Archive for the ‘qawwali’ Category
Ye nazar hai nazar hai nazar
Posted on: May 31, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 100th song post in the blog for the month of May 2023. This article covers the 200th qawwaali song for the blog.
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Blog Day : |
5430 | Post No. : | 17814 | Movie Count : |
4762 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # (Debutant Movie-Do Shatru-1976)
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(Qawwalis – Part-2 Post-8)
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Regulars associated with this blog since its early days will remembering that whenever there was a ‘special occasion’ for the blog viz. centuries for the blog or centuries of artistes etc., the occasion was typically celebrated with a ‘Qawwali’ song. For example, when the blog touched the figure of 5000 posts, the occasion was celebrated by discussing the immortal qawwaali-Hamen to loot liya mil ke husn waalon ne
It is always delightful to watch and listen to ‘qawwalis’ from Hindi films. Other than lifting the spirits and cheering up the listeners, the verses of the ‘qawwalis’ often quench the ‘intellectual thirst’ with their messages. These qawwaalis provide entertainment with their compositions. The magic of words woven in the lyrics of most of the ‘qawwalis’ has the effect of enthralling the listeners. They are so spellbound that they do not realise how time passes while listening to the qawwaali which are typically much longer in length than normal songs of Hindi movies.
Over the years the ‘lyricists & Composers’ in our Hindi Film Industry have created some of the greatest and wonderful ‘qawwali songs’ and enthralled the audiences with divine as well as entertaining compositions in all types of ‘qawwalis’.
Readers are aware that I love ‘qawwalis’ very much and especially if they are from the decade of ‘seventies’ it is always a ‘thrill’ listening to them and watching their picturisation.
Today I once again present a Qawwali song sung by Aziz Nazan.
I had mentioned in one of my earlier ‘qawwali’ post that Aziz Nazan is also one of the very special voices from the seventies and a source of fond nostalgia for me. He has immortalized himself in the history of Hindi Film Music by singing the famous film Qawwali ‘jhoom baraabar jhoom sharaabi’ from ‘Five Rifles-1974’, and the ‘immortal’ ‘non-film’ Qawwali ‘chadhhtaa sooraj dheere dheere dhhaltaa hai dhhal jaayegaa’.
Today I present a ‘qawwali’ song sung by him from the movie ‘Do Shatru-1976’.
“Do Shatru-1976” was directed by Kewal Mishra for ‘Kewal Art Productions, Bombay’. Kewal Mishra was also the producer of this movie. It had Sharmila Tagore, Shatrughan Sinha, Kamini Kaushal, Sujit Kumar, Dev Kumar, Iftekhar, Ram Mohan, Rajan Haksar, Jayshree T., Leela Mishra, Dhanraj, Meenakshi, Shefali, Hussan Bano, R.S. Chopra, Vikas Bali, Charanjit, Pandit Khairati, Narbada Shankar, Ikram, Gulab Singh, Master Manmohan Mishra, Master Rajesh Mishra, Master Chandan Mishra, Sudarshan Mishra, Kewal Mishra, Jugnoo, Sujata and others.
Anil Dhawan and Aruna Irani had made special appearances in this movie.
Story of this movie was written by the ‘Story department of Kewal Art Productions’. The dialogues for this movie were written by Jaggi Ram Paul and Qamar Narvi.
Editing of this movie was done by Shyam.
This movie was passed by Censor Board on 27.07.1976.
“Do Shatru-1976” has four songs in it which were written by Verma Malik. Music was composed to music by Kalyanji-Anandji.
Lata Mangeshkar, Asha Bhonsle, Aziz Nazan, Kanchan and Narinder Chanchal had given their voices to the songs in this movie.
Today’s ‘qawwali’ is sung by Aziz Nazan. It is lip synced on screen by Shatrughan Sinha. We can see Iftekhar, Sujit Kumar, Ram Mohan, one old man (I am unable to identify him) and many other artistes whom I am unable to identifyg. It seems to be a ‘typical song situation’ of the movies of seventies. Iftekhar’s presence in the song and in his characteristic style adds value to the picturisation of this song. Presence of Sujit Kumar and others are indicators to the movie wathers that the qawwaali would be followed by some exciting developments that were certain to thrill the movie wathers.
The entertaining lyrics are by Verma Malik and the music is given by Kalyanji-Anandji.
With this ‘Qawwali’ song we now have ‘two hundred’ ‘Qawwali songs’ on the blog.
Keeping our ‘new year resolution’ for the fifth consecutive month we are ending this month also on a ‘happier note’ with one hundred posts in this month of May’2023.
Here is a look on how the blog has fared (number of postwise) during the month of May over the yearsince its inception.:-
| YEAR | May | Average per day |
|---|---|---|
| 2009 | 194 | 6.26 |
| 2010 | 64 | 2.06 |
| 2011 | 107 | 3.45 |
| 2012 | 128 | 4.13 |
| 2013 | 142 | 4.58 |
| 2014 | 75 | 2.42 |
| 2015 | 61 | 1.97 |
| 2016 | 35 | 1.13 |
| 2017 | 81 | 2.61 |
| 2018 | 67 | 2.16 |
| 2019 | 40 | 1.29 |
| 2020 | 60 | 1.94 |
| 2021 | 55 | 1.77 |
| 2022 | 36 | 1.16 |
| 2023 | 100 | 3.23 |
| Total | 1245 | |
| Average | 83 | 2.68 |
We can see that three figures for this month May is coming after a long gap of ‘nine’ years. The last time it was achieved in May’2013 when 142 songs were covered during the month.
From tomorrow we will be entering another new month that will be another‘feast of music and memories’…
Let us enjoy this song, which is the final offering in the blog for the month of May 2023 …
With this song the movie ‘Do Shatru-1976’ makes its debut on the blog.
I forgot to mention above that I have not watched this movie and I do not remember to have read about it. But, it seems to be an interesting movie to watch. We will be adding more information to this movie later.
However, knowledgeable readers who have already watched this movie are requested to add more information about this movie and its’ songs.
Video
Song-Ye nazar hai nazar hai nazar (Do Shatru)(1976) Singer-Aziz Naazaan, Lyrics-Verma Malik, MD-Kalyanji Anandji
chorus
Aa aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa
Aa aa aa aa aa aa
arey chaahoon to
nazar ke sheeshe se
patthhar ko tod doon
saagar ki lehar
thhaam loon
toofaan ko mod doon
arrey chaahoon to
nazar ke sheeshe se
patthhar ko tod doon
saagar ki lehar
thhaam loon
toofaan ko mod doon
jinko daawaa hai aen ae
jinko daawaa hain
apne parde kaa
chhupte rahen
chhupte rahen aen aen
main is nazar se
parde ki
deewaar tod doon
pardewaalon
pardewaalon
sambhal kar rehnaa aa
ho
pardewaalon
sambhal kar rehnaa aa
aan aan aan
uthha pardaa to mujhse naa kehnaa aa
ho uthha pardaa to mujhse naa kehnaa aa
ye to peechhaa karegi
koyi jaayegaa jidhar
ye nazar hai nazar hai nazar
(whistling sound)
ye nazar hai nazar hai nazar
ho o o o o
isko sabki khabar hai khabar
ho o o o o
isko sabki khabar hai khabar
aa aa aa aa aa aan
aan aan aan aan aa aa
ho o o ho o o o o
dekh le koyi khud ko chhupaake ae
ho o
dekh le koyi khud ko chhupaa ke ae
ho jaa sakegaa naa
ho jaa sakegaa naa
daaman bachaa ke ae
ho o o o
jaa sakegaa naa daaman bachaa ke ae
parde pe naaz hai jinko
ye kehdo jaa ke unko
jisne bhi inko rokaa
wo khaa jaayegaa dhokhaa
agar ye rang dikhaa degi
agar jaadoo chalaa degi
kayi parde giraa degi
kayi parde uthhaa degi
kayi parde giraa degi
kayi parde uthhaa degi
kayi parde
giraa degi
kayi parde
uthhaa degi
tu jidhar
ye udhar
ab jaayegaa kidhar
tu jidhar
ye udhar
ab jaayegaa kidhar
ho zameen
aasmaan
tu jahaan
ye wahaan
o zameen
aasmaan
tu jahaan
ye wahaan
maan le ae ae ae ae ae
ho o o o o o
maan le tu meri
is’se pardaa na kar
ye nazar hai nazar hai nazar
ye nazar hai nazar hai nazar
isko sabki khabar hai khabar
ho isko sabki khabar hai khabar
aa aa aa aa aa
aa aa aa aa aa aa aa aa
aa aa aa
agar masti mein aayegi to
duniyaa jhoom jaayegi
to duniyaa
jhoom jaayegi ee
duniyaa
duniyaa
jhoom jaayegi ee
to duniyaa
jhoom jaayegi ee
karegi ye jo manmaani
to patthhar ho jaaye paani
ho jaaye paani
patthhar
ho jaaye paani
to patthhar
ho jaaye paani
aa aa aa aa aa aa
aa aa aa aa
zamaane ki hukumat
zamaane ki mohabbat
zamaane ki ye taaqat
zamaane ki zaroorat
kisi ke paaon mein hai
kisi ke chhaaon mein hai
kisi ke paaon mein hai
kisi ki chhaaon mein hai
kisi ki raahon mein hai
ye do nigaahon mein hai
kisi ki raahon mein hai
ye do nigaahon mein hai
agar ye jhuk jaayegi
to duniya ruk jaayegi
agar ye jhuk jaayegi
to duniya ruk jaayegi
agar ye uthh jaayegi ee
to duniya lut jaayegi ee
agar ye uthh jaayegi ee
to duniya lut jaayegi ee
na isey tu sataa aa
na isey aazmaa aa
na isey tu sataa aa
na isey aazmaa aa
ye jafaa
ye balaa
ye qazaa
ye khudaa
ye jafaa
ye balaa
ye qazaa
ye khudaa
dekh le ae ae ae ae ae ae ae ae
o o o o o o o o o o o o
dekh le aaj
aa ke tu
iskaa asar
ye nazar hai nazar hai nazar
ye nazar hai nazar hai nazar
aa aa aa aa aa
isko sabki khabar hai khabar
aa aa aa aa a aa
aa aa aa aa aa aa
ye nazar hai nazar hai nazar
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5411 | Post No. : | 17747 |
Today’s song is from an obscure film called Sapna-1952. I had not heard its name till I purchased the HFGK in 2011 !
