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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Helen


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4028 Post No. : 15142

In old days, we had days of specialists. Hero, Heoine would sing songs, play lovey dovey, etc.

Villain’s would made the life of hero and heoine miserable. They would have mujra and or cabarat dancers as part of villain’s set up.
Singing quawwali in disguise would be the response of the lead actors.

Then there was comic side plot. And then character artists, such as parents of the lead actors, siblings of the lead actors etc.

From 1970s onwards, days of multitasking began and specialists found themselves threatened. Here the hero himself would do comedy as well as villainy. The heroine would perform cabarat/ mujra herself.

Fortunately, one did not witness multi tasking till 1960s and specialists ruled the roost those days.

As far as comedy was concerned, Johny Walker was the go to man, and he was followed by Mehmood.

When I try to analyse Johny Walker’s comedy, I find that his comedy often involved being in the wrong books of ladies. Sometimes he would find himself on the wrong side of dogs as well. 🙂

Johny Walker had acted in not one but two movies called “Baazi”, viz “Baazi” (1951) and “Baazi”(1968). “Baazi”(1951) was his debut movie, whereas “Baazi”(1968) came towards the fag end of his career.

“Baazi”(1968), lesser known that the 1951 namesake, was directed by Moni Bhattacharya for Golden Films Production, Bombay. The movie had Dharmendra, Waheeda Rehman, Johnny Walker, Mehmood, Helen, Ansari, Nazir Hussain, Ullhas, Chans Usmani, Amar, Manmohan, Keshto Mukherjee, Pinchoo Kapoor etc in it.

The movie had five songs in it. Two songs have been covered in the past.

Today (29 july 2019) is the 16th remembrance day of Johny Walker (11 November 1926 – 29 July 2003). As a tribute to him, here is a song from “Baazi”(1968). IT is a Johny Walker type comedy song, viz a song where he is in trouble at the hands of the fair sex. It turns out that he sees not one but two ladies simultanously and he finally gets caught by both.

So here is this song from “Baazi”(1968). it is sung by Manna Dey. Shakeel Badayuni is the lyricist. Music is composed by Kalyanji Anandji.

The song shows Johny Walker being taken to task by Helen and Shammi. Singing while being chased by two ladies, that is Johny Walker for us. 🙂

Lyrics of this song were sent to me by Avinash Scrapwala.


Song-Ek anaar do beemaar badi mushqil hai (Baazi)(1968) Singer-Manna Dey, Lyrics-Shakeel Badayuni, MD-Kalyanji Anandji

Lyrics (Provided by Avinash Scrapwala)

Are dil hamaara
uyi
Husn waalon ka akhaadaa
Akhaadaa ho gaya
Apne hi haathon se khud apna
Are apna kabaada ho gaya

Ek anaar
Do beemaar
Ek anaar do beemaar
Kaisi uljhan mein hain pyaar
Badi mushkil hai
Haan Badi mushkil hai
Haan haan badi mushkil hai ae

Do do ulfat ke bazaar
Hoga kaise karobaar
Badi mushkil hain
Haan badi mushkil hai
ho ho badi mushkil hai
Ek anaar do bimaar
Kaisi uljhan mein hai pyaar
Badi
Haan badi
Haan haan
Badi mushkil hai ae

Koyi mere ae
Koyi mere do tukde kar ke
Rok de is bumbaari ko o o o
Koi mere do tukde karke
Rok de is bumbaari ko
Ek tukdaa shole ko de de
Aur ik tukdaa chingaari ko
Is jhamele se yaaron main gharbra gaya aa
Is jhamele se yaaron main gharbra gaya
Dil dhadkane lagaa
Sar bhi chakra gaya
Gaya gaya gaya aa aa
Meri khaatir do do yaar
Meri khaatir do do yaar
Ladne marne ko taiyyaar hain
Badi mushkil hai
Haan badi mushkil hai
Haan haan badi mushkil hai
Ek anaar do beemaar
Kaisi uljhan mein hai pyaar
Badi mushkil hai
Haan badi mushkil hai
O ho badi mushkil hai

Uparwaale ae
Uparwaale ne mujhko
Do kaan diye do aankhen
Do o kaan diye do aankhen
Mil jaate jo do dil mujhko
Phir yoon naa ukhadti saansen
Phir yoon naa ukhadti saanse
Do ke chakkar mein meri akal phans gayi
Do ke chakkar mein meri akal phans gayi
Maine kheli thhi single
Double phans gayee
Double phans gayee
Da da da ba ba ba la la la
Double
Phans gayee ee ee ee
Badi samjhe mujhko yaar
Chhoti hai meri dildaar
Badi samjhe mujhko yaar
Chhoti hai meri dildaar
Badi mushkil hai
Haan Badi mushkil hai
Haan haan badi mushkil hai
Ek anaar do beemaar
Kaisi uljhan mein hai pyaar
Badi
Haan badi
Haan haan badi mushkil hai
Do do ulfat ke bazaar
Hoga kaise karobaar
Badi mushkil hai
Haan badi mushkil hai
Haan haan badi mushkil hai ae ae ae

————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————
अरे दिल हमारा
ऊए
हुस्न वालों का अखाड़ा
अखाड़ा हो गया
अपने ही हाथों से खुद अपना
अरे अपना कबाड़ा हो गया

एक अनार
दो बीमार
एक अनार दो बीमार
कैसी उलझन में है प्यार
बड़ी मुश्किल है
हाँ
बड़ी मुश्किल है
हाँ हाँ बड़ी मुश्किल है ए

दो दो उल्फत के बाज़ार
होगा कैसे कारोबार
बड़ी मुश्किल है
हाँ बड़ी मुश्किल है
ओ हो बड़ी मुश्किल हैं

एक अनार दो बीमार
कैसी उलझन में है प्यार
बड़ी
हाँ बड़ी
हाँ हाँ बड़ी मुश्किल है ए

कोई मेरे ए
कोई मेरे दो टुकड़े करके
रोक दे इस बम बारी को ओ ओ ओ
कोई मेरे दो टुकड़े करके
रोक दे इस बम बारी को
एक टुकड़ा शोले को दे दे
और एक टुकडा चिंगारी को
इस झमेले से यारों मैं घबरा गया आ
इस झमेले से यारों मैं घबरा गया
दिल धडकने लगा
सर भी चकरा गया
गया गया गया आ आ
मेरी खातिर दो दो यार
मेरी खातिर दो दो यार
लड़ने मरने को तैयार
बड़ी मुश्किल है
हाँ बड़ी मुश्किल है
हाँ हाँ बड़ी मुश्किल है
एक अनार दो बीमार
कैसी उलझन में है प्यार
बड़ी मुश्किल है
हाँ
बड़ी मुश्किल है
ओ हो बड़ी मुश्किल है ए

उपरवाले ए
उपरवाले ने मुझको
दो कान दिए दो आँखें
दो ओ कान दिए दो आँखें
मिल जाते जो दो दिल मुझको
फिर यूं ना उखड्ती साँसे
अई
फिर यूं ना उखड्ती साँसे
दो के चक्कर में मेरी अक्ल फँस गयी
दो के चक्कर में मेरी अक्ल फँस गयी
मैंने खेली थी सिंगल
डबल फँस गयी
डबल फँस गयी
ड ड ड ब ब ब ल ल ल
डबल
फँस गयी ई ई ई
बड़ी समझे मुझको यार
छोटी हैं मेरी दिलदार
बड़ी समझे मुझको यार
छोटी हैं मेरी दिलदार
बड़ी मुश्किल है
हाँ
बड़ी मुश्किल है
हाँ हाँ बड़ी मुश्किल हहै

एक अनार दो बीमार
कैसी उलझन में है प्यार
बड़ी
हाँ बड़ी
हाँ हाँ बड़ी मुश्किल है ए
दो दो उल्फत के बाज़ार
होगा कैसे कारोबार
हाँ बड़ी मुश्किल है
हाँ हाँ हाँ बड़ी मुश्किल है ए ए ए

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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4018 Post No. : 15126

Throughout the year, this blog notes anniversaries of various artistes. We celebrate their birth anniversaries, we remember, and observe with respect, their death anniversaries.

We occasionally also celebrate birthdays of Atulites here.

But there is one date that we all celebrate every year with a lot of love.

And that is this blog’s own birthday.

Yes, today, the 19th of July is the birthday of this blog.

This is the date, 11 years ago, that Atul, who started this blog, posted its very first song “mile na phool to kaanton se dosti kar li”. A beautiful song, written by Kaifi Azmi saab, composed by Roshan, and rendered in Rafisaab’s voice.

What an auspicious start to the blog!

Since then, now a veteran of over 15000 songs, this blog continues to go strong, adding more treasures to its already abundant treasure-chest, and attracting visitors from around the globe.

At last count, the number of hits on the blog was close to 12 million!

Clearly, this blog has established itself as the go-to source for HFM lovers, especially those interested in accurate song lyrics, and with a desire to engage themselves also with a write-up associated with the song.

Over these years, starting as a one-song-a-day blog, it has evolved into multiple-songs-a-day, with a whole lot of features added to it over this period of time.

During the course of this journey, another very important development (at least for some of us here), is the formation of this group called Atulites.

It is nothing fancy as such. Atul started this journey 11 years ago, and there have been many who have visited the blog and enjoyed its content. But a few of us, have been regulars here over the years, either writing comments, or posts. We have developed a bond over the years, thanks to the blog. Many of us have had an opportunity to meet each other in person. Since it all started with Atul, we call ourselves Atulites. 🙂

As someone who has known this blog from day one, it is a great joy for me to see this blog now complete 11 years.

I’ve said this many times – but I will say it again – this blog is unlike any other blog out there. Most blogs don’t last beyond a few months or years. And even then, the posting on these blogs is sporadic. Maybe a post every few weeks, or even months.

This is mainly because it takes a lot of effort and time to post regular content on a blog. Yes, if it’s earning significant money for the author, or promotes him or her in any way, that might be motivation to keep posting. But otherwise, it loses steam, and ends up neglected.

