Archive for the ‘Song excluded from movie’ Category
Hey Re Dayamay, Apni Daya Se
Posted on: September 18, 2023
- In: Appealing to the Almighty | Artist's debut song/ movie | Asha Bhonsle songs | Bhajan | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Mukesh songs | Nitin Mukesh songs | Post by Sudhir | Prayer | Song excluded from movie | Song sung by three or more singers | Songs of 1960s (1961 to 1970) | Songs of 1970 | Sushma Shreshtha Songs | Thanking the Almighty | Yearwise breakup of songs
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This is the 18,000th post on this blog.
|
Blog Day : |
5540 | Post No. : | 18000 |
The Voice of Mukesh #77
– – – – – – – – – – – – –
We are now in the 16th year of the existence of this blog. The centenary anniversary of Mukeh has just passed. Today is the five thousand five hundred and fortieth day of publication of this blog. A little while back, earlier today, we had the 16 million, 48 thousand and seven hundredth visitor, to come visit this part of the virtual universe, maybe looking for a specific song, or information or lyrics. We are now a standard benchmark in the online world.
And we bring to you today, the 18 thousandth post being added this incredible library.
Is time real? Is there this invisible milieu that stretches forever in all directions? Or this is just an awareness that progressively witnesses a changing world around us? Is there a changing, decaying entity with in us, which actually experiences this awareness and generates a perception of a flow? And we name this time.
I do not recall where was I on the 19th July of 2008. Must have been a normal day, and a normal flow of experiences. Wonder what others may recall for that day. I am sure Atul ji and Raja ji will surely recall. For they were the doers of setting in motion, this phenomenon. Nothing grandiose was on the horizon. Just that an engineer with Railways, with a penchant for music of Hindi films, wanted to start writing about that music. All in a very humble way.
The expectations may not even have materialized in Atul ji’s mind. Maybe a thousand posts, for a thousand songs, and then to move on to a new endeavor. Maybe something more about cricket. Or may be, another thousand songs, kind of the total Hindi film universe that was inside Atul ji’s mind.
Maybe what Atul ji also did not realize at that time. His humble initiation of this effort, would soon take on a life of its own. Ah yes, it did. And it slowly, imperceptibly transformed into this amazing wonderment on the internet – the ASAD phenomenon.
People recognize it now, they talk about it. The mention of ASAD in certain type of gatherings sounds normal. Everyday nearly three thousand people will visit here. That makes it an average of 120 visits per hour, and so on and so forth – the math can be extrapolated in so many diverse ways.
The phenomenon is in the making. It is generating a history of its own. The richness of information that is being compiled everyday provides many views into the ASAD universe. Maybe, maybe, in some future, this blog will be a subject of research and analysis.
The table below provides a very simple view into the progression of the thousandth milestones over the past years.
| Milestone | Song Title | Film and Year | Date and Day | Blog Day | ||
| 1000 | Piya Ham Saat Mulk Ka Paani | Lootmaar | 1980 | 30-Mar-09 | Mon | 255 |
| 2000 | Dhakdhak Karti Chali Jeewan Ki Rail Re | Dilruba | 1950 | 27-Sep-09 | Sun | 436 |
| 3000 | Maa Mujhe Apne Aanchal Mein Chhupaa Le | Chhota Bhai | 1966 | 20-Sep-10 | Mon | 794 |
| 4000 | Kyaa Se Kyaa Ho Gayaa Bewafaa Tere Pyaar Mein | Guide | 1965 | 13-Jun-11 | Mon | 1,060 |
| 5000 | Hamen To Loot Liyaa Mil Ke Husn Waalon Ne | Al Hi Laal | 1958 | 13-Nov-11 | Sun | 1,213 |
| 6000 | Geet Kitne Gaa Chuki Hoon | NFS – Asha Bhosle | 1960 | 23-May-12 | Wed | 1,405 |
| 7000 | Falak Se Utre Zameen Pe Taare | NFS – Mohammed Rafi | 1960s | 13-Nov-12 | Tue | 1,579 |
| 8000 | Beautiful Baby Of Bombay | Ek Phool Chaar Kaante | 1960 | 28-Apr-13 | Sun | 1,745 |
| 9000 | Ankhiyan Sang Ankhiyaan Laagi Aaj | Badaa Aadmi | 1961 | 13-Nov-13 | Wed | 1,944 |
| 10000 | Phul Rahin Belariyaan Dolen | Trapped | 1931 | 20-Jul-14 | Sun | 2,193 |
| 11000 | Kaam Ki Dhun Mein Hain Rawaan | Gyaarah Hazaar Ladkiyaan | 1962 | 31-Mar-15 | Tue | 2,447 |
| 12000 | Door Desh Se Aane Waale. . . Piya Milenge | Gaja Bhaau (Marathi) | 1943 | 20-Apr-16 | Wed | 2,833 |
| 13000 | Dil Tumse Lagaaya Kyun Hamne | Captain Azaad | 1964 | 4-Mar-17 | Sat | 3,151 |
| 14000 | Khayaam Hai Allah Waala | Omar Khayyaam | 1946 | 1-Feb-18 | Thu | 3,485 |
| 15000 | Deepak Jo Gaaye So Paaye Gyaan Dhyaan | Shahenshah Akbar | 1943 | 21-Apr-19 | Sun | 3,929 |
| 16000 | Ham Wafaadaar Nahin Tu Bhi To Dildaar Nahin | Toofaani Teerandaaz | 1959 | 27-Oct-20 | Tue | 4,484 |
| 17000 | Kadamb Taley Aa Jaiyo Ho Kateele Kaajalwaale | Zaalim Jawaani | 1932 | 12-Jun-22 | Sun | 5,077 |
| 18000 | Hey Re Dayamay, Apni Daya Se | Ghar Ghar Ki Kahani | 1970 | 18-Sep-23 | Mon | 5,540 |
Prior to the five thousandth post, the passing of the first four thousandth milestones were kind of non-events. Not ignored, but also not celebrated as we do now. For example, the thousandth song, while acknowledging the milestone, was in fact a short write up, and just two comments – from Lalitha ji and Raja ji.
A similar handling of the two thousandth post. Acknowledge the milestone, the write up maybe a little longer than the one for the first thousandth, and three people commented.
Things started to become more interesting with the third thousandth milestone. It was a long post, written by Raja ji. Eight people commented on the post, out of which 4 were simply requests for an English translation of the lyrics. But the write up is really great.
With the fourth thousandth post, we step into the space of real serious writing, accompanied by serious discussions and comments. The write up is classic. [Raja ji – where are you, missing your presence on the blog for a long time now]. Ten people commented – and real serious discussions in comments too, with multiple back and forth conversations.
By the time we arrive at the fifth thousandth post, the pattern is now set in seriousness. The search and choice of the song, and the write up itself, discussion in comments – everything has now become a considerable enterprise.
Beyond that, the search for songs has become a major effort. The attempt is to bring on board songs with a dramatic uniqueness, and a quality of rarity associated with it. Let us come to the song for today’s eighteenth thousandth post.
The centenary celebration for Mukesh has just happened some weeks back. A back and forth conversation has been happening between Mahesh ji and myself, apropos this song – when to uncover this and when to post.
The song being presented today is in a category of rarity all of its own. In a manner of speaking this song is simply one of its kind. As far as I have been able to ascertain, there is no other song of this type. Yes, it is a Mukesh song. And the remarkable feature of this song – it also has the voice of Nitin Mukesh. As far as I could search and confirm, this is the only song that contains the voices of this father son singer duo. This makes it special, as well as rare.
The aspect of rarity is really a uniqueness of this song, and also the reason that it has remained away from limelight since its creation more than 53 years ago. It was created and recorded but it did not appear in the movie. The producer/director of the movie made a decision not to include it in the film. And the next misfortune that befell this song is that it never got published on a gramophone or a vinyl record. In essence, this song was lost to the outside world, for good.
Well almost. It most probably survived on a spool tape after it was recorded. It never got forwarded to the gramophone company to be published. It would have been part of some original planning sheets for the songs of the film. When the decision was made to exclude it, then it got excluded even from the booklet and other publicity material prepared for the film. And so, except for some very secluded existence, this song was obliterated from view of the known world.
We get the first inkling of its existence when the Surat based film historian and die hard Mukesh fan Shri Harish Raghuvanshi ji listed it in the updated and enlarged 2nd edition of the Mukesh Geet Kosh, which he pubished recently in 2020. There were murmurs heard earlier about the possibility of a song containing the voice of this father son duo, but nothing proven ever came to light.
And even so, in the 2nd edition of the Mukesh Geet Kosh, Harish ji identifies and lists this song at number 978, he still does not identify two major features of this song. First, he has included this song in the non-film songs section of the book. Secondly, the name of Nitin Mukesh is not listed as one of the singers. For that matter, the name of Sushma Shreshtha is also not listed. However, a foot note is added for good measure, which says that based on available information, this song was created by Kalyanji Anandji for the 1970 film ‘Ghar Ghar Ki Kahani’, and that it was excluded from the film.
