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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Asha Bhonsle songs’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
With this post, the blog now carries 700 songs by Laxmikant Pyaarelal.

The story of Laxmikant Pyaarelal reads like a dream rags-to-riches story. But it is also a story of hard work and persistent effort. Laxmikant, the senior partner in the team, was three years elder to Pyaarelal. Interestingly, both were born on 3rd of the month, Laxmikant in November and Pyaarelal in September. Pyaarelal is the son of the renowned musician Ram Prasad Sharma. Although active in the film industry since the latter part of 1930s, Ram Prasad did some films independently from 1947 to 1950. Not adept with commercial acumen, his financial status was poor most of his life. Pyaarelal, his eldest son, had to start working as a musician in recording studios at the age of 12, to support his family. The story of Laxmikant’s childhood is even more depressing. He was raised in the slums of Vile Parle in Bombay. His father passed away when he was just a toddler. A friend of his father supported him and guided him towards learning music. With time, his talent shone through, and he too started working as a musician in the film industry.

Remembering Laxmikant Shantaram Kudalkar on the 19th anniversary of his passing away today (25th May).

Growing up in financially difficult times, the childhood of these two great musicians and music directors kind of weaved through the same threads. Laxmikant got the opportunity to learn violin from Husnlal (of Husnlal-Bhagatram duo), and from Bal Mukund Indorekar. Pyaarelal learnt from his father, and other contemporaries of his father, like Anthony Gonsalves.

The two young musicians met in Sureel Kala Kendra, a center for teaching music to young children. This center was run by the Mangeshkar family. Lata ji was very impressed with the talent of this pair, and through her references, they started getting work as musicians for the recordings of some of the main line music directors of that era. The melody was in the making and the 1950s was the time that this pair of youngsters learnt their trade working under the stalwarts like Naushad, C Ramchandra, SD Burman etc. By the later part of 1950s, the career of Kalyanji Anand ji team was taking off, and Laxmi-Pyaare’s team was working as assistants to them. Although both worked together as a team, Pyaarelal was more incharge of orchestration and arrangements, and Laxmikant was more towards composition and vocals. By early 1960s, this team started to get independent offers. What came about in the short space of 5 to 7 years was a string of memorable hits and Jubilee films, that established Laxmi-Pyaare as a force to reckon with in the industry. Sample their successes from the 1960s – ‘Parasmani’ (1963), ‘Dosti’ (1964), ‘Sant Gyaneshwar’ (1964), ‘Mr X In Bombay’ (1964), ‘Hum Sab Ustad Hain’ (1965), ‘Lutera’ (1965), ‘Shriman Funtoosh’ (1965), ‘Aaye Din Bahaar Ke’ (1966), ‘Pyaar Kiye Jaa’ (1966), ‘Milan’ (1967), ‘Pathat Ke Sanam’ (1967), ‘Shagird’ (1967), ‘Night In London’ (1967), ‘Farz’ (1967), ‘Jeene Ki Raah’ (1969), ‘Inteqam’ (1969), ‘Do Raaste’ (1969) – the list simply goes on and on.

Many readers may be aware that Laxmikant made an appearance as himself in the 1983 film ‘Teri Kasam’.  There is a sequence wherein a song is being recorded for a rising young star, role played by Gaurav Kumar. The initial part of this song is pictruized inside a recording studio, where Laxmikant is sitting in the control room. Incidentally we also see Kersi Lord, one of the expert music arrangers of our industry, also present, working on the recording machinery.

For the anniversary today, I bring this last remaining song of the film ‘Aaye Din Bahaar Ke’ from 1966. Six of the seven songs of this film are already posted on our blog. A quick look as the list below, and you can imagine, what a musical treat this film is – one of the early films of Dharmendra as he is taking off as a romantic hero.

1.       Mere Dushman Tu Meri Dosti Ko Tarse
2.       Suno Sajna Papeehe Ne
3.       Khat Likh De Sanwariya Ke Naam Babu
4.       Mera Mehboob Hai Bemisaal
5.       Phoolon Se Mukhde Waali
6.       Ye kali jab talak phool ban ke khiley

This last song is an all female duet, which is sung by Asha Bhosle and Lata Mangeshkar. On screen, it is performed by Nazima and Asha Parekh. The words are from the pen of Anand Bakshi. An important note here about the association of this duo music directors and this song writer. This combination has been one of the most prolific songwriter – MD combinations in the industry. Over the decades, they have produced more than 300 songs together, a majority of which have been significant hits.

With a tribute to Laxmikant today, listen to this wonderful expression of aspirations of falling in love, and the simultaneous advice against it. The words are superb, and the composition is very attractive. And yes, with this song, the film ‘Aaye Din Bahaar Ke’ completes its tally of songs on the blog. Time for another ‘Yippeee’ call.

With this song, Laxmikant Pyarelal now have 700 songs in the blog as music directors. They become only the second music directors, behind Shankar Jaikishan to reach this figure in the blog.

[Ed Note: Harish ji Raghuvanshi (of Surat) has informed in a separate email that Laxmikant-Pyaarelal are the only music directors in Hindi films to have crossed the 500 films milestone. There may be other names from South film centers, but as far as Hindi films is concerned, L-P are the leaders.]


Song – Ae Kaash Kisi Deewaane Ko (Aaye Din Bahaar Ke) (1966) Singers – Asha Bhosle, Lata Mangeshkar, Lyrics – Anand Bakshi, MD – Laxmikant Pyarelal

Lyrics

ae kaash kisi
deewaane ko
hum se bhi mohabbat ho jaaye

ae kaash kisi deewaane ko
hum se bhi mohabbat ho jaaye
hum lut jaayen
dil kho jaaye
bas aaj qayaamat ho jaaye
ae kaash kisi deewaane ko
hum se bhi mohabbat ho jaaye

hai waqt abhi tauba kar lo
hai waqt abhi tauba kar lo
allah museebat ho jaaye
allah museebat ho jaaye
ae kaash kisi deewaane ko
hum se bhi mohabbat ho jaaye

tum maloom nahin shaayad
kitne be-dard sanam hongey
tum maloom nahin shaayad
kitne be-dard sanam hongey
ye aap ne sach farmaaya hai
ulfat mein laakh sitam hongey
ulfat mein laakh sitam hongey
hain laakh sitam manzoor hamen
bas ek inaayat ho jaaye
hum lut jaayen
dil kho jaaye
bas aaj qayaamat ho jaaye
ae kaash kisi deewaane ko
hum se bhi mohabbat ho jaaye

har saans ko har ik dhadkan ko
wo apni yaad banaa daaley
har saans ko har ik dhadkan ko
wo apni yaad banaa daaley
tum aaj agar ik nagma ho
tumko fariyaad banaa daaley
tumko fariyaad banaa daaley

gairon se to ho shiqwe tumko
khud se bhi shikaayat ho jaaye
hai waqt abhi tauba kar lo
allah museebat ho jaaye
ae kaash kisi deewaane ko
hum se bhi mohabbat ho jaaye

har ek khataa ki is duniya ki
is ke khataa se behtar hai
har ek khataa ki is duniya ki
is ke khataa se behtar hai
ye pyaar nahin ik dard sahi
ye dard dawaa se behtar hai
ye dard dawaa se behtar hai
bas chain hamen aa jaaye jo
bechain tabiyat ho jaaye
hum lut jaayen
dil kho jaaye
bas aaj qayaamat ho jaaye
ae kaash kisi deewaane ko
hum se bhi mohabbat ho jaaye
hai waqt abhi tauba kar lo
allah museebat ho jaaye
allah museebat ho jaaye
allah museebat ho jaaye
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

ए काश किसी
दीवाने को
हम से भी मोहब्बत हो जाये

ए काश किसी दीवाने को
हम से भी मोहब्बत हो जाये
हम लुट जाएँ
दिल खो जाये
बस आज क़यामत हो जाये
ए काश किसी दीवाने को
हम से भी मोहब्बत हो जाये

है वक़्त अभी तौबा कर लो
है वक़्त अभी तौबा कर लो
अल्लाह मुसीबत हो जाये
अल्लाह मुसीबत हो जाये
ए काश किसी दीवाने को
हम से भी मोहब्बत हो जाये

