Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘qawwali’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6469 Post No. : 20098

“Paataal Pari”(1957) was produced by Bakht Bahadur Singh and directed by S P Bakshi for Sardar Pictures, Bombay. This fantasy movie had Shakila, Jairaj, Tiwari, Kumkum, Ramesh Thakur, Yashodhar Katju, Mohinder, Habeeb, Ramkumar, Zippy, Uma Dutt, H Prakash, Gulnaar, Khairaati, Sheikh etc alongwith guest artists Shree Mohan, Heera Sawant and Indra in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6468 Post No. : 20092

Today’s song is a qawwali from a Bilingual film – Kalakar-1954.

This was a film made in 2 languages-Hindi and Marathi. The film was made by Datta Dharmadhikari, for his own banner Alhad Chitra, poona. (Alhad was his son’s name).

When talkie films started, it also prompted the Marathi producers to make films in Hindi and Marathi, in order to capture the bigger All India market and to make more money. The very first Marathi Talkie film ‘ Ayodhyecha Raja ‘-1932 was also made in Hindi as ‘ Ayodhya ka Raja ‘at the same time. So, in this game of Bilinguals Marathi films were ahead of Bengali films, whose first Bilingual came out much later.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6433 Post No. : 19971

“Badi Door Se Chal Kar” sung by Mohd Rafi and Aziz Nazan was written by Majrooh Sultanpuri and composed by Rajesh Roshan for the movie “Jai Vijay” (1977).

“Jai Vijay”(1977) was directed by L V Prasad for Prasad Productions, Bombay. This movie had Jeetendra, Reena Roy, Prem Kishan, Bindiya Goswami, Om Shivpuri, Satyen Kappoo, Urmila Bhatt, Kamal Kapoor, Lalita Pawar, Paintal, Brahamchaari, Sarla Yevlekar, Appi Umrani, Harish, Viju Khote, Lalita Kumari, Vikas Anand, Ranjan, Brahm Bhardwaj, Bhagwan, Roopesh kumar etc, with special appearances by Jayshre T and Veena.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6415 Post No. : 19908 Movie Count :

5186

#the Decade of Fifties – 1951 – 1960 #
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Today’s song is from the movie ‘Shareef Daaku-1960’. This movie is making its debut on the blog today. It seems to be an obscure movie of its time.

One big advantage of the internet era is that sharing of resources has become easy. It has enabled music lovers to share music from obscure movies that would have remained out of reach of most music lovers if there was no internet. Songs from old movies that were considered very rare songs and even lost songs have become available with time for the listening pleasure of music lovers. One cannot thank the uploaders of such songs enough. Music lovers will remain grateful for their generosity in sharing such rare musical gems online.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6411 Post No. : 19892

Today’s song is from stunt film- Circus ki Sundari aka Circus Queen-1941.

The Film was made by producer Kikubhai Desai for his own banner Paramount Movietone, Bombay. It was directed by a veteran of such films, Balwant bhatt. The Music Director was Hafiz khan Mastana. The cast of the film included Miss Moti, Jal merchant, Gulab, puri, agha, A Kareem and others. The songs were written by P.L.Santoshi and A.Kareem.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6390 Post No. : 19821

After that qawwali like fusion wedding song from “Bombay”, I remembered a few filmy qawwalis from the 21st century. Several of them are composed by ARR, so there is a possibility of at least one more qawwali in that series. There is another one from the 90’s which should follow in the next few days.

After the top one “Na to karwaan ki talaash hai” many people consider “parda hai parda hai” to be second most liked and famous qawwali in Rafi Sahab’s songs. I am sceptical about this rating. I have personally always liked “pal do pal ka saathh hamaara” and “Hai agar dushman” better than the hugely popular “Parda hai parda hai”. This qawwali is performed in most of the shows of Rafi Sahab songs. That is fine, as someone remarked, that it is a more engaging one and singers enjoy performing it. That makes it a favourite for the singers too. So, it has somethings going for it. I just wish that the singers try other equally appealing and engaging qawwalis too. All of them are trying to touch the benchmark, in playback singing left by Rafi Sahab. Some say that the textbook is written, and ink dried, and they just need to open the pages and try and absorb.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6377 Post No. : 19774

Today’s song is from a Costume film (HFGK mentions it as a ‘social’ film) – Awara Shehzadi-1956.

There are a total of 14 film titles having Awara in it. Funnily, the original “Awara Shehzada”was a film of 1933. It took 23 years to bring about a female version of the Title with Awara Shehzadi in 1956 ! Incidentally, the film ‘Awara Shehzada’-33 was the First Talkie film, having a Double Role. Shahu Modak had done the roles of the Prince ( Rajkumar) and the Pauper ( Bholaram) in this film. It was directed by Master Vithal, the First Hero of First Talike of India, “Aalam Ara “-1931. Master Vithal was also the first male actor to feature in the Silent Films’ first double role in the film ” Prisoner of Love “- 1927 (aka Raj Tarang) made by Sharda Films.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6356 Post No. : 19704 Movie Count :

5164

#the Decade of Fifties – 1951 – 1960 #
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#Debutant Movie- Alam Ara Ki Beti-1960#

Today we introduce the movie ‘Alam Ara Ki Beti-1960’ on this blog. This movie was passed by Censor Board on 02.02.1960. Initially I was surprised to note this, because I was under the impression that this movie has been represented on the blog long back. But the reason for this was confusing this with the title ‘Alam Ara’. We have three movies with this title made in the year 1931, 1956 & 1973 already available on this blog.

This movie ‘Alam Ara Ki Beti-1960’ was directed by Nanubhai Vakil for Desai Kalamandir, Bombay. Moghabhai Desai was the producer of this movie. The cast of this movie had Naina, Maruti, Daljeet, Prakash, Kanchanmala, Jeevankala, Sadik, Tuntun, Munshi Munakka, Chandabai, Nazmi, Sashimala, M. Kumar, Nadir, Meharbanu, Razzaq, Pawan Kumar, Ismail Azad, Yusuf Azad Qawwaal and others.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6347 Post No. : 19670

#the Decade of Sixties – 1961 – 1970 #
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Today I am presenting a Qawwaalee song sung by Jaani Babu Qawwaal and Krishna Kalle. The movie is ‘Sakhi Lutera-1969’. This movie had made its debut on the blog on 22.05.2018 with its song ‘sochaa hai tumse pyaar karoon, kyaa khayaal hai’. This song was then presented by our respected Sudhir jee and here is what he had mentioned about the word ‘sakhi’ in the title of such movies and how movies with same titles were repeated in the history of Hindi Films.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6326 Post No. : 19592

Rafi Sahab’s Legendary Associations – 15

Back in 2021, I had started this ambitious series for posts to highlight the significant associations in Rafi Sahab’s career. I knew that very few and far between, songs of the major influencers on Rafi Sahab’s singing, were remaining to be posted in the blog, even in 2021.

Most of these stalwarts were old timers, like Naushad, S. D. Burman, Shankar-Jaikishan, Chitragupt, Ravi and C. Ramchandra etc. A few of them of them were more contemporary, like R. D. Burman and Laxmikant-Pyarelal, who were with him. They were the latest beneficiaries of Rafi magic, who were ‘faizyafta” till the end, in 1980. Both started in 1966-67 and continued. Even Kalyanji-Anandji was composing songs for Rafi sahab till the end of 70’s. Madan Mohan and Ravi did it throughout his career and till “Laila Majnu” in 1976, and was the only one who started in 50’s and ended and 70’s, apart from Naushad.
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