Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Wedding song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4193 Post No. : 15376

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Blog 10-Year Challenge (2010-2020) – Song No. 2
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“Laal Patthar” (1971) was produced by FC Mehra and directed by Sushir Majumdar. The movie had Raaj Kumar, Vinod Mehra, Hema Malini, Raakhee, Ajit, Asit Sen, Paintal etc in it.

The movie had seven songs in it. Five songs have been covered in the past.

Here is the sixth song from the movie. It is sung by Asha Bhonsle. Neeraj is the lyricist. Music is composed by Shankar Jaikishan.

The song is picturised on Raakhee, with Hema Malini also listening to the song from her room.

[Ed Note: (Update) This song is being included in the Blog 10-Year Challenge (2010-2020). Its 10-year date is actually 11 Jan, but it got posted on 10th.]

Audio

Video

Singer-Phoolon se meri sej sajaao (Laal Patthar)(1971) Singer-Asha Bhonsle, Lyrics-Neeraj, MD-Shankar Jaikishan

Lyrics

phoolon se meri sej sajaa do
aaj main loongi janam dobaara
chanda ki bindiya
taaron ke kangan
sapnon ke laao haar
saanson mein meri kesar mahke
angon mein jhoome bahaar
aisa karo singar sakhi ri
sudh budh bhhoole shyaam hamaara


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4155 Post No. : 15323

#the Decade of Seventies – 1971 – 1980 #
———————————————————–—-
#Bhoole-Bisre Geet # 89 #
—————————————–

Welcome all to this post where once again I take you all back to the songs of seventies.

I originally wanted to present this post during the ‘Diwali festival’ since this song brings back my memories of ‘Diwali vacation’ days of my childhood. L liked this song as well as the other songs from this movie.

The song is from the ‘1975 movie ‘Warrant’. I was around seven years old then when the movie was released in 1975.

‘Warrant-1975’ had Dev Anand in lead role. And today 3rd December 2019 is the eighth ‘remembrance anniversary’ (26.09.1923-03.12.2011) of actor, producer, director Dev Anand.
We pay our tributes to him and will always be grateful for some of the great roles he played in the Hindi movies and also for the memorable and everlasting music which was a part of most of his movie.

Many new Dev Anand movies were getting released in those years when I was growing, but we were not getting to watch them then. Here when I say new movies means movies like ‘Ishq Ishq Ishq’, ‘Ameer Ghareeb’, ‘Warrant’, ‘Jaaneman’, ‘Bullet’, ‘Kalaabaaz’, ‘Darling Darling’, ‘Sahib Bahadur’ etc.

Instead in our colony club’s weekly movie screening we were getting to watch many of his old ‘black and white’ movies, like ‘Sarhad’, ‘Bambai Ka Babu’, ‘Jab Pyaar Kisise Hota hai’, ‘Pocketmaar’, ‘Taxi Driver’, ‘Teen Deviyaan’ etc.
And some the movies like ‘Shareef Badmaash’ I watched in a ‘touring talkies’ may be in 1974-75, and I think I watched some of the movies like ‘Joshilaa’, ‘Des Pardes’ during end seventies or early eighties.

I was not a big fan of Dev Anand in my childhood. But my father was a very big fan of him and because of that I became aware of his old movies and songs from them.
And I vaguely remember to have watched ‘Hare Rama Hare Krishna’, ‘Ye Gulistaan Hamaara’, ‘Heera Panna’, and ‘Chhupa Rustam’ with my father when I was a child.

Later on, I watched many of Dev Anand movies between 1981-1988 and after that. However, for this post I am restricting myself and the discussion to the decade 1971-1980 only. In all the movies which I watched later including his ‘coloured’ and ‘black & white’ movies I always liked his acting, dialogues deliveries and his style.

However, I am still to watch many of his movies from the seventies which weren’t successful but their music was always very good.

Let us have a look at the Dev Anand movies released from 1971-1980:

Sno. Movie Title Year Passed by Censor Board Director Music Director Lyricist
1 Gambler 1971 16.02.1971 Amarjeet S.D. Burman Neeraj
2 Hare Rama Hare Krishna 1971 09.12.1971 Dev Anand R.D. Burman Anand Bakshi
3 Tere Mere Sapne 1971 13.05.1971 Vijay Anand S.D. Burman Neeraj
4 Yeh Gulistaan Hamaaraa 1972 30.12.1972 Atmaram S.D. Burman Anand Bakshi
5 Banarasi Baaboo 1973 20.03.1973 Shankar Mukherjee Kalyanji-Anandji Rajinder Krishan
6 Chhupaa Rustom 1973 07.05.1973 Vijay Anand S.D. Burman Neeraj, Vijay Anand
7 Heeaa Pannaa 1973 15.11.1973 Dev Anand R.D. Burman Anand Bakshi
8 Joshilaa 1973 26.09.1973 Yash Chopra R.D. Burman Sahir Ludhianvi
9 Shareef Badmaash 1973 31.03.1973 Raj Khosla R.D. Burman Anand Bakshi
10 Ameer Ghareeb 1974 26.07.1974 Mohan Kumar Laxmikant-Pyarelal Anand Bakshi
11 Ishq Ishq Ishq 1974 08.11.1974 Dev Anand R.D. Burman Anand Bakshi
12 Prem Shaastra 1974 08.07.1974 B.R. Ishara Laxmikant-Pyarelal Anand Bakshi
13 Warrant 1975 01.11.1975 Pramod Chakravarti R.D. Burman Anand Bakshi
14 Bullet 1976 28.12.1976 Vijay Anand R.D. Burman Anand Bakshi
15 Jaan-E-Man 1976 30.07.1976 Chetan Anand Laxmikant-Pyarelal Anand Bakshi
16 Darling Darling 1977 11.05.1977 Gogi Anand R.D. Burman Anand Bakshi
17 Kalaabaaz 1977 13.05.1977 Ashok Roy Kalyanji-Anandji Anand Bakshi
18 Sahib Bahaadur 1977 11.05.1977 Chetan Anand Madan Mohan Rajinder Krishan
19 Des Pardes 1978 24.04.1978 Dev Anand Rajesh Roshan Amit Khanna
20 Lootmaar 1980 27.09.1980 Dev Anand Rajesh Roshan Amit Khanna
21 Manpasand 1980 26.06.1980 Basu Chatterjee Rajesh Roshan Amit Khanna

The songs from this movie ‘Warrant-1975’ are nostalgic for me since my childhood days, and even though I had never watched this movie until I watched it online this year on ‘Diwali’ day.

I think we watched more movies in the summer vacations than the Diwali vacations, naturally because summer vacations would be longer than Diwali vacations.

I always had a very big nostalgia for the famous three movies and their songs which I remember to have watched during the Diwali festival which were released in the same year in 1974.
These are ‘Bidaai’, ‘Roti’, and ‘Roti Kapda Aur Makaan’. I have vague memories of watching these movies with elders in the family or may be all of them viz. my grandmother (my grandfather was still against watching of movies), aunts, uncles, parents and cousins.
I have mentioned about this in my ‘song nostalgia’ on the blog here.

Later I read somewhere that these three movies were released on the same day during Diwali of that year i.e.1974 (14.10.1974, knowledgeable readers can please correct me if I am wrong). Though, now equipped with the information in HFGK if we see the dates of their being given the Censor Certificates are;
Bidaai-09.10.1974, Roti-11.10.1974 and Roti, Kapadaa Aur Makaan-13.09.1974.

And those days ‘hit’ movies always used to run over fifteen weeks to twenty-five weeks. So, people like us staying in near by towns from the city would get to watch the movies on holidays or during the vacations when all family members would visit the city where my grand parents were staying.

‘Warrant-1975’ was passed by Censor Board on 01.11.1975 and I think it was around ‘Diwali’ of that year that this movie must have hit the theatres. And that is why I am reminded of its’ song during ‘Diwali festival’ every year. (The songs from this movie were frequently played either on loud speakers or on radio then and that is why they must have made their way to my impressionable mind then.
I also remember the songs of ‘Ameer Ghareeb’ which were played frequently and I didn’t like them then and they were very irritating to me).

Well, all the three movies that I mentioned above viz. ‘Bidaai’, ‘Roti’, and ‘Roti Kapda Aur Makaan’ were declared as hit or super hit movies of that time. However, in comparison to the above movies I was under impression that the today’s movie ‘Warrant-1975’, was not a successful one, but now sources mentioned that it was among the top ten grossers of that year.

‘Warrant-1975’ was directed by Pramod Chakravarty for N.P. International, Bombay.

It was produced by N.P. Singh.