The film was made by the Producer Kishor Sahu, under the banner of Hindustan Chitra, Bombay. The film’s director was Kidar Sharma, who was in the second half of his career. Out of his 36 Directorial ventures Sapna-52 was his 20th film. The famous , creative and hard working Kidar Nath Sharma was slowly losing his sheen in direction. Maybe he found difficulty in dealing with the changing scenario of the Hindi films in the 50’s decade. I have his autobiographical book ” The one and the Lonely Kidar Sharma” which is indeed an informative and interesting book. It gives a peep into the film scene of the 30’s and the 40’s as well as the famous Studio system.
Kidar Nath Sharma (12 April 1910 – 29 April 1999), was a director, producer, screenwriter, and Lyricist of Hindi films. While he had great success as a director of such movies as Neel Kamal (1947), Bawre Nain (1950) and Jogan (1950), he is often most remembered for starting the acting careers of actors like Ramola, Madhubala, Geeta Bali, Raj Kapoor, Mala Sinha, Bharat Bhushan and Tanuja, who are considered to be one of the greatest entertainers of Indian cinema.
Kidar Sharma has often been given the title of ‘one-man film industry’. He was producer, director, actor, story/screen-play/dialogue writer, lyricist, editor, still photographer etc. He was also known to have working knowledge of Hindustani classical music. He also sang a song for himself in the film ‘Inquilaab’ (1935). With a vast knowledge gained from working in New Theatres, Kolkata during 1933-41 and in Ranjit Movietone during 1942-47, Kidar Sharma had already directed 11 films and written lyrics for 23 films before he turned producer with ‘Neel Kamal’ (1947).
Kidar Sharma had a passion for film making. Otherwise why would a young man of 22 years after completing M.A. in English literature join the New Theatres (NT) as a painter? He would have very well got the job of a lecturer in any college in his native Punjab. His progress in filmy career was rapid. Within 2 years of joining NT, he was a still photographer and the lyricist for ‘Devdas’ (1935). He became dialogue writer for the Hindi version of ‘Vidyapati’ (1937) in addition to songwriting. By 1939, Kidar Sharma had become a free-lance director with ‘Aulaad’ (1939’), his debut film as a director followed by ‘Chitralekha’ (1941) which became a much talked about film. Incidentally, after about 23 years, Nadiadwala of Pushpa Films engaged Kidar Sharma to direct ‘Chitralekha’ (1964), a remake of its 1941 version.
After directing 9 films for Ranjit Movietone, Kidar Sharma decided to produce and direct ‘Neel Kamal’ (1947) under his own banner, Oriental Pictures. In fact, nobody was prepared to produce this film, not even his employer, Ranjit Movietone. So, he was forced to become the producer. He arranged finances by selling the distribution rights of the film in advance. For his maiden venture, he introduced two new comers – Raj Kapoor and Madhubala. Both the actors had done some bit roles in films before they were given the lead roles for the first time in the film. The film was an average success in terms of box office collections. Since then, Kidar Sharma produced and directed 14 films between 1947 and 1980.
As a producer-director, Kidar Sharma was not a showman like Raj Kapoor for whom the production value in terms of star cast, techniques and costly sets for film shooting were as important as the theme of the film. On the other hand, Kidar Sharma was an antithesis of a showman. He believed in low budget films which ruled out taking star actors for the lead roles. Hence, for almost all his films which he produced and directed, he preferred newcomers and his protégées to whom he had earlier introduced in his films. In this process, he gave to the Hindi film industry, popular actors like Raj Kapoor, Madhubala, Geeta Bali, Bharat Bhushan, Mala Sinha, Tanuja etc to whom he introduced in his films as lead actors for the first time. Similarly, he mostly relied on Snehal Bhatkar and Roshan as music directors for his films who were introduced by him in his films ‘Neel Kamal’ (1947) and ‘Sohag Raat’ (1948), respectively for the first time.
Kidar Sharma’s last box office successful film as a producer-director was ‘Baawre Nain’ (1950) with Raj Kapoor and Geeta Bali in the lead roles. All his subsequent films like ‘Shokhiyaan’ (1951), ‘Gunaah’ (1953), ‘Chhora Chhori’ (1954) and ‘Rangeen Raaten’ (1956), did not fare well at the box office. All his films in the 1960s and thereafter numbering 6 either failed miserably at the box office or did not get released. ‘Sehme Hue Sitaare’ (1994) was his last film which remained unreleased in the theatres.
In most of his films, the story is based on a village or a small town and he tries to depict the intricate human relationships. All his films gives an impression that he had not come out of the Bengali mode of film making which were losing stream in Hindi film industry in the later 1960s where films were seen more as a medium of entertainment to fill the coppers of producers and distributors in terms of profits than covering the social issues concerning the society at large. Kidar Sharma did not fit in this milieu. So, the last 5-6 films produced and directed by him became obscure to such an extent that most of us do not even remember the title of the films.
An outstanding poet, Sharma wrote some of the most memorable songs including Balam aayo baso more man mein, Dukh kay ab din beetat nahi, Khayalon Mein Kisike (Bawre Nain), Kabhi Tanhaiyon Mein Bhi (Hamari Yaad Aayegi) and Teri duniya mein dil lagta nahi. Kidar would continue to contribute as a lyricist and to write and direct films through the 1990s. Ironically, many Indian film critics and historians argued that he deserved the highest cinema award from the government of India but he died a day before he was to receive the Raj Kapoor Award, named in honour of the actor he helped make a success. Allrounder Kidar Sharma acted in 8 films, directed 36 films, sang 2 songs in 2 films and wrote 312 songs in 44 films, in his illustrious career.
His autobiography, The One and Lonely Kidar Sharma was published posthumously in 2002, edited by his son Vikram Sharma. ( This is an article by Sadanand Kamath ji,. I have added some information from wikipedia, muVyz and my notes. I thank Sadanand ji.)
The film’s Music Director was Shyam Babu Pathak, ably assisted by Shankar Lal. This MD’s name is hardly known to the younger generation because he operated from 1940 to 1952 except for two odd films in 1960 and 1965. He died in 1980, almost 43 years ago. Shyam Babu Pathak was born in 1908 at Gwalior. His music tuition started when he was just 7 years old. He studied in Madhav Sangeet Vidyalaya, under Rajabhaiyya Poonchhwale, Narayan Gupte and Bhatkhande etc. He became an excellent singer and was invited by several Royal houses all over India, for singing. Even V D Paluskar had blessed him. Strangely, though a good singer, he sang only 1 song in a film.
While touring all over India for Music Mehfils, he learnt many folk songs and tunes. This actually prompted him to join films as a composer. His first film was Royal Commander-1938 – a B grade Costume drama film made by Vishnu Cinetone. In his first film, for just 9 songs, he used as many as 6 different singers. Minimum songs had been his specialty. This was a novelty in the 30s, when the norm was on an average of 12 to 15 songs each film.
V M Vyas of Vishnu Cinetone, was impressed with him and he gave him many films. He got Rani saheba-40, Torpedo-40, Samsheerbaz-40, Malan-42 and Ghar sansar-42. He gave good songs sung by Kalyani, Sardar Akhtar and Kajjan. In Lajwanti-42, his songs were light and comedic. By now, he had become a confirmed Stunt/action and B/C grade composer. Pyara watan-42,Double face-46 were such films. Double Face was Indivar’s first film.
Black Market-47, Namak-47, krishna Sudama-47 and Kismatwali-47 were not much help. Takdirwale-48 with Ramprasad, Imtihan-49 and Ret Mahal-49 led him to film Jeet-49 with Anil Biswas. Actually,it seems Anil Biswas took over when Pathak left the film halfway.
After Janmashtami-50 and Achha ji-50, came Preet ka geet-50.Famous poet Harikrishna Premi wrote the songs, which were sung by Mukesh, Geeta and Johra. Next film Hamari Duniya-52 had good Lata songs. Meanwhile his film Parda remained unreleased. In the last phase of his career, came Sapna-52, Vanraj-52, Bombay Central-60 and finally, film Mehbooba-65 closed his career. In all he composed 224 songs in 29 films. He even sang a song in the film Krishna Sudama-47.
Shyam Babu Pathak died of a heart attack in Bombay on 23-11-1980.
All the 7 songs were by Bharat Vyas. The dialogues were by Ramesh Gupta. Ramesh Nanimal Gupta was born in Delhi on 26-10-1915. He debuted as a Lyricist with films Churiyan and Awaz, both in 1942. In 1943, his song ” Bharat ki ek sannari ki katha” from the film Ramrajya-43 is famous even today. He wrote 225 songs in 34 films. He acted in 2 films. He wrote stories and dialogues in 16 films. He was a poet, lyricist, story and dialogue writer, producer, director and even a singer and actor ! He produced and directed films like Ram darshan-1948, Bhakta Gopal Bhaiyya-1948, Rimjhim-1949 and Matalabi Duniya-1961. He sang a song in the film Raja-1943. His patriotic songs were famous in Gujarati films. He died in Ahmedabad on 19-1-1992.
