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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘qawwali’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This song is the 14300th song post in the blog.

Blog Day : 3567 Post No. : 14300

Series of Rafi songs-Rafi with music directors
—————————————————————-
(Pal do pal ka saath)-MD composing just one Rafi song
——————————————————————-
Part II-Chaand Pardesi
—————————-

If one thinks that posting “blog century” songs is quite a straight forward matter then think again. Though we have posted as many as 142 blog century posts, hardly any of them were easy picks. I had to think hard and long before finding songs befitting the occasion.

As the number of centuries mounted, we began to combine those blog centuries with other special occasions, viz. artist century, contributor century, artist anniversaries etc.

The post under discussion marks the 143rd century for the blog. In other words, it is the song post number 14300 for the blog.

I just mentioned that selecting “blog century” songs is not a trivial matter. Let me describe the thought process/ behind the scene activities that took place before I settled on this particular song as the “blog century” song.

First thing first. I had made up my mind that I would author this post. The reason was simple. I realised that our other contributors, including the usual century author Sudhir Jee were hard pressed for time these days. So I decided that I needed to write this post.

Many of our special posts including century posts have tended to appear towards the midnight, which may be prime time for TV but not for the blog. Blog prime time is day time on a weekday, so I made up my plan that this article should appear by morning today (24 april 2018) which happens to be tuesday.

When the day began, the tally of posts stood at 14297, so it meant that three posts needed to be posted, including two posts prior to the century post.

Did I have any song in mind for the “blog century” post ?

Yes, I had. It was a rare song, and quite a remarkable song. I had discovered this song a few months ago and I had noted down its lyrics as well. It was a long song and noting down the lyrics took a good amount of time. I had earmarked this song as a special song, to be covered as a “blog century” post or any such occasion.

This song had another qualification. I had begun my series of Rafi songs called (Pal do pal ka saath)-MD composing just one Rafi song. I had begun this series by aiming to cover those music directors who composed just one song with Rafi. I had decided that these songs would be special occasion songs in the blog. The first (and so far only) song in the series was composed by Arun Raghavan. I had combined this song to mark several special occasions, viz. that song was the 2800th Rafi song in the blog and the movie, which got introduced in the blog with the song was the 3800th movie covered in the blog.

My planned song that I had earmarked also fitted the same bill. It was also the only Rafi song composed by that music director.

With time, I realised that this song could be combined to mark another extremely rare occasion which few regulars may be able to guess. It could become the 500th Rafi-Asha Bhonsle duet in the blog !

So I had silently made sure that the tally of Rafi-Asha Bhonsle duet had gradually inched upto the 499 mark in the blog. 🙂

So, when the time arrived to post the 14300th song article, I had every thing covered. Or that is what I thought.

When I began to search for this song in my hard disk, I was unable to locate it. I had noted down its lyrics spending several hours. I was sure it was there somewhere but where ? I managed to locate the video in my hard disk but not the lyrics.

OK, I will have to note the lyrics again, I thought.

When I began to listen to the song, I received another jolt. This song that I was remembering as a Rafi-Asha Bhonsle duet had another voice in it. So my carefully laid plans got thrown out of the window immediately.

What to do now ? Now I needed to search for songs composed by other composers who worked with Rafi in just one song. This list is fortunately very much there in my excel sheet, and show I immediately began to search for Rafi songs composed by these one Rafi song composers.

The songs that I located were just solo Rafi songs, and they somehow did not sound worthy of being the blog century song. Nevertheless, one such Rafi song, after repeated listening began to grow upon me and I decided that this song was going to be the song for the occasion. So I noted down the lyrics of the song.

On just a whim, I decided to check up another solo Rafi song composer. And guess what ? This song was very much a Rafi-Asha Bhonsle duet !

When I listened to the song, I realised that it was an suitable replacement for the song that I had originally planned and which turned out to have more than two voices.

So, I got a song which was the only occasion when this music director got to utlise Rafi’s voice in his compositions. And this song happens to be the 500th Rafi-Asha Bhonsle duet in the blog.

This song in question is from a forgotten movie called “Ban Maanush”(1979). It was directed by Kamram Khan for O K Films, Bombay. The movie had Dara Singh, Padma Khanna, Kamran, Uma Dhawan, Mohan Choti, Sundar, Ratan Mala, Monal, Rajan Kapoor, Habeeb, Hamid Khan, Sawan, Chaachi, Sabir, Ramjanam singh, Danny Junior (new discovery), Jagdep (special appearance) etc in it.

“Ban Maanush”(1979) had three songs in it. This song under discussion is the first song from the movie to appear in the blog. So “Ban Maanush”(1979) makes its debut with this rare and special song.

The video of this song is very much available. One can see that the song is picturised as a qawwaali song where a gentleman and a lady assisted by their respective teams of chorus sing this song.

Good qawwaali’s in Hindi movies always have great lyrics in them. And this qawwaali is no exception. Farooque Kaiser is done very well in penning the lyrics of this song. Music is composed by Chaand Pardesi.

Qawwaali is one genre of song where picturisation plays as important a role as the lyrics is savouring and enjoying the song. The saying “the song is better heard than seen” does not apply to qawwaalis.

Qawwaalis were normally seen in muslim social movies. In these movies, qaawwaali are one occasion where the two genders are seen interacting with each other in full public view. It is one occasion where the two genders openly use amorous terms and the public (otherwise quite conservative) do not mind. I think this kind of qawwaalis have been invented in Hindi movies and I do not think amir Khusro, the creator of Qawwaali might have imagined that the qawaalis would serve this pupropse, viz helping the two genders (who otherwise remain segregated) to interact with each other and express their feelings with each other.

To help avoid embarrassment that may result if one a male and a female were to sing the song, the lead singers are supported by friends of the same gender to lend moral support by singing in chorus.

