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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1987’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3934 Post No. : 15008 Movie Count :

4110

Hullo Atuldom

We are now into the 15000s. Atulji and his bandwagon have taken a fresh Guard (cricket language) as Sunny Gavaskar used to say when he began his stint as a commentator. He used to say that after every 50,100, 150, 200 etc. it is advisable for the batsman to take a fresh guard as it helps in restoring focus on the goal or job at hand. We at ASAD, never loose our focus, posting songs with regularity of at least one per day; explaining the name of the blog. It is another matter that ASAD is almost never one-song-a-day, it has been minimum 4-5 songs a day for some years and at times going to about 13 songs in a day.

Remember friends the world is one is the song which started our new series – series 15000s. We have a variety of songs that formed part of the celebration 15000- songs of the happy, melancholic, naughty, and party genre. We are expecting a few more posts that Sudhir ji (Atul ji’s trusted lieutenant) will add to our already existing khazaana. Till such time the blog moves on with one more birthday song.

Today a sweet looking, baby faced heroine turns a year older. And it is hard to believe she turns 71. So suddenly she goes into the category of stalwarts, senior actress etc. She has been acting since 1967 – almost fifty two years. She started her career in Bengali movies with ‘Balika Badhu’ (1967 release) as her debut movie. Subsequently she married Jayanta Mukherjee and that made her the bahu of the Hemant Kumar. I am talking of Moushumi Chatterjee of the brilliant smile that showed a crooked tooth which only added to her charm.

She has been the leading lady of all the heroes of Bollywood in her time from her debut hero Vinod Mehra to Raj Babbar of the next lot of actors. She has played Bhabhi to Mithun and wife to Anupam Kher too in latter part of her career. She last appeared in Piku as aunt to Deepika Padukone and sister in law of Amitabh Bachchan with whom she had romantically paired I the 70s in ‘Manzil’ and ‘Benaam’.

I talked about Moushumi pairing with all major actors of the 70s and 80s, there was one movie where she was paired opposite Farooque Shaikh. Yes, she has also done this unusual pairing. It was in 1987 released Mohan Kavia directed “Mahananda”. The movie was a remake of the Marathi movie of the same name which released in 1984 (I hope I am not wrong in this). The Marathi version was directed by Kay Gee, and had music by Hridaynath Mangeshkar. The cast has Vikram Gokhale, Mohan Agashe, Shashikala etc. The Hindi version has Dr.Shreeram Lagoo, Ashalata, Sulbha Deshpande, Asha Sharma etc. in addition to Moushumi and Farooque Shaikh.

The movie’s title card says it was based on Jaywant Dalvi’s novel of the same name. Asha Bhonsle, Lata Mangeshkar, Usha Mangeshkar, Manas Mukherjee and Ghanshyam Vaswani were the playback singers for songs penned by Nida Fazli, Yogesh, Kapil Kumar and Inderjeet Hasanpuri and Manas Mukherjee was the music composer. The movie was mostly shot in Konkan and Goa. Moushumi looked pretty in those typical Maharashtrian sarees. Farooque Shaikh plays an English professor. I think the movie touched upon the Devadasi system that was prevalent in many parts of Karnataka, Maharashtra and Goa. I have seen the Marathi version on Doordarshan a long time back don’t recollect having seen in Hindi.

I remember seeing her in an episode of the Doordarshan programme ‘Phool Khile Hain Gulshan Gulshan’ which used to be hosted by Tabassum where she showed how she could switch easily between laughing wildly to crying tearfully in an instant without the use of glycerin (the standard aid to induce tears in movies back then).

How can one forget her comedy scenes with Sanjeev Kumar in ‘Itni Si Baat’ and ‘Angoor’? Today’s song shows her in a different mood. It is a song with the unusual pairing of Farooque Shaikh with Moushumi. The female voice seems to be of Usha Mangeshkar and the male voice could either be Ghanshyam Vaswani or Manas Mukherjee (need help in recognising the voices). This song is written by Nida Fazli.

[Editor note:According to HFGK, the singers are Usha Mangeshkar and Bhupendra. But Peevesie’s mom, based on the credits, feels that the singer is Ghanshyam Vaswani or Manas Mukherji.]

