Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘One singer singing for two actors’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4678 Post No. : 16355

# Superstar Child Artist – Junior Mehmood # 8
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Welcome all to this eighth post in this series where we are discussing songs performed by Junior Mehmood as a ‘superstar child artist’.

So far, the following seven songs in this series have been discussed on the blog earlier.

1) lagey koi lottery koi jackpot lagey

2) Na koi paisa na ilm banaao bambai mein film

3) Mera naam hai Mehmood

4) Birha ki rain sooni sooni sejariya

5) Aisa banoonga actor main yaaron

6) Ham hi jaanen ek torey manwa ki peer

7) Janamdin tujhko mubaraak ho

Today’s song is from the 1970 movie ‘Bachpan’.

As mentioned in the earlier posts under this series, ‘Naunihaal-1967’ was the first released movie of child artist Junior Mehmood.

He went on to act in many movies as a child artist then. He was the most loved child artist in those years of end-sixties to mid-seventies.

As a child artist Junior Mehmood achieved a ‘Superstar’ like status. He got to perform on many songs or rather many songs were picturised on him during those days.

We are going to enjoy one such song of Junior Mehmood as a child artist from the movie ‘Bachpan-1970’. The today’s wonderful entertaining song is performed by Junior Mehmood and other child artist including Sachin and Naeem (?) and many others.

This song is a different from his’ other songs as a child artist, because here he is not doing any mimicry of other actors or his guru, but in today’s song he is performing as a ‘girl’ or in a ‘female’ get-up.

In today’s song we see all the child artists (mentioned above) are singing and dancing in a police station where Sanjeev Kumar is in a lock-up. From the lyrics of this song we can guess that all these children have a plan to divert the attention of the on-duty police staff in their singing-dancing activities so that Sanjeev Kumar is able to escape from their custody.

The lyrics, music and singing of this song is very lively and entertaining to watch as Junior Mehmood, Sachin performs by lip syncing in Lata Mangeshkar’s voice and lead other children in the performance.

In an interview with Zarina Wahab (available here) Junior Mehmood had mentioned this song as his most favourite song among all the songs picturised on him.

‘Bachpan’ was directed by K.P. Atma for ‘Atma Arts Universal, Bombay’. K.P. Atma co-produced this movie with K.H. Rao. It had Sanjeev Kumar, Master Sachin, Junior Mehmood, Shahid, Anwar Hussain, Mukri, Sunder, Joginder, Baldev Mehta, Keshto Mukherji, Aruna Irani, Sulochana Chatterjee, Tabassum, Pratima Devi, Baby Gayatri, Baby Guddi, Master Alankar, Naeem and Tanuja.

Story of this movie was written by K.P. Atma. Screenplay and dialogues were written by Raj Baldev Raj. Editing of this movie was done by Shivaji Awdhut.

This movie was passed by Censor Board on 24.09.1970.

This movie had total six songs which were written by Anand Bakshi and composed to music by Laxmikant-Pyarelal.

Kishore Kumar, Lata Mangeshkar, Mohd Rafi, and P. Susheela were the playback singers for the songs in this movie.

Three songs from the movie ‘Bachpan-1970’ have been posted earlier on the blog. Today’s song is the fourth song from this movie to be posted on the blog.

Song Posted on
Aaya re khilaune waala 30.08.2010
Mother Mary maa ham tere dulaare hain 25.12.2016
Prem ka rog lagaa loon kaise jee ko main saanwariya 30.08.2020

I had not watched this movie ‘Bachpan-1970’. I would request knowledgeable readers to throw more light on the movie and its songs.

Let us now enjoy today’s rocking entertaining song in the voice of Lata Mangeshkar.

Video

Audio

Song-Parda uthhne waala hai (Bachpan)(1970) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai

Ho mantar chalne waala hai
Jaadu hone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai

Kaale baadal jaise udte hain
Barsaat mein
Kaale baadal jaise udte hain
Barsaat mein

Tu bhi ud jaa panchhi pinjraa
Le ke saath mein
Tu bhi ud jaa panchhi pinjraa
Le ke saath mein

Qismat jaagne waali hai
Qismat jaagne waali hai
Qismat jaagne waali hai
Shikaari sone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai

Ham laaye hain sandesaa tere naam ye ae
Ham laaye hain sandeshaa tere naam ye
Tere sar pe to hai jhoothha ilzaam ye
Tere sar pe to hai jhoothha ilzaam ye
Tere daaman ke dhabbe
Tere daaman ke dhabbe
Tere daaman ke dhabbe
Naseeba dhoney waala hai
Koyi hansne waala hai
Koyi rone waala hai ae
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai

Sun o bhole bhaale raahi
Tujhko kya pataa aa
Sun o bhole bhaale raahi
Tujhko kya pataa

Jisne tujhko hai bhulaaya
Tera raasta aa
Jisne tujhko hai bhulaaya
Tera raasta

Apni bhool bhulaiyya mein
Apni bhool bhulaiyya mein
Apni bhool bhulaiyya mein
Wo khud hi khonewaala hai
Koyi hansne waala hai
Koyi rone waala hai ae
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai

Ho mantar chalne waala hai
O Jaadu honewaala hai
Koyi hansne waala hai
Koyi rone waala hai

——————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है

हो मंतर चलने वाला है
जादू होने वाला है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है

काले बादल जैसे उड़ते है
बरसात में
काले बादल जैसे उड़ते है
बरसात में

तू भी उड़ जा पंछी पिंजरा
ले के साथ में
तू भी उड़ जा पंछी पिंजरा
ले के साथ में

किस्मत जागने वाली है
किस्मत जागने वाली है
किस्मत जागने वाली है
शिकारी सोने वाला है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है

हम लाये हैं संदेशा तेरे नाम ये ए
हम लाये हैं संदेशा तेरे नाम ये ए
तेरे सर पे तो है झूठा इलज़ाम ए
तेरे सर पे तो है झूठा इलज़ाम ए
तेरे दामन के धब्बे
तेरे दामन के धब्बे
तेरे दामन के धब्बे
नसीबा धोने वाले है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है

सुन ओ भोले भाले राही
तुझको क्या पता आ
सुन ओ भोले भाले राही
तुझको क्या पता

जिसने तुझको है भुलाया
तेरा रास्ता
जिसने तुझको है भुलाया
तेरा रास्ता

अपनी भूल भुलैय्या में
अपनी भूल भुलैय्या में
अपनी भूल भुलैय्या में
वो खुद ही खोने वाला है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है

हो मंतर चलने वाला है
ओ जादू होने वाला है
कोई हंसने वाला है
कोई रोने वाला है


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4625 Post No. : 16275

#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 125 # Khaleefaa-1976
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Welcome all to this post where once again we are going back to ‘one song movie’ on the blog.
Today’s movie is ‘Khaleefaa-1976’. This movie made its debut on the blog on 02.09.2008 with its most popular song ‘dil machal rahaa hai, rang badal rahaa hai’.

However, the movie is waiting for its second song since 02.09.2008 and that makes a ‘4579’ days l-o-n-g wait for this movie … (so, as of now, this is the record for maximum days between first and the second song of a movie on the blog. The earlier record was for 4540 days here .).

One song falling in the above ‘scenario’ was posted before this post but it failed to mention this ‘highlight’ 😊
That song was from the movie ‘Ek Baar Phir-1980’. Its song ‘man kahe main jhoomoon main gaaun’ was posted marked the debut of this movie in the blog on 27.09.2008 hereas its second song ‘jeeewan ik saudaa hai’ was posted on 04.02.2021. (the difference between the first and the second song being ‘4514’ days). I think the ‘difference of more than ‘4000’ or may be ‘4500’ days should be our benchmark to include songs in this category. We will have the details of such songs in future post on the blog.

“Khaleefaa-1976” was directed by Prakash Mehra for ‘J.S. Films, Bombay’.

It was produced by Jeetendra Luthra.