Here, Atul has ensured that this blog has posts almost every single day since it was started. Sure, there have been the odd days without posts, but these have been very few over this 11-year period. This is truly remarkable – and is a testament to Atul’s dedication and discipline.

We must remember, and stress here, that this blog is a “labour of love” for Atul. Had it been a commercial venture, one can understand so much time and effort spent on it. But for Atul, it has just been his passion and love that has kept the blog going for all this while, with daily updates.

I must add here that, in the last few years, Atul has been helped in this process by the one and only Sudhir ji. Together they form a great team, ensuring the blog is always buzzing.
I can’t thank both of them enough for what they do for the blog.

Then there are the other contributors also who enrich the blog greatly by their contributions. Arunji is the first name that comes to mind, but there is a whole host of others – they know who they are. 🙂 Everyone has contributed in his, or her, own way to the blog.

All in all, it has been a wonderful 11-year journey. I am very glad to have been part of it, to have learnt so many songs I’d never heard before, and to have met so many wonderful people, thanks solely to this blog.

So a big thank you to Atul for this.

Even as I type this, it has just struck me that the IPL also started in 2008. The final was played on 1st June 2008 – and this blog started on 19th July 2008. I wonder whether there is a connection. Did the IPL inspire Atul to start this blog? 🙂

Now, quickly avoiding the brickbats coming my way for posing that last question, am moving on to the song for today.

I wanted a fun, lively, song because it is a happy occasion.

And, as usual, I went looking for a song from the era I am most comfortable with, while hunting for songs. That is, the 1970s. Often I come across a song that might not have been all that famous, but is special to me because I remember it from that time, and it brings back memories.

Today’s song is one such. It is from the film Dharkan (1972).

Now this film is one I distinctly remember seeing in my childhood. I remember liking it a lot too at that time. It had a different type of storyline.

From what I remember, the story was about a man travelling with his friend by train, to meet another long-lost friend (who happens to be very rich). This friend in the train gets greedy and kills this man. He then poses as him, and meets the long-lost friend, hoping to swindle him of his wealth. Of course, he needs to be careful not to get exposed.

I don’t remember the details now, but after some initial success, he begins to arouse suspicions about his identity.

The picturisation of this song reflects one such situation. As we can see, Helen and Sanjay Khan are taunting Roopesh Kumar, hinting to him that they know what he has done.

I need to see this film again – though it’s quite possible I might not like it now. 🙂 It happens sometimes that you see a film that you’d last seen decades ago – and it doesn’t have the same appeal anymore.

The moment I heard this song though, I immediately remembered the movie. It is classic Asha Bhosle, though the composer is not RD Burman, but Ravi. I remember this song very well from that time, though I’m not sure if it was popular then. The most popular song of this film was “main to chala, jidhar chale rasta” (which has already been posted here). This is the second song of the film to be posted here.

The video ends a bit abruptly, so the audio is included.

I hope you enjoy this song.

Here’s wishing the blog a very happy birthday – and many more to come.

Video

Audio

Song-Jab toone kuchh na kiya (Dhadkan)(1972) Singers-Manna Dey, Asha Bhonsle, Lyrics-Prem Dhawan, MD-Ravi
Both
Chorus

Lyrics

Paisa
Pa pa pa paisa
Daulat
Sa sa sa daulat
Haasil karne ke liye
Paap
Hahaha
Dhokha
Hohoho
Chhal
Ha
Fareb
Ha
Khoon
Lekin…
Jab toone kuchh na kiya
Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Jab toone kuchh na kiya
Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Waise to
Sab kuchh
Dekha hai
Duniya ki mehfil mein

Lekin
Aha
Koi bhi
Oho
Jaane na
Aha
Kiske kya hai dil mein
Ho
Kaun bhala yahaan kaun buraa hai

O ho ho
Kaatil hai kaun yahaan kisko pataa hai
O ho ho
Kaun bhala yahaan kaun buraa hai
Kaatil hai kaun yahaan kisko pataa hai

O ho
Chehre ka tere kyun rang udaa hai
Hahahahahahahaha
Jab toone ae ae ae
kuchh na kiya aa
Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Hai jhootha to
Arrey jhootha hai
Kab tak
asli roop chhupaayega

khooni to
aha
khooni hai
oho
ek din
aha
pakda hi jaayega
O o
phool jo todaa toone phir wo khila hai

ohoho
Diya bujhaaya tha jo phir wo jalaa hai
Phool jo todaa toone phir wo khila hai
Diya bujhaaya tha jo phir se jalaa hai

Tera hi kaal tere saamne khadaa hai

Jab toone kuchh na kiya
haa
Kyun daraa daraa sa hai
Deewaane kyon daraa daraa sa hai ae

Kyun daraa daraa sa hai
Deewaane kyon daraa daraa sa hai

Paisa
Pa pa pa paisa
Daulat
Sa sa sa daulat
Haasil karne ke liye
Paap
Hahaha
Dhoka
Hohoho
Chhal
Ha
Fareb
Ha
Khoon


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4000 Post No. : 15101 Movie Count :

4146

Missing Films of 1960s – 112
– – – – – – – – – – – – – – –

Cricket is a distraction par excellence. 🙂  I am sure most of us bandwagoneers will agree.

That we are approaching the 151st century of songs on the blog, was being exchanged between Atul ji and myself for quite some days now. But the fact that we are also approaching the completion of the 4th millennium of no. of days of existence, almost went completely un-noticed by either of us. It was like just three or four days ago, that the tubelight came on in my mind. I immediately wrote to Atul ji. And equally immediately we agreed that we are on a threshold milestone that is more significant than the 151st century of songs.

Pondering on how to impress the importance of this event, we went back and forth with a couple of ideas. Of course, the idea that we should combine the 4th mega-day with the 151st C, was the immediate conclusion. And the century song was then scheduled for 1st July, and we decided to pace out the required interim posts so that we accomplish this combination.

Now we had already identified the century song, and Atul ji was already in preparation with the environment friendly post. The song – I had already suggested to Atul ji, and we had agreed to bring on “Main Mar Gai Garmi Se” as the crucial link in this scheme to bring home the message of global warming and connect it to the environment friendliness objective. But then Atul ji came up with a counter thought. The song itself is a June song, and we will be overstepping into July if we post it on the 4,000th day. Now what to do? After a brief exchange, we agreed that we will post this song on 30th June, on the 3,999th day and then figure out another special for 1st July. The decision then also put us in a scramble, because then we had four more posts to make this June song hit the date of 30th June. So then both of us weighed in, in favor of making these four posts (plus the century post, making it five) happen on Sunday, split as three posts by me and two by Atul ji.

I prepared the current latest post by Arun ji, and scheduled it for early morning release on Sunday. And then I worked the afternoon and evening to make two more posts, adding into two of my ongoing series – one for the repeat songs and one for the sleepless nights.

And then, of course we know what transpired on Sunday. India lost by 30 runs against England – personally I believe it could have been done, but then that is me, commenting, watching from thousands of miles away. In short, cricket otherwise consumed the attention and our combined target of 5 posts slipped by 2.

So in the morning, I get an email from Atul ji. Quite matter of fact indeed, that he was not able to make any posts yesterday, and that although it is July now, but the garmi still justifies the song, and that we are happy we combine 4M + 151C today. So the following is what I wrote back to him reassuringly –

Yes, in our part of the country, where monsoons have not yet arrived, the heat is sweltering and quite intense. The song is still very appropriate.

And btw, it is still June in the US. It will be June in Midway Islands, Samoa till 4.30 pm (IST) today. And overall, the month of June 2019 will remain on this planet till 5.30 (IST) pm, when finally midnight crosses over the International Date Line. :D) :D)

Atul ji agreed. If you notice the time of posting of the 151C song – it is 4.50 PM (IST). We made it well within the transmogrified target, with 40 minutes to spare. Meaning that the month of June was still alive on this planet when 151C got posted. The final edge of the midnight crossed over the International Date Line in the Pacific Ocean 40 minutes after the posting, finally closing the month of June 2019 from everywhere on earth. Talk about close shaves. 😀 😀

But another notable mention still needs to be made.  In this exchange, Atul ji also expressed that he was not feeling very good about the amount of significance that he wants to bring in to this milestone of 4M days. He said it is not feeling weighty enough. So then I suggested that let us follow this 151C post with another post that brings is one more very significant song, and celebration, to add to the 4M festivities. And that I have the very thing planned for the 151C+1 post in any case, to be brought on to blog on 2nd July. So let me explain. Maybe some of you may have noticed. Whenever we reach a century post milestone, that milestone stays on for that entire day. Meaning we don’t follow up with any other post that day, to ensure that the century celebration stays on for at least one full day. When I explained the content I had planned for this 151C+1 post, he readily agreed to make an exception to this convention of keeping the day free after publishing a century post.

So excuse me for the long drawn intro – I believe the prelude circumstances were quite interesting enough to merit this story being told. 🙂 🙂

So what is special about this post – the 112th in the series of ‘Missing Films of 1960s?

Two reasons. Firstly, based on all the research and explorations that I have been able to make regarding the missing films list of 1960s that Ben Katie prepared as my homework, and based on all the material that I have been able to trace and ferret out, today’s post is the grand finale, of this series. Meaning that, given everything that I have been able to lay my hands on, this is truly the last film that can be presented in this series. So we have a marathon series of 112 episodes, lasting for 3 years, 9 months and 2 days, coming to a close today.

And secondly, the rarity of the song that is being presented today. The quality of rarity of this song in my opinion, actually goes beyond the rarest of the rare. Today’s song, for whatever it is worth, comes into play, where everyone related to Hindi film music has been resigned to the fact that this film, ‘Hawa Mahal’ of 1962 – it does not have any, and I mean ANY, surviving songs available. In a situation where the absence of songs is an established and accepted fact, when one is able to trace out something, even a partial song, that is indeed a matter of a resounding celebration. A little later in this post, I will explain the how this came about.