Here is wishing our cute Moushumi Chatterjee a healthy and happy Birthday


Song – Mere tere naam naye hain dard puraana hai (Mahaananda) (1987) Singers – Usha Mangeshkar, Ghanshyam Vaswaani, Lyrics – Nida Fazli, MD – Manas Mukherji
Usha Mangeshkar + Ghanshyam Vaswaani

Lyrics

mere tere naam naye hain
dard puraana hai
yeh dard puraana hai
ho mere tere naam naye hain
dard puraana hai
yeh dard puraana hai
tez hawaaon ke jhonkon mein
deep jalaana hai
deep jalaana hai

yeh dard puraana hai
ho o mere tere naam naye hain
dard puraana hai
ye hdard puraana hai

aansoo har yug ka apraadhi
har aangan ka chor
aansoo har yug ka apraadhi
har aangan ka chor
koi na thamein daaman iska
ghoome chaaron oar
ghoome chaaron oar
hoo goongi hai sansaar kachahri
andha thaana hai

yeh dard puraana hai
ho mere tere naam naye hain
dard puraana hai
yeh dard puraana hai

jo jee chaahe woh mil jaaye
aisa kab hota hai
jo jee chaahe woh mil jaaye
aisa kab hota hai
bistar bistar pyaar bichaaye
samjhauta sota hai
samjhauta sota hai
ho basti hoya jangal sabka
ek fasaana hai
ye dard puraana hai
tez hawaaon ke jhonkon mein
deep jalaana hai
deep jalaana hai

yeh dard puraana hai
ho o mere tere naam naye hain
dard puraana hai
yeh dard puraana hai

———————————————————-
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————-

मेरे
तेरे
नाम नए हैं
दर्द पुराना है
ये दर्द पुराना है
हो ओ मेरे तेरे नामे नए हैं
दर्द पुराना है
ये दर्द पुराना है
तेज़ हवाओं के झोंकों में
दीप जलाना है
दीप जलाना है
ये दर्द पुराना है
हो ओ मेरे तेरे नामे नए हैं
दर्द पुराना है
ये दर्द पुराना है

आँसू हर युग का अपराधी
हर आँगन का चोर
आँसू हर युग का अपराधी
हर आँगन का चोर
कोई ना थामे दामन इसका
घूमे चारों ओर
घूमे चारों ओर
हो ओ गूंगी है संसार कचहरी
अंधा थाना है
ये दर्द पुराना है
हो ओ मेरे तेरे नामे नए हैं
दर्द पुराना है
ये दर्द पुराना है

जो जी चाहे वो मिल जाये
ऐसा कब होता है
जो जी चाहे वो मिल जाये
ऐसा कब होता है
बिस्तर बिस्तर प्यार बिछाये
समझौता सोता है
समझौता सोता है
हो ओ बस्ती हो या जंगल सबका
एक फसाना है
ये दर्द पुराना है
तेज़ हवाओं के झोंकों में
दीप जलाना है
दीप जलाना है
ये दर्द पुराना है
हो ओ मेरे तेरे नामे नए हैं
दर्द पुराना है
ये दर्द पुराना है

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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3921 Post No. : 14985 Movie Count :

4099

Today 13th April 2019 marks one hundred years of the most barbaric massacre of people under the British rule in India. On this day every year we also celebrate ‘Baisakhi’ all over India.

It was hundred years ago on 13th April 1919 that people gathered on the occasion of ‘Baisakhi’ at the ‘Jallianwala Bagh’ in Amritsar were fired upon ruthlessly by ‘bullets’ from the British Police and hundreds of them were killed brutally and many hundreds were injured.

This incident can never be forgotten as long as History of India and its freedom struggle will be discussed.

It was during last week that I came across this article on the centenary of this incident of ‘Jallianwala Bagh’.

I was aware that there is a movie on ‘Jallianwala Bagh’ and song of it was posted on the blog. I find ‘Jallianwala Bagh Ki Jyoti’ movie of 1953 on the blog. Since I do not remember any other movie with this title, I thought this ‘1953’ movie was the only one. However, to my surprise I found that there was a movie titled ‘Jallianwala Bagh’ and that too was made in 1987.

When I searched for this movie and its song, I was more surprised to know that the music of this movie was composed by R.D. Burman. and its songs were written by Gulzar Saab. I was shocked that I was not aware of this movie. And to add more to our surprise (or my surprise) Gulzar had acted in this movie and some clips of this movie were available on internet. Though Gulzar Saab acted in this movie his name is not mentioned in the titles of this movie.

This movie is about the ‘Jallianwala Bagh’ massacre which took place hundred years back on this day 13th April in 1919 and how the great revolutionary Shahid Udham Singh take revenge of this incident by killing Governer O’Dwyer in London. And he was hanged by the Britishers thereafter and attained martyrdom.

Parishit Sahni played the role of Udham Singh in this movie.

“Jaliyanwala Bagh-1987’ or ‘Jallianwala Bagh’ (1987) was directed by Balraj Tah for ‘Vijayshri Pictures’ presented by Sanjay Khandelwal Film.

Balraj Tah was also the producer of this movie.

It had Vinod Khanna, Parikshit Sahni, Shabana Azmi, Deepti Naval, Om Shivpuri and Mark Freeman (as Governer).
They were supported by Ram Mohan, Burt Doily, J.N. Singh, Sudhir Thakker, Gurmail Singh, June Greshion.

Story of this movie was written by Balraj Tah. Editing was done by Lachhman Dass.
Screenplay and dialogues were written by Gulzar.

Gulzar also wrote the lyrics for the songs in this movie. He also acted in this movie, however in the title credits his name is not mentioned.

