Archive for the ‘Asha Bhonsle songs’ Category
Mere dil se aati hai ye sadaa
Posted on: July 25, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Paristan”(1957) was a fantasy movie which was produced by Sharad Desai and directed by Dhirubhai Desai for Sharad Productions, Bombay. The movie had Shakila, Ranjan, Roopmala, Lalita Pawar, P Kailash, Chandrashekhar, Agha, Manorama, Ramesh Sinha, Suryakant, Jankidas, Indira Bansal, Jeewan Kala, Kesari, Narendra Kumar, Shrawan Kumar, Shashimala, Santosh Kumar, Dilip, Anil Kumar, with guest appearance by Tuntun.
The movie had eight songs in it. The gramophone songs of this movie were released under the title of aka “Gul Bakaawli” .
Here is the first song from “Paristaan” (1957) to appear in the blog. This song is sung by Asha Bhonsle. Raja Mehdi ali Khan is the lyricist. Music is composed by S N Tripathi.
Only the audio of this song is available. Asha Bhonsle, the main female singer in the movie, had sung six songs in the movie, so one can guess that she had given playback for the laeding lady, which must be Shakila. Nevertheless, I request our knowledgeable readers to throw light on the picturisation of this song.
With this song, that I heard for the first time just now, “Paristaan”(1957) makes its debut in the blog.
Song-Mere dil se aati hai ye sada(Paristaan)(1957) Singer-Asha Bhonsle, Lyrics-Raja Mehdi Ali Khan, MD-S N Tripathi
Lyrics
mere dil se aati hai ye sada
mere dil se aati hai ye sada
mujhe bhool ja
mujhe bhool ja
main hoon sangdil
main hoon bewafaa
mujhe bhool jaa
mujhe bhool jaa
mujhe bhool jaa
mujhe bhool jaa
mere dil se aati hai ye sada
tujhe kya khabar
main hoon wo diya
jo ki aandhiyon mein hoon jal raha
tujhe kya khabar
main hoon wo diya
jo ki aandhiyon mein hoon jal raha
gham e ishq se na mujhe bujhaa
mujhe bhool ja
mujhe bhool ja
mujhe bhool ja
mujhe bhool ja
mere dil se aati hai ye sada
tere zakhm ashqon se dhoungi
galey daal baahen main roungi
tere zakhm ashqon se dhoungi
galey daal baahen main roungi
ke wafa ko mil na saki wafa
mujhe bhool ja
mujhe bhool ja
mujhe bhool ja
mujhe bhool ja
mere dil se aati hai ye sada
mujhe bhool ja
mujhe bhool ja
main hoon sangdil
main hoon bewafaa
mujhe bhool jaa
mujhe bhool jaa
mujhe bhool jaa
mujhe bhool jaa
Shankar ki poojaa chhoote na
Posted on: July 24, 2017
- In: Artist century song in blog | Asha Bhonsle solo | Asha Bhonsle songs | Bhajan | Century songs for the blog | Feelings of heart | Festival song | Guest posts | Post by Arunkumar Deshmukh | Shiv bhajan | Shivratri Song | Songs of 1950s (1951 to 1960) | Songs of 1954 | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (24 july 2017) is the First Monday of the Holy month of Shravan, as observed in the Western, some Eastern and Southern states of India. On this occasion, here is a very melodious Shiv bhajan from the film Shivratri-54. Chitragupta, the King of melody, has composed this bhajan by G.S. Nepali, and is sung sweetly by Asha Bhosle.
India is simply a wonderful and unique country in this world. With 22 languages, recognized by Indian Constitution ( and 122 major and 1599 smaller languages), 9 major and 125 minor religions and over 25 states having exclusive cultures, it was a wonder that Independent India survived after the British left in 1947.
India not only survived but is becoming and recognized as one of the developing countries, supplying its talents to the modern world almost for every industry. It was predicted that within 5 to 10 years after Independence, India will destroy itself with internal chaos and religious infighting. India not only proved the world wrong, but also showed the world how Unity can be achieved in Diversity !!!
