Archive for the ‘Asha Bhonsle songs’ Category
Sajan Salona Maang Lo Ji Koi
Posted on: September 21, 2017
- In: Artist century song in blog | Asha Bhonsle songs | Blog century song | Celebration Song | Century songs for the blog | Dance song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Group Dance | Guest poster century song | Guest posts | Lata -Asha Bhonsle duet | Lata song | Lyrics contributed by readers | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1964 | Yearwise breakup of songs
- 19 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This post is the 13600th post, 600th song of Sahir Ludhianvi and 1100th post of Sudhir Jee in the blog.
One more song that I can’t believe has not yet been included in the annals of our blog. Such a melodious, lilting and fast paced lovable song. It used to be aired on the radio quite regularly, and was one of the listening favorites. The vintage is 1964, and so quite well still retained in the memory. As I started to search for a Sahir song for this post today, I was not quite satisfied with some of the ones that showed up as possible candidates. You see, as we progress and post more songs, and the artist counts starts to close in to their total no. of songs, then in all likelihood, the better ones, the favorite ones are mostly accounted for on the blog. So if one is looking for a favorite song as a representative work of an artist, it becomes quite an effort to locate one.
Ah yes, all this is being said because I have been trying to locate a good, attractive favorite song penned by Sahir Sb, for this celebration post today. So yes, this post is celebrating two major milestones. We arrive at the 13,600th station in this musical journey. In the same stroke, we are also celebrating a score of 600 songs posted, that have come from the pen of Sahir Ludhianvi. Congratulations to one and all members of this musical bandwagon, and all readers and friends on this blog. The going has been somewhat slow during the recent few weeks, but we continue to trek along these musical paths. The going is still strong – we still just at 35 to 40% of the known songs, considering the period from 1931 to 1980 (as covered in the first five volumes of the HFGK).
However, the same cannot be said of the artists. As we continue to progress and as we start getting near to the total number of songs of an artist, it then becomes somewhat of an effort, to search out a suitable, likeable song from the remaining lot. I have been working through the lists of remaining songs of Sahir Sb much of the early part of today. I picked out a few candidate songs, from across the years his career spans. With an excellent poet like him, I notice that majority, and I mean majority, of the songs written by him are accounted for. I run through the Geet Kosh, and the film name will tell me, not even try looking into the list, because this film is most certainly already ‘Yippeee’d’. Oh yes, I do pick up some, as I said earlier, but reaching 1964, checking out this film ‘Dooj Ka Chaand’, I was surprised that this film is not yet part of the Yippeee list on the blog. Scanning the list of songs, it is almost goose bumps running down my back, as I see this song listed. Quick check on the blog and I find this song is not yet present on the blog. I have made this faux pas a few times in the past, so I quickly send an email to Atul ji, to get a confirmation. I start to prepare the post in anticipation, as I wait for his response. The confirmation email from him a little while later is quite a relief, as you may understand. 🙂
The story of Sahir is a journey in bittersweet loneliness. His own life, his experiences and his personal emotions are quite reflected in the songs and his poetry. A romantic at heart, he was once expelled from his college (in Lahore) by the principal, who saw him sitting in the college lawns with a lady student. That same college today has an auditorium named after him. A childhood that begins with bitter family experiences – a strict and abusive father, and a mother who left the household on that account. He was close to his mother, who ensured that his education continued, even though she was not part of the family, strictly speaking. His poetry budded and took shape within him, and he published his first collection while still at college. The collection is titled ‘Talkhiyaan’ (तल्खियाँ). Literally, it means ‘bitternesses’. . .
The saga of the mutual love and attraction between Sahir and Amrita Pritam, the famous Punjabi poetess and author, is well known. It is not really clear what kept them apart. Was it that Amrita was already a married woman when they met? Was is familial or community apprehensions? We would not know. Theirs was an association of silence, and that is how it has remained – a mystery in silence. At one place, Amrita has written –
“our meetings and being together, were passages of silence. . . for me, it seemed as if the loneliness and silences of my soul took a human shape and came to sit besides me. . . he would be smoking all the time, and when he left, what remained behind was an ashtray full of half smoked cigarettes. . . I would keep them as treasures, and once in a while, would smoke them. . . holding that cigarette in my hand was like him holding my hand. . .”
