Archive for the ‘Asha Bhonsle songs’ Category
Chhod bhi de aakaash sinhaasan
Posted on: January 12, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4195 | Post No. : | 15378 |
“26th January”(1956) was produced and directed by Ramesh Sahgal for Sahgal Productions, Bombay. This movie had Nalini Jaiwant, Ajeet, Johny Walker, Sapru, B M Vyas, Leela Mishra, Cuckoo, Balraj Mehta, Chaman Puri, Nishi etc, with guest appearances by Gajanan Jageerdar, Jagdeesh Sethi, Randheer, Gyaani and Patanjali.
The movie had seven songs in it. One song is covered in the past.
Today (12 january 2020) is the 102nd birth anniversary of C Ramchandra. On this occasion, here is a song from “26th january” (1956). This song is sung by Manna Dey, Asha Bhonsle and chorus.
Rajinder Krishan is the lyricist. Music is composed by C Ramchandra.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturization of this song.
Lyrics of this song were sent to me by Avinash Scrapwala.
Song-Chhod bhi de aakaash sinhaasan (26th January)(1956) Singers-Manna Dey, Asha Bhonsle, Lyrics-Rajinder Krishan, MD-C Ramchandra
Manna Dey + Asha Bhonsle
Chorus
Female chorus
Male chorus
Lyrics(Provided by Avinash Scrapwala)
Chhod bhi de aakash sinhaasan an n n
Chhod bhi de aakash sinhaasan
Phir dharti par aaja re
Chhod bhi de aakash sinhaasan
Phir dharti par aaja re
Phir dharti par aaja re
Phir dharti par aaja re
Beech bhanwar hain
Dharm ki naiyya
Naiyya paar lagaa ja re
Naiyya paar lagaa ja re
Naiyya paar lagaa ja re
Kaanp rahi hain dharti
Thhar thhar
Aag ke baadal barse jhar jhar
Badhti jaaye paap ki garmi
Badhti jaaye paap ki garmi
Pighal rahaa hai patthar patthar
Andhkaar hi andhkaar hai
Aakar jyot jagaa ja re
Aakar jyot jagaa ja re
Aakar jyot jagaa ja re
Chhod bhi de aakash sinhaasan
Phir dharti par aaja re
Phir dharti par aaja re
Phir dharti par aaja re
Aaja re ae aaja re
Aaja re ae aaja re
Aaja re ae aaja re
Aaja re ae aaja re
Aaja re ae aaja re
Nirdoshon ka lahu hai behta aa
Ik maa ka dil ro ro kehta
Ro ro kehta
Paapi baithe mauj manaaye
Paapi baithe mauj manaaye
Dharm ka banda zulm hai sehta
Jag mein phir se dayaa dharm ki
Aakar bel lagaa ja re
Aakar bel lagaa ja re
Aakar bel lagaa ja re
Chhod bhi de aakash sinhaasan an n
Chhod bhi de aakash sinhaasan
Phir dharti par aaja re
Phir dharti par aaja re
Phir dharti par aaja re
Phir dharti par aaja re
Jab jab vipad padi jag maahi
Tu hi bana rakhwaala Saai
Paap kapat ki phail rahi hai
Paap kapat ki phail rahi hai
Is jag mein phir se parchhaayee ee
Geeta ka updesh sunaane
Roop badal kar aaja re
Roop badal kar aaja re
Roop badal kar aaja re
Chhod bhi de aakash sinhaasan
Phir dharti par aaja re
Phir dharti par aaja re
Roop badal kar aaja re
Aaja re
Aaja re
Aaja re
Aaja re
Aaja re
Aaja re
Aaja re
Aaja re
Yadaa yadaa hi dharmasya
Glanirbhava ti Bharat
Abhhyuthaana madharmasya
Tadaatmaanam srijaamyaham
———————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————
छोड़ भी दे आकाश सिंहासन अन न न
छोड़ भी दे आकाश सिंहासन
फिर धरती पर आजा रे
छोड़ भी दे आकाश सिंहासन
फिर धरती पर आजा रे
फिर धरती पर आजा रे
फिर धरती पर आजा रे
बीच भंवर हैं
धर्म कि नैय्या
नैय्या पार लगा जा रे
नैय्या पार लगा जा रे
नैय्या पार लगा जा रे
काँप रही हैं धरती
थर थर
आग के बादल बरसे झर झर
बढती जाए पाप कि गर्मी
बढती जाए पाप कि गर्मी
पिघल रहा है पत्थर पत्थर
अन्धकार ही अन्धकार है
आकर ज्योत जगा जा रे
आकर ज्योत जगा जा रे
आकर ज्योत जगा जा रे
छोड़ भी दे आकाश सिंहासन
फिर धरती पर आजा रे
फिर धरती पर आजा रे
फिर धरती पर आजा रे
आजा रे ए
आजा रे
आजा रे ए
आजा रे
आजा रे ए
आजा रे
आजा रे ए
आजा रे
आजा रे ए
आजा रे
निर्दोषों का लहू है बहता आ
इक माँ का दिल रो रो कहता
पापी बैठे मौज मनाएं
पापी बैठे मौज मनाएं
धर्म का बन्दा ज़ुल्म है सहता
जग में फिर से दया धर्म कि
आकर बेल लगा जा रे
आकर बेल लगा जा रे
आकर बेल लगा जा रे
छोड़ भी दे आकाश सिंहासन अन न न
छोड़ भी दे आकाश सिंहासन
फिर धरती पर आजा रे
फिर धरती पर आजा रे
फिर धरती पर आजा रे
फिर धरती पर आजा रे
जब जब विपद पड़ी जग माहि
तू ही बना रखवाला साईं
पाप कपट कि फैल रही है
पाप कपट कि फैल रही है
इस जग में फिर से परछाई ई
गीता का उपदेश सुनाने
रूप बदल कर आजा रे
रूप बदल कर आजा रे
रूप बदल कर आजा रे
छोड़ भी दे आकाश सिंहासन
फिर धरती पर आजा रे
फिर धरती पर आजा रे
रूप बदल कर आजा रे
आजा रे
आजा रे
आजा रे
आजा रे
आजा रे
आजा रे
आजा रे
आजा रे
यदा यदा हि धर्मस्य
ग्लानिर्भवति भारत
अभ्युत्थान मधर्मस्य
तदात्मानं सृजाम्यहम्
Phoolon se meri sej sajaao
Posted on: January 10, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4193 | Post No. : | 15376 |
“Laal Patthar”(1971) was produced by F C Mehra and directed by Sushir Majumdar. The movie had Raaj Kumar, Vinod Mehra, Hema Malini, Raakhee, Ajit, Asit Sen, Paintal etc in it.
