Archive for the ‘Wedding song’ Category
Sasuraal mein hogi tu akeli
Posted on: September 16, 2020
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4443 | Post No. : | 15891 |
In my last post on the Blog, I had written about Mohana Cabral, the dancer who had ruled Hindi film industry during 1949-55. After writing this post, I thought that I should do, more or less, a similar exercise on another well- known dancer who was one of the much sought-after dancers during 1955-60, now almost forgotten. She had worked in the films of big banners like R.K. Films, Navketan Films Guru Dutt Films, Filmistan etc. The dancer is Sheila Vaz. And what a coincidence! Both Mohana and Sheila Vaz had Goan background. When Mohana ‘vacated her seat’ from Hindi films in 1955, Sheila Vaz stepped in to fill the vacant seat in 1955.
While Mohana came from theatre background and became dancer in Hindi films, Sheila Vaz came from a dancing background having learnt dancing, especially folk dancing during her teenage days in Mumbai. But unlike Mohana, Sheila Vaz had tough competitions from reigning dancers like Cuckoo, Roopmala and the emerging dancers like Helen, Kumkum, Minoo Mumtaz etc. But Sheila Vaz created a niche for herself among her contemporary dancers in Hindi films. Like Mohana who bid adieu to Hindi films in 1955 after her marriage, Sheila Vaz too left Hindi films in 1960 after her marriage and remained in Mumbai as a housewife keeping aloof from the Hindi film industry.
I could not get much information about Sheila Vaz on the internet or articles in the newspapers/film magazines as to her background, upbringing and as to how she got associated with Hindi films. Some bare information about Sheila was available in an article ‘Dances with Sheila’ written by Karan Bali which appeared in upperstall.com. The article was based on an interview of Sheila Vaz conducted by him in 2009. Since he had interviewed her for his project on the golden age of Hindi cinema, he shared only some background information and her dance songs in the article.
Sheila Vaz’s family hailed from Goa. She was born on October 18, 1934 in Dadar, Mumbai. Her schooling was completed in Mumbai. Simultaneously, she learnt dances especially Indian folk dances. Initially, she had to face some resistance from the family who were against her joining films but eventually she got permission to dance in Hindi films. She began her filmy career with Kishore Sahu’s ‘Mayur Pankh’ (1954) as dancer though Kidar Sharma’s ‘Gunaah’ (1953) was released first. [According to me, she seems to have acted as a chorus dancer in Kidar Sharma’s ‘Shokhiyaan’ (1951) followed by a full-pledged dancer in ‘Maa’ (1952)]. In the interview, Sheila Vaz had said that she was extremely fortunate enough to have worked with legends like Kidar Sharma, Raj Kapoor and Guru Dutt. Her active years in Hindi film industry was during 1955-60. She got married sometime in 1960 after which she quit her filmy career. After marriage, she became Rama Lakhanpal.
Since Sheila Vaz could neither read or understand Hindi, she was given the songs in Roman script and explained their meaning so that she would know what expressions to give. One of many interesting anecdotes revealed during the interview was the shooting of the song ‘leke pehla pehla pyaar’ from CID, which was choreographed by Zohra Sehgal. The song was shot at Worli Sea face and was completed in two days.
I have been working on the filmography of Sheila Vaz and on the songs picturised on her in Hindi films. But I found collating her filmography somewhat a hard task. The reasons were that in some films, she was not accredited. And if accredited, her name appeared as ‘Sheila Vaz’, ‘Sheela Vaz’. ‘Shela Vaz’, ‘Shila Vaz’ or simply ‘Sheela’. In this context, Sudhir ji helped me by sending a list of her films by culling out information from HFGK which has listed 61 films between 1955 to 1961. I compared the HFGK list with my list which I had compiled from checking on the internet with different spellings of Sheila Vaz and also from our Blog which has tagged her songs under the category ‘Sheila Vaz Dance Songs’. With these, my revised list merging with HFGK list provided by Sudhir ji came to a whooping 70 films in about 6 years of her Hindi film career.
Year-wise details of Sheila Vaz’s 70 films are as under:
1952 (1): Maa
1954 (1): Mayur Pankh
1955 (4): House No.44, Sardaar, Shree 420, Tees Maar Khan.
1956 (8): Anokha Jungle, Basre Ki Hoor, CID, Durgesh Nandini, Jallad, Kaarwaan. Patraani, Shatranj.
1957 (23): Abhimaan, Agra Road, Bade Sarkaar, Bansari Bala, Begunaah, Ek Saal, Hill Station, Johny Walker, Maya Nagri, Mirza Sahibaan, Miss India, Mr. X, Nausehrwaan-e-Adil, Pawan Putra Hanuman, Ram Hanuman Yudha, Sant Raghu, Sati Pareeksha, Shaahi Baazar, Sharada, Silver King, Tumsa Nahi Dekha, Ustaad, Yahudi Ki Ladki.
1958 (9):Chaubees Ghante, Hathkadi, Light House, Mr. Qartoon MA, Paravrish, Raj Sinhaasan, Sawera, Solva Saal, Taqdeer.
1959 (11): Bus Conductor, Chaand, Chhoti Bahen, Guesh House, Jagga Daaku, Jaagir, Kaagaz Ke Phool, Madaari, Madhu, Naya Sansaar, Samraat Prithviraj Chauhan.
1960 (8): Bade Ghar Ki Bahu, Bahaana, Duniya Jhukti Hai, Kala Aadmi, Laal Quila, Manzil, Miyan Biwi Razi, Superman.
1961 (5): Batwaara, Chhote Nawab, Modern Girl, Ramlila, Ramu Dada.
Our Blog have listed 33 songs picturised on Sheila Vaz under the category Sheila Vaz dance songs for which video clips are available to watch. There would have been more of her dance songs if the VCDs/DVDs of her other films were available on video sharing platforms. I have listed some of her popular dance songs with links below:
sach keh den gar bura na maano – ‘Maa’ (1952)
tandaana tandaana tandaana – ‘Mayur Pankh’ (1954)
ramaiyya vastavaiyya – ‘Shree 420’ (1955)
leke pahla pahla pyaar – ‘CID’ (1956)
thandi thandi hawa pooche unka pataa – ‘Johny Walker’ (1957)
jaane kaisa jaadoo kiya re – ‘Parvarish’ (1958)
akeli mujhe chhod na jaana – Madaari’ (1959)
suna hai jab se mausam hai pyaar ke kaabil – ‘Ramu Dada’ (1960)
With 70 films to her credit in a short filmy career of 6 years, Sheila Vaz was in great demand for her dance songs. I have watched almost all of her dance songs for which video clips are available. One thing comes out clearly from her dance songs is that she has an electrifying presence in almost all her dance songs. For example, in dil ka haal sune dilwaala, though Sheila Vaz presence in the song is less than one minute out of 5 minutes of song, when she dances with Raj Kapoor, the attention of the audience would be more on her rather than on Raj Kapoor. Similarly, in the song, thandi thandi hawa pooche unka pataa, in my view, Sheila Vaz outperformed Shyama. When the old timers listen to the songs like leke pahla pahla pyaar, they are likely to remember more of Sheila Vaz though Dev Anand and Shakila were also present in the song sequence.
On the basis of my searches, I think only 3 dance songs of Sheila Vaz for which video clips are available are remained to be covered in the Blog. Of the three songs, I present one of her dance songs, ‘sasuraal mein hogi tu akeli’ from the film, ‘Mirza Saahibaan’ (1957). The song is sung by Shamshad Begum and picturised on Sheila Vaz. The song is written by Verma Malik which is set to music by Sardul Singh Kwatra. The audio clip has a shorter version of the song without the second stanza of the video clip.
This song ia probably based on a Punjabi traditional pre-wedding song. And what a guidance to the ‘would be bride’ from her friends!
ban jayiyo na saas ki cheli
saheli zara dat ke rahiyo
Enjoy the dance song.
Video Clip (Longer)
Audio Clip:
Song-Sasuraal mein hogi tu akeli (Mirza Saahibaan)(1957) Singer-Shamshad Begam, Lyrics-Verma Malik, MD-Sardul Kwatra
Chorus
Lyrics(Based on Video Clip)
akadi to akadi leke aaya kakdi
gupchup khaane laga saari
Razia Saeeda aur Fatima ko chhod kar
aayi hai Julekha sarkaari
sasuraal mein tu hogi akeli
saheli zara dat ke rahiyo
teri ulfat hai nayi naveli
saheli zara dat ke rahiyo
sasuraal mein tu hogi akeli
saheli zara dat ke rahiyo
teri ulfat hai nayi naveli
saheli zara dat ke rahiyo
ban jayiyo na
ho ban jayiyo na saas ki cheli
saheli zara dat ke rahiyo
teri ulfat hai nayi naveli
saheli zara dat ke rahiyo
har raat nayi
har baat nayi
har raat nayi ji har baat nayi
ik baat mein sau sau baat nayi ji
ik baat mein sau sau baat nayi
wo raat bhi hogi paheli
haay
wo raat bhi hogi paheli
saheli zara dat ke rahiyo
teri ulfat hai nayi naveli
saheli zara dat ke rahiyo
dildaar mila
tujhe pyaar mila
dildaar mila ji tujhe pyaar mila
gharbaar mila sansaar mila ji
gharbaar mila sansaar mila
mili balam ki oonchi haveli
haay mili balam ki oonchi haveli
saheli zara dat ke rahiyo
teri ulfat hai nayi naveli
saheli zara dat ke rahiyo
phoolon mein pali
naazuk si kali
phoolon mein pali naazuk si kali
lekar khushiyaan ban thhan ke chali ji
lekar khushiyaan ban thhan ke chali
maa baap ko chhod akeli
haay maa baap ko chhod akeli
saheli zara dat ke rahiyo
teri ulfat hai nayi naveli
saheli zara dat ke rahiyo
ban jayiyo na saas ki cheli
saheli zara dat ke rahiyo
teri ulfat hai nayi naveli
saheli zara dat ke rahiyo
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4421 | Post No. : | 15833 |
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Blog 10-Year Challenge (2010-2020) – Song No.58
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25 August 2010 saw this musical wagon chugging along nicely, with its customary six songs in a day getting posted. The first post of the day appeared at 7:40 while the sixth and final post appeared at at 8:14 AM. Six posts within 34 minutes !
