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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

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This article is written by Prakash Chandra, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3931 Post No. : 15004

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Atul Song-A-Day 15K Song Milestone Celebrations – 13
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Usually one chooses songs full of happiness and celebration for these types of occasions to celebrate, but as usual, I choose this haunting song, to celebrate. 🙂

The song is from the 1983 film ‘Sansani – The Sensation’. I have watched this movie one late night for the sake of this haunting song by Asha Bhosle. The movie was just a masala / murder mystery, where at the end the noble characters like Dr. Shriram Lagoo and Jayashree Gadkar turn out to be characters with grey shades. If you are a die-hard fan of Hindi movies of  70`s and early 80`s like me, you may enjoy this  pot-boiler, but watch the movie at your own risk. 🙂

But listen to this song, you may like it audio-wise.

This is an obscure mystery movie produced by Kavita Seth, who is also billed in the credits as “KAVITA – Introducing” as an actress. She is one of the principal lady characters in the movie. She appears wearing a white saree, roaming in the graveyards, and crying for her beloved Shailendra Singh (the playback singer, who got billing as “Friendly Appearance”). Shailendra Singh appears only at the climax, and also in a photograph in front of which the actress cries and sings this haunting song. But he did not get a playback singing chance, which is his original forte.

There is some confusion about the year of release of this movie, LP image of this movie shows the year 1979, censor certificate clearly shows the date 23-6-1983. According to HFGK-6, 1983 is the release of this movie.

The movie was “Dedicated to Late Director Irshad Afzal”, (I guess before the release of the movie the director must have passed away). The movie was produced under the banner of Panorama Pictures. The producer of the movie is Kavita Seth, who also makes her acting debut with this movie. The director’s name is mentioned differently in different sites as Irshad / Irshad Afzal / A Irshad.

The star cast of the movie includes Vinod mehra, Bindiya Goswami, Prem Chopra, Dr Shriram Lagoo, Shailendra Singh (Special Appearance), Kavita (Introducing), Jagdeep, Jayashree T, Jayashree Gadkar, Keshto Mukherjee, Jagdish Raj, Coca Cola, TP Jain, Ali Masood, Nilima, Meena T, Raj Kishore, Amal Sen, M Baig, Amarnath, Dutta Bhatt, Viraj, Gopal, Dina Pathak, Gulshan Grover, Viju Khote etc.

Songs of this film are written by Irshad (who was also the director). Music is composed by Hemant Bhosle. It has been mentioned in the credit sequences of the movie that the assistants to music director are Kersi Lord and Uttam Singh. These two genius composers cum arrangers also contributed to the musical score of this movie to a great extent. Kersi Lord has also done a lot of work with RD Burman.

The musical compositions of the movie are sung by playback singers like Asha Bhosle, Amit Kumar, Bhupender, Varsha Bhosle, and Hemant Bhosle. This movies has got following sound tracks

  1. Asha Bhosle : Phir Teri Yaad
  2. Asha Bhosle, Amit Kumar, Bhupinder & Varsha Bhosle : Patthar Ka Hai Sanam
  3. Asha Bhosle, Hemant Bhosle & Chorus : Sansanikhez Koi Baat
  4. Asha Bhosle, Varsha Bhosle : Saqiya Tu Koi
  5. Asha Bhosle, Amit Kumar : Ab Kahaan Jayenge Hum (Happy)
  6. Amit Kumar : Ab Kahaan Jayenge Hum (Sad)
  7. Hemant Bhosle : Theme music

Records of the movie were issued by The Gramophone Company of India Ltd. (aka His Master`s Voice). The movie was shot at outdoor locations of Madras, Bangalore, and Tamilnadu.

On screen this song has been divided into 3 parts. The first stanza features Dina Pathak, Shailendra Singh (i.e. appears in a photograph) and Kavita Seth aka Kavita . The 2nd stanza features Kavita Seth, Dr.Sriram Lagoo, and Vinod Mehra. And the 3rd stanza features Kavita Seth, Vinod Mehra and Jayashree Gadkar.

About the Music Director: Hemant Bhosle is the late son of Asha Bhosle. He passed away on September 28th of 2015. I like his musical compositions of the songs of ‘Taxi Taxie’ (1977). Given below is an incomplete filmography for him. If at all any additions or deletions are there in this regard, please let me know.

  • Taxi-Taxie (Polydor-1977)
  • Jadu Tona (Polydor-1977)
  • Anpadh (Polydor-1978)
  • Damaad (Polydor-1978)
  • Sansani (HMV-1980/Irshad)
  • Sweety (Music India-1980)
  • Nazrana Pyar Ka (Polydor-1980)
  • Shradhanjali (HMV-1981/Anjan)
  • Barrister (HMV-1982/Yogesh)
  • Teri Meri Kahani (TV Movie 1982/Anjaan,B.R.Chopra)
  • Doosra Kinara (1982)
  • Beta (1982/HMV/Anjaan)
  • Bandhan Kachchey Dhaagon Ka (HMV-1983)
  • Raja Jogi (1983)
  • Bachchon Ka Khel (1983/Gulshan Bawra)
  • Dharti Akash (TV Movie 1983)
  • Dharam Shatru (T-series,Super-1985/1988)
  • Bhaago Bhoot Aaya (1985)
  • Aakhiri Sanghursh (1987/1997)

Hemant Bhosle also provided music for some Marathi songs.

About the Lyricist Irshad:  I searched for lyricist Irshad`s other works, but got confused with Irshad who has connection with the Kishore Kumar camp, and has written songs for films such as ‘Door Ka Rahi’ (1971 – which has the famous song “Beqaraar Dil, Tu Gaaye Jaa”), ‘Badhti Ka Naam Dhadi’ (1974) ‘Shabaash Daddy’ (1978) and ‘Chalti Ka Naam Zindagi’ (1982). Irshad also written songs for other movies like ‘Naag Pooja’ (1971), ‘Pattharon Ka Shaher’ (1972) – both for Usha Khanna. Also for ‘Alibaba’ (1976) – Dara Singh starrer with Hansraj Behl as the music director.

I got further confused when I watched the movie credit sequences which displays the photo with garland and agarbatti and lines like “Dedicated to our beloved director – Irshad Afzal”, and further in the credits – “Lyrics, written and directed by IRSHAD”.

I doubt whether all the above Irshads are one and the same. I request our more knowledgeable readers and friends to please help clarify this possible ‘same name confusion’.

One of the comments related to the song in some site is as follows: “Phir Teri Yaad” is a completely mental slice of Indian psych/funk”. I failed to understand this comment, I request someone to please elaborate about this comment.

I will conclude my endless banter here 🙂

Congratulations and best wishes to our blog on its MEGA CELEBRATION. I love everything and everyone related to our blog. Visiting and reading the blog posts gives me immense joy.

Video

Audio

Song – Phir Teri Yaad Aa Gayi (Sansaani) (1983) Singer – Asha Bhosle, Lyrics – Irshad, MD – Hemant Bhosle

Lyrics

aaaaaa aaaaaaa aaaaaaaa aaaaaaa aaa
aaaa aaaaa aaaaaaaaa aaaaaa aaaa aaaaaa
aaaa aaaaaaa aaa
aaa aaaaa aaaaa

phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee. . .

kabhi guzar ho
bahaar ka ab
to dil ke zakhmon ko
chhooke guzaregi
koi jo aaye
phuhaar ki rut
to baadalon se
bhi aag barsegi
tere bina ab
mere humdum
hai maut zindagi
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee. . .

hai zinda laashein
ye dil ke armaan
tere hi gham ke
kafan mein hain lipte
janaazaa uthne
ko hai tu aa jaa
safar aakhiri
to kar len tai mil ke
varnaa ye
rooh pyaasi
pyaasi hi reh jaayegi
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee. . .

chiraag-e-dil bhi
hai bujhne ko ab
panap rahey hain
andheron ke saaye
sulag rahi hain
tadapti saansein
maseehaa ban ke
koi to aa jaaye
sholaa hai
har dhadkan
gham ki chithaaon ki
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee

phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee. . .

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Hindi script lyrics (Provided by Prakash Chandra)
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आsssss आssssss आsssssss आssssss आss
आsss आssss आssssssss आsssss आsss आsssss
आsss आssssss आss
आsss आsssss आssss

फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी॰ ॰ ॰

कभी गुज़र हो
बहार का अब
तो दिल के ज़ख्मों को
छूके गुज़रेगी
कोई जो आये
फुहार की रुत
तो बादलों से
भी आग बरसेगी
तेरे बिना अब
मेरे हमदम
है मौत ज़िन्दगी
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी॰ ॰ ॰

हैं ज़िंदा लाशें
ये दिल के अरमान
तेरे ही ग़म के
खफन में हैं लिपटे
जनाज़ा उठने
को है तू आ जा
सफर आखिरी
तो कर ले तय मिलके
वरना ये
रूह प्यासी
प्यासी ही रह जायेगी
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी॰ ॰ ॰

चिराग ए दिल भी
है बुझने को अब
पनप रहे हैं
अंधेरों के साये
सुलग रही हैं
तड़पती सांसें
मसीहा बन के
कोई तो आ जाए
शोला है
हर धड़कन
ग़म की चिताओं की
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी

फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी॰ ॰ ॰

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This article is written by Pradeep Raghunathan, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3930 Post No. : 15002 Movie Count :

4107

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Atul Song-A-Day 15K Song Milestone Celebrations – 12
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Cannot believe that we have reached the milestone of 15k on the blog. Just seems like yesterday that we were all waiting with bated breath to reach the 10k milestone. How time flies, and how consistent and persistent all of you have been. No words to express each one of your dedication, passion and labour of love.

What can one say about this haven of ours that has not been said before? For someone like me who has been like a pardesi in some ways (not being active as all the regulars), it is so heartening when all of you still reach out and ask how things are with me and family.

Team ASAD we could equate with the CSK team in IPL, consistent, champions and liked by one and all. Needless to say, we have calm, composed leaders to lead us too 🙂 .

It does feel guilty that our Yippeeee! team could not continue our work after a point of time, and yet there is hope that we would get back to it one day soon and try really hard to get to the ever moving target of the blog :).

These days, the only place I get to listen to songs is the car, and most of the times, it is what my daughter decides to play that we get to listen to. One of the recent numbers that is pretty much on repeat in her current playlist is a lovely song from the upcoming movie that most people are looking forward to called ‘Kalank’.

The song has been picturised so well, and is even better thanks to two amazingly talented actors, Madhuri Dixit and Alia Bhatt. The voice for these two are the versatile Shreya Ghoshal and Vaishali Mhade. For some reason, when you listen to this song multiple times, reminds us of songs sung by the Mangeshkar sisters (the names of the songs do not come to mind).

Though Pritam is accused many a time to blatantly copy songs for his tracks in movies, he does come up with some brilliant numbers that forces you to play them in a loop.

I know I have not done justice to this article celebrating the 15k milestone of the blog, nor the song featured here, but I am hoping the article would be the last thing on your mind after you listen to this beautiful number which has such an amazing tempo and so well rendered.

