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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Asha Bhonsle


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3834 Post No. : 14842

Today is the 93rd birth anniversary of O P Nayyar (16 january 1926- 28 january 2007).

According to my calculations, O P Nayyar worked in 73 movies and he composed 569 songs in these movies.

This blog has 472 songs from these songs. So, all 73 Hindi movies where O P Nayyar composed music are represented in the blog. 49 of these movies are already YIPPEED. 24 more of O P Nayyar are yet to be YIPPEED. In addition, one Non movie song composed by O P Nayyar has also been covered in the blog.

So, just under one hundred of O P Nayyar compositions remain to be covered.

Here is the filmography of O P Nayyar:-

Movie Year No of songs in the blog No of songs in the movie Remarks
Aasmaan 1952 8 8 YIPPEED
Chham Chhama Chham 1952 9 11
Baaz 1953 8 8 YIPPEED
Aar Paar 1954 8 8 YIPPEED
Mangu 1954 4 4 Md Shafi composed 3 other songs
Mehbooba 1954 5 5 Roshan composed 4 other songs
Baap Re Baap 1955 11 11 YIPPEED
Miss Coca Cola 1955 8 8 YIPPEED
Mr and Mrs 55 1955 8 8 YIPPEED
Musaafirkhaana 1955 8 8 YIPPEED
Sabse Bada Rupaiyya 1955 6 6 Naashaad composed 3 other songs
Bhaagam Bhaag 1956 10 10 YIPPEED
Chhoomantar 1956 10 10 YIPPEED
C I D 1956 7 7 YIPPEED
Dhaake ki Malmal 1956 7 7 One song by Robin Chatterji
Ham Sab Chor Hain 1956 9 9 YIPPEED
Mr Lambu 1956 8 8 YIPPEED
Naya Andaaz 1956 11 11 YIPPEED
Shrimati 420 1956 8 9 Tum to hamre man mein bhagwaan ban ke base ho- this balance song in untreceable as of now
Bade Sarkaar 1957 4 4 YIPPEED
Duniya Rang Rangeeli 1957 8 8 YIPPEED
Johny Walker 1957 6 6 YIPPEED
Maai Baap 1957 6 6 YIPPEED
Naya Daur 1957 9 9 YIPPEED
Qaidi 1957 5 8
Tumsa Nahin Dekha 1957 6 6 YIPPEED
Ustaad 1957 7 7 YIPPEED
12 o clock 1958 7 7 YIPPEED
Farishta 1958 6 6 YIPPEED
Howrah Bridge 1958 8 8 YIPPEED
Kabhi andhera Kabhi Ujaala 1958 5 9
Mr Qartoon MA 1958 5 8
Mujrim 1958 8 8 YIPPEED
Phagun 1958 11 11 YIPPEED
Raagini 1958 8 12 YIPPEED
Sone Ki Chidiya 1958 8 8 YIPPEED
Do Ustaad 1959 8 8 YIPPEED
Basant 1960 10 14
Jaali Note 1960 8 8 YIPPEED
Kalpana 1960 5 10
Mitti Mein Sona 1960 7 7 YIPPEED
Ek Musaafir Ek Haseena 1962 12 12 YIPPEED
Hongkong 1962 9 9 YIPPEED
Phir Wohi Dil Laaya Hoon 1963 9 9 YIPPEED
Kashmir Ki Kali 1964 9 9 YIPPEED
Mere Sanam 1965 9 9 YIPPEED
Akalmand 1966 7 9
Bahaaren Phir Bhi Aayengi 1966 6 6 YIPPEED
Do Dilon Ki Daastaan 1966 7 8
Love and Murder 1966 2 6
Mohabbat Zindagi Hai 1966 5 8
Saawan Ki Ghata 1966 8 8 YIPPEED
Ye Raat Phir Na Aayegi 1966 8 8 YIPPEED
CID 909 1967 6 6 YIPPEED
Naseehat 1967 3 6
Dil Aur Mohabbat 1968 6 6 YIPPEED
Hamsaaya 1968 7 7 YIPPEED
Kahin Din Kahin Raat 1968 7 7 YIPPEED
Kismat 1968 5 5 YIPPEED
Shrimaanji 1968 3 6
Sambandh 1969 5 12
The Killers 1969 1 6
Aisa Bhi Hota Hai 1971 1 4
Ek Baar Muskura Do 1972 8 8 YIPPEED
Pran Jaaye Per Vachan Na Jaaye 1973 6 6 YIPPEED
Taxi Driver 1973 6 6 YIPPEED
Khoon Ka Badla Khoon 1978 1 8
Bin Maa Ke Bachche 1979 1 6
Heera Moti 1979 3 6
Muqaddar Ki Baat (UR) 1983 1 8
Mangni 1992 1 8
Nishchai 1992 1 6
Zidd 1994 1 7
Total 473 569 YIPPEEED movies=49

As a tribute to O P Nayyar on the occasion of his birth anniversary, here is a song from “Raagini” (1958). This movie was produced by Ashok Kumar and Ganesh and directed by Rakhan for Ashok Productions, Bombay. This “social”movie had Ashok Kumar, Kishore Kuamr, Padmini, Jabeen, Baalam, Sundar, Nazeer Hussain, Achla Sachdev, Ameer Banu, Protima devi, Rajendra, Master Vinod, Baby Leela, Navmi, Ifthhikar, Jamal, Mirajkar, Kathana, < Bhardwaj, Narbada Shankar, Master Raja etc in it.

The movie had twelve songs in it. Eight of these songs have been covered.

Here is the ninth song from "Raagini"(1958) to appear in the blog. The song is sung by Asha Bhonsle. Jaan Nisaar Akhtar is the lyricist. Music is composed buy O P Nayyar.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Dil todne waale bata ke jaa (Raagini)(1958) Singer-Asha Bhonsle, Lyrics-Jaan Nisaar Akhtar, MD-O P Nayyar

Lyrics

dil todne waale bata ke ja
dil todne waale bata ke ja
dil todne waale bata ke ja
maine tera kya kiya
oye maine tera kya kiya
maine tera kya kiya
oye maine tera kya kiya
dil todne waale bata ke ja
dil todne waale bata ke ja

aa aa
ro ro ke maine pukaara tujhe
toone chhoda magar besahaara mujhe
ro ro ke maine pukaara tujhe
tune chhoda magar besaahaara mujhe
mujhko rulaake kaha chal diya
dil todne waale bata ke ja
dil todne waale bata ke ja
maine tera kya kiya
oye maine tera kya kiya
maine tera kya kiya
oye maine tera kya kiya
dil todne waale bata ke ja
dil todne waale bata ke ja

ye sooni raahen andhera sama
ye sooni raahen andhera sama
ye sooni raahen andhera sama
is dil ko maia leke jaaun kahaan
is dil ko main leke jaaun kahaan
jaaun kahaan haaye jaaun kahaan
dil todne waale bata ke ja
dil todne wale bata ke ja
maine tera kya kiya
oye maine tera kya kiya
maine tera kya kiya
oye maine tera kya kiya
dil todne waale bata ke ja
dil todne waale bata ke ja

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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3828 Post No. : 14833

Today’s song is from film Hum kisi se kam nahin-77, made under the banner of Nasir Hussain films.

This is the 3rd consecutive song from the 70s that I am discussing. Do not wonder whether I have shifted sides- from writing on films of 30s and 40s to the 70s. Possibly, for the time being, this is the last one from this period. Actually, I have nothing against the musical or film aspect of the period 70s and beyond. It is only that, mostly they are not of my likings. Of course, I have always said that , ” Everything that was made before 70s was not all good, as much as everything made after 70s was not bad either.”

Good or bad depends upon the personal perceptions, because these are opinions. If you measure them on a scale- like say-durability, then it is measurable and no one can deny the durability quotient of old songs vis-a- vis songs after 70s. A lot can be said on this issue, but not today and not here. Anyway, to each his own !

Why do people like a movie ? If the correct answer was known to anybody, he would be a Trillionnaire in no time ! However, when this question is asked to a common man on the street, the answers one would get would be 1. Story is good. 2. Acting is good. 3. Music is good. 4. I like this Hero/Heroine and many such explanations. My observation is that Music and Songs is one major reason for a movie to be popular and successful. There are many examples like Albela-51, Baiju Bawra-52, Anarkali-53, almost all films of Saigal, most Noorjehan and Suraiya films and most films made by Producer, Director and Writer Nasir Hussain.

Nasir Hussain probably had received from God, the formula for successful films-for a short term use. Out of his 13 films, first 10 were hit films- primarily due to Romance and excellent music. It is said that being a script and story writer himself he used one story for all his films-with some variations, of course- and the time he changed the story his films became a flop. Shammi kapoor, whose sinking career took up turn because of the Nasir Hussain film ” Tumsa nahin dekha”-57, had once said, ” we have heard stories of Marwadis coming here with just one Lota and building empires. Here was a man who used one story for his films for 30 years and succeeded !”