Here are the details of the six songs, that appeared in the blog on 25 August 2010:-
| Blog Post number | Song | Movie | Year | Remarks |
|---|---|---|---|---|
| 2840 | Aadhi tum khaa lo aadhi ham khaa len | Fifty Fifty | 1956 | 6 songs out of 8 covered |
| 2841 | Aaja ke intezaar mein | Halaaku | 1956 | YIPPEED (all 8 songs covered) |
| 2842 | Ye jo muhabbat hai ye unka hai kaam | Kati Patang | 1970 | YIPPEED (all 7 songs covered) |
| 2843 | Main jatt yamla paglaa deewaanaa (Pratigyaa) | Pratigyaa | 1975 | Movie made its debut. 2 songs out of 4 covered |
| 2844 | Ankhiyon mein chhote chhote sapne sajaay ke (Naukar) | Naukar | 1979 | Made its debutwith this . 2 songs out of 5 covered so far |
| 2845 | Meri qismat mein tu nahin shaayad | Prem Rog | 1982 | Movie made its debut 3 sons covered out of 6 |
Only two of these six movies have been YIPPEED. So, today four movies are eligible to be covered under Blog ten year challenge.
Three out of these four movies made their debuts in the blog on this day ten years ago.
“Prem Rog”(1982), which made its debut on 25 august 2010 saw two more songs from the movie getting covered later.
Here are the details of these three songs from “Prem Rog”(1982):-
| Song | Date posted | Remarks |
|---|---|---|
| Meri qismat mein tu nahin shaayad | 2 August 2010 | Debut of the movie in the blog |
| Ye pyaar thhaa ya kuchh aur thhaa | 2 June 2012 | |
| Muhabbat hai kyaa cheez hamko bataao | 20 May 2013 |
As blog ten year challenge today, I had some superb songs to chose from. I have gone with this Lata Mangeshkar solo. I have vaguely listened to this song, but when I went through the lyrics of the song, I realised what superb lyrics this song has. It must be one of the best lyrics that Santosh Anand has penned in his HFM career. Music is composed by Laxmikant Pyarelal.
The song is lip synced on screen by Padmini Kolhapure. One can also see Nanda, Sushma Seth, Kiran Vairale, Rishi Kapoor and Bindu in the picturisation.
Lyrics of this song were sent to me by Prakashchandra.
audio link:
video link:
Song-Ye galiyaan ye chaubaara yahaan aana na dobaara (Prem Rog)(1982) Singer-Lata, Lyrics-Santosh Anand, MD-Laxmikant Pyarelal
Lyrics ( audio link) (Provided by Prakashchandra)
ye galiyaan ye chaubaaraa
yahaan aanaa na dobaara
ye galiyaan ye chaubaaraa
yahaan aanaa na dobaara
ab hum to bhaye ae pardesi
ke tera yahaan koi nahin..een
ke tera yahaan koi nahin
le ja rang birangi yaadein
hansne rone ki buniyaadein
ab hum to bhaye ae pardesi
ke tera yahaan koi nahin..een
ke tera yahaan
koyee..ee nahin
meri haathon mein bhari bhari choodiyaan..aaan
mujhe bhaa gayeen hari hari choodiyaan aan
dekh milti hain teri meri choodiyaaan..aaan
tere jaisi saheli meri choodiyaan
tooney peessee woh mehandi rang laayee
meri gori hatheli rachaa..aaayee
teri aankh kyun laadho bhar aayee
tere ghar bhi bajegi shehnaayi
saawan mein baadal se kehna
pardes mein hai meri behna
ab hum to bhaye pardesi
ke tera yahaan koi nahin..een
ke tera yahaan koi naheen
aa Maaye aen
mil lein galey ae
chaley hum
sasuraal chaley
tere aangan mein ae ae apnaa
bas bachpan chhod chale
kal bhi sooraj niklega
kal bhi panchhi gaayenge
sab tujhko dikhaayi denge
par hum na nazar aayenge
aanchal mein sanjo lena hamko
sapnon mein bulaa lena hamko
ab hum to bhaye ae pardesi
ke tera yahaan koi nahin..een
ke tera yahaan koi naheen
dekh tu na..aa hamein aen bhulaanaa
maanaa door hamein hai jaanaa
meri allhhad si athkheliyaan
sada palkon beech basaanaa
jab bajne lagey baajey gaajey
jag lagne lagey khaali khaali
uss dum tu itna samajhna
meri doli…ee
utthhi hai phoolon waali..eee..eee
thhodey din ke ye naate the
kabhi hanste the gaate the
ab hum to bhaye ae pardesi
ke tera yahaan koi naheen
ke tera yahaan
koi naheen
ye galiyaan ye chaubaaraa
yahaan aanaa na dobaara
ab hum to bhaye ae pardesi ..ee
ke tera yahaan koi naheen..een
ke tera yahaan ko..o oyi nahin
Sehre mein dulha hoga
Posted on: June 27, 2020
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4362 | Post No. : | 15687 |
Hullo Atuldom
27th June- birth anniversary of our beloved Panchamda a.k.a RD Burman. We have many posts on this blog which gives us details of his birth, his lineage, and many many other trivia connected with how he got the nickname “Pancham”.
So without wasting time or as some people would like to say ‘zyaada footage khaaye bagair’ I will come straight to today’s song. It is from the 1989 released, Vidhu Vinod Chopra written-produced & directed “Parinda”. It had Madhuri Dixit, Jackie Shroff, Anil Kapoor, and Nana Patekar in a rather grey role. Anupam Kher was there in a special appearance.
Anil Kapoor and Jackie Shroff played brothers. Anupam Kher played Anil Kapoor’s friend and Madhuri’s brother. Jackie Shroff works for the underworld chieftain Anna (Nana Patekar). Anil Kapoor returns from studying abroad and meets his childhood friend Anupam Kher who has become a police officer. He also witnesses his friend being shot down by the underworld and decides to avenge his death.
The movie is interspersed with the tender love and camaraderie that is shared between the brothers and their dreams of having a family complete with wife children etc. Today’s song is when the brothers are thinking of the impending marriage of Anil Kapoor with Madhuri.
“Parinda” had seven songs which were written by Khurshid Hallauri of which one is there on the blog, posted on 15th of May 2015. (It has a sad version which was posted in the comments by Prakashchandraji) There was also a comment there by Prakashchandraji:- “And Who is Khursheed Hallauri ??, the lyricist, Any one who has information about him, Please share with us.” This question still remains.
This movie was planned by Vinod Chopra after his low-budget suspense thriller “Khamosh” failed to find a distributor for theatrical release. “Parinda” received critical acclaim when released. It also won two National awards and five Filmfare awards. It was also selected to represent India at the Oscars that year.
I chose this particular song as it talks of a marriage and we have an active follower of this blog celebrating his anniversary today. He is a big fan of Pancham and his music so I hope he and his life-partner (also known as Satulite in Atuldom) like this song.
Thank You Panchamda for leaving us this fun song.