Let us quickly get over with the numbers first. Ben Katie started work on compiling the list of missing films from 1960s (1961-1970) by comparing the listing in GK Vol 4 and the list of songs posted on our blog. That was in November of 2014. She sent out the first draft listing to myself, Arun ji and the rest of the team for a quick review and update cycle. The review and update part did happen, but the ‘quick’ part did not. 🙂 Anyways, after setting up, reviewing and inserting special remarks for some films as required, we came up with the following numbers,

Total listed as released films               >>          942

No. of films present on blog                 >>          695
(at the time of finalizing the list)

No. of films still to be posted               >>          247
(at the time of finalizing the list)

So 247 was the count to be tackled, when I started working on this series. The first episode was aired on 30th Sep, 2015, and the movie presented in that first episode is ‘Muraad’ of 1961. Initially, I tried to stick to the sequence in which these films appear in the Geet Kosh. But not strictly all the way through – quite a few times I would break the sequence, based on availability issues or demands of some special event such as anniversaries etc.

As is apparent from the episode number, I have been able to bring onboard 112 films (including today’s ‘Hawa Mahal’). The following table gives the details of this analysis, by year within this decade.

Year Movies Released Included in the Blog To Be   Posted Series Posting Other Postings Films  Pending
1961 104 92 12 5 1 6
1962 93 61 32 15 3 14
1963 89 68 21 5 4 12
1964 99 78 21 9 5 7
1965 100 70 30 14 5 11
1966 103 80 23 9 10 4
1967 83 58 25 16 5 4
1968 72 53 19 8 6 5
1969 97 65 32 13 10 9
1970 102 70 32 18 7 7
 Totals 942 695 247 112 56 79

The first three columns (after the year column) give the status as of the compilation and analysis done by Ben Katie, at the beginning of this exercise, i.e. November of 2014. The next two columns give the data on postings for the particular year, after this exercise is set in motion. Interesting to note that at total of 56 songs of this decade got posted on the blog, outside of this series, during the same period. The last column gives the no. of films which are not yet available, and I mean, not available from any source, period. As far as my search of the past almost four years reveals, songs of these films are not available anywhere in public domain. I could be wrong, and oh boy, I will be the happiest person to be told that I am wrong 🙂 .

As per the last column, we are still short by 79 films from this decade. I am giving below the list of films that have remained untraceable even after continued effort of almost 4 years. The listing is by year in the decade.

Year   Balance movies Information
1961 1 Chatrapati Shivaji Children’s Film Society of India
2 Flight to Assam
3 Howrah Express
4 Mahavat
5 Tanhaai
6 Teen Ustad
1962 1 Aalha Udal
2 Balidan
3 Bijli Chamke Jamuna Paar
4 Deccan Queen
5 Fakiron Ki Basti
6 Hamen Bhi Jeene Do
7 Hamen Khelne Do Children’s Film Society of India
8 Jai Ho Mohabbat Ki
9 Madam Zapatta
10 Meri Bahen
11 Mohabbat Zindabad
12 Nadira
13 Raj Nandini
14 Rang Raliyan
1963 1 Deepak Children’s Film Society of India
2 Flying Horse (Udta Ghoda)
3 House Holder, The (Gharbaar)
4 Jai Jagannath
5 Junglee Raja
6 Kala Ghoda
7 Kala Jadoo
8 King of Carnival
9 Maya Mahal
10 Mr. Toofan
11 Raj Mahal
12 Tarzan And Gorilla
1964 1 Arab Ka Lal
2 Hukum Ka Ekka (Ace of Spades)
3 Khushnasib
4 Pahadi Jawan
5 Rahul Children’s Film Society of India
6 Raju Aur Gangaram (Boy & the Parrot) Children’s Film Society of India
7 Son of Hurcules
1965 1 Accident
2 Anmol Moti Children’s Film Society of India
3 Flying Man (Hawaii Insaan)
4 Kapurush-O-Mahapurush
5 Kite Fight (Wo kaata) Children’s Film Society of India
6 Kutte Ki Kahani Children’s Film Society of India
7 Main Bhi Maa Hoon
8 Mehbooba
9 Nartaki Chitra
10 Panch Ratan
11 Shahi Raqaasa
1966 1 Bahadur Dakoo
2 Chanchal Ka Swapna Children’s Film Society of India
3 Kazaki Children’s Film Society of India
4 Professor X
1967 1 Bhakta Prahlad
2 Maya Sundari
3 Naya Rasta
4 Rajoo Sachhe Moti-62 was re-released as Rajoo-67
1968 1 C.I.D. Agent 302
2 Lahu Pukarega
3 London Express
4 Mata Mahakali
5 Ram Aur Rahim Dubbed?
1969 1 Beti Yumhare Jaisi unavailable
2 Bhuvan Shome Songless Film
3 Danka
4 Ittefaaq Songless Film
5 Jungle King
6 Rakhi Rakhi
7 Rambhakt Hanuman
8 Sara Akash Songless Film
9 S.O.S. Jasoos 007
1970 1 Chalbaaz Leader
2 C.I.D. 999 in Goa
3 Do Thug
4 Heere Ki Titli Children’s Film Society of India
5 Muqabala
6 Qatil
7 Uski Roti Songless Film

The request for all readers and friends is to please check the above list. In case there is any information available about the songs of any of these 79 films, please, please, please share it with us.

So having dealt with the numbers and having told the story of pending films, let me now come to the song being presented today.  The film ‘Hawa Mahal’ of 1962 is produced by Ramesh Vyas, under the banner of Navkala Niketan, Bombay and is directed by BJ Patel. The main cast of actors is listed as Ranjan, Helen, Tiwari, Baboo Raje, Ramavtar, Bela Bose, Jugnu, Shyam, and Prakash amongst others.

There are six songs listed in the Geet Kosh. The name of lyricist is not given. Also, the names of the singers are not listed. Music direction is by Avinash Vyas. The singing voices used in this film are of Asha Bhosle and Mahendra Kapoor, however assignment to individual songs is not indicated.

Now coming to the mystery of songs of this film. In my search for the songs of this film, I could establish one thing. No gramophone records of the songs of this film are available anywhere. The general response from the premier collectors is that no 78 rpm records of this film were created. I was quite disappointed. With names like Helen and Bela Bose in the cast of actors, the film being of the ‘jaadugar saiyyaan’ types abracadabra of magic and fantasy, the music of Avinash Vyas, the singing voices identified – I was eagerly expecting some wonderful songs to be harvested from a film like this. But my search kept turning up a naught wherever I would be inquiring.

Then maybe three or so years ago, I espied a VCD release of this film with a VCD/DVD dealer in Chandni Chowk in Delhi. I just pounced at it, and bought it. Getting home, with an anxious expectation, I put on my laptop to play. I could not believe my eyes. The film runs its complete length, and NOT A SINGLE SONG is existing in the film. I was devastated. I ran the film again – maybe I had dozed off when the songs were playing. But no, even the second more careful screening did not turn up any songs. I ran the disc a third time, and carefully looked at sequence of scenes. And sure enough, I was able to detect three or four places, where the narrative jumps, and the scene makes up as if there would have been a song here. The realization struck me – all the songs had been edited out of the film. I was furious, cursing the VCD manufacturer’s apathy towards lovers of music, trying to cut down run time of the film to fit on the disk, वगैरह, वगैरह.

I tried once again – bought another disc, but still no songs. Now I was obsessed in trying to get to the source material of this film – the VHS tapes. In my search for the same, in India, as well as outside India, I was successful in procuring three different copies of the VHS tapes of this film from different sources. Imagine my horror, when I found that even the VHS tapes were bereft of any songs.

I was confused, angry and anxious. I started talking to my collector friends, asking them if they had any information on why such a fate had befallen this film. No one had any clue. The Geet Kosh does not carry any additional footnotes, remarks or corrigenda about this film. I was in total despair. Six songs listed, the film is available, and not one song is traceable.

The Geet Kosh lists only three actors – Ranjan, Helen and Tiwari. Just came to my mind, and I carefully viewed the credits at the beginning to get more complete information. One thing struck me as very peculiar. The name of the MD is given, names of two playback singers are given. But there is no name listed for the songwriter. I carefully checked it twice – sure enough the name of the lyricist is not in the credits. My mind then surmised this possibility that before the release of this film, some trouble must have brewed between the producer and the songwriter. No settlement could be reached through mediation, and the songwriter probably took the legal recourse, and got an order from the courts to disallow use of the songs written by him, in the film. The producer must have been forced to give up the rights to the songs. The same got deleted from the film, and as well, no gramophone records were manufactured. And the producer then also deleted the reference to the songwriter’s name in the credits. All well for them, but the music lovers have lost an unheard treasure.

Some month ago, for no reason, I picked up this disc, and started viewing it, simply as timepass, and to get the hang of the storyline. There is an evil magician living at the bottom of the ocean. He has fairies and mermaids as his attendants. He is collecting human skulls – when he will get to 100, he will achieve power to conquer the three worlds. Helen is one of the fairies that lures unsuspecting ‘aadam jaat’ male humans with her charm, and once entrapped, they are tied up and taken to the bottom of the ocean. One day, she lays a trap, and who would walk in but the hero of the film – Ranjan. She promptly falls in love with him, and sets him free, does not take him to her magician master. The news spreads in the underwater world, and the magician imprisons her. Her human beloved gets to know the story, and with his friends, goes down to free Helen. There is standard stuff of fights, fist fights and sword fights which seem to go on and on and on. There is a spaceship which is shaped like a palace – ‘Hawa Mahal’ for you. Ranjan defeats the magician and escapes from the underwater world in this spaceship, with Helen, and his friends. A happy ending for all. Lot of magic stuff happens throughout the film.

This time around, I watched this film in its entirety, right up to ‘THE END’. And that is where the magic happened. I discovered a partial song, right at the end of the film. It seems when the editor spliced out the songs from the main body of the film, he simply forgot that one partial song has been used in the closing minutes of the film. The discovery flabbergasted me – at least now we have one sampler from this film.

