Archive for the ‘Songs of 1987’ Category
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 5026 | Post No. : | 16935 | Movie Count : | 4597 |
Hello Atuldom
“Awaam” (1987) was produced by B.R. Chopra and Ravi Chopra. It was directed by B.R. Chopra and had dialogues by Dr. Rahi Masoom Reza.
It had Ashok Kumar, Shafi Inamdar, Iftikhar, Om Shivpuri and Shreeram Lagoo playing friends, and past freedom-fighters who are living on benefits that freedom-fighters used to get. Additionally, Shafi Inamdar, Om Shivpuri and Shreeram Lagoo are politicians in post-independence India and Shafi Inamdar’s character is shown to be hand-in-glove with anti-national (Gaddaar) elements and Om Shivpuri being happy reaping benefits of the Gaddaars.
Rajesh Khanna played the son of the straight-forward Iftikhar and is shown to worship Ashok Kumar. Then there are Deepak Parashar and Raj Babbar who are Rajesh Khanna’s friends. Poonam Dhillon & Smita Patil are the female characters who are slightly more than glamour dolls. There is Nana Patekar who plays an Army officer who has engaged Rajesh Khanna (an infantry man) to look into the activities of the corrupt people. Oh, I forgot to mention Maneesha kohli (character actor Dev Kumar’s daughter) played a negative character with some good dance numbers featuring her. Plus Vijay Arora, Chandrashekhar, Saeed Jaffery, Satish Shah, Rita Rani Kaul, Ashalata and Sushma Seth form the supporting cast. (As we can see it was a multi, multi-starrer).
So that is the story of the movie in short. But the movie itself was 2 & 1/2 hours long with a few people being eliminated every time the cover of the Gaddaars is blown. I know also this because my favourite D2H channel is having a festival of BR Chopra films this week- to remember the producer-director on his birth anniversary which is on 22nd April; he would have been 108. They have aired Ittefaq, Agni Pariksha, Karm, Awam and Afsana is scheduled for tomorrow. Some really ‘Hatke’ movies have been selected, and not the oft-repeated Naya Daur, Baghban, The Burning Train etc. And since it is a BR Chopra film festival I am sure that the channel must have been spoilt with a large library to choose from.
I discovered a few interesting tit-bits as I sat to write this post.
1) this was B R Chopra’s final film as director. Then he made Mahabharat the television series.
2) for about 36 years Ashok Kumar and B R Chopra worked together starting with Chopra’s first film Afsana in 1951.
3) Iftikhar was a permanent in Chopra’s films for 30 years and this was the last time they worked together.
4) Rajesh Khanna acted in a BR Chopra film after 10 years in ‘Awam’; Karm was in 1977.
5) from ‘Gumrah’ to ‘Awam’ Ravi gave music for BR Chopra films for 25 years. This was their last together.
6) This was Smita Patil’s last movie. She had completed shooting her scenes and dubbing was left. Rekha dubbed for Smita’s character.
Today’s song is sung by Mahendra Kapoor & Asha Bhonsle and Rajesh Khanna & Poonam lip-sync. Hasan Kamal was the lyricist.
With this post we can also wish the beautiful Poonam on turning 60 a few days back. April 18th was her birthday. It is hard to imagine that she is 60. All the best to her for great times ahead.
Audio (Full)
Video (Partial)
Song-Teri aankhon mein dhoondhh li maine (Awaam)(1987) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Hasan Kamal, MD-Ravi
Chorus
Both
Lyrics
aaaaa aaaaaaaa
aa aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
teri aankhon mein
dhoondh li maine
pyaar ki duniya
pyar ki manzil
teri baahon mein
aa gaye jab hum
thham gaye toofaan
mil gaya saahil il il il
teri aankhon mein
aaaa
dhoondh li maine
aaaaa
pyar ki duniya
aaaaa
pyaar ki manzil
aaaaa
aaaaa aaaaa
aaaaa aaaaa
bheegte lamhe
bheegta mausam
jaagti aankhen
khwaab ka aalam
hai yehi lamhe
umr ka haasil
pyaaar ki duniya
pyar ki manzil il il il
teri baahon mein
aaaa
aa gaye jab hum
aaaaaa
thham gaye toofaan
mil gaya saahil
yoon toh pehle bhi
dil dhadakta thha aa
aisa shola sa
kab bhadakta thha
aaj dhadkan bhi ee
pyaar mein shaamil
thham gaye toofaan
mil gaya saahil il il
teri aankhon mein
aaaaa
dhoondh li maine
aaaaaa
pyaar ki duniya
aaaaa
pyaar ki manzil
aaaaaa
aaaaaa aaaaa
tere honthon par
geet halke se
jaise takraaye
jaam chhalke se
roz aankhon mein
khwaab sajte thhe
kab se hum teri
raah takte thhe
hans pada mausam
mil gaye do dil
pyar ki duniya
pyar ki manzil il il il
teri aankhon mein
aaaaa
dhoondh li maine
aaaaa
pyaar ki duniya
aaaaa
pyaar ki manzil
aaaaa,/em>
aaaaaaaaa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
Jaanam yahaan koi nahin
Posted on: October 17, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4839 | Post No. : | 16625 | Movie Count : |
4528 |
In Hindi film industry, there have been many ‘rags to riches’ stories since its inceptions. There were instances where ‘rags to riches’ went back to their ‘rags’ status because they could not prudently handle their wealth and the fame. On the other hand, there are instances who could retain their rich status thanks to their dedication to work as well as prudent financial planning. One of them was Chandrashekar Narvekar, who is known in Hindi film industry as N. Chandra (born 04/04/1952).
N Chandra was born and brought up in a lower middle class family in the midst of mill workers in Worli Naka. The working class had their chawls and hutments at the foot of Worli Hills while the affluent class of the society lived on the top of the hills. So, he had closely seen the economic disparity between the rich and the poor.
After completion of his high-school, N Chandra joined the Film Centre at Tardeo in the film editing division where his father was employed. He learnt the nuances of film editing. In 1971, he started as clapper boy for Gulzar’s ‘Mere Apne’ (1971) and became one of Gulzar’s assistant directors in ‘Parichay’ (1972), ‘Koshish’ (1972), ‘Achanak’ (1973), Aandhi’ (1975), ‘Khushboo’ (1975) and ‘Mausam’ (1975). Chandrashekhar Narvekar changed his name to N Chandra when he became the associate director to Bapu in ‘Bezubaan’ (1982) and ‘Woh 7 Din’ (1983) for which he was also a full-pledged Editor of these two films.
While working for ‘Woh 7 Din’ (1983), N Chandra got the inspiration to independently direct a Hindi film. He co-produced and directed his debut film ‘Ankush’ (1986) with non-star actors, most of whom were from Marathi and Gujarati stages. The story of the film was based on what N Chandra had witnessed during his younger days in Worli Naka after a prolonged mill workers strike. At that time, Worli-Lower Parel areas of Mumbai had the highest concentrations of cotton mills. The prolonged strike led to the closure of mills permanently, creating unemployment among the youth and the social unrest.
‘Ankush’ (1986) grossed over 3 crores on the box office on a budget of Rs,12 lakhs, a part of which was raised by N Chandra by selling his personal belongings. The tremendous success of the film helped Nana Patekar in improving his career graph as an actor. For N Chandra, the film boosted his confidence that a good story based on the contemporary subject with a realistic approach in direction could make a film successful even with non-star actors. His next two films – ‘Pratighaat’ (1987) and ‘Tezaab’ (1988) completed a sort of a trilogy of films on social justice.
‘Pratighaat’ (1987) was the second film which N Chandra directed apart from writing the screen-play and editing the film. The film was produced by A Ramoji Rao and was a remake of a Telugu film ‘Pratighatana’ (1985) which was also remade in Malayalam as ‘Pakarathinu Pakaram’ (1986). Sujata Mehta, a prominent Gujarati stage actor who had become popular with her Hindi TV serials ‘Khandaan’ (1985) and ‘Shrikant’ (1986), made her debut in this film as a lead actor along with Arvind Kumar and Charan Raj. The other actors included Rohini Hattangadi, Ashok Saraf, Mohan Bhandari, Nana Patekar, Subbiraj, Usha Nadkarni, Savita Bajaj, Ravi Patwardhan, Anuradha Sawant etc. The film was released on March 17, 1987.