तुमको मालूम नहीं शायद
कितने बे-दर्द सनम होंगें
तुमको मालूम नहीं शायद
कितने बे-दर्द सनम होंगें
ये आपने सच फरमाया है
उलफत में लाख सितम होंगें
उलफत में लाख सितम होंगें
हैं लाख सितम मंजूर हमें
बस एक इनायत हो जाये
हम लुट जाएँ
दिल खो जाये
बस आज क़यामत हो जाये
ए काश किसी दीवाने को
हम से भी मोहब्बत हो जाये

हर सांस को हर इक धड़कन को
वो अपनी याद बना डाले
हर सांस को हर इक धड़कन को
वो अपनी याद बना डाले
तुम आज अगर इक नग़मा हो
तुमको फरियाद बना डाले
तुमको फरियाद बना डाले
गैरों से तो हो शिक़वे तुमको
खुद से भी शिकायत हो जाये
है वक़्त अभी तौबा कर लो
अल्लाह मुसीबत हो जाये
ए काश किसी दीवाने को
हम से भी मोहब्बत हो जाये

हर एक खता इस दुनिया की
इस एक खाता से बेहतर है
हर एक खता इस दुनिया की
इस एक खाता से बेहतर है
ये प्यार नहीं इक दर्द सही
ये दर्द दवा से बेहतर है
ये दर्द दवा से बेहतर है
बस चैन हमें आ जाये जो
बेचैन तबीयत हो जाये’
हम लुट जाएँ
दिल खो जाये
बस आज क़यामत हो जाये
ए काश किसी दीवाने को
हम से भी मोहब्बत हो जाये
है वक़्त अभी तौबा कर लो
अल्लाह मुसीबत हो जाये
अल्लाह मुसीबत हो जाये
अल्लाह मुसीबत हो जाये

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, it is the turn of this 1973 Vinod Khanna starrer – ‘Dhamki’ to join the list of Yippeee films on our blog.

In 1973, it had been five years since Vinod Khanna made his debut with the film ‘Man Ka Meet’ (1968) and two years since he got his first break as a hero (in ‘Hum, Tum Aur Woh’ (1971)). He started his career as a villain, and continued to work with negative and also supporting roles in many films, before graduating into leading roles. His image as an energetic action person, actually brought to him more roles as an action hero. Many of his initial roles are either as a dacoit chief or a police inspector. The film ‘Dhamki’ is not much different. He plays the role of a CBI inspector who works to foils the plans of some foreign agents, trying to take over the control of a small erstwhile kingdom, by eliminating the new teenager heir to the throne. Vinod Khanna, helped by Mehmood Junior takes on this gang and saves the heir and the kingdom from falling into foreign hands.

This film was released, sandwiched between two other significant films of Vinod Khanna, in which he has played very sensitive roles which became better known films of that year. The first is ‘Achaanak’, which reprises the famous Nanavati murder case, and adds another dimension to it. The second is ‘Imtihaan’ in which Vinod Khanna has played the role of a college professor, taking on an educationist role very seriously. In comparison, ‘Dhamki’ may have been treated as just another cops and robbers tale.

The film is directed by Parvez for the banner of Tasveer Movies, Bombay. Interesting to note that Vinod, almost a debutante hero in 1973 was cast opposite to Kum Kum, who by this time was a veteran actress of a little over two decades, although her age does not show that on screen. Others in the list of actors are Ramesh Deo, Bela Bose, Junior Mehmood, Jaishree T, Meena T, Imtiaz, Tiwari, Sham Kumar, Brahm Bhardwaj, Munshi Munakka, Johnny Whisky etc. with special appearances by Helen, Ranjeet and Subhash Ghai.

There are five songs listed for this film. One song, “Kali Se Nazaaron Se Bahaaron Se” is penned by Verma Malik. The remaining four songs have been penned by Asad Bhopali. With the posting of this song, songwriter Asad Bhopali touches the double century milestone. He now has two hundred songs showcased on our blog.

The music is from the mind of that prodigal genius – Ganesh. The readers of this blog are by now very familiar with this name. Associated with an illustrious family of musicians, he is the son of Ram Prasad Sharma, and younger brother to Pyaarelal Ram Prasad Sharma (of the Laxmikant Pyaarelal duo).  In the beginning of 1960s, the name of Ganesh came to be acknowledged as the key contributor to the success of the music of Laxmikant Pyaarelal.  The effect of this impression in the industry was so strong that by the mid 1960s, he got about 10 assignments as an independent music director, even before a single film with his music had even got to the studio floors.

Ganesh was an expert with many instrument and a genius with creating tunes. He had the ability to create newer, fresher melodies that one had to stop and pay attention to. Pick up any film done by him (of which there sadly aren’t many), any song created by him, and as you listen, and if you are not aware of the identity of the music director, you will surely wonder who would it be, the creator of such a lovely melody. Somehow, the combination of the tones, the octaves and the emphases make the tunes created by this hugely talented musician simply touch a very endearing nerve, and the heart simply wants to sing along with the flow of the song.

But alas, recognition and success was not in his destiny. His songs, buzzing with hummable and memorable tunes, played themselves out in B and C grade cinema productions. Some of his songs escaped this banishment to the C grade world, and found a place on the radio waves, and in the mind and memories of listeners. Some such songs have remained in the memories; but then there are many other remarkable creations from him that are being rediscovered through this blog.

The earlier songs of this film that have been posted are,

1.       Chaand Kyaa Hai Roop Ka Darpan
2.       Hamsafar Ho Hamsafar Gham Na Kar
3.       Kali Se Nazaaron Se Bahaaron Se
4.       Yaaron Mujhe Peene Do

Today’s song is a stage dance song, which is performed on screen by Kum Kum, accompanied by. . .  an actress I am not able to place. She is either Jaishree T or Meena T. I request other readers and friends to kindly confirm. As is apparent from the sequence in this video clip, the plan is to eliminate the young heir to the throne by making him sit under a large glass chandelier, which will be made to fall on him at the end of the performance. The hero CBI officer and his side kick have been overpowered and are tied to water pipes in the basement. From the looks of it, all the members of the ‘evil’ gang are present in the audience. I can make out Sham Kumar and Ramesh Deo, and many more that I am not able to name, including a lady in yellow dress. Again, request to the more knowledgeable readers to help identify more people in this clip.

With this song, music director Ganesh now has 57 songs posted on our blog. Given that his total body of work is around 80 to 85 songs, we are close to getting all his songs on board. But for today, ‘Dhamki’ joins the list of films with all songs poster here. Time for another ‘Yippeee’ call.

[Ed Note: Dear Prakash ji has confirmed that the dancer on stage with Kum Kum is Jaishree T. And the lady in yellow dress, sitting in the audience, is Meena T. Prakash ji has also pointed out an error in the list of songs of this film – a case of incorrect cut and paste from another file. He has also pointed out the correction that there are two lyricists credited for this film. Prakash ji, thanks so much for your vigilant inputs, and for helping to update the correct information into this post. 🙂 ]

Song – Kaun Wafadaar Hai Kaun Bewafaa Hai (Dhamki) (1973) Singer – Asha Bhosle, Usha Mangeshkar,  Lyrics – Asad Bhopali, MD – Ganesh
Asha Bhosle + Usha Mangeshkar

Lyrics

kaun waafadaar hai
kaun bewafaa hai
tumko bhi pata hai
humko bhi pata hai
kaun waafadaar hai
kaun bewafaa hai
tumko bhi pata hai
humko bhi pata hai
raaz hai jo dil mein
paraai mehfil mein
hum kaise bataayen bataayen
kaun khatavaar hai
kaun be-khata hai
tumko bhi pata hai
humko bhi pata hai
kaun waafadaar hai
kaun bewafaa hai
tumko bhi pata hai
humko bhi pata hai

jhhoothi
ye duniya jhhoothi
deti rahi hai dhokha sabhi ko
hoga
jo hona hoga
jee bhar ka chaaho tum bhi kisi ko
saagar
chhalke
aanchal
dhalke
aao naa. . .
aaao naa pyaar karen
haan karen
deewaano
raat mazedaar hai
baat bevajaah hai
tumko bhi pata hai
humko bhi pata hai
kaun waafadaar hai
kaun bewafaa hai
tumko bhi pata hai
humko bhi pata hai

aankhen
do pyaasi aankhen
kehti hain rakh do
seene pe sar bhi
socho
haan itna socho
kal ki to kya
nahin pal ki khabar bhi
jalwe
le main
dil se
hoon main
aao naa. . .
aaao naa pyaar karen
haan karen
deewaano
ang lachakdaar hai
rang phool sa hai
tumko bhi pata hai
humko bhi pata hai
kaun waafadaar hai
kaun bewafaa hai
tumko bhi pata hai
humko bhi pata hai
raaz hai jo dil mein
paraai mehfil mein
hum kaise bataayen bataayen
kaun khatavaar hai
kaun be-khata hai
tumko bhi pata hai
humko bhi pata hai
kaun waafadaar hai
kaun bewafaa hai
tumko bhi pata hai
humko hi pata hai
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

