Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘“Friendship” song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is the 17,900th song on our blog.

Blog Day :

5477 Post No. : 17900

Pray, what may be the most dear thing in this life?

Something that will never grow old, or stale. Something that will never be lost in life. Something that will only grow fonder with the passage of time. What is that thing?

Memories of Happiness. The most wonderful possession a person can have. The most valuable treasure that will last a lifetime. A treasure that will never diminish. It will only grow with the passage of time. For all the happy moments we experience and we relish, as the moments pass, they become memories. To stay in our treasure chest of memory cells, forever. To be visited and revisited over passing years, the thoughts of the happy times that are in the past now, bring back smile to the lips, a twinkle in the eyes, a fond quickening of the heart beats, as these happy memories flash on our mind’s screen, as and when.

These Memories of Happiness get created when one passes through unforgettable moments of happiness. Especially moments those are enjoyed with people who are near and dear to the heart – dearly loved ones, family and friends. And this basket of Happiness Memories keeps on filling up more and more.

Sometimes rare events happen in life that bring more happiness to the mind. About six weeks ago, I was part of a gathering of very dear friends. It was a rare and opportune get together. And I came away from this meeting with my arms and mind loaded with more Memories of Happiness that I felt I could accommodate in my memory banks. But these memory banks are unconditionally expandable. They create more space to store, the more we bring in to store.

The moments were rare, the gathering was joyful and the memories of that day are divine – well, almost. The occasion was the get together of the Bandwagoneers of the ASAD blog. Many travelled long distances to be present, to participate and to share. All of us keep in touch on a fairly regular, almost daily basis otherwise. But actual face meetings, where one can see and touch and hear the sound live – such occasions have been very rare. For one reason that the entire team is so spread out across the nation that it is not easily feasible to make such meetings happen.

But make it happen this time, we did. It seems that with the passage of time, our options and opportunities to travel are actually becoming more and more limited. I remember Atul ji used to visit Delhi, if not frequently, but often, for his work at the Railways Ministry in Delhi. Likewise, Mahesh ji has earlier traveled to Delhi on work a couple of times. I remember pre-pandemic days when Bakhshish ji and I would be visiting Bombay at least twice a year or so. Some things changed with the pandemic. The necessity to telecommute brought in rapid advancement in networking, and the connectivity requirements brought in many a software that support virtual meetings and conferencing across geographies. The communication patterns changed and transitioned so much that the need for humans to travel out physically has been reduced. And this physical transformation also fuelled a mental transformation, wherein starting from professional work and permeating into personal lives also, people have started preferring remote conferencing.

Ah but, where the matters of heart are involved, where the friends and family need to converse, there is still this urge to be able to meet in person and have a face to face interaction.

And so it finally took shape and happened. For Bakhshish ji and myself, coming to Bombay is such a fulfilling and a rejuvenating experience. There is a large friend circle, and there is an interaction need that it seems only natural that we would like to visit there. Circumstances prohibited us from travelling for many years, but then the urge for meeting friends in person just grew over the past few months. Once we could firm up travel plans, after that the flow of events simply took shape and took over. It is just like one says – you resolve to get something done, and just that resolve makes so many things happen to facilitate desired endeavors and activities.

After a flurry of back and forth messages, going up and down, both on the networks and in terms of actual planning, we finally zeroed in on the schedule and venue. Information was shared with all concerned members of the bandwagon, and it was then just a go.

Friday, the 2nd of June, the meeting time set at 11 am, and we were to converge at dear Arun ji’s place at Four Bungalows. Team members consented to join, and expectations were set up with eagerness. And the icing on the cake was the surprise arrival of some, that added so much more joy.

Bakhshsish ji and I were staying with Subhash Bhai at Matunga. Time to reach Arun ji’s place was 11 am. Subhash Bhai agreed to join us, and so we three travelled to Andheri and on to Versova. It was a kind of unstated decision that since Bakhshish Singh ji was accompanying us, our target to reach Arun ji’s place should be 12 noon. 😀  And so we arrived precisely at 12 noon, give or take a few minutes (as is chalta hai 😉 ).

As we rang the bell, with the expectation to see a round bespectacled face with a big smile, the opening turned into a huge pleasant surprise. We did see a bespectacled face welcoming us with a beaming smile, albeit this face belonged to Nalini ji. And that was the big happy surprise because in earlier communications, she had expressed inability to join and had declined the invite. And this big happy surprise set the ball rolling for the many hours of togetherness that followed.

