Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Asha Bhonsle


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4195 Post No. : 15378

“26th January”(1956) was produced and directed by Ramesh Sahgal for Sahgal Productions, Bombay. This movie had Nalini Jaiwant, Ajeet, Johny Walker, Sapru, B M Vyas, Leela Mishra, Cuckoo, Balraj Mehta, Chaman Puri, Nishi etc, with guest appearances by Gajanan Jageerdar, Jagdeesh Sethi, Randheer, Gyaani and Patanjali.

The movie had seven songs in it. One song is covered in the past.

Today (12 january 2020) is the 102nd birth anniversary of C Ramchandra. On this occasion, here is a song from “26th january” (1956). This song is sung by Manna Dey, Asha Bhonsle and chorus.

Rajinder Krishan is the lyricist. Music is composed by C Ramchandra.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturization of this song.

Lyrics of this song were sent to me by Avinash Scrapwala.


Song-Chhod bhi de aakaash sinhaasan (26th January)(1956) Singers-Manna Dey, Asha Bhonsle, Lyrics-Rajinder Krishan, MD-C Ramchandra
Manna Dey + Asha Bhonsle
Chorus
Female chorus
Male chorus

Lyrics(Provided by Avinash Scrapwala)

Chhod bhi de aakash sinhaasan an n n
Chhod bhi de aakash sinhaasan
Phir dharti par aaja re

Chhod bhi de aakash sinhaasan
Phir dharti par aaja re
Phir dharti par aaja re
Phir dharti par aaja re

Beech bhanwar hain
Dharm ki naiyya
Naiyya paar lagaa ja re
Naiyya paar lagaa ja re
Naiyya paar lagaa ja re

Kaanp rahi hain dharti
Thhar thhar
Aag ke baadal barse jhar jhar
Badhti jaaye paap ki garmi
Badhti jaaye paap ki garmi
Pighal rahaa hai patthar patthar
Andhkaar hi andhkaar hai
Aakar jyot jagaa ja re
Aakar jyot jagaa ja re
Aakar jyot jagaa ja re

Chhod bhi de aakash sinhaasan
Phir dharti par aaja re
Phir dharti par aaja re
Phir dharti par aaja re

Aaja re ae aaja re
Aaja re ae aaja re
Aaja re ae aaja re
Aaja re ae aaja re
Aaja re ae aaja re

Nirdoshon ka lahu hai behta aa
Ik maa ka dil ro ro kehta
Ro ro kehta
Paapi baithe mauj manaaye
Paapi baithe mauj manaaye
Dharm ka banda zulm hai sehta
Jag mein phir se dayaa dharm ki
Aakar bel lagaa ja re

Aakar bel lagaa ja re
Aakar bel lagaa ja re

Chhod bhi de aakash sinhaasan an n
Chhod bhi de aakash sinhaasan
Phir dharti par aaja re
Phir dharti par aaja re
Phir dharti par aaja re
Phir dharti par aaja re

Jab jab vipad padi jag maahi
Tu hi bana rakhwaala Saai
Paap kapat ki phail rahi hai
Paap kapat ki phail rahi hai
Is jag mein phir se parchhaayee ee
Geeta ka updesh sunaane
Roop badal kar aaja re
Roop badal kar aaja re

Roop badal kar aaja re

Chhod bhi de aakash sinhaasan
Phir dharti par aaja re

Phir dharti par aaja re

Roop badal kar aaja re

Aaja re
Aaja re
Aaja re
Aaja re
Aaja re
Aaja re
Aaja re
Aaja re

Yadaa yadaa hi dharmasya
Glanirbhava ti Bharat
Abhhyuthaana madharmasya
Tadaatmaanam srijaamyaham

———————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————

छोड़ भी दे आकाश सिंहासन अन न न
छोड़ भी दे आकाश सिंहासन
फिर धरती पर आजा रे
छोड़ भी दे आकाश सिंहासन
फिर धरती पर आजा रे
फिर धरती पर आजा रे
फिर धरती पर आजा रे
बीच भंवर हैं
धर्म कि नैय्या
नैय्या पार लगा जा रे
नैय्या पार लगा जा रे
नैय्या पार लगा जा रे

काँप रही हैं धरती
थर थर
आग के बादल बरसे झर झर
बढती जाए पाप कि गर्मी
बढती जाए पाप कि गर्मी
पिघल रहा है पत्थर पत्थर
अन्धकार ही अन्धकार है
आकर ज्योत जगा जा रे
आकर ज्योत जगा जा रे
आकर ज्योत जगा जा रे
छोड़ भी दे आकाश सिंहासन
फिर धरती पर आजा रे
फिर धरती पर आजा रे
फिर धरती पर आजा रे
आजा रे ए
आजा रे
आजा रे ए
आजा रे
आजा रे ए
आजा रे
आजा रे ए
आजा रे
आजा रे ए
आजा रे
निर्दोषों का लहू है बहता आ
इक माँ का दिल रो रो कहता
पापी बैठे मौज मनाएं
पापी बैठे मौज मनाएं
धर्म का बन्दा ज़ुल्म है सहता
जग में फिर से दया धर्म कि
आकर बेल लगा जा रे
आकर बेल लगा जा रे
आकर बेल लगा जा रे

छोड़ भी दे आकाश सिंहासन अन न न
छोड़ भी दे आकाश सिंहासन
फिर धरती पर आजा रे
फिर धरती पर आजा रे
फिर धरती पर आजा रे
फिर धरती पर आजा रे
जब जब विपद पड़ी जग माहि
तू ही बना रखवाला साईं
पाप कपट कि फैल रही है
पाप कपट कि फैल रही है
इस जग में फिर से परछाई ई
गीता का उपदेश सुनाने
रूप बदल कर आजा रे
रूप बदल कर आजा रे
रूप बदल कर आजा रे
छोड़ भी दे आकाश सिंहासन
फिर धरती पर आजा रे
फिर धरती पर आजा रे
रूप बदल कर आजा रे
आजा रे
आजा रे
आजा रे
आजा रे
आजा रे
आजा रे
आजा रे
आजा रे
यदा यदा हि धर्मस्य
ग्लानिर्भवति भारत
अभ्युत्थान मधर्मस्य
तदात्मानं सृजाम्यहम्


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4193 Post No. : 15376

“Laal Patthar”(1971) was produced by F C Mehra and directed by Sushir Majumdar. The movie had Raaj Kumar, Vinod Mehra, Hema Malini, Raakhee, Ajit, Asit Sen, Paintal etc in it.