कौन वफादार है
कौन बेवफा है
तुमको भी पता है
हमको भी पता है
कौन वफादार है
कौन बेवफा है
तुमको भी पता है
हमको भी पता है
राज़ है जो दिल में
पराई महफिल में
हम कैसे बताएं बताएं
कौन खतावार है
कौन बे-खता है
तुमको भी पता है
हमको भी पता है
कौन वफादार है
कौन बेवफा है
तुमको भी पता है
हमको भी पता है

झूठी
ये दुनिया झूठी
देती रही है धोखा सभी को
होगा
जो होना होगा
जी भर के चाहो तुम भी किसी को
सागर
छलके
आँचल
ढलके
आओ ना॰॰॰
आओ ना प्यार करें
हाँ करें
दीवानों
रात मज़ेदार है
बात बेवजह है
तुमको भी पता है
हमको भी पता है
कौन वफादार है
कौन बेवफा है
तुमको भी पता है
हमको भी पता है

आँखें
दो प्यासी आँखें
कहती हैं रख दो
सीने पे सर भी
सोचो
हाँ इतना सोचो
कल की तो क्या
नहीं पल की खबर भी
जलवे
ले मैं
दिल से
हूँ मैं
आओ ना॰॰॰
आओ ना प्यार करें
हाँ करें
दीवानों
अंग लचकदार है
रंग फूल सा है
तुमको भी पता है
हमको भी पता है
कौन वफादार है
कौन बेवफा है
तुमको भी पता है
हमको भी पता है
राज़ है जो दिल में
पराई महफिल में
हम कैसे बताएं बताएं
कौन खतावार है
कौन बे-खता है
तुमको भी पता है
हमको भी पता है
कौन वफादार है
कौन बेवफा है
तुमको भी पता है
हमको भी पता है


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Dhamki”(1973) was produced by T H Shah and directed by Parwez Malik. It was a typical masala action movie of 1970s starring Vinod Khanna, Kumkum, Shyam Kumar, Helen, Meena T., Mehmood Junior, Bela Bose, Subhash Ghai, Ramesh Deo, Jayshree T.,Imtiaz, Ranjeet, Shetty etc in it.

Vinod Khanna plays a secret agent out to foil the nefarious anti national designs of the villains. The villains in this movie would outnumber the good people in most scenes including its songs.

The movie had five songs in it. Three of the better known songs from this movie have been covered in the blog long ago.

Here is the fourth song from “Dhamki”(1973) to appear in the blog. The song is sung by Asha Bhonsle. Asad Bhopali is the lyricist. Music is composed by Ganesh.

Picturisation shows Vinod Khanna and Kumkum finding them surrounded by lots and lots of baddies. Kumkum pretends to be drunk and she lip syncs this song. This is a club dance song cum fight song where Vinod Khanna is seen dealing with the baddies while Kumkum’s lip syncing supposedly serves to divert the attention of the baddies.

Audio

Video (Longer)


Song-Yaaron mujhe peene do (Dhamki)(1973) Singer-Asha Bhonsle, Lyrics-Asad Bhopali, MD-Ganesh

Lyrics

yaaron
yaaron
rarararararara ra
raara

yaaron
mujhe peene do o o
pee ke bahakne do o
yaaron
mujhe peene do o
pee ke bahakne do
saare gham
jal jaaye jismein
wo aag bhadakne do o
yaaron
mujhe peene do o o
pee ke bahakne do

ye nasha jaanega wo
ye maza jaanega wo
jisne zara si bhi pi ho o
pahle mera saaghar bharo
phir hosh ki baaten karo o
yaaron
yaaron
yaaron
mujhe peene do o o
pee ke bahakne do o
yaaron

dil jahaan
nazren wahin
jaaneman aasaan nahin
nazren bacha ke nikal lo
rahne bhi do
zid na karo
dil tootne se to daro o
yaaron
yaaron
yaaron
mujhe peene do o o
pee ke bahakne do
yaaron
mujhe peene do o o
pee ke bahakne do
saare gham
jal jaaye jismein
wo aag bhadakne do o
yaaron
mujhe peene do o o
pee ke bahakne do o
yaaron


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naadaan” (1971) was directed by Deven Verma for Navratan Films. Bombay. The movie had Asha Parekh and Navin Nischol in lead roles. The movie also had Nirupa Roy, Helen, Jairaj, Karan Dewan, Sulochana Chatterjee, Madan Puri, Sunder, Brahm Bhardwaj, Asit Sen, Rashid Khan, Bela Bose, Praveen Pal, Master Chikoo, AK Hangal, Yash, Ravikant, Kuljeet, Subrato, Nazir Kashmiri, Deven Verma etc in it.

There were six songs in the movie. Five of these songs have already been covered.

Here is the sixth and final song from “Naadaan” (1971) to appear in the blog. This song is sung by Asha Bhonsle. Hasrat Jaipuri is the lyricist. Music is composed by Shankar Jaikishan.

The song is picturised as a nautanki dance performance on Bela Bose and others. The predominnantly male audience watching the performance include Navin Nischol, Asit Sen, Sundar etc, with asit Sen and Sundar even trying a jig or two of their own.

With this song, “Naadaan”(1971) joins the list of movies that have all their songs covered in the blog.


Song-Uyi chubh gayi karejwa mein nainwa ko sui (Naadaan)(1971) Singer-Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan

Lyrics

uyi
uyi
uyi
chubh gayi karejwa mein nainwa ki sui
chubh gayi karejwa mein nainwa ki sui
haay raam kab tak karoongi uyi uyi
chubh gai karejwa mein nainwa ki sui
chubh gai karejwa mein nainwa ki sui
haay raam kab tak karungi uyi uyi
uyi uyi
chubh gayi karejwa mein nainwa ki sui

haye
kaanta sa khatke nindiya na aaye
nindiya na aaye to sapna na aaye
sapna na aaye to sajna na aaye
sapna na aaye to sajna na aaye
sajna na aaye to jiya ghabraaye
chubh gayi
haay haaye chubh gayi
haay haay
chubh gayi karejwa mein nainwa ki sui
chubh gai karejwa mein nainwa ki sui
haay raam kab tak karoongi uyi uyi
chubh gayi karejwa mein nainwa ki sui

haay
aisi chubhi hai ke man jaanta hai
man jaanta hai aur tan jaanta hai
meri preet kis’se hai kisko khabar
meri preet kis’se hai kisko khabar
machalta hua ye badan jaanta hai
chubh gayi
haay haaye chubh gai
haay chubh gayi karejwa mein nainwa ki sui
chubh gayi karejwa mein nainwa ki sui
haay raam kab tak karooungi uyi uyi
uyi uyi
chubh gayi karjwa mein nainwa ki sui

koi sui nikaale to phir chain aye
aake sambhale to phir chain aye
naina milaati na baat aage badhti
naina milaati na baat aage badhti
gale se lagaale to phir chain aaye
chubh gayi
haay haay chubh gai
haay haay chubh gai karejwa mein nainwa ki sui
chubh gai karejwa mein nainwa ki sui
haay raam kab tak karoongi ui ui
chubh gayi karejwa mein nainwa ki sui
chubh gayi karejwa mein nainwa ki sui


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naadaan” (1971) was directed by Deven Verma for Navratan Films. Bombay. The movie had Asha Parekh and Navin Nischol in lead roles. The movie also had Nirupa Roy, Helen, Jairaj, Karan Dewan, Sulochana Chatterjee, Madan Puri, Sunder, Brahm Bhardwaj, Asit Sen, Rashid Khan, Bela Bose, Praveen Pal, Master Chikoo, AK Hangal, Yash, Ravikant, Kuljeet, Subrato, Nazir Kashmiri, Deven Verma etc in it.