Mohammed Nasir Hussain Khan aka Nasir Hussain was born on 2-2-1931 ( wiki says it is 16-11-1926) in Bhopal.His family was related to Maulana Abul Kalam Azaad. While studying in Lucknow University, he wrote several dramas for A.I.R., Lucknow. He even got First prize for 2 consecutive years in the University writing competition .( one of these stories were used to make film ‘ Baharon ke Sapne’). In 1948, he came to Bombay and joined Filmistan.

His first story was for film Shabnam-49, jointly with Qamar Jalalabadi. Independently he wrote story/screenplay/dialogues for Shabistan-51, Anarkali-53, Shart-54, Munimji-55 and Paying Guest-57. Then he wrote Tumsa Nahin Dekha and insisted to direct the film himself. Tolaram Jalan, the owner of Filmistan was not ready to give it to a New director, but when NH threatened to quit, he relented unwillingly but cut the film’s budget. Nasir took Shammi Kapoor ( who had given 9 flops in a row) and new comer Ameeta and made the low budget film Tumsa Nahin Dekha-57.

When Tolaram Jalan saw the film, he was not happy at all,but the film celebrated Jubilees in 30 cities in India. Nasir Hussain got Rs. 10000/- for the story and his salary for 8 months, Rs.8000/- a total of Rs 18000 for this successful film ! When his mentor Shashdhar Mukherjee left Filmistan, to start his own ‘ Filmalaya Studios’, Nasir also left. For this new company. he made Dil Deke Dekho- 59, introducing Asha parekh as New Heroine. The film was a Hit , but he got only Rs. 25000- . Nasir decided that only his own company can give him more money.

With just Rs. 10,000/- in pocket he established his own Nasir Hussain Films Ltd. and made ‘ Jab pyar kisise hota hai-61. Another Hit. Then he made Phir wohi dil laya hoon-63, Teesri manzil-66. Baharon ke sapne-67, Pyar ka Mausam-69, Carvan-71, Yadon ki baraat-73 and Hum kisise kam nahin-77.

For film Teesri manzil-66, the film started with Dev Anand as the Hero. After 2 reels’ shooting, Dev had some differences and he left the film. Shammi Kapoor was roped in. The film was directed by Vijay Anand and for the first time R D Burman was taken for providing Music. Later on Nasir Hussain, Majrooh Sultanpuri and RD Burman collaborated for another 5 films.R D Burman continued till 1985, doing in all 9 films for Nasir Hussain.

After his films in 1981,84 and 85 flopped serially, Nasir Hussain stopped direction and wrote screen play and dialogues for Qayamat se Qayamat taq-88 and Jo Jeeta Wohi Sikandar-92. His nephew Amir Khan was launched in these films. Nasir Hussain died on 13-3-2002 after a Heart attack.

Actors Asha Parekh, Rajendra Nath , Sidhu, Malika and Krishan Mehta owe their career to Nasir Hussain. Shammi Kapoor ,a struggling actor was given a new identity by him & thanks to him, Shammi Kapoor reached at the pinnacle of popularity. Even Amita became a hit property overnight by the success of Tum Sa Nahin Dekha,

While he encouraged new comers, he did not forget the veteran actors ,who had passed their prime . Late B M Vyas ,who was getting roles only in period/religious/Arabian Night movies was chosen by Nasir Hussain for an important role in main stream movie Tum Sa Nahin Dekha. Old timer Wasti ,who regaled the audiences with his natural acting in Sanjog , Rattan, Pugree made in forties and many Punjabi & Hindi movies later on , was passing through a bad phase . Nasir honored him by offering the roles of substance in Dil Deke Dekho,Jab Pyar Kisi Se Hota Hai & Phir Wohi Dil Laya Hoon. He rekindled the fond memories of the forties ,when he signed actors of proven caliber like Rajinder Singh, Mubarak, Kanu Roy, Raj Mehra ,Mumtaz Ali , Surendra Nath & many more . Here I’ll specifically mention the name of Nasir Khan & Bharat Bhushan ,who were passing through the most difficult phase of their lives . The benign film maker Nasir took them in his movies Yaadon Ki Baraat & Pyar Ka Mausam respectively ,just to assure them that they have not been forgotten and the industry recognizes their contribution . It is my strong belief that it was the blessings of those grateful old timer actors ,which made Nasir Hussain so prosperous and successful.

Nasir Hussain had that typical story formula in most of his films of “overhearing” ! In Tumsa Nahi Dekha, Pran overhears about Shammi Kapoor arriving & after stealing Shammi Kapoor’s recommendation letter, introduces himself as Shankar (Shammi Kapoor) . In Dil Deke Dekho, JPKSHH & Pyar Ka Mausam, the heroes concerned, overhear the heroine speaking about a comedian’s arriving (mostly as a marriage candidate) & after packing the comedian back,the hero banks on the name of the comedian. In Teesri Manzil, Shammi Kapoor overhears Asha Parekh speak, that she has come there to take revenge on himself (Rocky) and implies to Asha & her friends that he is different person named Anil Kumar Sona .
Even though with this common formula in most of his films , all his movies did well at the theatre on the basis of good songs & music !

There was a letter from a reader, in Filmfare, which stated thus, ” It is not at all important to pay attention to that so-called Hindi movie critic group who always referred and called Nasir Hussain as man of the movie with Escapism themes all the time to make his movie at box office hit. Working men need to have some kind of entertainment after spending hours and hours in heaps of works and concerned chores. Naturally there grows the tendency to escape from daily reality by engaging in daydreaming, fantasy….and there comes Nasir Hussain with this magical stick plus his established style of screenplay writing and later directing evergreen chocolate hero viz. Dev Anand…rebellious Shammi Kapoor…smiling Joy Mukherjee….charming Shashi Kapoor….handsome Jeetendra….and there was all time beautiful dancing lady ever present in her gorgeous smile…Asha Parekh who worked with these heroes with her fresh enthusiasm. What else an ordinary cine goer wish to have while spending his money for a ticket at window ? Apart from main hero and heroine there were devoted character actors playing various parts . ”

The Hero of the film Hum kisise kam nahin-77 was Rishi Kapoor, born on 4-9-1952. His first entry through Mera Naam Joker-70 fetched him a Film fare award. His debut as a Hero in Bobby-73 also brought him an award from filmfare. He is one actor who is popular even after he retired from films-not fully though. A film The Body-2019, was just released last week, directed by Jitu Joseph.His son Ranbir Kapoor is carrying the Kapoor mantle very ably.

Rishi Kapoor aka Chintoo has some different records on his name. He is the only actor having had 45 different heroines with whom he was cast. He also worked with 20 New entrant Heroines in their Debut films. He was Hero to seniors like Shabana Azmi, Rekha, Rakhee and Hema ( she was launched by his father), then with Madhuri, Shridevi, Tina Munim and Raveena Tandon. He worked with Simi Garewal in film Karz-1980, after his first film Mera Naam Joker-70. Some of his New heroines were Dimple, Kajal Kiran, Bhavna Bhatt, Ashwini Bhave, Radhika, Farah, Vinita, Zeba, Divya, Naseem, Rukhsaar etc etc. He acted in 162 films and also directed 1 film-Aa ab laut chale-99. He lent his voice in 7 songs in 6 films.

Today’s song is a copy of the famous Abba song ” Mama Mia”. So be it, seeing the youthful Rishi and Kajal Kiran singing and dancing is a real treat, in this video. Enjoy….
( For this article I have used information from Yadon ki Baraat by S Kanekar, The Hindu, wiki, MuVyz, HFGK, article by M N Sardana ji in woh din yaad karo and my notes)


Song- Mil gaya hum ko saathi mil gaya (Ham Kisi Se Kam Nahin)(1977) Singers- Asha Bhonsle, Kishore Kumar, Lyrics- Majrooh Sultanpuri, MD- R D Burman
Chorus

Lyrics

mil gaya
hum ko saathi mil gaya
hum se gar koi jal gaya
wu wu
jalne de
wu wu
jalne de
chal gaya
pyaar ka jaadu chal gaya
hum se gar koi jal gaya
wu wu
jalne de
wu wu
jalne de

tere liye
zamaana tere liye
aur tu mere liye
tere liye
zamaana tere liye
aur tu mere liye

mil gaya
humko saathi mil gaya
hum se gar koi jal gaya

wu wu
jalne de
wu wu
jalne de

tere liye
zamaana tere liye
aur tu mere liye

tere liye
zamaana tere liye
aur tu mere liye

haa

ae haa

hey

ae haa

haa

turuturututu
ha
turuturututu
ha
turuturututu
ha
turuturututu

wow beauty


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3826 Post No. : 14830

“Ek Naari Do Roop” (1973) was directed by Madhusudan for Cooperative Pictures Bombay. This “social” movie had Shatrughan Sinha, Rashmi, Asha Sachdev, Jr Mehmood, Ifthikar, Madan Puri, Nadira, Roopesh Kumar, Malika, Chaman Puri, Haneychhaaya, Sapru, Lalita Kumara, Maruti, Kajal, Rajni, Moolchand, Qureshi, Ranveer Raj, Subhash, Master Sheroo, Master Ratan, Master Cheekoo etc in it.

