Archive for the ‘Songs of 1989’ Category
Chaandni o meri chaandni
Posted on: February 24, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4604 | Post No. : | 16235 |
Hullo Atuldom
“Chaandni” (1989) from the Yashraj Films stable was produced and directed Yash Chopra. It starred Sridevi, Rishi Kapoor, Vinod Khanna, Anupam Kher, Sushma Seth, Mita Vasisht, Anant Mahadevan, Manohar Singh, and Waheeda Rehman and Achala Sachdev in guest appearances. It was the story of Chandni Mathur a young effervescent young lady unsure of her emotions for two gentle men.
This was Yash Chopra’s return to his formula of love stories with good music, locales, and heavy dose of emotions and sentiments. It was very successful and also confirmed Sridevi’s position as a super actress.
It had songs written by Anand Bakshi and set to music by Shiv-Hari. Lata Mangeshkar, Suresh Wadkar, Jolly Mukherjee, Nitin Mukesh, Vinod Rathod, Anupama Deshpande (the humming in the song ‘lagi aaj saawan ki phir woh jhadi hain’), Asha Bhonsle, Babla etc. were the playback singers There is even a Kishore Kumar song in the movie which had 9 songs and the blog has 7 of these.
The Kishore Kumar song has not yet been posted.
Today’s song is the surprise of the movie. I suppose this was the only song that Sridevi has sung in Hindi films. Of course, there is a song in Balu Mahendra directed “Sadma” where Sridevi’s voice was heard along with Kamal Haasan’s in the story-song ‘ek dafa ek jungle tha’ where she giggles and gives reaction to whatever Kamal was saying.
The song with this post is something which I have always wondered about. Whether it is a fantasy or flashback. I have seen this movie a number of times and I have not been able to decide. It has been shot in the picturesque Switzerland. It is one of the songs where the heroine is seen dressed environment appropriately. It also is a lesson for the lover to never meet his love without gifts.
We remember our beloved “khwaabon ki Shehzaadi” Sridevi who left us on 24th February 2018 today. She left her family, friends and countless fans shocked when the news broke over news channels in the wee hours of 25th. The general reaction was “it cannot be true”. How can a person who was so full of vitality and healthy and eagerly expecting her daughter’s first bow on the Bollywood firmament “just go!!!!” She herself just had had a release “Mom” and was seen at various award functions and TV channels. A lasting memory for me, personally, was from the TV dance reality show where she was seen shaking a leg with her contemporary Madhuri Dixit and it was a soothing sight for sore eyes. There have been posts on our blog which have her life-story, list of co-stars etc.
Thank you Sridevi for having entertained us through your life-time having started as a child-actor.
Video
Start of song short video
Audio
Song-Chaandni o meri chaandni (Chaandni)(1989) Singers-Jolly Mukherjee, Sridevi, Lyrics-Anand Bakshi, MD-Shiv Hari
Lyrics
chaandni
o meri chaandni
tu meri chaandni
ouch
(giggle
giggle)
rang bhare badal se
tere nainon ke kaajal se
maine iss dil pe likh diya tera na..aa..am
chaandni
o meri chaandni
rang bhare baadal se,
tere nainon ke kaajal se
maine iss dil pe likh diya tera na.. aa..am
chaandni
o meri chaandni
lal la la lal la la lal laa
lal lal la la la laa
la la la la lal laa
lal lal lal la la laa
chaandni o meri chandni
hmm naam likh diya
bin poochhe yeh kaam kiya
hunh
tumne mujhe badnaam kiya
aa aa aa
aah
bin poochhe ye kaam kiya
tumne mujhe badnaam kiya
khair chhodo (giggle)
darpok kahin ke
hmm
pyaar mujhe tum karte ho
phir kis baat se darte ho
phir kis baat se darte ho
bolo
bolo bolo na
dil pe likhi baaton ko
ponchh na de tu aanchal se
maine is dil pe likh diya tera na..aa..am
chaandni
o meri chaandni
oho
you fo…ooo…ool,
kaun main
yes yes yes yes
kyun
koi phool koi tohfa
tum kuchh bhi saath nahi laate
bade wo ho
samjhaaoon tumhen
pyaar sikhaaoon tumhen
apni mehbooba se milne
khaali haath nahin aate
khaali haath nahin aate
tumhe nahin pata
arre re re re
aaj main phir bhool gaya,
yaad rakhoonga ye kal se
maine iss dil pe likh diya tera na..aa..am
chaandni
o meri chaandni
ale le le le le le
badi masti karta hai re tu
mere shona shona shona shona
hahahahaha
pakdo pakdo pakdo pakdo pakdo pakdo pakdo
aa
oho
chaandni
o meri chaandni
arre ja ja
chaandni chaandni karta hai
ah ha ha
naam mera dil par likh kar
bas tumne baat bana li hai
haaye
tumhen kya pata
maine toh dil ke andar
teri tasveer laga li hai
teri tasveer laga li hai
dikhaaoon
dekhoge
haha
arre pyar mein tu jeet gayi
apne premi paagal se
maine iss dil pe likh diya tera na…aa..am
chaandni
o meri chaandni
rang bhare baadal se, (lal la la lal la la lal laa)
tere nainon ke kaajal se (lal lal la la la laa)
maine iss dil pe likh diya tera na..aa..am (la la la la lal laa)
chaandni
o meri chandni (lal laaaaaa)
(giggle)
chaandni main teri chaandni,
chaandni
o meri chaandni
chaandni main teri chaandni(giggles)
chaandni o meri chaandni
chaandni main teri chaandni
O saathhiyaa ab darr kyaa
Posted on: December 21, 2020
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4539 | Post No. : | 16108 | Movie Count : |
4395 |
Hullo Atuldom
21st December happens to be the birthday of an entertainer who is the son of yesteryear (meaning the ’40s and ’50s) actor-producer Arun Kumar Ahuja and singer-actress Nirmala Devi. He is part of a family of 5 children -3 sisters and 2 brothers. All the children of Arun Ahuja are connected to the entertainment industry either directly or because of their children. The oldest daughter- Pushpa’s son Vinay Anand is an actor; second daughter- Padma’s son Krushna Abhishek and Arati Singh are actors; third daughter -Kamini herself is a writer, music director, singer, anchor etc.- daughter Ragini and son Amit are actors. Next of Arun Ahuja’s children is Kirti Kumar who is a director and an occasional actor. Then comes our today’s birthday boy- Govind Ahuja who gained popularity as Govinda.
