Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lord Ganesh bhajan’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5541 Post No. : 18001 Movie Count :

4817

Hullo Atuldom

As a youngster, I had heard a song which had the mukhda ending with ‘prem ka hum shree ganesh karein’. At that time I didn’t know what the phrase “shree ganesh karein” meant. As time passed, I learnt that it meant a new-start for any activity or venture by seeking the blessings of your God and elders. I know for sure that followers of Islam say “Bismillah” at similar situations. I think it is a very Indian practise. I know of students who used to write some holy symbols on top of every page of their answer sheets at the time of important examinations. ( I have heard that the various education boards have prohibited this recently, don’t know if this is being implemented. 🙂 )

So, today happens to be the chaturthi of the Shukla paksha in the month of Bhadrapad; by the Vikrama Samvat calendar. By the panchangs followed in the South of India, the day was trutheeya till 12.39p.m. & then Chaturthi has set in. Don’t know if that is the reason South Indians are celebrating Ganesh/ Vinayaka Chaturthi today.
Since morning I have been receiving Ganpati Bappa Morya & Happy Ganesh Chaturthi messages. Then there are messages of Hartalika Teej. This is one festival about which I have no knowledge. Never heard of it. So I googled. This is what I have understood.

“Teej (Nepali: तीज) literally meaning the “third” denoting the third day after the new moon when the monsoon begins as per the Hindu calendar. It is a combined name for 3 Hindu festivals primarily dedicated to Hindu deities – the mother goddess Parvati and her male consort Lord Shiva. The festival is mainly celebrated by married women & unmarried girls mostly in North India and Nepal to wish for the long life of their husband or future husband and to welcome the arrival of monsoon season with the singing, swings, dancing, enjoyment, prayer rituals and often fast. “Teej” is a generic name referring to the three types of Teej festivals – ‘Haryali Teej’ on the third day after new moon of the Shravana month, ‘Kajari Teej’ 15 days later, and ‘Hartalika Teej’ another 15 days later. The ‘Haryali Teej’ (literally meaning the “green teej”), also known as the ‘Sindhara Teej’, ‘Chhoti Teej’, ‘Shravana Teej’ or ‘Sawan Teej’, falls on the third day after new moon of the Shravana month, marking the day when Lord Shiva consented to goddess Parvati’s wish to marry him. Celebrations by married women, who visit their parental home includes preparing swings on which they then swing and sing happy Teej songs. The ‘Kajari Teej’ (literally meaning the “dark teej”), also known as the ‘Badi Teej’, is celebrated 15 days after the “Haryali Teej” during the dark (waxing crescent) phase of the moon. The ‘Hartalika Teej’ (literally a composite word of “Harat” and “Aalika” meaning “a woman’s kidnap with her consent by her female friends”), falls one lunar month after the “Haryali Teej” on the third day after new moon in the month of Bhadrapada which usually falls a day before the Ganesh Chaturthi. This teej marks the occasion when Parvati encouraged her friends to kidnap her to escape the marriage with Lord Vishnu after her father Himalaya wanted to give her hand in marriage to him. It is celebrated by married women who observe the “nirjala vrata”” (water-less fast) for the long life of their husband.”

That explains what I saw yesterday. I shall explain that here too. Bangalore has a sizeable number of Nepalese who work in beauty parlours, homes as maids etc. I am sure there are many of them working in the I.T. industry too. Yesterday, my maid took a day off, “teej hai madam.”. Then I saw the whole brigade of them dressed in their best sarees (most of them being Red), with lots of sindoor on their ‘maang’ & I was wondering about the customs related with the festival. It seems they give more importance to “Teej” vis-a-viz Ganesh Chaturthi.

I would like to include a little note about the day for us, my family to be precise. We don’t get the Bappa (idol) home but do a pooja to the in-house Ganesha idol. We don’t have any fasting or feasting but normally don’t eat anything till the pooja is done. The main prasad we make is steamed Modak in sweet & savoury variations. It seems my husband’s grandma used to fast on Ganesh Chaturthi (don’t recall if she used to have the various prasad that was there) which she ended on the next day called Rishi Panchami.

