered by the limitation of feet.

Bahaane aur bhi hote hain zindagi ke liye
Ham ek baar teri aarzu bhi kho dete

There could be other reasons to live
Had the hopes of you been lost.

Jafaa ke zikr pe tum kyun sambhal ke baitth gaye
Tumhari baat nahi baat hai zamaane ki

When there is talk of unfaithfulness (or deception/tyranny), you are alert.
This is not about you, but lamenting is for the world at large.

Bacha liya mujhe toofan ki mauj ne warna
Kinaare wale safeena mera dubo dete

The tall waves of the storm have sheltered me, otherwise
the idle waves of the coast were bent on sinking my (last)boat.

Rok saktaa hamen zindaan-e-balaa kya majrooh
Ham to aawaz hain deewar se chhan jaate hain

Can the darkened holes of adversity stop us Majrooh
We are those sound waves which pierce the walls

Zaban hamaari na samjha yahan koyi Majrooh
Ham ajnabi ki tarah apne hi watan mein rahe

No one understands the words we speak, Majrooh.
We stayed as outsiders in our own homeland.

tujhe na maane koyi tujh ko iss se kya Majrooh
chal apni raah bhatakne de nukta-chinon ko

Don’t bother if they believe you or not Majrooh
Go on your way, let those critics wander around

———————————————————-

There is no better way of describing a poet and paying tribute to him, than quoting some of his work. So the major part of this post is going to be taken up by Majrooh sahab’s sukhan or kalaam. Today is the 101st birth Anniversary of the poet from Sultanpur district of Uttar Pradesh, the state in India which is the known as the ‘gehwara’ of urdu civilization. There are great shua’ra from other parts of the country, but those poets will also agree that UP is essentially the cradle of urdu. Like all children, the ‘khari boli’ urdu has also grown up and left the cradle. So that other children may enjoy the same nourishment and contentment that urdu had in its childhood.

Maybe some caravan’s upped and left the homeland and took their belongings. The cradle did not want to go away from the roots, so they took the embellishments and the toys from the cradle, and left if bereft. But some of the old dolls and some pillows were not taken with them as there was not enough space. They remained with the cradle and they strived to make the gehwara, the playground of urdu. Majrooh Sultanpuri is one of those old pillows which graced the old cradle.

After all this sentimentality, I don’t wish to write more. I have written a few posts about Majrooh and so have other contributors, in the past. So I will let his poetry do the talking.

I am reproducing one of his famous ghazals here :

Jab hua i’rfaan to gham aaraam-e-jaan bantaa gayaa
Soz-e-janaan dil mein soz-e-digaraan bantaa gayaa

Rafta rafta munqalib hoti gayi rasm e chaman
Dhire dhire naghma e dil bhi fughan bantaa gayaa

Main akelaa hi chala thha jaanib e manzil magar
Log saathh aate gaye aur kaarwaan bantaa gayaa

Main to jab jaanun ki bhar de saaghar e har khaas o a’am
Yun to jo aaya wohi peer e mughaan bantaa gayaa

Jis taraf bhi chal pade ham aabla-paayaan e shauq
Khaar se gul aur gul se gulistaan bantaa gayaa

Sharh-e-gham to mukhtasar hoti gayee uss ke huzoor
Lafz jo munh se na niklaa daastaan bantaa gayaa

Dahr mein majrooh koyi javedaan mazmoon kahaan
Main jise chhutaa gayaa wo javedaan bantaa gayaa

The song with this post is written by Majrooh sultanpuri, and the music director is Anu Malik. It is from Akele ham Akele Tum (1995). Udit Narayan and Alka Yagnik are the singers. Aamir Khan and Manisha Koirala are the actors in the film, who are singing it on screen.

This is the fourth song in the ‘inspired/copied’ song series. The inspiration behind this song is “The Godfather theme” .

During the tough months of April/May, someone posed this quiz in the family group on whatsapp :

“What is it that connects, The Godfather, Arvind Swamy and Anu Malik ?”.

This song is the answer to the quiz.

Video :

Song-Raaja ko raani se pyaar ho gaya (Akele Ham Akele Tum)(1995) Singers-Udit Narayan, Alka Yagnik, Lyrics-Majrooh Sultanpuri, MD-Anu Malik

Lyrics

Raaja ko raani se
pyaar ho gayaa
pehli nazar mein pehla pyaar ho gayaa
dil jigar donon ghaayal huye
teer-e-nazar dil ke paar ho gayaa aa
raaja ko raani se pyar ho gayaa

raaja ko raani se
pyaar ho gayaa
pehli nazar mein pehla pyaar ho gayaa
dil jigar donon ghaayal huye
teer-e-nazar dil ke paar ho gayaa aa
raaja ko raani se
pyaar ho gayaa
pehli nazar mein pehla pyaar ho gayaa
dil jigar donon ghaayal huye ae
teer-e-nazar dil ke paar ho gayaa aa aa

raaja ko raani se
pyaar ho gayaa
raaja ko raani se
pyaar ho gayaa

ho o o
raahon se raahen
baahon se baahen
mil ke bhi milti nahin
ho oo
hotaa hai aksar
armaan ki kaliyaan
khil ke bhi khilti nahin

hey
phir bhi na jaane
kyun nahin maane
phir bhi na jaane
kyun nahin maane
deewaana dil
beqaraar ho gayaa aa
raaja ko raani se
pyaar ho gayaa
raaja ko raani se
pyaar ho gayaa

raani ko dekho
nazren milin to
aankhen churaane lagi ee
hoo oo
karti bhi kya wo
sar ko jhukaa ke
kangana ghumaane lagi ee

hoo
raaja ne aisa jaadu chalaaya
raaja ne aisa jaadu chalaaya
na karte karte
iqraar ho gayaa aa

raaja ko raani se
pyaar ho gayaa
pehli nazar mein pehla pyaar ho gayaa
dil jigar donon ghaayal huye
teer-e-nazar dil ke paar ho gayaa aa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4427 Post No. : 15850