The singing voice is Mahendra Kapoor. The clip is a segment of the song, just over a minute in length. But goodness what a wonderful melody this turns out to be. One can only imagine what may have been the quality of songs if this is a representative sample. Wonderful, simply wonderful.

So then I upload this one minute clip, containing one complete stanza, and make for this post. This discovery is no less than any other rarest of rare songs. The world of collectors had given up on this film and its songs. But then we now have one half song, discovered quite by accident, giving a flavor of what could have been.

And with this startling discovery, I suspend further publications in this series. I say suspend, because I want to leave the door open for the possibility that any of the remaining 79 films of this decade, may turn up, only God knows where and when.

The wait will never end.

 

Song – Taaron Bhari Raat Hai  (Hawa Mahal) (1962) Singer – Mahendra Kapoor, Lyrics – [Unattributed], MD – Avinash Vyas

Lyrics

nai nai manzil hai
naya naya geet hai
poori hui aarzoo
mann ka mila meet hai
miley aaj humsafar
kal ki hai kya khabar
miley aaj humsafar
kal ki hai kya khabar
palken jhuka ke keh de
mann mein kya baat hai

taaron bhari raat hai
ghunghat mein chaand hai
akhiyaan mila ke keh de
mann mein kya baat hai. . .
taaron bhari raat hai

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

नई नई मंज़िल है
नया नया गीत है
पूरी हुई आरज़ू
मन का मिला मीत है
मिले आज हमसफर
कल की है क्या खबर
मिले आज हमसफर
कल की है क्या खबर
पलकें झुका के कह दे
मन में जो बात है

तारों भरी रात है
घूँघट में चाँद है
अखियाँ मिला के कह दे
मन में क्या बात है॰ ॰ ॰
तारों भरी रात है

 


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Blog Day :

4000 Post No. : 15100

Today (1 july 2019) happens to be the first day of the month (pehli taareekh). People today arev no longer as happy and bullish about pehli taareekh as they were till a few decades back, nevertheless it remains an important day for people.

This time, it happens to be monday, the first working day as well. 😉 It is as if one is beginning a new month with a clean slate, with the first working day of the week. 🙂 There are people who dread mondays. I am sure regulars of this blog are not among such people. 🙂

This day happens to be quite an important day for the blog as well. Today is the 4000th day for this blog ! 4000 days of continous vibrant existence, with posts almost every day !

Out of 4000 days, there have been 217 dot days (5.4 % days) when no posts were published, otherwise there have been posts everyday on 3783 days (94.6 %) out of these 4000 days !

The peak daily strike rate of this blog was 4.626 posts a day on 1902th day of the blog on 2 october 2013 when 8800th post was posted. Those were the days when covering six songs in a day was considered normal in the blog. The strike rate began to fall from 2015 onwards and today on the 4000th day of the blog we are on 15100 only !

Did I say post number 15100 ? Yes, I did. Today on the 4000th day of the blog, we reach another century post, namely post number 15100 in the blog.

Many of our writeup contents, like our strike rate of posts have dried up as well, nevertheless we still summon enough creative juices for special occasions. Blog century post is one such special occasion.

This writeup is a labour of love (a favourite phrase for this blog) and it covers a topic that I wanted to cover on 5 june 2015, which was world environment day. Though I had considerable data on this topic, I was not able to convert all that data into useful and interesting information in the limited time that I could summon by that date. So I decided that this topic would be covered while discussing post number 15100. I discussed the matter with Sudhir Jee and requested him to find a suitable song. Finally we zeroed in on a song that is quite appropriate and suitable for the occasion as well as the topic being discussed in the song.

The topic of this writeup is environment. This writeup covers a man who has singlehandedly performed a Herculean task ( भगीरथ प्रयास) in the area of environment.

Who is this man and what he has done ?

Jitu Kalita, a Jorhat-based journalist who writes a popular column on nature in Prantik, an Assamese magazine, was stalking vultures when he found himself on the far side of Aruna sapori (sapori is the Assamese word for island), entering a forest, when a visibly perturbed tribal man practically attacked him and chased him off the land.

Later, Jitu Kalita managed to pacify the man and he convinced him that he was a journalist and not a poacher as apprehended by the tribal man. It was then that the tribal man, named Jadav Payeng, gradually opened up to Jitu Kalita and Jitu Kalita had the biggest news scoop of his career.

He is a man called Jadav “Molai” Payeng, a native of Assam. A man in his late 50s, he is an ordinary man who lives in a village near Jorhat (Assam). A tribal man of Mising tribe of Assam, he makes his living by milking his cattles and selling their milk.

When he was young, he lived with his parents and family is an island on River Brahamputra, near a small town called Kokilamukh located on south bank of the river.

In 1965, there was a big flood and that devastated the island (called Kartic sapori or Aruna sapori). Jadav Payeng’s family decided to move to another island to the north, namely Majuli island (which incidentally is the biggest river island in the world).

Before relocating, acute poverty compelled his parents to leave five-year-old Jadav in the care of Anil Borthakur, a court-master at the District Judge Court in Jorhat, who looked after his schooling.

In 1979, after he had appeared for his matriculation examination in a Jorhat School, Jadav Payeng visited his native place during summer season. What he saw there devastated him. He saw hundreds of dead snakes or the dry and hot sands. These snakes, which were washed ashore that island during rainy season, had died in summer because there was no vegetation growing in the sands that could protect and nurture these snakes. Jadav Payeng was heart broken. If snakes could die like this, then in future humans can likewise die if there is no vegetation to protect and nurture them- he thought. And he resolved to do something about that.

He approached forest department (where he had worked as a labourer in their project of afforestation), but they refused to help him and stated that it was not possible to do what he wanted.

Jadav Payeng asked the elders who lived in that area about some suitable vegetations that could be grown there. They advised him to grow world’s tallest grass. Initially confused, he later came to know that they described bamboo as world’s tallest grass. They also provided him some seeds.

Jadav Payeng began to plant seeds regularly from that day in 1979. Initially it was bamboo, and later, when Bamboo trees formed a decent enough self sustaining vegetation, he began to plant other variety of seeds as well.

Jada Payeng kept on and on for more than three decades unsung, unknown, unheralded. He obviously had genuine passion for the task that he could go on and on singlehandedly for this long without any support.

It was only thanks to the chance discovery by nature photographer Jitu Kalita that people came to know about this forest which was grown singlehandedly by one man.

This forest became so large and so thick that wild animals like Elephants (from Dibrugarh), Rhinos (from Kaziranga) and tigers (from Karbi anglong) found their way into his forest.

This jungle was named Mulai kathoni (Mulai jungle) by the local people, where Mulai was his nickname.

Jadav Payeng had built his tribal style home (known as Changghar – house on stilts in the Mising style) in the jungle where he lived with his family (wife and three kids). When the herd of elephants first arrived in the jingle in 2008, they overran his home.

He stood and watched from a distance and realised the magnitude of what he had done. While the others watched on, baffled, he was overcome with joy. And he had every reason to be – he has succeeded in bringing life (that too wildlife) back to the island.

But his celebrations were short-lived. A few days later, angry villagers, having assessed the damage to their crops, blamed Mulai Kathoni for attracting the elephants. One mob manifested their anger by cutting down trees while another set fire to a patch at the far end. He reckons he lost one tenth of the forest in that first wave of mindless violence.

Fortunately, things calmed down since. The forest department too realised that wild elephants had gone to this “new” jungle that they knew nothing about till then. The ex-gratia payment for damaged crops offered by the Forest Department, the media attention and accolades bestowed on Payeng helped in suppressing the rage of the villagers.

What was empty sandbar had transformed into a full fledged jungle spread over 1360 acres (550 hectares). The forest now had around 5000 trees of over 100 different species, all singlehandedly planted by him. The vegetation included shimloo, shishoo, bhelo, gamari, segun, jamun, aam, kathol, shirish, dimolu, kohee, koroi, arjuna, amla, kadam, krishnasure, aizar, two types of neem, bagori etc (all local names). Most he planted himself; others grew from the seeds dispersed by winds, birds and the Brahmaputra. The forest now had fullfledged fauna consisting of Elephants, tigers, rhinos , deers, monkeys, rabbits, vultures and other birds etc !

Central Park in Manhattan in New York, a famous man made jungle is spread over 843 acres (341 hectares). It was created thanks to the efforts of many men and machinery.

If Central Park is larger than countries of Monaco(202 hectares) and Vatican city (44 hectares), then this forest (now called mulai kathonibari or Mulai forest) is larger than Gibralter (area 680 hectares) of Great Britain and comparable to area cocos island of Australia (1373 hectares).

Jadav Payeng’s fame spread slowly. Initially it was confined to local media. From 2012 till 2015, he became known mainly among academic circles and he was honoured by JNU (2012) where he was hailed as Forest Man of India. In 2013, he was honoured by Indian Institute of Forest Management.

Earlier, only people have access to corridors of power used to get government awards. Now a days, public are being encouraged to nominate people for such awards. That is how many unknown and unsung people are being recognised these days. That is how someone recommended his name for Padmshree Award and he received Padmshree Award at the hands of President Pranob Mukherji in 2015.

The Padmshree recognition caught the eyes of media and gave him world wide recognition. Many TV channels of various languages have visited him and have featured him in their TV programs. Even International media have covered him. He began to be called nationwide and even abroad to attend seminars and conferences.

Though a school drop out, he has vast knowledge about nature and he talks like an environmentalists that he actually is. He has knowledge which many theoretical environmentalists may not be aware of. For instance, he knows that Rhinos, Elephants and ungulates prefer to eat three different kinds of grasses. He is not familar with the English or scientific names of these grasses though.

He gets invited all over India and also abroad. wherever he goes, he is on the lookout for seeds of plants, which he keeps in his pocket. He manages to bring all these seeds with him to his native place in Assam and then plants them in the forest.