There were six songs in the movie. Four of these songs have already been covered.

Here is the fifth song from “Naadaan” (1971) to appear in the blog. This song is sung by Asha Bhonsle. Hasrat Jaipuri is the lyricist. Music is composed by Shankar Jaikishan.

The song is picturised on Asha Parekh as an epression of love song.

Audio (Longer)

Video

Song-Bol naadaan dil tujhko kya ho gaya (Naadaan)(1971) Singer-Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan

Lyrics

uyi
uyi

bol naadaan dil
tujhko kya ho gaya
tu mere paas thha
tu kahaan kho gaya
bol naadan dil
haaye haaye haaye
bol naadaan dil
tujhko kya ho gaya
tu mere paas thha
tu kahaan kho gaya
bol naadaan dil
haaye haaye haaye
bol naadaan dil
tujhko kya ho gaya

ho ho
ho meri aankhon mein kaisi chamak aa gayi
meri aankhon mein kaisi chamak aa gayi
mere baalon mein kaisi mahak aa gayi
raat din kiski dhun mein tu rahne laga
daastaan pyar ke mujhse kahne laga
bol naadaan dil
haaye haaye haaye
bol naadaan dil
tujhko kya ho gaya
tu mere paas thha
tu kahaan kho gaya
bol naadaan dil
haaye haaye haaye
bol naadaan dil
tujhko kya ho gaya

ho ho
ho koi badra jo parbat se aa ke miley
koi badra jo parbat se aa ke miley
koi bhanwra jo kaliyon ke peechhe pade
meri saanson mein kyun ek toofaan uthhe
meri rag rag mein kyun ek shola jaley
bol naadan dil
haaye haaye haaye
bol nadaan dil
tujhko kya ho gaya
tu mere paas thha
tu kahaan kho gaya
bol naadaan dil
haaye haaye haaye
bol nadaan dil
tujhko kya ho gaya

ho ho
ho mujhko aane lagi aaj angdaayiyaan
mujhko aane lagi aaj angdaayiyaan
geet gaane lagi meri tanhaayiyaan
apne chehre se kyun sharm aane lagi
zindagi jhoom kar gungunaane lagi
bol naadaan dil
haaye haaye haaye
bol naadaan dil
tujhko kya ho gaya
tu mere paas thha
tu kahaan kho gaya
bol naadaan dil
haaye haaye haaye
bol naadaan dil
tujhko kya ho gaya


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Here is a song from Muqaddar Ka Sikandar. It is written by Anjaan and Kalyanji Anandji are the music directors. It is sung by Asha Bhonsle, Mahendra Kapoor and Lata Mangeshkar.

This movie had great songs. All Eight of them. But a lousy story line (I can see a whole lot of Atulites chuckling right Rajaji?)

We have covered five songs from the movie so this should be the sixth. This song occurs immediately after Amitabh has sent a love note to Rakhee. He being illiterate has got it written by Vinod Khanna. Now because it is in Vinod Khanna’s writing, Rakhee thinks it is a love note from Vinod Khanna. To make matters worse Amitabh Bachchan has not delivered it himself. He has asked a roadside boy to deliver it to the MEMSAAB staying in the opposite house. So, you see he has neither written it nor personally delivered it, then how will poor Rakhee know who has sent it. She goes through some documents that Vinod Khanna has been writing for her dad compares the writing and concludes that Vinod Khanna is in love with her; which is also true. To further confuse matters Vinod Khanna doesn’t know that Amitabh Bachchan is in love with Rakhee. He only knows that Amitabh Bachchan is in love and he addresses his love as MEMSAAB. So how will know he is treading on someone else’s territory?

Now let us twist the story further (hey Raam!!! Prakash Mehra what were you thinking when you wrote this story!!!) As soon as she got the letter Rakhee very happily sings “Dil toh Hai Dil” and both the heroes think it is for them. So promptly they decide to take her out on a date. Only thing is Amitabh Bachchan reaches the venue after the other two and realizes that there is an encroacher on his territory. Hmm, feel like pulling my hair out. But as a youngster in school I first fell in love with the songs. And subsequently saw the movie many times (but only on TV never in the theatre)

As if all this was not enough we have an Amjad Khan-Rekha angle in this story. She loves Amitabh Bachchan and Amjad loves her, and when they are dyingAmjad realizes Amitabh never loved Rekha (in the movie)and it was a waste of a life– Rekha’s dying.

So here we have a song which has Rakhee desperately trying to look young and boisterous and to top it she is also trying to dance a western dance I amstill trying to make out if its waltz or disco or khisco!!!! Through the movie, she is sari clad trying to look mature and here this getup make a buffoon out of her. Why oh why did she agree to subject herself and us to this torture???

I am unable to recognize the dancer who starts the song I think PCji will be of help here.

It is about eight years since the death of the maker of this Amitabh classic passed away-yes, it is nowadays considered to be a classic as the songs are still on the publics favourite-song list. And anything remotely old is termed a classic.

17 may 2017 is the eighth death anniversary of Shri Prakash Mehra (13 july 1939- 17 may 2009) who gave a new lease of life to Amitabh’s career in 1973 with “Zanjeer”. He began his career in bollywood as production controller and switched to being a director from Shashi Kapoor starrer “Haseena Maan Jayegi” in 1968. He was one of the specialists in “Masala Genre” His collaboration with the actor Amitabh Bachchan resulted in several box office blockbusters and classics, due to which Mehra was considered among the ‘Golden Directors’ of his time.

Remembering Prakash Mehra and thanking him for all the entertainment that he gave us.

Ed:-And this turns out to be the eighth and final song from “Muqaddar Ka Sikandar”(1978). so finally MKS (as we people newly familiar with the MKS system of units used to describe this movie) joins the list of movies that have all their songs covered in the blog.


Song-Pyaar zindagi hai (Muqaddar Ka Sikandar)(1978) Singers-Asha Bhonsle, Mahendra Kapoor, Lata, Lyrics-Anjaan, MD-Kalyanji Anandji
Mahendra Kapoor + Lata
All

Lyrics

Love
Haan
{Hey man, this is ??
You Like it
then why don’t you come and join
lover’s paradise}

hahahaha
hahaahaha
aaah

pyaar zindagi hai
pyaar bandagi hai
bandagi hai
yahalla yahalla
oo yaallah
oo yahalla yahalla
oo yaallah

pyaar se pyaar karo
ye umr pyaar ki hai
pyaar se pyaar karo
ye umr pyaar ki hai
pyaar bina kya jeena
ye bhi koi zindagi hai
pyaaar zindagi hai
o pyaaar bandagi hai
bandagi hai

yahalla yahalla
o yaallah
oo yahalla yahalla
o yaallah

pyaar karam pyaar dua
pyaar sitam pyaar wafa
pyaar se juda to yahaan koi nahin koi nahin
pyaar khushi pyaar nasha
kya wo nazar kya wo ada
ho kisi ka pyaar mein jo
koi nahin koi nahin
dil ko laga ke dekho
pyaar mein kya khushi hai
dil ko laga ke dekho
pyaar mein kya khushi hai
pyaar bina kya jeena
ye bhi koi zindagi hai
pyaar zindagi hai
o pyaar bandagi hai
bandagi hai
yahalla yahalla
o yaallah
oo yahalla yahalla
oyaallah

door rahe paas rahe
dil mein teri pyaas rahe
tere liye main hoon
tu hai mere liye
mere liye
pyaar sanam
pyaar khuda
yaar kabhi ho na juda
yaar bina koi yahaan
kaise jiye kaise jiye
baahon mein yaarke hi
duniya bahaar ki hai
o baahon mein yaar ke hi
duniya bahaar ki hai
pyaar bina kya jina
ye bhi koi zindagi hai

pyaaar zindagi hai
pyaar bandagi hai
bandagi hai

yallayalla
o yaallah
yallayalla
o yaallah

dekh hamen koi jaley
koi jaley
haath maley
tu jo mere saath chale
logon se kyadarna yahaan
pyaar yahaan jo na kare
khaak jiye khaak mare
yaar mere tere liye
jeena yahaan marna yahaan
mar ke bhi na mite jo
ye woh deewaangi hai
mar ke bhi na mite jo
ye woh deewaanagi hai
pyaar bina kya jeena
ye bhi koi zindagi hai

pyaar zindagi hai
o pyaar bandagi hai
bandagi hai

yahalla yahalla
o yaallah
yahalla yahalla
o yaallah

pyaar se pyaar karo
ye umr pyaar ki hai
ye umr pyaar ki hai
pyaar bina kya jeena
ye bhi koi zindagi hai
ye bhi koi zindagi hai

yalla yalla
ooyaallah,
yallayalla
ooyaallah
yallayalla
ooyaallah
yallayalla
ooyaallah
yallayalla
yallayalla
yallayalla
pyaar pyaar pyaar pyaar pyaar


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

We in this blog had two new resolutions and I had decided to stick to them as long as I can. One was to introduce a “new” movie daily and another was to to close the account of another movie by YIPPying it.