Another thing that one notices in these filmy qawwaalis are that the lyrics of this songs are quite liberal and broadminded and not at all conservative and narrow minded. One is readily reminded of the epic qawwaali of “Barsaat Ki Raat”(1960) that covers lots and lots of topics viz. Krishna, Radha, Meera, Buddha, Maseeh etc.

The qawwaali under consideration is a nice “expression of love” genre of qawwaali. I can see that Padma Khanna lip syncs in Asha Bhonsle’s song, but I am unable to identify the gentleman who lip syncs in Rafi’s voice.

This qawwaali is a forgotten gem from my college days which I had never heard before.

In summary, here are the salient features of this song post:-

1. This song is the only Rafi song that music director Chaand Pardesi composed in his career. And what a superb song it is. This article is our way of honouring the one Rafi song music director Chaand Pardesi.

2. This song is the 500th duet song sung by Rafi and Asha Bhonsle. What to say about this feat. These two legends have easily sung the most number of duets songs ever. I have not yet counted the number of duets sung by them, but I have read an estimate this puts this figure to over 800 ! The second most prolific duet singing pair happens to be Rafi-Lata pair. They are a “distant” second with “just” 400 plus duets. 🙂

3. This song is the 14300th song of the blog. The previous blog century was achieved on 23 march 2018. So this century has taken 32 days.

There was a time when we used to clock centuries in 16 days. We may have slowed down, and in the course of this century we even had a dot day, but at least the musical bandwagon is still on the move. And this matters a lot.

We are on the verge of several landmarks in addition to the usual blog century landmarks. Lots of artists are closing in to their century and multiple century marks. Even a regular contributor is stuck on 199 (hint ! hint ! 🙂 ). So there are lots of exciting and interesting events ahead of us.

When one considers this series (pal do pal ka saath), this was only the second episode. There are more music directors with justone Rafi song to their credit. Their time would also come and we will honour them too with similar special write ups.

As for now, I take this opportunity to thank one and all for their continuous support for nearly ten years. That reminds me, we are on the verge of completing ten years in another four months. Here is hoping that this musical bandwagon will continue to roll on and on and in the process we will find ourselves acquainted with lots and lots of great musical gems, and some of them for the first time.

This special song may well be the first time many of our music lovers will get to listen to this song. Here is this wonderful song from the golden era of HFM. Enjoy !


Song-Uthhaaye maine naina to aar paar honge(Ban Maanush)(1979) Singer-Rafi, Asha Bhonsle, Lyrics-Farooque Kaiser, MD-Chaand Pardesi
Male chorus
Female chorus

Lyrics

aa aa aa aa
aa aa aa aa
aa aa aa aa
rang bhi uda uda hai
kadam bhi ruke ruke
kaise karenge pyaar ye
naina jhuke jhuke

uthaaye maine naina
to aar paar honge
tumhi ek nahin
sab nisaar honge

uthaaye maine naina
to aar paar honge
tumhi ek nahin
sab nisaar honge

uthhaaye maine naina
to aar paar honge
tumhi ek nahin
sab nisar honge

hum jisko dil de den
usi ke yaar honge
tumhaari tarah to hazaar honge
hum jisko dil de den
usi ke yaar honge
tumhaari tarah to hazaar honge

hum jisko dil de den
usi ke yaar honge
tumhaari tarah to hazaar honge
uthhaaye maine naina
to aar paar honge

tumhaari tarah to hazaar honge

ishq waale wafa nahin karte
daawe karte hain khoob badh chadhh kar
jab nibhaane ki baat aati hai
bhool jaate hain pyaar ye dilbar

bhool jaate hain pyar ye dilbar
bhool jaate hain pyar ye dilbar

aa aa aa aa
aa aa aa aa
husn waale daga nahin karte
ye hamaara yakeen hain dilbar
jinke baalon mein phool khilte hain
ho nahin sakte unke dil patthar
ho nahin sakte unke dil patthar
ho nahin sakte unke dil patthar

aa aa aa aa aa
ae mere dard e jigar
itni taareef na kar
naaz itne na uthha
humko sar pe na bithha
humko maaloom hai sab
teri chahat ka sabab
dard ye tune diya
pyaar to humne kiya

pyaar to humne kiya
pyaar to humne kiya

aaj phir tera pyar maanga hai
ik zara sa karar maanga hai
phir wahi intzaar maanga hai
phir tera etbar manga hai
dard ka razdaar maanga hai
dil ka aayina daar manga hain
jinko jannat ka shauk hai maangen aen aen
humne allaah se yaar manga hai
humne allaah se yaar maanga hain
humne allah se yaar maanga hai

sab kuch khuda se maang liya
uthte nahi hain, mere haath is dua ke baad
humne allah se yaar maanga hai
humne allah se yaar maanga hai

aa aa aa aa
aa aa aa aa
duaayen mangne se
chhaanv zulfon ki nahin milti
mohabbat zindagi ki sabse
mushqil aazmaayish hain
tadap hai dard hai aansu hain
ruswaai bhi hai ismein
magar ye aazma lene ke
kaabil aazmaayish hai

ye dil chaahe toote
padenge hum na jhoothhe
tumhare liye bekaraar honge
ye dil chaahe toote
padenge hum na jhhoothhe
tumhaare liye bekarar honge

ye dil chahe toote
padenge hum na jhhoothhe
tumhaare liye bekraar honge
uthhaaye maine naina
to aar paar honge
tumhi ek nahin
sab nisaar honge

uthhaaye maine naina
to aar paar honge
tumhi ek nahin
sab nisaar honge

uthhaaye maine naina
to aar paar honge
tumhi ek nahin
sab nisaar honge

hum jisko dil de den
usi ke yaar honge
tumhi ek nahin
sab nisaar honge

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3536 Post No. : 14202

“Inquilaab”(1956) was produced by Kailash Kapoor and J P Sahgal and directed by Kedar Kapoor for W S Films, Bombay. This movie had Ranjan, Shyama, Kuldeep Kaur, Tiwari, Ramesh Sinha, S K Prem, Indu Paul, Praveen, Khairati, Pt Iqbal, Pal Sharma, Khursheed, Bihari, Bakshi, Sando, Bachcha, Sundar etc in it with guest appearances by Helen, Sapru, Bhagwan and Johny Walker.