The movie had seven songs in it. Five songs have been covered in the past.

Here is the sixth song from the movie. It is sung by Asha Bhonsle. Neeraj is the lyricist. Music is composed by Shankar Jaikishan.

The song is picturised on Raakhee, with Hema Malini also listening to the song from her room.

Audio

Video

Singer-Phoolon se meri sej sajaao (Laal Patthar)(1971) Singer-Asha Bhonsle, Lyrics-Neeraj, MD-Shankar Jaikishan

Lyrics

phoolon se meri sej sajaa do
aaj main loongi janam dobaara
chanda ki bindiya
taaron ke kangan
sapnon ke laao haar
saanson mein meri kesar mahke
angon mein jhoome bahaar
aisa karo singar sakhi ri
sudh budh bhhoole shyaam hamaara


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4192 Post No. : 15374 Movie Count :

4237

“Pagli”(1974), by now an obscure movie, was produced by Yusuf Hussain and directed by C P Dixit. this movie had Raakhi, Rakesh Roshan, Bindu, Ranjit, Joginder, Jagdeep, Tuntun etc in it.

The movie had only two songs in it. Fortunately, some kind soul has uploaded both these songs.

Here is the first song from “Pagli”(1974) to appear in the blog. This song is a cabarat song. It is sung by Asha Bhonsle and it is picturised on Bindu. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

With this song, “Pagli'(1974) makes its debut in the blog.


Song-Dhak dhak dhadke kya karoon re (Pagli)(1974) Singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

dhak dhak dhadke
kya karoon re
dil dhak dhak dhadke
kya karoon re
mera jeena hua mushqil
wo na aaya
haar gayi main rasta tak tak
dhak dhak dhadke
kya karoon re
dil dhak dhak dhak dhak dhak
dhak dhak dhak dhadke
kya karoon re
mera jeena hua mushqil
wo na aaya
haar gayi main rasta tak tak
dhak dhak dhadke
kya karoon re
dil dhak dhak dhadke

ik din kah doongi main chitchor se
karta hai pyaar tu kisi aur se
ik din kah doongi main chitchor se
karta hai pyaar tu kisi aur se
poora yaqeen mujhko nahin
mujhko magar thhoda sa hai shaq shaq shaq shaq
dhak dhak dhadke
kya karoon re
dil dhak dhak dhadke
kya karoon re
mera jeena hua mushqil
wo na aaya
haar gayi main
rasta tak tak
dhak dhak dhadke
kya karoon re
dil dhak dhak dhadke

kis kis tarah mujhe tang kiya na
kaun sa mazaak mere sang kiya na
kis kis tarah mujhe tang kiya na
kaun sa mazaak mere sang kiya na
haq hai usey jo chaahe kare
mujhko shiqaayat ka bhi nahin haq haq haq
dhak dhak dhadke
kya karoo re
dil dhak dhak dhadke
kya karoon re
mera jeena hua mushqil
wo na aaya
haar gayi main rasta tak tak
dhak dhak dhadke
kya karoon re
dil dhak dhak dhak
dhak dhak dhak
dhak dhak dhak
dhak dhak


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4189 Post No. : 15370

“Taxi 555″(1958) was produced by Mulkraj Bhakri and directed by Lekhraj Bhakri for Golden Movies, Bombay. The movie had Pradeep Kumar, Shakeela, Azra, Lalita Pawar, Maruti, Mahipal Sundar, Vijay Pandit, Sagar, Leela Mishra, Romesh sinha, Amrit Rana, Nadir, Nazeer Kashmiri, Ravikant, Dubey, Brahmbhatt, Vidhyawati, Narbada Shankar, Sadiq, Chandabai, Harun etc, with guest appearance by Heeralal.

The movie had eight songs in it. One song has been covered in the past.

Here is the second song from the movie to appear in the blog. The song is sung by Balbir and Asha Bhonsle. Prem Dhawan is the lyricist. Music is composed by Sardar Malik.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Aaja aisa waisa koi bhi bahaana kar ke (Taxi 555) (1958) Singers-Balbir, Asha Bhonsle, Lyrics-Prem Dhawan, MD-Sardar Malik

Lyrics

na na haan haan kar ke
haan haan na na kar ke
o main kya baliye kuchch bhi karke
aaja
aisa vaisa koi bhi bahaana kar ke
ho aaja
aisa vaisa koi bhi bahana karke
na na haan haan kar ke
haan haan na na kar ke
ho aaja aisa vaisa koi bhi bahana karke
aaja aisa vaisa koi bhi bahana karke
kaise aaun ghabraaun
maahi mere man ke
main chaloon to bairi jhaanjhar jhan jhan jhanke
main chaloon to bairi jhaanjhar jhan jhan jhanke

main akeli aur duniya ki laakhon ankhiyaan
kabhi chaukidaar dekhe kabhi dekhen sakhiyaan
kabhi chaukidaar dekhe kabhi dekhen sakhiyaan

o teekhe nainon se sabko deewaana kar ke
ho aaja aisa vaisa koi bhi bahaana kar ke
ho aaja aisa vaisa koi bhi bahaana kar ke
kaise aaun ghabraaun maahi mere man ke
main chaloon to bairi jhaanjhar jhan jhan jhanke
main chaloon to bairi jhaanjhar jhan jhan jhanke

aake aadhi aadhi raat ko jagaaya na karo
seeti maar ke yoon hamko bulaaya na karo
seeti maar ke yoon hamko bulaya na karo

ho phero aankhen na hamko mastaana kar ke
ho aaja aisa vaisa koi bhi bahaana kar ke
ho aaja aisa vaisa koi bhi bahaana kar ke
kaise aaun ghabraaun maahi mere man ke
main chaloon to bairi jhaanjhar jhan jhan jhanke
main chaloon to bairi jhaanjhar jhan jhan jhanke


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4187 Post No. : 15368

Hullo Atuldom

Today is the date when we think of our favourite innovator of the 70s and 80s. The songs he composed for his debut, in the 1961 released “Chhote Nawaab”, were of a different flavour from the music he created in his later years. Of course, I don’t need to mention that today is Pachamda a.k.a R D Burman’s remembrance day.

