Archive for the ‘Wedding song’ Category
Ghodi pe hoke sawaar
Posted on: April 26, 2018
- In: "Baaraat" song | "Horse" song | "This song is from THIS film ?" | Century songs for the blog | Guest poster century song | Guest posts | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Raja | Rafi solo | Rafi songs | Songs of 1970s (1971 to 1980) | Songs of 1973 | Wedding song | Yearwise breakup of songs
- 9 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 200th writeup of Raja in the blog.
| Blog Day : | 3569 | Post No. : | 14303 |
It’s been exactly five weeks since my last post here – but somehow it feels much longer. I’m reminded of that famous dialogue from Aandhi (1975) – “waise to ammavas pandrah din ki hoti hai, lekin is baar bahut lambi thi.” 🙂 These five weeks felt like five months.
One possible reason for this is that this happens to be my 200th post on this blog. So I’ve been on 199 for 5 weeks. Even Mudassar Nazar would be proud of my achievement. 🙂 Since this is IPL season, it’s also safe to say that franchisees wouldn’t exactly be falling over each other, outbidding each other to try to buy me at an IPL auction. 🙂
Not that I haven’t been nudged or reminded about this.
When I sent in my previous post, Atul told me it was my 199th and nudged me to get the 200th soon.
Peevisie’s Mom called me a while ago and reminded me of this.
One of Atul’s recent posts also nudged me (hint, hint!) to run that quick single.
And our Atulite whatsapp group also decided that it was high time.
And so I too decided today – yes, it is high time. This is unacceptable, even by Mudassar standards.
So here is the post – with due apology to everyone for this 5-week delay. And thanks to all who nudged me along the way. I needed it.
Actually, I had planned this 200th much earlier. Since I usually pick anniversaries for my posts, my first idea was Farooque Sheikh’s anniversary. That didn’t happen. Then, I’d planned for Jeetendra’s birthday. On both occasions I’d finalized the song – but, for a variety of reasons that I will not get into right now, I never got around to writing the post. No excuses though – if Atul can write up and post songs every single day, I just cannot have an excuse for taking five weeks for one post. 🙂
I see that these songs aren’t posted yet, so I can still write them up – no need for a specific occasion. In fact, the Jeetu song would be quite suitable for this post too – but I’m going with this particular one because it happens to have Moushumi Chatterjee in it too – and it is Moushumi’s birthday today. The Jeetu song can wait.
The song I’ve picked for today is an iconic song for a particular occasion – the baaraat in a wedding.
When I was very young, the song “meri pyari beheniya banegi dulhaniya” became very popular. Thanks to my name, I used to be constantly teased “bhaiya raja bajaayega baaja”.
This was in addition to another “baaraat” song for which I used to be teased – the famous “raja ki aayegi baaraat” from Aah (1953).
These were both regulars at any baaraat.
And then there was “ghodi pe hoke savaar”, today’s song.
It also became a very popular song for baaraat occasions – especially if the bridegroom was on a horse. The words suit the occasion perfectly, so it was only natural this song would play on the occasion.
“Ghodi pe hoke savaar” was not only popular then – I suspect, it’s still popular. Which is why I was very surprised to discover that it had not yet been posted on this blog. I know Atul has a category along the lines of “how come this song is not yet posted yet”. This song is the mother of all songs in that category, considering it’s almost ten years for this blog now. 🙂
In fact, this film “Ghulam Begum Baadshah” (1973) has not made an entry yet on the blog. So this is a debut for this film here. There’s a 1956 film by the same name which has songs here but, for this film, this is the first.
For me, another category that this song slips into – but is not a recognized category here – is “this song is in THIS film?”.
I’d heard this song umpteen times in my life – but never really got to know the name of the film it was from.
And then, a few years ago, I saw a film “Ghulam Begum Baadshah” (1973) prompted to me on youtube. It piqued my interest – I’d never heard of this film before, it was a 1970s film, it had Moushumi in it (I quite like Moushumi) – so I decided to give it a go.
When the prelude to the song started, I thought it sounded very familiar. And then when the song started, I was totally in this “ye gaana IS film ka hai?” mode. It was a very pleasant surprise.
It wasn’t the only one.
I remember that even the film turned out to be a pleasant surprise. Ok, I had zero expectations from it (that’s usually how I avoid disappointment :-)), but even so, it held my interest to the very end.
I remember there were scenes of patriarchy that annoyed me but what I liked most about the film was Moushumi and her role. From what I remember of her role, it had a lot of spunk.
As we know, in many movies, especially in earlier eras, the women are shown as weaker than the men. They need to be protected, they are subservient, they often don’t even have a mind of their own. They’re subdued, they’re shy. They’re not often shown as smart, thinking women.
In this film, from what I remember of it (I don’t remember the details well), Moushumi is shown as anything but weak. She gives as good as she gets, refusing to cower down to bullying. And when she is in a difficult situation, she finds her own way to get out of it, instead of depending on the male characters to solve her problems for her.
This is what I liked most about the film. And there’s a nice twist at the end too.
The film has Kumud Chugani too – always nice to see her in a film as well.
So if you haven’t watched this film – and want to watch a 1970s film – you could give it a shot. But don’t shoot me if you don’t like it – apni apni pasand. And I don’t claim to have high standards. 🙂
The song itself is by Rafisaab – and considering it’s an early 70s song, it was during his “lean” period. But even during this period, he had popular songs like this one – and “teri galiyon mein na rakhenge kadam” and “aaj mausam bada be-imaan hai”.
I think he does full justice to the song – singing it with gusto, as you’d expect on the occasion of a baaraat. The way midway in the song he pronounces “ghodi” is deliberately upbeat.
The lyrics are by Rajinder Krishan, music by Kalyanji-Anandji.
I hope you enjoy listening to this song as much as I do.