All songs in this movie were sung by Bhupinder Singh. While the music was composed by R.D. Burman.
I could not find the video of the songs of this movie.

The movie had two songs only (I can say that based on the online version of this movie available). First one is ‘Heer’ and the other one which are going to listen today. The today’s song plays at four times in the movie.
First time when Vinod Khanna and Parikshit Sahni are leading the ‘procession’ to assemble in the ‘Jallianwala Bagh’ where we can also see Deepti Naval and many others.
The second version is the sad version and ‘mukhda’ only when Amar (Vinod Khanna) succumbs to the injuries during the firing by British Police.
Few lines of the same song are again repeated when Udham Singh, preparing for O’Dwyer’s assassination remembers his friend Amar. And forth time the song is played with first stanza in the background after Udham Singh (Parikshit Sahni) is hanged by the Britishers and Deepti Naval (widow of Amar-Vinod Khanna) is shown paying tributes at the modern-day ‘Jallianwala Bagh’ memorial.

This movie was passed by Censor Board on 30.01.1987.

Let us pay our tributes to all those martyrs and listen to this song …

Audio (Part I)

Audio (Part II)

Song-Sooliyon pe chadhh ke choome aaftaab ko (Jallianwala Baagh)(1987) Singer-Bhupinder Singh, Lyrics-Gulzar, MD-R D Burman

Lyrics

(at 00:48:40 in the movie)

Sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao
aaj Inquilaab ko
Ho sooliyon pe chadh ke choome
Aaftaab ko
Aawaaz denge aao
aaj Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad

Log jab uthhe baghaawat ke liye
Imaan se ae
Aandhiyon ko bhaagte dekha Hai
is maidaan se
Log jab uthhe baghaawat ke liye
Imaan se ae
Aandhiyon ko bhaagte dekha Hai
is maidaan se
Hamne patthar se lahoo girte huye
Dekha hai yaar
Hamne patthar se lahoo girte huye
Dekha hai yaar

Jab bhi takraayi hai janta
Zulm ki chattaan se ae
Sooliyon pe chadhke choome
Aaftaab ko o
Aawaaz denge aao
aaj Inquilaab ko
Ho sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao
aaj Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad

Chhoo ke to dekhen
Shaheedon ki anokhi shaan ko
Jaan ki baazi lagaakar aazmaayen
Jaan ko
Chhoo ke to dekhen
Shaheedon ki anokhi shaan ko
Jaan ki baazi lagaakar aazmaayen
Jaan ko
Aaj aazaadi ki shammaa par agar jal jaayenge
Aaj aazaadi ki shammaa par agar jal jaayenge
Raushni degaa hamaara naam
Hindustaan ko
Sooliyon pe chadhke choome
Aaftaab ko o
Aawaaz denge aao
aaj Inquilaab ko
Ho sooliyon pe chadhke choome
Aaftaab ko o
Aawaaz denge aao
aaj Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad
Inquilaab zindaabaad
Inquilaab zindaabaad

————————————
Part – II (Sad)
————————————
(at 00:57:56 to 00:58:18 in the movie)
—————————————

Sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao
aaj inquilaab ko

————————–
(01:22:06)

Part-III
—————————
Sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao
aaj inquilaab ko
ho Sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao
aaj Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad

——————————
(01:40:51)
——————————
Sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao aaj
Inquilaab ko
Ho sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao aaj
Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad

Log jab uthhe baghaawat ke liye
Imaan se ae
Aandhiyon ko bhaagte dekha
Hai is maidaan se
Log jab uthhe baghaawat ke liye
Imaan se ae
Aandhiyon ko bhaagte dekha
Hai is maidaan se
Hamne patthar se lahoo girte huye
Dekha hai yaar
Hamne patthar se lahoo girte huye
Dekha hai yaar
Jab bhi takraayi hai janta
Zulm ki chattaan se ae
Sooliyon pe chadhke choome
Aaftaab ko o
Aawaaz denge aao aaj
Inquilaab ko
Ho sooliyon pe chadhke choome
Aaftaab ko
Aawaaz denge aao aaj
Inquilaab ko
Inquilaab zindaabaad
Inquilaab zindaabaad

———————————————————————-
(Lyrics in Devnagri Script provided by Avinash Scrapwala)
———————————————————————-

सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को
हो सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद

लोग जब उठे बगावत के लिए
ईमान से ए
आँधियों को भागते देखा है इस मैदान से
लोग जब उठे बगावत के लिए
ईमान से ए
आँधियों को भागते देखा है इस मैदान से
हमने पत्थर से लहू गिरते हुए
देखा है यार
हमने पत्थर से लहू गिरते हुए
देखा है यार
जब भी टकराई है जनता
ज़ुल्म की चट्टान से ए
सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को ओ
हो सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद

छु के तो देखे
शहीदों की अनोखी शान को
जान की बाज़ी लगाकर आजमाएंगे
जान को
छु के तो देखे
शहीदों की अनोखी शान को
जान की बाज़ी लगाकर आजमाएंगे
जान को
आज आज़ादी की शम्मा पर अगर जल जायेंगे
आज आज़ादी की शम्मा पर अगर जल जायेंगे
रौशनी देगा हमारा नाम
हिन्दुस्तान को
सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को ओ
हो सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद
इन्किलाब जिंदाबाद

————————————————————–

(भाग-२)

सूलियों पे चढ़के चूमे आफताब को
आवाज़ देंगे आओ आज इन्किलाब को

—————————————————————


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3709 Post No. : 14636

Today, we are celebrating an eternal birth anniversary – anniversary of the One who is the First Worshipped on all occasions.