Here is again one more movie which is dedicated to the ‘police forces’ in the country;

“Dedicated to those Officers and men of our police force who suffered and sacrificed their lives so that their countrymen can live in peace”

‘Warrant-1975’ had Dev Anand, Zeenat Aman, Pran, Dara Singh, Ajit, Satish Kaul, Sulochana, Madan Puri, Jankidas, V.Gopal, Bunty, Aparna Choudhary, Kuljeet, Seema Kapoor, Jagdish Raj, Narbada Shankar, Praveen Paul, Rajan Kapoor, Kirti, Viju Khote, Lambha, Raja Saigal, Rajan Kumar, Manjit, Paul Sharma, Habib, Ujagar, Rajnish, Dhanna, Pehlwan, Birbal, Kirti Kumar, Devdas, Hercules, and many others.

Lalita Pawar, Joginder and Sujit Kumar make friendly appearance in this movie.

Story and screenplay of this movie was written by Sachin Bhowmick. Dialogues were written by Vrajendra Gaur.
Editing of this movie was done by Narinder Arora.

The movie is an interesting movie to watch except few action scenes where Dev Anand is jumping over the buildings and like that are not easy to digest’😊. They could have been avoided and fight scene suitable to Dev Anand’s image would have been much better.
All the stars perform well to their character in the movie and the movie keeps one engaged till the end.
And most importantly music of this movie is very nice and all songs are very good.

The movie had four songs written by Anand Bakshi and composed to music by R.D. Burman.
Kishore Kumar and Lata Mangeshkar gave their voices to the songs in this movie where Kishore Kumar had two solos and one duet with Lata Mangeshkar, and other than the duet Lata Mangeshkar had sung one solo song in this movie.
(*HFGK also mentions the name of Asha Bhonsle in the singer’s list of this movie however movie title clearly mentions the name of Lata Mangeshkar and Kishore Kumar only).

Only one song from this movie featured in the ‘annual ‘Binaca geetmala’ of 1975’ ranking at number twenty-ninth, and it improved by featuring two songs from this movie in the annual ‘Binaca geetmala of 1976 i.e. Ruk jaana o jaana at number twenty-three and ‘main tumse mohabbat karti hoon’ at number thirty-one.

And so, very rightly these two songs have already been posted on the blog and in accordance of their popularity too. 🙂

Song Posted on
Ruk jaana o jaana hamse do baatein karke chali jaana 18.09.2008
Main tumse mohabbat karti hoon 19.11.2014

Today’s song happens when Mehra (Pran) – Chief of Police and his team (read Jagdish Raj and others) are looking for Jailor Arun (Dev Anand) who is on the run with a murder accused. Police is having the information that Arun would be attending the marriage function of Pyara Singh (Dara Singh)’s sister Guddo (Seema Kapoor).

Pran plays the father of Dev Anand and is a Chief of the Police. Dev Anand being a Jailor also and son of the Police Chief is wanted by Police and is on the run. Jailor Arun had helped and eloped with the accused Dinesh and is sheltering him. The reason being that during a revolt by the prisoners and an attempt of ‘jail-break’ Dinesh saves the life of the Jailor.
Jailor (Dev Anand) wants to know that why a ‘murderer’ saved his life and when he could have run to avoid his hanging which was going to take place soon.
So our Jailor wants to know the ‘truth’ and also look for the ‘asli gunahgaar or qaatil’ of a scientist (Madan Puri), after the accused Dinesh finally breaks the ‘secret’ of his being wrongly ‘trapped’ in the ‘murder-case’ and real ‘qaatil’ and ‘culprits’ are some other people and not him.

The plot is interesting and the presentation is having all the ingredients of the ‘seventies’ movies and one can enjoy the movie and the ‘thrill’ of watching it.

Let us now enjoy the song where Dev Anand and Zeenat Aman perform in disguise (for the police and not for us – the viewers) hiding their real identity in the movie.

Zeenat Aman plays Rita Verma who is the daughter of the deceased scientist Madan Puri and is looking for the killer of her father to take revenge of her father’s death. (But here there is a ‘twist’, and I am leaving that for those interested and want to watch this movie) 😊

As mentioned above the song is composed by R.D. Burman and lyrics are by Anand Bakshi.
Kishore Kumar and Lata Mangeshkar have given their voices for Dev Anand and Zeenat Aman respectively in this energetic bnagra style dance song.

I hope you will like this song and enjoy it …:)

Today also happens to the birthday of our own Khyati Ben. We wish her a very happy birthday.

Video

Audio

Song-Ladi najariya ladi chali re phuljhadi(Warrant)(1975) Singers-Kishore Kumar, Lata, Lyrics-Anand Bakshi, MD-R D Burman
Both

Lyrics

ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
arri ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghadi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghadi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi

hadippa ladi
hadippa ladi ee ee ee

dekh rahe ho kyun saahib
aap hamaara yoon chehra
gori ka ghoonghat dekho
saajan ka dekho sehra
aa aa aa aa
aa aa aa

dekh rahe ho kyun saahib
aap hamaara yoon chehra
gori ka ghoonghat dekho
saajan ka dekho sehra

ek prem kahaani kehti hai
phoolon ki har ladi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghadi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi

hadippa ladi
hadippa ladi ee ee ee

hum jaise bhai jiske
khush-kismat hai woh dulhan
khade huye munh dekhte hain
pyaar mohabbat ke dushman

arre hum jaise bhai jiske
khush-kismat hai woh dulhan
khade huye munh dekhte hain
pyaar mohabbat ke dushman

haay tauba kiske chehre pe
meri nazar jaa padi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghadi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi

hadippa ladi
hadippa ladi ee ee ee

achcha ab chup ho jaao
mushqil hai ab kuchh kehna
aisi ek khushi hai yeh
bheeg gaye jismein naina
aa aa aa
aa aa aa

achcha ab chup ho jaao
mushqil hai ab kuchh kehna
aisi ek khushi hai yeh
bheeg gaye jismein naina

nainon se saawan bhaado ki
lag gayi jaise jhadi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi

ari ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghaddi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi
hadippa ladi
hadippa ladi
hadippa ladi
hadippa ladi
hadippa ladi

——————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————–
लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी ई
अरे लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी ई
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई

लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी

हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई

देख रहे हो क्यों साहिब
आप हमारा यूं चेहरा
गोरी का घूँघट देखो
साजन का देखो सेहरा
आ आ आ आ आ आ

देख रहे हो क्यों साहिब
आप हमारा यूं चेहरा
गोरी का घूँघट देखो
साजन का देखो सेहरा

एक प्रेम कहानी कहती है
फूलों की हर लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई
लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी

हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई

हम जैसे भाई जिसके
खुश किस्मत है वो दुल्हन
खड़े हुए मुंह देखते हैं
प्यार मोहब्बत के दुश्मन

अरे हम जैसे भाई जिसके
खुश किस्मत है वो दुल्हन
खड़े हुए मुंह देखते हैं
प्यार मोहब्बत के दुश्मन

हाए तौबा किसके चेहरे पे
मेरी नज़र जा पड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई
लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी

हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई

अच्छा अब चुप हो जाओ
मुश्किल है अब कुछ कहना
ऐसी एक ख़ुशी है ये
भीग गए जिसमें नैना
आ आ आ आ आ आ

अच्छा अब चुप हो जाओ
मुश्किल है अब कुछ कहना
ऐसी एक ख़ुशी है ये
भीग गए जिसमें नैना

नैनों से सावन भादों की
लग गयी जैसे झड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई

लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी ई

अरे लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4142 Post No. : 15306

“Umar Qaid”(1975) was produced by V K Sobti and directed by Sikandar Khanna for Gautam Pictures Bombay. The movie had Sunil Dutt, Reena Roy, Vinod Mehra, Moushumi Chatterjee, Jeetendra(In a dynamic appearance), Asrani, Om Shivpuri, Kader Khan, Krishan Dhawan, Manmohan, Ram Mohan, Master Satyajeet, Sulochana Latkar, V.Gopal, Dinesh Hingoo, Birbal, Dimpy Chauhan, Vandana Shastri, Rajan Kapoor, Ranvir Raj, Raja Duggal etc with special appearances Anju Mahendru, Dev Kumar and Sanjana.

The movie had five songs in it. One song has been covered in the past.

Today (20 november 2019) is the 75th birthday of Minoo Purushottam (DoB 20 november 1944). On this occasion, here is a song from “Umar Qaid”(1975). The song is sung by Minoo Purushottam, Asha Bhonsle, Rafi and chorus. Gulshan Bawra is the lyricist. Music is composed by Sonik Omi.

The song is picturised as a wedding ritual song. It is lip synced by Sanjana (in Minoo Purushottam’s voice), Mausami Chatterji (in Asha Bhonsle’s voice) and Vinod Mehra (in Rafi’s voice). Ranvir Raj, Anju Mahendru, Master Satyjeet and Sulochana Latkar are also visible.

Lyris of the song were sent to me by Prakashchandra.