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 66
———————————————————————————–

Ten years back on 31 august 2010 (tuesday), the first post of the day appeared at 7:39 AM and the sixth and final post appeared on 9:42 AM.
Here are the details of these six songs from six movies:-

Song Movie title-Year Remarks
Ae jaane e jigar dil mein samaane aajaa Aaraam-1951 All songs covered
Ek main hoon ek meri beqasi ki shaam hai Taraanaa-1951 All songs covered
Khushiyon ko lootkar yahaan Shirin Farhad-1956 All songs covered
Beet gayi hai aadhi raat Naache Naagin Baaje Been-1960 05 songs posted
Husn e jaanaa idhar aa Saathi-1968 All songs covered
Koi aur duniyaa mein tumsaa haseen hai Pyaar Ki Kahaani-1971 02 songs posted

Four movies whose songs were covered ten years ago have already been YIPPEED. That leaves us with just two unYIPPEED movies namely “Naache Naagin Baaje Been”(1960) and “Pyaar Ki Kahaani”(1971) that are eligible for today’s Blog Ten Year Challenge.

“Naache Naagin Baaje Been” (1960) was produced by Devi Sharma and directed by Tara Harish for Janta Chitra, Bombay. The movie had Kumkum, Chandra Shekhar, K.N.Singh, Amar, Sunder, Parasram, Ratna, Sood, Kamal Mehra, Chandabi, Ratan Gurung, Rafiq, Indira Bansal, Helen, Agha etc in it.

The movie had 8 songs in it. The movie made its debut in the blog ten years ago. Five songs from the movie have been covered so far as detailed below :-

Song Posted On
Beet gayi hai aadhi raat 31.08.2010
Ham jaan lutaa denge apni saajan ki jaan se pehle 23.10.2015
Main hoon gori naagan 30.112015
Le ke sahaaraa tere pyaar ka 04.04.2017
Gori naagan ban ke na chalaa karo 23.05.2018

Here is the sixth song from “Naache Naagin Baaje Been” (1960) to appear in the blog. This song is sung by Lata. Majrooh Sultanpuri is the lyricist. Music is composed by Chitragupta.

This song is puicturised as a dance song where a lady is seeen wooing her beau. When I watched the lady dressed in Maharashtrian style sari, I thought that she looked familiar but who was she ? Lyricist sender Prakashchandra also sends details of the song and the movie, and he had mentioned this song as picturised on Helen and Agha. Me bad ! One does not expect Helen to be dressed in a sari and one often struggles to identify her when she is dressed in Indian attires. 🙂

Prakashchandra has sent the lyrics (as mentioned above) while Avinash Scrapwala has sent the BTYC related details.

video link:

Audio link:

Song-Ho raaja sainyyan aati hoon main bhi ruk jaana (Naache Naagin Baaje Been)(1960) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Chitragupta

Lyrics (based on audio link)(Provided by Prakashchandra)

(Dialogues)

ho raaja sainyyan
aati hoon main bhi ruk jaanaa…aa
akele jaanaa na
ho raaja sainyyan
aati hoon main bhi ruk jaanaa
akele jaanaa na

chalogey tum to
aanchal ki chhainyyaan daar doongee
rukogey tum to
tann mann ko tum pe waar doongi
chalogey tum to
aanchal ki chhaiyyaan daar doongee
rukoogey tum to
tann mann ko tum pe waar doongi
tumhaari hoon main piya hamse takraanaa naa
ho raaja saiyyan aati hoon main bhi ruk jaanaa
akele jaanaa naa
ho raaja saiyyan aati hoon main bhi ruk jaanaa
akele jaanaa naa

na hoye aisaa koi gori teri oar dekhey
lagaake nehaa
koi jaadugarni dor phenkey
na hoye aisaa koi gori teri oar dekhey
lagaake nehaa
koi jaadugarni dor phenkey
buri hai duniya
raahon mein lutt jaanaa naa
ho raaja saiyyan
aati hoon main bhi ruk jaanaa
akele jaanaa naa
ho raaja sainyyan
aati hoon main bhi ruk jaanaa
akele jaanaa naa

bade naadaan ho
apnon se naataa todte ho o
kalaayi mori
bedardi kaahey modte ho
bade naadaan ho
apnon se naataa todte ho o
kalaayi mori bedardi kaahey modte ho
pukaarey hanske koi tumko deewaanaa naa
ho raaja sainyyan
aati hoon main bhi ruk jaanaa
akele jaanaa naa
ho raaja saiyyan
aati hoon main bhi ruk jaanaa
akele jaanaa naa


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4413 Post No. : 15812

Today’s song is from film Patrani-1956. It was a Prakash Pictures’ film, produced by Shankarbhai Bhatt-the elder brother and directed by Vijay Bhatt, the younger brother. The music was by Shankar-Jaikishen (S-J). Songs were written by Shailendra (9) and Hasrat Jaipuri (1).