Govinda started his career as an actor doing roles that were not necessarily in the comedy genre but showcased all aspects of acting viz. action, emotion, dancing etc. I remember having read his interview in magazines at the time of his debut, about how he had circulated his VHS tape to various production house that emphasized his dancing skills. I also recall reading how he had auditioned for a character in B R Chopra’s tele-series ‘Mahabharat’ before being signed by his maternal uncle Anand Singh (who happened to be Hrishikesh Mukherjee’s assistant in movies like ‘Khoobsurat’ and also played the character of Rakesh Roshan’s doctor friend in that). But ‘Tan Badan’ released after ‘Ilzaam’ and ‘Love 86’. Neelam was his heroine in many of his movies in that period.
Then he found his comic timing when he teamed up with David Dhawan in the ’90s and we found him cast opposite Karisma Kapoor, Raveena Tandon, Juhi Chawla etc. We have seen him play second lead in movies of the late ’80s where Dilip Kumar, Raj Kumar, Rajesh Khanna, Shashi Kapoor, Vinod Khanna, Dharmendra, Amitabh Bachchan, Shatru, Jeetu etc. played main protagonists. And Govinda says that those were learning experiences for him.
Currently we see him sharing screen-time with the likes of Salman Khan and Akshay Kumar.
Govinda has received 12 Filmfare nominations including best actor, best performance in a comic role and even a Best Villain. Yes he has played a villain too and he was very good at it in the N. Chandra directed 2000 release ‘Shikaari’. He has won 3 filmfare and numerous other awards.
It looks like his favourite male co-actors have been Shakti Kapoor (42 films), Kadar Khan (41 films), Johnny Lever (22 films), Satish Kaushik and Paresh Rawal (14 films with each).
Today’s song is from a movie that was released in 1989 but is not remembered by many I suppose. It had music by Bappi Lahiri; Anjaan and Naqsh Lyallpuri were the lyricists. From what I read on IMDB.com the story appears to be the usual masala stuff of an honest cop deciding that honesty doesn’t pay and having to encounter his own brother who has grown up to be an honest cop out to nab the cop-turned-criminal.
The cast was headed by Shashi Kapoor (possibly one of his last releases), Neelam Kothari and Govinda with Amrish Puri, Bob Christo, etc were in the supporting cast.
Here is this song from this movie. It is sung by Shabbir Kumar and AnuradhaChandrani Mukherjee. Lyricist is not known.
The song is picturised on Govinda and Neelam. It is quite a hummable song to listen to, even though the song failed to get popular.
“Farz Ki Jung”(1989) makes its debut with this song.
Song-O saathiyaa ab darr kya (Farz Ki Jung)(1989) Singers-Shabbir Kumar, Chandrani Mukherjee, MD-Bappi Lahiri
Both
Lyrics
o saathiyaa aake
ab darr kya aa aa
pyaar kiya aa
to pyaar kiya
o saathiyaaa aa
ab dar kya aa
pyaar kiya to pyar kiya
o saathiya aa aa
ab dar kya
pyaar kiya to pyaar kiya
dil mein aake
dil se na jaana
waada nibhaana
bhool na jaana
dil mein aake
dil se na jaana
waada nibhaana
bhool na jaana
o sathiya aa aa
ab dar kya aa
pyaar kiya to pyaar kiya
pyaar hai bandhan
do roohon ka
prem hai do saanson ka sangam
janam janam ka saath hai apna
mar kar bhi na honge juda hum
pyaar hai bandhan do roohon ka
prem hai do saanson ka sangam
janam janam ka saath hai apna
mar kar bhi na honge juda hum
ye rishta hai sadiyon puraana
rishta puraana
bhool na jaana
o sathiya aa aa
ab dar kya aa
pyaar kiya to pyaar kiya
dil mein aake
dil se na jaana
waada nibhaana aa
bhool na jaana
o o o o
o o o
aa aa aa
aa aa aa aa
roke khuda ya roke khudaayi
milne waale mil jaate hain
phool mohabbat ke to aksar
angaaron pe khil jaate hain
roke khuda ya roke khudaayi
milne waale mil jaate hain
phool mohabbat ke to aksar
angaaron pe khil jaate hain
rab roothhe ya roothe zamaana
mushqil hai ye pyaar mitaana
o saathiya aa
ab dar kya aa
pyaar kiya to pyaar kiya
pyaar kiya to pyaar kiya
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4462 | Post No. : | 15943 | Movie Count : |
4370 |
Kidar Sharma has often been given a title of ‘one-man film industry’. He was producer, director, actor, story/screen-play/dialogue writer, lyricist, editor, still photographer etc. He was also known to have the working knowledge of Hindustani classical music. He also sang a song on himself in the film ‘Inquilaab’ (1935). With a vast knowledge gained from working in New Theatres, Kolkata during 1933-41 and in Ranjit Movietone during 1942-47, Kidar Sharma had directed 11 films and written lyrics for 23 films before he turned producer with ‘Neel Kamal’ (1947).
Kidar Sharma had a passion for film making. Otherwise why a young man of 22 years after completing M.A. in English literature would join the New Theatres (NT) as a painter. He would have very well got the job of a lecturer in any college in around his native Punjab. His progress in filmy career was rapid. Within 2 years of joining NT, he was a still photographer and the lyricist for ‘Devdas’ (1935). he became dialogue writer for the Hindi version of ‘Vidyapati’ (1937) in addition to song writing. By 1939, Kidar Sharma had become a free-lance director with ‘Aulaad’ (1939’, his debut film as a director followed by ‘Chitralekha’ (1941) which became much talked about film. Incidentally, after about 23 years, Nadiadwala of Pushpa Films engaged Kidar Sharma to direct ‘Chitralekha’ (1964), a remake of its 1941 version.
After directing 9 films for Ranjit Movietone, Kidar Sharma decided to produce and direct ‘Neel Kamal’ (1947) under his own banner, Oriental Pictures. In fact, nobody was prepared to produce this film, not even his employer, Ranjit Movietone. So, he was forced to become the producer. He arranged finances by selling the distribution rights of the film in advance. For his maiden venture, he introduced two new comers – Raj Kapoor and Madhubala. Both the actors had done some bit roles in films before they were given the lead roles for the first time in the film. The film was an average success in terms of box office collections. Since then, Kidar Sharma has produced and directed 14 films between 1947 and 1980.
As a producer-director, Kidar Sharma was not a showman like Raj Kapoor for whom the production value in terms of star cast, techniques and costly sets for film shooting were as important as the theme of the film. On the other hand, Kidar Sharma was an antithesis of a showman. He believed in low budget film which ruled out taking star actors for the lead roles. Hence, for almost all his films which he produced and directed, he preferred new comers and his protégées to whom he had earlier introduced in his films. In this process, he gave to the Hindi film industry, popular actors like Raj Kapoor, Madhubala, Geeta Bali, Bharat Bhushan, Mala Sinha, Tanuja etc to whom he introduced in his films as lead actors for the first time. Similarly, he mostly relied on Snehal Bhatkar and Roshan as music directors for his films who were introduced by him in his films ‘Neel Kamal’ (1947) and ‘Sohag Raat’ (1948), respectively for the first time.