Audio
Video
Song-Sehre mein dulha hoga (Parinda)(1989) Singers-Shailendra Singh, Suresh Wadkar, Lyrics-Khursheed Halluri, MD-R D Burman
Both
Lyrics
sehre mein dulha hoga,
ghoonghat mein dulhan hogi
haan sehre mein dulha hoga,
ghoongat mein dulhan hogi
masti mein naachenge yaar
ke ghar mein baaja bajega
sehre mein dulha hoga
ghoongat mein dulhan hogi
sehre mein dulha hoga,
ghoonghat mein dulhan hogi
masti mein naachenge yaar
ke ghar mein baaja bajega
ho o aayega jab din woh khushi ka
hosh rahega kisko kisika
hoo ghar aayegi bhaiyya ki dulhan
jhoom uthhega yeh ghar aangan
hey raat suhaani hogi,
chadhhti jawaani hogi
duniya deewaani hogi,
saath me rani hogi
karke sola singaar
ke ghar me baaja bajega
haan sehre mein dulha hoga,
ghoongat mein dulhan hogi
sehre mein dulha hoga,
he ghoongat mein dulhan hogi
masti mein naachenge yaar
ke ghar me baja bajega
poore honge armaan dil ke
honge khush dulhan se mil ke
pyaar se hongi pyaari baatein,
katt jaayengi pal mein raatein
haan saanson mein hogi jwaala
chaabhi hogi na hoga taala
saali hogi na saala,
saala hoga na saali
aaya hai tere dar pe sawaali
shirdiwaale sai baba
shirdiwaale sai baba
aaya hai tere dar pe sawaali
no no no bhaiyya
sawaali nahin saali saali
saali hogi na saala,
chaabi hoga na taala
saali hogi na saala,
chaabi hoga na taala
donon karenge pyaar
ke ghar mein baaja bajega
haan sehre mein dulha hoga,
ghoonghat mein dulhan hogi
sehre mein dulha hoga,
ghoonghat mein dulhan hogi
masti mein naachenge yaar
ke ghar mein baaja bajega
armaanon ki bagiya khilegi,
bhaiyya ko mere dulhan milegi
o o behne lagegi prem ki dhaara
paawan hoga jeewan saara
hoga jo poora saal
godi mein hoga laal
hoga jo poora saal
godi mein hoga laal
haan duniya dekhegi mera kamaal
ho chhorra ganga kinaare waalaa
ho chhorra ganga kinaare waalaa
o khaike paan banaaras waalaa
khuli jaaye band akal kaa taalaa
phir to aisa kare kamaal
seedhi karde sabki chaal
arre arre arre
chaal nahin gadhe
saal saal
hoga jo poora saal
godi mein hoga laal
hoga jo poora saal
godi mein hoga laal
chhota sukhi parivaar
ke ghar mein baaja bajega
sehre mein dulha hoga
ghoonghat mein dulhan hogi
sehre mein dulha hoga
ghoonghat mein dulhan hogi
masti mein naachenge yaar
ke ghar mein baaja bajega
haan baaja bajega
ha ha
arre baaja bajega
baaja bajega
This article is written by Arunkumar Deshmukh, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4347 | Post No. : | 15657 | Movie Count : |
4312 |
Today’s song is from the film “Uljhan” (1942). This was the first of the three same title films. The second came in 1975 and the third was in year 2000. This was the second film by Acharya Art Productions, floated by director N R Acharya. This was after he left Bombay Talkies, to chart out his own path, without either following the splinter group led by S Mukherjee or remaining with the rest of Bombay Talkies staff.
Probably, he thought that with Gyan Mukherjee in Filmistan and Amiya Chakrawarty and Najam Naqvi in Bombay Talkies, he had dim chances of progressing further. Like the splinter group, Acharya too had his own followers, like Anjali Devi and Ramchandra Pal, who stayed with Acharya. In later years, Anjali Devi became Mrs. Acharya too. Obviously, she had her own private agenda in following Acharya.
This film was directed by Acharya himself and the music for the 10 songs written by Lyricist Kailash Matwala, was composed by Ramchandra Pal. The cast of the film was Sardar Akhtar, Mazhar Khan, Krishnakant, Anjali Devi, Amrutlal, Rajkumari Shukla and others.
You find a name Amritlal/Amrutlal in the cast. He was an old time actor, from the beginning of Talkie films. Sometimes he was cast even as Master Amrutlal, because he sang songs too. He was basically a comedian and was known as Chaman in the film line. There is hardly any information-practically Nil- about him available anywhere, like many of the old time artistes. What we know about him is from HFGK alone. He acted in some 20 Talkie films, starting with Vikram Charitra-1932 to film Roop Nagar-1947. There are 23 songs in 10 films on his name also. He stopped singing from the film Pagli Duniya-44. Looks like his old style singing was no more appreciated.
Here too, we find that the Same Name Confusion has played a game. There was an All India famous literature giant Amrutlal Nagar. In spite of his colossal writing work, he spent 7 years of his illustrious career, from 1940 to 1947, in film line. During this period, he wrote 33 songs in 4 films…Sangam-41,Kisi se na kehna-42, Kunwara Baap-42 and Raja-43. Amritlal Nagar ( 17-8-1916 to 23-2-1990) was an extraordinary person. He handled almost every department of Literature-except perhaps Poetry and Autobiography. Short stories, Novels, dramas,travelogues and Lyrics etc etc were written by him During 1940 to 1947 period, he was in the film industry. He wrote stories, s/p, dialogues of as many as 20 films in Bombay , Kolhapur and Madras. He dubbed M.S.Subbulakshmi’s Tamil film ‘ Meerabai’ into Hindi. He also worked to translate Russian films like Zoya and Bukhara into Hindi. He won innumerable awards, including Padma Bhushan and Sahitya academy award. He was one of the very rare Hindi Literature stalwarts to work in the film industry for such a sustained period.
Unfortunately, there is the usual mix up in the filmography of these two wholly different personalities. Added to this confusion, there was also the singer Amrutlal Oza. Novelist Amrutlal Nagar never acted and never sang a song. Amrutlal Oza began his singing career with Film Pujari-1946. Actor singer Amrutlal had stopped singing from 1944 itself. Still, many sites and Blogs and writers get confused and mix up every Amrutlal’s filmography for acting and singing.
In one of my recent posts, I had mentioned that in the early era of Talkie films, the low caste and Tawaif girls joined films so that they could get married to some rich, successful person and lead a respectful life of a housewife. Amongst such girls, few were really capable and helped their partners in conducting their business – like Gauhar Mamajiwala of Ranjit or Mehtab of Minerva. Sardar Akhtar, who was the Heroine of today’s film-Uljhan-42 was also one such capable woman, who married Mehboob Khan and shared his work. How they got married was quite Cinematic too….
The life story of Sardar Akhtar is very interesting. Sardar Akhtar was a Punjabi Muslim born in Lahore in 1915. Her mother was a famous singer on the infamous Hira Mandi Road of Lahore. Akhtar learned singing from her mother and also other ustads. Her younger sister Bahar Akhtar was beautiful and a good singer. These sisters were famous as Daaro and Baharo in Lahore. Bahar was hired by United Players Corpn. of Lahore , as a Heroine in their film ” Qatil Katar “. Producer A R Kardar was also its Hero. They fell in love. Bahar was under strict surveillance by her mother, but with the help of a friend, Kardar abducted her and they were married. When this news reached her mother, Akhtar and her mother made a Police complaint against kardar. Kardar and his unit members were arrested and kept in a lock up for a few days for abducting a Minor girl. They were released when Bahar herself gave a statement in their favour. Kardar destroyed the negatives of his film to prevent Bahar from further acting in films.
After this episode Akhtar started working in dramas. She went to Calcutta and did a small role in the film Dhoop Chhaon-35. From there she came to Bombay and joined Saroj Movietone. She did films like Eid ka chaand,Roop Basant and Naqsh e Sulemani and earned a good name. She acted in films of Minerva and Wadia-mostly stunt action films. Mehboob needed two Heroines for his film Alibaba.. He selected Waheedan Bai and Sardar Akhtar. Akhtar was the younger sister of Bahar-wife of A.R.Kardar. In an article in Filmfare dated 16-8-1957,Mehboob wrote ” the moment I saw Sardar Akhtar, I fell for her and knew that one day she will be my wife.” Sure enough, he married her later.
Mehboob khan gave her a big role in the film Aurat-40 and her image changed. She also did Mehboob’s film Roti, during which they got married on 25-4-1942.. It was during the shooting of film Aurat, Mehboob was attracted towards Jyoti- sister of Waheedan Bai and one of the cast of Aurat- and he started spending time with her, having Tea together, Lunch together etc. Sardar Akhtar noticed this and played her cards well. She encouraged Jyoti to accept outside film offers lest she would be out of circulation. Then she poisoned Mehboob by telling him that Jyoti was not a good girl and that she was more interested in outside film roles. Consequently, Jyoti’s role in the film Aurat was reduced. By the time the film Aurat was completed, Akhtar had fully influenced Mehboob and then insisted on getting married. He too wanted it and they got married just before the film was released.
They did not have any issues but they adopted Saajid khan, child star of film Son of India-62. After Mehboob’s death in 1964 May, Akhtar lived alone, occasionally visiting Sajid khan, who had settled in the USA.
Sardar Akhtar did 44 films. Her last film was Raahat-45. However, she did small roles in films Hulchal-71 and Bandhe Haath-74. Sardar Akhtar sang 92 songs in 27 films. Considering that she was not a regular or playback singer, her 92 songs were highly creditable. Not even 50% of her songs came on gramophone records. During one of her US visits, Sardar Akhtar died there on 2-10-1984. She was a devotee of sufi saint Ashraf khan, her co-star of many films including Roti-42.
Film Historian and author Shri Rajnikumar Pandya ji had interviewed N R Acharya (Nrusinh Prasad Acharya). According to him the film Uljhan-42 was totally based on a Gujarati novel- MALELA JEEV (Souls of oneness), written by Pannalal Patel.
Today’s song is sung by an unidentified female with chorus. It is a good song. With this song, film Uljhan-42 makes it’s Debut on the Blog.
(information used in this post is culled, with thanks,from various sources like ‘Sapnon ke Saudagar’ by Vithal Pandya, Kamlakar P.’s Blog, wiki, Filmdom-1946, ‘Mehboob Khan’ by S.Kinikar and my notes).
