Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘One singer singing for two actors’ Category


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4336 Post No. : 15634 Movie Count :

4307

Hullo Atuldom

I know of a few people who have two birthdays each year. This can be explained as an adjustment for the sake of getting admission in schools which have a condition that the child should have completed 3½ when getting admitted to pre-school, and/or 5½ when the child starts class one in June. June is the time when the academic sessions begin in India and this rule has been in place for ages. So I have two cases for this in my family – my mother’s birth year was changed to comply with admission requirements.

June 1st is a special date for an Atulite who loves to travel. He has traveled to places which offer a lot of adventure and camping attractions. He has chronicled his travel experiences in www.sadanandsafar.blogspot.com.

It is our Sadanand ji’s birthday, a special birthday today. I shall not mention his age as I know him to be rather young at heart – his travels and treks are a testimony to that.

Currently his journey is discovering songs which we have hitherto not heard, Hindi songs which are from Bengali films. This series has given us some great songs. He has a lot of patience to dig out authentic and accurate information from varied sources like past issues of the magazine ‘Film India’ and other sites. He is painstakingly trying to find links. All the best to him in this – may we get more of the same. Here I will admit that his series has made me look out for songs in south Indian movies and a link that our In-house encyclopedia sent me has started that journey for me. I hope that I am able to sustain myself for as long as Sadanandji who has crossed 600 posts on the blog of which 28 posts were of Hindi songs in Bangla films. That is indeed a lot of rummaging through available online and offline material.

He has one more love – pointed out to me by our Avinash ji, whom I brain-stormed with before I sat to write this post. He loves poetry or shaayari as it is called. Avinash ji drew my attention towards Sadanandji’s love for Gopal Das Neeraj. So today we will have a song penned by Neeraj.

I just realized that I should explain my opening paragraph.

Since morning we have been wishing Sadanand ji through WhatsApp and he graciously thanked everyone but added “Thanks for wishing me on my official birthday. My actual birthday is **/07/****” . So that means we get to wish him one more time – ‘duguna wishes’. I am sure that this change in date of birth may have happened at the point of school admissions, am I right Sadanand ji ? As one of my many acquaintances loves to say – “same case as my mother”.

Now I shall move to the song for which I must thank Avinash ji; he has provided me the lyrics in both English and Devanagari (his forte). He also provided me the link to the audio and video and I realized why he suggested this song from “Gunaah” (1993).

I think I have seen this movie ages ago on television and this movie had Sunny Deol, Dimple Kapadia, Sumeet Saigal, Anjana Mumtaz, Shammi, Manohar Singh, Akash Khurana, Raza Murad, Avtar Gill  etc. It was the story of a young journalist (Sunny Deol) who is found wounded on the shores of Goa, treated by Dr. Joe D’Costa (Manohar Singh). He suffers from amnesia and then remembers details about himself, his life etc after five long years. He recollects that he was instrumental in the downfall of an upright politician and had a girl friend etc. Then the movie makes its way through the usual lanes of finding the real-culprits. The movie was directed by Mahesh Bhatt had songs written by Neeraj and Payam Saeedi (don’t know anything about this person) and Rajesh Roshan was the music director.

Today’s song starts on the seashore, in a Goan village setting with choreographer Ganesh Acharya (don’t know if he was the choreographer for this movie) lip-syncing to Manhar Udhas and we see Manohar Singh urging Sunny Deol to join the fun. I am unable to identify the girl (she looks very familiar) who is lip syncing to Sadhana Sargam.

Wishing Sadanand ji once again a musical day with family and remember your fellow Atulites when you cut the cake. 😉

 

Video

Audio

Song – Ek Musafir Hoon Main  (Gunaah) (1993) Singer – Manhar Udhas, Sadhna Sargam, Lyrics – Neeraj, MD – Rajesh Roshan
Manhar Udhas + Sdhna Sargam
Chorus

Lyrics (Provided by Avinash Scrapwala)

aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa

ek musaafir hoon main ae
ek musaafir hai tu
apna ghar hai kahaan
ham ko jaana kahaan
kaun jaane yahaan
ham ko jaana kahaan
kaun jaane yahaan

ek musaafir hoon main ae
ek musaafir hai tu
apna ghar hai kahaan
ham ko jaana kahaan
kaun jaane yahaan
ham ko jaana kahaan
kaun jaane yahaan

la la la laa la laa
la la la laa la laa
la la la laa la laa
la la laa la laa la laa

sa sa re re
sa sa saa re re
sa sa re re sa aa

aaj to geet gaa le
aa aa aa aa aa
kal ki kis ko khabar
aaj to geet gaa le ae
aa aa aa aa aa
kal ki kis ko khabar
kuchh bhi maaloom nahin
khatm ho kab safar
ek parinda hoon main
ek parinda hai tu
hai basera kahaan
hai savera kahaan
kaun jaane yahaan
hai savera kahaan
kaun jaane yahaan

ye madhur chaandni ee
aa aa aa aa
aa ke pi le zara aa
ye madhur chaandni ee
aa aa aa aa
aa ke pi le zara aa
roop ke gaaon mein ae
aa ke jee le zara aa
ek dhaaraa hoon main
ek dhaaraa hai tu
apna udgam kahaan
apna sangam kahaan
kaun jaane yahaan
apna sangam kahaan
kaun jaane yahaan

kal mile thhe yahin
aa aa aa aa
aaj ham kho gaye ae ae
kal mile thhe yahin
aa aa aa aa
aaj ham kho gaye ae ae
haadse yoon huye ae
kya se kya ho gaye ae
ek khilauna hoon main
ek khilauna hai tu
tootna hai kahaan
hai bikharna kahaan
kaun jaane yahaan
hai bikharna kahaan
kaun jaane yahaan

ek musaafir hoon main ae
ek musaafir hai tu
apna ghar hai kahaan
ham ko jaana kahaan
kaun jaane yahaan
ham ko jaana kahaan
kaun jaane yahaan

aa aa aa aa aa
aa aa aa aa aa

—————————————————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————————————————–

आ आ आ आ
आ आ आ आ
आ आ आ आ
आ आ आ आ
आ आ आ आ

एक मुसाफिर हूँ मैं ए
एक मुसाफिर है तू
अपना घर है कहाँ
हम को जाना कहाँ
कौन जाने यहाँ
हम को जाना कहाँ
कौन जाने यहाँ
एक मुसाफिर हूँ मैं ए
एक मुसाफिर है तू
अपना घर है कहाँ
हम को जाना कहाँ
कौन जाने यहाँ
हम को जाना कहाँ
कौन जाने यहाँ

ल ल ल ला ल ला
ल ल ल ला ल ला
ल ल ल ला ल ला
ल ल  ला ल ला ल ला

सा सा रे रे
स स सा रे रे
सा सा रे रे सा आ

आज तो गीत गा ले
आ आ आ आ आ
कल कि किस को खबर
आज तो गीत गा ले ए
आ आ आ आ आ
कल कि किस को खबर
कुछ भी मालूम नहीं
ख़त्म हो कब सफ़र
एक परिंदा हूँ मैं
एक परिंदा है तू
है बसेरा कहाँ
है सवेरा कहाँ
कौन जाने यहाँ
है सवेरा कहाँ
कौन जाने यहाँ