This movie ‘Khaleefaa’ had Randhir Kapoor (in double role), Rekha, I.S. Johar, Soniya Sahni, Praveen Pal, Jankidas, Hari Shivdasani, B.B. Bhalla, Yunus Parwez, Madan Puri, Mohan Choti, Urmila Bhatt, Ram Mohan, Rajan Kapoor, Shaukat Kaifi, Lalita Kumari, Arpana Choudhari, R.P. Sethi, Vikas Anand, Master Ripple and Pran with others in its star-cast.

It also had Lalita Pawar and Alka in guest appearance.

Story idea of this movie was by Lalit Sehgal. Sudhakar had done editing of this movie and Pran Mehra was the Chief Editor.

Dialogues of this movie were written by Anand Romani and Screenplay was written by Nabendu Ghosh.

‘Khaleefaa-1976’ had four songs (one song being in two parts) written by Gulshan Bawra, and composed to music by the genius ‘Pancham Da’ i.e., R.D. Burman. (HFGK Vol-V (1971-1980) also mentions one Instrumental music as a part of songs released on the movie’s records.
Kishore Kumar, Asha Bhonsle and Manna Dey had given their voices to the songs in this movie.

This movie was passed by Censor Board on 19.03.1976 i.e., almost forty-five years back now…

Today’s song is sung by Asha Bhonsle and Kishore Kumar. On screen it is Rekha and Alka lip-syncing in Asha Bhonsle’s voice and Randhir Kapoor lip syncing in Kishore Kumar’s voice.

In the picturization of this song we can see Randhir Kapoor romancing with the two ladies and trying to keep both of them ‘happy’. I don’t know how far he succeeds in this effort, as I have not watched this movie.

Today’s song is also a new song for me because I do not remember to have listened to it earlier or maybe I have forgotten. Out of the four songs of this movie I find only this song ‘dil machal rahaa hai, rang badal rahaa hai’ as a familiar song. While preparing this post I listened to one other song of this movie that I plan to discuss in separate post in the future 😊 Pancham Da’s music is entertaining and well in full flow similar to the other entertaining compositions he was composing during that period of ‘mid-seventies’.

Let us now enjoy today’s song and welcome this second song of ‘Khaleefaa-1976’ composed by R.D. Burman.

Video

Audio
(audio)
Song-Dekh tujhko dil ne kaha (Khalifa)(1976) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Gulshan Bawra, MD-R D Burman
Both

Lyrics

ho o dekh tujhko
dil ne kahaa
saathi janmon ka mil gayaa
ab na honge ham to judaa
chaahe ae ye duniyaa aa
kuchh bhi kahey ae
ye duniyaa aa
kuchh bhi kahey ae
ho o dekh tujhko
dil ne kahaa
saathi janmon ka mil gayaa
ab na honge ham to judaa
chaahe ae ye duniyaa aa
kuchh bhi kahey ae
ye duniyaa aa
kuchh bhi kahey ae
haan haan haan aa
la la la laa la la laa laa aa
la la laa laa aa

hmm mm maana ye pehli mulaaqaat
hain jaanaa aa
miley pehle bhi ee
magar sapne mein
ho o mil hi gaye to chhodo aji ghabraanaa aa
ye doori kaisi ee
aji apne mein
aa mere seene se lag jaa machal ke
aajaa mere dilbaraa
dekh tujhko
dil ne kahaa
saathi janmon ka mil gayaa
ab na honge ham to judaa
chaahe ae ye duniyaa aa
kuchh bhi kahey ae
la laa laa laa laa aa
laa laa laa laa aa

hmm mm laakhon ne yoon to
chalaayaa ham pe jaadoo oo
magar ye dil naa aa
kisipe aayaa aa
ho o shaayad na dekhaa
bharpoor aisaa joban
jo mere dil ne
tujh hi mein paayaa
ye husn koyi khalifaa dekhe
wo bhi bahak jaayegaa
dekh tujhko
dil ne kahaa
saathi janmon ka mil gayaa
ab na honge ham to judaa
chaahe ae ye duniyaa aa
kuchh bhi kahey ae
la laa laa laa laa aa
laa laa laa laa aa

janmon ka ye sang
nibhaate ae jaanaa aa
ke maine ki hai
teri hi poojaa aa
ab ek pal bhi mujhe
chhod na jaanaa aa
mujhe naa bhaaye ae
koyi bhi doojaa aa
ho o main to sadaa se
hoon teri pujaaran
tu hai mera devtaa aa
dekh tujhko
dil ne kahaa
saathi janmon ka mil gayaa
ab na honge ham to judaa
chaahe ae ye duniyaa aa
kuchh bhi kahey ae
ye duniyaa aa
kuchh bhi kahey ae

dekh tujhko
dil ne kahaa
saathi janmon ka mil gayaa
ab na honge ham to judaa
chaahe ae ye duniyaa aa
kuchh bhi kahey ae

ye duniyaa aa
kuchh bhi kahey ae


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4456 Post No. : 15933

Mohammed Rafi: The incomparable (II) – Song No. 19

29/09/2020 – 88th birth anniversary of Mehmood
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Mehmood Ali (29 September 1932 – 23 July 2004), popularly known simply as Mehmood, was an Indian actor, writer, singer, director and producer best known for playing comic roles in Hindi films. Today we are celebrating his 88th birth anniversary. Only other person I can think of with so many talents is Kishore Kumar. Even that I am not sure if, Kishore Kumar ever wrote any film stories though he is credited as a song writer, I think.

A veteran of 300 films, he can be called India’s national comedian, some may differ. But to differ is everyone’s not so basic right. The premise for calling him the national comedian are many, one of them could be this fact that he has 25 filmfare nominations. That amounts to at least one nomination every year from 1954 onwards. It is not so straight forward. As per information given on Wikipedia, the award for Best performance in a comic role started only in 1967. So Mehmood was nominated for Best supporting actor 6 times between 1954 and 1966. Rest of the nineteen nominations could be in continuation up to 1985. By late 70’s Mehmood significance as a comedien or a need for a comedien in films had diminished. From late 70’s the comic character as well as a Vamp/dancer character were diminishing, as the heroes and heroine’s usurped them. For a while there, a thought struck that, if they could they would have done away with playback singers too, if they could. Than playback singers also would have been out of the work force as well with the defunct comic actor and dancer/vamp starlets. Fanciful thoughts these.

If the ‘Best performance in a comic role’ is initiated as late as 1967, many like Agha, Bhagwan and Johnny Walker missed out on them. In the 90’s we did see, some heroes nominated for “Best performance in a Negative role”, “ Best performance in a comic role” etc.

Back to Mehmood who started his career as a child artist, in “Qismat” 1943. He produced a number of films, story of some of them like ‘Ek baap chhe bête”,’Bhoot Bangla” “Safed ghoda kaala sawaar” & “ Janta Hawaldar”. So this was a talented and multi-faceted personalty. Many memorable character and comedy with a twist of tragedy roles assessed by Mehmood are too many to list. The youngest brother of ‘Beti-Bete”, the international faqeer in ‘Aankhen”, the kabaadiwala son in law in ‘Neel Kamal”, to the madrasi music teacher in “Padosan”, to the recalcitrant son to Om Prakash who has a passion for filmmaking in “Pyaar kiye jaa”, and the kaala, dilwala in “Gumnaam”. The difference from other comic actors and Mehmood is the versatility of his talents, and he was usually accompanied by a love interest in the films. There was a parallel story going on with these comic actors, side by side with the main story. Even in the not so run of the mill films, this was a regular thing. And songs to sing is a foregone conclusion, romantic or comic.

After a few lack luster recent post, I have made some special efforts here in this posts, to make some observations of my own. It may be the 50’s Rafi song, which brings this out of me. I had begun to feel jaded and incinerated, with so many 80’s and 90’s , even 70’s songs I have written the posts for recently.