It is 26 years since his passing and we, his fans, still talk of him in present tense. We do not tire of describing his love for experimenting with sounds- using a glass and spoon or broom and comb to create the opening note of a song; or asking an artist to gargle warm water to provide a dramatic effect to a scene. Asha Bhonsle has often mentioned how she had to practice breathing to sing “piya tu ab toh aaja”.

My quest for a song to go with this post lead me to the blog’s “List-of-songs-by-movies” page of the blog and I found that we have yiippeeeed all of RD’s initial movies viz: – Chhote Nawab, Bhoot Bangla, Teesra Kaun, Teesri Manzil, Pati Patni, Chandan ka palna, Bahaaron Ke Sapne, Abhilasha, Pyaar Ka Mausam, and Waaris i.e. his contribution to the world of HFM in the 60s has been fully represented on the blog.

Of the movies of the next decade, the more popular ones are yiippeeeed and that is a longer list which I recommend the readers to find for themselves. Same is the case with movies of the 80s where we find that many popular movies are yet to even debut on the blog and some are one or two songs away from being yyiippeeeed. That means we are spoiled for choice as to which song will go with the post. Then the next point to be considered is whether we want a song sung by Panchamda or just a song with just his music. Then I thought if I wanted a solo, duet- all male or male-female duet etc etc. The possible songs kept changing even as I wrote the post and finally, I did an akad-bakad-bambe-boo and landed on this song which will help the concerned movie attain Yiippeeeehood.

Following songs from the movie have been covered so far:

Sapna mera toot gaya
Hamne tumko dekha tumne hamko dekha aise
khullam khulla pyaar karenge hum donon
Ek main aur ek tu

For the story and personal thoughts connected with “Khel Khel Mein” a visit to the above posts will suffice. Today’s song is perfect for the weather North of India and many parts of the northern hemisphere of the world are currently experiencing- supremely cold winds and snow in many areas. I have seen this movie a number of times. If I am not wrong, other than at the time of its release in the 70s, only the mukhada and first antara are there in the movie. With this Khel Khel Mein has attained Yyiippeeeehood.

Let us get to the song without much ado. It is an RDB- Gulshan Bawra- Kishore Kumar- Asha Bhosle classic.


Song-Aaye lo pyaar ke din aaye (Khel Khel Mein)(1975) Singer-Kishore Kumar, Asha Bhonsle, Lyrics-Gulshan Bawra, MD-R D Burman
Both

Lyrics

aaye lo pyaar ke din aaye
mil jaane de apne saayein
woh bhi iss tarah,
mil jaayen jis tarah
lehron se lehrein jawaan hoke
aaja re aaja re,
aaja re aaja re
aaja re aaja re,
aaja re aaja re
aaja re aaja re

aaye lo pyar ke din aaye
mil jaane de apne saayein
woh bhi iss tarah,
mil jaayen jis tarah
lehron se lehrein jawaan hoke
aaja re aaja re

aaja re aaja re
aaja re aaja re
aaja re aaja re
aaja re aaja re
aaye lo pyar ke din aaye

sang chalein toh manzil door nahin hai
jahaan bhi tu hai manzil meri wahin hai
ho ho ho
sang chale to manzil dur nahin hai
arre jahan bhi tu hai manzil meri wahin hai
yeh kaarvaan chalta rahe
chaahe jahaan jalta rahe
aaye lo pyar ke din aaye
mil jaane de apne saaye
wo bhi is tarah,
mil jayen jis tarah
lehron se lehrein jawaan hoke
aaja re aaja re

aaja re aaja re
aaja re aaja re
aaja re aaja re
aaja re aaja re
aaye lo pyar ke din aaye

yoon hi rahein nazar mein jawaan nazaare
iss vaadi mein gunje geet hamare
ho ho ho
yoon hi rahein nazar mein jawaan nazaare

iss vaadi mein gunje geet hamare
hansti rahe yeh zindagi
badhti rahe dil ki lagi

aaye lo pyar ke din aaye
mil jaane de apne saaye
wo bhi is tarah,
mil jayen jis tarah
lehron se lehrein jawaan hoke
aaja re aaja re
aaja re aaja re
aaja re aaja re,
aaja re aaja re
aaja re aaja re
aaye lo pyar ke din aaye
mil jaane de apne saaye
woh bhi iss tarah,
mil jaayen jis tarah
lehron se lehrein jawaan hoke
aaja re aaja re

aaja re aaja re
aaja re aaja re
aaja re aaja re
aaja re aaja re
aaja re aaja re

he
ho
he
ho
he
ho
he
ho


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4186 Post No. : 15366

“Jawaab”(1955) was produced and Directed by Ismail Memon. The movie had Nasir Khan, Geeta Bali, Johnny Walker, Balraj Sahni, Mukri, Achla Sachdev, Ashraf Khan etc in it.

The movie had eight songs in it. Two of these songs have been covered in the past.

Today (3 january 2020) is the 38th remembrance day of Naashaad ( 11 july 1923- 3 january 1981). On this occasion, here is a song from “Jawaab”(1955). This song is sung by Asha Bhonsle. Khumar Barabankwi is the lyricist. Music is composed by Naashaad.

The song is picturised on Geeta Bali and Nasir Khan. Picturisation shows Geeta Bali wooing Nasir Khan, clearly a revolutionary concept in Hindi movies of those days. 🙂


Song-Main to ho gayi re barbaad haaye raama pyaar karke (Jawaab)(1955) Singer-Asha Bhonsle, Lyrics-Khumar Barabankwi, MD-Naashaad