There are many tales and variations, that tell of the origins of Lord Ganesh. The telling, as per the Shiv Puraan goes like this. A time was when Lord Shiv went into meditation for a very long period of time. On one occasion, Nandi, the chief of the Ganas of Lord Shiv was not on Mount Kailash. Goddess Parvati started preparing for her bathing rituals. Nandi was not present at the abode, and the Lord Himself was in deep meditation. Wondering and waiting as to who would guard the doorways while she took her bath, Goddess Parvati fashioned a form of a boy child from the turmeric paste that she had applied on to herself. As the form took shape, she then breathed life force into him. A child, as yet un-named, was brought to life. Goddess Parvati instructed him that he is Her son, and that he would obey only her commands. She further instructed him to guard the doorways of the abode, while she was taking her bath. The newborn young child took the instructions to heart and stood vigilant at the doorways.

While Goddess Parvati was still taking her bath, Lord Shiv completed his meditation and arose. He came towards the abode, only to find a fine young child guarding the doorways. Now, the child was not familiar with who this fatherly figure was, as he had not yet been so instructed by Goddess Parvati. In the absence of that knowledge, for him, the prime duty was the last instructions he had received, to guard the doorway and not allow anyone to enter. He pleaded politely with the Lord, to wait. But of course, the Lord was only returning to his own abode an could not understand why he was being prohibited to enter his own abode. The exchange between the Lord and the child took toll of the patience of the Lord, and in a fit of piqued annoyance, threw his trishul (trident) at the child in a manner that the child was beheaded.

He entered his abode. Goddess Parvati had completed her ablutions by then and was ready. When she saw her Lord in the abode, she was happy, and made preparations to offer him something to eat. She served the items in two platters. The Lord asked her, for whom was the second platter. Then Goddess narrated the tale of how she had created a boy child from the turmeric paste from her own body, and left him to guard the doorways while she took bath. And she enquired that the Lord must have met the child as he enter the abode. The Lord now realized what had happened, and then narrated the events as they had transpired outside the doorway.

On hearing the episode of the demise of her just newborn or newly created child, Goddess was overcome with grief. Since she also is the Mother of all creation, her going to this state of grief coupled with fury, of course did not bode well for the creation. All the ferocious manifestations of the Mother Goddess started to appear, threatening destruction of everything. There was an outcry of panic and alarm amongst all living creatures in the universe. The lesser Gods went to Lord Brahma and prayed for his protection.

Lord Brahma came to Mount Kailash and pleaded with the Mother Goddess and Lord Shiv to somehow placate the extreme situation, and avoid the destruction of the universe. Goddess Parvati agreed, on the condition that the child that had been beheaded be brought back to life. In the exchange that occurred between the child and Lord Shiv, the impact of the trishul was such that the head of the child could not be seen anywhere. Lord Shiv then instructed all his adherent disciples to go and search for a head for this child. The instruction was to bring back the head of the first dead entity they encountered, who would be lying prone with its head towards the north. In this search, the first such being encountered was an elephant. And so, its head was brought back to the abode. Lord Shiva placed this head of the elephant on the headless body of the boy child, and breathed life force once again into him. The child was revived and the imminent destruction of the universe was avoided.

The child was named Ganesh, combining two words – gan + eesh. Gan is the word for the closest adherent disciples of Lord Shiv, and eesh is the word that indicates primary or the first lead – meaning the first and the most preferred and honoured amongst all the adherent disciples of the Lord. He is also known by the name Gajaanan – one with the face like an elephant (gaj – elephant; aanan – face). In reality, he is known by numerous names, all depicting certain special characteristics of his persona.

There are other events that followed, by which Ganesh also got the boon and blessing that he would be the first one to be worshipped in any auspicious activity of the humans and of the demigods.

For today’s celebration, we present her a song from the 1979 film ‘Marte Dam Tak’. The song is created by Ravindra Jain who is both the writer and the composer for this song. The singing voices are those of Shabbir Kumar, Suresh Wadkar, Hemlata and Mahendra Kapoor. On screen, the song is performed by Govinda, Shakti Kapoor, Farah Naaz and Rajkumar, while we also see Om Puri in the picturization. The lyrics of this song have been sent in by our dear Prakashchandra ji.

