Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘qawwali’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4832 Post No. : 16612

#The Decade of Seventies – 1971 – 1980 #
———————————————————–
# Bhoole-Bisre Geet # 151 # Qawwalis – 14 #
———————————————————————

Qawwalis were common in Hindi films when I was growing up(1968-1983). As I grww watching them in the movies in my childhood, some qawwalis left lasting impression on my impressionable mind.

Qawwalis like ‘raaz ki baat kehdoon to’, ‘jhoom baraabar jhoom sharaabi’, ‘shirdiwaale sai baba’, ‘raat abhi baaki hai baat abhi baaki hai’, ‘mehangaayi maar gayi’, were the most heard qawwalis when I was growing.

‘Chadhhta sooraj dheere dheere dhalta hai dhal jaayega’ was a favourite of all ‘orchestras’ and one person from a Orchestra from Jalgaon used to sing it so well that always left the audience ‘spell-bound’. I remember this qawwali ever since.

All these qawwalisgrew up on me as I grew up in my life.

I have a special fascination for this genre of music. It always takes me to an entirely different ‘musical world’.

In the movies of ‘seventies’ qawwalis were a major attraction in the movies. Qawwalis like ‘ham to jhuk kar salaam karte hain’, ‘ham lootne aayen hain’, etc. were liked very much by the audience. There may be many more which I could have missed to mention here.

Jaani Babu Qawwal, Shakila Bano Bhopali and Aziz Nazan were the names I particularly remember whenever there was a discussion on qawwalis.
And as I had mentioned in my posts earlier that another name which I vaguely remembered was Shankar-Shambhu. At that age I could not understand the greatness of these peoples, and it is only after coming into the contact of this blog, that I got to read, learn, and know about these stalwarts in Qawwalis.

There was a phase when disco made an entry into HFM in mid-eighties to let us say till mid-nineties when Qawwalis took a little backseat (I think), otherwise they were always likened and had always been an integral part of HFM. In the recent years we have seen many Qawwalis in Hindi Films. The new digital age, technological advances in music instruments have enriched the presentation of Qawwalis. Movie makers have been experimenting by including ‘qawwali song’ or ‘fusion qawwali songs’ in their movies.

In Hindi movies qawwalis are woven with the story topic of the movie. So, we have ‘’romantic qawwalis’, ‘men vs women’, ‘husn aur ishq’, ‘celebrating a festival’, ‘devotional qawwalis’, ‘chor-police’, ‘marriage celebration’, ‘mujrim-munsif’, ‘scoring peanuts over each other’ (Atulogy), ‘nok-jhonk’, ‘teasing each other’, ‘musical competition’, and other types of qawwalis in our movies.

Or it may be a competition of poetry between two groups (read men and women mostly) where ‘qawwalis’ would perfectly fit into the plot of a movie.

In many movies they have been used to keep the suspense intact where actors, actresses would disguise themselves and enter the villain’s den to rescue their partners/friends caught by the villain. Or sometimes the villain will kidnap close relatives of the hero or heroine in the movie and ask for a ‘hefty’ ransom. And the hero/heroine would plan a song or disguise as a ‘musical-troupe’ to enter the ‘villain’s den’ to rescue a ‘child’, ‘relatives’ or a ‘famous scientist’ or a ‘police commissioner’ who would have been kidnaped by the villain or his associates.

To mis-lead the villain the hero/heroine or their friends and well-wishers would sing a qawwali and simultaneously free the innocent ones caught by the villain. Sometimes this would happen just before the climax of the movie.

In our movies we also have qawwalis where we see ‘lawful elements(police, CID) and the unlawful elements(goondas, or burglar, thieves)’ have a ‘qawwali muqaabla’ in “disguise”.

I am not a competent person to write or discuss about the technicalities of Qawwalis. But since I like them very much, I had undertaken this series and have presented some qawwalis from the ‘decade of seventies or 1971-to-1980’.

If we look on the statistics of the qawwalis already posted on the blog till today’s song, we get the following details (which could be of interest to music connoisseurs).

Year wise Qawwalis Lyricist wise qawwalis on the blog Composer wise qawwalis on the blog
Year No of Songs Lyricist No of Songs Composer No of Songs
1945 1 Sahir Ludhianvi 26 Roshan 12
1946 1 Shakeel Badayuni 12 Kalyanji-Anandji 9
1948 1 Rajinder Krishan 11 Madan Mohan 8
1949 3 Anand Bakshi 10 Ravi 8
1950 5 Majrooh Sultanpuri 10 Laxmikant-Pyarelal 8
1950 1 Shewan Rizvi 8 Iqbal Qureshi 7
1951 3 Qamar Jalalabadi 6 N. Datta 7
1953 3 Raja Mehdi Ali Khan 5 R.D. Burman 7
1954 5 Asad Bhopali 4 S. Mohinder 6
1955 7 Farooque Qaiser 4 C. Ramchandra 5
1956 7 Kaifi Azmi 4 Jaidev 5
1957 4 Verma Malik 4 Chitragupt 5
1958 6 Not attributed(+Unattributed) 4 Naushad 5
1959 5 Hasrat Jaipuri 3 Ghulam Mohammad 4
1960 10 Ravindra Jain 3 Iqbal 4
1961 11 Anjum Jaipuri 2 Hemant Kumar 3
1962 7 Aziz Ghazi 2 Husnlal Bhagatram 3
1963 15 Gauhar Kanpuri 2 S.D. Burman 3
1964 9 Khumar Barabankvi 2 Shyam Sundar 3
1965 7 Nakshab 2 Jaani Babu Qawwal 3
1966 5 Saba Afghani 2 Ravindra Jain 3
1967 4 Zafar Gorakhpuri 2 Anil Biswas 2
1968 2 A.H. Rizvi 1 Aziz Nazaan 2
1969 1 A. Karim 1 Baabul/Babul 2
1970 3 A. Shamsheer 1 Dattaram 2
1971 3 Aarzoo Lucknowi 1 Hansraj Bahl 2
1972 1 Akhtar Lucknowi 1 Jimmy 2
1973 6 Akhtar Romani 1 Khayyam 2
1974 2 Allama Iqbal 1 Shankar Jaikishan 2
1975 2 Anjaan/Jeet 1 Sonik Omi 2
1976 9 Anjum Rehmani 1 Usha Khanna 2
1977 3 Anwar Farrukhabadi 1 Bulo C. Rani 2
1978 1 Aziz Kashmiri 1 Nashad 1
1979 6 Bharat Vyas 1 A.R. Qureshi 1
1980 3 Dil Lakhnavi 1 A.R. Rehman 1
1981 2 Gulshan Bawra 1 Aziz Ahmed Khan Warsi 1
1982 3 Indeewar 1 B.N. Bali 1
1983 1 Jaan Nisar Akhtar 1 B.T. Singh 1
1990 1 K.L. Pardesi 1 Babloo Dheeraj 1
1991 1 Kaiser Ratnagirvi 1 Bappi Lahiri 1
1999 1 Kidar Sharma 1 Bipin Mehboob 1
2009 1 Mohan (Bihar) 1 C. Arjun 1
2013 1 Mohsin Nawab 1 Chaand Pardesi 1
Momin 1 Damodar Sharma 1
Naqsh Lyallpuri 1 Hafeez Khan 1
Nazaan Sholapuri 1 Harbans 1
Niaz Usmani 1 Jay Kumar 1
Niranjan Iyengar 1 Khemchand Prakash 1
Nusrat Fateh Al1i Khan 1 Lala Sattar 1
Nyay Sharma 1 Nirmal Kumar (S.D. Batish) 1
P.L. Santoshi 1 Nisar Bazmi 1
Parvez Shamshi 1 Nusrat Fateh Ali Khan 1
Prasoon Joshi 1 Peter Nawab 1
Prem Dhawan 1 Rashid Atre 1
Ramesh Pant 1 Ravindran 1
Roopbani 1 Robin Bannerji 1
S.H. Bihari 1 S. Kishan 1
Saba Rampuri 1 S.N. Tripathi 1
Sardar Aah Sitapuri 1 Sajjad Hussain 1
Shailendra 1 Shankar Ehsaan Loy 1
Shakeela Bano Bhopali 1 Shankar Shambhu 1
Shor Niyazi 1 Snehal Bhatkar 1
Surjeet Sethi 1 Sudipta Bhattacharya 1
Tanvir Naqvi 1 Vasant Ramchandra 1
Vishwamitra Adil 1 Vinod 1
Anjum 1
Ramesh Chandra Pandey 1

(The above details are so far compiled for the 173 qawwalis already posted on the blog. There might be some songs which might be missing in absence of the tag ‘Qawwalis’ on their post.
We will revisit the details in the future as and when possible, so till then … 😊)

In this series we have so far listened to the following qawwalis.

SN Qawwaali
1) Bada lutf thha jab kunwaare thhe ham tum
2) Hashr mein unka jab saamna ho gaya
3) Ham lootne aaye hain ham loot ke jaayenge
4) Is mulaaqaat ka bas mazaa leejiye
5) Yaar dagaa de gaya dulhan ko le gaya
6) Na tum hato na ham haten
7) Us jaan e do aalam ka jalwaa
8) Kaun hai mujrim kaun hai munsif
9) Mehfil mein aaye ho aao muqaabil jaan jaayenge
10) Dil ki lagi bujhaa de Ajmer waale Khwaaja
11) Tumhaara pehlaa number Nabi ke tum ho dilbar
12) Nizamuddin Aulia banaa do bigde kaam hamaare
13) Tere chaahnewaale aaye hain

For now, we are concluding this series with the today’s qawwali from the ‘1980’ movie ‘Be-reham’.

This is another movie of which the dedication is to ‘All policemen known and unknown who lived for discipline and died for discipline’. That would also be sufficient for all to guess what the movie is all about.