“Inquilaab”(1956) had eight songs in it. Seven songs from the movie have been covered in the past. Here are the details of the songs of “Inquilaab”(1956) already showcased in the blog:-

Song Title

Post No.

Post Date

Tauba tauba tauba dar lage huzoor se 3785 14-Apr-11
Tere jahaan se ham chale 3791 15-Apr-11
Ae baad e sabaa paighaam mera 4986 11-Nov-11
Rangeele rangeele meri nazron ke do jaam pee le 5118 8-Dec-11
Dil dil na lage hai dildaar binaa 5124 10-Dec-11
Dilbar se pyaar chhupaane mein bada maza hai 14188 21-Mar-18
Kitna achcha hota maalik agar main ladki hota 14196 23-Mar-18

Here is the eighth and final song from “Inquilaab”(1956) to appear in the blog. The song is sung by Rafi, Balbir and chorus. Raja Mehdi Ali Khan is the lyricist. Music is composed by Hansraj Bahl.

The song is picturised as a lighthearted qawwaali lip synced by lots of people including Johny Walker, Sundar etc. Their qawwali is being watched by many people including Shyama and her friend (whom I am unable to identify). There is no clear cut demarcation about who sings in whose voice. we find Johny Walker lipsyncing in Rafi’s voice and also Balbir’s voice. Same is the case with Sundar and a few others.

The qawwaali half jokingly mentions lovers missing their beloved at “raat ke paune teen baje”(at 2:45 AM after midnight) 🙂

I thought of posting this writeup at “raat ke paune teen baje” but then thought better of that. Most of us HFM lovers do not miss out beloved at “raat ke paune teen baje”, I am sure. 🙂

I request our knowledgeable readers to help identify the actors visible in the picturisation of this song.

With this light hearted qawwaali song, “Inquilaab”(1956) joins the list of movies that have all their songs covered in the blog.


Song-Teri yaad mein ashq bahaate hain (Inquilaab)(1956) Singers-Rafi, Balbir, Lyrics-Raja Mehdi Ali Khan, MD-Hansraj Bahl
Rafi + Balbir
Chorus

Lyrics

aa aa aa
mere kooche mein jaalim
apni galiyaan chhod ke aaja
aa aa aa
tujhe roka hai kisne ae ae
dil ka taala tod ke aaja

aa aa aa aa aa aa
teri
waah bhai waah
o teri yaad me ashq bahaate hain
teri yaad mein ashq bahaate hain
hum raat ke paune teen baje
hum raat ke paune teen baje
hum raat ke paune teen baje

aa aa aa aa aa aa
deewaaron se ser takaraate hain

aa aa aa aa
deewaaron se ser takaraate hain
deewaaron se sar takaraate hain
hum raat ke paune
teen baje
hum raat ke paune teen baje
hum raat ke paune teen baje

aa aa aa aa aa
aa aa aa aa
rah rah ke hume yaad aata hai

kya
haaye jalwa us harjaayi ka
aa aa aa aa
kabhi uthata hai

o ho ho ho
ek kabhi baithata hai
aah
is dil mein dard judaai ka
haan haan

aa aa aa
geedad ki tarah chillaate hain
aa aa aa
geedad ki tarah chillaate hain

geeidad ki tarah chillaate hain
hum raat ke paune
teen teen teen teen baje
hum raat ke paune teen baje
hum raat ke paune teen baje

aa aa aa aa aa
aa aa aa aa aa
armaan humaare raaton ko
murgon ki tarah se ladte hain
murgon ki tarah se ladte hain
murgon ki tarah se ladte hain

ye aankhen pathhraa jaati hain
jab ishq ke daure padte hain
jab ishq ke daure padte hain
jab ishq ke daure padte hain

oho amma amma
aho beta
amma amma chillaate hain
amma amma chillaate hain
amma amma chillaate hain
hum raat ke paune teen teen teen teen teen baje
hum raat ke paune teen baje
hum raat ke paune teen baje

aa aa aa aa aa aa
jab pyar bhari donon aankhen
tere khwaabon mein kho jaati hai
tere khwaabon mein kho jaati hai
tere khwaabon mein kho jaati hai
haay
tere khwaabon mein kho jaati hai
tere baap ki wo lambi moonchhen
rah rah ke humen yaad aati hai
rah rah ke humen yaad aati hai
ye badi badi moonchhen
rah rah ke hume yaad aati hai

khatiya ke tale haaye haaye
khatiya ke tale chhup
aa aa aa
khatiya ke tale chhup jaate hain

khatiya ke tale chhup jaate hain
hum raat ke teen teen teen teen baje baje baje baje
hum raat ke paune teen baje
hum raat ke paune teen baje

aa aa aa aa aa
hum raat ke paune teen baje
hum raat ke paune teen baje

aa aa aa aa aa aa
haaye hum raat ke paune teen baje
hum raat ke paune teen baje

oy oy oy oy oy
hoye hum raat ke paune teen baje
hum raat ke paune teen baje

aa aa aa aa aa
hum raat ke paune teen baje
teen baje teen baje teen baje
teen baje teen baje teen baje


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3521 Post No. : 14140

Today’s song is from the 1946 film ‘Alibaba’.

The story of ‘Alibaba And The 40 Thieves‘ has been entertaining the masses of the world since the 18th century. It is a part of the ‘ Arabian Nights’ stories. These stories have been the basis of films in almost every language in every country of the world, including China. But for a few large scale films, most such films fall under stunt / action / costume films or in short C grade films.