Song – Arrey samdhi to darjin ka yaar lagan ke kapde bane (Uljhan)(1942) Singers- Chorus song, Lyricist- Kailash Matwala, MD- Ramchandra Pal
Lyrics
Arrey samdhi to darjin ka yaar
lagan ke kapde bane
Arrey samdhi to darjin ka yaar
lagan ke kapde bane
arre samdhin ne paaala sunaar
arre samdhin ne paaala sunaar
naye naye gahne bane
aha naye naye gahne bane
Arrey samdhi to darjin ka yaar
lagan ke kapde bane
Arrey samdhi to darjin ka yaar
lagan ke kapde bane
kahaan bhaage ye ?? sawaar
kahaan bhaage ye ?? sawaar
bade tum chhaila bane
bade tum chhaila bane
Rupa maaregi jhaadu ki maar
haan haan
Rupa maaregi jhaadu ki maar
haan haan khasam ka yoonhi(??) bane
haan haan khasam ka yoonhi(??) bane
Arrey samdhi to darjin ka yaar
lagan ke kapde bane
Arrey samdhi to darjin ka yaar
lagan ke kapde bane
ek dikhaawan ?? jaan
apni maa ke phhodo kaan
ek dikhaawan ?? jaan
apni maa ke phhodo kaan
Rupa jab bhi gaali dewe
budhiya teri sun na lewe
Rupa jab bhi gaali dewe
budhiya teri sun na lewe
arre sun to sahi o ganwaar
arre sun to sahi o ganwaar
kahaan yoon chalte bane
kahaan yoon chalte bane
bhauji se kahe ??
bhauji se kahe ??
bhaiyya tera jaaye sad
bhaiyya tera jaaye sad
bahan bhare teri kuyen se paani
bahan bhare teri kuyen se paani
Rupa meri ban patraani
Rupa meri ban patraani
maare gin gin ke hunter hazaar
maare gin gin ke hunter hazaar
na unse rote bane
haan haan
na unse rote bane
Arrey samdhi to darjin ka yaar
lagan ke kapde bane
Arrey samdhi to darjin ka yaar
lagan ke kapde bane
- In: Bhupinder Singh songs | Blog ten year challenge (2010-2020) | Calling the beloved | Devnagri script lyrics by Avinash Scrapwala | Duet | Feelings of heart | Guest posts | Lata song | Lata-Bhupinder Singh | love spurned | Lover's Complaint | Lyrics contributed by readers | Missing the loved ones | Post by Avinash Scrapwala | sad song | Songs of 1970s (1971 to 1980) | Songs of 1978 | Wedding Night Song | Yearwise breakup of songs
- Leave a Comment
This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4258 | Post No. : | 15480 |
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Blog 10-Year Challenge (2010-2020) – Song No. 11
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‘Satyam Shivam Sundaram’ (1978) was directed by Raj Kapoor for his home production RK Films, Bombay. He dedicated this movie to his beloved friend singer Mukeshchandra whom we fondly know as Mukesh.
The cast of the film includes Kanhaiyalal, AK Hangal, David, Hari Shivdasani, Leela Chitnis, Sheetal, Baby Padmini, Baby Komal, Tun Tun, Vishwa Mehra, Mansaram, Pardesi, Shriram Shastry, Nandini, Mona, Seema, Mani, Yasmin, Bina, Subroto Mahapatra and Javed Khan.
The story of this movie was written by Jainendra Jain. Radhu Karmakar was the Director of Photography. Raj Kapoor who produced and directed this movie was also the editor of this movie.
HFGK lists nine songs and one dialogue track released on records of this movie. The total nine songs are including of their parts and the title song is mentioned to be in four parts. There are two more songs (the ‘aarti’ and ‘shlokas’ with the titles, and ‘’Yashomati maiyya se boley…’) in the movie having two parts. Narendra Sharma, Anand Bakshi and Vithhal Bhai Patel wrote the songs for this movie. Music for this movie was composed by Laxmikant-Pyarelal. Lata Mangeshkar, Manna Dey, Bhupinder, Mukesh, and Nitin Mukesh who debuted as a singer in this movie had given their voices to the songs in this movie.
This movie was passed by Censor Board on 22.03.1978 with restricted viewing certificate.
Three songs from ‘Satyam Shivam Sundaram-1978’ posted on the blog earlier are as follows;
| Song | Posted On |
| Yashomati maiyya se boley Nandlala | 07.09. 2008 |
| Satyam Shivam Sundaram | 15.03.2010 |
| Suni jo unke aane ki aahat … | 11.02.2020 |
I watched this movie much later in nineties (I think so). However, I remember, in my childhood, the two songs from this movie were very much popular viz. the title song “Satyam Shivam Sundaram“and “Yashomati maiyya se boley Nandlala” as they were frequently played on loud speakers and radio. The title song was also the most favorite number of almost all ‘orchestras’ which used to play it during ‘Ganesh Festival’ or other festival programs. However, I didn’t like both these songs then.
Rather I very much like the song “Chanchal Sheetal Nirmal Komal” and the song being presented today, maybe I heard them on radio during those years. Later on, when I bought the album of this movie (an audio cassette in late eighties) the song “Suni Jo Unke Aane Ki Aahat” also become my favorite song from this movie with all other songs.
When I checked the ‘annual Binaca Geetmala’ for the year ‘1978’ I found ‘Yashomati maiyya se…’ (as expected), at number seven and the song was, surprisingly for me, not the title song of the movie but it was “Chanchal Sheetal Nirmal Komal” ranking at number twenty-four of the list.
Well coming back to the ‘Blog ten-year challenge’ today we have two songs posted on this day ten years back as follows;
| Song | Movie title-Year | Remarks |
| Satyam Shivam Sundaram | Satyam Shivam Sundaram (1978) | 03 of 09 songs posted |
| Hai isi mein pyaar ki aabroo | Anpadh (1962) | All Songs posted on the
Blog |
As one of the movies i.e. ‘Anpadh’ (1962) is already ‘Yippeeee éd’ on the blog we have ‘Satyam Shivam Sundaram’ to be represented with a song on the blog today. The song I have selected today was noted long time back and was pending for posting. It is sung by Lata Mangeshkar and Bhupendra. I like this song very much and particularly for those few lines sung by Bhupendra Singh which makes this song very very special of course with great singing by Lata Mangeshkar and so greatly composed by Laxmikant-Pyarelal to the beautiful lyrics by Vithhal Bhai Patel.
Let us enjoy this wonderful song now …
(Note: – In the movie, this song appears in two parts. The video of the second part is not available now however full audio of this song is available).
Video (Partial)
Audio (Complete)
Song – Sainyaan Nikas Gaye Main Naa Ladi Thi (Satyam Shivam Sundaram)(1978) Singers – Lata Mangeshkar, Bhupendra, Lyrics – Vithalbhai Patel, MD – Laxmikant Pyarelal
Lyrics (Based on audio link)
rangmahal ke dus darwaaze
rangmahal ke..ae dus darwaaze
naa jaane kaun si khidki khuli thhi
sainyya nikas gaye
main naa ladi thhi
sainyya nikas gaye
main naa ladi thhi
sar ko jhukaaye..ae main to
chupke khadi thhi
sainyya nikas gaye
main naa ladi thhi
sainyya nikas gaye..ae
main naa ladi thhi
piyaa..aa..aa
kaun gali gaye shyaam
piyaa..aa..aa
kaun gali gaye shyaam
mori sudh naa leenhi haaye raam
piyaa..aa..aa
kaun gali gaye shyaam
ang mere gehne
pyaasi umariyaa
ang mere gehne
pyaasi umariyaa
jogan ho gayee
main bin sanwariyaa
haathon mein mere ae
mehndi rachi thhi
mehndi mein mere
ansuwan ki ladi thhi
sainyya nikas gaye
main naa ladi thhi
sainyya nikas gaye
main naa ladi thhi
aa aa aa
aa aa aa
chhod piyaa ghar
nehar jaaoon
chhod piyaa ghar
nehar jaaoon
kaun dehri
ab sees jhukaaoon
kar singaar main
dulhan bani thhi
aisi dulhan se
kunwaari bhali thi
sainyya nikas gaye
main naa ladi thhi
sainyya nikas gaye
main naa ladi thhi
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Devnagri Script lyrics (Provided by Avinash Scrapwala)
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रंगमहल के दस दरवाज़े
रंगमहल के ए दस दरवाज़े
ना जाने कौन सी खिड़की खुली थी ई
सैंय्या निकस गए
मैं ना लड़ी थी
सैंय्या निकस गए
मैं ना लड़ी थी
सर को झुकाए॰॰ए मैं तो
चुपके खड़ी थी
सैंय्या निकस गए
मैं ना लड़ी थी
सैंय्या निकस गए॰॰ए
मैं ना लड़ी थी
पिया॰॰आ॰॰आ
कौन गली गए श्याम
पिया॰॰आ॰॰आ
कौन गली गए श्याम
मोरी सुध ना लीन्ही हाए राम
पिया॰॰आ॰॰आ
कौन गली गए श्याम
अंग मेरे गहने
प्यासी उमरिया
अंग मेरे गहने
प्यासी उमरिया
जोगन हो गयी
मैं बिन सांवरिया
हाथों में मेरे॰॰ए
मेहंदी रची थी
मेहंदी में मेरे
अंसुवन कि लड़ी थी
सैंय्या निकस गए
मैं ना लड़ी थी
सैंय्या निकस गए
मैं ना लड़ी थी
आ आ आ
आ आ आ
छोड़ पिया घर
नैहर जाऊं
छोड़ पिया घर
नैहर जाऊं
कौन देहरी
अब सीस झुकाऊँ
कर सिंगार मैं
दुल्हन बनी ई थी
ऐसी दुल्हन से
कुंवारी भली थी
सैंय्या निकस गए
मैं ना लड़ी थी
सैंय्या निकस गए
मैं ना लड़ी थी
This article is written by Arunkumar Deshmukh, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4238 | Post No. : | 15450 | Movie Count : |
4256 |
Today’s song is from the film Jhankar-42. The song is sung by Rajkumari and chorus. It is a traditional song written by Amir Khusro.
