Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Suman Kalyanpur songs’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

nand ghar anand bhayo
jai kanhaiyya lal ki

Greetings all friends on this auspicious celebration of Nandotsav today. Just a little while back, the prayers and aartis were being held in all temples celebrating the anniversary of the appearance of Krsna, in a jailhouse in Mathura. The main telecast was coming from the Janambhoomi temple in Mathura itself. All temples were crowded with devotees who had come for the darshan of infant Krsna, who appeared to Devaki and Vasudev during their confinement in the prison of Kans, the cruel and vengeful king of Mathura.  And worse, Kans was the cousin brother of the very lady, Devaki, whom he had imprisoned. The story of that confinement and of the reasons behind it has been told many times.

The interesting thing to contemplate is the circumstances that accompanied this event of the ‘birth’ of the Almighty, in form of an infant. As is documented in the historical record, the appearance of the Lord occurred at midnight. The sky was overcast and the entire surroundings were in deep darkness. Sleep had descended heavily on every inhabitant of Mathura, including the keepers of the prison. When the Lord appeared, all locks opened and all chains dropped away, by themselves. And the only two people awake in that dark night were Devaki and Vasudev.

As per a pre-plan, Vasudev carried the ‘new born’ infant in a straw basket, and walked all the way from Mathura to the home of Nand Baba, in the village of Gokul, across the Yamuna river. The entire household of Nand Baba was also in darkness and all the occupants of that home were also in deep sleep. Vasudev laid the ‘new born’ child to sleep besides the sleeping Yashoda, and carried away the newborn girl child with him, back to Mathura. The details of the encounter with Kans next morning are well known too, as to how he tried to end the life of the girl child also, as he had ended the life of six male infants before that.

The scenario at the Nand Baba’s household, next morning as the family awoke from sleep, was full of joy and happiness. Ladies of the house espied the beautiful child sleeping next to Yashoda. They rushed to inform Nand Baba. And after that, all celebrations broke loose. Thousands of visitors came to the home of Nand Baba, from Gokul and from other nearby villages and towns. There was an unending stream of people coming and going from that household. All forms of instruments were being played. There was singing and dancing and shouting. And yes, feasting also.

And so, in a manner of speaking, the real celebration of this appearance of the Lord, is the day of Nandotsav, the day when the child was first seen in the household of Nand Baba. On the night before, there was no one around to see this event of His appearance, and no one to congratulate and celebrate, no singing and dancing took place. This tradition is still carried by many temples and many households in the Brij region. The real celebrations of the appearance of the Lord start at the break of dawn, on the next day. For them, the event of appearance of the night before is not known.

This song of Nandotsav celebration in the home of Nand Baba, is from the 1957 film, ‘Neel Mani’. The words are penned by Bharat Vyas and the music is by Chitragupt. The singing voices are those of Rafi Sb and Suman Kalyanpur, accompanied by chorus. This film makes a debut on our blog today.

And yes, Atul ji, here is a song by Rafi Sb from the year 1957. So Rafi Sb’s count now goes to 2601 and the songs of the year 1957 make a century break at 400. And so the other target that you had in mind for yesterday, is also being met today.

Once again, a ton of good wishes and greetings to all, on this joyous occasion of the appearance of the Lord. May this celebration fill your life with happiness and peace, and that your household and family be blessed with good health and prosperity.

Jai Kanhaiyya Lal Ki

 

 

Song – Gokul Mein Chhaaya Ujiaala (Neel Mani) (1957) Singer – Mohammed Rafi, Suman Kalyanpur, Lyrics – Bharat Vyas, MD – Chitragupt
Chorus

Lyrics

gokul mein chaaya ujiaala
magan har gwaala
hua re matwaala
jasoda ki godi mein khele nandlala
jasoda ki godi mein khele nandlala
gokul mein chaaya ujiaala
magan har gwaala
hua re matwaala
jasoda ki godi mein khele nandlala
jasoda ki godi mein khele nandlala

ho jhoole re dekho
palna mein lalna
bhooli hain sudh gwaalania
ho..oye
jhoole mein dekho
palna mein lalna
bhooli hai sudh gwaalania
apne hi aap dekho
bajne lagi re
chham chham paaon ki paijaniya
chham chham
chham chham paaon ki paijaniya
arey sanwari surat
mohani moorat
roop ki saanche mein dhaala
jasoda ki godi mein khele nandlala
jasoda ki godi mein khele nandlala

akhiyon ka taara
maiyyaa jasoda ka pyaara
laadla nand dulaara re
jhoole jo jhoola
to jhoolne ke sang sang
jhoole ye phaag hamaara re
nanhe nanhe haathon ko nachaaye
muskaaye re
mukhda to dekho re lalan ka
jasoda ki godi mein
aaya re utar maano
pyaara pyaara chanda gagan ka
ho oo
pyaara pyaara chanda gagan ka
ho oo
mukhda to dekho re lalan ka

oo oo oo
oo oo ooo
darshan ka durlabh
mauka ye bhaiya
darshan ka durlabh
mauka ye bhaiya
haathon se jaane na paaye re
bhaiya haathon se jaane na paaye re
dekho swarag se ye devta
dharti pe utar kar aaye re
oye re neeche utar kar aaye re
saawan ye sukh ka
barsaa to saara
gokul hua re hariyaala
jasoda ki godi mein khele nandlala
jasoda ki godi mein khele nandlala

gokul mein chaaya ujiaala
magan har gwaala
hua re matwaala
jasoda ki godi mein khele nandlala
jasoda ki godi mein khele nandlala