The actual song itself makes it first appearance online a little over five years ago. There is YouTube channel by the name ‘Pavan Tanay’. The owner of this channel uploaded this song on 28 November, 2017. All good so far. A kind hearted gentleman who brings forth one of the rarest treasures of HFM, and puts it on his channel without much fanfare.
But in doing this favor to the world, he also created an exacerbating problem for all. He provides completely erroneous information about the antecedents of this song. He links this song to the 1982 film ‘Hum Sab Ek hain’, with MD’s name given as Khayyam, and the lyricist’s name given as Jaan Nisar Akhtar.
[Author’s Note: This post was planned to be done yesterday. But then this spin on the correct credits of this song took away practically my entire day in trying to resolve this confusion. Mahesh ji has been part of that multi pronged effort of mine yesterday.]
I have this song in my collection for a while now. It was given to me by another dear friend and collector of Hindi films and songs, Ahsaan Qasim, who is based in Hapur, near Delhi. So when Mahesh ji sent me the link from the ‘Pavan Tanay’ channel some days back, and I viewed it now just as part of the preparation for this post – it felt like a googly bowled at me.
So more research started. The first discovery was that yes there is a film by a similar name in 1982, listed in the Geet Kosh volume 6. I say similar, because the correct name of the film is ‘Hum Ek Hain’, and not ‘Hum Sab Ek Hain’. That actually pointed us towards the fact that this ‘Pavan Tanay’ channel could well be full of erroneous information. Mahesh ji then confirmed this thought with his message that yes, the channel contains a lot of erroneous info.
But still, the confirmations had to be done. So I was in back and forth conversation with many friends, including Zafar Bhai (who in turn tried to get confirmation from RMIM group of which he is a member), Ahsaan Bhai, Mahesh ji, Vishkarma ji, Bakhshish ji, Javed Bhai and others.
As I checked the Geet Kosh volume 6, the entry listed for this film is completely blank except for the name of the production company and censor details. It is obvious that Hamraaz ji could not also find any additional info, other than what he may have extracted from the censor data. But ‘Pavan Tanay’ upload did point us in the direction of Khayyam. I recalled that Vishwas Nerurkar ji of Bombay has published the filmography and sonography of Khayyam in book form. I then also initiated conversation with him, to confirm. His response was quite clear. Yes the film of 1982 does have music by Khayyam, lyrics by Jaan Nisar Akhtar. But this song is definitely not from that film. He pointed me towards the entry of this film in his book, where two songs are listed. One is a solo in the voice of Mukesh and the second is duet in the voice of Mukesh and Jagjeet Kaur. This four singer song is definitely not from that film.
That settled one part of the controversy. Mahesh ji also pointed out that there is another film from 1969 with the same title ‘Hum Ek Hain’, which is listed in the Geet Kosh volume 4. But that film has music by Usha Khanna, and so it does not stand in contention with the credits for this song. Mahesh ji then also dug out two Wikipedia pages. One page is for Nitin Mukesh. It has this song listed in the list of songs that Nitin Mukesh has sung with other singers. The second Wikipedia page is for the 1970 film ‘Ghar Ghar Ki Kahani’. This page also, thankfully lists this song.
So after much ado (really about nothing – Shakespeare would have been delighted), we agreed to decide in favor of ‘Ghar Ghar Ki Kahani’. It was well past midnight by the time I firmed up this conclusion and decided to go ahead with the post. And as they say – man proposes, fatigue disposes, my writing energy lasted till about 2 am and then I crashed. I wrote to Atul ji that this post will have to wait for the next day, i.e. today, 17th September, 2023, the 5540th day on the blog calendar.
Ah yes, I should have noted this earlier. Although Harish ji’s Mukesh Geet Kosh is silent about the two additional singers, other than Mukesh and Asha Bhosle, the identity has been established and confirmed by listening to the song, and conferring with other knowledgeable friends who have confirmed that the song does have the voices of Nitin Mukesh and Sushma Shreshtha.
Those who have seen the 1970 film ‘Ghar Ghar Ki Kahani’, will recall. The film is a very traditional family drama. The main family has five members, Balraj Sahni and Nirupa Roy as the upright and honest parents, and three children Ravi, Roopa and Raja (roles played respectively by Mahesh Kumar, Baby Sonia (aka Neetu Singh) and Master Ripple). This song sounds like a prayer that the family sings together at Pooja time in their home. Given the cast of actors, and without having a video to support my statements, I would say that Mukesh gives playback to Balraj Sahni, Asha Bhosle gives playback to Nirupa Roy, and Nitin Mukesh and Sushma Shreshtha are giving payback to the child characters Ravi and Roopa.
Nitin Mukesh is born on 27 June, 1950. At the time of recording of this song, he would have completed his 19th year, and would have been in his 20th year. Sushma Shreshtha is born in the year 1960, and would have been just 9 or 10 years old at the time of recording. These ages sound quite right as we listen to these two voices in the second antaraa of this song. That can be considered another piece of evidence in favor of this song being from a 1970 film and not a 1982 film.
Quite an adventure it was – a lot of time spent just because some folks are not careful about the information that they attach to their uploads. At first I was thinking of using the ‘Pavan Tanay’ link for the post, but then decided against it. I then uploaded the song from my own collection, with the correct and complete information.
So we bring this 18,000th offering to this blog. Celebrations delayed by a day, but then what is a day, and what is an era – the feeling of the self inside me is still the same as it was way back in 2010, when I first joined this bandwagon. Nothing has changed. There is music everyday. And that is all that matters. It will be 19 soon, and then 20. And the bandwagon trundles along, along behind the banjaara with a musical instrument on his back, crossing basti basti parvat parvat, without a pause, without a change of pace.
And the music plays on. . .
Let the winds blow
Let the rivers flow
Let the sun and stars
Traverse the skies as they may
Let the music play on
Let the music play on
Time is a figment of imagination
And age is just a number
Let the music play on
Let the music play on
ye hansta hua karvaan zindagi ka na poochho chala hai kidhar
tamanna hai ye saath chalte rahen hum na beete kabhi ye safar
Song – Hey Re Dayamay, Apni Daya Se (Ghar Ghar Ki Kahani) (1970) Singer – Mukesh, Asha Bhosle, Nitin Mukesh, Sushma Shreshtha, Lyrics – [Unattributed], MD – Kalyanji Anandji
Nitin Mukesh + Sushma Shreshtha
All in Chorus
Lyrics
hey re dayamay
apni daya se
hey re dayamay
apni daya se
sachchaai ki shakti do
sab kuchh tum ne hum ko diya hai
bas ek apni bhakti do
hey re dayamay
naam tera is ghar mein goonje
hey giridhar giridhaari
hey giridhar giridhaari
sada phale phoole is jag mein
ye nanhi phulwaari
bhav saagar se
paar kare jo
prem ki aisi kashti do
sab kuchh tum ne ham ko diya hai
bas ek apni bhakti do
hey re dayamay
tum bhi maakhan chor ho mohan
tum bhi maakhan chor ho mohan
hum hain bal gopal re
hum hain bal gopal re
hum se koi bhool jo ho to
karna kshama nandlal re
apne kul ki shaan baney hum
aisi hum ko shakti do
sab kuchh tum ne ham ko diya hai
bas ek apni bhakti do
hey re dayamay
dukh mein hum ko dheeraj dena
sukh mein na abhimaan ho
sukh mein na abhimaan ho
aisi daya karo hum pe dayaalu
sukh dukh ek samaan ho
teri khushi mein khush rahen hum
aisi hum ko shakti do
sab kuchh tum ne ham ko diya hai
bas ek apni bhakti do
hey re dayamay
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
हे रे दयामय
अपनी दया से
हे रे दयामय
अपनी दया से
सच्चाई की शक्ति दो
सब कुछ तुम ने हम को दिया है
बस एक अपनी भक्ति दो
हे रे दयामय
नाम तेरा इस घर में गूँजे
हे गिरधर गिरधारी
हे गिरधर गिरधारी
सदा फले फूले इस जग में
ये नन्ही फुलवारी
भाव सागर से पार करे जो
प्रेम की ऐसी कश्ती दो
सब कुछ तुम ने हम को दिया है
बस एक अपनी भक्ति दो
हे रे दयामय
तुम भी माखन चोर हो
तुम भी माखन चोर हो
हम हैं बाल गोपाल रे
हम हैं बाल गोपाल रे
हम से कोई भूल जो हो तो
करना क्षमा नन्दलाल रे
अपने कुल की शान बने हम
ऐसी हमको शक्ति दो
सब कुछ तुम ने हम को दिया है
बस एक अपनी भक्ति दो
हे रे दयामय
दुख में हमको धीरज देना
सुख में ना अभिमान हो
सुख में ना अभिमान हो
ऐसी दया करो हम पे दयालु
सुख दुख एक समान हो
तेरी खुशी में खुश रहे हम
ऐसी हमको शक्ति दो
सब कुछ तुम ने हम को दिया है
बस एक अपनी भक्ति दो
हे रे दयामय
This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4602 | Post No. : | 16230 |
We have been discussing movies where one song was posted long ago and it took ages before the second song was posted on the blog. The ‘ten-year challenge’ gives us opportunities for posting songs of such movies which have been on the blog and running well 😊, and also movies which took almost twelve years to get all their songs covered on the blog after their debut. (Latest case being the movie ‘Warrant-1975’ which was ‘Yippeeee’ed’ recently. The first song of ‘Warrant-1975’ was posted on the blog in September’2008).