The movie had seven songs in it. Five songs have been covered in the past.
Here is the sixth song from the movie. It is sung by Asha Bhonsle. Neeraj is the lyricist. Music is composed by Shankar Jaikishan.
The song is picturised on Raakhee, with Hema Malini also listening to the song from her room.
Audio
Video
Singer-Phoolon se meri sej sajaao (Laal Patthar)(1971) Singer-Asha Bhonsle, Lyrics-Neeraj, MD-Shankar Jaikishan
Lyrics
phoolon se meri sej sajaa do
aaj main loongi janam dobaara
chanda ki bindiya
taaron ke kangan
sapnon ke laao haar
saanson mein meri kesar mahke
angon mein jhoome bahaar
aisa karo singar sakhi ri
sudh budh bhhoole shyaam hamaara
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4189 | Post No. : | 15370 |
“Taxi 555″(1958) was produced by Mulkraj Bhakri and directed by Lekhraj Bhakri for Golden Movies, Bombay. The movie had Pradeep Kumar, Shakeela, Azra, Lalita Pawar, Maruti, Mahipal Sundar, Vijay Pandit, Sagar, Leela Mishra, Romesh sinha, Amrit Rana, Nadir, Nazeer Kashmiri, Ravikant, Dubey, Brahmbhatt, Vidhyawati, Narbada Shankar, Sadiq, Chandabai, Harun etc, with guest appearance by Heeralal.
The movie had eight songs in it. One song has been covered in the past.
Here is the second song from the movie to appear in the blog. The song is sung by Balbir and Asha Bhonsle. Prem Dhawan is the lyricist. Music is composed by Sardar Malik.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Aaja aisa waisa koi bhi bahaana kar ke (Taxi 555) (1958) Singers-Balbir, Asha Bhonsle, Lyrics-Prem Dhawan, MD-Sardar Malik
Lyrics
na na haan haan kar ke
haan haan na na kar ke
o main kya baliye kuchch bhi karke
aaja
aisa vaisa koi bhi bahaana kar ke
ho aaja
aisa vaisa koi bhi bahana karke
na na haan haan kar ke
haan haan na na kar ke
ho aaja aisa vaisa koi bhi bahana karke
aaja aisa vaisa koi bhi bahana karke
kaise aaun ghabraaun
maahi mere man ke
main chaloon to bairi jhaanjhar jhan jhan jhanke
main chaloon to bairi jhaanjhar jhan jhan jhanke
main akeli aur duniya ki laakhon ankhiyaan
kabhi chaukidaar dekhe kabhi dekhen sakhiyaan
kabhi chaukidaar dekhe kabhi dekhen sakhiyaan
o teekhe nainon se sabko deewaana kar ke
ho aaja aisa vaisa koi bhi bahaana kar ke
ho aaja aisa vaisa koi bhi bahaana kar ke
kaise aaun ghabraaun maahi mere man ke
main chaloon to bairi jhaanjhar jhan jhan jhanke
main chaloon to bairi jhaanjhar jhan jhan jhanke
aake aadhi aadhi raat ko jagaaya na karo
seeti maar ke yoon hamko bulaaya na karo
seeti maar ke yoon hamko bulaya na karo
ho phero aankhen na hamko mastaana kar ke
ho aaja aisa vaisa koi bhi bahaana kar ke
ho aaja aisa vaisa koi bhi bahaana kar ke
kaise aaun ghabraaun maahi mere man ke
main chaloon to bairi jhaanjhar jhan jhan jhanke
main chaloon to bairi jhaanjhar jhan jhan jhanke
Aaye lo pyaar ke din aaye
Posted on: January 4, 2020
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4187 | Post No. : | 15368 |
Hullo Atuldom
Today is the date when we think of our favourite innovator of the 70s and 80s. The songs he composed for his debut, in the 1961 released “Chhote Nawaab”, were of a different flavour from the music he created in his later years. Of course, I don’t need to mention that today is Pachamda a.k.a R D Burman’s remembrance day.