This is because of Indian culture which crosses the religious boundaries. When there are killings and riots everyday in “One- Religion ” countries of the world, India is the only hope for the world with its diverse cultural diaspora. The high degree of adaptability and tolerance in the Indian Culture, leading to Peaceful Co-Existence of Religions and languages is the secret of India’s uniqueness.
Take the case of Calendar, as an example of adaptability. Throughout the world, there is uniform calendar in every country. Only in India, the Calendar is based on regional needs. More than 80% population follows a Calendar which has adapted itself to regional climatic routines and the Agricultural diversity of North and South India. The country has 2 ways of counting days. One- followed in the west,south and part of east, wherein the month ends on the No-Moon Day or Amavasya. The Hindi speaking belt of North, Northwest and Northeast follows the system wherein the month ends on the Full Moon Day or Pournima. There is a difference of only 15 days in these systems and due to 15 days’ counting system, all the Festivals fall on the same day all over the country. Hats off to whosoever devised this methodology which unites while maintaining the individuality of different states.
This year in Andhra Pradesh, Telangana, Goa, Maharashtra, Gujarat, Karnataka, Tamil Nadu, West Bengal, Assam and Tripura ( Amavasyant states), Shravan month will be started from Monday, 24th of July 2017 which will be observed as the 1st Shravan Somvar Vrat. Shravan Somvar Vrat will be observed on every Monday i.e. 24th of July, 31st of July, 7th of August, 14th of August and 21st of August which will be the last day of Shravan Month as well.
Shravan month has already started from Monday, 10th of July, 2017 which will be observed as the 1st day of Shravan Month as well as 1st day of Shravan Somvar Vrat. Shravan Somvar Vrat will be observed on every Monday i.e. on 10th July, 17th July, 24th July, 31st July and 7th August which will be the last day of Shravan Month for Delhi, Rajasthan, Uttar Pradesh, Madhya Pradesh, Punjab, Himachal Pradesh’, Bihar, Chhattisgarh, Odisha and J&K. ( Purnimant states)
This entire period will be very auspicious for Lord Shiva Devotees and almost everyone of them will observe fast either for the entire month or at least on every Monday which falls during this period. The month of Shravan ( Saawan) is considered a very Holy month, especially for the Shiv Bhakts and every Monday is auspicious for Lord Shiva’s Pooja, Vrat or Fasting etc.
Shiv literally means auspiciousness, welfare. He is the third God of the Hindu Trinity, representing darkness. Because he is often portrayed as the angry god and the God of destruction, Lord Shiv is one of the most feared and worshipped Gods in Hinduism. He is said to play a complementary role to Brahma because he is protector of souls until they are ready for recreation by Lord Brahma. Shiv has eight forms: Rudra, Sharva, Bhava, Ugra, Bhima, Pashupati, Ishana and Mahadeva; which, according to the Shiv Purana, correspond to the earth, water, fire, wind, sky, a yogi called Kshetragya, the sun, and the moon respectively.
Shiv symbolically represents the tamasic quality. This happens to be one of the gunas in Hinduism, symbolizing inactivity. His body color, which is white, denotes his purity and association with the snowy mountains. His three eyes represent the sun, the moon and the earth, the three paths of liberation and the triple nature of creation. The third eye is actually the eye of wisdom or occult knowledge. Epithets note his distinctive hairstyle; he has matted hair which holds the flowing Ganges River and a crescent moon. Shiv is said to be the essence of the Vedas and the creator of the Word. He is also the creator of Dance. Shiv’s dance of anger is called the Roudra Tandava and his dance of joy, the Ananda Tandava. He dances both the dance of destruction and the dance of creation. The rhythms he dances to are that of a world continuously forming, dissolving and re-forming.
The legend of marriage of Shiv and Shakti is one the most important legends related to the festival of Mahashivaratri. The story tells us how Lord Shiv got married a second time to Shakti, his divine consort. According to legend of Shiv and Shakti, the day Lord Shiv got married to Parvati is celebrated as Shivaratri – the Night of Lord Shiva.