“Be-reham-1980” was directed by R. Jhalani for ‘K.D.S. Films’.

It was produced by K.D. Shorey who also wrote the story of this movie.

Its star cast included Sanjeev Kumar, Mala Sinha, Shatrughan Sinha, Reena Roy, I.S. Johar, Kadar Khan, Urmila Bhatt, Keshto Mukherjee, Manmohan, Shetty, Raj Mehra, Rinku Jaiswal, Komila Virk, Viju Khote, Ashok Nag, Gurubachan, C.S. Dubey, Sheel Kumar, Amarjeet, R.S. Chopra, Madhup Sharma, Sudarshan Sethi, Sehgal, Uma Khosla, Vimal Chopra, and Helen in special appearance.

Moushumi Chatterjee, Kamal, Sujata and Dev Kumar make a friendly appearance in this movie.

This movie was passed by Censor Board on 01.08.1980.

Lyrics of the songs of this movie were written by Verma Malik and Jigar Muradabadi.
Music for this movie was composed by Laxmikant-Pyarelal.
Here is the list of songs this movie had.

SNo Song Title Singer/s Lyricist
01 Ik lafz e mohabbat ka adnaa sa fasaana hai Asha Bhonsle, Anup Jalota Jigar Moradabadi
02 Ye saal ki aakhri raat hai Shailendra Singh, Anuradha Paudwal, Chandrani Mukherjee Verma Malik
03 Haseenon ki duniya khudgarz hai Lata Mangeshkar Verma Malik
04 Milne ko aate ho, phir bhi mulqaat nahin karte ho Asha Bhonsle Verma Malik
05 Taqdeer ke kalam se koyi bach naa paayega Mohd Rafi Verma Malik/td>
06 Ham aaj ye kissaa khatm karen Asha Bhonsle, Mahendra Kapoor Verma Malik

Today’s qawwali happens when the movie is already having some interesting ‘twists and turn’ in its story. I am not going to detail it more to keep intact the interest of those who would like to or have to watch this interesting movie.

I remember when the movie was released one of my classmates had watched it soon after its release and he was full praise for Sanjeev Kumar and others’ performances in this movie.

Sanjeev Kumar was common favourite of all us friends. And in our circle of juniors and seniors we often discussed about his roles, and everybody would have likened his performance in each of his movies then.
We now move to the today’s song.

It is picturised on Moushumi Chatterjee and the actor whom I am unable to identify.

We can see Keshto Mukherjee, Shatrughan Sinha and Reena Roy with many others present in the picturisation of this song.
Today’s song is sung by Asha Bhonsle and Mahendra Kapoor and chorus. Lyrics are by Verma Malik and music is composed by

Let us now enjoy today’s qawwali watching Moushumi Chatterjee’s charming performance and Keshto Mukherjee’s special antics. 😊


Song-Ham aaj ye kissa khatm karen (Beraham)(1980) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
Male chorus
Female chorus

Lyrics

ho o o o o o o o
o o o o

ho o o o o o o o
o o o o

aa aa aa aa
aa aa aa aa
ho o o o o o o o
ho o o o o

dha pa dha ga ga ga ga ga ga
ga dha pa re re re re re
ga re ga ni ni ni ni ni ni
ni re saa

husn ek ulti raah hai
husn ek jhoothhi chaah hai
husn to ek gunaah hai ae
husn karta aa tabaah hai

is husn ke nakhre
naaz o nazaaqat
husn ke nakhre
naaz o nazaaqat

is husn ke nakhre
o nakhre
husn ke nakhre
naaz o nazaaqat
roz roz ab kaun sahe
ham aaj ye kissa khatm karen
ham
aaj ye kissa khatm karen
yaa husn rahe
yaa ishq rahe
ham aaj ye kissa khatm karen/em>

khud dhokha dagaa fareb karen
khud dhokha dagaa fareb karen
khud dhokha dagaa fareb karen
ilzaam ye husn pe deta rahe
ham aaj ye kissa khatm karen
ham

aaj ye kissa khatm karen

ik din dekha
ho o ik din dekha
dard ka maaraa
ik aashiq mastaanaa
jungle jungle maaraa maaraa
phirtaa thha deewaanaa
phirtaa thha deewaanaa
mujhko dekh ke kehne lagaa
ho o
mujhko dekh ke kehne lagaa
arey sun le meraa fasaanaa aa
har ashiq ke ghar ghar mein
paighaam mera pahunchaanaa
ke husn ko itnaa looto maaro
o o o
ke husn ko itnaa looto maaro
saari umr hi rotaa rahe
ham aaj ye kissa khatm karen
ham
aaj ye kissa khatm karen

hamaari bhi suno
hamaari bhi suno
Laila ki jab qabr pe chal kar
Ik haseenaa aa aayee
Ro ke lipat ke kehne lagi

Aa he
Ro ke lipat ke kehne lagi

Aa he
Ro ke lipat ke kehne lagi
Aye lailaa teri duhaayee
Kaise badlaa loon inse

Aa he
Kaise badlaa loon inse

Har aashiq hai harjaayee ee
To qabr se lailaa ki rooh ne
Yahi aawaaaaz lagaayi
Nikal pado ab taan ke seenaa
Donon mein se ek rahe
ham aaj ye kissa khatm karen ae
ham

aaj ye kissa khatm karen ae
yaa husn rahe
yaa ishq rahe
ham aaj ye kissa khatm karen
ham

aaj ye kissa khatm karen

inkaa har daur dekha
inkaa har taur dekha
aa he
inkaa har daur dekha
inkaa har taur dekha

ho salmaa
ya sulekha
hai sab dhokha hi dhokha
inkaa har daur dekha
inkaa har taur dekha

yahaan se aur wahaan se
poochh lo tum jahaan se
Wafaa ke de ke jhaanse
Palat dete hain paase

tarannum inke jhoothhe
tabassum inke jhoothhe
takallum inke jhoothhe
maraasim inke jhoothhe
aahe
chhalaawa hai chhalaawa
bhulaawa hai bhulaawa
inki ulfat ka daawaa
dikhaawaa hai dikhaawaa

tum ban thhan ke na niklo o
to ye dil naa phisley
ik baar marammat hogi
to phir dil naa machle
ishq husn ka dushman hai ae ae
ishq husn ka dushman hai
koyi iske bharose naa rahe
ham aaj ye kissa khatm karen
ham

aaj ye kissa khatm karen
rahe
ya husn rahe ya ishq
ham aaj ye kissa khatm karen
ham
aaj ye kissa khatm karen


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4816 Post No. : 16587

“Anarbala”(1961) was directed by Raja Yagnik for Unity Productions, Bombay. This costume drama movie had Daljeet,, Krishna Kumari, Tiwari, Maruti, Neelofar, Pal Sharma, Babu Raje, Pandit Iqbal, Moni Chatterjee, Kesari, Shree Bhagwan, Jeewan Kala etc in it.

The movie had eight songs in it. Two songs from the movie has been covered in the past.

Here is the third song from “Anaarbaala”(1961) to appear in the blog. The song is sung by S Balbir, Sudha Malhotra and female chorus. Ramesh Chandra Pandey is the lyricist. Music is composed by Bulo C Rani.

Only the audio of this song is available. The song appears to be a qawwaali. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Aji maana ke bahut hain aap haseen (Anarbala) (1961) Singers-S Balbir, Sudha Malhotra, Lyrics-Ramesh Chandra Pandey, MD-Bulo C Rani
Female Chorus

Lyrics

aa aa aa
maana
aji mana ke bahut hain aap haseen
dil ko thukraaya karte hain
lekin ham bhi dilwaale,
dil dushman se lagaaya karte hain
hamse hi kadar aapki hai
ho hamse hi aap bigadte hain
kya apne aap ko samjha hai
kyun itana aap akadte hain jee akadte hain
haan aan aan
sun lijiye aeji sarkar, sun lijiye aeji sarkar
agar kuchh aap hain to, agar kuchh aap hain to
kuchh ham bhi hain
sun leeje aeji dildaar
sun leeje aeji dildaar
agar kuchh aap hain to, agar kuchh aap hain to
kuchh ham bhi hain/font>

maana husn pe marne ko, laakhon dildaar machalte hain
lekin kab shama bulaati hai
jalne waale khud jalte hain

ye jalte hain
ye jalte hain

un parwaanon ki hasti kya,
jeene pe jinko naaj nahin
aa aa aaa
ham bhi to mohabbat karte hain
haan
par maut ke hain mohtaaj nahin een een
ho par maut ke hain mohtaaj nahin

sun leeje aeji sarkaar
sun leeje aeji sarkaar
agar kuchh aap hain to
kuchh ham bhi hain

aa aa aa aa
hai shokhi bhi itni ki,
aap khud ko bhagwaan samajh baithe
hai khair hamarre dil ko hi
aap apna makaan samajh baithhe
aabaad ho ya barbaad ho o o
ab ye jaan bhi aapki dualat hai
maashook hai gar bhagwan to
apne aashiq ki badaulat hai
sun leeje aeji dildaar
sun leeje aeji dildaar

agar kuchh aap hain to, agar kuchh aap hain to
kuchh ham bhi hain



This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4780 Post No. : 16533

#The Decade of Seventies – 1971 – 1980 #
———————————————————–
# Bhoole-Bisre Geet # 149 # Qawwalis – 13 #
———————————————–

Today’s song – a qawwali – is from the 1979 movie “Aatish”. Memories of this qawwaali were revived when I was listening to a daily programme on Vividh Bharati. I had earlier shared another song from the same movie. That song too was a result of memories coming alive when I listened to that song on Vividh Bharati. That was in March-2021, and the song was Main nehlaa thhi bas nehlaa ….