Wishing Atul ji, Sudhir ji, Arun ji, Khyati Ben, Raja ji and the entire paltan and followers of the blog, a very big Congratulations! This is no mean achievement, and I am sure for the celebration we can expect some amazing trivia and posts to reach even more unique milestones with this one big milestone. Let the force be with our blog.

Video

Audio

Song – Ghar Morey Pardesiya, Aao Padhaaro Piya (Kalank) (2019) Singer – Shreya Ghoshal, Vaishali Mhade, Lyrics- Amitabh Bhattacharya, MD-Pritam
Chorus

Lyrics (Based on Audio Version)

raghukul reet sadaa chali aayi
praan jaaye par vachan na jayi

jai raghuvanshi ayodhyapati
ram chandra ki jai
siyavar ram chandra ki, jai
jai raghuvanshi ayodhyapati
ram chandra ki jai
siyavar ram chandra ki jai

ta di ya na dheem..
de re ta na de re nom
ta di ya na dheem..
de re ta na de re nom
ta di ya na dheem…

raghuvar teri raah nihaarein
raghuvar teri raah nihaarein
saaton janam se siya..aa..aa
ghar more pardesiya
aao padhaaro piya
ghar more pardesiya
aao padhaaro piya

ta di ya na ta de re na dum
ta di ya na ta de re na dheem
ta di ya na ta de re na dheem
ta da re na de dheem ta da ni

maine sudh-budh chain ganvaa ke
maine sudh-budh chain ganvaa ke
ram ratan paa liya
ghar more pardesiya
aao padhaaro piya
ghar more pardesiya
aao padhaaro piya

dheem ta dheem tanana dere na
dheem ta dheem tanana dere na
dha ni sa ma, sa ga ma dha, ni dha ma ga pa
ga ma pa sa sa, ga ma pa ni ni
ga ma pa ni dha pa ma ga re ga ma dha pa
re ma pa dha ma pa ni ni dha pa ma pa ga ma re sa ni sa re re ma ma pa pa dha dha ma ma
ni ni ni re sa ni dha ni dha pa ma pa dha ni dha pa ma ga re ga re sa ni sa re re ga

na to maiya ki lori
na hi phaagun ki hori
mohe kuch doosra na bhaaye re
jab se naina yeh jaa ke
ik dhanurdhar se laage
tab se birha mohey sataye re
haa..
na to maiya ki lori
na hi phaagun ki hori
mohe kuch doosra na bhaaye re
jab se naina yeh jaa ke
ik dhanurdhar se laage
tab se birha mohey sataaye re
duvidha meri sab jag jaane
duvidha meri sab jag jaane
jaane naa nirmohiya
ghar morey pardesiya
aao padhaaro piya
ghar morey pardesiya
aao padhaaro piya

haa, gayi panghat par bharan
bharan paniyaan deewaani
gayi panghat par bharan
bharan paniyaan…

(sargam)

gayi panghat par bharan
bharan paniyaan deewaani
gayi panghat par bharan
bharan paniyaan…
ho naino ke
naino ke tere baan se

murchhit huyi re hiraniya
jhoom jha na na na na…
jhana na na na na…
bani re bani main teri joganiya
ghar morey pardesiya
aao padhaaro piya
ghar morey pardesiya
aao padhaaro piya.

———————————————————-
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————-

रघुकुल रीत सदा चली आई
प्राण जाये पर वचन ना जाई

जय रघुवंशी अयोध्यापती
राम चंद्र की जय
सिया वर राम चंद्र की जय
जय रघुवंशी अयोध्यापती
राम चंद्र की जय
सिया वर राम चंद्र की जय

ता दी या ना धीम॰॰
दे रे ता ना दे रे नॉम
ता दी या ना धीम॰॰
दे रे ता ना दे रे नॉम
ता दी या ना धीम॰॰

रघुवर तेरी राह निहारे
रघुवर तेरी राह निहारे
सातों जनम से सिया॰॰आ॰॰आ
घर मोरे परदेसिया
आओ पधारो पिया
घर मोरे परदेसिया
आओ पधारो पिया

ता दी या ना ता दे रे ना दम
ता दी या ना ता दे रे ना धीम
ता दी या ना ता दे रे ना धीम
ता दा रे ना दे धीम ता दा नी

मैंने सुध बुध चैन गंवा के
मैंने सुध बुध चैन गंवा के
राम रतन पा लिया
घर मोरे परदेसिया
आओ पधारो पिया
घर मोरे परदेसिया
आओ पधारो पिया

धीम ता धीम तानाना देरे ना
धीम ता धीम तानाना देरे ना
धा नी सा मा
सा गा मा धा
नी धा मा गा पा
गा मा पा सा सा
गा मा पा नी नी
गा मा पा नी धा पा
मा गा रे गा मा धा पा
रे मा पा धा मा पा नी नी धा पा मा पा गा
मा रे सा नी सा रे
मा मा पा पा धा धा मा मा
नी नी नी रे सा नी धा नी धा पा मा पा धा नी
धा पा मा गा रे गा
रे सा नी सा रे रे गा

ना तो मईया की लोरी
ना ही फागुन की होरी
मोहे कुछ दूसरा ना भाये रे
जब से नैना ये जा के
इक धनुर्धर से लागे
तब से बिरह मोहे सताये रे
हा॰॰
ना तो मईया की लोरी
ना ही फागुन की होरी
मोहे कुछ दूसरा ना भाये रे
जब से नैना ये जा के
इक धनुर्धर से लागे
तब से बिरह मोहे सताये रे
दुविधा मेरी सब जग जाने
दुविधा मेरी सब जग जाने
जाने ना निर्मोहिया
घर मोरे परदेसिया
आओ पधारो पिया
घर मोरे परदेसिया
आओ पधारो पिया

हा॰॰
गई पनघट पर भरन
भरन पनियाँ दीवानी
गई पनघट पर भरन
भरन पनियाँ॰॰॰

(सरगम)

गई पनघट पर भरन
भरन पनियाँ दीवानी
गई पनघट पर भरन
भरन पनियाँ॰॰॰
हो नैनों के
नैनों के तेरे बाण से
मूर्छित हुई रे हिरणीया
झूम झा ना ना ना ना॰॰॰
झा ना ना ना ना॰॰॰
बनी रे
बनी मैं तेरी जोगनिया
घर मोरे परदेसिया
आओ पधारो पिया
घर मोरे परदेसिया
आओ पधारो पिया


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3928 Post No. : 14999 Movie Count :

4106

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Atul Song-A-Day 15K Song Milestone Celebrations – 9
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The other day, I read one quote, ‘My grand kids believe, I am the oldest thing in the world. And after spending 2 to 3 hours with them, I believe it too !”

I liked it very much and I immediately copy-pasted it in several WA groups where I am a member-including a group of Atulites.

For most people, after a certain age and after retirement, spending time is a big problem. Especially for those, who have no hobby, reading habits or a friend circle of same age group. This was never a problem for me, not because of anything written above. I retired in 1998, i.e. about 21 years ago. After doing a roaring consultancy for 5 years, I got fed up and left everything completely.

For next few years, I traveled quite a lot, with my wife. After that I settled to a steady, disciplined life. I revived my old love – love of old films and music. After a gap of almost 50 years, I remembered my diaries, which I had written after seeing every film till about 1960 or so. I opened those boxes and to my horror found that due to humidity in Bombay, white ants had attacked the diaries. I could, however, salvage majority of them – though in torn and faded conditions. . .  but still worth their weight in gold !

By then, I had crossed 70 years of age. I learned operating the computer and smart phones etc., from my grand children and started surfing. One day I struck gold. I came across THIS BLOG. I was impressed with the Blog and enjoyed old songs whenever posted on it. After about 2 years of only commenting and sharing information on the Blog, Atul ji motivated me to write a post here. My first post was the song “Surya Wahi Chandra Wahi“, from the film ‘Savitri’ (1937) and it came up on 1st October 2012. The rest is history, as they say.

This Blog changed my life totally. It provided a purpose of life to me. Through posting articles here, I reinforced my belief that “Sharing knowledge increases your knowledge”. Along with the Blog I too grew up and earned a name for myself in the social media. Like the Blog, I too celebrated my Milestones of 100, 500, and 700 articles. . . –  and the ride continues. . . 🙂

This Blog has given me new friends. Normally, it is difficult to cultivate new friends in old age, but contrary to this, I got very good friends, though none from my age group. Still, they accepted me heartily. Thank you Atulites. The Blog occupies a vital position in our lives now. Every Blog event is shared and celebrated. In this journey, few friends were left behind and some new ones came in, but the Band Wagon marches on… on… on and on…

The Blog is approaching one of the most important Milestones in recent times – achieving a record of 15000 songs, posted with full and correct lyrics, videos as well as lot of information woven around the songs, by Atul ji and his team of contributors. I feel proud that even my ‘Two Cents’ are there in this milestone. This Blog is unique, ATUL ji is an excellent leader and all contributors to posts, lyrics, comments, videos etc deserve CONGRATULATIONS !

True to my reputation, I have selected a song from an old film – in fact a film belonging to the first 5 years of talkie era – ‘Divine Sacrifice’ aka ‘Kimti Kurbani’ from 1935. The song, written by an unknown lyricist, is sung by Rajkumari Dubey and the music is given by Master Motilal Nayak.

During the early phase of the talkie films, most music directors came with either stage or classical background. The film people never crossed borders initially – at least for the first few years. Those who worked in Bombay remained here and those who worked in Calcutta stayed put there only. Motilal Nayak was one such MD, who gave music only to films made in Calcutta.

Calcutta’s New Theatres was like a family. It ran on systems. It became a way of life for people working in it. Since its establishment in 1930, competition increased consistently, in the number of film producing companies in Calcutta. By 1938, there were many Production houses in Calcutta alone. Some of them were- Arora Film Co., Shri Bharat Laxmi Pictures, Chitramandir, RBS Productions, Dev-Dutt Films, East India Film Co., Indu Movietone, Kali Films, Kamala Talkies, Madan Theatres, New Popular Pictures, Moti Mahal Theatres, Murli Pictures, Quality Pictures, Radha Film Co., Sonoray Picture Syndicate, Sunrise Film Co., M & SFD Company, and Tollywood Studio. (Interesting point here – Bombay film industry came to be known as Bollywood decades after this Calcutta studio – Tollywood – which continues till today for Bangla film industry). Only few of these were regular film production houses with own facilities. Most others were formed to produce occasional films, using facilities at the regular production studios.

Motilal Nayak gave music to only handful films – ‘Aankh Ka Tara’ – (1932, Madan Theatres), ‘Kanya Vikray’ – (1934, Pioneer Films), ‘Divine Sacrifice’ – (1935, M&SD Films), ‘Asmat Ka Moti’ – (1935, Pioneer), Noor E Wahadat’ – (1936, East India Film Co), ‘Bandit Of The Air’ – (1936, Modern India Talkies; this was also the debut and the only film where KN Singh was the hero). All these films were made at Calcutta only.