Legend goes that once Lord Shiv and his wife Sati or Shakti were returning from sage Agastya? ashram after listening to Ram Katha or story of Ram. On their way through a forest, Shiv saw Lord Rama searching for his wife Sita who had been kidnapped by Ravana, the King of Lanka. Lord Shiv bowed his head in reverence to Lord Rama. Sati was surprised by Lord Shiv’s behavior and inquired why he was paying obeisance to a mere mortal. Shiv informed Sati that Rama was an incarnation of Lord Vishnu. Sati, however, was not satisfied with the reply and Lord asked her to go and verify the truth for herself.
Using her power to change forms, Sati took the form of Sita appeared before Rama. Lord Rama immediately recognized the true identity of the Goddess and asked, “Devi, why are you alone, where’s Shiv?” At this, Sati realized the truth about Lord Ram. But, Sita was like a mother to Lord Shiv and since Sati took the form of Sita her status had changed. From that time, Shiv detached himself from her as a wife. Sati was sad with the change of attitude of Lord Shiv but she stayed on at Mount Kailash, the abode of Lord Shiv.
Later, Sati’s father Daksha organised a yagna, but did not invite Sati or Shiv as he had an altercation with Shiv in the court of Brahma. But, Sati who wanted to attend the Yagna, went even though Lord Shiv did not appreciate the idea. To her great anguish, Daksha ignored her presence and did not even offer Prasad for Shiv. Sati felt humiliated and was struck with profound grief. She jumped into the yagna fire and immolated herself.
Lord Shiv became extremely furious when he heard the news of Sati’s immolation. Carrying the body of Sati, Shiv began to perform Rudra Tandava or the dance of destruction and wiped out the kingdom of Daksha. Everybody was terrified as Shiv’s Tandava had the power to destroy the entire universe. In order to calm Lord Shiv, Vishnu severed Sati’s body into 12 pieces and threw them on earth. It is said that wherever the pieces of Shakti’s body fell, there emerged a Shakti Peetha, including the Kamaroopa Kamakhya in Assam and the Vindhyavasini in UP.
Lord Shiv was now alone undertook rigorous penance and retired to the Himalayas. Sati took a re-birth as Parvati in the family of God Himalaya. She performed penance to break Shiv’s meditation and win his attention. It is said that Parvati, who found it hard to break Shiv’s meditation sought help of Kamadeva – the God of Love and Passion. Kaamadeva asked Parvati to dance in front of Shiv. When Parvati danced, Kaamadeva shot his arrow of passion at Shiva breaking his penance. Shiv became extremely infuriated and opening his third eye that reduced Kaamadeva to ashes. It was only after Kamadeva’s wife Rati’s pleading that Lord Shiv agreed to revive Kaamadeva.
Later, Parvati undertook severe penance to win over Shiv. Through her devotion and persuasion by sages devas, Parvati, also known as Uma, was finally able to lure Shiv into marriage and away from asceticism. Their marriage was solemnized a day before Amavasya in the month of Phalgun. This day of union of God Shiv and Parvati is celebrated as Mahashivratri every year.
I have been fasting on every Monday during Shravan and Mahashivratri since I was a child. Our family was a staunch Shiv Bhakt and we had our own big Shiv Temple in the compound of our Bungalow in Hyderabad. My father had spent some time in Banaras studying Vedas. I too was there for 2 years when I was a small kid. Anyway, all this had immense impact on me and I follow whatever is possible in the month of Shravan.
This time there are 5 Mondays in Shravan. We will try to discuss one Shiv Bhajan on every Monday from 24th July onwards.
Let us enjoy today’s Bhajan which is very sweet indeed. This song is the 2300th song of Asha Bhonsle as a playback singer in the blog.