When I listened to this ‘qawwali’ I liked it because of its ‘catchy’ tune. The picturisation of this ‘qawwali’ suggests that it takes place in the movie in the ‘villain’s den’ where Neetu Singh is in double role. One of the two disguised persons trying to help is Jeetendra I guess. Also seen in the picturisation of the song are Mukri, Dheeraj Kumar, Madan Puri, Master Raju, and many others.

“Aatish-1979” was directed by Ambarish Sangal for ‘M.K. Enterprises, Bombay’. It had Jeetendra, Neetu Singh, Rinku, Dheeraj, Leena Das, Om Shivpuri, Mukri, Mumtaz Begam, Master Raju, Nirupa Roy, Madan Puri, Sujit Kumar (in special appearance), Brahm Bharadwaj, Subhash Kanwal, Kamal Deep, Ranveer Raj, Chandru, Kishan, Ashok Saxena, Raj Kumar, Ram Narayan, and others.

This movie was passed by Censor Board on 16.02.1979.

There were six songs in this movie written and composed by Ravindra Jain.

Here is the list of songs of this movie as appearing in HFGK Vol-V (1971-1980).

S.No. Song Title Singer/s Posted On
01 Ladke ke bhes mein ladki hoon Asha Bhonsle, Chorus
02 Main nehlaa thhi bas nehlaa … Asha Bhonsle 28.03.2021
03 O meri laadli pyaari behnaa Mohd Rafi, Hemlata 13.08.2011
04 Sharaab hai, haan, sharaab hai, Mohd Rafi, Chorus
05 Babu manejara ve he babu, manejara ve Lata, Rafi, Chorus
06 Kahin naam na apnaa likh dena … Asha Bhonsle, Hemlata, Bhushan Mehta, Mohd Rafi, chorus Being discussed today

Today’s qawwali song is only the third such song composed by Ravindra Jain. We have as many as 171 qawwali songs already posted in the blog. I have tried to compile some statistics with respect to Lyricists, Composers and Years of the movies of these qawwali songs posted on the blog.

Here are the details of the Composers for 171 qawwali songs excluding the today’s song.

Composer No of Songs
Roshan 12
Kalyanji-Anandji 9
Madan Mohan 8
Ravi 8
Laxmikant-Pyarelal 8
Iqbal Qureshi 7
N. Datta 7
R.D. Burman 7
S. Mohinder 6
C. Ramchandra 5
Jaidev 5
Chitragupt 5
Naushad 5
Ghulam Mohammad 4
Iqbal 4
Hemant Kumar 3
Husnlal Bhagatram 3
S.D. Burman 3
Shyam Sundar 3
Jaani Babu Qawwal 3
Anil Biswas 2
Aziz Nazaan 2
Baabul/Babul 2
Dattaram 2
Hansraj Bahl 2
Jimmy 2
Khayyam 2
Ravindra Jain 2
Shankar Jaikishan 2
Sonik Omi 2
Usha Khanna 2
Nashad 1
A.R. Qureshi 1
A.R. Rehman 1
Aziz Ahmed Khan Warsi 1
B.N. Bali 1
B.T. Singh 1
Babloo Dheeraj 1
Bappi Lahiri 1
Bipin Mehboob 1
Bulo C. Rani 1
C. Arjun 1
Chaand Pardesi 1
Damodar Sharma 1
Hafeez Khan 1
Harbans 1
Jay Kumar 1
Khemchand Prakash 1
Lala Sattar 1
Nirmal Kumar (S.D. Batish) 1
Nisar Bazmi 1
Nusrat Fateh Ali Khan 1
Peter Nawab 1
Rashid Atre 1
Ravindran 1
Robin Bannerji 1
S. Kishan 1
S.N. Tripathi 1
Sajjad Hussain 1
Shankar Ehsaan Loy 1
Shankar Shambhu 1
Snehal Bhatkar 1
Sudipta Bhattacharya 1
Vasant Ramchandra 1
Vinod 1

From the above table we can see that Music director Roshan is at the top in the blog as far as creating the highest number of qawwalis is concerned.

We will have details of lyricist wise number of qawwalis too in a future post in this series.

Let us now move to today’s ‘Qawwali’ and move forward in this series. I hope readers will also find this ‘qawwali’ enjoyable and entertaining.

This song is sung by Mohd Rafi, Asha Bhonsle, Hemlata, Bhushan Mehta and chorus.

Lyrics are written by Ravindra Jain who is also the music director of this movie.

Video

Audio (Longer)

Song-Tere chaahne waale aaye hain ik shor uthha ke jaayenge (Aatish)(1979) Singers-Asha Bhonsle, Rafi, Hemlata, Bhushan Mehta, Lyrics-Ravindra Jain, MD-Ravindra Jain
Male chorus
Female chorus
All chorus

Lyrics

kahin naam naa apnaa likh dena
kisi ulte seedhe kaaghaz par
ham dil ka parchaa laaye hain aen aen
naam us pe likhaa kar jaayenge

tere chaahnewaale aaye hain
aaye hain
tere chaahnewaale aaye hain

ik shor uthhaa ke jaayenge
ik shor utthaa kar jaayenge/font>
yaa dilbar lekar lautenge
lautenge
yaa dilbar lekar lautenge

yaa jaan lutaa kar jaayenge
yaa jaan lutaa kar jaayenge
tere chaahne waale aaye hain

garajte hain jo baadal
baraste nahin
baraste nahin
keh do in logon se jaayen aur kahin
ye to naam ke aashiq aaye hain
aaye hain
ye to naam ke aashiq aaye hain

bas shor machaakar jaayenge
bas shor machaakar jaayenge
hamen qasam hain apni Jawaani ki
haaye re
hamen qasam hain apni Jawaani ki

Mehboob ko paa kar jaayenge
Mehboob ko paa kar jaayenge
tere chaahne waale aaye hain

aye jaan e Wafaa chehre pe naa jaa
nazron se bhi kuchh andaazaa kar
nazron se bhi kuchh andaazaa kar
nigaahen keh rahi hain
mere dil ka fasaanaa
o tere saamne hai
jo hai tera deewaanaa
ham tujhko aankhon hi aankhon mein
ham tujhko aankhon hi aankhon mein
koi raaz bataa kar jaayenge
ye to shor machaa kar jaayenge
tere chaahnewaale aaye hain

ham jaan gaye
pehchaan gaye
kya asli hai
kya naqli hai

kya asli hai
kya naqli hai

haqeeqat hai haqeeqat
kahaani hai kahaani
tumhi se hai mohabbat
tumhi ho zindagaani
koyi kuchh bhi kahe
ham tumko hi

ho koyi kuchh bhi kahe
ham tumko hi

doli mein bithhaakar jaayenge
doli mein bitthaakar jaayenge
tere chaahnewaale aaye hain

doli ke haqdaar hain ham
aap kahaan se aa tapke
ho tapke nahin ham aaye hain
inki hi maalaa jap jap ke

kisika pyaar chheeno
kahaan ki hai sharaafat
saraasar hai dakaitee
oh qayaamat hai qayaamat
zaraa sabr karo haq donon ke
zaraa sabr karo haq donon ke
donon ko dilaa kar jaayenge
ham jaan lutaa kar jaayenge
tere chaahnewaale aaye hain

paar ho jaa
paar ho jaa
dilbar ko leke faraar ho jaa
paar ho jaa
paar ho jaa
dilbar ko leke faraar ho jaa
paar ho ja
paar ho ja
dilbar ko leke faraar ho jaa

ustaad ho tum ustaadon ke
ham chele tumhaare chelon ke

ham chele tumhaare chelon ke
wahi hamne kiyaa hai
ke jo tumne seekhaayaa
jo mantar tum se seekhaa
tumhi pe aajmaayaa

jin guruon ke aise chele hon
jin guruon ke aise chele hon
wo to naam kamaa kar jaayenge
wo to naam kamaa kar jaayenge
tere chaahnewaale aaye hain

ik tum hi ham ko samjhe ho
auron ko to ham bhi
samajhte hain
auron ko to ham bhi
samajhte hain
samajhdaari ka tum ko
chalo inaam de den
nahin jiski tavaqqo
wohi anjaam de den
kuchh hathkande ustaadi ke
ho kuchh hatkande ustaadi ke
tum ko bhi dikhaa kar jaayenge
tum ko bhi dikhaa kar jaayenge

tere chaahnewaale aaye hain
tere chaahnewaale aaye hain


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4738 Post No. : 16461

Hullo Atuldom

“Parvarish” (1977) was one of the four movies that was directed by Manmohan Desai in 1977. It was produced by A A Nadiadwala. It had a small starcast headed by Shammi Kapoor, Neetu Singh, Shabana Azmi, Indrani Mukherjee, Dev Kumar, Tom Alter, Yusuf Khan (Zebisco of Amar Akbar Anthony which also released in 1977) plus some of Manmohan Desai’s favourite actors of that year viz. Amitabh Bachchan, Vinod Khanna, Kadar Khan and Amjad Khan. Kadar Khan also was in-charge of the dialogues.

The movie’s songs were written by Majrooh Sultanpuri and composed by Laxmi Pyare. Mohd Rafi, Kishore Kumar, Amit Kumar, Shailendra Singh and Lata- Asha- Usha were the playback singers used for the six songs of the movie, five of which are there on the blog as under.

Song Date of posting Remarks
Aji thahr zara thhahro 7 February 2009 It was a farmaish by Rajaji before he became a contributor; has 14 comments
Ham premi prem karna jaanen 8 February 2009
Khuli nazar kya khel dikhega duniya kaa 6 October 2010
Aaiye shauq se kahiye 7 February 2019
Ye oonche mahal suhaane sab janta ka hai 29 November 2019 shortest post for a song from this movie

High time we took this movie, which first appeared on the blog in 2009, to “Yyiippeeee” station. And July 8th is a good date to do so as it is the 63rd birthday of the sweet-cute-charming-elegant-beautiful Neetu Singh a.k.a Baby Sonia of the gorgeous smile. She was born in Delhi in a Sikh family with the birth name Harneet Kaur. She began as a child actor in the late ’60s as baby Sonia with movies like ‘Suraj’, ‘Dus Lakh’, ‘Do Dooni Chaar’ etc. was seen as an adolescent in ‘Pavitra Paapi’ ‘Ghar Ghar Ki Kahani’ etc before turning to adult roles with ‘Rickshawala’ ‘Yaadon Ki Baraat’ etc in 1973.