All this fame and recognition has not changed him. he is the same humble person that he was earlier. He did all this not for awards, but because he strongly believed in the cause. That is how he could go about this tast unrecognised and unsung for three decades.

Though not formally educated, he is an environmentalist at heart. He insists that Environment schience should be made compulsory in primary schools. Every kid, when he starts schooling should be given two saplings. He should be responsible for their care. By the time he leaves school some one decade later, his two plants would be full fledged trees. As for senior people not in school, they should plant one plant and nurture it. That way everyone of us would ensure our continued survival in earth.

“Man is responsible for the well-being of all animals and birds in this world,” Payeng explains. “If man does not take care of all animals, who will?”

Jadav Payeng lived in his hut in his jungle till 2011. Then he moved to “mainland”, namely a village called Eklong Mising Gaon near Kokilamukh in Jorhat in 2011, mainly to take care of the schooling needs of his three children.

He still goes to his jungle regularly from his “mainland” home, which involves walk on foot for a few kilimeters, followed by a treacherous boat ride over a stream of River Brahmputra, then walk of a few kilometeres, then another boat ride in another treacherous stream of river Brahmputra, and finally a trek of several kilometers before he reaches his jungle. Then the same trek back home.

To appreciate the logistics, I have provided the google earth image of his forest. One can also see the vastness of the river. As mentioned above, this small island is larger than some small nations of the world. The jungle grown by Jadav Payeng itself is larger than the smallest nations of the world.

Island in River Brahmpurta with Mulai forest
———————————————

Bird’s eye view, with River Brahmputra seen- See how wide is the river. The area to the north of mulai forest is Majuli island.
——————————————————————————————————————————–

It gives me great pleasure to introduce Jadav Payeng, the great self made environmentalist of India. What he singlehandedly achieved despite absolute lack of resources, encouragement and guidance is simply astonishng and out of the world. I am happy that his efforts were finally recognised, even if it took more than three decades.

I hope that we will not just pay lip service to his contributions, but that we will actually try and do out sincere bit for nature and environment.

The song that accompanies this writeup talks about the effects of hot weather as well. So pretty lady- Helen, who else, beseeches her beau to take her to Shimla, seeing how hot it is in the city. Let us grow more threes, so the temperatures in our cities remain under control. Else, even hill cities where people like to go to during summer will become as hot as plain during summer season. We are already witnessing this.

This song is from “Mud Mud Ke Na Dekh” (1962). The song is sung by Asha Bhonsle. Prem Dhawan is the lyricist. Music is composed by Hansraj Bahl.

On the occasion to 15100th song on 4000th day of the blog, I thank one and all for their continued support and well wishes. We have access to much better support from our fellow music lovers, much better support than what Jadav Payeng enjoyed, so I hope that we will be able to keep our musical bandwagon rolling on and on for as many years as possible.


Song-Ye hai june ka maheena aaye bada hi paseena (Mud Mud Ke Na Dekh)(1960) Singer-Asha Bhonsle, Lyrics-Prem Dhawan, MD-Hansraj Bahl

Lyrics

ye hai june ka maheena
aaye bada re paseena

ho ho ho ho
mar gayi garmi se
le chal shimle baabu
mar gayi garmi se
le chal shimle baabu
are le chal shimle baabu
main mar gayi garmi se
le chal shimle baabu
main mar gayi garmi se
are le chal shimle baabu

kaale pad gaye gaal gulaabi
naina pad gaye peele
kaale pad gaye gaal gulaabi
naina pad gaye peele
kabhi na poochha toone re baabu
ho ho ho
kabhi na poochha tooune re baabu
thanda sharbat peele
main mar gayi garmi se
le chal shimle baabu
main mar gayi garmi se
le chal shimle baabu

nainital mein bachpan beeta
srinagar mein jawani
nainital mein bachpan beeta
srinagar mein jawani
toone meri kadar na jaani haaye ae ae re
tune meri kadar na jaani
ja re rajasthani
main mar gayi garmi se
le chal shimle baabu
main mar gayi garmi se
le chal shimle baabu

dekh ke kaale kaale baadal
main to nikli ghar se
dekh ke kaale kaale baadal
main to nikli ghar se
jaane kiski lagi najariya
haaye ae ae re
jane kiski lagi najariya
chale gaye
main mar gayi garmi se
le chal shimle baabu
main mar gayi garmi se
le chal shimle baabu


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3891 Post No. : 14925

“Raaja Jaani”(1972) was produced by Madan Mohla and directed by Mohan Sehgal for Seven Arts Pictures, Bombay. This “social” (1972)movie had Dharmendra, Hema malini, Nadira, Sajjan, Premnath, Prem Chopra, Johnny Walkar, Durga Khote, Rajan Haksar, HeeraLal, Lata Sinha, Madhup Sharma, Jankidass, Bhushan Tiwari, Kamaldeep, C.S.Dubey, Pal Sharma, Bindu, Manmohan, Helen etc in it.

The movie had six songs in it. Four songs have been covered in the past.

Here is the fifth song from “Raaja Jaani”(1972) to appear in the blog. The song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

The picturisation shows Hema Malini and Durga Khite seated on Royal thrones and then we find Helen dancing. Next we see Hema Malini standing near Helen and lip syncing this song while lots of people, including Premnath, Dharmendra and Prem Chopra looking on while seated on their chairs.

I have not seen the movie but going by the picturisation, it seems that Hema Malini plays double role in he movie and the movie. The movie, despite its chaalu story and chaalu music managed to do well at the box office. I request our knowledgeable readers to throw light on the picturisation of this song.

Lyrics of this song were sent to me by Prakashchandra who felt that this was the last remaining song of the movie. No, another chaalu song from this song, which was quite popular during its time is still left to be covered. 🙂


Song-Mubarak ho tujhe ae dil (Raja Jaani)(1972) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics(Provided by Prakashchandra)

mubaarak ho tujhe ae dil
mubaarak ho tujhe ae dil
qayaamat ki ghadi aayee
khushi se aankh bhar aayee
mubaarak ho tujhe ae dil
mubaarak ho tujhe ae dil
qayaamat ki ghadi aayee
khushi se aankh bhar aayee
mubaarak ho tujhe ae dil

zaraa thehro
tamaashaa kya
hamaara tum na dekhoge
zaraa thehro
tamaashaa kya
hamaara tum na dekhoge
nazar kyun pher lee
kyaa ye
nazaaraa tum na dekhoge
kahin par toot’te hain dil
kahin bajti hai shehnaayee
mubaarak ho tujhe ae dil
qayaamat ki ghadi aayee
khushi se aankh bhar aayee
mubaarak ho tujhe ae dil

tumhein hum ye
nahin kehte
ke waadaa tumne todaa hai
tumhein hum ye
nahin kehte
ke waadaa tumne todaa hai
magar ae hamsafar tumne
jahaan par saath chhodaa hai
ye rastaa hai ke hai manzil
samajh mein baat naa aayee
mubaarak ho tujhe ae dil
qayaamat ki ghadi aayee
khushi se aankh bhar aayee
mubaarak ho tujhe ae dil
mubaarak ho tujhe ae dil
mubaarak ho tujhe ae dil


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3857 Post No. : 14870

———————————————
Blog ten year challenge (2009-2019)- Song number 5
———————————————
Today is 8 february 2019. When I looked back at the movies whose songs were covered in the blog ten years ago on 8 february 2009, I found that seven songs from seven different movies were covered on that day. Six of these movies have been YIPPEED by now. The only movie, which still has a few songs left to be covered in the blog is “Gomti Ke Kinaatre”(1972).

“Gomti Ke Kinaare”(1972) was directed by Sawan Kumar for Mercury Productions, Bombay. This “social” movie had Meena Kumari, Mumtaz, Sameer, Rehman, Agha, Helen, Paintal, Asit Sen, Shyama, Chandrima Bhaduri, Tuntun, Daisy Irani, Master Alankar, Randheer, Sultan Mazhar, Manorama, Rajan Haksar, Nasreen, Lalita Kumari, Madhu, Aarti, Kamal, I S Johar etc in it, with special appearances by Jalal Agha and Mukri.

The movie had five songs in it. Three of these songs have been covered in the past.

This song is sung by Manna Dey and Asha Bhonsle. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.

The so0ng is picturised on Agha and Helen. It appears to be a fantasy song where Agha has a Jin of Alladin Chirag. The Jin, on the wishes of Agha makes Helen appear to perform a dance. That is my understanding of the picturisation of this song. I request our knowledgeable readers to tell us what is happening in this song.

The movie hade its debut in the blog on this day in 2009 when I was based at Jabalpur. Next song was posted in 2011 when I was based at Nagpur, and the third song was posted in 2017 when I was based at Izatnagar, Bareilly. Now I am covering the fourth song from the movie while I am based at another new place.

The movie has another song left in it. Have no fear. Now that I am aware that only one song is left in this movie, I will cover the song without waiting to get transferred to another place. 🙂


Song-Arre lag gaya re lag gaya (Gomti Ke Kinaare)(1972) Singers-Manna Dey, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

arre lag gaya re lag gaya
pot pot pot pot pot pot pot pot
pot pot
pot pot
jackpot
jackpot

tarse jisko dil
mere haath lag gaya
pyaar ki race mein
jackpot lag gaya
saare jahaan se kaho o o
dilbar kahin ka bhi ho o o
mahboob mera hai wo
saare jahaan se kaho o o o o
dilbar kahin ka bhi ho
mahboob mera hai wo
tarse jisko dil
mere haath lag gaya
pyaar ki race mein
jackpot lag gaya
ha

ho o o
o o o o
main hoon tumhaare hi dil mein
u u u u
main hoon tumhaari nazar mein
u u u u
chaahe rahoon main kahi bhi ee
har roop mein hoon tumhari
har rang mein hoon tumhaari ee
ya jaaneman ya habibi

tarse jisko dil
lalalala
mere haath lag gaya
lalalalala
pyaar ki race mein
jackpot lag gaya

chalna mera koi dekhe
lalalala
doloon jo angdaayi leke
lalalala
naache ye saara zamaana aa aa
chhalkaaun main dil ke pyaale
jo ik nazar mujh pe daale ae
kar doon main usko deewaana

tarse jisko dil
taratatata
mere haath lag gaya
taratatata
pyaar ki race mein
jackpot lag gaya
ha aa aa


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3827 Post No. : 14831 Movie Count :

4055

Missing Films of 1960s – 90
– – – – – – – – – – – – – – –

What a wonderful gem of a song this one is. The memory banks hold this from the radio listening days. Such a beautiful semi-classical creation, and also very popular in its time – I am amazed it has waited so long in the wings to make its place here on our blog.