Even though, in the film, Sujata Mehta was paired with Arvind Kumar, it was Charan Raj who had a larger presence in the film in the role of a criminal, Kali Prasad. Charan Raj is a Kannada actor who mostly did the role of a villain in Kannada, Tamil, Telugu, Malayalam and Hindi films. He has also produced, directed and composed music for some films.
The DVD of the film is available for on-line for viewing. However, the quality of the picture as well as sound is not of good quality. Hence, I have watched the film sporadically. The gist of the story of the film is as under:
Laxmi (Sujata Mehta) is married to Satya Prakash (Arvind Kumar) who is a practicing lawyer. Laxmi works as a scool teacher. In the town, there is a hardened criminal, Kali Prasad (Charan Raj) whose writ rules over the entire town as he has blessing from a local politician. He has bee arrested in the past but gets release on bail with the blessing of a local politician which is followed by Kali taking the revenge on the complainers or the policeman who arrested him, resulting in their deaths. One of the victims is an ex-constable (Nana Patekar) who has become insane after his wife is brutually killed by Kali.
Laxmi finds it odd that even her school is under the influence of Kali for his notorious activities. She seeks help from her college-mate, sub-inspector, Ajay Shrivastav (Mohan Bhandari). He tells Laxmi that there is no point in arresting him as no one would stand witness against him and he gets the bail.
Nonetheless, Ajay arrests him after which he gets the bail. In the broad daylight, Ajay is murdered by Kali and Laxmi has witnessed his murder. She is ready to stand witness against Kali in the police station. Kali takes revenge on Laxmi by striping her in the public and in front of her husband who is scared to rescue her.Laxmi takes a vow that she would continue to fight against Kali for justice and she is helped by Durga (Rohni Hattangadi) whose husband was killed by Kali for lodging complaint against him in the police station. Local election is due and Kali has been selected as a candidate. Laxmi stands in the elections against Kali. Kali’s hooligans create a lot of problem for Laxmi in her election campaign. Kali wins the election by booth capturing.
During the election victory celebration, Laxmi reaches on the stage and congratulate him on his election victory. She has brought a real axe which was the election symbol of Kali and hacks him to death in front of a large crowd. The film ends with police arriving on the scene and arresting Laxmi who sarcastically tells the Inspector that she is happy that he is doing his duties which he failed to do so while Kali was on a killing spree in the town.
‘Pratighaat’ (1987) made with non-star cast was a runway success at the box office front. The film reviews highly praised the performance of Sujata Mehta and Charan Raj.
The film had four songs all written and composed by Ravindra Jain. I am presenting the first song, ‘tere sar pe mere pyaar kaa farz hai’ from the film to appear on the Blog. The song is rendered by S P Balasubrahmanyam and S Janaki.
With this song, the film, ‘Pratighaat’ (1987) makes its debut on the Blog.
Audio Clip:
Video Clip:
Song-Jaanam yahaan koi nahin (Pratighaat)(1987) Singers-S Janaki, S P Balasubrahmanyam, Lyrics-Ravindra Jain, MD-Ravindra Jain
Both
Lyrics
hmm hmm hmm
hmm hmm hmm hmm
aa haa haa haa
aa aa aa
hmm hmm hmm
hmm hmm hmm hmm
aa haa haa
hmm hmm hmm
hmm hmm
tere sar pe mere
pyaar kaa karz hai
karz kar de adaa
ye tera farz hai
o o
yoon door rahke na kar aur bhi bekaraar
jaanam yahaan
koi nahin ee
jaanam yahaan
koi nahin ee
ek hi raat mein
kaise doon main chuka
re dheere dhreere tera
karz hoga adaa
hey ae
do ek din aur rahne de mujhpe udhaar
sone de naa
soyi nahin ee
sone de naa
soyi nahin ee
betaabi badhne lagi hai
dil pe rakh do haath
aise machal rahe ho
jaise pehli ho raat
ye tera badan phoolon saa mahka huwa aa
lagta hai tu thhoda thhoda behka huwa
ae ae
tera hi nasha hai
kyun peechhe pada hai
ho o
tera hi nasha hai
hey
kyun peechhe pada hai
deewaana karke na daaman chhuda baar baar
jaanam yahaan
koi nahin ee
sone de na
soyi nahin ee
tere sar pe mere pyaar ka karz hai
hey ae
karz kar de adaa
ye tera farz hai
hey
aankhon mein meri abhi neend ka hai khumaar
sone de naa
soyi nahin
ho o
jaanam yahaan
koi nahin
yoon mujhko jaga ke tum to roothh ke chaley
kya karna jab koi jaage raat dhaley ae ae
tum sowo aaram se koi jaley to jaley
meri tarah zara tu bhi to haath maley
o o
ab maan bhi jaao na
jaao bahlaao na
o o
ab maan bhi jaao na
jaao bahlaao na
tumko manaate manaate gayi main to haar
jaanam yahaan
koi nahin
jaanam yahaan
koi nahin
aah
aa ha ha ha
aahahah
aahahah
aaaah
ahahahaaha
oho
aahahaha
umhoon hmm
aahhahaha
unhmm
hahahaha
hahahaha
aaah
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4757 | Post No. : | 16500 | Movie Count : |
4483 |
Slowly, steadily, and unnoticeably, the blog reaches yet another blog century. This post is post number 16500 for the blog. In other words, this song is the 165th century post for the blog.
When I thought about writing an article to go with post, I considered going through all the previous century posts. I kept going backwards from 164th century post, 163rd century post. After ten such posts, I gave up. If someone thinks that 164 songs and 164 song articles is a small number, then please try to do that exercise yourself. If one has to make a playlist of these century songs, the entire playlist will play for more than eight hours !
If that is the case for 164 of the choicest songs in the blog, then just imgine how many hours of music the entire blog contains. The blog has been going on at the rate of 3.5 songs a day for 4756 days. Assuming that these three and half songs a day are 12 minutes long then 12 minutes equals 0.2 hours of song every day. Multiply it with 4756. We get 951 hours of song in the blog. 951 hours means 40 days of non stop music if one plays it 24 hours a day without a break.
No normal human being will be able to do it, of course. If a normal music lover decides to savour music from the blog for just one hour a day, then he will have enough masala in the blog to last 951 days, viz 2 years and 8 months. During these 951 days, the blog would add another 195 hours of music, of course. 🙂
I think, some of our regulars have tried it. They should share their experiences with us. Since I post the articles and listen to the song myself, and that too more than once, I must have heard these songs for say 2000 hours already, but in a manner that did not burden me. Rather I must have enjoyed the experience, seeing that I am still at it, after more than 13 years.
The blog completed its 13th birthday recently, on 19 July 2021. Four articles were posted on the occasions. One was a Lata Mangeshkar yearwise songs series, which has been appearing every monday in the blog for the last 45 mondays. Other three articles, by three different regulars, were blog birthday celebration posts. My Lata Mangeshkar song series takes so much time out of me that it does not leave me time for any other article on mondays from me. That is why I could not post any special blog birthday articles. So I decisded to use this century post as century post cum belated blog birthday celebrating writeup. 🙂
As is usual now a days, our century posts are low key affairs. Our regulars do not seem to wait eagerly for them unlike in the past. Even the post writer leaves it till the last moment before he wakes up and starts to look desperately for a song appropriate for the occasion. Surprisingly, despite of such negligence, we always manage to find songs that are eminently suitable for the occasion.
Most of the blog century posts are from the golden era. The blog itself mainly covers songs from that era. But we have songs (including blog century songs) from pre golden era (before 1949) and also songs from post golden era (songs released after 1980).