The cast of ‘Divine Sacrifice’ was Khalil, Miss Rose, Laxmi, Abbas Ali, Sheela, Amir Ali, Agha Jaani, Rajkumari etc.

Master Khalil Ahmed (variously mentioned as Khalil, Master Khalil, and Khalil Ahmed) was the first ever star of the silent era as well as talkie films from 1920 to 1940s. Born in 1903, he became a hero in Kohinoor’s ‘Gul E Bakavali’ (1924), opposite Zubeida. He was the first handsome and macho hero of those times. He acted with all top heroines of his time. Some of his 30 silent films are, ‘Kaala Naag’, ‘Kulin Kanta’, ‘Lanka Ni Laadi’, ‘Cinema Queen’ etc.

He featured in his first talkie film, ‘Draupadi’ (1931), made by Imperial, opposite Ermeline. Then came ‘Daulat Ka Nasha’ (1931), ‘Bharati Mata’ (1932), ‘Niti Vijay’ (1932), ‘Do Rangi Duniya’ (1933) and ‘Saubhagya Sundari’ (1933). In 1934 Khalil went to Calcutta on the invitation of East India Films. His first film in Calcutta was ‘Kismet Ki Kasauti’ (1934). Then he joined Tollywood Studio (Madon Theatres). Here his first film was ‘Gaibi Gola’ (1935), in which Baby Noorjehan made her debut as a child star.

He was in great demand in Bombay also, so Khalil started doing films in Calcutta and Bombay, by frequently travelling between the two cities. This caused a lot of stress on him, but he always kept his commitments. During this period, he also got married and got children. He settled in Calcutta and traveled often to Bombay to do films there.

Khalil did different roles, including Hindu Gods. He never changed his name. In those days very few Muslim actors kept their real names. Incidentally, during his peak time, there were two more artists named Khalil. One was Khalil Aftab, who was a lyricist and he acted in film ‘Dard E Dil’ (1934) and ‘The Mill’ (1934). This latter film was banned and was released later in 1936 as ‘Ghareeb Parwar’. The other actor was Khalil Khan, who had acted in film ‘Deepak Mahal’ (1940). In all, Khalil acted in 27 talkie films. He died quite young, on 28-11-1941, at Calcutta. Too much travelling and stress must have taken its toll on him. He was only 38 year old. He left behind one wife with 5 children.

Khalil did 13 films in Calcutta – ‘Kismet Ki Kasauti (1934), ‘Gaibi Gola’ (1935), ‘Miss Manorama’ (1935), ‘Jawaani Ka Nasha’ (1935), ‘Divine Sacrifice’ (1935), ‘Raj Dulari (1936), ‘Bulbul e Iran’ (1936), ‘Parivartan’ (1936), ‘Adarsh Mahila’ (1937), ‘Aflatoon’ (1937), ‘Karmaveer’ (1938), ‘Abla Ki Shakti’ (1941) and ‘Merchant Of Venice’ (1941).

In Bombay, he did 14 films – ‘Draupadi’ (1931), Daulat Ka Nash’ (1931), ‘Bharati Mata’ (1932), ‘Niti Vijay’ (1932), ‘Do Rangi Duniya’ (1933), ‘Saubhagya Sundari’ (1933), ‘Typist Girl’ (1935), ‘Shaitan Ka Paash’ (1936), ‘Khudai Khidmatgaar’ (1937), ‘Kiski Pyaari’ (1937), ‘Hamara Desh’ (1940), ‘Pyaar’ (1940), ‘Waayda’ (1940) and ‘Taj Mahal’ (1941).

Khalil acted with most of the leading heroines of his time like, Noorjehan (Sr), Jilloo (Zulekha Ibrahim – she was known by Jilloo Bai in her later career), Kajjan (6 films), Mushtari (3 films; she died too young, in her teens only), Miss Rose (2 films), Violet Cooper (2 films), Radha Rani, Ram Pyari, Begum Akhtar (she was then known as Akhtari Faizabadi), Sulochana, Ameena, Leela Desai, Indurani, Gulab, Ermeline and Sheela etc. Khalil was very good natured and a popular actor among his co stars and producers.

A Muslim by birth, he performed are variety of roles in films. His initial acting phase included roles of Shri Krishna and Shri Ram. Disenchanted by the communal riots during those times, he gave a speech in the Indian Motion Picture Congress, on 4th May 1939. Baburao Patel’s Film India published this extract from his speech-

“I have played Hindu Gods in films. I worked under Hindu producers only. I am disturbed by these riots. I am popular among Hindus and Muslims. We are the devotees of Art and Art has no religion.”

Indian Film Industry is perhaps the only industry which is truly a secular one, since its inception. Master Khalil Ahmed was an example of that.

The film was directed by BN Rao. His original name was Balkrishna Narayanan Nair. He was born in 1909 at Tellicherry in Kerala. His family shifted to Bombay because his father got a job in Bombay. By that time it was schooling age for Rao. One kind neighbor – a Marathi individual – helped him to get admission in a nearby school. While filling up the form the Marathi friend wrote his name as BN Rao. For this friend, every south Indian name must end with Rao only! And this name stuck to him till the end.

BN Rao directed only 2 Hindi films – ‘Veer Kumari’ and ‘Divine Sacrifice’ both in 1935. Later he became a very famous and successful Tamil and Telugu director, especially with Gemini Studios and SS Vasan. His best film was ‘Bal Nagamma’ (1942) – which he only completed, when the original director Pullayya pulled out halfway. However, the credits show Pullayya’s name as director. Hindi film ‘Bahut Din Huye’ (1954) was a remake of this film. He had also written the screenplay of film ‘Chandralekha’ (1948). ‘Encyclopedia of Indian Cinema’ by Rajadhyaksha says this about BN Rao,

B.N.Rao – (b. 1909) Tamil director and actor born in Tellicherry, Kerala. Also worked in Hindi and in Telugu. Started acting at Imperial (1926); assisted R.S. Choudhury and the cameramen Adi and Rustom Irani. Went to East India Co. (1933) and later to Madan in Calcutta, where he débuted as director with Hindi films. In 1937, moved to the Central Studios in Coimbatore; then to Gemini in Madras (1940) where he directed what is taken to be the studio’s début feature, ‘Madanakamarajan’. Established himself as a successful director in the late 40s; then left to work for Shaws Malay Film Prod. (1953-6) making films starring P Ramlee, and for Cathay Keris Film Studio (1957-64) in Singapore, directing e.g. Maria Menado, Nordin Ahmad and Latifah Omar. Returned to India for one more feature and retired in Madras.

Today’s song is the only song of this film available. With this song, the film makes its debut on the Blog. Remember, this is a song almost 85 year old.

Once again, I CONGRATULATE Atul ji, Sudhir ji and all others for reaching the milestone of 15000 songs ! Jai Ho !!

Song – Kyon Na Looten Mazey Wasl e Yaar Ke (Divine Sacrifice) (1935) Singer – Rajkumari, Lyrics – Unattributed, MD – Master Motilal Nayak

Lyrics

kyon na looten mazey wasl e yaar ke

haan
kyon na looten mazey wasl e yaar ke
beete jaate hain ye din bahaar ke
haan
beete jaate hain ye din bahaar ke

ke hazaaron ki tabiyat machal jaayegi
dil laakhon ke ?? chheen kar jaayegi
jab wo niklegi seena ubhaar ke
haan
jab wo niklegi seena ubhaar ke
haan
jab wo niklegi seena ubhaar ke
haan
jab wo niklegi seena ubhaar ke
haan
kyon na looten mazey wasl e yaar ke

paan kha kar labon ko bachaane lagey
haan
aaaa aaaaa aaaaaaaaaa
aaaa aaaaaaaaa aaaaaaaaa
paan kha kar labon ko bachaane lagey
wo to hans hans ke naaz dikhaane lagey
jis mein gul ?? ?? anaar ke
haan
jis mein gul ?? ?? anaar ke
kyon na looten mazey wasl e yaar ke
haan
kyon na looten mazey wasl e . . .

teri aankhon ne to jaani ghazab kar diya
baaton baaton mein mera dil kyon le liya
khoob maari kataari sambhaar ke
haan
khoob maari kataari sambhaar ke
kyon na looten mazey wasl e yaar ke
haan
kyon na looten mazey wasl e yaa . . .

———————————————————-
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————-

क्यों ना लूटें मज़े वस्ल ए यार के
हाँ
क्यों ना लूटें मज़े वस्ल ए यार के
बीते जाते हैं ये दिन बहार के
हाँ
बीते जाते हैं ये दिन बहार के

के हजारों के तबीयत मचल जाएगी
दिल लाखों के ?? छीन कर जाएगी
जब वो निकलेगी सीना उभार के
हाँ
जब वो निकलेगी सीना उभार के
हाँ
जब वो निकलेगी सीना उभार के
हाँ
जब वो निकलेगी सीना उभार के
हाँ
क्यों ना लूटें मज़े वस्ल ए यार के

पान खा कर लबों को बचाने लगे
हाँ
आsss आssss आsssssss
आssss आssss आssssssssss आsssssss
पान खा कर लबों को बचाने लगे
वो तो हस हस के नाज़ दिखाने लगे
जिस में गुल ?? ?? अनार के
हाँ
जिस में गुल ?? ?? अनार के
क्यों ना लूटें मज़े वस्ल ए ॰ ॰ ॰

तेरी आँखों ने तो जानी ग़ज़ब कर दिया
बातों बातों में मेरा दिल क्यों ले लिया
खूब मारी कटारी संभार के
हाँ
खूब मारी कटारी संभार के
हाँ
क्यों ना लूटें मज़े वस्ल ए या॰ ॰ ॰


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3927 Post No. : 14997

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Atul Song-A-Day 15K Song Milestone Celebrations – 7
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The Blog is in the vicinity of reaching a new milestone of 15000 posts and the celebrations are in order. It is in the 11th year of its existence during which time, it has passed through many milestones. Hearty congratulations to Atul ji and his bandwagon for attaining 15000 posts. I am sure that the Blog would pass through many more milestones in the years to come.

To measure a milestone, one needs to have a reference point. For the Blog, the First Post appeared in the Blog on July 19, 2008 is the reference point itself which is the mother of all subsequent milestones.

The second important milestone of the Blog was the first comment on the Blog which was none other than from Raja ji, the numero uno inspirer for Atul ji, as I understand from latter’s special articles, for starting the Blog. By now, the cumulative substantive comments on the posts in the Blog have crossed 60,000 which itself is one of the important milestones for the Blog.

The third important milestone was when for the first time, the daily visitors to the Blog crossed 1000. While I am not able to get the exact date on which this milestone was achieved, I am pretty sure on the basis of some average figures of visitors discussed by Atul ji on ‘About the Blog’ page, that this milestone was achieved within one year from the start of the Blog. Surely, for a new ‘start-up’ Blog, this was great news.
[Ed Note: The date was 23rd January, 2009; visitor count was 1145.]