In my last post, I had talked about songs from the 50’s decade, especially songs from Shankar-Jaikishen films of this decade. I was determined to discuss such songs from Shankar-Jaikishen in the 50’s, so I started scanning each of their films made in the 50s. From 1951 to 1960, Shankar-Jaikishen gave music in a total of 41 films. First, I made a list and then revised it to an alphabetical list. That way, it would be easier for me to check songs from every film, from the Blog’s ” List of songs-moviewise”. Before starting, I went through the list once again and my heart sank. Looking at the titles of the films, I was afraid that most films must have already been ‘ Yippied ‘.

When I sat at the Laptop and started going through the movie titles, my worst fears seemed to get confirmed. When I finished scanning all the 41 films, I found that as many as 40 films out of the 41 total films had been Yippied, with all their songs covered. Only 2 songs from the film Patrani-56 miraculously remained uncovered yet. I felt like ‘ खोदा पहाड और निकला चूहा ‘. At this point , I remembered that in Nov-Dec-2015, I had myself done a series ” Songs of Shankar-Jaikishen from the 50’s “, in this Blog. In this series, I think, I must have discussed some 15 songs from 15 such films. Film Patrani-56 song was also one of that series, I remember.

Today’s song is from the film Patrani-56, and Shankar- Jaikishan were the Music Directors. Yesteryear composer Lallubhai Nayak was their assistant in this film. Lallubhai was the First music Director of Prakash Pictures since 1934. He gave a break to Rajkumari in 1934. He was a paid composer with Prakash in the 30s. Later he was first replaced by Shankar Rao Vyas and then by Naushad. After 1948, Lallubhai was living an anonymous life. Shankar Jaikishan brought him again in the industry with Patrani-56, to help him financially.

Patrani-56 was probably the First film of Shankar Jaikishan after they fought back and gained control over their music compositions in Raj Kapoor movies where Raj Kapoor used to exercise control over their compositions till then.

The film is set in Gujarat in the 11th century. it was based on a novel by Kanhaiyalal Munshi. The producers took plenty of cinematic liberties with the novel. PATRANI-1956 was supposed to be a Historical film, but there is no base for its story in real History. As I said once, Historical movies in India are most of the times ’Distortical’ movies, either being imaginary or bent for cinematic liberty.

A Prakash picture’s film (actually they were known for Mythological films), it was directed by Vijay Bhatt, its owner himself. The story, Dialogues and Screenplay was by R.S.Chaudhary. The music was by Shankar-Jaikishen and their assistant in this film was Lallubhai Naik, who played Sarod in this film.

The story of Patrani -56 was…..

King Karnadev Solanki,king of Gujrat(Pradeep Kumar) had many queens but no issues. The Rajmata(Durga Khote) insisted that he marry another girl after ascertaining astrologically her capability to give children.

The king had seen one princess in Somnath temple once and wanted to marry only her.But he does not know who she is. Actually she is princess Mrinal(Vyjayanti Mala) daughter of King Jai keshi(Ramesh Sinha) ofKarnatak.She was on a Teerth yatra when she saw Karnadev. She also wanted to only marry him,but did not know who he was.

Munjal Mehta (David),Mahamantri of Karndev goes on a mission and soon finds out Mrinal.She is beautiful,but her skin becomes black in the sunlight.Munjal knows Karndev’s dislike of black.mrinal is astrologically also fit.He tells her and shows the sketch of Karandev,after which she is happily ready to marry him.

They all travel to Gujarat, but during travel Mrinal’s skin becomes black.During marriage,there is a veil,but after marriage Karndev sees that she is black and rejects her.

She is good natured and becomes Raj mata’s pet. When the King falls sick, Mrinal serves him very well and slowly the King realises that outer skin colour does not make a person good or bad. He accepts her as she is and all’s well that ends well.

The cast of the film included Vaijayanti mala, Pradeep kumar, Omprakash, Shashikala, Praveen Paul, Sheela Vaz, Helen, David, Jeevan and many others.Actress Praveen Paul was born in 1930 in Punjab. She entered films in 1953, with the film Naulakha Haar-53. She did 128 films.Her last film was Sawerey wali gaadi-86. After her first marriage ended, she got involved with actor K.N.Singh. K.N.Singh was married and never acknowledged Praveen. They were involved with each other for 25 years. From this relationship , they had a son named “Vibhu”. He also went by the name’s “Vibhu Paul”,”Vibhu Singh”. He is now known as “Vibhushan Singh Paul” and is based in Toronto, Ontario,Canada. He is an owner operator of a Transport company. He has a daughter named Sarah Faria who is married to Cyrus Faria. K.N.Singh never publicly accepted Vibhushan as his son. (Thanks to IMDB).

This film’s Hero Pradeep Kumar was a fortunate actor. He was the first choice to play prince/king in numerous Hindi films. His talwar-cut moustache, broad shoulders, receding-into-his-temples coiffure, peaches-and-honey complexion, and regal bearing made him fit the role of an amorous aristocrat like a made-to-order crown.