Once again, a very happy birthday to Moushumi Chatterjee. I think I’ve written a full post on her earlier – she was one of my favourite heroines in the 70s.
Whew! Got that 200th out of the way. Relief! 🙂 And thanks for tolerating me for these 200 posts.
Song-Ghodi pe hoke sawaar (Ghulaam Begam Baadshah)(1973) Singer-Rafi, Lyrics-Rajinder Krishan, MD-Kalyanji Anandji
Chorus
Lyrics (Provided by Prakashchandra)
ghodi pe hoke savaar
chala hai dulha yaar
kamariyaa mein baandhe talwaar
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa
ghodi pe hoke savaar
chala hai dulha yaar
kamariyaa mein baandhe talwaar
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa
kal tak bechaara humsaa kunwaara
phirta thha gali gali maara maara
kal tak bechaara humsaa kunwaara
phirta thha gali gali maara maara
dekhi ik chhokri
phoolon ki tokri
bolaa dil thhaam ke main haara haara
bolaa dil thaam ke main haara haara
yaar ko mubaarak ho
mohabbat ki baazi
o yaar ko mubaarak ho
mohabbat ki baazi
miya biwi raazi
to kya karegaa kaazi
sadaa phoole phale donon ka pyaar
ghodi pe hoke savaar
chala hai dulha yaar
kamariyaa mein baandhe talwaar
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa
dulhan ki dhun hai
kaisa magan hai
hoga milan dekho abhi abhi
haan
dulhan ki dhun hai
kaisa magan hai
hoga milan dekho abhi abhi
shaadi ki masti
lagti hai sasti
padti hai mehengi bhi kabhi kabhi
haan haan padti hai mehengi bhi kabhi kabhi
ye baat mat bhoolna pyaar ki bahaarein
ye baat mat bhoolna pyaar ki bahaarein
nanhe munne bachchon ki lagaa dengi kataarein
tab utarega jaake khumaar
ghodi pe hoke savaar
chala hai dulha yaar
kamariyaa mein baandhe talwaar
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa
ghodi pe hoke savaar
chala hai dulha yaar
kamariyaa mein baandhe talwaar
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa
Didi tera dewar deewaana
Posted on: April 18, 2018
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3561 | Post No. : | 14279 |
Today’s song is from the blockbuster of the 90’s decade, ‘Hum aapke hain kaun’-94 (HAHK). The song ‘Didi tera devar deewana’ is sung by Lata Mangeshkar, S P Balasubramanyam and chorus. The Dev Kohli song is composed by Ramlaxman.
Many of the readers may find it difficult to digest that this comparatively ‘New’ song is discussed by a person who usually writes on ‘antiques ‘, i.e. songs from films of 30s and 40s. A solid jump of 50+ years ? Wonder pe Thunder ! You need not be surprised.
It is not that I do not like new films or songs, but nowadays everything about these films or songs is discussed on Print and TV media so much, that there is hardly anything left to write about. In any case, I have discussed earlier many songs from films of 80s,90s and 2000 and after that also. For example a song from film Lagaan-2001 was discussed,also from Zubeida-2000, Chameli ki shaadi-88 etc were discussed by me. In this connection, my favourite thinking is “Not all that was made before 1970 was good and not all that is made after 1970 is bad “.
These days I have lost patience to sit through 2 and more hours to watch a film, but I do have some new films listed as my favourites too. ( I saw these films in instalments,on TV). In recent times, few films impressed me no end. Film ‘Hum apke hai kaun'(hereafter called HAHK)-94 is one of them. I genuinely liked the film and few of its songs. The film came as a Puff of fresf air amidst the cluster of third rate meaningless movies. This Rajashri film totally fulfilled its purpose of clean entertainment. Though established in 1947, Rajashri films’ first noteworthy film was Aarti-62, followed by Dosti-64. From the 60s to the 80s, they gave many successful clean family entertaining films.
In 1988, Rajashri brought an era of Love stories that crossed class barriers. Film ‘Maine pyar kiya’-88 was a love story that touched hearts of youngsters. The film introduced a young Director Sooraj Barjatya ( grandson of the founder of RF) and also brought a star Salman Khan to make him a Superstar. It was his just second movie in career.
The same team came back in 5 years with HAHK and the film made all other hits like Sholey and Jai Santoshi Maa look like ‘also ran ‘! Few people know that HAHK is a remake of Rajashri’s own film “Nadiya ke paar-82”, starring Sachin, Sadhna Singh,Inder Thakur, Mitali etc etc. ( Inder Thakur died in Air India crash soon after.)
As is well known, the famous painter M F Hussain had crush on Madhuri. He saw film HAHK 85 times-as per a report in Indian Express (variously differing in other news portals from 60 to 90 times !). He then made a film ‘Gajgamini ‘-2000, with Madhuri. As expected, the film was a disaster at the Box Office. He also made lot many paintings of Madhuri ( she took payments per sitting).
As per a report in Indian Express, Madhuri got paid an amount of 2.75 crores for HAHK role of Nisha. It was also the first film to cross a collection of 1 Billion. With an investment of just 43 million, the film grossed 3.1 Billion in all. In 1994, mind you ! It was described as “the biggest Block Buster of Modern Era”. The film won Film Fare awards for Best Film, Best Director and of course best Heroine. It bagged the National award for Best popular film providing Wholesome Entertainment.
Why did the film become so captivating for the Indian audience ? The reasons could be…..