It is popularly believed that the golden era of HFM was over after 1980. Even then, we continued to get some wonderful songs in HFM. Quite a few songs after 1980 have figured in the blog as blog century songs. Here are their details:
| Blog post number | Date (Blog day number) | Song | Movie (Year) | Remarks |
|---|---|---|---|---|
| 4100 | 30 june 2011 (1077) | Aisa lage kahin door se | Trishaagni (1988) | |
| 9800 | 1 May 2014(2113) | Maine tumse kuchh nahin maanga | Katha (1983) | |
| 13500 | 3 August 2017(3303) | Ye paisa bolta hai | Kaala Baazaar (1989) | |
| 15200 | 4 September 2019 (4065) | Dil mein Mars hai | Mission Mangal (2019) | Newest century song in the blog |
| 15500 | 27 March 2020(4270) | Uljhan ho chaahe koi | Chambal Ke Daaku (1982) | One of the rarest songs |
| 15600 | 11 May 2020 (4315) | Goriya uski deewaani | Aag Ka Darya (1990) | |
| 16100 | 15 December 2020 (4533) | Hai ye kaisa nasha | Chorni (1981) |
One can see that as many as six songs from the decade of 1980s have figured i the blog as Blog century posts. But the newest song that has figured as the blog century post is from 2019. This song from Mission Mangal”(2019) became a century post in 2019, viz in the same year when this movie and its songs were released. That is one big surprise for most blog regulars. Even I , who presented the article, was surprised. I had myself forgoten about the fact that I had done something like this, and that too less than two years ago. 🙂
Songs that figure in the blog as blog century songs are special songs in one way or the other. And the speciality varies from one song to another.
The song under discussion is a song that was reasonably popular when the movie was released. The movie was forgotten with time and even this song seemingly went away. There are some songs, that get a second wind for some reasons and this time they become far far popular than what they were the first time round.
I can give quite a few such examples. Here are some examples:
April fool banaya(April fool) was a reasonably popular song of its time that got forgotten with time. In 1983 this song got reived when it was used in an important scene in “Andha Kaanoon”(1983).
Ek chatur naar(Padosan)(1968) was hardly popular during the first run of the movie. It is only after 1980s that this song has become an extremely popular song and it seems to have become more popular and this popularity is here to stay.
Main teri dushman dushman tu meri main naagan to sapera (Nagina) had run its course and had been forgotten. The song earned huge popularity in march 2018, thanks to reasons that had nothing to do be music and Indians. Non Indians popularised this song thanks to their childish pranks on the field of cricket. My writeup on this song described the funny episode leading to the revival of this song in this article.
The song under discussion got its second wind thanks to dance competion shows that have become popular on Indian TV. On these dance songs, ordinary folks dance on some olf Hindi film dance songs. In one episode one middle aged man, Sanjeev Sriastava (a ka Dabbu Uncle) performed dance on stage on this song alongwith his wife and took the TV audience by storm. Even Govinda, who originally danced on this song found Dabbu Uncle’s dance cute. This song was performed on screen by Govinda and Neelam. On a dance show, both of them were invited as judges. This song had earned such popularity by then that the two of then were asked to come on stage and dance on the song, three decades after they had originally danced on this song on screen. And they obliged.
And here is Dabbu uncle getting to perform with Govinda himself.
It goes without saying that this is one song that has been repopularised by an ordinary man. That is the power of an ordinar man. 🙂
The movie the song belonged to was “Khudgarz”(1987). The movie was produced and directed by Rakesh Roshan for Fimkraft, Bombay. The movie had Jeetendra, Shatrughan Sinha, Govinda, Bhanupriya, Amrita Singh, Neelam Kothari, Kadar Khan, Kiran Kumar, Saeed Jaffrey, Sudhir Dalvi,Sushma Seth, Praveen Kumar, Sangeeta Naik, Ghanshyam, Dinesh Hingoo, Satyen Kapoo, Mac Mohan, Master Javed Hyder etc in it. Rishi Kapoor and Abhi Bhattacharya had figured in guest appearances in the movie.
The movie was based on the story “Kane and Abel” penned by Jeffrey Archer without acknowedgement. Jeffrey Archer accused the maker of plagiarising his intellectual right without paying for it. It was the first time that a movie produced by Rakesh Roshan hit the jackpot at the box office. The movie was subsequently made in Tamil, Telugu, Kannada, Odia etc as well.
Here is this song from “Khudgarz”(1987). It is sung by Md Aziz and Sadhana Sargam. Indeewar is the lyricist. Music is composed by Rajesh Roshan.
Since it is the dance on the song that has repopularised the song, I was curous to know who was the dance master. I had to watch the movie for a few mintes, till the first song appeared on screen, accompanied by credits. According to credits Dances are choreographed by Suresh Bhatt. His assistants were Aruna and Sujata.
Here is this fantastic song. It is a song that has to be savoured by watching its video. The song, and its picturisation has earned enormous popularity on YT channels which was hardly the case a few years ago.
The movie makes its debut in the blog with this song.
With this song, the blog now had 16500 song posts in it. I take this opportunity to thank one and all whose continuous support and encouragement keeps fuelling this labour of love musical bandwagon. Like the lyrics of this song, eve for us in the blog “dil bahalta hai mera aapke (is blog pe) aa jaane se”. Keep visiting, keep commenting, and keep supporting us with your encouragement. We still have lots and lots of musical gems to discover and savour.
Audio
Video
Song-Mai se meena se na saaqi se na paimaane se(Khudgarz)(1987) Singers-Md Aziz, Sadhana Sargam, Lyrics-Indeewar, MD-Rajesh Roshan
Chorus
Lyrics
Mai se meena se na saaqi se
Mai se meena se na saaqi se
Na paimaane se
Dil behalta hai mera
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Gul se gunchon se na bulbul ke
Gul se gunchon se na bulbul ke
gungunaane se
Dil behalta hai mera
aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Khwaab mein jannat ka naqsha
Aa gaya jab saamne
ru ru ru ru ru ru
ru ru
ru ru
ru ru ru ru ru ru
ru ru
Khwaab mein jannat ka naqsha
Aa gaya jab saamne
Hooron se bhi dil na behla aa aa
Hum lage tujhe dhoondhne
Jannat ki bahaaron se na pariyon ke
Jannat ki bahaaron se na pariyon ke
muskuraane se
Dil behalta hai mera
aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Ek din main bhi gayi thhi
Jauhari bazaar mein
ru ru ru ru ru ru
ru ru
ru ru ru
ru ru ru ru ru ru
ru ru
Ek din main bhi gayi thi
Jauhari bazaar mein
Teri aankhein yaad aayin
Heeron ke bhi haar mein
Moti se na heeron se na jewar se
Moti se na heeron se na jewar se
Na kisi khazaane se
Dil behalta hai mera
aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Mai se meena se na saaqi se
Mai se meena se na saaqi se
Na paimaane se
Dil behalta hai mera
aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
Aapke aa jaane se
- In: Background song | Lata solo | Lata song | Lyrics by Prakashchandra | Lyrics contributed by readers | Movie ending song | Multiple version song | Poignant Song | Series of articles | Songs of 1980s (1981 to 1990) | Songs of 1987 | Yearwise breakup of songs | Yearwise review of Lata Mangeshkar HF songs
- 8 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4735 | Post No. : | 16457 | Movie Count : |
4470 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part XLI: Year 1987
———————————————————————————————————
In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1987.