There is one reference one finds to this personal affair. It is said that Sahir once said to his mother that the only one that could have been her ’bahu’ was Amrita.
Cigarettes and drink became his life, and he passed away quite early – just 57. Lines from two songs simply sum up his passage from the world of living. One – “Main Zindagi Ka Saath Nibhaata Chala Gaya”; I refer to the line “Har Fikr Ko Dhuen Mein Udaata Chala Gaya”. And the second – “Mehfil Se Utth Jaane Waalo”; I refer to the line “Mere Saathi. . . Mere Saathi. . . Mere Saathi Khaali Jaam”. A romantic – lived as one, passed away as one.
Today’s song is a wonderful duet between Lata ji and Asha ji. ‘Dooj’ is the second day in the waxing cycle of the moon. It is on this day that the first crescent of the moon really becomes visible. This view of the moon is considered to be the most auspicious. The Muslims celebrate their Id when this crescent moon is sighted. And in scriptures and books of Hinduism, this sighting finds many mentions, as an auspicious occasion. There is couplet (author unknown) which goes like,
avasar kaudi jo chuke, bahuri diye ka lakh
duij na chanda dekhiye, udai kaha bhari pakh
That a timely helping hand of just one ‘kaudi’ is worth much more than lakhs given when not needed; so is the sighting of the moon on ‘dooj’; seeing it that day is worth seeing it in all its phases for the rest of the fortnight.
The crescent moon and the star – which is an occasional sighting of the moon and the planet Venus in conjunction, has been considered as the most beautiful sights. It is the conjunction of the mind (मन) and beauty – moon represents the मन and the Venus represents beauty. Poets and authors have written that this sight is more beautiful than ‘Chaudhvin Ka Chaand’, which is the full moon.
Enjoy this lovely song. It depicts the age old tradition of unmarried girls praying to and paying their respects to this sighting of the moon, asking for the blessing of a beautiful loving husband. On screen, the song is performed as a group dance. B Saroja Devi is the lead dancer, accompanied by Madhumati and other ladies. They are teasing Saroja Devi to pray to the moon, and she is responding by saying that the one who may love her should come seeking her. And her friends respond by saying that her ‘bindiya’ and her ‘paayal’ are giving a different message. A lovely tete-a-tete.
Music is vintage Roshan, what a lovely and endearing melody this one is.
Song – Sajan Salona Maang Lo Ji Koi (Dooj Ka Chaand) (1964) Singer – Asha Bhosle, Lata Mangeshkar, Lyrics – Sahir Ludhianvi, MD – Roshan
Chorus
Lyrics
o ooo oo oo
ooo ooo ooooo
ooo ooo ooo ooo ooo ooo
sajan salona maang lo ji koi
sajan salona maang lo ji koi
nikla hai dooj ka chaand sakhi ri
aaj na kariyo laaj sakhi ri
aaj na kariyo laaj
suno to gori
ui maa
kaahe ki chori
ui maa
sajan salona maang lo ji koi
nikla hai dooj ka chaand sakhi ri
aaj na kariyo laaj sakhi ri
aaj na kariyo laaj
mohe meethi naahi laage aisi baat
sakhi chhedo na
mohe meethi naahi laage aisi baat
sakhi chhedo na
naina chaahe kisi chhaliye ka saath
sakhi chhedo na
aa ha
tu na chaahe kisi mitwa ka saath ri sakhi
ke tori chham chham karti paayal chaahe
koi matwaara rasiya
suno to gori
ui maa
kaahe ki chori
ui maa
sajan salona maang lo ji koi
nikla hai dooj ka chaand sakhi ri
aaj na kariyo laaj sakhi ri
aaj na kariyo laaj
jaa ko bhaaun wo hi maange mera haath
main to maangun na
jaa ko bhaaun wo hi maange mera haath
main to maangun na
badi aai hai ye dooj ki raat
main to maangun na
haaye
tu na maange kachhu aaj ki raat
ri sakhi
ke tori cham cham karti bindiya maange
koi matwaara rasiya