1. We like big business families with big houses with big lawns, so that Cricket can be played.
2. We love big weddings with all details,games,dance and music.
3. Nowadays, as a result of HAHK, no wedding is complete without Dance and music.
4. We love to see beautiful girls and handsome naughty boys falling in Love.
5. Comedy plots are a must.
6. Interesting characters like Anupam kher and Bindu.
7. New meaning for coughing…for young boys and girls.
8. Chhup Chhup ke Pyaar !
9. Active and clever Dog.
10. A Happy Ending !
Madhuri Dixit is my favourite actress ( but I am not MFHussain,please). Once I had a pleasure to get introduced to her when I went to a relative who stayed on the first floor of the same building where Madhuri stayed on second floor. She had come to them like an ordinary Marathi Mulgi in casual dress and still looked beautiful. Madhuri was born on 15-5-1967 and her first film was Abodh-84. She acted in 71 films. She came in limelight with her dance on song ‘Ek do teen…’from Tezaab-88. It was choreographed by Saroj khan. Same year she did a controversial scene with Vinod Khanna in film “Dayavaan”-88. In 1993, she created waves with her dance and song “Choli ke peeche..” in film Khalnayak. This too was choreographed by Saroj khan. Her last film released is ‘Total Dhamaal”-2018, directed by Inder Kumar.
Salman khan ( Abdul Rasheed Salim Salman khan) was born on 27-12-1965. Except for his first 2 films, I never liked him, as an actor and a human being. That of course is besides the point. His films mostly run full houses. Till today he acted in 106 films,his latest being Loveratri-2018. 2 films are slated for release in 2019 already.After success of these 2 initial films, Salman khan thought that the Filmy name of ‘ PREM ‘ was lucky for him. Subsequently, till 2015, he has used name PREM in 15 films. ( by the way, Amitabh Bachhan used the name VIJAY in 20 films till 2010, Jeetendra used it in 18 films and Mithun used it in 16 films.)
The film’s music played a major role in its success. The Music Director was Ramlaxman. Originally, it was a team of two brothers- elder was Surendra and the Younger was Vijay Patil. They used to be a part of professional orchestras, doing public shows all over Maharashtra. The popular and very successful Comedian of Marathi cinema- Dada Knodake was impressed with the duo and offered them his film, ” Pandu Havaldar-75″. It was Dada Kondake who gave them the name Ram Laxman since they were brothers. Film’s music became very popular and they gave music to Dada Kondke’s 11 films in a row, from 75 to 82. Their first break for Hindi films came in 1977 with Agent Vinod.
The elder brother expired immediately after their first film itself, due to Jaundice. Vijay decided to continue the name Ramlaxman. His first major break in Hindi came after 25 films. ‘ Maine Pyar Kiya”-89 was a Musical hit film. Within next 5 years and another 25 films he gave music to HAHK. This time he hit Gold. The success was unprecedented and long lasting. Till 2016, he gave music to 61 Hindi films, with 433 songs to his credit. Side by side, he was doing Marathi films also. From 1975 to 2011 i.e. in 36 years, he did 37 Marathi films.
The story of Hum Apke hai kaun-94 was–
It is a very simple plot. Mohnish Behl ( Rajesh Nath) and Salman ( Prem Nath)are brothers raised by their bachelor uncle Alok Nath ( Kailash Nath). Alok Nath arranges an engagement for Mohnish Behl with Renuka Shahane ( Pooja), daughter of his old friends Anupam Kher ( Prof. Sidharth Caudhary) and Reema Lagoo ( Mrs. Chaudhary). At the engagement, Salman meets Renuka’s younger sister Madhuri ( Nisha). Through the engagement, marriage, and then preparations for the birth of Renuka and Mohnish’s first child, Salman and Madhuri secretly flirt and become closer and closer. Finally, they reveal their love to Renuka who immediately approves and declares her plan to arrange their engagement (in her role as the oldest female in Salman’s family). But before she can tell anyone else, she dies after a tragic fall, leaving her son motherless. In an effort to provide a mother for the baby, Alok suggests to Anupam and Reema that Mohnish should marry Madhuri. Madhuri at first misunderstands them to mean Salman. However, even when she learns the truth, she decides not to say anything as it has brought so much joy to everyone to plan this wedding. Salman understands and accepts her decision. At the last moment, the truth is revealed, through a Dog Redo ( Tuffy ). The families understand immediately the purpose of their sacrifice and applaud them for making it, but insist that it is purposeless, Madhuri can move into the household as an aunt rather than a mother to this orphaned baby. Happy Ending with another wedding.
Today’s song ” Didi tera devar deewana” was easily the most popular song of the film ( though I like ” Paise de do joote le lo” more), out of the 14 songs the film had.This number (14) was much above the average number of film songs per film during a period from 1950 onwards- that is about 45 years. The film too was longer than average films. It was 3 hours and 43 minutes running time. Very few people know that this song was ‘ inspired’ ( read copied) from the song ” Saare Nabian”, sung by Ustad Nusrat Fateh Ali Khan. The song tune was forced upon the composer by the producers and the director. The film’s album sold like hot cakes.
Let us now enjoy the teasing song, which is easily one of the longest songs spanning 7m and 38 seconds.
( Credits- Some of the materials for the above article is used from Times of India, Indian Express, Rediff.com, dontcallitbollywood.com,Marathi Chitrapat Sangeetkar kosh, wikipedia,muVys and Encyclopedia of Indian Cinema. Thanks.)