Entering the apartment, we found practically all expected attendees to be present. There was a lot of cheer and handshakes and hugs and back thumping all around. It is always such a pleasure to meet Arun ji, for a there is a special feeling in my heart for him. When I meet him, I am always so comforted to see his smiling face and smiling eyes above the thick bushy moustache that I immediately have to hug him. So after the joyful Nalini ji surprise to start with, I had the hug time with Arun ji, and then we proceed into the apartment.

Folks that were already present – Sadnand ji, Nitin ji, Avinash ji. And Satish ji. It is always such a pleasure to meet Sadanand ji with a big smile on his face, always ready with a crack to make you laugh. Nitin ji is a dear person to meet as always. And then the first time face meeting with Avinash ji. Avinash ji was supposed to have joined one of our earliest gangouts in Bombay, but inclement weather kept him confined that time, and he could not travel. But make it he did, this time. In fact he had arrived the previous evening and had stayed with Arun ji.

I mentioned these three bandwagoneers together, for the reason that all three have faces that are almost spherical with partial balding already taking roots on the pate. And then I come to Satish ji. Dear dear Satish ji, a person that I have been so eagerly looking forward to meet. In fact, I was also very much wanting to and almost half expecting to see Pradeep Shetty ji also. Ah but yes, he did make a virtual appearance later in the proceedings. I will come to that.

There is a special bonding I feel with these two gentlemen, whom I have not met in person before. But both are very special for me, in that there is a daily very special greetings exchange with these two very early in the mornings. The timing and connect is so synchronized and so definite like the sunrise itself, that at some earlier time, I mistakenly addressed them by the other person’s name. well, it has not happened now of late. And so, yes, meeting with Satish ji was such a special thing for me that day.

The quorum is always complete with the arrival of Bakhshish Singh ji (for obvious reasons) no matter how many are present or will join. And so we settled down and the conversations flowed. We were gathered that day with an absence of any agenda – a conscious decision that Arun ji had discussed earlier. And so we were there, and waiting now for the other expected joinees.

We were waiting for three very special people to come. The most important – Atul ji, our fearless leader. He had informed earlier that his flight was being rescheduled by the airline and he was expected almost an hour or so later than his earlier communicated schedule. So he was the next to arrive, reaching directly from the airport.

Another person who has a very special place in my heart. All for the manner in which he manages all the activities of the blog. Seems to completely indefatigable and tireless, with such an unfaltering focus on the continued success of the blog. And the self evident performance is there for all to see. In an age and time of continuing transformations of activities and fortunes of online endeavors, ASAD stands out as a bright beacon that I daresay, is an envy of many other bloggers. We shall soon be celebrating the 15th anniversary of sustained activity, which could well be a celebrated record in comparison to similar online efforts. And we continue to merrily chug along and keep conquering newer and higher milestones. All the due credit goes to Atul ji and his tireless stewardship of this musical bandwagon. It is an honor to be associated with him and this blog.

Personally, I had a agenda of my own, to address two items related to the blog. But for that I needed to have a go ahead from Atul ji. So as soon as he came in, and after the meetings and greetings, I requested a separate five minutes from him, and we conversed in the adjoining room. I explained to him what was on my mind, and he readily agreed. I said want to talk about this with the group, with his permission, and he said yes once again. I will mention these items little later in this write up.

Now we were waiting for Peevesie and Peevesie’s Hubby. In real life, it is Vaidehi and Ishan. Vaidehi had been in communication with her mom since morning. They were both attending some important work related discussions, and had promised to join after that. Only that their timing kept on getting delayed. Then Arun ji suggested that we should take lunch, and they can join as soon as they arrive. As usual, I was requested to begin and to continue holding the fort (I mean the plate) till their arrival and so give them company too. A matter after my own heart so I readily accepted the honor.

So the lunch was served. Arun ji mentioned the great help that had been provided by Nalini ji, in sorting out the menu, and Avinash ji, in helping to manage the logistics. Due to other family commitments that were in conflict that day, the Event Management Company of Arun ji’s daughters, was not able to participate. But nonetheless, the lunch arrangement was well planned, well laid out and a roaring success. I can definitely say that from my perspective. 😀  The innovative idea of Nalini ji to suggest and make arrangement for Aam Ras, was a definite high point of the lunch.

And so the lunch proceedings happened. I held on to my plate and after some wait, the expected film couple arrived. The first order of the agenda after their arrival and intros and greetings, was to briefly celebrate Arun ji’s upcoming birthday, which was then just a week or so ahead. Vaidehi had brought a little gift and flowers, and we all sang the Happy Birthday song for the birthday boy.

