Archive for the ‘Asha Bhonsle songs’ Category
Sod majha haath mala peene de
Posted on: July 18, 2021
- In: Amit Kumar songs | Asha Bhonsle Amit Kumar duet | Asha Bhonsle songs | Dance song | Drunkard song | Duet | expression of love | Feelings of heart | Female drunkard song | Guest posts | Post by Avinash Scrapwala | Rajesh Khanna songs | Rajesh Khanna songs by Amit Kumar | Songs of 1980s (1981 to 1990) | Songs of 1981 | Yearwise breakup of songs
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4748 | Post No. : | 16477 |
Rajesh Khanna – The Phenomenon – 8
– – – – – – – – – – – – – – – – – – – –- – –
Today 18th July’2021 is the ninth ‘Remembrance Anniversary’ of Rajesh Khanna (29 December 1942- 18 July 2012). He passed away on 18th July’2012 in Mumbai.
On this occasion we pay our tributes to him and remember him with a song from one of his movies.
In this episode of ‘Rajesh Khanna- The Phenomenon – 8’ we look at Rajesh Khanna movies of the year ‘1981’. In the year 1981 following six movies of Rajesh Khanna were released (including Naseeb* where he had a friendly appearance).
| SNo | Movie Title | Director | Passed by Censor Board on |
|---|---|---|---|
| 01 | Dard | Ambarish Sangal | 24.07.1981 |
| 02 | Dhanwan | Surendra Mohan | 01.07.1981 |
| 03 | Dil-E-Naadaan | C.V. Sridhar | 11.12.1981 |
| 04 | Fifty-Fifty | Shomu Mukherji | 15.10.1981 |
| 05 | Naseeb** | Manmohan Desai | 17.03.1981 |
| 06 | Qudarat | Chetan Anand | 27.02.1981 |
In the previous post in this series ‘Rajesh Khanna – The Phenomenon – 6’ we had discussed how Rajesh Khanna switched on to different roles exploring and introspecting himself and challenging himself in his ‘second innings’. In ‘1981’ he further capitalizes on the success of his movies like ‘Amardeep-1979’,’Thodisi Bewafaai-1980’, and critically acclaimed movies like ‘Red Rose-1980’, ‘Phir Wohi Raat-1980’, and ‘Bandish-1980’.
In ‘1981’ he tasted more success with movies like ‘Dard’, ‘Dhanwan’, ‘Dil E Naadan’, ‘Qudrat’ and ‘Fifty-Fifty’ that had moderate to decent success at the box office and they received critical acclaim.
That all happened forty years ago !
If we go back even further by another ten years, that takes us to ‘1971’. 1971 is behind us by fifty years from now, viz half a century !
That was when Rajesh Khanna ‘era’ was at its zenith. Here is the list of Rajesh Khanna movies released in the year ‘1971’.
(Rajesh Khanna movies – 1971)
| SNo | Movie Title | Director | Passed by Censor Board |
|---|---|---|---|
| 01 | Amar Prem | Shakti Samanta | 27.11.1971 |
| 02 | Andaz* | Ramesh Sippy | 23.04.1971 |
| 03 | Badnaam Farishte** | Qamar Narvi | 05.11.1971 |
| 04 | Chhoti Bahu | K.B. Tilak | 25.05.1971 |
| 05 | Dushman | Dulal Guha | 31.12.1971 |
| 06 | Guddi** | Hrishikesh Mukherjee | 14.09.1971 |
| 07 | Haathi Mere Saathi | M.A. Tirumugam | |
| 08 | Maryaadaa | Arvind Sen | 12.05.1971 |
| 09 | Mehboob Ki Mehandi | H.S. Rawail | 30.01.1971 |
(*guest appearance, ** friendly/special appearance)
We notice that all the above movies had great music as was the norm for Kaka movies.
Coming back to today’s song it is from the movie ‘1981’ movie ‘Fifty-Fifty’.
From the movies of Rajesh Khanna released in 1981 the movies ‘Dard’, ‘Dhanwaan’, ‘Dil E Naadaan’, and ‘Qudrat’ have already been ‘Yippeeee’ed’ on the blog. So, we only have this movie ‘Fifty-Fifty’ left to pick a Rajesh Khanna song from.
Tina Munim was the heroine of Rajesh Khanna in this movie, which was their first movie together. It laid the foundation for their further professional and personal chemistry on-screen and off-screen. That way this movie has a special place in the film career of Rajesh Khanna. That is the reason why I have selected a song from this movie for today’s presentation.
‘Fifty-Fifty’ was directed by Shomu Mukherji who also the producer of this movie.
This movie’s star-cast included Rajesh Khanna, Tina Munim, Kader Khan, Ranjeet, Om Shivpuri, Nazir Hussain, Indrani Mukherjee, Anita Guha, Poornima, P. Jairaj, Sundar Taneja, C.S. Dubey, Jankidas, Shaikh, V. Malhotra, Roopesh Kumar, Shashi Kiran, Anu Dhawan, Johny Whisky, Arvind, Miss Nikki, Kumar, Amid, Jagdeep, Mushtaq, Maruti, Bhagwan Dada, Kamrana, Amar Nath, Mangal Singh, Shyam, Vikram Sharma, Miss Neelu, Master Sakha, Baby Pinky, Teerath and others.
This movie was passed by Censor Board on 15.10.1981.
“Fifty-Fifty” had seven songs including one three-part song. Lyrics for all the songs were written by Anand Bakshi. Music for this movie was composed by Laxmikant-Pyarelal.
In today’s song Rajesh Khanna is lip-syncing in the voice of Amit Kumar while Tina Munim lip-syncs in the voice of Asha Bhonsle.
Some other artists too can be seen in the picturisation of this Marathi folk dance song.
Let us now enjoy today’s song where Kaka can be seen performing with trademark jigs. 😊
Video
Audio
Song-Sod maajhaa haath malaa peene de (Fifty Fifty)(1981) Singers-Asha Bhonsle, Amit Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
hunh hunh hunh hunh
hunh ha ha
hunh hunh hunh hunh
oon mm oon oon a
oon oon oon
oon oon oon
oon oon oo oon
oon oon oon
sod majhaa haath
sod majhaa haath
malaa peene de
peene de ae
peene de re malaa
peene de
sod majhaa haath
malaa peene de
peene de ae
peene de re malaa
peene de
hey aankh nako maar malaa jeene de
jeene de ae
jeene de re
malaa jeene de
ye paatlaacya pori zaraa
ikde ye
zaraa ikde ye
nako nako
dekhe na koyi
zaraa tikde ye
zaraa tikde ye
sod majhaa haath
malaa peene de
main bholi bhaali ee
main bholi bhaali
peechhe padaa mawaali
kuchh aur de kaahe deti hai gaali
main bholi bhaali
peechhe padaa mawaali
kuchh aur de kaahe deti hai gaali
tukar tukar kya dekhtaa hai beimaan
tukar tukar kya dekhtaa hai beimaan
ab ho gayi hai tu poori jawaan
logon bachaao is kameene se
kameene se ae
kameene se
is kameene se
sod majhaa haath
malaa peene de
peene de ae
peene de re malaa
peene de
main hoon akelaa aa
arey main hoon akelaa
tere saath kayee saathi ee
malaa Hindi naa yete
bolaa Marathi
arey main hoon akelaa
tere saath kayee saathi ee
malaa Hindi naa yete
bolaa Marathi ee
pyaar mein kya Hindi
Marathi ka kaam
pyaar mein kya Hindi
Marathi ka kaam
ankhiyon se baat kar
bainyyaan na thhaam
arey lag jaa tu aaj mere seene se
seene se re
mere seene se re
mere seene se
sod majhaa haath
malaa peene de
peene de ae
peene de re malaa
peene de
hey aankh nako maar malaa
jeene de
jeene de ae
jeene de re
malaa jeene de
he paatlaacya pori zaraa
ikde ye
zaraa ikde ye
nako nako dekhe na koi
zara ikde ye
zara ikde ye
ho zara ikde ye
zara ikde ye
nako nako
ikde ye zara ikde ye
ho zara ikde ye
zara ikde ye
nako nako
tikde ye zara tikde ye
Jal gayee jal gayee jal gayee
Posted on: July 9, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4739 | Post No. : | 16464 |
Today’s song is from the ‘1970’ movie ‘Darpan’.