The movie had five songs in it. Two songs from the movie have been covered in the blog. The iconic Rafi song, Dil ka soona saaz taraana dhoondhega was the first song from the movie to be covered on 31 july 2008. The second song from the movie was covered four years later in 2013, which was nearly six years ago !

Though the movie is best known for its iconic Rafi song, the other songs in the movie were also wonderful songs to listen to. In fact, when I played the remaining songs, each one of them sounded so pleasing to my ears that I wondered which song I should save for some special occasion. May be that is the reason why I have not been able to cover these songs in the blog.

Instead of any further procrastination, here is the third song from “Ek Naari Do Roop” (1973) to appear in the blog. The song is sung by Asha Bhonsle. Naqsh Llayalpuri is theb lyricist. Music is composed by Ganesh.

The song is picturised on Rashmi (I guess) and Shatrughan Sinha, with another lady looking on from a distance. I request our knowledgeable readers to help identify the two ladies seen in the picturisation.

Listening to the song gives one a feeling that the tune resembles another song- and then one realises that the tune is same as the song Main tere ishq me mar na jaaun kahin(Loafer)(1973).

What is the reason for the resemblence ? Both songs were created in the same year. “Loafer”(1973) had music by Laxmikant Pyarelal, where Pyarelal was the brother of Ganesh. Both these movies had Gorakh (brother of Pyarelal and Ganesh) as music arranger. Loafer song was sung by Lata. So it was a special case of same tune being composed by one pair of brothers and sung by another pair of sisters. 🙂

The “Loafer”(1973) song became quite popular. The fact that the song was picturised on Mumtaz obviously had something to do with the popularity of that song. This “Ek Naari Do Roop” (1973) on the other hand was lip synced by an unknown lady who continued to remain unknown even after this movie.

PS-Our inhouse face recognition expert Prakashchandra points out that I had got my identification wrong. It is Asha Sachdev who lip syncs the song while Rashmi looks on from a distance. Prakashchandra also tells us that Rashmi marry Anil Dhawan.

This song is a nice song to listen to, on its own. The same is the case with the other two songs from the movie that remain to be covered. It may have taken more than ten years for three songs of “Ek Naari Do Roop” (1973) out of five to get covered. Now that I have noticed this fact, One can be sure that the remaining songs will find their way into the blog sooner rather than later. 🙂

Audio

Video

Song-Zindagi mein sada muskuraate raho (Ek Naari Do Roop)(1973) Singer-Asha Bhonsle, Lyrics-Naqsh Llayalpuri, MD-Ganesh

Lyrics

zindagi mein sada muskuraate raho
zindagi mein sada muskuraate raho
muskuraane se gham paas aata nahin
zindagi mein sada muskuraate raho
muskuraane se gham paas aata nahin
kya haqeeqat hai gulshan mein us phool ki
kya haqeeqat hai gulshan me us phool ki
jo bahaaron ka daaman sajaata nahin
zindagi mein sada muskuraate raho

wo fasaana bano jo kahe har jabaan
geet aisa bano jisko gaaye jahaan
wo fasaana bano jo kahe har jabaan
geet aisa bano jisko gaaye jahaan
dard ke saaz par jisko gaana pade
dard ke saaz par jisko gaana pade
aisa naghma koi gungunaata nahin
zindagi mein sada muskuraate raho

aane waale ghamon ka ho gham kis liye
hum karen apni aankhon ko nam kis liye
aane waale ghamon ka ho gham kis liye
hum karen apni aankhon ko nam kis liye
jo sitaara andheron se darta rahe
jo sitaara andheron se darta rahe
raushni ban ke wo jagmagaata nahin
zindagi mein sada muskuraate raho
muskuraane se gham paas aata nahin
zindagi mein sada muskuraate raho


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3825 Post No. : 14828

#the Decade of Seventies – 1971 – 1980 #
———————————————————–
# Bhoole-Bisre Geet # 77 # Reena Roy’s Birth Anniversary #
———————————————————————————————————-

In my growing years, in the seventies, Hema Malini was the leading name among the actresses in the Hindi movies and she ruled the ‘screen’ in those years 1971-1980 and extended thereafter till 1986 if we can consider it.

During those years there were many other heroines on the Hindi Movie scene who lit up the screen with their presence and performances.

One of these names is ‘Reena Roy’, whose growth in her career coincided with the growth of people like me (those born in early seventies) in our lives. She made her debut in the 1972 movie ‘Zaroorat’. A year or more later in 1973 came her sizzling dance number ‘ab ke saawan mein jee darey’ in ‘Jaise Ko Taisa’ with actor Jeetendra’.

In 1975 one of her song from ‘Zakhmee’ ‘jalta hai jiya mera bheegi bheegi raaton mein’ with Rakesh Roshan also got some popularity.

Till 1976 she had acted in about twelve movies (as per her ‘filmography’ on ‘wiki’).

In 1976 there were six movies of her released viz. ‘Sangram’, ‘Gumraah’,’Barood’, ‘Naagin’, ‘Kaalicharan’ and ‘Udhar Ka Sindoor’.

With her role in ‘Naagin-1976’ she rose to the top and with the success of ‘Kaalicharan’ her pairing with Shatrughan Sinha became popular and both of them acted in many films thereafter.
She was nominated in the ‘best actress’ category for her role in ‘Naagin-1976’ which she lost to Rakhee in ‘Tapasya’. After ‘Nagin-1976’ she was nominated in the ‘best actress’ category for her role in the ‘1980 movie – Aasha’ which she lost again, this time to Rekha for her role in ‘Khoobsurat’.

In between she was declared winner of the ‘Filmfare’ award in the ‘best supporting actress’ category for her role in ‘Apnaapan -1977’ which she did not accepted citing the reason that the role in ‘Apnaapan’ was not a supporting role but was like a ‘lead role’.

For me, I would say that I liked her performances in all the movies that I have watched of her so far. I remember ‘Naagin-1976’, ‘Badalte Rishtey-1978’, ‘Jaani Dushman-1979’,’Yaari Dushmani-1979’,’Be-reham-1980’, then ‘Naseeb’, ‘Rocky’, ‘Dhanwan’, ‘Pyaasa Saawan’ – all of 1981.

After that as a grown-up boy I watched her in ‘Main Intaqaam Loonga’, ‘Dard Ka Rishta’, ‘Sanam Teri Kasam’ in 1982, and ‘Andhaa Kaanoon’. (In 1982 as many as fourteen of her movies were released (as per wikipedia)).

Then I watched her ‘Naukar Biwi Ka’ in 1983, ‘Raaj Tilak’, ‘Asha Jyoti’, in 1984 (I vaguely remember to have watched her ‘Intehaa-1984’ with Raj Babbar).
I watched ‘Baghaawat’ in 1985-86 and ‘Karmyogi-1978’ on video cassette around 1990 but do not remember it now.

‘Aasha-1980’ I watched on TV sometime around 1990-91 I think and ‘Kaalicharan-1976’ around 1999 on TV.
Well, I still have to watch many of her famous movies like ‘Arpan’, ‘Ghulami’, ‘Gautam Govinda’, ‘Jwaalamukhi’, ‘Vishwanath’ (I think I watched it in parts on some tv channel) and many others.

Today let us watch a song from the 1978 movie ‘Vishwanaath’ performed by Reena Roy on screen. I didn’t get to watch this movie and vaguely remember of watching some of its parts on ‘TV’, as mentioned above, may be some years back. (However, I sincerely wish to watch it now as and when possible.)

So far two songs of this movie have been posted on the blog and one ‘jab jab jo jo hona hai’ with a ‘passionate’ and ‘interesting’ post by our Santosh Ojha ji and other one ‘hawa se halki hoon aaj’ by Atul ji with the contribution coming from Prakash ji.

I would request readers to go through this post ‘jab jab jo jo hona hai’ too to get a ‘feel’ of this wonderful movie of the ‘seventies’.

“Vishwanaath-1978” was directed by Subhash Ghai for ‘Ramayan Chitra’, Bombay’.

It had Shatrughan Sinha, Reena Roy, Premnath, Pran, Rita Bhaduri, Madan Puri, Sulochana, Iftikhar, Jagdish Raj, Randhir, Sapru, Yusuf Khan, Viju Khote, Sudhir, Madhu Chauhan, Keshav Rana, Suresh Desai, and Ashok Khanna.

Parikshit Sahni, Rakesh Pande, Lalita Pawar, Mukri, Bharat Bhushan, Satyen Kappu and Ranjeet make a special appearance in this movie.

This movie had total six songs penned by Vitthalbhai Patel- two songs, M.G. Hashmat – one song, Rajkavi Tulsi – one song and Anjan – two songs.

Music for this movie was composed by Rajesh Roshan.

Asha Bhonsle, Kishore Kumar, Lata Mangeshkar and Manna Dey gave their voices to the songs in this movie.

This movie was passed by Censor Board on 13.01.1978.

Today’s song is sung by Asha Bhonsle and written by Anjaan. Music is composed by Rajesh Roshan.

Let us now enjoy this wonderful racy composition by Rajesh Roshan which Reena Roy performs on screen in a ‘villain’s den’. And going by its songs available on YT I think this movie has more than one song in the ‘villain’s den’ song category. Also, I must admit here that I was not aware of this song, few years back, till this post and I came across it while searching for other songs. I don’t even remember if I have heard it earlier somewhere.