It is 26 years since his passing and we, his fans, still talk of him in present tense. We do not tire of describing his love for experimenting with sounds- using a glass and spoon or broom and comb to create the opening note of a song; or asking an artist to gargle warm water to provide a dramatic effect to a scene. Asha Bhonsle has often mentioned how she had to practice breathing to sing “piya tu ab toh aaja”.
My quest for a song to go with this post lead me to the blog’s “List-of-songs-by-movies” page of the blog and I found that we have yiippeeeed all of RD’s initial movies viz: – Chhote Nawab, Bhoot Bangla, Teesra Kaun, Teesri Manzil, Pati Patni, Chandan ka palna, Bahaaron Ke Sapne, Abhilasha, Pyaar Ka Mausam, and Waaris i.e. his contribution to the world of HFM in the 60s has been fully represented on the blog.
Of the movies of the next decade, the more popular ones are yiippeeeed and that is a longer list which I recommend the readers to find for themselves. Same is the case with movies of the 80s where we find that many popular movies are yet to even debut on the blog and some are one or two songs away from being yyiippeeeed. That means we are spoiled for choice as to which song will go with the post. Then the next point to be considered is whether we want a song sung by Panchamda or just a song with just his music. Then I thought if I wanted a solo, duet- all male or male-female duet etc etc. The possible songs kept changing even as I wrote the post and finally, I did an akad-bakad-bambe-boo and landed on this song which will help the concerned movie attain Yiippeeeehood.
Following songs from the movie have been covered so far:
Sapna mera toot gaya
Hamne tumko dekha tumne hamko dekha aise
khullam khulla pyaar karenge hum donon
Ek main aur ek tu
For the story and personal thoughts connected with “Khel Khel Mein” a visit to the above posts will suffice. Today’s song is perfect for the weather North of India and many parts of the northern hemisphere of the world are currently experiencing- supremely cold winds and snow in many areas. I have seen this movie a number of times. If I am not wrong, other than at the time of its release in the 70s, only the mukhada and first antara are there in the movie. With this Khel Khel Mein has attained Yyiippeeeehood.
Let us get to the song without much ado. It is an RDB- Gulshan Bawra- Kishore Kumar- Asha Bhosle classic.
Song-Aaye lo pyaar ke din aaye (Khel Khel Mein)(1975) Singer-Kishore Kumar, Asha Bhonsle, Lyrics-Gulshan Bawra, MD-R D Burman
Both
Lyrics
aaye lo pyaar ke din aaye
mil jaane de apne saayein
woh bhi iss tarah,
mil jaayen jis tarah
lehron se lehrein jawaan hoke
aaja re aaja re,
aaja re aaja re
aaja re aaja re,
aaja re aaja re
aaja re aaja re
aaye lo pyar ke din aaye
mil jaane de apne saayein
woh bhi iss tarah,
mil jaayen jis tarah
lehron se lehrein jawaan hoke
aaja re aaja re
aaja re aaja re
aaja re aaja re
aaja re aaja re
aaja re aaja re
aaye lo pyar ke din aaye
sang chalein toh manzil door nahin hai
jahaan bhi tu hai manzil meri wahin hai
ho ho ho
sang chale to manzil dur nahin hai
arre jahan bhi tu hai manzil meri wahin hai
yeh kaarvaan chalta rahe
chaahe jahaan jalta rahe
aaye lo pyar ke din aaye
mil jaane de apne saaye
wo bhi is tarah,
mil jayen jis tarah
lehron se lehrein jawaan hoke
aaja re aaja re
aaja re aaja re
aaja re aaja re
aaja re aaja re
aaja re aaja re
aaye lo pyar ke din aaye
yoon hi rahein nazar mein jawaan nazaare
iss vaadi mein gunje geet hamare
ho ho ho
yoon hi rahein nazar mein jawaan nazaare
iss vaadi mein gunje geet hamare
hansti rahe yeh zindagi
badhti rahe dil ki lagi
aaye lo pyar ke din aaye
mil jaane de apne saaye
wo bhi is tarah,
mil jayen jis tarah
lehron se lehrein jawaan hoke
aaja re aaja re
aaja re aaja re
aaja re aaja re,
aaja re aaja re
aaja re aaja re
aaye lo pyar ke din aaye
mil jaane de apne saaye
woh bhi iss tarah,
mil jaayen jis tarah
lehron se lehrein jawaan hoke
aaja re aaja re
aaja re aaja re
aaja re aaja re
aaja re aaja re
aaja re aaja re
aaja re aaja re
he
ho
he
ho
he
ho
he
ho
Sach kehta hai ye saara zamaana
Posted on: January 1, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4184 | Post No. : | 15364 | Movie Count : |
4235 |
“Jaagir”(1984) was produced and directed by Pramod Chakraborty for Pramod Films, Bombay. The movie had Dharmendra, Zeenat Aman, Mithun Chakraborty, Shoma Anand, Amrish Puri, Preeti Sapru, Danny Denzongpa, Ranjeet, Beena Bannerjee, Azad, Bharat Bhushan, Birbal, R.S.Chopra, Bob Christo, Tarun Ghosh, Iftekhar, Kamal Kapoor, Praveen Kumar, Pran, Subroto Mahapatra, Baby Pinky, Sujeet Kumar, Mac Mohan, Master Ravi, Amol Sen, Asit Sen, Sunder Taneja, Ashalata Wabgaonkar etc in it.
The movie had six songs in it.
One of these songs was a new year song. Today (1 january 2020) is an ideal occasion to cover this song.