It feels good to go back to the 50’s. The song in question is from “Mr. Qartoon MA”(1958). Rafi Sahab is singing here for both Mehmood and Johnny Walker. Johny Walker and Mehmood are disguised as sadhu’s and singing this song on the street, in front of their love interest’s hostel or house. The song is special for being a comic song, roadside tamasha song, sadhu’s song, disguise song etc etc. The music director for this film O. P. Nayyar and surprisingly lyricist is Hasrat Jaipuri, on his rare picnic outside the Shankar-Jaikshan. Not that anyone is complaining, if it gives us songs like ‘Tere Ghar Ke saamne” when Hasrat Jaipuri ventured out of the foursome fold.

I have had the fortune of posting a few O. P. Nayyar songs in the distant past, but before this post cannot recall any songs written by Hasrat Jaipuri, for which I have written a post. Also the posts for Shankar-Jaikishan songs, are rare ones for me.

The audio and film version are slightly different in this song. Audio is shorter than the film version and a line in the mukhda which is repeated is changed as “ab hari om”.

These four songs from this film are already posted in the blog:

Chanda chaley jhoom ke baadarwa ko choom ke
Dil tera deewaana o mastaani bulbul
Main main main main cartoon Multiple part song
Mera dil ghabraaye meri aankh sharmaaye

This is song no. 19 in series of Mohammed Rafi: The incomparable (II), also a tribute for Mehmood. I don’t want to repeat my earlier requests for having a separate category tag for ‘Mehmood” song. I see that there is one such tag for Johny walker song. The is a need for ‘Agha song” also for that matter. Many all-time classic songs are sung onscreen by these comic actors.

Full video :

Shorter audio :

Song-Toone maar ke pyaar ka bomb (Mr Qartoon MA)(1958) Singer-Rafi, Lyrics-Hasrat Jaipuri, MD-O P Nayyar
Chorus

Lyrics

Aa
aaaaaaa
masjid dekhi
mandir dekhe
dekhe girjaa saare ea
pyar na mujh ko kahin milaa to
aaya tere dwaare

tu ne maar ke pyaar ki bomb
o mere dil ko kar diya mom
kar karle om
chal karle hom
chal karle hom
chal karle hom

tu ne maar ke pyaar ki bomb
o mere dil ko kar diya mom
chal karle hom
chal karle hom
chal karle hom
chal karle hom

aa
aa
aa
aa
ha ho
aa
arey dhan dhana dhan
kar de dil ka ? ?an

main aaya ban kar jogi
teri preet ka hoon main rogi
arey main aaya ban kar jogi
teri preet ka hoon main rogi
hain roop ki pyaasi ankhiyaan
bolo kab darshan dogi
hain roop ki pyaasi ankhiyaan
bolo kab darshan dogi
o main ne chhod di apni qaum
arey sun kar pyaar ki bomb
chal karle hom
chal karle hom
chal karle hom
chal karle hom

tu ne maar ke pyaar ki bomb
mere dil ko kar diya mom
chal karle hom
chal karle hom
chal karle hom
chal karle hom

aa
ha
hee haa
??
aa
haa

main pheroon teri maalaa
tu ne aisa jaadoo daalaa
o main pheroon teri maalaa
tu ne aisa jaadoo daalaa
kuchh aur na tujh se maangoon
le bhar de pyaar se pyaalaa
kuchh aur na tujh se maangoon
le bhar de pyaar se pyaalaa
o tera sar hai meraa home
o zara sun le itni bomb
chal karle hom
chal karle hom
chal karle hom
chal karle hom

tu ne maar ke pyaar ki bomb
mere dil ko kar diya mom
chal karle hom
chal karle hom
chal karle hom
chal karle hom

aa
haa
aah
aah
aah
aah

main duniyaa taj kar aaya
par chain kahin na paaya
arey main duniyaa taj kar aaya
par chain kahin na paaya
teraa naam sunaa to devi
England se paidal aaya
O teraa naam sunaa to devi
England se paidal aaya
O main to ghoom ke aaya Rome
O tere pyaar ki sun kar dhoom
chal karle hom
chal karle hom
chal karle hom
chal karle hom

tu ne maar ke pyaar ki bomb
o mere dil ko kar diyaa mom
chal karle hom
chal karle hom
chal karle hom
chal karle hom

uyi maa
bachaao
aa aa aa
o bhagwaan
sune na koi shaitaan


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4336 Post No. : 15634 Movie Count :

4307

Hullo Atuldom

I know of a few people who have two birthdays each year. This can be explained as an adjustment for the sake of getting admission in schools which have a condition that the child should have completed 3½ when getting admitted to pre-school, and/or 5½ when the child starts class one in June. June is the time when the academic sessions begin in India and this rule has been in place for ages. So I have two cases for this in my family – my mother’s birth year was changed to comply with admission requirements.

June 1st is a special date for an Atulite who loves to travel. He has traveled to places which offer a lot of adventure and camping attractions. He has chronicled his travel experiences in www.sadanandsafar.blogspot.com.

It is our Sadanand ji’s birthday, a special birthday today. I shall not mention his age as I know him to be rather young at heart – his travels and treks are a testimony to that.

Currently his journey is discovering songs which we have hitherto not heard, Hindi songs which are from Bengali films. This series has given us some great songs. He has a lot of patience to dig out authentic and accurate information from varied sources like past issues of the magazine ‘Film India’ and other sites. He is painstakingly trying to find links. All the best to him in this – may we get more of the same. Here I will admit that his series has made me look out for songs in south Indian movies and a link that our In-house encyclopedia sent me has started that journey for me. I hope that I am able to sustain myself for as long as Sadanandji who has crossed 600 posts on the blog of which 28 posts were of Hindi songs in Bangla films. That is indeed a lot of rummaging through available online and offline material.

He has one more love – pointed out to me by our Avinash ji, whom I brain-stormed with before I sat to write this post. He loves poetry or shaayari as it is called. Avinash ji drew my attention towards Sadanandji’s love for Gopal Das Neeraj. So today we will have a song penned by Neeraj.

I just realized that I should explain my opening paragraph.

Since morning we have been wishing Sadanand ji through WhatsApp and he graciously thanked everyone but added “Thanks for wishing me on my official birthday. My actual birthday is **/07/****” . So that means we get to wish him one more time – ‘duguna wishes’. I am sure that this change in date of birth may have happened at the point of school admissions, am I right Sadanand ji ? As one of my many acquaintances loves to say – “same case as my mother”.

Now I shall move to the song for which I must thank Avinash ji; he has provided me the lyrics in both English and Devanagari (his forte). He also provided me the link to the audio and video and I realized why he suggested this song from “Gunaah” (1993).

I think I have seen this movie ages ago on television and this movie had Sunny Deol, Dimple Kapadia, Sumeet Saigal, Anjana Mumtaz, Shammi, Manohar Singh, Akash Khurana, Raza Murad, Avtar Gill  etc. It was the story of a young journalist (Sunny Deol) who is found wounded on the shores of Goa, treated by Dr. Joe D’Costa (Manohar Singh). He suffers from amnesia and then remembers details about himself, his life etc after five long years. He recollects that he was instrumental in the downfall of an upright politician and had a girl friend etc. Then the movie makes its way through the usual lanes of finding the real-culprits. The movie was directed by Mahesh Bhatt had songs written by Neeraj and Payam Saeedi (don’t know anything about this person) and Rajesh Roshan was the music director.

Today’s song starts on the seashore, in a Goan village setting with choreographer Ganesh Acharya (don’t know if he was the choreographer for this movie) lip-syncing to Manhar Udhas and we see Manohar Singh urging Sunny Deol to join the fun. I am unable to identify the girl (she looks very familiar) who is lip syncing to Sadhana Sargam.