Pradeep was the kind who could smoke a hookah with the same élan as while puffing State Express cigarettes when he played the modern lover.

Pradeep Kumar aka Sital Batabyal was born on 4 January 1925. Pradeep bided his time till he was 17 years old before he announced his decision to pursue an acting career. Despite his father’s disapproval, Pradeep began acting on stage. During one of his performances, renowned filmmaker Debaki Bose spotted him and cast him in a Bengali film, Alaknanda (1947).

Encouraged, Pradeep moved to Mumbai and found a job in the bustling Filmistan Studio. He brushed up on his Hindi and learnt Urdu in a bid to make an impression in his first Hindi film, Anand Math (1952). The film, set in the 18th century, had strong nationalistic overtones and co-starred Prithviraj Kapoor and Geeta Bali. The Vande Mataram number from this film became a cult success.

In the next two years, Pradeep’s career escalated to the top with two hugely successful musical hits — the Bina Rai-starrer Anarkali (1953) and the Vyjayanthimala-starrer Nagin (1954). While Anarkali revolved around the eternally popular legend of Mughal prince Salim’s passionate affair with a commoner Anarkali, Nagin was a reed-slim romance between two lovers belonging to rival snake-catching tribes.

The songs of both films (Nagin had as many as 12) had audiences transfixed. Pradeep’s lessons in fencing for Anarkali and his gamble of letting a python play on his wrist for Nagin paid off.

Pradeep’s regal demeanour won him legions of fans. He went on a signing spree (in 1956, he had 10 releases) and inked deals with V Shantaram (Subah Ka Tara) and Raj Kapoor (Jagte Raho).

All the top-notch heroines of the 1950s — Nimmi (Jayshree), Nargis (Adalat), Nutan (Heer), Meena Kumari (Bandhan) — were paired with Pradeep.

After Rajhath (1956), the actor tried desperately to make a hit pair with the beauteous Madhubala. They did as many as five other films together — Yahudi Ki Ladki (1957), Gateway Of India (1957), Police (1958), Mahlon Ke Khwaab (1960) and Passport (1961), but Pradeep’s efforts were in vain.

His films with lucky mascot Vyjayanthimala (including his home production Ek Jhalak) did not enjoy even a fraction of the success of Nagin. But his pairing with Bina Rai seemed to have stilled the wings of time. This teaming salvaged Pradeep’s career from the late-1950s dip, first with Ghunghat (1960) and more decisively with Taj Mahal (1963). Even a decade after Anarkali, Pradeep could evoke a regal aura while playing love-struck Mughal royalty. Roshan’s dulcet duet, Paon chhu lene do toh and Jo vaada kiya from Taj Mahal, like an unforgettable promise, continue to haunt radio listeners even today.

Pradeep’s career got a further fillip with Rajshri’s social, Aarti. Meena Kumari and Pradeep played lovers who bond together because of their common desire to serve the poor. But their love story comes under a cloud when a rich, unscrupulous doctor (played by the late Ashok Kumar) is irretrievably drawn towards Meena Kumari. Aarti’s success ensured that Pradeep and Meena worked unceasingly in a series of films. Pradeep once said, “Meena and I made a fine pair and worked very well together, but her husband did not like our friendship.”

He worked with Meena Kumari in seven films; Adil-E-Jahangir, Bandhan (1956 film), Chitralekha, Bahu Begum, Bheegi Raat, Aarti and Noorjehan; and with Mala Sinha in eight films; Naya Zamana, Hamlet, Baadshah, Detective (1958 movie), Fashion (1959 film), Ek Shola, Duniya Na Maane, and Mitti Mein Sona.

He did not get to act in lead roles with the newer heroines of the 1960s such as Sadhana, Saira Banu, Babita or Sharmila Tagore, though he did work with Asha Parekh in Ghoonghat and Meri Surat Teri Aankhen and with Waheeda Rehman in Raakhi (1963). In 1969, he moved to character roles with Sambandh and Mehboob Ki Mehndi, but did not have many visible roles till Jaanwar and Razia Sultan in 1983.

The first Meena-Pradeep film to release on the heels of Aarti was Kidar Sharma’s Chitralekha (1964). Pradeep played the hedonistic Samanta Beejgupta in this period film set in the Gupta period. Despite lavish production values, the stolid support of veteran Ashok Kumar and exquisite penmanship by Sharma and Sahir, the film collapsed at the box office. Kalidas’s love triangle Bheegi Raat, which featured the tried triangle of Ashok Kumar, Meena Kumari and Pradeep once again, was an average success. But M Sadiq’s Muslim socials Bahu Begum (Ashok Kumar again) and Noorjehan, both released in the same year, spelt the death knell for the team.

Pradeep, who had not signed a single film with the new breed of successful heroines of the 1960s like Sadhana, Saira Banu and Sharmila Tagore, suddenly found himself without a rudder.

In 1969, Pradeep saw a glimpse of success once again with Sambandh, albeit in a character role. Ironically, Ajoy Biswas, the director of Sambandh, who had provided him with a short burst of fame, caused him a lot of heartburn too. Biswas had a short-lived and unhappy marriage with Pradeep Kumar’s actress daughter, Bina.