We are in may 2017, and both these resolutions have finally seen breaks. For instance, there was no YIPPEE song on 13 may 2017, a day that had only one post, a post that introduced a “new” song. The string on YIPPEE posts was in fact broken a few days earlier on 6 may itself when I posted a song that I thought was YIPPYing its movie but I was wrong. The “new” post string had got broken a while ago.

However, unlike most new year resolutions, these new year resolutions were not broken due to laziness or lack of motivation, rather than for more pressing reasons like inability to spend enough time near the computer, which is essential for posting article in the blog. So, we can be proud that we achieved quite a lot in the blog thanks to these resolutions.

One resolution (unstated) still continues, and it is the resolution that there would be no dot days in the blog this year.

Over one hour of Today (15 may 2017) is still remaining, so I will use this time to post a YIPPEE song for the day. This song is the sixth and final song from “Waaris”(1969). This movie was directed by Ramanna for Vasu Films, Madras. The movie had Jeetendra, Hema Malini, Sudesh Sharma, Nazima, Manorama, Daisy Irani, Sunder, Prem Chopra, Aruna Irani, Ashokan, David Abraham, Mehmood, Kamini Kaushal, Sachin etc in it.

This sith and final song from “Waaris”(1969) is sung by Asha Bhonsle, Manna Dey and chorus. Rajinder Krishan is the lyricist. Music is composed by R D Burman.

The song is picturised as a faux “jhaad phoonk” song where Hema Malini playacts as a woman who is under the spell of a buri aatmaa which Mehmood plays the hilarious looking witch doctor trying to rid Hema Malini of the buri aatmaa. Lots of other characters of the movie are also visible in the picturisation. This song is a diversion song as well. This song keeps people pre occupied and that gives Jeetendra as opportunity to climp up to the building where all this action is taking place.

With this song, “Waaris”(1969) joins the list of movies that have all their songs covered in the blog.

Song – Kaun Hai Wo Kaun Mujhe Jis Ne Jagaaya (Waaris) (1969) Singer – Lata Mangeshkar, Manna Dey, Lyrics – Rajendra Krishan, MD – RD Burman
Chorus

Lyrics

kaun hai wo kaun
mujhe jis ne jagaaya
arey dharti pe aaj yamlok se bulaaya
arey dharti pe aaj yamlok se bulaaya
arrey kau.. kau..aun hai

kaun hai wo kaun
mujhe jis ne jagaaya
arey dharti pe aaj yamlok se bulaaya
arey dharti pe aaj yamlok se bulaaya
arrey kau.. kau..aun hai

ye kangana
ye jhumka
aaa..
ye chunri ye kajra kyon
ye mehndi
ye bindiya
ye paayal ye gajra kyon
jaante nahin ho kya
mere sartaaj ko
thehro bulaati hoon
abhi yamraaj ko
kau..aun hai
kaun hai wo kaun
mujhe jis ne jagaaya
arey dharti pe aaj yamlok se bulaaya
arey dharti pe aaj yamlok se bulaaya
arrey kau.. kau..aun hai

ye bhutnaa
ye baamna
kyon aaya maala japne
hey..ey..ey..ey
ye bhutnaa
ye baamna
arey kyon aaya maala japne
kya samjhe ye chhalia
dekhe devi ke sapne
jaagi hui devi pe
aankh jo lagaaye ga
yahin baithe baithe wo bhasam ho jaayega
kau..aun hai
kaun hai wo kaun
mujhe jis ne jagaaya
arey dharti pe aaj yamlok se bulaaya
arey dharti pe aaj yamlok se bulaaya
arrey kau.. kau..aun hai

haarrup
haarrup
ulya ulya maalampo
ulya kodi bishee
yee..ee..ee
ulya ulya maalampo
ulya kodi bishee
hu..uu..uu..uu
acha kuli kacha kuli kacha kuli kacha kuli
gokhli re gokhli
haiyyaa teri pokhli
gokhli re gokhli
aiyyaa teri pokhli
bol maiyyaa bol
jaldi se khol
ey.. ey..
bol maiyyaa bol
jaldi se khol
aa.. aa..

jaldi se khol de
maanav ki potli
gokhli re gokhli
haiyyaa teri pokhli
haarrup
haa..aap
harrup
haarraa..
chhod de chhod de
pind maiyyaa chhod de
kanya kumari ka mayajaal tod de
haarrup
haarrup

ye kanya kumari hai
deewaan ki dulaari hai
ye kanya kumari hai
deewaan ki dulaari hai
beti bechaari hai
chhod de chhod de
beti bechaari hai
chhod de chhod de
chhod de chhod de
pind maiyyaa chhod de
chhod de chhod de
pind maiyyaa chhod de
bol
(chhod de chhod de)
maiyyaa bol
(pind maiyyaa chhod de)
maiyyaa bol
maiyyaa bol
maiyyaa bo..ol
bol maiyyaa bol
bhog lagaayegi
bol bol ho ke ratan kya khaaegi
charnon mein tere aam kela amrood hai
peene ko maiyyaa boodhi gaaye ka doodh hai
 oo hu hu hu hu
bhoo..hoo..hoo

bhoo bhoo
haaye haaye
bhoo bhoo
o maiyyaa bhoo bhoo
hoye hoye
bhoo bhoo

bhool hui bhool hui
maiyyaa maans dhaari hai
phal waale jaa
ab kasaai ki baari hai
hataao kharbuja
hataao tarbuja
arre jaldi se le ke aao
murgi ka chooza
arre murgi ka chalega ya bakre ka maas
aadmi ka chalega to haazir hai daas
bali nahin chaahiye
jo achhe insaan ki
to charbi khilaaun
kisi motey shaitaan ki
chhod
o pind chhod
maiyyaa chhod
o pind chhod
pind chhod
pind chhod
maaya jaal tod
(pind chhod)
pind chhod
pind chhod
maaya jaal tod
(pind chhod)
maaya jaal tod
maaya jaal tod
haa. . .

———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

कौन है वो कौन
मुझे जिसने जगाया
अरे धरती पे आज यमलोक से बुलाया
अरे धरती पे आज यमलोक से बुलाया
अररे कौ॰॰ कौ॰॰औन है

कौन है वो कौन
मुझे जिसने जगाया
अरे धरती पे आज यमलोक से बुलाया
अरे धरती पे आज यमलोक से बुलाया
अररे कौ॰॰ कौ॰॰औन है

ये कंगना
ये झुमका
आ॰॰॰
ये चुनरी ये कजरा क्यों
ये मेहंदी
ये बिंदिया
ये पायल के गजरा क्यों
जानते नहीं हो क्या
मेरे सरताज को
ठहरो बुलाती हूँ
अभी यमराज को
कौ॰॰औन है
कौन है वो कौन
मुझे जिसने जगाया
अरे धरती पे आज यमलोक से बुलाया
अरे धरती पे आज यमलोक से बुलाया
अररे कौ॰॰ कौ॰॰औन है

ये भुतना
ये बामना
क्यों आए हैं माला जपने
हे॰॰ए॰॰ए॰॰ए
ये भुतना
ये बामना
क्यों आए हैं माला जपने
क्या समझे ये छलिया
देखे देवी के सपने
जागी हुई देवी पे
आँख जो लगाएगा
यहीं बैठे बैठे वो भसम हो जाएगा
कौ॰॰औन है
कौन है वो कौन
मुझे जिसने जगाया
अरे धरती पे आज यमलोक से बुलाया
अरे धरती पे आज यमलोक से बुलाया
अररे कौ॰॰ कौ॰॰औन है