As I listened to it many times for the preparation of this post it grew upon me. The composition is something special, I think. And since the preparation of this post I have listened to it many many times now.

Asha Bhonsle’s singing and the tune set to it by Rajesh Roshan no doubt is magical.

The heroine is performing this song in the villain’s den ‘straight way’ challenging him and its music is very much supporting the ‘revengeful’ feelings of the heroine, of course, supported by Shatrughan Sinha and Pran (in disguise). Reena Roy has performed with full zeal and energy on this song.

Today 7th January 2019 is the sixty-second birth anniversary of actress Reena Roy (born on 07.01.1957). Wishing her here a very happy birthday today and a healthy and peaceful life in future, let us now enjoy this wonderful song composed by Rajesh Roshan and written by Anjaan.

Video

Audio

Song-Bibasha aaj karegi manmaani (Vishwanath)(1978) Singer-Asha Bhonsle, Lyrics-Anjaan, MD-Rajesh Roshan
Chorus

Lyrics

Bibasha aa aa
Aaj karegi manmaani ee
Bibasha aa
Laa laa laa laa laa laa
Laa laa laa laa laa laa
Aaj karegi manmaani ee

Ho o
Hoga tamaasha betahaasha
Chhedegi aisi kahaani
Haa aa
Bibasha aa
Laa laa laa laa laa laa
Laa laa laa laa laa laa
Aaj karegi manmaani
Bibasha aa
Aaj karegi manmaani

Aa aa aa aa aa
O o o
Kaise beimaani sahe preet deewaani
Meri ho
Kisi ki na maane jab baaghi ho jawaani
Meri ho o
Ghunghroo bajaaun
Aa
Dil ko rijhaaun
Aa
Sab ko nachaaun
Aa
Bas mein na aaun
Mere pass tu na aa mujhe haath na lagaa re ae
Bibasha aa
Laa laa laa laa laa laa
Laa laa laa laa laa laa
Aaj karegi manmaani
Bibasha aa
Aaj karegi manmaani

Allaah hi laa laa
Laa laa laa aa
Aiyee aiyee yaa
Allaah hi laa laa
Laa laa laa aa
Aiyee aiyee yaa

Haa aa
Bibaashaa aa

Ho o bhanware hi bhanware
Pade hain mere pichhe yahaan ho o
Pyaar mein jal jaaye
Jo wo parwaana kahaan
Aankh milaa
Aa
Dil mein samaa
Aa
Parde utthhaa
Aa
Raaz bataa aa
Jo ye pardaa utthhaa
Phir tera hoga kya re ae
Bibasha aa
Laa laa laa laa laa laa
Laa laa laa laa laa laa
Aaj karegi manmaani
Bibasha aa aa
Aaj karegi manmaani

Aaj karegi manmaani ee
Aaj karegi manmaani ee

———————————–
Devnagri script lyrics (Provided by Avinash Scrapwala)
———————————–

बिबाषा आ
आज करेगी मनमानी ई
बिबाषा आ
ला ला ला ला ला ला
ला ला ला ला ला ला
आज करेगी मनमानी ई

हो ओ
होगा तमाशा बेतहाशा
छेड़ेगी ऐसी कहानी
हां आ
बिबाषा आ
ला ला ला ला ला ला
ला ला ला ला ला ला
आज करेगी मनमानी ई
बिबाषा आ
आज करेगी मनमानी ई

आ आ आ आ आ
ओ ओ ओ
कैसे बेईमानी सहे प्रीत दीवानी
मेरी हो
किसी की न माने जब बाग़ी हो जवानी
मेरी हो ओ
घुँघरू बजाऊं

दिल को रिझाऊं

सब को नचाऊँ

बस में न आऊँ
मेरे पास तू न आ
मुझे हाथ न लगा रे ए
बिबाषा आ
ला ला ला ला ला ला
ला ला ला ला ला ला
आज करेगी मनमानी ई

अल्लाह ही ला ला
ला ला ला आ
ऐई ऐई या
अल्लाह ही ला ला
ला ला ला आ
ऐई ऐई या

हां आ
बिबाषा आ

हो ओ भंवरे ही भंवरे
पड़े है मेरे पीछे यहाँ हो ओ
प्यारे में जल जाए
जो वो परवाना कहाँ
आँख मिला

दिल में समा

परदे उठा

राज़ बता आ
जो ये पर्दा उठा
फिर तेरा होगा क्या रे ए
बिबाषा आ
ला ला ला ला ला ला
ला ला ला ला ला ला
आज करेगी मनमानी ई
बिबाषा आ आ
आज करेगी मनमानी
आज करेगी मनमानी ई
आज करेगी मनमानी ई


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3822 Post No. : 14823

‘PANCHAM-RAFI’ Jodi’s Variety Songs – 4
– – – – – – – – – – – – – – – – – – – – –

Today 4th January is the twenty fifth ‘Remembrance Day’ (27th June’1939- 04th January’1994) of the ‘versatile genius’ RD Burman or our beloved Pancham Da. One cannot believe that it is twenty five years now since Pancham Da left us. His songs are a daily routine for me and maybe many like me, and so it never appears that he is not there. He is always there with us – the music lovers.

I wish to send an article with other song composed by Pancham for this occasion, however could not finish that article hence I for today’s occasion I am sharing herewith one of my already pending article under the series ‘Pancham-Rafi Jodi’s variety songs. We already have the following songs earlier in this series posted on the blog;

Jaag devta naag devta

Raqqaasa mare naam

Maine kab chaaha ke doolha banoonga

So coming back after a long gap in this series, today we have song composed by RD Burman from the movie ‘Takkar’ (1980). Today’s song of ‘Pancham – Rafi Jodi Songs’ is a melodious devotional song.

‘Takkar’ is a Padmalaya Films Production. produced by GA Sheshagiri Rao and directed by K Bapaiyaa. The movie had Sanjeev Kumar, Zeenat Aman, Jeetendra, Jayaprada, Vinod Mehra (double role), Bindiya Goswami, Ranjeet, Mac Mohan, Ashok Kumar, Kamini Kaushal, Sujit Kumar, Jeevan, Mukri, Asrani, Shivaraj, Leela Chitnis, Komila Virk, Jalal Agha, Mohan Choti, Master Bittoo, A. Abdul Hameed, Mac Mohan, Umesh Sharma, Swaraj Gupta, Anand Mohan, Umesh Khanna, K N Reddy, Pawan Babu, Asha Sachdev, Prema Narayan etc. in it.

As per HFGK this movie was passed by Censor Board on 07.04.1980. It had total seven songs in it wherein Asha Bhonsle, Kishore Kumar, Lata Mangeshkar, Mahendra Kapoor, and Mohd Rafi gave their voices to the songs in this movie. Lyrics for this movie were written by Anand Bakshi and Music was composed by R.D. Burman.

I do not remember to have heard this song till this post. Also from the list of other songs of this movie they don’t seem familiar to me. Though I am aware that there was this movie in those days, but have not watched it then and even till date. This is the second song from this film to appear on the blog.

Here is the brief about this film that Atul ji mentioned while posting the first song from this film (on 09.09.2013) – Moorty Ganesh Ki Andar Daulat Desh Ki.

In today’s song Sanjeev Kumar and Zeenat Aman are lip syncing in Mohd Rafi and Asha Bhonsle’s voice respectively on the screen. Ashok Kumar, Kamini Kaushal, Jeevan, Bindiya Goswami and others are seen in the song.

From the video of the song one can assume that Zeenat Aman looks for her ‘Shyam’ in Sanjeev Kumar and Ashok Kumar seems to find the spiritual one, few seem to be interested in Kanhaiyya’s moorty itself and Sanjeev Kumar preparing to take on the evils or he too wants to get this ‘moorty’. Only those who have watched this movie can help us.

But the song is a nice hummable one. As mentioned above lyrics of this song are by Anand Bakshi and it is composed by RD Burman.

Let us now enjoy this interesting song.