In 1987, 116 Hindi movies containing 426 songs were released. Lata Mangeshkar got to sing in 12 of these movies and she sang 21 songs in these movies. So Lata Mangeshkar’s voice was heard in 10.3 % of the movies released in 1987. Her voice was heard in 4.9 % of the songs appearing in the movies of 1987.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1987 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Aag Hi Aag | Bappi Lahiri | 0 | 3 | 3 | 0 | 0 | 0 | Anjaan |
| 2 | Apne Apne | R D Burman | 0 | 2 | 1 | 1 | 0 | 0 | Gulshan Baawra |
| 3 | Dacait | R D Burman | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 4 | Diljala | Bappi Lahiri | 1 | 1 | 1 | 0 | 0 | 0 | Kavi Pradeep |
| 5 | Dil Tujhko Diya | Rajesh Roshan | 0 | 2 | 2 | 0 | 0 | 0 | Rajesh Roshan |
| 6 | Hawaalaat | Anu Malik | 0 | 1 | 0 | 1 | 0 | 0 | Gulshan Baawra |
| 7 | Jaan Hathheli Pe | Laxmikant Pyarelal | 0 | 1 | 0 | 1 | 0 | 0 | Anjaan |
| 8 | Kalyug Aur Ramayan | Kalyanji Anandji | 0 | 1 | 1 | 0 | 0 | 0 | Verma Malik |
| 9 | Mera Karam Mera Dharam | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 10 | Nazraana | Laxmikant Pyarelal | 0 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 11 | Qudrat Ka Qanoon | Laxmikant Pyarelal | 0 | 2 | 1 | 1 | 0 | 0 | Sameer |
| 12 | Sindoor | Laxmikant Pyarelal | 0 | 4 | 1 | 3 | 0 | 0 | Anand Bakshi |
| Total | 12 movies | 6 MDs | 1 | 21 | 13 | 8 | 0 | 0 | 7 lyricists |
Lata Mangeshkar worked with 6 music directors and 7 lyricists in these 12 movies released in 1987. Laxmikant Pyarelal were the most prolific music directors with Lata, with 642 songs in HFM with Lata Mangeshkar by the end of 1987. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 322 Lata Mangeshkar and Kalyanji Anandji with 305 songs were next ahead of C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (145), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Salil Chaudhary (108), Vasant Desai (104) and Raesh Roshan (101). Together these sixteen music directors composed 3570 songs out of 4859 songs that Lata Mangeshkar had sung in Hindi movies till end of 1987. Anand Bakshi with 646 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (554), Majrooh Sultanpuri (405), Shailendra (361), Hasrat Jaipuri (298), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (142). These ten lyricists had penned 3150 songs sung by Lata Mangeshkar till that time.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1987 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
| 1949 | 38 movies | 138 | 157 | 103 | 35 | 12 | 7 | |
| 1950 | 36 movies | 115 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 150 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 142 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 171 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 174 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 132 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 104 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 189 | 211 | 130 | 68 | 12 | 1 | |
| 1960 | 48 movies | 141 | 166 | 102 | 50 | 12 | 1 | |
| 1961 | 44 movies | 128 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 119 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 105 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 123 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 84 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 105 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 94 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 84 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 78 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 91 | 130 | 84 | 39 | 3 | 4 | |
| 1971 | 52 movies | 107 | 126 | 71 | 52 | 3 | 0 | |
| 1972 | 62 movies | 98 | 151 | 86 | 60 | 3 | 2 | |
| 1973 | 60 movies | 93 | 138 | 94 | 37 | 3 | 4 | |
| 1974 | 55 movies | 71 | 104 | 66 | 33 | 0 | 5 | |
| 1975 | 45 movies | 61 | 90 | 50 | 35 | 3 | 2 | |
| 1976 | 41 movies | 58 | 97 | 53 | 39 | 1 | 4 | |
| 1977 | 50 movies | 49 | 96 | 59 | 27 | 8 | 2 | |
| 1978 | 46 movies | 59 | 90 | 48 | 34 | 3 | 5 | |
| 1979 | 42 movies | 38 | 66 | 37 | 25 | 2 | 3 | |
| 1980 | 43 movies | 28 | 71 | 43 | 21 | 3 | 4 | |
| 1981 | 46 movies | 40 | 88 | 48 | 34 | 2 | 4 | |
| 1982 | 45 movies | 28 | 82 | 41 | 37 | 1 | 3 | |
| 1983 | 33 movies | 27 | 73 | 36 | 37 | 0 | 0 | |
| 1984 | 39 movies | 11 | 70 | 32 | 33 | 4 | 1 | |
| 1985 | 40 movies | 21 | 72 | 39 | 31 | 0 | 2 | |
| 1986 | 27 movies | 2 | 41 | 22 | 17 | 0 | 2 | |
| 1987 | 12 movies | 1 | 21 | 13 | 8 | 0 | 0 | |
| Total upto 1987 | 1733 movies | 3677 | 4859 | 3218 | 1329 | 203 | 109 |
It can be seen from the table of 1987 that Lata Mangeshkar sang 21 songs in 12 movies released in 1987. It is the lowest number of songs sung in a year by her after she made her mark in HFM in 1949.
1 song sung by Lata Mangeshkar in movies of 1987 have been covered in the blog. That leaves us with 20 songs from movies of 1987 that are yet to be covered.
All Lata Mangeshkar songs from 1 movie of 1987 (“Diljala”) has been covered in the blog. So 20 Lata Mangeshkar songs from 11 movies of 1987 are still available for discussion in the blog.
Alphabetically “Aag hi Aag”(1987) is the first movie of 1987 that offers us a Lata Mangeshkar song to be covered in the blog.
“Aag Hi Aag”(1987) was produced by Pahlaj Nihalani and directed by Shibu Mitra for Vishaldeep International combines, Bombay. The movie had Dharmendra, Shatrughan Sinha, Moushumi Chatterji,Neelam (Kothari), Richa Sharma(W/o Sanjay Dutt), Shakti Kapoor, Danny Denzongpa ,Mac Mohan, Tej Sapru, Om Shivpuri, Geeta Siddharth, Satish Kaul, Jagadish Raj, Pinchoo Kapoor, Yunus Parvez, Akela, Vinod, Chachi, Master Vishal Nihalani, Master Chirag Nihalani,Aniruddh Agarwal etc in it. The movie Introduced Chunky Panday. Vinod Mehra and Gulshan Grover made friendly appearances in the movie.
The movie had seven songs in it. Three of these seven songs were multiple version solo song in three parts, sung by Lata Mangeshkar. Anjaan is the lyricist. Music is composed by Bappi Lahiri.
Audio of the song offeres us longer versions of the song. Video versions of the song are only partial. The video tells us that the song is picturised on Mausami Chatterjee. Dharmendra, Richa Sharma Dutt, Om Shivpuri, Shatrughan Sinha, Geeta Siddharth, Chunky Pandey, Neelam Kothari are also seen in the picturisation.
Lyrics of the song and other details were sent to me by Prakashchandra.
Since this song has three versions, it counts as three Lata Mangeshkar songs. So three songs out of 21 songs sung by her in movies of 1987 get covered in one post. Only one Lata Mangeshkar song of 1987 was available in the blog till now. With this post, the number quadruples. The year 1987 now has 4 songs out of 21 Lata Mangeshkar songs of 1987.
With this song, “Aag Hi Aag”(1987) makes its debut in the blog.