But whatever be the method of worshipping the Elephant-headed god he is the one who is worshipped before the start of any venture.
“ādi-pūjyaṃ gaṇādhyakṣhaṃ, umā-putraṃ vināyakam”

The Blog has just touched a new century. Actually, it has reached a new 1000. Let us wish for new centuries & thousands. All the best to Atulji & his trusted lieutenant Sudhirji. The milestone has come on a festival day.
Let us have a song worshipping the Vignaharta, Vigneswara, Ekdanta, Gauriputra- and all the other names by which he is addressed.

The song is a traditional prayer song from the 2005 release “Viruddh”. The singing voice is of Shankar Mahadevan. The song plays at the start of the film which was directed by Mahesh Manjrekar & produced by A. B. Corp. Ltd in association with Satyajeet Movies. The cast was lead by Amitabh Bachchan with Sharmila Tagore playing his wife. John Abraham was his son whose love-interest was Anusha Dandekar. Then there were Sanjay Dutt, Prem Chopra, Sachin Khedekar, Viju Khote, Sharat Saxena, Shivaji Satam, Amitabh Dayal etc. playing important characters. The song starts in John Abraham’s voice where he is giving a background about his father.

(Note: I don’t think the video that I found on YouTube is as it appears in the film, but it gives us a run-through the film)
Jai Shree Ganeshaya Namah.
Ganpati Bappa Moraya

Song-Shree Ganesh dheemahi (Virudhh)(2005) Singer-Shankar Mahadevan, MD-Ajay Atul
Chorus

Lyrics

hmmm hmm hmmm hmm
aa aa aa aa aa aa aa

gananayakay ganadaivataya ganadhyakshay dheemahi
gun shariray gun manditay guneshanay dheemahi
gunaditay gunadhishay guna pravishtay dheemahi
ekadantay vakratunday gauri tanaya dheemahi
gajeshanay bhalchandray shree ganeshay dheemahi
ekadantay vakratunday gauri tanaya dheemahi
gajeshanay bhalchandray shree ganeshay dheemahi
aa aa aa aa aa
aa aa aa a aa aa
aa aa aa aa aa

gaanachaturay gaanapranay gaanantaratmane gaanotsukhay
gaanamattaya gaannott sukh mana se
guru pujitaaya, guru daivataaya, guru kulasthaine
guru vikramaya, guiyy pravaraya gurave guna gurave
gurudaitya kalakchhetre, guru dharma sada radhyay
guru putra paritraatre guru paakhand khand khay
geet saaray, geet tatvaay geet gotraay dheemahi
goodh gulfay, gandh mattay gojay praday dheemahi
gunaditay gunaadhishay gun pravishtay dheemahi
ekadantay vakratunday gauri tanaya dheemahi
gajeshanay bhalchandray shree ganeshay dheemahi
ekadantay vakratunday gauri tanaya dheemahi
gajeshaanay bhaalchandray shree ganeshay dheemahi

gandharv rajay gandhay gandharv gana shravan pranaime
gaadha anuragay granthaay geetay grantarth tanmaiye
gurili gunavate ganapataye

granth geetay granth geyay grantha taratmane
geet leenaay geeta shrayay
geetvaadya patve, dhyeya charitaaya gaay gavaray
gandharvaprikrupe
gaayakadhina vighraahayagangajal pranayavate
gauri stanamadhaya
gauri hridaynandanaya
gaur bhaanu sutaay
gauri ganeshwaraaya
gauri pranyay gauri pravanay
gaur bhaavay dheemahi
osahastray gowardhanay gopgopaay dheemahi
gunaaditaay gunadhishaay gun pravishtaay dheemahi
ekadantay vakratunday gauri tanaya dheemahi
gajeshanay bhaalchandray shree ganeshaay dheemahi
ekadantay vakratundaay gauri tanaya dheemahi
gajeshanay bhalchandray shree ganeshaya dheemahi
aa aa aaa
aa aa aa aa
aa aa aa aa
aa aa aa aa


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3709 Post No. : 14636

Today, we are celebrating an eternal birth anniversary – anniversary of the One who is the First Worshipped on all occasions.

There are many tales and variations, that tell of the origins of Lord Ganesh. The telling, as per the Shiv Puraan goes like this. A time was when Lord Shiv went into meditation for a very long period of time. On one occasion, Nandi, the chief of the Ganas of Lord Shiv was not on Mount Kailash. Goddess Parvati started preparing for her bathing rituals. Nandi was not present at the abode, and the Lord Himself was in deep meditation. Wondering and waiting as to who would guard the doorways while she took her bath, Goddess Parvati fashioned a form of a boy child from the turmeric paste that she had applied on to herself. As the form took shape, she then breathed life force into him. A child, as yet un-named, was brought to life. Goddess Parvati instructed him that he is Her son, and that he would obey only her commands. She further instructed him to guard the doorways of the abode, while she was taking her bath. The newborn young child took the instructions to heart and stood vigilant at the doorways.