So here is this new year song from “Jaagir”(1984). This song is sung by Asha Bhonsle, Kishore Kumar and chorus. Anand Bakshi is the lyricist. Music is composed by R D Burman.
The song is picturised as a stage dance performance on Zeenat Aman, Dharmendra etc. House full audience, including Raj Kishore, Subroto Mahapatra, Amrish Puri, Shoma Anand, Ranjeet, Preeti Sapru, Praveen Kumar,Sunder Taneja(anouncer) are present on the occasion. Amrish Puri and Ranjeet receive call (on landline phone, brought to them on their chairs) that their nefarious business has been foiled and the main person was donning an orange boiler suit. And Ranjeet recalls having seen this boiler suited man onstage. So he obviously plans his next move as soon as the song finishes. 🙂 Our villains never act till the song performance is over !
Lyrics of this song were sent to me by Prakashchandra.
I take this opportunity to wish everyone a very happy new year 2020. 2020 has a nice sring about it, especially because we are already familiar with 2020 format of cricket :). Let us hope that this year will see quick fire action in our lives and also in the blog, similar to the action that we are used to seeing in a 2020 game of cricket.
With this song, “Jaagir”(1984) makes its debut in the blog.
Audio
Video
Song-Sach kehta hai ye saara zamaana…Naya naya hota hai puraana puraana (Jaagir)(1984) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman
Female chorus
Male chorus
Lyrics
sach kehtaa hai
hey sach kehtaa hai
ye saaraa zamaanaa
sach kehtaa hai
ye saaraa zamaanaa
nayaa nayaa hota hai
puraanaa puraanaa
nayaa nayaa hota hai
puraanaa puraanaa
ye to kahaawat hai barson puraani
socho nayee koyee chhedo kahaani
yaa hamse keh do
yaa hamse keh do
ke hamne ye maanaa
yaa hamse keh do
ke hamne ye maanaa
nayaa nayaa hota hai
puraanaa puraanaa
arrey nayaa nayaa hota hai
puranaa puranaa
(crowd cheering sound)
naye mein chamak hai
puraane mein kyaa hai
bolo
ho o naye mein chamak hai
puraane mein kyaa hai
naya kuchch na ho to
zamaane mein kyaa hai
chamaktaa hai jo kuchch
nahin hai woh sona
puraanaa hai insaan
nayaa hai khilauna
khilaune ki jhoothhi
khilaune ki jhoothhi chamak pe na jaanaa
khilaune ki jhoothhi chamak pe na jaanaa
o Bandhu
nayaa nayaa hota hai
puraanaa puraanaa
arrey nayaa nayaa hota hai
puraanaa puraanaa
(dialogues)
mihabbat ki banti hai jo ik nishaani
mihabbat ki banti hai jo ik nishaani
woh hoti hai tasveer koyee puraani
miley chand saathi puraane jahaan par
yehi baat aati hai sab ki zubaan par
nayaa yaar koyee
nayaa yaar koyee lateefaa sunaanaa
arrey nayaa yaar koyee lateefaa sunaanaa
nayaa nayaa hota hai
puraanaa puraanaa
arrey nayaa nayaa hota hai
puraanaa puraanaa
jahaan kal khade thhe
wahin ke wahin ho o
samjhe
jahaan kal khadey thhe
wahin ke wahin ho
tumhaaraa zamaanaa
gayaa tum yahin ho
ab aur hum kyaa kahein soniyyo
sab kuchch to aap keh gayeen
zameen par ho tum
aur hum aasmaan par
huaa kyaa lagaa chhupp ka
taalaa zubaan par
nahin yaad kyaa aaa
nahin yaad kya aur koyee bahaanaa
nahin yaad kya
aur koyee bahaanaa
nayaa nayaa hota hai
puraanaa puraanaa aa
nayaa nayaa hota hai
puraanaa puraanaa
sach kehtaa hai
ye saaraa zamaanaa
sach kehtaa hai
ye saaraa zamaanaa
nayaa nayaa hota hai
puraanaa puraanaa aa
nayaa nayaa hota hai
puraanaa puraanaa
- In: Asha Bhonsle solo | Asha Bhonsle songs | Feelings of heart | Guest posts | Lyricist-MD | Lyrics by Prakashchandra | Lyrics contributed by readers | New year song | One singer singing for two actors | Post by Sudhir | Songs of 1980s (1981 to 1990) | Songs of 1985 | Yearwise breakup of songs
- 5 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4183 | Post No. : | 15363 | Movie Count : |
4234 |
Ah so, another station that we reach. Not especially for the blog, but a pervasive tradition. Ringing out an old temporal symbol, and ringing in a new one. On the astronomical scale, this celebration does not mean anything specific. Like any other measure of time, like any other day closing and like any other day initiating. But for the human spirit – it seeks celebration, in whatever. An arbitrary spike in the ground and one can endlessly argue that this very point is the center of the earth. Ah well, how does it matter. Let us celebrate.