Then there are movies whose songs get posted on ‘regular intervals’ like ‘Olympic’ games or ‘world cup cricket’ 😊
Today we are presenting a song from a movie where the earlier songs appeared on the blog at ‘regular interval’ of ‘four years’. This movie is ‘The Burning Train-1980’.
It debuted on the blog with the famous ‘qawwali’ Pal do pal ka saath hamaaraa which was posted on 08.12.2008.
Then the second this movie was posted on 17.10.2012 – Teri hai zameen tera aasmaan .
Third song got posted on 08.12.2016 which wasWaada, haan jee waada, jab tak amber par taare….
Incidentally the last post of 08.12.2016 was also presented by me. The song talks about ‘waadaa’, but we could not keep our ‘promise’ to post a song after four years i.e.in ‘2020’, even though two songs were lying ready with us. Today’s song , quite appropriately says ‘kisi ke waade pe kyun aitbaar hamne kiya’. 😊. Nevertheless, if not in ‘December-2020’ we are doing it now in ‘February-2021’…
‘The Burning Train -1980’ was directed by Ravi Chopra for B.R. Films, Bombay. It was produced by B.R. Chopra. Ravi Chopra also wrote the story of this movie. It had Dharmendra, Hema Malini, Vinod Khanna, Parveen Babi, Neetu Singh, Danny, Vinod Mehra, Jeetendra, Navin Nischol, Simi, Asha Sachdev, Padmini Kapila, Romesh Sharma, Payal, Asrani, Ranjeet, Iftekhar, Om Shivpuri, Sujit Kumar, Nana Palsikar, Rajendranath, Mukri, Keshto Mukherji, Padma Khanna, Komila Virk, Nazir Hussain, Indrani Mukherji, Paintal, Dinesh Thakur, Yunus Parvez, Shammi, Ravindra Kapoor, T.P. Jain, Jankidas, Jagdish Raj, Gufi, Sudha Shivpuri, M. Rajan, Uma Dhawan, Mac Mohan, Anand Balraj, Prem Bedi, Master Bittoo, Baby Khushboo, Junior Danny, Master Romy, Master Salim and others. Madan Puri, Chandrashekhar, Satyen Kappu and Urmila Bhatt make a guest appearance in this movie.
Its screenplay and dialogues were written by Kamleshwar ji. Pran Mehra was the chief editor for this movie and S.B. Mane and R.P. Bapat assisted him.
This movie was passed by Censor Board 20.03.1980.
This movie had six songs penned by Sahir Ludhianvi and composed by R.D. Burman.
Asha Bhonsle, Kishore Kumar, Mohd Rafi, Padmini Kolhapure and Sushma Shreshtha and Usha Mangeshkar gave their voices to the songs in this movie.
So far, three songs from this movie have been posted on the blog. Here are the details of all the six songs in this movie;
| Sr.no. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Ae Ae la laa laa laa … meri nazar hai tujhpe | Asha Bhonsle | |
| 02 | La laa laa laa …pehli nazar mein hamne to apna… | Asha Bhonsle, Mohd Rafi, Kishore Kumar, Usha Mangeshkar | |
| 03 | Kisi ke waade pe kyon hamne aitbaar kiyaa | Asha Bhonsle | Song under discussion |
| 04 | Waada, haan jee waada, jab tak amber par taare… | Asha Bhonsle, Kishore Kumar | 08.12.2016 |
| 05 | Pal do pal ka saath hamaaraa | Asha Bhonsle, Mohd Rafi | 08.12.2008 |
| 06 | Teri hai zameen tera aasmaan | Sushma Shreshtha, Padmini Kolhapure | 17.10.2012 |
Today’s song is sung by Asha Bhonsle. Lyrics are by Sahir Ludhianvi above and music is composed by R.D. Burman.
Only the audio of this song is available as this song was excluded from the movie.
So, let us enjoy this song now …
(audio)
Song-Kisi ke waade pe kyun aitbaar hamne kiyaa (The Burning Train)(1980) Singer-Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-R D Burman
Lyrics
Aa aa aa aa
Aa aa aa aa
aa aa aa aa
aa aa aa aa
Kisi ke waade pe kyun
Kisi ke waade pe kyun
Aitbaar hamne kiya aa aa
Kisi ke waade pe kyun
Aitbaar hamne kiya aa aa
Naa aane waalon ka kyun
Naa aane waalon ka kyun
Intezaar hamne kiya aa
Kisi ke waade pe kyun
Aitbaar hamne kiya
Naa wo hamaare huye ae
Aur na hum rahe apne
Aa aa aa
Naa wo hamaare huye ae
Aur na hum rahe apne
Muhabbaton ka ajab
Muhabbaton ka ajab
Kaarobaar hamne kiya aa
Kisi ke waade pe kyun
Aitbaar hamne kiya
Wo khel khel rahe thhe
Wo khel khel chuke
Ho o o
Wo khel khel rahe thhe
Wo khel khel chuke
Khataa hamaari thhi kyun
Khataa hamaari thhi kyun
Unse pyaar hamne kiya aa
Kisi ke waade pe kyun
Aitbaar hamne kiya
Bichhad ke unse naa jab
Dil kisi tarah aa aa badla
Ho o o
Bichhad ke unse naa jab
Dil kisi tarah badla
Sharaab-khaane ka rukhh a
Sharaab-khaane ka rukhh
Ikhtiyaar hamne kiya aa
Naa aane waalon ka kyun
Naa aane waalon ka kyun
Intezaar hamne kiya aa aa
Naa aane waalon ka kyun
Intezaar hamne kiya aa aa
Kisi ke waade pe kyun
Aitbaar hamne kiya
- In: Blog ten year challenge (2010-2020) | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Sharda solo song | Sharda songs | Song excluded from movie | Songs of 1970s (1971 to 1980) | Songs of 1971 | Yearwise breakup of songs
- 1 Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4442 | Post No. : | 15889 |
———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 80
———————————————————————————–
15 september 2010, the day exactly ten years ago, saw the blog add its seven songs from seven movies. Here are the details:-
| Song | Movie title-Year | Remarks |
|---|---|---|
| Muhabbat badhaa kar judaa ho gaye | Daastaan-1950 | All Songs covered |
| Daaman naa chhudaa yoon door na kar | Lakeeren-1954 | 05 songs posted |
| Sare mehfil jo jalaa parwaanaa | Shamaa Parwaanaa-1954 | All Songs covered |
| Aa gaya mazaa pyaar ka nashaa | Sarhad-1960 | All Songs covered |
| Teri taqdeer ka sitaaraa kamaal hai | Zabak-1961 | All Songs covered |
| Aap yahaan aaye kis liye | Kal Aaj Aur Kal-1971 | 3 songs posted |
| Ik raastaa hai zindagi | Kaalaa Patthar-1979 | All Songs covered |
Five of these movies have been YIPPEED by now. That leaves us with “Lakeeren”(1954) and “Kal Aaj Aur Kal”(1972) as the two unYIPPEED movies whose songs are eligible for discussion today (15 september 2020) in our Blog Ten Year Challenge.
Now it is time to take up “Kal Aaj Aur Kal”(1971) as well.
“Kal Aaj Aur Kal”(1971) is a movie that had some extremely popular songs in it. The movie had six songs in it. Three of its most popular songs have been covered in the blog so far.
Here are the details of the three songs that have been covered so far:-
| Song | Posted On |
|---|---|
| Tik tik tik tik … Kal aaj aur kal | 12.09.2015 |
| Aap yahaan aaye kis liye | 15.09.2010 |
| Bhanware ki gunjan hai mera dil | 15.04.2019 |
As blog Ten Year challenge exercise, here is a song from “Kal Aaj Aur Kal”(1971) today, just like we had a song from this movie exactly ten years ago. This song is sung by Sharda. Hasrat Jaipuri is the lyricist. Music is composed by Shankar Jaikishan.
Unlike the other three songs from the movie, which were extremely popular, the song under discussion is one that I had never heard before. HFGK mentions that this song was not includeed in the movie.
Lyrics of the song and other BTYC details were sent to me by Avinash Scrapwala.
I wonder if the song, even though it was excluded from the movie, was picturised. I request our knowledgeable readers to throw light on this matter.