Kidar Sharma’s last box office successful film as a producer-director was ‘Baawre Nain’ (1950) with Raj Kapoor and Geeta Bali in the lead roles. All his subsequent films like ‘Shokhiyaan’ (1951), ‘Gunaah’ (1953), ‘Chhora Chhori’ (1954) and Rangeen Raaten’ (1956), did not fare well at the box office. All his films in the 1960s and thereafter numbering 6 either failed miserably at the box office or did not get released. I guess, ‘Sehme Huye Sitaare’ (1994) was his last film which remained unreleased in the theatres.
I have watched selectively a few films of Kidar Sharma from 1940s to 1960s. In most of his films, the story is based on a village or a small town and he tries to depict the intricate human relationships. All his films gives an impression that he had not come out of the Bengali mode of film making which were losing stream in Hindi film industry in the later 1960s where films were seen more as a medium of entertainment to fill the coppers of producers and distributors in terms of profits than covering the social issues concerning the society at large. Kidar Sharma did not fit in this milieu. So, the last 5-6 films produced and directed by him became obscure to such an extent that most of the us do not even remember the title of the films.
‘Pyaase Nain’ (1989) was one of the obscure films produced and directed by Kidar Sharma. The star cast included Kanan Kaushal, Yuvraj, Madhup Sharma, Naaz, Anant Marathe, Gauri Varma, Veena Sood with Shyama, Dev Kumar Gajanan Jagirdar, Hiralal and Maruti as guest artists. The film had 6 songs (including one song re-used from ‘Chhora Chhori’ (1954). Kidar Sharma wrote the lyrics which were set to music by Snehal Bhatkar.
The film was certified by the Censor Board on December 5, 1989. I am not aware whether the film was released in the theatres. I also do not find the gramophone/CD version the songs. Fortunately, the VCD of the film is available on one of the video sharing platforms. After watching the initial part of the film, I lost interest in watching the rest of the film. However, I have watched the picturisation of 3 songs in the film. My take on this film is as under:
1. Kanan Kaushal in 1989 was 50. But in this film, she looks much younger. Incidentally, Kanan Kaushal made her debut in Hindi film in 1969.when she was 30.
2. Of the 6 songs, one song is rendered by Mohammed Rafi with Suman Kalyanpur. The voice of Rafi sounds like his voice of the 60s. There is another duet in which Rajkumari Dubey sings for Kanan Kaushal. There are two songs by ghazal singer, Mahesh Chandra who had also sung in ‘Maikhaana’ (1967) for Kidar Sharma.
3. The treatment in the film in terms of cinematography, costumes and dialogues give an impression that this film was shot in the 60s through early 70s.
My own hunch is that the film was majorly shot between 1970 and 1975. Kanan Kaushal had become a well sought-after actress for mythological films after the tremendous success of her film ‘Jai Santoshi Maa’ (1975). In the wake of her success, I do not think that she would have agreed to act in ‘Pyaase Nain’ post 1975. Going by the style of film making by Kidar Sharma in his later years, during which time he used to shoot the film as and when he could raise finance, this film must have been delayed for want of finance. By the time the film got completed, it was terribly out of date. Probably, the film got released only on Television.
One of the six songs which I liked the most from the film ‘Pyaase Nain’ (1989) is ‘aao aawaaz se aawaaz milaakar gaayen’ sung by Mohammed Rafi and Suman Kalyanpur which I am presenting here. The song is written by Kidar Sharma which is set to music by Snehal Bhatkar. When I said earlier that Rafi’s voice sounds like that of his voice in the 60s, I remember his voice in the song dil-e-betaab ko seene se lagaana hoga from ‘Paalki’ (1967). Incidentally, this song is also sung by Mohammed Rafi and Suman Kalyanpur.
With this song, ‘Pyaase Nain’ (1989) makes its debut on the Blog.
Video Clip:
Song-Aao aawaaz se aawaaz milaakar gaayen (Pyaase Nain)(1989) Singers-Rafi, Suman Kalyanpur, Lyrics-Kidar Sharma, MD-Snehal Bhatkar
Both
Lyrics
aao aawaaz se aawaaz
milaakar gaayen en en en
aa aa aa aa
aao aawaaz se aawaaz milaakar gaayen en en
aa aa aa aa aa
kamse kam kaan mein itna to main keh sakti hoon oon
kamse kam kaan mein itna to main keh sakti hoon oon
itna to tu keh sakti hai
dhadkanen aap ki
seene mein
dhadkanen aap ki seene mein pirona hai mujhe ae ae
aa aa aa aa
aao aawaaz se aawaaz milaakar gaayen en en en
aa aa aa aa
meri aankhon mein nazar aayi tumhen wo tasweer eer
meri aankhon mein nazar aayi tumhen wo tasweer eer
nazar aayi mujhe wo tasweer
nazar aayi mujhe wo tasweer
laaj se soyi kali simti huyi baahon mein ae ae
aa aa aa aa
aao aawaaz se aawaaz milaakar gaayen en en en
aa aa aa aa
neend aaye to teri saans jagaa deti hai ae
neend aaye to teri saans jagaa deti hai ae
meri saans jagaa deti hai
meri saans jagaa deti hai
wo jawaan khwaab ke parda hai jinhen mardon se ae ae ae
aa aa aa aa
aao aawaaz se aawaaz milaakar gaayen en en en
aa aa aa aa
laakh parda ho magar maan bhi jaao na wo baat
laakh parda ho magar maan bhi jaao na wo baat
kaho kaun si baat
hmm
kaho kaun si baat
dil jigar sharabati aankhon ke nazar karne do
aa aa aa aa
aao aawaaz se aawaaz milaakar gaayen en en en en
aa aa aa aa
aao aawaaz se aawaaz milaakar gaayen en en en en
(hmm hmm)
aa aa aa aa
aao aawaaz se aawaaz
- In: Blog ten year challenge (2010-2020) | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | Missing the loved ones | Post by Avinash Scrapwala | Songs of 1980s (1981 to 1990) | Songs of 1989 | Yearwise breakup of songs
- 4 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4423 | Post No. : | 15838 |
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Blog 10-Year Challenge (2010-2020) – Song No.60
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Welcome all to this post for today’s(27 August 2020) blog ten-year challenge. Hopefully we will have two posts under the challenge today.
Atul ji had mentioned in previous posts of the challenge that the blog was having ‘customary’ six posts a day those days. This average was well maintained throughout the month. The blog had a whopping total of 176 posts in August 2010, which if we think now would look impossible with the current rate. Nowadays even a hundred posts in a single month looks like a distant dream. The last occasion of a hundred posts in one single month was in March’2018.