Song – Maakhan Chor Nandkishore Manmohan Ghanshyam Re (Takkar) (1980) Singer – Mohammed Rafi, Asha Bhonsle, Lyrics – Anand Bakshi, MD – RD Burman
Mohammed Rafi + Asha Bhonsle

Lyrics

maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

arey maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

devki maa ne janam diya aur
maiyya yashoda ne paala aa aa aa
devki maa ne janam diya aur
maiyya yashoda ne paala aa
tu gokul ka gwaala
bindraban ka bansari waala aa

ho aaj teri bansi phir baaji
mere mann ke dhaam re
kitne tere roop re
kitne tere naam re

ho maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

kaali naag ke saath ladaa tu
zaalim kans ko maara aa aa aa
kaali naag ke saath ladaa tu
zaalim kans ko maara aa aa
baal awasthaa mein hi tune
khela khel ye saara

tera bachpan
tera jeewan
jaise ek sangraam re
kitne tere roop re
kitne tere naam re

o maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re ae
kitne tere naam re ae

tu ne sabka chain churaaya
o chitchor kanhaiyya aa aa aa
tu ne sabka chain churaaya
o chitchor kanhaiyya
o o o
o jaane kab ghar aaye dekhe
raah yashoda maiyya
arey vyaakul radha dhoondhe shyam
na aaya ho gayi shaam re
kitne tere roop re
kitne tere naam re

o maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re ae …


———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

अरे माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

देवकी माँ ने जनम दिया और
मैय्या यशोदा ने पाला आ आ आ
देवकी माँ ने जनम दिया और
मैय्या यशोदा ने पाला आ
तू गोकुल का ग्वाला
बिंद्राबन का बंसरी वाला आ

हो आज तेरी बंसी फिर बाजी
मेरे मन के धाम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

हो माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

काली नाग के साथ लड़ा तू
ज़ालिम कंस कों मारा आ आ आ
काली नाग के साथ लड़ा तू
ज़ालिम कंस कों मारा आ आ
बाल अवस्था में ही तुने
खेला खेल ये सारा

तेरा बचपन
तेरा जीवन
जैसे एक संग्राम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

ओ माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे ए
कितने तेरे नाम रे ए

तुने सबका चैन चुराया
ओ चितचोर कन्हैय्या आ आ आ
तुने सबका चैन चुराया
ओ चितचोर कन्हैय्या
ओ ओ ओ
जाने कब घर आये देखे
राह यशोदा मैय्या
अरे व्याकुल राधा ढूंढें श्याम
न आया हो गयी शाम रे
कितने तेरे रूप रे
कितने तेरे नाम रे


ओ माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे ए
कितने तेरे नाम रे ए …


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3819 Post No. : 14818 Movie Count :

4052

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 76# Memories of the Seventies – Composer Rajesh Roshan #
————————————————————————————————–———————-

Welcome all and wishing all a very Happy New Year 2019!!!

May this New Year bring us all peace, prosperity, good health, and growth of our country in all areas which are concerned with the ‘common man’ and which helps to improve the ‘quality of life’ and ‘quality of living’ for the people of this country.

Within few months general elections for the parliament will also be held and people will get a chance to vote for their ‘fate’ and ‘fate’ of the country.

Let ‘positivity’ prevails and let the ‘truth’ triumphs over ‘misleading negativity’ and ‘social evils’ that are still a ‘threat’ for the ‘unity’ and ‘overall development’ of this country.

***

On the beginning of every year I always think that I should share a song which has celebration, a message in it and it should be motivational and/or inspirational too. And the better if it is a group song or having ‘chorus singing’ in it, to give it a sense of ‘collective spirit’ and ‘team spirit’ 🙂

I think the song I am presenting today serves this purpose I am looking for and it also motivates for ‘hard work’ (mehnat) to fulfil the dreams of individual and for the betterment of the society overall.

And the other reason for this article once again is ‘nostalgia’ and ‘songs that brings back memories’ …

It was not suddenly that the song came to my mind. It so happened that one day while I was travelling from my Camp place to work place and just give a look at the Sun which was shining brightly in the morning.

(Normally when I do that, giving a look at the Sun or staring it a while, the first thing coming to my mind is Kapil Dev 🙂 )

But that day when I try to stare at the Sun more, I break into singing these lines … ‘sooraj se aankhen milaa’ … yes there is song which I had heard in my childhood, but another moment I confused it with ‘oonchi oonchi baaton se kisi ka pet bharta nahin’, but corrected myself that that the two were different songs.

Somewhere the tune of both of these songs appear to be connected because both songs are composed by the same music director Rajesh Roshan.
However, I had forgotten the name of the movie of this song ‘sooraj se aankhen milaa’.

So, I checked about the song and also checked on the blog if it was already covered.
Luckily it was not and thus this opportunity for me to present it here on the blog.

This song is from the 1978 movie ‘Muqqaddar’!!!

Earlier I had planned to send this article during the festival of Diwali, however I could not send it then …

***
When I was still finishing this article, I got to listen the last episode of ‘2018’ of our Primer Minister’s ‘Man Ki Baat’ and also became aware of the recent happenings of the All India DGP/IGP Conference and the awards for ‘National Unity’. Then the PM also highlighted about the many achievements in Sports by India and I when he narrated about a twenty-year-old cyclist and the feat she achieved I real felt very proud about it and was stunned to know that she cycled almost 300 kms every day to complete world tour in 159 days (and to become the ‘first Asian’ to do so) …

At the same time, I was very sad to read a news about a ‘fact check’ for PM’s waiving a train – whether he was ‘waiving an empty train’, which was on its first journey from the newly inaugurated of ‘Bogibeel Bridge’.

This news proves how low we have fallen down in our ‘socio-political’ ‘ethics and morality’. And I am not taking side of any parties involved in this. Even this thought of raising doubt at such an event at this level is very disappointing and it is a sad comment on our day to day affairs where other serious issues are being mocked by peoples having their ‘own selfish motives’.

Let us wish that ‘false propaganda’ and ‘false allegations’ not take over the real concerning issues of our country and let people use the social media with maturity.

Well ‘neki aur badi ki ladaayi jabse duniya bani hai tabse se chali aa rahi hain, agar buraayi na ho to koi achchaayi ko na poochhe, oonchaai ko samajhne ke liye hamehsa nichhayi ko samajhna chaahiye’

And between this ‘neki and badi’ is our Police force who safeguards us and safeguards our Nation in turn from the various ‘crimes’ in our society … I salute to them all and hope they keep up the good work rising above ‘caste, creed, religion, and beliefs’, in the interest of ‘National Unity’ forever …

Our today’s movie – ‘Muqaddar-1978’ is ‘DEDICATED TO, THE TWENTY-FOUR-HOUR SOLDIERS! THE UNSUNG HEROES! THE POLICE!!

And the dialogues mentioned above are not mine … Abdul Bhai (Yunus Parvez) is saying this to Inspector Vijay Saxena (Sanjeev Kumar) in our today’s movie …

Abdul Bhai runs a ‘road side dhaba’ and Inspector Vijay is his daily customer, and when Abdul Bhai suggests Vijay that he should get married so that he doesn’t have to worry about his food …

‘meri shaadi to us din ho gayi thhi jis din main police mein bharti huaa thha’
‘Chori dakaiti murder ye sab ek wafaadaar biwi ki tarah hamesha mere saath lage rehte hai…
‘Aisaa lagta hai Abdul Bhai is duniya se achchhe aadmi uthh gaye hain’

(Sanjeev Kumar at his best and the dialogues of this movie also, I think, very nice, I thought it was Kader Khan, but no, they are by Dr. Balkrishna Mauj)

Meanwhile as Inspector is taking his dinner a ‘bhikhari budhhiya’ comes and ask for ‘kuchh khilaa do’, Vijay asks Abdul Bhai’s assistant to give her food and he will pay for it …
‘main gareeb ki madad karne ke khilaaf nahin hoon Vijay Bhai, lekin kisika haath paaon salaamat ho to use bheekh dena use kaamchor banaana hai’ … (Abdul Bhai’s sincere thoughts …)

‘Abdul Bhai aadmi ka sabse badaa dushman uska pet hai, agar wo bhara rahe to thhik hai, agar khali ho jaaye to dimaag se jhagdaa karta, aur phir kuchh karta hai jise ham pasand nahin karte’ (Inspector Vijay’s statement on reality (fact check? 😊 )

As the Bhikhari Buddhiya is crossing the road a car hits her and run away … Inspector Vijay follows the car, and as usual taking ‘Kaanoon’ in his hands ‘beats the ‘badmaash(s)’ … but then he has to face his senior – played by Jairaj – and his ‘quintessential’ questions (which are valid even today?)

‘jis buddhiya ki khaatir tumne ye sab kuchh kiya hai wo ab bhi maje se bheekh maang rahi hai, aur jinhe jail mein hona chaahiye thha wo asptaal mein pade hain’
‘Police force ko tumne apne haathon ki taaqat aajmaane ka jariyaa samjha hai’(Jairaj)

Sir un logon ne mujhe rishwat dene ki koshish ki hai, samajhte thhe Police ko kharida ja saktaa hai, is tauheen se mera khoon khaul utthaa’

Tumne unhe wahin sazaa dene ki koshish …, Ye dekho aaj ke akhbaar, ‘police maarpit ke liye hai ya rokne ke liye’, Governer, Mayor na jaane kitne phone aa chuke hain,
‘wo sab chaahte hai ke tumhaare khilaaf action liyaa jaaye’

Lekin Sir mujhe unse koi jaati dushmani nahin thhi

Jaati dushmani mujhe bhi tumse nahin hai …

Main tumhe dhaaravi ke ilaake mein transfer karta hoon, Jahaan kuchh sakht kisam ke mujrim active hai … tumhe apni taaqat aazmaane ka poora poora mauqa milega’ Ya to tumhaari sakhti se sudhar jaayenge, ya to wo log tumhe apne aap par kaabu rakhna sikha denge

So, our Inspector is now in Dharavi, and he already has a sincere and dedicated assistant there – Patil (Bharat Kapoor) … who eventually sacrifices his life since he has been asked that ‘is mujrim pe goli mat chalana’ … but mujrim fires on him …