suno to gori
ui maa
kaahe ki chori
ui maa
sajan salona maang lo ji koi
nikla hai dooj ka chaand sakhi ri
aaj na kariyo laaj sakhi ri
aaj na kariyo laaj
la la la la laa
la la la la laa
laaa aaaa la la laa
oo ooo ooo
hmmm hmmm hmmm
hmmm hmmm hmmm
hooo ooo ooo ooo
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
ओ ओss ओs ओs
ओss ओss ओsssss
ओss ओss ओss ओss ओss ओss
सजन सलोना मांग लो जी कोई
सजन सलोना मांग लो जी कोई
निकला है दूज का चाँद सखी री
आज ना करियो लाज सखी री
आज ना करियो लाज
सुनो तो गोरी
ऊई माँ
काहे की चोरी
ऊई माँ
सजन सलोना मांग लो जी कोई
निकला है दूज का चाँद सखी री
आज ना करियो लाज सखी री
आज ना करियो लाज
मोहे मीठी नाही लागे ऐसी बात
सखी छेड़ो ना
मोहे मीठी नाही लागे ऐसी बात
सखी छेड़ो ना
नैना चाहें किसी छलिए का साथ
सखी छेड़ो ना
आ हा
तू ना चाहे किसी मितवा का साथ री सखी
के तोरी छम छम करती पायल चाहे कोई मतवारा रसिया
सुनो तो गोरी
ऊई माँ
काहे की चोरी
ऊई माँ
सजन सलोना मांग लो जी कोई
निकला है दूज का चाँद सखी री
आज ना करियो लाज सखी री
आज ना करियो लाज
जा को भाऊँ वो ही मांगे मेरा हाथ
मैं तो माँगूँ ना
जा को भाऊँ वो ही मांगे मेरा हाथ
मैं तो माँगूँ ना
बड़ी आई है ये दूज की रात
मैं तो माँगूँ ना
हाए
तू ना मांगे कछु आज की रात री सखी
के तोरी चम चम करती बिंदिया मांगे कोई मतवारा रसिया
सुनो तो गोरी
ऊई माँ
काहे की चोरी
ऊई माँ
सजन सलोना मांग लो जी कोई
निकला है दूज का चाँद सखी री
आज ना करियो लाज सखी री
आज ना करियो लाज
ल ल ल ल ला
ल ल ल ल ला
ला आ ल ल ला
ओ ओ ओ
हम्म हम्म हम्म
हम्म हम्म हम्म
हो ओ ओ ओ
Jo dil hi dil mein rote hain
Posted on: September 20, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Malika e Alam Noorjahaan”(1954) was produced by Mafatlal D Shah and directed by Gunjal for Amar Keerti Pictures, Bombay. The movie had Asha Mathur, Kamal Kapoor, Jageerdaar, Pradeep Kumar, Jankidas, Noorjahaan, Indu Pal, Jagdish Kamal, Khwaza Sabir, M A Aziz, Rajan Kapoor, Jago etc in it.
This by now forgotten “historical” movie had eight forgotten songs in it.
Here is the first song from “Malika e Alam Noorjahaan”(1954) to appear in the blog. This song is sung by Asha Bhonsle. P L Santoshi is the lyricist. Music is composed by Avinash Vyas.
Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
With this song, “Malika e Alam Noorjahaan”(1954) makes its debut in the blog.
Song-Jo dil hi dil mein rote hain (Malika e Alam Noorjahaan)(1954) Singer-Asha Bhonsle, Lyrics-P L Santoshi, MD-Avinash Vyas
Lyrics
jo dil hi dil mein rote hain
jo dil hi dil mein rote hain
wo zaahir gaaya karte hain
wo zaahir gaaya karte hain
hanste to hain hansne ke liye
hanste to hain hansne ke liye
par dard dabaaya karte hain
par dard dabaaya karte hain
jo dil hi dil mein rote hain
wo husn bhi kya jo beparda ho
raaj hi kya jo khul jaaye
ae ae ae ae ae
jo sachche chaahne waale hain
jo sachche chaahne waale hain
wo pyaar chhupaaya karte hain
wo pyaar chhupaaya karte hain
dil ki haqeeqat dil jaane
ae ae
wo samjhen chaahe na samjhen aen
hum aankh churaate hain lekin
hum aankh churaate hain lekin
dil to lagaaya karte hain
hum dil to lagaaya karte hain
jo sachche chaahne waale hain
wo pyaar chhupaaya karte hain
dil kehta hai dekhen unko
nazren kehti chupke bachke ae ae ae ae ae
kuchh baat zaroor anokhi hai
kuchh baat zaroor anokhi hai
jo hum sharmaaya karte hain
jo hum sharmaaya karte hain
jo sachche chaahne waale hain
jo sachche chaahne waale hain
wo pyaar chhupaaya karte hain
wo pyaar chhupaaya karte hain
Dola utaaren kahaar
Posted on: September 19, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Daaera”(1953) was produced and directed by Kamal amrohi for Kamal Pictures, Bombay. the movie had Meena Kumari, Nasir Khan, Kumar, Roopmala, Nana Palsikar, Protima Devi, Kammo, Jankidas, H Prakash, Romesh Kapoor, Zarina etc in it.