Song-Shankar ki pooja chhoote na (Shiv Ratri)(1954) Singer-Asha Bhonsle, Lyrics-Gopal Singh Nepali, MD-Chitragupta
Lyrics
Shankar ki pooja chhoote na
chhoote na
Shankar ki pooja chhoote na
chhoote na
shambhu ke bina
bulbula bhi jal mein phhoote na
ho o
shambhu ke bina bulbula bhi jal mein phhoote na
ho Shankar ki pooja chhoote na
chhoote na
raaja roothhe
taqdeer phhire
duniya badle
ho o
raaja roothhe
taqdeer phhire
duniya badle
kailaashpati saubhaagyawati se roothhe na
ho o o
kailaashpati saubhaagyawati se roothhe na
ho Shankar ki pooja chhoote na
chhoote na
shiv ko pooje jo
apne piya ki matwaali
shiv ko pooje jo
apne piya ki matwaali
shambhu ka trishool kare nit uski rakhwaali
ho o o o
shambhu ka trishool kare nit uski rakhwaali
vrat toote na to
phir suhaag koi loote na
ho o o
vrat toote na to
phir suhaag koi loote na
ho Shankar ki pooja chhoote na
chhoote na
harihar chaahe to janmon ka phera chhoote
harihar chaahe to janmon ka phera chhoote
bandhan toote
taala toote
ghera toote
ae ae ae
bas janam janam natwar se naata toote na
ho o o
bas janam janam natwar se naata toote na
ho Shankar ki pooja chhoote na
chhoote na
Taqdeer bataa kya meri khataa
Posted on: July 20, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Bijli”(1950) was directed by Sushil Sahu for Hindustan Chitra, Bombay. This “social” movie had Rehana, Ramesh Gupta, Sitara, Vilas Mohbe, Paro, Badri Prasd, Sushir Sahu, Amirbai Karnataki, Satya Narayan, Narbada Shankar, C L Shah, Kanta, Kazmi etc in it.
This movie had eight songs in it that were sung by five singers. Three songs from the movie have been covered in the past.
Here is the fourth song from “Bijli”(1950) to appear in the blog. This song is sung by Asha Bhonsle. Bharat Vyas is the lyricist. Music is composed by Khemchand Prakash.
The fact that Asha Bhonsle, then an up and coming struggler was offered a solo song by a music director of the stature of Khemchand Prakash means that Asha Bhonsle had begun to create favourable impression among music fraternity. This song is a good example to the early promise that Asha Bhonsle was showing, while trying to find her feet in the industry.
Song-Taqdeer bata kya meri khata (Bijli)(1950) Singer-Asha Bhonsle, Lyrics-Bharat Vyas, MD-Khemchand Prakash
Lyrics
taqdeer bata aa
kya meri khata
taqdeer bata kya meri khata
taqdeer bata kya meri khata
jiski ye saza paati hoon main
jiski ye saz paati hoon main aen aen aen
ro ro ke hansoon
hans hans ke miloon
mil mil ke bichhad jaati hoon main
mil mil ke bichhad jaati hoon main aen aen aen
taqdeer bata aa
wo aas meri
dil ki dil hi mein toot gayi
ban ban ke meri taqdeer aakhir phoot gayi
ik dard liye seene mein sanam
ik dard liye seene mein sanam
khaamosh chali jaati hoon main
khaamosh chali jaati hoon main aen aen aen
taqdeer bata aa
main kis se kahoon
meri bhi kahaani khoob rahi
meri naav kinaare
aakar ke bhi doob rahi
nazdeek gayi jitni utni
nazdeek gayi jitni utni
ab door huyi jaati hoon main
ab door huyi jaati hoon main aen aen aen
taqdeer bata aa
barbaad thhi main
barbaad chali ee
tum shaad raho
o o o
haaye
dil ki dua
tum phoolo phalo
aabaad raho
aayi thhi tamannaayen lekar
aayi thhi tamannaayen lekar
aur khaaq liye jaati hoon main
aur khaaq liye jaati hoon main aen aen aen
taqdeer bata aa
- In: "Raja" song | Asha Bhonsle songs | Bird songs | Birthday song | Blog Anniversary Song | Children's song | Devnagri script lyrics by Sudhir | Duet | Fun lyrics song | fun timepass song | Guest posts | Lyrics contributed by readers | playful song | Post by Raja | Shamshad Begam Asha Bhonsle duet | Shamshad Begam songs | Songs of 1950s (1951 to 1960) | Songs of 1952 | Yearwise breakup of songs
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Happy birthday to you
Happy birthday to you
Happy birthday, dear atul-song-a-day blog
Happy birthday to you
🙂
Yes, it’s that special day of the year again. It’s our blog’s happy happy birthday. It was born on 19th July 2008, so today it completes 9 years. And we, wherever we are in the world, are definitely not going to let the occasion go by without celebration. Maybe we don’t have cakes and candles, but we have enough blog handles. 🙂 (Ok, admittedly, that was a terrible one!).