Lunch proceedings continued with yours truly holding the fort and giving company to the newest addition to the gathering.

Once we settled down after lunch, and with permission from Atul ji, I asked for attention of the gathering for my agenda items. The first item was presenting two hard disks to the group, one to Atul ji, and one to Arun ji to keep as a sharing item with folks in Bombay. I explained to the gathering about the contents of these disks. Our blog had recently complete 17,800 posts. The hard disks contained ALL the 18,000 plus songs that have been posted on our blog since initiation. The songs are arranged in three ways – serially by post number, by film name, and by year and film name, for ease of access. This collection is important since the on the blog, all the songs may not be always available, as the online links keep on changing over time.

Then I proceeded to talk about my second agenda item. This was concerned with some feedback about the blog that I had received and I wanted to share with all group members. So I told the gathered members, the background and the details.

Earlier in the year, in the month of February, an exhibition had been arranged in Delhi by a friend, Ravikant ji. Ravikant ji is an Associate Professor at CSDS (Center for Study of Developing Societies) in Delhi. His main area of research interest is art and culture, which includes films and music. In Delhi, we are actively associated in working together in this area. He had organized an exhibition in February (21-28) titled ‘Intermediations’. The focus of this exhibition was the interplay of the film medium with the print medium and the broadcast medium. The tag line for this exhibition was ‘Panna, Parda, Baaja’, referring to print media, cinema and radio. The main theme of this exhibition was archiving. Every day in the afternoon/evening we had talks and panel discussions. I too was invited to be on the panel on one of the days. And I had talked about the archiving of Hindi film music from the perspective of our blog. I had described how our blog was set up, how it is sustained, and what are our singular achievements. I specifically mentioned how Atul ji set up this activity, and the manner in which it is being sustained. I also told the audience about Arun ji, about his notebooks, and his continued effort to research and gather information related to people and films. All this in recognition the archiving objective of this major entertainment media in our country.

Ravikant ji had insisted that I should attend all sessions. One significant outcome of this interaction was that I met with a lot of people for the first time. People who are managing other blogs and archives, people who are writers and research workers in related fields, people who are anchors and presenters on AIR and other music shows etc. It was very exhilarating experience to be able to meet so many likeminded people all at once.

And the fun part of my introductions with these people – no one knew me of course, by name. But when I mentioned that I am associated with AtulSongADay blog, my goodness, their reactions were unbelievable. Most people knew of our blog. Most people continuously use our blog as a reference archive. Most people are in awe about the manner in which this blog is scaling newer and newer heights. Everyone greatly praised our effort, especially our team work once I mentioned that this is a group working together. People were not familiar with specific names, but some people did mention both Atul ji and Arun ji by name.

So this was a very uplifting and satisfying experience for me. But then, there was also some feedback that some friends mentioned. Number one – that it appeared that we were posting more to capture some number milestone, at the cost of content of the posts. And number two – that of late, the readers find very little discussion about the songs themselves. I expressed this feedback and the sentiment to the present group members and there was a brief discussion on this topic.

I think these are important inputs for all of us. It seems that the people who are visiting the blog are looking for more content, that simply getting the demographic info about the song and the film. I found it important enough to bring this feedback with me to this gathering of our group. I had first mentioned this to Atul ji in my brief one-on-one conversation with him, and then with his approval I shared with the rest of the team.

All this while, as the birthday song was being sung, as the hard disk was being presented, as the conversations were in progress, a lot of photographs were taken of the day’s proceedings. Especially Ishan, who is an expert with camera, captured a lot of images. As did many of us with our phone cameras.

As the afternoon moved on, Vaidehi and Ishan excused themselves and took leave, as they had more meetings to attend related to their work. It is such a pleasure always to meet the youngest member of the group. And this time, it was in accompaniment with interest earned – the latest addition in form of Ishan. A thorough gentleman and a very friendly person – it was a real pleasure to be introduced to him. Goodbyes were made with Vaidehi promising to return to the return to blog with more of her pen(wo)manship.

Shortly thereafter Satish ji announced that it was time for his flight and that his cab was arriving in a few minutes. There were more handshakes and hugs as he stood up to depart. A quiet person, with such a pleasant smile and an affable presence, it seems so comforting to be in his company. I hope that we plan to meet again very soon.