Wishing Sadanand ji once again a musical day with family and remember your fellow Atulites when you cut the cake. 😉

 

Video

Audio

Song – Ek Musafir Hoon Main  (Gunaah) (1993) Singer – Manhar Udhas, Sadhna Sargam, Lyrics – Neeraj, MD – Rajesh Roshan
Manhar Udhas + Sdhna Sargam
Chorus

Lyrics (Provided by Avinash Scrapwala)

aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa

ek musaafir hoon main ae
ek musaafir hai tu
apna ghar hai kahaan
ham ko jaana kahaan
kaun jaane yahaan
ham ko jaana kahaan
kaun jaane yahaan

ek musaafir hoon main ae
ek musaafir hai tu
apna ghar hai kahaan
ham ko jaana kahaan
kaun jaane yahaan
ham ko jaana kahaan
kaun jaane yahaan

la la la laa la laa
la la la laa la laa
la la la laa la laa
la la laa la laa la laa

sa sa re re
sa sa saa re re
sa sa re re sa aa

aaj to geet gaa le
aa aa aa aa aa
kal ki kis ko khabar
aaj to geet gaa le ae
aa aa aa aa aa
kal ki kis ko khabar
kuchh bhi maaloom nahin
khatm ho kab safar
ek parinda hoon main
ek parinda hai tu
hai basera kahaan
hai savera kahaan
kaun jaane yahaan
hai savera kahaan
kaun jaane yahaan

ye madhur chaandni ee
aa aa aa aa
aa ke pi le zara aa
ye madhur chaandni ee
aa aa aa aa
aa ke pi le zara aa
roop ke gaaon mein ae
aa ke jee le zara aa
ek dhaaraa hoon main
ek dhaaraa hai tu
apna udgam kahaan
apna sangam kahaan
kaun jaane yahaan
apna sangam kahaan
kaun jaane yahaan

kal mile thhe yahin
aa aa aa aa
aaj ham kho gaye ae ae
kal mile thhe yahin
aa aa aa aa
aaj ham kho gaye ae ae
haadse yoon huye ae
kya se kya ho gaye ae
ek khilauna hoon main
ek khilauna hai tu
tootna hai kahaan
hai bikharna kahaan
kaun jaane yahaan
hai bikharna kahaan
kaun jaane yahaan

ek musaafir hoon main ae
ek musaafir hai tu
apna ghar hai kahaan
ham ko jaana kahaan
kaun jaane yahaan
ham ko jaana kahaan
kaun jaane yahaan

aa aa aa aa aa
aa aa aa aa aa

—————————————————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————————————————–

आ आ आ आ
आ आ आ आ
आ आ आ आ
आ आ आ आ
आ आ आ आ

एक मुसाफिर हूँ मैं ए
एक मुसाफिर है तू
अपना घर है कहाँ
हम को जाना कहाँ
कौन जाने यहाँ
हम को जाना कहाँ
कौन जाने यहाँ
एक मुसाफिर हूँ मैं ए
एक मुसाफिर है तू
अपना घर है कहाँ
हम को जाना कहाँ
कौन जाने यहाँ
हम को जाना कहाँ
कौन जाने यहाँ

ल ल ल ला ल ला
ल ल ल ला ल ला
ल ल ल ला ल ला
ल ल  ला ल ला ल ला

सा सा रे रे
स स सा रे रे
सा सा रे रे सा आ

आज तो गीत गा ले
आ आ आ आ आ
कल कि किस को खबर
आज तो गीत गा ले ए
आ आ आ आ आ
कल कि किस को खबर
कुछ भी मालूम नहीं
ख़त्म हो कब सफ़र
एक परिंदा हूँ मैं
एक परिंदा है तू
है बसेरा कहाँ
है सवेरा कहाँ
कौन जाने यहाँ
है सवेरा कहाँ
कौन जाने यहाँ

ये मधुर चांदनी ई
आ आ आ आ आ
आ के पी ले ज़रा आ
ये मधुर चांदनी ई
आ आ आ आ आ
आ के पी ले ज़रा आ
रूप के गाँव में ए
आ के जी ले ज़रा आ
एक धारा हूँ मैं
एक धारा है तू
अपना उद्गम कहाँ
अपना संगम कहाँ
कौन जाने यहाँ
अपना संगम कहाँ
कौन जाने यहाँ

कल मिले थे यहीं
आ आ आ आ
आज हम खो गए ए ए
कल मिले थे यहीं
आ आ आ आ
आज हम खो गए ए ए
हादसे यूं हुए ए
क्या से क्या हो गए ए
एक खिलौना हूँ मैं
एक खिलौना है तू
टूटना है कहाँ
है बिखरना कहाँ
कौन जाने यहाँ
है बिखरना कहाँ
कौन जाने यहाँ

एक मुसाफिर हूँ मैं ए
एक मुसाफिर है तू
अपना घर है कहाँ
हम को जाना कहाँ
कौन जाने यहाँ
हम को जाना कहाँ
कौन जाने यहाँ

आ आ आ आ आ
आ आ आ आ आ


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4259 Post No. : 15481

“Jung Aur Aman”(1968) was directed by Nanabhai Bhatt for Beauty Films, Bombay. This “costume” drama movie, a euphemism for a B grade movie, had Dara Singh, Mumtaz, Jayant, Murad, Krishna Kumari, Rajan Haksar, Sujata, Sushma, Indmohan, Laxmi Chhaaya, Noorjahaan, Kesri, Moolchand, Mohan Choti, Nadira etc in it.

The movie had five songs in it. Four of them were solo songs and one a female duet. Two of these songs have been overed in the past.

Here is the third song from “Jung Aur Aman”(1968) to appear in the blog. This song is a female duet and it is sung by two less known female playback singers viz Krishna Kalle and Pathare. I am not aware who Pathare is. She makes her debut as a playback singer with this song, unless we know her by another name. I request our knowledgeable readers to throw light on her.

The movie has three synchronised dance songs sung in raj darbaar. This song is on such song. I am unable to identify the two dancers. I request our knowledgeable readers to help identify them.

I am unable to distinguish the two female voices as well and that is why I have not bothered to provide colour coding in this song. In any case, Pathare appears to sing only in chorus and not alone, as far as I can tell.

Hasrat Jaipuri is the lyricist. Music is composed by G S Kohli.


Song-Hans kar sharaarat karna na (Jung Aur Aman)(1968) Singer-Krishna Kalle, Pathare, Lyrics-Hasrat Jaipuri, MD-G S Kohli

Lyrics

hans kar sharaarat karna naa
uff ye kayaamat karna naa o o
ui main to mar gayi ee
jaadu kar gayi ee ee
tirchchi nazar teri dil mein utar gayi ee
hanskar shararat karna naa o o
uff ye kayaamat karna naa o o
ui main to mar gayi ee
jaadu kar gayi ee ee
tirchchi nazar teri dil mein utar gayi ee
hans kar shararat karna naa o o
uff ye kayaamat karna naa o o o

ghaayal jigar pe mere palkon ki tooti sui
o o
?? rahti hoon khoyi khoyi
champa ki daal hoon main
lekin hoon chhui mui
ui main to mar gayi ee
jaadu kar gayi ee ee
tirchchi nazar teri dil me utar gayi ee
hans kar shararat karna naa o o
uff ye kayaamat karna naa o o

aanchal sambhaaloon jo main
sar se wo dhhalka jaaye ae
o o ulfat karaar kahke
aankhon se jhhalka jaaye
?? chhupaaun kaise
chehre se dhalka jaaye
ui main to mar gayi ee
jaadu kar gayi
tirchi nazar teri dil mein utar gayi
hanskar shararat karna naa o o
uff ye kayaamat karna naa o o
ui main to mar gayi ee
jaadu kar gayi ee ee
tirchchi nazar teri dil mein utar gayi


This article is written by nahm, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4228 Post No. : 15437 Movie Count :

4253

As valentine day party songs go, this one is not really so big on the event. Except for the heart shaped balloons, there is no other indication of this being a valentine day song. Point to be noted is that, the blog seems to have ignored this occasion also, along with a host of other days that are specifically designated throughout the year. Whatsapp university does a quite adequate job of reminding us of all these days, be it mother’s day, father’s day, couple day, hug day, chocolate day to name a few. These are just the days which came readily to mind, because a few of them were during this past week.