Pradeep’s princely persona and impeccable Urdu was relegated to the pages of history for the next decade and more. But the onscreen prince was destined to play an emperor in Kamal Amrohi’s Razia Sultan (1983). Pradeep Kumar acted in 144 Hindi films. He directed one film-Do dilon ki dastan-1966. He won the Kalakar Award-Lifetime Achievement Award (1999).

The semi-retired Pradeep played the emperor as only he could — forcefully. After all, he had played blue-blooded characters all his life. He lived a life removed from the spotlight for the next 18 years. His end was pathetic. Pradeep Kumar’s case is the saddest. He lay seriously ill in the ICU of a Calcutta nursing home, abandoned by his relatives. The hospital was not discharging him, unless the bills were paid. Luckily one Mr. Pradeep Kondaliya, an estate agent, recognised him, despite his grown beard. He paid the huge outstanding bill of the hospital and took Pradeep Kumar to his home, where he passed away after a few days,on 28-10-2001, at the age of 76 years.. He was cremated by his fan. Such is the film industry – cruel and ruthless, where the recognition lasts only till one is successful, and even close relatives desert you in bad times.

He is survived by his daughters Reena, Meena and Beena Banerjee who plays character roles in movies and TV serials including Uttaran, son Debiprasad and granddaughters Tanisha, Suparna, Riya and Hrishita. Beena Banerjee’s son Siddharth Banerjee worked as assistant director in Sajid Khan’s Housefull 2 (2012) and Himmatwala (2013).

(Ack: adapted from an article ” Ever the Royal” by Dinesh Raheja in Rediff.com dt 2-6-2003 and my notes, HFGK and muVyz. Thanks to all).

So, here is the song from the film Patrani-56, with music by Shankar-Jaikishen. It is sung by sisters Lata and Usha Mangeshkar with chorus. Enjoy….


Song-Raaja pyaare mat karo pyaar ka mol (Patraani)(1956) Singers-Lata, Usha Mangeshkar, Lyrics-Shailendra, MD-Shankar Jaikishan
Chorus

Lyrics

raaja pyaare
ho raaja pyaare
mat karo pyaar ka mol
raaja pyaare
ho raaja pyaare
mat karo pyaar ka mol

is duniya mein
ho is duniya mein ek yahi cheez anmol
raaja pyaare
mat karo pyaar ka mol
raaja pyaare
ae ae
ae ae

tum khushiyon ke saagar pyaare
main ithlaati lehri
tum khushiyon ke saagar pyaare
main ithlaati lehri
tum umde to o o
o o o
tum umde to main lehraayi
varna thahri thahri
raaja pyaare
ho raaja pyaare
mat karo pyaar ka mol
is duniya mein
ek yahi cheez anmol
raaja pyaare
ae ae
ae ae

satrangi kirnon ke sooraj
tumse jag mein jyoti
satrangi kirnon ke sooraj
tumse jag mein jyoti
main shabnam
ho o o o
o o
main shabnam tum se hi jagmag
varna jhoothha moti
raaja pyaare
ho raaja pyaare
mat karo pyaar ka mol
raaja pyaare
mat karo pyaar ka mol
is duniya mein
ek yahi cheez anmol
raaja pyaare
ae ae ae ae


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4299 Post No. : 15560

—————————————————————————
Blog 10-Year Challenge (2010-2020) – Song No. 24
—————————————————————————

“Anmol Moti”(1969) was produced and directed by S D Narang. The movie had Jeetendra, Babita, Rajendra Nath, Jayant, Aruna Irani, Shabnam, Jagdeep, Jayant, DK Sapru, Veena, Tuntun, Saul George, Gajanan Jagirdar, Jeevan, Hari Shivadasani, Jagdish Raj, Meena T, Prakash Thapa, Niranjan Sharma, Iftekhar, Uma Datt, Kanu Roy, Tiwari, Abhimanyu Sharma, Om Sahani, Baby Meena, Baby Mozal, Baby Neena, Basant, Hansa, Khursheed, Lajpat Mehra, Miss Gillain, Miss Kerian, Moolchand, Moses, Mrs Hacker, Narbada Shankar, Raj Deep, Rajan Kapoor, Ramesh, Ramlal, Razak, Sham, Sudha, Sundeep, Susheela, Uma Khosla etc in it.

The movie had six songs in it. Two songs have been covered in the past. The movie had made its debut ten years ago on this very day with the song Ae jaane chaman tera goraa badan .

That day ten years ago saw only two songs covered in the blog. The other song apart from the “Anmol Moti”(1969) debut song was Akela hoon main hamsafar dhoondhhta hoon from “Jaal”(1969). This movie has since been YIPPEED in the blog.

Only two songs from “Anmol Moti”(1969) have been covered in the blog. So there is choice of as many as four songs today as “Blog Ten Year Challenge” post. As it is, Prakashchandra as well as Avinash Scrapwala both sent songs for this challenge, and they sent different songs ! Prakashchandra sent his contribution earlier, so I am going with the song sent by him as “Blog Ten Year Challenge” post.

This song is sung by Asha Bhonsle and chorus. Rajinder Krishan is the lyricist. Music is composed by Ravi.

This is one song that I have listened to a lot of time. It is one of those iconic songs that I used to listen to during my formative years, even though I had no clue what movie these songs were from. I have listened to this song many a times, on loudspeakers as well as Radio. It is only now, more than 50 years later, on this day 25 April 2020 that I have come to know that this iconic song is from “Anmol Moti”(1969). I can be that kind of a tubelight. 🙂

The song is picturised as a boat/ river song on Babita, with Jeetendra also making a belated appearance. Many other ladies (who appear like foreigners, perhaps from Soviet Union) are also seen in the picturisation, performing synchronised swimming, underwater swimming etc.