If I plot a curve on the basis of the yearly average visitors to the Blog, I am sure, the graph would show a secular rising curve in the initial period of the Blog followed by a steep upward sloping curve during the last about 7 years. This is based on the assumption that as the aggregate number of posts as well as songs discussed in the Blog go up arithmetically, the number of visitors would go up geometrically. This is also borne out by the fact that as of now, the Blog has crossed 11 million (1 crore 10 lakhs) visitors in less than 11 years of its existence.
[Ed Note: As this post goes to press, the blog is already 70 thousand plus hits beyond 11.5 million. 🙂 ]

Fourth important milestone of the Blog was hitting 1000th post. On the basis of the statistics of month-wise aggregate posts, I guess the 1000th post was achieved in about 8 months’ time which, as far as I know, is a record for any musical/filmy Blog to achieve in the shortest time-frame. Of course, thereafter every 1000th post was a milestone and every post in multiples of 5000 was ‘Maha Milestone’ (like ‘Maha Kumbh).
[Ed Note: The 1000th post was published on 30th March, 2009, which is the 255th day from the start date of the blog (19th July, 2008), which works out to 7 months and 11 days.]

As I mentioned earlier, the Blog started on July 19, 2008 with a single goal – to post at least one song a day with lyrics and discuss the song. This goal has been met since the inception of the Blog with some very few occasional exceptions. But these exceptions have been overwhelmingly compensated by the fact that on an average, 3 to 4 songs a day have been covered in the Blog up till now.

Over a period of time, the Blog had earmarked some more goals – Artists’ centuries, covering all the songs of films (yippeee’d films), posting songs from those films which had not been represented in the Blog, etc. Recently, Sudhir ji has completed a century of posts representing the songs from those films released in 1960s which were not represented on the Blog. Like-wise Arun ji and myself had posted songs from a number of films released mainly in the 1940s which were not covered in the Blog.

Other important goals that have been achieved during the last 7 years or so are covering all the available songs sung by KL Saigal, and Suraiya. Also, all available songs composed by Sajjad Hussain have also been posted in the Blog. Again, Sudhir ji had contributed a lot in achieving these goals.

The next in line among the singers and music directors whose gap between the songs covered in the Blog and the songs available online have narrowed down are Kanan Devi (49/80), Sulochana Kadam (47/135), Talat Mehmood (378/450), S D Burman (633/666) and Naushad (534/593).

There are a few features which I consider as unique to our Blog among other musical/filmy blogs.

  1. As far as I know, among the current musical/filmy blogs, our Blog is the only one where articles by guest writers are contributed for the Blog not by invitation but largely on voluntary basis. Of Course, on special occasions like the present one, all Atuites are invited to contribute the special articles. But I consider as more as a gestures than the invitation to remind ourselves to be in readiness for the celebration of an important milestone of the Blog.
  2. Our Blog is the repository of profiles of hundreds of lesser known film artists (actors, directors, singers, music directors, lyricists etc) especially of 1930s and 40s. Some of them were well known in their fields at that time but now have been mostly forgotten. The major credit for collating the information on such artists goes to our in-house encyclopedia, Arun ji. In some cases, he had painstakingly collected the information from the siblings and friends of the concerned artists.
  3. The only musical/filmy Blog which has a wealth of statistical data relating to almost all the aspects of the films and the songs. I understand that most of data are manually updated. One can imagine the time and efforts required for Atul ji to update the statistical data more frequently than before with 15K songs. I can understand that Atul ji may be spending more time in updating the statistical data, depriving him of time for posting more songs on day-to-day basis.

On the eve of attaining yet another important milestone of 15000 posts on the Blog, I have selected an inspiring song from a film released in the late 1950s. I was surprised as to how this popular song had missed the attention of the Atulites so far. It appears that this song was destined to be used for special celebrations like the present one.

The song is ‘Do Kadam Aur Ae Saathi Kadamon Pe Zamaana Hoga’ from the film ‘Khoobsurat Dhokha’ (1959) which is rendered by Mohammed Rafi accompanied by chorus. The song is written by Indeevar and is set to music by S Mohinder. It is one of those rare songs of Rafi in which he has attempted yodeling.

When I heard the song, I started visualising a scenario in which at the conclusion of an imaginary Atulites Meet (gangout 🙂 ), Atul ji sings this song in place of Rafi and all other Atulites sing in chorus with some minor changes in the mukhda of the song:

do kadam aur ae Atulites
kadamon mein zamaana hoga
daaman mein hamaare ek din
mauseeqi ka kazaana hoga

 

Song – Do Kadam Aur Ae Saathi (Khoobsurat Dhokha) (1959) Singer – Mohammed Rafi, Lyrics – Indeewar, MD – S Mohinder
Chorus

Lyrics

o hooooooo
o hooooooo
o hooooooo
o hooooooooo

do kadam aur ae saathi
kadamon pe zamaana hoga
daaman mein hamaare ek din
duniya kaa khazaana ho..oga
do kadam aur ae saathi
kadamon pe zamaana hoga
daaman mein hamaare ek din
duniya ka khazaana ho..oga
 
arre sona pighlega
aur chaandi barsegi
chhoone ko kadam apne
khud manzil tarsegi
hai aaj agar auron ka
kal apna zamaana hoga
(aaaaaaaaaaaaa)
daaman mein hamaare ek din
(aaaaaaaaaaaaa)
duniya ka khazaana ho..oga
(aaaaaaaa)
do kadam aur ae saathi
kadamon pe zamaana hoga
(aaaaaaaaaaaaaa)
daaman mein hamaare ek din
(aaaaaaaaaaaaaa)
duniya ka khazaana ho..oga
(aaaaaaaa)

lae lae lae lay dee oo
lae lay dee
lay dee lo
lae lay dee
 
baahon mein chaand hoga
ho o
aur raah mein sitaare
ho o
baahon mein chaand hoga
ho o
aur raah mein sitaare
ho o
ummeedon ki wo duniya
ab door nahin pyaare..ae
khushiyon ki jawaan raaton ka
har khwaab suhaana hoga
(aaaaaaaaaaaaa)
daaman mein hamaare ek din
(aaaaaaaaaaaaa)
duniya ka khazaana ho..oga
(aaaaaaaaa)
do kadam aur ae saathi
kadamon pe zamaana hoga
(aaaaaaaaaaaaaa)
daaman mein hamaare ek din
(aaaaaaaaaaaaaa)
duniya ka khazaana ho..oga
(aaaaaaaaa)
do kadam aur ae saathi
kadamon pe zamaana hoga
(aaaaaaaaaaaaaa)
daaman mein hamaare ek din
(aaaaaaaaaaaaaa)
duniya ka khazaana ho..oga

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

ओ हो॰ ॰ ॰
ओ हो॰ ॰ ॰
ओ हो॰ ॰ ॰
ओ हो॰ ॰ ॰

दो कदम और ए साथी
कदमों पे ज़माना होगा
दामन में हमारे एक दिन
दुनिया का खजाना हो॰॰गा
दो कदम और ए साथी
कदमों पे ज़माना होगा
दामन में हमारे एक दिन
दुनिया का खजाना हो॰॰गा

अरे सोना पिघलेगा
और चांदी बरसेगी
छूने को कदम अपने
खुद मंज़िल तरसेगी
है आज अगर औरों का
कल अपना ज़माना होगा
(आsssssssssss)
दामन में हमारे एक दिन
(आsssssssssss)
दुनिया का खजाना हो॰॰गा
(आsssssssssss)
दो कदम और ए साथी
कदमों पे ज़माना होगा
(आsssssssssss)
दामन में हमारे एक दिन
(आsssssssssss)
दुनिया का खजाना हो॰॰गा
(आsssssssssss)

लाय लाय लाय लै डी ओ
लाय लाय डी
लाय डी लो
लाय लाय डी

बाहों में चाँद होगा
हो ओ
और राह में सितारे
हो ओ
बाहों में चाँद होगा
हो ओ
और राह में सितारे
हो ओ
उम्मीदों की वो दुनिया
अब दूर नहीं प्यारे॰॰ए
खुशियों की जवां रातों का
हर ख्वाब सुहाना होगा
(आsssssssssss)
दामन में हमारे एक दिन
(आsssssssssss)
दुनिया का खजाना हो॰॰गा
(आsssssssssss)
दो कदम और ए साथी
कदमों पे ज़माना होगा
(आsssssssssss)
दामन में हमारे एक दिन
(आsssssssssss)
दुनिया का खजाना हो॰॰गा
(आsssssssssss)
दो कदम और ए साथी
कदमों पे ज़माना होगा
(आsssssssssss)
दामन में हमारे एक दिन
(आsssssssssss)
दुनिया का खजाना हो॰॰गा


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3927 Post No. : 14996

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Atul Song-A-Day 15K Song Milestone Celebrations – 6
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Carl Sagan, in his book, ‘Pale Blue Dot’ talks about the picture taken by Voyager I before it left the solar system. Planet Earth, the only home we have known so far appears less than a fraction of a pixel in the picture. It’s on this speck of dust like object in the vast cosmos lived every human, plant and animal we ever know and every civilization.

On this planet the greatest men in a wide variety of fields have left behind their legacies both good and bad. Their lives however great or condemnable have been spent here.  In the vastness of time and space, a few years spent by great men may mean nothing. However, the legacy left behind by such men are recognized and appreciated for generations.

Theatre and entertainment arenas have also seen many a great men and women contribute their art and expertise to mankind. Quite a few are well known and many others are often not credited to the extent to which they should be.

Narrowing down to a movie and further restricting ourselves to Hindi film and non-film songs, the essence of this blog, we are now at the doorsteps of 15 thousand representations.

By these 15k representations, we all have tried to contribute our little efforts in bringing to the fore, the works of film artists – popular, less known and unknown. Amongst the main contributors, the nearly impossible tasks are taken up more experienced and knowledgeable such as Arunkumar ji, Sudhir ji, Sadanand ji etc.  The painstaking efforts in collecting accurate information from various sources and contacts and posting in a concise manner is definitely not an easy task.

Then, there are specialists such as Nalini ji for reminding us of the artist’s anniversaries and Prakash ji for identifying lesser known actors on the screen. Raja ji, whose marathon posts never bore us and we have Avinash ji who pours his heart out in the posts. We have Bharat ji with his expertise and first-hand experience.

There have many others who were more contended with sending only lyrics and a few who keep giving home-works to others. 🙂 A few are more than happy to suggest corrections to the posts and lyrics etc. in the comments section. Then, there are also contributors who vanish for a while and re-appear for special occasions (pun about self intended). 🙂

And, finally we have Atul ji, the fulcrum of our activities and the force that binds us together. Atul ji marches along from one milestone to another. And when he reaches the next milestone, we are all automatically teleported there. 🙂

I never planned for any special song for this occasion. (That again, the leaders will have a plan). But seeing that a great gem of an even greater singer is yet to be posted, I decided to go for his solo.

The singer is Talat Mahmood, of whom quite a lot has already been written on the blog.

My father, an avid fan Talat saab often says that his voice is for royal people. By royal, he means to say people with special taste and I can’t agree with him more. Talat Saab’s melancholic songs sung in blue mood are a class apart, the likes of which one will never get to hear from any other singer.