The movie had eight songs in it. Six songs from the movie have been covered in the blog. Here is the seventh song from “Daaera”(1953) to appear in the blog.
The song is a background song cum baaraat song. It gets played while a baaraat is seen arriving. A bed ridden Meena Kumari watches the proccdings from her bedroom located opposite on the opposite side of the street. I have no idea about the context of this song in the movie. I request our knowledgeable raeders to tell us what is going on in the picturisation of this song.
The song is sung by Asha Bhonsle. Majrooh Sultanpuri is the lyricist. Music is composed by Jamal Sen.
Song-Dola utaaren kahaar (Daaera)(1953) Singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-Jamal Sen
Lyrics
kaho dola utaaren kahaar
kahaar kaho dola utaaren kahaar
dola utaaren
dola utaaren kahaar
kahaar kaho dola utaaren kahaar
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
kah do gagan se
chanda ko waaren
kah do gagan se
chanda ko waaren
gaaye pawan aur naachen sitaare
naachen sitaare
ghoonghat uthhaayen bahaar
ghoonghat uthhaayen bahaar
bahaar kaho
bahaar kaho dola utaaren kahaar
aa aa aa aa
aa aa aa aa
jhoome umangen
saanson ke man mein
jhoome umange
saanson ke man mein
aa aa aa aa
aaj khushi ?? jhalke nayan me
jhalke nayan mein
karti nanandiya pukaar
karti nanandiya pukaar
pukaar kaho
pukaar kaho dola utaaren kahaar
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
baabul ke ghar se dar tak piya ke
baabul ke ghar se dar tak piya ke
pahunchi hai gori bachpan bita ke
le kar umangen hazaar
le kar umangen hazaar
bahaar kaho
bahaar kaho
dola utaaren kahaar
kahaar kaho
dola utaaren kahaar
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Mr X”(1957) was produced by G P Sippy and directed by Nanabhai Bhatt for Sippy Films Limited, Bombay. This “crime” movie had Ashok Kumar, Nalini Jaiwant, Johny Walker, Pran, Nishi, Hari Shivdasani, Rajan Kapoor, Leela Mishra, Ameerbai, Sheila Vaz, Helen etc in it.
The movie had seven songs in it. Four of these songs have been covered in the past.
Here is the fifth song from “Mr X”(1957) to appear in the blog. This song is sung by Asha Bhonsle. Tanveer Naqvi is the lyricist. Music is composed by N Datta.
Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Beech bhare baazaar karenge tumse aankhen chaar (Mr X)(1957) Singer-Asha Bhonsle, Lyrics-Tanveer Naqvi, MD-N Datta
Lyrics
beech bhare baazaar
beech bhare baazaar
karenge
tumse aankhen chaar
hamaara duniya kya kar legi
hamaara duniya kya kar legi
apni bala se
jalte hain to
jale zamaane waale ae ae
apni bala se
jalte hain to
jale zamaane waale
apna rasta dekhen
humko raah dikhaane waale
humko raah dikhaane waale
jaayenge us paar
jaayenge us paar
gira ke rasmon ki deewaar
hamaara duniya kya kar legi
hamaara duniya kya kar legi
beech bhare baazaar
karenge tumse aankhen chaar
hamaara duniya kya kar legi
hamaara duniya kya kar legi
dil hai apna
nazren apni
phir kaisi majboori ee ee
dil hai apna
nazren apni
phir kaisi majboori
nahin darenge
karenge apni har ik khwaahish poori
karenge har ik khwaahish poori
sacha ho gar pyaar
sacha ho gar pyaar
to hoga apna beda paar
hamaara duniya kya kar legi
hamaara duniya kya kar legi
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“China Town”(1962) was produced and directed by Shakti Samant for Shakti films, Bombay. The movie had Shammi Kapoor, Shakila, Helen, Madan Puri, S N Bannerji, Mridula, Jeewankala, Gautam Mukherji, Kanu Roy, Shetty, Samson, Keshav, Khursheed, Tuntun, Rasheed Khan, Polson, F C Chang, Khatana, Fazal, Abdul, Lydia, Deendayal, Balaram, Ranjeet Sood, Shamsher Singh, Master aziz, Master Aslam, Aruna, Ram Reddy, Bina, Mauji Singh, B Bannerji, Bhattacharya, Minu, Mohan, Omi etc in it.