But we can always hope that the blog in some future date will regain those glory years strike rate of ‘five -six’ posts per day. Let us see how many we can achieve today.
Ten years back on this date (27 august 2010), the following songs were posted on the blog;
| Song | Movie title-Year | Remarks |
|---|---|---|
| Ritu aaye ritu jaaye duniyaa rang badalti hai | Sahaaraa-1958 | 07 songs posted |
| Dil se dil takraaye | Love Marriage-1959 | All songs covered |
| Matwaali naar thumak thumak chali jaaye | Ek Phool Chaar Kaante-1960 | All songs covered |
| Phir ek baar kaho | Maayaa-1961 | All songs covered |
| Dekhi anaadi teri preet | Biraadari-1966 | All songs covered |
| Kaun sunegaa kisko sunaayen | Sautan Ki Beti-1989 | 01 song posted |
Out of the six movies represented that day on 27.08.2010 four movies viz. ‘Biraadari-1966’, ‘Maayaa-1961’, ‘Ek Phool Chaar Kaante-1960’ and ‘Love Marriage-1959’ have already been ‘Yippeeee’ed’ viz all their songs have been covered on the blog.
We have two movies ‘Sautan Ki Beti-1989’ and ‘Sahaaraa-1958’ eligible for discussion today, ten years down the line.
Here I am presenting a song from ‘Sautan Ki Beti-1989’ which had made its debut on the blog ten years back and completed a full cycle of ‘ten years’ with only one of its song represented on the blog.
| Song | Posted On |
|---|---|
| Kaun sunegaa kisko sunaayen | 27.08.2010 |
I had watched this movie during my stay at Kota in 1989. Though I do not remember the movie now but couple of its songs were quite popular. Today I am presenting one such song from this movie.
Music in ‘Saawan Kumar movies’ had always remain special and songs from the movies directed by him have always been likened and appreciated by many.
Take the case of this movie it had few good songs and one ‘sentimental gem’ sung by Kishore Kumar had already been posted earlier. Today’s song is also a ‘sad song’, having beautiful (or meaningful) lyrics, sung by Lata Mangeshkar and lip synced by Rekha on screen.
Before moving to the today’s song here is a brief about this movie.
“Souten Ki Beti-1989” or ‘Sautan Ki Beti’ was directed by Saawan Kumar for his home productions ‘Saawan Kumar Productions’. It had Jeetendra, Rekha, Jayaprada, Sumeet Saigal, Vijayendra Ghatge. They were supported by Raja Babu, Baby Guddu, Bal Dhuri, Anil Kumar, Nisha Prashant, B.B. Bhalla and Veera. This movie also had Ramesh Oswal, Ratan Bhatia, Bindu Kamat, Poonam Malhotra, Jamura, Narendra Wadhavan, Balvant Bansal and others.
The movie introduced Dipinti. (I don’t remember if she acted in more movies?)
Talat Hussain makes a friendly appearance in this movie.
Story of this movie was also written by Saawan Kumar and screenplay was written by Bhaarat B. Bhalla. (the double ‘aa’ in Saawan Kumar and Bhaarat is as per the titles of the movie and not added by me 🙂 ).
Dialogues of this movie were written by Kamleshwar. Editing was done by Vanktesh Naik.
This movie had seven songs sung by Lata Mangeshkar, Kishore Kumar, Anuradha Paudwal, Sadhna Sargam and Meghna Shrivastava.
All the songs were also written by Saawan Kumar himself and music for this movie was composed by Vedpaal. (‘aa’ 🙂 )
This movie was passed by Censor Board on 27.06.1989. (cannot forget the date 🙂 , Pancham Da’s birth anniversary and special day for me)
Let us now enjoy today’s song lip synced on screen by the beautiful Rekha and sung by Lata Mangeshkar. As mentioned above lyrics are Sawan Kumar and music is composed by Vedpal.
Song-Ham bhool gaye re har baat magar tera pyaar nahin bhooley (Sautan Ki Beti)(1989) Singer-Lata, Lyrics-Sawan Kumar , MD-Vedpal
Lyrics
ham bhool gaye re har baat
magar teraa pyaar nahin bhooley
ham bhool gaye re har baat
magar teraa pyaar nahin bhooley
kya kya huaa dil ke saa aa aat
kya kya huaa dil ke saath
magar teraa pyaar nahin bhooley
ham bhool gaye re har baat
magar teraa pyaar nahin bhooley
duniyaa se shikaayat kya karte
jab toone hamen samjhaa hi nahin
duniyaa se shikaayat kya karte
jab toone hamen samjhaa hi nahin
ghairon ko bhalaa kya samjhaate
jab apnon ne samjhaa hi nahin
toone chhod diyaa re meraa haath
(sobbing sound)
toone chhod diyaa re meraa haath
magar teraa pyaar nahin bhooley
kya kya huaa dil ke saa aa aath
kya kya huaa dil ke saath
magar teraa pyaar nahin bhooley
ham bhool gaye re har baat
magar teraa pyaar nahin bhooley
qasmein khaa kar waade todey
ham phir bhi tujhe naa bhool sakey
qasmein khaa kar waade todey
ham phir bhi tujhe naa bhool sakey
jhoole to pade baaghon mein magar
ham bin tere naa jhool sakey
saawan mein jaley re din raat
magar teraa pyaar nahin bhooley
kya kya huaa dil ke saa aa aath
kya kya huaa dil ke saath
magar teraa pyaar nahin bhooley
ham bhool gaye re har baat
magar teraa pyaar nahin bhooley
ham bhool gaye re har baat
magar teraa pyaar nahin bhooley
(sobbing sound)
——————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————
हम भूल गए रे हर बात
मगर तेरा प्यार नहीं भूले
हम भूल गए रे हर बात
मगर तेरा प्यार नहीं भूले
क्या क्या हुआ दिल के साथ
क्या क्या हुआ दिल के साथ
मगर तेरा प्यार नहीं भूले
हम भूल गए रे हर बात
मगर तेरा प्यार नहीं भूले
दुनिया से शिकायत क्या करते
जब तूने हमें समझा ही नहीं
दुनिया से शिकायत क्या करते
जब तूने हमें समझा ही नहीं
गैरों को भला क्या समझाते
जब अपनों ने समझा ही नहीं
तूने छोड़ दिया रे मेरा हाथ
(सिसकने की आवाज़)
मगर तेरा प्यार नहीं भूले
क्या क्या हुआ दिल के साथ
क्या क्या हुआ दिल के साथ
मगर तेरा प्यार नहीं भूले
हम भूल गए रे हर बात
मगर तेरा प्यार नहीं भूले
कसमें खा कर वादें तोड़े
हम फिर तुझे ना भूल सके
कसमें खा कर वादें तोड़े
हम फिर तुझे ना भूल सके
झूले तो पड़े बाग़ों में मगर
हम तेरे बिन ना झूल सके
सावन में जले रे दिन रात
मगर तेरा प्यार नहीं भूले
क्या क्या हुआ दिल के साथ
क्या क्या हुआ दिल के साथ
मगर तेरा प्यार नहीं भूले
हम भूल गए रे हर बात
मगर तेरा प्यार नहीं भूले
हम भूल गए रे हर बात
मगर तेरा प्यार नहीं भूले
(सिसकने की आवाज़)
Sehre mein dulha hoga
Posted on: June 27, 2020
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4362 | Post No. : | 15687 |
Hullo Atuldom
27th June- birth anniversary of our beloved Panchamda a.k.a RD Burman. We have many posts on this blog which gives us details of his birth, his lineage, and many many other trivia connected with how he got the nickname “Pancham”.