Most of us like to watch films, be it on a TV, in a cinema hall, or through DVD. Some like old films and some like new films. Did you ever see films like, ‘Khooni Khanjar’, ‘Daghabaaz Doctor’, ‘Shaitaan Ka Paash’, ‘Chaar Chakram’, ‘Daaku Rani Talwaarwaali’, ‘Jaadu Ka Danda’, ‘Zinda Laash’, ‘Revolver Rani’, ‘Sindbad-Alibaba-Alladin’, ‘Flying Man’, ‘Fighter Sheela’, ‘Khooni Darinda’, ‘Tarzan Aur Jadugar’, ‘Tarzan Aur Jaadui Chiraag’, ‘Golden Gang’, ‘Murde Ki Jaan Khatre Mein’, or ‘Jaadui Putli’ ? I bet you may not have even heard most of these movie names. These are all stunt films or in other words ‘C’ grade films.

In India I really wonder how the classification or grading of films is done, or who is the person or the body authorised to do it. Because Censor Certificates do not label A B or C grades at all. Then how does this happen ?

My guess is that films are graded on two counts – one, the cost of production or budget and the class of stars in it and two, the class of people for whom the film is made or directed, like the rich, middle and the poor class. Whatever the basis, there is a very thin line between A and B grade films, while there is a big gulf between these two and the C grade films.

Stunt films, costume dramas, fantasy films and purely religious films are normally treated as C grade films. These film do not carry any prestige, the actors working in them are exclusive to C grade films, the production values and the budget is quite low and most important, they are ALWAYS shown in theatres situated in older parts of the town, single screens, or only for morning shows or in theatres generally frequented by lower strata of society.

In India, this is the fate of C grade films. Actually these films have everything that A and B grade films have, like story, songs, dances, fights etc., but still,the treatment given to handling of the story etc. in the films is very poor or lacking in expertise. This is a different world altogether. The set of actors is fixed, many times the composers are unheard of or they are known composers now in bad shape, the directors are typical and the production houses are exclusive to churn out such films.

It is, nevertheless, a fact that many well known and famous actors and actresses of the 40s and 50s evolved from the stunt films of yore. Examples are Jairaj and Master Bhagwan. Can you believe that this roly-poly Bhagwan Dada was a great body-builder when he started his career in stunt films in the late 1920s and 1930s ? Lalita Pawar (Amboo), Madhuri, Rampyari, Miss Moti, Sabita Devi and Sulochna (Ruby Myers) are some female examples who graduated to social films via stunt films.

Sometimes gems are found in these C grade films. Remember the famous qawwaali- Hamen To Loot Liya Mil Ke Husnwaalon Ne– which had the honour of becoming the prestigious 5000th song in this Blog ? This was from a C grade film from 1958 – ‘Al Hilal’.

In my younger days I was fond of stunt films and used to travel to theatres in old city of Hyderabad, to watch films featuring Kamran (father of famous choreographer and Director Farah Khan and director, comedian, anchor Sajid Khan), Naazi, Bhagwan and many such actors. ‘Adventures Of Captain Marvel’ (1941) and ‘Trip To Moon’ (1902) were my favourites from Hollywood’s Republic serial productions.
[Ed Note: In the early part of the twentieth century, Republic Studios was one of the main production houses in Hollywood, along with Universal, Columbia and Mascot etc. Serial productions were two reel short films, that were produced as a series – either as a comic serial (e.g. ‘The Three Stooges’ etc.) or as an action serial (e.g. ‘The Adventures Of Fu Manchu’ and ‘Commando Cody: Sky Marshals Of The Universe’ etc.)]

Today’s song under discussion is from a C grade film, ‘Alibaba’ made in 1946. Not much information is available on this film. Such C grade films generally go unnoticed. We only know that this film was made by Mohan Pictures of Ramniklal Shah (husband of actress Indurani), who was well known for making such low budget stunt films. The director of this film was his Co- Brother (साडू)- Nanubhai Vakil (husband of actress of Sarojini who was sister of Indurani and mother of actress Azra). The music was by Damodar Sharma and Ram Gopal. In the cast, only 3 names are mentioned in HFGK – namely Shanta Patel, Prakash and NA Ansari.

Recently, we learnt about a stunt film Hero-Shankar Rao Vazare. Today we will know more about another stunt actor Prakash. During the decade of 1940s, he performed in many action and stunt films.

The real name of actor Prakash was Hashmat Ullah Khan. He was born in 1914 at Gwalior, where his father was a businessman. The family was originally a Punjabi Muslim family. Hashmat studied somehow up to inter arts and left the college. He was an overactive child, interested in acting in films. Hashmat ran away to Bombay and worked in Sagar Movietone. He got a small uncredited role in film ‘Village Girl’ (1936). Not satisfied with this, he travelled to Calcutta.

In Calcutta, Hashmat worked in 3 films – Taqdeer Ka Teer’ aka ‘Prem Lakshya’ (1936), ‘Bandit Of The Air’ aka ‘Hawai Daaku’ (1936) (the first film of KN Singh as a hero; Mazhar Khan was the villain here) and ‘Dangerous Woman’ aka ‘Khatarnak Aurat’ (1938). He also got a miniscule role in New Theatre’s film ‘Abhaagin’ (1938).  Not getting what he aspired, Hashmat shifted to Delhi and worked in All India Radio as a singer. True to his nature within two years he left this job and landed in Bombay again.

It is reported that he was very arrogant, untrustworthy and a cheat of first rate; also seemingly that he was quarrelsome, a liar and short tempered. Perhaps his experiences taught him a lesson and he decided to change himself and concentrate on work seriously. This did good to him in his life. In his second stint in Bombay, first he worked in ‘Gharib Ki Ladki’ (1940), but the film got delayed and was released in 1941 only. Meanwhile he did ‘Rani Saheba’ (1940) and ‘Pyaar’ (1940) also. This time his career took a good turn. Till film ‘Gharib Ki Ladki’, he used his name Hashmat for credits, but after that he took a new name Prakash and used it till the end of his career.