She had a good successful career of nearly 10-12 years as an adult before she bade goodbye to stardom to raise a family. We all know she is Bahu of the Kapoor-Khandaan, Mrs. Rishi Kapoor, mother of actor Ranbir Kapoor, etc.. But she is also Neetu Singh (Kapoor to the present generation of moviegoers) and we are all her fans. Here is wishing her good health and cheer. Happy Birthday Baby Sonia.

Today’s song is a stage song where Amjad Khan is the chief guest and Neetu and Shabo (Desai didn’t break his head in naming his heroines) are the qawwali artists on the stage and use the situation to ‘take shots’ at Amjad Khan (ex. daku Mangal Singh) who was the cause of the death of their parents (Ram Sethi and Chand Usmani in blink and miss appearances). If I remember correctly, this was the song just before the climax of the movie. The song is sung by Lata Mangeshkar and Usha Mangeshkar.

Video

Audio

Song-Sambhal jaaye zara jo hum pe khanjar aazmaate hain (Parvarish)(1977) Singers-Lata, Usha Mangeshkar, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Chorus

Lyrics

sambhal jaaye zara
jo hum pe khanjar aazmaate hain
sambhal jaaye zara
jo hum pe khanjar aazmaate hain

ab aayi apni baari
ab nishaana hum lagaate hain
mere dil jhoom zara
manzil paas aayi
mere dil jhoom zara
manzil paas aayi

badi muddat ke ba.aa.ad
kismat rang laayi
aayi wo raat aayi,
aayi wo raat aayi
aayi wo raat aayi
meri tauba duhaai

mere dil jhoom zara
manzil paas aayi
badi muddat ke ba..aa..ad
kismat rang laayi

aayi wo raat aayi
aayi wo raat aayi
aayi wo raat aayi
meri tauba duhaai

jiske liye shehar shehar
aaye haaye shehar shehar
aaa aaa shehar shehar phire aawaara
besahara jaise koi toota taara
aaaaa aaaa aaaa aaaa aaaaa
jiske liye shehar shehar phire aanwaara
besahara jaise koi toota taara

aakhir rach gaye wo din
wo sama guzar gaya
aaj toh aisa lage,
jaise dil thehar gaya
mera kaatil bhi yahi
uski mehfil bhi yahi
mera kaatil bhi yahi
uski mehfil bhi yahi

nazar mili aane lagi angdaai
jise hum dhoondh rahe,
wahi rut laut aayi
badi muddat ke ba..aa..ad kismat rang laayi
(chorus)
aayi wo raat aayi
aayi wo raat aayi
aayi wo raat aayi
meri tauba duhaai

miley ho aaj mushkil se
miley ho aaj mushkil se
aahe mile ho aaj mushkil se
miley ho aaj mushkil se
na samjho maaf kar denge
miley ho aaj mushkil se
miley ho aaj mushkil se
na samjho maaf kar denge
meri jaan aapki toh hum,
meri jaan aapki toh hum
meri jaan aapki toh hum,
tabeeyyat saaf kar denge

mile ho aaj mushkil se
na samjho maaf kar denge

na samjho maaf kar denge
mile ho aaj mushkil se

ke apna aur tumhara,
aaj insaaf karenge
bada tadpaaya humein,
bada tarsaaya humein
tumhe dekha toh sanam,
sab yaad aaya humein
tumhe dekha to sanam,
sab yaad aaya humein
rote rote yunhi nahi hansi aayi
faisla hone toh do,
kiski kaza aayi
badi muddat ke ba..aa..ad kismat rang laayi

(chorus)
aayi wo raat aayi,
aayi wo raat aayi
aayi wo raat aayi,
meri tauba duhaai

ummm ummm ummm
umm umm um um umm umm
ummm ummm ummm
umm umm um um umm umm

ya to tum nahin
ya to hum nahin
ya to tum nahin
ya to hum nahin

ya to tum nahin
tum nahin
ya to hum nahi n
hum nahin

ya to tum nahin
ya to hum nahin
ya to tum nahin
ya to hum nahin


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4724 Post No. : 16436

———————————–————–
Geeta Dutt – Solos and Duets (06)
———————————–————–

Question:
Kitaaben bahot si
padhi hongi tum ne
magar koyi chehra bhi
tum na padha hai

Answer:
Padha hai meri jaan
Nazar se padha hai

Next Question:
Bata mere chehre pe
Kya kya likha hai

The above is a film song from the film ‘Baazigar” written by Zafar Gorakhpuri. There have been some songs in hindi films which refer to ‘Kitaab’, like
Dil ki kitaab kori hai kori hi rehne do and Haathhon mein kitaab baalon mein gulaab.

The second song above is my own post from 2015. As I read it again today, I found that I referred to the ‘Baazigar’ song in that post as written by Sameer, but that’s incorrect. Another reason why I am talking about books today is, in a recent post I talked about film magazines. That evoked a few comments from regulars, which in turn made me remember a lot of mishaps or near misses, which have happened in my life.

My love for reading has always been an important factor in my life. Not necessarily, useful things or text book learnings, but anything on any topic that catches my fancy and is readable and reasonably understandable to my unscientific mind. Scientific theories are beyond me, and maths was my weakest subject in school. But I was not at all lacking in analytical abilities and general knowledge, which seems to have gotten me through at least one all india level competitive exam, where lakhs of people aspiring for government jobs tried. It could have been sheer luck that I got most of ‘analytical ability’ part objective type answers correct. It certainly cannot have been the mathematical portion of the exams. One portion was of English language, that must have helped. I kept the ‘Maths’ part for the last, and some of the answers I just marked randomly :-). The exam was for undergraduates, but my father still could not believe it, when he saw the merit list.

Reading, reading and more reading, has made me a more balanced person, where I don’t get easily rattled. Never bored under any circumstances. Magazine is ‘risaala’ in urdu language. I have grown up with all kinds of publications, periodicals, weekly, fortnightly, monthly, and of course the daily newspapers. Digests also, in Urdu and ‘Reader’s digest’ in English. I have read many novels in Urdu too, which are difficult to come by now. I know, digital version is available, if I really want to read them now. All my maternal uncles and paternal uncle, would carry some newspaper or magazine with them whenever they came to our place. Now I go to their places, there is no sign of magazine or newspapers in their household. We can blame this on digital media, which has put paid to the printed material’s role, in our daily lives. It comes DTH, appears cheaper, requires no hard-work or maintenance even. Don’t have to save it from small children. That the children should be kept away from things digital, is another matter.

Thus, I was exposed to different type of publications in English, Urdu, Hindi and Marathi, while growing up. I consider myself fortunate to have seen “Blitz” in English and in Urdu, for e.g. All periodicals published in the south also I have read while growing up, be they political, sports or financial. Maybe in 1993 people still referred to books as ‘kitaab’, but now the word is rarely heard, unless I am watching an urdu drama series. There also only the older generation is heard talking of ‘kitaab’. In school textbooks were ‘kitaab’ and notebooks were ‘copy’ or kaapi.

Living and growing up in a metropolitan city has its own advantages. Major ones in my opinion are, the cosmopolitan outlook that one develops in personal and social aspects, plus the opportunities for growth and success in life professionally, are better. A thriving city is like a big machinery, it cannot afford to let any part of it be disrupted. Be it the lowest of slums or the poshest of locality. And overall people are not bothered what others are doing, which augers well in some ways. In terms of personal freedom and mental well-being.

So here I was, growing up in Mumbai, in which good fortune I had no contribution to make. It was destiny. A couple of things, like missed opportunities that have surfaced in the memory, is a job opportunity in a financial magazine. I got a call for some sort of test they were taking, I must have applied for the ‘trainee’ job, right after graduation. I attempted that test, without knowing what to expect there. I may not have fared well there, as I never got a call or any communication.

Another instance of a missed opportunity is one where I attended a walk-in interview somewhere in the Fort area for some trainee post at TCS in 1990-91. Computers were the new in-thing in the late 80’s and in college we had ‘computer science’ as optional subject. TCS was on its way up to the greater things it achieved in later years. There was group discussion also among the candidates who had turned up that day. I remember there were around 15-20 of us. At the end of it all some were shortlisted, then were told to take up the course, which was costing may be 10000/- or so, I don’t exactly remember. They said that the candidates will be absorbed in the company after that course, but the fees had to be paid. I came home and discussed all this with my parents. I was not so keen on computer programming, as it is, so didn’t press the issue. Theory subject were my forte, and I used to do well in subjects like economics. Late 80’s and early 90’s was also a period of great boom in share markets investments. It turned out that my father has shares of TCS, which he obviously got at the time of issue years ago. Lo and behold, if he knew or had an inkling of the company’s prospects and potential, then he could have guided me in that direction. But that was not to be, as it was not destined to be. After all God Almighty is the best of planners, and it is his will and his alone, that can take us in a particular direction.

Nida Fazli has said accurately:
“waqt se pehle qismat se zyada, kisi ko mila hai na kisi ko milegaa”

************************

Lakdi jal koyla bhayee
koyla bhayee raakh
Main baawri aisi jali
koyla bhayee na raakh

This is the actual doha, from which the initial lines of the song are inspired. Lyricist is Anjum and the composer of this truet song is Chitragupt. The singers are Geeta Dutt, Shamshad Begum, and Shanti Sharma. Shanti Sharma is a new name for me, but I see in the stats page that she has 2 songs in the blog.