There are several such songs of Talat Saab which one can hear multiple times and can only admire the grace and dignity in his voice for songs pertaining to even dejection.

The list seems to be endless, but it’s a fact that he sang quite fewer songs compared to his other well-known contemporaries. However, Talat Saab’s voice will always be the triumph of quality over quantity.

The present song which I had not heard in the recent past is also amongst my many favourites of Talat Mahmood. There are stars and the moon in the song in case people are wondering what Carl Sagan had to do with this song in the first place. 🙂 (Kya karein, some starting problems in writing this post)

I pray for the continued longevity on the blog, active participation of all the contributors and readers as well.

Hearty Congratulations to one and all on this great achievement.

Song – Aao Baadal Chain Se Royen (Aawaara Ladki) (1967) Singer – Talat Mehmood, Lyrics – Rajnikant, MD – Dhaniram

Lyrics (Provided by Sudhir)

baa..aadal aa..aaawo

baadal aawo

aawo baadal aawo. . .

aao baadal chain se royen
aao baadal chain se royen
jalti dhoop
jalti dhoop
jalti dhoop mein main hoon akela
aao baadal chain se royen
aao baadal chain se royen

khush rahen
khush rahen. . .
khush rahen ye duniya waale
khush rahen ye duniya waale
khatm hua mera mela
khatm hua mera mela
main hoon aaj akela
aao baadal chain se royen
aao baadal chain se royen

armaan the dil mein mere kitne
chanda ke
haaye chanda ke saathi taare jitne
haaye chanda ke saathi taare jitne
dooba dil armaan bhi doobe
dooba dil armaan bhi doobe
toofaan ka dekha rela
main hoon aaj akela
aao baadal chain se royen
aao baadal chain se royen

din the chaar jo beet gaye mere
din the chaar jo beet gaye mere
honge dukh ke ab derey
honge dukh ke ab derey
darr nahin par hanse bhi kaise
darr nahin par hanse bhi kaise
gham se ab tak khela
main hoon aaj akela
aao baadal chain se royen
aao baadal chain se royen

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

बा॰॰दल आ॰॰आवो

बादल आवो

आवो बादल आवो॰ ॰ ॰

आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ
जलती धूप
जलती धूप
जलती धूप में मैं हूँ अकेला
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ

खुश रहें
खुश रहें॰ ॰ ॰
खुश रहें ये दुनिया वाले
खुश रहें ये दुनिया वाले
खत्म हुआ मेरा मेला
खत्म हुआ मेरा मेला
मैं हूँ आज अकेला
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ

अरमान थे दिल में मेरे कितने
चंदा के
हाए चंदा के साथी तारे जितने
हाए चंदा के साथी तारे जितने
डूबा दिल अरमान भी डूबे
डूबा दिल अरमान भी डूबे
तूफाँ का देखा रेला
मैं हूँ आज अकेला
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ

दिन थे चार जो बीत गए मेरे
दिन थे चार जो बीत गए मेरे
होंगे दुख के अब डेरे
होंगे दुख के अब डेरे
डर नहीं पर हँसे भी कैसे
डर नहीं पर हँसे भी कैसे
ग़म से अब तक खेला
मैं हूँ आज अकेला
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ


This article is written by Gajendra Khanna, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3926 Post No. : 14995 Movie Count :

4104

= = = = = = = = = = = = = = = = = = = = = = = =
Atul Song-A-Day 15K Song Milestone Celebrations – 5
– – – – – – – – – – – – – – – – – – – – – – – – – – – – –

It is so heartening to see our beloved blog reaching yet another big milestone of 15000 songs being posted! Over a decade plus of hard work by all involved has made this possible but above all it has been Atul ji’s steadfast disciplined hard work which has led to it. I first of all congratulate him for this achievement. Your dedication, hard work and encouragement is always inspiring us. I have run out of hats to raise for all the wonderful work you have been doing here on this blog. May God always bless you and give you strength to achieve all your goals in your personal and official life.

I also wish to thank all the other contributors who have all become my friends during the journey of this blog. It has been a pleasure knowing you and Its always enjoyable meeting all of you. I think we should celebrate soon with a celebratory party Hangout (online or offline) with all of us meeting in spite of the time zone differences which separate us but love for music at the end of the day never fails to join us. Keep smiling always and be ever happy all of you!

For today’s song post I have chosen a song I was in love with when the movie released. This movie had some lovely songs under the baton of ace composers Jatin-Lalit and it makes its debut on the blog with this song. The movie was directed by a favourite director of mine, Kundan Shah whose film ‘Jaane Bhi Do Yaaro’ (1983) is a delightful watch for all avid movie lovers even today years after its release (I shudder to hear talks of it being remade. Classics should be best left untouched. ‘Albert Pinto Ko Gussa Kyun Aata Hai’ (1980) was touched just last week and all critics unanimously agree it was best left untouched). The movie’s name of course is ‘Kabhi Haan Kabhi Naa’ which was a 1994 release. Many big names and soon to be big names participated in this delightful movie whose main details are as given below:-

Movie: Kabhi Haan Kabhi Naa (1994)
Director: Kundan Shah
Starcast: Shahrukh Khan, Suchitra Krishnamoorthi, Deepak Tijori, Rita Bhaduri, Satish Shah, Anjan Srivastav, Goga Kapoor, Tiku Talsania, Ravi Baswani, Naseeruddin Shah, Juhi Chawla
Producer: Vikram Mehrohtra
Banner: Shemaroo Video Pvt Ltd
Release Date: February 25th 1994

This is how Wikipedia describes the movie:-

‘Kabhi Haan Kabhi Naa’ (lit. Sometimes yes, Sometimes no) is a  1994 Indian Hindi romantic coming-of-age comedy film directed by Kundan Shah and starring Shah Rukh Khan, Suchitra Krishnamurthy, Deepak Tijori and Naseeruddin Shah. This is one of the rare mainstream Hindi movies in which the hero plays the role of a loser. It is widely considered to be one of Shah Rukh Khan’s best performances, and he has said that it is his favourite film. He received the Filmfare Critics Award for Best Performance for his role. Produced on a budget of ₹1.4 crore, the film grossed ₹5.5 crore, equivalent to ₹84 crore (US$12 million) adjusted for inflation. At the 39th Filmfare Awards, it won the Critics Award for Best Film and the Critics Award for Best Actor for Shah Rukh Khan, who also won the Best Actor award for ‘Baazigar’ (1993) at the same ceremony.

I still remember seeing this slice of life movie in a theatre. I was now old enough to go to a theatre by myself and I made the most of the period watching many of the good movies of the period. In spite of the movie being released during exam times, my parents permitted me to watch it and I enjoyed watching it. All the actors in the movie had done really good roles. Suchitra Krishnamurthy had made her acting debut with the movie. Many critics didn’t like her acting but I felt she tried her best giving a genuineness to the performance. She didn’t appear in much movies due to her personal life decisions but I have liked the few and far between movies she did. During the pop boom, she had done a handful of albums too whose cassettes I have enjoyed in those days. ‘Dole Dole’ was a particular favourite with me. Deepak Tijori who was the other lead also did a wonderful role. He was a competent actor and I feel its sad that we have not been able to see much of him for many years. He’s been more active in the field of direction though. As it is I love movies set in Goa and have thoroughly enjoyed movies set there.

Not many may be knowing that this movie was also remade in Telugu by the name Swapnalokam (1999) starring Jagapathi Babu.

Here is the plot of the movie:-

Sunil (Shah Rukh Khan) is woken up from his dream of marrying the girl he loves, Anna (Suchitra Krishnamurthy), by Sunil’s sister (Sadiya Siddiqui). Sunil is a happy-go-lucky scamp who loves music and is not interested in studies, which bothers his father, Vinayak (Anjan Srivastav). Sunil, Anna, and Chris (Deepak Tijori) are 3 members of a 6-person music band, who are looking to make it big. Anna rejoins the group after being away for a while, which makes Chris happy too, as he too loves Anna. After Anna reenters his life, Sunil begins to try and change his ways in order to get Anna to fall in love with him.

During a performance at a friend’s wedding, Sunil realizes that Anna and Chris have some chemistry between them. Sunil is devastated, so he decides to create a rift between Anna and Chris. Sunil eventually gets caught in his own web of lies. Anna, furious with Sunil for such a betrayal, slaps him and decides to never talk to Sunil ever after. Sunil is thrown out of the band for being a miscreant. However, as luck were to have it, fortune favours Sunil who saves the band from being heckled at a local club performance by putting on a stellar show, so the entire band forgives and forgets.

Meanwhile, Anna’s father has been giving thought to getting her settled in life and decides that Chris is worthy of the honour. He makes his intentions known to approach Chris’ parents with a proposal. However, Chris’ parents have other ideas and decide Chris’ marriage to their friend’s daughter. Anna and her family are dejected.

Sunil consoles Anna during this time and the tide slowly turns in his favour. Anna’s father, having realized that Sunil will love and take care of Anna, convinces Anna to marry Sunil. Sunil is overjoyed until he realizes Anna still loves Chris. Sunil decides to reunite the two and get them married. On the wedding day, as Chris and Anna are about to exchange rings, Chris’ ring slips out of his hand and rolls out of sight. Everybody starts searching for it. Sunil spots the ring but feigns ignorance, even as his younger sister gazes at him with a heavy heart. Eventually, Chris locates the ring and the couple gets married.

Just after the wedding, Sunil is shown sitting on the sidewalk, dejected and heartbroken. By happenstance, a random girl (Juhi Chawla in a guest appearance), who is lost and is seeking directions, approaches Sunil. Sometime later, Sunil and the girl are seen walking in the moonlight and talking merrily.

Anthony and Vasco, two criminals who are a part of the story, see Sunil with the new girl and break the fourth wall, saying that Sunil will be alright. The criminals hear the police siren and immediately scamper away as the credits roll.

If you’ve not watched the movie yet, do catch this feel good movie. It had some of the best performances and the late Renu Saluja had also edited it well. I heard sometime back that Shah Rukh Khan has bought the rights of the movie. Don’t know if he’s planning to remake it but its definitely one of his best and sincere performances. The movie was a sleeper hit and made more than double (nearly 5.5 crores) on the box office in those days.

The song’s lyrics have been very thoughtfully written by Majrooh Sultanpuri sahib and sung lovingly by the flavour of those days, Kumar Sanu. The combination of Majrooh Sahib with Jatin-Lalit was one of the top combinations for me in the 1990s. Just like the song, I pray that we never wake up from the suroor of good music we all live in all the time and keep singing songs of our love for music as well as each other.