The movie had eight songs in it. Five of these songs have been covered in the blog.
Here is the suth song from “China Town”(1962) to appear in the blog. This song is a duet sung by Asha Bhonsle and Rafi. Majrooh Sultanpuri is the lyricist. Music is composed by Ravi.
The song is picturised as a car song on Shakila and Shammi Kapoor. Seeing that it is a Rafi song picturised on Shammi Kapoor, this song is a rather unknown song. Personally I had not heard this song before.
Song-Ye rang na chhotega ulfat ki nishaani hai (Chinatown)(1962) Singers-Asha Bhonsle, Rafi, Lyrics-Majrooh Sultanpuri, MD-Ravi
Both
Lyrics
ye rang na chhootega
ulfat ki nishaani hai
ye rang na chootega
ulfat ki nishaani hai
kuchh tera fasaana hai
kuchh meri kahaani hai
ye rang na chhootega
ulfat ki nishaani hai
ye rang na chhootega
lehra ke uthha mausam
rut ban ke karaar aayi
lehra ke utha mausam
rut ban ke karaar aayi
aayi to magar kitna
tarsa ke bahaar aayi
tarsa ke bahaar aayi
par kitni suhaani hai
ye rang na chhootega
aanken hain tumhaari
ya chhalka hua paimaana
aanken hain tumhaari
ya chhalka hua paimaana
apna to muhabbat mein dil ho gaya deewaana
ya hum hi deewaane hai
ya rut hi deewaani hai
ye rang na chhootega
dekho na bhula dena
in pyaar ki waadon ko
dekho na bhula dena
in pyaar ki waadon ko
tum bhi na badal dena
chaahat ke iraadon ko
jab preet lagi tumse
kuchh maine bhi thhaani hai
ye rang na chhootega
ulfat ki nishaani hai
kuchh tera fasaana hai
kuchh meri kahaani hai
ye rang na chhootega
ulfat ki nishaani hai
ye rang na chhootega
Na ro taqdeer ko ae dil
Posted on: September 10, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Kashmir” (1951) was produced and directed was Rajendranath Jolly for Rajdeep Pictures, Bombay. The movie had Veena, Al Nasir, Kuldeep Kaur, Achala Sachdev, Arun Ahuja, Tiwari etc in it.
The movie had nine songs that were sung by ten singers !
Two songs from the movie have been covered in the past.
Here is the third song from “Kashmir” (1951) to appear in the blog. This song is sung by Asha Bhonsle. Sarshar Sailaani is the lyricist. music is composed by Hansraj Bahl.
Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Na ro taqdeer ko ae dil (Kashmir)(1951) Singer-Asha Bhonsle, Lyrics-Sarshar Sailaani, MD-Hansraj Bahl
Lyrics
na ro taqdeer ko ae dil
na kar shiqwa zamaane se
na kar shiqwa zamaane se
ke gham ki aag bhadkegi
tere aansoo bahaane se
tere aansoo bahaane se
idhar paida hui ummeed
udhar zaalim kazaa aayi
karam apna dikhaane ko
mere ghar har bala aai
muhabbat ho gayi bigdi
ho mere aashiyaane se
na ro taqdeer ko ae dil
na kar shiqwa zamaane se
koi maane na maane
maanta hai isko dil mera
museebat ki ghataaon ne
hai mere chaand ko ghera
milega kya tujhe ae aasmaan
mujhko sataane se
na ro taqdeer ko ae dil
na kar shiqwa zamaane se
muhabbat tujhko deti hai
wafa ke waaste aaja
yahi hai waqt aane ka
khuda ke waaste aaja
hazaaro aafaten aati hain
ik tere na aane se
na ro taqdeer ko ae dil
na kar shiqwa zamaane se
na kar shiqwa zamaane se
ke gham ki aag bhadkegi
tere aansoo bahaane se
tere aansoo bahaane se
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Shaahi Chor”(1955) was produced by Ramniklal N Shah and directed by Naseem Siqqiqui for Shah Pictures, Bombay. This costume movie had Shakeel, Daljeet, Hiralal, Jayant, Noor, Yashodhara Katju, Chaand Burque, Sadiq, Prakash, Shiela, malika, Mumtaz, Nadir, Qamar, Devraj, Aziz Siddiqui, Nazeer Kashmiri, Ansari, Wazir Mohammad Khan etc in it.