I remembered this song today just out of the blue from the film “Dil to paagal hai”. I remember seeing this film in theatre, must be in 1997. My elder sister was very fond of Yash Chopra films and the star cast was, as it is very much ascending stars of the era. Nevertheless I remember at one point in the film, where I told my sister that I don’t want to see this film and we are leaving. Which point I don’t care to share here.

This song talking of ‘Chaand’ & ‘Raat’ is actually compliant with my posts series titled ‘Chaandni Raatien”. Composer is Uttam Singh and the lyrics are by Anand Bakshi. It is picturized on Shah Rukh Khan, Karishma Kapoor and Madhuri Dixit. Shah Rukh and Karishma are at a Valentine Day party, whereas Madhuri Dixit is at her home, dreaming and singing along. At this point I think Shah Rukh and Madhuri haven’t met each other, but are scheduled to meet and fall in love. This song is in anticipation of the things to come in the story, because you see they have read the script and the song was ready, so the situation had to be created for it. Udit Narayan sings for Shah Rukh and Lata Mangeshkar is singing for Madhuri and Karishma both. The song is very catchy too despite being a mood song.

The film is full of melodious hit songs which were a rage then. Film and the songs won quite a few awards too. This song is having the tunes of other songs from the same film, as interlude. Again as I said the characters are anticipating the songs to feature in the film later on. Good imagination all around.

Audio

Video

Song-Chaand ne kuchh kaha raat ne kuchh suna(Dil To Paagal Hai)(1997) Singers-Udit Narayan, Lata, Lyrics-Anand Bakshi, MD-Uttam Singh
Chorus

Lyrics

Hey hey
oo ho ho ho ho
Hmmm mmmmm
La la la laa laaaa

Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
Aayi hai chaandni
Mujh se kehne yahi
Aayi hai chaandni
Mujh se kehne yahi
Meri gali mere ghar
Pyaar kar
Oh ho ho pyar kar

Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
La la
laa laa laa laa laa

Kya kahoon kya pataa
Baat kya ho gayee ee
Dillagi ye mere
Saathh kya ho gayee
Ik ishaara hai yeh
Dil pukaara hai ye
Ik ishaara hai yeh
Dil pukaara hai ye
Iss se churaa na nazar
Pyaar kar
Oh ho ho pyar kar
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar

Hey hey
Ah ha ha
aa haa

Ru ru ru ru ru ru uuuu
La la la la laa la laa
Ru ru ru ru ru ru uuuu
La la la la laa la laa
Ru ru ru ru ru ru uuuu
La la la la laa la laa

Ho oo ooo
Ooo ooooo
Hmmm mmmm
Mmmmmmm
La la la la la la
La la la laa la laa
Hai kaun kya khabar
Koyi to hai magar
Sapnon mein hai kahin
Aata nahin nazar
Main yehaan
wo wahaan
Aa rahi phir yehaan
Main yehaan wo wahaan
Aa rahi phir yehaan
Aawaaz kis ki magar

Pyaar kar
Oh ho ho pyaar kar
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
La la
laa laa laa laa laa

Aaa aaaa aaaaaa
Aaa aaaa aaaaaa

Jis pe ham mar mitey
Uss ko pataa bhi nahin

aa aa aa aa aa
O Jis pe ham mar mitey
Uss ko pataa bhi nahin
Kya gila ham Karen
Wo bewafaa bhi nahin
Ham ne jo sun liyaa
Uss ne kahaa bhi nahin
Ae dil zara soch kar
Pyaar kar
Oh ho ho pyar kar

Hey hey
Ah ha ha aa haaaa
La la laa laa laaa laaa
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
Aayi hai chaandni
Mujh se kehne yahi
Aayi hai chaandni
Mujh se kehne yahi
Meri gali mere ghar
Pyaar kar
Oh ho ho pyaar kar

Hey hey
La la la la laa la laa
Oh ho ho
Hmm mmmm mmm hmm hmm
Pyaar kar
Oh ho ho pyaar kar
Pyaar kar
Oh ho ho pyaar kar


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4226 Post No. : 15433

I was aware that today is the birth anniversary of Pran, but I was not aware that today is his 100th birth anniversary !

It was on this day 100 years ago that Pran (12 February 1920 – 12 July 2013) was born.

Pran was born in Lahore and he made his debut in films in Lahore in early 1940s. There, he soon graduated to lead roles. In “Khaandaan”(1942), he had acted opposite Noorjehaan. . After partition, he came to Bombay where he was a nobody and so he had to start from scratch there.

It was in Bombay that Pran began to get the roles of a villain and it waas in these roles that he made his mark. He started his stint in Bombay with “Ziddi”(1948). He played villains but no two roles of his were same. In every movie he brought something new to his acting. And his acting was so convincing that ordinary movie goers dreaded and dipised his roles. Very few people in India named their sons as Pran. That is the kind of impression he had created in the minds of movie goers. 🙂

In 1960s, his dark roles gradually started to become less dark, with doses of kindness and comedy in them and a time came when he became a character artist, beginning from “Upkaar”(1967). The distributors of “Upkaar”(1967) were very nervous, unsure how this new role of Pran would be received by the moviegoers who were so used to see him as a dreaded villain. Fortunately, the movie was a big hit and Praan’s role as Malang Chaacha was loved by moviegoers.

Pran had got to sing very few songs on screen as a villain, but he started to get songs as a character artist. And this process started with “Upkaar”(1967) itself. The song Kasme waade pyaar wafa turned out to be a much loved song, much to the relief of Kalkyanji Anandji, who were dreading that their composition would flop because it was to be picturised on Pran !

Subsequently, Pran has figured in quite a few songs in Hindi movies. And these songs became surprise hits. For instance, “Zanjeer”(1973) song Yaari hai imaan mera yaar meri zindagi became the most popular song of the year in Binaca geetmala ! “Kasauti”(1974) song, Ham bolega to bologe ki bolta hai was my favourite song durings its time. Same was the case with the song Daru ki bottle me sahab paani bharta hai from “Majboor”(1974).

On the occasion of the 100th birth anniversary of Pran, here is a song from “Zindaadil”(1975). The song is sung by Lata, Shailendra Singh and Mahendra Kapoor. Verma Malik is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a get together song. It is lip synced by Rishi Kapoor, Zaahira, Neetu singh and Pran.

Lyrics of this song were sent to me by Avinash Scrapwala. Incidentally, he too shares his birthday with Pran. So we take this opportunity to wish him a happy birthday and many happy returns of the day. Today also happens to be the wedding aniversary of our regular Nitin Shah. We wish him and his better half on this occasion.

Quite a lively and appropriate song for the occasion it is.