This is a nice qawwali style song, I had saved the link for featuring in this series of Geeta Dutt. One more variation, in the singer’s repertoire for sure. She has been part of many qawwali’s in the career, as she was capable of singing all types and moods of film songs. She was comfortable in the mischievous songs also, with her strong vocals, with a hint of khanak, like Shamshad Begum. Asha Bhosle has in later years, tried to adopt the strength in voice which was a signature of Shamshad Begum and which Geeta Dutt has demonstrated in many songs.


Song-Dekho to dil hi dil mein jalte hain jalne waale (Hamaara Ghar)(1950) Singers- Geeta Roy, Shamshad Begum , Shanti Sharma, Lyrics-Anjum, MD-Chitragupta
All

Lyrics

Lakdi jal koylaa bhayee
Aur koyla jal bhayaa raakh
baaki dushman yoon jale ae ae
ki koyla bhaye na raakh

dekho to dil hi dil mein ean
dekho to dil hi dil mein
jalte hain jalne waale
haay jalte hain jalne waale
dekho to dil hi dil mein
jalte hain jalne waale
haay jalte hain jalne waale

aapas mein mil jul kar hansnaa
khel naseebe waalon ka
haay khel naseebe waalon kaa

aapas mein mil jul kar hansnaa
khel naseebe waalon ka
haay khel naseebe waalon kaa

ho oo oooo
kaam nahin duniya mein kisi ko
dekh ke jalne waalon ka
haan dekh ke jalne waalon ka
aaa aa aa aa
khoob samjhte hain matlab
in ulti seedhi chaalon kaa

hai dhokhe ki ye duniyaa aa
hai dhokhe ki ye duniyaa
kehte hain kehne waale
haay kehte hain kehne waale
dekho to dil hi dil mein
jalte hain jalne waale
haay jalte hain jalne waale

dekh ke ham ko jalte ho
kya seekhe chaal zamaane ki
haay seekhe chaal zamaane ki

dekh ke ham ko jalte ho
kya seekhe chaal zamaane ki
haay seekhe chaal zamaane ki

ho oo o o o
aankhen ho to haalat dekho
deepak ki parwaane ki
haay deepak ki parwaane ki

ooo oooooo
ye baat magar kapti dil ke
nahin samajh mein aane ki

qismat mein jab likkha hai
qismat mein jab likkha hai
rote hain rone waale
haay rote hain rone waale
dekho to dil hi dil mein
jalte hain jalne waale
haay jalte hain jalne waale


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4683 Post No. : 16366

#The Decade of Seventies – 1971 – 1980 #
———————————————————–
# Bhoole-Bisre Geet # 140 # Qawwalis – 12 #
———————————————–

Welcome all to the twelfth article under this series. Earlier I had thought of concluding this series with today’s post. However, I have now decided to extend this series. That final fe posts will contain the details of the songs that were covered in this series.

For today’s presentation I am once again presenting a qawwali from the movie ‘Auliyaa E Islaam-1979’ (or Aulea-e-Islaam).

This movie was directed by A. Shamsheer for ‘Roopesh Film Combines, Bombay’. It was produced by Ram Gopal Gupta and Ram Kishan Gupta.

It had Farida Jalal, Tabrez, Imtiaz Khan, Soniya Sahni, Naaz, Jairaj, Nazir Hussain, Paro, Master Amjad and Rajendra Nath, Hakeem ji, Husn Bano, Shefali Choudhary and Master Tinoo, Mirza Musharaf, Khalifa, Usman, Ramesh Dubey, supported by Shatrujeet, Jagdish Raj, Rajan Haksar, Birbal. Mehmood, Padma Khanna, Keshto Mukherjee and Mukri had special appearances in this movie.

This movie had as many as eleven songs and I guess nine of them are qawwalis.

Famous qawwals Shankar-Shambhu, Jaani Babu, Yusuf Azad, Chhote Yusuf, Abdur Rab Chaush, Rashid Hairan, Aziz Warsi and Aziz Nazaan had sung the qawwalis in this movie and I think they performed on most of them as well.

Lyrics for this movie were written by Gauhar Kanpuri, Vikar Nagari, Kamil, and Khurshid Anwar. Music for this movie was composed by Jaani Babu.

Today on ‘Eid’ here is a ‘sufiyana qawwali’ from ‘Aulia E Islaam-1979’ sung by Jaani Babu who the composer of this qawwali is too.

Let us all pray to the ‘almighty’ that let there be peace all over and let all be safe and healthy.

Wishing all a very happy ‘Eid’ once again…

Audio

Song-Nizamuddin Aulia banaa do bigde kaam hamaare (Aulia e Islaam)(1979) Singer-Jaani Babu Qawwaal, MD-Jaani Babu Qawwaal

Lyrics

nizamuddin aulia
banaa do bigde kaam hamaare
nizamuddin aulia
banaa do bigde kaam hamaare
bhanwar mein aayi hai naiyya
aa aa aa aa
bhanwar mein aayi hai naiyya
lagaa do ab to kinaare
nizamuddin aulia
banaa do bigde kaam hamaare
nizamuddin

suno e khwaja e aali
hamaare haath hain aen aen
khaali
ye bhar jaayen abhi pal mein
nazar tumne agar daali
ho o o o o o o o
tumhi ho dilli ke raja
tumhi ho dilli ke raja
ho tum bin kisko pukaare
nizamuddin aulia
banaa do bigde kaam hamaare
nizamuddin aulia
banaa do bigde kaam hamaare
nizamuddin

karam ham par bhi farmaao
muraadein dil ki bhar laao
naa hamko aur tarsaao
naa hamko aur tadpaao
ho o o ho o o ho o o o
suni hai laakhon ki bipadaa
aa
suni hai laakhon ki bipadaa
hazaaron bhaag sanwaare
nizamuddin aulia
banaa do bigde kaam hamaare
nizamuddin aulia
banaa do bigde kaam hamaare
nizamuddin

dar e aqeedat pe aaye hain
adab se sar jhukaaye hain
tamannaayen hazaaron hi
ham apne saath laayen hain
ho o o o o o o o o o o o o o o
dilon ko khushiyon se bhar do
dilon ko khushiyon se bhar do
ke ham hain dard ke maare
nizamuddin aulia
banaa do bigde kaam hamaare
nizamuddin aulia
banaa do bigde kaam hamaare
nizamuddin

naseeb apne banaayenge
jo maangaa hai wo paayenge
tumhi se lene aaye hain
tumhi se leke jaayenge
ho o o o o o o o o o o o o o o
tumhi se aas lagi khwaaja
tumhi se aas lagi khwaaja
ke tum ho dil ke sahaare
nizamuddin aulia
banaa do bigde kaam hamaare
nizamuddin aulia
banaa do bigde kaam hamaare
nizamuddin


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4663 Post No. : 16335 Movie Count :

4435

#The Decade of Seventies – 1971 – 1980 #
———————————————————–
# Bhoole-Bisre Geet # 134 # Qawwalis – 11 #
———————————————–

Today’s qawwali is from the ‘1979’ movie ‘Auliyaa E Islaam’. Music for this movie was composed by Jaani Babu Qawwal the famous qawwali singer and composer of yesteryears.

Any discussion on Qawwalis either from Hindi movies or non-film music is incomplete without the mention of Jaani Babu Qawwal. He has left an indelible mark in Qawwali singing and in the history of Hindi film music. In Hindi movies there may not be many movies where he had sung or composed music for. But whatever he has composed or sung is unforgettable. He will always be remembered and whoever listens to his creations is surely going to fall in love with his voice and singing.

I have been longing to share a brief write-up with biographical information about Jaani Babu Qawwal, but it has taken time and I will be presenting it separately in the future.

For today’s presentation I am presenting a qawwali from the movie ‘Auliyaa E Islaam-1979’ (or Aulea-e-Islaam) was directed by A. Shamsheer for ‘Roopesh Film Combines, Bombay’.

It was produced by Ram Gopal Gupta and Ram Kishan Gupta. It had Farida Jalal, Tabrez, Imtiaz Khan, Soniya Sahni, Naaz, Jairaj, Nazir Hussain, Paro, Master Amjad and Rajendra Nath, Hakeem ji, Husn Bano, Shefali Choudhary and Master Tinoo, Mirza Musharaf, Khalifa, Usman, Ramesh Dubey, supported by Shatrujeet, Jagdish Raj, Rajan Haksar, Birbal. Mehmood, Padma Khanna, Keshto Mukherjee and Mukri had special appearances in this movie.

A Shamsheer the director of this movie was also the writer of this movie. Editing of this movie was done by Krishan Sachdev.

This movie was passed by Censor Board on 18.08.1979.

This movie had as many as eleven songs, a good number of them being qawwalis (nine, if I am correct).

This movie had qawwalis by Shankar-Shambhu, Jaani Babu, Yusuf Azad, Chhote Yusuf, Abdur Rab Chaush, Rashid Hairan, Aziz Warsi and Aziz Nazaan.

Lyrics for this movie were written by Gauhar Kanpuri, Vikar Nagari, Kamil, and Khurshid Anwar.

As mentioned above music for this movie was composed by Jaani Babu.

Mohd Rafi, Mahendra Kapoor, Anuradha, Shankar-Shambhu, Jaani Babu, Yusuf Azad, Chhote Yusuf, Abdur Rab Chaush, Rashid Hairan, Aziz Warsi and Aziz Nazaan had given their voices to the songs in this movie.

Today’s song or qawwali is sung by Jaani Babu and Shankar – Shambhu. This is a background song with the movie titles on the screen.

Let us now enjoy this wonderful qawwali.