ये मधुर चांदनी ई
आ आ आ आ आ
आ के पी ले ज़रा आ
ये मधुर चांदनी ई
आ आ आ आ आ
आ के पी ले ज़रा आ
रूप के गाँव में ए
आ के जी ले ज़रा आ
एक धारा हूँ मैं
एक धारा है तू
अपना उद्गम कहाँ
अपना संगम कहाँ
कौन जाने यहाँ
अपना संगम कहाँ
कौन जाने यहाँ

कल मिले थे यहीं
आ आ आ आ
आज हम खो गए ए ए
कल मिले थे यहीं
आ आ आ आ
आज हम खो गए ए ए
हादसे यूं हुए ए
क्या से क्या हो गए ए
एक खिलौना हूँ मैं
एक खिलौना है तू
टूटना है कहाँ
है बिखरना कहाँ
कौन जाने यहाँ
है बिखरना कहाँ
कौन जाने यहाँ

एक मुसाफिर हूँ मैं ए
एक मुसाफिर है तू
अपना घर है कहाँ
हम को जाना कहाँ
कौन जाने यहाँ
हम को जाना कहाँ
कौन जाने यहाँ

आ आ आ आ आ
आ आ आ आ आ


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4259 Post No. : 15481

“Jung Aur Aman”(1968) was directed by Nanabhai Bhatt for Beauty Films, Bombay. This “costume” drama movie, a euphemism for a B grade movie, had Dara Singh, Mumtaz, Jayant, Murad, Krishna Kumari, Rajan Haksar, Sujata, Sushma, Indmohan, Laxmi Chhaaya, Noorjahaan, Kesri, Moolchand, Mohan Choti, Nadira etc in it.

The movie had five songs in it. Four of them were solo songs and one a female duet. Two of these songs have been overed in the past.

Here is the third song from “Jung Aur Aman”(1968) to appear in the blog. This song is a female duet and it is sung by two less known female playback singers viz Krishna Kalle and Pathare. I am not aware who Pathare is. She makes her debut as a playback singer with this song, unless we know her by another name. I request our knowledgeable readers to throw light on her.

The movie has three synchronised dance songs sung in raj darbaar. This song is on such song. I am unable to identify the two dancers. I request our knowledgeable readers to help identify them.

I am unable to distinguish the two female voices as well and that is why I have not bothered to provide colour coding in this song. In any case, Pathare appears to sing only in chorus and not alone, as far as I can tell.

Hasrat Jaipuri is the lyricist. Music is composed by G S Kohli.


Song-Hans kar sharaarat karna na (Jung Aur Aman)(1968) Singer-Krishna Kalle, Pathare, Lyrics-Hasrat Jaipuri, MD-G S Kohli

Lyrics

hans kar sharaarat karna naa
uff ye kayaamat karna naa o o
ui main to mar gayi ee
jaadu kar gayi ee ee
tirchchi nazar teri dil mein utar gayi ee
hanskar shararat karna naa o o
uff ye kayaamat karna naa o o
ui main to mar gayi ee
jaadu kar gayi ee ee
tirchchi nazar teri dil mein utar gayi ee
hans kar shararat karna naa o o
uff ye kayaamat karna naa o o o

ghaayal jigar pe mere palkon ki tooti sui
o o
?? rahti hoon khoyi khoyi
champa ki daal hoon main
lekin hoon chhui mui
ui main to mar gayi ee
jaadu kar gayi ee ee
tirchchi nazar teri dil me utar gayi ee
hans kar shararat karna naa o o
uff ye kayaamat karna naa o o

aanchal sambhaaloon jo main
sar se wo dhhalka jaaye ae
o o ulfat karaar kahke
aankhon se jhhalka jaaye
?? chhupaaun kaise
chehre se dhalka jaaye
ui main to mar gayi ee
jaadu kar gayi
tirchi nazar teri dil mein utar gayi
hanskar shararat karna naa o o
uff ye kayaamat karna naa o o
ui main to mar gayi ee
jaadu kar gayi ee ee
tirchchi nazar teri dil mein utar gayi


This article is written by nahm, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4228 Post No. : 15437 Movie Count :

4253

As valentine day party songs go, this one is not really so big on the event. Except for the heart shaped balloons, there is no other indication of this being a valentine day song. Point to be noted is that, the blog seems to have ignored this occasion also, along with a host of other days that are specifically designated throughout the year. Whatsapp university does a quite adequate job of reminding us of all these days, be it mother’s day, father’s day, couple day, hug day, chocolate day to name a few. These are just the days which came readily to mind, because a few of them were during this past week.

I remembered this song today just out of the blue from the film “Dil to paagal hai”. I remember seeing this film in theatre, must be in 1997. My elder sister was very fond of Yash Chopra films and the star cast was, as it is very much ascending stars of the era. Nevertheless I remember at one point in the film, where I told my sister that I don’t want to see this film and we are leaving. Which point I don’t care to share here.

This song talking of ‘Chaand’ & ‘Raat’ is actually compliant with my posts series titled ‘Chaandni Raatien”. Composer is Uttam Singh and the lyrics are by Anand Bakshi. It is picturized on Shah Rukh Khan, Karishma Kapoor and Madhuri Dixit. Shah Rukh and Karishma are at a Valentine Day party, whereas Madhuri Dixit is at her home, dreaming and singing along. At this point I think Shah Rukh and Madhuri haven’t met each other, but are scheduled to meet and fall in love. This song is in anticipation of the things to come in the story, because you see they have read the script and the song was ready, so the situation had to be created for it. Udit Narayan sings for Shah Rukh and Lata Mangeshkar is singing for Madhuri and Karishma both. The song is very catchy too despite being a mood song.

The film is full of melodious hit songs which were a rage then. Film and the songs won quite a few awards too. This song is having the tunes of other songs from the same film, as interlude. Again as I said the characters are anticipating the songs to feature in the film later on. Good imagination all around.


Song-Chaand ne kuchh kaha raat ne kuchh suna(Dil To Paagal Hai)(1997) Singers-Udit Narayan, Lata, Lyrics-Anand Bakshi, MD-Uttam Singh
Chorus

Lyrics

Hey hey
oo ho ho ho ho
Hmmm mmmmm
La la la laa laaaa

Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
Aayi hai chaandni
Mujh se kehne yahi
Aayi hai chaandni
Mujh se kehne yahi
Meri gali mere ghar
Pyaar kar
Oh ho ho pyar kar

Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
La la
laa laa laa laa laa

Kya kahoon kya pataa
Baat kya ho gayee ee
Dillagi ye mere
Saathh kya ho gayee
Ik ishaara hai yeh
Dil pukaara hai ye
Ik ishaara hai yeh
Dil pukaara hai ye
Iss se churaa na nazar
Pyaar kar
Oh ho ho pyar kar
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar

Hey hey
Ah ha ha
aa haa

Ru ru ru ru ru ru uuuu
La la la la laa la laa
Ru ru ru ru ru ru uuuu
La la la la laa la laa
Ru ru ru ru ru ru uuuu
La la la la laa la laa

Ho oo ooo
Ooo ooooo
Hmmm mmmm
Mmmmmmm
La la la la la la
La la la laa la laa
Hai kaun kya khabar
Koyi to hai magar
Sapnon mein hai kahin
Aata nahin nazar
Main yehaan
wo wahaan
Aa rahi phir yehaan
Main yehaan wo wahaan
Aa rahi phir yehaan
Aawaaz kis ki magar

Pyaar kar
Oh ho ho pyaar kar
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
La la
laa laa laa laa laa

Aaa aaaa aaaaaa
Aaa aaaa aaaaaa

Jis pe ham mar mitey
Uss ko pataa bhi nahin

aa aa aa aa aa
O Jis pe ham mar mitey
Uss ko pataa bhi nahin
Kya gila ham Karen
Wo bewafaa bhi nahin
Ham ne jo sun liyaa
Uss ne kahaa bhi nahin
Ae dil zara soch kar
Pyaar kar
Oh ho ho pyar kar

Hey hey
Ah ha ha aa haaaa
La la laa laa laaa laaa
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
Aayi hai chaandni
Mujh se kehne yahi
Aayi hai chaandni
Mujh se kehne yahi
Meri gali mere ghar
Pyaar kar
Oh ho ho pyaar kar

Hey hey
La la la la laa la laa
Oh ho ho
Hmm mmmm mmm hmm hmm
Pyaar kar
Oh ho ho pyaar kar
Pyaar kar
Oh ho ho pyaar kar


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4226 Post No. : 15433

I was aware that today is the birth anniversary of Pran, but I was not aware that today is his 100th birth anniversary !