The cast of the film was Kishor Sahu, Bina Rai,Shakuntala, Heeralal, Cuckoo, Narmada Shankar and many others. The story of this film was……
Kamal, s/o Jung Bahadur varma meets Achala d/o P.K.Bose and they fall in love. Kamal is the owner of a Saw mill. They get married. Achala’s father falls ill and dies. Kamal goes to Banaras to immerse the ashes. Achala goes to the local river kund for pooja.
Bandit Bhairav Nath (Safed Ghodewala) sees her. He has been on her trail, unknown to her, for many months. Seeing her now, he kidnaps her and rides away, injuring her servant on the way. When she does not return her father and others presume that she is drowned in the river.
When Kamal comes back, he learns about her drowning, but does not believe it. He goes to the Kund for investigations. He finds her Earring embedded in horse’s hair. He suspects kidnapping, which is confirmed by the servant who has returned from the Hospital.
Enraged, Kamal carries a Pistol and runs to the hiding place of the dacoit Bhairav. The father of Achala and her cousin sister Madhavi also follow him. Bhairav starts firing. Finally when they come face to face, Bhairav first shoots at Kamal, but the cousin sister of Achala, Madhavi comes in front and saves him. Kamal kills Bhairav but Madhavi dies. Achala is regained in one piece.
End of the story, end of the film and end of the audience’s tolerance. With great relief, the audience returns home happily !
Today’s song is a triad, sung by Shamshad Begum, Asha Bhosle and Indira. This is the 5th song of the film on this blog. Enjoy….
Song-Muhabbat mein dilon ke khel ye harbaar hote hain (Sapna)(1952) Singers- Asha Bhonsle, Shamshad Begum, Lyrics-Bharat Vyas, MD-Shyam Babu Pathak
Asha Bhosle + Shamshad Begam + Indira Mirchandani
Lyrics
Aa aa aa aa
karishme mohabbat ke ae ae
dikhla rahe hain
har ik shai mein
ham hee ee
nazar aa rahe hain
ae ae ae ae
ae ae ae ae
ae ae
muhabbat mein dilon ke khel ye
harbaar hote hain
ae jee harbaar hote hain
ae jee harbaar hote hain
haan aan aan aan
muhabbat mein dilon ke khel
har baar hote hain
aen aen aen aen aen aen
nazar ke teer chalte hain
jigar ke
jigar ke paar hote hain
nazar ke teer chalte hain
jigar ke paar hote hain
nazar ke teer chalte hain
jigar ke paar hote hain
aa aa aa aa
aa aa aa aa aa
maza aataa hai marne mein
mazaa aataa hai marne mein
mazaa aataa hai marne mein
mazaa aataa hai marne mein
mazaa aataa hai jeete mein
mazaa aataa hai jeene mein
uthhaa karta hai aksar meethha meethha dard seene mein
o meethha dard seene mein
ae ae ae ae ae ee ae ae
dawa jitni karo utne din beemaar hote hain
nazar ke teer chalte hain
jigar ke paar hote hain
nazar ke teer chalte hain
jigar ke paar hote hain
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
haseenon ke ae ae dilon se dil kaa aa aa
wo takraana nahin achcha
wo takraana nahin achcha
haseenon ke dilon se
dil ka takraana nahin achcha
ho takraana nahin achcha
kisi ke zulf ke phandon mein
phans jaana nahin achcha
o phans jaana nahin achcha
aa aa aa aa aa aa
bade hi bewafajallaad
ye sarkaar hote hain
nazar ke teer chalte hain
jigar ke paar hote hain
nazar ke teer chalte hain
jigar ke paar hote hain
muhabbat mein dilon ke khel ye
harbaar hote hain
muhabbat mein
Hamaare ishq ka itna to ehtiraam karo
Posted on: May 7, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5406 | Post No. : | 17738 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # (Birth Anniversary – Aziz Nazan)
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(Qawwalis – Part-2 Post-7)
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Regulars on the blog must be aware that I have been a great fan of ‘Qawwalis’ in Hindi Film Music and I have been presenting them regularly on the blog for the few years.
I have great fascination for Qawwalis and great admiration for the ‘Qawwals’ who have left an indelible mark in the history of Hindi Film Music and non-film music of our country.
There are still many Qawwali songs from the decade of ‘seventies’ that will be coming in future on the blog. (Meanwhile I have also tried to share ‘Qawwalis’ from earlier decades on the blog as and when I discovered them).
Today I present a Qawwali song sung by Aziz Nazan which is also composed by him.
Aziz Nazan is one of the voices from the seventies which is ‘very special’ and nostalgic for me. He has immortalized himself in the history of Hindi Film Music by singing the famous film Qawwali ‘jhoom baraabar jhoom sharaabi’ from ‘Five Rifles-1974’, and the ‘immortal’ ‘non-film’ Qawwali ‘chadhhtaa sooraj dheere dheere dhhaltaa hai dhhal jaayegaa’.
Today 7th May’2023 is the eighty-fifth birth anniversary of singer Aziz Nazan (Abdul Aziz Kunji Markar). He was born on 07th May’1938 and he passed away on 08th October’1992 at the age of just fifty-four.
As a tribute to him today I present this ‘Qawwali’ song from the movie ‘Alibaba-1976’.
This movie ‘Alibaba-1976’ is one of the many ‘Alibaba’ movies made in Hindi Films.
HFGK Vol-V (1971-1980) mentions it as a ‘social movie’.
“Alibaba-1976” was directed by Mohammad Hussain for P.L. Films, Bombay. It was produced by P.L. Sharma.
It had Dara Singh, Komila Virk, Dev Kumar, Jayshree T., Lakshamichhaya, Helen, Rajendra Nath, Nazeer Hussain, Lalita Pawar, Hiralal, Shah Agha, Habib, Satyadeep, Bhagwan, Birbal, Maruti, Mehar Mittal, Dhanraj, Shri Bhagwan, Jilani, Ratan Gaurang, Gurdayal Singh, Prince Mansingh and others.
Radha Saluja and Satish Kaul had special appearance in this movie.
This movie was written by Kafeel Azar who is also one of the lyricists of this movie.
Editing of this movie was done by Bhatia.
This movie was passed by Censor Board on 28.10.1976.
“Alibaba-1976” has five songs which were written by two lyricists viz. Kafeel Azar wrote four songs and lyricist Irshaad wrote one song.
Music was composed by Hansraj Bahl and one song, a qawwali, was composed by the famous Qawwal Aziz Nazan.
Here is the list of songs in this movie : –
| SNo | Song Title | Lyricist | Composer | Singer/s | Posted On |
|---|---|---|---|---|---|
| 01 | Shabnam meri muhabbat | Kafeel Azar | Hansraj Bahl | Asha Bhonsle | 20.01.2014 |
| 02 | Husn naa jaane sar ko jhukaanaa | Kafeel Azar | Hansraj Bahl | Asha Bhonsle | |
| 03 | Hamaare ishq ka itnaa to ehtiraam karo | Kafeel Azar | Aziz Nazan | Aziz Naazaan, Asha Bhonsle, chorus | |
| 04 | Salaamat raho, allaah salaamat rakkhe | Irshaad | Hansraj Bahl | Savita Suman, Mahendra Kapoor, Hasan Bijnori, Bhushan Mehta |
|
| 05 | Ae khudaa, gham se chhudaa ham ko | Kafeel Azar | Hansraj Bahl | Asha Bhonsle, chorus |
Today I present the second song from this movie which is sung by Aziz Nazan and Asha Bhonsle.
Video of this song is available which includes some conversation before the song. We can see Dev Kumar, Satish Kaul, and Nazeer Hussain in this conversation. I have not noted the dialogues from this conversation. The song which is a Qawwali song appears after that where we can see Dara Singh and Komila Virk performing on this song. Also seen in the picturisation are Rajendra Nath, Bhagwan and others.
Lyrics are by Kafeel Azar and music is composed by Aziz Nazan.
Let us now enjoy this entertaining ‘husn aur ishq’ qawwali with beautiful verses by Kafeel Azar and equally charmingly sung by Aziz Nazan and Asha Bhonsle.