So without wasting time or as some people would like to say ‘zyaada footage khaaye bagair’ I will come straight to today’s song. It is from the 1989 released, Vidhu Vinod Chopra written-produced & directed “Parinda”. It had Madhuri Dixit, Jackie Shroff, Anil Kapoor, and Nana Patekar in a rather grey role. Anupam Kher was there in a special appearance.
Anil Kapoor and Jackie Shroff played brothers. Anupam Kher played Anil Kapoor’s friend and Madhuri’s brother. Jackie Shroff works for the underworld chieftain Anna (Nana Patekar). Anil Kapoor returns from studying abroad and meets his childhood friend Anupam Kher who has become a police officer. He also witnesses his friend being shot down by the underworld and decides to avenge his death.
The movie is interspersed with the tender love and camaraderie that is shared between the brothers and their dreams of having a family complete with wife children etc. Today’s song is when the brothers are thinking of the impending marriage of Anil Kapoor with Madhuri.
“Parinda” had seven songs which were written by Khurshid Hallauri of which one is there on the blog, posted on 15th of May 2015. (It has a sad version which was posted in the comments by Prakashchandraji) There was also a comment there by Prakashchandraji:- “And Who is Khursheed Hallauri ??, the lyricist, Any one who has information about him, Please share with us.” This question still remains.
This movie was planned by Vinod Chopra after his low-budget suspense thriller “Khamosh” failed to find a distributor for theatrical release. “Parinda” received critical acclaim when released. It also won two National awards and five Filmfare awards. It was also selected to represent India at the Oscars that year.
I chose this particular song as it talks of a marriage and we have an active follower of this blog celebrating his anniversary today. He is a big fan of Pancham and his music so I hope he and his life-partner (also known as Satulite in Atuldom) like this song.
Thank You Panchamda for leaving us this fun song.
Audio
Video
Song-Sehre mein dulha hoga (Parinda)(1989) Singers-Shailendra Singh, Suresh Wadkar, Lyrics-Khursheed Halluri, MD-R D Burman
Both
Lyrics
sehre mein dulha hoga,
ghoonghat mein dulhan hogi
haan sehre mein dulha hoga,
ghoongat mein dulhan hogi
masti mein naachenge yaar
ke ghar mein baaja bajega
sehre mein dulha hoga
ghoongat mein dulhan hogi
sehre mein dulha hoga,
ghoonghat mein dulhan hogi
masti mein naachenge yaar
ke ghar mein baaja bajega
ho o aayega jab din woh khushi ka
hosh rahega kisko kisika
hoo ghar aayegi bhaiyya ki dulhan
jhoom uthhega yeh ghar aangan
hey raat suhaani hogi,
chadhhti jawaani hogi
duniya deewaani hogi,
saath me rani hogi
karke sola singaar
ke ghar me baaja bajega
haan sehre mein dulha hoga,
ghoongat mein dulhan hogi
sehre mein dulha hoga,
he ghoongat mein dulhan hogi
masti mein naachenge yaar
ke ghar me baja bajega
poore honge armaan dil ke
honge khush dulhan se mil ke
pyaar se hongi pyaari baatein,
katt jaayengi pal mein raatein
haan saanson mein hogi jwaala
chaabhi hogi na hoga taala
saali hogi na saala,
saala hoga na saali
aaya hai tere dar pe sawaali
shirdiwaale sai baba
shirdiwaale sai baba
aaya hai tere dar pe sawaali
no no no bhaiyya
sawaali nahin saali saali
saali hogi na saala,
chaabi hoga na taala
saali hogi na saala,
chaabi hoga na taala
donon karenge pyaar
ke ghar mein baaja bajega
haan sehre mein dulha hoga,
ghoonghat mein dulhan hogi
sehre mein dulha hoga,
ghoonghat mein dulhan hogi
masti mein naachenge yaar
ke ghar mein baaja bajega
armaanon ki bagiya khilegi,
bhaiyya ko mere dulhan milegi
o o behne lagegi prem ki dhaara
paawan hoga jeewan saara
hoga jo poora saal
godi mein hoga laal
hoga jo poora saal
godi mein hoga laal
haan duniya dekhegi mera kamaal
ho chhorra ganga kinaare waalaa
ho chhorra ganga kinaare waalaa
o khaike paan banaaras waalaa
khuli jaaye band akal kaa taalaa
phir to aisa kare kamaal
seedhi karde sabki chaal
arre arre arre
chaal nahin gadhe
saal saal
hoga jo poora saal
godi mein hoga laal
hoga jo poora saal
godi mein hoga laal
chhota sukhi parivaar
ke ghar mein baaja bajega
sehre mein dulha hoga
ghoonghat mein dulhan hogi
sehre mein dulha hoga
ghoonghat mein dulhan hogi
masti mein naachenge yaar
ke ghar mein baaja bajega
haan baaja bajega
ha ha
arre baaja bajega
baaja bajega
This article is written by Peevesie’s mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4250 | Post No. : | 15470 | Movie Count : |
4264 |
Hullo Atuldom
i am just unable too stay away from the blog.
7th March is the 65th birthday of a highly versatile actor who goes by the name Anupam Kher. His journey in Bollywood began with a movie, where as a 28-year-old, he portrayed the character of a 65 year old senior whose son dies in the US and the senior has to struggle his way through corrupt excise officers to get the mortal remains of his son released from cargo. Anupam was excellent in that role and he won all awards possible in that year. But what followed this success was- he was stuck portraying characters much older than his calendar age- Madhuri Dixit’s father in Tezaab, Anil Kapoor (who is a year younger to Anupam) had Anupam playing his grandfather in Vijay (1988). As if playing Anil Kapoor’s grandfather was not enough his character was father to Hema Malini and Raj Babbar, father in law to Rajesh Khanna and Moushmi; and finally even Rishi Kapoor’s grandfather. The only other actor (in my knowledge) who has played older character with elan is Sanjeev Kumar.