Once again, with plentiful greetings to all friends and readers on this occasion – may all the happinesses come your way, and all the obstacles in your paths be removed by the blessings of Lord Ganesh – the first amongst all the followers of Lord Shiv.

Ganpati Baapa Moryaa. . .

 

Song – Muqabila Muqabila Tere Bhakt Janon Ka Muqabila  (Marte Dam Tak) (1987) Singer – Shabbir Kumar, Suresh Wadkar, Hemlata, Mahendra Kapoor, Lyrics – Ravindra Jain, MD – Ravindra Jain
Chorus

Lyrics (Provided by Prakash Chandra)

ganpati bappa morya
moryaa re moryaa
ganpati bappa morya
moryaa re moryaa
mangal moorthi moryaa
moryaa re moryaa
mangal moorthi moryaa
moryaa re moryaa

muqabila muqabila
tere bhakt janon ka muqabila
muqabila muqabila
tere bhakt janon ka muqabila
hho o o kiss mein kitni bhakti hai
kiss mein kitni shakti hai
haan aan aan
kaun ye baazi maarega
kaun khel mein haarega haarega
mauka milaa mauka milaa
badi mushkil se ye mauka mila
mauka milaa mauka milaa
badi mushkil se ye mauka mila
ye mauka nahin chhodenge
aaj pataake phodenge
haan
ho o jaan ke hamne maukaa diyaa
apna waadaa pooraa kiyaa..aaaa…aaa
muqabila muqabila
tere bhakt janon ka muqabila
haan aaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

hho o o hho o hho o
ahaaaa…aaaaa

vakra tund mahakaaye hai tujh mein
koti soorya ki jyoti
koti soorya ki jyoti
shubh kaamon ke liye
pratham teri hi pooja hoti
teri hi poojaa hoti
pehle pooja kar lein phir hum doojaa kaam karenge ae
doojaa kaam karenge
lekar tera naam prabhu hum kaam tamaam karenge
kaam tamaam karenge
poojaa mein koyee bair nahin
par chhedaa to khaair nahin
kaun ye baazi maaregaa
kaun khel mein haarega haarega
muqabila muqabila
tere bhakt janon ka muqabila
haan aan aan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

burrrrrrrrrr aaahhaaaaa

shankar suvan bhawani ke nandan
bhakton ke rakhwaaley
bhakton ke rakhwaaley
tera haath ho jiss ke sar pe
koyi usey kya maarey
koyi usey kya maarey
arrey jaan booj kar jo agyaani
maut ke moonh mein jaaye ae
maut ke moonh mein jaaye
arrey kaissey usey bachaaye bhagwan
kab tak ussey bachaaye
kab tak ussey bachaaye
kiss mein kitni bhakti hai
kiss mein kitni shakti hai
ae ae kaun ye baazi maarega
kaun khel mein haarega haarega
(hhaa hhaa)
muqabila muqabila
tere bhakt janon ka muqabila
haaan…..aaaaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

jis raana ke naam ko sun kar
sajda karey zamana
dushman ke ae ghar aa pahuncha wo o o
ganpati kaa deewaana

dost se ho yaa dushman se
hum waada kabhi na bhoole
wo hathiyaar bana hi nahin jo o o
badan hamaara chhoo le

zarrey ki himmat to dekho
parvat se takraaye
parvat se takraaye
apni hasti bhool ke katraa
dariya se hodh lagaaye
dariya se hodh lagaaye
tujh par jinhein  bharosa
nahin kisi se darte
nahin kisi se darte
marte dum tak bhakt tere
tera hi dum bharte
tera hi dum bharte
kitna dum kiss jaani mein
kaun hai kitne paani mein
hum ye baazi maarenge
haarne waaley haarenge haarenge
muqabila muqabila
tere bhakt janon ka muqabila
haan…aaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

jai ganesh jai ganesh deva
jai ganesh jai ganesh deva
seva kare so paave mewa
jai ganesh jai ganesh deva
ek dant balwant vinaayak
jai ganesh jai ganesh deva
sab dukh haran sakal sukh daayak
jai ganesh jai ganesh deva
tumhri kirpa jis par hoyi
jai ganesh jai ganesh deva
uss ka shatru hai nahin koyi
jai ganesh jai ganesh deva
tu hamko praanon se pyaara
jai ganesh jai ganesh deva
kar pranaam sweekaar hamaara
jai ganesh jai ganesh deva
kar pranaa..aam sweekaa..aar hamaara


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3691 Post No. : 14602

Today is the 10th occasion that we are celebrating the festival of Rakshabandhan on our blog. It is customary that on this day, we post a few songs from Hindi films celebrating this wonderful festival of the pious relation of brother and sister in our tradition.