Video
Song-Hamaare ishq ka itna to ehtiraam karo (Alibaba)(1976) singers-Aziz Naazaan,Asha Bhonsle, Lyrics-Kafeel Azar, MD-Aziz Naazaan
Male chorus
Female chorus
Lyrics
Hamaare ishq kaa
Itnaa to ehtiraam karo
Hamaare ishq kaa
Itnaa to ehtiraam karo
Tumhaare dil ke khudaa hain
Hamen salaam karo o o o
Hamaare ishq kaa
Itnaa to ehtiraam karo
Hamaare ishq kaa
Itnaa to ehtiraam karo
Guroor e ishq ko dekho
Naa itnaa aam karo o
Guroor e ishq ko dekho
Naa itnaa aam karo o
Nazar jhukaao
Adab se
zara salaam karo o o
Guroor e ishq ko dekho
Naa itnaa aam karo o
Guroor e ishq ko dekho
Naa itnaa aam karo o
Jo kisi par fidaa nahin hotaa
Dil wo kuchh kaam kaa nahin hotaa
Baat maanon
Kisi se ishq karo o
Ishq karnaa buraa nahin hotaa aa
Ishq karnaa buraa nahin hotaa
Ishq karnaa buraa nahin hotaa
Berukhi ko adaa samajhte ho
Khaamoshi ko hayaa samajhte ho
Ishq deewaangi hai Paagalpan
Ishq ko jaane kyaa samajhte ho o
Ishq ko jaane kyaa samajhte ho
Ishq ko jaane kyaa samajhte ho
Takhliiq-e-kaainaat ka unvaan ishq hai
Dil ishq
Rooh ishq hai
Aur jaan ishq hai
Pooraa naa ho kabhi jo wo
Armaan ishq hain
Sach poochhiye to maut kaa
Saamaan Ishq hai
Ishq meraa jo zindagaani hai
Ye haqeeqat nahin
Kahaani hai
Hamaare subah e tamannaa ki
Yoon naa shaam karo o o o
Hamaare ishq kaa
Itnaa to ehtiraam karo
Hamaare ishq kaa
Itnaa to ehtiraam karo
Hataao chhodo chalo
Jaao apnaa kaam karo o o o
Guroor e ishq ko dekho
Naa itnaa aam karo o
Guroor e ishq ko dekho
Naa itnaa aam karo o
Jab kisise ishq kaa
Waadaa wafaa ho jaayegaa
Bandaa parwar
Zindagi kaa
Haq adaa ho jaayegaa
Dard dil kaa dekhiye
Had se sivaa ho jaayegaa
Baat sab ki hain magar
Koyi khafaa ho jaayegaa
Ishq waale to jaate
Jaate hain
Phir bhi kaul o qasam
Nibhaate hain
Phir bhi kaul o qasam
Nibhaate hain
Phir bhi kaul o qasam
Nibhaate hain
Kaul waale
Qasam bhoolaa baithhe
Yaad hai tum ko
Ham bhulaa baithhe
Yaad hai tum ko
Ham bhulaa baithhe
Yaad hai tum ko
Ham bhulaa baithhe
Aali jaah
Ye sher’ mulaahijaa ho
Sharaafat hai ae
Sharaafat se ae kisi kaa
Haq adaa aa aa karnaa
Ibaadat hai
Kisi ke saath
Waade ka aa wafaa karnaa aa
Patthharon se sar naa
Takraao zaraa
Khair maango hosh mein
Aao zaraa aa
Dil kisi kaa todnaa
Achchhaa nahin
Yoon sharaafat chhodnaa
Achchhaa nahin
Naam kis cheez kaa
Sharaafat hai
Ye to insaaf se
Baghaawat hain
Aisi baaton se
kuchh nahin hogaa aa
Hoga aur faislaa
Yahin hogaa
Bewajah baat kyun
Badhhaate ho
Shaan jhoothhi kise
Dikhaate ho
Ham se ujlhey to
Maat khaaoge
Kaun hai ham ye
Jaan jaaoge ae
Na aise apne tabaahi kaa
Intazaam karo o o o
Guroor e ishq ko dekho
Naa itnaa aam karo o
Muraad de ke
Kisi dil ko shaad-kaam karo o o o
Hamaare ishq kaa
Itnaa to ehtiraam karo
Nazar jhukaao
Nazar
Nazar
Nazar
Nazar
Nazar
Nazar jhukaao
Nazar r r r r
Nazar jhukaao
Nazar jhukaao
Nazar jhukaao
Nazar r
Nazar jhukaao
Adab se
Zaraa kalaam karo o o o
Tumhaare dil ke khudaa
Dil l l l
Tumhaare dil ke khudaa
Dil
Dil
Dil ke khudaa aa
Tumhaare dil ke khudaa
Tumhaare dil ke khudaa hain
Hamen salaam karo o o o
Hamaare ishq kaa
Itnaa to ehtiraam karo o
Hamaare ishq kaa
Itnaa to ehtiraam karo
Hamaare ishq kaa
Itnaa to ehtiraam karo
- In: Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Geeta Dutt S Balbir duet | Geeta Dutt songs | Guest posts | Lyrics by Sudhir | Lyrics contributed by readers | Post by Arunkumar Deshmukh | qawwali | S Balbir song | Songs of 1960s (1961 to 1970) | Songs of 1961 | Yearwise breakup of songs
- 4 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5396 | Post No. : | 17702 |
Today’s song is from an obscure film called ‘Room No. 17’ from 1961.
This film is categorized as a ‘social’ film in the HFGK. I wonder on what basis it can be called a ‘social’ film. What I understand by ‘social’ category is when the film revolves around a family problem or a social custom. If not that, then at least the film should show a relationship crisis or an age old social evil or even a simple family dispute. But this film is nothing like this. The film story has 4 murders, 2 accidents, kidnapping, police encounter and multiple attacks by criminals. Embedded in all this there is a love story and a murder mystery. In my opinion, the film should have been classified either as a stunt/action film or a crime/mystery film.
Anyway, it is always a mystery how the film makers decide the titles of their films. When I rummaged through the The Film Title Index (1931-2012) by Hamraaz ji, I found some interesting titles. There are 3 films on Room Numbers. ‘Room No. 9’ (1946), ‘Room No. 17’ (1961) and ‘Room No. 203’ (1980).
Then there are 2 films on House – ‘House No. 44’ (1955) and ‘House No. 13’ (1990).
‘Mahal’ was made 4 times – in 1949, 1969, 1990 and 2001.
I found 2 funny titles. ‘? A Question Mark’ (2012) and ’10 ml Love’ (2011).
There are films titled ‘Das Baje’ [aka ’10 O’clock’] (1942), ’11 O’clock’ (1948) and ’12 O’clock’ (1958).
Films using a calendar date are ’26th January’ (1956), ’23rd March’ (2002), ’13th May’ (2010), ’25th July’ (1951), ’26th July’ (2007), ’15th August’ (1993), ‘2nd October’ (2003), ‘6th December’ (2009) and ’16th December’ (2002).
Even days were counted. ’30 Days’ (2004), ’40 Days’ (1959), ‘100 Days’ (1991) and ‘300 Days And After’ (1938).
Year Wise films were ‘1857’ (1946), ‘1920’ (2012), ‘1942’ (1993), ‘1947’ (1999) and ‘2001’ (1998).
And then we have the film titled ‘A Wednesday’ (2008).
I was utterly shocked when I found that there was a film titled ‘B-13 Fear Has A New Address’ (2009). The reason for my shock was that ‘B-13’ happens to be my own flat number in our Housing Society in Mumbai ! Nothing is scary about my flat except that I live there !!! (wonder how they knew !)
See what is the story of this ‘social film’ ‘Room No. 17’ (1961). . .
Chandan, who has been called by his father General Shamsheer, is coming to the city by car. On the way he meets Roopa, who suggests to him a way side hotel where she and her brother Mangal are staying. He stays there. After dinner, when Chandan is watching a card game, he observes that the hotel staff is cheating Mangal. Chandan intervenes. There is a fight. Thereafter Mangal, Roopa and Chandan shift to another hotel.
Next day, on resuming journey Chandan is attacked by the goons of the hotel owner. He gets injured. Roopa and Mangal take him to their house. On reaching the city the next day, he comes to know that his father died in an accident in the hotel where he was staying. Chandan suspects a murder. He finds one waiter who knows something but he is murdered. One more witness is also killed.
The hotel owner and his moll trap and attack Chandan. Mangal and his girl friend Bansari save him. They contact the police and a plan is made. Accordingly, Chandan and Roopa stay in that hotel in disguise as a prince and his secretary. They find his father’s jewellery box with the owner. They call the police. After a gunfight, the owner is arrested and jailed. All is well now with Chandan-Roopa and Mangal-Bansari getting united. The end !
The cast of the film was Dalpat, Chitra, Radhika (Kumkum’s sister), Amar, Majnu, Tuntun, Sundar ,Gopi, Shetty and others. Let us know more about actor Amar, who was a member of the ‘Same Name Confusion’ group with actor Amarnath (Bharadwaj) and many others holding the names of Amar, Amarnath etc.
Amar – an occasional singer. The real name of Amar was Nasir. He was from Punjab. He was born in 1920. After doing bit roles in some films, he got a major break in film ‘Sanyasi’ (1945), in which he sang 5 duets and 1 solo. His solo song “Tooti Hui Kashti Ka Bane Kaun Sahaara” became very popular.
In 1946, he was the Hero of film ‘Bindiya’, where Ragini (who later migrated to Pakistan) was his Heroine. MD was Kamal Dasgupta, who gave him 3 songs.
Then he was hero opposite to Suraiya in ‘Natak’ (1947). He sang 1 duet with her and 2 solos. Later he did films like ‘Lalaji’ (1942), ‘Vijay’ (1942), ‘Shukriya’ (1944), ‘Keemat’ (1946), ‘Maang’ (1950) etc. After 1950 he was doing character roles till 1970. He acted in 89 films and sang 18 songs in 8 films. He died in 1980.
There is one more name, Shetty (the Taklu – टकलू ), about whom hardly anyone writes. Here is his information. It is taken from an article in The National Herald Dt. 23-1-2018.
When he appeared on screen, people shuddered. He had a strong body, cold eyes and a serious expression on his face. This is the image that runs through the mind when we remember Shetty. He was popular as ‘Ganja Shetty’ (bald Shetty). A fight scene sans Shetty was not complete in those days of 1970’s. But Shetty worked far more behind the screen than he ever did on screen. He was the busiest and most successful fight and stunt director of his time. He contributed in some way or the other to 700 films in 25 years which is a record in itself. During this time, Shetty fractured his bones more than 40 times during the filming of stunt scenes of various films.
Born in Mangalore near Mysore, Muddu Babu Shetty did not like studies at all. But the main concern of his father, who was a poor farmer, was that Shetty should earn some money so that the family could get some financial relief. One day, his father sent the nine year old Shetty to Mumbai with an uncle. He was confident that Muddu would find some work in the city. It was 1947. After a while, Muddu got a job washing utensils in a Punjabi Dhaba situated on Lamington Road.
At the age of 16, Muddu Babu got the job of a waiter in the canteen of Tata Oil Mill in Sewri. His salary was 12 rupees a month. In the evenings, the workers of Tata Oil Mill used to do boxing. Muddu Babu also started to learn boxing. The manager of the canteen used to admire Muddu’s behaviour and agility in the ring. He encouraged Muddu to box. After some time, Muddu Babu won the boxing championship of Tata Oil Mill. The very next year, he won the Mumbai boxing championship as well. Now, his salary was ₹75 a month. His father was happy and relieved to know that Muddu was making progress in his life.