Song-Kisi ke dil ko sanam le ke yoon nahin jaate (Kal Aaj Aur Kal)(1971) Singer-Sharda, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan
Lyrics(Provided by Avinash Scrapwala)
kisi ke dil ko sanam
le ke yoon
nahin
nahin
nahin
jaaaate ae
kisi ke dil ko sanam
le ke yoon
nahin
nahin
nahin
jaaaate ae
huzoor aisaa sitam
karke yoon
nahin
nahin
nahin
jaaate ae
kisi ke dil ko sanam
khudaa ke waaste
kuchh der to zaraa aa thehro o o
khudaa ke waaste
kuchh der to zaraa aa thehro o o
qaraar loot ke
aur hans ke yoon
nahin
nahin
nahin
jaaate ae
huzoor aisaa sitam
karke ae yoon
nahin
nahin
nahin
jaaate ae
kisi ke dil ko sanam
jo jaa rahe ho
mujhe bhi to
saath le ke chalo o
jo jaa rahe ho
mujhe bhi to
saath le ae ke chalo o o
ke aanewaale yahaan aa ke
yoon
nahin
nahin
nahin
jaaate ae
huzoor aisaa sitam
karke ae yoon
nahin
nahin
nahin
jaaate ae
kisi ke dil ko sanam
le ke yoon
nahin
nahin
nahin
jaaate ae
kisi ke dil ko sanam
————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————-
किसी के दिल को सनम
ले के यूं
नहीं
नहीं
नहीं
जाते ए
किसी के दिल को सनम
ले के यूं
नहीं
नहीं
नहीं
जाते ए
हुज़ूर ऐसा सितम
करके यूं
नहीं
नहीं
नहीं
जाते ए
किसी के दिल को सनम
खुदा के वास्ते
कुछ देर तो ज़रा आ ठहरो ओ ओ
खुदा के वास्ते
कुछ देर तो ज़रा आ ठहरो ओ ओ
करार लूट के
और हंस के यूं
नहीं
नहीं
नहीं
जाते ए
हुज़ूर ऐसा सितम
करके यूं
नहीं
नहीं
नहीं
जाते ए
किसी के दिल को सनम
जो जा रहे हो मुझे भी तो
साथ ले ए के चलो ओ
जो जा रहे हो मुझे भी तो
साथ ले ए के चलो ओ ओ
के आनेवाले यहाँ आ के
यूं
नहीं
नहीं
नहीं
जाते ए
हुज़ूर ऐसा सितम
करके यूं
नहीं
नहीं
नहीं
जाते ए
किसी के दिल को सनम
Har galli mein Dhoni hai
Posted on: July 7, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4372 | Post No. : | 15710 |
The date today is 7 july 2020. From the HFM point of view, birth anniversaries of Anil Biswas (born 1914) and Saraswati Kumar Deepak (born 1918) falls today. We have already honoured the two artists in two articles earlier today.
Some other important non HFM related things also happened on this day. It was on this day in 1928 that sliced bread was forst sold by Chillicothe Baking Company of Chillicothe, Missouri, USA. Their product, “Kleen Maid Sliced Bread was advertised as “the greatest forward step in the baking industry since bread was wrapped. This gave rise to the popular idiom “greatest thing since sliced bread”. 🙂
It was on this day in 1985 that Boris Becker became the youngest male player in history to win a major tennis singles title. He was 17 years, 7 months and 15 days old when he lifted the Wimbledon singles title. This record was later broken by Michael Chang (does anyone remember him today ?) in 1989 French Open. I had watched this match on TV in the hostel with likeminded sports lovers where Boris Becker defeated South Africa’s Kevin Curren (not to be confused with Zimbabwe cricketer Kevin Curran).
Back home, this date is important for Indian cricket lovers. It was on this day in 1981 that Mahendra Singh Dhoni was born !
I need not remind our fellow Indian cricket lover what Dhoni has done for Indian cricket. In my opinion, India had a few cricketers (five in number) who to my mind enabled Indian cricket to shift to higher gears. These higher gears did not exist before the advent of these cricketers. The first of them was MAK Pataudi, who gave Indian cricketers the first dose of self belief in their abilities. Then the next was Sunil Gavaskar, who with his rock solid batting against the best pace attacks of the world gave Indians the belief that they too could hold their own and occasionally win too. Then came Kapildev. Before him, it was believed that Indians could not bowl fast. He could not only bowl fast, he could be said to have changed the fortunes of Indian cricket and also world cricket, with his exploits in 1983 World Cup. This title win was a fluke, but this fluke win could not have been achieved without the additional gear that Kapildev had brought to Indian cricket. This win brought an enormous change in balance of cricketing powers. Indian, from being an also ran, began to become title contenders in future world cups. In addition, BCCI, the Indian cricket board, began to have an increasing say in running world cricket.
The next influential cricketer was Saurabh Ganguly. Under his captaincy, India cricket team grew a spine and killer instinct which was lacking in Indian cricket prior to him.
And that brings us to our fifth and final Indian cricket influencer extraordinaire, viz M S Dhoni.
MSD Made his debut into the Indian team during Indian team’s Bangladesh tour of 2004. And it was quite a forgettable start. He was run out for zero in his first batting innings. In the second ODI, India were 131/5 in 33. 2 overs. needing a further 99 runs at an asking rate of 5.8 runs. Dhoni joined Kaif in the centre. Those who had watched his exploits at India A level had high hopes on him. Dhoni was only able to score 12 off 11 deliveries and he was the sixth wicket to fall at 155 at 37.2 overs. Wickets kept falling at regular intervals and India had the ignominy of losing to Bangladesh by 15 runs.
Badly stung, India approached the third and final ODI in a murderous mood. Everyone scored runs and India piled on 348. Dhoni got to bat for two deliveries where he scored seven in two deliveries, including a six, the first six of his ODI career.
Though Dhoni did not do much of note in his debut series, he was retained in home series against Pakistan. Coming to bat in the slog overs with India well placed, he once again failed to capitalise and made a disappointing 3 for 7 deliveries.
After four disappointing matches, Dhoni’s fate was hanging by a thin thread. The second ODI at Vishakhapatnam was a make or break match for Dhoni. Luckily for Dhoni and for world cricket, Ganguly, the captain, decided to give Dhoni another chance. Not just that, Dhoni was sent at one down ! And the rest, as they say, is history. Dhoni announced his arrival at world cricket stage with 148 runs. This knock cemented his place in ODI and opened the doors to test selection as well.
By 2007, Dhoni was still a junior player in the team. shock exit of Indian team from 2007 World cup saw many heads roll in Indian cricket. A new form of cricket ,namely T20 cricket was thrust on the rest of the cricketing world by England. England had started ODI world cup back in 1975. They had failed to win any of these world cups. Introducing another world cup of a different format where England had the most experience was clearly an attempt by ECB to finally lift a world cup.
BCCI was unwilling and reluctant to participate in this T20 world cup. But ICC arm twisted BCCI into participating in it. BCCI, in protest, excluded all the seniors from the team and chose a team of younger players, who were expected to be no hopers in the tournament. And Dhoni , who had never captained even in school cricket, was made the captain of the team.
When the world cup ended, India emerged the surprise winner of the tournament. The reluctent BCCI, which wanted to have nothing to do with T20 suddenly saw so much potential in this format that they created IPL. It is something that revolutionised world cricket and brought far more money into cricket than what was the case before. So Indian surprise title win in T20 changed the game of cricket like how it had happened back in 1983.
This T20 win meant that Dhoni was identified as a leader of the team in all formats. And what results he produced ! India, under his captaincy won two more ICC titles , namely ODI world cup in 2011 at home and 2013 Champions Trophy in England. Dhoni became the only captain in history to have won all the three ICC tournaments. No other captain of no other country had come anywhere close.
Under Dhoni’s captaincy, Indian also rose up to become the number one test team. His cricket records are known to all. I will not repeat them here.
The influence that Dhoni had on Indain cricket is comparable to the influence of Kapildev. Both of them came from smaller unfashionable places. Prior to them, international cricket in India was considered the privilege of big city players. When India played their first ODI world cup in 1975, all but one players in the team were from metropolitan cities (Bombay, Delhi, Madras, Bangalore, Hyderabad, Baroda, one from Rajasthan). When Dhoni captained Indian in 2007 T20 tournament, there were players from unfashionable places like Ranchi (Jharkhand), Jullundhar (Punjab), Aligarh (UP), Rohtak (Haryana), Rae Bareli (UP), Kothamangalam (Kerala) etc. And these players did not just make up numbers, they were in the playing XI and added their weight to the team performance.
Dhoni gave plenty of self confidence to players comng from small places with no cricketing history. The fact that such excellent world class players, with such strong temperament can come from small places was a revelation to all. Their inclusion brought fresh ideas and fresh energy into the team composition. These players were not infected by the virus of complacency, lack of killer instinct and choking- that most players coming from big established places seemed afflicted from.
Dhoni’s appeal is India wide and for that matter global. In India, Chennai has adopted him as their favourite son in IPL, where he has served as the skipper right from the first IPL.
A biopic was made on Dhoni which was released in 2016. I found this movie quite rivetting and interesting. I have covered all the songs that appear in the movie with detailed writeups. It turns out that the movie also has a song that was not picturised. And this song is the title song of the movie. This song was released only online in Youtube and was not part of the movie.