This song is from an unfamiliar film from 1987. The film title is ‘Parakh’. The film is produced by DS Obhan for Nath Pictures, Bombay, and is directed by Vijay Kapoor. The list of star cast is fairly long – Vijayendra Ghatge, Sarika, Madan Puri, Gajanan Jagirdar, Simple Kapadia, Narendranath, Leela Mishra, Baby Pallavi, Urmila Bhatt, Jagdeep, Asit Sen, OP Bharti, Dhumal,  Ali Masood, Sunder, Shivraj, Padma Khanna (in special appearance), Laxmi Chhaya (in friendly appearance), Jayant Patel, Nikki, Gurchet Siddhu, Balbir, Monica, Makkhan Singh, Surekha, Zarine Khan, Vijay, Ramachandra, Yaseen, Gabu Agarwal, and Anand Joshi etc.

The songs of this film have been created by Ravindra Jain, who wrote the lyrics and also composed the music. This particular song is sung by Hemlata. The video of this film is available online, but it highly defective. The sound track is displaced, and does not match the visual that is seen. So we are presenting only the audio of this song.

Lyrics for this song have been sent by dear Prakashchandra ji. He as also added that this song is performed by Baby Pallavi on screen, while Sarika, Vijayendra Ghatge, Madan Puri, Shivraj, Asit Sen, Narendranath and Leela Misra are also in the frame.

Once again, greetings to all friends and readers for this celebration of Raakhi today.

 

Song – Kehte Hain Raakhi Ke Ye Dhaage  (Parakh) (1987) Singer – Hemlata, Lyrics – Ravindra Jain, MD – Ravindra Jain

Lyrics (Provided by Prakash Chandra)

saat samandar paar ho chaahe
behnaa se bhai
kitni hi door
chaahe baras bhar
bhoola rahe par
aaj ke din kare
yaad zaroor

kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage
le ke chumban teri kalaayee ka
le ke chumban teri kalaayee ka
yug yug se hai
rahegaa yugon tak
pyaar behan aur bhai ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage

aaj ke din to bhaiyya ki
behna aarti utaare
mangal deep ki jyoti mein
chanda sa mukhda nihaare
le ke balaayein
de ke duaayein
karti hai shagun mitthai ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage

ik vat vriksh ki chhaaya mein
hum donon ka jeevan pala hai
kitni ghani us ki chhaaya hai
wo babul kitna bhala hai
mere bhaiyya
pragati mein teri
nit judey ank dahaai ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage

aaj main jo kuchh maangoon gi
bhaiyya tujhe dena padega
haath kisi albeli ka
ab haath mein lena padega
aayegi bhabhi
ghar mein bajega
baaja madhur badhaayee ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage
le ke chumban teri kalaayee ka
le ke chumban teri kalaayee ka
yug yug se hai
rahega yugon tak
pyaar behan aur bhai ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

सात समंदर पार हो चाहे
बहना से भाई
कितनी ही दूर
चाहे बरस भर
भूला रहे पर
आज के दिन
करे याद ज़रूर

कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे
ले के चुंबन तेरी कलाई का
ले के चुंबन तेरी कलाई का
युग युग से है
रहेगा युगों तक
प्यार बहन और भाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे

आज के दिन तो भैया की
बहना आरती उतारे
मंगल दीप की ज्योति में
चंदा सा मुखड़ा निहारे
ले के बलाएँ
दे के दुआएं
करती है शगुन मिठाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे

इक वट वृक्ष की छाया में
हम दोनों का जीवन पला है
कितनी घनी उसकी छाया है
वो बाबुल कितना भला है
मेरे भैया
प्रगति में तेरी
एनआईटी जुड़े अंक दहाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे

आज मैं कुछ माँगूँगी
भैया तुझको देना पड़ेगा
हाथ किसी अलबेली का
अब हाथ में लेना पड़ेगा
आएगी भाभी
घर में बजेगा
बाजा मधुर बधाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे
ले के चुंबन तेरी कलाई का
ले के चुंबन तेरी कलाई का
युग युग से है
रहेगा युगों तक
प्यार बहन और भाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3568 Post No. : 14301

“Dozakh”(1987) was produced by Jaswant Parekh and directed by Suhas Khadke. This movie had Suhas Khandke, Pallavi Bhatt, Anupam Kher, Asha Lata, Asit Sen etc in it.

This movie had six songs in it.

Here is the first song from “Dozakh”(1986) to appear in the blog. This song is sung by Anuradha Paudwal and Suresh Wadkar. Mahendra Delahwi is the lyricist. Music is composed by Ganesh. This is fact is the last movie with music by Ganesh. This opportunity came his way eleven yyaers after his previous movie viz “Badnaam” (1975).

Only the audio of the song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of the song.

With this song, “Dozakh”(1986) makes its debut in the blog.