Video

Audio

Song-Shaam suhaani aayi khushiyaan ban ke pahli baar (Zindaa Dil)(1975) Singers-Lata, Mahendra Kapoor, Shailendra Singh, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
Lata Mangeshkar+ Shailendra Singh

Lyrics (Provided by Avinash Scrapwala)

Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa

Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar
Huyee adhoori aasha poori
Tooti door ki doori
Tooti door ki doori
To lekar thumkaa naachoon
Aaj main tan ke pehli baar
Lekar thhumkaa naachoon
Aaj main tan ke pehli baar

Pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar
Huyee adhoori aasha poori
Tooti door ki doori
Tooti door ki doori
Lekar thhumkaa naachoon
Aaj main tan ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar

Jee chaahe main ho ke saudaayee
Lutaa doon khudaayee
Milaa hai mujhe pyaar
Milaa hai beshumaar
Jee chaahe main ho ke saudaayee
Lutaa doon khudaayee
Milaa hai mujhe pyaar
Milaa hai beshumaar
Raat aayi hai kismatwaali
Jalaao deewaali
Milaa hai qaraar
Milaa hai sansaar
Is man ki paawan dharti se
Phoot padaa hai pyaar
Phoot padaa hai pyaar

Pehli baar
Phool khile hain dekho
Mere man ke pehli baar
Phool khile hain dekho
Mere man ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar

Khaata jaa peetaa jaa
Bhar paimaana tu
Hey hey
Khaata jaa peetaa jaa
Bhar paimaana tu
Ho ho
Apnaa rang jamaata jaa
Ho deewaana tu
Hey hey
Masti mein lehraata jaa
Ban mastaana tu
Apnaa aaj banaataa jaa
Ye zamaana tu
Mere jeewan ke gulshan mein
Aayi nayee bahaar
Aayi nayee bahaar

Pehli baar
Ek fauji kaa beta
Chalaa hai tan ke pehli baar
Ek fauji kaa beta
Chalaa hai tan ke pehli baar

Shaam suhaani aayi
Khushiyaan ban ke pehli baar

Dekho kaise khushi ke rang chhaaye
Dupatta udaa jaaye
Patang ban ke
Umang ban ke
Dekho kaise khushi ke rang chhaaye
Dupatta udaa jaaye
Patang ban ke
Umang ban ke
Main to ambar ki baahon mein jhooloon
Sitaaron ko chhoo loon
Kiran ban ke
Sapan ban ke
Aaj mere seene mein dhadkan
Meethhee kare pukaar
Meethhee kare pukaar
Pehli baar
Mere dil mein aajaa
Meraa ban ke pehli baar
Mere dil mein aajaa
Meraa ban ke pehli baar

Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar

——————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————-

आ आ आ आ आ
आ आ आ आ आ

शाम सुहानी आई
खुशियाँ बन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार
हुयी अधूरी आशा पूरी
टूटी दूर कि दूरी
टूटी दूर कि दूरी
तो लेकर ठुमका नाचूँ
आज मैं तन के पहली बार
तो लेकर ठुमका नाचूँ
आज मैं तन के पहली बार

पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार
हुयी अधूरी आशा पूरी
टूटी दूर कि दूरी
टूटी दूर कि दूरी
लेकर ठुमका नाचूँ
आज मैं तन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार

जी चाहे मैं हो के सौदाई
लुटा दूं खुदाई
मिला है मुझे प्यार
मिला है बेशुमार
जी चाहे मैं हो के सौदाई
लुटा दूं खुदाई
मिला है मुझे प्यार
मिला है बेशुमार
रात आयी है किस्मतवाली
जलाओ दीवाली
मिला है करार
मिला है संसार
इस मन की पावन धरती से
फूट पडा है प्यार
फूट पडा है प्यार

पहली बार
फूल खिले है देखो
मेरे मन के पहली बार
फूल खिले है देखो
मेरे मन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार

खाता जा पीता जा
भर पैमाना तू
हे हे
खाता जा पीता जा
भर पैमाना तू
हो हो
अपना रंग जमाता जा
हो दीवाना तू
हे हे
मस्ती में लहराता जा
बन मस्ताना तू
अपना आज बनाता जा
ये ज़माना तू
मेरे जीवन के गुलशन में
आयी नयी बहार
आयी नयी बहार

पहली बार
एक फौजी का बेटा
चला है तन के पहली बार
एक फौजी का बेटा
चला है तन के पहली बार

शाम सुहानी आई
खुशियाँ बन के पहली बार

देखो कैसे ख़ुशी के रंग छाये
दुपट्टा उड़ा जाए
पतंग बन के
उमंग बन के
देखो कैसे ख़ुशी के रंग छाये
दुपट्टा उड़ा जाए
पतंग बन के
उमंग बन के
मैं तो अम्बर कि बाहों में झूलूँ
सितारों को छू लूं
किरण बन के
सपन बन के
आज मेरे सीने में धड़कन
मीठी करे पुकार
मीठी करे पुकार
पहली बार
मेरे दिल में आजा
मेरा बन के पहली बार
मेरे दिल में आजा
मेरा बन के पहली बार

शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4183 Post No. : 15363 Movie Count :

4234

Ah so, another station that we reach. Not especially for the blog, but a pervasive tradition. Ringing out an old temporal symbol, and ringing in a new one. On the astronomical scale, this celebration does not mean anything specific. Like any other measure of time, like any other day closing and like any other day initiating. But for the human spirit – it seeks celebration, in whatever. An arbitrary spike in the ground and one can endlessly argue that this very point is the center of the earth. Ah well, how does it matter. Let us celebrate.

Coming to think of it, the celebration is phasing, crossing over into every time zone, as the midnight hour passes across the latitudes. So even this is not unique to the entire earth. We have a message on WA group few minutes back, from Peevesie’s Mom – checking whether any Atulite is in Japan or Auckland. In fact by the time we reach the midnight hour in India, eight full time zones have already crossed into the next annuity, and the celebrations are already on, the earliest one being about 8/9 hours old already. As I write these lines, Auckland is already at 6:15 am in the first day of the New Year. (Time check – it is 10:45 as I type this sentence). And once we in India cross over into 2020, it will still take another 18 hours for the midnight to reach the western edge of the International Date Line. Those who celebrate with a drink, I am sure, will not mind to have drink for every passage of a time zone crossing the midnight. 🙂 🙂

The time flows, as is, all the time. Another milestone, another celebration passes by. The revelry lasts for some time, maybe a few hours, and then the world gets back to its grinding routine. Some working places may be enjoying a holiday. Many more will not be – they will be working. I do personally know some people who prefer not to start a new year with a holiday. Inauspicious, they say.

The tradition continues. The Hindi film song community is probably not going to run out of celebration songs. New ones are being created every year, and yes, there still are decades that we have not explored as yet. Many celebration songs of all types are awaiting discovery, and a chance to be put on to our blog. The song in this post is from the 1980s – yes one of the earliest decades that we generally avoid, sticking to the 1960s and prior to find songs for posting. That is where our comfort zone is, that is where our preferences lie. A reflection of what we hear in our formative years, maybe. Newer generations will have their own baseline benchmarks. Ah well.

Our dear Prakash ji – he is so prolific is browsing and searching for event specific songs. At every anniversary and every occasion to celebrate, Atul ji and I keep getting reminder emails from him, telling us about earlier songs that he has sent in, and we have not been able to post. Sometimes these reminders have kept ringing for three – four – five years.

Today’s new year song sent in by him is from the 1985 film ‘Telephone’ – a film that I am not familiar at all with. But surely a new discovery I make as I sat through the video of this song. I got to see a different side of Deepti Naval. Her image is built around films like ‘Ek Baar Phir’ (1980), ‘Chasm e Baddoor’ (1981), ‘Saath Saath’ (1982), ‘Angoor’ (1982) and ‘Katha’ (1983). Maybe that was the time as I was phasing out of watching the newer crop of films.

The song is in the voice of Asha Bhosle. It is a lyricist-MD song with Rajesh Roshan playing both the songwriter and music director roles. Of course, it is a party song, with a lot of actors visible in the clip. The song is being lip synced by Deepti Naval and Leena Das, with the latter providing the more provocative masala performance. Then we have Marc Zuber, Yunus Parvez, Prem Chopra and Shatrughan Sinha appearing. As per Prakash ji,the dancer Shirley is also part of the dancing troupe in this song.

Wishing all readers and their families, a very very happy 2020.  Stay healhty, stay blessed.

