Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Mourning song’ Category


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Blog Day :

5428 Post No. : 17805

“Toote Khilaune”(1954) was produced by N Mehta and directed by Nanabhai Bhatt for Pragati Pictures, Bombay. The movie had Shekhar, Poornima, Gulaab, Ranjit Kumari, Babu Raje, Master Romi, Baby Hina, Nagpal, Ginjar(Dog) etc in it. Asha Mathur appeared in the movie in guestappearance.

“Toote Khilaune”(1954) had eight songs in it. Five songs have been covered in the blog.

Here is the sixth song from the movie to appear in the blog.

This song is sung by Asha Bhonsle. Gopal Singh Nepali is the lyricist. Music is composed by Chitragupta.

Only audio of the song is available. From the lyrics, it can be guessed that the song is picturised on a child artist who gets bereaved as his/her mother dies. I request our knowledgeable readers to throw light on the picturisation of this song.

Lyrics of the song were sent to me by Prakashchandra.


Song-Bhagwaan ne jab chheen liya maa ka sahaara (Toote Khilaune)(1954) Singer-Asha Bhonsle, Lyrics-Gopal Singh Nepali, MD-Chitragupta

Lyrics(Provided by Prakashchandra)

Bhagwaan ne jab chheen liyaa
maa ka sahaaraa
maa ka sahaaraa aaa
itni badi duniyaa mein raha kaun hamaaraa
haaye kaun hamaaraa
bhagwaan ne jab chheen liyaa
maa ka sahaaraa
maa ka sahaaraa aa
itni badi duniyaa mein raha kaun hamaaraa
haaye kaun hamaaraa

bachpan mein hamein chhod yahaan
maa chalee gayee
maa kya gayee
ke pyaar ki duniyaa chalee gayee
haaye duniyaa chalee gayee
bachpan mein hamein chhod yahaan
maa chalee gayeen
maa kyaa gayee ke
pyaar ki duniyaa chalee gayee
haayye duniyaa chalee gayee
dar dar ka bhikhaari hai banaa
maa ka dulaaraa
maa ka dulaaraa aa
itni badi duniyaa mein raha kaun hamaaraa
haaye kaun hamaaraa

ab kaun hai jo pyaar se nazdeek bulaaye
chun chun ke khilaayei
hamein gaa gaake sulaaye
haayye gaa gaa ke sulaaye
ab kaun hai jo pyaar se nazdeek bulaaye
chun chun ke khilaayein
hamein gaa gaake sulaaye
haayye gaa gaa ke sulaaye
ab kaun hai hamko jo kahein/kahey
aankhon ka taaraa
aankhon kaa taaraa aa
itni badi duniyaa mein raha kaun hamaaraa
haaye kaun hamaaraa

jo bud-naseeb hain kahin unnka na thhikaanaa
apne hain paraaye yahaan
dushman hai zamanaa
haayye dushman hai zamanaa
bête se jahaan baap bhi kartaa hai kinaaraa
kartaa hai kinaaraa..aaa
itni badi duniyaa mein raha kaun hamaaraa
haaye kaun hamaaraa
bhagwaan ne jab chheen liyaa
maa ka sahaaraa
maa ka sahaaraa aa
itni badi duniyaa mein raha kaun hamaaraa
haayye kaun hamaaraa


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4494 Post No. : 16021 Movie Count :

4384

Sometime back, I had come across a list of unreleased songs of Mohammed Rafi on the internet. The number of such songs were close to 100. A scrutiny of the songs revealed that these were not necessarily unreleased songs. Some songs were from unreleased films which were released later on gramophone records in some cases. Then, there were songs which were composed for released films but were not picturised. Some songs were deleted from films mainly to reduce the length of the films. Some of the songs in the list have already been covered in our Blog.

To begin with, I checked from the list to see which of the songs, especially of 1940s and 50s are available on the video sharing platforms which are yet to be covered on the Blog. From the list, I found two of the earliest songs among others rendered by Rafi for an unreleased film, ‘Geet Aur Aansoo’ (1940s) which are yet to be covered in the Blog. I am presenting one of Rafi’s two songs in the film, ‘maut uski jawaani pe lalchaayi’. The song has somewhat unusual lyrics by Surjeet Sethi.

Arun ji has confirmed that not much details about the film in HFGK such as the name of the director, star cast and other crews of the film is available except that it was produced under the banner of S. S. Moviemakers. One website (myswar.com) has shown the film as that of 1947 but as unreleased and has listed 7 songs in the film of which 2 songs were sung by Mohammed Rafi, 4 songs by Kusum Mantri and remaining one song sung by S Mohinder who was the music director. SAREGAMA has also listed S Mohinder as the music director for three mp3 clips of the songs of the film. All the songs were written by Surjeet Sethi.