This song is a goosebump inducing song if you are an Indian cricket fan like me. This movie was released not just in Hindi, but in some other languages viz Marathi, Tamil, Telugu etc as well. I have listened to this song in all the languages and I love all the versions.
On the occasion of Dhoni’s 39th birthday today, here is this wonderful theme song cum title song from “M S Dhoni-the untold story”(2016). The Hindi version of the song is sung by Rochak Kohli who is also the music director of this song. One can also watch the Marathi, Tamil , and Telugu versions.
The video version is just two minutes long and makes you long for more. You can then listen to the audio version which is over 4 minutes long.
With this song, all the songs of “M S Dhoni-the untold story”(2016) are covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.
Audio (Hindi)
Video
Song-Har Gali mein Dhoni hai (M S Dhoni-the untold story)(2016) Singer-Rochak Kohli, MD-Rochak Kohli
Chorus
Lyrics
o o o o o
o o o o o
o o o o o
chalen chalen to kya chale hum
uden agar to baat hai
hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm
chalen chalen to kya chale hum
o o o o
uden agar to baat hai
jiye jiye to kya jiye hum
o o o o o
laden agar to baat hai
jaage hai chauraahe
kadmo ki ye thapkiyon se jaage hain
maidaanon khul jaao
aa rahe hain hum jo
khalbali to honi hai
har gali mein Dhoni hai
o o o o o
o o o o o
har gali mein Dhoni hai
o o o o
o o o o
har gali mein Dhoni hai ae ae ae ae ae
har gali mein Dhoni hai
ho o
ujaalon ki gar talaash hai
sooraj ka sahar paas hai ae
ujaalon ki gar talaash hai ae ae
sooraj ka sahar paas hai
aa chal ke hum juta len apne hisse ke ujaale
doobe ek sooraj to dusra uga len
kaafi hai apni khaatir yeh mutthi bhar iraade
chalne ke balboote pe hum duniya hila den aen aen aen
awaazo mil jaao
aa rahe hain hum jo
khalbali to honi hai ae
har gali me Dhoni hai
o o o o o
o o o o o
har gali mein dhoni hai
o o o o o
o o o o o
har gali mein dhoni hai ae ae ae ae
har gali me dhoni hai
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3832 | Post No. : | 14840 |
Whenever new technoloy is introduced, people feel threatened. But with time, this new technology not only makes life easy and more enriched, it opens up new employment opportunities.
Take movies for example. Initial movies were silent movies. They required technicians as well as actors.
Movies began to speak from 1927, and in India talkies began in 1931. It suddenly opened up new opportunities. Actors who were ony needed to show their face till then, were now required to speak, and sing as well. Suddenly many good looking actors with poor voices found themselves unemploed.
Movies began to speak, which meant they could speak in various languages and so different language movie industries came up. Language related artists, namely dialogue writers, and lyricists became essential for these movies. Since need of songs was felt so music directors and singers were needed.
As one can see, the “simple” advancement in technology opened up new opportunities and that changed the face of movies. Personnel skilled in languages suddenyly found themselves in demand.
Since Hindi movies came into existence in early 1930s, it followed that most artists of talkies were born in and around early 1900s. So, these early pioneers of Hindi movies were born some one hundred years ago. Many of such early pioneers have already completed their birth centenaries.
This blog began on 19 july 2008. Some Hindi movie stalwards who have completed their centuries after than date are Leela Chitnis, K N Singh, K Amarnath, Gope, Kidar Sharma, Jagmohan Sursagar, Gopal Singh Nepali, Khursheed Bano, Bhagwan Dada, Jaan Nisaar Akhtar, Anil Biswas, Lalita Pawar, G P Sippy, Zohrabai Ambalewali, S D Batish, Kishore Sahu, Hansraj Bahl, Bharat Vyas, Shakeel Badayuni, Chitragupta, Kamal Amrohi, Qamar Jalalabadi, Roshan, C Ramchandra etc.
Lots of artists will have their centenaries in the coming years.
The year 2019 has just begun. Birth centenaries of several artists will fall this year.
Today is 14 january 2019. It is the birth centenary of Kaifi Azmi (14 january 1919- 10 may 2002), who was born on this day exactly one hundred years ago. He was born in Azamgarh in Eastern UP which happens to be about 180 km away from the place where I am based at present.
In the past, when I was based in states like MP, Maharashtra and Chhatisgarh, such birth centenary artists appeared to be born “distant” lands, but ever since I arrived in UP in 2015, I find that many of these famous artists, mostly lyricists, were born in nearly places. For instance, Shakeel Badayuni’s birth centenary fell on 2016, and this place Badayun was about 40 km from Izatnagar, Bareilly where I was based at that time. Azamgarh is 180 km away from Gorakhpur. This year will see the birth centenary of Majrooh Sultanpuri, and guess what , Sultanpur is also nearly, some 200 km away. 🙂
Coming to Kaifi Azmi, he was born as Sayyad Akhtar Hussain Rizvi. Like many other persons of literature, he was influenced by communism and Marxism and his literature reflected that. He became a CPI member in 1943 and a member of Progressive Writers movement in 1945.
He was one of the first shaayars to join Hindi movies as a lyricist. His first movie as a lyricist was “Buzdil”(1951) where S D Burman was the music director. He penned three songs in the movie. All these three songs are already covered in the blog.
According to my calculation, Kaifi Azmi penned some 360 songs in 93 movies. His last movie was “Ek Alag Mausam”(2003) whose songs were released after he had already left for the heavenly abode.
Here is the filmography of Kaifi Azmi.
| Movie | Year | MD | Songs of lyricist in the blog | Song penned by lyricist in movie |
|---|---|---|---|---|
| Buzdil | 1951 | S D Burman | 3 | 3 |
| Bahu Beti | 1952 | S D Batish | 1 | 7 |
| Gul Bahaar | 1954 | Dhaniram | 0 | 1 |
| Hatim Tai Ki Beti | 1955 | A R Qureshi | 1 | 2 |
| Naata | 1955 | S Mohinder | 1 | 1 |
| Sakhi Hatim | 1955 | A R Qureshi | 1 | 5 |
| Shaahi Chor | 1955 | Dhaniram | 1 | 1 |
| Laal e Yaman | 1956 | A R Qureshi | 1 | 6 |
| Sultaana Daaku | 1956 | Bipin Baabul | 0 | 2 |
| Yahudi Ki Beti | 1956 | Kamal Mitra | 1 | 7 |
| Zindagi | 1956 | Md Shafi | 1 | 7 |
| Jannat | 1957 | Husnlal Bhagatram | 0 | 6 |
| Lala Rukh | 1958 | Khayyam | 7 | 7 |
| Chaalis Din | 1959 | Baabul | 5 | 8 |
| Kaaghaz Ke Phool | 1959 | S D Burman | 6 | 6 |
| Apna Haath Jaggannath | 1960 | S D Burman | 8 | 8 |
| Chor Darwaaza | 1960 | Frank | 1 | 6 |
| Ek Ke Baad Ek | 1960 | S D Burman | 8 | 8 |
| Razia Sultaana | 1961 | Pt Lachchiram | 1 | 2 |
| Shama | 1961 | Ghulam Mohammad | 12 | 12 |
| Bijli Chamke Jamuna Paar | 1962 | S N Tripathi | 0 | 7 |
| Naqli Nawab | 1962 | Baabul | 2 | 2 |
| Shola aur Shabnam | 1962 | Khayyam | 2 | 3 |
| Haqeeqat | 1964 | Madan Mohan | 7 | 7 |
| Idd Ka Chaand | 1964 | A R Qureshi | 1 | 9 |
| Kohra | 1964 | Hemant Kumar | 5 | 5 |
| Main Suhaagan Hoon | 1964 | Pt Lachchiram | 4 | 4 |
| Do Dil | 1965 | Hemant Kumar | 7 | 7 |
| Faraar | 1965 | Hemant Kumar | 6 | 6 |
| Anupama | 1966 | Hemant Kumar | 5 | 5 |
| Bahaaren Phir Bhi Aayengi | 1966 | O P Nayyar | 1 | 1 |
| Daak Ghar | 1966 | Madan Mohan | 3 | 6 |
| Uski Kahaani | 1966 | Kanu Roy | 2 | 2 |
| Aakhri Khat | 1967 | Khayyam | 6 | 6 |
| Ghar Ka Chiraag | 1967 | Madan Mohan | 4 | 6 |
| Mera Bhai Mera Dushman | 1967 | Khayyam | Unknown | Unknown |
| Naunihaal | 1967 | Madan Mohan | 4 | 7 |
| Anokhi Raat | 1968 | Roshan | 1 | 1 |
| Saat Hindustaani | 1969 | Laxmikant Pyarelal | 1 | 4 |
| Satyakaam | 1969 | Laxmikant Pyarelal | 3 | 3 |
| Daghabaaz | 1970 | Dilip Roy | 1 | 1 |