This forgotten movie had eight rare songs in it. Two songs from the movie have been covered in the past.
Here is the third song from “Shaahi Chor”(1955) to appear in the blog. This song is sung by Rafi, Asha Bhonsle and chorus. Shewan Rizvi is the lyricist. Music is composed by Dhaniram.
Only the audio of this song, which sounds like a qawwaali, is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
Song-Ham to aashiq hain tumhaare naam ke(Shahi Chor)(1955) Singers-Rafi, Asha Bhonsle, Lyrics-Shewan Rizvi, MD-Dhaniram
Male chorus
Female chorus
Lyrics
aa aa aa
aa aa aa aa
aa aa aa aa
aaye hain mehfil mein dil ko thhaam ke
ham nahin shaida kisi gulfaam ke ae ae
ham to aashiq hain tumhaare naam ke
ham to aashiq hain tumhaare naam ke
aji ham to aashiq hain tumhaare naam ke
haan aan
kya kare koi tumhaara aitbaar
har kadam pe tumko ho jaata hai pyaar
har kadam pe tumko ho jaata hai pyaar
peechhe pad jaate ho har gulfaam ke ae ae
peechhe pad jaate ho har gulfaam ke
aur kehte ho
ham to aashiq hain tumhaare naam ke
ham to aashiq hain tumhaare naam ke
arre waah
ham to aashiq hain tumhaare naam ke
aa aa aa
haaye kya badla aa aa
wafaaon ka mila aa
aaye thhe karne muhabbat ka gila haaye
aaye thhe karne muhabbat ka gila
kar diye tukde dil e naakaam ke ae ae
kar diye tukde dil e naakaam ke
haaye
ham to aashiq hain tumhaare naam ke
ham to aashiq hain tumhaare naam ke
arre waah waah
ham to aashiq hain tumhaare naam ke
aa aa aa
tum to kehte thhe
ke ham jab aayenge
aasmaan se chaand taare laayenge
aasmaan se chaand taare laayenge
aaye ho haathhon se dil ko thhaam ke ae ae
aaye ho haathhon se dil ko thhaam ke
aur kehte ho
ham to aashiq hain tumhaare naam ke
ham to aashiq hain tumhaare naam ke
aji haan
ham to aashiq hain tumhaare naam ke
Raat Shabnami Bheegi Chaandni
Posted on: September 8, 2017
- In: "chaand" song | Asha Bhonsle NFS | Asha Bhonsle NFS | Asha Bhonsle solo | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Guest posts | Indie Pop | Love song | Lyrics contributed by readers | NFS | Post by Peevesie's mom | Romantic song | Songs of 1990s (1991 to 2000) | Songs of 1997 | Yearwise breakup of songs
- 4 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all in Atuldom
If it is a post by me then it has to be someone’s’ birthday.
It is 8thSeptember. Our beloved Asha Bhonsle’s 84thbirthday. So let me wish her a very Happy Birthday with this very lively number from her Non- Film album ‘Janam Samjha Karo’ (1997). I just thought that it will be a lovely departure from routine to showcase the versatility of the forever young-at-heart Asha.
I am not going to get into her life history in this post, I will just say I am super excited that I am going to be seeing her in person, live in the show which goes by the name Rendezvous with Asha Bhonsle, which I assume will be as exhilarating an experience as the Rendezvous with Hema Malini has been last year. The minute I got the invite for this I had posted it on our WhatsApp group to find out if any Atulite will be interested and we could have gone as a gang. Our dear Rajaji said that much as he would like to be therehe cannot make it. But I am glad that I will have Gajendraji and his wife as company. By the time we had decided on the number of tickets to be purchased the stock of tickets with the organisers were exhausted but Gajendraji was an angel to book the tickets.