Then Atul ji announced that his flight time was at hand, and that his daughter had booked a cab for him to go to the airport. So with due goodbyes and handshakes etc. Atul ji departed for the airport. A wonderful day of meeting great friends was now coming to a close. The remaining group members, we talked for some more time. As these conversations were going on, a video phone call came. It was Mahesh ji calling in to connect into the group, and with him, Pradeep Shetty ji also was there. I have mentioned earlier about wanting to meet Pradeep ji. And so this call was a heaven sent answer to my thoughts. The network was creating difficulty but still we were able to exchange greetings and have a live conversation – one step further from exchanging morning greetings.

Evening was closing in, and we decided to call it a day. There still is so much to talk about and share. Music has this effect on people, and that is the glue that keeps this group together. And the heart expressed the desire that these meetings should happen more often. There already has been a big gap due to other circumstances.

It was a wonderful day of meeting so many good friends all under one roof. As we were doing the good byes for the day, my mind working over the day’s happy proceedings, coined the a new realization. That we were departing from Arun ji’s home with a wonderful ton of Memories – of Happiness. Gosh, what a memorable day it had been, spent in the company of so many dear friends one continuously communicates with on a daily basis, and today it was as if an assembly designed and crafted in heavens.

And these memories are now forever tucked into our mind’s storage, to be revisited as and when the mind felt it to be. A day that will never be forgotten. Rather to put it straight – a day that is forever now one of my most wonderful Memories of Happiness.

The song I present today is from the 1966 film ‘Biwi Aur Makaan’. The lyrics are by Gulzar and music is from the mind of Hemant Kumar. The singing voices are those of Manna Dey, Hemant Kumar, Balbir and Ghulam Mohammed. On screen, the song is picturized on a group of ‘जिगरी दोस्त’ whose motto is ‘all for one, and one for all’. The group consists of Mehmood, Biswajit, Keshto Mukherjee, Ashish Kumar and Ajit Chatterji. The story line deals with the problem of young unmarried men trying to get rental accommodation in a world where the landlords prfer to rent out premises to married couples only. The outcome of the scheming brain of Pande (Mehmood) is a hilarious set of events that involves an artificial gender change for two of the men.

The film is produced under the banner of Geetanjali Films Bombay and is directed by Hrishikesh Mukherjee. This song tells of the wonderful value of friendship – that there are no obligations between true friends. A ha, a topic that I want to write about more in detail, but I think I should stop and not test the patience of readers any more.

A wonderful ode to friendship – the kind of friendship and camaraderie that is existing among the member of our musical bandwagon.

This song, and this write up – dedicated to our entire group – with everlasting Memories of Happiness.

Amen

 

Video (Somewhat shorter in beginning)

Audio

Song – Jab Dosti Hoti Hai To Dosti Hoti Hai  (Biwi Aur Makaan) (1966) Singer – Manna Dey, Hemant Kumar, Balbir, Ghulam Mohammed, Lyrics – Gulzar, MD – Hemant Kumar

Lyrics
(Based on Audio)

yaar kisan ye to hadd ho gayi
yaaron ki to gat ho gayi
sirf ehsaan hi baaki reh gaye
dosti yaari radd ho gayi
pyaar mein duniyadarri kaisi
muft ki cheez nagad ho gayi
chhee chhee yaar ki ye pehchaan
dosti mein kaisa ehsaan
jab dosti hoti hai to . . . .(deep breath)

ehsaa..aan nahin hota
jab dosti hoti hai
to dosti hoti hai
aur doston mein koi
ehsaan nahin hota
jab dosti hoti hai
jab dosti hoti hai
to dosti hoti hai
aur doston mein koi
ehsaan nahin hota
jab dosti hoti hai

arey jal bin tadpat machhli jaise
nal bin tadpat paani
jal bin tadpat machhli jaise
nal bin tadpat paani
kya.. kya
kya.. kya.. kya.. kya
kya.. kya
jal bin tarpat machhli jaise
nal bin tarpat paani
ho o
jal bin tarpat machhli jaise
nal bin tarpat paani
aur haath paani bina chalte. . .
ashnaa..aan nahin hota
jab dosti hoti hai
to dosti hoti hai
aur doston mein koi
ehsaan nahin hota
jab dosti hoti hai

ye paanchon ki panchaayat
jo soche sahi hoga
hum pandav hain bharat ke
jo keh den wahi hoga
ye paanchon ki panchaayat
jo soche sahi hoga
hum pandav hain bharat ke
jo keh den wahi hoga
oy jam ke ek jamaa doo..oo..oon
doodh ka dahi hoga
to doodh ka dahi hoga
mera kya prabhu kehat hai peeda
jeevan kaaj karam kashteera
bhai mera kya prabhu kehat hai peeda
jeevan kaaj karam kashteera
aur haath kasht bina ye jeevan. . .
asaa..aa..aan nahin hota
jab dosti hoti hai
to dosti hoti hai
aur doston mein koi
ehsaan nahin hota
jab dosti hoti hai