Song-Khaamoshi jab hadd se badhi (Dozakh)(1987) Singers-Anuradha Paudwal, Suresh Wadkar, Lyrics-Mahendra Dehalwi, MD-Ganesh
Both

Lyrics

o o o
o o o
o o o o

khaamoshi jab hadd se badhi
to pyaar ke nagme gaaye hain
khaamoshi jab hadd se badhi
to pyaar ke nagme gaaye hain
barson ham kaanton pe chale hain
to phoolon tak aaye hain

khaamoshi jab hadd se badhi
to pyaar ke nagme gaaye hain
barson ham kaanton pe chale hain
to phoolon tak aaye hain
khaamoshi jab had se badhi
to pyaar ke nagme gaaye hain

aap se hamne pyaar kiya
aur aap ko apna samjha hai
aap se hamne pyaar kiya
aur aap ko apna samjha hai
baaqi sab sansaar ko hamne
jhoothha sapna samjha hai
aankhon mein bhi aa base
dil mein bhi aap samaaye hain

barson ham kaanton pe chale hain
to phoolon tak aaye hain
khaamoshi jab hadd se badhi
to pyaar ke nagme gaaye hain

aapne bhatke raahi ko
dil ka rasta dikhlaaya hai
aapne bhatke raahi ko
dil ka rasta dikhlaaya hai
duniya ne nafrat sikhlaai
aapne pyaar sikhaaya hai

aahon mein bhi aap sanam
dil pe bhi aap ke saaye hain
barson ham kaanton pe chale hain
to phoolon tak aaye hain
khaamoshi jab had se badhi
to pyaar ke nagme gaaye hain

duniya se rishta toote
par ye naata na todenge
duniya se rishta toote
par ye naata na todenge
furkat ke manhoos andhere
ab to ham ko chhodenge

khwaabon se mahlo mein
jab hamne deep jalaaye hain
barson ham kaanton pe chale hain
to phoolon tak aaye hain
khaamoshi jab hadd se badhi
to pyaar ke nagme gaaye hain
khaamoshi jab hadd se badhi
to pyaar ke nagme gaaye hain
hmm hmm
hmm hmm hmm
hmm hmm hmm
hmm hmm
hmm hmm hmm
hmm hmm hmm
hmm hmm
hmm hmm hmm
hmm hmm hmm
hmm hmm
hmm hmm hmm
hmm hmm hmm


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3470 Post No. : 13932

hullo Atuldom

The song with this post is a visual treat. It is a fun song. It is a song where-in the dancer/ artist is a choreographer’s delight. She follows all instructions and executes them fabulously. It is also a comic delight, the facial expression etc. It is from a 1987 movie which hitherto has only one song representing it on the blog. That song was posted on march 28th 2013 and was a contribution by Guruji alias encyclopaedia of the blog. .

Now today (17 january 2018) I am revisiting the movie because it happens to be the 73rd birthday of the script writer of this movie. This was the last movie for which he teamed up with his partner Salim Khan. He worked as a team with Salim Khan for a period of about twelve years and approx. 24 films. He is a Padmashri & Padma Bhushan, as well as a Sahitya Akademi and National Film award (5 times) winner. His father was an Urdu poet and lyricist in Bollywood. He was initially married to famous child star of the 60s- Honey Irani and later to another talented actress- Shabana Azmi. He is father to super talented children Farhan Akhtar and Zoya Akhtar. Today (17 january 2018) is the birthdate of Jaaved Akhtar – son of Jan Nisar Akhtar. In addition to being a script writer he also is a lyricist which first came into public knowledge when he wrote songs for Yash Chopra’s “Silsila”.

“Mr. India” was a fantasy film which is a favourite with children of all times. It was directed by Shekhar Kapoor and written by Salim- Jaaved. Sridevi showed she had comic talent specially in the scene where she parodies Charles Chaplin. The dozen odd children were a treat for sore eyes. Amrish Puri as Mogambo is considered to be one of the best villains of Bollywood history. And as for Anil Kapoor the movie showed he was more an actor -a lambi-race ka ghoda as the term goes in Hindustani. There are stories about how Salim-Javed read the story to the superstars Rajesh Khanna and Amitabh Bachchan and how they turned it down as they couldn’t relate to the concept of aninvisible man; but we will not think of that here.

Let us just sit back and enjoyyyyyyy this wonderful – comical- delightful song. I have heard in an interview by either the singer or the writer about how they wrote the lyrics of the initial part of the song. It seems they were sitting in a brain storming session- the director, music directors (Laxmi- Pyare), Kavitha Krishnamurthy etc etc. And each one gave a word or two, some sensible and some non-sensible. How else does one explain the words – hingsiki and why should I c Lucy, hassi tussi & lassi pisi follow each other and where did Hong Kong, King Kong, Ping Pong and Mombasa come from. But all-in-all a laugh riot.

Thank you, Jaaved Akhtar, and may we have more such songs from your pen.