Version I
————————
Audio
partial video link
Version II
Audio
partial video link
Version III
Audio
partial video link
Song-Milne se pehle bichhad jaayen ham kyun (Aag Hi Aag)(1987) Singer-Lata, Lyrics-Anjaan, MD-Bappi Lahiri
Lyrics(Provided by Prakashchandra)
—————————————
Version I (Audio version)
—————————————-
aaa aaa aaa aaaa aaa
aaa aaa aaaa aaa aaa
aaa aaa aa
aaa aaa aaa
milne se pehle bichchad jaayein hum kyun
bann`ke bigad jaaye bhaag
milne se pehle bichchad jaayein hum kyun
bann`ke bigad jaaye bhaag
ho o o
aaye kabhi jo o o o
aaye kabhi jo khushiyon ke pal to
lag jaaye kyun gham ki aa aa aag
milne se pehle bichchad jaayein hum kyun
bann`ke bigad jaaye bhaag
mitwaa aa aa aaa aaa
o o o o o mitwaaa
aaa aaa
aaa aaaa
sajnaa aa chaley tum to
uss desh ki raah par r r r
jaake jahaan koyee ee ee
aaye na phir laut kar r r r
soonaa huaa jeevan
soonaa ye jeevan safar r r
kaisey binaa tere ae ae
beetegi ab ye umar
kaisey jiye ae
dulhan koyee
bichchda ho jisska suhaag
milne se pehle bichchad jaayein hum kyon
bann`ke bigad jaaye bhaag
mitwaa aa aa aa
o o o mitwaaa..aaa…aaa…aaa
aaa aaa aaa aaaa aaaa
aaa aaa aaa aaaa aaaa
maine ye thhaa samjhaa aa
aaye saverey naye ae ae ae
lekin ye andherey ae ae
hain saath ab bhi mere ae ae
jee bhar ro naa paayee
tumko lagaa ke galey aey
hoke yahaan mere ae ae
mere na tum ho sakey ae
milke bhi hum
mil naa sakey
kaisaa milaa hamko bhaa aa aag
milne se pehle bichchad jaayein hum kyun
bann`ke bigad jaaye bhaag
hho o o
aaye kabhi jo o o o o
aaye kabhi jo khushiyon ke pal to
lag jaaye kyun gham ki aag
milne se pehle bichchad jaayein hum kyun
bann`ke bigad jaaye bhaag
mitwaa aa aa aaa aaa
ooo oo o mitwaaa..aaa…aaa…aaa
—————————————
Version II (Audio version)
—————————————-
aaa aaa aaaa aaaa aaa
aaa aaa aaaa aaaa aaa
aaaa aaaa aaaa
aaa aaa aaaa aaaa
aaaa aaa aaaaaa aaa
aaaa..aaa..a.aaaaaa….aaa
milnaa aa tera aisey
jaisey ho sapnaa koyee ee ee ee
bichchdey ae kabhi yoon naa aan aaa aaa
apnon se apnaa koyee ee ee ee
manzil nahin koyee
jaaoon to jaaoon kahaan aan aan
marnaa naheen bas mein ae ae
jeenaa to hogaa yahaan aan
jiss tann lagey
jaaney wohee
kyaa hai ye birhaa ki aa aa aag
pi ke har aansoon
har gham uthhaaoongi main aen
roye ae dil roye aey ae
par muskuraaoongi main aen
waadaa jo kiyaa woh
mar ke nibhaaoongi main aen aen
mitwaa teraa sapnaa aa
sach kar dikhaaoongi main ae
tere liye ae
jeene ke phir
armaan uthhey dil mein jaag..aag
milne se pehle bichchad jaayen hum kyun
bann`ke bigad jaaye bhaag
mitwaa aa aa aaa aaa aaa
ooo oo o mitwaaa..aaa…aaa…aaa
———————————————-
Version III (movie ending part)
———————————————-
aaa aaa aaaa aaa aaa
aaa aaa aaaa aaaa aaa
aaa aaa aaaa aaaa aaa
milke aey ae ae
jo naa bichchdein
hum aaj aisey miley aey ae ae
dukh ke din sajnaa aan aa aa aa
jalti chitaa mein jaley ae
aaa..aaaa..aaa…aaa…aaaa
pyaasey phool dil ke
sholon mein jalke khilein aen ae
aakhir miley hum tum m m
lapton ke saaye ae taley ae
taqdeer mein
apni piyaa
thee bas ye aag hee aag
aaa..aaa…aaaa…aaaa…..aaa
aaa..aaa…aaaa…aaaa…..aaa
aaa..aaa…aaaa…aaaa…..aaa
aaa..aaa…aaaa…aaaa…..aaa
Main hoon tu hai aur raat hai
Posted on: November 10, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4132 | Post No. : | 15291 | Movie Count : |
4211 |
“Insaaf”(1987) was produced by Nitin Manmohan and directed by Mukul S Anand for Aaditya Productions, Bombay. The movie had Vinod Khanna, Dimple Kapadia, Shammi, Suresh Oberoi, Shakti Kapoor, Krutthika Desai, Leena Das, Dalip Tahil, Madan Joshi, Vikram Gokhale, Gullu Balwinder,
Gandhi, Amar Harish, Ghanshyam Rohera, Mahesh Raj, Mahesh Anand, Pradeep Singh Rawat, Manik Irani, Dinesh Hingoo etc in it.
Today (10 november 2019) is the death anniversary of Farooque Kaiser. On this occasion here is a song from “Insaaf”(1987). This song is sung by Alisha Chinoi. Farooque Kaiser is the lyricist. Music is composed by Laxmikant Pyarelal.
The song was lip synced by Leena Das on screen. Vinod Khanna and Suresh Oberoi are also seen in the piurisation.
Lyrics of this song were sent to me by Prakashchandra.
With this song, “Insaaf”(1987) makes its debut in the blog.
Video (shorter)
audio(full song)
Song-Main hoon tu hai aur raat hai (Insaaf)(1987) Singer-Alisha Chinoi, Lyrics-Farooque Kaiser, MD-Laxmikant Pyarelal
Lyrics(Based on audio version)(Provided by Prakashchandra)
main hoon oon
tu hai aur raat hai
hh
main hoon ..oon
tu hai aur raat hai
kyaa baat hai
betaabiyaan
bechainiyaan
har baat hai ae
meri jaan
aaj toh
husn bhi ishq ke saath hai ae ae
hmm…hmm
hhhh
main hoon
tu hai aur raat hai
kyaa baat hai
betaabiyaan
bechainiyaan
har baat hai ae
meri jaan
aaj toh
husn bhi ishq ke saath hai ae
hmm…hmm
hhhh
main hoon
tu hai aur raat hai
iss taraf aankhein hain meri
uss taraf woh jaam hai
iss taraf aankhein hain meri
uss taraf woh jaam hai
pyaas logon ki bujhaanaa
phir bhi meraa kaam hai
aankhon kaa nashaa
kehtaa hai sadaa
pyaalon ka nashaa
hotaa hai buraa
maikashon
ab nazar
se piyo
meri saugaat hai
mmm…mmm
hhhhh
main hoon
tu hai aur raat hai
kyaa baat hai
hhhh
betaabiyaan
bechainiyaan
har baat hai ae
meri jaan
aaj toh
husn bhi ishq ke saath hai ae
ho
haa…..o
hhhh
main hoon tu hai aur raat hai
iss taraf aawaaz meri
uss taraf woh saaz hai
iss taraf aawaaz meri
uss taraf woh saaz hai
kaanon se dil mein utarnaa
yeh bhi ek andaaz hai
donon ki adaa
judaa hai judaa
donon ki sadaa
judaa hai judaa
main hoon rimjhim tarang
pyaar ki woh toh barsaat hai ae
o o o
mm..mmm
hhhhh
main hoon tu hai aur raat hai
kyaa baat hai
hhh
betaabiyaan
bechainiyaan
har baat hai ae
o meri jaan
aaj toh
husn bhi ishq ke saath hai ae
ho o o
hmmmhmm
hhhh
main hoon tu hai aur raat hai
More ghar aaye sajanwa
Posted on: August 7, 2019
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4037 | Post No. : | 15161 | Movie Count : |
4164 |
Hullo to all in Atuldom
I simply love this app called YouTube on the internet, and when Rajaji reads this he will agree that YouTube is a lovable app. This app has a feature whereby after you finish seeing a video or song, it suggests similar songs which might match what you have just seen in genre etc. And it gives some very good suggestions.
A few days back I was seeing the video of a song from the 1980s’ movie “Utsav”. I was seeing the Suresh Wadkar song “saanjh dhaley gagan taley” as I was trying to zero in on a song for Suresh Wadkar’s birthday. At the end of that song this song began playing. I was floored by the rendition by the female singer on the stage. This was a song I had never heard before inspite of it being from a Prakash Mehra movie that I was aware of. The said song is from the Farha Naaz- Sanjay Dutt- Sumeet Saigal- Rohan Kapoor & Pran starrer “Imaandaar” (1987) which was directed by someone called Sushil Malik.
This movie had Anjaan, Maya Govind and Prakash Mehra as lyricist and Kalyanji Anandji as music composers. And I felt that this will be the perfect song to wish Suresh Ishwar Wadkar on his birthday. It is a semi-classical song with two female singers – Sadhana Sargam and Alka Yagnik singing with Suresh Wadkar. All the three singers have great voices, control over ragas and raginis. The song just sounded so divine and I was sure that all those who complain, that songs of the 80s lacked in melody and was all disco only, will definitely appreciate the song.