ungli se ungli ka jab tak jod salaamat
saath salaamat
chhoti aur badi hai to kya
paanchon hain to haath salaamat
ek ek ke hain paanch muqaddar
taqleef hotey ghabraana mat
saaje jod jawaani bachpan
paanch se paanch miley to pachpan
paanchon saath hain to. . . (deep breath)
nuksaa..aa..aan nahin hota
jab dosti hoti hai
to dosti hoti hai
aur doston mein koi
ehsaan nahin hota
jab dosti hoti hai
jab dosti hoti hai
to dosti hoti hai
aur doston mein koi
ehsaan nahin hota
jab dosti hoti hai


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5437 Post No. : 17825

Today’s song is from the film ‘Teen Bhai’ (1955).

In every person’s life there are happy and memorable events which he enjoys remembering till his last day. Like others, I too have few such memorable events in my life. Few events are – like the day when I saw my name in newspapers when I came into the XII std. Merit List, the day I married the girl of my choice and the day I rose from the post of a Medical Representative to take over as a Director on the Board of a couple of Pharma Companies, etc.

June the 2nd, 2023 was the latest happy and memorable day, which brought me such joy, which even 10 Dictionaries also can not express in words ! This was the day I had been waiting for since 11 years. On this day I met ATUL BESRA ji for the first time. If you ask me why this was a special event, I have many reasons. I have seen very few people who believe in actions rather than words. I have yet to see a person who has the capacity to manage a devoted band of music lovers, remotely, in such a way that they become not only dedicated but loyal to his Blog. His skill of handling difficult situations is unparalleled. These and many such qualities make him a Long Distance Effective Leader and a very dear person ! Above all, he is the one who encouraged me to start writing posts on his Blog. Today, in the field of Old Hindi Films and Music, whatever position I have , Atul ji has a major role in it. Thank you Atul ji for meeting me !

The occasion of meeting Atul ji was an ATULITES’ MEET in Mumbai. When Sudhir ji initially sent me a mail about the proposed get-together in Mumbai, I was disappointed. The reason was I was to be out of Mumbai during that period. On learning about my problem, Sudhir ji – like a thorough gentleman that he is – changed the date to suit my availability. So it was 2-6-2023 finally. The problem was I returned to Mumbai on the 31st night and I had only one day to make all the arrangements in my house for the meeting and the lunch for about 12 people ! However I had done some spade work on mobile , consulting Sadanand ji and Nalini ji to fix the menu and other matters. In addition, Avinash ji had informed me of his plan to stay with me for 2 days. Adding to this, my both daughters were not available this time to help me, like the earlier big meet a few years ago. (In Sudhir ji’s words, the services of ‘Anju-Manju Event Management Company’ were not available this time !) And so, I had to do everything single handed, this time.

With planning mentally and working physically throughout the day, by evening the arrangements were done for the meeting and the lunch preparations were under control. One of the special items of the lunch was the ‘Malaiwala Dahi‘, which I had set well in time. Changing bedsheets, pillow covers and sofa covers in bedroom and the meeting room as well as selecting and arranging tableware for food was physically very exhausting for a single man of my age. Luckily everything was available at home and was set in place before the clock struck 12 midnight !

Sudhir ji had asked everybody to reach the venue by 11 am. The first to arrive was Sadanand ji, then came Shenoy ji, followed by Nitin ji. Nalini ji came as a surprise (Avinash ji had already leaked this news to me unintentionally). Sudhir ji and Bakshish ji with Subhash Bhat ji were the last to join. Atul ji came as per his time and the group was elated with his arrival. Vaidehi and her husband Ishan came much later.

The mood of the meeting was a joyous one. All friends were happy to be in each other’s company. The atmosphere was so friendly. Like a POTLUCK Party, Nalini ji had brought AAMRAS, Sadanand ji had brought MALAI SANDWICH and Nitin ji had come with KHAMAN DHOKLA – the last two were as planned, but Nalini ji’s item was a surprise The rest of the main food was taken care of by me. We were waiting for Vaidehi and Ishan, but they got stuck in a meeting. Due to a shortage of time at disposal, we decided to start the lunch. I chose to wait for the expected guests. Being the host of the event and as they were coming for the first time to my place, it was my duty.