Lyrics

o o
o o o
main to ho gayi re barbaad
haaye raama
pyaar kar ke
raama pyaar kar ke
main to ho gayi re barbaad
haaye raama
pyaar kar ke
raama pyaar kar ke
main to ho gayi re barbaad

ho o
o o o
ho more balamwa bade hathheele
mujhse kare na baat
more balamwa bade hathheele
mujhse kare na baat
loon main balanyya padoon main painyya
binti karoon din raat
beeti jaaye re jawaani takraar kar ke
main to ho gayi re barbaad
haaye raama
pyaar karke
raama pyaar karke
main to ho gayi re barbaad

o o o
o o o o
ho kasmen jhhoothhi jhhoothhi khaa ke mujhse badhaaya pyaar
kasmen jhhoothhi jhhoothhi khaa ke mujhse badhaaya pyaar
ab more julmi sainyya mujhse aankhiyaan karen na chaar
pachhtaai main jhoothhon ka aitbaar kar ke
main to ho gayi re barbaad
haaye raama
pyaar kar ke
raama pyaar kar ke
main to ho gayi re barbaad

ho o o o
o o o o o
ho preet nibhaani jo nahin jaane unse lagaayi preet
ho preet nibhaani jo nahin jaane unse lagaayi preet
jaan jalaaye ab wohi bairi
jin ko banaaya meet
dhokha khha gayi main baalepan mein pyaar ke
main to ho gayi re barbaad
haaye raama pyaar kar ke
raama pyaar kar ke
main to ho gayi re barbaad


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4184 Post No. : 15364 Movie Count :

4235

“Jaagir”(1984) was produced and directed by Pramod Chakraborty for Pramod Films, Bombay. The movie had Dharmendra, Zeenat Aman, Mithun Chakraborty, Shoma Anand, Amrish Puri, Preeti Sapru, Danny Denzongpa, Ranjeet, Beena Bannerjee, Azad, Bharat Bhushan, Birbal, R.S.Chopra, Bob Christo, Tarun Ghosh, Iftekhar, Kamal Kapoor, Praveen Kumar, Pran, Subroto Mahapatra, Baby Pinky, Sujeet Kumar, Mac Mohan, Master Ravi, Amol Sen, Asit Sen, Sunder Taneja, Ashalata Wabgaonkar etc in it.

The movie had six songs in it.

One of these songs was a new year song. Today (1 january 2020) is an ideal occasion to cover this song.

So here is this new year song from “Jaagir”(1984). This song is sung by Asha Bhonsle, Kishore Kumar and chorus. Anand Bakshi is the lyricist. Music is composed by R D Burman.

The song is picturised as a stage dance performance on Zeenat Aman, Dharmendra etc. House full audience, including Raj Kishore, Subroto Mahapatra, Amrish Puri, Shoma Anand, Ranjeet, Preeti Sapru, Praveen Kumar,Sunder Taneja(anouncer) are present on the occasion. Amrish Puri and Ranjeet receive call (on landline phone, brought to them on their chairs) that their nefarious business has been foiled and the main person was donning an orange boiler suit. And Ranjeet recalls having seen this boiler suited man onstage. So he obviously plans his next move as soon as the song finishes. 🙂 Our villains never act till the song performance is over !

Lyrics of this song were sent to me by Prakashchandra.

I take this opportunity to wish everyone a very happy new year 2020. 2020 has a nice sring about it, especially because we are already familiar with 2020 format of cricket :). Let us hope that this year will see quick fire action in our lives and also in the blog, similar to the action that we are used to seeing in a 2020 game of cricket.

With this song, “Jaagir”(1984) makes its debut in the blog.

Audio

Video

Song-Sach kehta hai ye saara zamaana…Naya naya hota hai puraana puraana (Jaagir)(1984) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman
Female chorus
Male chorus

Lyrics

sach kehtaa hai
hey sach kehtaa hai
ye saaraa zamaanaa
sach kehtaa hai
ye saaraa zamaanaa
nayaa nayaa hota hai
puraanaa puraanaa
nayaa nayaa hota hai
puraanaa puraanaa

ye to kahaawat hai barson puraani
socho nayee koyee chhedo kahaani
yaa hamse keh do
yaa hamse keh do
ke hamne ye maanaa

yaa hamse keh do
ke hamne ye maanaa

nayaa nayaa hota hai
puraanaa puraanaa

arrey nayaa nayaa hota hai
puranaa puranaa

(crowd cheering sound)

naye mein chamak hai
puraane mein kyaa hai
bolo
ho o naye mein chamak hai
puraane mein kyaa hai
naya kuchch na ho to
zamaane mein kyaa hai
chamaktaa hai jo kuchch
nahin hai woh sona
puraanaa hai insaan
nayaa hai khilauna
khilaune ki jhoothhi
khilaune ki jhoothhi chamak pe na jaanaa

khilaune ki jhoothhi chamak pe na jaanaa
o Bandhu
nayaa nayaa hota hai
puraanaa puraanaa

arrey nayaa nayaa hota hai
puraanaa puraanaa

(dialogues)

mihabbat ki banti hai jo ik nishaani
mihabbat ki banti hai jo ik nishaani
woh hoti hai tasveer koyee puraani
miley chand saathi puraane jahaan par
yehi baat aati hai sab ki zubaan par
nayaa yaar koyee
nayaa yaar koyee lateefaa sunaanaa

arrey nayaa yaar koyee lateefaa sunaanaa
nayaa nayaa hota hai
puraanaa puraanaa

arrey nayaa nayaa hota hai
puraanaa puraanaa

jahaan kal khade thhe
wahin ke wahin ho o
samjhe
jahaan kal khadey thhe
wahin ke wahin ho
tumhaaraa zamaanaa
gayaa tum yahin ho
ab aur hum kyaa kahein soniyyo
sab kuchch to aap keh gayeen

zameen par ho tum
aur hum aasmaan par
huaa kyaa lagaa chhupp ka
taalaa zubaan par
nahin yaad kyaa aaa
nahin yaad kya aur koyee bahaanaa
nahin yaad kya
aur koyee bahaanaa

nayaa nayaa hota hai
puraanaa puraanaa aa
nayaa nayaa hota hai
puraanaa puraanaa

sach kehtaa hai
ye saaraa zamaanaa
sach kehtaa hai
ye saaraa zamaanaa

nayaa nayaa hota hai
puraanaa puraanaa aa
nayaa nayaa hota hai
puraanaa puraanaa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4176 Post No. : 15351

Remembering Mohammed Rafi Sahab on his 95th birth anniversary :

Hullo Atuldom

Today’s post is for a song from the 1981 release “Zamaane ko Dikhaana Hai” which was produced and directed by Nasir Hussain. It marked the debut of Padmini Kolhapure as an adult; prior to this she had acted as a child star in numerous movies. The music department was handled by Majrooh Sultanpuri and R D Burman. The songs were play-backed by Asha Bhonsle, Shailendra Singh, Mohd. Rafi and Pancham. Nasir Hussain took a few scenes from his “Jab Pyar Kisise Hota Hain” – song on train top; runaway girl from “Caravan” and a song & dance competition inspired from “Hum Kisise Kum Nahin”. Additionally, there are multiple songs in a scene as in “Yaadon Ki Baraat” and “Hum Kisise Kum Nahin”.