I came across this song very recently on ‘Vividh Bharti’. I liked this song on the very first instance when I listened to it. And as usual thereafter I checked it on the blog. I was pleasantly surprised that it was not yet covered on the blog, because that gives me this opportunity to present this song on the blog. Though I am bit late in sending this to our editors.
I want it to send for 8th July in remembrance of actor Jagdeep (29th March’1939 – 08th’2020) who is performing with Soniya Sahni in this entertaining duet song.
Actor Jagdeep passed away last year in 2020 and yesterday 8th July’ 2021 was his first remembrance anniversary.
Syed Ishtiaq Ahmed Jaafrey better known to us as Jagdeep was born on 29th March’1939 in Datia of the then Central Provinces (of British India) and nowadays Madhya Pradesh.
He started his career as a child artist in the Hindi Film Industry and went to become an established comedian in the movies. He acted in more than four hundred movies.
As a child artist some of his well-known movies are ‘Afsaanaa’, ‘Dhobi Doctor’,’Do Bigha Zameen’, ‘Ab Dilli Door Nahin’, and ‘Ham Panchhi Ek Daal Ke’ etc.
Before he established himself as a ‘comedian’ he has played many good roles in his career as an adult artist in movies like ‘Bhabhi-1957’, ‘Punar Milan-1964’, ‘Noor Mahal-1964’, ‘Lootera Aur Jaadugar-1968’ etc. He played a comic role in the ‘1968’ movie ‘Brahmachari’ and went on to do mainly the comic roles thereafter.
And with his famous ‘Soorma Bhopali’ act in the 1975 movie ‘Sholay’ he became an household name and with ‘Sholay’ creating history in HFM, Jagdeep’s ‘Soorma Bhopali’ also become a part of that history.
His last appearance was in the ‘2017’ movie ‘Masti Nahin Sasti’. (As per information available on him in ‘Wikipedia’).
I think the today’s movie was one of those movies where he played a comedian. I am guessing because I have not watched this movie. I would request knowledgeable readers to throw more light on this movie and its songs.
‘Darpan-1970’ was directed by A. Subbarao for ‘Balan Movies Combines, Bombay’. It had Sunil Dutt, Waheeda Rehman, Rehman, Soniya Sahni, Jagdeep, Sulochana, Lalita Pawar, Achala Sachdev, Seema, Baby Guddi, Sandhya Rani, Shammi, Arun Rai, Sadhna Khote, Saleema, Ramesh Deo, Mukri, Sundar, Bawan Lal, Prem Kumar, Ramchandra Rao and others.
This movie had seven songs in it, all written by Anand Bakshi. Music for this movie was composed by Laxmikant-Pyarelal.
Here is the list of songs appearing in this movie (as per HFGK Vol-IV 1961-1970)
| S.No. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Jise tu thhukraaye | Lata Mangeshkar, chorus | |
| 02 | Tere pyaar ka kya jawaab doon | Lata Mangeshkar | 25.11.2012 |
| 03 | Chali meri dulhan ki doli | Mohd Rafi | 22.11.2012 |
| 04 | Ek gagan ka raaja | Lata Mangeshkar | 04.12.2013 |
| 05 | Jal gayee, jal gayee, jal gayee, duniya jal gayee | Asha Bhonsle, Kishore Kumar | Being covered today in this article |
| 06 | Darpan jhoothh na boley | Manna Dey | 24.10.2014 |
| 07 | Bujhaa do deepak andheraa kar do | Kishore Kumar |
So far, four songs from this movie ‘Darpan-1970’ have been posted on the blog.
Today’s song is the fifth song from this movie to be posted on the blog. Today’s song is sung by Asha Bhonsle and Kishore Kumar. As mentioned above Soniya Sahni and Jagdeep are performing on this ‘rickshaw song’ and lip-syncing in the voices of Asha Bhonsle and Kishore Kumar, respectively.
Let us now enjoy this sweet, lovely song …
Video
Audio
Song-Jal gayee jal gayee jal gayee (Darpan)(1970) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both
Lyrics
arey
jal gayee
jal gayee
jal gayee
duniya jal gayee
ye he jalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
arey
jal gayee
jal gayee
jal gayee
duniya jal gayee
ye he jalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
he duniya jalti hai jalne de
ye prem ka rickshaw chalne de
o yaa yaa yaa yaa
jab ye nain ishaaraa karte hain
o yaa yaa yaa yaa
jab ye nain ishaaraa karte hain
o yaa yaa yaa yaa
chhup ke log nazaaraa karte hain
mazaa bhi lete hain
arey waah
khafaa bhi hoten hain
logon ki jaan nikalne de
ye prem ka rickshaw chalne de
he logon ki jaan nikalne de
ye prem ka rickshaw chalne de ae
jal gayee
jal gayee
jal gayee
duniya jal gayee
he jalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de ae
o o yaa yaa yaa yaa
pyaare preet mein
duniya chhodi hai
o yaa yaa yaa yaa
pyaare preet mein
duniya chhodi hai
o yaa yaa yaa yaa
pyaari khoob hamaari jodi hai
dukhon ki raaton ko o
oye nahin (?)
ghamon ki baaton ko
khushiyon mein aaj badalne de
ye prem ka rickshaw chalne de
khushiyon mein aaj badalne de
ye prem ka rickshaw chalne de
jal gayee
jal gayee
jal gayee
duniya jal gayee
ye he jalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
o yaa yaa yaa yaa
jeewan ke ye khel tamaashe hain
o yaa yaa yaa yaa
jeewan ke ye khel tamaashe hain
o yaa yaa yaa yaa
ham donon janam ke pyaase hain
gulaabi aankhon se
o o o o
sharaabi ho ho hoke
girne de aur sambhalne de
ye prem ka rickshaw chalne de
he girne de aur sambhalne de
ye prem ka rickshaw chalne de
jal gayee
arey jal gayee
arey
jal gayee
jal gayee
jal gayee
duniya jal gayee
jalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
he duniya jalti hai jalne de
ye prem ka rickshaw chalne de
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4736 | Post No. : | 16458 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 144 # Fifty years of ‘1971’ – 1
———————————————–—————————————-
The year 1971 completes ‘fifty’ years in this year ‘2021’. These days, we are discussing the movies released in the year ‘1971’. In this series today’s song is from the movie ‘Aag Aur Daagh-1971’.
Alphabetically ‘Aag Aur Daagh-1971’ is the first movie of the decade 1971-1980. It was passed by Censor Board on 20.01.1971. The first movie 0f ‘1971’, as per date of certification by censor board, is ‘Johar Mehmood In Hongkong’. It was passed by censor board on 04.01.1971.
Both these movies have been represented on the blog, and both are yet to be Yippeeee’ed 😊 and that gives us the opportunity for this post here.
‘Aag Aur Daagh-1971’ was directed by A. Salam for ‘Movie Temple, Bombay’. It was produced by Swarn Singh. It had Joy Mukherji, Komal, Jayant, Madan Puri, I.S. Johar, Helen, Bhagwan, Sudhir, Zeb Rehman, Rajan Haksar, Shetty, Kundan, Shefali, Paro, Majnu, Roopali, Uma Dutt, Shabana, Rajrani, Darshan, Amar, Subhash, Shaloo, Sameena, Master Rodney, Sumeet, Bipin Khosla and others.
This movie was written by Charandas Shokh. Editing of this movie was done by R.V. Shrikhande.
This movie had six songs (including one two-part song) written by Noor Dewasi (one song) and S.H. Bihari (five songs, including one two-part song).
Music for ‘Aag Aur Daagh-1971’ was composed by N. Datta.