हा॰॰ड़प
हा॰॰ड़प
उल्या उल्या मालमपो
उल्या कोडी बीशी
यी॰॰ई॰॰ई
उल्या उल्या मालमपो
उल्या कोडी बीशी
हू॰॰ऊ॰॰ऊ
अच्चा कुली कच्चा कुली कच्चा कुली कच्चा कुली
गोखली रे गोखली
हईय्या तेरी पोखली
गोखली रे गोखली
अईय्या तेरी पोखली
बोल मैय्या बोल
जल्दी से खोल
ए॰॰ए॰॰
बोल मैय्या बोल
जल्दी से खोल
आ॰॰ आ॰॰
जल्दी से खोल
मानव की पोटली
गोखली रे गोखली
हईय्या तेरी पोखली
हा॰॰ड़प
हा॰॰ड़प
हा॰॰ड़प
हा॰॰ड़ा॰॰
छोड़ दे छोड़ दे
पिंड मैय्या छोड़ दे
कन्या कुंवारी का मायाजाल तोड़ दे
हा॰॰ड़प
हा॰॰ड़प

ये कन्या कुंवारी है
दीवान की दुलारी है
ये कन्या कुंवारी है
दीवान की दुलारी है
बेटी बेचारी है
छोड़ दे छोड़ दे
बेटी बेचारी है
छोड़ दे छोड़ दे
छोड़ दे छोड़ दे
पिंड मैय्या छोड़ दे
बोल
(पिंड मैय्या छोड़ दे)
मैय्या बोल
(पिंड मैय्या छोड़ दे)
मैय्या बोल
मैय्या बोल
मैय्या बो॰॰ल
बोल मैय्या बोल
भोग लगाएगी
बोल बोल हो के रत्न क्या खाएगी
चरणों में तेरे मैय्या आम केला अमरूद है
पीने को मैय्या बूढ़ी गाय का दूध है

ऊ हू हू हू
भू॰॰हू॰॰हू
भू भू
हाए हाए
भू भू
ओ मैय्या भू भू
होये होये
भू भू

भूल हुई भूल हुई
मैय्या मांसधारी है
फल वाले जा
अब कसाई की बारी है
हटाओ खरबूजा
हटाओ तरबूजा
अरे जल्दी से ले के आओ
मुर्गी का चूज़ा
अरे मुर्गी का चलेगा या बकरे का मास
आदमी का चलेगा तो हाज़िर है दास
बाली नहीं चाहिए
जो अच्छे इंसान की
तो चर्बी खिलाऊँ
किसी मोटे इंसान की
छोड़
ओ पिंड छोड़
मैय्या छोड़
ओ पिंड छोड़
पिंड छोड़
पिंड छोड़
मायाजाल तोड़
(पिंड छोड़)
पिंड छोड़
पिंड छोड़
मायाजाल तोड़
(पिंड छोड़)
मायाजाल तोड़
मायाजाल तोड़
हा॰॰॰


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

REPORT ON MUMBAI GANGOUT – Part 2
—————————————–

……Javed ji was introduced to Sadanand ji, as they were meeting each other for the first time. Even I had met him for the first time, though we had E-mail communications earlier. It so happened that, in the last Mumbai Gangout which Sudhir ji attended, he had gifted all of us a copy of Javed ji’s first Hindi book ( he has more books in Urdu), ” Kuchh kalaakaar-kuchh yaden “. After reading that book, I wrote a mail to Javed ji about certain discrepancies, I had found in the book. Actually I was hesitant whether to write such a mail to him, but my adventurism won over me and the mail was sent finally.

Happily, I received Javed ji’s reply in due course, in which he thanked me profusely and assured me that in the next editions all those corrections would be incorporated. Thus, we knew each other Electronically, before this physical meeting.

Sadanand ji and me had decided earlier that in an informal meeting of 2-3 persons, an Agenda would be superfluous. So, we did not have any written down agenda as such, but we had some points about some songs, to be discussed with Sudhir ji. Sudhir ji and Sadanand ji sat separately discussing from Sudhir ji’s Laptop. Javed ji had sent me a typed manuscript of his forthcoming Hindi book. Before sending the same to the publisher, Javed ji wanted that I see it and give my suggestions. So Sudhir ji and Sadanand ji made a pair discussing about their points and me and Javed ji sat discussing his book.

The first thing javed ji wanted me to do was to finalise the Title of the book. He had 3 Titles on offer and asked me to select one which he would give to the book. I remembered the occasion when Devika Rani had asked Yousuf-the fruit seller to select one of the 3 screen names for him- Dilip kumar, Jehangir and Vasudev. Oh my God ! Dilip Kumar and Arun Kumar ! What a coincidence !! Both in the same situation !!! We know what Yousuf selected and you will know what I suggested when the book is released soon.

My ego-balloon was soon deflated by a simple query about the lunch, as it was Lunch time already. We ordered few items from a nearby hotel. Upon its arrival and arrangements, an elaborate lunch programme was undertaken. After lunch, we decided to keep the book evaluation postponed to next day (accordingly, Javed ji came next day and we completed the exercise satisfactorily). We then discussed matters concerning the blog and related topics. However Javed ji was not able to participate, so we changed the discussions to old films and actors etc and Javed ji was kind enough to enthrall us with his knowledge.

At around 4pm we had tea with snacks. In the meantime, Sudhir ji was worried if Bakshish Singh ji would come to Mumbai next day to attend the seminar or not. Sudhir ji’s fear and the Mumbai-visit-curse took its toll and by evening Bakshish Singh ji confirmed that he has cancelled his coming as his own grandson met with an accident and had fracture of both legs-in the afternoon itself. (Next day, as a proof, he sent photographs of the poor child in plaster for both legs). The obvious conclusion was Bakshish Singh ji’s proposed Mumbai visit had caused all these mishaps !

By about 5 pm or so, Javed ji left the meeting venue to go to his relative for further stay. In the meantime Sadanand ji and Sudhir ji had planned to go to meet Khyati ji, who was to leave for USA later that night. She was in Borivali. Though keen to meet Khyati ji, after the double mishap in her family, I could not go with them due to my knee problems (doctors have advised me to avoid using stairs for a month. Khyati ji’s house was on ground floor, but my flat was on first floor !) and I was virtually under “house arrest ” !

By about 6 pm the meeting was concluded and Sudhir ji and Sadanand ji left to visit Khyati ji, along with my apologies to her. Later, I spoke to her on phone also.

Next 2 days, Sudhir ji was busy in attending his seminar. Third day also he visited Kushal ji. Next day he visited Famous Studios and also Anand ji (of he Kalyanji Anandji duo). On the 4th of May afternoon Sudhir ji shifted to his Mamaji’s place and on the 5th May, he and Javed ji left for Delhi, in the evening. Sudhir ji is hereby requested to write about his Mumbai visit.

I can not resist myself in sharing a secret of Sudhir ji, with all of you. One day, when we both were chatting in the evening, I asked Sudhir ji about his age. Pat came the answer “32 years”. I was stunned. I understood that he did not want to disclose his age. So I calculated. In 1988, Sudhir ji was working for some company in Bombay. That was 29 years ago. If he is 32 year old today, that time he must have been just 3 year old . When I pointed out this to him, with a straight face Sudhir ji answered, “Yes, I started earning early !”. Now mark my words…. very soon Sudhir ji’s name will be in The Guinness Book of World Records !!!

End of Report – Part 2
———————————-

Today’s song is from a film called ‘Hum Ek Hain’ (1969) which is making its debut in the blog. There were three films with the same title. The first ‘Hum Ek Hain’ was released in 1946, in which the lead pair of Dev Anand and Kamla Kotnis, along with Rehana and Rehman were making their debuts. Even the film’s director PL Santoshi was making his debut as a director with the film. Till them he had only worked as a lyricist and story writer. The second film with that title is today’s 1969 film and the third film was made in 1982.