This film was a special film for many people. The Music Director of this film was Bashir Dehlavi who started his career as a Music Director with this film. The film was the first film made by the banner-Silver films, Bombay. The director was S. Khalil making his debut with this film. The cast of the film was Chandra Mohan, Pramila, M.Kumar, Azuri, Shehzadi, Gope, Altaf, Ghulam Mohammed, Chandra kumar and many others.
The cast of the film displays names of artistes who had almost passed their best years. Most actors were from the 1930s and now they tended to do side roles since lead roles were not coming that frequently. Due to excess alcohol, the handsome fine actor Chandramohan was on his way to self destruction. By 1949, his condition was worsoned irreversibly and he died of Liver Cirrhosis. Ghulam Mohammed, once a Hero, was reduced to character roles and after Partition he migrated to Pakistan.
Pramila did only one more film Beqasur-50 and retired from films. In 1942, she did 4 films. The last 1942 film she did was her husband’s film Jhankar-42. Kumar shifted his focus to producing and directing films and finally he too migrated to Pakistan. He continued acting in Pakistan films. Altaf was the husband of actress Khurshid jr. (elder sister of Meena kumari), who was getting edged out slowly as an actress. Actress Shehzadi Jr. also migrated to Pakistan after failing as a Producer (Utho Jaago-47). Gope’s and her last film as a leading pair was Hanso hanso aye duniyawalon, also in 1942. After this film, Gope became a Comedian for full time.
With such cast and debutante director and music director, the new company tried to make a Comedy film. I have not seen this film and I could not find its story or review anywhere on internet or in Film India magazine. However, from the film’s advertisements in the magazine and the news bits in it, I find that the film was not very successful, but must have given enough boost for the producers to go ahead and make 6 more films in next 8 years.
One of the owners of this banner- Silver Films – was actor M. Kumar, who was a successful artiste in the 30s and 40s, having worked with many prestigious banners. KUMAR was born in the prestigious family of Syed s of Lucknow-UP in India, on 23-9-1906. His real name was SYED HASSAN ALI ZAIDI. His family used to call him MIJJAN Miyan.
He was a handsome and tall person. He was keen on joining cinema, so he came to Calcutta and joined New Theatres. After doing side roles in Subah ka Sitara-32 and Zinda Lash-32, he was hero in PURAN BHAGAT in 1933. Even Saigal was also in the film.The film was about to be released and suddenly communal riots broke out in Calcutta.The new Theatre management found it difficult to announce a Muslim name of the hero of PURAN BHAGAT, in the tense atmosphere of Calcutta.The director of the film was Kumar Debaki Bose,a person from a Royal family. He took a decision and told Mijjan,” from today, I am giving you a part of my name. You will become KUMAR now.” This solved the film release problem and thus his name became KUMAR, then onwards. Truly enough, Debki Bose, thereafter never used his name Kumar again in his life !
After doing Yahudi ki Larki, Kumar came to Bombay. First he worked in Sagar ( 3 films) , Imperial (2 films)and then joined Ranjit Studios.
He married another actress PRAMILA , who was actually a Jew, Esther Williams. Pramila was later India’s FIRST Miss India in 1947. They got a son and a daughter Naqi Jehan (who too became a Miss India in 1967, exactly 20 tears after her mother.) Naqi acted opposite Rajesh Khanna in Akhari Khat, as a Heroine. Later she married into the business family of Kamdar of Bombay and became Mrs.Nandini Kamdar. Kumar had 3 sons from his earlier marriage. His first wife and children shifted to Pakistan after the Partition.
Kumar did many films in Ranjit, but in 1942, he was removed from Ranjit. At the same time, his friend, CHANDRAMOHAN also left Minerva Movietone (reason-despite PUKAR-39 being a blockbuster, his salary was not increased inspite of a promise by Sohrab Modi).They both decided to launch own company and on 16-3-1942, SILVER FILM CO. was launched. Its first film was Jhankaar-42. They produced Bhalai-43, Bade Nawab Saab-44, Devar-46, Naseeb-45, Dhun-53 and Bahana-60. Kumar acted in these films. He also directed Dhun and Bahana.
He produced and directed Aap-Beeti-1948 under his own company, Kumar Studios.Then under Shama Productions, he made Nahle pe dehla, Dhoom Dham and Dilbar. Later in life he made Badal aur Bijlee and Jungle King under Artists United films. Kumar worked in 73 films as an actor from 1932 to 1963.
From Najma in 1943, Kumar did only character roles in films like Bhishm Pratigya, Dayara, Mahal, Shri 420, Khiladi, Maalik, Baiju Bawra, Yahudi ki Ladki. His memorable role was in Mughal e Azam, that of the sculptor and a famous song-‘Aye mohabbat zindabad’ was shot on him. His last film was Raat aur Din (released in 1967)
In 1963, Kumar migrated to Pakistan, and started to work in Pakistani films without any delay. His son, S. A. Hafiz, who made Tauba, later became one of the best and well known directors of the country. Later he settled in USA. Kamal and Zeba played the lead in Tauba, which became a grand success. Kumar worked in 22 Pakistani films, including Head Constable, Azad, Shabnam, Naela, Saiqa, Sajda (his own film), Hum Dono, Nadya Ke Paar, Ik Musaflr Ik Hasina, Baalam etc. He gave one Superhit and three Hit films in Pakistan. Interestingly, he continued to act in the name of Kumar only, without using his original Muslim name there. Kumar died on 4-6-1982.
Film Jhankar-42 director S.Khalil directed only 7 films – jhankar-42, Nai Zindagi-43, Bhai Jaan-45, Shahkar-47, Sartaj-50, Gunehgar-53 and Benazir-64.
There is one more name ” Chandra Kumar” in the cast. Hardly, anyone will know who this actor was. He was none other than actor Anil Kumar (real name- Sardar Gul), who actually started his career with Minerva Movietone with its first film ” Said-E-Havas”-36, with the name Chandrakumar. After that he took the name Anil Kumar, but in this film he acted with this name, surprisingly. May be in few other films too he used this name.
Actor Anil Kumar (Sardar Gul) was born in 1915 at Calcutta. His father had a fruit business. They were from Peshawar (just like Dilip Kumar). He was not much educated but could speak Hindi, Urdu and English fluently. Once he went to Bombay to meet a friend. There he met an old acquaintance, who took him to Sohrab Modi.
The good looking Sardar Gul was liked by Modi and he offered him the lead role in his film ‘ Saed E Havas’-36. Sardar Gul was given a screen name of Chandra Kumar. The film was based on a translation of William Shakespeare’s drama- King John, by Agha Hashra Kashmiri in 1907. Sardar Gul was to get Rs. 200 for this work. The film was a flop and Sohrab Modi refused to pay him more than Rs 50. Annoyed, he left Bombay and returned to Calcutta.
However he came back in 1938 and did his first film with a new screen name Anil Kumar. The film was Talwar ka Dhani-38. Soon he was well known and acted in 10 films in next 3 years. As the decade of the 40s saw many new actors, producers and directors, he was reduced to Character roles and side roles. By 1950, he was almost like an extra. He did work in many films, but only few films credited him, as his roles were negligible. We find his name in just 30 films, where he was credited, the last such film being Tarzan and Deliailah-64.
Today’s song is sung by Rajkumari and chorus. The MD Bashir Dehlavi started his career with this film and gave music to 6 more films. His last film was Hawai Khatola-46. The song is a traditional one, written by Amir Khusro (1253 – 1325). This song is used in many films. some films are Heer Ranjha-48, Suhag Raast-48, Nadir Shah-68, Maang bharo Sajna-80 and Umrao Jaan-81 etc. Amir Khusro’s some other songs in films are Chhap tilak sab chhini re in Main Tulsi tere aangan ki- 78 and Rain suhag ki jaagi in Junoon-78.
Let us now enjoy this traditional song. With this song, Film Jhankar-42 makes its Debut here.
Song-Kaahe ko byaahi bidesh re lakhi baabul morey (Jhankaar)(1942) Singer-Rajkumari Dubey, lyrics-Amir Khusro, MD-Basheer Dehalvi
Lyrics
Kaahe ko byaahi bides re lakhi baabul morey
Kaahe ko byaahi bides re lakhi baabul morey
Kaahe ko byaahi bides re lakhi baabul morey
gudiya khilaune maine taak mein chhode
gudiya khilaune maine taak mein chhode
chhoda saheliyon ka saath re
lakhi Baabul more
chhoda saheliyon ka saath re
lakhi Baabul more
Kaahe ko byaahi bides re lakhi baabul morey
sona bhi deenha baabul rupa bhi deenha
sona bhi deenha aa aa aa aa aa aa
sona bhi deenha baabul rupa bhi deenha
deenha ratan jadaau re
lakhi baabul more
deenha ratan jadaau re
lakhi baabul more
Kaahe ko byaahi bides re lakhi baabul morey
itna dihin baabul ???
itna dihin baabul ???
saas nanand bole bol re lakhi baabul morey
saas nanand bole bol re lakhi baabul morey
Kaahe ko byaahi bides re lakhi baabul morey
aam tale se dola jo niksa
aam tale se ae ae ae
aam tale se dola jo niksa
koyal sabad sunaaye re lakhi baabul morey
koyal sabad sunaaye re lakhi baabul morey
Kaahe ko byaahi bides re lakhi baabul morey
tu kya boley meri kaali koyaliya
tu kya boley meri kaali koyaliya
chhoda baabul ka des re lakhi baabul morey
chhoda baabul ka des re lakhi baabul morey
Kaahe ko byaahi bides re lakhi baabul morey
Kaahe ko byaahi bides
Phoolon se meri sej sajaao
Posted on: January 10, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4193 | Post No. : | 15376 |
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Blog 10-Year Challenge (2010-2020) – Song No. 2
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“Laal Patthar” (1971) was produced by FC Mehra and directed by Sushir Majumdar. The movie had Raaj Kumar, Vinod Mehra, Hema Malini, Raakhee, Ajit, Asit Sen, Paintal etc in it.