He is a two-time winner of the special jury award at the National Film Awards, eight-time Filmfare Award winner of which five-times were as Best Comedian. He is also a Padma Shri and Padma Bhushan winner.
It is difficult to pin-point which is my favourite Anupam Kher character from all of his (close to) 500 movies. But his role of an alcoholic singer, trying to cope with the demons in his mind and his relationship with his daughter, in the 1989 Mahesh Bhatt directed “Daddy”, is what i would like to present a song from, today on his 65th birthday. The movie was released on Doordarshan and i don’t think it had a theatrical release.(That was the time when many low-budget films were being premiered on television.) It had Pooja Bhatt making her debut with Soni Razdan, Neena Gupta, Sulbha Arya, Suhas Joshi, Raj Zutshi, Manohar Singh, Satish Kaushik, Akash Khurana as others in the cast. “Daddy” was said to be director Mahesh Bhatt’s window to his own life. This is one of the movies where Anupam Kher was the protagonist, another movie that I recall was also a film that released on television “Zevar”, which was produced and directed by Basu Chatterjee where Anupam Kher got to play a character of his (then calendar) age.
Today’s song is written by Suraj Sanim and Rajesh Roshan is the music director. Talat Aziz is the playback singer.
Song-Aaina mujhse meri pehli si soorat maange (Daddy)(1989) Singer-Talaz Aziz, Lyrics-Suraj Sanim, MD-Rajesh Roshan
Lyrics
aaina mujhse meri pehli si soorat maange
aaina mujhse meri pehli si soorat maange
aaina mujhse meri pehli si soorat maange
mere apne mere hone ki nishaani maange
aaina mujhse meri pehli si soorat maange
main bhatkta hi raha dard ke veeraane mein
waqt likhta raha chehre pe har pal ka hisaab
meri shohrat meri deewangi ki nazar huyi
pi gayi mai ki botal mere geeton ke kitaab
aaj lauta hoon toh hansne ki ada bhool gaya aa
yeh shehar bhoola mujhe
main bhi isey bhool gaya
mere apne mere hone ki nishaani maangen
aaina mujhse meri pehli si soorat maange
mera phan phir mujhe baazaar mein le aaya hai
yeh woh jaa hai ke jahaan mehr o wafaa bikte hain
baap bikte hai aur lafze jigar bikte hai
kokh bikti hai dil bikte hain sar bikte hain
iss badalti huyi duniya ka khuda koi nahin
saste daamon mein har roz khuda bikte hain
bikte hain
bikte hain
mere apne mere hone ke nishaani maangen
aaina mujhse meri pehli si soorat maange
har khareedaar ko baazar mein bikta paaya
hum kya paayenge kisine yahaan kya paaya
mere ehsaas mere phool kahin aur chalen
bol pooja meri bachchi kahin aur chalen
aur chalen
aur chalen
Main har janam teri bahna banoon
Posted on: August 15, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4045 | Post No. : | 15173 | Movie Count : |
4169 |
Today (15 august 2019) is not only the independence day, it also happens to be the festival of Rakhi.
I have managed to post one independence day song on this occasion. Now it is time I cover a Rakhi festival song as well, before the day wears off.
This raakhi festival song is from “Dav Pech”(1989). The correct spelling should be “Daanv Pench”. This movie was produced by Padmini Kolhapure and directed by Kewal Verma for Padmini Films Private Limited, Bombay. The movie had Jeetendra, BhanuPriya(south),Prem Chopra, Dinesh Hingoo, Chandrashekhar,Shakti Kapoor, Bob Christo, Sunil Dhawan, Renu Joshi,C.S.Dubey, Manik Irani,Kamaldeep, Neeta Kapoor,
Sangeeta Kapoor,Master Rinku,Gurbachchan Singh, Gauri Verma,Jugnu, Azad Irani,Umesh Khanna, Surbhi Zaveri etc in it.
This rakhi song had two versions. The duet version (happy version) was sung by Sadhana Sargam and Shailendra Singh. It was picturised on Gauri Verma, Jeetendra and Master Rinku. The sad female solo version was just one stanza long and it was sung by Sadhana Sargam.
Indeewar is the lyricist. Music is composed by Anu Malik.
Lyrics of the song were sent to me by Prakashchandra long back.
With this song, “Dav Pech”(1989) makes its debut in the blog.
I take this opportunity to wish our visitors happy Raakhi and also happy independence day.
Duet
Female solo
Song-Main har janam teri bahna banoon (Daanv Pench)(1989) Singers-Sadhana Sargam, Shailendra Singh, Lyrics-Indeewar, MD-Anu Malik
Both
Lyrics(Provided by Prakashchandra)
———————————
Duet version
———————————
hoooo…oooooo…ooooo
oooo…oooooo…….oooooo
main har janam teri behnaa banoon
tu har janam meraa bhaiyyaa bane
main har janam teri behnaa banoon
tu har janam meraa bhaiyyaa bane
ek janam kyaa
saaton janam
teraa hi saayaa
sar pe rahe ae
main har janam teraa bhaiyyaa banoon
tu har janam meri behnaa bane
rishte naate bahut hain jag mein
koyee na rishtaa aisaa
bhai behan kaa pyaar hai paawan
gangaa jal ke jaisaa
main uss ghar ki karoon hifaazat
tu jis ghar ka gehnaa bane ae
main har janam teri behnaa banoon
tu har janam meraa bhaiyyaa bane
des rahen pardes rahen hum
badlenge naa iraade
raakhi ke dhaagon mein chhupe hain
pyaar bhare kuchch vaade
buri nazar koyee
chhoo na paaye
tu meraa laaj rakhaiyyaa bane ae
main har janam teraa bhaiyyaa banoon
tu har janam meri behnaa bane
ek janam kyaa
saaton janam
teraa hi saayaa
sar pe rahe ae
main har janam teri behnaa banoon
tu har janam meraa bhaiyyaa bane
hooooo….oooooooooo…ooooo ooooo….oooooooooo…..
ooooo….hoooooooooo……….ooooooooooooo….ooooo
————————————-
Lyrics (Sad female solo version)
————————————-
main har janam teri behnaa banoon
tu har janam meraa bhaiyya bane
ek janam kyaa
saaton janam teraa hi saayaa sar pe rahe ae
main har janam teri behnaa banoon
tu har janam meraa bhaiyya bane
tu har janam meraa bhaiyya bane
- In: 10th Anniversary Celebration Song | Asha Bhonsle solo | Asha Bhonsle songs | Calling the beloved | Devnagari Script Lyrics By Prakashchandra | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Prakashchandra | Songs of 1980s (1981 to 1990) | Songs of 1989 | Yearwise breakup of songs
- 24 Comments
This article is written by Prakashchandra, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3650 | Post No. : | 14496 |
ASAD 10th Anniversary Celebrations – 8
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I started to write this post, because of my fascination (or is it obsession?) about the music of this movie. Finally for the anniversary occasion, I thought, let me write about this movie, “koi toh kissi din is film ke gaane ke baare mein likhega, main hi kyon na likh daloon???” 🙂 .Ye soch ke and also for the reason that I love the Raj Khosla type of narrative and his song picturization style.