The song has some unfamiliar non Hindi words. Knowledgeable readers are requested to help suggest corrections in the lyrics wherever applicable.

audio link:

Video

Song-Pinjoda bhak bhai pinjoda (Umar Qaid)(1975) Singers-Minoo Purushottam, Asha Bhonsle, Rafi, Lyrics-Gulshan Bawra, MD-Sonik Omi
Chorus

Lyrics (Audio link) (Provided by Prakashchandra)

hahahahahaaha
hahahahaah
pinjoda bhakkh bhai pinjodaa
bhurrr
pinj pinjoda bhakkh bhayyi pinjodaa

uyyeeee
pinjoda bhakkh bhayyi pinjodaa
bhurrr
pinjoda bhakkh bhayyi pinjodaa

hey pinjoda bhakkh bhayyi
pinjoda bhakk bhayyi
apni baat zaraa maan le hey
ankhiyon se dil dhakk
hum pe bharosaa rakh
saadhuon`on se aake thoda gyaan le ae

pinjoda bhakkh bhayyi pinjodaa
bhurrr
pinjoda bhakkh bhayyi pinjodaa

alakkh niranjan
jo de uskaa to bhalaa
jo na de
uskaa bhi bhalaa

hey raat ke andhere mein
saadhuo`on ke dere mein

raat ke andhere mein
saadhuo`on ke dere mein

sasur saas
teri poojaa karenge

sasur saas teri poojaa karenge
kanyaa poojaa karenge
tera dhyaan dharenge

poojaa karenge
tera dhyaan dharenge

khaayenge piyenge
bas pet bharenge
haayye baalike
baalike pet bharenge

na na na na na na na na
naiyyo naa naiyyo naa
tere dere o julmi (hee)naiyyo naa
naiyyo naa naiyyo na
tere dere o julmi (hee)naiyyo naa

haayye rey main hoon
bholi aur naadaan
badi kamsin aur anjaan
tere mann mein hai shaitaan
tujhko jaan gayee be-imaan
arrey kisi aur ke aagey
daal apnaa daanaa
naiyyo naa naiyyo naa
tere dere o julmi (hee) naiyyo naa
naiyyo naa naiyyo naa
tere dere o julmi (hee)naiyyo naa

pindola dhak bhayyi
pindolaa dhak
pindoaaa dhak bhayyi
pindolaa
hey ae
pindolaa dhakkh bhayyi
pindolaa dakkh
pindolaa bhakkh bhayyi
pindolaa

mehandi suhaag ki haathon mein ae ae
woh rang khushi ke laayegi
mehandi suhaag ki haathon mein
woh rang khushi ke laayegi

phooli na samaayegi pagli ee ee
apnon se hi sharmaayegi

phooli na samaayegi pagli
apnon se hi sharmaayegi

inn rangon mein tu dekhegi ee ee
haayye
aanewaale kal ke sapne ae ae
hoyye
aayenge nazar inn rangon mein
ae ae ae ae ae
tujhko bichhde saathi apne ae
tujhko bichhde saathi apne
apnon se bichhadne ke dukh mein ae ae ae ae
aa aa aankh zara bhar aayegi

mehandi suhaag ki haathon mein
woh rang khushi ke laayegi

o o o o
o o o o
o o o
dil patthar ho jaataa hai yaar
haayye
patthar dil pe rakh lete hain aen aen
haayye
jab apne hi dil ka tukdaa
aa aa aa aa
gehnon se sajaa kar dete hain aen
gehnon se sajaa kar dete hain
uss ghar ki amaanat iss ghar mein aen aen aen aen
kab talak sambhaali jaayegi

mehandi suhaag ki haathon mein
woh rang khushi ke laayegi
phooli na samaayegi pagli
apnon se hi sharmaayegi

hey pinjodaa bhakkh bhayyi
pinjodaa bhakkh bhayyee
apni baat zaraa maan le hey
ankhiyon se dil takk
hum pe bharosaa rakh
saadhuo`on se aake thodaa gyaan le

bhurrr
pinjoda bhakk bhayyi pinjodaa
bhurrr
pinjoda bhakkh bhayyi pinjodaa
pinjoda bhakkh bhayyi pinjodaa
bhurrr
pinjoda bhakkh bhayyi pinjodaa

ghadi aissi aayegi
shaawaa
ke dhadhkan badh jaayegi
shaawaa
khulega phir darwaazaa
shaawaa
aayenge dulhaa raajaa
shawaa
teraa ghoonghat kholenge
phir
tujhe kuchch na bolenge
kyaaa
meri jaan kuchch to bolo
hoyye
ye naazuk lab to kholo
hoyye
phir zara sharmaanaa tu
haan…aaanaa
zaraa si ghabraanaa tu
haan..aanaaa
angoothi liyo nee raani
haan..aanaa…aa
o meri banno raani
haanaa aannaaa
o thodi khushi manaanaa
hamein par bhool na jaanaa
hamein par bhool na jaanaa
hamein par bhool na jaanaa
hamein par bhool na jaanaa
hamein par bhool na jaanaa
hamein par bhool na jaanaa
hamein par bhool na jaanaa
hamein par bhool na jaanaa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4128 Post No. : 15286

hullo Atuldom

B. R. Chopra’s romantic comedy “Pati Patni Aur Woh”, based on the “seven-year itch” of Hollywood starring Marilyn Monroe made its blog debut on 25th February 2009 with the most famous song of the movie thhande thhande paani se nahaana chaahiye. After three years na aaj thha na kal thha was posted on the occasion of Kishore Kumar’s Birthdate. After almost a full year Sudhirji gave us this article on a song which can be called as a “movie inside a movie” song.

All the posts with these songs give us a fair idea of what a fun movie “Pati, Patni Aur Woh” was. Hence, I am not writing any gist of the movie. The idea to revisit this movie came as there are promos of a modern version of this movie being shown on Television these days. I found that there are five songs in the movie and three have been posted on the blog. On going through YouTube, I could find only four songs from the movie. (resolution: shall sit through the movie one of these days to see if it has the missing song). I remember that “o duniya ke rakhwale” was used in the movie, actually only one line of the mukhda, when Sanjeev Kumar wants to reset his alarm clock. That was in the voice of Mahendra Kapoor.

I am trying desperately to refrain from writing what a fine actor Harihar Jethalal Jariwala -popular as Sanjeev Kumar- was, or about his comic timing or about his smart looks and smile. I am also not going to list out the wonderful movies that he has acted in or how much I love seeing him in emotional scenes. We have a brilliant post by Sudhirji mujhko to qaatil ki itni pehchaan hai which will give us a picture of the kind of actor Haribhai (as his friends in the industry addressed him).

Today on the occasion of the 34th remembrance day of Haribhai we can have the last available song from “Pati Patni Aur Woh”. It is sung by Asha Bhonsle and Mahendra Kapoor, written by Anand Bakshi and Ravindra Jain was the composer. This lively song is at the wedding of friends of the lead couple, who later go ahead and get married (in the movie 🙂 ). The song kind of follows the qawwali format. This was one of the movies where Sanjeev Kumar acted his age and was not an aged person meaning senior citizen.


Song-Ladki cycle waali (Pati Patni Aur Woh)(1978) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Ravindra Jain

Lyrics

ladki cyclewaali
o o ladki cyclewaali
de gayi raste mein
hoye ae de gayi raste mein
ek pyaar bhari gaali
hoye ladki cyclewaali ee ee

gaali pe chhod diya aa aa
gaali pe chhod diya
aise deewaane ka
tum jaise deewaane ka
sar kyun nahin tod diya
ho o o gaali pe chhod diya aa aa aa

ek chaand sa mukhda hai
hoye ek chaand sa mukhda hai
jiske dupatte ka
ye ae jiske dupatte ka
ek reshmi tukda hai
tukda hai ji
ek chaand sa mukhda hai ae ae
badnaam toh karte ho
o o badnam toh karte ho
naam nahin lete
kyun naam nahi lete
kya maar se darte ho
hoye badnaam toh karte ho o o

kothe te kaanv bole
o bole kothe te kaanv bole
us din ko dekhu
main us din ko dekhoon
jis din tu haan bole
hoye kothe te kaaan bole
mumkin ye mail nahin ee ee
mumkin ye mail nahin
BA pass hoon main
o o BA pass hoon main
koi daswin fail nahi
ja ja mumkin ye mail nahi ee ee

shaabba shabba kudiye shawa
o mundiye shaabba shabba

kya naam tumhaara hai
ho o kya naam tumhara hai
umr toh khaasi hai
ho oo umr toh khaasi hai
ab tak tu kunwaara hai
hoo kya naam tumhara hai ae ae

tu jaldi
haye ni je
tu jaldi jawaan hoti
haye je tu jaldi jawaan hoti
toh shaayad tu hi
hoye toh shaayad tuhi
mere bachchon ki maan hoti
hoye tu jo jaldi jawaan hoti ee ee


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3996 Post No. : 15092 Movie Count :

4142

Today 27th June 2019, is the eightieth birth anniversary of Rahul Dev Burman (27th June, 1939 – 4th Jan, 1994). We fondly remember him on this occasion and will be always thankful to him for giving us all those great nostalgic songs, great music and many everlasting gems.