As mentioned earlier, lyrics of this song were sent to me by Prakashchandra, who pips Avinash Scrapwala to the post for this “Blog Ten Year Challenge” opportunity.

audio link:

video link:

Song-Aaja Raaja le ke baaraat aa jaa (Anmol Moti)(1969) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Ravi
Female chorus

Lyrics(Provided by Prakashchandra)

aaaaa….aaaa aaaa….aaa aaa
aaaaa…aaaa…..aaa
aaaaa….aaaa aaaa….aaaa aaa
aa aa aa
aaa aa aa aaa
aa aa aa
aa aa aa

motiyon ki sej
bichhaayi huyi hai ae
dil ki bhi duniya
sajaayi huyi hai
aaja raajaa
leke baaraat aa jaa aa
aaja raajaa
leke baaraat aa jaa
motiyon ki sej
bichhaayi huyi hai ae
dil ki bhi duniya
sajaayi huyi hai ae
aaja raajaa
leke baaraat aa jaa
aaja raajaa
leke baaraat aa jaa

haar singaar mera
pehla pehla pyaar mera
tere liye hai
dil ki ye nagri
ankhiyon ka dwaar rajaa
tere liye hai
raah mein nainaa
lagaaye huye hain
palkon ke taarey
bichhaaye huye hain aen
aaja raajaa
leke baaraat aa jaa
aaja raajaa
leke baaraat aa jaa
motiyon ki sej
bichhaayi huyi hai ae
dil ki bhi duniya
sajaayi huyi hai ae
aaja raajaa
leke baaraat aa jaa
aaja raajaa
leke baaraat aa jaa

sapne kanwaare mere
tera intezaar karein
mere sajan
tu kya jaaney kitnaa
tujhse ye pyaar karein
mere sajan
adh-khili kaliyon ki
maalaa piroye huye
kabse khadi hoon teri
raah mein khoye huye
aaja raajaa
leke baaraat aa jaa aa
aaja raajaa
leke baaraat aa jaa
motiyon ki sej bichhaayi huyi hai ae
dil ki bhi duniya sajaayi huyi hai
aaja raajaa
leke baaraat aa jaa aa
aaja raajaa
leke baaraat aa jaa

aaaaa….aaaaaaaa….aaaaaa
aaaaa…aaaa…..aaa
aaaaa….aaa aaaaa.
aaa aaa aaa
aaaaa…aaaa…..aaa
aa aa aaaa
aa aa aa

raat milan ki
der se aayi hai ae
sajdhaj ke
door se aayi
tujhe saath laayee
sajdhaj ke
kitni bahaarein teri
yaad mein guzaar ke
aaj tujhe paaya maine
sab kuchch haar ke ae
aaja raajaa
leke baaraat aa jaa aa
aaja raajaa
leke baaraat aa jaa
motiyon ki sej bichhaayi huyi hai ae
dil ki bhi duniya sajaayi huyi hai
aaja raajaa
leke baaraat aa jaa
aaja raajaa
leke baaraat aa jaa

aaaaa….aaaa aaaa….aaaaaa
aaaaa…aaaa…..aaa aa aa
aaaaa….aaaa aaa….aaa aaa
aaaaa…aaaa…..aaa
aaaaa….aaaa aaaa….aaaaaa
aaaaa…aaaa…..aaa aa aa
aaaaa….aaaa aaa….aaa aaa
aaaaa…aaaa…..aaa
aa aa

——————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————

आsss आss आss आs आs
आsss आss आs
आsss आss आss आss आs
आ आ आ
आs आ आ आs
आ आ आ
आ आ आ

मोतियों की सेज
बिछाई हुई है
दिल की भी दुनिया
सजाई हुई है
आजा राजा
ले के बारात आजा॰॰आ
आजा राजा
ले के बारात आजा
मोतियों की सेज
बिछाई हुई है
दिल की भी दुनिया
सजाई हुई है
आजा राजा
ले के बारात आजा॰॰आ
आजा राजा
ले के बारात आजा

हार सिंगार मेरा
पहला पहला प्यार मेरा’
तेरे लिए है
दिल की ये नगरी
अखियों के द्वार राजा
तेरे लिए है
राह में नैना
लगाए हुये हैं
पलकों के तारे
बिछाए हुये हैं॰ ॰ ॰
आजा राजा
ले के बारात आजा
आजा राजा
ले के बारात आजा
मोतियों की सेज
बिछाई हुई है
दिल की भी दुनिया
सजाई हुई है
आजा राजा
ले के बारात आजा॰॰आ
आजा राजा
ले के बारात आजा

सपने कंवारे मेरे
तेरा इंतज़ार करें
मेरे सजन
तू क्या जाने कितना
तुझसे ये प्यार करें
मेरे सजन
अधखिली कलियों की
माला पिरोये हुये
कब से खड़ी हूँ तेरी
राह में खोये हुये
आजा राजा
ले के बारात आजा
आजा राजा
ले के बारात आजा
मोतियों की सेज
बिछाई हुई है
दिल की भी दुनिया
सजाई हुई है
आजा राजा
ले के बारात आजा॰॰आ
आजा राजा
ले के बारात आजा