The film is ‘Harishchandra Taramati’ from 1970. It is produced under the banner of Kala Mandal, Bombay and is directed by BK Adarsh. Star cast of this film is listed as Pradeep Kumar, Jaimala, Boby, BM Vyas, Jeevan, Shyama, Madan Puri, Tiwari, Bela Bose, Bipin Gupta, Helen, Madhumati, Jaishri Talpade, Tuntun, Sapru, Manorama, and Mehmood (Junior) etc.

The seven songs of this film are all written by Virendra Mishra and the music is created by Hridaynath Mangeshkar. The singing voice in this song is Lata ji, supported by chorus.

As I am checking the films from 1970, I came across this film, but it did not ring any bells at first. The mind is more familiar with the other film of same name from 1963, whose songs are penned by Kavi Pradeep. But then, as I checked the list of songs in this film, the mind sat up with a jerk when I read the title line of this song. All I could think of then was – WOW.

This song is such an exquisite creation, and such a pleasurable experience to listen. The opening verses simply capture the heart,

rimim jhimimwa
suno balamwa
naram garam hui saram
jhuke nainwa

For reference purposes, I checked the Raag-o-Pedia compiled by Shri KL Pandey. The listing informs us that this song is composed using three Raags – Bhairavi, Khamaaj and Malkauns.

As I started this post day before yesterday, I did not have access to the video of this song. Keen to know on whom this song is picturized, I started searching for this film. It turned out that although this film is more recent vintage than similar named films from 1952 and 1963, yet this one is more rare in terms of availability. After some messages exchanged with my other collector friends, I was able to secure the video clip of this song from one of them. The clip is not of good quality; it appears that it has been extracted from a VHS tape that has been over used. I have now uploaded this clip. Despite the poor quality, one can make out that this dance song is filmed on Helen, and a group of supporting dancers, and that Pradeep Kumar is the sole audience of this performance.

In the film, Pradeep Kumar plays the lead role of Raja Harishchandra. Sage Vishwamitra, who is jealous of his fame of truthfulness and righteousness, resolves to test the limits of Harishchandra’s good attributes. As the first step, he sends Menaka, the apsara from swarg lok to woo and enchant Harishchandra. Regulars will recall that Menaka is the same apsara whom Indra, the king of swarg lok, had sent to disturb the penance and meditation of Vishwamitra. In that episode, Vishwamitra had lost the battle, and was swayed by Menaka’s enchanting beauty. Now, he sends the very same apsara to sway the sensibility of Harishchandra. In the film, this episode is presented as a dream sequence.

Just listen to this song, as it makes its way through multiple ragas, all coming together for such a perfect listening experience. A wonderful re-discovery.

(Audio)

(Video)

Song – Rimim Jhimimwa, Suno Balamwa  (Harishchandra Taramati) (1970) Singer – Lata Mangeshkar, Lyrics – Virendra Misra, MD – Hridaynath Mangeshkar
Chorus

Lyrics

ho oo oo oo
rimim jhimimwa
suno balamwa

rimim jhimimwa
suno balamwa
naram garam hui saram
jhuke nainwa
naram garam hui saram
naram garam hui saram
jhuke nainwa
tum jo miley
mujhse tum jo miley
arre haan tum jo miley
to main kisi
pyaar bhare gaaon mein pahunch gayi
jhuke nainwa..aa..aa
rimim jhimimwa
suno balamwa

dhadhkan ka phool khila
ho khila
ho khila
manwa
manwa
manwa ke taal mein
hansti hai jal ki pari
ho pari
ho pari

machhuye ho machhuye ke jaal mein
he he ri haiyya ho ho ri
he he ri haiyya ri
ho ho ri haiyya haiyya ri
aaa aaa aaaaaaaa
ek lehar
uthi jo ek lehar
arre haan ek lehar
tair tair main tumhaari naao mein pahunch gayi
jhuke nainwa..aa..aa
rimim jhimimwa
suno balamwa

ma dha ni dha
sa ga ma ga ma ga sa ga ni dha

mann mo..ora doley hai
mann mo..ora doley hai
un bole naam se
mann mora mora doley hai
un bole naam se..ey..ey
pehli pehchaan hai
satrangi shaam se..ey..ey..ey..ey
daiyya ri daiyyaa
ma ga ma dha ni sa
dha ni sa
ni sa ni ni dha dha ma ma ga
ga sa
dha ma ga sa
ni dha ma ga sa
ta ni dha ma ga sa
dha ma ni dha ma ga
ga ga ma ga ma dha
ma dha ni sa
dha ni sa
dha ni sa
main kya karoon
kaho ji main kya karoon
arey haan main kya karoon
aayi preet paayaliya paaon mein pahunch gayi
jhuke nainwa..aa..aa
rimim jhimimwa
suno balamwa

parbat pe gaaon mera
ho mera
ho mera
ghaati
ghaati
ghaati mein chhanv hai
chhaaya mein hai nadi
ho nadi
ho nadi
nadiya mein
nadiya mein naav hai
chhammak chhaiyya chhamam ri
chhammak chhaiyya ri
chhammak chhaiyya chhamam ri
aaaa aaaa aaaaaa
bin chaley hi
dagari bin chaley hi
arre haan bin chaley hi
bin chaley hi
main madhur padaav mein pahunch gayi
jhuke nainwa..aa..aa
rimim jhimimwa
suno balamwa

rimim jhimimwa
suno balamwa

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

हो ओ ओ
रीमिम झिमिमवा
सुनो बलमवा

रीमिम झिमिमवा
सुनो बलमवा
नरम गरम हुई सरम
झुके नयनवा
नरम गरम हुई सरम
नरम गरम हुई सरम
झुके नयनवा
तुम जो मिले
मुझसे तुम जो मिले
अरे हाँ तुम जो मिले
तो मैं किसी
प्यार भरे गाँव में पहुँच गई
झुके नयनवा॰॰आ॰॰आ
रीमिम झिमिमवा
सुनो बलमवा

धड़कन का फूल खिला
हो खिला
हो खिला
मनवा
मनवा
मनवा के ताल में
हँसती है जल की परी
ओ परी
मछुए हो मछुए के जाल में
हे हे री हइय्या हो हो री
हे हे री हइय्या री
हो हो री हइय्या हइय्या री
आs आs आssss
एक लहर
उठी जो एक लहर
अरे हाँ एक लहर
तैर तैर मैं तुम्हारी नाव में पहुँच गई
झुके नयनवा॰॰आ॰॰आ
रीमिम झिमिमवा
सुनो बलमवा

म ध नी ध
स ग म ग म ग स ग नी ध

मन मो॰॰रा डोले है
मन मो॰॰रा डोले है
अनबोले नाम से
मन मोरा मोरा डोले है
अनबोले नाम से॰॰ए॰॰ए
पहली पहचान है
सतरंगी शाम से॰॰ए॰॰ए॰॰ए॰॰ए
दइय्या री दइय्या
म ग म ध नी स
ध नी स
नी सा नी नी ध ध म म ग
ग स
ध म ग स
नी ध म ग स
त नी ध म ग स
ध म ग नी ध म ग
ग ग म ग म ध
म ध नी स
ध नी स
ध नी स
मैं क्या करूँ
कहो जी मैं क्या करूँ
अरे हाँ मैं क्या करूँ
आई प्रीत पायलिया पाँव में पहुँच गई
झुके नयनवा॰॰आ॰॰आ
रीमिम झिमिमवा
सुनो बलमवा

परबत पे गाँव मेरा
हो मेरा
हो मेरा
घाटी
घाटी
घाटी में छाँव है
छाया में है नदी
हो नदी
हो नदी
नदिया में
नदिया में नाव है
छम्मक छईय्या छम्मम री
छम्मक छईय्या री
छम्मक छईय्या छम्मम री
आss आss आsssss
बिन चले ही
डगरी बिन चले ही
अरे हाँ बिन चले ही
बिन चले ही
मैं मधुर पड़ाव में पहुँच गई
झुके नयनवा॰॰आ॰॰आ
रीमिम झिमिमवा
सुनो बलमवा

रीमिम झिमिमवा
सुनो बलमवा


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3822 Post No. : 14824 Movie Count :

4053

Missing Films of 1960s – 89
– – – – – – – – – – – – – – –

The year that we are currently exploring is 1970. And I am surprised to be coming across so many films that at least I have not been familiar with. It would have been the period that listening to the radio would have already started. However, this film does not ring a bell at all.

The film that I introduce today is ‘Sau Saal Beet Gaye’. The obscurity of this film can also be estimated by the fact that even HFGK does not contain many details about this film. It contains a partial list of songs, and very little other information about the film itself. The banner name is identified as Natraj Productions. The lyricist name is listed as Indeewar, and the music director is identified as Usha Khanna.

Now, however, the film is available online. I reviewed the credits and gathered the following additional information. The star cast of the film is Ashok Kumar, Helen, Raj Mehra, Sajjan, Iftekhar, Pratima Devi, Chaman Puri and Mukri. The screenplay and dialogues are written by Ashok Kumar himself. The producer is Madan Chopra and the director is given as two names, indicating a duo – Ved-Madan. Possibly Madan is the same as the person identified as the producer.