———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

गोकुल में छाया उजियाला
मगन हर ग्वाला
हुआ रे मतवाला
जसोदा की गोदी में खेले नन्दलाला
जसोदा की गोदी में खेले नन्दलाला
गोकुल में छाया  उजियाला
मगन हर ग्वाला
हुआ रे मतवाला
जसोदा की गोदी में खेले नन्दलाला
जसोदा की गोदी में खेले नन्दलाला

हो झूले में देखो
पलना में ललना
भूली हैं सुध ग्वालनिया
हो॰॰ओए
हो झूले में देखो
पलना में ललना
भूली हैं सुध ग्वालनिया
अपने ही आप देखो
बजने लगी रे
छम छम पाँओं की पैंजनिया
छम छम
छम छम पाँओं की पैंजनिया
अरे सांवरी सूरत
मोहनी मूरत
रूप के साँचे में ढाला
जसोदा की गोदी में खेले नन्दलाला
जसोदा की गोदी में खेले नन्दलाला

अँखियों का तारा
मैय्या जसोदा का प्यारा
लाडला नन्द दुलारा रे
झूले जो  झूला
तो झूलने के संग संग
झूले ये फाग हमारा रे
नन्हें नन्हें हाथों को नचाए
मुसकाए रे
मुखड़ा तो देखो रे ललन का
जसोदा की गोदी में
उतर आया मानो
प्यारा प्यारा चंदा गगन का
हो ओ
प्यारा प्यारा चंदा गगन का
हो ओ
मुखड़ा तो देखो रे ललन का

ओ ओ ओ
ओ ओ ओ
दर्शन का दुर्लभ
मौका ये भैया
दर्शन का दुर्लभ
मौका ये भैया
हाथों से जाने ना पाये रे
भैया हाथों से जाने ना पाये रे
देखो स्वरग से ये देवता
धरती पे उतर कर आए रे
ओए रे नीचे उतर कर आए रे
सावन ये सुख का
बरसा तो सारा
गोकुल हुआ रे हरियाला
जसोदा की गोदी में खेले नन्दलाला
जसोदा की गोदी में खेले नन्दलाला

गोकुल में छाया उजियाला
मगन हर ग्वाला
हुआ रे मतवाला
जसोदा की गोदी में खेले नन्दलाला
जसोदा की गोदी में खेले नन्दलाला


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 17
————————
Suman Kalyanpur requires no introduction. In short: She is admired by music lovers all over the world. To recap our journey, let me repeat some facts, briefly.
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 16
——————————

This is the last but one song from the album ‘Swar Bahaar’, for which I have repeatedly discussed the details, in this series.  Music Director Shyam Sharma has provided appropriate lilting tune to the lyrics of Anjaan.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The saga starts in 1947. It is the runaway hit “Afsaana Likh Rahi Hoon Dil e Beqraar Ka” (film ‘Dard’). Not many artists can lay claim to such a meteoric debut. And also, not many can pride themselves with unbroken partnerships and associations with other artists, that have lasted for an entire lifetime.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is a well-known fact that the singing career of Suman Kalyanpur in Hindi film industry remained under the shadow of Lata Mangeshkar mainly because many in the Hindi film industry felt that her voice was too close to that of Lata Mangeshkar. When Suman Kalyanpur started her playback singing career in 1954, Lata Mangeshkar was already well established in Hindi films. When the choice came for the music directors between the two, producers and/or distributors would pressurize music directors to engage Lata Mangeshkar as her songs were more saleable than that of the new comers. There could be some other reasons also which stunted her career path.
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 15
———————–

The original HMV of EMI group was renamed RPG, when purchased by the Goenka Group. Later on in 2000, this major music producing company was aptly named as ‘Sa Re Ga Ma’. During earlier years, it used to sponsor great artists to produce many non-film music albums. Later on, under the false pretext of changing music trends, but mainly due to commercial angles, such publications along with classical music albums ware slowly reduced to very near zero.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 24
– – – – – – – – – – – – – – –

To each his due – that is an adage that basically covers all the destinies, whether right or wrong, whether happy or sad. The struggle to definitively define whether success is destined, or whether it can be achieved through hard work, is a tough task indeed. Logic and arguments work both ways. Believers of destiny even go as far to propound that one will put hard work in life, because that is what the destiny says should be. And sometimes one tends to lean towards that argument – for there are numerous cases we know of people successful without having to put in too much hard work, or having displayed much capabilities. And of course, there are cases, also very numerous, where highly capable people are seen putting in lot of hard work most of their lives, but still, the coveted fruits of success elude them. And so, after witnessing so many such seemingly unfortunate lives, living through such seemingly unfair circumstances, one is eventually resigned to say – to each his due.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (19 july 2016) is the eighth anniversary of this blog. On this occasion, I as well as some of our regulars have shared our views on the blog.

I have shared my views in two posts and I find that I still have some more things to say that have not been covered in my previous articles. So here is another writeup on the occasion.🙂
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from the film Do Roti-57. It is sung by Shanker Dasgupta and Suman kalyanpur ( I think she was still Suman Hemady then), under the baton of composer Roshan.
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 14
———————–

Music Director Shyam Sharma, a regular employee with HMV (later on, RPG) had in 1970 recorded an Album named “Swar Bahar” that had ten melodious devotional and love-songs by Suman Kalyanpur (aka Suman Hemadey, her maiden name). Seven out of these ten have now been covered in this wonderful singing blog. This one is the eighth jewel from that Album. Some songs which were not Meera Bhajans were love songs written by Anjaan and Yogesh. This one is written by Yogesh.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 12300 song posts by now.

Total number of songs posts discussed

12349

Number of movies covered in the blog

Movies with all their songs covered =812 Total Number of movies covered =3453

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