One day, actor and stuntman Baburao Pahelwan and actor, director and producer Bhagwan came to see the boxing championship match. Babu Rao was so impressed with Muddu’s performance that he offered him work in films. The next day, Muddu reached Jagriti Studios where a fight scene between Muddu Babu and Babu Rao Pahelwan was shot. For this job, Muddu received ₹200. He could not believe his fortune. And it was at that time that Muddu decided to work for films. He made Azim Bhai his teacher who was a great stunt director of that time. He learnt horse riding and fencing under Azim Bhai’s guidance. He started using the name Shetty for himself. During this time, he also continued taking part in boxing matches and remained Mumbai’s champion for eight long years.
In the 1950’s, he worked as a dummy for many heroes in fight scenes. In 1955, he got the opportunity to work as stunt director for the film ‘Munimji’. In the same year, he appeared on screen in ‘Tatar Ka Chor’. ‘Tumsa Nahi Dekha’ (1957), ‘Detective’ (1958), Taxi Stand (1959) and ‘Qaidi Number 911’ (1959) are some of the films in which Shetty acted and was seen on screen. At that time, Shetty’s teacher Azim Bhai, Master Ghani, Baburao Pahelwan and Master Sando were the leading stunt directors. But young Shetty was also making a strong impression on the filmmakers as a stuntman and director. His popularity was such that a film ‘Tum Salamat Raho’ with him as the protagonist was launched. His heroine in the film was Persis Khambatta. But filming stopped midway due to some problems.
After 1960, Shetty was once again flooded with film offers. They came from the Kannada film industry as well. For the films ‘An Evening in Paris’ and ‘Night in London’, Shetty shaved his head. This look of his was so much liked by the audience that he had to appear on screen with shaved head only and the audience started calling him ‘Ganja Shetty’. His only flaw was his faulty Hindi accent. It was this reason why he could not get the role of a main villain in Hindi films. But he continued working for a long time in hit films like Lalkaar, Kalicharan, Shalimaar, Don, Fakeera, Shankar Dada etc. There was a time when he worked in 50 to 60 films simultaneously.
Around the late 70s, something happened that sealed the fate of Shetty and his two families. Shetty was shooting for a film called Bombay 405 Miles (1980), starring Vinod Khanna and Shatrughan Sinha and directed by Brij Sadanah (Kamal Sadanah’s father). In one of the action scenes, a boy named Mansoor was playing the stunt double for Shatru. A petrol bomb was supposed to explode near him. Unlike today, safety measures were rudimentary and injuries were commonplace. But this got particularly messy. The bomb was flung at Mansoor but before he could jump away, the bomb hit his body and went off. Mansoor died on the spot.
Shetty was pretty close to his coterie of stuntmen and fighters, they were like his sons. He felt responsible and went into mourning. Alcoholism took over and he spent most of his days at the bottom of bottles.
In his last days, the various injuries which he suffered during the fight scenes started troubling him. He found himself unable to perform adventurous and daring fight scenes. During his last days, his second wife, Vinodini, who was a Kathak dancer, had to run the household by taking dance classes. Muddu Babu Shetty, who was once a formidable and courageous villain, became helpless and vulnerable and bid farewell to the world on January 23, 1982. Muddu Babu Shetty aka M.B. Shetty aka Fight Master Shetty passed away, almost penniless.
He had two sons and two daughters by his first wife Vinodini. One of them, Hriday Shetty grew up to be a director, debuting with the Sanjay Dutt-starrer Plan. He also had a son with his other wife Ratna. This son became a massively successful film director, even more successful and popular than his father. Rohit Shetty. And like his father, he works with stuntmen and ensures they are employed (safely) in all his films.
Today’s song is sung by Geeta Dutt, Balbir and chorus.
Song- Nazar Nazar Se Bijliyaan Giraate Aa Rahe Hain Wo (Room No. 17) (1961) Singers – S Balbir, Geeta Dutt, Lyricist – Anwar Farukhabaadi, MD – Bulo C Rani
Male Chorus
Female Chorus
Male + Female Chorus
Lyrics (Provided by Sudhir)
aaa aaa aaaaa aaaa
aaaa aa aaaaaa
nazar
nazar se
bijliyaan giraate aa rahe hain wo..oo..oo
nazar nazar se bijliyaan giraate aa rahe hain wo
to dil ko thaam lo ke muskuraate aa rahe hain wo
nazar nazar se bijliyaan giraate aa rahe hain wo
to dil ko thaam lo ke muskuraate aa rahe hain wo
nazar nazar se bijliyaan
akad akad ke shekhiyaan dikhaane aa rahe hain wo
to ban ke teesmaarkhan banaane aa rahe hain wo
akad akad ke shekhiyaan dikhaane aa rahe hain wo
to ban ke teesmaarkhan banaane aa rahe hain wo
akad akad ke shekhiyaan
ye husn waale bahut hi shareer hotey hain
fareb inke bade benazir hotey hain
zehr mein doobe huye inke teer hotey hain
aaa aaa aaa
tadapte rehte hain..ain..ain
tadapte rehte hain jo dil aseer hotey hain
to. . .
to phir usi ko jaal mein fasaaneaa rahe hain wo
to dil ko thaam lo ke muskuraate aa rahe hain wo
nazar nazar se bijliyaan giraate aa rahe hain wo
to dil ko thaam lo ke muskuraate aa rahe hain wo
nazar nazar se bijliyaan
ye naujawaan bade hoshiiyaar hotey hain
nazar mein laane ko to ye beqaraar hotey hain
magar ye mann ke lapak lab ke yaar hotey hain
qaraar loot ke..ey..ey
qaraar loot ke sar pe sawaar hotey hain
arre waah
na jaane hum pe rob kyun jamaane aa rahe hain wo
to ban ke teesmaarkhan banaane aa rahe hain wo
akad akad ke shekhiyaan dikhaane aa rahe hain wo
to ban ke teesmaarkhan banaane aa rahe hain wo
akad akad ke shekhiyaan
ye naazneen bewafa hain bemuravvat hain
jahaan mein ?? ijaad ki museebat hain
zamaana jaanta hai aapki sharaafat ko
jahaan mein ?? kiya aapne mohabbat ko
haa..aan
hameen ne rang bhara husn ke fasaane mein
hamaare dum se tum mashhoor ho zamaane mein
jo hum na hotey ishq aaj dar-b-dar hota
na iska koi thikaana na koi ghar hota
fasaane apni shaan ke sunaane aa rahe hain wo
to ban ke teesmaarkhan banaane aa rahe hain wo
nazar nazar se bijliyaan giraate aa rahe hain wo
to dil ko thaam lo ke muskuraate aa rahe hain wo
nazar nazar se bijliyaan
na hota husn to duniya mein rang na hota
haa..aan
na hota ishq to jeene ka dhang na hota
jo aankh aankh hai to nor hamen kehte hain
jo naaz aap hain guroor hamen kehte hain
hazaar baar kaha chhed hum se na kijey
haa..aan
janaab thookiye gussa nazar mila lijey
na baaz aaiyega aap apni baaton se
huzoor taali to bajti hai donon
haathon se
na hum se door reh saken karee baa rahe hain wo
to dil ko thaam lo ke muskuraate aa rahe hain wo
nazar nazar se bijliyaan giraate aa rahe hain wo
to dil ko thaam lo ke muskuraate aa rahe hain wo
nazar nazar se bijliyaan
na hum se door reh saken karee baa rahe hain wo
to dil ko thaam lo ke muskuraate aa rahe hain wo
nazar nazar se bijliyaan giraate aa rahe hain wo
to dil ko thaam lo ke muskuraate aa rahe hain wo
nazar nazar se bijliyaan
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
आ आ आ आ
आ आ आ
नज़र
नज़र से
बिजलीयां गिराते आ रहे हैं वो॰॰ओ॰॰ओ
नज़र नज़र से बिजलीयां गिराते आ रहे हैं वो
तो दिल को थाम लो के मुसकुराते आ रहे हैं वो
नज़र नज़र से बिजलीयां गिराते आ रहे हैं वो
तो दिल को थाम लो के मुसकुराते आ रहे हैं वो
नज़र नज़र से बिजलीयां
अकड़ अकड़ के शेखियाँ दिखाने आ रहे हैं वो
तो बन के तीसमारखां बनाने आ रहे हैं वो
अकड़ अकड़ के शेखियाँ दिखाने आ रहे हैं वो
तो बन के तीसमारखां बनाने आ रहे हैं वो
अकड़ अकड़ के शेखियाँ
ये हुस्न वाले बहुत ही शरीर होते हैं
फरेब इनके बड़े बेनज़ीर होते हैं
ज़हर में डूबे हुये इनके तीर होते हैं
आ आ आ
तड़पते रहते हैं॰॰ऐं॰॰ऐं
तड़पते रहते हैं जो दिल असीर होते हैं
तो॰ ॰ ॰
तो फिर उसी को जाल में फसाने आ रहे हैं वो
नज़र नज़र से बिजलीयां गिराते आ रहे हैं वो
तो दिल को थाम लो के मुसकुराते आ रहे हैं वो
नज़र नज़र से बिजलीयां
ये नौजवान बड़े होशियार होते हैं
नज़र में लाने को तो ये बेक़रार होते हैं
मगर ये मन के लपक लब के यार होते हैं
क़रार लूट के॰॰ए॰॰ए
क़रार लूट के ये सर पे सवार होते हैं
अरे वाह
ना जाने हम पे रोब क्यों जमाने आ रहे हैं वो
तो बन के तीसमारखां बनाने आ रहे हैं वो
अकड़ अकड़ के शेखियाँ दिखाने आ रहे हैं वो
तो बन के तीसमारखां बनाने आ रहे हैं वो
अकड़ अकड़ के शेखियाँ
ये नाज़नीन बेवफा हैं बेमुरव्वत हैं
जहां में ?? ईजाद की मुसीबत हैं
ज़माना जानता है आपकी शराफत को
जहां में ?? किया आपने मोहब्बत को
हाँ॰॰आं
हमीं ने रंग भरा हुस्न के फसाने में
हमारे दम से मशहूर हो जमाने में
जो हम ना होते इश्क़ आज दर-ब-दर होता
ना इसका कोई ठिकाना ना कोई घर होता
फसाने अपनी शान के सुनाने आ रहे हैं
तो बन के तीसमारखां बनाने आ रहे हैं वो
अकड़ अकड़ के शेखियाँ दिखाने आ रहे हैं वो
तो बन के तीसमारखां बनाने आ रहे हैं वो
अकड़ अकड़ के शेखियाँ
ना होता हुस्न तो दुनिया में रंग ना होता
हाँ॰॰आं
ना होता इश्क़ तो जीने का ढंग ना होता
जो आँख आँख तो नूर हमें कहते हैं
जो नाज़ आप हो गुरूर हमें कहते हैं
हज़ार बार कहा छेड़ हमसे आ कीजे
हाँ॰॰आं
जनाब थूकिए गुस्सा नज़र मिला लीजे
ना बाज़ आएंगे आप अपनी बातों से
हुज़ूर ताली तो बजती है
दोनों हाथों से
ना हमसे दूर रह सकें करीब आ रहे हैं वो
तो दिल को थाम लो के मुसकुराते आ रहे हैं वो
नज़र नज़र से बिजलीयां गिराते आ रहे हैं वो
तो दिल को थाम लो के मुसकुराते आ रहे हैं वो
नज़र नज़र से बिजलीयां
ना हमसे दूर रह सकें करीब आ रहे हैं वो
तो दिल को थाम लो के मुसकुराते आ रहे हैं वो
नज़र नज़र से बिजलीयां गिराते आ रहे हैं वो
तो दिल को थाम लो के मुसकुराते आ रहे हैं वो
नज़र नज़र से बिजलीयां
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5390 | Post No. : | 17679 |
#the Decade of Seventies – 1961 – 1970 #
————————————————————————
In this post I am presenting a song which is a ‘qawwali’ song from the ‘1964’ movie ‘Khufia Mahal’.