Coming to think of it, the celebration is phasing, crossing over into every time zone, as the midnight hour passes across the latitudes. So even this is not unique to the entire earth. We have a message on WA group few minutes back, from Peevesie’s Mom – checking whether any Atulite is in Japan or Auckland. In fact by the time we reach the midnight hour in India, eight full time zones have already crossed into the next annuity, and the celebrations are already on, the earliest one being about 8/9 hours old already. As I write these lines, Auckland is already at 6:15 am in the first day of the New Year. (Time check – it is 10:45 as I type this sentence). And once we in India cross over into 2020, it will still take another 18 hours for the midnight to reach the western edge of the International Date Line. Those who celebrate with a drink, I am sure, will not mind to have drink for every passage of a time zone crossing the midnight. 🙂 🙂
The time flows, as is, all the time. Another milestone, another celebration passes by. The revelry lasts for some time, maybe a few hours, and then the world gets back to its grinding routine. Some working places may be enjoying a holiday. Many more will not be – they will be working. I do personally know some people who prefer not to start a new year with a holiday. Inauspicious, they say.
The tradition continues. The Hindi film song community is probably not going to run out of celebration songs. New ones are being created every year, and yes, there still are decades that we have not explored as yet. Many celebration songs of all types are awaiting discovery, and a chance to be put on to our blog. The song in this post is from the 1980s – yes one of the earliest decades that we generally avoid, sticking to the 1960s and prior to find songs for posting. That is where our comfort zone is, that is where our preferences lie. A reflection of what we hear in our formative years, maybe. Newer generations will have their own baseline benchmarks. Ah well.
Our dear Prakash ji – he is so prolific is browsing and searching for event specific songs. At every anniversary and every occasion to celebrate, Atul ji and I keep getting reminder emails from him, telling us about earlier songs that he has sent in, and we have not been able to post. Sometimes these reminders have kept ringing for three – four – five years.
Today’s new year song sent in by him is from the 1985 film ‘Telephone’ – a film that I am not familiar at all with. But surely a new discovery I make as I sat through the video of this song. I got to see a different side of Deepti Naval. Her image is built around films like ‘Ek Baar Phir’ (1980), ‘Chasm e Baddoor’ (1981), ‘Saath Saath’ (1982), ‘Angoor’ (1982) and ‘Katha’ (1983). Maybe that was the time as I was phasing out of watching the newer crop of films.
The song is in the voice of Asha Bhosle. It is a lyricist-MD song with Rajesh Roshan playing both the songwriter and music director roles. Of course, it is a party song, with a lot of actors visible in the clip. The song is being lip synced by Deepti Naval and Leena Das, with the latter providing the more provocative masala performance. Then we have Marc Zuber, Yunus Parvez, Prem Chopra and Shatrughan Sinha appearing. As per Prakash ji,the dancer Shirley is also part of the dancing troupe in this song.
Wishing all readers and their families, a very very happy 2020. Stay healhty, stay blessed.
Song – Assalaam-aile-Qum, Saal Mubaarak Ho (Telephone) (1986) Singers – Asha Bhosle, Lyrics – Rajesh Roshan, MD – Rajesh Roshan
Chorus
Lyrics (Provided by Prakashchandra)
nineteen
eighty …eeeee
three…..eee…ee…eeeee
nineteen eighty three (aaa…aaaa)
nineteen eighty three (aaa…aaaa)
nineteen eighty
nineteen eighty
nineteen eighty three…..eeeee…eeeee
assalaam allaikkumm
aa saal mubarak ho o
ek nayi shaam ho o o
ek naya saveraa ho
nineteen eighty three (aa…aa)
nineteen eighty three (aa…aa)
nineteen eighty
nineteen eighty
nineteen eighty three….eeeeee
assalaam allaikkumm
aaa saal mubarak ho o
ek nayi shaam ho o
ek naya saveraa ho
[laughter]
aaaa….aaa…..aaaaa….aaa
aaaa….aaa…..aaaaa
aaaa….aaa…..aaaaa…aaaaa
tere mere jo dil ik honge
sapne hamaare sach honge
khoyee khoyee hui raahon mein
manzilon ke chinnh honge
aaaaaaaaaaaa…..aaaa…..aaaaa….aaaaa
tere mere jo dil ik honge
sapne hamaare sach honge
khoyee khoyee hui raahon mein
manzilon ke chinnh honge
[dialogue]
nineteen eighty
nineteen eighty
nineteen eighty three…eeeeee
ho o o
assalaam allaikkum
aa saal mubarak ho
ek nayi shaam ho o
ek naya saveraa ho
dheem theem dhaaginn thirkitta too naa
thaa thaa dhaginn thirikitta dhinnaaa
kaanton ki pagdandi par bhi
phoolon ke hanste dagar honge
na kabhi dekha na suna aisa
mele mein jashan balam hongein
aaaa…aaaa…aaaaaaaa…aaaa….aaaaa
kaanton ki pagdandi par bhi
phoolon ke hanste dagar honge
na kabhi dekha na suna aisa
mele mein jashan balam hongein
nineteen eighty
nineteen eighty
nineteen eighty three…..eeee
o o o
assaallaam allaikkum
aa saal mubaarak ho o
ek nayi shaam ho o
ek naya saveraa ho
parappaa pappa pappa rapappa
parappa pappa pappa
parapappaaaaaa
parappaa pappa parappa pappa
parapappaaaaaa
[dialogues]
raat toofani chali aayi to
kashti hamaari sang dolegi
maajhi ke sur par geeton par
subah ke pehli kiran hogi
aaaaaaaa……aaaaaaaaaa…aaa….aaaa
raat toofani chali aayi to
kashti hamaari sang dolegi
maajhi ke sur par geeton par
subah ke pehli kiran hogi
nineteen eighty
nineteen eighty
nineteen eighty three…………..eeeeeee
ho o o
assaallaam allaikkum
ahha saal mubaarak ho o
ek nayi shaam ho o
ek naya saveraa ho
nineteen eighty three (aa..aaaaaa)
nineteen eighty three (aa..aaaa)
nineteen eighty
nineteen eighty
nineteen eighty three
[laughter]
Poochho na yaar kya hua
Posted on: December 24, 2019
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4176 | Post No. : | 15351 |
Remembering Mohammed Rafi Sahab on his 95th birth anniversary :
Hullo Atuldom
Today’s post is for a song from the 1981 release “Zamaane ko Dikhaana Hai” which was produced and directed by Nasir Hussain. It marked the debut of Padmini Kolhapure as an adult; prior to this she had acted as a child star in numerous movies. The music department was handled by Majrooh Sultanpuri and R D Burman. The songs were play-backed by Asha Bhonsle, Shailendra Singh, Mohd. Rafi and Pancham. Nasir Hussain took a few scenes from his “Jab Pyar Kisise Hota Hain” – song on train top; runaway girl from “Caravan” and a song & dance competition inspired from “Hum Kisise Kum Nahin”. Additionally, there are multiple songs in a scene as in “Yaadon Ki Baraat” and “Hum Kisise Kum Nahin”.