I did not view the film in detail, only did a quick fast forward scan. Very interestingly, the lead romantic pair in this film is Ashok Kumar and Helen. The story is about two lovers meeting across the boundaries of life and death – in two different births. Quite familiar you might say. Yes, more than a handful of films come to mind that are based on this story outline.

Anyway, details in another post, maybe. Today’s song is a stage dance song performed by Helen. The male companion in this clip is not identified – most likely an unfamiliar junior artist who just appears in this song in the film. Helen works for a theater company owned by Iftekhar, who is the cousin brother of Ashok Kumar in the film. At the end of this song, Ashok Kumar and Helen are introduced, ostensibly for the first time, but there appears the first glimmer of a familiarity. And onward, the story unfolds.

The lyrics are from the pen of Indeewar and the music is by Usha Khanna. The singing voice is Asha Bhosle. A peppy and fast paced fun number that introduces Helen in this storyline. A Helen song is always a treat, and this one is no less. Listen and enjoy.

 

Song – Brahmchari Ji, O Brahmchari Ji  (Sau Saal Beet Gaye) (1970) Singer – Asha Bhosle, Lyrics – Indeewar, MD – Usha Khanna

Lyrics

brahmchaari ji
o brahmchaari ji
brahmchaari ji
o brahmchaari ji
aao kareeb aao
aise na sharmaao
aao kareeb aao
aise na sharmaao
hum hain tumhare pujaari..
brahmchaari ji
o brahmchaari ji
brahmchaari ji
o brahmchaari ji

ye dikhaawa hai ye bhes utaaro ji
reh ke duniya mein duniya sanwaaro ji
aa ritra..rom-ritra..rom-ritra..ramanna
aa ritra..rom-ritra..rom-ritra..ramanna
ye dikhaawa hai ye bhes utaaro ji
reh ke duniya mein duniya sanwaaro ji
bhatko na ban mein tum
thehro ji mann mein tun
preet meri deewaani tumhaari..
brahmchaari ji
o brahmchaari ji
brahmchaari ji
o brahmchaari ji

insaan marte hain marti nahin aasha
yahaan har dil hai bas pyaar ka pyaasa
aa ritra..rom-ritra..rom-ritra..ramanna
aa ritra..rom-ritra..rom-ritra..ramanna
insaan marte hain marti nahin aasha
yahaan har dil hai bas pyaar ka pyaasa
duniya na thukraao
khud ko na tadpaao
mujhko dekho khushi hoon tumhaari..
brahmchaari ji
o brahmchaari ji
brahmchaari ji
o brahmchaari ji

har kisi ko
kisi ki zaroorat hai
ye hi duniya mein jeene ki surat hai
aa ritra..rom-ritra..rom-ritra..ramanna
aa ritra..rom-ritra..rom-ritra..ramanna
har kisi ko
kisi ki zaroorat hai
ye hi duniya mein jeene ki surat hai
palken to kholo ji
kuchh hum se bolo ji
aarzoo ho tumhen to hamaari
brahmchaari ji
o brahmchaari ji
brahmchaari ji
o brahmchaari ji
aao kareeb aao
aise na sharmaao
aao kareeb aao
aise na sharmaao
hum hain tumhare pujaari..
brahmchaari ji
o brahmchaari ji
brahmchaari ji
o brahmchaari ji

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

ब्रह्मचारी जी
ओ ब्रह्मचारी जी
ब्रह्मचारी जी
ओ ब्रह्मचारी जी
आओ करीब आओ
ऐसे ना शर्माओ
आओ करीब आओ
ऐसे ना शर्माओ
हम हैं तुम्हारे पुजारी॰॰
ब्रह्मचारी जी
ओ ब्रह्मचारी जी
ब्रह्मचारी जी
ओ ब्रह्मचारी जी

ये दिखावा है ये भेस उतारो जी
रह के  दुनिया में दुनिया सँवारो जी
आ रित्रा॰॰रोम-रित्रा॰॰रोम-रित्रा॰॰रामन्ना
आ रित्रा॰॰रोम-रित्रा॰॰रोम-रित्रा॰॰रामन्ना
ये दिखावा है ये भेस उतारो जी
रह के  दुनिया में दुनिया सँवारो जी
भटको ना बन में तुम
ठहरो जी मन में तुम
प्रीत मेरी दीवानी तुम्हारी॰॰
ब्रह्मचारी जी
ओ ब्रह्मचारी जी
ब्रह्मचारी जी
ओ ब्रह्मचारी जी

इन्साँ मरते हैं मरती नहीं आशा
यहाँ हर दिल है बस प्यार का प्यासा
आ रित्रा॰॰रोम-रित्रा॰॰रोम-रित्रा॰॰रामन्ना
आ रित्रा॰॰रोम-रित्रा॰॰रोम-रित्रा॰॰रामन्ना
इन्साँ मरते हैं मरती नहीं आशा
यहाँ हर दिल है बस प्यार का प्यासा
दुनिया ना ठुकराओ
खुद को ना तड़पाओ
मुझको देखो खुशी हूँ तुम्हारी॰॰
ब्रह्मचारी जी
ओ ब्रह्मचारी जी
ब्रह्मचारी जी
ओ ब्रह्मचारी जी

हर किसी को किसी की ज़रूरत है
ये ही दुनिया में जीने की सूरत है
आ रित्रा॰॰रोम-रित्रा॰॰रोम-रित्रा॰॰रामन्ना
आ रित्रा॰॰रोम-रित्रा॰॰रोम-रित्रा॰॰रामन्ना
हर किसी को किसी की ज़रूरत है
ये ही दुनिया में जीने की सूरत है
पलकें तो खोलो जी
कुछ हमसे बोलो जी
आरज़ू हो तुम्हें तो हमारी
ब्रह्मचारी जी
ओ ब्रह्मचारी जी
ब्रह्मचारी जी
ओ ब्रह्मचारी जी
आओ करीब आओ
ऐसे ना शर्माओ
आओ करीब आओ
ऐसे ना शर्माओ
हम हैं तुम्हारे पुजारी॰॰
ब्रह्मचारी जी
ओ ब्रह्मचारी जी
ब्रह्मचारी जी
ओ ब्रह्मचारी जी


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3779 Post No. : 14759

For me, this is a crush that still endures – a crush that I have never gotten over. Since the days when I first saw her in ‘Talash’ (1969) – and the song – “Kar Le Pyaar Karne Ke Din Hain Yahi” – a part of me has always remained smitten with her image and her thoughts. Helen, aah Helen – the ultimate danseuse of the silver screen. Helen – whose art has established the gold benchmark as a dancer, for all measures – from the past, and maybe, forever in the future. For sincerely, till this time, no other dancer has come close to this ultimate – in grace, in innovation, in energy, in movement – in every aspect of this art form.

It is said that the classical dance forms of India, are probably the most expressive traditional dances. The dancers are coached to develop the enhanced expressions for all the human emotions. The artist is taught not just to exhibit a series of well coordinated movements, which of course is very pleasing to the senses, but it is imperative for them to also communicate the emotions through the facial expressions, body language and the finer movements like twitching and trembling of specific muscles and body parts. The art of the Kathak, Bharat Natyam, Khatakali, etc. is so very refined in this aspect, and the aspiring artists are trained from a very young age.

As far as I am aware, Helen simply started dancing in films (in her teens, as early as when she was 13). She probably has no formal training in any dance form. And yet, seeing Helen on screen, in all the dancing forms, is an experience that flows across and covers the entire spectrum of human emotions and human exchange. In a career that spans almost seven decades, from the end of 1940s to the present day, she has likely appeared in 600+ films, and has regaled the audiences with that many colors and flavors of practically any dance form that may exist on this planet – rhumba, prancing, conga, frolic, folk, swing, rock n’ roll, spin, skip, step, samba, kabuki, disco, cabaret, jive, jump, cha cha cha, foxtrot, cavort, flamenco, waltz, boogie, santoso, flit, jig, jitterbug, hustle, gambol, polka, hop, sway, bunny hop, tap, shimmy, careen, salsa, mambo etc. – and of course, lavani and bhangra too. 🙂

Seeing her in so many different avatars of dancing, one is convinced that rhythm is naturally ingrained into her, and that there is almost a divine intervention here that allows her to pick up any choreography and perform exceedingly pleasing movements to it. The expression of emotions come to her so naturally – and the graceful flow of movements that is so excellently effortless – when she is in front of the camera, she actually knows what she is into. Such realization in the mind brings about a natural performance that simply cannot be executed in any better way. Unlike many of her ilk that have also performed on the Indian screen – yes, she knows, she is fully aware of what she is into.

There are a handful of rare performances by her that are not accompanied by any song. One of the finest, and in my humble opinion, her best such performance is a songless dance from the film ‘Hulchul’ (1971). Folks may remember this stage dance – for the variety of dance forms that are packed into this maybe 9 or 10 minutes performance, the multiple emotions that flow through it, and the significant message this dance experience is attempting to convey. (I tried to bring on this dance clip to our blog, but Atul ji is uncertain whether it qualifies. 😉 Maybe, I will try again.)

For me and my puppy-love heart, Helen is an ageless wonder that I adore. Sweet sixteen – that is what she is in my books, and that is how she is going to be, always.

And that also brings up today the most appropriate song of hers – to wish her a very happy birthday. The film is ‘Toofaan’ from 1969. The words are from the pen of Akhtar Romani. Music for this peppy and well paced dance number is created by Daan Singh. The singing voice – Asha Bhosle, probably the longest lasting partnership of singing voice and dancing steps on the Hindi screen.

Sharing the screen with Helen in this song is Dara Singh, whose birth anniversary just came two days ago (19th Nov). With this song we also remember him – he would have been 90 this year.

The dance is a typical folk dance from north India, performed in a very rural setting. Just see how wonderfully, this ordained Queen of the Cabaret – how wonderfully she is executing this oh so typically a rural folk dance.

And the words of the mukhda,

laaga mohe ab ki baar
o baanke piya pandrah pe ek nayo saal

Dear Helen, always young, always fresh, always sixteen – always sweet sixteen – forever.