 

Audio

Video

Song – Assalaam-aile-Qum, Saal Mubaarak Ho  (Telephone) (1986) Singers – Asha Bhosle, Lyrics – Rajesh Roshan, MD – Rajesh Roshan
Chorus

Lyrics (Provided by Prakashchandra)

nineteen 
eighty …eeeee
three…..eee…ee…eeeee

nineteen eighty three (aaa…aaaa)
nineteen eighty three (aaa…aaaa)
nineteen eighty 
nineteen eighty
nineteen eighty three…..eeeee…eeeee

assalaam allaikkumm
aa saal mubarak ho o
ek nayi shaam ho o o
ek naya saveraa ho
nineteen eighty three (aa…aa)
nineteen eighty three (aa…aa)
nineteen eighty
nineteen eighty
nineteen eighty three….eeeeee
assalaam allaikkumm
aaa saal mubarak ho o
ek nayi shaam ho o
ek naya saveraa ho

[laughter]

aaaa….aaa…..aaaaa….aaa
aaaa….aaa…..aaaaa
aaaa….aaa…..aaaaa…aaaaa

tere mere jo dil ik honge
sapne hamaare sach honge
khoyee khoyee hui raahon mein
manzilon ke chinnh honge 
aaaaaaaaaaaa…..aaaa…..aaaaa….aaaaa
tere mere jo dil ik honge
sapne hamaare sach honge
khoyee khoyee hui raahon mein
manzilon ke chinnh honge 

[dialogue]

nineteen eighty
nineteen eighty
nineteen eighty three…eeeeee

ho o o 
assalaam allaikkum 
aa saal mubarak ho
ek nayi shaam ho o
ek naya saveraa ho

dheem theem dhaaginn thirkitta too naa
thaa thaa dhaginn thirikitta dhinnaaa

kaanton ki pagdandi par bhi
phoolon ke hanste dagar honge
na kabhi dekha na suna aisa
mele mein jashan balam hongein
aaaa…aaaa…aaaaaaaa…aaaa….aaaaa
kaanton ki pagdandi par bhi
phoolon ke hanste dagar honge
na kabhi dekha na suna aisa
mele mein jashan balam hongein
nineteen eighty
nineteen eighty
nineteen eighty three…..eeee
o o o
assaallaam allaikkum
aa saal mubaarak ho o
ek nayi shaam ho o
ek naya saveraa ho

parappaa pappa pappa  rapappa
parappa pappa pappa
parapappaaaaaa
parappaa pappa  parappa pappa 
parapappaaaaaa

[dialogues]

raat toofani chali aayi to
kashti hamaari sang dolegi
maajhi ke sur par geeton par
subah ke pehli kiran hogi
aaaaaaaa……aaaaaaaaaa…aaa….aaaa
raat toofani chali aayi to
kashti hamaari sang dolegi
maajhi ke sur par geeton par
subah ke pehli kiran hogi
nineteen eighty
nineteen eighty
nineteen eighty three…………..eeeeeee

ho o o
assaallaam allaikkum
ahha saal mubaarak ho o
ek nayi shaam ho o
ek naya saveraa ho
nineteen eighty three (aa..aaaaaa)
nineteen eighty three (aa..aaaa)
nineteen eighty
nineteen eighty
nineteen eighty three

[laughter]


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4053 Post No. : 15183

22nd August (yesterday) was the remembrance day of the exceptional, yet unsung music director – Ram Prasad Sharma. He had passed away this day in 1995. May be not easily identifiable by himself, he is probably known more through his sons. His four sons have all been well known musicians and instrumentalists, and all have been connected with the film industry. Two of them are also famous as music directors – Pyaarelal ji, of the Laxmikant Pyaarelal duo, and Ganesh.

Ram Prasad’s biographical and filmographic details have been presented earlier on this blog, in the article on the song “Antul Habi Ke Dekho Kabhi” from the film ‘Magic Carpet’, released in 1964. There is also a detailed article by our dear Arun ji, posted here on the blog – Anmol Fankaar.

Today’s song is also from the same film – ‘Magic Carpet’. The film is directed by Babubhai Mistry, under the banner of Unique Pictures, Bombay. This is stunt cum fantasy film – a typical ‘jaadugar sainyyaan’ type film. The cast of actors includes Chitra, Azaad, Bhagwan, BM Vyas, Bela Bose, Dalpat, Kesri, Bimla Kashmiri, and a host of junior artists, listed as Aroon, Maqbool, Radhe Shyam, Arvind Kumar, Mehroo Bai, Bakshi, Master Kisore, Kalla, Rafiq, Sandow, Dawood, Amir, Musa, Julian, Khalil, Rehman, Salim, Zippy and Nagina.

The film has five songs which are penned by four songwriters – Farooque Kaiser, Shakeel Nomaani, Arsh Farooque and Jia Dehalvi. This song is written by Jia Dehalvi – as the pseudonym suggests, he is from Delhi. 🙂 Music is by Ram Prasad Sharma. The singing voice is that of Asha Bhosle.

On screen, the song is performed as a twin dance, with both dancers lip syncing the playback from Asha. The dancers are Chitra and Bela Bose. Now, I am not completely certain, and am open for being corrected. Some familiarity with the performers and the absence of any other name that sounds like a dancer, in the list of actors given above. I request other more knowledgeable friends in the group to please correct or confirm. 🙂

There are two other gentlemen in the frame. I request for help to identify them, as I do not yet have access to software that will help to remove the beards from the faces of men in video clips. 😀 😀 Given the names in the list of actors, I believe one of them could be Dalpat. Please help to identify them.

A lilting dance song this one. Listening to this song, I can hear the sources of inspiration for the torrent of music that flowed from the works of L-P. This, and many others like this from B and C grade films of 1950s and 1960s, form a string of very pleasing memories from the radio listening days. I am sure you will enjoy this.

Audio

Video

Song – O Sainyyaan Be-Peer Koi Teer Na Chalaana  (Magic Carpet) (1964) Singer – Asha Bhosle, Lyrics – Jia Dehlavi, MD – Ram Prasad

Lyrics

o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana
tu mere
chhote se
dil ko na tadpaana
tu mere
chhote se
dil ko na tadpaana
o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana

maine maana tu hai
puraana
sharaabi
maine maana tu hai
puraana
sharaabi
lekin in aankhon ki
juda hai
gulaabi
nazar se
pee le to boley tu
mai to fuzool hai
o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana

aisi berukhi na
kar hum se
khudaara
aisi berukhi na
kar hum se
khudaara
de de mujhko apni
baahon ka
sahaara
sanam ke
naaz uthaana to
pyaar ka usool hai
o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana

tauba teri nazren
hain tirchhi
kamaanen
tauba teri nazren
hain tirchhi
kamaanen
tu ne to li hongi
hazaaron
ki jaanen
sitamgar
kisko jawaani mein
marna qubool hai
o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana
tu mere
chhote se
dil ko na tadpaana
tu mere
chhote se
dil ko na tadpaana
o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना
तू मेरे
छोटे से
दिल को ना तड़पाना
तू मेरे
छोटे से
दिल को ना तड़पाना
ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना

मैंने माना तू है
पुराना
शराबी
मैंने माना तू है
पुराना
शराबी
लेकिन इन आँखों की
जुदा है
गुलाबी
नज़र से
पी ले तो बोले तू
मय तो फ़ज़ूल है
ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना

ऐसी बेरुखी ना
कर हमसे
खुदारा
ऐसी बेरुखी ना
कर हमसे
खुदारा
दे दे मुझको अपनी
बाहों का
सहारा
सनम के
नाज़ उठाना तो
प्यार का उसूल है
ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना

तौबा तेरी नज़रें
हैं तिरछी
कमानें
तौबा तेरी नज़रें
हैं तिरछी
कमानें
तूने तो ली होंगी
हजारों
की जानें
सितमगर
किसको जवानी में
मरना कुबूल है
ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना
तू मेरे
छोटे से
दिल को ना तड़पाना
तू मेरे
छोटे से
दिल को ना तड़पाना
ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4031 Post No. : 15151

August 1st

Important for me, used to be my mom’s birthday. Thinking of her has only reinforced my feelings that the song with this post convey. She was one lively person who smiled through her illness and never let us know how much pain she was going through. She was always ready to accompany my dad on whatever tour he chose to organise. And I am sure they enjoyed every bit of their time and life together. That is the exact feeling that today’s song speaks of.