The story of the movie was very simple and straight: – a rich man, Dr. Shreeram Lagoo (may his soul rest in peace) has two sons Ramesh (Randhir Kapoor in a guest appearance) and Ravi (Rishi Kapoor). Ramesh (the older son) loves and marries a not-so-rich girl and so is banished from the household. All this happens during the absence of the younger Ravi who convinces his dad to forgive his BHAIYYA and sets out to bring his brother back. He finds that his bhaiyya and bhabhi are dead leaving their baby in the care of the bhabhi’s sister Kanchan (Padmini Kolhapure). Now his job is to convince Kanchan of his good intentions, fall in love with her in the process and take her & his nephew home but not before the movie runs through its set of twists and turns. Then there is also the rich man’s bad brother to take care of before the movie comes to an ‘ALL IS WELL THAT ENDS WELL’ close.
The movie had fairly popular songs, two of which are already on the blog. Today’s song is a multi- version song. Also, one of the version forms part of the multiple song set that I mentioned. In one version we have a song and dance competition where Vijay Arora (guest appearance) along with his partner (Aarti Gupta- also in guest appearance) challenges Rishi to the floor. But he is too drunk to get off the chair. So, Padmini takes to the floor sings & moves a leg and Rishi Kapoor joins and they compete with good support from the kids in the audience.
The second version with different stanzas has a drunk Padmini leading the song where the lovers fantasize about their future. We had Mohd. Rafi and Asha Bhosle giving their voices to the two songs.
This movie released about a year after Rafi saab’s death. This post is also to celebrate the 95th birth anniversary of Padmashri Mohd Rafi.
Rafi saab- the man who started his career in films in 1944 with a song under Shyam Sunder’s baton. In the career that spanned 36 years he had lent his voice for all the actors who have graced the silver screen in that time frame. He also appeared on-screen in two films. He was the favourite singer of an entire generation and the following generation too. People loved his Halke-Phulke songs as much as his classical based songs. He had great control on his voice and could go full-throated or soft in the same song. Don’t know why god stopped making singers like him and no matter how much one sounded like Rafi saab they couldn’t sing like him and none of his clones or apes or people who claimed to have been inspired by him reached that height of popularity. And I have heard and read in various places that he was a very humble human being. Like the song which Amitabh sang in a movie (in Mohd. Aziz’s voice) in 1990 “na phankaar tujhsa tere baad aaya, Mohd. Rafi tu bahut yaad aaya”; we, his fans, too miss him.
Wishing that Rafi Saab was still with us and thanking god for giving us such a divine-voiced singer let us enjoy today’s song.