NINE years! Phew!
This cannot be seen in isolation. This has to be seen in the context of WHAT this blog has been upto in these nine years. Only then will we understand the magnitude of this achievement. And why we are so happy celebrating this birthday.
There are other and older blogs out there, for sure. Blogging itself started a few years earlier – even I started a blog in 2005 or so. (The fact that I don’t even remember when I started my blog should give a reasonable idea of the state of my blog. 🙂 ). And that’s the thing. There are plenty of older blogs. But how many of them are still active. Like volcanoes, many of them are probably extinct now. Or maybe dormant. And that’s hardly surprising. It’s one thing to start a blog – many do, out of sheer enthusiasm. It is something entirely different to keep it running. That calls for effort.
I’ve seen active blogs, updated every now and then. Maybe a couple of times a month. Sometimes twice in a week, then a lull of three months. Unless it’s earning the blogger serious money, therefore providing him or her a financial incentive to keep new content coming in, it’s usually upto the blogger’s own convenience and motivation. So you see a post with “Sorry, I was very busy the last three months, so I could not update the blog”. Fair enough. Everyone has his/her life outside the blog too – and that often takes over.
I’m mentioning all this in detail only to highlight something. How very different this blog is, compared to other blogs out there. This blog is not just an active volcano, it is probably one of the most active volcanoes out there. 🙂 It produces content every day, multiple times a day. It has only very rarely missed a day – so rarely in fact that Atul used to even have a page where he used to mention in advance the day he would not be able to post!
Just naming a blog “…songaday” isn’t enough. 🙂 Atul has kept it going every day – and not just one song, but multiple songs. And this, is an act of love. Yes, if it had been done with financial motivation, one can understand the discipline and focus. But for Atul, it has always been, first and foremost, his love for music that has been the driver for the blog. You can easily sense that in his posts, in the way the blog has grown, the way he has added features, statistics pages, an anniversary page. And in the fact that he is a stickler for accuracy, putting in extra effort without compromise. If you don’t love what you do, you will never be able to put in so much effort and still enjoy it, with no financial rewards to keep you going.
And he does all this, while having his own life outside the blog to deal with as well. His work, his family, social engagements etc. Not to mention how he’s been moving from one location to another, almost always in places with questionable internet reliability and speed.
So, there’s a world of perfectly valid reasons for Atul to not be able to keep up activity on the blog, if he’d chosen to slacken efforts – but Atul, being Atul, keeps persisting – and manages an amazing balancing act between all demands on his time. (He once said he doesn’t waste time in any activity that is unproductive – there’s a lesson there for everyone).
So there’s every reason to celebrate this blog heartily on its birthday. It’s not come easy – if not blood and tears, there’s definitely been plenty of sweat in bringing the blog to where it is today, celebrating its ninth birthday. Every day of these nine years has been an adventure and experience in its own right.
While on this – and while we are celebrating the blog – I think it’s only fair to also mention the community around it which has built up over the last nine years. This is spread around the world, across time zones, from Australasia to Asia to Africa to Europe to the Americas.
The blog has seen several million hits over the years – it has many regular visitors. It is a go-to site for lovers of old Hindi film music, especially those who seek long-forgotten treasures of yesteryear. It revives memories for them, it brings them immense joy as they read the post, listen to the song, check out the lyrics – can you put a price on this joy? I, for sure, can’t.
Over the years, many have, also out of love, contributed to the blog in some way or the other. Some write guest posts, some prepare lyrics, some leave encouraging comments, everyone wants to do his or her bit – to give back something and help build, or improve, the blog. That is the spirit this blog has generated – the camaraderie is amazing.
So, as we celebrate this ninth birthday, I’d like to tell Atul on behalf of all Atulites (yes, that’s the term we use for this blog’s fans), thank you SO much for creating this – and you can count on our continued support to keep this going as long as we can. You’re certainly not alone.