Song-Didi tera dewar deewaana (Hum Aapke Hain Kaun)(1994) Singers-Lata Mangeshkar, S P Balasubramanyam, Lyrics-Dev Kohli, MD-Ram Laxman
Chorus
Lyrics
laa lalala
lailailailai
laalala
laalalaa
lailailailai
laalala
didi tera devar deevaana
ho didi tera devar deevaana
haay raam
kudiyon ko daale daana
haay raam
kudiyon ko daale daana
dhandha hai ye uska puraana
arre dhandha hai ye uska puraana
haay raam
kudiyon ko daale daana
haay raam
kudiyon ko daale daana
laalalala
lailailailailaalalaa
laalalala
lailailailailaalalaa
main boli ke laana tu imli ka daana
magar vo chhuhaare le aaya deevaana
main boli ke machle hai dil mera haaye
vo kharbooja laaya jo nimbu mangaaye
pagla hai koi usko bataana
arre pagla hai koi usko bataana
haay raam
kudiyon ko daale daana
haay raam
kudiyon ko daale daana
oy hoy hoy hoy
didi tera devar deevaana
haay raam
kudiyon ko daale daana
laalalalaa
lailailailailaalalaa
laalalalaa
lailailailailaalalaa
main boli ki laana tu mitti pahaadi
magar vo bataashe le aaya anaadi
main boli khilaa de mujhe tu khataai
vo baazaar se leke aaya mithaai
hmm mushqil hai yoon mujhko phansaana
ye mushqil hai yoon mujhko phansaana
haay raam
kudiyon ko daale daana
haay raam
kudiyon ko daale daana
ui maa
didi tera devar deewaana
haay raam
kudiyon ko daale daana
hoy hoy hoy hoy haan re haan
hoy hoy hoy hoy haan re haan
bhaabhi teri bahna ko maana
o bhaabhi teri bahna ko maana
haay raam
kudiyon ka hai zamaana
haay raam
kudiyon ka hai zamaana
rabba mere mujhko bachaana
o rabba mere mujhko bachaana
haay raam
kudiyon ka hai zamaana
hoy
haay raam
he he he he he
kudiyon ka hai zamaana
pappa papa
tururururururu
pappa papa
tururururururu
hukum apka thha
jo maine na maana
khataavaar hoon main
na aaya nibhaana
saza jo bhi doge
vo manzoor hogi
aji meri mushqil
tabhi door hogi
banda hai ye khud se begaana
hey
aji banda hai ye khud se begana
hey hey hey hey hey
haay raam
kudiyon ka hai zamaana
haay raam
kudiyon ka hai zamaana
haay raam
kudiyon ka hai zamaana
haay raam
kudiyon ka hai zamaana
haay raam
kudiyon ka hai zamaana
hahahahahaha
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3546 | Post No. : | 14231 |
“Razia Sultan”(1983) was produced by Chitra Bharat and directed by G P Pawar and Kamal Amrohi. The movie had Dharmendra, Hema Malini, Parveen Babi, Pradeep Kumar, Ajit, Vijayendra Ghatge, Jankidas, Sohrab Modi, Veena, Shahu Modak, Heena Kausar, Shree Bhagwan, Husn Banu, Anu Dhawan, Sapru, Mahipal, Roopmala, Reshma, Shakila, Maruti, Sarika, Tajdar Amrohi, Radha Saluja, Madhu Malini, Chitra, Sujata, B M Vyas, Anis Sabri, Geeta Kapoor, Mumtaz Begum, Naseem, Aarti Chopra, M M Baig, Amarjeet, Kalpana, Balraj etc in it.
This is a movie from 1983, and so I have no HFGK available to consult to find out he number of songs in the movie. Going by online sources, I have counted seven songs in the movie. Five of these songs have been covered in the past. Here are the details of these five songs:-
|
Song Title |
Post No. |
Post Date |
| Ae dile naadaan | 150 | 14-Oct-08 |
| Aayi zanjeer ki jhankaar Khuda khair kare | 368 | 10-Dec-08 |
| Tera hijr mera naseeb hai | 374 | 11-Dec-08 |
| Khwaab ban kar koyee aayegaa | 7508 | 14-Feb-13 |
| Jalta hai badan | 8075 | 10-May-13 |
I find that “Hariyaala Banna aaya re” and ae khuda shukr tera” appear to be the two songs from the movie that are yet to be covered. On watching the picturisation, I find that both these songs are picturised together in the movie and so in effect they are reated as two songs in one. Asha Bhonsle, Jagjit Kaur and female chorus sing for ladies playing sahelis of Razia Sultan, the dulhan (Hema Malini) whereas Bhupinder Singh, Mahendra Kapoor and male chorus sing fopr friends of Yakut, the dulha (played by Dharmendra). So in effect, two wedding songs get combined into one in the picturisation.
So in effect both songs need to be covered in one article, viz this article. It seems that the female song is penned by Nida Fazli and male song by Kaif Bhopali. I request our knowledgeable readers to throw light on this matter. The music is of course composed by Khayyam.
So, with these two songs, all the songs of “Razia Sultan”(1983) have been covered. With this, “Razia Sultan”(1983) joins the list of movies that have all their songs covered in the blog.