“Live life as if there are no tomorrows” – Kal Kya Hoga Kis Ko Pata, Abhi Zindagi Ka Le Lo Mazaa.

August 1st also happens to be the birth anniversaries of Meena Kumari and Bhagwan Dada. Meena Kumari, born Mahjabeen Bano, would have been 86 and Bhagwan Dada, born Bhagwan Abhaji Palav, would have been 103.

Both the actors had their share of fame and were lead actors in many movies. Master Bhagwan, as Bhagwan Dada used to be known in the early years, started his career in the era of silent films. And Meena Kumari stepped into films as a child artist sometimes in the early 1940s. They were part of a few movies together where Meena Kumari was the heroine and Bhagwan lead the comic side plot for example ‘Bandish’ (1955), ‘Main Bhi Ladki Hoon’ (1964} etc.

They had successful careers through the 1960s. We lost Meena Kumari in the beginning of the 70s but Bhagwan Dada was still there and I remember seeing him in many movies doing his signature step dance. In the initial stages of my movie watching I was unaware that he was such a huge star of his times. I always saw him as a side-kick or a dancer who was given prominence in various group dance numbers. Much later I happened to see his songs of ‘Albela’ and I realized that he was being copied by the actors of the 70s – HE was their inspiration. After associating with this blog, I read about his life and times and felt sad that what went up had to go down too. Probably he too subscribed to the thoughts of today’s song and lived in his “todays as if there were no tomorrows”.

Rose Movies’ ‘Kasme Vaade’ (1978) was produced and directed by Ramesh Behl. It had Rakhee, Neetu Singh, Amitabh Bachchan, Randhir Kapoor in the main lead with Rekha in a guest appearance and Amjad Khan in special appearance. Master Bhagwan (Dada) was there for one song at the start of the film. That song was meant to show the happy-go-lucky character of Randhir Kapoor. We find RK on a night out with his cronies, running amok in the streets doing wheelies etc. (it is obvious that all the motor bike stunts are by a body double) and that is the situation for today’s song.

I had always wanted to present this song on the blog to highlight Bhagwan Dada’s steps and dancing. Finally, here it is.

Video

Audio

Song – Praani Bhatak Raha Hai Ban Ban Mein. . . Kal Kya Hoga Kisko Pata  (Kasme Vaade) (1978) Singer – RD Burman, Lyrics – Gulshan Baawra, MD – RD Burman
Male Voice
Chorus

Lyrics (Provided by Prakashchandra)

aa..aayen
praa..aani. . .
bhatak rahaa
ban ban mein. . .

aah haaa
waah bhai waah

ye nahi jaane
paagal pre..ae..ae..ae..mi
rabb hai
uske..ae..ae..ae mann mein

arre isi liye to keh gaye hain

jati sati
karmi gati

aaye
miley jo sang pisach ka
sada miley
buri mati
buri mati

but where is bhaanumati?

ha ha ha ha
bhanumati?

arrey bhanumati ne qunba joda
bhanumati ne qunba joda
aaye haaye eent yahan ki wahaan ko roda
eent yahan ki wahaan ko roda

arre phir se gao
bhanumati ne qunba joda
(hoooo oooooo)
eent yahan ki wahaan ko roda
(hoooo oooooo)
bhanumati ne qunba joda
(hoooo oooooo)
eent yahan ki wahaan ko roda
(hoooo oooooo)

arrr ram paa
arrr ram paa
arrr ram paa
arrr ram paa

he he he he
he he hehe
la laa laa laa laa
laa la laa la laa
la laa laa laa laa
laa la laa la laa
la laa laa laa laa
laa la laa la laa

kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa

hey
dil waalo
duniya ki aisi taisi. . .
har pal
apna hai
din kaisa raat kaisi
oo hoooo hooo
hhooooo hoooo
hhooooo hoooo
hhooooo hoooo

hey
hey
aish karo
aish karo
nacho gao khao piyo
nacho gao khao piyo.
hey
hey
arre jeena hai to
jeena hai to
masti mein reh ke jiyo
masti mein reh ke jiyo

arrr ram paa
arrr ram paa
arrr ram paa
arrr ram paa

he he he he
he he hehe
la laa laa laa laa
laa la laa la laa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa

hey hey hey
hum jahaan
halla gulla hoga wahin
hum se ye
duniya hai
duniya se hum nahi
pak pakau pakau pakau pakau
pak pakau pakau pakau pakau
hey hey hoo haa
hey hey hey hey
hey hey hoo haa
hey ae ae ae

hey
hey
jab tak
jab tak
dum mein hai dum pyaare
dum mein hai dum pyaare
hey
hey
tab tak
tab tak
kahe ka hai gum pyaare
kaahe ka hai gum pyaare

arrr ram paa
arrr ram paa
arrr ram paa
arrr ram paa

he he he he
he he hehe
la laa laa laa laa
laa la laa la laa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa

kal kya hoga
kis ko pata
abhi zindagi ka
le lo mazaa

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

आ॰॰आ॰॰आयें
प्रा॰॰आणि॰ ॰ ॰
भटक रहा
बन बन में॰ ॰ ॰

आह हा
वाह भई वाह

ये नहीं जाने
पागल प्रे॰॰ए॰॰ए॰॰ए॰॰मी
रब्ब है
उसके॰॰ए॰॰ए॰॰ए॰॰ मन में

अरे इसी लिए तो कह गए हैं

जति सती
करमी गति
आय
मिले जो संग पिशाच का
सदा मिले
बुरी मति
बुरी मति

बट व्हेर इज़ बहनुमती?

हा हा हा हा
बहनुमती?

अरे भानुमती ने कुनबा जोड़ा
भानुमती ने कुनबा जोड़ा
आय हाय ईंट यहाँ की वहाँ का रोड़ा
ईंट यहाँ की वहाँ का रोड़ा

अरे फिर से गाओ
भानुमती ने कुनबा जोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)
ईंट यहाँ की वहाँ का रोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)
भानुमती ने कुनबा जोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)
ईंट यहाँ की वहाँ का रोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)

अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा

हे हे हे हे
हे हे हेहे
ल ला ला ला ला
ला लल्ल ल ला
ल ला ला ला ला
ला लल्ल ल ला
ल ला ला ला ला
ला लल्ल ल ला

कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा

हे
दिल वालो
दुनिया की ऐसी तैसी॰ ॰ ॰
हर पल
अपना है
दिन कैसा रात कैसी
ओ होsss होssss
होsss होssss
होsss होssss
होsss होssss

हे
हे
ऐश करो
ऐश करो
नाचो गाओ खाओ पियो
नाचो गाओ खाओ पियो
हे
हे
अरे जीना है तो
जीना है तो
मस्ती में रह के जियो
मस्ती में रह के जियो

अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा

हे हे हे हे
हे हे हे हे
ल ला ला ला ला
ला लल्ल ल ला
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा

हे हे हे
हम जहां
हल्ला गुल्ला होगा वहीं
हमसे ये
दुनिया है
दुनिया से हम नहीं

पक पकाऊ पकाऊ पकाऊ पकाऊ
पक पकाऊ पकाऊ पकाऊ पकाऊ

हे हे हू हा
हे हे हे हे
हे हे हू हा
हे ए ए ए

हे
हे
जब तक
तब तक
दम में है दम प्यारे
दम में है दम प्यारे
तब तक
तब तक
काहे का है ग़म प्यारे
काहे का है ग़म प्यारे

अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा

हे हे हे हे
हे हे हे हे
ल ला ला ला ला
ला लल्ल ल ला
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा

कल क्या होगा
किसको पता
अभी ज़िंदगी का
ले लो मज़ा


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16600 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16670

Number of movies covered in the blog

Movies with all their songs covered =1291
Total Number of movies covered=4543

Total visits so far

  • 14,878,222 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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