And then I heard the song again on the audio link available on YouTube and noted the lyrics and found it difficult to note down the ‘swaras’ that occur in the song as they are rendered at a faster ‘taal’ than the rest of the song.
The song was just growing on me and so I looked up for its video which is easily available. And Then The Anti-climax occurred. It made me feel I should not have seen the video. My first reaction was who in his sanest of senses would give this kind of choreography to this lovely song. That it was filmed almost on the lines of a disco that is a stage show was bad and to make things worse we have Sanjay Dutt on stage.
Here I shall make it very clear that I am not against Sanjay Dutt the actor, only that I was never his fan. In the 80s when he made his debut, almost parallel to Kumar Gaurav there was a clear divide among the young females as to who was a better actor/ looker. Kumar Gaurav won on the looks front and Sanjay Dutt had his followers who felt he was the better actor. And as things stand now after all these years Kumar Gaurav has vanished and Sanju baba (his pet name) is still around and going strong and he has just turned 60 last week on 29th July. So this song can serve as an example of how he used to be.
But let us keep prejudices aside and enjoy this Kalyanji Anandji creation for the melody that Suresh Wadkar, Sadhana Sargam and Alka Yagnik pour into our ears.
Here is wishing Suresh Wadkar on his 64th birthday. Suresh Wadkar -who made his Bollywood debut with Rajshri Pictures “Paheli” in 1977 under Ravinder Jain and followed it up with “seene mein jalan” in “Gaman” in 1978 under Jaidev. He has various awards from different state organisations but the Filmfare has eluded him inspite on record number of nominations.
So here is the song.
Video
Audio (Full)
Song-More ghar aaye sajanwa (Imaandaar)(1987) Singers-Suresh Wadkar, Sadhana Sargam, Alka Yagnik, Lyrics-Maya Govind, Prakash Mehra, MD-Kalyanji Anandji
All
Lyrics
o o o
o o o
o o o o
o o o o
o o o o
o o o o
o o o o o
aa aa aa
dh ani sa nee sa
(am not able to catch the swar here)
o o o
o o o o
o o o o o
more ghar aaye sajanwa
more ghar aaye sajanwa
daal daal kooke koyaliya
daal daal kooke koyaliya
mann mayur naache aanganwa
more ghar aaye sajanwa
more ghar aaye sajanwa
ang ang chhalke madhu madira
ang ang chhalke aeeee
o o o
ooooo
oooooo
ooooo
ang ang chhalke madhu madira
chhede chhailwa madir nainwa
chhede chhailwa madir nainwa
jhoom jhoom dole re mannwa
more ghar aaye sajanwa
more ghar aaye sajanwa
mitwa aaa mitwa aa
mitwa aaa mitwa aa
mitwa aaa mitwa aa
tu kahaan
bin meet mera dil soona
bin preet mera dil soona
bin meet mera dil soona
bin preet mera dil soona
re mitwa
tu kahaan
tu kahaan
more ghar aaye sajanwa
more ghar aaye sajanwa
na koyi humdam na humsafar
na dilruba na koyi dilbar
na koyi humdam na humsafar
na dilruba na koyi dilbar
dhoondh rahee hai meri nazar
dhoondh rahee hai meri nazar
mil jaaye kahin koyi
mitwa aa
mitwa aa
mitwa aa
more ghar aaye sajanwa
more ghar aaye sajanwa
ho sapna dekhu har pal yahi
apna mujhko keh de koi
sapna dekhu har pal yahi
apna mujhko keh de koi
aisa bhi din aaye kabhi
aisa bhi din aaye kabhi
mil jaaye kaheen koyee
mitwa aa
mitwa aa
mitwa aa
more ghar aaye sajanwa
more ghar aaye sajanwa
daar daar kooke koyaliya
mann mayur nachein aanganwa
more ghar aaye sajanwa
more ghar aaye sajanwa
sa sa sa sa
sa dha ma sa sa sa
sa dha ma sa sa sa
sa dha ma sa sa sa
la la la la la la la la
la la la la la la la la
la la la la la la la la
sa sa sa dha ma sa
la la la la la la
sa re re ga ga ma ma dha ni ni sa
sa re re ga
la la la la la la la la
sa ni sa ni dha
la la la la la la la la
ga re ga re sa
la la la la la la la la
sajanwa
aaja ghar aaja re mitwa
aaja ghar aaja re mitwa
sa sa sa sa sa sa
ni ni ni ni ni ni
sa sa sa sa sa
sa sa sa sa sa
(again unable to catch the swar)
Ni dha ma dha ni
Sa sa sa sa sa
Ni dha ma dha ni
Sa sa sa sa sa
Ni dha ma dha ni
Sa sa sa sa sa
Aaaaaa aaaaa
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3934 | Post No. : | 15008 | Movie Count : |
4110 |
Hullo Atuldom
We are now into the 15000s. Atulji and his bandwagon have taken a fresh Guard (cricket language) as Sunny Gavaskar used to say when he began his stint as a commentator. He used to say that after every 50,100, 150, 200 etc. it is advisable for the batsman to take a fresh guard as it helps in restoring focus on the goal or job at hand. We at ASAD, never loose our focus, posting songs with regularity of at least one per day; explaining the name of the blog. It is another matter that ASAD is almost never one-song-a-day, it has been minimum 4-5 songs a day for some years and at times going to about 13 songs in a day.
Remember friends the world is one is the song which started our new series – series 15000s. We have a variety of songs that formed part of the celebration 15000- songs of the happy, melancholic, naughty, and party genre. We are expecting a few more posts that Sudhir ji (Atul ji’s trusted lieutenant) will add to our already existing khazaana. Till such time the blog moves on with one more birthday song.
Today a sweet looking, baby faced heroine turns a year older. And it is hard to believe she turns 71. So suddenly she goes into the category of stalwarts, senior actress etc. She has been acting since 1967 – almost fifty two years. She started her career in Bengali movies with ‘Balika Badhu’ (1967 release) as her debut movie. Subsequently she married Jayanta Mukherjee and that made her the bahu of the Hemant Kumar. I am talking of Moushumi Chatterjee of the brilliant smile that showed a crooked tooth which only added to her charm.
She has been the leading lady of all the heroes of Bollywood in her time from her debut hero Vinod Mehra to Raj Babbar of the next lot of actors. She has played Bhabhi to Mithun and wife to Anupam Kher too in latter part of her career. She last appeared in Piku as aunt to Deepika Padukone and sister in law of Amitabh Bachchan with whom she had romantically paired I the 70s in ‘Manzil’ and ‘Benaam’.
I talked about Moushumi pairing with all major actors of the 70s and 80s, there was one movie where she was paired opposite Farooque Shaikh. Yes, she has also done this unusual pairing. It was in 1987 released Mohan Kavia directed “Mahananda”. The movie was a remake of the Marathi movie of the same name which released in 1984 (I hope I am not wrong in this). The Marathi version was directed by Kay Gee, and had music by Hridaynath Mangeshkar. The cast has Vikram Gokhale, Mohan Agashe, Shashikala etc. The Hindi version has Dr.Shreeram Lagoo, Ashalata, Sulbha Deshpande, Asha Sharma etc. in addition to Moushumi and Farooque Shaikh.
The movie’s title card says it was based on Jaywant Dalvi’s novel of the same name. Asha Bhonsle, Lata Mangeshkar, Usha Mangeshkar, Manas Mukherjee and Ghanshyam Vaswani were the playback singers for songs penned by Nida Fazli, Yogesh, Kapil Kumar and Inderjeet Hasanpuri and Manas Mukherjee was the music composer. The movie was mostly shot in Konkan and Goa. Moushumi looked pretty in those typical Maharashtrian sarees. Farooque Shaikh plays an English professor. I think the movie touched upon the Devadasi system that was prevalent in many parts of Karnataka, Maharashtra and Goa. I have seen the Marathi version on Doordarshan a long time back don’t recollect having seen in Hindi.