They arrived at about 3 pm and the last batch had lunch. Then we had photos. Vaidehi works as a Costume Designer in Bollywood and her husband Ishan is a skilled photo expert. By the time we finished lunch, photos and chatting, the first to leave for the airport was Shenoy ji. Soon Vaidehi and Ishan also left.

Then tea was served and Atul ji left for Airport. The rest of us chatted for some more time and then everyone left one by one.

I have attended many meets at Mumbai and Bangalore, but this meeting was truly an enjoyable one. A memorable event indeed. I thank Atul ji and Sudhir ji especially and all others for making this meeting a pleasurable one. Thanks.

I must mention the help by Avinash ji on that night and the next day in the restoration of my house by moving things and generally helping me to rearrange the rooms by clearing materials. The help was also valuable from Sadanand ji and Nalini ji in managing the meeting satisfactorily.

Now coming to today’s film song. Film ‘Teen Bhai’ was directed by a veteran of New Theatres, Calcutta – Hemchandra Chunder. He directed 13 Hindi films, some of them classics of Saigal. He had established a production company along with actress Meera Mishra – HM Films. The MD was Arunkumar Mukherjee and the lyricist was Bharat Vyas. The cast included Nirupa Roy, Shyama, Bharat Bhushan, Pahadi Sanyal, Gulab, Leela Mishra, Menaka, Colin Pal, Nimbalkar, Kammo etc. Colin Pal was the son of writer Niranjan Pal and the grandson of the famous Patriot Bipin Chandra Pal who was one of the famous Lal-Bal-Pal trio, before Partition. Colin Pal played the role of Netaji Subhash Chandra Bose in the film ‘Samadhi’ (1950).

Today’s song was sung by Manna Dey and Lakshmi Shankar. Lakshmi Shankar is not a very well known name, but her life story is very inspiring.

Laxmi Shankar went to the USA, after retiring from Hindi film playback singing. She won several awards, got nominated for Grammy awards, held several shows and taught Indian Classical music to American students. She was held in high esteem in the USA. She died on 30-12-2013 in the USA.

After her death, ‘India West’ published her obituary, which clearly indicated her achievements and respect she earned in USA –

One of the most influential Indian musicians in America, vocalist Lakshmi Shankar, passed away Dec. 30 evening in Southern California, surrounded by her son, daughter-in-law, grandchildren, and close friends. She was 87.

Laxmi Shankar was extraordinarily versatile, excelling in Indian classical dance before health issues halted her dancing career and she committed herself to vocal music. Shankar was proficient in a wide range of Indian vocal music styles including Carnatic, khayal, thumri, dadra, kajri, Rabindra sangeet and bhajans. She sang in 14 languages.

“Bhajans were her specialty,” her son, Kumar Shankar, told India-West by phone. “As far as I’m concerned, nobody could sing a bhajan like her.”

Lakshmi Shankar was born June 16, 1926, in the eastern Indian city of Jamshedpur, and first trained as a child in Bharatnatyam. Later on, she was accepted into the prestigious music institute founded by Uday Shankar in Almora, in what is now Uttarakhand.

While working under Uday Shankar, she mastered the Manipuri, Kathakali and ballet styles, and it was there that she met her future husband, Rajendra Shankar, Uday’s brother. The two were married in 1941, and went on to settle in Mumbai, where Lakshmi’s career grew as an actress and dancer, also branching out into playback singing for regional films. In her career she sang 27 songs in 18 Hindi films, starting from ‘Neecha Nagar’ (1946) to ‘Aarop’ (1974).

In the early 1950s, she was struck with pleurisy, a condition that leads to painful inflammation of the membrane surrounding the lungs. “She could not dance,” explained Kumar. “She had breathing problems, and weight gain.”

But instead of giving up the arts, Lakshmi Shankar decided to put her talent on course in a different direction. In an interview with Traditions Engaged, she explained, “I know the meaning of what I am singing, which is a very big thing in music. When I sing I see the expression and the movement of the words and feel them as a dancer would.”

Lakshmi Shankar had a musical epiphany when she discovered ghazals and other north Indian music forms, and soon started studying with Ustad Abdul Rehman Khan of the Patiala gharana. Her new affection for Hindustani music led her to collaborate with sitar maestro Pandit Ravi Shankar (brother to Uday and Rajendra), for whom she assisted in many projects for ballets, films and festivals. It was a family affair, with her son Kumar handling sound checks for their performances.