Now, moving on to the song for today. It’s a birthday song – what else? 🙂
I just happened to come across it today when I searched for “saalgira”. I must admit I’d never heard it before – but the first thing I did was to check if it had been posted yet. It hadn’t – so I immediately got down to business. 🙂 I’ve listened to it many times since. The very first time I listened to it today, I fell in love with it. Shamshad is one of my favourite singers anyway – and I quite like Asha too.
It’s a pleasant song, composed by Vasant Desai. I think he’s also one of the more underrated composers we’ve had in the industry – maybe because he was more niche, than mass, composer. I remember Arunji writing about Vasant Desai sometime – would like to read that post again.
There’s no video for this song but from the lyrics, I’m imagining that it’s a birthday song for a child – whether by name raja, or lovingly called raja, or could be a young king too. (No, it has nothing to do with me – my nanha munna days are way, way, in the distant past. 🙂 ) Or maybe Raja Mehdi Ali Khan wrote the lyrics of this song for himself. 🙂
Animals/birds, likely toys, are part of the birthday celebration. So there are references to koyal, maina, kaaga, bagula etc – apparently they are all playing musical instruments to entertain the raja.
I was just imagining different Atulites, in fancy dress of animals/birds, playing musical instruments to entertain Atul on this occasion of the blog’s birthday. 🙂
With that thought, I’ll leave you to enjoy the song. 🙂
Once again, a very happy birthday to the blog and congratulations to all Atulites.
[Ed Note: As noted by Raja ji in the comments, with this song, the film ‘Anand Bhavan’ (1952) has all its songs posted. Time to declare and to celebrate yet another ‘Yippeee’ on this blog. Yaaaay. . . .]
Song – Nanhe Munne Raja Ki Saal Girah Aayi Re (Anand Bhavan) (1952) Singers – Shamshad Begum, Asha Bhosle, Lyrics – Raja Mehdi Ali Khan, MD – Vasant Desai
Chorus
Lyrics
nanhe munne raja ki saalgira aayi re
nanhe munne raja ki saalgira aayi re
o o o o o
bagiya mein koyal ne gaai badhaai
o mausi billo ne baanti mithaai re
o mausi billo ne baanti mithaai re
ho ho
ho ho
ho ho ho
nanhe munne raja ki saalgira aayi re
nanhe munne raja ki saalgira aayi re
master kaagaa to dholak bajaaye
maina bajaaye shehnai re
hoye
master kaagaa to dholak bajaaye
maina bajaaye shehnai re
kumri ne meethi si thumri sunaayi
kumri ne meethi si thumri sunaayi
bagule ne bansi bajaayi re
bagule ne bansi bajaayi re
ho ho
ho ho
ho ho ho
murgey ne taan lagaayi re
murgey ne taan lagaayi re
thumak thumak naache
oye thumak thumak naache
ho o o o
ho o o
ho o o
ho o o o
ho o o
ho o o
thumak thumak naache
moti malaniya
double-roti malaniya
oy moti malaniya
double-roti malaniya
phoolon ke gajre laayi re
phoolon ke gajre laayi re
kele ke chhilke se phisli dhadaam se
ho ho
ho ho
ho ho ho
boli duhaayi duhaayi re
haaye haaye
boli duhaayi duhaayi re
cheeni ki gudiya boli ke meri
rajaji se kar do sagaai re
haaye
cheeni ki gudiya boli ke meri
rajaji se kar do sagaai re
cheeni ke gudde ne gudiya ko peeta
ho ho
ho ho
ho ho ho
donon mein ho gayi ladaai re
haaye raam
donon mein ho gayi ladaai re
nanhe munne raja ki saalgira aayi re
nanhe munne raja ki saalgira aayi re
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
नन्हें मुन्ने राजा की सालगिरह आई रे
नन्हें मुन्ने राजा की सालगिरह आई रे
ओ ओ ओ
बगिया में कोयल ने गाई बधाई
ओ मौसी बिल्लो ने बांटी मिठाई रे
ओ मौसी बिल्लो ने बांटी मिठाई रे
हो हो
हो हो
हो हो हो
नन्हें मुन्ने राजा की सालगिरह आई रे
नन्हें मुन्ने राजा की सालगिरह आई रे
मास्टर कागा तो ढोलक बजाए