The movie had seven songs in it. Five songs have been covered in the past.
Here is the sixth song from the movie. It is sung by Asha Bhonsle. Neeraj is the lyricist. Music is composed by Shankar Jaikishan.
The song is picturised on Raakhee, with Hema Malini also listening to the song from her room.
[Ed Note: (Update) This song is being included in the Blog 10-Year Challenge (2010-2020). Its 10-year date is actually 11 Jan, but it got posted on 10th.]
Audio
Video
Singer-Phoolon se meri sej sajaao (Laal Patthar)(1971) Singer-Asha Bhonsle, Lyrics-Neeraj, MD-Shankar Jaikishan
Lyrics
phoolon se meri sej sajaa do
aaj main loongi janam dobaara
chanda ki bindiya
taaron ke kangan
sapnon ke laao haar
saanson mein meri kesar mahke
angon mein jhoome bahaar
aisa karo singar sakhi ri
sudh budh bhhoole shyaam hamaara
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4155 | Post No. : | 15323 |
#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet # 89 #
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Welcome all to this post where once again I take you all back to the songs of seventies.
I originally wanted to present this post during the ‘Diwali festival’ since this song brings back my memories of ‘Diwali vacation’ days of my childhood. L liked this song as well as the other songs from this movie.
The song is from the ‘1975 movie ‘Warrant’. I was around seven years old then when the movie was released in 1975.
‘Warrant-1975’ had Dev Anand in lead role. And today 3rd December 2019 is the eighth ‘remembrance anniversary’ (26.09.1923-03.12.2011) of actor, producer, director Dev Anand.
We pay our tributes to him and will always be grateful for some of the great roles he played in the Hindi movies and also for the memorable and everlasting music which was a part of most of his movie.
Many new Dev Anand movies were getting released in those years when I was growing, but we were not getting to watch them then. Here when I say new movies means movies like ‘Ishq Ishq Ishq’, ‘Ameer Ghareeb’, ‘Warrant’, ‘Jaaneman’, ‘Bullet’, ‘Kalaabaaz’, ‘Darling Darling’, ‘Sahib Bahadur’ etc.
Instead in our colony club’s weekly movie screening we were getting to watch many of his old ‘black and white’ movies, like ‘Sarhad’, ‘Bambai Ka Babu’, ‘Jab Pyaar Kisise Hota hai’, ‘Pocketmaar’, ‘Taxi Driver’, ‘Teen Deviyaan’ etc.
And some the movies like ‘Shareef Badmaash’ I watched in a ‘touring talkies’ may be in 1974-75, and I think I watched some of the movies like ‘Joshilaa’, ‘Des Pardes’ during end seventies or early eighties.
I was not a big fan of Dev Anand in my childhood. But my father was a very big fan of him and because of that I became aware of his old movies and songs from them.
And I vaguely remember to have watched ‘Hare Rama Hare Krishna’, ‘Ye Gulistaan Hamaara’, ‘Heera Panna’, and ‘Chhupa Rustam’ with my father when I was a child.
Later on, I watched many of Dev Anand movies between 1981-1988 and after that. However, for this post I am restricting myself and the discussion to the decade 1971-1980 only. In all the movies which I watched later including his ‘coloured’ and ‘black & white’ movies I always liked his acting, dialogues deliveries and his style.
However, I am still to watch many of his movies from the seventies which weren’t successful but their music was always very good.
Let us have a look at the Dev Anand movies released from 1971-1980:
| Sno. | Movie Title | Year | Passed by Censor Board | Director | Music Director | Lyricist |
|---|---|---|---|---|---|---|
| 1 | Gambler | 1971 | 16.02.1971 | Amarjeet | S.D. Burman | Neeraj |
| 2 | Hare Rama Hare Krishna | 1971 | 09.12.1971 | Dev Anand | R.D. Burman | Anand Bakshi |
| 3 | Tere Mere Sapne | 1971 | 13.05.1971 | Vijay Anand | S.D. Burman | Neeraj |
| 4 | Yeh Gulistaan Hamaaraa | 1972 | 30.12.1972 | Atmaram | S.D. Burman | Anand Bakshi |
| 5 | Banarasi Baaboo | 1973 | 20.03.1973 | Shankar Mukherjee | Kalyanji-Anandji | Rajinder Krishan |
| 6 | Chhupaa Rustom | 1973 | 07.05.1973 | Vijay Anand | S.D. Burman | Neeraj, Vijay Anand |
| 7 | Heeaa Pannaa | 1973 | 15.11.1973 | Dev Anand | R.D. Burman | Anand Bakshi |
| 8 | Joshilaa | 1973 | 26.09.1973 | Yash Chopra | R.D. Burman | Sahir Ludhianvi |
| 9 | Shareef Badmaash | 1973 | 31.03.1973 | Raj Khosla | R.D. Burman | Anand Bakshi |
| 10 | Ameer Ghareeb | 1974 | 26.07.1974 | Mohan Kumar | Laxmikant-Pyarelal | Anand Bakshi |
| 11 | Ishq Ishq Ishq | 1974 | 08.11.1974 | Dev Anand | R.D. Burman | Anand Bakshi |
| 12 | Prem Shaastra | 1974 | 08.07.1974 | B.R. Ishara | Laxmikant-Pyarelal | Anand Bakshi |
| 13 | Warrant | 1975 | 01.11.1975 | Pramod Chakravarti | R.D. Burman | Anand Bakshi |
| 14 | Bullet | 1976 | 28.12.1976 | Vijay Anand | R.D. Burman | Anand Bakshi |
| 15 | Jaan-E-Man | 1976 | 30.07.1976 | Chetan Anand | Laxmikant-Pyarelal | Anand Bakshi |
| 16 | Darling Darling | 1977 | 11.05.1977 | Gogi Anand | R.D. Burman | Anand Bakshi |
| 17 | Kalaabaaz | 1977 | 13.05.1977 | Ashok Roy | Kalyanji-Anandji | Anand Bakshi |
| 18 | Sahib Bahaadur | 1977 | 11.05.1977 | Chetan Anand | Madan Mohan | Rajinder Krishan |
| 19 | Des Pardes | 1978 | 24.04.1978 | Dev Anand | Rajesh Roshan | Amit Khanna |
| 20 | Lootmaar | 1980 | 27.09.1980 | Dev Anand | Rajesh Roshan | Amit Khanna |
| 21 | Manpasand | 1980 | 26.06.1980 | Basu Chatterjee | Rajesh Roshan | Amit Khanna |
The songs from this movie ‘Warrant-1975’ are nostalgic for me since my childhood days, and even though I had never watched this movie until I watched it online this year on ‘Diwali’ day.
I think we watched more movies in the summer vacations than the Diwali vacations, naturally because summer vacations would be longer than Diwali vacations.
I always had a very big nostalgia for the famous three movies and their songs which I remember to have watched during the Diwali festival which were released in the same year in 1974.
These are ‘Bidaai’, ‘Roti’, and ‘Roti Kapda Aur Makaan’. I have vague memories of watching these movies with elders in the family or may be all of them viz. my grandmother (my grandfather was still against watching of movies), aunts, uncles, parents and cousins.
I have mentioned about this in my ‘song nostalgia’ on the blog here.
Later I read somewhere that these three movies were released on the same day during Diwali of that year i.e.1974 (14.10.1974, knowledgeable readers can please correct me if I am wrong). Though, now equipped with the information in HFGK if we see the dates of their being given the Censor Certificates are;
Bidaai-09.10.1974, Roti-11.10.1974 and Roti, Kapadaa Aur Makaan-13.09.1974.
And those days ‘hit’ movies always used to run over fifteen weeks to twenty-five weeks. So, people like us staying in near by towns from the city would get to watch the movies on holidays or during the vacations when all family members would visit the city where my grand parents were staying.
‘Warrant-1975’ was passed by Censor Board on 01.11.1975 and I think it was around ‘Diwali’ of that year that this movie must have hit the theatres. And that is why I am reminded of its’ song during ‘Diwali festival’ every year. (The songs from this movie were frequently played either on loud speakers or on radio then and that is why they must have made their way to my impressionable mind then.
I also remember the songs of ‘Ameer Ghareeb’ which were played frequently and I didn’t like them then and they were very irritating to me).