It was on this day 100 years ago that Pran (12 February 1920 – 12 July 2013) was born.

Pran was born in Lahore and he made his debut in films in Lahore in early 1940s. There, he soon graduated to lead roles. In “Khaandaan”(1942), he had acted opposite Noorjehaan. . After partition, he came to Bombay where he was a nobody and so he had to start from scratch there.

It was in Bombay that Pran began to get the roles of a villain and it waas in these roles that he made his mark. He started his stint in Bombay with “Ziddi”(1948). He played villains but no two roles of his were same. In every movie he brought something new to his acting. And his acting was so convincing that ordinary movie goers dreaded and dipised his roles. Very few people in India named their sons as Pran. That is the kind of impression he had created in the minds of movie goers. 🙂

In 1960s, his dark roles gradually started to become less dark, with doses of kindness and comedy in them and a time came when he became a character artist, beginning from “Upkaar”(1967). The distributors of “Upkaar”(1967) were very nervous, unsure how this new role of Pran would be received by the moviegoers who were so used to see him as a dreaded villain. Fortunately, the movie was a big hit and Praan’s role as Malang Chaacha was loved by moviegoers.

Pran had got to sing very few songs on screen as a villain, but he started to get songs as a character artist. And this process started with “Upkaar”(1967) itself. The song Kasme waade pyaar wafa turned out to be a much loved song, much to the relief of Kalkyanji Anandji, who were dreading that their composition would flop because it was to be picturised on Pran !

Subsequently, Pran has figured in quite a few songs in Hindi movies. And these songs became surprise hits. For instance, “Zanjeer”(1973) song Yaari hai imaan mera yaar meri zindagi became the most popular song of the year in Binaca geetmala ! “Kasauti”(1974) song, Ham bolega to bologe ki bolta hai was my favourite song durings its time. Same was the case with the song Daru ki bottle me sahab paani bharta hai from “Majboor”(1974).

On the occasion of the 100th birth anniversary of Pran, here is a song from “Zindaadil”(1975). The song is sung by Lata, Shailendra Singh and Mahendra Kapoor. Verma Malik is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a get together song. It is lip synced by Rishi Kapoor, Zaahira, Neetu singh and Pran.

Lyrics of this song were sent to me by Avinash Scrapwala. Incidentally, he too shares his birthday with Pran. So we take this opportunity to wish him a happy birthday and many happy returns of the day. Today also happens to be the wedding aniversary of our regular Nitin Shah. We wish him and his better half on this occasion.

Quite a lively and appropriate song for the occasion it is.

Video
(video)
Audio

Song-Shaam suhaani aayi khushiyaan ban ke pahli baar (Zindaa Dil)(1975) Singers-Lata, Mahendra Kapoor, Shailendra Singh, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
Lata Mangeshkar+ Shailendra Singh

Lyrics (Provided by Avinash Scrapwala)

Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa

Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar
Huyee adhoori aasha poori
Tooti door ki doori
Tooti door ki doori
To lekar thumkaa naachoon
Aaj main tan ke pehli baar
Lekar thhumkaa naachoon
Aaj main tan ke pehli baar

Pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar
Huyee adhoori aasha poori
Tooti door ki doori
Tooti door ki doori
Lekar thhumkaa naachoon
Aaj main tan ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar

Jee chaahe main ho ke saudaayee
Lutaa doon khudaayee
Milaa hai mujhe pyaar
Milaa hai beshumaar
Jee chaahe main ho ke saudaayee
Lutaa doon khudaayee
Milaa hai mujhe pyaar
Milaa hai beshumaar
Raat aayi hai kismatwaali
Jalaao deewaali
Milaa hai qaraar
Milaa hai sansaar
Is man ki paawan dharti se
Phoot padaa hai pyaar
Phoot padaa hai pyaar

Pehli baar
Phool khile hain dekho
Mere man ke pehli baar
Phool khile hain dekho
Mere man ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar

Khaata jaa peetaa jaa
Bhar paimaana tu
Hey hey
Khaata jaa peetaa jaa
Bhar paimaana tu
Ho ho
Apnaa rang jamaata jaa
Ho deewaana tu
Hey hey
Masti mein lehraata jaa
Ban mastaana tu
Apnaa aaj banaataa jaa
Ye zamaana tu
Mere jeewan ke gulshan mein
Aayi nayee bahaar
Aayi nayee bahaar

Pehli baar
Ek fauji kaa beta
Chalaa hai tan ke pehli baar
Ek fauji kaa beta
Chalaa hai tan ke pehli baar

Shaam suhaani aayi
Khushiyaan ban ke pehli baar

Dekho kaise khushi ke rang chhaaye
Dupatta udaa jaaye
Patang ban ke
Umang ban ke
Dekho kaise khushi ke rang chhaaye
Dupatta udaa jaaye
Patang ban ke
Umang ban ke
Main to ambar ki baahon mein jhooloon
Sitaaron ko chhoo loon
Kiran ban ke
Sapan ban ke
Aaj mere seene mein dhadkan
Meethhee kare pukaar
Meethhee kare pukaar
Pehli baar
Mere dil mein aajaa
Meraa ban ke pehli baar
Mere dil mein aajaa
Meraa ban ke pehli baar

Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar

——————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————-

आ आ आ आ आ
आ आ आ आ आ

शाम सुहानी आई
खुशियाँ बन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार
हुयी अधूरी आशा पूरी
टूटी दूर कि दूरी
टूटी दूर कि दूरी
तो लेकर ठुमका नाचूँ
आज मैं तन के पहली बार
तो लेकर ठुमका नाचूँ
आज मैं तन के पहली बार

पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार
हुयी अधूरी आशा पूरी
टूटी दूर कि दूरी
टूटी दूर कि दूरी
लेकर ठुमका नाचूँ
आज मैं तन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार

जी चाहे मैं हो के सौदाई
लुटा दूं खुदाई
मिला है मुझे प्यार
मिला है बेशुमार
जी चाहे मैं हो के सौदाई
लुटा दूं खुदाई
मिला है मुझे प्यार
मिला है बेशुमार
रात आयी है किस्मतवाली
जलाओ दीवाली
मिला है करार
मिला है संसार
इस मन की पावन धरती से
फूट पडा है प्यार
फूट पडा है प्यार

पहली बार
फूल खिले है देखो
मेरे मन के पहली बार
फूल खिले है देखो
मेरे मन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार

खाता जा पीता जा
भर पैमाना तू
हे हे
खाता जा पीता जा
भर पैमाना तू
हो हो
अपना रंग जमाता जा
हो दीवाना तू
हे हे
मस्ती में लहराता जा
बन मस्ताना तू
अपना आज बनाता जा
ये ज़माना तू
मेरे जीवन के गुलशन में
आयी नयी बहार
आयी नयी बहार

पहली बार
एक फौजी का बेटा
चला है तन के पहली बार
एक फौजी का बेटा
चला है तन के पहली बार

शाम सुहानी आई
खुशियाँ बन के पहली बार

देखो कैसे ख़ुशी के रंग छाये
दुपट्टा उड़ा जाए
पतंग बन के
उमंग बन के
देखो कैसे ख़ुशी के रंग छाये
दुपट्टा उड़ा जाए
पतंग बन के
उमंग बन के
मैं तो अम्बर कि बाहों में झूलूँ
सितारों को छू लूं
किरण बन के
सपन बन के
आज मेरे सीने में धड़कन
मीठी करे पुकार
मीठी करे पुकार
पहली बार
मेरे दिल में आजा
मेरा बन के पहली बार
मेरे दिल में आजा
मेरा बन के पहली बार

शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4183 Post No. : 15363 Movie Count :

4234

Ah so, another station that we reach. Not especially for the blog, but a pervasive tradition. Ringing out an old temporal symbol, and ringing in a new one. On the astronomical scale, this celebration does not mean anything specific. Like any other measure of time, like any other day closing and like any other day initiating. But for the human spirit – it seeks celebration, in whatever. An arbitrary spike in the ground and one can endlessly argue that this very point is the center of the earth. Ah well, how does it matter. Let us celebrate.

Coming to think of it, the celebration is phasing, crossing over into every time zone, as the midnight hour passes across the latitudes. So even this is not unique to the entire earth. We have a message on WA group few minutes back, from Peevesie’s Mom – checking whether any Atulite is in Japan or Auckland. In fact by the time we reach the midnight hour in India, eight full time zones have already crossed into the next annuity, and the celebrations are already on, the earliest one being about 8/9 hours old already. As I write these lines, Auckland is already at 6:15 am in the first day of the New Year. (Time check – it is 10:45 as I type this sentence). And once we in India cross over into 2020, it will still take another 18 hours for the midnight to reach the western edge of the International Date Line. Those who celebrate with a drink, I am sure, will not mind to have drink for every passage of a time zone crossing the midnight. 🙂 🙂

The time flows, as is, all the time. Another milestone, another celebration passes by. The revelry lasts for some time, maybe a few hours, and then the world gets back to its grinding routine. Some working places may be enjoying a holiday. Many more will not be – they will be working. I do personally know some people who prefer not to start a new year with a holiday. Inauspicious, they say.

The tradition continues. The Hindi film song community is probably not going to run out of celebration songs. New ones are being created every year, and yes, there still are decades that we have not explored as yet. Many celebration songs of all types are awaiting discovery, and a chance to be put on to our blog. The song in this post is from the 1980s – yes one of the earliest decades that we generally avoid, sticking to the 1960s and prior to find songs for posting. That is where our comfort zone is, that is where our preferences lie. A reflection of what we hear in our formative years, maybe. Newer generations will have their own baseline benchmarks. Ah well.

Our dear Prakash ji – he is so prolific is browsing and searching for event specific songs. At every anniversary and every occasion to celebrate, Atul ji and I keep getting reminder emails from him, telling us about earlier songs that he has sent in, and we have not been able to post. Sometimes these reminders have kept ringing for three – four – five years.

Today’s new year song sent in by him is from the 1985 film ‘Telephone’ – a film that I am not familiar at all with. But surely a new discovery I make as I sat through the video of this song. I got to see a different side of Deepti Naval. Her image is built around films like ‘Ek Baar Phir’ (1980), ‘Chasm e Baddoor’ (1981), ‘Saath Saath’ (1982), ‘Angoor’ (1982) and ‘Katha’ (1983). Maybe that was the time as I was phasing out of watching the newer crop of films.

The song is in the voice of Asha Bhosle. It is a lyricist-MD song with Rajesh Roshan playing both the songwriter and music director roles. Of course, it is a party song, with a lot of actors visible in the clip. The song is being lip synced by Deepti Naval and Leena Das, with the latter providing the more provocative masala performance. Then we have Marc Zuber, Yunus Parvez, Prem Chopra and Shatrughan Sinha appearing. As per Prakash ji,the dancer Shirley is also part of the dancing troupe in this song.

Wishing all readers and their families, a very very happy 2020.  Stay healhty, stay blessed.

 

Song – Assalaam-aile-Qum, Saal Mubaarak Ho  (Telephone) (1986) Singers – Asha Bhosle, Lyrics – Rajesh Roshan, MD – Rajesh Roshan
Chorus

Lyrics (Provided by Prakashchandra)

nineteen 
eighty …eeeee
three…..eee…ee…eeeee

nineteen eighty three (aaa…aaaa)
nineteen eighty three (aaa…aaaa)
nineteen eighty 
nineteen eighty
nineteen eighty three…..eeeee…eeeee

assalaam allaikkumm
aa saal mubarak ho o
ek nayi shaam ho o o
ek naya saveraa ho
nineteen eighty three (aa…aa)
nineteen eighty three (aa…aa)
nineteen eighty
nineteen eighty
nineteen eighty three….eeeeee
assalaam allaikkumm
aaa saal mubarak ho o
ek nayi shaam ho o
ek naya saveraa ho

[laughter]

aaaa….aaa…..aaaaa….aaa
aaaa….aaa…..aaaaa
aaaa….aaa…..aaaaa…aaaaa

tere mere jo dil ik honge
sapne hamaare sach honge
khoyee khoyee hui raahon mein
manzilon ke chinnh honge 
aaaaaaaaaaaa…..aaaa…..aaaaa….aaaaa
tere mere jo dil ik honge
sapne hamaare sach honge
khoyee khoyee hui raahon mein
manzilon ke chinnh honge 

[dialogue]

nineteen eighty
nineteen eighty
nineteen eighty three…eeeeee

ho o o 
assalaam allaikkum 
aa saal mubarak ho
ek nayi shaam ho o
ek naya saveraa ho

dheem theem dhaaginn thirkitta too naa
thaa thaa dhaginn thirikitta dhinnaaa

kaanton ki pagdandi par bhi
phoolon ke hanste dagar honge
na kabhi dekha na suna aisa
mele mein jashan balam hongein
aaaa…aaaa…aaaaaaaa…aaaa….aaaaa
kaanton ki pagdandi par bhi
phoolon ke hanste dagar honge
na kabhi dekha na suna aisa
mele mein jashan balam hongein
nineteen eighty
nineteen eighty
nineteen eighty three…..eeee
o o o
assaallaam allaikkum
aa saal mubaarak ho o
ek nayi shaam ho o
ek naya saveraa ho

parappaa pappa pappa  rapappa
parappa pappa pappa
parapappaaaaaa
parappaa pappa  parappa pappa 
parapappaaaaaa

[dialogues]

raat toofani chali aayi to
kashti hamaari sang dolegi
maajhi ke sur par geeton par
subah ke pehli kiran hogi
aaaaaaaa……aaaaaaaaaa…aaa….aaaa
raat toofani chali aayi to
kashti hamaari sang dolegi
maajhi ke sur par geeton par
subah ke pehli kiran hogi
nineteen eighty
nineteen eighty
nineteen eighty three…………..eeeeeee

ho o o
assaallaam allaikkum
ahha saal mubaarak ho o
ek nayi shaam ho o
ek naya saveraa ho
nineteen eighty three (aa..aaaaaa)
nineteen eighty three (aa..aaaa)
nineteen eighty
nineteen eighty
nineteen eighty three

[laughter]


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4053 Post No. : 15183

22nd August (yesterday) was the remembrance day of the exceptional, yet unsung music director – Ram Prasad Sharma. He had passed away this day in 1995. May be not easily identifiable by himself, he is probably known more through his sons. His four sons have all been well known musicians and instrumentalists, and all have been connected with the film industry. Two of them are also famous as music directors – Pyaarelal ji, of the Laxmikant Pyaarelal duo, and Ganesh.