Song-Hariyaala banna aaya re …ae khuda shukr tera(Razia Sultan)(1983) Singers-Asha Bhonsle, Jagjit Kaur, Lyrics- Nida Fazli/ Kaif Bhopali, MD-Khayyam
Female chorus
Bhupinder Singh, Mahendra Kapoor + Male chorus
Lyrics
hariyaala banna aaya re
hariyaala banna aaya hai
hariyaala banna aaya
hariyaala banna aaya re
hariyaala banna aaya hai
hariyaala banna aaya
aa aa aa aa aa
aa aa aa
aa aa aa aa aa
aa aa aa aa aa
choti goonthhe ghata
paanv choome hina
maang moti bhari
maathhe jhoomar saja
aa aa aa aa
aa aa aa aa
choti goonthhe ghata
paanv choome hina
maang moti bhari
maathe jhoomar saja
banni ke jo man bhaaya re
hariyaala banna aaya re
hariyaala banna aaya
ae khuda shukra tera
aye khuda shukra tera
shukra tera
shukra tera
ye mera yaar chala
baandhke sar par sehra
aye khuda shukra tera
aye khuda shukra tera
shukra tera
shukra tera
ye mera yaar chala
baandh ke sar par sehra
aisa sehra gul-o-gulzaar na dekha na suna
aisa naushaah ha mere yaar na dekha na suna
aisa bemeez(?) haseen pyar na dekha na suna
aaisa dildaar tarajaar na dekha na suna
saari duniya ki
saari duniya ki zubaanon pe hai ghar ghar sehra
ye mera yaar chala baandh ke sar par sehra
hariyaala banna aaya re
hariyaala banna aaya re
hariyala banna aaya
aa aa aa aa aa
aa aa aa
aa aa aa
aa aa aa aa aa aa
aa aa aa
aa aa aa aa
aa aa aa
aa aa aa aa
aa aa aa
devtaaon ke man hain khushi se magan
pi se milne chali saj ke razia dulhan
aa aa aa
aa aa aa
aa aa aa
aa aa aa
devtaaon ke man hain khushi se magan
pi se milne chali saj ke razia dulhan
khushiyon ke chaman laaya re
hariyaala banna aaya re
hariyala banna aaya
waah kya baat hai kya shaan hai subhaan allah
iske har phool mein ek jaan hai subhaan allah
har nazar dekh ke hairaan hai subhaan allah
jisne dekha wahi qurbaan hai subhaan allah
wakeya ye hai
wakeya ye hai ke behtar se hai behtar sehra
ye mera yaar chala baandhke sar par sehra
hariyaala banna aaya re
hariyaala banna aaya re
hariyaala banna aaya
yaa khuda
ye khushi ye masarrat rahe
dulha dulhan ki jodi salaamat rahe
aa aa aa
aa aa aa
aa aa aa
aa aa
rahti duniya talak ye muhabbat rahe
saare aalam mein malika ki azmat rahe
rahmat ka sama chhaaya re
hariyaala banna aaya re
hariyaala banna aaya
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3522 | Post No. : | 14146 |
“Aan Baan” (1972) was produced by Malik Chand Kochar and directed by Prakash Mehra. The movie had Rajendra Kumar, Rakhi, David Abraham, Jagdeep, Pran, Sunder, Kumkum, Som Dutt, Kanhaiyalal, Anwar Hussein, Tabassum etc in it.
The movie had six songs in it. Five of these songs have been covered in the blog. Here are the details of the songs from the movie that have been covered so far :-
|
Song Title |
Post No. |
Post Date |
| Tum meri ho mere siwaa kisi ki nahin | 4186 | 12-Jul-11 |
| Badnaam ho gayaa dil bas aapki badaulat | 4679 | 22-Sep-11 |
| Jab tum ho mere hamsafar khoobsoorat | 8536 | 15-Aug-13 |
| Ooper dekho ya neeche | 9667 | 5-Apr-14 |
| Naam nahin koi dhaam nahin | 14141 | 9-Mar-18 |
Here is the sixth and final song from “Aan Baan”(1972) to appear in the blog. This song is sung by Rafi. Gulshan Bawra is the lyricist. music is composed by Shankar Jaikishan.
The song is picturised as a baaraat song with Rajendra Kumar lip syncing the song as part of the baaraat, being the brother of the dulha. It turns out that he was in love with the dulhan Raakhi all these days and he is doing some sort of “sacrifice” by letting his brother marry his lady love. Those were the days when Hindi movies had some actors who would “sacrifice” out of thin air even when no sacrificing was called for. 🙂
Nevertheless, this song is the sixth and final son from “Aan Baan”(1972) to appear in the blog. with this song, “Aan Baan”(1972) joins the list of movies that have all their songs covered in the blog.
Song-Ke lo ham aaye dulha bhaiyya ke baarati ban ke (Aan Baan)(1972) Singer-Rafi, Lyrics-Gulshan Bawra, MD-Shankar Jaikishan
Lyrics
mat poochho jo khushi ke maare
aaj hai apna haal
aankhon mein chhaayi hai masti
bahek rahi hai chaal
ke lo hum aaye dulha bhaiya ke baaraati ban ke
ke lo hum aaye dulha bhaiya ke baaraati ban ke
aaj duniya hai hamaari ee
haay
aaj duniya hai hamaari chalenge tan ke
ke lo hum aaye dulha bhaiya ke baaraati ban ke
ke lo hum aaye dulha bhaiya ke baaraati ban ke
pyaar ke dekho kaise kaise rang aaye hain sehre mein
hamne apne armaanon ke phool sajaaye sehre mein
pyaar ke dekho kaise kaise rang aaye hain sehre mein
hamne apane armaano ke phool sajaaye sehre mein
dil ke gulshan se ae
haay dil ke gulshan se
laaye hain jo chun chun ke
ke lo hum aaye dulha bhaiya ke baaraati ban ke
ke lo hum aaye dulha bhaiya ke baaraati ban ke
wahaan talak khushiyaan hi khushiyaan
najar jahaan tak jaati hai
khush kismat logo ko kismat aisa din dikhlaati hai
wahaan talak khushiyaan hi khushiyaan
najar jaha tak jaati hai
khush kismat logon ko kismat aisa din dikhlaati hai
isi din ko o
haay
isi din ko gujaare din gin gin ke
ke lo hum aaye dulha bhaiya ke baaraati ban ke
ke lo hum aaye dulha bhaiya ke baaraati ban ke
khushi mein dhadkan tez ho gayi
tej karo lay baaje ki
apni manjil tak aa pahunchi
ghodi dulhe raaje ki
khushi mein dhadkan tej ho gayi
tej karo lay baaje ki
apni manzil tak aa pahunchi
ghodi dulhe raaje ki
ho dil jhoome ae
haay dil jhoome
shehnaayi ki sadaayein sun ke
ke lo hum aaye dulha bhaiya ke baaraati ban ke
ke lo hum aaye dulha bhaiya ke baaraati ban ke
aaj duniya hai hamaari ee
haay
aaj duniya hai hamaari ee
chalenge tan ke
ke lo hum aaye dulha bhaiya ke baaraati ban ke
ke lo hum aaye dulha bhaiya ke baaraati ban ke
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3508 | Post No. : | 14097 |
The film ‘Pyaase Dil’, from 1974 is an unfamiliar and obscure entity. However, not for the readers of this blog. This film has been discussed briefly, and not so briefly, in the three posts of the songs of this film that have appeared so far on this blog. The film has a total of four songs. This post brings forth the fourth and the final song of this film on to the blog today. I am sure the word is already in the mind and lips of the regulars, and I do not have to spell out Yippeee, to mark this event.