| Ek Bulbula Paani Ka | 1970 | Jaidev | 0 | 1 |
| Heer Raanjha | 1970 | Madan Mohan | 8 | 8 |
| Maa Ka Aanchal | 1970 | Madan Mohan | 6 | 6 |
| Maharaja | 1970 | Madan Mohan | 2 | 2 |
| Saat Phere | 1970 | Sudhir Sen | 1 | 6 |
| Chhoti Bahu | 1971 | Kalyanji Anandji | 1 | 1 |
| Do Boond Paani | 1971 | Jaidev | 4 | 5 |
| Parwaana | 1971 | Madan Mohan | 6 | 6 |
| Saaz aur Sanam | 1971 | Chitragupta | 0 | 5 |
| Shaan e Khuda | 1971 | Iqbal Qureshi | 0 | 2 |
| Baawarchi | 1972 | Madan Mohan | 4 | 6 |
| Mangetar | 1972 | Sudhir Sen | 1 | 6 |
| Paakeezah | 1972 | Ghulam Mohammad | 1 | 1 |
| Rivaaz | 1972 | Shankar Jaikishan | 0 | 1 |
| Shair e Kaashmir Mahzoor | 1972 | Prem Dhawan | unknown | unknown |
| Sultaana Daaku | 1972 | Madan Mohan | 2 | 4 |
| Alam Ara | 1973 | Iqbal Qureshi | 0 | 7 |
| Garm Hawa | 1973 | Aziz Ahmad Khan Warsi | 1 | 1 |
| Hanste Zakhm | 1973 | Madan Mohan | 5 | 5 |
| Hindustan Ki Kasam | 1973 | Madan Mohan | 4 | 4 |
| Naina | 1973 | Shankar Jaikishan | 1 | 1 |
| Asliyat | 1974 | Madan Mohan | 0 | 2 |
| Faasla | 1974 | Jaidev | 1 | 4 |
| Sankalp | 1974 | Khayyam | 4 | 4 |
| Dhoop Chhaaon | 1977 | Shankar Jaikishan | 0 | 1 |
| Dil Aur Patthar | 1977 | Iqbal Qureshi | 1 | 6 |
| Kanneshwar Rama | 1977 | B V Karanth | 0 | 2 |
| Ooperwaala Jaane | 1977 | Laxmikant Pyarelal | 0 | 2 |
| Shankar Hussain | 1977 | Khayyam | 1 | 1 |
| Inspector Eagle | 1978 | Madan Mohan | 1 | 3 |
| Subhash Chandra | 1978 | Aparesh Lahiri | unknown | unknown |
| Toote Khilaune | 1978 | Bappi Lahiri | 5 | 5 |
| Angaar | 1980 | Sonik Omi | 0 | 2 |
| Shaitaan Mujrim | 1980 | Ratandeep Hemraj | 1 | 1 |
| Suraag | 1980 | Bappi Lahiri | 2 | 6 |
| Aakhri Mujra | 1981 | Kalyanji Anandji | 0 | 1 |
| Kaanoon aur Mujrim | 1981 | C Arjun | 1 | 1 |
| Deedaar e Yaar | 1982 | Laxmikant Pyarelal | 0 | 2 |
| Lakshmi | 1982 | Usha Khanna | 0 | 2 |
| Arth | 1983 | Jagjit Singh | 3 | 3 |
| Razia Sultaan | 1983 | Khayyam | 1 | 1 |
| Bhaavna | 1984 | Bappi Lahiri | 1 | 5 |
| Ham Rahe Na Ham | 1984 | Bappi Lahiri | 1 | 6 |
| Kahaan Tak Aasmaan Hai | 1984 | Raghunath Seth | 0 | 7 |
| Ek Pal | 1986 | Bhupen Hazarika | 0 | 2 |
| Naseehat | 1986 | Kalyanji Anandji | 0 | 1 |
| Main Aazaad Hoon | 1989 | Amar Utpal | 1 | 1 |
| Phir Teri Kahaani yaad aayi | 1993 | Anu Malik | 0 | 1 |
| Tamanna | 1997 | Anu Malik | 0 | 1 |
| Chaand Grahan | 1997 | Anu Malik | 4 | 7 |
| Khamoshi | 2002 | Jagjit Singh | 0 | 1 |
| Ek Alag Mausam | 2003 | Ravi | 0 | 5 |
| Total movies=93 | 199 | 360 | ||
As can be seen from the filmography, Kaifi azmi has penned many memorable songs that need no introduction. For instance, who can forget the songs of “Kaaghaz Ke Phool”(1959), “Haqeeqat”(1964), or the songs of “Kohra”(1964) and “Anupama”(1966). In “Heer Ranjha”(1970), he not only penned the lyrics but also the dialogues, the dialogues being entirely in verse ! One can look at his filmography and recall the songs from those movies.
On the occasion of his birth centenary, here is a song from “Bahu Beti”(1952). This movie was directed by C L Dheer for Badoda Theatre Limited Bombay. This “social” movie had Geeta Bali, Amarnath, Jaswant, Vijaylaxmi, Rashid, Leela Mishra, S Nazeer, Nazirabai etc in it.
This movie had seven songs in it. Six songs were penned by Kaifi azmi and one by Vishwamita Adil. One song from the movie has been covered in the past.
The first song from the movie was deleted from the movie because of objections of censors. Those were the days when censors could often by quite sensitive towards matters that are taken in their stride today. The lyrics of the song were considered objectionable by the censors. Just imagine, a song penned by Kaifi Azmi was deleted from the movie because its lyrics were found objectionable !
The song luckily continued to remain in the records.
Just as fortuitously, this song happens to be 200th song of Kaifi Azmi appearing in the blog.
Here is this special song from Kaifi Azmi, on the occasion of his birth centenary. This song is sung by Geeta Dutt. Music is composed by S D Batish. Since the video of the song is not available, one can only gess about the picturisation. Seeing that Geeta Dutt’s voice appears in six out of seven songs, one can assume that she had sung for Geeta Bali, the lead actress of the movie. By that assumption, it would seem that this song was picturised on Geeta Bali. Nevertheless, I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Mose chanchal jawaani sambhaali nahin jaaye (Bahu Beti)(1952) Singer-Geeta Dutt, Lyrics-Kaifi Azmi, MD-S D Batish
Lyrics
mose chanchal
mose chanchal
mose chanchal jawaani sambhaali nahin jaaye
mose chanchal
o mose chanchal
mose chanchal jawaani sambhaali nahin jaaye
koi chupke se aaye
koi man ko lubhaaye
koi aakar jawaani ko sang le jaaye
mose chanchal
mose chanchal
mose chanchal jawaani sambhaali nahin jaaye
gudgudaati hai tanhaai hardum mujhe
chhedta hai akele mein mausam mujhe
raat sapne dikhaaye
bhor kaanon mein gaaye
thhandi thhandi hawa mora ghoonghat uthhaaye
mose chanchal
o mose chanchal
mose chanchal jawaani sambhaali nahin jaaye
naachti hain chaman mein hawaayen nayin
seekh lin aaj dil ne aaj adaayen nayi
koi hilmil ke gaaye
koi painge badhaaye
koi majboot baahon mein jhoola jhulaaye
mose chanchal
o mose chanchal
mose chanchal jawaani sambhaali nahin jaaye
more nainon se masti barasne lagi
ujli ujli si ye maang dasne lagi
koi chunri audhaaye koi jhumar pahnaye
koi ujli si maang mein sindoor lagaaye
mose chanchal
o mose chanchal
mose chanchal jawaani sambhali naheeen jaaaaye
Ye sitaare hain motiye ke phool
Posted on: July 31, 2018
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3665 | Post No. : | 14536 |
do hi lafzon ka thha ye afsaana
jo sunaa kar khaamosh ho baitthaa aa
And thus he sang in 1949, with no conception that his voice and words are going to resonate around the globe into the 21st century or the next millennia. If he had known how famous and well known one day he was destined to be, I wonder how much more conscious and eager to reach the heights a performer of his class would have been. Or if he could have excelled himself in what way. As it is, he was in a class of his own. The thing about this whole saga called Mohammed Rafi ‘s songs, is that there is/was simply no competition.
Here was me, literally stumbling in front of the street where he lived the last part of his life. It happened this saturday, I was visiting a fashion house on Turner Road, Bandra(W), and right there on the intersection there was this blue coloured sign board indicating the direction of Mohammed Rafi Marg.
Normally western suburbs are not my choice of places to visit. Having lived all my life in Mumbai, I have also had my fair share of queries like ” Have you seen Shah Rukh Khan’s house ?” or some such things mainly from those who have never visited Mumbai. Long ago some Bollywood savvy driver had driven us around the Bandra area showing us the Bunglows and houses of Dilip Kumar, Meena Kumari etc. with some visiting relatives while we all were on a sight seeing trip.
This time I was with my sister, mother and cousins doing some sort of research in current trends and fashions. Others call this same activity as window shopping 🙂 . I was gobsmacked to unexpectedly find that I can see Rafi Mansion. I told the elderly chacha from who driving the car, who is actually a Kishore and Rajesh Khanna fan, to just go and see if he can find Rafi Sahab’s home in the street, by the time we could finish the job in hand. Afterwards I asked chacha if he found the house. He replied that he couldnt find it. Having seen the road sign I was not about to give up. I said “Chalo dekhte hain kasie nahin milta” .