The story of the movie was very simple and straight: – a rich man, Dr. Shreeram Lagoo (may his soul rest in peace) has two sons Ramesh (Randhir Kapoor in a guest appearance) and Ravi (Rishi Kapoor). Ramesh (the older son) loves and marries a not-so-rich girl and so is banished from the household. All this happens during the absence of the younger Ravi who convinces his dad to forgive his BHAIYYA and sets out to bring his brother back. He finds that his bhaiyya and bhabhi are dead leaving their baby in the care of the bhabhi’s sister Kanchan (Padmini Kolhapure). Now his job is to convince Kanchan of his good intentions, fall in love with her in the process and take her & his nephew home but not before the movie runs through its set of twists and turns. Then there is also the rich man’s bad brother to take care of before the movie comes to an ‘ALL IS WELL THAT ENDS WELL’ close.

The movie had fairly popular songs, two of which are already on the blog. Today’s song is a multi- version song. Also, one of the version forms part of the multiple song set that I mentioned. In one version we have a song and dance competition where Vijay Arora (guest appearance) along with his partner (Aarti Gupta- also in guest appearance) challenges Rishi to the floor. But he is too drunk to get off the chair. So, Padmini takes to the floor sings & moves a leg and Rishi Kapoor joins and they compete with good support from the kids in the audience.

The second version with different stanzas has a drunk Padmini leading the song where the lovers fantasize about their future. We had Mohd. Rafi and Asha Bhosle giving their voices to the two songs.

This movie released about a year after Rafi saab’s death. This post is also to celebrate the 95th birth anniversary of Padmashri Mohd Rafi.
Rafi saab- the man who started his career in films in 1944 with a song under Shyam Sunder’s baton. In the career that spanned 36 years he had lent his voice for all the actors who have graced the silver screen in that time frame. He also appeared on-screen in two films. He was the favourite singer of an entire generation and the following generation too. People loved his Halke-Phulke songs as much as his classical based songs. He had great control on his voice and could go full-throated or soft in the same song. Don’t know why god stopped making singers like him and no matter how much one sounded like Rafi saab they couldn’t sing like him and none of his clones or apes or people who claimed to have been inspired by him reached that height of popularity. And I have heard and read in various places that he was a very humble human being. Like the song which Amitabh sang in a movie (in Mohd. Aziz’s voice) in 1990 “na phankaar tujhsa tere baad aaya, Mohd. Rafi tu bahut yaad aaya”; we, his fans, too miss him.

Wishing that Rafi Saab was still with us and thanking god for giving us such a divine-voiced singer let us enjoy today’s song.

Video version (Part I)

Video version (Part II)

Audio version

Song-Poochho na yaar kya hua (Zamaane Ko Dikhaana Hai)(1981) Singers-Asha Bhonsle, Rafi, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Chorus
Rafi + Chorus
Padmini Kolhapure
Rishi Kapoor

Lyrics (Video Version Part I)
—————————————

(gorkha words in the beginning)

hmm hmmm hmmm
Mmm hmmm hmmmm
hmm hmmm hmmm
Mmm hmmm hmmmm

poocho na yaar kya hua
dil ka qaraar kya hua
poocho na yaar kya hua
dil ka qaraar kya hua
tum pe toh ham mar mite hai abhi se
jaane hamaara aage kya hoga
ai ai yaa yaa yaa yaa

aage kya hoga
kya hoga shaadi

ae ha ha ha ha ha

hamko mil gayi
duniya pyaar ki
maana ho gaye
tum mere apne
phir bhi yeh sawaal
dil mein yeh khayaal
na ho ye kahin door ke sapne
ho
yeh ab ki baar kya hua
dil ka qaraar kya hua
tumpe toh ham mar mite hain abhi se
jaane hamaara aage kya hoga
ai ai ya ya ya ya ya

aur phir kya hoga
partiyaan daawtein
bottlein

cheers

apne paas kya
armaan ke siwa
yoon toh main tumhein
aur kya doongi
jo bhi hai mera
main aur mera pyaar
tumpe ek baar sab luta doongi
ho
chaahoge toh main
dekhoongi tumhe
kahadoge toh phir
sar jhuka loongi ee ee
haay dildaar kya hua
dil ka qaraar hua
tumpe to ham mar mite hain abhi se
jaane hamaara aage kya hoga
ai ai yai yaa yai yai ya yaa

arre baba
tum bhi to kuchh bolo na

achcha
toh suno

chhodo jaane jaan
tum bhi ho kahaan
ghabraate nahin
hum zamaane se
dekho toh idhar
kiska hai jigar
uljhe aapke iss deewaane se
ho uljhe hazaar kya hua
ai mere pyaar kya hua
apni khushi hogi
yeh zindagi hogi
iske siwa aur aage kya hoga

ai ai ai yaa yaa yaa yaa
ai ai ai yaa yaa yaa yaa yaa

 

Lyrics (Audio Version, Video Version Part II)
——————————————–
he ae ae

hurraay
hurraay

haiya haiya
aa ha hayya hayya

bolo bolo
kuchh toh bolo
saamne waale
le gaye baazi
arre himmat kar ke
aage aao
duniya hogi
tumse raazi
arre haiyya haiyya
ha aa haiyya haiyya

ho ho ho
bolo bolo
kuchh toh bolo
saamne waale
hai le gayi baazi
arre himmat karke
aage aao
duniya hogi
tumse raazi
haiyya haiyya
ha aa haiya haiya

dekho gaya waqt aata dobaara nahin ee
phir yeh na kehna kisi ne pukaara nahin ee
ho o o
dekho gaya waqt aata dobaara nahin ee
phir yeh na kehna kisi ne pukaara nahin ee
ho bolo bolo
bolo
kuchh to bolo
saamne waale
hai le gaye baazi
haiyya haiyya
haa ha haiya haiya
come on yaar