I find from the filmography of S Mohinder that in most of the films for which he was the music director, Surjeet Sethi wrote lyrics for him. He wrote lyrics for S Mohinder in ‘Sehra’ (1948), ‘Neeli’ (1950), ‘Bahadur’ (1953), ‘Paapi’ (1953) and ‘Sau Ka Note’ (1955). After 1955, Surjeet Sethi seems to have given up writing lyrics for the film. After a gap of many years, Surjeet Singh’s name propped up as a producer-director-lyricist of an obscure film ‘Sandli’ (1980s, UR) for which S. Mohinder was the music director.

‘Geet Aur Aansoo’ (1940s UR) raises a point to ponder as to which was the debut film of music director S. Mohinder – ‘Sehra’ (1948) which has been marked as such or ‘Geet Aur Aansoo’ (1940s) songs of which were supposed to have been recorded in 1947? Surprisingly, I have not come across in any article on S. Mohinder or his interviews in which he had ever mentioned ‘Geet Aur Aansoo’ while discussing his film music.

I personally feel that ‘Geet Aur Aansoo’ may be the debut film both for music director, S. Mohinder and lyricist, Surjeet Sethi. First, the style of singing of Mohammed Rafi reminds me of his song in ‘Jugnu’ (1947). Secondly, I came to know from the Rajya Sabha interview which S Mohinder gave about 4 years back that he and Surjeet Sethi got acquainted with each other only during their train journey from Lahore to Bombay Central in May 1947, a few months before on the partition. During the conversation in the train, Surjeet Singh introduced himself as a shaayar. Their friendship in Mumbai may have led to their collaboration in ‘Geet Aur Aansoo’ (1940s, UR) and some more films.

Audio Clip:

Song-Maut uski jawaani pe lalchaayee (Geet Aur Aansoo)(1947) Singer-Rafi, Lyrics-Surjeet Sethi, MD-S Mohinder

Lyrics

maut uski jawaani pe lalchaayi
liya aagosh mein jyonhi wo muskaayi
maut uski jawaani pe lalchaayi

uski hansi ne khud ko naashaad kiya aa aa aa aa
uski hansi ne khud ko naashaad kiya aa aa aa
uski shokhee ne khud ko barbaad kiya
usko le doobi uski hi angdaayi
maut uski jawaani pe lalchaayi
liya aagosh mein jyonhi wo muskaayi
maut uski jawaani pe lalchaayi

mil gayi raakh mein aaj uski jawaani
mil gayi raakh mein aaj uski jawaani
maut ki dulhan bani wo husn ki raani ee
naseeb-e-maut ab teri kahaan sunaayi(?)
maut uski jawaani pe lalchaayi
liya aagosh mein jyonhi wo muskaayi
maut uski jawaani pe lalchaayi
lalchaayi
lalchaayi


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3467 Post No. : 13915

Missing Films of 1960s – 42
– – – – – – – – – – – – – – –

IS Johar had a lead of three years over Raj Kapoor. His film ‘Mera Naam Johar’, released in 1967, preceded the great showman’s masterpiece ‘Mera Naam Joker’ which came in 1970. It is a matter of conjecture now, as to who inspired whom. 🙂

So this film is the debut film for today. IS Johar was going very strong, and travelling to many destinations  in the 1960s. In 1965 we saw him in ‘Goa’ with Memood. In 1966, he travelled to ‘Kashmir’. Then in 1967, along with the proclamation that his name is ‘Johar’, he also appeared in ‘Bombay’. His next trip was somewhat delayed, considered that he travelled overseas to ‘Hong Kong’ in 1971, once again in Mehmood’s company.

The film is produced under the banner of Sudershan Chitra, Bombay, and is directed by Saran Kant. Besides himself in lead role, other members of the cast include Sonia Sahni, Dhoomal, Aruna Irani, Raj Mehra and Tiwari amongst others. The film has 6 songs listed. Music is from the mind of Usha Khanna. Two songwriters are listed – Asad Bhopali and Qamar Jalaalabaadi. However, only three of the songs have a specific lyricist identified. For this song, the lyricist name has not been identified. This song is written by Qamar Sb. (This information is actually available in the addenda to the volume IV of Geet Kosh, which I missed referring to earlier.)

The song is delivered in a very comical situation. And the songwriter has written some very catchy lines to match the situation. Apparently it seems that IS Johar and Sonia Sahni have to make a getaway from the clutches of the villain’s gangsters, who are blocking the roads even, and screening the people coming and going. And the way out found by the hero is something that can happen only in IS Johar films. They form a funeral procession, and they have Sonia Sahni acting like a dead body, being carried in the traditional funerary ‘takht’ on the shoulders of a group of people. IS Johar, with his head tonsured and wearing only a dhoti, seems to be the epitome of the prime mourner, carrying the traditional fire in a ‘matka’.