As I was looking for a special song for this occasion and while going through his filmography, I decided to select a song penned by Nida Fazli. I thought they worked together in very few films so I was interested to introduce a new movie and I finally zeroed on this lesser known movie ‘Mangal Sutra’ (1981). I think even the song of today is a very lesser known and this might be because of this movie going unnoticed then. Even the filmography of RDB on ‘wiki’ does not have this movie in that list. (Since I could not prepare the details of RDB-Nida Fazli movies together I am deferring it for a post in the future).

‘Mangal Sutra’ was directed by B Vijay for Gaurav Films International, Madras. It was produced by Ravi Kumar. Mrs. Chandrika Shah and Mrs. Era Kalra were Associate Producers of this movie. It had Rekha, Anant Nag, Prema Narayan, Jagdeep, Madan Puri, and Om Shivpuri. The supporting cast included Keshto Mukherjee, Asit Sen, Rajendranath, BM Vyas, Chand Usmani, Jayshree T, Meena T, Guddi, Jezbel, Swaraj, NS Bedi, Shankar Singh, Vinod, Neeta, Sharma, Jailata, Baby Reema, Viju Khote and Madhu. Shashi Puri makes a guest appearance in the movie. And this movie introduced Master Vineet.

Story and screenplay of this movie was written by MD Sundar. Dialogues were written by Snehlata Verma. Editing of this movie was done by P Bhakthavathsalam. Vijaykumar Raichura was the Associate Director of this movie. The movie was passed by Censor Board on 13.03.1981.

This movie had total five songs penned by Kavi Pradeep (one song) and Nida Fazli (four songs). Asha Bhonsle, Bhupinder Singh, Dilraj Kaur, Lata Mangeshkar, Meena and SP Balasubramaniam had given their voices to the songs in this movie. Music for this film was composed by RD Burman.

One movie by the same title was also made in 1947 (as per note in HFGK-Vol-VI), however no songs from this movie seem to be available as of now.

In the movie this song happens to be on the ‘suhaag raat’ of Anant Nag and Rekha. When I listened to this song for preparation of this post I remember to have listen it somewhere earlier but I had forgotten it. This song is nice duet and as mentioned above in the movie it is on the ‘milan ki raat’ where the newlywed couple sings this song. And for that matter I think this song is for all couples even if they are not ‘just newly wed’, they can enjoy it on anniversary or anniversaries or even on the ‘silver –jubilee’ of their marriage 🙂 . The song is sung by my favourite singers Asha Bhonsle and Bhupinder Singh.

It is unbelievable that twenty five years have passed since our beloved RD Burman has left us in 1994. He left us in January 1994. I was posted at Kota then. I got married in June (on his birth anniversary) and I remember the first Hindi movie me and wife watched together at Kota was ‘1942 – A Love Story’. . .

Once again thanking Pancham Da for the lovely, beautiful, exciting music and moments its music has given to us. Let us now enjoy today’s song. With this song the movie ‘Mangalsutra’ (1981) makes its debut on the blog.

Video

Audio

Song – Raat Banoon Main Aur Chaand Bano Tum  (Mangalsutra) (1981) Singer – Bhupinder Singh, Asha Bhosle, Lyrics – Nida Fazli, MD – RD Burman
Bhupinder + Asha Bhosle

Lyrics (Provided by Prakashchandra)

hmm hmm hmm
hmm hmm hmm
ho ho oo oo

raat banoon main
aur chaand bano tum
deep banoon main
aur jyot bano tum
kuchh na sunoon main
kuchh na kaho tum
aao baahon mein aao

raat banoon main
aur chaand bano tum
deep banoon main
aur jyot bano tum
kuchh na sunoon main
kuchh na kaho tum
aao baahon mein aao o
raat banoon main
aur chaand bano tum

naya naya main hoon
nayi nayi tum
yoonhi naa kho jaaye raat
anjaani raahon ke raahi hai hum
chhoote na haathon se haath
naya naya main hoon
nayi nayi tum
yoonhi na kho jaaye raat
anjaani raahon ke raahi hai ham
chhoote na haathon se haath
jaaun jahaan main saath chalo tum
aao baahon mein aao

chaand banoon main
aur raat bano tum
jyot banoon main
aur deep bano tum
kuchh na sunoon main
kuchh na kaho tum
aao baahon mein aao o
chaand baoon main
aur raat bano tum

aa aa aa
aa aa aa
aa aa aa aa aa

tum se hi tan hai
tum se hi mann
dil mein chhupaa lo mujhe ae
baahon mein le ke mere sanam
mujh se churaa lo mujhe
tum se hi tan hai
tum se hi mann
dil mein chhupaa lo mujhe ae ae
baahon mein le ke mere sanam
mujh se churaa lo mujhe
neend banoon main
aur khwaab bano tum
aao baahon mein aao o

raat banoon main
aur chaand bano tum
aa aa
deep banoon main
aur jyot bano tum
aa aa
kuchh naa sunoon main
kuchh naa kaho tum
aao baahon mein aao o

laa laa laa
laa laa laa aa

ho jab se basi ho aankhon mein tum
aa haa
lagti hai duniyaa haseen
aa
o main hoon safar meri manzil tum
tum jo nahin main nahin ee
ho jab se basi ho aankhon mein tum
aa aa
lagti hai duniyaa haseen
o main hoon safar meri manzil tum
tum jo nahin main nahin ee
rang banoon main
maang bharo tum
aao baahon mein aao
chaand banoon main
aur raat bano tum
deep banoon main
aur jyot bano tum
kuchh na sunoon main
kuchh na kaho tum
aao baahon mein aao o
aao baahon mein aao o
hmm hmm hmm hmm hmm

———————————————————-
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————-

हम्म हम्म हम्म
हम्म हम्म हम्म
हो हो ओ
रात बनूं मैं
और चाँद बनों तुम
दीप बनूं मैं
और ज्योत बनो तुम
कुछ ना सुनूं मैं
कुछ ना कहो तुम
आओ बाहों में आओ
रात बनूं मैं
और चाँद बनों तुम
दीप बनूं मैं
और ज्योत बनो तुम
कुछ ना सुनूं मैं
कुछ ना कहो तुम
आओ बाहों में आओ ओ
रात बनूं मैं
और चाँद बनों तुम

नया नया मैं हूँ
नयी नयी तुम
यूंही ना खो जाए रात
अनजानी राहों के राही है हम
छूटे ना हाथों से हाथ
नया नया मैं हूँ
नयी नयी तुम
यूंही ना खो जाए रात
अनजानी राहों के राही है हम
छूटे ना हाथों से हाथ
जाऊं जहां मैं साथ चलो तुम
आओ बाहों में आओ

चाँद बनूं मैं
और रात बनो तुम
ज्योत बनूं मैं
और दीप बनो तुम
कुछ ना सुनूं मैं
कुछ ना कहो तुम
आओ बाहों में आओ ओ
चाँद बनूं मैं
और रात बनो तुम

आ आ आ
आ आ आ
आ आ आ आ आ

तुम से ही तन है
तुम से ही मन
दिल में छुपा लो मुझे ए
बाहों में ले के मेरे सनम
मुझसे चुरा लो मुझे
तुम से ही तन है
तुम से ही मन
दिल में छुपा लो मुझे ए
बाहों में ले के मेरे सनम
मुझसे चुरा लो मुझे
नींद बनूं मैं
और ख्वाब बनो तुम
आओ बाहों में आओ ओ

रात बनूं मैं
और चाँद बनों तुम
आ आ 
दीप बनूं मैं
और ज्योत बनो तुम
आ आ 
कुछ ना सुनूं मैं
कुछ ना कहो तुम
आओ बाहों में आओ ओ

ला ला ला
ला ला ला आ


हो जबसे बसी हो आँखों में तुम
आ हा 
लगती है दुनिया हसीन

ओ मैं हूँ सफर मेरी मंजिल तुम
तुम जो नहीं मैं नहीं ई

हो जबसे बसी हो आँखों में तुम
आ आ
लगती है दुनिया हसीन
ओ मैं हूँ सफर मेरी मंजिल तुम
तुम जो नहीं मैं नहीं ई

रंग बनूं मैं
मांग भरो तुम
आओ बाहों में आओ
चाँद बनूं मैं
और रात बनो तुम

दीप बनूं मैं
और ज्योत बनो तुम
कुछ ना सुनूं मैं
कुछ ना कहो तुम
आओ बाहों में आओ ओ

आओ बाहों में आओ ओ
हम्म हम्म हम्म हम्म हम्म

 


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3984 Post No. : 15073

“Jeet”(1972) was produced and directed by Adurthi Subba Rao for Babu Movies Combines Private Limited. This social movie had Randhir Kapoor, Babita, Jeevan, Rajendra Nath,Sunder, Roopesh Kumar,Dulari,Hina Kausar, Sulochana Latkar, Manorama, Nana Palsikar, Hari Shivdasani, Anwar Hussain, Sanjana, Dada Mirasi,Keshav Rana, Bhatt, Master Shahid, Jateen (new find), Bhanumati, Shanti, Prabha, Kalavathi, Baby Sudha etc in it.