I remember seeing her in an episode of the Doordarshan programme ‘Phool Khile Hain Gulshan Gulshan’ which used to be hosted by Tabassum where she showed how she could switch easily between laughing wildly to crying tearfully in an instant without the use of glycerin (the standard aid to induce tears in movies back then).
How can one forget her comedy scenes with Sanjeev Kumar in ‘Itni Si Baat’ and ‘Angoor’? Today’s song shows her in a different mood. It is a song with the unusual pairing of Farooque Shaikh with Moushumi. The female voice seems to be of Usha Mangeshkar and the male voice could either be Ghanshyam Vaswani or Manas Mukherjee (need help in recognising the voices). This song is written by Nida Fazli.
[Editor note:According to HFGK, the singers are Usha Mangeshkar and Bhupendra. But Peevesie’s mom, based on the credits, feels that the singer is Ghanshyam Vaswani or Manas Mukherji.]
Here is wishing our cute Moushumi Chatterjee a healthy and happy Birthday
Audio
Video
Song – Mere tere naam naye hain dard puraana hai (Mahaananda) (1987) Singers – Usha Mangeshkar, Ghanshyam Vaswaani, Lyrics – Nida Fazli, MD – Manas Mukherji
Usha Mangeshkar + Ghanshyam Vaswaani
Lyrics
mere tere naam naye hain
dard puraana hai
yeh dard puraana hai
ho mere tere naam naye hain
dard puraana hai
yeh dard puraana hai
tez hawaaon ke jhonkon mein
deep jalaana hai
deep jalaana hai
yeh dard puraana hai
ho o mere tere naam naye hain
dard puraana hai
ye hdard puraana hai
aansoo har yug ka apraadhi
har aangan ka chor
aansoo har yug ka apraadhi
har aangan ka chor
koi na thamein daaman iska
ghoome chaaron oar
ghoome chaaron oar
hoo goongi hai sansaar kachahri
andha thaana hai
yeh dard puraana hai
ho mere tere naam naye hain
dard puraana hai
yeh dard puraana hai
jo jee chaahe woh mil jaaye
aisa kab hota hai
jo jee chaahe woh mil jaaye
aisa kab hota hai
bistar bistar pyaar bichaaye
samjhauta sota hai
samjhauta sota hai
ho basti hoya jangal sabka
ek fasaana hai
ye dard puraana hai
tez hawaaon ke jhonkon mein
deep jalaana hai
deep jalaana hai
yeh dard puraana hai
ho o mere tere naam naye hain
dard puraana hai
yeh dard puraana hai
———————————————————-
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————-
मेरे
तेरे
नाम नए हैं
दर्द पुराना है
ये दर्द पुराना है
हो ओ मेरे तेरे नामे नए हैं
दर्द पुराना है
ये दर्द पुराना है
तेज़ हवाओं के झोंकों में
दीप जलाना है
दीप जलाना है
ये दर्द पुराना है
हो ओ मेरे तेरे नामे नए हैं
दर्द पुराना है
ये दर्द पुराना है
आँसू हर युग का अपराधी
हर आँगन का चोर
आँसू हर युग का अपराधी
हर आँगन का चोर
कोई ना थामे दामन इसका
घूमे चारों ओर
घूमे चारों ओर
हो ओ गूंगी है संसार कचहरी
अंधा थाना है
ये दर्द पुराना है
हो ओ मेरे तेरे नामे नए हैं
दर्द पुराना है
ये दर्द पुराना है
जो जी चाहे वो मिल जाये
ऐसा कब होता है
जो जी चाहे वो मिल जाये
ऐसा कब होता है
बिस्तर बिस्तर प्यार बिछाये
समझौता सोता है
समझौता सोता है
हो ओ बस्ती हो या जंगल सबका
एक फसाना है
ये दर्द पुराना है
तेज़ हवाओं के झोंकों में
दीप जलाना है
दीप जलाना है
ये दर्द पुराना है
हो ओ मेरे तेरे नामे नए हैं
दर्द पुराना है
ये दर्द पुराना है
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
3921 | Post No. : | 14985 | Movie Count : |
4099 |
Today 13th April 2019 marks one hundred years of the most barbaric massacre of people under the British rule in India. On this day every year we also celebrate ‘Baisakhi’ all over India.
It was hundred years ago on 13th April 1919 that people gathered on the occasion of ‘Baisakhi’ at the ‘Jallianwala Bagh’ in Amritsar were fired upon ruthlessly by ‘bullets’ from the British Police and hundreds of them were killed brutally and many hundreds were injured.
This incident can never be forgotten as long as History of India and its freedom struggle will be discussed.
It was during last week that I came across this article on the centenary of this incident of ‘Jallianwala Bagh’.
I was aware that there is a movie on ‘Jallianwala Bagh’ and song of it was posted on the blog. I find ‘Jallianwala Bagh Ki Jyoti’ movie of 1953 on the blog. Since I do not remember any other movie with this title, I thought this ‘1953’ movie was the only one. However, to my surprise I found that there was a movie titled ‘Jallianwala Bagh’ and that too was made in 1987.
When I searched for this movie and its song, I was more surprised to know that the music of this movie was composed by R.D. Burman. and its songs were written by Gulzar Saab. I was shocked that I was not aware of this movie. And to add more to our surprise (or my surprise) Gulzar had acted in this movie and some clips of this movie were available on internet. Though Gulzar Saab acted in this movie his name is not mentioned in the titles of this movie.
This movie is about the ‘Jallianwala Bagh’ massacre which took place hundred years back on this day 13th April in 1919 and how the great revolutionary Shahid Udham Singh take revenge of this incident by killing Governer O’Dwyer in London. And he was hanged by the Britishers thereafter and attained martyrdom.
Parishit Sahni played the role of Udham Singh in this movie.
“Jaliyanwala Bagh-1987’ or ‘Jallianwala Bagh’ (1987) was directed by Balraj Tah for ‘Vijayshri Pictures’ presented by Sanjay Khandelwal Film.
Balraj Tah was also the producer of this movie.
It had Vinod Khanna, Parikshit Sahni, Shabana Azmi, Deepti Naval, Om Shivpuri and Mark Freeman (as Governer).
They were supported by Ram Mohan, Burt Doily, J.N. Singh, Sudhir Thakker, Gurmail Singh, June Greshion.
Story of this movie was written by Balraj Tah. Editing was done by Lachhman Dass.
Screenplay and dialogues were written by Gulzar.
Gulzar also wrote the lyrics for the songs in this movie. He also acted in this movie, however in the title credits his name is not mentioned.
All songs in this movie were sung by Bhupinder Singh. While the music was composed by R.D. Burman.
I could not find the video of the songs of this movie.
The movie had two songs only (I can say that based on the online version of this movie available). First one is ‘Heer’ and the other one which are going to listen today. The today’s song plays at four times in the movie.
First time when Vinod Khanna and Parikshit Sahni are leading the ‘procession’ to assemble in the ‘Jallianwala Bagh’ where we can also see Deepti Naval and many others.
The second version is the sad version and ‘mukhda’ only when Amar (Vinod Khanna) succumbs to the injuries during the firing by British Police.
Few lines of the same song are again repeated when Udham Singh, preparing for O’Dwyer’s assassination remembers his friend Amar. And forth time the song is played with first stanza in the background after Udham Singh (Parikshit Sahni) is hanged by the Britishers and Deepti Naval (widow of Amar-Vinod Khanna) is shown paying tributes at the modern-day ‘Jallianwala Bagh’ memorial.
This movie was passed by Censor Board on 30.01.1987.