With today’s song this movie ‘Aulia- E- Islaam’ makes its debut on the blog …

(During the preparation of this post I listened to some more songs of this movie and some of them are good qawwalis not to be missed.


Song-Tumhaara pehla number nabi ke tum ho dilbar (Aulia e Islaam)(1979) Singer-Jaani Babu Qawwaal, Shankar Shambhu, MD-Jaani Babu Qawwaal

Lyrics

haan aa aa aa aa
aa aa aa aa
ho o o o
aa aa aa aa aa
aa aa aa aa aa
aa aa aa
aa aa aa

gaus mere ho o
gaus mere ae
tumhre aangan maston ka aa
lagaa melaa aa
lagaa melaa
tumhaara pehlaa number
nabi ke tum ho dilbar
zamaanaa sadke tum par
tumhaaraa pehlaa number
nabi ke tum ho dilbar
zamaanaa sadke tum par
gaus mere ho o
gaus mere ae

bas mein tumhaare ae
saari khudaayi
bas mein tumhaare ae
saari khudaayi
tumne niraali manzil paayi
tumne niraali manzil paayi
sach hai tumhaare
sab hai fidaayi
sach hai tumhaare
sab hai fidaayi
tumne bigadi baat banaayi ee
tumne bigadi baat banaayi
gaus mere ae ho o o
gaus mere ae
tumhre aangan maston ka aa
lagaa melaa aa
lagaa melaa
tumhaara pehlaa number
nabi ke tum ho dilbar
zamaana sadke tum par
tumhaara pehlaa number
nabi ke tum ho dilbar
zamaana sadke tum par
gaus mere ho o
gaus mere ae

tum mehboob e subhaani ho o
tum mehboob e subhaani ho
tum maashooq e yazdaani ho
tum mashooq e yazdaani ho
tum matloob e rabbani ho
tum matloob e rabbani ho
tumhi shaan e rehmaani ho o
tumhi shaan e rehmaani ho
gaus mere ho o
gaus mere ae
tumhre aangan maston ka aa
lagaa melaa aa
lagaa melaa
tumhaara pehlaa number
nabi ke tum ho dilbar
zamaana sadke tum par
tumhaara pehlaa number
aa aa aa aa
tumhaara pehlaa number
tumhaara pehlaa number
aa aa aa aa
tumhaara pehlaa number
tumhaara pehlaa number
aa aa aa aa
tumhaara pehlaa number
tumhaara pehlaa number
ho ho ho ho o o o o
tumhaara pehlaa number
tumhaara pehlaa number
aa aa aa aa aa aa
tumhaara pehlaa number
tumhaara pehlaa number
tumhaara pehlaa number
tumhaara pehlaa number
ae ae ae ae ae
tumhaara pehlaa number
ae ae ae ae ae
gaus mere ho
gaus mere ae
tumhre aangan maston ka aa
lagaa melaa aa
lagaa melaa
tumhaara pehlaa number
nabi ke tum ho dilbar
zamaana sadke tum par
gaus mere ho o
gaus mere ae ae


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4651 Post No. : 16316 Movie Count :

4430

#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 132 # Qawwalis – 10 # Missing Films of 1971- 04#
——————————————-————————————————-—

Welcome all to the ‘tenth’ qawwali post in this series. It gives me immense satisfaction that I could present this series. I will be able to conclude this series in the next couple of posts.

Today we will listen to a ‘sufi qawwali’ rendered by the most admired ‘qawwali singing’ duo Shankar-Shambhu. I have mentioned it in my earlier posts that I have a great fascination for this name ‘Shankar-Shambhu’, may be because of the movie with same name released in ‘1976’ which I watched in my childhood, and possibly may be from the discussions of elders at home about the ‘qawwali’ and this ‘qawwali’ singing duo.

Stage shows and programs of ‘Qawwali’ were very common during the years of my childhood i.e., the ‘seventies’ and they were also part of movies where we had great qawwalis produced in HFM.

Today’s qawwali is from the movie ‘Shaan-E-Khudaa-1971’. It is directed by Nanubhai Vakeel for ‘Vanita Films, Bombay’. It had Azra, Rajpal, Chandra Mohan, Benazir, Roshan, Salam, Sukhbir Kaur, Anwari Bai, Munshi Munakka, Wazeer Muhammad Khan, Uma Dutt, Shaukat Azmi, Sujata, Master Sunil, Master Dabbu, Baby Deepali and others.

This movie was passed by Censor Board on 20.05.1971.

‘Shaan-E-Khudaa’ had seven songs written by A.H. Rizvi, S.H. Bihari, Kaifi Azmi and a traditional song. Music for this film was composed by Iqbal Qureshi. Asha Bhonsle, Mohd Rafi, Hemlata, Krishna Kalle and Shankar-Shambhu had lent their voices to the songs in this movie.

Here is the list of songs of this movie as mentioned in HFGK Vol-V (1971-1980);

S.No. Song Title Lyricist Singer/s
01 Teri zulfon ke ameer… jalwa zaraa dikhaa de A.H. Rizvi Shankar-Shambhu
02 Kaali kamli waale tujhpe laakhon salaam Asha Bhonsle
03 Ya nabi salaam aleka, ya rasul salaam aleka A.H. Rizvi Asha Bhonsle
04 Rakhta hai jo roza kabhi bhookhaa na rahegaa Asha Bhonsle
05 Dekha na kabhi hamne apnaa hai ki begaanaa Krishna Kalle
06 Milta hai kya namaaz mein sar ko jhukaa ke dekh lo A.H. Rizvi Asha Bhonsle
07 Bihar ho ki maneri ho, ye rozaa ye roze ki shaan allaah

On screen today’s qawwali is performed by Shankar-Shambu themselves. I guess that it is picturized in the premises of the famous ‘Khawaajaa Moinuddin Chishti’ dargaah at Ajmer. The picturization also shows the clips of the ‘annual fair’ at the dargaah and also the picturesque locations of Ajmer including the famous ‘Pushkar Lake’.

let us now listen to today’s qawwali in the voice of Shankar-Shambhu and chorus. Lyrics are by A.H. Rizvi and Music is composed by Iqbal Qureshi.
I have not been able to note correct words at a few places. I would request readers to provide correct ords there and would also like to request knowledgeable reader who had watched this movie to throw light on the movie and its songs..

From today the ‘holy’ month of ‘Ramaadaan’ will also start and I would take this opportunity to wish everyone a ‘very happy Ramaadaan’.It will miss the normal fervor this time due to the current ‘Covid19 pandemic’ related restrictions. I am sure people will celebrate it with the same enthusiasm and offer their prayers to God to bless everyone with good health, joy and peace in life.

This movie ‘Shaan-E-Khudaa-1971’ makes its debut on the blog ith this qawwaali.

Video

Audio

Song-Dil ki lagi bujhaa de Ajmer waale Khwaajaa(Shaan e Khuda)(1971) Singers-Shankar-Shambhu, Lyrics-A H Rizvi, MD-Iqbal Qureshy

Lyrics

raahate khal gojaan (?) Moinuddin
raahate khal gojaan (?) Moinuddin

haami e bekasaa Moinuddin
ahl-e-duniya ka wo nahin mohtaaj
jispe ho meharbaan Moinuddin

teri zulfon ke aseer aayen hain ae ae
khaa ke sab ishq ke teer aayen hain ae ae
khwajaji ee ee ee
ek mela sa lagaa hai daron par
door se tere fakir aayen hain
jalwaa zaraa dikhaa de
khawaaja ji ee ee ee
jalwaa zaraa dikha de
ajmer waale khwaaja
jalwaa zaraa dikhaa de
ajmer waale khwaaja
dil ki lagi bujhaa de
ajmer waale khwaaja
dil ki lagi bujhaa
o more khwaaja
dil lagi bujhaa de
aa aa aa aa aa aa
dil ki lagi bujhaa
aa aa aa aa aa aa
dil ki lagi bujhaa de
ajmer waale khwaaja
dil ki lagi bujhaa de
aa aa aa aa aa aan

har kaam mera
meri taqdeer ne bigaadaa
gham ki chali wo aandhi
dil ka nagar ujaadaa aa
ujdaa nagar basaa de
khawaaja ji ee ee ee
ujdaa nagar basaa de
ajmer waale khwaaja
ujdaa nagar basaa de
ajmer waale khwaaja
dil ki lagi bujhaa de
ajmer waale khwaaja
dil ki lagi bujhaa de

ye wo chaukhat hai
jis chaukhat par sab
gardan jhukaate hain
yahaan rehmat utarti hai
farishte aate jaate hain
aa aa aa aa aa aa aa
yahi dar hai jahaan
mehmood khilji rota aa aayaa thha
yahi dar hai jahaan jo
usne maanga thha wo paaya thha
haan aa aa aa aa aa
isi dar par kabhi
akbar ne bhi
daaman pasaaraa thha
yahin gardan jhukaayi thhi
yahin par taaj utaaraa thha

jhaangir aaya thha dehleez par
jaise faqir aaye
palat jaate thhe dushman ki taraf se
jitne teer aaye ae
sabko diya sahaaraa aa
tu sab ke kaam aayaa
khwaajaa ji ee ee ee
mere khwaajaa ji ee
sabko diyaa sahaaraa
tu sab ke kaam aayaa
mujhko bhi aasraa de
mujhko bhi aasraa de
ajmer waale khwaajaa
mujhko bhi aasraa de
ajmer waale khwaajaa
dil ki lagi bujhaa de
ajmer waale khwaaja
dil ki lagi bujhaa de
o ho more khwaajaa
haan aa aa aa aa aan
dil ki lagi bujhaa de
aa aa aa aa aa aa aan
dil ki lagi bujhaa de
aa aa aa aa aa aa
dil ki lagi bujhaa de
ajmer waale khwaaja
dil ki lagi bujhaa de