The movie had six songs in it. Four songs have been covered in the past.

Here is the fifth song from the movie to appear in the blog. This song is sung by Lata and chorus. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a “sagaai” song where sahelis of bride (played by Babita) sing this song. The song is lip synced by Hina Kausar (in Lata voice) and others viz Shirlie, Sheila Ramchandra, Dulaari, Sundar etc are also visible. Randhir Kapoor (groom) is also visible in the picturisation.

Lyrics of the song were sent to me by Prakashchandra.


Song-Dholak bajaao aao sakhi aao (Jeet)(1972) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

Lyrics (Provided by Prakashchandra)

dholak bajaao
aao sakhi aao
dholak bajaao
aao sakhi aao
gaao bajaao taaliyaan..aaan..aan

ke dulhan banti hai haayye
dulhan banti hai
haayye
naseebon waaliyaan
dulhan banti hai haayye
naseebon waaliyaan

dulhan banti hai
naseebon waaliyaan
dulhan banti hai
naseebon waaliyaan..aaaan
dulhan banti hai haayye
naseebon waaliyaan..aaaa

ye din sabko mubaarak ho ree
mubaarak ho ree
ye chandaa woh chakori
ho bandh gaye
prem ki reshmi
dori mein aaj se
jhuk gayee laaj se
ankhiyaan
sunke prem ki
batiyaan
chal dee chhodke
sakhiyaan
likhna jaaye ke
patiyaan
ho mann mein phootey phuljhadiyaan
honthon pe gaaliyaan
dulhan banti hai
haayye
dulhan banti hai haayye
naseebon waaliyaan
dulhan banti hai haayye
naseebon waaliyaan……..aan

aaa aaa aaa aaa aaa
aaa aaa aaa aaa aaa
aaa aaa aaa aaa aaa aaa
ye rang roop
teraa haayye haayye
jiyaa dhadkaaye
mera jee ghabraaye
lag jaaye na nazar kahin bairan
duniyaa ki meri jaan ko
mukh pe daal do
aanchal
jaise chaand pe
baadal
daalo aankh mein
kaajal
baandho paanv mein
paayal
ho o o o
khanke kangan chamke mundri damke baaliyaan
dulhan banti hai
haayye
dulhan banti hai haayye
naseebon waaliyaan
dholak bajaao
aao sakhi aao
gaao bajaao taaliyaan..aaan…aaan

ke dulhan banti hai haayye
naseebon waaliyaan
dulhan banti hai haayye
naseebon waaliyaan


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3886 Post No. : 14915 Movie Count :

4073

This song I am posting is from the 2010 movie ‘Aisha’ starring Sonam Kapoor & Abhay Deol.  There are other actors but the movie focuses on these two central characters.  It is about characters who do sometimes act out of character.   Aisha is a social butterfly, who dabbles into all i.e. baking, yoga, gardening, drawing, shopping, event management and match making.  In between all this she also finds time to jog in the morning and spends time at animal shelter.  Watching polo match is a foregone conclusion considering her upper class background.  Her charmed circle goes for picnics, stays in tents next to the river and goes river rafting to end the evening singing by the bonfire. She even goes pubbing and parties at farm houses in true Delhi style, in between bitching about a New York returned female colleague of Abhay Deol, who is a corporate slave according to Aisha.  Who wouldn’t want to do all of the above, if one was so inclined within one hour 🙂 .

Sonam Kapoor aka Aisha even goes shopping and transforms a small town girl, Shefali into a clone of herself.  So far as that Abhay Deol, tells her to rename the girl, Maisha or Naisha to rhyme with Aisha.  The film has more crazy antics that Aisha ends up doing. She has access to a tree house too, to sit in the balcony, and make up with the best friend she messed up with.   Wow, how the truly rich people live.  Who wouldn’t want a tree house, who wouldn’t want a real live tree in the house, for that matter.  We all have houses with lots of trees in native places, but cannot stay there.  We want such luxuries here, where we are.  This would be true at least for some of the regulars here, especially those in the metros.

Actually, the film starts and ends with a wedding.  Talking of weddings and looking for a wedding song is what brought me back to this movie, after seeing a whole gamut of Hindi film songs which are about weddings.  My first choice was “Mud Ke Na Dekho Dilbaro” from ‘Raazi’ (2018) which is already posted.   Couple of songs I would have liked to post were also posted like ‘Maaye Ni Maaye” from ‘Hum Aapke Hain Kaun’ (1994) posted Peevesie’s Mom.  “Mud Ke Na Dekho Dilbaro” is such a soulful song that I kept playing it in the office after it was posted back in October 2018.  My daughter’s wedding date was fixed for December 2018 and some colleagues / friends who knew it, were quick to point out the aptness of song for the upcoming wedding.

It was Peevesie’s Mom’s post of “Navraai Maajhi Ladaachi Ladaachi Ga” from ‘English Vinglish’ (2012) that gave me the idea of sharing all the good news on my family front.  So let me take this opportunity and congratulate Peevesie’s Mom and family for the important milestone and wish the couple a very long and happy married life.

Almost exactly a month before this happy occasion was the day of our family celebration with our daughters ‘nikaah’ solemnised.  It was our very first experience of personally being responsible for the organisation of an event on this scale.  It is said that man proposes and God disposes.  I have learnt in this event that things have their own way of slipping out of hands and God sends help in the shape of these good souls as ‘Rehmat ke Farishte‘ to save the day.

It was an exciting and hectic period for all of us.

Anyway, as my cousin who is also now daughter’s sister in law too said all that really matters is that the two people getting married are happy together, everything else is secondary.

Coming back to the wedding celebrations, it was my younger sister and brother in law, who did a lot of hard work getting this show on the road.  My daughter being the only girl child among us three sisters, my brother and sister and brother in law really wanted to make an event of it.  They rallied the kids and some adults in the family including my son to make short and cute singing, dancing cameo performances for the Mahendi function.

Alhamdullillah, the year 2018 has been an eventful and fortunate year for us, with my son’s success in NEET’2018 and being admitted in college of his choice in Mumbai and we cannot thank the Almighty Allah(swt) for all the blessings that he has bestowed upon us all.

How time has flown.  When I started contributing in the blog my daughter was still in school and my son was a mischievous hyper-active boy who needed all round supervision and attention.   Now it seems my husband and me both are almost daily try to remind him that he has parents too and he should at least try put in a WhatsApp message in the family group.  Frequently, his phone battery is discharged, or he loses the charger or sitting in the library where his phone has no range.

As the blog moves towards 15000 song post mark, I am trying to send a fair number of song posts.  Hopefully, my posts won’t need too much of proof reading.

This song from ‘Aisha’ has a mukhda fully in Punjabi, which was a bit tricky in getting the lyrics right.  Rather think that I have done a good job of correcting the lyrics which ‘Google’ came up with.  Javed Akhtar’s lyrics and Amit Trivedi’s music and Tochi Raina’s singing make this a good, if peppy number.  I think this Tochi Raina, making his debut in the blog is the same as Toshi Rana, a winner on ‘Indian Idol” years ago, back during my TV watching days.

Video (partial)

Audio (complete)

Song – Gal Mitthi Mitthi Bol (Aisha) (2010) Singer – Tochi Raina, Lyrics – Javed Akhtar, MD – Amit Trivedi
Chorus

Lyrics (Based on Audio Version)

gal mitthi mitthi bol
ras kaano vich ghol
bajne de taashe dhol
masti mein tu vi dol
mann de naina tu khol
chahat ke moti rol
dil haunda ae anmol
ye daulat se na tol
aa soni tainu chaand ki main choodi pehrawa
mainu kar de ishaara te main doli lai aanwa

gal mitthi mitthi bol
ras kaano vich ghol
bajne de taashe dhol
masti mein tu vi dol

jaanleva teri adaa
kaise na koi ho fidaa
tera ang sharaara
jaise mare lishkara
sohniye
dekhan ta dil dhadke
tann mein agan bhadke
surat aisi mannmoni
kiddan dasaan tu hai soni
heeriye
gal mitthi mitthi bol
ras kaano vich ghol
bajne de taashe dhol
masti mein tu vi dol
mann de naina tu khol
chaahat ke moti rol
dil hunda ae anmol
ye daulat se na tol
aa sohni tainu chaand ki main choodi pehrawa
mainu kar de ishaara te main doli lai aanwa

chaahne waala hoon tera
dekh le aidar zara
tu jo vekhe ik nazar
karaan lakkhaan da shukar
sohniye
dekh to keh ke tu mujhe
jaan bhi de dunga tujhe
tera aisa hoon deewana
tu ne ab tak yeh na jaana
heeriye
gal mitthi mitthi bol
ras kaano vich ghol
bajne de taashe dhol,
masti mein tu vi dol
mann de naina tu khol
chaahat ke moti rol
dil hunda ae anmol
ye daulat se na tol
aa sohni tainu chaand ki main choodi pehrawa
mainu kar de ishaara te main doli lai aanwa

gal mitthi mitthi bol

gal mitthi mitthi bol

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

गल्ल मिट्ठी मिट्ठी बोल
रस कानों विच घोल
बजने दे ताशे ढोल
मस्ती में तू वी डोल
मन दे नैना तू खोल
चाहत के मोती रोल
दिल होंदा ए अनमोल
ये दौलत से ना तोल
आ सोनी तैनू चाँद की मैं चूड़ी पहरान्वाँ
मैंनू कर दे इशारा ते मैं डोली लई आंवाँ