In Dharavi we have Parishit Sahni as a ‘labour leader’ working in a ‘kapada mill’ of Amjad Khan who is also interested in ‘smuggling’ and to become the ‘wealthiest smuggler’ …
Amjad Khan has a sister – played by Rekha – who is interested in social work and has a soft corner towards labors in the ‘basti’ and Ramu Dada is there in the form of Shashi Kapoor who is a ‘spoiled’ younger brother of Parishit Sahni.
Vidya Sinha plays wife of Parishit Sahni, Shashi’s Bhabhi and Rekha’s friend. Paintal is Shashi’s lieutenant and accompanies him whenever he is driving truck and enjoying ‘mujaras’ after the day’s hard work …

Sanjeev Kumar after reaching Dharavi destroys many ‘daaru and matke ka addaas’ and declares to the goons …
“Aaj se jurm ki wo tehniyaa kat gayin hain, jinpe baithhke tum manmaani kiya karte thhe”

Ramu Dada is still not co-operating Inspector Vijay until he realises the real game of the Smugglers …
Vijay is hopeful of rehabilitating Ramu Dada and reform him to the ‘regular stream’ of ‘good people’ …

But how does it happen finally is after the today’s song and I would like the readers interest intact to watch this movie so not going in further details of this movie here … 🙂

Since the beginning of the movie many are waiting for ‘Dushehra’ festival, like Amjad Khan declares bonus to workers as he wants them to work on ‘Dushehre ki Chhutti’ and he can in hide of it arrange ‘smugglers meet’ so that no one doubts …

***
A beggar (Chandu) – deaf and dumb – always asking for money from Amar Babu (Parikshit Sahni), on his advice has given up begging and from the money given by Amar Babu is now making pictures of ‘Ganesh, Sai Baba’, and ‘Shri Ram’ made by Rangoli on the road side …

***

Peoples are celebrating ‘Dushehra’ now and that is where the today’s song happens …

‘The evil -Raavana’s effigy is set with its ten faces of ‘evils’ and Parikshit Sahni, Rekha, Vidya Sinha with the labors in the basti starts celebrating with this song and Shashi Kapoor joins in between ( coming back from his tour to Goa) , and at the end of the celebrations as the Ravana’s effigy is set to fire by the arrows of Parikshit and Shashi Kapoor, enters our Inspector Vijay Saxena – Sanjeev Kumar – for checking of the ‘truck’ driven by Shashi from Goa with smuggled items 😊

***

‘Muqaddar-1978’ was directed by Ravi Tandon for ‘Sneh Films, Bombay’.
It was produced by Ravi Anand.
It had Shashi Kapoor, Sanjeev Kumar, Parikshit Sahni, Rekha, Vidya Sinha, Paintal and Amjad Khan.
Other star cast includes Mac Mohan, Yunus Parvez, Jankidas, Rajesh Behl, Bharat Kapoor, Nandita Thakur, Vikas Anand, Praveen Pal, Ranveer Raj, Chandu, Master Shaka, Master Rajeev, Baby Rani, Uma Dhawan, Sudhir, O.P. Goyal and Jayshree T.

Aruna Irani makes a guest appearance in this movie.

Editing of this movie was done by S.R. Kabre. Dialogues of this movie were written by Dr. Balkrishna Mauj.
Story and Screenplay was written by Mukul Anand.

This movie had four songs (as per HFGK Vol V 1971-1980) written by Anjaan and composed by Rajesh Roshan. Asha Bhonsle, Kishore Kumar, Mohd Rafi, Usha Mangeshkar had given their voices to the songs in this movie.

This movie was passed by Censor Board on 31.05.1978.

(This also serves my purpose of introducing the movies having ‘same title’ and one movie with the same title ‘Muqaddar-1950’ is already on the blog.

Let us enjoy today’ song now and welcome this ‘new year’ on this ‘nostalgic note from the Seventies’ 🙂

Video

Audio

Song-Sooraj se aankhen milaa (Muqaddar)(1978) Singers-Kishore Kumar, Asha Bhonsle, Usha Mangeshkar, Rafi, Lyrics-Anjaan, MD-Rajesh Roshan
Chorus
Asha Bhonsle + Usha Mangeshkar

Lyrics

okey re faakeerey
okey re jaanoon re
okey re faakeerey aa
Bhai bhai
okey re faakeerey
okey re jaanu re
okey re faakeerey aa
Bhai …

Hey ae
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa

Arey ye dharti teri hai
Ye sapne tere hain
Aur sab apne tere hain
Tu mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa

Hey ae
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa

Arey ye dharti teri hai
Ye sapne tere hain
Aur sab apne tere hain
Tu mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa
He ha aa
ho ho o o

Aa aa aa
Ho ho o
Aa aa aa
Ho ho o
Aa aa aa
Ho ho o
Aa aa aa

Pyaar ki lau jagaa de re
Har andheraa jalaa de

Dooriyaan ye dilon ki ee
Dil milaa ke mitaa de ae
Hey rang udey kahin deep jaley
Aayi holi deewaali saath

Arey aaj to aake naa jaaye re saathi
Rangon bhari aisi raat
Hey rang udey kahin deep jaley
Aayi holi deewaali saath
Arey aaj to aake naa jaaye re saathi
Rangon bhari aisi raat

Kaanton mein kaliyaan khilaa aa
Phoolon se gulshan sajaa
Kaanton mein kaliyaan khilaa aa
Phoolon se gulshan sajaa aa

Arey do din ki hasti mein
Dil jhoome masti mein
Aur sapnon ki basti mein
Tu mehnat ki jalti mashaalen jalaa aa
Sadiyon se soyaa muqaddar jagaa aa

Hoye ae ae ae ae
Hoye hoye hoye ae

Raat din hon ye mele re
Dil na tarse akele
Dil tera jisko chaahe ae
Badhke baahon mein le le

Ae saanson se bandh le
Saanson ki dori
Haathon mein le ke haath

Jaati hai jaan to jaaye khushi se
Chhoote kabhi naa ye saath

Ae saanson se bandh le
Saanson ki dori
Haathon mein le ke haath
Jaati hai jaan to jaaye khushi se
Chhoote kabhi naa ye saath

Baahon ke saaye mein aa
Sharmaa ke aankhen milaa

Ae baahon ke saaye mein aa
Sharmaa ke aankhen milaa
Phir paayal chhankegi
Phir choodi khankegi
Aur phir bindiyaa chamkegi
Tu mehnat ki jalti mashaalen jalaa aa
Sadiyon se soyaa muqaddar jagaa aa

Ho o ho ho o o

Barse tan ka paseena re
Ban ke saawan maheenaa

Katraa ban jaaye moti ee
Zarraa zarraa nageena
Hey aaj jahaan teri raahon mein saathi
Udey ghamon ke ye dhool

Phool khilenge wahin kal
Jhoom ke mast bahaaron ke phool

Aaj jahaan teri raahon mein saathi
Udey ghamon ke ye dhool
Phool khilenge wahin kal
Jhoomke mast bahaaron ke phool

Hey ae
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa

Ye dharti teri hai
Ye sapne tere hain
Aur sab apne tere hain
Tu mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa
He ae ae aa
Mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa
Bachke bachke bachke …
Mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa
Immaandaari se aha aa aa
Mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa

—————————————————-
Devnagri script Lyrics (Provided by Avinash Scrapwala)
—————————————————–
ओके रे फकीरे
ओके रे जानू रे
ओके रे फकीरे आ
ओके रे जानू रे
भाई भाई
ओके रे फकीरे
ओके रे जानू रे
ओके रे फकीरे आ
ओके रे जानू रे
भाई …
ओके रे फकीरे

हे ए
सूरज से आँखें मिला
तारों को ओ धरती पे ला आ
सूरज से आँखें मिला
तारों को ओ धरती पे ला आ

अरे ये धरती तेरी है
ये सपने तेरे है
और सब अपने तेरे हैं
तू मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा

हे ए
सूरज से आँखें मिला
तारों को ओ धरती पे ला आ
सूरज से आँखें मिला
तारों को ओ धरती पे ला

अरे ये धरती तेरी है
ये सपने तेरे है
और सब अपने तेरे हैं
तू मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा
हे हा आ हो हो ओ ओ

आ आ आ
हो हो ओ
आ आ आ
हो हो ओ
आ आ आ
हो हो ओ
आ आ आ

प्यार की लौ जगा दे रे ए
हर अन्धेरा जला दे

दूरियां ये दिलों की ई
दिल मिला के मिटा दे ए
हे रंग उड़े कहीं दीप जले
आई होली दीवाली साथ

अरे आज तो आके ना जाए रे साथी
रंगों भरी ऐसी रात
हे रंग उड़े कहीं दीप जले
आई होली दीवाली साथ
अरे आज तो आके ना जाए रे साथी
रंगों भरी ऐसी रात

काँटों में कलियाँ खिला
फूलों से गुलशन सजा
काँटों में कलियाँ खिला आ
फूलों से गुलशन सजा आ

अरे दो दिन की हस्ती में
दिल झूमे मस्ती में
और सपनों की बस्ती में
तू मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा

होए ए ए ए ए
होए होए होए ए

रात दिन हो ये मेले रे
दिल न तरसे अकेले
दिल तेरा जिसको चाहे
बढ़के बाहों में ले ले

ए साँसों से बाँध ले
साँसों की डोरी
हाथों में ले के हाथ

जाती है जान तो जाए ख़ुशी से
छूटे कभी ना ये साथ

ए साँसों से बाँध ले
साँसों की डोरी
हाथों में ले के हाथ
जाती है जान तो जाए ख़ुशी से
छूटे कभी ना ये साथ

बाहों के साए में आ
शर्मा के आँखें मिला

ए बाहों के साए में आ
शर्मा के आँखें मिला
फिर पायल छनकेगी
फिर चूड़ी खनकेगी
और फिर बिंदिया चमकेगी
तू मेहनत की जलती मशालें जला आ
सदियों से सोया मुक़द्दर जगा आ

हो ओ हो हो ओ ओ

बरसे तन का पसीना रे
बन के सावन महीना आ

कतरा बन जाए मोती
ज़र्र्रा ज़र्रा नगीना
हे आज जहां तेरी राहों में साथी
उड़े ग़मों की ये धूल

फूल खिलेंगे वहीँ कल
झूमके मस्त बहारों के फूल

आज जहां तेरी राहों में साथी
उड़े ग़मों की ये धूल
फूल खिलेंगे वहीँ कल
झूमके मस्त बहारों के फूल

हे ए
सूरज से आँखें मिला
तारों को ओ धरती पे ला आ
सूरज से आँखें मिला
तारों को ओ धरती पे ला आ

ये धरती तेरी है
ये सपने तेरे है
और सब अपने तेरे हैं
तू मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा
हे ए ए ए
मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा
बचके बचके बचके …
मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा
इमानदारी से अहा हा हा
मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3812 Post No. : 14810

Today, the December 25, 2018 is the Remembrance Day of music Director, Eric Roberts akka Vinod (22/05/1922 – 25/12/1959) who left for the heavenly abode on this day of 1959 at a prime age of 37. Vinod has been one of my favourite music directors who mostly followed the ‘Punjabi Ang’ of music, introduced in Hindi films by Pandit Amarnath. He composed top class melodies in Hindi and Punjabi films. His musical career started with ‘Khamosh Nighaaen’ (1946) and composed music for 28 Hindi films till his death in 1959.

Vinod came into prominence in his filmy musical career with his excellent song compositions in ‘Ek Thhi Ladki’ (1949). One of songs from this film laara lappa laara lappa laai rakhdaa became very popular. Both Mohammed Rafi and Lata Mangeshkar sang for Vinod for the first time in this film. Despite this success, he had to share music direction in a few subsequent films with other music directors. Most of such films failed at the box office despite his good music. With this kind of his filmy career, he joined the list of talented music directors who could not sustain their successes to reach in the top bracket of the music directors.

In 1949, music director Shankar-Jaikishan made a successful debut in ‘Barsaat’ (1949). S D Burman had his first major success as a music director in ‘Shabnam’ (1949). Both these music directors consolidated their positions in the Hindi film industry after their first success. One of the main reasons for their long successful careers, in my view, was that both of them were selective in choosing the films, that too from the top banners. As against these, Vinod, after the success of ‘Ek Thhi Ladki’ (1949), continued to be mostly associated with ‘B’ grade film banners. Though a few of such films were moderately successful, it was not enough to attract attention from the top banners. In Hindi film industry, if one gets branded as a music director of ‘B’ grade films, it is very difficult to get entry into the top banners.

A few select songs among others composed by Viond are listed below as my favourite:

Song Singer(s) Movie (year)
badla nazar aata hai Satish Batra-Premlata ‘Taara’ (1949)
ye shokh sitaare Lata-Rafi ‘Ek Thhi Ladki’ (1949)
taare wohi hain chaand wohi hai Lata ‘Anmol Ratan’ (1950)
kaaga re jaa re jaa re Lata ‘Wafa’ (1950)
nighaahon ko jab aa gayaa musukuraana Sulochana Kadam ‘For Ladies Only’ (1951)
mere barbaadiyon per muskuraane aa gaya koi Lata ‘Sabzbaagh’ (1951)
chupke se na jaa o man ke raaja Asha Bhonsle ‘Aag Ka Dariya’ (1953)
mere dil jhoom zara S Balbir ‘Mumtaz Mahal’ (1957)

Among the male playback singers, who sang for Vinod, Mohammed Rafi topped the list with 33 songs. Among the female playback singers singing for him, Asha Bhonsle took the honour of singing the maximum songs (82).

As a tribute to music director, Vinod, I have selected one of my favourite songs ‘ashqon ka gar hai maut kinaara jawaab do’ rendered by Asha Bhonsle for the film ‘For Ladies Only’ (1951). The film seems to have got delayed as I remember to have seen an advertisement of this film in an old film magazine of 1949 as ‘Titlee’. Probably, at the time of the censor certification, the name of the film was changed to ‘For Ladies Only’. The film was directed by Vedi. The star cast included Kuldeep Kaur, Kamal Mehra, Satish, Sadhana Bose, Rupa Verman etc.

There were 8 songs in the film with 6 lyricists and 8 playback singers. The song under discussion was written in a ghazal format by ‘Sharma’ which I presume to be Buta Ram Sharma. Narendra Sharma never wrote ghazals for the films and Kidar Sharma rarely wrote lyrics for other banners.


Song-Ashqon ka gar hai maut kinaara jawaab do (For Ladies Only)(1951) Singer-Asha Bhonsle, Lyrics-Butaram Sharma, MD-Vinod

Lyrics

ashqon ka gar hai maut kinaara jawaab do
ashqon ka gar hai maut kinaara jawaab do
ulfat ko phir hai kiska sahaara jawaab do
ashqon ka gar hai maut kinaara jawaab do

bulbul chaman ko chhod bayabaan jaa rahe
bayabaan mein jaa rahen
kaise karoge tum ye gawaara jawaab do
ashqon ka gar hai maut kinaara jawaab do

jinse thhi zindagi wo hi jab gair ho chale
jab gair ho chale
phir aur kaun hoga hamaara jawaab do
ashqon ka gar hai maut kinaara jawaab do

dil ro raha hai apni tasalli ke vaaste
tasalli ke vaaste
jaaye kahaan ye dard ka maara jawaab do
ashqon ka gar hai maut kinaara jawaab do


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3806 Post No. : 14801

Today’s song is a very very special song. It is from film Roomal-49. Four songs from this film are already discussed. Luckily, this song was yet to be discussed, as if waiting for me. It is a duet of Mohd. Rafi and Asha Bhosle. Written by Nazim Panipati, it is composed by Hansraj Behl. HFGK is silent on the MD’s name for all songs, though there were two of them- Hansraj Behl and Aziz Khan. However, there are other references to confirm that Behl was composer for this song, namely 1. The uploader has mentioned his name 2. Rafi’s Excel sheet mentions his name and 3. Behl’s name is mentioned for this song in book ‘ Rafinama’ by Isak Mujawar.

Now, coming to the point why this song is special.The reason is….this is the First ever duet of Rafi and Asha Bhosle. Rafi had started Playback recording from 1944 and Asha started from 1948. Within one year, Asha sang a duet with Rafi in film Roomal-49. Another film Lekh was also made in 1949 and they sang in that film too, but Roomal duet was the First one to be recorded.

Incidentally, Asha and Rafi had the maximum duets in HFM. They sang a total of 806 duets from 1949. Their last duet came on the screen in film Kala Coat-1993 ( 13 years after Rafi had left us.)-MD Iqbal Gill. Asha Bhosle and Rafi created 3 records during their journey together-
1. Maximum duets – 806
2. Maximum duets in one MD’s films – 92 duets in OPN’s films.
3. Rafi-Asha maximum duets in one film- Basant-60 – 11 duets
(Ed note-The blog has 514 Rafi-Asha Duets, including this song.)

Mohd. Rafi was the only singer who sang duets with the 3 major female actor singers of the 40s. He sang with Noorjehan (Jugnu-47), Khurshid ( Aage Badho-47) and Suraiya (Kajal-48 and in 11 more films).

Besides the known and well known female singers, Rafi sang duets with some ‘ not so well known ‘ female singers too. Some of them are Laxmi Rai, Kumudini Dikshit, Lakshmi shankar, Gandhari Rane, Promodini Desai, Razia Begum, Malti Pande, Pushpa Huns, Ramola, Pushpa Pagdhare, Pratibha, Kanchan, Poornima, Meena Patki, Jyoti, Kamla Sista, Kaushi Gidwani, Savita Suman, Sumitra Lahiri, Sagarika Mukherji, Krishna Bose, Krishna Mukherji, etc etc.

Rafi sang maximum songs with Laxmikant-Pyarelal (369), followed by Shankar-Jaikishen – 341, Chitragupt-247, Ravi-235, O P Nayyar-197, Kalyanji – Anandji – 169, Naushad-149, Madan Mohan-169, R D Burman-122, Usha Khanna-114, Sonik- Omi-104 and N Dutta-102. ( all figures from book Rafinama by Isak Mujawar).