I knew this has to be a small street and Rafi Mansion shouldnt be so difficult to find. And Lo and Behold, there it was the gate marked “Rafi Mansion” on one side and “Bait-ur-Rafi” on the other side. The whole area, I realised must have changed over the decades. Of course the house that Rafi Sahab lived is no longer there and in its place is a building containing flats. A passerby told us, that Rafi Sahab’s daughter stays in the building but currently she is abroad.
Fortunately, I wasnt too overwhelmed and remembered that I can take photos of the place as a memory of the moment. I did take the photos of the gate and the Memorial Plaque marking the street “Padmashree Mohammed Rafi Marg”.
I have photographs to prove it, that I did visit the place and not making this story up just to write something in this post 🙂 🙂 . Photos are attached to accompany the post. Someone sure is taking care of both the plaque’s (On both corners of the road) and the gate with its silver paint and glaze.
As we came away from there, we all were discussing inane things. I could’nt even ponder over what all info I have imbibed in all these years about Rafi Sahab’s house. I only realised today that, this was a momentous occassion and could be recorded here on this blog honouring the great nourishing and enriching value addition i.e. Rafi Sahab’s legacy, is to Hindi film music.
The moment here is the 38th death anniversary, to be commemorated. A beautiful solo song that I found on youtube some months ago, with two versions, is worthy of the event. Its so touchingly rendered in the typical Rafi tones of the 40’s, that I longed to do this post. When I saw a post of a song from Shohrat (1949) a while back, I thought this song also will be posted soon. But than luckily it has been left alone, may be due to the fact that it deos not appear in the Geet Kosh.
Whether this song was recorded for the film “Shohrat”(1949) or otherwise, the fact remains that this is a authentic Rafi rendition. Both the versions have the word”Tanvir” featuring in a sher, as a poets takhallus maybe. As per the information given with the link on youtube, it is from Shohrat(1949) composed by Aziz Hindi. The poet, as per the uploader is Tanvir Naqvi.
Part-1
Part II
Song-Ye sitaare hain motiye ke phool (Shohrat)(1949) Singer-Rafi, Lyrics-Tanveer Naqvi, MD-Aziz Hindi
Lyrics
————————————–
PART – I
———————————–
ye sitaare hain
motiye ke phoo ool
kis ki maala toot gayi ee ee ee
chaand teeka hai
kis ke maathhe ka
raat kis ka suhaag loot gayee
shaamil-e-bazm hain kayee ehbaab
ye na samjho koyi akelaa hai ae ae
lab pe naatik hai muskuraahat kaa
aankh mein aansuon ka melaa hai
wo jo bikhri hai
tere honthon par rr rr rr
surkhiyaan hain mere
fasaane ki ee
teri aankhen haseen raaten hain
mere guzre huye zamaane ki ee
jis ko tum hi salaab(?) kehte ho
ik warq hai mere fasaane kaa aa aa
main to khud hi badal gayaa tanveer
rang badla nahin zamaane ka
—————————————
PART – II
—————————————-
tera paighaam le ke seene mein ae ae ae
koyi ruswaa huaa sar-e-bazaar
koi vastu mein ban gayaa gautam
koi gukul mein saanwala avtaar
aag mein ? ? nahi hote ae
sholay utthhte nahin hain paani se ae
raakh mein phool khil nahin sakte
kuchh na paaoge iss jawaani se
kis ne bargad ki chhaaon mein tanveer eer
door se bansuri bajaayi hai ea
aag si lag rahi hai seene mein
saanwle krishn ki duhaayi hai
do hi lafzon ka thha ye afsaana aa
jo sunaa kar khaamosh ho baitthaa aa aa
ibtedaa ye ke tum ko paayaa thha
intehaa ye ke khud ko kho baitthaa
Mujhe Pyaar Ka Tohfa De Ke
Posted on: May 12, 2018
- In: Devnagri script lyrics by Avinash Scrapwala | Duet | expression of love | Feelings of heart | Guest posts | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Post by Avinash Scrapwala | Rafi songs | Song excluded from movie | Songs of 1970s (1971 to 1980) | Songs of 1979 | Usha Mangeshkar songs | Yearwise breakup of songs
- 7 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3585 | Post No. : | 14337 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 67#
———————————————–——————–
On our blog we have a ‘category’ of ‘songs excluded from movie’, and so far, seventy-nine songs have been posted/included in this category of songs. Today I present a song from the movie ‘Kaalaa Pathhar’ (1979), which belongs to this category.
I vaguely remember to have watched this movie in theatre when I must be 11/12 years old. Thereafter just six-seven years back I got its DVD from an online store to enjoy the movie again and revive the nostalgia. But, I was aware of the today’s song many years before, or exactly since 1991 when I got recorded this movie’s songs from the LP record, for my choice compilation of ‘Daag-Deewaar-Kaalaa Pathhar’ songs in a 90 min cassette.
‘Kaalaa Patthar’ was directed by Yash Chopra for his home productions Yashraj Films, Bombay. This movie was passed by Censor Board on 09.08.1979.
Its cast holds a ‘galaxy of stars’ which includes Shashi Kapoor, Rakhi Gulzar, Amitabh Bachchan, Shatrughan Sinha, Neetu Singh, Parveen Babi, Prem Chopra, Parikshit Sahni, Romesh Sharma and Poonam Dhillon (in special appearance), Manmohan Krishna, Madan Puri, Iftekhar, Satyen Kappu, Yunus Parvez, Geeta Siddharth, Gautam Sarin, Sharat Saxena, Mac Mohan, Sudesh Mahaan, Sudhir Dalvi, Sudha Chopra, Harish, Mohan Sheri, Vikas Anand, Jagdish Raj, Suresh Oberoi, Prem Sagar, Pardesi, Nazeer Kashmiri, Ashok Razdan and many others.
This movie has six songs, penned by Sahir Ludhianvi and composed by Rajesh Roshan. Interesting to note that the background music for this movie is by Salil Chaudhary. Kishore Kumar, Lata Mangeshkar, Mahendra Kapoor, Mohd Rafi, Pamela Chopra, S.K. Mahan, and Usha Mangeshkar have given their voices to the songs in this movie.
So far, three songs from this movie have been posted on the blog, and the song being presented today is the fourth song from this movie to appear on our blog. The previous posted song of this movie appeared on the blog on 24.05.2012. Wow. . . six years wait to get to the next song. 🙂
Today’s song is written by Sahir Ludhianvi and thus this is the third song of Sahir Ludhianvi which I am able to share here under the category of ‘songs excluded from movie’, the earlier two being, Kya Tum Wahi Ho – from ‘Mann Ki Aankhen’ (1970) and Ja Ri Behna Jaa Tu Apne Ghar Ja from ‘Trishul’ (1978).
The other Sahir songs which were excluded from movies, and which have been posted on the blog so far are also listed here – Rut Phire Par Din Hamaare – from ‘Pyaasa’ (1957), Yoon Hi Dil Ne Chaaha Tha Rona Rulaanaa – from ‘Dil Hi To Hai’ (1963) and Saajan Bin Neend Naa Aawe – from ‘Munimji’ (1955).
HFGK Vol- V doesn’t mention anything about ‘exclusion’ of this song from the movie. I would request knowledgeable readers to share information if any they have about this song please.
Let us now enjoy the today’s song, which I do like very much. 🙂
Mujhe pyaar ka tohfa de ke. . .