गल्ल मिट्ठी मिट्ठी बोल
रस कानों विच घोल
बजने दे ताशे ढोल
मस्ती में तू वी डोल

जानलेवा तेरी अदा
कैसे ना कोई हो फिदा
तेरा अंग शरारा
जैसे मारे लिशकारा
सोःनिए
देखां ता दिल धड़के
तन में अगन भड़के
सूरत ऐसी मनमोनी
किद्दान दस्सां तू है सोनी
हीरीए
गल्ल मिट्ठी मिट्ठी बोल
रस कानों विच घोल
बजने दे ताशे ढोल
मस्ती में तू वी डोल
मन दे नैना तू खोल
चाहत के मोती रोल
दिल होंदा ए अनमोल
ये दौलत से ना तोल
आ सोनी तैनू चाँद की मैं चूड़ी पहरान्वाँ
मैंनू कर दे इशारा ते मैं डोली लई आंवाँ

चाहने वाला हूँ तेरा
देख लै ऐदर ज़रा
तू जो वेखें इक नज़र
करां लक्खान दा शुकर
सोःनिए
देख तो कह के तू मुझे
जान भी दे दूँगा तुझे
तेरा ऐसा हूँ दीवाना
तू ने अब तक ये ना जाना
हीरीए
गल्ल मिट्ठी मिट्ठी बोल
रस कानों विच घोल
बजने दे ताशे ढोल
मस्ती में तू वी डोल
मन दे नैना तू खोल
चाहत के मोती रोल
दिल होंदा ए अनमोल
ये दौलत से ना तोल
आ सोनी तैनू चाँद की मैं चूड़ी पहरान्वाँ
मैंनू कर दे इशारा ते मैं डोली लई आंवाँ

गल्ल मिट्ठी मिट्ठी बोल

गल्ल मिट्ठी मिट्ठी बोल


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3867 Post No. : 14884

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Blog 10-Year Challenge (2009-19) – Song No. 6
————————————————
When Atul ji introduced a new series, ‘Blog 10-Year Challenge (2009-19) on February 2, 2019 with a song intaha ho gayi intzaar ki, I was a bit skeptical about the availability of the songs for the series on a sustainable basis. After all, 10 year was a long period. I felt that most of the films for which the first song appeared 10 years back may have been already ‘yippied’. Also in respect of songs from the films released in the 1930s and 40s, most of the remaining songs of such films may not be available on-line. Nonetheless, the advantage of the new series is that the films and songs which have inadvertently gone out of our attention for a long time would come into our focus once again on a regular basis.

I had a quick browse through the songs covered in the Blog since its inception i.e., July 19, 2008 till March 31, 2009 with random checks for the rest of the months in 2009. The results gave me some hope that the captioned series can have songs for posting at least some days of the months. The reason is that during the early years of the Blog, most of the songs covered pertained to the films released in 1960s and 70s. There are some films of these years for which songs are available for posting in the Blog

I found that during July 19, 2008 to December 31, 2008, an overwhelming number of songs covered were of the films released in the 1960s and 70s with few songs from the 1950s and 1980s. However, the representation of songs from the films released in the 1930s and 40s were negligible. For instance, out of 475 songs covered during the period under reference, only 5 songs pertained to the films released in the 1940s – that too the late 1940s. Not a single songs of films released in the 1930s were covered during the period under reference.

These trends were, however, on the expected lines for two reasons. First, Atul ji, considering his age profile at the time of starting of the Blog, has virtually grown up in the midst of popular songs of the films of 1960s and 70s. Obviously, as a ‘start-up venture’ of his Blog, he would have been influenced by such songs. Secondly, and most importantly, even if he intended to cover the songs of the 1930s and 40s, I doubt whether these songs were available in good numbers on the video sharing platforms in 2008. Youtube was set up in 2005 as a video sharing platform. A random browsing of videos on YT gives me an impression that videos of Hindi film songs were uploaded in good numbers only from 2007 onward and the videos of old film songs (1930s and 40s) were getting uploaded mainly from 2009 onward. This trend has reflected in the Blog also. I have noted some of the popular singers of the 1930s and 40s who made debut in the Blog in 2009:

Singer Date of Debut on the Blog Song
K L Saigal 16/02/2009 Baalam aaye baso more mann mein
Zohrabai Ambalewaali 26/02/2009 Akhiyaan mila ke jiyaa bharmaa ke
Khursheed Bano 04/03/2009 morey baalpan ke saathi
Ameerbai Karnataki 08/04/2009 Gore gore o banke chhore
G M Durrani 25/04/2009 laara lappa laara lappa laai rakhdaa
Rajkumari Dubey 31/05/2009 Rasm e ulfat kisi soorat se
Kanan Devi 09/06/2009 duniya ye duniya toofaan mail
Pankaj Mullick 07/11/2009 Guzar gaya wo zamaaana kaisa kaisa

The songs covered in the Blog during the month of February 2009 continued to be on the expected lines. i.e., from the films released during 1960s and 70s. However, some significant additions were made during the month. On February 16, 2009, K L Saigal made a debut on the Blog with the song as mentioned in the table. With this song, for the first time since the inception of the Blog, a song from the film released in the 1930s – ‘Devdas’ (1935) also made the debut on the Blog. Thereafter, during the rest of the month with some spill-over to the succeeding month, one song of K L Saigal was covered almost on a daily basis for the next few days.

10 years ago on this date (Febraury 18, 2009), the Blog had covered 6 songs from films ‘Suraj’ (1966), ‘Hamraahi’ (1963), ‘Anaadi’ (1959), ‘Sangam’ (1964), ‘Sweekar Kiya Maine’ (1983) and ‘President’ (1937). Of these, the first four listed films have already been ‘yippied’. 3 songs of ‘Sweekar Kiya Maine’ (1983) are yet to be covered. In regard to ‘President’ (1937), 4 songs out of 7 songs have been covered in the Blog. One song ‘door bahut door phir bhi tum itne nahin door’ is a short song of about 40 seconds. Of the remaining two songs, ‘Maya rani ki nagri hai’ is not available on line to the best of my efforts. So that leaves only one song, which I intend to present today in this series.

‘President’ aka ‘Badi Bahen’ (1937) was produced under the banner of New Theatres (NT) and was directed by the Cinematographer and screen-play writer, Nitin Bose. The star cast included K L Saigal, Leela Desai, Kamlesh Kumari, Jagdish Sethi, Nawab Kashmiri, Bikram Kapoor, Dev Bala, Bikram Nahar etc. Probably, it was NT’s first attempt to make a film on the subject of industrialisation and the conflict between the management and the workers.

The gist of the story of the film based on the publicity material (song book) is as under:

A young Prabhavati (Kamlesh Kumari) becomes the President of the Prabhavati Cotton Mill Ltd due to the sudden and untimely death of her father. She is known to be strict disciplinarian with good workers rewarded and inefficient workers punished. With her hard work, she converts a small and modest organisation to a bigger establishment.

One day, Prakash (K L Saigal), an ordinary worker in the organisation points out to the President the faults in a machine which if not corrected can be dangerous to the workers. He takes liberty in advising the President that the machine designed by him takes care of faulty design. This is not liked by the President and Prakash is dismissed from the service.

Prakash needs to get some employment to take care of his widowed sister (Dev Bala) and her son. During one of his searches for employment, Prakash takes some rest near the Girls’ Hostel where he accidentally meets a beautiful girl, Sheila (Leela Desai) who is none other than the younger sister of Prabhavati, the President of the Mill. Both of them like each other.

In the meanwhile, a worker who has been employed in place of Prakash meets with an accident due to faulty machine. For the first time, Prabhavati, the President was thinking about Prakash and was wondering whether she had dismissed him wrongly. Dr Sethi (Jagdish Sethi), a friend, who secretly has a tender feeling for Prabhavati, advises her to approach Prakash for re-instatement. The President visits Prakash and appoints him as a Head of the Design Department.