So, coming back to the song which I had in mind for the occasion is from a music album ‘Janam Samjha Karo’ (the only non-film cassette in my collection) which came out when the non-film music industry was booming with albums of people like Hariharan with Leslie Lewis as ‘Colonial Cousins’, Alisha Chinai, Suneeta Rao etc. This was the period when MTV and Channel V exploded on television in the name of satellite television. Songs of this genre were called Indie pop. The album had eight songs all written by Majrooh Sultanpuri and Leslie Lewis was the music director. Asha Bhonsle was in her sixties and Majrooh in late seventies but the songs were everything that a young at heart could ask for. It had love songs in all the moods that accompany the emotion- roothna-manana; ikraar- inkaar aur takraar; etc.
For people who are not introduced to Leslie Lewis he is the son of prolific film choreographer Devaraj Peter Lewis – going by the name PL Raj in Bollywood. Leslie used to play guitar at the Café Royal, Oberoi Towers Mumbai and recorded with Kalyanji Anandji, Laximkant Pyarelal, RD Burman and Louis Banks. Starting with 1987, he composed advertising jingles and was nominated for awards from the Indian Academy of Advertising Film Art (IAAFA). In 1989 received an award for his work. He went on to make some famous jingles such as “Doodh-Doodh-Doodh (Piyo full glass)”, “Mango Fruity fresh and juicy”, “Thums Up taste the thunder”, “Santoor Santoor”, etc.
Video (2 Stanzas)
Audio (3 stanzas)
Song – Raat Shabnami Bheegi Chaandni (Asha Bhosle – NFS) (1997) Singer – Asha Bhosle, Lyrics – Majrooh Sultanpuri, MD – Leslie Lewis
Lyrics
raat shabnami
bheegi chandani
teesra koi
door tak nahin
is ke aage hum
aur kya kahen
jaanam samjha karo
raat shabnami
bheegi chandani
teesra koi
door tak nahin
is ke aage hum
aur kya kahen
jaanam samjha karo
ho is ke aage hum
aur kya kahen
jaanam samjha karo
sanam tumko jis din se dekha hum ne
deewaana dil kaboo mein nahin
bada pyaara ye bhi itefaaq dekho
tum hi mil jaate ho har kahin
tum hi mil jaate ho har kahin pyaare
aage khud hi jaan lo
aur kya kahen
jaanam samjha karo
raat shabnami
bheegi chandani
teesra koi
door tak nahi
is ke aage hum
aur kya kahen
jaanam samjha karo
ho is ke aage hum
aur kya kahen
jaanam samjha karo
agar tum bhi wo chaaho jo main chaahun
to gul khil jaaye iqraar ka
dilon ko milne de kuchh na bolen hum
mazaa aaye phir to pyaar ka
mazaa aaye phir to pyaar ka jaani
aage khud hi jaan lo
aur kya kahen
jaanam samjha karo
raat shabnami
bheegi chandani
teesra koi
door tak nahi
is ke aage hum
aur kya kahen
jaanam samjha karo
ho is ke aage hum
aur kya kahen
jaanam samjha karo
thehro padi hai raat yeh saari
kaahe ki jaldi jaane mann
daale hue yeh reshmi bahen
yun hi lipte raho tum gulbadan
taqdeer se yeh mil gaya mauqa
aage khud hi jaan lo
aur kya kahen
janam samjha karo
raat shabnami
bheegi chandani
teesra koi
door tak nahi
is ke aage hum
aur kya kahen
janam samjha karo
raat shabnami
bheegi chandani
teesra koi
door tak nahi
is ke aage hum
aur kya kahen
janam samjha karo
ho is ke aage hum
aur kya kahen
janam samjha karo
ho is ke aage hum
aur kya kahen
janam samjha karo
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