Song-Hawa hawaayi (Mr India)(1987) Singer-Kavita Krishamurthy, Lyrics-Jawed Akhtar, MD-Laxmikant Pyarelal
Chorus

Lyrics

Hawa hawaai
Aivi vi vi vi vi vi
Hawa hawaai
Aivi vi vi vi vi vi

chi hwa
hwa honolulu
lulu lulu
honolulu
hingbiki hong kong
king kong
I c lucy
Lucy lucy
hassi tussi
Lassi pisi
Mombasa
ping p o o o o ng
Oui oui oui
Oui oui oui oui

pak chiki laki chiki
chiki laki chum
tarup chiki laki chiki chiki laki chiki chum
pak chiki laki chiki chiki laki chum
tarup chiki laki chiki chiki laki chiki chum
main khwaabon ki shehazaadi
main hoon har dil pe chhaayi
ho main khwaabon ki shehazaadi
main hoon har dil pe chhaayi
baadal hai meri zulfein
bijli meri angdaayi
bijli giraane main hoon aayi
oho bijli giraane main hoon aayi
kehte hain mujhko hawwa hawaai
hawa hawaai
hawa hawaai
hawa hawaai
hawa hawaai
hawa hawaai
ru ru ru ru
bijli giraane mai hoon aayi
ho Bijli giraane main hoon aayi
kehte hai mujhko hawa hawaai
hawa hawaai
hawa hawaai
hawa hawaai
hawa hawaai
hawa hawaai
ru ru ru ru

zoom zoom zoom zoom
samjhe kya ho naadaanon
zoom zoom zoom zoom
mujhko bholi na jaano
zoom zoom zoom zoom
main hoon saanpon ki raani
kaata maanga na paani
saagar se moti chheenoon
deepak se jyoti chheenoon
patthar se aag laga loon
seene se raaz chura loon
haan chura loon
chura loon
haan haan chura loon
rum pum pum pum
ji haan jo tumne baat chhupaai
ho janooon jo tumne baat chhupaayi
kehte hain mujhko hawa hawaai
hawa hawaai
hawa hawaai
hawa hawaai
hawa hawaai
hawa hawaai
ru ru ru ru
bijli giraane main hoon aayi
kehte hain mujhko hawa hawaai
chiki laki chiki chiki laki chum
tarup chiki laki chiki chiki laki chiki chum
pak chiki laki chiki chiki laki chum
tarup chiki laki chiki chiki laki chiki chum

zoom zoom zoom zoom
laayi rangeen afsaane
zoom zoom zoom zoom
tu bhi sun le deewaane
zoom zoom zoom zoom
aa dil mein halchul kar doon
aa tujhko paagal kar doon
meri aankhon mein jaadoo
meri saanson mein khushboo
jab mera ye tan lachke
jaaye na koi bachke
koi bachke
bachke bachke
haan haan ji bachke
rum pum pum pum
soorat hi maine aisi paayi
ho soorat hi maine aisi paayi
kehte hain mujhko hawa hawaai
hawa hawaai
hawa hawaai
hawa hawaai
hawa hawaai
hawa hawaai
ru ru ru ru
bijli giraane main hoon aayi
ho bijli giraane main hoon aayi
kehte hain mujhko hawa hawaai
hawa hawaai
hawa hawaai
hawa hawaai
hawa hawaai
hawa hawaai
ru ru ru ru
Hawa hawaai

Aivi vi vi vi vi vi
Hawa hawaai
Aivi vi vi vi vi vi
Hawa hawaai
Aivi vi vi vi vi vi
Hawa hawaai
Aivi vi vi vi vi vi


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today(27 november 2016) is the birthday of one of the most popular music composers of the last 40 years, Bappi Lahiri.
Read more on this topic…


This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (13 october 2016) is the death anniversary of Kishore Kumar, one of the legends of Hindi cinema and easily one of its most versatile artistes.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws. This is her 100th writeup in the blog.

Exactly a year ago I had written out the lyrics for a song from “Uljhan” . The post to that was done by our Sudhirji. I am hundred percent sure that I couldn’t have done such a good post. In there he had mentioned that is was 29 years since Harihar Jethalal Zariwaala aka Sanjeev Kumar aka Hari Bhai left us. How soon one year has passed and it is now the 30th anniversary of this “switch on, switch off actor”. (I have borrowed this term from Sudhirji’s write up.)
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Raksha bandhan comes in the festive month of Shravan. This year it is on 29th August 2015. Wishing all a very Happy Raksha Bandhan.

This is the eighth time we are celebrating it on our blog. Does that mean we have run out of Raksha Bandhan songs to be posted? Actually if we take a look at the list on the right side of our blog –the list which breaks up the blog category wise— we find 21 Rakhi songs have been posted beginning with the all-time universal favourite “Bhaiyya Mere Rakhi Ke Bandhan Ko Nibhana” from the 1959 “Chhoti Behan”. The last song in this category was in 2013 by Sudhirji “pardesi ho humse rakhiya bandha” from a 1944 movie.
Read more on this topic…


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(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15130

Number of movies covered in the blog

Movies with all their songs covered =1172
Total Number of movies covered =4154

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Active for more than 4000 days.

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