Through her work with Ravi Shankar, Lakshmi’s talent was able to reach a global audience. She made numerous recordings with Western artists, including on the soundtrack to Richard Attenborough’s film ‘Gandhi’ (1982). Before that, in 1974 she toured extensively in USA and Europe with George Harrison and Ravi Shankar as the lead singer for George Harrison’s groundbreaking ‘Music Festival from India’.

Among the many honors she received, her 2008 Grammy nomination for ‘Dancing in the Light’ was a milestone. She also received a Durfee Foundation grant to teach Indian music to American students; a Kalpana Chawla Award for ‘Woman of the Year’, a Lifetime Achievement Award from the Bengali Association of New York, and an award for ‘Uplifting the World with Music’ from Sri Chinmoy.

Kumar Shankar explained that a private memorial will be held Jan. 6 in the San Fernando Valley, and a more public memorial will take place at this year’s Ravi Shankar Foundation music festival. A statement from the Shankar family reads: “She had a heavenly voice which would melt any heart. She was a kind and beautiful soul. We will miss her. “

Lakshmi’s children, Kumar and Vijayshri (who passed away in 1995), were blessed to grow up in a household where nonstop music filled every day, explained Kumar. “She would practice for hours and hours each day … we were surrounded by music all the time.”

Knowing that her loss will also be felt by countless music lovers around the world is small comfort for Kumar. “I have mixed feelings,” he told India-West. “I knew it would happen. But it’s overwhelming.”

Hats off to this worthy soul who did monumental work in spreading Indian culture in advanced countries.

The story of the film ‘Teen Bhai’ is. . .

Teen Bhai was a DP Production movie, directed by Hemchander Chunder.
I have seen this movie. It had a ‘beaten track’ story of a wayward young man. Mahesh, Suresh and Naresh are staying together. Suresh (Bharat Bhushan), though married, falls in love with a dancer Champa (Shyama). He spends lot of money on her and even tries to fix younger brother Naresh’s marriage with a barrister’s daughter (to get a bakhshish in form of dowry). Naresh is already in love with their tennant’s daughter Krishna. There is a fight among all brothers, they separate and finally unite after a happy ending culminating in a group photo.

[Editor Note: Regarding the lines in the lyrics of the song –

jis din pratap ke aage shakti ne
apni khadag uthhaai

‘shakti’ refers to Shakti Singh, brother of Maharana Pratap, who turned against him, and sided with the Mughals.]


Song- Iss Raam Bharat ke desh mein jhagde ba bhai bhai (Teen Bhai)(1955) Singers- Manna Dey, Laxmi Shankar, Lyricist- Bharat Vyas, MD- Arun Kumar Mukherjee
Both

Lyrics

bharat mata ke ae ae ae ae
laadlon mein ae
howe na ladaayi ee ee
howe na ladaayi
is raam bharat ke ae desh mein
jhagde na bhai bhai

ho bichhde na bhai bhai

ae ae ae ae ae ae
ho o

tum yaad karo mahabharat ki
wo beeti baat puraani
tum yaad karo
bhai bhai ke jhagdon ki hai jismein likhi kahaani
jab bhari sabha ke beech kheench kar cheer
kari manmaani
aur bheekh maangti rahi Draupadi
liye nain mein paani

tab liye haath mein chakr sudarsan
pragate the Yadurayi
is raam bharat ke ae ae ae
is raam bharat ke ae desh mein
jhagde na bhai bhai
ho bichhde na bhai bhai

is raam bharat ke ae desh mein ae
jhagde na bhai bhai

ae ae ae ae he ae he ae
ho o ho

jis din pratap ke aage shakti ne
apni khadag uthhaai
chittod durg tilmila uthha
mewad bhoomi tharraayi
aapas ki phoot ne
bade bade veeron ki jaden hilaayi
chal padi yahaan se
chal padi yahaan se
rajpooti lekar ke ant vidaai

bhai bhai ke jhagdon ne sone ki lanka dhhaayee
is raam bharat ke ae ae ae
is raam bharat ke desh mein
jhagde na bhai bhai
ho bichhde na bhai bhai
is raam bharat ke ae desh mein
jhagde na bhai bhai
ho bichhde na bhai bhai
ho jhagde na bhai bhai

————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————

भारत माता के॰॰ए॰॰ए
लाडलों में॰॰ए
होवे ना लड़ाई
होवे ना लड़ाई
इस राम भरत के देश में
झगड़े ना भाई भाई
हो बिछड़े ना भाई भाई