रात शबनमी
भीगी चाँदनी
तीसरा कोई
दूर तक नहीं
इस के आगे हम
और क्या कहें
जानम समझा करो
रात शबनमी
भीगी चाँदनी
तीसरा कोई
दूर तक नहीं
इस के आगे हम
और क्या कहें
जानम समझा करो
हो इस के आगे हम
और क्या कहें
जानम समझा करो
सनम तुमको जिस दिन से देखा हमने
दीवाना दिल काबू में नहीं
बड़ा प्यारा ये भी इत्तेफाक़ देखो
तुम ही मिल जाते हो हर कहीं
तुम ही मिल जाते हो हर कहीं प्यारे
आगे खुद ही जान लो
और क्या कहें
जानम समझा करो
रात शबनमी
भीगी चाँदनी
तीसरा कोई
दूर तक नहीं
इस के आगे हम
और क्या कहें
जानम समझा करो
हो इस के आगे हम
और क्या कहें
जानम समझा करो
अगर तुम भी वो चाहो जो मैं चाहूँ
तो गुल खिल जाये इक़रार का
दिलों को मिलने दें कुछ ना बोलें हम
मज़ा आए फिर तो प्यार का
मज़ा आए फिर तो प्यार का जानी
आगे खुद ही जान लो
और क्या कहें
जानम समझा करो
रात शबनमी
भीगी चाँदनी
तीसरा कोई
दूर तक नहीं
इस के आगे हम
और क्या कहें
जानम समझा करो
हो इस के आगे हम
और क्या कहें
जानम समझा करो
ठहरो पड़ी है ये रात सारी
काहे की जल्दी जाने मन
डाले हुये ये रेशमी बाहें
यूं ही लिपटे रहो तुम गुलबदन
तक़दीर से ये मिल गया मौका
आगे खुद ही जान लो
और क्या कहें
जानम समझा करो
रात शबनमी
भीगी चाँदनी
तीसरा कोई
दूर तक नहीं
इस के आगे हम
और क्या कहें
जानम समझा करो
रात शबनमी
भीगी चाँदनी
तीसरा कोई
दूर तक नहीं
इस के आगे हम
और क्या कहें
जानम समझा करो
हो इस के आगे हम
और क्या कहें
जानम समझा करो
हो इस के आगे हम
और क्या कहें
जानम समझा करो
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Bade Ghar Ki Bahu” (1960) was produced by J S Puri and directed by Kundan Kumar for Life and art, Bombay . The movie had Geeta Bali, Abhi Bhattacharya, Kuldip Kaur, Nagpal, Shammi, Niranjan Sharma, Neeru, Bhagwan Sinha, Chanda Bai, Sheela Vaz etc in it.
The movie, also known as “Bhabhi”, had seven songs in it.
One song from the movie has been covered in the past.
Here is the second song from “Bade Ghar Ki Bahu” (1960) to appear in the blog. This song is sung by Asha Bhonsle. Tanvir Naqvi is the lyricist. Music is composed by Chitragupta.
Only audio of this song is available, but it is certain that this song was picturised on Geeta Bali seeing that Asha Bhonsle was the only female playback singer of this movie and she had sung five songs which could only be for the leading lady of the movie, viz. Geeta Bali in this case.
It is a nice melancholic song to listen to.
Song-Meri khata bata de phir chaahe jo saza de (Bade Ghar ki Bahu)(1960) Singer-Asha Bhonsle, Lyrics-Tanvir Naqvi, MD-Chitragupta
Lyrics
hawa mein tinka tinka hoke bikhra aashiyaan mera
mere hi saamne barbaad hota hai jahaan mera
meri khata bata de
phir chaahe jo saza de ae
phir chaahe jo saza de
meri khata bata de
phir chaahe jo saza de ae
phir chaahe jo saza de
mujh ko na de sahaara aa
tujh ko teri kasam hai
tujh ko teri kasam hai
mujh ko na de sahaara aa
tujh ko teri kasam hai
tujh ko teri kasam hai
jis dil mein tera gham hai
us dil ko aasra de ae
phir chaahe jo saza de
meri khata bata de
phir chaahe jo saza de ae
phir chaahe jo saza de
maine to apni duniyaa aa
kar di tere hawaale
kar di tere hawaale
maine to apni duniyaa
kar di tere hawaale
kar di tere hawchala hai pyaar ka aale
barbaad karne waale
duniyan meri basa de ae
phir chaahe jo saza de
meri khata bata de
phir chaahe jo saza de ae
phir chaahe jo saza de
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