Well, all the three movies that I mentioned above viz. ‘Bidaai’, ‘Roti’, and ‘Roti Kapda Aur Makaan’ were declared as hit or super hit movies of that time. However, in comparison to the above movies I was under impression that the today’s movie ‘Warrant-1975’, was not a successful one, but now sources mentioned that it was among the top ten grossers of that year.
‘Warrant-1975’ was directed by Pramod Chakravarty for N.P. International, Bombay.
It was produced by N.P. Singh.
Here is again one more movie which is dedicated to the ‘police forces’ in the country;
“Dedicated to those Officers and men of our police force who suffered and sacrificed their lives so that their countrymen can live in peace”
‘Warrant-1975’ had Dev Anand, Zeenat Aman, Pran, Dara Singh, Ajit, Satish Kaul, Sulochana, Madan Puri, Jankidas, V.Gopal, Bunty, Aparna Choudhary, Kuljeet, Seema Kapoor, Jagdish Raj, Narbada Shankar, Praveen Paul, Rajan Kapoor, Kirti, Viju Khote, Lambha, Raja Saigal, Rajan Kumar, Manjit, Paul Sharma, Habib, Ujagar, Rajnish, Dhanna, Pehlwan, Birbal, Kirti Kumar, Devdas, Hercules, and many others.
Lalita Pawar, Joginder and Sujit Kumar make friendly appearance in this movie.
Story and screenplay of this movie was written by Sachin Bhowmick. Dialogues were written by Vrajendra Gaur.
Editing of this movie was done by Narinder Arora.
The movie is an interesting movie to watch except few action scenes where Dev Anand is jumping over the buildings and like that are not easy to digest’😊. They could have been avoided and fight scene suitable to Dev Anand’s image would have been much better.
All the stars perform well to their character in the movie and the movie keeps one engaged till the end.
And most importantly music of this movie is very nice and all songs are very good.
The movie had four songs written by Anand Bakshi and composed to music by R.D. Burman.
Kishore Kumar and Lata Mangeshkar gave their voices to the songs in this movie where Kishore Kumar had two solos and one duet with Lata Mangeshkar, and other than the duet Lata Mangeshkar had sung one solo song in this movie.
(*HFGK also mentions the name of Asha Bhonsle in the singer’s list of this movie however movie title clearly mentions the name of Lata Mangeshkar and Kishore Kumar only).
Only one song from this movie featured in the ‘annual ‘Binaca geetmala’ of 1975’ ranking at number twenty-ninth, and it improved by featuring two songs from this movie in the annual ‘Binaca geetmala of 1976 i.e. Ruk jaana o jaana at number twenty-three and ‘main tumse mohabbat karti hoon’ at number thirty-one.
And so, very rightly these two songs have already been posted on the blog and in accordance of their popularity too. 🙂
| Song | Posted on |
|---|
| Ruk jaana o jaana hamse do baatein karke chali jaana | 18.09.2008 |
| Main tumse mohabbat karti hoon | 19.11.2014 |
Today’s song happens when Mehra (Pran) – Chief of Police and his team (read Jagdish Raj and others) are looking for Jailor Arun (Dev Anand) who is on the run with a murder accused. Police is having the information that Arun would be attending the marriage function of Pyara Singh (Dara Singh)’s sister Guddo (Seema Kapoor).
Pran plays the father of Dev Anand and is a Chief of the Police. Dev Anand being a Jailor also and son of the Police Chief is wanted by Police and is on the run. Jailor Arun had helped and eloped with the accused Dinesh and is sheltering him. The reason being that during a revolt by the prisoners and an attempt of ‘jail-break’ Dinesh saves the life of the Jailor.
Jailor (Dev Anand) wants to know that why a ‘murderer’ saved his life and when he could have run to avoid his hanging which was going to take place soon.
So our Jailor wants to know the ‘truth’ and also look for the ‘asli gunahgaar or qaatil’ of a scientist (Madan Puri), after the accused Dinesh finally breaks the ‘secret’ of his being wrongly ‘trapped’ in the ‘murder-case’ and real ‘qaatil’ and ‘culprits’ are some other people and not him.
The plot is interesting and the presentation is having all the ingredients of the ‘seventies’ movies and one can enjoy the movie and the ‘thrill’ of watching it.
Let us now enjoy the song where Dev Anand and Zeenat Aman perform in disguise (for the police and not for us – the viewers) hiding their real identity in the movie.
Zeenat Aman plays Rita Verma who is the daughter of the deceased scientist Madan Puri and is looking for the killer of her father to take revenge of her father’s death. (But here there is a ‘twist’, and I am leaving that for those interested and want to watch this movie) 😊
As mentioned above the song is composed by R.D. Burman and lyrics are by Anand Bakshi.
Kishore Kumar and Lata Mangeshkar have given their voices for Dev Anand and Zeenat Aman respectively in this energetic bnagra style dance song.
I hope you will like this song and enjoy it …:)
Today also happens to the birthday of our own Khyati Ben. We wish her a very happy birthday.
Video
Audio
Song-Ladi najariya ladi chali re phuljhadi(Warrant)(1975) Singers-Kishore Kumar, Lata, Lyrics-Anand Bakshi, MD-R D Burman
Both
Lyrics
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
arri ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghadi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghadi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
dekh rahe ho kyun saahib
aap hamaara yoon chehra
gori ka ghoonghat dekho
saajan ka dekho sehra
aa aa aa aa
aa aa aa
dekh rahe ho kyun saahib
aap hamaara yoon chehra
gori ka ghoonghat dekho
saajan ka dekho sehra
ek prem kahaani kehti hai
phoolon ki har ladi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghadi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
hum jaise bhai jiske
khush-kismat hai woh dulhan
khade huye munh dekhte hain
pyaar mohabbat ke dushman
arre hum jaise bhai jiske
khush-kismat hai woh dulhan
khade huye munh dekhte hain
pyaar mohabbat ke dushman
haay tauba kiske chehre pe
meri nazar jaa padi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghadi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
achcha ab chup ho jaao
mushqil hai ab kuchh kehna
aisi ek khushi hai yeh
bheeg gaye jismein naina
aa aa aa
aa aa aa
achcha ab chup ho jaao
mushqil hai ab kuchh kehna
aisi ek khushi hai yeh
bheeg gaye jismein naina
nainon se saawan bhaado ki
lag gayi jaise jhadi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
ari ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghaddi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi
hadippa ladi
hadippa ladi
hadippa ladi
hadippa ladi
hadippa ladi
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Devnagri Script lyrics (Provided by Avinash Scrapwala)
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लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी ई
अरे लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी ई
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई
लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई
देख रहे हो क्यों साहिब
आप हमारा यूं चेहरा
गोरी का घूँघट देखो
साजन का देखो सेहरा
आ आ आ आ आ आ
देख रहे हो क्यों साहिब
आप हमारा यूं चेहरा
गोरी का घूँघट देखो
साजन का देखो सेहरा
एक प्रेम कहानी कहती है
फूलों की हर लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई
लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई
हम जैसे भाई जिसके
खुश किस्मत है वो दुल्हन
खड़े हुए मुंह देखते हैं
प्यार मोहब्बत के दुश्मन
अरे हम जैसे भाई जिसके
खुश किस्मत है वो दुल्हन
खड़े हुए मुंह देखते हैं
प्यार मोहब्बत के दुश्मन
हाए तौबा किसके चेहरे पे
मेरी नज़र जा पड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई
लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई
अच्छा अब चुप हो जाओ
मुश्किल है अब कुछ कहना
ऐसी एक ख़ुशी है ये
भीग गए जिसमें नैना
आ आ आ आ आ आ
अच्छा अब चुप हो जाओ
मुश्किल है अब कुछ कहना
ऐसी एक ख़ुशी है ये
भीग गए जिसमें नैना
नैनों से सावन भादों की
लग गयी जैसे झड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई
लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी ई
अरे लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई
Pinjoda bhak bhai pinjoda
Posted on: November 20, 2019
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| Blog Day : | 4142 | Post No. : | 15306 |
“Umar Qaid”(1975) was produced by V K Sobti and directed by Sikandar Khanna for Gautam Pictures Bombay. The movie had Sunil Dutt, Reena Roy, Vinod Mehra, Moushumi Chatterjee, Jeetendra(In a dynamic appearance), Asrani, Om Shivpuri, Kader Khan, Krishan Dhawan, Manmohan, Ram Mohan, Master Satyajeet, Sulochana Latkar, V.Gopal, Dinesh Hingoo, Birbal, Dimpy Chauhan, Vandana Shastri, Rajan Kapoor, Ranvir Raj, Raja Duggal etc with special appearances Anju Mahendru, Dev Kumar and Sanjana.
The movie had five songs in it. One song has been covered in the past.
Today (20 november 2019) is the 75th birthday of Minoo Purushottam (DoB 20 november 1944). On this occasion, here is a song from “Umar Qaid”(1975). The song is sung by Minoo Purushottam, Asha Bhonsle, Rafi and chorus. Gulshan Bawra is the lyricist. Music is composed by Sonik Omi.
The song is picturised as a wedding ritual song. It is lip synced by Sanjana (in Minoo Purushottam’s voice), Mausami Chatterji (in Asha Bhonsle’s voice) and Vinod Mehra (in Rafi’s voice). Ranvir Raj, Anju Mahendru, Master Satyjeet and Sulochana Latkar are also visible.