Slowly, a love triangle is developing around Prakash. Sheila is already in love with Prakash and Prabhavati also develops a soft corner for Prakash. The sisters are unaware of this developments. What will be the outcome of the love triangle? The synopsis of the story ends as usual with suspense.

On the basis of the some snippets of the film available on-line and some guess work on my part, Sheila comes to know that Prabhavati also loves Prakash. Sheila respects her elder sister who has taken care not only of her but also of the Cotton Mill. Sheila’s attitude towards Prakash changes which he is not able to understand. He gets frustrated and this affects his relationship with co-workers. I have seen a film’s snippet in which the agitated workers revolts against Prakash and the work in the Mill has been affected. Prabhavati gets to know as to what is troubling Prakash. Probably, when she comes to know of the love triangle, Prabhavati locks herself in her office and collapses. Obviously, Prabhavati sacrifices her love in favour of her younger sister, Sheila.

Nitin Bose (26/04/1897 – 14/04/1986), the director of the film has been associated with NT since its inception in February 1931 as Chief Technical Adviser and the Head of Camera Department. His younger brother, Mukul Bose too joined NT as the Chief of Sound Recordings and was principally involved in introducing the playback singing system in both the Bengali and Hindi versions of ‘Bhagya Chakra/Dhoop Chaaon’ (1935). The box office successes of his directorial ventures like ‘Chandidas’ (1934), ‘Dhhop Chhaaon’ (1935), ‘President’ (1937), ‘Dhartimata’ (1938), ‘Dushman’ (1939) – all under NT banner made him one of the top directors of Hindi films.

Nitin Bose’s innings with NT ended when he had differences with B N Sircar, the boss of NT while shooting for ‘Kashinath’ (1943). He completed the film but did not return to NT thereafter but shifted Bombay (Mumbai). ‘Mujrim’ (1944) was his first film in Mumbai which he produced jointly with Vishnu Cinetone and directed it. The film did not fare well at the box office. Thereafter, he directed Filmistan’s ‘Mazdoor’ (1945), Bombay Talkies’s ‘ Milan’ (1946) in which he worked with Dilip Kumar for the first time. Some of the well known films which he directed included ‘Mashaal’ (1950). ‘Deedar’ (1951), ‘Waaris’ (1954) ‘Ganga-Jamuna’ (1961), ‘Nartaki’ (1963), ‘Dooj Ka Chaand’ (1964), ‘Hum Kahaan Jaa Rahen Hain’ (1966). ‘Saamanta’ (1972) was his last Hindi film as a director. In all, Nitin Bose directed 27 Hindi films between 1934 and 1972.

Although Nitin Bose spent nearly 3 decades in Mumbai as against about a decade in Calcutta (Kolkata), I personally feel that he received a much greater appreciation of his work as a Cinematographer, Writer and Director for films in NT than in Mumbai. The reason could be that in NT, directors had full freedom. If I go by what is stated in Kidar Sharma’s autobiography, B N Sircar did not interfere in the making of the film. As against this, ‘Ganga Jamuna’ (1961), which was one of his most successful films in Mumbai both in terms of critics’ reviews and the box office collections, it is alleged that Dilip Kumar, the producer of the film interfered in the direction of Nitin Bose. In his autobiography, Diip Kumar acknowledged that it was Nitin Bose in ‘Milan’ (1946) who thought him that emotions can be expressed by silence. Later, his style of dialogue delivery with pauses in between became his trade mark style.

Khwaja Ahmed Abbas, in his article, ‘Three Great Directors of India’ which appeared in June 1940 issue of ‘Filmindia’, had rated P C Barua, V Shantaram and Nitin Bose in that order as the greatest directors. Let us read below as to what K A Abbas had said about Nitin Bose and how effectively he used camera angles in ‘President’ (1937).

Nitin Bose is essentially a cameraman and his interest in a photo play is primarily pictorial. He also possesses a strong sense of drama and he can construct a vigorous scenario out of the slenderest story material. He rarely touches stories from well known classics and novels. He picks up an idea and a detailed script is written by him or some one else under his supervision. To him, the story of the author or the plot situations of the story is of no value unless they can be effectively expressed in photographic sense.

In the film ‘President’ (1937), the crazy camera angles in the opening scene create suspense. A meeting of the Board of Directors of the Mills is to start at 9.30 a.m. to be presided over by the President (who is the President?). The camera hitherto focused on the clock is suddenly swung to the door which opens and a woman (Kamlesh Kumari) walks in. If the director had tried any other way to shoot this scene, the realism would have been lost. But Nitin Bose, with the magic of his camera, makes the scene intensely dramatic. Towards the end of the film, in a climax situation wherein Kamlesh Kumari confines herself in a empty room (when she comes to know that her sister, Sheila is also in love with Prakash). In this situation, Nitin Bose created a terrific suspense by giving some crazy camera angles in quick succession of the empty room.

Nitin Bose received Dadasaheb Phalke Award in 1977 for his outstanding contributions to the film industry. Seven years later, his nephew, Satyajit Ray received the same award in 1984. It is said that during the making of Bombay Talkies’ ‘Mashaal’ (1950) and its Bengali version ‘Samar’ (1950) which were directed by Nitin Bose, Satyajit Ray was present on the sets assisting Nitin Bose (Source: ‘Satyajit’s Sansar’ by Partha Chatterjee). However, he had not been officially accredited in these films.

I now present the song ‘Chandramukhi ki shaadi ke gagan ne deep jalaaye’ from ‘President’ (1937). I have made the video out of mp3 clip of the song. It is basically a chorus song. The lyricist of the song is unattributed. There were two music directors for the film – R C Boral and Pankaj Mullick. This song is composed by Pankaj Mullick.

I liked this song for the interlude orchestrations. Probably, such orchestrations which sound like a symphony in Western classical music, have been used for the first time in Hindi film music. I will not be surprised if Francisco Casanovas, the Spanish musician who used to play western musical instruments and conduct the musical band in the Grand Hotel, Calcutta those days, had assisted Pankaj Mullick in the composition of interlude orchestrations. My guess is based on a non-filmy song, praan chaahe nain na chahe composed and sung by Pankaj Mullick around the same time for which Francisco Casanovas has been accredited for the orchestration of the song.

Enjoy this choir like song with unique orchestration.

Audio Clip:

Song-Chandramukhi ki shaadi mein (President)(1937)Singers- Unknown female voice-1, Unknown female voice-2, MD-Pankaj Mullick
Chorus

Lyrics

chandarmukhi ki shaadi mein
gagan ne deep jalaaye
charankamal waale mukh ki hansi
shaadi dikhti(?) jaaye
charankamal waale mukh ki hansi
shaadhi dikhti(?) jaaye”

kaali aaj (??) ban mein saji
bin phoolon ki maala pade
kaali aaj (??) ban mein saji
bin phoolon ki maala pade
basant ritu mein kahat chale
khilat phool sunhare
basant ritu mein kahat chale
khilat phool sunhare
jahaan jharnon ke chhalchhal kal par
jal pariyaan naachen gaayen
jahaan jharnon ke chhalchhal kal par
jal pariyaan naachen gaayen
jal pariyaan naachen gaayen

phool wahaan se laayen
tanik door sajaayen
phool wahaan se laayen
tanik door sajaayen
taaron ki duniya se
hum phool chun ke laayen
taaron ki duniya se
hum phool chun ke laayen
tan k?? komal haathhon mein
un phool ko chadhaayen
chandarmukhi ki shaadi mein
gagan ne deep jalaaye
charankamal waale mukh ki hansi
??nikhri jaaye

aaj nayi ek baat suno
mann naache
aaj nayi ek baat suno
mann naache
raja rani to ek singhaasan baithenge kaise
raja rani to ek singhaasan baithenge kaise

sinhaasan par raani
charnon mein raja baithe


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3839 Post No. : 14851

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 33
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘स’ – सुन गोरी खोल ज़रा घूँघट का डोर ॰ ॰ ॰

– – – –

॰ ॰ ॰जिनके मिलन को तरसे
वो तो ना आए
मौसम आए जाये॰ ॰ ॰

It is your words that tell of this predicament. Seasons come and go, as they have, year on year on year. . .  but the one who this heart wants to listen to again, has not returned after going away. . .

– – – –

Rafi Sb has sung playback for a whole range of performers all the way from mid 1940s to early 1980s, and then some. He never declined to sing for any actor, be that a newcomer, a junior artist, or even non-entities who made just one song, one film appearances. On the other hand, the association of Rafi Sb’s voice with some very important and specific performers, has been well discussed and documented. Almost invariably, Rafi Sb was the singing voice for these artists, no matter what.