Ram Prasad’s biographical and filmographic details have been presented earlier on this blog, in the article on the song “Antul Habi Ke Dekho Kabhi” from the film ‘Magic Carpet’, released in 1964. There is also a detailed article by our dear Arun ji, posted here on the blog – Anmol Fankaar.

Today’s song is also from the same film – ‘Magic Carpet’. The film is directed by Babubhai Mistry, under the banner of Unique Pictures, Bombay. This is stunt cum fantasy film – a typical ‘jaadugar sainyyaan’ type film. The cast of actors includes Chitra, Azaad, Bhagwan, BM Vyas, Bela Bose, Dalpat, Kesri, Bimla Kashmiri, and a host of junior artists, listed as Aroon, Maqbool, Radhe Shyam, Arvind Kumar, Mehroo Bai, Bakshi, Master Kisore, Kalla, Rafiq, Sandow, Dawood, Amir, Musa, Julian, Khalil, Rehman, Salim, Zippy and Nagina.

The film has five songs which are penned by four songwriters – Farooque Kaiser, Shakeel Nomaani, Arsh Farooque and Jia Dehalvi. This song is written by Jia Dehalvi – as the pseudonym suggests, he is from Delhi. 🙂 Music is by Ram Prasad Sharma. The singing voice is that of Asha Bhosle.

On screen, the song is performed as a twin dance, with both dancers lip syncing the playback from Asha. The dancers are Chitra and Bela Bose. Now, I am not completely certain, and am open for being corrected. Some familiarity with the performers and the absence of any other name that sounds like a dancer, in the list of actors given above. I request other more knowledgeable friends in the group to please correct or confirm. 🙂

There are two other gentlemen in the frame. I request for help to identify them, as I do not yet have access to software that will help to remove the beards from the faces of men in video clips. 😀 😀 Given the names in the list of actors, I believe one of them could be Dalpat. Please help to identify them.

A lilting dance song this one. Listening to this song, I can hear the sources of inspiration for the torrent of music that flowed from the works of L-P. This, and many others like this from B and C grade films of 1950s and 1960s, form a string of very pleasing memories from the radio listening days. I am sure you will enjoy this.

Song – O Sainyyaan Be-Peer Koi Teer Na Chalaana  (Magic Carpet) (1964) Singer – Asha Bhosle, Lyrics – Jia Dehlavi, MD – Ram Prasad

Lyrics

o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana
tu mere
chhote se
dil ko na tadpaana
tu mere
chhote se
dil ko na tadpaana
o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana

maine maana tu hai
puraana
sharaabi
maine maana tu hai
puraana
sharaabi
lekin in aankhon ki
juda hai
gulaabi
nazar se
pee le to boley tu
mai to fuzool hai
o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana

aisi berukhi na
kar hum se
khudaara
aisi berukhi na
kar hum se
khudaara
de de mujhko apni
baahon ka
sahaara
sanam ke
naaz uthaana to
pyaar ka usool hai
o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana

tauba teri nazren
hain tirchhi
kamaanen
tauba teri nazren
hain tirchhi
kamaanen
tu ne to li hongi
hazaaron
ki jaanen
sitamgar
kisko jawaani mein
marna qubool hai
o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana
tu mere
chhote se
dil ko na tadpaana
tu mere
chhote se
dil ko na tadpaana
o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना
तू मेरे
छोटे से
दिल को ना तड़पाना
तू मेरे
छोटे से
दिल को ना तड़पाना
ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना

मैंने माना तू है
पुराना
शराबी
मैंने माना तू है
पुराना
शराबी
लेकिन इन आँखों की
जुदा है
गुलाबी
नज़र से
पी ले तो बोले तू
मय तो फ़ज़ूल है
ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना

ऐसी बेरुखी ना
कर हमसे
खुदारा
ऐसी बेरुखी ना
कर हमसे
खुदारा
दे दे मुझको अपनी
बाहों का
सहारा
सनम के
नाज़ उठाना तो
प्यार का उसूल है
ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना

तौबा तेरी नज़रें
हैं तिरछी
कमानें
तौबा तेरी नज़रें
हैं तिरछी
कमानें
तूने तो ली होंगी
हजारों
की जानें
सितमगर
किसको जवानी में
मरना कुबूल है
ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना
तू मेरे
छोटे से
दिल को ना तड़पाना
तू मेरे
छोटे से
दिल को ना तड़पाना
ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4031 Post No. : 15151

August 1st

Important for me, used to be my mom’s birthday. Thinking of her has only reinforced my feelings that the song with this post convey. She was one lively person who smiled through her illness and never let us know how much pain she was going through. She was always ready to accompany my dad on whatever tour he chose to organise. And I am sure they enjoyed every bit of their time and life together. That is the exact feeling that today’s song speaks of.

“Live life as if there are no tomorrows” – Kal Kya Hoga Kis Ko Pata, Abhi Zindagi Ka Le Lo Mazaa.

August 1st also happens to be the birth anniversaries of Meena Kumari and Bhagwan Dada. Meena Kumari, born Mahjabeen Bano, would have been 86 and Bhagwan Dada, born Bhagwan Abhaji Palav, would have been 103.

Both the actors had their share of fame and were lead actors in many movies. Master Bhagwan, as Bhagwan Dada used to be known in the early years, started his career in the era of silent films. And Meena Kumari stepped into films as a child artist sometimes in the early 1940s. They were part of a few movies together where Meena Kumari was the heroine and Bhagwan lead the comic side plot for example ‘Bandish’ (1955), ‘Main Bhi Ladki Hoon’ (1964} etc.

They had successful careers through the 1960s. We lost Meena Kumari in the beginning of the 70s but Bhagwan Dada was still there and I remember seeing him in many movies doing his signature step dance. In the initial stages of my movie watching I was unaware that he was such a huge star of his times. I always saw him as a side-kick or a dancer who was given prominence in various group dance numbers. Much later I happened to see his songs of ‘Albela’ and I realized that he was being copied by the actors of the 70s – HE was their inspiration. After associating with this blog, I read about his life and times and felt sad that what went up had to go down too. Probably he too subscribed to the thoughts of today’s song and lived in his “todays as if there were no tomorrows”.

Rose Movies’ ‘Kasme Vaade’ (1978) was produced and directed by Ramesh Behl. It had Rakhee, Neetu Singh, Amitabh Bachchan, Randhir Kapoor in the main lead with Rekha in a guest appearance and Amjad Khan in special appearance. Master Bhagwan (Dada) was there for one song at the start of the film. That song was meant to show the happy-go-lucky character of Randhir Kapoor. We find RK on a night out with his cronies, running amok in the streets doing wheelies etc. (it is obvious that all the motor bike stunts are by a body double) and that is the situation for today’s song.