Song – Laaga Mohe Ab Ki Baar (Toofaan) (1969) Singer – Asha Bhosle, Lyrics – Akhtar Romani, MD – Daan Singh

Lyrics

laaga mohe ab ki baar
o baanke piya pandrah pe ek nayo saal
laaga mohe ab ki baar
o baanke piya pandrah pe ek nayo saal
duniya pukaare solah baras ki
dekho chali re kataar
o baanke piya sun sun ke rang bhayo laal
laaga mohe ab ki baar
o baanke piya pandrah pe ek nayo saal

nainon mein kajra
zulfon mein gajra
haathon mein mehndi racha ke
gaalon pe laali
pairon mein paayal
maathe pe bindiya sajaa ke
dekhoon jo darpan awaaz aaye..e..e..e
dekhoon jo darpan awaaz aaye
khil ye gayo re singaar
o baanke piya sun sun ke rang bhayo laal
laaga mohe ab ki baar
o baanke piya pandrah pe ek nayo saal

logon ke darr se
mein apne ghar se
panghat mein ja na sakoon
panghat to kya
main apne hi angnaa
ghoonghat hataa na sakoon
ghoonghat jo sarke awaaz aaye..e..e..e
ghoonghat jo sarke awaaz aaye
hamri bhi kismat sanwaar
o baanke piya sun sun ke rang bhayo laal
laaga mohe ab ki baar
o baanke piya pandrah pe ek nayo saal
duniya pukaare solah baras ki
dekho chali re kataar
o baanke piya sun sun ke rang bhayo laal
laaga mohe ab ki baar
o baanke piya pandrah pe ek nayo saal

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

लागा मोहे अब की बार
ओ बाँके पिया पन्द्रह पे एक नयो साल
लागा मोहे अब की बार
ओ बाँके पिया पन्द्रह पे एक नयो साल
दुनिया पुकारे सोलह बरस की
देखो चली रे कटार
ओ बाँके पिया सुन सुन के रंग भयो लाल
लागा मोहे अब की बार
ओ बाँके पिया पन्द्रह पे एक नयो साल

नैनों में कजरा
ज़ुल्फों में गजरा
हाथों में मेहंदी रचा के
गालों पे लाली
पैरों में पायल
माथे पे बिंदिया सजा के
देखूँ जो दर्पण तो आवाज़ आए॰॰ए॰॰ए॰॰ए
देखूँ जो दर्पण तो आवाज़ आए
खिल ये गयो रे सिंगार
ओ बाँके पिया सुन सुन के रंग भयो लाल
लागा मोहे अब की बार
ओ बाँके पिया पन्द्रह पे एक नयो साल

लोगों के डर से
मैं अपने घर से
पनघट पे जा ना सकूँ
पनघट तो क्या
मैं अपने ही अंगना
घूँघट हटा ना सकूँ
घूँघट जो सरके आवाज़ आए॰॰ए॰॰ए॰॰ए
घूँघट जो सरके आवाज़ आए
हमरी भी किस्मत संवार
ओ बाँके पिया सुन सुन के रंग भयो लाल
लागा मोहे अब की बार
ओ बाँके पिया पन्द्रह पे एक नयो साल
दुनिया पुकारे सोलह बरस की
देखो चली रे कटार
ओ बाँके पिया सुन सुन के रंग भयो लाल
लागा मोहे अब की बार
ओ बाँके पिया पन्द्रह पे एक नयो साल


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3778 Post No. : 14758

Hullo to all in Atuldom

Once upon a not-so-long a time ago the anniversary page on our blog said that Helen – the dancing diva – celebrates her birthday on 21st October and I had sent this song – “Lovelina, Aa Gaya Main“, from ‘Agent Vinod’ (1977) for the occasion. Then over the years we got enlightened that her birthdate was 21st November. And as I sit to write this, further enlightenment strikes – she turns 80 today!!!! WOW!!! And she has been entertaining us since she was 13, having appeared in ‘Awaara’ in 1951 – that is 67 years in public eye. Of course, the last time I saw her in front of the camera was on satellite television when she appeared on the chat show ‘The Kapil Sharma Show’ along with another favourite of mine – Asha Parekh. And so far, the last film that she has appeared in is ‘Heroine’ (2012) which is directed by Madhur Bhandarkar and starred Kareena Kapoor in the main lead. In there she portrays the character of a film artiste who is past her prime and is forgotten by the industry.

But the truth is Helen is not a forgotten has-been as far as the industry and her fans are concerned. She is still remembered fondly whenever we hear songs that she had performed to. Her sprightly steps, her outfits which were never garish even when there were sequins and feathers stuck on them, her luxuriant hair done up in various styles – are somethings which no other dancer or actress has ever tried to copy. She was never called a plain item girl, she was always the supporting actress who had some substance to her role even if it was two or three songs, with a few emotional scenes and there were films she was the second heroine pining for the hero and would give up her love or life in the climax so that the lead pair could live HAPPILY EVER AFTER. She has had a HAPPILY EVER AFTER life personally too even though she is her husbands’ (Salim Khan) second wife, theirs is a one big happy family and all of her step children have bonded closely with her. She has an adopted daughter who was given a grand wedding in 2014 and is now a grandma to that girl’s child. Her family is growing and hope her happiness grows too.

‘Ram Balram’ is a 1980 movie produced by Tito and directed by Vijay Anand. The movie was an average success at the box office. It brought Jai (Amitabh) and Veeru (Dharmendra) together after a gap of five years – five years after the super successful ‘Sholay’ (1975). ‘Ram Balram’ was the story of two ‘chachere bhais’ (cousins) who have a score to settle with Ajit – another of their chacha – who is responsible for all the calamities that struck their family. There is also a nautch girl – Tarabai (Helen) – who has some axe to grind against Ajit. As the movie moves to the climax, we have the brothers and Tarabai reaching their goals but in the melee Tarabai dies but not before seeing her daughter (Zeenat Aman) happy and in love with Ram (Dharmendra). Today’s song is a typical ‘trying to distract the villains’ henchmen’. The song is sung by Mohd Rafi, Asha Bhonsle and Dilraj Kaur. It has both Zeenat Aman and Helen dressed in sarees (unusual for them) dancing a typical Dharmendra dance. The song was written by Anand Bakshi.

I had been reserving this song for a rainy day- for a time when I write a last-minute post. And so here it is to wish both Zeenat Aman (had her birthday on 19th– turned 67) and Helen a very happy birthday.

 

Song – Balram Ne Bahut Samjhaaya Par Ram Ne Dhoka Khaaya (Ram Balram) (1980) Singer – Mohammed Rafi, Asha Bhosle, Dilraj Kaur, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Asha Bhosle + Dilraj Kaur
Mohammed Rafi + Asha Bhosle + Dilraj Kaur

Lyrics

balram ne bahut samjhaaya
balram ne bahut samjhaaya
par ram ne dhokha khaya
ab to ram hi jaan bachaaye
bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye
jo hona tha ho gaya
jo hona hai ho jaaye  
ab to ram hi jaan bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye

hum pinjre ke panchhi
pinjre ke panchhi
hum pinjare ke panchhi
hum se kitni door bahaarein
door bahaarein
aao mil kar sochen
mil kar sochen
aao mil kar sochen
apni bigdi aap sawaarein
teri saari baatein jaisi lakdi ki talwaarein
lakdi ki talwaarein
lakdi ki talwaar to
talwaar to
mushkil mein kaam na aaye
ab to ram hi jaan bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye

ho gore mukh pe zulf ye kali
naagan si lehraaye
naagan se rehna door sapere
tujhe das na jaaye
jaan hatheli par jo rakhe
apne pas wo aaye
aane wale aa gaye
aa gaye
dil dhadke haye haye
ab to ram hi jaan bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye

jab tak ram ki sena aaye
gaate raho ye gaana
oommm ommmm
jab tak ram ki sena aaye
gaate raho ye gaana
band hai saare darwaaze
har rasta hai anjaana
arre mushkil hai iss rawan ki lanka se bach ke jaana
arre mushkil hai iss rawan ki lanka se bach ke jaana
vinti hai hanuman se
hanuman se
lanka mein aag lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye
jo hona tha ho gaya
jo hona hai ho jaaye
ab to ram hi jaan bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye

———————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————

बलराम ने बहुत समझाया
बलराम ने बहुत समझाया
पर राम ने धोखा खाया
अब तो राम ही जान बचाए
बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये
जो होना था हो गया
जो होना है हो जाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये

हम पिंजरे के पंछी
पिंजरे के पंछी
हम पिंजरे के पंछी
हमसे कितनी दूर बहारें
दूर बहारें
आओ मिल कर सोचें
मिल कर सोचें
आओ मिल कर सोचें
अपनी बिगड़ी आप संवारें
तेरी सारी बातें जैसे लकड़ी की तलवारें
लकड़ी की तलवारें
लकड़ी की तलवार तो
तलवार तो
मुश्किल में काम ना आए
अब तो राम ही जान बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये

हो गोरे मुख पे जुल्फ ये काली
नागन सी लहराए
नागन से रहना दूर सपेरे
तुझे डस ना जाये
जान हथेली पर जो रखे
अपने पास वो आए
आने वाले आ गए
आ गए
दिल धड़के हाए हाए
अब तो राम ही जान बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये

जब तक राम की सेना आए
गाते रहो ये गाना
ओमम्ममम ओमम्ममम
जब तक राम की सेना आए
गाते रहो ये गाना
बंद हैं सारे दरवाज़े
हर रस्ता है अंजाना
अरे मुश्किल है इस रावण की लंका से बच के जाना
अरे मुश्किल है इस रावण की लंका से बच के जाना
विनती है हनुमान से
हनुमान से
लंका में आग लगाए
अब तो राम ही जान बचाए
बेड़ा पार लगाये
जो होना था हो गया
जो होना है हो जाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15175

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Movies with all their songs covered =1176
Total Number of movies covered =4169

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