Song – Ae Kaash Ke Ab Hosh Mein Hum Aane Na Paayen (Kabhi Haan Kabhi Naa) (1994) Singer – Kumar Sanu, Lyrics – Majrooh Sultanpuri, MD – Jatin Lalit

Lyrics

ae kaash ke hum hosh mein
ab aane na paayen
ae kaash ke hum hosh mein
ab aane na paayen
bas naghme tere pyaar ke
gaate hi jaayen
ae kaash ke hum hosh mein
ab aane naa paayen
ae kaash ke hum hosh mein
ab aane naa paayen

khilti mehakti
yeh zulfon ki shaam
hanste khanakte
yeh hothhon ke jaam
khilti mehakti
yeh zulfon ki shaam
hanste khanakte
yeh hothon ke jaam
aa jhoom ke saaz uthhayen
bas naghme tere pyaar ke
gaate hi jaayen
ae kaash ke hum hosh mein
ab aane na paayen
bas naghme tere pyaar ke
gaate hi jaayen
ae kaash ke hum hosh mein
ab aane na paayen

laa laa laall laa
laalla laa laa laa
laa laa laa laa la laall laa

ho bas agar tum hamaare sanam
hum to sitaaron pe rakh den kadam
ho bas agar tum hamaare sanam
hum to sitaaron pe rakh den kadam
saaraa jahaan bhool jaayen
bas naghme tere pyaar ke
gaate hi jaayen
ae kaash ke hum
hosh mein ab aane na paayen
ae kaash ke hum
hosh mein ab aane na paayen
bas naghme tere pyaar ke
gaate hi jaayen
ae kaash ke hum
hosh mein ab aane na paayen
ae kaash ke hum
hosh mein ab aane na paayen

———————————————————-
Hindi script lyrics (Provided by Gajendra Khanna)
———————————————————-

ए काश के हम होश में
अब आने ना पायें
ए काश के हम होश में
अब आने ना पायें
बस नग़मे तेरे प्यार के
गाते ही जायें
ए काश के हम होश में
अब आने ना पायें
ए काश के हम होश में
अब आने ना पायें

खिलती महकती
ये ज़ुल्फों की शाम
हँसते खनकते
ये होंठों के जाम
खिलती महकती
ये ज़ुल्फों की शाम
हँसते खनकते
ये होंठों के जाम
आ झूम के साज़ उठायें
बस नग़मे तेरे प्यार के
गाते ही जायें
ए काश के हम होश में
अब आने ना पायें
बस नग़मे तेरे प्यार के
गाते ही जायें
ए काश के हम होश में
अब आने ना पायें

ला ला लाल्ला ला
लाल्ला ला ला ला
ला ला ला ला ल लाल्ल ला

हो बस अगर तुम हमारे सनम
हम तो सितारों पे रख दें कदम
हो बस अगर तुम हमारे सनम
हम तो सितारों पे रख दें कदम
सारा जहाँ भूल जायें
बस नग़मे तेरे प्यार के
गाते ही जायें
ए काश के हम होश में
अब आने ना पायें
ए काश के हम होश में
अब आने ना पायें
बस नग़मे तेरे प्यार के
गाते ही जायें
ए काश के हम होश में
अब आने ना पायें
ए काश के हम होश में
अब आने ना पायें


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3925 Post No. : 14993

———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 29
————————————————

Hullo to all in Atuldom

Dil Ka Nazraana Le O Dildaar Le” – this was the debut post of the 1973 movie “Chalaak” which was directed by someone called RK Banerjee. All these years I had only heard this song. Thanks to the ongoing ten-year challenge series I landed on the post of the song which had been popular in the 70s and is still heard on Vividh Bharti (All India Radio), I learnt that it was a Kiran Kumar – Radha Saluja song, which movie etc.

I landed on that post because of this “Mann Gaaye Wo Taraana“. Now this is another song that was popular on the radio in those days and is still heard sometimes on radio. I learnt that this is a piano song with Alka at the piano and Kiran Kumar in a jeep.

Radha Saluja and Alka are lost to followers of Bollywood and Kiran Kumar has turned to doing character roles or supporting roles since 1988 when we saw him in Rakesh Roshan’s “Khudgarz”. The rest of the cast of this movie comprised of Bhram Bharadwaj, Ajit, Danny, Lalita Kumari, P Jairaj, Gautam Sareen (in friendly appearances) alongwith Keshto Mukherjee, Jayshree T, Jagdish Raj etc. The synopsis of the movie as given on IMDB is

Monica Kapoor (Radha Saluja) lives a wealthy lifestyle in London, England. When she hears that her estranged brother, Kishan (Bhram Bharadwaj), has been killed while traveling in a train, she returns home to India and asks his much younger and drop dead gorgeous widow, Shobha (Alka), to move out so that she could sell the house, pick up the cash, return to London and get married to her boyfriend, Manoj (Danny). She does get to sell the house and compels Shobha to move in with Kishan’s friend, Amar (Kiran Kumar), but Manoj steals the cash and disappears. Humbled by this incident, Monica also moves in with Amar and Shobha, as well as Amar’s younger brother, Chickoo, and ends up falling in love with Amar. She decides to marry him at the Registrar’s Office. When he does not show, she returns home and finds him getting intimate with Shobha. What Monica does not know is that Amar is not who he claims to be but is, in fact, an escaped convict, who is determined to marry Shobha and get her to reveal the secret location of some gold bars.

Looks like it was a typical masaala film (should see it when I get some time).

There were 6 posts on 17th of April 2009:

Koi Humdum Na Raha

Tum Apni Saheli Ko

Raina Beeti Jaaye

Mann Gaaye Wo Taraana

Tera Mera Saath Rahe

Rootha Hai To Manaa Lenge

Of these ‘Jhumroo’, ‘Amar Prem’ and ‘Jwaar Bhaata’ have all their songs on the blog that means these movies have been YYIIPPEEEED! ‘Samaaj Ko Badal Daalo’ has three songs left and ‘Saudaagar’ has two left. ‘Chalaak’ has only two songs on the blog. Here is the third. It is written by Hasrat Jaipuri and Ganesh is the music director. It has playback by Asha Bhonsle.

 

Song – Yahaan Kaun Hai Jo Tera Hai  (Chaalaak) (1973) Singer – Asha Bhosle, Lyrics – Hasrat Jaipuri, MD – Ganesh

Lyrics

mmm
yahaan kaun
tera hai
(hic)
ch ch ch ch
yahaan kaun hai jo tera hai
mere dil sambhal andhera hai
yahaan kaun hai jo tera hai
mere dil sambhal andhera hai
ye jahaan hai kya
har aadmi
haa aaaa
lutera hai
yahaan kaun hai jo tera hai

aaaaa aaaa aaaaaaa

pyar ke ye mahal
gir padi haaye re ek pal mein
la la la laa
jhoota wo sahaara tha
haye na hamara tha
phir hamein
karni padi hai maikashi
ye jahan hai kya har aadmi
haa aa
lutera hai
yahaan kaun hai jo tera hai
mere dil sambhal andhera hai
yahaan kaun hai jo tera hai

kyun yakeen
hum karein
patharon ka shehar ye zamaana
la la la laa
duniya kab hamaari hai
lakdi ki kataari hai
le mujhe
baahon mein le ae bekhudi
ye jahan hai kya har aadmi
aa aaa
lutera hai
yahaan kaun hai jo tera hai
mere dil sambhal andhera hai
yahaan kaun hai jo tera hai

aaaaa aaaa aaaaaaa

dil mera
bhar gaya
kyun jeeyun
kis liye iss jahaan mein
la la la laa
aansoon har taraana hai
apna jo begaana hai
arre hai yahaan ghaayal jawaan zindagi
ye jahan hai kya har aadmi
haa oo
lutera hai
yahaan kaun hai jo tera hai
mere dil sambhal andhera hai
ye jahaan hai kya har aadmi
haa aaaa
lootera (hic)
yahaan kaun hai
jo tera hai
(hic)

———————————————————-
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————-

म्ममम
यहाँ कौन
तेरा है
(हिक)
च च च च
यहाँ कौन है जो तेरा है
मेरे दिल संभाल अंधेरा है
यहाँ कौन है जो तेरा है
मेरे दिल संभाल अंधेरा है
ये जहां है क्या
हर आदमी
हा आ
लुटेरा है
यहाँ कौन है जो तेरा है

आssss आsss आssssss

प्यार के ये महल
गिर पड़े हाए रे एक पल में
ला ला ला ला॰॰
झूठ वो सहारा था
हाए ना हमारा था
फिर हमें
करनी पड़ी है मैकशी
ये जहां है क्या
हर आदमी
हा आ
लुटेरा है
यहाँ कौन है जो तेरा है
मेरे दिल संभाल अंधेरा है
यहाँ कौन है जो तेरा है

क्यों यकीन
हम करें
पत्थरों का शहर ये ज़माना
ला ला ला ला॰॰
दुनिया कब हमारी है
लकड़ी की कटारी है
ले मुझे
बाहों में ले ए बेखुदी
ये जहां है क्या
हर आदमी
आ आ
लुटेरा है
यहाँ कौन है जो तेरा है
मेरे दिल संभाल अंधेरा है
यहाँ कौन है जो तेरा है

आssss आsss आssssss

दिल मेरा
भर गया
क्यों जीऊँ
किस लिए इस जहां में
ला ला ला ला॰॰
आँसू हर तराना है
अपना जो बेगाना है
अरे है यहाँ घायल जवां ज़िंदगी
ये जहां है क्या
हर आदमी
हा ओ
लुटेरा है
यहाँ कौन है जो तेरा है
मेरे दिल संभाल अंधेरा है
यहाँ कौन है जो तेरा है
हा आ
लुटेरा (हिक)
यहाँ कौन है
जो तेरा है
(हिक)


This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3925 Post No. : 14992 Movie Count :

4102

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Atul Song-A-Day 15K Song Milestone Celebrations – 4
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It is that time of the year again. Time to celebrate another landmark of this beloved blog by all the members who contribute to it. Congratulations to the blog, its members and readers for hitting the 15K landmark.

I tend to ‘wake up’ only during the celebrations, though I like to keep afoot of the blog, not as much as I used to. Time was when I was tethered to a chair and computer for eight hours a day when I was working. There were many hours to be whiled away at times and it was easy to read the blog more often. Now that I am retired and a new member of Grandparents Club, I find less time to sit at the laptop. I often read posts on my mobile and find it hard to post comments from there. Nevertheless, it is still my number two most visited blog. Number one is my own blog, sorry, heh heh.

From something that was once Atul ji’s hobby, posting a song a day, this blog has burgeoned into a treasure trove of information. Various contributors keep the blog humming and it now has two fathers, Atul ji has been joined by Sudhir ji. This makes it easier for the blog to keep growing. There are a number of regular contributors, Arunkumar ji Deshmukh is the Bhishm Pitamah of the blog. Nalini ji is passionate about the blog, commenting and writing posts. Sadanandji, Avinash ji, Nahm ji, Mahesh ji, Satyajit ji, Gajendraji, Satishji are some of the other stalwarts. Raja is a personal friend of mine as well as the co-mentor of the blog. Forgive me if I have forgotten the names of other contributors – my memory is shaky post-retirement. 🙂

What do I love most about this blog? Number one reason is the sheer amount of information I gather by being here. Number two is the consistency of high standards in keeping the posts original and error free. Number three is the liveliness of the blog, the constant refreshment of content.

Hindi film music is a vast ocean, no, it is more like the skies that are endless. Luckily for the lovers of this blog, there will always be new songs and new posts to keep us occupied.