Song – Mujhe Pyaar Ka Tohfa De Ke (Kaala Pathhar) (1979) Singer – Usha Mangeshkar, Mohammed Rafi, Lyrics – Sahir Ludhianvi, MD – Rajesh Roshan
Lyrics
mujhe pyaar ka tohfa de ke
tapti baahon mein leke
mujhe pyaar ka tohfa de ke
tapti baahon mein le ke
meri har saans mein pyaas jagaa di
tumne ae kya kiya
he ae
tumne itna uksaaya
dil roke ruk na paaya
tumne itna uksaaya
dil roke ruk na paaya
mere ehsaas mein aag lagaa di
tumne kya kiya
ek chhed thhi wo yunhi si
tum jisko haqeeqat samjhe
ae ae ae ae
jab chhed na thhamne paayi
ham usko mohabbat samjhe
ho o
o o
us chhed ke sadke jaayen
jis chhed se tumko paayen
us chhed ke sadke jaayen
jis chhed se tumko paayen
zaraa si chhed ne baat banaa di
tumne ae kya kiya
dil ik din to jaana thhaa
hamne socha jaane do
ho o o
o o
haaye
is dil ko thhaam ke rakkho
itna na lehraane do
o o
o o
ye dil kab lehraata thha
har ik se katraata thha
ye dil kab lehraata thha
har ik se katraata thha
tumhi ne mel ki raah sujhaa di
tumne kya kiya
o ho ho ho ho
aa aa aa aa
o o o o
aa aa aa aa aa
thhamne do meri dhadkan
aisi bhi kya wahshat hai
ae ae ae ae
hamne apni keh di hai
tum bolo kya niyat hai
ho o
o o
bolun to kaise bolun
dil apna kaise kholun
bolun to kaise bolun
dil apna kaise kholun
mere hothon pe mohar lagaa di
tumne kya kiya
mujhe pyaar ka tohfa de ke
tapti baahon mein le ke
mujhe pyaar ka tohfa de ke
tapti baahon mein le ke
meri har saans mein pyaas jagaa di
tumne ae kya kiya
he ae ae
tumne itna uksaaya
dil roke ruk na paaya
tumne itna uksaaya
dil roke ruk na paaya
mere ehsaas mein aag lagaa di
tumne kya kiya
———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
मुझे प्यार का तोहफा दे के
तपती बाहों में लेके
मुझे प्यार का तोहफा दे के
तपती बाहों में लेके
मेरी हर साँस में प्यास जगा दी
तुमने ए क्या किया आ
हे ए ए ए
तुमने इतन उकसाया
दिल रोके रुक ना पाया
तुमने इतन उकसाया
दिल रोके रुक ना पाया
मेरे एहसास में आग लगा दी
तुमने ए क्या किया
इक छेड़ थी वो यूंही सी ई
तुम जिसको हकीकत समझे
ए ए ए ए ए ए
जब छेड़ न थमने पायी ई
हम उसको मोहब्बत समझे
हो ओ ओ ओ
उस छेड़ के सदके जाएँ
जिस छेड़ से तुमको पायें
उस छेड़ के सदके जाएँ
जिस छेड़ से तुमको पायें
ज़रा सी छेड़ ने बात बना दी
तुमने ए क्या किया
दिल एक दिन तो जाना था
हमने सोचा जाने दो
हो ओ ओ
हो हाए ए
इस दिल को थाम के रखो
इतना ना लहराने दो
ओ ओ ओ ओ ओ
ये दिल कब लहराता था
हर इक से कतराता था
ये दिल कब लहराता था
हर इक से कतराता था
तुम्ही ने मेल कि राह सुझा दी
तुमने क्या किया
ओ हो हो हो हो
आ आ आ आ
ओ ओ ओ ओ
आ आ आ आ आ
थमने दो मेरी धड़कन
ऐसी भी या वहशत है
ए ए ए ए
हमने अपनी कह दी है
तुम बोलो क्या नियत है
हो ओ ओ ओ ओ
बोलूं तो कैसे बोलूं
दिल अपना कैसे खोलूं
बोलूं तो कैसे बोलूं
दिल अपना कैसे खोलूं
मेरे होंठों पे मोहर लगा दी
तुमने ए क्या किया
मुझे प्यार का तोहफा दे के
तपती बाहों में लेके
मुझे प्यार का तोहफा दे के
तपती बाहों में लेके
मेरी हर साँस में प्यास जगा दी
तुमने ए क्या किया आ
हे ए ए ए
तुमने इतन उकसाया
दिल रोके रुक ना पाया
तुमने इतन उकसाया
दिल रोके रुक ना पाया
मेरे एहसास में आग लगा दी
तुमने ए क्या किया
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3506 | Post No. : | 14088 |
“Kahin Pyaar Na Ho Jaaye”(1963) was directed by K Parwez for Young Technicians Unit-Baria Films, Bombay. The movie had Shakila, Mehmood, Om Prakash, Johny Walker, Sheila Kashmiri, Poornima, Shammi, Anwar Hussain, Amar, Altaf, Dilip Dutt, Brahm, Jeewan Kala, Madhumati, Kallan, Babu Raje etc in it.
The movie had six songs in it. Four songs from the movie have been covered in the past.
Here is the fifth song from “Kahin Pyaar Na Ho Jaaye”(1963) to appear in the blog. This song is sung by Rafi. Anand Bakshi is the lyricist. Music is composed by Kalyanji Anandji.
Only the audio of this song seems to be is available. I watched the full movie available online but I was unable to locate the song in that. So it could mean that either this song was excluded from the movie, or the song has been removed from the print available online. I request our knowledgeable readers to throw light on the picturisation of this song. As of now, I assume that this song was excluded from the movie.
Audio
Song-Meri jaan meri jaan main jaanta hoon(Kahin Pyaar Na Ho Jaaye)(1963) Singer-Rafi, Lyrics-Anand Bakshi, MD-Kalyanji Anandji
Lyrics
meri jaan meri jaan
main jaanta hoon
tu hai khafa
pahchaanta hoon
par kya karoon
haaye kya karoon
ye dil tera deeweana hai
meri jaan meri jaan
meri jaan meri jaan
main jaanta hoon
tu hai khafa
pahchaanta hoon
par kya karoon
haaye kya karoon
ye dil tera deewaana hai
meri jaan meri jaan
naina jhuke jhuke hain
jaadu ruke ruke hain
inko chalne bhi de
shama diwaana banke
apna parwaana banke
tu humko jalne bhi de
meri jaan meri jaan
main jaanta hoon
tu hai khafa
pahchaanta hoon
par kya karoon
haaye kya karoon
ye dil tera deewaana hai
meri jaan meri jaan
kaajal laga ke loota
paagal bana ke loota
toone dhaaya sitam
us’se khafa hai humse
saara gila hai humse
ye kya ada hai sanam
meri jaan meri jaan
main jaanta hoon
tu hai khafa
pahchaanta hoon
par kya karoon
haaye kya karoon
ye dil tera deewaana hai
meri jaan meri jaan
kal ek najoomi dekha
usne dekhi ye rekha
so wo kahne laga
dil hai tera bekaabu
tere to dil me babu
koi hai rahne laga
meri jaan meri jaan
main jaanta hoon
tu hai khafa
pahchaanta hoon
par kya karoon
haaye kya karoon
ye dil tera deeweana hai
meri jaan meri jaan
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3472 | Post No. : | 13941 |
“Amaanush”(1975) was produced and directed by Shakti Samanta for Shakti Films, Bombay. The movie, based on a Bangla story by Shaktipada Rajguru, was made in Hindi as well as Bangla with the same actors. The movie had Uttam Kumar, Sharmila Tagore, Anil Chatterjee, Prema Narayan, Utpal Dutt, Abhi Bhattacharya, Manmohan, Asit Sen, Manik Dutt, Tarun Ghosh, Amol Sen, Subrotho Mahapatra, S N Bannerjee, Rajni Gupta, Probir Roy etc in it.
Kishore Kumar and Asha Bhonsle, the two main playback singers of the movie were nominated for filmfare awards for best singers. Kishore Kumar went on to win the best male playback singer award for the song “dil aisa kisi ne mera toda”.
The movie had six songs in it. Four of these songs have been covered in the past.
Here is the fifth song from “Amaanush”(1975) to appear in the blog. The song is sung by Kishore Kumar and Asha Bhonsle. Indeewar is the lyricist. Music is composed by Shyamal Mitra.
This song was excluded from the Hindi version of the movie and only its record version is available. However, the Bangla version of this song, sung by the same singers, was picturised in the Bangla version of “Amaanush” on Uttam Kumar and Sharmila Tagore as Jodi hoye chor kaanta. One person has superimposed the Hindi song on the picturisation of the Bangla version of this song and has uploaded it on YT, passing it off as the “rare” clip of this song of “Amaanush”(1975) Hindi version.
Here is this lovely romantic duet from “Amaanush”(1975), which was excluded from the Hindi version but whose Bangla version was retained in the Bangla movie.
Song-Tere gaalon ko choomoon jhumka ban ke (Amaanush)(1975) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Indeewar, MD-Shyamal Mitra
Lyrics
Tere gaalon ko choomoon jhumka ban ke
bhole dikhte ho par ho paapi man ke
dekha navyauvan to man kho gaya
abhi to achhe bhale thhe tum to
abhi tumhen kya ho gaya
tere gaalon ko choomoon jhumka banke
bhole dikhte ho par ho paapi man ke
dekha navyauvan to man kho gaya
arre re re
abhi to achhe bhale thhe tum to
abhi tumhen kya ho gaya
tere gaalon ko choomoon jhumka ban ke
aah
tumhen na laaj na dar kabhi gaalon kabhi balo pe nazar
kis ne diye ye haq tumko saajan ji
bhole dikhte ho
par ho paapi man ke
dekha navyauvan to man kho gaya
gore gaalon ke bhanvar mein tere
mera man gum ho gaya
tere gaalon ko choomoon jhumka ban ke
tere chanchal nainon mein apna maran dekha hai
na na na
in nainon se nain mila ke sundar sapan dekha hai
tere chanchal nainon mein apna maran dekha hai
na na na
in nainon se nain mila ke sundar sapan dekha hai
tumne ye kya kiya
bolo piya
kiya sab toone mujhe dosh diya
tar chhoo liye tune dil ke daaman ke
tere gaalon ko choomoon jhumka ban ke
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
Recent comments