poocho na yaar kya hua
dil ka qarar kya hua
chak chak cha cha cha cha

poocho na yaar kya hua
dil ka qaraar kya hua
poocho na yaar kya hua
dil ka qaraar kya hua
tum pe toh hum mar mite hain abhi se
jaane hamaara aage kya hoga
ai yai yai yaa
yai yai yaa yaa

ru ru
ru ru
ru ru ru
tu ru ru

tumne pyaar se
ham ko ek baar
keh daala hai yaar
toh nibha dena
itna beqaraar
koi bhi nahin
dekho mera haal
dekhte ho na
dekho na yaar kya hua
dil ka qaraar kya hua
tum pe toh hum mar mite hain abhi se
jaane hamaara aage kya hoga
poocho na yaar kya hua aa

o haa
o haa
he he
he he
he he he he
he he he he

aaaaaaaaaa
ru ru ru ru
tururu

(some more chorus)

dil pe tha hamein
kitna aitbaar
tumse kya kahe
hum yeh afsaana
dil pe tha hamein
kitna aitbaar
tumse kya kahe
hum ye afsaana
koi gulbadan
koi naazneen
kar sakta nahin
hum ko deewaana aa aa
woh aitbaar kya hua
dil ka qarar kya hua
tumpe to hum mar mite hain abhi se
jaane hamaara aage kya hoga
poocho na yaar kya hua
ai yai yai yaa
yai yai yaa aa

la la la laa la la
la la la laa la la
la la la laa la la
la la la laa la la

 


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4172 Post No. : 15346

Today’s song is from an obscure film-Dhola Maru-1956. The film was produced by and under the banner of Cine Workers’ Society, Bombay. It was directed by N R Acharya and the music was provided by S K Pal – for whom this film was his swan song. This was his last film as MD. All the 11 songs of the film were written by Bharat Vyas. The cast was Usha Kiran, Pradeep Kumar, Achala Sachdev, Rehana, Sapru, S Nazir, Kumkum and many others including 5 actresses named as Miss Pammi, Miss Usha, Miss Hemlata, Miss Hansa and Miss Sarita as well as a guest artiste- Ulhas.

” Unity in Diversity” was a favourite slogan of Nehru. Truly, there is no other country in the world having such a diverse population and area. The biggest surviving Democracy in the world has 28 states and 9 Union Territories. Our constitution mentions 22 official languages, including Urdu and Sanskrit. In this vast country about 30 languages are spoken, each by more than 3 million people, 120 languages are spoken by more than 10000 people and about 1600 spoken languages and with script- both mixed. In addition, 7 major and several other religions too.

With so much of diversity of languages, religions and cultures, it is a wonder that India has survived for thousands of years. The main factor is the binding of Indian Culture and Tolerance. It is interesting to recall that, just prior to getting Independence, Winston Churchill and many other world leaders had predicted that within a short period, India will disintegrate into pieces. Contrary to their wishful thinking, Indian people have come out stronger in last 75 years.

Due to the diversity, there are separate Folk lores in almost every state. Love stories are the major contributors. Like the famous Laila-Majnu and Romeo-Juliet, every state has its own Love story. Even our Mythology has thrilling love stories, Like Uttara- Abhimanyu, Dushant-Shakuntala, Arjun-Subhadra etc.

For love stories, Punjab and Sindh lead all the way. You have several such stories as – Sohni Mahiwal, Heer-Ranja, Sassi-Punnu, Monal-Rano, Umar-Marvi, Lila-Chanesar, Noori-Tamchi, Dhaj-Rorkumar and Mirza-Sahiban are some of the most popular love stories of Punjab and Sindh.

Like I said, in other regions too, there are Love stories like Jodha -Akbar, Salim-Anarkali, Bajirao-Mastani, Prithviraj-Sanyogita, Amrapali-Bimbisar, Mumal-Mahendra, Amaravathy-Ambikapathy (south-Tamil) etc.

There was yet another popular Folk-Lore of Lovers in the states of Rajasthan, M.P., Chhattisgarh and Gujarat and that is the story of Prince Dhola and Princess Maru. Unlike the Punjab Folk-Lores of Lovers, Dhola Maru has several versions, especially Rajasthani and Chhattisgarhi versions. Several Books and stories as well as Folk songs were written on Dhola-Maru. There was a Gujarati Hit film Dhola-Maru-1983.

( When I had first heard the name of Dhola-Maru, I was reminded of the Japanese steamship Kamagota Maru, which had carried about 300 Sikh and other Indians, who tried to enter Canada. They were refused and sent back to India. On reaching Calcutta, they were refused entry as they were from Hongkong. There was a fight and in the ensuing firing, hundreds were killed. This was known throughout the world.)

Dhola – Maru story took place somewhere in the 15th century. However this is a Happy ending Love story, unlike most Punjabi tragedies.

The Rajasthani version of the story is-

The Legend of Dhola and Maru is the Indian version of Romeo-Juliet saga. The princess Maru was from a place called Pugal near Bikaner while Dhola was the young and handsome prince of Gwalior. A terrible drought in Pugal made Maru’s(then 2 years old) father shift to Gwalior, which was ruled by his friend, the father of Dhola. He stayed there for three years and before leaving for his hometown, the two kings each promised to get their children married to each other. However, after a span of 20 years all promises were forgotten and Maru was betrothed to a man called Umra. But destiny prevailed, and bard from Pugal who had travelled to Gwalior sang at the royal court about the childhood betrothal of Dhola and Maru. After listening to the song Dhola fell hook, line and sinker for the virtuous princess Maru. With love in his eyes Dhola began wooing Maru who also fell in love with the handsome Dhola. Where two hearts collide there has to be an outcome, and so they decided to run away.

Umra came to know about their plans and went after them with his brother sumra. The eloping lovers on their Camel with their bows arrows were no match for the Umra-Sumra brothers who had guns. However, they were able to evade the evil brothers and took refuge in a forest. Unfortunately Dhola was bitten by a snake and died on the spot, Maru, thus cheated by her lover, proceeded to weep the death. Luck favoured Maru and her cries were heard by Lord Shiva and consort Parvati. Parvati requested her husband to revive Dhola and thus by divine intervention the lovers were united to live happily ever after.

There are some differences in the Chhattisgarhi versions, where in prince Dhola gets married to Rewa for 12 years, after which,he goes for Maru etc.