I had always wanted to present this song on the blog to highlight Bhagwan Dada’s steps and dancing. Finally, here it is.

Video

Audio

Song – Praani Bhatak Raha Hai Ban Ban Mein. . . Kal Kya Hoga Kisko Pata  (Kasme Vaade) (1978) Singer – RD Burman, Lyrics – Gulshan Baawra, MD – RD Burman
Male Voice
Chorus

Lyrics (Provided by Prakashchandra)

aa..aayen
praa..aani. . .
bhatak rahaa
ban ban mein. . .

aah haaa
waah bhai waah

ye nahi jaane
paagal pre..ae..ae..ae..mi
rabb hai
uske..ae..ae..ae mann mein

arre isi liye to keh gaye hain

jati sati
karmi gati

aaye
miley jo sang pisach ka
sada miley
buri mati
buri mati

but where is bhaanumati?

ha ha ha ha
bhanumati?

arrey bhanumati ne qunba joda
bhanumati ne qunba joda
aaye haaye eent yahan ki wahaan ko roda
eent yahan ki wahaan ko roda

arre phir se gao
bhanumati ne qunba joda
(hoooo oooooo)
eent yahan ki wahaan ko roda
(hoooo oooooo)
bhanumati ne qunba joda
(hoooo oooooo)
eent yahan ki wahaan ko roda
(hoooo oooooo)

arrr ram paa
arrr ram paa
arrr ram paa
arrr ram paa

he he he he
he he hehe
la laa laa laa laa
laa la laa la laa
la laa laa laa laa
laa la laa la laa
la laa laa laa laa
laa la laa la laa

kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa

hey
dil waalo
duniya ki aisi taisi. . .
har pal
apna hai
din kaisa raat kaisi
oo hoooo hooo
hhooooo hoooo
hhooooo hoooo
hhooooo hoooo

hey
hey
aish karo
aish karo
nacho gao khao piyo
nacho gao khao piyo.
hey
hey
arre jeena hai to
jeena hai to
masti mein reh ke jiyo
masti mein reh ke jiyo

arrr ram paa
arrr ram paa
arrr ram paa
arrr ram paa

he he he he
he he hehe
la laa laa laa laa
laa la laa la laa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa

hey hey hey
hum jahaan
halla gulla hoga wahin
hum se ye
duniya hai
duniya se hum nahi
pak pakau pakau pakau pakau
pak pakau pakau pakau pakau
hey hey hoo haa
hey hey hey hey
hey hey hoo haa
hey ae ae ae

hey
hey
jab tak
jab tak
dum mein hai dum pyaare
dum mein hai dum pyaare
hey
hey
tab tak
tab tak
kahe ka hai gum pyaare
kaahe ka hai gum pyaare

arrr ram paa
arrr ram paa
arrr ram paa
arrr ram paa

he he he he
he he hehe
la laa laa laa laa
laa la laa la laa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa

kal kya hoga
kis ko pata
abhi zindagi ka
le lo mazaa

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

आ॰॰आ॰॰आयें
प्रा॰॰आणि॰ ॰ ॰
भटक रहा
बन बन में॰ ॰ ॰

आह हा
वाह भई वाह

ये नहीं जाने
पागल प्रे॰॰ए॰॰ए॰॰ए॰॰मी
रब्ब है
उसके॰॰ए॰॰ए॰॰ए॰॰ मन में

अरे इसी लिए तो कह गए हैं

जति सती
करमी गति
आय
मिले जो संग पिशाच का
सदा मिले
बुरी मति
बुरी मति

बट व्हेर इज़ बहनुमती?

हा हा हा हा
बहनुमती?

अरे भानुमती ने कुनबा जोड़ा
भानुमती ने कुनबा जोड़ा
आय हाय ईंट यहाँ की वहाँ का रोड़ा
ईंट यहाँ की वहाँ का रोड़ा

अरे फिर से गाओ
भानुमती ने कुनबा जोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)
ईंट यहाँ की वहाँ का रोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)
भानुमती ने कुनबा जोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)
ईंट यहाँ की वहाँ का रोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)

अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा

हे हे हे हे
हे हे हेहे
ल ला ला ला ला
ला लल्ल ल ला
ल ला ला ला ला
ला लल्ल ल ला
ल ला ला ला ला
ला लल्ल ल ला

कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा

हे
दिल वालो
दुनिया की ऐसी तैसी॰ ॰ ॰
हर पल
अपना है
दिन कैसा रात कैसी
ओ होsss होssss
होsss होssss
होsss होssss
होsss होssss

हे
हे
ऐश करो
ऐश करो
नाचो गाओ खाओ पियो
नाचो गाओ खाओ पियो
हे
हे
अरे जीना है तो
जीना है तो
मस्ती में रह के जियो
मस्ती में रह के जियो

अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा

हे हे हे हे
हे हे हे हे
ल ला ला ला ला
ला लल्ल ल ला
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा

हे हे हे
हम जहां
हल्ला गुल्ला होगा वहीं
हमसे ये
दुनिया है
दुनिया से हम नहीं

पक पकाऊ पकाऊ पकाऊ पकाऊ
पक पकाऊ पकाऊ पकाऊ पकाऊ

हे हे हू हा
हे हे हे हे
हे हे हू हा
हे ए ए ए

हे
हे
जब तक
तब तक
दम में है दम प्यारे
दम में है दम प्यारे
तब तक
तब तक
काहे का है ग़म प्यारे
काहे का है ग़म प्यारे

अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा

हे हे हे हे
हे हे हे हे
ल ला ला ला ला
ला लल्ल ल ला
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा

कल क्या होगा
किसको पता
अभी ज़िंदगी का
ले लो मज़ा


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3781 Post No. : 14761

I in this blog often talk about “natural” landmarks and “artificial” landmarks for the blog. “Natutral” landmaks for the blog are those that are intuitive, viz. century of songs in the blog, and later century of songs in the blog for an artist, a contributor etc.

Later, when we began to keep track of blog related statistics, we became aware when a duo of singers completed their century of duet songs, or the blog itself completed a century (or its multiple) of days.

Many of these “artificial” (more accurately “derived” or “secondary”) landmarks went unnoticed in the early days of the blog. For instance, we completed several hundred days and also thousand days in the blog but we remain blissfully unaware. In fact, the level of blissful unawareness was such that we did not even noticed it when the blog completed one year of its existence on 19 july 2009. 🙂

We have come a long way since.

While many of these landmarks events have to be created by effort, there are some landmarks that happen on their own. Time related landmarks, viz hundreds of days or thousands of days get achieved with time.

Likewise, number of visitors in the blog also happen with time, though that is dependent on factors like ability of the blog to attract visitors.

This blog had a humble beginning on 19 july 2008. During its early days, it attracted less than 100 visitors daily. There were only 406 visitors for the blog during july 2008, the month when this blog started.

I regarded it as a “landmark” occasion when the blog clocked more than one hundred visits for the first time. It was on 16 august 2008, the day of Rakhi festival, when I covered the iconic Rakhi song Bhaiyya mere raakhi ke bandhan ko nibhaana .