The earlier songs that have been posted on the blog are
| Ye Dilnasheen Nazaare Karte Hain Kyaa Ishaare | Pyaase Dil | 6060 | 6-Jun-12 |
| Jhukti Ghata Hamse Kahe | Pyaase Dil | 8558 | 19-Aug-13 |
| Tum Mehekti Jawaan Chandni Ho | Pyaase Dil | 8605 | 29-Aug-13 |
As far as the film is concerned, there is nothing remarkable to be discussed, and maybe nothing remains in the collective public memory about it. But for the music. The songs that this film has, are all memorable, despite the fact that one is still surprised to hear the name of the film connecting to the songs. But well, it has to be. Music compositions are by Khaiyyaam, and the lyrics are written by Jaan Nissar Akhtar. Mukesh has rendered two of the four songs in this film. The third is a duet with Mahendra Kapoor and Jagjit Kaur, and the fourth is a chorus song led by Jagjit Kaur. With this combination, the songs indeed have to be remarkable, although they do nothing much for the film.
The storyline of the film in brief.
Poonam (role played by Alka) lives in a village with her mother (role played by Leela Misra). Together they run a small tea shop in the village. Poonam’s mother is in debt of the local Seth (role played by Maruti). Raja (role played by Aziz Mirza) is a truck driver who fancies Poonam. Romance happens, and they fall in love. Raja promises Poonam’s mother that he will help to payback the Seth’s debt, before he sits in the wedding pandal with her daughter. He gets a dangerous assignment to deliver explosives at a construction site in the hills. It is the day of his wedding. He is returning from his last delivery trip, when his truck meets with an accident, and he is hospitalized.
When Raja does not turn up for the wedding, Poonam’s mother has a heart attack and she passes away. The Seth now wants Poonam married to his son. But the son is aware that Poonam is already carrying Raja’s child before marriage, and he helps her to escape from the village. After three months, when Raja returns, he finds no tea shop, and no trace of Poonam.
After giving birth to a son, Poonam takes the child to a distant town. In the night, she places the child at the feet of a portrait of Jesus in a missionary hospital, and hides herself. The nursing staff discovers the child, and informs Dr. Joseph (role played by Pichoo Kapoor), who is the head of the hospital. Dr. Joseph decides that the hospital will adopt the child. The next day, Poonam, claiming her name to be Asha, also appears at his office, and begs for any work at the hospital. Dr Joseph, sensing a connection, allows her to stay as a cleaning woman.
Years pass. The child is now five years old. Poonam/Asha has worked hard to become a nurse at the hospital. At this juncture, Dr. Anand (role played by Yash Tandon) joins the hospital, leaving a lucrative job in a large city. He takes a fancy to both the child, and the nurse Asha. The child thus far knows Asha only as Didi, as he is not yet aware that she is actually his mother. Romance develops between the doctor and the nurse, and the things start moving towards matrimony, as Anand takes Asha home to meet his mother (role played by Shyama).
A train accident happens close to the hospital, and many injured patients are brought in. Destiny brings Raja also to this hospital, as one of the injured passengers, who has lost his eyesight in the accident. He recuperates, and Anand decides to attempt a difficult operation to restore Raja’s eyesight. In the intervening time, Raja senses something familiar in the voice and touch of the nurse Asha, and Asha realizes that he is her Raja, once the bandages come off his face. The dilemma becomes more complicated, as Raja figures out that Asha is his Poonam, and that he is the father of the child. He also realizes that Anand and Asha/Poonam are getting married.
The eye operation happens. On the day that the bandages are removed, he pretends that the operation has failed and he has not recovered his eyesight. And after some days, feigning blindness, but otherwise fit, he leaves the hospital with a blind man’s walking stick. During his stay, he has had conversations with Anand, about his past. As the story progresses, Anand also figures out the truth, and he confronts Asha. In the conversation he reveals that he is aware of the relationship between Raja, Asha/Poonam and the child. Unknown to them, the child is also listening to the conversation, and he comes to know that the blind patient Raja is his father. He runs away from the hospital, chasing the departed Raja who is pretending to be blind. Anand runs after the child.
The child reaches close to Raja, on a road that has vehicular traffic also. The child comes close to being hit by a vehicle, when Raja, throwing away his stick, rescues the child. Anand also reaches at that moment; all secrets on all sides are now in the open. The happy ending is that the family of Raja, Poonam and child are finally united. But Anand is left alone.
The one important sticky point in this story that makes it un-convincing is that when Asha/Poonam realizes the identity of the patient to be her lost bridegroom-to-be, she should happily reclaim both him and the child. Her silence at this juncture is not explicable. Except that the film would have been shorter by about 30 minutes. 🙂
Today’s song is a wedding song, in which the sahelis of the bride are teasing her. The words tell of the beauty and the comeliness of the bride, about the anxiety of the wait for the groom’s arrival, and also tease her about how her beau will embrace and kiss her. The singing voice is of Jagjit Kaur, accompanied by chorus.