आsss आssssss आssss
आsss आss आs
आsss आsss आsss
आsss आsss आsss
आssss आsss आss
आss आss आsss
आs आs आs

रात मिलन की
देर से आई है
सजधज के
दूर से आई
तुझे साथ लाई
सजधज के
कितनी बहारें
तेरी याद में गुज़ार के
आज तुझे पाया मैंने
सब कुछ हार के
आजा राजा
ले के बारात आजा
आजा राजा
ले के बारात आजा
मोतियों की सेज
बिछाई हुई है
दिल की भी दुनिया
सजाई हुई है
आजा राजा
ले के बारात आजा
आजा राजा
ले के बारात आजा

आssss आsss आsss आsssss
आssss आsss आss आs आs
आssss आsss आss आss आss
आssss आsss आss
आssss आsss आsss आsssss
आssss आsss आss आs आs
आssss आsss आss आsss आsss
आssss आsss
आss आss


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4281 Post No. : 15523 Movie Count :

4279

Today’s song is from an old film Baaghi-1939. Same title films were also made in 1953, 1964, 1990 and 2000. In addition the word Baaghi was used as a prefix in few more films, like Baaghi Aurat-2000 or Baaghi Sipahi-36 etc .

Today’s film was made by Vishnu Cinetone and it was directed by the banner’s owner Dhirubhai Desai, a veteran in Costume and other C grade films. The film had other names like ‘ Bandkhor (बंडखोर )’ and ‘Sarfarosh’. This double or treble name system was prevalent in film industry since the Silent films. For silent films such multiple names were justified and necessary, because silent films ran in different language regions. So, for the benefit of local audience, these films were advertised in different names. Somehow this system continued even after Talkie films started, though its utility had diminished when films had dialogues and were shown all over the country, but still, one finds that this trend continued. Nowadays, I find that almost every film has an indicative Tag line.

In the Hindi film industry,there are 4 types of people.

The first type is of those people,who join this industry,struggle very hard and succeed in fulfilling their dreams,for example Guru Dutt, Mehboob, Johnny Walker, Lata Mangeshkar, Mohd.Rafi etc. who are well known to all by now.

The second type of people are those who join the industry,struggle very hard ,do not succeed and leave dejected.

The third type is those people who have a filmi connection or a strong luck,who join,struggle a bit and succeed, like for example,Raj Kapoor, Dev Anand, Dilip kumar, Rakesh and Rajesh Roshan, Anand Milind, Nanda, Nargis, Meena Kumari etc.

And….. the fourth type is those people who join the industry, struggle very hard and succeed partly, but end up doing something else,to keep them sustaining here.

The industry is full of people of the 4th type. People who come with dreams in their eyes, but end up doing something else. People who start as a Hero in 2-3 films,settle for side roles and finally character roles, like Dev Kumar, Sujit Kumar, Jeevan etc.

Not only this but we have examples where they started with something else and ended with a totally different thing and succeeded.For Example,Guru Dutt started as a Choreographer/dance Director (Lakharani-45) and ended up Actor/Director, Ashok kumar started as a Lab Technician in photography but became a great actor and Amiya Chakravarty who started as a Canteen Manager in Bombay Talkies,for which, later, he directed finest movies. Kanhaiyalal and Mirza Musharraf came here to become Lyricist, but ended as Comedians.

All such cases do not end happily. In most cases, the artiste has to make compromise with his fate. One such artiste was Music Director Jimmy, who came to films to make a career as a singer. He did not succeed as a singer, but having settled for a career of a Composer, here too he was not much successful. Today’s duet is sung by him.

Composer Jimmy is one of those little known composers who never got fame or name in spite of their Talents. His real name was JAMES SINGH. He was a Christian sikh from Ludhiana. He was educated in Delhi.He started his career in Hindi films as a singer in Chorus. He sang 7 songs in 6 films (Imandar-39, Baghi-39, Pyar-40, Anjaam-40, Jadoo Nagri-40, and Maaya Nagri-44). He could play many western instruments, especially all types of Guitars.When he failed as a singer, he became assistant to many composers. Finally, he got his chance to compose few songs for film ‘Muqaddar-50’, though with Khemchand Prakash and Bhola Shreshtha. He composed 2 duets of Asha and Kishore. The credit of composing the First ” Yodelling ” song of Kishore kumar goes to Jimmy. Kishore ‘yodelled ‘ first time in this film.

Jimmy then gave music to 14 more films like, Shrimatiji-52, Smuggler-59, Awara Shehzadi-56, Sher e Baghdad-57, Nek khatoon-59, Pathan-62, Miss chaalbaz-61, Tarzan and Gorilla-63, Duniya hai dilwalon ki-66, Pyar ki Baazi-67, Tarzan in fairy land-68, Aakhir-84, Khoon aur sazaa-86 and his last film, Sachhi Ibadat-1987. Inspite of giving sweet and melodious songs of a variety, Jimmy never came up to A class. He always remained a composer for C grade films. Anyway, as long as Kishore’s yodelling is heard,Jimmy’s name will be remembered. For singing,he used the name James Singh and as a Music Director he used Jimmy. (Like Chitalkar and C Ramchandra) .