Film ‘Hum Ek Hain’ (1969) was a social film, about sacrificing for the country. The film tried to put emphasis on National Integration too. The film shows a multi lingual family’s story. The main actors were Balraj Sahni and Nirupa Roy. The others in the cast were Dara Singh, Ravi Khanna, Samson, Jagdeep, Helen, Madhumati, Lalita Pawar, Rani, Savita, Naina etc etc.

The film was directed by Daljit. Daljit (real name Joginder Puri) was born in Sialkot on 17-9-1931. He was good looking. His first film was Punjabi – ‘Kauday Shah’ (1953). He entered Hindi films with ‘Noor Mahal’ (1954). He acted in 43 films, He was seen mostly in B and C grade action and stunt films. His last film as an actor was ‘Chowkidaar’ (1974). He directed 2 films. Hum ek hain-69 and Rajyogi-82. He paired with actress Chitra in 11 films.

The music director was Usha Khanna and the lyricist was Indeevar. There were only 5 songs but 8 singers were used. They were Lata, Asha, Rafi, Kamal Barot, Mukesh, Mubarak Begum, Mahendra Kapoor and Manna Dey. One song was about all religions being equal and another was stressing that all Indians were one. Looking at the type of songs and the story, I think this film must be one of those films which flooded after the 1965 war with Pakistan. During that period the patriotic fever was at peak. Looks like the film must have been delayed during its completion. By the time it came to the theatres, the fever had subsided and the topic of the film had become out of relevance. Naturally, the film flopped.

I was one of the people who went to the theatre to see the film. Here is the story in short-

In a certain town, there is a Punjabi family – husband, wife (Balraj Sahni and Nirupa Roy) and 3 sons. The eldest son Ashok, has married a Maharashtrian girl. The second son Raj, is engaged to a Kashmiri girl. The third son Dara chooses to remain bachelor. The entire family is a staunch patriotic one. All 3 sons are in Army.

In due course of time the war starts with the neighbouring country. All sons are sent on the border fronts. Two sons, Ashok and Dara die in action. During the war, the parents train their bahu as a nurse and send her on border to look after injured soldiers.

When the bodies of the dead sons are brought to the village for cremation, all the villages gather to mourn the deaths and console the family. However, Bharati Devi, the mother comes out and gives a long lecture, stating that her children did their duty to the nation and became Shaheeds. The family is proud of their sacrifice and no one should mourn their death…….

When I was checking the film’s cast etc, I found that the film’s Choreography is done by Badri Prasad and Vasant Naidu. I was surprised. Badri Prasad was a versatile and multifaceted artist of Hindi Cinema. He was an actor (first as a Hero, in the 1930s and then as a character artist) in 147 films. He was a singer – 7 films, 11 songs. He was lyricist for 1 film, 8 songs. He was a music director – 16 films, 168 songs. And he was a choreographer in 30 films. What a talent! His one daughter – Surekha Pandit was also an actress (played the role of the mother of Sharmila Tagore in film ‘Anupama’ (1966).

Similarly, the other choreographer Vasant Naidu was an active music director from 1939 to 1947, 22 films and 160 songs. He also sang in film ‘Mere Sajan’ (1941).

Strange are the ways of Filmi Duniya !!!


Song- Hum punjabi hum Bangali (Ham Ek Hain)(1969) Singers-Rafi, Manna Dey, Asha Bhonsle, Lyrics-Indeewar, MD-Usha Khanna
Chorus
All

Lyrics

hum punjabi
hum bengali
hum hain maratha
hum madrasi
hum punjabi
hum bengali
hum hain maratha
hum madrasi
baad mein kuchh aur magar
hum pahle hain bharatwasi
hum punjabi
hum bengali
hum hain maratha
hum madrasi

hoy
hoy
oho
hoy

doodh ki taaqat rakhnewaala aa aa aa
ye punjaab ka paani hai
bhagat singh ke saath yahaan aan aan
heer aur raanjhe ki kahaani hai
bhaarat ka hai roop yahi
bhaarat ki yahi jawaani hai
hum punjabi hum bengali
hum hai maratha hum madrasi

o o o
o o o
oho
hmm
oho
hmm
oho

maut ghulaami se behtar
netaji ne maut hi chuni hai
maut ghulaami se behtar
netaji ne maut hi chuni hai
ye tagore ki kavita
jisko duniya sun kar jhoomi hai
ye buniyad aazad hind ki
ye bengal ki bhoomi hai
ye buniyad aazad hind ki
ye bengal ki bhoomi hai
hum punjabi
hum bengali
hum hain maratha
hum madrasi

aa aa
aa aa aa aa aa
ye maharashtra ki paawan seema
sapna veer shivaji ka
ho sapna veer shivaji ka
hum sabne seekha hai
jis’se pahla sabak aazaadi ka
o pahla sabak aazadi ka
yahi desh ka tilak
yahi hai bharat mata ka teeka
yahi desh ka tilak
yahi hai bharat mata ka teeka
hum punjabi
hum bengali
hum hain maratha
hum madrasi

nritya aur sangeet se jo
sansaar ke man ko harti hai
har ghar ek kala ka mandir
ye dakkhan ki dharti hai
yahi hai bharat ki jal sena
jis’se duniya darti hai
yahi hai bharat ki jal sena
jis’se duniya darti hai
hum aasaami
hum hain udiya
hum gujraati raajasthani
baad mein hain kuch aur magar
hum pahle hain hindustani
hum punjabi
hum bengali
hum hain maratha
hum madrasi

ek phool ke liye chaman ko nahin ujaada jaayega
ek phool ke liye chaman ko nahi ujaada jaayega
ek daal ke liye ped ko nahi ukhaada jaayega
ek daal ke liye ped ko nahi ukhaada jaayega
dushman ko aa hi gaya
to milke pachhaada jaayega
milke pachhaada jaayega
o milke pachhaada jaayega
haan milke pachhaada jaayega


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Aah, the Yippeee sound for today. The film is from 1962 – ‘Apna Banaa Ke Dekho’. And the song – and elusive and obscure entity that I had not heard before myself. As I waded through the possible candidates, searching for the song that would complete the itinerary for the particular film, my fingers paused as this 1962 film. I was under the impression that this film would already be Yippeee’d, given the familiarity level and the comparative availability of songs. As I checked the numbers, I myself was surprised – that after six songs having been posted for this film, there still was a seventh song waiting to be brought on.

I checked the song lists, and the remaining candidate seemed so unfamiliar that it intrigued me. I tried to search for the song, but could not locate it online. Then began the search in my own collection, and lo, here was one number that I had practically forgotten. A surprising delight of a rendition by Asha Bhosle – a song that sounds like a dance song, that tells of the happiness and beauty of love fulfilled. What a lovely set of verses written by Shamsul Huda Bihari, what a wonderfully paced rhythm and melody tuned by Ravi, and what a lilting expression that has been enlivened by the voice of Asha ji.

Most of the songs of this film are quite well known, especially the first and the second ones in the following list,

1.       Raaz E Dil Unse Chhupaayaa Naa Gayaa
2.       Ham Pyaar Tumhe Karte Hain Hamen Apna Banaa Kar Dekho
3.       Tere Sadqe Mila De Mera Yaar Ooperwaale
4.       Kachchi Dagar Panghat Ki Chalat Darr Laage Re Laage Sakhi Ri
5.       Miley Hain Aap Jab Se Zindagi Kitni Suhaani Hai
6.       Hum To Pehli Hi Nazar Mein De Chuke Hain Dil Tumhen

The leading pair in this film are Manoj Kumar and Asha Parekh. The rest of the star cast list reads as – Nazeer Husain, Sunder, Achla Sachdev, Sajjan, Mohan Choti, Johnny Whisky, Shirley, Ram Singh, Narbada Shankar, Lakshmi and many more. The film is directed by Jagdish Narula for the banner of Chitra Sangam, Bombay. Of the seven songs in this film, four are penned by SH Bihari and three are the creation of Asad Bhopali.

This last song is surely a surprise find, a delightful gem that has been sitting obscure for all these years. It is posted now for your listening pleasure and that brings this film into the list of films Yippeee’d on our blog. Enjoy.