Let me talk a little about the style of song picturization by Raj Khosla which I like very much. Remember the songs of ‘Mera Saaya’, ‘Mera Gaon Mera Desh’, ‘Chiraag’, ‘Kuchche Dhaage’, ‘Do Raaste’, ‘Main Tulsi Tere Aangan Ki’, ‘Woh Kaun Thi’, ‘Anita’, . . . I can go on and on about his style of direction and his song picturisation style. I will stop about that.
The songs of this film are written by Farooq Kaiser (06.06.1918 to 10.11.1987). He was one of the dominating forces of music in Indian Cinema during the 1950s through the 1980s. He contributed to more than 115 movies and 390 songs. His name is spelt in many different ways like Faruq Kaisar, Farooq Kaiser, Faruk Kaiser etc.
Besides being a songwriter, he worked as chief assistant director with Raj khosla in ‘Prem Kahaani’ and ‘Kuchhe Dhaage’. He also worked with Lekh Tondon in ‘Prince’ (Shammi Kapoor starrer) and ‘Lal Patthar’. He worked in Hindi movies in the capacities of lyricist, dialogue and screenplay writer, production manager, associate director, second unit director or assistant director or chief assistant director.
Today’s film ‘Naqaab’ (1989) is nothing but a modern version of Raj Khosla own potboiler ‘Woh Kaun Thi’, but in this, we have no beautiful Sadhana in double role or haunting black and white camera work or Lata ji`s haunting vocal chords or Madan Mohan`s music compositions. But in this movie we have a new name Kamaal makhdoom, as the music director. Some other movies for which he provided music are – ‘Pavitra Ganga’ (1984), ‘Bhatke Raahi’ (1984), ‘Teri Aarzoo’ (1986), and maybe more.
In ‘Naqaab’, the very musical Raj Khosla entrusted a humble music teacher Kamaal Makhdoom, rather than his favourites Laxmikant Pyarelal with the music score due to severe budgetary constraints. When she heard the songs, Asha told Khosla, ‘If you promote this music well, it will be another Umrao Jaan.’ Tragically, several (political) reasons ensured that this exquisite score never even got normal publicity; the film’s failure did the rest. Those lucky enough to have heard the music cherish “Na kisika dil mujhe chahiye”, “Naina lad gaye” (with Suresh Wadkar), and the title song as treasured memories that sound as fresh almost 30 years later.))
A brief about the music director. Kamaal Makhdoom was born in Hyderabad (India) in 1950. He learnt classical music for 5 years in Hyderabad. He came to Mumbai in 1973 and he worked as an assistant with top music directors at that time, like Sham ji Ghansham Ji and Lala Sattar for more than 10 years. After that he got first chance as an independent music director in the film ‘Pavitra Ganaga’ in 1982. In the same year he did his 2nd independent film ‘Bhatke Rahi’. After that successful year he worked in many average Hindi films but ultimately he got a big break in 1986, with Raj Khosla’s ‘Naqaab’ which had Rishi Kapoor, Farah, Amjad Khan etc. After this film, he did many Hindi movies, Tele films, Music Albums and TV serials etc.
Those days, (i.e. late 1980s – early 90`s), in a certain magazine article, I remember reading Asha Bhosle crying foul about Gulshan Kumar`s dumping her songs of Naqab, saying that the T-series had sabotaged the musical compositions of the movie. Raj Khosla who was in need of money for the release of his movie very badly, sold the musical rights of the movie to T-series. And allegedly, Gulshan Kumar purposefully did not market the songs of this movie because of Anuradha Paudhwal`s rivalry towards Mangeshkar sisters. That marketing technique sealed the fate of the music of this film. I remember Gulshan Kumar did the same thing for Shashi Kapoor`s home production ‘Ajooba’ because Laxmi-Pyaare did not used Anuradha paudhwal voice for the movie. Sad state of things, but that’s how it is.
‘Naqab’ is Raj Khosla`s last directorial venture. He tried to get his his friend Vinod Khanna for the lead role, but for some reasons, the lead role went to Rishi Kapoor. Farha emoted well and she has been photographed very beautifully. The handsome Vijayendra Ghatge played the villain`s role and Amjad Khan with his huge structure and histrionics acted well. The old timer Chand Usmani is also in the star cast. She is there in the Raj Khosla camp, from the days of Raj Khosla`s ‘Anita’ days. Bindu to whom Raj Khola gave a fresh lease of life in ‘Do Raaste’ as Neelambari, acted in a role with grey shades. Old timer Mohan Choti is there in a small role.
The main chunk of the musical compositions are rendered by Asha Bhosle and the male counterpart is the ever dependable Suresh Wadkar, one of my favourites. Actually I don`t like qawwali songs, but in this movie I liked the qawwali song sung by Majid Shola which was also picturised on him.
That brings me to the close of this post. To be frank, I am very bad about writing the things, mainly because of my lack of communication skills and I get confused regarding where to start and where to end while writing the post, And of course there is my own nagging doubt about my English writing skills. 🙂
Finally, I want to thank Atul ji and Sudhir ji for bearing my occasional outbursts, impulsive reactions, harsh comments (sometimes I myself, find them too harsh, really). I wonder sometimes, agar main Atul ji or Sudhir ji ke jagah hota aur apni khud ki lines padh ke meri reaction kya hotaa! But then, main apne aap ko tasalli bhi de detaa hoon ye soch ke “O.K., Atul ji and Sudhir ji apne hi hain aur mera temperament woh jaante hi honge aur blog bhi mera apna hi toh hai, mujhe woh log adjust kar lenge” 🙂 🙂 Atul ji, Sudhir ji, sunn rahe hain na aap log. . . 🙂
I present the song “Jaan e Mann, Jaan e Wafa” today, which is in the voice of Asha Bhosle. I hope you will like it.