The cast of film Baaghi-39 was Mehtab, Shamim, Amirbai karnataki (who sang as Amir jan), Anwari, Anil kumar (real name Sardar Gul), Ashraf Khan, Master Shiraz and many others. Actress Anwari, who acted in this film , was from a Tawayaf family of Lucknow. She started her acting career with film Heer Ranjha-32 opposite Rafiq Ghaznavi and then she acted in film Pooran Bhagat-1932, along with K L Saigal. She did the role of Rani Uchharan.

She joined East India Film co. and worked in films like Aurat ka pyar-33, Night Bird-34, Nagin-34 and Mumtaz Begum-34. She had also acted in another NT film Chandidas-34. She shifted her base to Bombay and worked in several films for next four decades. Her last film was Chaitali-1975. In all she did 140 films. She was known as ‘ Pride of Lucknow’ during her peak period. She was credited variously as Anwari Begum, Anwari, and Anwari bai.

Actress Anwari was the second wife of Rafiq Ghaznavi with whom she had a daughter, Zarina. Later, Zarina changed her name to Nasreen and worked in director A.R. Kardar’s movie, ‘Shah Jehan’ and Daud Chand’s movie, ‘Aik Roaz.’ Later Zarina married Liaqat Gul Agha, a rich Jeweller of Pakistan and they settled in London. She became Zarina Agha. Further, Zarina Agha’s daughter, Salma Agha, achieved great name and fame as a singing star. She expired somewhere in early 80s.

Anwari and Rafiq Ghaznavi were divorced (or separated) after Zarina/Nasreen’s birth, and Anwari then married a rich Hindu businessman named Jugal Kishore Mehra ( Maternal uncle-Mama- of Raj Kapoor). In order to marry Anwari, Jugal Kishore Mehra abandoned not only his family but also his religion; he became a Muslim and took the name Ahmed Salman. Since Anwari had a child, Jugal Kishore Mehra effectively became the father of the infant Zarina/Nasreen.

The most interesting name in the cast is that of Master Shiraz. He was one of the most popular and very famous Heros in the silent era. Like many others, when the Talkie era began, he too was relegated to the background and with great difficulty could get character roles in films. His first Talkie film was Mast Faqir-1934. He sang one song each in 2 films- Baghdad ka chor-34 and Chalta Purja-34. He continued doing roles in films.

During his good times, he had learnt the art of Massaging, as a Hobby and this became his last straw for survival. When film roles were not available, he used to roam about with his kit and do Massaging to earn a living. After doing about 26 films, till Naiya-47, he stopped getting credited in the cast. Now he worked as an extra.

He was last seen in film Guddi-1971- doing massage to Omprakash in one scene. In that film, Dharmendra tells Jaya Bhaduri (Guddi) that Master Shiraj was a star in silent film era. Director Hrishikesh Mukherjee ensured that Shiraj got his name in the film credits of Guddi-71.

Master Shiraj was just one of those unfortunate film artistes who spent their end-time in a very pathetic manner. Some other examples are- actor/singer Parshuram- died on road as a beggar, Singer Vatsala Kumthekar- died on road as a mad beggar,Wasti was seen begging near Liberty cinema and Rattanbai was seen begging near Haji Ali. There are many more such stories. The world of films is the most unpredictable and unless the artiste is wise to secure his future, there is no light at the end of the tunnel !

Today’s song is sung by Shamim and James Singh. The song is composed by Shanti Kumar Desai and is of average quality, but it has special importance as it is sung by James Singh, whose songs are not available much. With this song, film Baaghi -39 makes its Debut on the Blog.

( information used in this article is culled from various sources like Encyclopedia of Indian Films, Film Directory-46, The Lost Treasure by Kamlakar Pasupuleti, our beloved Pakistan by Anis Shukur, HFGK and my notes. Thanks to all)


Song-Tu Ban ka Raja tu ban ki raani (Baaghi)(1939) Singers- Shamim, James Singh, Lyricist- Gaurishankar Lal ‘Akhtar’, MD- Shanti Kumar Desai
Both

Lyrics

Tu ban ka Raja
tu ban ki Raani
Tu ban ka Raja
megha banke garje chaaron oar re
tu ban ki Raani
bijri ban ker chamke chaaron oar re

Tu ban ka Raja
megha banke garje chaaron oar re
tu ban ki Raani
bijri ban ker chamke chaaron oar re

main kaise tumhen rijhaaun
aur kya kya ban kar aaun
main kaise tumhen rijhaaun
aur kya kya ban kar aaun
main saagar ban kar dhoom dhaam se
chaaron taraf lahraaun

main sarita bankar us saagar ki dhaar se dhaar milaaun
main saagar ban kar dhoom dhaam se
chaaron taraf lahraaun

main sarita bankar us saagar ki dhaar se dhaar milaaun

main baadal ban ka
jhoom jhoom kar swaati jal barsaaun

main papeeha ban kar wo jal dhaara
pee ke amar ho jaaun
main baadal ban ka
jhoom jhoom kar swaati jal barsaaun

main papeeha ban kar wo jal dhaara
pee ke amar ho jaaun
ho ban ka raaja
ban ki raani
ham hain ban ke
raaja raani
ham hain ban ke raaja raani


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16600 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16615

Number of movies covered in the blog

Movies with all their songs covered =1280
Total Number of movies covered=4520

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