A changed actor Prakash became acceptable to the industry and more assignments came his way. In all Prakash did 5 films as Hashmat and 38 films as Prakash. However, he got only action, stunt and C grade films. Once director WZ Ahmed met him and Prakash went to Shalimar Pictures in Poona to do 3 films for them, namely ‘Ek Raat’, ‘Prem Sangeet’ and ‘Mann Ki Jeet’. He was also a favourite of Master Bhagwan and appeared in many of his stunt films. The year 1946 proved to be the best year for Prakash, because he did 14 films in 1946.

After Partition he migrated to Pakistan and did few films there. He came back to India and did 3 films in the 1960s. His last film was ‘Suhaag Raat’ (1968). There is no information about him after that. May be he went back to Pakistan or died, we do not know.

The composer of today’s song – Damodar Sharma, was a name attached to stunt films of Paramount, Liberty, Ramnik Productions, Mohan Pictures etc. Starting in 1934, Damodar Sharma gave music to 41 films till 1948. After that he stopped getting films and for survival, he became assistant to composer AR Qureshi (29-4-1919 to 3-2-2000) till 1964.

Today’s song tune has been inspired (read copied) by the famous all women qawwaali – “Aahen Na Bhari, Shiqwe Na Kiye” from the film ‘Zeenat’ (1945). The tune is very similar. For this reason only this song is very melodious and worth listening to. This song is very rare.

With this post, the 1946 film ‘Alibaba’ makes its debut on our blog today.

[Author’s Note: Acknowledgments – Information for this article is taken, with thanks, from Harish Raghuwanshi ji, All India Film Directory, Who’s Who in Indian Film Industry, HFGK, MuVyz and my own notes.]



Song – Aansoo Na Girey Naale Na Kiye (Alibaba) (1946) Singer – [Unattributed], Lyrics – [Unattributed], Music – Damodar Sharma

Lyrics (Provided by Sudhir)

aansoo na girey naale na kiye
ghabra ke kaleja thaam liya
aansoo na girey naale na kiye
ghabra ke kaleja thaam liya
ghabra ke kaleja thaam liya

aansoo na girey
naale na kiye
aansoo na girey naale na kiye
ghabra ke kaleja thaam liya
ghabra ke kaleja thaam liya
ghabra ke kaleja thaam liya
toofaan sa uth’ta tha dil mein
ey..ey..ey
aaa aaa aaaaaa
aaa aaa aaa
toofaan sa uth’ta tha dil mein
par kuchh na zabaan se kaam liya
par kuchh na zabaan haan haan
par kuchh na zabaan se kaam liya
hum apni kahaani bhool gaye
jab tera kisi ne naam liya
hum apni kahaani bhool gaye
jab tera kisi ne naam liya
aansoo na girey naale na kiye
ghabra ke kaleja thaam liya

dil ke dukhde
gham ke kisse
ey..ey..ey
aaa aaa aaaaaa
aaa aaa aaa
dil ke dukhde gham ke kisse
ya hum samjhen ya wo samjhen
ya hum samjhen ya aaa haaan
ya hum samjhen ya wo samjhen..en..en
aaa aaa aaaaaa
aaa aaa aaa
majboor e mohabbat  ke dar se
alfaaz se hum azaad huye
alfaaz se hum haan haan
alfaaz se hum azaad huye
nazron ne sunaaye afsaane
aankhon se zubaan ka kaam liya
nazron ne sunaaye afsaane
aankhon se zubaan ka kaam liya
aansoo na girey naale na kiye
ghabra ke kaleja thaam liya
ghabra ke kaleja thaam liya
ghabra ke kaleja thaam liya

ab dekhne se kya hota hai
dekha karey duniya saahil se
aaa aaa aaaaaa
aaa aaa aaa
toofaan chade ab ya utrey
jo doobne waale the doobey
jo doobne waale haan haan
jo doobne waale ho ho
jo doobne waale the doobey
kashti ka sahaara jaane de
toofaan ka daaman thaam liya
kashti ka sahaara jaane de
toofaan ka daaman thaam liya
aansoo na girey naale na kiye
ghabra ke kaleja thaam liya
ghabra ke kaleja thaam liya
ghabra ke kaleja thaam liya

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
आँसू ना गिरे नाले ना किए
घबरा के कलेजा थाम लिया
आँसू ना गिरे नाले ना किए
घबरा के कलेजा थाम लिया
घबरा के कलेजा थाम लिया

आँसू ना गिरे
नाले ना किए
आँसू ना गिरे नाले ना किए
घबरा के कलेजा थाम लिया
घबरा के कलेजा थाम लिया
घबरा के कलेजा थाम लिया
तूफान सा उठता था दिल में॰॰ऐ॰॰ऐ॰॰ऐ
आss आss आsssss
आss आss आss
तूफान सा उठता था दिल में
पर कुछ ना ज़ुबान से काम लिया
पर कुछ ना ज़ुबान से हाँ हाँ
पर कुछ ना ज़ुबान से काम लिया
हम अपनी कहानी भूल गए
जब तेरा किसी ने नाम लिया
हम अपनी कहानी भूल गए
जब तेरा किसी ने नाम लिया
आँसू ना गिरे नाले ना किए
घबरा के कलेजा थाम लिया

दिल के टुकड़े
ग़म के किस्से॰॰ऐ॰॰ऐ॰॰ऐ
आss आss आsssss
आss आss आss
दिल के टुकड़े ग़म के किस्से
या हम समझें या वो समझें
या हम समझें या आं हाँ
या हम समझें या वो समझें॰॰ऐ॰॰ऐ॰॰ऐ
आss आss आsssss
आss आss आss
मजबूर ए मोहब्बत के दर से
अलफाज से हम आज़ाद हुये
अलफाज से हम हाँ हाँ
अलफाज से हम आज़ाद हुये
नज़रों ने सुनाये अफसाने
आँखों से ज़ुबान का काम लिया
नज़रों ने सुनाये अफसाने
आँखों से ज़ुबान का काम लिया
आँसू ना गिरे नाले ना किए
घबरा के कलेजा थाम लिया
घबरा के कलेजा थाम लिया
घबरा के कलेजा थाम लिया