jab ke ajmer mein
khwaaja ka qadam aaya thha
phool sa chehra
kadi dhoop mein murjhaayaa thha aa
saath khwaaja ke jo
deewaane chale aate thhe
aisi garmi thhi ke parwaane jaley
jaate thhe
ek jungle mein nazar
aaya kahin kuchh saayaa
kaafilaa hazaratein
khwaaja ne wahaan thhehraaya aa
aake charwaahe ye bolen ke
yahaan se jaao o
kaafilaa apnaa kahin aur hi
tum thhehraaao o o
kaise mumkin hai ki is saaye mein
insaan rahe
oont rajaa ke yahaan baithhte hain
dhyaan rahen
uthhte utthte bhi ye phir
hazrat e khwaajaa ne ae ae kahaa aa aa
lo jagah apni sambhaalo
main kahin aur chalaa aa aa
par faqiron ko sataaya hai
to pachhtaaoge
oont baithhe hi rahenge
na uthhaa paaoge
sabne us roz ye khwaajaa ki
qaraamat dekhi
oont baithhe to phir
uthhne ki na himmat dekhi

qadmon pe sar jhukhaa ke
charwaahe saare boley ae
aisi na tu sazaa de ae
khwaajaa ji ee ee ee
mere khwaajaa ji ee ee ee
aisi na tu sazaa de ae
ajmer waale khwaajaa
aisi na tu sazaa de ae
ajmer waale khwaajaa
dil ki lagi bujhaa de
ajmer waale khwaaja
dil ki lagi bujhaa de
o ho more khwaajaa
dil ki lagi bujhaa de
haan aa aa aa aa aan
dil ki lagi bujhaa de
aa aa aa aa aa aa aan
dil ki lagi bujhaa de
ajmer waale khwaaja
khwaajaa ji ee ee ee
dil ki lagi bujhaa de
khwaajaa ji ee ee ee
mere khwaajaa ji ee ee ee
khwaajaa ji ee ee ee
haaye khwaaja jee
aa aa aa aa aa
dil ki lagi bujha de
Ajmer aale Khwaaja
dil ki lagi bujhaa de
khwaajaa jee
jalwaa zaraa dikhaa de
ajmer waale khwaaja
jalwaa zaraa dikhaa de
ajmer waale khwaaja aa aa aa


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4629 Post No. : 16282

Rafi Sahab’s Legendary Associations – 3
———————————–————––———

Sar jo tera chakraaye, Ya dil dooba jaaye
Aa jaa pyaare paas hamaare, Kaahe ghabraaye
Kaahe ghabraaye. . .

Ae dil hai mushkil jeena yahaan
Zara hatt ke zara bach ke
Yeh hai bombay meri jaan. . .

Jaane kahan mera jigar gaya ji
Abhi abhi yahi thha kidhar gayaa ji. . .

Gareeb jaan ke hum ko na tum mita dena
Tumhin ne dard diya hai tumhi dawaa denaa

Just to list a few of the famous Rafi solos and duets for Johny Walker.

This series is about collaborations and team work by Rafi Sahab for various artists, mainly with composers, singers and lyricists.  But since the song I stumbled upon is too good, atypical rendition by Rafi Sahab for Johnny Walker, as we know the veteran comic actor.  So I have included this in the series.

In the list of Rafi Sahab’s songs I counted around 125 songs of Johnny Walker.   This blog already has 136 songs listed as filmed on Johnny Walker songs. The readers can view the list here.

Some of these are by other singers like Mannadey or Mahendra Kapoor etc., but they should be very few, so what I have found is possibly one of the very few around 5-10 Rafi songs actually sung on screen by Johnny Walker remaining to be posted.

‘Ghulam Begum Baadshah’ is a 1956 film produced under the banner of Niagra Films, Bombay and is directed by Jugal Kishore. The star cast of the film is listed as Sheela Ramani, Daljeet, Wazir Muhammad Khan, Altaf, Nishi, Sadiq, Paras, Khairati, Malika, R Nath, Jogendra, Preetam, Dilip Bamblaheri, Wajid Ali, Bhanesh Kumar, Shivji Bhai, Chand, Kamaldeep, Rajpuri, Prakash, and Johnny Walker

The film has six songs written by four lyricists – Indeewar, Roopbani, Shyam Hindi and Shaukat Pardesi. This song is written by Roopbani. The film’s music is composed by Sudipta Bhattacharya. Four out of six songs of this film are posted in the blog :

Aaj Hai Mujhko Khushi Jhoomti Hai Zindagi
Dil Hai Ye Tera Dil Tu Liye Jaa
Dil Se Mere Dil Mila
Jannat Ki Hoor Hoon Dil Ka Suroor Hoon

The tally of the lyricist and the music director in our blog, as per the stats page is as follows:

Sudipta Bhattacharya 6
Roopbani 19

Going by the above Sudipta Bhattacharya, was not a one film wonder and he has composed the music for at least two Hindi films or may be some non-film songs.  This is a rare qawwali by a Bengali music director, discounting the excellent filmy qawwaliyan composed by RD Burman.

Such is the beauty of 50’s Rafi songs, and this song has the added attraction is being specifically sung for Johnny Walker.  As a composition also I must say it is top-notch.  It could have been the run of the mill, funny, chhed-chhad qawwali, but it is not so.  The sense of timing of Johnny Walker and Rafi sahab’s spirited enjoyment of performing and singing is a highlight.

One can imagine the amount of time and hard work in the creation of this and the many  rehearsals etc that must have been gone into creating this song.

The more times I see and hear this song, I am sure whoever is reading the post is going to see this song multiple times.  Truly, it is so perfectly synchronised, composed, written, sung, performed and edited song.

Song – Thoda Sa Hum Ko Sharbat e Deedar Chahiye (Ghulam Begum Baadshah) (1956) Singer – Mohammed Rafi, Lyrics – Roopbani, MD – Sudipta Bhattacharya
Unidentified Male Voice
Chorus

Lyrics 

aa aaa aaaa

bahot jal kar
muhobbat mein mera dil. . .
aaj bolaa hai..ae..ae
qayamat hai tu
arey bijli hai tu
sholaa hai..ae..ae
tthoda sa hum ko sharbat-e-deedar chaahiye
tthoda sa hum ko sharbat-e-deedar chaahiye
tthoda sa hum ko sharbat-e-deedar chaahiye ea
tthoda sa hum ko sharbat-e-deedar chaahiye
pi pi ke jise jhoomen hum ko pyaar chaahiye haan
pi pi ke jise jhoomen hum ko pyaar chaahiye
tthoda sa hum ko sharbat-e-deedar chaahiye

ha ha aa

aa aa aaaa
daulat na chahiye mujhe
na maal chaahiye
aaa aaaaaa
aaaaa aaaaaaaaaa
arey roti na chahiye mujhe
na daal chahiye..ae..ae
phir kya chahiye
arey jo haathh mein hai tere
wo rumaal chahiye
samjhe na
jo haath mein hai tere
wo rumaal chahiye
jo haath mein hai tere
wo rumaal chahiye ea
jo haath mein hai tere
wo rumaal chahiye
aashiq hain hum ko
ishq ka aazaar chahiye
aashiq hain hum ko
ishq ka aazaar chahiye
arey
tthoda sa hum ko sharbat-e-deedar chaahiye..ae

ha aa

haaan aaaan
qaatil hai tu agar
to main qaatil ka
ba ba ba
baap hoon
baap hoon
naagin hai tu agar
to main zehreela saa..aanp hoon
to phir kya ho. . .
sab kuchh hoon tere ishq mein
khaana kharaab hoon
sab kuchh hoon tere ishq mein
khaana kharaab hoon
sab kuchh hoon tere ishq mein
khaana kharaab hoon
sab kuchh hoon tere ishq mein
khaana kharaab hoon
ik tere jaisa hum ko bhi dildaar chahiye
ik tere jaisa hum ko bhi dildaar chahiye

tthoda sa hum ko sharbat-e-deedar chaahiye
tthoda sa hum ko sharbat-e-deedar chaahiye

————————————————————
Hindi Script Lyrics
(Provided by Sudhir)
————————————————————

आ आs आsss

बहोत जल कर
मुहब्बत में मेरा दिल॰॰॰
आज बोला है॰॰ए॰॰ए
क़यामत है तू
अरे बिजली है तू
शोला है॰॰ए॰॰ए

थोड़ा सा हमको शर्बत ए दीदार चाहिए
थोड़ा सा हमको शर्बत ए दीदार चाहिए
थोड़ा सा हमको शर्बत ए दीदार चाहिए
थोड़ा सा हमको शर्बत ए दीदार चाहिए
पी पी के जिसे झूमें हमको प्यार चाहिये
पी पी के जिसे झूमें हमको प्यार चाहिये
थोड़ा सा हमको शर्बत ए दीदार चाहिए

हा हा आ

आ आ आsss
दौलत ना चाहिए मुझे
न माल चाहिए
आss आsssss
आssss आsssssssss
अरे रोटी ना चाहिए मुझे
ना दाल चाहिए॰॰ए॰॰ए
फिर क्या चाहिए
अरे जो हाथ में है तेरे वो रुमाल चाहिए
समझे ना
जो हाथ में है तेरे वो रुमाल चाहिए
जो हाथ में है तेरे वो रुमाल चाहिए
जो हाथ में है तेरे वो रुमाल चाहिए
आशिक हैं हमको इश्क़ का आज़ार चाहिए
आशिक हैं हमको इश्क़ का आज़ार चाहिए
अरे
थोड़ा सा हमको शर्बत ए दीदार चाहिए॰॰ए

हा आ

हाँ॰॰आँ
क़ातिल है तू अगर
तो मैं क़ातिल का
बा बा बा
बाप हूँ
बाप हूँ
नागिन है तू अगर
तो मैं ज़हरीला साँ॰॰प हूँ
तो फिर क्या हो
सब कुछ हूँ तेरे इश्क़ में खाना ख़राब हूँ
सब कुछ हूँ तेरे इश्क़ में खाना ख़राब हूँ
सब कुछ हूँ तेरे इश्क़ में खाना ख़राब हूँ
सब कुछ हूँ तेरे इश्क़ में खाना ख़राब हूँ
इक तेरे जैसा हमको भी दिलदार चाहिए
इक तेरे जैसा हमको भी दिलदार चाहिए

थोड़ा सा हमको शर्बत ए दीदार चाहिए
थोड़ा सा हमको शर्बत ए दीदार चाहिए


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4598 Post No. : 16225

#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 123 # Qawwalis – 8
——————————————-—–—————-——

Welcome all to the today’s ‘special post’. Special because, we pay our tributes to Khayyam Saab(18 February 1927 – 19 August 2019) on his ninety-fourth birth anniversary today on 18th February’2021.