While Goddess Parvati was still taking her bath, Lord Shiv completed his meditation and arose. He came towards the abode, only to find a fine young child guarding the doorways. Now, the child was not familiar with who this fatherly figure was, as he had not yet been so instructed by Goddess Parvati. In the absence of that knowledge, for him, the prime duty was the last instructions he had received, to guard the doorway and not allow anyone to enter. He pleaded politely with the Lord, to wait. But of course, the Lord was only returning to his own abode an could not understand why he was being prohibited to enter his own abode. The exchange between the Lord and the child took toll of the patience of the Lord, and in a fit of piqued annoyance, threw his trishul (trident) at the child in a manner that the child was beheaded.

He entered his abode. Goddess Parvati had completed her ablutions by then and was ready. When she saw her Lord in the abode, she was happy, and made preparations to offer him something to eat. She served the items in two platters. The Lord asked her, for whom was the second platter. Then Goddess narrated the tale of how she had created a boy child from the turmeric paste from her own body, and left him to guard the doorways while she took bath. And she enquired that the Lord must have met the child as he enter the abode. The Lord now realized what had happened, and then narrated the events as they had transpired outside the doorway.

On hearing the episode of the demise of her just newborn or newly created child, Goddess was overcome with grief. Since she also is the Mother of all creation, her going to this state of grief coupled with fury, of course did not bode well for the creation. All the ferocious manifestations of the Mother Goddess started to appear, threatening destruction of everything. There was an outcry of panic and alarm amongst all living creatures in the universe. The lesser Gods went to Lord Brahma and prayed for his protection.

Lord Brahma came to Mount Kailash and pleaded with the Mother Goddess and Lord Shiv to somehow placate the extreme situation, and avoid the destruction of the universe. Goddess Parvati agreed, on the condition that the child that had been beheaded be brought back to life. In the exchange that occurred between the child and Lord Shiv, the impact of the trishul was such that the head of the child could not be seen anywhere. Lord Shiv then instructed all his adherent disciples to go and search for a head for this child. The instruction was to bring back the head of the first dead entity they encountered, who would be lying prone with its head towards the north. In this search, the first such being encountered was an elephant. And so, its head was brought back to the abode. Lord Shiva placed this head of the elephant on the headless body of the boy child, and breathed life force once again into him. The child was revived and the imminent destruction of the universe was avoided.

The child was named Ganesh, combining two words – gan + eesh. Gan is the word for the closest adherent disciples of Lord Shiv, and eesh is the word that indicates primary or the first lead – meaning the first and the most preferred and honoured amongst all the adherent disciples of the Lord. He is also known by the name Gajaanan – one with the face like an elephant (gaj – elephant; aanan – face). In reality, he is known by numerous names, all depicting certain special characteristics of his persona.

There are other events that followed, by which Ganesh also got the boon and blessing that he would be the first one to be worshipped in any auspicious activity of the humans and of the demigods.

For today’s celebration, we present her a song from the 1979 film ‘Marte Dam Tak’. The song is created by Ravindra Jain who is both the writer and the composer for this song. The singing voices are those of Shabbir Kumar, Suresh Wadkar, Hemlata and Mahendra Kapoor. On screen, the song is performed by Govinda, Shakti Kapoor, Farah Naaz and Rajkumar, while we also see Om Puri in the picturization. The lyrics of this song have been sent in by our dear Prakashchandra ji.

Once again, with plentiful greetings to all friends and readers on this occasion – may all the happinesses come your way, and all the obstacles in your paths be removed by the blessings of Lord Ganesh – the first amongst all the followers of Lord Shiv.

Ganpati Baapa Moryaa. . .