अब देखने से क्या होता है
देखा करे दुनिया साहिल से
आss आss आsssss
आss आss आss
तूफान चढ़े अब या उतरे
जो डूबने वाले थे डूबे
जो डूबने वाले हाँ हाँ
जो डूबने वाले हो हो
जो डूबने वाले थे डूबे
कश्ती का सहारा जाने दे
तूफान का दामन थाम लिया
कश्ती का सहारा जाने दे
तूफान का दामन थाम लिया
आँसू ना गिरे नाले ना किए
घबरा के कलेजा थाम लिया
घबरा के कलेजा थाम लिया
घबरा के कलेजा थाम लिया


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3516 Post No. : 14123

“Sanjog”(1972) was produced by Mohan Segal and directed by S S Balan. The movie had Amitabh Bachchan, Mala Sinha, Aruna Irani, Johnny Walker, Ramesh Deo, Malika, Madan Puri, Nazir Hussain, Sulochana Chatterji, Keshto Mukherjee, Jagdish Raaj, C. S. Dubey, Master Ratan, Chandrima Bhaduri, Indrani, Baby Indra etc in it.

The movie had four songs in it. three of these songs have been covered in the past. Here are the details of the songs covered earlier:-

Song Title

Post No.

Post Date

Ek do teen chaar 662 1-Feb-09
Roop ye tera jisne banaaya 7777 29-Mar-13
Man mandir mein preet ka dera…ye jhoothhi baat hai 14120 3-Mar-18

Here is the fourth and final song from “Sanjog”(1972) to appear in the blog. This song is sung by Rafi. Anand Bakshi is the lyricist. Music is composed by R D Burman.

The song is lip synced by Johny Walker (with Chorus) as a qawwaali song. This movie also had a song where Johny Walker lip synced in Kishore Kumar’s voice. So this song is a quiz master’s delight. Which movie had Johny Walker lip syncing two songs in two different voices ? The answer is “Sanjog”(1972).

With this song, “Sanjog”(1972) joins the list of movies that have all their songs covered in the blog. Incidentally, “Sanjog”(1943) and “Sanjog”(1961) have already been YIPPEED in the past. There was another movie with the same title that was released in 1980s, but that movie has not yet made its debut in the blog.


Song-Kisi gul ki ye kismat hai (Sanjog)(1972) Singer-Rafi, Lyrics-Anand Bakshi, MD-R D Burman
Chorus

Lyrics

kisi gul ki ye kismat hai
ke vo sehre mein sajta hai
kisi ko koi apne yaar ki
turbat pe ae ae rakhta hai
ek se phool gulistaan mein khila karte hain aen
phir bhi har phool ki taqdeer juda hoti hai
phir bhi har phool ki taqdeer juda hoti hai
ek se chehre
ek se chehre
haaye ek se chehre
yahaan sabko mila karte hain
phir bhi har chehre ki tasveer juda hoti hai
phir bhi har chehre ki tasveer juda hoti hai

aa aa aa
kafas mein band hai koi to koi ashiyaane mein
to koi ashiyane mein
nahi dekha koi
aazaad humne is zaamane mein
to hamne is zamaane mein
jise bhi humne dekha pareshaan haal dekha
garaj ke har jagah pe bichha ik jaal dekha
aa aa aa
aa aa aa
ek si qaid mein
sab log jiya karte hain
phir bhi har qaidi ki
zanjeer juda hoti hai
ek se phool
ek se phool
gulistan mein khila karte hain
phir bhi har phool ki taqdeer juda hoti hai
phir bhi har phool ki taqdeer juda hoti hai

aa aa aa
yahi sab ki kahaani hai
yahi sab ka fasaana hai
yahi sab ka fasaana hai
koi daulat ka hai aashiq
koi shohrat ka deewaana hai
koi shohrat ka deewaana hai
ise hasrat hai koi
use armaan koi
tamannaaon se khaali
nahin insaan koi
aa aa aa
ek se khwaab
nigaahon mein
basa karte hain
phir bhi har khwaab ki
taabeer juda hoti hai
ek se phool
ek se phool
ek se
haan ek se phool
gulistaan mein khila karte hain
phir bhi har phool ki taqdeer juda hoti hai
phir bhi har phool ki taqdeer juda hoti hai
phir bhi har phool ki taqdeer juda hoti hai
phir bhi har phool ki

taqdeer juda hoti hai
phir bhi har phool ki


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3467 Post No. : 13917

“China Town”(1962) was produced and directed by Shakti Samant for Shakti films, Bombay. The movie had Shammi Kapoor, Shakila, Helen, Madan Puri, S N Bannerji, Mridula, Jeewankala, Gautam Mukherji, Kanu Roy, Shetty, Samson, Keshav, Khursheed, Tuntun, Rasheed Khan, Polson, F C Chang, Khatana, Fazal, Abdul, Lydia, Deendayal, Balaram, Ranjeet Sood, Shamsher Singh, Master aziz, Master Aslam, Aruna, Ram Reddy, Bina, Mauji Singh, B Bannerji, Bhattacharya, Minu, Mohan, Omi etc in it.

The movie had eight songs in it. Six of these songs have been covered in the blog.

Here is the seventh song from “China Town”(1962) to appear in the blog. This song is a duet sung by Asha Bhonsle and Rafi. Majrooh Sultanpuri is the lyricist. Music is composed by Ravi.

The song is sung in qawaali style but it is picturised as a mujra style dance song on a dancer who lip syncs in Asha Bhonsle’s voice whom I am unable to identify as well as on Shammi Kapoor, playing her client, who sings in Rafi’s voice. It seems that Shammi Kapoor is in disguise and is on a spying mission.

I request our knowledgeable readers to help identify the female dancer.