(all information culled from sanskriti.com, unitedindia.com and wiki)

In Indian films, there were some actresses who were earmarked to do the roles of Mothers and Grandmothers. Some of them were Leela Chitnis, Durga Khote, Leela Mishra, Deena Pathak, Nirupa Roy, Achala Sachdev and few others. While Leela Mishra and Deena Pathak seemed to be born to do such roles, most others were Heroines in their Hey-days. Achala Sachdev was a prominent actress, who was highly respected in the industry – only till she was in circulation. Once she retired from films, no one bothered about her and she died absolutely a lonely death.

Achala Sachdev ( 3-5-1920 to 30-4-2012) (original name Rajinder)’s name is permanently conjoined with a mother’s role. She did a mother’s role when she was very young and since then-more than a heroine- she has been seen either as a sister or Mother in films. In her earliest film ‘Dilruba’-50 she was Dev Anand’s sister and later in many films she was a fixed mother of Dev Anand.

She worked in All India Radio, Lahore,she came to Delhi after the Partition and continued her job in All India Radio, till her first film. She acted in 181 Hindi films, 3 Punjabi films and 1 Gujarati film, in addition to 1 uncompleted Bangla film. She acted in few television serials and FD documentaries too.

In her early years she had got married to Gyan Sachdeva. She begot one son and one daughter from him. Her son Jyotin, a business consultant, settled in US and Daughter was married in Bombay. When she could not pull on, she divorced her husband. After 12 years of loneliness she fell in love and married an American Clifford Douglas Peters, who was an Engineer and ran an Electronics factory in Poona. She stopped accepting new films after 1976 and then shifted to Poona.

After her second husband died, she shifted from her Bungalow in Bhosari, near Poona to a specious flat in Hadapsar area of Poona. She had completed all films on hand ,but due to insistence of family friend Yash Chopra, she acted in some of his films- notably ‘Dilwale dulhaniya le jaayenge’-95. Though her last film was ‘ Dahak ‘-98, her last released film was Suno sasur ji-2003.

During her heydays, she was very friendly with Sunil Dutt and Nargis, Mona Dev Anand ( kalpana kartik), Meena kumari, Saira Bano and her mother Naseem Bano. She was very punctual during her shootings. Once while working in a Rajesh Khanna film, she had to wait for him for 4 hours, with all make up done. When this continued to happen for next 10 days, she left the film and went back to Poona. Rajesh Khanna wrote an apology letter to her and then only she came back to complete the film.

Once she was in Poona, she was all alone. No one from film industry ever contacted her in her last 40 years. She was very generous. She had donated 25 lakhs to an NGO, Janseva Foundation to start ‘Achala Sachdev Institute of Education”. She also gave 15 Lakhs to Dr. H.V.Desai Eye Hospital for a ward construction. In her last days,she even donated her flat also to the NGO Janseva Foundation.

She was sick for last 6 months and was looked after by the NGO. Admitted to Poona General Hospital ICU, she got Paralysis, lost her vision and then lost her life on 30-4-2012. A highly successful film star with lots of money, but she was neglected by her own son and daughter. Above all, in last 40 years in Poona, not one soul from the film world met her. What was pathetic was, when she was admitted in I.C.U., her attending doctor, Dr. Mehta sent messages to Yash Chopra and others in Film industry, but none came or even inquired and she died a lonely death.
( ( Based on Cine Blitz, Madhuri,Times of India, Indian Express, Wikipedia and info kindly given by shri Harish Raghuwanshi ji ).

Here is a duet by Manna Dey and Asha Bhosle from film Dhola Maru-1956.


Song-Ek samay Dushyant thhe Bharat ke samraat(Dhola Maru)(1956) Singers- Manna Dey, Asha Bhonsle, Lyricist- Bharat Vyas, MD- S K Pal
Both

Lyrics

Ek samay Dushyant thhe
Bharat ke samraaat
jinka danka goonjtaa desh videsh viraat

Kaamdev ka aa aa
Kaamdev ka roop thha
dhoop bada balwaan
dhoop bada balwaan

ek samay ban mein chale
le kar teer kamaaaan
le kar teer kamaan
ban mein ek albeli mili
bandevi si naar
?? se nrup se sant ki
ho gayin aankhen chaar chaar
ho gayin aankhen chaar

mohit ho Dushyant ne
ek nikaali raah
Shakuntala ke sang kiya
jhat gandarv vivaah

din beete aur jug beete ae ae ae ae
din beete aur jug beete
bhookh bhaye behaal

roye dukhi Shakuntala
roye dukhi Shakuntala
khabar na li
khabar na li
khabar na li pratipaal

bhooh bhaye behaal

band karo ye geet
?? ke raajveer
bane aaj Dushyant

main
haan tum
apni marwan bhool kar
rewa sang raman
rewa sang raman ??
maruwan bisraai
maruwan ho maruwan ??
bharman hoi


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4162 Post No. : 15333 Movie Count :

4224

Hullo Atuldom

Sometimes a sudden tune or memory or word sends the mind looking for a song or visual connection. So, a few days back it was a tune in my head that sent me looking for today’s song. I remembered, rather vaguely, that the song had Ashok Kumar dancing away merrily. I remember having seen it eons ago on Doordarshan – the one source of most of my nostalgia.

I hunted down the song. I found the name of the movie it was from. Searched for it on YouTube. Enjoyed my first encounter with that movie thoroughly. It has been listed on IMDB.com under “action, crime, drama” genre. It should also have been categorised as “comedy”.

The movie had a huge cast- a set of dancing actresses headed by Shashikala, Aruna Irani, Prema Narayan, Helen, Jayshree T., Meena T. and Shubha Khote & Manorama. The male line up was headed by Ashok Kumar, Ranjeet, Sujit Kumar, Keshto Mukherjee, Asrani, Jagdeep, Viju Khote, Krishan Dhawan, Chandrashekhar, Coca Cola, Pinchoo Kapoor, Birbal, Yusuf Khan (Zabisco from Amar Akbar Anthony), Babban, Pakoda Kader etc. There were a few more known faces which were billed as guest appearance- Amjad Khan, special appearance- Danny and friendly appearance -Mehmood.