Song – Chaahat Ka Deewaana Dil (Apna Banaa Ke Dekho) (1962) Singer – Asha BhosleLyrics – Sh  Bihari, MD – Ravi

Lyrics

chaahat ka deewaana dil
ulfat ka parwaana dil
dhoondh raha hai aaj kisi ki
aankhon mein apni manzil
chaahat ka deewaana dil
ulfat ka parwaana dil
dhoondh raha hai aaj kisi ki
aankhon mein apni manzil
chaahat ka deewaana dil
ulfat ka parwaana dil

masti si fizaa mein chaai hai
aur pyaar mein doobi raaten hain
khushion ke taraane goonj rahe
aur naghmon ki barsaaten hain
kitni hai rangeen hamaare
armaanon ki ye mehfil
chaahat ka deewaana dil
ulfat ka parwaana dil
dhoondh raha hai aaj kisi ki
aankhon mein apni manzil
chaahat ka deewaana dil
ulfat ka parwaana dil

armaan ki kaliyaan khil jaayen
ye khwaab haqeeqat ban jaaye
jo dard hai meetha sa dil mein
wo dard mohabbat ban jaaye
duniya ki saari khushiaan phir
ho jaayen mujhko haasil
chaahat ka deewaana dil
ulfat ka parwaana dil
dhoondh raha hai aaj kisi ki
aankhon mein apni manzil
chaahat ka deewaana dil
ulfat ka parwaana dil

———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–
चाहत का दीवाना दिल
उलफत का परवाना दिल
ढूंढ रहा है आज किसी की
आँखों में अपनी मंज़िल
चाहत का दीवाना दिल
उलफत का परवाना दिल
ढूंढ रहा है आज किसी की
आँखों में अपनी मंज़िल
चाहत का दीवाना दिल
उलफत का परवाना दिल

मस्ती सी फिज़ा में छाई है
और प्यार में डूबी रातें हैं
खुशिओं के तराने गूंज रहे
और नग़मों की बरसातें हैं
कितनी है रंगीन हमारे
अरमानों की ये महफिल
चाहत का दीवाना दिल
उलफत का परवाना दिल
ढूंढ रहा है आज किसी की
आँखों में अपनी मंज़िल
चाहत का दीवाना दिल
उलफत का परवाना दिल

अरमान की कलियाँ खिल जाएँ
ये ख्वाब हक़ीक़त बन जाये
जो दर्द है मीठा सा दिल में
वो दर्द मोहब्बत बन जाये
दुनिया की सारी खुशियाँ फिर
हो जाएँ मुझको हासिल
चाहत का दीवाना दिल
उलफत का परवाना दिल
ढूंढ रहा है आज किसी की
आँखों में अपनी मंज़िल
चाहत का दीवाना दिल
उलफत का परवाना दिल


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

A film by name ‘Shobha’ is already present on our blog. That film is from the year 1942. As I was checking the film lists in the 1950s, I find that there is another film by the same name in the year 1954. This latter film is still to open its account on the blog. Well, that was just before this post came online. Today’s debut film is ‘Shobha’ from 1954.

Checking the Geet Kosh, I find the following details for this film. This film is a social drama, directed by Niren Lahiri, for the production banner of SB Productions, Bombay. The star cast includes Usha Kiran, Abhi Bhattacharya, Chhabi Biswas, Manju De, Shikha Bagh, Purnendu Mukherji, Rani Bannerji, Rekha Chatterji, Trilochan Jha, amongst others. Viewing the list of actors, gives me a feeling that majority of artists associated with this film are of Bangla origin. And there is more to it. The films is based on a story written by Sarat Chandra Chatterjee. And yes, the music director is Robin Chatterjee 🙂 . And yes, surely enough, as I tried to look for more information, I found one comment that says this film was simultaneously made in Hindi and Bengali, and that the name of the Bangla version is ‘Shubhada’.

The film has eight songs which are shared amongst two lyricists – Kaif Irfani and Mahendra Pran. This song is from the pen of Mahendra Pran. The singing voice is that of Asha Bhosle.

The song is a story song – actually a tota-maina story. The audio clip that I can locate for this song starts with the line that are captioned in the title. However, when I reference the Geet Kosh, this song has a couple of lead in lines, the first one of which reads – “Maina Boli Sun Re Totey, Aaj Hai Teri Baari…”. And as we come to the end of the song, one of last lines is “Maina Hans Ke Boli Sun Re Totey. . .”. So it seems like a story telling session, probably a mother telling a story to put a child to sleep. And the tale is told as the traditional story telling conversation between a ‘tota’ and a ‘maina’. I am sure few more film songs will blink on in the mind, which also are presented as a ‘tota – maina’ exchange.

So enjoy this simple and short story being told, about a princess who is lonely and sad, but then the prince charming appears on the scene, and they live happily ever after – well, almost precisely to that effect. 🙂

And yes, the 1954 film ‘Shobha’ makes its debut on our blog today.

Song – Hothon Par Fariyaad Chhupaaye Nainon Mein Barsaat (Shobha) (1954) Singer – Asha BhosleLyrics – Mahendra Pran, MD – Robin Chatterjee

Lyrics

hothon mein fariyaad chhupaaye
nainon mein barsaat
neel gagan ki rajkumari
roti thi din raat
hothon mein fariyaad chhupaaye
nainon mein barsaat
neel gagan ki rajkumari
roti thi din raat

sapnon ke toote mahalon mein
ujaley mein andhiyaara
bindiya na kaajal ghar mein
soona jeevan saara
sapnon ke toote mahalon mein
ujaley mein andhiyaara
bindiya na kaajal ghar mein
soona jeevan saara

aankhon se paani bhi rootha
rooth gaya bhagwan
kood padi gehre paani mein
dene apni jaan
aankhon se paani bhi rootha
rooth gaya bhagwan
kood padi gehre paani mein
dene apni jaan

saagar roya
lehren royin
behti nadi royee
saagar roya
lehren royin
behti nadi royee
dukhiaari ke mann ki peeda
jaan na paaya koi

roopnagar se ek salona
rajkumar jo aaya
aaa aaa aaa
roopnagar se ek salona
rajkumar jo aaya
neel kamal ka phool ek
lehron mein paaya

koelen kookeen
bhanwaron ne kaliyon ko geet sunaaye
koelen kookeen
bhanwaron ne kaliyon ko geet sunaaye
raja ne raani ke nainon se
pyaar bhare nain milaaye

chaand hasaa taare muskaaye
maina hans ke boli
sun re totey
des ko phaunchi jaa un ki doli
sun re totey
des ko phaunchi jaa un ki doli

———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–
होठों में फरियाद छुपाए
नैनों में बरसात
नील गगन की राजकुमारी
रोती थी दिन रात
होठों में फरियाद छुपाए
नैनों में बरसात
नील गगन की राजकुमारी
रोती थी दिन रात

सपनों के टूटे महलों में
उजले में अँधियारा
बिंदिया ना काजल घर में
सूना जीवन सारा
सपनों के टूटे महलों में
उजले में अँधियारा
बिंदिया ना काजल घर में
सूना जीवन सारा

आँखों से पानी भी रूठा
रूठ गया भगवान
कूद पड़ी गहरे पानी में
देने अपनी जान
आँखों से पानी भी रूठा
रूठ गया भगवान
कूद पड़ी गहरे पानी में
देने अपनी जान

सागर रोया
लहरें रोईं
बहती नदिया रोई
सागर रोया
लहरें रोईं
बहती नदिया रोई
दुखियारी के मन की पीड़ा
जान ना पाया कोई

रूपनगर से एक सलोना
राजकुमार जो आया
आ आ आ
रूपनगर से एक सलोना
राजकुमार जो आया
नीलकमल का फूल एक
लहरों में पाया

कोएलें कूकीं
भँवरों ने कलियों को गीत सुनाए
कोएलें कूकीं
भँवरों ने कलियों को गीत सुनाए
राजा ने रानी के नैनों से
प्यार भरे नैन मिलाये

चाँद हसा तारे मुसकाए
मैना हंस के बोली
सुन रे तोते
देस को पहुंची जा उनकी डोली
सुन रे तोते
देस को पहुंची जा उनकी डोली


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(© 2008 - 2017) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13200 song posts by now.

This blog is active and online for over 3150 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13273

Number of movies covered in the blog

Movies with all their songs covered =1003 Total Number of movies covered =3703

Total visits so far

  • 9,312,378 hits

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Historical dates

Blog Start date: 19 july 2008 Active for 3000 days.
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