Following is the list of songs in this movie as appearing in HFGK Vol-V (1971-1980).
| S.No. | Song Title | Singer/s | Lyricist | Posted on |
|---|---|---|---|---|
| 01 | Ye pyaar ka jhagdaa hai | Mohd Rafi | Noor Dewasi | 29.04.2012 |
| 02 | Choli bheegi, lat bheegi | Asha Bhonsle | S.H. Bihari | 16.04.2012 |
| 03 | Hamse badhkar kaun hoga aap ka deewaanaa | Mohd Rafi, Asha Bhonsle |
S.H. Bihari | |
| 04 | Aaj in haathon mein phir se zindagi…Tere is pyaar ka shukriyaa | Mohd Rafi | S.H. Bihari | 09.02.2012 |
| 05 | a) Iski ho gayi, uski ho gayi b) Naa baaba naa | Mohd Rafi | S.H. Bihari | |
| 06 | Aaj ki raat faisle ki raat hai | Asha Bhonsle | S.H. Bihari |
We can see from the above table that, so far, three songs from this movie have been posted on the blog.
Incidentally all the three songs from this movie that have been posted were posted in ‘2012’ only and after that no song from this movie have been posted on the blog.
So, it’s a long gap of more than nine years now to have the next song from this movie here.
Today we will listen to a nice duet sung by Mohd Rafi and Asha Bhonsle from this movie. On screen Joy Mukherji and Komal are seen performing on this song and they are lip syncing in the voices of Mohd Rafi and Asha Bhonsle, respectively.
I have not watched this movie and neither I remember to have listen any songs from this movie.
I like today’s song and I feel it is better heard than watched (however Joy Mukherji is as good as ever in such type of songs, but the actress in this song seems to be performing as ‘unnatural’ as possible 😊
Lyrics for today’s song are by S.H. Bihari and music is composed by N. Dutta.
(Today’s song also seems to have missed the many ‘Asha-Rafi’ duets compilation albums released by HMV in the past).
Let us now listen to the song … I am sure you like it and enjoy the composition …
Video
Audio
Song-Hamse badhkar kaun hoga aap ka deewaana (Aag Aur Daagh)(1971) Singers-Rafi, Asha Bhonsle, Lyrics-S H Bihari, MD-N Datta
Lyrics
hamse badhkar kaun hoga
aapka deewaanaa
kitney din ki hai mohabbat
ye zaraa farmaanaa
hunh achchaa
waah waah
ho hamse badhkar kaun hoga
aapka deewaanaa aa
kitney din ki hai mohabbat
ye zaraa farmaanaa aa
chaahe jitney bhi kathin ho
zindagi ke raaste
zindagi saari hai dilbar
aap hi ke waaste ae
kya baat hai
chaahe jitney bhi kathin ho
zindagi ke raaste
zindagi saari hai dilbar
aap hi ke waaste
do kadam chal ke kahin
ruk jaaye naa deewaanaa
kitney din ki hai mohabbat
ye zaraa farmaanaa aa
haan hamse badhkar kaun hoga
aapka deewaanaa aa
hey kitney din ki hai mohabbat
ye zaraa farmaanaa
aaj to vaade bhi hain
kasmein bhi hain
aur pyaar bhi
pyaar ki baazi mein lekin
jeet bhi hai
haar bhi
hunh
chalegaa
aaj to vaade bhi hain
kasmein bhi hain
aur pyaar bhi
pyaar ki baazi mein lekin
jeet bhi hai
haar bhi
aag se dar jaaye jo
main wo nahin parwaanaa
hey kitney din ki hai mohabbat
ye zaraa farmaanaa aa
haan
haan
hamse badhkar kaun hoga
aapka deewaanaa aa
kitney din ki hai mohabbat
ye zaraa farmaanaa aa
kya pataa taqdeer ko
kuchh aur hi manzoor ho
chal pade hain
ab to manzil
chaahe jitni door ho
kya pataa taqdeer ko
kuchh aur hi manzoor hon
chal pade hain
ab to manzil
chaahe jitni door ho
reh nahin saktaa adhooraa
pyaar ka afsaanaa
kitney din ki hai mohabbat
ye zaraa farmaanaa aa
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4730 | Post No. : | 16450 |
Hullo Atuldom
“Ek Shrimaan Ek Shrimati” (1969) was produced by Surinder Kapoor and directed by Bhappie Sonie with songs written by Rajinder Krishan and composed by Kalyanji Anandji. It had a cast of Babita, Shashi Kapoor, Om Prakash, Rajendranath, Prem Chopra, Kamini Kaushal, Helen Hari Shivdasani etc.
The story was a straight forward one of a rich girl (Babita) falling in love with Prem Chopra who is after her wealth (as usual). Pritam (Shashi Kapoor) falls in love with this girl and tries to woo her away from her chosen person and has the approval of her rich uncle (Om Prakash) and is eventually successful. Then there is a minor twist regarding the birth mother foster mother etc. That is the synopsis. The movie had 7 songs of which the blog has 6 as under:-
| Song | Date of posting |
|---|---|
| Chaandni raat mein yoon dil ko jalaake to na jaa | 8 July 2009 |
| Pyaar to ik din honaa thhaa | 1 May 2010 |
| Kuchh kahen to khafa chup rahen to khafa | 17 Aug 2010 |
| Aaye baithhe khaaye piye khiske | 21 August 2010 |
| Hey hey hello hello | 5 September 2013 |
| Jeewan pathh par pyaar ne chhedi madhur madhur sargam (full of statistics and marked a milestone) | 30 November 2020 |
We are visiting the movie again today to mark the 93rd birth anniversary of Kalyanji Virji Shah. There is enough material on the blog giving life history of the music legend so let us get directly on to the song.
Audio
Video
Song-Raaja tohe nainon se madira pilaaye doon (Ek Shrimaan Ek Shrimati)(1970) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Kalyanji Anandji
Chorus
Lyrics(Provided by Prakashchandra)
ho o ho o ho o ho o ho o ho o
ho o ho o ho o ho o ho ho o
hey ae ae
hoye
raaja tohe
raaja tohe nainon se madira pilaaye doon
raaja tohe nainon se madira pilaaye doon
tu preet ka khiladi
magar hai anaadi
aaja daanv main sikhaay doon oon oon hoye
raaja tohe nainon se madira pilaaye doon
raaja tohe nainon se madira pilaaye doon
aaaa
hoye hoye
oooo
hoye hoye hoye
aaaaa
hoye hoye hoye
oooo
hoye hoye
oooo o o aa aa aa aa
oooo o o aa aa aa
chandaniya ki chhainyya mein
galbahiyaan daar ke
handaniya ki chhainyya mein
galbahiyaan daar ke
main rang dhang sainyyan
dikha doon tohe pyaar ke
main rang dhang sainyyan
dikha doon tohe pyaar ke
pyaar ke pyaar ke haaan
raaja tohe
raaja tohe nainon se madira pilaaye doon
raaja tohe nainon se madira pilaaye doon
ye jangal mein mangal
manaane ki raatein
ye jangal mein mangal
manaane ki raatein
najar se najariya milaane ki raatein
najar se najariya milaane ki raatein
ki raatein
ki raatein
ho
raaja tohe
raaja tohe nainon se madira pilaaye doon
raaja tohe nainon se madira pilaaye doon
aaaa
ho ho
oooo
ho ho
aaaaa
hoye hoye hoye
oooo
hoye hoye
o o o o o o aa aa aa
o o o o o o aa aa aa
o preet mori tora jiyarva na jaane
o preet mori tora jiyarva na jaane
agan more man ki piyarava na jaane
agan more man ki piyarava na jaane
na jaane na jaane ho
raaja tohe
raaja tohe nainon se madira pilaay doon
raaja tohe nainon se madira pilaay doon
tu preet ka khilaadi
magar hai anaadi
aaja daanv main sikha doon oon oon
haay
raaja tohe nainon se madira pilaay doon
raaja tohe nainon se madira pilaay doon
aaaa
hoye hoye
oooo
hoy hoy
o o o o
hoye hoye hoye
aaaaa
ho ho
oooo
hoy hoy hoy
aaaa
hoye hoye hoye
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4728 | Post No. : | 16447 |
A man is always happy when he is in his comfort zone. I too feel at home and comfortable when I am dealing with films of the Vintage Era, i.e. 30’s to 50’s. There comes a feeling of togetherness, familiarity and ease of communication. I am sure the same must be the case of those who write on films of the recent past, i.e. of the period 70’s to the present. Change the position and one feels awkward, uncomfortable and not so well. This is not a statement about any period, but I am trying to paint a picture, how people are happy in the surroundings which are known,familiar and about which one has the knowledge. By the way, I have written many posts on films from the 70s to as late as 2018 also.