मैना बजाए शहनाई रे
ओए मास्टर कागा तो ढोलक बजाए
मैना बजाए शहनाई रे
क़ुमरी ने मीठी सी ठुमरी सुनाई
क़ुमरी ने मीठी सी ठुमरी सुनाई
बगुले ने बंसी बजाई रे
बगुले ने बंसी बजाई रे
हो हो
हो हो
हो हो हो
मुर्गे ने तान लगाई रे
मुर्गे ने तान लगाई रे
ठुमक ठुमक नाचे
ओय ठुमक ठुमक नाचे
हो ओ ओ ओ
हो ओ ओ
हो ओ ओ
हो ओ ओ ओ
हो ओ ओ
हो ओ ओ
ठुमक ठुमक नाचे
मोटी मालनीया
डबल रोटी मालनीया
ओय मोटी मालनीया
डबल रोटी मालनीया
फूलों के गजरे लाई रे
फूलों के गजरे लाई रे
केले के छिलके से फिसली धमाधम से
हो हो
हो हो
हो हो हो
बोली दुहाई दुहाई रे
हाय हाय
बोली दुहाई दुहाई रे
चीनी की गुड़िया बोली के मेरी
राजाजी से कर दो सगाई रे
हाए
चीनी की गुड़िया बोली के मेरी
राजाजी से कर दो सगाई रे
चीनी के गुड्डे ने गुड़िया को पीटा
हो हो
हो हो
हो हो हो
दोनों में हो गई लड़ाई रे
हाए राम
दोनों में हो गई लड़ाई रे
नन्हें मुन्ने राजा की सालगिरह आई रे
नन्हें मुन्ने राजा की सालगिरह आई रे
Pyaar Ka Waada, Fifty Fifty
Posted on: July 18, 2017
- In: Asha Bhonsle songs | Club song | Dance song | Duet | Feelings of heart | Guest posts | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Post by Peevesie's mom | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Songs of 1980s (1981 to 1990) | Songs of 1981 | Yearwise breakup of songs
- 4 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all Atulwaasis
Let us have a fun song from the 1981, Shomu Mukherjee produced & directed “Fiffty Fiffty” (and this is how fifty is spelt in the title card) which was certified on 15/10/1981 and released on 13/11/1981. It starred Rajesh Khanna and Tina Munim with Om Shivpuri (Bihari), Purnima (Mrs. Thakur), Amarnath (Thakur Vijendra Singh who is killed by Mr. Bihari before the titles), IndraniMukerjee (Mrs. Bihari who becomes dumb due to Mr. Bihari), Jairaj, Anita Guha, Nazir Hussain, Johny Whisky, CS Dubey, Jankidas, Jagdeep, Mushtaq Merchant, Kader Khan and Ranjeet. Dialogues were by Kader Khan. Anand Bakshi wrote the songs and Laxmikant-Pyarelal were the music directors.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Mastaani”(1955) was directed by Dhirubhai Desai for Sharad Productions movie,Bombay. The movie had Ratnamala, Shahu Modak, Manhar Desai, Nigar Sultana, Agha, Niranjan Sharma etc in it.
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Dil Liya Gham Diya Kya Kiya
Posted on: July 15, 2017
- In: Asha Bhonsle solo | Asha Bhonsle songs | Calling the beloved | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Poignant Song | Post by Sudhir | Rare song | sad song | Separation song | Songs of 1960s (1961 to 1970) | Songs of 1966 | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Missing Films of 1960s – 33
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Unbelievable – that this song is still waiting to be posted.
This gem of a song, a forgotten favorite from the radio listening days. Such a lovely and soulful song, a wondrous melody that enhances the poignancy of the emotions contained within the words. And the words – what an ocean of feelings has been captured and bundled, just within the three phrases of the first line itself,
dil liya. . . gham diya. . . kya kiya. . .
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Sheroo” (1957) was directed by Shakti samanta for S P Pictures production, Bombay. The movie had Ashok Kumar, Nalini Jaiwant, Anoop Kumar, Rashid Khan etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (14 july 2017) is the birth anniversary of Roshan (14 july 1917-16 november 1967 )and remembrance day of Madan Mohan (25 june 1924 -14 july 1975). So we remember two important music directors of the golden era on this day.
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