Video

Song-Bada qaatil hai mera yaar china chin chin chu (China Town)(1962) Singers-Asha Bhonsle, Rafi, Lyrics-Majrooh Sultanpuri, MD-Ravi

Lyrics

humse mat poochho ke hum kya kar gaye
kis tarah nazron ka daaman bhar gaye
koi inki shokhiyaan dekha kiya
aa aa aa aa
hum to inki saadgi per mar gaye

haaye
alla kasam
o bada qaatil hai mera yaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu

haath mein teer na talwaar china chin hin chu
haath mein teer na talwaar china chin hin chu

haaye ye naaj ki jis naaj pe laila mit jaaye
haaye ye naaj ki jis naaj pe laila mit jaaye
haaye ye husn ki jis husn pe duniya lut jaaye
dil ise dekhe to mushqil hai ki khaamosh rahe
mera jimma hai
kisi ko bhi agar hosh rahe

haaye haaye haaye haaye sadqe
hai kuchh aisa mera dildaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu

haath mein teer na talwaar china chin chin chu
haath mein teer na talwaar china chin chin chu

inki har baat pe nikle na mera dam kaise
inki har baat pe nikle na mera dam kaise
ye adaayen hon to qurbaan na hon hum kaise
kabhi is tarah khafa
jaise koi pyaar kare
kabhi khaamosh
ki jaise koi ikraar kare
aur
kabhi ikraar mein inkaar china chin chin chu

bada qaatil mera dildaar china chin chin chu
bada qaatil mera dildaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu
haath mein teer na talwaar china chin chin chu
haath mein teer na talwaar china chin chin chu

humne chaaha thha ki zaalim ko na chaahenge kabhi
humne chaaha thha ki zaalim ko na chaahenge kabhi
ik sitamgaar se ab yoon na nibhaayenge kabhi
par karen kya
ki hum hi hoke khafa bhool gaye
jab mili aankh
to sab jaur o jafa bhool gaye

o kasam khuda ki
kya karen
aa hi gaya pyaar china chin chin chu
o bada qaatil hai mera yaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu

haath mein teer na talwaar china chin chin chu
haath mein teer na talwaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu
o bada
qaatil
mera yaar
china chin chin chu
bada qaatil


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kaale Baadal”(1950) was directed by Anand Thakur for National Film of India production. The movie had Meena, Pushpa Hans, Shyam, Gope, Jeevan, Raj Mehra, Ramesh Sinha, Tabassum, Hansa, M. Rajan, Pratima Devi etc in it.

The movie had nine songs in it. Eight of these songs have been covered in the past.

The ninth song from the movie is, not surprisingly, a rare song.

Here is this ninth and final song from “Kaale Baadal”(1950) to appear in the blog. This song is sung by Shamshad Begam and chorus. Rajinder Krishan is the lyricist. Music is composed by Shyam Sundar.

Only the audio of this rare song is available. The song sounds like a qawwaali, though only three minutes long. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song, “Kaale Baadal”(1950) joins the list of movies that have all their songs covered in the blog.


Song-Pahle unke saamne jaate hi khanjar rakh diya (Kaale Baadal)(1951) Singer-Shamshad Begam, Lyrics-Rajinder Krishan, MD-Shyam Sundar
Chorus

Lyrics

pahle unke saamne
jaate hi khanjar rakh diya
aa aa aa
aa aa aa aa
pahle unke saamne
pahle unke saamne
jaate hi khanjar rakh diya
phir kaleja rakh diya
dil rakh diya
sar rakh diya
pahle unke saamne
ho pahle unke saamne
jaate hi khanjar rakh diya
phir kaleja rakh diya
dil rakh diya
sar rakh diya
pahle unke saamne

unke kadmon par jhuke ae
aur jhuk ke ye fariyaad ki ee
dekh le haalat arre
zaalim dil e barbaad ki
wo to chup baithhe rahe
aur ham tadapte hi rahe
wo to chup baithhe rahe
aur ham tadapte hi rahe
ham tadapte hi rahe
ham tadapte hi rahe

wo to chup baithhe rahe ae
aur ham tadapte hi rahe ae
hadd bhi hoti hai
mohabbat mein koi bedaad ki
kitne zaalim husn ke
seene mein patthar rakh diya
phir kaleja rakh diya
dil rakh diya
sar rakh diya
pahle unke saamne
ho pahle unke saamne

husn meethhi neend mein
chupke se sota hi raha
ishq ki kismat mein rona thha
wo rota hi raha
husn ko taqdeer ne
khushiyaan bhi di
aaraam bhi
husn ko taqdeer ne
khushiyaan bhi di
aaraam bhi
ishq ko barbaad hona thha
wo hota hi raha
ishq ke paaon mein
?? hi chakkar rakh diya
phir kaleja rakh diya
dil rakh diya
sar rakh diya
pahle unke saamne
ho pahle unske saamne


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Neki Aur Badi” (1949) was an Oriental Pictures presentation. It was directed by Kidar Sharma. The movie had Geeta Bali, Pesi Patel, Nazira, Madhubala, Kidar Sharma, Uma Dutt etc in it.

“Neki Aur Badi”(1949) had ten songs in it. Seven of these songs have been covered in the blog.

Here is the eighth song from “Neki Aur Badi”(1949) to appear in the blog. This song is sung by Amirbai Karnataki and a couple of unidentified male voices. Kidar Sharma is the lyricist. Music is composed by Roshan, of course.

I have failed to get the lyrics right at many places. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.

I also request our knowledgeable readers to help identify the unknown male voices in the song.

With this song, now two songs from the movie are left undiscussed. These two songs are “Ae ree jaa le aa more kaant ka sandeswa” and “man mein prem ki jyoti jale”. Even the details of singers of these songs are missing in HFGK. So unless these two songs get located, this movie will remain unYIPPEED in the blog. I request our knowledgeable readers to keep a watch for these as yet unavailable songs and sound us out as and when these songs become available.