Now about this song. When new movies are promoted on television, they are accompanied by one or two big songs from the film. It becomes the signature song for the movie. Hence we get to know the popular songs from each movie and hum it more often. Yet there are often hidden gems within the songs of each movie, less popular but more beautiful. We do not hear them unless we watch the movie and are struck by it or listen to the complete playlist. ‘Haasil’ has a signature song too, “Ankhen Bhi Hoti Hain Dil Ki Zubaan”. But I am struck more by this song – “Ab Ghar Aa Ja”, a classical number which plays in the background during a poignant passage in the film.

‘Haasil’ (2003) was directed by Tigamanshu Dhulia and featured Jimmy Shergill, Irfan Khan and Hrishita Bhatt. College politics and gang war in Allahabad form the backdrop in which Jimmy and Hrishita meet and fall in love. Unfortunately, Jimmy becomes involved in the gang wars between two student leaders and is forced to flee to Mumbai. But soon he realises that he cannot keep hiding and lose his girlfriend in the bargain. He decides to return to Allahabad and face the consequences.

This song plays when the hero is traveling back to Allahabad from Mumbai in a train. The picturisation is very apt, the hero is pensive as he misses his girl, also because he knows he is soon going face danger. His mood is reflected in this slow classical number.

This song will debut the movie ‘Haasil’ on the blog. If I am not mistaken, singer Javed Ali debuts on the blog too. I hope you will like the song as much as I do.

Video

Audio

Song – Ab Ghar Aa Ja, Piya Morey Aa Ja (Haasil) (2003) Singer – Javed Ali, Lyrics – Satyaprakash, MD – Jatin Lalit

Lyrics
(Based on Video Version)

piya morey aa ja

tum bin kaun
mora dukh jaane
ab ghar aa ja

kaahe aiso nithur
bhayo bataa de
ho
kaahe aiso nithur
bhayo bataa de
ho
tum bin saawan jiyaara jalaave
ab… ghar aa ja

hum se chhal na kariyo
piya morey
hum se chhal na kariyo
piya morey
hamri preet hai
tumhri pooja
hamri preet hai
tumhri pooja
ab… ghar aa ja
ghar aa ja
ghar aa ja
ghar aa..aa ja

(Based on Audio Version)

ab.. ghar aa ja
piya morey aa ja

ab ghar aa ja
piya morey aa ja 
ab ghar aa ja
piya morey aa ja 
tum bin kaun
mora dukh jaane
tum bin kaun
mora dukh jaane
ab ghar aa ja
piya more aa ja
tum bin kaun
mora dukh jaane
ab ghar aa ja…

kaahe aiso nithur
bhayo bataa de
ho
kaahe aiso nithur…
nithur…
kaahe aiso nithur
bhayo bata de
ho
tum bin saawan
jiyara jalaave
ab ghar aa ja
piya morey aa ja
ab ghar aa ja

hum se chhal naa kariyo
piya morey
ham se chhal naa kariyo… piya…
piya…
piya…
piya…
hum se chhal naa kariyo
piya morey
hamaree preet hai
tumhri puja
hamaree preet hai
tumahri puja

ab ghar aa ja
piya morey aa ja
tum bin kaun
mora dukh jaane
tum bin kaun
mora dukh jaane
ab ghar aaja…
ghar aa ja…
ghar aa..aa ja…

———————————————————-
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————-

(विडियो पर आधारित)

पिया मोरे आ जा

तुम बिन कौन
मोरा दुख जाने
अब घर आ जा

काहे अइसो निठुर
भयो बता दे
हो
काहे अइसो निठुर
भयो बता दे
हो
तुम बिन सावन
जियरा जलावे
अब॰ ॰ ॰ घर आ जा

हमसे छल ना करियो
पिया मोरे
हमसे छल ना करियो
पिया मोरे
हमरी प्रीत है
तुम्हरी पूजा
हमरी प्रीत है
तुम्हरी पूजा
अब॰ ॰ ॰ घर आ जा
घर आ जा
घर आ जा
घर आ॰॰आ जा

(औडियो पर आधारित)

अब॰ ॰ ॰ घर आ जा
पिया मोरे आ जा

अब घर आ जा
पिया मोरे आ जा
अब घर आ जा
पिया मोरे आ जा
तुम बिन कौन
मोरा दुख जाने
तुम बिन कौन
मोरा दुख जाने
अब घर आ जा
पिया मोरे आ जा
तुम बिन कौन
मोरा दुख जाने
अब घर आ जा॰ ॰ ॰

काहे अइसो निठुर
भयो बता दे
हो
काहे अइसो निठुर॰ ॰ ॰
निठुर॰ ॰ ॰
काहे अइसो निठुर
भयो बता दे
हो
तुम बिन सावन
जियरा जलावे
अब घर आ जा
पिया मोरे आ जा
अब घर आ जा

हमसे छल ना करियो
पिया मोरे
हमसे छल ना
करियो॰ ॰ ॰ पिया॰ ॰ ॰
पिया॰ ॰ ॰
पिया॰ ॰ ॰
पिया॰ ॰ ॰
हमसे छल ना करियो
पिया मोरे
हमरी प्रीत है
तुम्हरी पूजा
हमरी प्रीत है
तुम्हरी पूजा

अब घर आ जा
पिया मोरे आ जा
तुम बिन कौन
मोरा दुख जाने
तुम बिन कौन
मोरा दुख जाने
अब घर आ जा॰ ॰ ॰

घर आ जा॰ ॰ ॰

घर आ॰॰आ जा॰ ॰ ॰


This article is written by K Satish Shenoy, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3924 Post No. : 14991 Movie Count :

4101

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Atul Song-A-Day 15K Song Milestone Celebrations – 3
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Founders of Infosys (who started their venture reportedly on a Rs 10K seed capital) may not have imagined where their efforts will lead to, one day. Apple company, which started their journey from a garage, may not have guessed how big they will grow one day.  Atul Ji when he single-handedly started this blog (with moral encouragement from friends like Raja Ji – as I understand & others who showed thumbs up at that time) may not have had an idea how far the journey will progress.

But here we – Atulites – are, looking at 15000 posts!!!!. No mean feat in the era of information & social media explosion. No success is without a reason. I would say that sheer commitment, passion, dedication of Atul Ji,  Sudhir ji, Arun Ji, Sadanand Ji and all the other contributors & innumerable visitors to the blog have helped to make it to where we are today. Acha lagata hai na?

This post utilises three punch words, all prompted by today’s song.  They are : ‘achha lagata hai’, ‘seedhe point pe aao na’  & ‘short me batalao na’.

I have covered ‘achha lagata hai’ in first para. I will now ‘come to the point’ in this Para  🙂 . Today’s song is from film ‘Aarakshan’ (2011). After ‘permission’ from seniors, to write on recent songs, I have chosen this one. This film makes its debut in ASAD, with this post.

The film is by Prakash Jha on the topic of reservation. I have seen this movie. It was not at all hard hitting as I expected. But I loved the music by Shankar Ehsaan Loy. The singers are Mohit Chauhan & Shreya Ghoshal. Lyrics are by Prasoon Joshi. I took to this song from the word Go. Fresh tune, feel young lyrics, joyously sung, lovingly enacted by Saif & Deepika, exciting orchestration are what appealed to me. ‘sun ke achha laga‘. I hope aap ko bhi achha lagega . I feel young all over again listening to this song 🙂 .

Today’s generation loves to keep it short – no patience for details/clarity, eh?  ‘LOL’, ‘ASAP’ ‘ILU’ and such short forms are the flavour of the youngsters. Hence, as for the last punch word ‘short me batalao na’, I end this post. 🙂

Video

Audio

Song – Achha Lagta Hai (Aarakshan) (2011) Singer – Mohit Chauhan, Shreya Ghoshal, Lyrics – Prasoon Joshi, MD – Shankar Ehsaan Loy
Chorus

Lyrics (Based on Audio Version)

jhatak kar zulf jab tum
tauliye se baarishein azaad karti ho
achha lagta hai
hila kar honth jab bhi
haule haule guftagu ko saaz karti ho
achha lagta hai

oo oo oo
khushboo se behlaao na
seedhe point pe aao na
aaankh me aankhein daal ke keh do
khwaabon mein tehlaayo na
zara short mein
batlao na
seedhe point pe
aao na
seedhe point pe aao na. . .

la la laa laa
la la lal laa laa
la la laa laa
la la lal laa laa

alag ehsaas hota hai. . .
tumhaare paas hone ka
sarakti sarsarahat ki nadi mein reshmi lamhe
bheegone ka

o ho ho
zara sa mod kar gardan
jab apni hi adaa pe naaz karti ko
achha lagta hai

oo oo oo
lafzon se behlaao na
jhoothi moothi behkaao na
haathon ko haathon mein le ke
wo teen shabd tapkaao na
zara short mein
batlaao na
seedhe point pe
aao na
haan seedhe point pe aao na. . .

wo tere dhyaan ki khushboo
main sar tak odh leta hoon
bhatakti saans ko
teri gali mein gungunaane
chhod deta hoon

ho ho ho
tum apni khidkiyon ko khol kar
jab bhi naye aaghaaz karti ho
achha lagta hai

oo oo oo
gali gali gali gali gali
gali bhatkaao na
ghadi ghadi uljhaao na
senti ho
main jaan gai hoon
action bhi dikhlaao na
zara short mein
batlaao na
seedhe point pe
aao na
o seedhe point pe aao na. . .

achhaa. . .

o seedhe
o seedhe
o seedhe point pe
aao na. . .

la la laa laa
la la lal laa laa
la la laa laa
la la lal laa laa
la la laa laa
la la lal laa laa

———————————————————-
Hindi script lyrics (Provided by K Satish Shenoy)
———————————————————-

झटक कर ज़ुल्फ़ ज तुम तौलिये से
बारिशें आज़ाद करती हो
अच्छा लगता है
हिला कर होंठ जब भी
हौले हौले गुफतगु को साज़ करती हो
अच्छा लगता है

ओ ओ ओ
खुशबू से बहलाओ ना
सीधे पौइंट पे आवो ना
आँख में आंखे डाल के कह दो
ख़्वाबो में टहलाओ ना
ज़रा शौर्ट में
बतलाओ ना
सीधे पौइंट पे
आवो ना
सीधे पौइंट पे आवो ना॰ ॰ ॰

ल ल ला ला
ल ल लल ला ला
ल ल ला ला
ल ल लल ला ला

अलग एहसास होता है॰ ॰ ॰
तुम्हारे पास होने का
सरकती सरसराहट की नदी में रेशमी लम्हे
भिगोने का
ओ हो हो
ज़रा सा मोड़ कर गर्दन
जब अपनी ही अदा पे नाज़ करती हो
अच्छा लगता है

ओ ओ ओ
लफ्जों से बहलाओ ना
झूठी मूठी बहकाओ ना
हाथों को हाथ में ले के
वो तीन शब्द टपकाओ ना
ज़रा शौर्ट में
बतलाओ ना
सीधे पौइंट पे
आवो ना
सीधे पौइंट पे आवो ना॰ ॰ ॰

वो तेरे ध्यान की खुशबू
मैं सर तक ओढ़ लेता हूँ
भटकती सांस को
तेरी गली में गुनगुनाने छोड़ देता हूँ
हो हो हो
तुम अपनी खिड़कीयों को खोल कर
जब भी नए आग़ाज़ करती हो
अच्छा लगता है

ओ ओ ओ
गली गली गली गली गली
गली भटकाओ ना
घड़ी घड़ी उलझाओ ना
सेंटी हो
मैं जान गई हूँ
एक्शन भी दिखलाओ ना
ज़रा शौर्ट में
बतलाओ ना
सीधे पौइंट पे
आवो ना
सीधे पौइंट पे आवो ना॰ ॰ ॰

अच्छा ॰ ॰ ॰

ओ सीधे
ओ सीधे
ओ सीधे पौइंट पे
आवो ना॰ ॰ ॰

ल ल ला ला
ल ल लल ला ला
ल ल ला ला
ल ल लल ला ला
ल ल ला ला
ल ल लल ला ला


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3923 Post No. : 14989

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Atul Song-A-Day 15K Song Milestone Celebrations – 2
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Welcome all to this special occasion where we are now celebrating Fifteen thousand song-posts on the blog!!!  My heartiest congratulations to Atul ji, Sudhir ji and our respected senior and other team members on the blog and to all of our readers and well-wishers of this blog.