Song – Jaan e Mann Jaan e Wafa, Aa Ke Parda To Utha (Naqaab) (1989) Singers – Asha Bhonsle, Lyrics – Farooq Kaiser, MD – Kamaal Makhdoom
Lyrics
aaaaaa aa aaa
aaa aaaa aaa aa
aaaaa aaaaaaaaa
aaaaaa aaaaa
aaaaaa aaaaa aaa
jaan e mann jaan e wafa
jaan e mann jaan e wafa
aa ke parda to utha
jaan e mann jaan e wafaa
aake parda to utha
zindagi kuchh bhi nahin hai tere jalwaon ke siva
jaan e mann jaan e wafaa
har kadam chhaaya dhuaan
har taraf raaz yahaan
kya karoon kaun sune
meri aawaz yahaan
tu bhi gumnaam hai..ae
tu bhi gumnaam hai
kis naam se doon tujhko sadaa
jaan e mann jaan e wafa
aa ke parda to utha
jaan e mann jaan e wafaa
meethi meethi hai kasak
jism se rooh talak
meharbaani ho teri
dekh loon ek jhalak
dil se aawaaz jo..oo
dil se aawaaz jo
nikley wohi hoti hai duaa
jaan e mann jaan e wafa
aa ke parda to utha
jaan e mann jaan e wafaa
raah takti hoon teri
aankhen pyaasi hain meri
ab to aa jaaye nazar
wo nazar pyaar bhari
meraa imaan hai..ae
meraa imaan hai
ek din tujhe bhejega khuda
jaan e mann jaan e wafaa
aake parda to utha
zindagi kuchh bhi nahin hai tere jalwaon ke siva
jaan e mann jaan e wafaa
jaan e mann jaan e wafaa
jaan e mann jaan e wafaa
———————————————————
Hindi script lyrics (Provided by Prakashchandra)
———————————————————
आsssss आ आss
आss आsss आss आ
आssss आssssssss
आssssss आssss
आsssss आssss आss
जाने मन जाने वफ़ा
आके पर्दा तो उठा
जाने मन जाने वफ़ा
आके पर्दा तो उठा
ज़िन्दगी कुछ भी नहीं है तेरे जलवों के सिवा
जाने मन जाने वफ़ा
हर कदम छाया धुआँ
हर तरफ राज़ यहाँ
क्या करूँ कौन सुने
मेरी आवाज़ यहाँ
तू भी मनाम है॰॰ए
तू भी गुमनाम है
किस नाम से दूँ तुझको सदा
जाने मन जाने वफ़ा
आके पर्दा तो उठा
जाने मन जाने वफ़ा
मीठी मीठी है कसक
जिस्म से रूह तलक
मेहरबानी हों तेरी
देख लूँ एक झलक
दिल से आवाज़ जो॰॰ओ
दिल से आवाज़ जो
निकले वोही होती है दुआ
जाने मन जाने वफ़ा
आके पर्दा तो उठा
जाने मन जाने वफ़ा
राह तकती हूँ तेरी
आँखें प्यासी हैं मेरी
अब तो आ जाऐ नज़र
वो नज़र प्यार भरी
मेरा ईमान है॰॰ए
मेरा ईमान है
एक दिन तुझे भेजेगा खुदा
जाने मन जाने वफ़ा
आके पर्दा तो उठा
ज़िन्दगी कुछ भी नहीं है तेरे जलवों के सिवा
जाने मन जाने वफ़ा
जाने मन जाने वफ़ा
जाने मन जाने वफ़ा
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| Blog Day : | 3643 | Post No. : | 14472 |
“Prem Pratigya”(1989) was produced by B Lognathan and directed by Bapu. This movie had Mithun Chakraborty, Madhuri Dixit, Vinod Mehra, Deven Verma, Satish Kaushik, Aruna Irani, Ranjeet, Neelu Phule, Kamal Deep, Jamuna, Farida Dadi, Darshan, Manmouji, Subhash, Sayeeda Khan, Jahangir, Renu Joshi etc in it.
The movie had five songs in it. Here is the first song from the movie to appear in the blog.
The song is a party song where the hero is suipposed to steal the show. The song is sung by Kishore Kumar. Indeewar is the lyricist. Music is composed by Bappi Lahiri.
The lyrics are nice and the music is wonderful. This song had the potential to be as memorable as the Kishore Kumar songs of “Namak Halaal” and “Sharaabi” songs of same genre. But then those songs were picturised on Amitabh Bachchan and this song under discussion is lip synced by Mithun Chakraborty. Chalk and cheese ! People less discerning than me in such matters may disagree. Nevertheless, it is my opinion that the great singing by Kishore Kumar, assisted by great lyrics and music, got wasted in this case.
I am unable to identify the female dancer seen in the picturisation. I request our knowledgeable readers to help identify her.
With this song, “Prem Pratigya”(1989) makes its debut in the blog.
Song-Sheeshe ki umar pyaale ki aakhir bisaat kya(Prem Pratigya)(1989) Singer-Kishore Kumar, Lyrics-Indeewar, MD-Bappi Lahiri
Lyrics
ho o o
ho ho ho
sheeshe ki umr pyaale ki aakhir bisaat kya aa
toota jo dil kisi ka
to hairat ki baat kya aa
toota jo dil kisi ka
to hairat ki baat kya
sheeshe ki umr pyaale ki aakhir bisaat kya aa
toota jo dil kisi ka to hairat ki baat kya
arre toota jo dil kisi ka to hairat ki baat kya
hum apne liye jeete hain
humko jahaan se kya
hum khoon e jigar peete hain
humko jahaan se kya
hum apne liye jeete hain
humko jahaan se kya
hum khoon e jigar peete hain
humko jahaan se kya
ik raat ki hoti hai shama aa aa
is ki hai aas kya aa aa aa
sheeshe ki umr pyaale ki aakhir bisaat kya aa
toota jo dil kisi ka
to hairat ki baat kya
haaye toota jo dil kisi ka
to hairat ki baat kya
bhool ja kasmen
tod de vaade
na badle kisi ne yahaan iraade
husn bhi jhootha
pyaar bhi jhootha
wafa bhi jhoothi
yaar bhi jhootha
rahi ye duniya kis ki ho kar
maar de duniya ko tu thokar
khud ka nahin hai bharosa koi ee ee ee
duniya ka saath kya aa aa aa
sheeshe ki umr pyaale ki aakhir bisaat kya aa
toota jo dil kisi ka to hairat ki baat kya
arre toota jo dil kisi ka
to hairat ki baat kya
rone se kahin achcha hai
tu gaa le jhoom ke
phoolon ka jala de seena
kaanton ko choom ke
rone se kahin achcha hai
tu gaa le jhoom ke
phoolon ka jala de seena
kaanton ko choom ke
hum diwane hai
deewaanon ka aa aa
din kya hai raat kya aa aa aa
sheeshe ki umr pyaale ki aakhir bisaat kya aa
toota jo dil kisi ka
to hairat ki baat kya
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