I become aware of this movie only through this blog and the Geet Kosh Vol-IV (1961-1970).
I had come across the video of this song which appeared interesting to me. I thought the characters were shown performing this qawwali in boats on the water, but it is not like that. The video of this movie is available on internet and though I have not watched the movie I looked for the picturisation of this song and this song is shown as a dream sequence of the actress where the characters are shown in ‘decorative boats’ flying in the sky with clouds around.
The actress Chitra (I hope I am correct) is missing her beloved (Jairaj) and while thinking of him she has this dream sequence. Also seen in the picturisation of this song are Sundar, Tun Tun, and other actors/actresses whom I am unable to identify.
This ‘qawwali’ composition is the regular ‘husn and ishq’ ‘muqaabla qawwali’ where they are teasing each other. The composition is very enjoyable with beautiful verses by Zafar Rahi and music by Pardesi. Manna Dey and Suman Kalyanpur are the main singers accompanied by chorus.
However the audio is not in sync with the video as appeared in this video link of the movie.
Here the brief about this movie.
‘Khufia Mahal-1964’ was directed by Akkoo for ‘Amar Films’.
Akkoo was also the producer of this movie.
It had Jairaj, Chitra, Shery, Sheikh, supported by Mohammad Ali Steelman, Kasim, Mohmmad Ghori, Nanak Singh, Akram, Mohammad, Rafiq, Baburao Pahalwan, with Tun Tun, Mohna, Jilani, Arvind Kumar, Malik, Maqbool, Joshibala, Mohan Modi, and Gope Raj with Pal Sharma.
Azad, Sundar, Ram Rasila, and Indira Bansal were the guest artists in this movie.
This movie also had the wrestlers King Kong, J.D. Goldstein, and wonders Apeman, Gorilla, Jin, Flying Horse, and Mahal. HFGK also mentions ‘Mermaid’ fish (16ft long) in the list of cast of this movie.
Shyam Hindi was the writer of this movie. And Kamruddin was the editor for this movie.
The lyrics for the seven songs in this movie were shared between Shyam Hindi (four songs) and Zafar Rahi (three songs).
Mohd Rafi, Asha Bhonsle (mentioned as Asha Mangeshkar in the titles of the movie), Usha Mangeshkar, Suman Kalyanpur, Tun Tun and Manna Dey had given their voices to the songs in this movie.
Music for ‘Khufia Mahal-1964’ was composed by Pardesi.
This movie had made its debut on the blog on 09.05.2017 with its song Sar se aanchal dhalakne laga hai . However no other songs from this movie have been introduced on the blog after that song.
Today’s song is the second song from this movie to appear on this blog.
As mentioned above today’s song is sung by Manna Dey and Suman Kalyanpur. Lyrics are by Zafar Rahi and music is composed by Pardesi.
Enjoy this wonderful ‘qawwali’ and enjoy the music…
I would request knowledgeable readers who have watched this movie to add more information about this movie and its songs.
Audio
Video
Song-Hum na kehte thhe haseenon ka salaam aayegaa (Khufiya Mahal)(1964) Singers-Manna Dey, Suman Kalyanpur, Lyrics-Zafar Raahi, MD-Pardesi
Male chorus
Female chorus
Suman Kalyanpur + Female chorus
Manna Dey + Male chorus
Lyrics-
hai jo taqdeer mein saahil
to milegaa saahil
chhod do aaj safeenaa
kahin toofaanon mein
haan aan aan
phool khilte hain to
khil jaate hain patthar par bhi ee
laut aati hain bahaaren
kabhi veeraanon mein ae
qissaa e ahl e jafaa
ahl e wafaa chal jaaye
husn aur ishq ki
mehfil mein
zaraa chal jaaye ae
o o o o o
aap khud apni haqeeqat ko
nahin jaante hain
aayeenaa saamne rakhiye to
pataa chal jaaye
zindagi hai to haseenon ka
salaam aayegaa aa
zindagi hai to haseenon ka
salaam aayegaa
pyaase honthhon ke taraf
koi to jaam aayegaa aa
pyaase honthhon ke taraf
koi to jaam aayegaa aa
zindagi hai to haseenon ka
salaam aayegaa
zindagi hai to haseenon ka
salaam aayegaa aa
aap kya hain
jo haseenon ka salaam aayegaa aa
aap kya hain
jo haseenon ka salaam aayegaa
hosh ud jaayenge jab
raqs mein jaam aayegaa aa
hosh ud jaayenge jab
raqs mein jaam aayegaa
khwaab e gaflat se
jagaa jaaye to achchaa hogaa
ham hain kya
ham ko bataa jaayen to achchhaa hogaa aa
khwaab e gaflat se
jagaa jaaye to achchhaa hogaa
ham hain kya
ham ko bataa jaayen to achchhaa hogaa
aa aa aa aa aa aa
ham fakeeron ke liye
aap hi aayeenaa hain
aap hi saamne aa jaayen to
achchhaa hogaa aa
ham fakeeron ke liye
aap hi aayeenaa hain
aap hi saamne aa jaayen to
achchhaa hogaa aa
haan aan aan aan
aap jo kuchh bhi kahenge
hamen hogaa manzoor
aap jo kuchh bhi kahenge
hamen hogaa manzoor
husn ka aayeenaa
ab ishq ke kaam aayegaa aa
husn ka aayeenaa
ab ishq ke kaam aayegaa
zindagi hain to haseenon ka
salaam aayegaa
husn ke waaste
mit mit ke sanwarnaa hogaa aa
gul ki haajat hai
to kaanton se guzarnaa hogaa aa
husn ke waaste
mit mit ke sanwarnaa hogaa aa
gul ki haajat hain
to kaanton se guzarnaa hogaa aa
aa aa aa aa aa aa
aap ko rasm e wafaa kya hai
ye maaloom nahin
rehke toofaan ke maujon mein
ubharnaa hogaa aa
aap ko rasm e wafaa kya hai
ye maaloom nahin
rehke toofaan ke maujon mein
ubharnaa hogaa aa
aa aa aa aa aa aa
ishq jab aag ke dariyaa se
guzar jaayegaa aa
ishq jab aag ke dariyaa se
guzar jaayegaa
tab kahin jaa ke
mohabbat ka makaam aayegaa aa
tab kahin jaa ke
mohabbat ka makaam aayegaa aa
aap kya hain
jo haseenon ka salaam aayegaa aa
dard ki raah mein ham barsenge
patthar ban kar
gham ke seene mein
utar jaayenge khanjar ban kar
dard ki raah mein ham barsenge
patthar ban kar
gham ke seene mein
utar jaayenge khanjar ban kar
haan aan aan aan aan
ham tere naam se usko bhi
lagaa lenge galey
maut aa jaayegi jab
apnaa muqaddar ban kar
ham tere naam se usko bhi
lagaa lenge galey
maut aa jaayegi jab
apnaa muqaddar ban kar
hauslaa ye hai to mil jaayenge
ye haath abhi
husn se ishq ki honaa hai
mulaaqaat abhi
hauslaa ye hai to mil jaayenge
ye haath abhi
husn se ishq ki honaa hai
mulaaqaat abhi
aa aa aa aa aa aa
hai jo bigdi huyi
ban jaayegi wo baat abhi
pardaa uthh jaayegaa
tootenge hijaabaat abhi
hai jo bigdi huyi
ban jaayegi wo baat abhi
pardaa uthh jaayegaa
tootenge hijaabaat abhi
aa aa aa aa aa aa
dil miley hain to
mohabbat ka payaam aayegaa aa
dil miley hain to
mohabbat ka payaam aayegaa
ham na kehte thhe
haseenon ka salaam aayegaa
dil miley hain to
mohabbat ka payaam aayegaa aa
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5390 | Post No. : | 17668 | Movie Count : |
4745 |
Today’s song is from a film called Gun Fight aka Bandookbaaz-1960. The film makes a Debut on this Blog.