Maybe this is due to the age difference, but I am certainly not one who detests whatever is new – may it be a Cinema, a song or social environment. Change is mandatory, inevitable, unavoidable and a reality. Wisdom is in accepting what is changed and then in finding points of similarity and likeability in the new changes. Changes are effected to conform to present needs, visions and compatibility towards outside influences beyond our control.
Changes are the precursors of Evolution. From Fish to Humans is a result of changes which took place in thousands of years. One who says changes are bad, is saying that remaining as Monkeys was better ! However, changing or accepting the changes does not put a stamp on the uselessness of the older things. It only means that those things were good in those times and conditions.
Take the simple example of NFS (Non Film Songs) v/s Film songs. NFS were popular from the 30’s to the 50’s. After that NFS disappeared perceptibly and today only Film songs are there. Why did this happen ? If you listen to most of the NFS, they were slow,soft, melodious, soulful but they made you illusioned. That was when the world was trying slowly to come out of the effects of World Wars. Several countries were becoming independent. The world started brimming with enthusiasm,hopes and visions of a brighter future. Lilting tunes and newer musical instruments helped upping the positive vibes, so necessary to build up a new World. Film songs filled this need and slowly the slow, soft and soulful NFS disappeared. Just compare the film songs of the 40’s, 50’s and today’s film songs. See the difference. Today we feel old music was better, but that is because of Nostalgia – memories attached to those songs, films and people. It was good for those days. Today this is good.
When one talks of NFS, can one forget Jagmohan ? Those were the days when NFS by Jagmohan, Juthika Roy, Pankaj Mullik, Hemant Kumar, Talat Mehmood and many more private singers shook the music world and their records sold by thousands. Although Jagmohan Sursagar ( 6-9-1918 to 4-9-2003) sang 33 songs in 19 Hindi films, he gave music to only 1 Hindi film in his career. Film Sardar-55 was produced and directed by Gyan Mukherji (30-9-1909 to 13-11-1956). He directed only 7 full films and 2 half films. Film Madhu-59 and Sitaron se aage-58 were done half when he died suddenly. Madhu-59 was completed by S.Mukherji and Sitaron se aage-58 was completed by Satyen Bose. Gyaqn Mukherji directed films only in which Ashok Kumar was Hero( same way, his brother Shankar Mukherji directed films of only Dev Anand-except Jhumroo-61 of Kishore kumar)
There were 9 songs in the film originally, however one song by Lata was removed from the film later. Songs were written by Udhav Kumar(5), Kaif Irfani(3) and Vrajendra Gaud(1). When you listen to these songs, you can’t believe Jagmohan could give such variety in film music. One song, sung by himself, was based on Fox Trot music-a novelty in films of that period. I feel sorry that Jagmohan was not used by the Hindi film industry as a MD for more films. We surely missed some good music because of that.
The cast of the film was Ashok Kumar, Bina Rai, Nigar Sultana, Jagdish Sethi, Rama Shukul (probably his last film), Tiwari and many others.Nigar Sultana was one of the busiest artistes in the 50’s. Out of her total 52 films, she worked in 32 films from 1950 to 1960. She was also famous for her affairs with several film artistes. The famous writer journalist ‘ Manto’ has written quite a juicy account of it in his book.
Nigar Sultana (21 June 1932 – 21 April 2000) . She appeared in Aag (1948), Patanga (1949), Sheesh Mahal (1950), Mirza Ghalib (1954), Yahudi (1958), Do Kaliyaan (1968), etc. but she is most notably remembered for playing the role of “Bahar begum” in the historical epic film Mughal-e-Azam (1960). She was the wife of filmmaker K. Asif. She died in May 2000, in Mumbai, India.
Nigar Sultana was born on 21 June 1932 in Hyderabad, India. She was the youngest daughter of a family of five. She had two brothers and two sisters. She spent her childhood in Hyderabad where her father held the rank of a Major in the Nizam’s State Army. She went to school for a while and later studied at home. She took part in a school drama on one occasion and ever after was keen on acting. After her father’s retirement, the family faced financial difficulties and Nigar was married off to a Driver. After she became pregnant the couple took divorce.
The first film Nigar ever saw was Hum Tum Aur Woh (1938). She was so utterly thrilled by it that when Jagdish Sethi, a friend of her father’s, offered her the lead in a film he was making with Mohan Bhavnani, she took it on the spot.
She entered the films with the 1946 film Rangbhoomi. She also did a small role in the film 1857. Then came Bela-47 as a Heroine opposite Jairaj. Raj Kapoor’s Aag (1948) was her first big break to Bollywood. She played the character role of “Nirmala”, which was equally appreciated by critics and audience. After that, she played character roles in a number of films.
Her big picture was Shikayat (1948), made in Poona; and after that many more in which she played leading roles. She played the role of the court dancer Bahar, who envies Prince Salim’s (Dilip Kumar) love for Anarkali (Madhubala) in the film Mughal-e-Azam (1960). The songs Teri mehfil mein and jab raat ho aisi matwali were picturised on her.Her other films included Dara (1953) and Khyber.
Patanga (1949), Dil Ki Basti (1949), Sheesh Mahal (1950), Khel (1950), Daman (1951), Anand Bhavan (1953), Mirza Ghalib (1954), Tankhah (1956), Durgesh Nandini (1956) and Yahudi (1958) are among her noted movies. She was most active during the 1950s and appeared in only a lesser number of movies later. Jumbish: A Movement – The Movie in 1986 was her last Bollywood film. The famous song of Patanga-49 ” Mere piya gaye Rangoon” was filmed on her. She looked very attractive in that song. The song is still popular.
When she was working for Ranjit Films, she posed for a provocative photo. On the publication of that photo, Ranjit removed her from their films. Later many other heroines did such Photo sessions, but the First daring was by Nigar Sultana.
Nigar Sultana was linked with Pakistani actor Darpan Kumar. She had actually married him, when he was called to Bombay by kardar for his films. In the mid 50s when she was in financial difficulties Darpan and she were divorced. On 13 June 1959, Nigar Sultana held a press conference specifically to deny reports that she was married to the Pakistani actor. Later, Nigar Sultana married K. Asif, producer-director of Mughal-e-Azam (1960). When finally she divorced K.Asif, he gave her 200 rupees per month as compensation.
Nigar had close friendship with actor Shyam, Kamal Amrohi, Najam Naqvi, Rehman, Zuhur Raja, and D N Madhok also.
Nigar Sultana was the mother of actress Heena Kausar. Heena Kausar appeared in secondary roles in a large number of films during the 1970s and early 1980s.
Two actresses of the 1950s, Chitra (born Afsar-un-nisa) and Paras (born Yusuf-un-nisa) were Nigar Sultana’s nieces.
She had also been married to S. M. Yusuf when he lived in India, with whom she had one child. The child became actress Heena Kausar. Nigar acted in 52 films in her 26 years’ career.
She died on 23 April 2000 in Mumbai, India. ( Thanks to wiki, book Inhe na Bhulana by Harish Raghuwanshi ji, HFGK, muVyz and my notes, for this information.)
Let us now listen to today’s excellent song from the film Sardar-55. As I had said in a few articles back, many such ‘Gems’ from the 50’s must still be uncovered. Jagmohan used 5 singers for 9 songs. Today’s song is by Asha Bhosle. In that period, she always got songs for Cabarets, Mujaras, dances and for side heroines. From this struggling position, she fought her way up to an enviable position, reaching Guiness Records. Hats off to her grit and hard work.