On screen, the song is performed by, well I need help here to identify the lead singer. Is she Prema Narayan? I request other knowledgeable readers and friends to please help to identify her. We also see Alka, dressed up as the bride and waiting for the groom’s arrival. The groom, actor Aziz Mirza, appears for brief moments intermittently, as he is heading back to his village riding the truck that he drives. For a brief moment we also see Benjamin Gilani, seated amongst the guests. He is the best friend of the groom, and he too is anxiously awaiting the arrival of the groom.
The film is produced under the banner of New Ashok International, and is directed by Charandas Shokh. The star case consist of Yash Tandan, Aziz Mirza, Alka, Benjamin Gilani, Kumud Tripathi, Leela Mishra, Pinchoo Kapoor, Maruti, Shyama, Master Teeto. The songs of the film are penned by Jaan Nisaar Akhtar and the music composition is by Khaiyyaam Sb.
With this post, the film ‘Pyaase Dil’ now joins the select group of films with all songs posted here.
Song – Sakhi Ri Sharmaaye Dulhan Saj Ban Ke (Pyaase Dil) (1974) Singer – Jagjit Kaur, Lyrics – Jaan Nisaar Akhtar, MD – Khaiyyaam
Chorus
Lyrics
sakhi ri sharmaaye
dulhan saj ban ke
sakhi ri sharmaaye
dulhan saj ban ke
main waari hothon ki laali par
phoolon bhari baali par
nainon ki pyaali par
angiya ki jaali par
ghazab kare haaye badan tan tan ke
sakhi ri sharmaaye
dulhan saj ban ke
khushboo ye haaron ki
solah singaaron ki
laage najriya gori
tujhko sitaaron ki
ho tujhko sitaaron ki
khushboo ye haaron ki
solah singaaron ki
laage najriya gori
tujhko sitaaron ki
ho tujhko sitaaron ki
ke pad gaye shor
tere joban ke
sakhi ri sharmaaye
dulhan saj ban ke
bolun main gori se
socha hai chori se
jaldi se aaye miley
chanda chakori se
ho chanda chakori se
bolun main gori se
socha hai chori se
jaldi se aaye miley
chanda chakori se
ho chanda chakori se
ke baithe hareyaan sapne sajan ke
sakhi ri sharmaaye
dulhan saj ban ke
dheere se aaye ke
ghunghata uthaaye ke
choomenge sajna tujhe
garwa lagaaye ke
ho garwa lagaaye ke
dheere se aaye ke
ghunghata uthaaye ke
choomenge sajna tujhe
garwa lagaaye ke
ho garwa lagaaye ke
ke gave mann geet
madhur milan ke
ke gave mann geet
madhur milan ke
main waari hothon ki laali par
phoolon bhari baali par
nainon ki pyaali par
angiya ki jaali par
ghazab kare haaye badan tan tan ke
sakhi ri sharmaaye
dulhan saj ban ke
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
सखी री शरमाये
दुल्हन साज बन के
सखी री शरमाये
दुल्हन साज बन के
मैं वारी होठों की लाली पर
फूलों भरी बाली पर
नैनों की प्याली पर
अंगिया की जाली पर
ग़ज़ब करे हाए बदन तन तन के
सखी री शरमाये
दुल्हन साज बन के
खुशबू ये हारों की
सोलह सिंगारों की
लागे नजरिया गोरी
तुझको सितारों की
हो तुझको सितारों की
खुशबू ये हारों की
सोलह सिंगारों की
लागे नजरिया गोरी
तुझको सितारों की
हो तुझको सितारों की
के पड़ गए शोर
तेरे जोबन के
सखी री शरमाये
दुल्हन साज बन के
बोलूँ मैं गोरी से
सोचा है चोरी से
जल्दी से आए मिले
चंदा चकोरी से
हो चंदा चकोरी से
बोलूँ मैं गोरी से
सोचा है चोरी से
जल्दी से आए मिले
चंदा चकोरी से
हो चंदा चकोरी से
के बैठे हरेआन सपने सजन के
सखी री शरमाये
दुल्हन साज बन के
धीरे से आए के
घुंघटा उठाए के
चूमेंगे सजना तुझे
गरवा लगाए के
हो गरवा लगाए के
धीरे से आए के
घुंघटा उठाए के
चूमेंगे सजना तुझे
गरवा लगाए के
हो गरवा लगाए के
के गावे मन गीत
मधुर मिलन के
के गावे मन गीत
मधुर मिलन के
मैं वारी होठों की लाली पर
फूलों भरी बाली पर
नैनों की प्याली पर
अंगिया की जाली पर
ग़ज़ब करे हाए बदन तन तन के
सखी री शरमाये
दुल्हन साज बन के
Baabul chhoot chala tera angnaa
Posted on: February 11, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3495 | Post No. : | 14046 |
“Raakhi” (1962) was produced by Siva H Ganeshan and directed by a Bhimsingh for Prabhuram Pictures, Madras. The movie had Ashok Kumar, Waheeda Rehman, Pradeep Kumar, Mehmood, Ameeta, Malika, Lalita Pawar, Raj Mehra, Randhir, Madan Puri, Shivraj, Mohan Choti, Umesh Sharma etc in it.
This archtypically melodramatic movie had one theme song dedicated to the festival of Rakhi, but other songs from the movie were apparently all wedding songs of different nature- viz from the point of view of the bride, from the point of view of the sister in law etc.
Here is the “baabul ka chhootna” genre of wedding song from “Raakhi” (1962). The song is sung by Lata. Rajinder Krishan is the lyricidt. Music is composed by Ravi. This lyricist-Music director duo have given us several great wedding songs, and this song is one of them.
The song is picturised as a background bidaai song as Waheeda Rehman, after being married off to Pradeep Kumar is deparing in a doli, looked on by Ashok Kumar, playing dulhan ka bhai.