 

Audio

Video

Song – Muqabila Muqabila Tere Bhakt Janon Ka Muqabila  (Marte Dam Tak) (1987) Singer – Shabbir Kumar, Suresh Wadkar, Hemlata, Mahendra Kapoor, Lyrics – Ravindra Jain, MD – Ravindra Jain
Chorus

Lyrics (Provided by Prakash Chandra)

ganpati bappa morya
moryaa re moryaa
ganpati bappa morya
moryaa re moryaa
mangal moorthi moryaa
moryaa re moryaa
mangal moorthi moryaa
moryaa re moryaa

muqabila muqabila
tere bhakt janon ka muqabila
muqabila muqabila
tere bhakt janon ka muqabila
hho o o kiss mein kitni bhakti hai
kiss mein kitni shakti hai
haan aan aan
kaun ye baazi maarega
kaun khel mein haarega haarega
mauka milaa mauka milaa
badi mushkil se ye mauka mila
mauka milaa mauka milaa
badi mushkil se ye mauka mila
ye mauka nahin chhodenge
aaj pataake phodenge
haan
ho o jaan ke hamne maukaa diyaa
apna waadaa pooraa kiyaa..aaaa…aaa
muqabila muqabila
tere bhakt janon ka muqabila
haan aaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

hho o o hho o hho o
ahaaaa…aaaaa

vakra tund mahakaaye hai tujh mein
koti soorya ki jyoti
koti soorya ki jyoti
shubh kaamon ke liye
pratham teri hi pooja hoti
teri hi poojaa hoti
pehle pooja kar lein phir hum doojaa kaam karenge ae
doojaa kaam karenge
lekar tera naam prabhu hum kaam tamaam karenge
kaam tamaam karenge
poojaa mein koyee bair nahin
par chhedaa to khaair nahin
kaun ye baazi maaregaa
kaun khel mein haarega haarega
muqabila muqabila
tere bhakt janon ka muqabila
haan aan aan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

burrrrrrrrrr aaahhaaaaa

shankar suvan bhawani ke nandan
bhakton ke rakhwaaley
bhakton ke rakhwaaley
tera haath ho jiss ke sar pe
koyi usey kya maarey
koyi usey kya maarey
arrey jaan booj kar jo agyaani
maut ke moonh mein jaaye ae
maut ke moonh mein jaaye
arrey kaissey usey bachaaye bhagwan
kab tak ussey bachaaye
kab tak ussey bachaaye
kiss mein kitni bhakti hai
kiss mein kitni shakti hai
ae ae kaun ye baazi maarega
kaun khel mein haarega haarega
(hhaa hhaa)
muqabila muqabila
tere bhakt janon ka muqabila
haaan…..aaaaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

jis raana ke naam ko sun kar
sajda karey zamana
dushman ke ae ghar aa pahuncha wo o o
ganpati kaa deewaana

dost se ho yaa dushman se
hum waada kabhi na bhoole
wo hathiyaar bana hi nahin jo o o
badan hamaara chhoo le

zarrey ki himmat to dekho
parvat se takraaye
parvat se takraaye
apni hasti bhool ke katraa
dariya se hodh lagaaye
dariya se hodh lagaaye
tujh par jinhein  bharosa
nahin kisi se darte
nahin kisi se darte
marte dum tak bhakt tere
tera hi dum bharte
tera hi dum bharte
kitna dum kiss jaani mein
kaun hai kitne paani mein
hum ye baazi maarenge
haarne waaley haarenge haarenge
muqabila muqabila
tere bhakt janon ka muqabila
haan…aaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

jai ganesh jai ganesh deva
jai ganesh jai ganesh deva
seva kare so paave mewa
jai ganesh jai ganesh deva
ek dant balwant vinaayak
jai ganesh jai ganesh deva
sab dukh haran sakal sukh daayak
jai ganesh jai ganesh deva
tumhri kirpa jis par hoyi
jai ganesh jai ganesh deva
uss ka shatru hai nahin koyi
jai ganesh jai ganesh deva
tu hamko praanon se pyaara
jai ganesh jai ganesh deva
kar pranaam sweekaar hamaara
jai ganesh jai ganesh deva
kar pranaa..aam sweekaa..aar hamaara


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Greetings to all friends and readers for the most auspicious celebration of Ganesh Chaturthi.  Today is the day of birth of Ganesh ji.  It the fourth day of the waxing cycle of the moon, in the month of Bhadrapad, also known as ‘bhaadon’. Today starts the eleven days of special worship of Ganesh ji. Most households would have brought into their homes, the colorful Ganesh icons. Thus starts the visit, of this elephant headed Dev, to the households of the believers and the faithful. And there He shall stay anywhere from one day to eleven days, as per plans for specific household.
Read more on this topic…


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

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