He leads the singing, with this song in the voice of Mahendra Kapoor. The group of people accompanying him includes people who are playing the ‘dholak’ and ‘khartaal’ etc. The procession meets the villain’s henchmen in a sort of a road block. And IS Johar is singing and telling the entire real story – that the dead body is  actually ‘zinda’ (alive), and that they are making good an escape with no one the wiser.

The play acting is so convincing that the henchmen who are leading this group of baddies, actually come forward and shoulder the funerary carriage for some distance, even singing along with the group. A most hilarious situation contrived by the director, and so brazenly and blatantly executed by IS Johar and company. IS Johar looks so convincing in his role as a fake mourner, and as he sings along the lines in which he is indicating the truth of the situation, only if someone would listen ‘between the words’. . . – “Jaane Waala Chala Hai Dekho Rok Sakey Na Koi” 🙂

See, listen and enjoy.

 

Audio

Video

Song – Ram Naam Satya Hai Gopal Naam Satya Hai  (Mera Naam Johar) (1967) Singer – Mahendra Kapoor, Lyrics – Qamar Jalaalabaadi, MD – Usha Khanna
Chorus

Lyrics

ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai

jo chaahe wo kar sakta hai
kabhi na chhodo aas
jo chaahe wo kar sakta hai
kabhi na chhodo aas
sada parbhu par karo bharosa
keh gaye johar das
bolo
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai

kabhi aatma mar nahin sakti
rehti hai ta-binda
kabhi aatma mar nahin sakti
rehti hai ta-binda
log jinhen bejaan samajhte
hotey hain wo zinda
bolo
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai

insaanon ke bas mein kya hai
kaahe akde banda
insaanon ke bas mein kya hai
kaahe akde banda
logo punya kamaate jaao
dete jaao kandha
bolo
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai

baat ram ki ram hi jaane
honi thi so hoi
baat ram ki ram hi jaane
honi thi so hoi
jaane waala chala hai dekho
rok sakey na koi
bolo
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है

जो चाहे वो कर सकता है
कभी ना छोड़ो आस
जो चाहे वो कर सकता है
कभी ना छोड़ो आस
सदा प्रभु पर करो भरोसा
कह गए जौहर दास
बोलो
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है

कभी आत्मा मर नहीं सकती
रहती है ता-बिंदा
कभी आत्मा मर नहीं सकती
रहती है ता-बिंदा
लोग जिन्हें बेजान समझते
होते हैं वो ज़िंदा
बोलो
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है

इन्सानों के बस में क्या है
काहे अकड़े बंदा
इन्सानों के बस में क्या है
काहे अकड़े बंदा
लोगो पुण्य कमाते जाओ
देते जाओ चंदा
बोलो
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है

बात राम की राम ही जाने
होनी थी सो होई
बात राम की राम ही जाने
होनी थी सो होई
जाने वाला चला है देखो
रोक सके ना कोई
बोलो
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है

 


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bahu Beti” (1965) was directed by T Prakash Rao for Shatrujit Films. The movie had Ashok Kumar, Mala Sinha, Joy Mukherjee, Ashish Kumar, Mumtaz, Achla Sachdev, Mukri, Dhumal, Mehmood etc in it.
Read more on this topic…


“Saaranga” (1960) was a Sharad Productions movie. It was directed by Dhirubhai Desai. The movie had Sudesh Kumar, Jayshree Gadkar, Nilopher, B. M. Vyas, Niranjan Sharma, Indira Bansal etc in it.
Read more on this topic…


“Tangawaali”(1955) was a Kuldeep Pictures presentation. It was directed by Lekhraj Bhakri. The movie had Anita Guha, Balraj Sahni, Nirupa Roy, Shammi Kapoor, Jayant etc. Not much information is available about this movie on internet.
Read more on this topic…


“Ghar Ki Laaj” (1960) is quite an obscure movie. This movie was a Navkala Niketal Production. It was directed by V M Vyas. The movie had Sohrab Modi, Feroz Khan, Nirupa Roy, Kumkum, Sheela Kashmiri, Johnny Walker etc in it.
Read more on this topic…


If one wants to get any work done from someone, then one needs to request them politely and respectfully. And in many cases, this works like a charm.
Read more on this topic…


“Heer” (1956) is a story based on the Punjabi Tragic love story of Heer Ranjha, which has been an important source of inspiration for several Hindi movies.
Read more on this topic…


Here is a mourning song from “Batwaaraa” (1961). No one had died. It is the age old relations that have are getting severed though. The two brothers, who lived under the same roof, now want to partition the home as they cannot see eye to eye with each other. So a wall is being erected right in front of the courtyard to partition the house into two.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FIFTEEN years. This blog has over 18300 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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(© 2008 - 2024) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

18305

Number of movies covered in the blog

Movies with all their songs covered =1411
Total Number of movies covered=4951

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