Funniest part is that the HFGK describes it as a ” Costume film”. Generally, a Costume film is a film in which you see a King, Queen, Vazier or some Historical figures wearing odd, shining and elaborate dresses and who live in big palaces with hundreds of servants who come running after a clap ( a call bell provided to all by God !) of hands. This film is nothing of this sort. All the characters in this film wear normal clothes, live in ordinary houses and lead routine lives. I have seen this film, in the times when such films were in the dying stages. The cast of the film consists of names usually found in a C grade stunt film… Niloufer, Anjum, Moti (Dog), Baagla, Funny Walker, Maqbool, Bilali, Premi, Mohd. Agha, Shaukat, Sharan Asi, Moosa, Mohd. Sandow etc. etc. But it was not a stunt film either.
The film was nothing but a love story embedded with a criminal gang, an innocent man being jailed, poor family, Masked gangster, police and some qawwalis and love songs. In my opinion, it was a crime story. However I can’t change its category now (or any other time too !). Read this film’s story and you will agree with my above statements, I am sure…..
Deepak is a poor but honest man, living with his widowed mother and sister Manju. When he is unable to raise even Rs. 5000 for her marriage, he joins a gang of smugglers. Manju is married off, but unfortunately he gets caught for a crime he did not commit. He is jailed. In the jail, he decides to be honest hereafter come what may and help the police to catch the chief of the smugglers’ gang- the Masked man.
When he comes out of jail, he finds that his mother has died and sister Manju has been thrown out by her husband Madan Kumar. He goes to his Jija. There is a fight and Jija is injured. The police is called. He runs away and decides to commit suicide. He jumps into a river. By luck he falls into the fishing net of Makubai, who frees him and takes him home to nurse him to good health. There he falls in love with Makubai’s daughter Jyoti. He has to run away as Police trace him there also.
On the way, he saves a girl from dying. She is Mohini, the moll of the Masked man. She helps him and they together with the police catch the Masked Man- head of the Gang. He gets an award. Mohini dies in the encounter. He is united with Jyoti and they marry. His sister is also taken back by the Jija ji.
The film was made by Firdaus Films, Bombay. It was produced and directed by Sultan Ahmed Amrohi, the owner of the banner himself. The music was by Iqbal. He is the same weaker partner of the ” Same Name Confusion” pair, in which some of his films are unjustly credited to the stronger partner- Music Director Iqbal Qureshi.
While Iqbal Qureshi’s career spanned between 1958 to 1991, there was another MD by the name of IQBAL (Md. Iqbal), who operated between 1953 to 1975. This Iqbal was known as ”Chhota Iqbal”, probably based on the heights of these two Iqbals.( Iqbal Qureshi was 6′ 4″ tall)
He started his career with Malika Saloni (1953). He gave music to 21 films and 2 unreleased films. His films are:
Malika Saloni (1953)
Jaadugar (1954)
Jasoos (1955)
Sakhi Lutera (1955)
Anokha Jungle (1956)
Sipahsalar (1956)
Gypsy (1957)
Chetak Aur Rana Pratap (1958)
Blackmailer (1959)
Hero No. 1 (1959)
Toofani Teerandaz (1959)
Wrong Number (1959)
Diler Haseena (1960)
Gunfight (1960)
Zaalim Jaadugar (1960)
Night Bird (1961)
Toofani Tarzan (1962)
Kaala Jaadu (1963)
Black Arrow (1965)
Fauladi Mukka (1965)
Agent 302 (1963)
Unreleased….Gypsy (1966) and Rajkumar Suraj (1975)
Iqbal never compromised on quality singers and used Rafi, Suman Kalyanpur, Asha Bhosle, Khan Mastana, Meena Kapoor, Madhubala Zaveri, Mubarak Begum, Mahendra Kapoor, Ismail Azad Qawwal, Talat Mahmood, S.Balbir, Minu Purushottam, Chandbala etc. His songs do not include, possibly, any Lata number.
After films, he composed several Muslim devotionals with Mukesh and few ghazals with Shailendra Singh. His one song from film Sipahsalar, a Talat-Asha duet is included by HMV in their Classic range. With all this, IQBAL remained a small time composer, an action film MD, unlike his same name counterpart who bathed in the glory of hit songs. Iqbal’s only hit film, Sipahsalar is also invariably included in Iqbal Qureshi’s filmography, which is injustice to poor IQBAL!
The lead actors in this film were Amarnath (Bharadwaj) and Aruna. It is an interesting coincidence that in this one obscure film 2 members of the “SNC” are present. There were many Amarnaths in Hindi films. Amarnath (Bharadwaj) is one of the “same name confusions” victims. There were two Pt. Amarnath Music Directors, 1 actor Amar, 1 actor Amarnath and 1 actor/Director (K.) Amarnath.
This Amarnath was born in Hafizabad, in Gujranwala district of Punjab (Now in Pakistan) on13-10-1923. After Matriculation, he joined a Bank. However after some time he left the bank job and joined the film industry. He started acting in 1939 with Kidar Sharma’s “Dil hi to hai”. From Calcutta, he came down to Bombay and did a small role in the film Naghma E sehra-1945. Then he shifted to Lahore. Graduating from doing small roles he was made the Leading Man in Dalsukh Pancholi’s film “Patjhad”, started in 1947 opposite Meena (Shorey). Pancholi had to flee Lahore due to Partition riots, but he carried the negatives of Patjhad. Though the film was censored in India in 1948, it seems it was never released.
Amarnath starred as Hero/ side Hero in many other films,like Papiha re-48, Barsat ki ek raat-48, Swayam sidha-49, Nai Bhabhi-50, Kamal ke phool-50, Sheesh Mahal-50, Jalte Deep-50, Johri-51, Nai zindagi-51 , Nirmohi-52, Nirmal-52, Izzat-52, Bahu Beti-53, Nav Durga-53, Toofan-54, Danka-54, Gun Fight-60 etc. Then he switched over to side roles. In all, he worked in 81 Hindi films. In addition he also acted in many Punjabi films, initially as a hero and later in other roles. His first Punjabi film was Kamli-1946. Some other Punjabi films were Murtiyan-50, Posti-51, Vanjara-54, Lara Lappa-53, Astalli-54,Jagga-64 etc. His last Hindi film was Kaun ho tum-70.
The song under discussion is sung by Balbir, Kishore Kumar and chorus according to HFGK. But the HFGK entry is incorrect as the voice of Kishore Kumar is nowhere to be found. Muzaffar Shahjahanbadi is the lyricist.
Song-Naina ye bade bade jiske bhi peeche paden (Gun Fight)(1960) Singer- Balbir, Lyricist- Muzaffar Shahjahanpuri, MD- Iqbal
Chorus
Lyrics
Naina ye bade bade
jiske bhi peeche pade
looten zaalim khade khade
Naina ye bade bade
jiske bhi peeche pade
looten zaalim khade khade
Naina ye bade bade
jiske bhi peeche pade
looten zaalim khade khade
jis tarah bhi ho guzar
ek qayaamat ho udhar
koi rota hai kahin
jaan khota hai kahin
koi to aah bhare
koi fariyaad kare
kya
Naina ye bade bade
jiske bhi peeche pade
looten zaalim khade khade
Naina ye bade bade
jiske bhi peeche pade
looten zaalim khade khade
dil pe thha naaz mujhe
kaun lootega ise
badh ke ek teer e nazar
usne phenka jo idhar
dil mein toofaan uthha
tab chala mujhko pataa
kya
Naina ye bade bade
jiske bhi peeche pade
looten zaalim khade khade
Naina ye bade bade
jiske bhi peeche pade
looten zaalim khade khade
uski aankhon mein sharaab
koi had hai na hisaab
uske chehre ki kitaab
padhke ?? hai kharaab
jab se takraai nazar
dil se kehta hai jigar
kya
Naina ye bade bade
jiske bhi peeche pade
looten zaalim khade khade
Naina ye bade bade
jiske bhi peeche pade
looten zaalim khade khade
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5379 | Post No. : | 17648 | Movie Count : |
4741 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # (Qawwalis – Part-2 – Post 5)
——————————————-———————
(Muqaable Ki Raat 1970s (UR)) (A tribute to Lyricist – Fauq Jami)
In my earlier post today (10 april 2023) I had mentioned about today being the ‘Remembrance Anniversary’ of lyricist Fauq Jami.
On this occasion we had already posted a song written by him from the movie ‘Guzaaraa-1954’. In all Fauq Jami had written songs for only three Hindi movies viz. ‘Guzaaraa-1954’, ‘Saawan Ko Aane Do-1979’ and one incomplete or un-released movie from the seventies (As per information available on online sources).
In this post we get introduced to the incomplete or un-released movie from the seventies or from the year ‘1977’ (to be authenticated).
This movie is ‘Muqaable Ki Raat’.
As per the little information available in HFGK Vol-V (1971-1980) , this movie ‘Muqaable Ki Raat’ was directed by P.L. Santoshi for ‘Shakeel Pictures’.
Only Ranjeet and Bindu’s name have been mentioned as cast for this movie.
Music for this movie was composed by Iqbal Qureshi (and this post very well serves the purpose of adding one more movie of this Composer on the blog).
HFGK Vol-V mentions only one song for this movie which is a qawwali written by Fauq Jami.
We present this song from this movie today which is sung by Mohd Rafi, Asha Bhonsle and chorus.