Song-Baabul chhoot chala tera angna (Raakhi)(1962) Singer-Lata, Lyrics-Rajinder Krishan, MD-Ravi
Lyrics
Baabul chhoot chala tera angna
Baabul chhoot chala tera angna
le ke chali tan saja sajaaya
chhod chali man apna
Baabul chhoot chala tera angna
Baabul chhoot chala tera angna
haath huye kya peele mere
ho gayi main to paraayi
haath huye kya peele mere
ho gayi main to paraayi
shahnaayi ki goonj mein kho gayi
baabul meri duhaayi
dil bhi mera tab tab dhadke
jab jab khanke kangna
Baabul chhoot chala tera angna
Baabul chhoot chala tera angna
le ke chali tan saja sajaaya
chhod chali man apna
Baabul chhoot chala tera angna
Baabul chhoot chala tera angna
jis angna mein bhaiyya ke sang
bachpan mera khela
jis angna mein bhaiyya ke sang
bachpan mera khela
us angna mein aaj khada hai
bhaiyya mera akela
jaagti aankhon dekh raha hai
mere sukh ka sapna
Baabul chhoot chala tera angna
Baabul chhoot chala tera angna
le ke chali tan saja sajaaya
chhod chali man apna
Baabul chhoot chala tera angna
Baabul chhoot chala tera angna
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3461 | Post No. : | 13891 |
“Naiyya”(1979) was directed by Prashant Nanda for Chanda Pictures, Bombay. I became aware of this fact when I discussed the earlier songs from this movie. Initially I was under the impression that this movie was a Rajshree Productions movie and once again I reverted back to the same impression with passage of time 🙂
The movie had Zarina Wahab, Prashant Nanda (new discovery for Hindi movies), Baldev Khosa, Dinesh Thakur, Leela Mishra, Mohammad Mohsin (another new discovery), Jageerdaar, Dinesh Hingoo, Nandlal Sharma, c S Dubey, Shail Chaturvedi, Shivraj, Amrish Puri, Pardesi, Om Tripathi, Shankar Bhake, Manmauji, Rooplekha etc, along with guest appearances by Sulochana, Shubha Khote and Jayshree T.
The movie had five songs in it. Three of them have been covered in the past. Here is the fourth song from “Naiyya”(1979) to appear in the blog.
This song is sung by Yesudas and Suresh Wadkar. Ravindra Jain is the lyricist as well as the music director. The song is picturised on Prashant Nanda, Baldev Khosa (I hope I have identified him correctly) and Zarina Wahab.
Song-Tera kuchh khoya ho…Geeta raani Geeta raani hans de zara (Naiyya)(1979) Singers-Yesudas, Suresh Wadkar, Lyrics-Ravindra Jain, MD-Ravindra Jain
Lyrics
tera kuchh khoya ho to dhoondh den
kabhi dil toota ho to jod den
dil na dukha
maan bhi jaa
geeta raani geeta raani
hans de zara aa
hans de o geeta raani
hans de zara
tera kuchh khoya ho to dhoondh den
kabhi dil toota ho to jod den
dil na dukha aa
maan bhi jaa aa
geeta raani geeta raani
hans de zara aa
hans de o geeta raani
hans de zara
saawan ne aawan ka nyota
bheja hai manbhaawan ko
nyota bheja hai manbhaawan ko
o o
ham ne to ek dev ko saupa
tere roop ke chandan ko
gori
tere roop ke chandan ko
hai raam sa aa sajan tera aa
geeta raani geeta raani
hans de zara aa
hans de o geeta raani
hans de zara
ik maanjhi ke ghar se tu gori
raaj mahal mein jaayegi
jaayegi
raaj mahal mein jaayegi
o o o
jo sukh hamne sapne mein dekhe
wo saare sukh paayegi
paayegi
wo saare sukh paayegi
dena nahin
hamko bhula aa
geeta raani geeta raani
hans de zara aa
hans de o geeta raani
hans de zara
main doonga tujhe kajra bindiya
main racha doonga mehandi mahaawar
khud ko bandhak rakh ke loonga
sona karoonga wo tujhpe nichhaawar
haathon ki choodiyaan
main doonga
paanwon ke bichhua
main doonga
chunri saadi
main doonga
main doonga
main doonga
main doonga
main doonga
hey
mil ke tujhe denge saja aa
geeta raani geeta raani
hans de zara aa
hans de o geeta raani
hans de zara
tera kuchh khoya ho to dhoondh den
kabhi dil toota ho to jod den
hamra kaha aa
maan bhi jaa aa
geeta raani geeta raani
hans de zara aa
hansde o geeta raani
hans de zara
Dola utaaren kahaar
Posted on: September 19, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Daaera”(1953) was produced and directed by Kamal amrohi for Kamal Pictures, Bombay. the movie had Meena Kumari, Nasir Khan, Kumar, Roopmala, Nana Palsikar, Protima Devi, Kammo, Jankidas, H Prakash, Romesh Kapoor, Zarina etc in it.
Read more on this topic…
Meri gal sun kajrewaaliye
Posted on: August 5, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Batwaara”(1961) was directed by Karunesh Thakur for Deep and Sandeep Productions, Bombay. The movie had Pradeep Kumar, Nirupa Roy, Rehman, Shashikala, Jawahar Kaul, Jabeen Jaleel, Leela Chitnis, Wasti, Jagdeesh Sethi etc in it.
Read more on this topic…
Aankhen maike mein dil sasuraal mein
Posted on: July 1, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Khyber” (1954) was produced and directed by by Kamal Kapoor for Kapil Pictures, Bombay. The movie had Kamal Kapoor and Nigar Sultana in lead roles supported by Naaz, Tiwari, Niranjan Sharma, BM Vyas, Chaman Puri, Nand Kishore, Dev Raj, Rajan Kapoor, Dichhoo Kumar (Jr.), Roop Kumar, Baby Ratan, Chiman Lal, Charanjit Kumar, Indu Pal etc.
Read more on this topic…
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