Song-Aayee jhoom ke deewaani liye pyaar ki nishaani (Sardaar)(1955) Singer- Asha Bhonsle, Lyricist-Udhav Kumar, MD- Jagmohan Sursagar (Jaganmoy Mitra)
Lyrics(Provided by Prakashchandra)
aayi jhoom ke deewaani
liye pyaar ki nishaani
zara dil tu sambhal jaana
aayi jhoom ke deewaani
liye pyaar ki nishaani
zara dil tu sambhal jaana
machal kahin mat jaana
tujhe apni kasam
aayi jhoom ke deewaani
liye pyaar ki nishaani
zara dil tu sambhal jaana
tujhko hansaane tadpaane
hazaaron anjaane tere ghar aaye
banke deewaane parwaane
bejaane pehchaane yahaan mandraaye
gar jeena hai to dhokhe se zara dil tu sambhal jaana
aayi jhoom ke deewaani
liye pyaar ki nishaani
zara dil tu sambhal jaana
koi agar lalchaaye
tujhe bahlaaye
bane dildaara
karde jigar dikhlaaye
kasam bhi khaye
wahi haaye mara
in ghaaton se aur baaton se zara dil tu sambhal jaana
aayi jhoom ke deewaani
liye pyaar ki nishaani
zara dil tu sambhal jaana
ye hai zamaane waale
bade matwaale
sabhi saudaayi
padna na inke paale
na karna hawaale
nazar harjaai
koi aankhen bichha khaanse na zara
dil tu sambhal jaana
aayi jhoom ke deewaani
liye pyaar ki nishaani
zara dil tu sambhal jaana
aayi jhoom ke deewaani
liye pyaar ki nishaani
zara dil tu sambhal jaana
Bhaiyya re bhaiyya re
Posted on: June 27, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4727 | Post No. : | 16444 |
HUllo Atuldom
Today’s song is courtesy the age-old favourite of millions of Indians who live in the interiors or mofussil towns of India. The Jhumri Talaiyaa, Bhopal, Amravati and other such places whose names we have heard on the air waves whenever there is a readout of the list of farmiash senders for Aap Ki Pasand, or Aap Ki Farmish programs. Yes, I should Thank Vividh Bharati for this song.
Heard it on the late night program last week and did all the necessary research before bringing it on to the blog. When I say I research, I don’t mean the kind that will get me a PHd. My research ends when I discover the following: (1) if the song is there on the blog
(2) what movie is it from
(3) who has sung it
(4) who is on screen in the song
(5) and how soon can I send it to Atulji. The haste is because as time passes I forget what was the song I had ‘bookmarked’ (This is why I was happy when Guruji, who signs as A.D. at the end of his comments to posts on the blog, complimented me on my memory a few days back.)
“Jaise Ko Taisa” was a 1973, AVM production directed by Murugan Kumaran, starring Reena Roy, Jeetendra (double role), Srividya (Southern actress), Ramesh Deo, Anwar Hussain, Kamini Kaushal,Mohan Choti, Dinseh Hingoo, Rojaramani, etc. It had six songs penned by Anand Bakshi and tuned by R D Burman. Two songs are present on the blog:-
| Song | Date of post |
|---|---|
| Ab ke saawan mein jee darey | 7 January 2015 |
| Chalte chalte peechhe mud ke dekh zara | 2 May 2018 |
‘Bhaiyya re Bhaiyya re’ is a get together song where Anwar Hussain, Ramesh Deo, Dinesh Hingoo, Mohan Choti, are the audience and Jeetendra and Reena Roy are the main dancers leading a chorus who are (going by the video available) on a mission to switch a flower-vase from the table in front of Anwar Hussain and Ramesh Deo. I request followers of the blog, who have seen the movie, to throw some light on why the flower-vase needs to be switched? 🙂
The cause for this celebration song is to wish an Atulite and his better half (Satulite) on their anniversary. This Atulite is a regular contributor of the blog :- contributing with lyrics which are both in English and Devnagari. He is one of the most active contributors to the blog with 400 posts, 515 lyrics in English and 392 in Devnagari….Phew!!! Having touched 400/515/392 with his post today. Congratulations Avinashji and Bhabhiji on your Anniversary. And also on yet another Century. 🙂 🙂
It just also happens that today the world of Hindi Film Music Lovers is celebrating the birth anniversary of their Panchamda a.k.a R D Burman. He was the only son of the legend Sachin and Meera Burman. He is said to have composed his first song ‘ai meri topi palat ke aa’ when he was just seventeen and was used by Sachinda in ‘Funtoosh’ in 1956. He was an assistant to his father in many movie of the late ’50s. His first independent assignment in Bollywood was the 1961 release ‘Chhote Nawab’.
But I need not be listing all his achievements and life history here. We, the followers of this blog and the world, know all of this. So let us get on to the song thinking of our Panchamda, and wishing our Avinashji and his better half on their anniversary.
Party Shuru kiya jaaye. 🙂
Song-Bhaiyya re bhaiyya re (Jaise Ko Taisa)(1973) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Anand Bashi, MD-R D Burman
bhaiyya re bhaiyya re
paap ki naiyya re
beech talaiya re
duniya kehti hai ae ae
aaj ho ya kal
doobke rehti hai ae ae
o daiyya re daiyya re
paap ki naiyya re
beech talaiya re
duniya kehti hai ae
aaj ho ya kal
doobke rehti hai ae
hey bhaiyya re bhaiyya re
daiyya re daiyya re
jo jaisa karta hai
aa haa
wo waisa bharta hai
aa haa
ke maarne wala khud bhi marta hai
khud bhi marta hai
marta hai re
jo jaisa
haan
karta hai
haan
wo waisa bharta hai
ke maarne wala khud bhi marta hai re ae ae
kans ko maare kanhaiya aa
bhaiyya re bhaiya re
paap ki naiyya re
beech talaiya re
duniya kehti hai ae
aaj ho ya kal doobke rehti hai ae
ae bhaiyya re bhaiyya re
daiyya re daiyya re
kehte hain dilwaale
sun le sab dhanwaale
ye doston ko dushman bana daale
dushman bana dale ae ae
kehte hai dilwaale
aa haa
sun le sab dhanwale
aa haa
ye doston ko dushman bana daale ae
haa haa aisi hai cheez rupaiyya
daiyya re daiyya re
paap ki naiyya re
beech talaiya re
duniya kehti hai
aaj ho ya kal doobke rehti hai ae ae
daiyya re daiyya re ae
bhaiyya re bhaiyya re ae
oopar se aur hai
aa haa
andar se kuch aur hai
aa haa
tu chor hai na jaane ke mor hai ae ae ae
mor hai
oopar se
haan
aur hai
haan
andar se kuch aur hai
tu chor hai na jaane ke mor hai ae ae ae
tu hai bhanwar ya khivaiyya
bhaiyya re bhaiyya re
paap ki naiya re
beech talaiya re
duniya kehti haia e ae
aaj ho ya kal doobke rehti hai
hey bhaiyya re bhaiyya re
daiyya re daiyya re
hey bhaiyya re bhaiyya re
daiyya re daiyya re
hey bhaiya re
daiya re
bhaiya re
daiya re
bhaiyya re
daiya re
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4725 | Post No. : | 16439 |
Hullo Atuldom
“Andaaz Apna Apna” which released in November 1994 was a comedy, laugh riot, and a ‘comedy of errors’ which had nothing to do with the original ‘comedy of errors’. I am a huge fan of this movie and so is every member of my family. There is always a smile playing on the lips, waiting to turn into a burst of laughter, whenever we discover the movie on any channel. The comedy was in the scenes and dialogues. The movie had stand-out characters that have stayed in public memory after all the intervening 27 years.