Let us pay our tributes to all those martyrs and listen to this song …
Audio (Part I)
Video (Part I)
Audio (Part II)
Song-Sooliyon pe chadhh ke choome aaftaab ko (Jallianwala Baagh)(1987) Singer-Bhupinder Singh, Lyrics-Gulzar, MD-R D Burman
Lyrics
(at 00:48:40 in the movie)
Sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao
aaj Inquilaab ko
Ho sooliyon pe chadh ke choome
Aaftaab ko
Aawaaz denge aao
aaj Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad
Log jab uthhe baghaawat ke liye
Imaan se ae
Aandhiyon ko bhaagte dekha Hai
is maidaan se
Log jab uthhe baghaawat ke liye
Imaan se ae
Aandhiyon ko bhaagte dekha Hai
is maidaan se
Hamne patthar se lahoo girte huye
Dekha hai yaar
Hamne patthar se lahoo girte huye
Dekha hai yaar
Jab bhi takraayi hai janta
Zulm ki chattaan se ae
Sooliyon pe chadhke choome
Aaftaab ko o
Aawaaz denge aao
aaj Inquilaab ko
Ho sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao
aaj Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad
Chhoo ke to dekhen
Shaheedon ki anokhi shaan ko
Jaan ki baazi lagaakar aazmaayen
Jaan ko
Chhoo ke to dekhen
Shaheedon ki anokhi shaan ko
Jaan ki baazi lagaakar aazmaayen
Jaan ko
Aaj aazaadi ki shammaa par agar jal jaayenge
Aaj aazaadi ki shammaa par agar jal jaayenge
Raushni degaa hamaara naam
Hindustaan ko
Sooliyon pe chadhke choome
Aaftaab ko o
Aawaaz denge aao
aaj Inquilaab ko
Ho sooliyon pe chadhke choome
Aaftaab ko o
Aawaaz denge aao
aaj Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad
Inquilaab zindaabaad
Inquilaab zindaabaad
————————————
Part – II (Sad)
————————————
(at 00:57:56 to 00:58:18 in the movie)
—————————————
Sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao
aaj inquilaab ko
————————–
(01:22:06)
Part-III
—————————
Sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao
aaj inquilaab ko
ho Sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao
aaj Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad
——————————
(01:40:51)
——————————
Sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao aaj
Inquilaab ko
Ho sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao aaj
Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad
Log jab uthhe baghaawat ke liye
Imaan se ae
Aandhiyon ko bhaagte dekha
Hai is maidaan se
Log jab uthhe baghaawat ke liye
Imaan se ae
Aandhiyon ko bhaagte dekha
Hai is maidaan se
Hamne patthar se lahoo girte huye
Dekha hai yaar
Hamne patthar se lahoo girte huye
Dekha hai yaar
Jab bhi takraayi hai janta
Zulm ki chattaan se ae
Sooliyon pe chadhke choome
Aaftaab ko o
Aawaaz denge aao aaj
Inquilaab ko
Ho sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao aaj
Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad
———————————————————————-
(Lyrics in Devnagri Script provided by Avinash Scrapwala)
———————————————————————-
सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को
हो सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद
लोग जब उठे बगावत के लिए
ईमान से ए
आँधियों को भागते देखा है इस मैदान से
लोग जब उठे बगावत के लिए
ईमान से ए
आँधियों को भागते देखा है इस मैदान से
हमने पत्थर से लहू गिरते हुए
देखा है यार
हमने पत्थर से लहू गिरते हुए
देखा है यार
जब भी टकराई है जनता
ज़ुल्म की चट्टान से ए
सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को ओ
हो सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद
छु के तो देखे
शहीदों की अनोखी शान को
जान की बाज़ी लगाकर आजमाएंगे
जान को
छु के तो देखे
शहीदों की अनोखी शान को
जान की बाज़ी लगाकर आजमाएंगे
जान को
आज आज़ादी की शम्मा पर अगर जल जायेंगे
आज आज़ादी की शम्मा पर अगर जल जायेंगे
रौशनी देगा हमारा नाम
हिन्दुस्तान को
सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को ओ
हो सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद
————————————————————–
(भाग-२)
सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को
—————————————————————
Kehte Hain Raakhi Ke Ye Dhaage
Posted on: August 26, 2018
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3691 | Post No. : | 14602 |
Today is the 10th occasion that we are celebrating the festival of Rakshabandhan on our blog. It is customary that on this day, we post a few songs from Hindi films celebrating this wonderful festival of the pious relation of brother and sister in our tradition.
This song is from an unfamiliar film from 1987. The film title is ‘Parakh’. The film is produced by DS Obhan for Nath Pictures, Bombay, and is directed by Vijay Kapoor. The list of star cast is fairly long – Vijayendra Ghatge, Sarika, Madan Puri, Gajanan Jagirdar, Simple Kapadia, Narendranath, Leela Mishra, Baby Pallavi, Urmila Bhatt, Jagdeep, Asit Sen, OP Bharti, Dhumal, Ali Masood, Sunder, Shivraj, Padma Khanna (in special appearance), Laxmi Chhaya (in friendly appearance), Jayant Patel, Nikki, Gurchet Siddhu, Balbir, Monica, Makkhan Singh, Surekha, Zarine Khan, Vijay, Ramachandra, Yaseen, Gabu Agarwal, and Anand Joshi etc.
The songs of this film have been created by Ravindra Jain, who wrote the lyrics and also composed the music. This particular song is sung by Hemlata. The video of this film is available online, but it highly defective. The sound track is displaced, and does not match the visual that is seen. So we are presenting only the audio of this song.
Lyrics for this song have been sent by dear Prakashchandra ji. He as also added that this song is performed by Baby Pallavi on screen, while Sarika, Vijayendra Ghatge, Madan Puri, Shivraj, Asit Sen, Narendranath and Leela Misra are also in the frame.
Once again, greetings to all friends and readers for this celebration of Raakhi today.
Song – Kehte Hain Raakhi Ke Ye Dhaage (Parakh) (1987) Singer – Hemlata, Lyrics – Ravindra Jain, MD – Ravindra Jain
Lyrics (Provided by Prakash Chandra)
saat samandar paar ho chaahe
behnaa se bhai
kitni hi door
chaahe baras bhar
bhoola rahe par
aaj ke din kare
yaad zaroor
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage
le ke chumban teri kalaayee ka
le ke chumban teri kalaayee ka
yug yug se hai
rahegaa yugon tak
pyaar behan aur bhai ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage
aaj ke din to bhaiyya ki
behna aarti utaare
mangal deep ki jyoti mein
chanda sa mukhda nihaare
le ke balaayein
de ke duaayein
karti hai shagun mitthai ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage
ik vat vriksh ki chhaaya mein
hum donon ka jeevan pala hai
kitni ghani us ki chhaaya hai
wo babul kitna bhala hai
mere bhaiyya
pragati mein teri
nit judey ank dahaai ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage
aaj main jo kuchh maangoon gi
bhaiyya tujhe dena padega
haath kisi albeli ka
ab haath mein lena padega
aayegi bhabhi
ghar mein bajega
baaja madhur badhaayee ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage
le ke chumban teri kalaayee ka
le ke chumban teri kalaayee ka
yug yug se hai
rahega yugon tak
pyaar behan aur bhai ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
सात समंदर पार हो चाहे
बहना से भाई
कितनी ही दूर
चाहे बरस भर
भूला रहे पर
आज के दिन
करे याद ज़रूर
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे
ले के चुंबन तेरी कलाई का
ले के चुंबन तेरी कलाई का
युग युग से है
रहेगा युगों तक
प्यार बहन और भाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे
आज के दिन तो भैया की
बहना आरती उतारे
मंगल दीप की ज्योति में
चंदा सा मुखड़ा निहारे
ले के बलाएँ
दे के दुआएं
करती है शगुन मिठाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे
इक वट वृक्ष की छाया में
हम दोनों का जीवन पला है
कितनी घनी उसकी छाया है
वो बाबुल कितना भला है
मेरे भैया
प्रगति में तेरी
एनआईटी जुड़े अंक दहाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे
आज मैं कुछ माँगूँगी
भैया तुझको देना पड़ेगा
हाथ किसी अलबेली का
अब हाथ में लेना पड़ेगा
आएगी भाभी
घर में बजेगा
बाजा मधुर बधाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे
ले के चुंबन तेरी कलाई का
ले के चुंबन तेरी कलाई का
युग युग से है
रहेगा युगों तक
प्यार बहन और भाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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