Well, my ‘love story’ (‘Prem Kahaani’, pehle ‘affair’ likhnewaala tha, phir ‘relationship’, phir thhik karke ‘love story’ likha  🙂 ) with this blog started around 2009 and it was because of Sahir Saab’s song ‘Dil Karta O Yaara Dildaara Mera Dil Karta’ (which I was looking because it was in my memory and nostalgic for me). So, thanks are very much due to Sahir Saab and I thank him for that. (I am sure he is accepting it there 🙂 )

My first comment was also on a song penned by Sahir Saab ‘Kashti Ka Khamosh Safar Hai’ – that was in 2009. Still, it took me three years more to become a contributor on this blog which happened in 2012.

How much I loved this blog and how HFM was my hobby earlier and became a passion later, and how HFM and this blog became an important part of my life thereafter, has been mentioned by me in few of my other posts on the blog. So, I will not go into more details on that. Rather I would like to write what I have not said earlier.

I came into writing when I was studying into eighth standard and my first article was published from a district newspaper from Akola then. It was an article about Chetan Chauhan when he was dropped from the playing side of India in test cricket. After that few more articles, all on cricket, were published in the same newspaper that time. Simultaneously after that I was approaching tenth standard and the board examinations, but still cricket was always on top in my mind. I did send few articles to the popular magazines in circulation then, but they were returned with some suggestions to me and that gave me a learning on how to plan and arrange the articles.

However, everything changed after I passed out matriculation and joined vocational subjects in eleventh instead of the subjects I liked most i.e. ‘Arts’. I have mentioned that journey on the blog in this article here. And during these two years I was more on movies and cricket and so as expected I failed in the examination. After that I joined a construction company and start working there and continued to working after that.

Now between all these years i.e. 1985 to 2009 I was working and continuing with my hobby of collecting cassettes, watching movies, listening music. And that was the biggest recreation and motivation for me during all those years. It so happened in 2009 that my close friends working in the same company with me in Kachchh but in different units/departments, push me to take up writing and that is how I started my blog and after that my younger daughter who used to write regularly became a part of that blog.

So finally the circle came to round and life brought me back to my passion of writing after a gap of almost twenty-seven years. And when I came into contact with this blog and started sending my contribution for lyrics earlier in 2012 I thought to give a try for writing articles and my first article appeared on the blog in 2013.

When I became a lyric contributor to the blog, that was my ‘new birth’ and at that point, life started again for me with new purpose, new energy, inspiration and motivation. And all these factors – purpose, energy, inspiration, motivation, celebration, and nostalgia keep growing further as my journey with the blog has been continued and still going …

Many childhood memories of watching movies, of songs from movies of yesteryears, keep surfacing and it was like one memory triggering other memory and bringing close to its related vague memories of those beautiful years. I started getting connected to many incidences which were lying dormant in my memory or which I had forgotten. And, I must say that since coming into the contact with the blog and specially after having HFGK Vol-V (1971-1980) when I started sharing song posts of songs with the seventies, I had been transformed to that era only when my age was growing between eight to fifteen years.

In my circles whenever someone asks my age, I always used to tell them that ‘I am only seventeen years old and do not to grow more than that’. But the blog has reduced my age between eight-fifteen and I keep shuffling in that ‘age-era’ only i.e. if I considered up to 1983. And if I considered up to 1980 then my age is twelve years only.

I think I have also mentioned this earlier that finding this blog and being a part of this was a feeling like ‘this was the destination of my life’ and ‘all these years of life I was alive for this purpose only’. Always feeling fortunate and blessed to be a part of this journey and a member of this team …

Meeting some of the team members and seniors in the group during the ‘gang-outs’ has given many unforgettable memories and those are the most cherished moments of my life. And it is going to continue in future too 🙂 . The joy from discussions during such meetings and sharing of thoughts also cannot be expressed in words. And most importantly during such meetings I also got a chance to meet many respected and dedicated ‘like-minded peoples’ who in their own capacity are not less than a ‘encyclopaedia’ about yesteryears Hindi films and Hindi film music.

Thanking again to Atul ji and all other members and this wonderful blog. . . I am trying to express my feelings in the following ‘poem’;

उन यादों को, उन किस्सों को,
उस कहानी को,
शायद इसी दिन के लिए संभाला था
मन गुंजन करता ये भंवर
शायद इसी पल के लिए बेताब था

 दिल का ये भंवर
नादान ही तो था
कुंज कुंज करता गुंजन
भीतर भीतर बेचैन था
मिले जो आप तो ये चहकने लगा
सुरीली यादें बिखेरने लगा
बचपन फिर से मुस्काया
जवानी ने जैसे ली अंगडाई
एक कहानी को मंजिल मिली
कुछ यादों को भूली हुयी तारीख मिली
कुछ किस्सों को एक पड़ाव मिला
तन्हाई को एक महफ़िल मिली
साथी नए नए मिले
सुरीले सफ़र का कारवां मिला

 

And let us now enjoy the song with a vintage Kishore voice from the 1971 movie ‘Kal Aaj Aur Kal’. (Yes, the year of this movie is to be corrected as ‘1971’ on the blog and for the two posts already posted on the blog. Though in the second post one tag ‘songs of’ is correct i.e. ‘songs of 1971’)

‘Kal Aaj Aur Kal’ was directed by Randhir Kapoor for R.K. Films, Bombay. This was Randhir Kapoor’s first movie too and he was introduced or launched in style with also given direction of this movie. It was produced by Raj Kapoor.

It had Prithviraj Kapoor, Raj Kapoor, Babita, Narendranath, Roopesh Kumar, Achala Sachdev, David, Tiwari, Iftekhar, Abhi Bhattacharya, Vishwa Mehra, Sarita, Aarti, Asha Chandra, Shri Ram Shastri, Mansaram, Sumita Khurana, Pardesi, Uma Dutt, Rashid Khan, Mandhir Siyal, Prakash Mishra, Ranveer Raj, Ghanshyam Rohida and others.

Story, Screenplay and Dialogues of this movie were written by Virendra Sinha. Editing of this movie was done by S.R. Kabre. It was passed by Censor Board on 11.11.1971.

This movie has six songs penned by three lyricists – Hasrat Jaipuri (two songs), Neeraj (three songs) and Shaily Shailendra (one song). Music for this movie is composed by Shankar-Jaikishan. Asha Bhonsle, Kishore Kumar, Manna Dey, Mukesh, and Sharda had given their voices to the songs in this movie.

I think I have watched some part of this movie or may be the whole movie on TV or somewhere else, but I do not remember it now except I remember vaguely about its storyline. Knowledgeable readers may kindly throw more light on this movie and its songs please.

Two songs from this movie have already been posted on the blog earlier. And the today’s song is the third song of this movie being presented on the blog on the special occasion of ‘Blog’s 15k Songs Festival’ 😊

Today is also the 97th birth anniversary of songwriter Hasrat Jaipuri.


Song – Bhanwre Ki Gunjan Hai Mera Dil (Kal Aaj Aur Kal) (1971) Singer – Kishore Kumar, Lyrics – Hasrat Jaipuri, MD – Shankar Jaikishan
Chorus

Lyrics

bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye

mujhe kab se thhi pyaar ki justaju
meri zindagaani mein hai tu hi tu
mujhe kab se thhi pyaar ki justaju
meri zindagaani mein hai tu hi tu
main aaya hoon duniya mein tere liye
mere dil mein jhoomein teri aarzoo
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye

tere liye
hmm hmm hmm
aa ha haa
hmm hmm hmm
tere liye
hmm hmm hmm
hmm hmm hmm

gagan se bhi ooncha mera pyaar hai
tujhi par mitoonga ye iqraar hai
gagan se bhi ooncha mera pyaar hai
tujhi par mitoonga ye iqraar hai
tu itna samajh le
mere humsafar
tere pyaar se mera sansaar hai
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye

bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye

hmm hmm hmm
he he he ae
hmm hmm hmm
ho ho ho ho

tiri ri ri ri ri ri ee ee ee
hmm hmm hmm
tudu du du du du oo oo oo
hmm hmm hmm
tiri ri ri ri ri ri ee ee ee
hmm hmm hmm
tudu du du du du oo oo oo

———————————————————-
Hindi script lyrics (Provided by Avinash Scrapvaala)
———————————————————-

भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए

भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए

मुझे कब से थी प्यार कि जुस्तजू
मेरी ज़िंदगानी में है तू ही तू
मुझे कबसे थी प्यार कि जुस्तजू
मेरी ज़िंदगानी में है तू ही तू
मैं आया हूँ दुनिया में
तेरे लिए
मेरे दिल में झूमें
तेरी आरज़ू 
भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए

तेरे लिए
हम्म हम्म हम्म
आ हा हा
हम्म हम्म हम्म
तेरे लिए
हम्म हम्म हम्म
हम्म हम्म हम्म

गगन से भी ऊंचा मेरा प्यार है
तुझी पर मिटूंगा ये इक़रार है
गगन से भी ऊंचा मेरा प्यार है
तुझी पर मिटूंगा ये इक़रार है
तू इतना समझ ले
मेरे हमसफ़र
तेरे प्यार से मेरा संसार है

भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए

भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए

हम्म हम्म हम्म
हे हे हे ए
हम्म हम्म हम्म
हो हो हो हो

टीरी रि रि रि रि ई ई ई
हम्म हम्म हम्म

टुडू डू डू डू डू ऊ ऊ ऊ
हम्म हम्म हम्म
टीरी रि रि रि रि ई ई ई
हम्म हम्म हम्म
टुडू डू डू डू डू ऊ ऊ ऊ

 


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 15000 song posts by now.

This blog is active and online for over 3900 days since its beginning on 19 july 2008.

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Movies with all their songs covered =1167
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