Think of Deven Verma being hoodwinked by his ‘get-rich-quick-scheming’ son Aamir Khan (playing Amar) and you smile or grin. Specially when the son tells the father “main aaj bahut khush hoon” and the father replies “tu jab bhi khush hua hai mera kuch na kuch nuksaan hua hai” and proceeds to list a few incidents. Then we have the barber Jagdeep getting similar treatment from his son Salman Khan (playing Prem). The scene that happens between Mehmood (who plays a casting agent) and Jagdeep is another standout. One thing about this comedy movie was we had seasoned players like Deven Verma, Jagdeep, Mehmood and Aamir Khan who (imho) thought making faces (contorting is not the right word) and Salman Khan who thought saying ‘aila’ in a squeaky tone was comedy. The ladies were spared as they didn’t need to be comic as also the father character of Paresh Rawal. Shakti Kapoor’s character ‘crime-master Gogo’ was more comic than scary as was Paresh Rawal’s Teja (character). Crime-master Gogo’s oneliner (Takiya kalaam) “aaya hoon kuch na kuch leke jaoonga” used to be oft-quoted in my family. The story tried to create comedy by giving the male lead actors filmy names of Amar and Prem trying to pay tribute to the 70s classic.
To have an idea about the movie we should read this post which was written by SURPRISE! (re-visit the post to find out)
Tushar Bhatia was the music director of this movie which had 6 songs. As per this article two songs were deleted from the movie to give it a better look (I suppose). Majrooh Sultanpuri was the lyricist and Asha Bhonsle, Abhijeet, S P Balasubramanyam, were the playback singers with a few new names Behrouz Chatterjee, Mangal Singh, Vicky Mehta which were heard for the first time in Bollywood.
Today’s song has Salman Khan serenading the millionaire, heiress Raveena with a song and dance in the middle of the night but with a tiny “dholak” instead of a guitar or violin (as is the general norm for this kind of situations). It is only at the end of the song that Salman (Prem) realizes that the lady with him is Karisma and not Raveena. We have Amar (Aamir Khan) first thinking that Raveena is the one who is responding to Prem but his fears are laid to rest when he sees Raveena outside his window. Then we have Shehzad Khan (a spitting image of his father Ajit) and Viju Khote (playing helpers around the household) also enjoying this midnight entertainment.
Incidentally, the girls switch names, in the movie, to test prospective grooms so Karisma Kapoor who is the actual Raveena (daughter of the millionaire) introduces Raveena Tandon as Karisma (who is the daughter of the millionaire’s munim). So, there is a bit of confusion in the minds of Amar and Prem once the girls reveal their true names and identity. Hope the situation is clear and we now get on to the song which is sung by Asha (Tai) and SPB (Balu Sir)
With this post we also wish Lolo on turning a year younger. Lolo which is the pet name of Karisma Kapoor, the first person from the fifth generation of the Kapoor Khandan to step into Bollywood and carve a niche for herself. She made a name for herself enacting a variety of roles from plain inane to high voltage emotional characters. We saw her play a serious character in the song which was posted two years back. Today we will see her with a cute and endearing smile.
Song-Ye raat aur ye doori tera milna hai zaroori (Andaaz Apna Apna)(1994) Singer-S P Balasubrahmaniam, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-Tushar Bhatia
Lyrics
ye raat aur ye doori,
tera milna hai zaroori
ye raat aur ye doori
tera milna hai zaroori
ke dil mera
ke dil mera dhak dhak doley
deewana liye jaaye hichkoley
ke dil mera dhak dhak doley,
deewaana liye jaaye hichkoley
ye raat aur ye doori
tera milna hai zaroori
ye raat aur ye doori
tera milna hai zaroori
ke dil mera
ke dil mera dhak dhak doley
deewana liye jaaye hichkoley
ke dil mera dhak dhak doley
deewana liye jaaye hichkoley
ye raat aur ye doori
kehna chaahoon tumse ae
tumse main kitni baatein
iss hasrat mein kaatin
kaatin hain kitni raatein
kehna chaahoon tumse
main kitni baatein
iss hasrat mein kaatin
hain kitni raatein
tu chhat par aa bhi ja,
jhalak dikhla bhi ja
tu chhat par aa bhi ja
jhalak dikhla bhi ja
haa haaa haa haaa
haal hai jo tera
wahi haal mera
haal hai jo tera
wahi haal mera,
piya haal wahi hai mera
karoon pyaar chori chori
tauba itni majboori
karoon pyaar chori chori
tauba itni majboori
ke dil mera
ke dil mera dhak dhak doley
deewaana liye jaaye hichkoley
ke dil mera dhak dhak doley
deewaana liye jaaye hichkoley
ye raat aur ye doori
ho o o
ho o o
ho o o ho o o
sun le mere khwaabon ki,
khwaabon ki o shehzaadi
aawaazein deta hai,
deta hai kab se fariyaadi
sun le mere khwaabon ki o shehzaadi
arre aawaazein deta hai kab se fariyaadi
sitamgar aa bhi ja aa,
karam farma bhi ja
sitamgar aa bhi ja,
karam farma bhi ja
haa haa haa haa
dard hai jo tera
wahi dard mera
dard hai jo tera
wahi dard mera
piya dard wahi hai mera
karoon pyaar chori chori
tauba itni majboori
karoon pyaar chori chori
tauba itni majboori
ke dil mera
ke dil mera dhak dhak doley
deewana liye jaaye hichkoley
ke dil mera dhak dhak doley
deewana liye jaaye hichkoley
ye raat aur ye doori
tera milna hai zaroori
ye raat aur ye doori
tera milna hai zaroori
ke dil mera
ke dil mera dhak dhak doley
deewana liye jaaye hichhkoley
ke dil mera
dhak dhak doley
deewana liye
jaaye hichkoley
ke dil mera
deewaana liye
ke dil mera
deewaana liye
ke dil mera
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4719 | Post No. : | 16427 |
When film making started in India, most films-i.e. about 98 %, were based on Religious Mythological or Folk stories. Even in that early era, there were Producers and Directors, who dared to make films on unusual but interesting subjects like Fictional kingdoms, highly scientific discoveries etc. Worth mentioning are a few films like Prabhat’s ‘ Wahan alias Beyond the Horizon’-1937, Prakash pictures’ ‘Mr. X’-38, Ranjit’s ‘ Prof. Waman M.Sc.’, Sagar’s ‘ 300 days and after’-38, Adarsha Chitra, Calcutta’s ‘ India in Africa’-1939 (first film to do shooting outside India, in foreign countries), Sagar’s ‘ Mahageet ‘-37 and the best film by Prakash Pictures-” Khwaab ki duniya’-1937. ( there may be some more such films too).
Not all such offbeat films succeeded, but surely they provided a Ray of Hope that Indian cinema will surely come out of this beaten track and grandma stories. I am not very sure, but I have a strong feeling that during the early films of the 40s, a few C grade action and stunt films too were made on such offbeat themes. One such film is Master Bhagwan’s ” Bhedi Bungala alias House of Mystery “-1949, India’s first Horror film. ( during the shooting, in one scene Bhagwan had to keep his eyes wide open-as if in fear. He stretched them so much and for such a long time that for one day he lost sight of both eyes. After the doctor’s treatment he regained his vision. Can we expect such dedication in today’s actors, in general ?).
For lack of proper documentation, we are unable to comment on such films of yore. As far back as 1936, Prabhat film company had made a film on Mutiny on the sea by a brave woman- Amar Jyoti-1936, featuring a new heroine- Durga Khote. Life on ships and sword fighting by a woman was mesmerising the audience.
The celestial entities have always enticed the Human Race. They were effectively used in sciences like Astrology and Astronomy. Since time immemorial Man always wanted to visit these planets sans The Sun. Moon was the centre of attraction. Could the Hindi filmmakers keep off from making a film on this theme ? Most kept off ! They , perhaps, thought it safe to use The Moon (चांद ) only in songs and dialogues. However, going through the list of film titles, I found that films using the word Chand in the titles were made, but barring a few C grade stunt and action films, this ‘ Chand ‘ was alluding to something else like the Lover, beloved and other similar things.
Film titled only Chaand were made in -1934,1944 and 1959. Then there were 13 films having ‘ Chand ‘ in their titles. As far as I gather, there were only 2 films made on fictional stories involving the Planet Moon. One was Chand ki Duniya-1959 and the other was Chand pe Chadhai (Trip to the Moon)-1967.