Video version (Part I)
Video version (Part II)
Audio version
Song-Poochho na yaar kya hua (Zamaane Ko Dikhaana Hai)(1981) Singers-Asha Bhonsle, Rafi, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Chorus
Rafi + Chorus
Padmini Kolhapure
Rishi Kapoor
Lyrics (Video Version Part I)
—————————————
(gorkha words in the beginning)
hmm hmmm hmmm
Mmm hmmm hmmmm
hmm hmmm hmmm
Mmm hmmm hmmmm
poocho na yaar kya hua
dil ka qaraar kya hua
poocho na yaar kya hua
dil ka qaraar kya hua
tum pe toh ham mar mite hai abhi se
jaane hamaara aage kya hoga
ai ai yaa yaa yaa yaa
aage kya hoga
kya hoga shaadi
ae ha ha ha ha ha
hamko mil gayi
duniya pyaar ki
maana ho gaye
tum mere apne
phir bhi yeh sawaal
dil mein yeh khayaal
na ho ye kahin door ke sapne
ho
yeh ab ki baar kya hua
dil ka qaraar kya hua
tumpe toh ham mar mite hain abhi se
jaane hamaara aage kya hoga
ai ai ya ya ya ya ya
aur phir kya hoga
partiyaan daawtein
bottlein
cheers
apne paas kya
armaan ke siwa
yoon toh main tumhein
aur kya doongi
jo bhi hai mera
main aur mera pyaar
tumpe ek baar sab luta doongi
ho
chaahoge toh main
dekhoongi tumhe
kahadoge toh phir
sar jhuka loongi ee ee
haay dildaar kya hua
dil ka qaraar hua
tumpe to ham mar mite hain abhi se
jaane hamaara aage kya hoga
ai ai yai yaa yai yai ya yaa
arre baba
tum bhi to kuchh bolo na
achcha
toh suno
chhodo jaane jaan
tum bhi ho kahaan
ghabraate nahin
hum zamaane se
dekho toh idhar
kiska hai jigar
uljhe aapke iss deewaane se
ho uljhe hazaar kya hua
ai mere pyaar kya hua
apni khushi hogi
yeh zindagi hogi
iske siwa aur aage kya hoga
ai ai ai yaa yaa yaa yaa
ai ai ai yaa yaa yaa yaa yaa
Lyrics (Audio Version, Video Version Part II)
——————————————–
he ae ae
hurraay
hurraay
haiya haiya
aa ha hayya hayya
bolo bolo
kuchh toh bolo
saamne waale
le gaye baazi
arre himmat kar ke
aage aao
duniya hogi
tumse raazi
arre haiyya haiyya
ha aa haiyya haiyya
ho ho ho
bolo bolo
kuchh toh bolo
saamne waale
hai le gayi baazi
arre himmat karke
aage aao
duniya hogi
tumse raazi
haiyya haiyya
ha aa haiya haiya
dekho gaya waqt aata dobaara nahin ee
phir yeh na kehna kisi ne pukaara nahin ee
ho o o
dekho gaya waqt aata dobaara nahin ee
phir yeh na kehna kisi ne pukaara nahin ee
ho bolo bolo
bolo
kuchh to bolo
saamne waale
hai le gaye baazi
haiyya haiyya
haa ha haiya haiya
come on yaar
poocho na yaar kya hua
dil ka qarar kya hua
chak chak cha cha cha cha
poocho na yaar kya hua
dil ka qaraar kya hua
poocho na yaar kya hua
dil ka qaraar kya hua
tum pe toh hum mar mite hain abhi se
jaane hamaara aage kya hoga
ai yai yai yaa
yai yai yaa yaa
ru ru
ru ru
ru ru ru
tu ru ru
tumne pyaar se
ham ko ek baar
keh daala hai yaar
toh nibha dena
itna beqaraar
koi bhi nahin
dekho mera haal
dekhte ho na
dekho na yaar kya hua
dil ka qaraar kya hua
tum pe toh hum mar mite hain abhi se
jaane hamaara aage kya hoga
poocho na yaar kya hua aa
o haa
o haa
he he
he he
he he he he
he he he he
aaaaaaaaaa
ru ru ru ru
tururu
(some more chorus)
dil pe tha hamein
kitna aitbaar
tumse kya kahe
hum yeh afsaana
dil pe tha hamein
kitna aitbaar
tumse kya kahe
hum ye afsaana
koi gulbadan
koi naazneen
kar sakta nahin
hum ko deewaana aa aa
woh aitbaar kya hua
dil ka qarar kya hua
tumpe to hum mar mite hain abhi se
jaane hamaara aage kya hoga
poocho na yaar kya hua
ai yai yai yaa
yai yai yaa aa
la la la laa la la
la la la laa la la
la la la laa la la
la la la laa la la
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4162 | Post No. : | 15333 | Movie Count : |
4224 |
Hullo Atuldom
Sometimes a sudden tune or memory or word sends the mind looking for a song or visual connection. So, a few days back it was a tune in my head that sent me looking for today’s song. I remembered, rather vaguely, that the song had Ashok Kumar dancing away merrily. I remember having seen it eons ago on Doordarshan – the one source of most of my nostalgia.
I hunted down the song. I found the name of the movie it was from. Searched for it on YouTube. Enjoyed my first encounter with that movie thoroughly. It has been listed on IMDB.com under “action, crime, drama” genre. It should also have been categorised as “comedy”.
The movie had a huge cast- a set of dancing actresses headed by Shashikala, Aruna Irani, Prema Narayan, Helen, Jayshree T., Meena T. and Shubha Khote & Manorama. The male line up was headed by Ashok Kumar, Ranjeet, Sujit Kumar, Keshto Mukherjee, Asrani, Jagdeep, Viju Khote, Krishan Dhawan, Chandrashekhar, Coca Cola, Pinchoo Kapoor, Birbal, Yusuf Khan (Zabisco from Amar Akbar Anthony), Babban, Pakoda Kader etc. There were a few more known faces which were billed as guest appearance- Amjad Khan, special appearance- Danny and friendly appearance -Mehmood.
There were many movies back then where we had known faces putting in appearances in these categories as a gesture to the maker of the movie. And I think I know why Mehmood did this movie as the maker S. Ramanathan had been a co-director on “Bombay to Goa”.
This movie begins on a night where Ranjeet (one of the serious persons throughout the movie) is hatching a plot to steal diamonds from the vault of Pinchoo Kapoor’s residence in the company of Sujit Kumar (he plays a dead body for half the movie)- that is where the crime angle is. As the plan is being executed Pinchoo Kapoor is shot dead (crime angle again). But he Dials 100 with the help of his pet Pomeranian -that is one intelligent pet which has a good part to play in helping recognize the lost daughters of the family. That is when the ‘drama angle’ comes into play when the pet recognizes one daughter because of her locket, takes her to the bungalow where the loyal servant of the house enquires about the girl whose photo is in the locket. Further family-drama comes into play when it turns out that the girl in possession of the above mentioned locket is also the younger daughter of the family and in the absolute climax of the movie the sisters unite and with the aide of the hero and practically the entire cast catches Ranjeet and hands him over to the cops headed by Krishan Dhawan and Chandrashekhar.