One name that is very familiar in this context is Johnny Walker. Starting his career as a small time comedian, Johnny Walker went on to command such importance in the film world that his role, and invariably a song lip-synched by him, was part of a formula in the world of Hindi cinema. Pick any Johnny Walker film in 1950s and 1960s – you can be sure there is also a song performed by him, with playback from Rafi Sb. Rafi Sb was able to create that unique and peculiar rendition for Johnny Walker songs, that blended so seamlessly with actor’s dialogue delivery and acting styles. That is the depth of the singing prowess of Rafi Sb. And it applies across all actors. He sang for them, in their own styles, almost completely making himself invisible inside that actor.

Today’s song in this series is a typical Johnny Walker song. The film is ‘Phool Baney Angaarey’ from 1963. The film is produced under the banner of Asiatic Arts Production, and is directed by Suraj Prakash. This is a social drama that weaves a story of a joint family during the period of India’s 1962 war with China. The star cast includes Mala Sinha, Raj Kumar, Johnny Walker, Ashish Kumar, Shammi, Mumtaz Begum, Mukri, Nasreen, Tuntun, Sarita Devi, Lakshmi, Leela Mishra, Chaman Puri, Ravikant, Mansaram, and Bhalla amongst others.

Geet Kosh lists six songs for this film. All songs are written by Anand Bakshi, and the music is composed by Kalyanji Anandji. Two songs of this film are already showcased here.

In this duet, Rafi Sb is accompanied by Kamal Barot. On screen, the song is performed by Johnny Walker and Shammi. The scenario is the first night of a newlywed couple. The groom is making efforts and requesting the bride to open her ghunghat and allow him to see her face. The exchange is comical, of course, given that Johnny Walker is the groom. He even mentions that yes, they have met before also, but that he just wants to confirm that he got married to the same person.

Enjoy this fun song, the penultimate in this series. Concluding episode should be coming shortly. 🙂

Song – Sun Gori Khol Zara Ghunghat Ka Door  (Phool Baney Angaarey) (1963) Singer – Mohammed Rafi, Kamal Barot, Lyrics – Anand Bakshi, MD – Kalyanji Anandji

Lyrics 

sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four
oon hoon
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four

yaad hai tujhe chaupaati ka wo footpath
hui thi jahaan hamaari pehli mulaqaat
aaa haan
yaad hai tujhe chaupaati ka wo footpath
hui thi jahaan hamaari pehli mulaqaat
dekhoon zara tu hai wahi ya hai koi aur
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four
oon hoon
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four

main hoon tera husband
tu hai meri wife
ye hi afsos to rahegi saari life
ain
kya kaha
hee
arey main hoon tera husband
tu hai meri wife
ye hi afsos to rahegi saari life
life pe karenge hum phir kabhi gaur
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four
oon hoon
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four
bhaai
four

yaad hai tujhe wo mera taan tod saang
saang tha kaahe ka wo thi murge ki baang
[cock a doodle sounds]
yaad hai tujhe wo mera taan tod saang
sang tha kaahe ka wo thi murge ki baang
tu ne usi baang pe kaha tha once more
o sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four
oon hoon
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four

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Hindi Script Lyrics (Provided by Sudhir)
———————————————————

सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर
ऊँ हूँ
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर

याद है तुझे चौपाटी का वो फूटपाथ
हुई थी जहां हमारी पहली मुलाकात
आ हाँ
याद है तुझे चौपाटी का वो फूटपाथ
हुई थी जहां हमारी पहली मुलाकात
देखूँ ज़रा तू है वही या है कोई और
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर
ऊँ हूँ
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर

मैं हूँ तेरा हसबेंड
तू है मेरी वाइफ़
ये ही अफसोस तो रहेगा सारी लाइफ
ऐं
क्या कहा
ही
अरे मैं हूँ तेरा हसबेंड
तू है मेरी वाइफ़
ये ही अफसोस तो रहेगा सारी लाइफ
लाइफ पे करेंगे हम फिर कभी गौर
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर
ऊँ हूँ
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर

याद है तुझे वो मेरा तान तोड़ सांग
सांग था काहे का वो थी मुर्गे की बांग
[मुर्गे की बांग का शब्द]
याद है तुझे वो मेरा तान तोड़ सांग
सांग था काहे का वो थी मुर्गे की बांग
तूने उसी बांग पे कहा था वंस मोर
ओ सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर
ऊँ हूँ
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर


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Blog Day : 3802 Post No. : 14794

“Kaala Patthar”(1979) was directed by Yash Chopra for Yashraj Films Bombay.

This movie was a multi starrer movie and it had Shashi Kapoor, Rakhi, Amitabh Bachchan, Shatrughan Sinha, Neetu Singh, Parveen Babi, Prem Chopra, Parikshat Sahni, Romesh Sharma, (special apopearance), Poonam Dhillon (special appearance), Manmohan Krishan, Madan Puri, Ifthikar, Satyen Kappu, Yunus Parwez, Geeta Sidharth, Gautam Sareen, Sharat Saxena, MacMohan, Mahaan, Sudhir Dalwai, Sudha Chopra, Harish, Mohan Sherry, Vikas Anand, Jagdeesh Raj, Suresh Oberoi, Prem Sagar, Pardesi, Nazir Kashmiri, Ashok Rajdan etc in it.

The movie was released with great fanfare and it was expected to be a blockbuster. But the movie received lukewarm response from the movie goers, much to the surprise of experts. Subsequently it was concluded that Indian audience do not patronise movies that depict disasters. They are into escapist stuff rather than into tales based on real life disaster. “Kaala Patthar”(1979) was inspired from the Chasnala mine disaster that had taken place on 27 december 1975.

Chasnala mine was located adjacent to an abandoned mine (separated by a wall of coal) that tended to get filled with rain water. A panel of experts had recommended that water accumulation in that abandoned mine was required to be avoided and secondly the barrier of coal separating this abandoned mine from adjacent locations was to be left untouched.

The recommendations were disregarded. Permission was sought and obtained to mine coal from the barrier.

As coal from this barrier was being mined, the coal wall separating this mine from the abandoned water filled mine caved in and water flooded the Chasnala mine, killing 372 miners who were working inside the mine.

This incident was the biggest industrial tragedy of India till that time and subsequently it was overtaken by Bhopal gas tragedy on 2 and 3 december 1984.

Coming to the movie, the movie had six songs in it. Five songs have been covered in the past. Here are their details:-

Song Title

Post No.

Post Date

Ik raastaa hai zindagi 2970 15-Sep-10
Ishq aur mushq kade na chhupde 5273 9-Jan-12
Baahon mein teri masti ke ghere 6005 24-May-12
Mujhe pyaar ka tohfa de ke 14337 12-May-18
Dhoom mache dhoom 14761 24-Nov-18

The sixth and final song from the movie is sung by Lata and chorus. Sahir Ludhianvi is the lyricist. Music is composed by Rajesh Roshan.

The song is picturised as a wedding ritual song where Neetu Singh lip syncs the song. The picturisation shows Poonam Dhillon playing the bride and Romesh Sharma the groom while almost the entire starcast seems to be attending the wedding function.

This song has gone on to become one of several must sung songs in Indian weddings.

Lyrics of this song were sent to me by Avinash Scrapwala long long ago in 2013.

With this song, all the songs of “Kaala Patthar”(1979)have been covered and the movie joins the list of movies that have all their songs covered in the blog.

Video

Audio

Song-Meri dooron se aayi baaraat (Kaala Patthar)(1979) Singer-Lata, Lyrics-Sahir Ludhianvi, MD-Rajesh Roshan
chorus

Lyrics(Provided by Avinash Scrapwala)

meri dooron se aayi baaraat
maiya main to paauni
meri dooron se aayi baaraat
maiya main to paauni

balma chhail chhabeela
mann ko mohe
joda rang rangeela
tan pe sohe
balma chhail chhabeela
mann ko mohe
main to waari jaaun
balihaari jaaun
pada paaon yeh kiska aangan mein
phool khile phool se mere tan mann mein
chhoota mayke ki galiyon kaa saath
maiya main to paauni
meri dooron se aayi baaraat
maiya main to paauni

le gaye dil ko loot ke tere bol raseele ae
ghaayal kar gaye haay
ghaayal kar gaye jaan ko tere nain kateele ae
le gaye dil ko loot ke tere bol raseele
main toh waari jaaun
balihaari jaaun
jab mukhda dekhoon darpan mein
teri soorat ubhre nainan mein
bhali laage naa naihar ki baat
maiya main to paauni
meri dooron se aayi baaraat
maiya main to paauni

waar diya maine tujh par
dil waar diya
haar diya maine sab kuchh
are haar diya
maar diya toone julmi
haay maar diya
main to waari jaaun balihaari jaaun
teraa naam base meri dhadkan mein
teraa roop hanse mere sapnan mein
liya saajan ne haathon mein haath
maiya main to ho paauni
meri dooron se aayi baaraat
maiya main to paauni
meri dooron se aayi baaraat
maiya main to paauni


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15400 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15410

Number of movies covered in the blog

Movies with all their songs covered =1184
Total Number of movies covered =4246

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