Today’s song is from film Chaand ki duniya-59. It is quite a long song….7.41 minutes to be exact. the video reveals that the song is filmed on the Hero Soham Kapila, the heroine Nalini Chonkar and the comedian Ram Avtar. If you remember, he had a hilarious role in film Teesri manzil-1966 as a co-passenger of Shammi Kapoor.
Ram Avtar Pandey, from Rampur-UP, started his filmi career in 1938 with character roles. In the early 50s, he switched to comedy, when he gained weight and a pot belly. Ram Avtar was a fixture in many Nasir Hussain films. His roles in Badi Behan-49,Nagin-54, Hum sub chor hain-56, Tumsa nahin dekha-57, Jab pyar kisi se hota hai-61, Phir vohi dil laya hoon-63, Teesri Manzil-67, Yaadon ki Baraat etc are memorable. His last film was Prem Geet-1981. He acted in 133 Hindi films.
The film was made by Filmistan, a big banner. Unfortunately, it was made as a quicky, without much interest. The film was directed by Mohan Sinha (grandfather of actress Vidya Sinha, of Rajnigandha-74 fame). The MD was Nirmal Kumar alias S.D.Batish.
Many composers gave music to C grade films using Pseudonyms. For example, C. Ramchandra gave music to action films in the name of ” Annasaheb”, S D Batish used the name Nirmal Kumar, Durrani used Gunjan as his name, to quote a few examples. But one name hardly anyone knows and that is Anil Biswas. Yes, when he gave music to film Begunah-1949, he used the name as Haribhai. His co-MD was Shyamu- which was C. Ramchandra ! This information is given in The Encyclopedia of Indian Cinema by Rajadhyaksha.
The cast of the film was Sohan Kapila, Nalini Chonkar, Ram Avtar, P. Kailash, Badri Prasad, Husn Bano, Indira Bansal, B M Vyas, Vijay Kumar, Noor (wife of Johnny Walker) etc etc. the banner was good, story was fine, songs were good, MD was good, Heroine and Director were good. The whole problem was with the dumb Hero- Sohan Kapila. he was one actor who was a Non Actor.
It is said that ‘No trees can grow under a Banyan Tree’. This is absolutely true and applicable in Film industry. Except in cases like the Kapoor family, i.e. Raj, Shammi and Shashi, who made their bright careers despite the shadow of their Father and other Brothers, we find that many of the sons,daughters,brothers or sisters of many popular and famous film stars were failures and never made it big in Hindi cinema.
We know cases like Suneil Anand, Nasir Khan, Tony walker, Naina Sahu, Meera Joglekar, Ajit Chitnis, Rajendranath, Narendranath, Anup kumar, Mallika, Khursheed Jr., Simple Kapadiya, Shivangi Kolhapure, Preeti ganguly, Radhika and many more. In spite of having all the backing of the famous family members, these and such many others just did not make it, because Talents are not always hereditary !
They all were given a fair opportunity to display their talent on the screen, but unfortunately despite their honest effort their skill could not come out & the viewers were left unimpressed . They were selected by big banners and well experienced directors were there to guide them. But their talent remained hidden inside them and with their nonexistent artistry they disappointed their mentors. Non-actor Sohan Kapila was in the romantic lead of Filmistan’s Babar ,which was released in 1960. Hemen Gupta , distinguished director, who earlier had directed Anand Math for Filmistan ,directed the movie and it also had the winning combination of Sahir & Roshan.
Dependable character actor Gajanan Jagirdar did the role of great Moghal Emperor Babar. But the movie flopped, as the new hero failed pathetically to register any emotion on his face. A big jolt for Seth Tola Ram Jalaan, who was already facing financial problems. Mr. Kapila appeared in 2-3 movies in inconsequential roles and disappeared from scene for ever. His daughter Padmini Kapila also pursued film career, but could not achieve much success .
There were many other actors like him, who got chances to appearopposite illustrious heroines, unfortunately their effort did not make any impact on the cine loving public. Watching their miserable performance on the screen, no film maker came forward to sign them again. Out of sight is out of mind, it was a matter of time when public as well as film industry forgot them.
Malhaar, as the name suggests, a musical film produced by great singer Mukesh in 1951. It had a story by veteran actor S K Prem & its evergreen music was composed by Roshan. The movie had newcomers Arjun & Shammi (Nargis Rabaadi ). Arjun did get another chance in Daku Ki Ladki to please the viewers with his emoting before the camera, but could not succeed and it was the end of his career.
Rattan Chopra the lucky boy was selected for films, among hundreds of aspirants. Mohan Kumar had suffered a huge set back when Aman flopped. He took the newcomer for Mom Ki Gudia, opposite Tanuja, with great hopes. Unfortunately, Mom Ki Gudia failed to dispel the gloom and sank to the rock bottom. Acting was not his cup of tea, Rattan Chopra understood and wisely opted out of the race of stardom.
K. Amarnath introduced new comer Vijay Kumar in his 1954 offering Alif Laila opposite Nimmi & Asha Mathur . Sohan Kapila and Vijay Kumar had impressive physique, but had no clue about acting. The movie had lilting music by Shyam Sunder ,which was his last contribution towards film industry .Helen for the first time got a chance to perform solo in the movie & for many decades she remained on top. But for Vijay Kumar it was his first & last chance.
Another non actor Premendra was introduced by old timer Vijay Bhatt in Holi Aayee Re (1970),which was directed by his younger sibling Harsukh Bhatt. It was pathetic to watch Premendra unsuccessfully trying to showcase his imaginary ability in the field of acting. The movie flopped phenomenally & a huge investment made by Bhatt Brothers went up in a cloud of smoke.
There were some more like Pratibha Sinha, Archan Gupta, Jayant Gupta, Ashok Sharma, Nusrat Kardar, Rajeev Kapoor, Manish Kumar, Navinchandra, Aroop Kumar, Prashant, Shalini, Kaycee Mehra, Vikram, Shekhar Suman, Deepak Kumar, Ajay, Som Dutt and many more.
With all this no wonder the film was a flop and a good story was wasted. Today’s song is the 4th song of this film on the Blog. But the song is good. Enjoy….