The blog averaged 31 visitors a day in july 2008 and 72 visitors a day in august 2008 before breaking into the three figure region with 276 visitors per day during september 2008. 23 january 2009 was the first day when this blog received more than one thousand visitors in a day. 1145 visitors arrived on the blog on that day. The blog reached four figure a day mark for the first time during february 2009 with 1069 visitors daily. It was in june 2011 that the 2000 mark was breached for the first time. An average of 2226 visitors visited daily during this month. It took only two more months to reach the 3000 visitors a day mark. August 2011 saw 3109 visitors daily in the blog. The next peak arrived in october 2011. It was not 4000 mark or 5000 mark or even 6000 mark, rather an average of 7224 visiors per day that was achieved in this month ! On one particular day, viz 19 october 2011, as many as 10630 visitors arrived at the site !

It was too good to last though. By now we have settled at an average of over 3000 visitors daily.

In the process, the blog recorded its first one million visits on 25 october 2010, after 829 days. The subsequent million visits have come rather more quickly, as can be expected. The third millionth mark was reached the fastest- in just 152 days. Now a days, it is taking around 300 odd days (nearly ten months ) to reach one million visitos mark.

The blog clocked 10 million visits on 14 january 2018 at around 22:30 IST. The 11th million visitor was clocked on 22 november 2018 at around the same time.

Here is the summary of the eleven million visitors in the blog so far:-

Number of Visitors Date when achieved Blog day days taken for the million visits
1 million 25-Oct-10 829 days 829
2 millions 07-Nov-11 1207 days 378
3 millions 30-Apr-12 1359 days 152
4 millions 10-Dec-12 1606 days 247
5 millions 29-Oct-13 1929 days 323
6 millions 12-Oct-14 2277 days 348
7 millions 04-Jul-15 2542 days 265
8 millions 20-Apr-16 2833 days 291
9 millions 24-Feb-17 3144 days 311
10 millions 14-Jan-18 3466 days 332
11 millions 22-Nov-18 3779 days 313

I was wondering what song to discuss on the occasion. Finally I zeroed in on a joyous song from “Kaala Pathhar”(1979). This song is sung by Rafi, Lata, S K Mahan, Mahendra Kapoor and chorus. Sahir Ludhianvi is the lyricist. Music is composed by Rajesh Roshan.

The picturisation shows almost the entire star cast (this was a multi starrer movie !) – viz Amitabh Bachchan, Shashi Kapoor, Shatrughan Sinha, Neetu Singh, Parveen Babi etc.

The video version of this song from “Kaala Patthar”(1979) is nearly six minutes long. But the audio version is even longer (nearly eight minutes long). I have provided both version of the some here.

I take this opportunity to thank one and all for their continued support and encouragement. It goes without saying that it was the support and encouragement of music lovers that helped the blog achieve this impressive number of visits from music lovers. Here is hoping that this musical bandwagon will continue on its merry ways with many more landmarks to achieve enroute.

Video

Full audio


Song-Dhoom mache dhoom (Kaala Patthar)(1979) Singers-Rafi, Lata, S K Mahaan, Mahendra Kapoor, Lyrics-Sahir Ludhianvi, MD-Rajesh Roshan
Male chorus
Female chorus
All chorus
Rafi + Lata

chaahe koi roke re saathee
chaahe koyee toke re saathi
nav yug aayega
nav yug aayega

tanee huyi baahon kaa rela badhta hee jaayega
khoon maatee ke bhaav bik naheen paayega
khoon maatee ke bhaav bik naheen paayega

dhoom mache dhoom
aaj ki raina bhor huye tak jaage jawaani
dhoom mache dhoom
aaj ki raina bhor huye tak jaage jawaani
ho o o
subah tak ham kahen ek kahaani
jhoomati dhadkanon ki zubaani ee

dhoom mache dhoom
aaj ki raina bhor huye tak jaage jawaani
dhoom mache dhoom

aa aa aa
aaj ki raina
aa aa aa
bhor huye tak
aa aa aa
jaage jawaani
aa aa aa
dhoom mache dhoom

jab talak raat chale
pyaar kee baat chale
teri meri meri teri palken naa jhapken
rang lehraate rahen
ang tharraate rahen
tape tape chehron se shole see lapken

ho o toka tohari hi kasam
tod mat aur julam
hamka dai de angoothhi nisaani
tori hogi badi meharbaani
ae kya samajhta hai hamko re praani
hamra kaata to maange naa paani
dhoom mache dhoom
aaj ki raina
bhor huye tak jaage jawaani

dhoom mache dhoom
aa aa aa
aaj ki raina
bhor huye tak jaage jawaani
aa aa aa
dhoom mache dhoom

masti kuchh aur badhe
nasa kuchh aur chadhe
dukh waala dhyaan koi aaj hamen aaye na
dukh jo aaye toh kya
gham sataaye to kya
aadmi ko chaahiye ke kabhi ghabraaye naa

ho o o
tootne waala hai dam
khaaye jaata hai yeh gham
bane dulhan meri bitiya raani

umr ghar mein pade naa bitaani
hai har museebat hai aani te jaani
hai yeh apne guruji di baani

dhoom mache dhoom
aaj ki raina bhor huye tak jaage jawaani

dhoom mache dhoom
aa aa aa
aaj ki raina
bhor huye tak jaage jawaani
aa aa aa
dhoom mache dhoom

pale naa sog jahaan
sukhi hon log jahaan
hamko hai saath aisee duniya basaani
seenon mein aag liye
honthon pe raag liye
hamko andheron mein hai shamme jalaanee
ho o o
kaale patthar kee kasam
jab talak dam mein hai dam
ham yeh dekhenge rasmen puraani
kar naa paaye yahaan hukmraani
hey ae
aaj se hamne hai dil mein thhaani
laayenge ek nayi rut suhaani
dhoom mache dhoom
aaj ki raina bhor huye tak jaage jawaani

dhoom mache dhoom
aaj ki raina bhor huye tak jaage jawaani

ho o o
subah tak ham kahen ek kahaani
jhoomti dhadkanon ki jubaani ee

dhoom mache dhoom
aaj ki raina bhor huye tak jaage jawaani
dhoom mache dhoom

aa aa aa
aaj ki raina
aa aa aa
bhor huye tak jaage jawaani
dhoom mache dhoom
aa aa aa
aaj ki raina
aa aa aa
bhor huye tak jaage jawaani
dhoom mache dhoom

dhoom mache dhoom
aaj ki raina bhor huye tak jaage jawaani
dhoom mache dhoom

aa aa aa
aaj ki raina
aa aa aa
bhor huye tak jaage jawaani
aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3716 Post No. : 14648 Movie Count :

4002

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 22
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘ठ’ – ठहर ज़रा ओ जानेमन, ना हाथ लगाना जानेमन ॰ ॰ ॰

– – – –

फिर तेरी याद नए गीत सुनाने आई

Yes, it is a story of every day – a song plays and memories come by. Or sometimes, memories passing thru remind of a song that is so very dear to the heart. That is all that remains now – memories and songs playing hide and seek in the dimly lit bylanes of the mind.

– – – –

The next song in this series comes from the 1976 film ‘Ladki Bholi Bhaali’. And incidentally this film is also making its debut on the blog today. That makes it three in a row today – 🙂 🙂 .