Lyris of the song were sent to me by Prakashchandra.
The song has some unfamiliar non Hindi words. Knowledgeable readers are requested to help suggest corrections in the lyrics wherever applicable.
audio link:
Video
Song-Pinjoda bhak bhai pinjoda (Umar Qaid)(1975) Singers-Minoo Purushottam, Asha Bhonsle, Rafi, Lyrics-Gulshan Bawra, MD-Sonik Omi
Chorus
Lyrics (Audio link) (Provided by Prakashchandra)
hahahahahaaha
hahahahaah
pinjoda bhakkh bhai pinjodaa
bhurrr
pinj pinjoda bhakkh bhayyi pinjodaa
uyyeeee
pinjoda bhakkh bhayyi pinjodaa
bhurrr
pinjoda bhakkh bhayyi pinjodaa
hey pinjoda bhakkh bhayyi
pinjoda bhakk bhayyi
apni baat zaraa maan le hey
ankhiyon se dil dhakk
hum pe bharosaa rakh
saadhuon`on se aake thoda gyaan le ae
pinjoda bhakkh bhayyi pinjodaa
bhurrr
pinjoda bhakkh bhayyi pinjodaa
alakkh niranjan
jo de uskaa to bhalaa
jo na de
uskaa bhi bhalaa
hey raat ke andhere mein
saadhuo`on ke dere mein
raat ke andhere mein
saadhuo`on ke dere mein
sasur saas
teri poojaa karenge
sasur saas teri poojaa karenge
kanyaa poojaa karenge
tera dhyaan dharenge
poojaa karenge
tera dhyaan dharenge
khaayenge piyenge
bas pet bharenge
haayye baalike
baalike pet bharenge
na na na na na na na na
naiyyo naa naiyyo naa
tere dere o julmi (hee)naiyyo naa
naiyyo naa naiyyo na
tere dere o julmi (hee)naiyyo naa
haayye rey main hoon
bholi aur naadaan
badi kamsin aur anjaan
tere mann mein hai shaitaan
tujhko jaan gayee be-imaan
arrey kisi aur ke aagey
daal apnaa daanaa
naiyyo naa naiyyo naa
tere dere o julmi (hee) naiyyo naa
naiyyo naa naiyyo naa
tere dere o julmi (hee)naiyyo naa
pindola dhak bhayyi
pindolaa dhak
pindoaaa dhak bhayyi
pindolaa
hey ae
pindolaa dhakkh bhayyi
pindolaa dakkh
pindolaa bhakkh bhayyi
pindolaa
mehandi suhaag ki haathon mein ae ae
woh rang khushi ke laayegi
mehandi suhaag ki haathon mein
woh rang khushi ke laayegi
phooli na samaayegi pagli ee ee
apnon se hi sharmaayegi
phooli na samaayegi pagli
apnon se hi sharmaayegi
inn rangon mein tu dekhegi ee ee
haayye
aanewaale kal ke sapne ae ae
hoyye
aayenge nazar inn rangon mein
ae ae ae ae ae
tujhko bichhde saathi apne ae
tujhko bichhde saathi apne
apnon se bichhadne ke dukh mein ae ae ae ae
aa aa aankh zara bhar aayegi
mehandi suhaag ki haathon mein
woh rang khushi ke laayegi
o o o o
o o o o
o o o
dil patthar ho jaataa hai yaar
haayye
patthar dil pe rakh lete hain aen aen
haayye
jab apne hi dil ka tukdaa
aa aa aa aa
gehnon se sajaa kar dete hain aen
gehnon se sajaa kar dete hain
uss ghar ki amaanat iss ghar mein aen aen aen aen
kab talak sambhaali jaayegi
mehandi suhaag ki haathon mein
woh rang khushi ke laayegi
phooli na samaayegi pagli
apnon se hi sharmaayegi
hey pinjodaa bhakkh bhayyi
pinjodaa bhakkh bhayyee
apni baat zaraa maan le hey
ankhiyon se dil takk
hum pe bharosaa rakh
saadhuo`on se aake thodaa gyaan le
bhurrr
pinjoda bhakk bhayyi pinjodaa
bhurrr
pinjoda bhakkh bhayyi pinjodaa
pinjoda bhakkh bhayyi pinjodaa
bhurrr
pinjoda bhakkh bhayyi pinjodaa
ghadi aissi aayegi
shaawaa
ke dhadhkan badh jaayegi
shaawaa
khulega phir darwaazaa
shaawaa
aayenge dulhaa raajaa
shawaa
teraa ghoonghat kholenge
phir
tujhe kuchch na bolenge
kyaaa
meri jaan kuchch to bolo
hoyye
ye naazuk lab to kholo
hoyye
phir zara sharmaanaa tu
haan…aaanaa
zaraa si ghabraanaa tu
haan..aanaaa
angoothi liyo nee raani
haan..aanaa…aa
o meri banno raani
haanaa aannaaa
o thodi khushi manaanaa
hamein par bhool na jaanaa
hamein par bhool na jaanaa
hamein par bhool na jaanaa
hamein par bhool na jaanaa
hamein par bhool na jaanaa
hamein par bhool na jaanaa
hamein par bhool na jaanaa
hamein par bhool na jaanaa
Ladki cycle waali
Posted on: November 6, 2019
- In: "bicycle" song | "Dholak" song | "Nok-Jhonk" song | "teasing" song | Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Duet | Guest posts | Harmonium song | Mahendra Kapoor songs | Post by Peevesie's mom | Songs of 1970s (1971 to 1980) | Songs of 1978 | Wedding ritual song | Wedding song | Yearwise breakup of songs
- 2 Comments
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4128 | Post No. : | 15286 |
hullo Atuldom
B. R. Chopra’s romantic comedy “Pati Patni Aur Woh”, based on the “seven-year itch” of Hollywood starring Marilyn Monroe made its blog debut on 25th February 2009 with the most famous song of the movie thhande thhande paani se nahaana chaahiye. After three years na aaj thha na kal thha was posted on the occasion of Kishore Kumar’s Birthdate. After almost a full year Sudhirji gave us this article on a song which can be called as a “movie inside a movie” song.
All the posts with these songs give us a fair idea of what a fun movie “Pati, Patni Aur Woh” was. Hence, I am not writing any gist of the movie. The idea to revisit this movie came as there are promos of a modern version of this movie being shown on Television these days. I found that there are five songs in the movie and three have been posted on the blog. On going through YouTube, I could find only four songs from the movie. (resolution: shall sit through the movie one of these days to see if it has the missing song). I remember that “o duniya ke rakhwale” was used in the movie, actually only one line of the mukhda, when Sanjeev Kumar wants to reset his alarm clock. That was in the voice of Mahendra Kapoor.
I am trying desperately to refrain from writing what a fine actor Harihar Jethalal Jariwala -popular as Sanjeev Kumar- was, or about his comic timing or about his smart looks and smile. I am also not going to list out the wonderful movies that he has acted in or how much I love seeing him in emotional scenes. We have a brilliant post by Sudhirji mujhko to qaatil ki itni pehchaan hai which will give us a picture of the kind of actor Haribhai (as his friends in the industry addressed him).
Today on the occasion of the 34th remembrance day of Haribhai we can have the last available song from “Pati Patni Aur Woh”. It is sung by Asha Bhonsle and Mahendra Kapoor, written by Anand Bakshi and Ravindra Jain was the composer. This lively song is at the wedding of friends of the lead couple, who later go ahead and get married (in the movie 🙂 ). The song kind of follows the qawwali format. This was one of the movies where Sanjeev Kumar acted his age and was not an aged person meaning senior citizen.
Song-Ladki cycle waali (Pati Patni Aur Woh)(1978) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Ravindra Jain
Lyrics
ladki cyclewaali
o o ladki cyclewaali
de gayi raste mein
hoye ae de gayi raste mein
ek pyaar bhari gaali
hoye ladki cyclewaali ee ee
gaali pe chhod diya aa aa
gaali pe chhod diya
aise deewaane ka
tum jaise deewaane ka
sar kyun nahin tod diya
ho o o gaali pe chhod diya aa aa aa
ek chaand sa mukhda hai
hoye ek chaand sa mukhda hai
jiske dupatte ka
ye ae jiske dupatte ka
ek reshmi tukda hai
tukda hai ji
ek chaand sa mukhda hai ae ae
badnaam toh karte ho
o o badnam toh karte ho
naam nahin lete
kyun naam nahi lete
kya maar se darte ho
hoye badnaam toh karte ho o o
kothe te kaanv bole
o bole kothe te kaanv bole
us din ko dekhu
main us din ko dekhoon
jis din tu haan bole
hoye kothe te kaaan bole
mumkin ye mail nahin ee ee
mumkin ye mail nahin
BA pass hoon main
o o BA pass hoon main
koi daswin fail nahi
ja ja mumkin ye mail nahi ee ee
shaabba shabba kudiye shawa
o mundiye shaabba shabba
kya naam tumhaara hai
ho o kya naam tumhara hai
umr toh khaasi hai
ho oo umr toh khaasi hai
ab tak tu kunwaara hai
hoo kya naam tumhara hai ae ae
tu jaldi
haye ni je
tu jaldi jawaan hoti
haye je tu jaldi jawaan hoti
toh shaayad tu hi
hoye toh shaayad tuhi
mere bachchon ki maan hoti
hoye tu jo jaldi jawaan hoti ee ee
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