———————————————————-
Translation (Provided by Sudhir)
———————————————————
‘dahaan’ = mouth, opening
‘zhakhm’ = wound
‘dahaan e zakhm se’ = from the lips of the wounds
‘kissa e gham’ = tale of miseries
‘karam’ = blessings, His grace
‘zaa’id’ = surplus, overflowing
‘be-zaa’id’ = lacking, deficient
‘aabileh’ = plural of ‘aabilah’ – wound, blister
‘farsh’ = floor, carpet
‘farsh e khaaq’ = carpet of ashes, carpet of dust
‘naaleh’ = lamentations, cries, moans

 

hamen na roko hamen unke paas jaane do
dahaan e zakhm se kissa e gham sunaane do

Do not hinder us
Allow us to go near them
And permit us to narrate
Our tales of miseries
From the lips of our wounds

ye lambi taan ke sotey rahe hain sadiyon tak
zamaana badla hai ab to inhen jagaane do

They have been sleeping in peace
From centuries now
Times have changed
Allow us to wake them up (into today’s reality)

ye motiyon ke qadrdaan karam se be-zaaid
jigar ke phaile huye aabileh dikhaane do

They play in wealth
And they give rewards of pearls
But they so lack His blessings and grace
Permit us to show them
The blisters that spread on our heart

ye chand aish karen aur ye saikdon royen
ye mehlon mein, aur ye farsh e khaaq par soyen

These few enjoy the luxuries
And these thousands weep in misery
They sleep in their palaces
And these on the carpet of dust

isi ko kehte hain insaaf aasmaan waale
khalq hila ke rahenge ghareeb ke naale

(If) this is Your justice and rightesouness
O Our Lord in heavens
Be it so then
That the lamentations of the weak and the poor
Shall shake the foundations of this creation itself


Song-Hamen na roko hamen unke paas jaane do (Neki Aur Badi)(1949) Singers- Feroze Dastur, Amirbai Karnataki, Unknown Male Voice, Lyrics-Kidar Sharma, MD-Roshan
Male Chorus

Lyrics

hamen na roko
hamen unke paas jaane do
hamen na roko
hato
unke paas jaane do
hamen na roko
hamen unke paas jaane do
aahe waah
unke paas jaane do
dahaan e zakhm se
kissa e gham sunaane do
dahaan e zakhm se
kissa e gham sunaane do

jaao
ey
hota hai

ye lambi taan ke
sote rahe hain
sadiyon tak

haan aa aa
ye lambi taan ke ae
sote rahe hain aen
sadiyon tak a a
zamaana badla hai
ab to inhen jagaane do
zamaana badla hai
ab to inhen jagaane do

ye motiyon ke kadrdaan
karam se be-zaa’id
haan
karam se be-zaa’id
haan
karam se be-zaa’id
jigar ke phaile huye
aabileh dikhaane do
jigar ke phaile huye
aabileh dikhaane do

ye chand aish karen aen aen
aur ye saikdon..on..on..on royen
ye oonche mahlon mein
ye farsh e khaakh par soyen aen aen
isi ko kehte hain
insaaf aasmaan waale
khalq hilaa ke rahenge
gareeb ke naaleh
gareeb ke naaleh

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————

हमें ना रोको
हमें उनके पास जाने दो
हमें ना रोको
हटो
उनके पास जाने दो
हमें ना रोको
हमें उनके पास जाने दो
आहे वाह
उनके पास जाने दो
दहान ए ज़ख्म से
किस्सा ए ग़म सुनाने दो
दहान ए ज़ख्म से
किस्सा ए ग़म सुनाने दो

जाओ

होता है

ये लंबी तान के
सोते रहे हैं
सदियों तक
हाँ॰॰आ॰॰आ
ये लंबी तान के
सोते रहे हैं
सदियों तक
ज़माना बदला है
अब तो इन्हें उठाने दो
ज़माना बदला है
अब तो इन्हें उठाने दो

ये मोतियों के क़दरदां
करम से बे-ज़ा’एद
हाँ करम से बे-ज़ा’एद
हाँ करम से बे-ज़ा’एद
जिगर के फैले हुये
आबिलेह दिखाने दो
जिगर के फैले हुये
आबिलेह दिखाने दो

ये चंद ऐश करें॰॰एं॰॰एं
और ये सैंकड़ों॰॰ओं॰॰ओं॰॰ओं रोएँ
ये ऊंचे महलों में
ये फर्श ए खाक पर सोएँ॰॰एं॰॰एं
इसी को कहते हैं
इंसाफ आसमान वाले
ख़ल्क़ हिला के रहेंगे
ग़रीब के नाले
ग़रीब के नाले


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘Hero’(1983) was produced and directed by Subhash Ghai for Mukta Arts Limited, Bombay. Introducing newcomer pairs in lead roles was the in thing those day. It had started with ‘Bobby’(1973), which was followed by ‘Love Story’(1980), ‘Rocky’(1981) and then ‘Betaab’(1983).
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Maan”(1954) was produced by Rajendra Jain and directed by Safdar Aah Sitapuri for Filmkaar Limited, Bombay. This cosume drama had Chitra, Ajit, Jageerdaar, Kumar, Achla Sachdev, Yashodhara Katju, Kamlesh Kumari, Chandabai, Durga Khote etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Hamaara Watan”(1956) was produced by Ramesh Vyas and directed by Jayant Desai for Navkala Niketan, Bombay. The movie had Bina Rai, Premnath, Agha, Ram Singh, S N Tripathi, Kumkum, Jagdish Kamal, Ramesh sinha, S Azeem, Habeeb, Nazeer Kashmiri, Md Rafi, Md Ali, M. Sandow, Hanuman, Md Hussain, Bela Sarkar, Jaya Rao, Maya Das etc in it.
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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14300 song posts by now.

This blog is active and online for over 3500 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14301

Number of movies covered in the blog

Movies with all their songs covered =1146
Total Number of movies covered =3904

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  • 10,294,590 hits

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Blog Start date: 19 july 2008

Active for more than 3500 days.

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