The film was directed by Ashok Roy for Mahesh Chitra, Bombay. The star cast listed for the film is Asha Sachdev, Gautam Sarin, Junior Mehmood, Ramesh Dev, Tarun Ghosh, Anita Guha, Ranveer Raj, Ram Mohan, Lalita Chatterjee, Rupali, Darshan, Krishan Duggal, Baldev Trehan, Manik Dutt, Master Devanand, Heena Kausar, Rakesh Pandey, Snehlata, Bharat Bhushan, and Dheeraj etc.

The film has music by Usha Khanna. Geet Kosh lists four songs for this film, three of which are from the pen of Hasrat Jaipuri. All those three songs are solos in the voice of Asha Bhosle. The fourth song, which is the song presented today, is a duet in the voice of Rafi Sb and Usha Khanna herself. And it is written by Saawan Kumar Tak.

Saawan Kumar has had a good partnership with Usha Khanna. Usha ji has given music to 11 films which have either been directed by Saawan Kumar, or he has written lyrics for them. They were married, but the matrimonial relationship did not last for long. Together they have created such popular hits like “Barkha Rani, Zara Jam Ke Barso“, “Wo Jidhar Dekh Rahe Hain, Sab Udhar Dekh Rahe Hain” (both from ‘Sabak’, 1973) “Teri Galiyon Mein Na Rakhenge Kadam. . .“, (‘Hawas’, 1974), “Sar e Mehfil Mera Imaan Beimaan Ho Gaya” (‘Ab Kya Hoga’, 1977), “Shaayad Meri Shaadi Ka Khyaal. . .“, “Zindagi Pyaar Ka Geet Hai” (both from ‘Souten’, 1983). (I am surprised that this last mentioned song is still waiting to come on board.)

Coming to today’s song, it is picturized on Rakesh Pandey and Asha Sachdev Snehlata, with Gautam Sarin also present in the scene and also lip-syncing some lines. I have not yet seen the film, and so the situation is not clear to me. I request other friends and readers who may have seen this film, to add some background information about the situation in this song.

Song – Thehar Zara O Jaan e mann  (Ladki Bholi Bhaali) (1976) Singer – Mohammed Rafi, Usha Khanna, Lyrics – Saawan Kumar Tak, MD – Usha Khanna

Lyrics

thehar zara o jaan e mann
na haath lagaana jaan e mann
thehar zara o jaan e mann
na haath lagaana jaan e mann

arre ja teri to
re re re re ja teri to
chalne waali yahaan teri chaal nahin re haan

thehar zara o jaan e mann
na haath lagaana jaan e mann
arre thehar zara o jaan e mann
na haath lagaana jaan e mann

ghabra gai kyon
sharma gai kyon
ghabra gai kyon kyon
sharma gai kyon kyon
darti hoon
sansaar se
is chori chori
waale pyaar se
chal khisak teri to
arre re re khisak teri to
galne waali yahaan teri daal nahin re haan
thehar zara o jaan e mann
na haath lagaana jaan e mann
thehar zara o jaan e mann
na haath lagaana jaan e mann

chal ped ke peechhe
mere peechhe peechhe
chal ped ke pichhe
mere pichhe pichhe
bairi mujhko
na sataa
teri neeyat ka
hai pata
chal uff teri to
arre re re uff teri to
ye chhori patne waali hai nahin re haan
thehar zara o jaan e mann
na haath lagaana jaan e mann
thehar zara o jaan e mann
ja ja na haath lagaana jaan e mann

arre jaa teri to
arre re re jaa teri to
chalne waali yahaan teri chaal nahin re haan
thehar zara o jaan e mann
na haath lagaana jaan e mann
aaaaan thehar zara o jaan e mann
ja ja na haath lagaana jaan e mann

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन
ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन

अरे जा तेरी तो
रे रे रे रे जा तेरी तो
चलने वाली यहाँ तेरी चाल नहीं रे हाँ

ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन
अरे ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन

घबरा गई क्यों
शर्मा गई क्यों
घबरा गई क्यों
शर्मा गई क्यों
डरती हूँ
संसार रे
इस चोरी चोरी
वाले प्यार से
चल खिसक तेरी तो
अरे रे रे खिसक तेरी तो
गलने वाली यहाँ तेरी दाल नहीं रे हाँ
ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन
ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन

चल पेड़ के पीछे
मेरे पीछे पीछे
चल पेड़ के पिछ्छे
मेरे पिछ्छे पिछ्छे
बैरी मुझको
ना सता
तेरी नीयत का
है पता
चल उफ़्फ़ तेरी तो
अरे रे रे उफ़्फ़ तेरी तो
ये छोरी पटने वाली है नहीं रे हाँ
ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन
ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन

अरे जा तेरी तो
अरे रे रे जा तेरी तो
चलने वाली यहाँ तेरी चाल नहीं रे हाँ
ठहर ज़रा ओ जानेमन
ना हाथ लगाना जानेमन
आं॰॰॰ ठहर ज़रा ओ जानेमन
जा जा ना हाथ लगाना जानेमन


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3533 Post No. : 14188

“Inquilaab”(1956) was produced by Kailash Kapoor and J P Sahgal and directed by Kedar Kapoor for W S Films, Bombay. This movie had Ranjan, Shyama, Kuldeep Kaur, Tiwari, Ramesh Sinha, S K Prem, Indu Paul, Praveen, Khairati, Pt Iqbal, Pal Sharma, Khursheed, Bihari, Bakshi, Sando, Bachcha, Sundar etc in it with guest appearances by Helen, Sapru, Bhagwan and Johny Walker.

“Inquilaab”(1956) had eight songs in it. Four songs from the movie have been covered in the past.

Here is the fifth song from “Inquilaab”(1956) to appear in the blog. The song is sung by Geeta Dutt. Raja Mehdi Ali Khan is the lyricist. Music is composed by Hansraj Bahl.

Though the song is sung by one singer, it is lip synced by two ladies. I can identify Shyama but I am unable to identify the other lady. I request our knowledgeable readers to help identify her.


Song-Dilbar se pyaar chhupane mein bada maza hai (Inquilaab)(1956) Singer-Geeta Dutt, Lyrics-Raja Mehdi Ali Khan, MD-Hansraj Bahl

Lyrics

dilbar se pyaar chupaane mein bada maza hai
dilbar se pyaar chupaane mein bada maza hai
kuchh din ye takraar chalegi
shama aur parwaane mein
bada maza hai
dilbar se pyaar chhupaane mein bada maza hai

ummeedon ka gulshan mahke
dil mein shokh tamanna chahke
ae meri manzil saamne aaja
aaj kadam mere bahke bahke
husn ki duniya jhoom rahi hai
laga hai teer nishaane mein
bada maza hai
dilbar se pyaar chhupane mein bada maza hai

wo paas aayen main ghabraaun
sahmoon simtoon aur sharmaaun
kisko diya hai pyaar bhara dil
poochhe bhi to main na bataaun
hoti hai taskeen mohabbat
ban ban ke sharmaane mein
bada maza hai
dilbar se pyaar chupaane mein bada maza hai

dil mera jhoome shaam suhaane
bal khaaye lahraaye jawaani
aaja o tadpaane waale
meri umangen hain deewaani
chhalak rahe hain jaam nazar ke
aankhon ke maykhaane mein
bada maza hai
dilbar se pyaar chhupane mein bada maza hai
kuchh din ye takraar chalegi
shama aur parwaane mein
bada maza hai
dilbar se pyaar chhupane mein bada maza hai


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 15900 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15916

Number of movies covered in the blog

Movies with all their songs covered =1221
Total Number of movies covered =4362

Total visits so far

  • 13,837,555 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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