(some information is used from an article by M N Sardana ji in Voh din yaad karo. Thanks to him)
Song- Lee haay lee haay lippip pippi…aayee jawaani badi deewaani (Chaand Ki Duniya)(1959) Singers-Manna Dey, Asha Bhonsle, Unknown male voice, Lyricist- Qamar Jalalabadi, MD- Nirmal Kumar aka S D Batish
Manna Dey + Asha Bhonsle
All chorus
Female chorus
Male chorus
Lyrics
hahahahahaha
li haay li haayi lippip pippi
li hayi li hayi lippip pippi
li hayi hayi lippi pippi pi
aahaha
la hayi la hayi lappap pappa
la hayi la hayi lappap pappa
la hayi la hayi lappa pappa paa
o ho ho
li hayi li hayi lippip pippi
li hayi li hayi lippip pippi
li hayi li hayi lippip pippi pi
aahaha
la hayi la hayi lappap pappa
la hayi la hayi lappap pappa
la hayi la hayi lappa pappa pa
o ho hoho
ye pappa pappi chhodo
chhodo ye haali holi
kuchh bolo humaari boli
tumhaari boli
haan humaari boli
aayi jawaani badi deewaani
dekho kya kya laayi jawaani
aaha
hans le gaa le maauj mana le
jaa ke phir na aaye jawaani
waah waah
aayi jawaani badi deewaani
dekho kya kya laayi jawaani aaha
hans le gaa le
mauj mana le
jaa ke phir na aaye jawaani waah waah
arre laaga laaga laaga
teri ankhiyon ka dil pe nishaana
jaaga jaaga jaaga
tere pyaar ka sapna suhaana
o o o o
laaga laaga laaga
teri ankhiyon ka dil pe nishaana
jaaga jaaga jaaga
tere pyaar ka sapna suhaana
sapna suhaana
o ho
aaha
baanki chaal ada mastaani
dekho kya kya laayi jawaani
aaha
dil ko milale dhoom machaale
jake phir na aaye jawaani waah waah
aa aa aa aa aaaa aa aa aaaa
aa aa aa aa aa
aa aa aa aa aa aa aa aa aa aa
aa aa aa aa aa
ye sama ye khushi jhoom uthhi zindagi
dil ke gulzar mein phool sa aa khil gaya
dil ke ye raaste jagmagaane lage
muskuraane lage jaane kya aa aa mil gaya
baat baat mein bani kahaani
dekho kya kya laayi jawaani aaha
dil ko milaale dhoom machaale
jake phir na aaye jawaani waah waah
aayi jawaani
badi diwaani
dekho kya kya laayi jawaani aaha
hans le gaa le
mauj mana le
jaa ke phir na aaye jawaani waah waah
o tere bin mora jiya laage na
o tere bin mora jiya laage na
o tere bin mora
o more bin tora
o dekho dekho dekho
jiya la la la la la laage na
tera roop ghazab ka jaani
dekho kya kya laayi jawaani aaha
dil ko milale dhoom machale
jake phir na aaye jawaani waah waah
aayi jawaani
badi deewaani
dekho kya kya laayi jawaani aaha
hans le gaa le
mauj mana le
jaa ke phir na aaye jawaani, waah waah
haay maara maara maara
tere teekhe teekhe nakhron ne maara
dekho dekho behke kadam
zara dena ji sahaara
ho ho ho ho
maara maara maara
tere teekhe teekhe nakhron ne maara
dekho dekho bahke kadam zara dena ji sahaara
dena ji sahaara
o ho
aaha
mausam pyaara raat suhaani
dekho kya kya laayi jawaani aaha
dil ko milaa le dhoom machaa le
jaake phir na aaye jawaani waah waah
arre dhokha dhokha dhokhaa nahin khaana
yehi mauka hai shikaari
jeete jeete jeete khel khel mein jo
wohi hai khilaadi
haan wohi hai khilaadi
o ho
aa haa
samjho dil ki baat suhaani
dekho kya kya laayi jawaani aa haa
dil ko milaa le dhoom machaa le
jaake phir na aaye jawaani waah waah
aayi jawaani
badi deewaani
dekho kya kya laayi jawaani aaha
hans le gaa le
mauj manaa le
jaake phir na aaye jawaani waah waah
ab gaao pappa pappi
ab gaao halli huli
kuchh samjho hamaari boli
tumhaari boli
haan
hamaari boli
laa hai laa hai lappap pappa
laa hai laa hai lappap pappa
waada pakka
laa hai laa hai lappap pappa
laa hai laa hai lappap pappa
bilkul sachcha
samajhne waale samajh gaye
jo naa samjhe wo kakka
laa hai laa hai lappap pappa
laa hai laa hai lappap pappa
laa hai laa hai lappap pappa
waah
li hai li hai lippip pippi
li hai li hai lippip pippi
li hai li hai lippip pippi pi
hoy laa hai laa hai lappap pappa
laa hai laa hai lappap pappa
laa hai laa hai lappap pappa paa
li hai li hai lippip pippi
li hai li hai lippip pippi
li hai li hai lippip pippi pi
hahahahahaha
hahahahaha
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4715 | Post No. : | 16422 |
Welcome all to this post. Today we are going to listen to a ‘party’ song from the movie ‘Yaadgaar-1970’.
‘Yaadgaar-1970’ was directed by S. Ram Sharma for ‘Kunal Chitra, Bombay’. It had Nutan, Manoj Kumar, Pran, Prem Chopra, Kamini Kaushal, Junior Mehmood, Madan Puri, Tiwari, Mohan Choti, Lalita Chatterjee, Asit Sen, Lakshmi Chhaya, Shammi, Man Mohan, Polsan, Jayshree, Kuljeet, Renu, Raj Kishore, Harbans Pape, Kirti Behl, Manohar, Naidu, Birbal, Hansraj, Shrinath, Mohan Shery, Dubey, Sabina, Manohar Gosvai, Kesho Rana, Brahm Bharadwaj, Sobti, Alija, Genius, Darshan M., Ravikant, Chandra, Mohan Chhotu, Narbada Shankar, Ramlal and others.
This movie had six songs written by Indeevar and Verma Malik (three songs each).
(One song ‘ik taaraa boley’ is in two parts and it is considered as two songs).
Here is the list of songs of this movie as given in HFGK Vol- IV (1961-1970),
| S.No. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Ik taaraa boley tun tun, kya kahe ye tumse sun sun (Part-I) | Mahendra Kapoor | 13.04.2009 |
| 02 | Aaye jahaan bhagwaan se pahle… wo khet mein milegaa | Mahendra Kapoor | 13.04.2019 |
| 03 | Jis ghar mein daaku chor chhupe… Ik taaraa boley tun tun (Part-II) | Mahendra Kapoor | 13.04.2009 |
| 04 | Bahaaron ka hai melaa … phool koi mere liye bhi to ho | Asha Bhonsle | Being posted today |
| 05 | Boli saawan ki raat badi paawan hai raat… Hamne dekhi hai honewaali bhabhi | Mahendra Kapoor, Nutan, Manhar, Jr Mehmood, Birbal | 16.05.2021 |
| 06 | Jis path pe chalaa us path pe mujhe aanchal to bichhaane de… mujhe saath to aane de | Lata Mangeshkar | 28.11.2011 |
Music for this film was composed by Kalyanji-Anandji.
Today’s song is sung by Asha Bhonsle and it is lip-synced on screen by young Jayshree T. In the movie this song happens at a ‘party’ (held in the name of ‘family gathering’) arranged by Prem Chopra with not so good intentions for Nutan. He tries to misbehave with Nutan.
However, it turns out that his own sister (in the movie) (I am unable to identify this actress) also has to go through the same trauma as Nutan, when actor Raj Kishore misbehaves with her. Of course, this incident takes place after the song and dance performance of Jayshree T is over and almost all members present in the party are already drunk.
So far, five songs (including one multiple version song) from this movie have been posted on the blog.
Today’s song is the sixth and final song of this movie ‘Yaadgaar-1970’ to be posted here on the blog. With this song, ‘Yippeeee’ moment for this movie arrives today.
Let us now listen to today’s song.
Lyrics are by Indeevar, and music is composed by Kalyanji-Anandji.
Video
Audio
Song-Bahaaron ka hai mela hai mera dil akela (Yaadgaar)(1970) Singer-Asha Bhonsle, Lyrics-Indeewar, MD-Kalyanji Anandji
Lyrics
laa laa laa aa aa
laa laa laa laa laa aa
laa laa
ho o o
bahaaron ka hai melaa
hai mera dil akela
bahaaron ka hai melaa
hai mera dil akela
phool koyi ee
mere liye bhi to ho
phool koyi ee
mere liye bhi to ho
ho o
sitaaron ka hai melaa
hai mera dil akela
sitaaron ka hai melaa
hai mera dil akela
chaand koyi ee
mere liye bhi to ho
chaand koyi ee
mere liye bhi to ho
ho o
kaajal hi kaajal hai
aanchal hi aanchal hai
khushboo ke baadal hain
jaagi dilon mein umang
??? hai aapas mein
kaliyon ne bhanwaron ko
bhanwaron ne kaliyon ko
kaisa haseen ??
saaz koyi ee mere liye bhi to ho
ho o
bahaaron ka hai melaa
hai mera dil akela
bahaaron ka hai melaa
hai mera dil akela
phool koyi ee
mere liye bhi to ho
phool koyi ee
mere liye bhi to ho
ho o
la la laa
la la laa
laa laa laa laa aa
la la la la la la lalaalalaa
naghme hi naghme hain
masti hi masti hai
hamse kya ??? masti hai
aaye jo dil ke kareeb
chhalka hai maikhaanaa
nazron ka paimaana
har dil hai
deewaanaa
kaisa rahaa mera dil
jaam koyi ee mere liye bhi to ho
ho
ho o
bahaaron ka hai melaa
hai mera dil akela
bahaaron ka hai melaa
hai mera dil akela
phool koyi ee
mere liye bhi to ho
phool koyi ee
mere liye bhi to ho
ho o
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