On this occasion, we are going to listen to a ‘qawwali’ composed by him for the movie ‘Chambal Ki Kasam-1979’.

This ‘qawwali song’ under the above series is coming after a long gap of more than three and half years. The last time I had shared a ‘Qawwali’ was on 26.06.2017 and that qawaali too, like this one, was from the pen of Sahir Ludhianvi.

I had earlier planned to present today’s qawwali for the same occasion last year, however I was unable to send the article at that time.

We have one hundred and sixty-three songs under the category of ‘Qawwalis’.
Today’s ‘qawwali’ is only the second ‘qawwali composition’ of Khayyam Saab to appear on the blog.
The only previous Khayyam qawaali in the blog was this song from ‘Shankar Hussain-1976’ which was posted on 22.05.2011.

But the case with the lyricist Sahir Ludhianvi is totally different. He, so far has twenty-five of his ‘qawwali songs’ on the blog. And today’s song will be his twenty-sixth qawwali song on the blog (more statistics on ‘Qawwali’ on the blog will be coming here in future posts). 😊

Today’s ‘Qawwali’ written by Sahir Ludhianvi can be termed as a ‘social-muqaabla qawwali’ 😊 between a ‘law abiding Police officer’ and a person who has lost his faith in ‘law and order’ and hence doing ‘his self-styled justice with the ‘goons’ in the society’.

We are all aware that in our Hindi movies we have many types of qawwalis created for a particular situation taking a‘liberty’ from the purest form of ‘qawwali’ is i.e., ‘sufiana’…

“Chambal Ki Kasam-1979” was an M.P.D. Productions presentation. It was produced by V L Murlidhar and directed by Ram Maheshwary. It had Raj Kumar, Shatrughan Sinha, Moushmi Chatterjee, Farida Jalal, Ranjeet, Nirupa Roy, Paintal, Gopal Sehgal, R. Tiwari, Usha Kiran, Peace Kanwal, Jagdish Raj, Nazir Hussain, Gufi, Paro Devi, Maruti, Uma Khosla, Raj Rani, Master Bhagwan, Gurucharan, Usha (Gwalior), Pandit Ganga Prasad (Gwalior), Mansaram, Master Rajesh, Master Rahul, Master Sonu, Master Rajiv, Baby Shaloo, and Manu Arora.

Pradeep Kumar and Amjad Khan makes a guest appearance and a special appearance in this movie respectively.

Story of this movie was written by M.K. Tamanna and Screenplay was written by Benoy Chatterjee. Dialogues of this movie were written by Sagar Sarhadi and Safdar Hussain. Additional Dialogues were by Ela Maheshwary. Editing for this movie was done by D.N. Pai and M.S. Shinde.

This movie had eight songs, which were sung by Jagjit Kaur, Lata Mangeshkar, Manna Dey, Mahendra Kapoor and Mohd Rafi.
Sahir Ludhianvi is the lyricist for all the songs and music is composed by Khayyam Saab.

So far, five songs of this movie ‘Chambal Ki Kasam-1979’ have been posted on the blog as given below;

Song Posted On
Simti huyi ye ghadiyaan 27.04.2012
Chanda re mere bhaiyya se kehna 02.08.2012
Parmeshwar rakhwaalaa tera 25.10.2014
She’r ka husn ho 09.12.2016
Marta hai koi to mar jaaye 30.01.2021

Let us now enjoy to this wonderful ‘qawwali’ sung by Manna Dey and Mahendra Kapoor. It is performed on screen by Shatrughan Sinha (lip syncing in Manna Dey’s voice) and Raj Kumar (lip syncing in Mahendra Kapoor’s voice). The two actors are seen trying to score brownie points over the other in this lyrical muqaablaa -😊. Finally the ‘law’ has the last laugh in archtypical Hindi movie style …

Also seen in the picturization of this song are Nirupa Roy, Moushumi Chatterjee and Farida Jalal with many other artists.

This ‘qawwali’ composition by Khayyam Saab is in his own style and it grows on us if we listen to it more than once …

Remembering Khayyam Saab …

Video

Audio (Partial)

Song-Kaun hai mujrim kaun hai munsif (Chambal Ki Kasam)(1979) Singers-Mahendra Kapoor, Manna Dey, Lyrics-Sahir Ludhianvi, MD-Khayyam
Chorus

Lyrics

aa aa aa aa aa aa aa aa
aa aa aa aa aa aaa

aa aa aa aaa

jaaneman jo tera manshaa hain
wo ham jaante hain
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa

tu kisi bhes mein aaye
tujhe pehchaante hain

tum badi tez nazar rakhte ho
ham maante hain
arey hamse bachta nahin mujrim
ye sabhi jaante hain

aa ha ha
achchaa aa
to suniye

ho o
kaun hai mujrim
kaun hai munsif
o
kaun hai mujrim
kaun hai munsif
bahas hai bekaar
mujrim kaun nahin
kaun nahin mere yaar
mujrim kaun nahin
mere yaar

arey aisaa kaho naa
ho o
ek tumhi ho nek jahaan mein ae
ho ek tumhi ho nek jahaan mein
baaki sab badkaar
matlab ye niklaa

ye nikla mere yaar
matlab ye niklaa mere yaar

aisaa nahin hai wallaah

daake ke hain roop hazaaron
qatl ke laakhon dhandhe ae
asal se badhkar
hoye asal se badhkar
sood kamaayein
saahukaar ke phande ae
paani ke injection bechen
arey paani ke injection bechen
dhan ke lobhi bande
desh ke sewak ban kar netaa
khaayen kaum ke chande ae
desh ke sewak ban kar netaa
khaaye kaum ke chande

ho o
chor pakadne waale dekhe
ho o chor pakadne waale dekhe
chor ke saajhedaar
bhaashan rehne de
rehne de mere yaar
bhaashan rehne de mere yaar

arz ye hai kiblaa

jantaa aur sarkaar ke mujrim
hain sab aise bande ae
inki gardan
oye inki gardan naapenge
ik din qaanoon ke phande ae
jantaa inke khoon se apne ae
arey jantaa inke khoon se apne
haath kare kyon gande
ham maujood hain
ham rokenge
saare kaale dhandhe

ham maujood hain
ham rokenge
saare kaale dhandhe

ho o o
tum khud hi ban baithhe ho o
ho tum khud hi ban baithhe ho
qaanoon ke thekedaar
tumko kya bolen

kya bolen
sarkaar
tumko kya bolen sarkaar

arey bhaai aur kya karen ham

ho o o o
lambaa hai qaanoon ka rastaa
aur vakaalat mehangi ee ee
ho o o o
paap ke bojh se toot ke reh gayi
satya aur nyaay ki bahangi
hamne khud bandook uthhaa li
khench li ab talwaar
isme kya bigdaa
kya bigdaa mere yaar
isme kya bigdaa mere yaar

kiblaa mulahijaa ho
irshaad
irshaad

ho o o o
khoon ka badlaa khoon chalaa
to khoon bahegaa sadiyon
ho o o
aangan aangan dwaare dwaare
sog rahega sadiyon
nafrat se nafrat badhti hai
pyaar ka phal hai pyaar
nafrat jaane de

jaane de mere yaar
nafrat jaane de mere yaar

ab hamaari bhi suniye hazrat
aa aa aa aa aa aa aa aa a a a
qaatil ko jo qatl kare ae
usko qaatil mat kehnaa
kaayar ban’ne se behtar hai
baaghi ban kar rehnaa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aap ki ye bhool hai kiblaa
kaayar wo jo hathiyaaron ke
bal per jeena seekhe
insaan ho kar insaanon ke
khoon ko peena seekhe
arey ab bhi sudhar jaa
ab bhi khule hain
ab bhi sudhar jaa
ab bhi khule hain
pashchaataap ke dwaar
nafrat jaane de ae

ab bhi sudhar jaa
ab bhi khule hain
pashchaataap ke dwaar
nafrat jaane de
jaane de mere yaar
nafrat jaane de mere yaar

pashchaataap
arey ham ko pashchaataap sikhaate
mar gaye kitne gyaani

wo khaali gyaani honge
wo khaali gyaani honge
par ham hai gyaani jaani

arey karte rahe hain karte rahenge
bhai karte rahe hain
karte rahenge
ham yoonhi manmaani
aage bhi manmaani ki
arey aage bhi manmaani ki
to goli padegi khaani

ha ha ha haa
arey maar sake jo hamen ae
arey maar sake jo hamen
wo goli bani nahin hain jaani
bani to hai
bani to hai par hamne
ab tak chaahi nahin chalaani

haan ha ha
aaj ye hasrat poori kar lo
bhai aaj ye hasrat poori kar lo
maukaa hai laasaani
bhai maukaa hai laasaani
mere jaani ee
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16600 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16615

Number of movies covered in the blog

Movies with all their songs covered =1280
Total Number of movies covered=4520

Total visits so far

  • 14,811,036 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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