Of course, we have to sit through the movie, from the murder to reach the climax (only place where there is dishoom- dishoom in the movie), through a not-so-boring movie. Danny was a revelation as far as his comic timing was concerned. I will not spell here what transpires through the movie and spoil the fun for anyone who may wish to see this movie.
Today’s song features the tenants of Manorama’s apartment as they gather to wish the newly-engaged hero -heroine (every Bollywood movie worth its name needs a jodi) Vinod Mehra and Bindiya Goswami. Everyone is singing and having the time of their life except Bindiya Goswami. The song is sung by Manna Dey (for all the males present), Asha Bhonsle (for the females) and Bappi Lahiri for Vinod Mehra. Anjaan wrote the song and Bappida was the music director for this S. Ramanathan directed “Dial 100” which released on 2nd April 1982.
Here is the song where Ashok Kumar leads along with Aruna Irani and the rest of those present join. I have always loved songs where Ashok Kumar visibly enjoys himself. Let us also enjoy this song.
Thinking of Dada Moni today on his anniversary.
Audio
Video
Song-Maara gaya maara gaya koi bechaara maara gaya (Dial 1000(1982) Singers-Asha Bhonsle, Manna Dey, Bappi Lahiri, Unknown voice, Lyrics-Anjaan, MD-Bappi Lahiri
Male chorus
Female chorus
All chorus
Manna Dey + Asha Bhonsle
Lyrics
Haaan
Haaaa
Haaan
Haaaa
maaraa gaya
maaraa gaya
koi bechaara maaraa gaya
maaraa gaya
maaraa gaya
koi bechaara maaraa gaya
(arey kaun maaraa gaya)
oye hoye hoye hoye hoye
koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya haan
koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya
ladka jawaan ladki jawaan
dono mile toh ghazab ho gaya
koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya
koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya
laa lala laa lalala laa
laa lalalaa laa
laa lala laa lalala laa
laa lalalaa laa
laa lala laa lalala laa
laa lalalaa laa
laa lala laa lalala laa
laa lalalaa laa
kahaan dono mile kaise mile
haa haa haa
ho kahaan aankh ladi kaise ladi
haa haa haa
kahaan teer chale kaise chale
haa haa haa
ho kahaan baat badhi kaise badhi
haa haa haa
chhupi chhupi
tauba re tauba
chori chori
haye re haye
kahaan bandhi
gaya re gaya
prem dori
aankhon aankhon mein jud gaya taanka
pada kaise kahaan dil pe daaka
aankhon aankhon mein jud gaya taanka
pada kaise kahaan dil pe daaka
bolo ji bolo ye bhed kholo
kaise ye sab ho gaya aaa aaa
ooi
koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya
arrey ladka jawaan ladki jawaan
donon mile to gazab ho gaya
ho koi kunwara maaraa gaya
ye maazra kaise kab ho gaya
aaaa aaaaaaa
aaaaa aaaaaa
kahaan pyaar ki yeh baat chhupe
haa haa haa
kahin jaake kahin raaz khule
haa haa haa
ho jahaan pyar mein do yaar milen
haa haa haa
wahin dekh ke yeh log jalen
haa haa haa
yahaan wahaan
oooi maa
baat chali
baba re baba
shor macha
gayi re gayi
gali gali
chhora chhori pe hoke lattoo
hua sabki nazar mein nikhattu
ho chhora chhori pe hoke lattoo
hua sabki nazar mein nikhattu
do dil mile toh hangama aisa yun besabab ho gaya aa
ooi
koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya
arey ladka jawaan ladki jaawan
dono mile to gazab ho gaya
hey koi kunwaara maaraa gaya
ye mazara kaise kab ho gaya
laa lalalaa laalalalaa
laa lalalaa laalalalaa
hooo ohhoo
hohoho hohoho
kahin koi jale jalta rahe
haa haa haa
koi kuch bhi kahe kahta rahe
haa haa haa
yahaan tera mera saath rahe
haa haa haa
yahi pyar yahi baat rahe
haa haa haa
toone mujhe
kya
maana sajan
haay re haay
maine tujhe
oye hoye
maana dulhan
gayi re gayi
kahin saabit na ho preet jhoothi
aayi dene gawaahi angoothi
kahi saabit na ho preet jhoothi
aayi dene gawaahi angoothi
ungali pakad ke
bahe pakad li
kissa gazab ho gaya aaa
hurr
koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya
arey ladka jawaan ladki jawaan
dono mile to gazab ho gaya
hurr
koi kunwara maaraa gaya
ye mazara kaise kab ho gaya
maaraa gaya maaraa gaya (oooooooooooo)
koi kunwara maaraa gaya (oooooooooooo)
maaraa gaya maaraa gaya (oooooooooooo)
koi kunwara maaraa gaya (oooooooooooo)
maaraa gaya maaraa gaya (oooooooooooo)
koi kunwara maaraa gaya (oooooooooooo)
maaraa gaya maaraa gaya (oooooooooooo)
koi kunwara maaraa gaya (oooooooooooo)
Recent comments