This ‘qawwali’ is a ‘muqaabla qawaali’ for the ‘muqaabla’ between ‘husn’ aur ‘ishq’ or ladkaa and ladki rather it is about how the girl wants a boy like, and how the boy wants a girl like, both of them looking for a suitable spouse to marry. 🙂
(I have tried to note the lyrics as accurate as possible and left (?) wherever I have doubt in noting the correct words. I would request readers with keener ears to kindly provide correct words there please).
With this song, this movie ‘Muqaable Ki Raat’ makes its debut on the blog and achieve ‘Yipeeeee’ status as well 🙂
Today’s song is in two parts. Only audio of this song is available.
Enjoy the magic of ‘Qawwali’ and the verses penned by Fauq Jami.
Audio (Part 1)
Audio (Part 2)
Song-Mujhe ik ladki chaahiye mujhe ik ladki (Muqaable Ki Raat)(UR)(1977) Singers-Mohd Rafi, Asha Bhonsle, Lyrics-Fauq Jami, MD-Iqbal Qureshi
Male chorus
Female chorus
Lyrics
—————————-
(Part-1)
—————————
dil ki betaabiyon se
haaraa hoon
aur taqdeer kaa bhi
maaraa hoon
dushmanon ne
to shaadiyaan aan aan kar lin
doston
doston main
abhi kunwaaraa hoon
is liye
mujhe ik ladki chaahiye
mujhe ik ladki
haan haan
mujhe ek ladki chaahiye
mujhe ik ladki
ladki
ladki
ladki
ladki
hoye
mujhe ek ladki chaahiye
mujhe ik ladki
ahaa
mujhe ik ladki chaahiye
mujhe ik ladki
haseenon ka hoon
main bandaa
mohabbat hai meraa
dhandhaa
samjhi
nahin samjhe
haseenon ka hoon
main bandaa
mohabbat hai meraa
dhandhaa
magar hai aajkal mandaa
mera dhandhaa
mera dhandhaa
magar hai aajkal mandaa
mera dhandhaa
mera dhandhaa
meri jaagir ir ir
meri jaagir
hai kadki
meri jaagir
hai kadki
mujhe ik ladki chaahiye
mujhe ik ladki
ahaa
mujhe ik ladki chaahiye
mujhe ik ladki ee
le ke angdaayee
aah bharti hoon
choodiyon ki khanak
khanak se
darti hoon
kyun naa kosoon
muyee jawaani ko
roz jeeti hoon
roz marti hoon
haaye ae
isliye
mujhe ik ladkaa chaahiye
mujhe ik ladkaa
haan haan
mujhe ik ladkaa chaahiye
mujhe ik ladkaa
ho
mujhe ik ladkaa chaahiye
mujhe ik ladkaa
ahaa
mujhe ik ladkaa chaahiye
mujhe ik ladkaa
jawaan ho
khoobsoorat ho
haseen ho
nekseerat ho
samjhe
nahin samjhe
jawaan ho
khoobsoorat ho
haseen ho
nekseerat ho
mere khwaabon ki jannat ho
mohabbat hi mohabbat ho
mere khwaabon ki jannat ho
mohabbat hi mohabbat ho
is hasrat mein aen aen aen
is hasrat mein dil
dhadkaa
is hasrat mein dil
dhadkaa
mujhe ik ladkaa chaahiye
mujhe ik ladkaa
haan haan
mujhe ik ladkaa chaahiye
mujhe ik ladkaa
dhhalkaa aanchal
ho aanchal
udtaa baadal
ho baadal
ho teekhaa kaajal
ho kaajal
phool si komal
ho komal
dhhalkaa aanchal
udtaa baadal
teekhaa kaajal
phool si komal
jab wo chhat pe
baal sukhaaye
nikle naa sooraj ghar se
chhaa jaaye
ghanghor ghataayein
jhoom ke barkhaa barse ae
jab wo chhat pe
baal sukhaaye
nikle naa sooraj ghar se
chhaa jaaye
ghanghor ghataayein
jhoom ke barkhaa barse
barse
khiltaa gulshan
ho gulshan
hanstaa darpan
ho darpan
ho koraa daaman
ho daaman
nikhraa kundan
ho kundan
khiltaa gulshan
hanstaa darpan
koraa daaman
nikhraa kundan
saas susar naa hoye koyi
naa hon saalaa saali
phaakaa masti mein manaayein
eid aur deewaali
saas susar naa hoye koyi
naa hon saalaa saali
phaakaa masti mein manaayein
eid aur deewaali
meri jaageer
meri jaageer
hai kadki
mujhe ik ladki chaahiye
mujhe ik ladki
aa haa
mujhe ik ladki chaahiye
mujhe ik ladki
——————————–
(Part-2)
——————————–
chaudaa seenaa aa
ho seenaa
aankh nageenaa aa
nageenaa
jaam o meena
meena
shokh kareena
kareenaa
chaudaa seenaa aa
aankh nageenaa aa
jaam o meena
shokh kareenaa
paan chabaaye
itr lagaaye
shaan se jab wo guzre
sundar mukhdaa
choomne uskaa
chaand gagan se utrey
paan chabaaye
itr lagaaye
shaan se jab wo guzre
sundar mukhdaa
choomne uskaa
chaand gagan se utrey
utrey
chiknaa koraa
ho koraa
baanka chhoraa
ho chhoraa
goraa goraa
ho goraa
rasiyaa moraa
ho moraa
chiknaa koraa
baanka chhoraa
goraa goraa
rasiyaa moraa
aankhon aankhon mein
keh daale
saanson ka afsaanaa
jo shamaa ki aag bujhaa de
aisaa ho parwaanaa
aankhon aankhon mein
keh daale
saanson ka afsaanaa
jo shamaa ki aag bujhaa de
aisaa ho parwaanaa
isi hasrat mein ae ae aen aen
isi hasrat mein
dil dhadkaa
isi hasrat mein
dil dhadkaa
mujhe ik ladkaa chaahiye
mujhe ik ladkaa
ahaa
mujhe ik ladkaa chaahiye
mujhe ik ladkaa
naaz o adaa ho
ho ho ho ho
ho
sharm o hayaa ho
ho ho ho
jaan e wafaa ho
ho ho ho
ho
mujhpe fidaa ho
ho ho ho
rang ho goraa
ho goraa
ang bharaa ho
ho ho ho
ang bharaa ho
ho ho ho
umr ho solah
solah baras ki
sonaa kharaa ho
ho ho ho
sonaa kharaa ho
ho ho ho
chhail chhabili
aise chaley ae
chhail chhabili
aankh shakeeli
chaal nasheeli ee
chhail chhabili
aise chaley ae ae
jaise jhooley daali ee ee
pag pag phool khilaaye
khilaaye ae
pag pag phool khilaaye
khilaaye
jhoome patjhad mein
hariyaali
meri jaagir ir ir
meri jaagir
meri jaagir
hai kadki
meri jaagir
hai kadki
mujhe ik ladki chaahiye
mujhe ik ladki
ahaa
mujhe ik ladki chaahiye
mujhe ik ladki ee
sheer e zabaan ho
ho ho ho
ahaa
jaadu bayaan ho
ho ho ho
ho
rooh e rawaan ho
ho ho ho
ahaa
jaan e jahaan ho
ho ho ho
roop ka rajaa
ho raaja
dil kaa badaa ho
ho ho ho
dil kaa badaa ho
ho ho ho
dil mein uske
sainyya ke dil mein
sajnaa ke dil mein
balmaa ke dil mein
pyaar jadaa ho
ho ho ho
pyaar jadaa ho
ho ho ho
heere jaisaa uskaa badan ho
mehkaa chaman ho
ahaa
behkaa pawan ho
ahaa
mast magan ho
ho heere jaisaa
uskaa badan ho
paaras jaisi chhaayaa aa
aisaa saajan miley miley to o
aisaa saajan miley miley to
samjhoon maine
sab kuchh paayaa
ho o o o o o
isi hasrat mein
dil dhadkaa
isi hasrat mein
dil dhadkaa
mujhe ik ladkaa chaahiye
mujhe ik ladkaa
ahaa
mujhe ik ladkaa chaahiye
mujhe ik ladkaa
shaan e mehmil hain tu
shaan e mehmil hai tu
jaan e mehfil hai tu
jaan e mehfil hai tu
raah e manzil hai tu
raah e manzil hai tu
mauj e saahil hai tu
mauj e saahil hai tu
jalwaa e naaz hai tu
jalwaa e naaz hai tu
aainaa taaj hai tu
aainaa taaj hain tu
husn ka raag hai tu
ishq jaanbaaz hai tu
husn ka raag hai tu
ishq jaanbaaz hai tu
saanwali soorat
mohini moorat
pyaar ki maalaa
phool ki rangat
aankh mein pancham
baat mein sargam
naachti hirni
chaal chhamaa chham
hoye
chashm e makhmoor hai tu
jannat ki hoor hai tu
chashm e makhmoor hai tu
jannat ki hoor hai tu
sholaa ae toor hain tu
noor hi noor hain tu
sholaa ae toor hai tu
noor hi noor hai tu
josh e mohabbat
husn ki zeenat
pyaar ki daulat
dard ki lazzat
baat e sharaafat
raaz e haqeeqat
daur e ??
daur e qayaamat
haaye
aashiq e zaar hai tu
raunaq e daar hai tu
aashiq e zaar hai tu oo
raunaq e daar hai tu
ek shaahkaar hain tu
pyaar hi pyaar hain tu oo
ek shaahkaar hai tu
pyaar hi pyaar hai tu
meri jaagir ir ir
meri jaagir
hai kadki
meri jaagir
hai kadki
mujhe ik ladki chaahiye
mujhe ik ladki
ahaa
mujhe ik ladki chaahiye
mujhe ik ladki ee
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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