There were many movies back then where we had known faces putting in appearances in these categories as a gesture to the maker of the movie. And I think I know why Mehmood did this movie as the maker S. Ramanathan had been a co-director on “Bombay to Goa”.

This movie begins on a night where Ranjeet (one of the serious persons throughout the movie) is hatching a plot to steal diamonds from the vault of Pinchoo Kapoor’s residence in the company of Sujit Kumar (he plays a dead body for half the movie)- that is where the crime angle is. As the plan is being executed Pinchoo Kapoor is shot dead (crime angle again). But he Dials 100 with the help of his pet Pomeranian -that is one intelligent pet which has a good part to play in helping recognize the lost daughters of the family. That is when the ‘drama angle’ comes into play when the pet recognizes one daughter because of her locket, takes her to the bungalow where the loyal servant of the house enquires about the girl whose photo is in the locket. Further family-drama comes into play when it turns out that the girl in possession of the above mentioned locket is also the younger daughter of the family and in the absolute climax of the movie the sisters unite and with the aide of the hero and practically the entire cast catches Ranjeet and hands him over to the cops headed by Krishan Dhawan and Chandrashekhar.

Of course, we have to sit through the movie, from the murder to reach the climax (only place where there is dishoom- dishoom in the movie), through a not-so-boring movie. Danny was a revelation as far as his comic timing was concerned. I will not spell here what transpires through the movie and spoil the fun for anyone who may wish to see this movie.

Today’s song features the tenants of Manorama’s apartment as they gather to wish the newly-engaged hero -heroine (every Bollywood movie worth its name needs a jodi) Vinod Mehra and Bindiya Goswami. Everyone is singing and having the time of their life except Bindiya Goswami. The song is sung by Manna Dey (for all the males present), Asha Bhonsle (for the females) and Bappi Lahiri for Vinod Mehra. Anjaan wrote the song and Bappida was the music director for this S. Ramanathan directed “Dial 100” which released on 2nd April 1982.

Here is the song where Ashok Kumar leads along with Aruna Irani and the rest of those present join. I have always loved songs where Ashok Kumar visibly enjoys himself. Let us also enjoy this song.

Thinking of Dada Moni today on his anniversary.

Audio

Video


Song-Maara gaya maara gaya koi bechaara maara gaya (Dial 1000(1982) Singers-Asha Bhonsle, Manna Dey, Bappi Lahiri, Unknown voice, Lyrics-Anjaan, MD-Bappi Lahiri
Male chorus
Female chorus
All chorus
Manna Dey + Asha Bhonsle

Lyrics

Haaan
Haaaa
Haaan
Haaaa

maaraa gaya
maaraa gaya
koi bechaara maaraa gaya
maaraa gaya
maaraa gaya
koi bechaara maaraa gaya

(arey kaun maaraa gaya)
oye hoye hoye hoye hoye

koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya haan
koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya
ladka jawaan ladki jawaan
dono mile toh ghazab ho gaya

koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya
koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya

laa lala laa lalala laa
laa lalalaa laa
laa lala laa lalala laa
laa lalalaa laa
laa lala laa lalala laa
laa lalalaa laa
laa lala laa lalala laa
laa lalalaa laa

kahaan dono mile kaise mile
haa haa haa
ho kahaan aankh ladi kaise ladi
haa haa haa
kahaan teer chale kaise chale
haa haa haa
ho kahaan baat badhi kaise badhi
haa haa haa
chhupi chhupi
tauba re tauba
chori chori
haye re haye

kahaan bandhi
gaya re gaya
prem dori

aankhon aankhon mein jud gaya taanka
pada kaise kahaan dil pe daaka
aankhon aankhon mein jud gaya taanka
pada kaise kahaan dil pe daaka
bolo ji bolo ye bhed kholo
kaise ye sab ho gaya aaa aaa

ooi
koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya
arrey ladka jawaan ladki jawaan
donon mile to gazab ho gaya

ho koi kunwara maaraa gaya
ye maazra kaise kab ho gaya

aaaa aaaaaaa
aaaaa aaaaaa

kahaan pyaar ki yeh baat chhupe
haa haa haa
kahin jaake kahin raaz khule
haa haa haa
ho jahaan pyar mein do yaar milen
haa haa haa
wahin dekh ke yeh log jalen
haa haa haa
yahaan wahaan
oooi maa
baat chali
baba re baba
shor macha
gayi re gayi
gali gali
chhora chhori pe hoke lattoo
hua sabki nazar mein nikhattu
ho chhora chhori pe hoke lattoo
hua sabki nazar mein nikhattu
do dil mile toh hangama aisa yun besabab ho gaya aa
ooi
koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya
arey ladka jawaan ladki jaawan
dono mile to gazab ho gaya

hey koi kunwaara maaraa gaya
ye mazara kaise kab ho gaya

laa lalalaa laalalalaa
laa lalalaa laalalalaa

hooo ohhoo
hohoho hohoho
kahin koi jale jalta rahe

haa haa haa
koi kuch bhi kahe kahta rahe
haa haa haa
yahaan tera mera saath rahe
haa haa haa
yahi pyar yahi baat rahe
haa haa haa
toone mujhe
kya
maana sajan
haay re haay
maine tujhe
oye hoye
maana dulhan
gayi re gayi
kahin saabit na ho preet jhoothi
aayi dene gawaahi angoothi
kahi saabit na ho preet jhoothi
aayi dene gawaahi angoothi
ungali pakad ke
bahe pakad li
kissa gazab ho gaya aaa

hurr
koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya
arey ladka jawaan ladki jawaan
dono mile to gazab ho gaya

hurr
koi kunwara maaraa gaya
ye mazara kaise kab ho gaya

maaraa gaya maaraa gaya (oooooooooooo)
koi kunwara maaraa gaya (oooooooooooo)
maaraa gaya maaraa gaya (oooooooooooo)
koi kunwara maaraa gaya (oooooooooooo)
maaraa gaya maaraa gaya (oooooooooooo)
koi kunwara maaraa gaya (oooooooooooo)
maaraa gaya maaraa gaya (oooooooooooo)
koi kunwara maaraa gaya (oooooooooooo)


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(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has more than 15300 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15386

Number of movies covered in the blog

Movies with all their songs covered =1180
Total Number of movies covered =4242

Total visits so far

  • 12,906,191 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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