ए ए ए ए ए ए
हो ओ
तुम याद करो महाभारत की
वो बीती बात पुरानी
तुम याद करो
भाई भाई के झगड़ों की
है जिस में लिखी कहानी
जब भरी सभा के बीच
खींच कर चीर करी मनमानी
और भीख मांगती रही द्रौपदी
लिए नैन में पानी
तब लिए हाथ में चक्र सुदर्शन
प्रगटे थे यदुराई
इस राम भरत के॰॰ए॰॰ए
इस राम भरत के देश में
झगड़े ना भाई भाई
हो बिछड़े ना भाई भाई
इस राम भरत के देश में॰॰ए
झगड़े ना भाई भाई

ए ए ए ए हे ए हे ए
हो ओ ओ
जिस दिन प्रताप के आगे
शक्ति ने अपनी खड्ग उठाई
चित्तौड़ दुर्ग तिलमिला उठा
मेवाड़ भूमि थर्राई
आपस की फूट ने
बड़े बड़े वीरों की जड़ें हिलाईं
चल पड़ी यहाँ से
चल पड़ी यहाँ से
रजपूती लेकर के अन्त विदाई
भाई भाई के झगड़ों ने सोने की लंका ढाई
इस राम भरत के॰॰ए॰॰ए
इस राम भरत के देश में
झगड़े ना भाई भाई
हो बिछड़े ना भाई भाई
इस राम भरत के देश में
झगड़े ना भाई भाई
हो बिछड़े ना भाई भाई
हो झगड़े ना भाई भाई


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (5 may 2017) is the 11th death anniversary of Naushad saab. He passed away on the 5th of May 2006.

This is the 9th opportunity for this blog to pay a tribute to Naushad saab on his death anniversary. And yet, though I’ve written tributes for many here, I don’t remember writing one for Naushad saab yet. So here goes.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chowki Number 11″(1978)) was produced by Siddhartha/ Kuki and directed by V K Sobti. The movie had Vinod Mehra, Zarina Wahab, Jagdeep, Amjad Khan, Kader Khan, Aruna Irani, Katy Mirza etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ganga Tera Paani Amrit” (1971) was produced and directed by Virendra Sharma. The movie had Ashok Kumar, Navin Nischol, Rehman, Yogeeta Bali, Shatrughan Sinha, Nirupa Roy, Achla Sachdev, Pandhari Bhai, Nana Palsikar, Tiwari, Ramesh Deo, Jagdeep, Pran, Narendranath, Jayshree T. etc in it.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all Atulwaasis

I am hereby announcing my resignation from this group. And no; it is not because of anyone in the group being offensive or being offended by any post in the Whatsapp group of the regulars of this blog. It is just that I am unfit to be in this group.

I am sure I have everyone’s attention now. And everyone will be looking for an answer to the “Y” and what lead to my decision. Well for starters I felt that either I should leave the group or take ‘sanyaas’ from the blog. “WHY?”
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

When Khyati Behn sent in the lyrics of this song, she said, and I quote , that she “. . . was KB Exp to see that this film hasn’t yet found its place on the blog. Koi baat nahi, ab kar dete hai. 🙂 “.  Well we all know, with Khyati Behn, the messaging has to be something out of the ordinary.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In this blog I dream of the day when we will cover so many songs that our readers will struggle to give me the farmaish for undiscussed songs.:) Considering the number of songs that are not yet discussed in the blog, that day is far off. But there are very few cases where we have reached that stage already. For instance, we have covered all the available Hindi film/ non film songs of K L Saigal and there are no K L Saigal left to be covered. Similar is the case more or less for the songs of Sajjad Hussain too.
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“Dostana” (1980) was produced by Yash Johar and directed by Raj Khosla. The movie had Amitabh Bachchan, Shatrughan Sinha, Zeenat Aman, Prem Chopra, Amrish Puri, Helen, Pran, Paintal etc in it. Another movie with a copycat title was Rakesh Kumar’s “Yaarana” (1981), also starring Amitabh Bachchan.
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When I was growing us in late 1960s and 1970s, I was only aware of a few festivals when we had holidays. There were days like Holi, Deewaali, Raksha Bandhan,Durga Puja (Dashara), Id, Chrishmas etc. Then there were a few days thaat were known as days, viz Children’s day (Jawaharlal Nehru’s bithday), Teacher’s day (Radhakrishnan’s birthday) etc.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FIFTEEN years. This blog has over 18300 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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(© 2008 - 2024) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

18305

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Movies with all their songs covered =1411
Total Number of movies covered=4951

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Active for more than 5000 days.

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