Rafi sang only 1 duet with Meena Kapoor in film Aabroo-56. There is another song having voices of Meena, Rafi,Asha and Manna Dey in Tajmahal-63). This is understandable considering Anil da’s opinion about Rafi’s singing !

Film Roomal-49 was directed by Ramchandra Thakur. He was born on 17-12-1908 at Suver ( noe Umedgadh) in Sabarkantha Dist. Gujarat. From his 9th year onwards he was educated in Bombay. He completed his M.A. in Pali language, to become a Teacher but not so good results forced him to join Film industry. He had already written articles on films. He had also translated sound recordist Minoo Katrak’s book in Hindi and Gujarati.
He joined the Marketing department of Sagar Movietone. After Baburao Patel headed that department, he was shifted as asstt. director. He co directed film Gramophone Singer, along with Virendra Desai-the owner’s son-who later married Nalini jaywant despite he being already married.

Thakur’s first film as an independent director was ‘Civil Marriage’-40, in which Snehprabha Pradhan made her debut. He worked for Ranjit, Prakash and other banners. Her directed 20 films. His last film was Nawab Sirajuddoula-67. He mainly directed Mythologicals, social and comedy films.
He was a multifaceted person. He knew and could speak 11 languages. He wrote scripts for film Baiju Bawra-52 and several Gujarati films. He also directed 2 Gujarati films. He wrote 4 research based Novels. His article on Sagar Movietone has become a reference point for researchers.
Ramchandra Thakur died on 31-10-1992. (adapted from ‘ Sagar Movietone’-Biren kothari)

The cast of film Roomal-49 was Nargis, Rehman, Jairaj, Jeevan, Badriprasad, Jillobai, Cuckoo, Jankidas etc etc.

Jillobai (real name Zuleikha Ibrahim), born in 1905, in Bombay, was a Tawayef from Delhi. She started from stage dramas and then silent films. During this period, Master Nissar was attracted towards her, but being a shrewd woman, she spurned his advances, only after lot of money was spent on her by him. She acted in more than 100  Talkie films and also sang 3 songs in 3 films initially. Her first talkie film was  India’s first Talkie film Aalam Ara-1931, in which she sang one song also. She acted in many popular films like Anarkali-35, Kissan Kanya-37, Pukar-39, Sikander-41, Taqdeer-43, Zeenat-45, Jugnu- 47, Mother India-57, Mughal-e-Azam-60 etc etc. Her last film seems to be Suhani Raat-74. (I thank Sudhir ji and Pramod Godbole ji for providing additional information) .

Nazim Panipati, who wrote the songs of film Roomal-49, along with Mulkraj Bhakri and Rupbani, was born in lahore in 1920. His real name was Muhammed Ismail Khan. He was the younger brother of Dirctor/Lyricist Wali sahab. Due to his hobby of writing shairi, he was introduced to Dalsukh Pancholi and Roop k. Shorey. He first wrote songs for Punjabi films. His first film as a Lyricist in Hindi was Zamindar-42. He shifted to Bombay and wrote 80+ songs in 25 films. His last film in India was Sheesham-52. Then he migrated to Pakistan. He wrote more than 120 songs for Pak Television and Punjabi/Urdu films. He died in Lahore on 18-6-1998.

Today’s song by Rafi, Asha and chorus looks to be a fun comedy song. Enjoy this song….


Song-Lo dum daba ke Bhaage….hamen darr kaahe ka(Roomaal)(1949) Singers- Rafi, Asha Bhonsle, Lyrics-Nazim Panipati, MD- Hansraj Bahl
Both
Unidentified Male Voice 1, Unidentified Male Voice 2, Unidentified Male Voice 3
Chorus

Lyrics

aa
ha aa aa aa
aa aa aa
lo dum dabaa ke bhaage
warrant laane waale ae
khud ban gaye hain ulloo
ulloo banaane waale

aji haan aan aan
ulloo banaane waale
haan aan
ulloo banaane waale

haan aan aan aan aan aan aan
ulloo banaane waale
haan aan
ulloo banaane waale

ham sab ke sab
ham sab ke sab
ham sab ke sab
ham sab ke sab
hoshiyaar
hamen darr kaahe ka
hamen darr kaahe ka
hamen darr kaahe ka
hamen hai darr kaahe ka
hamaara beda ho gaya paar
beda ho gaya paar

hamaara beda ho gaya paar
hamen darr kaahe ka
hamen darr kaahe ka
hamen darr kaahe ka
hamen hai darr kaahe ka

paas nahin hai
paisa dhela
babu ji paisa dhela
lala ji paisa dhela
oy hoy hoy hoy
paisa dhela
phir bhi laga hua hai
mela
hai mela
ab to mangal
shukkar hafta
ab to mangal
shukkar hafta
har din hai itwaar
aji haan
har din hai itwaar
laa la
lallalalla
lallalalla laa
hamen darr aah
hamen darr ee
hamen darr ooh
hamen darr kaahe ka
hamen hai darr kaah
e ka

khelo koodo naacho gaao
every thing is happy now
every thing is happy now
kuchh na kuchh to
mil jaata hai
kuchh na kuchh to mil jaata hai
naqd ho ya udhaar aar
naqd ho ya udhaar
mere yaar
khushi mein naach
tu apni maan
mere dildaar
hamen darr
hamen darr
hamen darr
hamen darr kaahe ka
hamen hai darr kaahe ka

ham hain engine
tum ho lorry
dil hai armaanon ka thhaana
ham hain thaanedaar
aji haan
ham hain thaanedaar
aji haan
ham hain thaanedaar

o thhaanedaar
o thhaanedaar
o thhaanedaar
o thhaanedaaaaar
hamen darr
hamen darr
hamen darr
hamen darr kaahe ka
hamen hai darr kaahe ka

ka..ahe ka

ka..ahe ka

 


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3805 Post No. : 14799

“Rickshaawaala”(1960) was produced by Shankar Mehta-M Acharya and K C Verma and directed by Shankar Mehta for Kala Darpan, Bombay. This “social” movie had Johny Walker, Anita Guha, Radhakishan, Kuldeep Kaur, Ramlal, Jagdev, Minu Mumtaz, Jagdeesh Kanwal, Sadhana, Mohan Modi, Darshan, Dukhiya, Radheshyam, Krishn Billa, C K Shah, Sayyad, Satpal, Dinanath, Devraj, Moolraj, Amir Ali, Murari, Rasheed, Bela, Sheela etc in it.

The movie had seven songs in it. One song has been covered in the past.

Here is the second song from “Rickshaawaala”(1960) to appear in the blog. The song is sung by Asha Bhonsle and Rafi. Jaan Nisaar Akhtar is the lyricist. Music is composed by N Datta.

Only the audio of the song is available. It seems certain that Rafi had sung by Johny Walker. Asha Bhonsle most likely had sung for Anita Guha. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of the song.


Song-Jawaani mein to ik dil ki (Rickshawala)(1960) Singers-Asha Bhonsle, Rafi, Lyrics-Jaan Nisar Akhtar, MD-N Datta
Both

Lyrics

jawaani mein to
jawaani mein to ik dil ki zaroorat ho hi jaati hai
nigaahen mil bhi jaati hain
muhabbat ho bhi jaati hai
jawaani mein to
jawaani mein to ik dil ki

bataao ham dabaayen kis tarah dil ki umangon ko
bataao ham dabaayen kis tarah dil ki umangon ko
tumhen dekhen to bekaabu tabeeyat ho hi jaati hai
tumhen dekhen to bekaabu tabeeyat ho hi jaati hai
nigahen mil hi jaati hain
muhabbat ho hi jaati hai
muhabbat ho hi jaati hai
jawaani mein to
jawaani mein to ik dil ki

nahin aasaan tumse apne dil ki baat keh dena
nahin aasaan tumse apne dil ki baat keh dena
magar jab muskura do tum
to himmat ho hi jaati hai
magar jab muskura do tum
to himmat ho hi jaati hai
nigaahen mil hi jaati hain
muhabbat ho hi jaati hai
muhabbat ho hi jaati hai
jawaani mein to
jawaani mein to is dil ki

haseenon ki to jebon par inaayat ho hi jaati hai
samjhe bhai haan
haseenon ki to jebon par inaayat ho hi jaati hai
yahan par aane waalon ki hajaamat ho hi jaati hai
yahan par aane waalon ki hajaamat ho hi jaati hai

nigahen mil hi jaati hain
muhabbat ho hi jaati hai
muhabbat ho hi jaati hai
jawaani mein to
jawaani mein to ik dil ki

hamen dil ki zaroorat hai na in rangeen adaaon ki
haay haay
hamen dil ki zaroorat hai na in rangeen adaaon ki
magar kadke hain
paison ki zaroorat ho hi jaati hai
magar kadke hain
paison ki zaroorat ho hi jaati hai

nigaahen mil hi jaati hain
muhabbat ho hi jaati hai
jawaani mein to
jawaani mein to ik dil ki


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3804 Post No. : 14798

“Akalmand”(1966) was directed by Roop K Shorey for Mukul Pictures, Bombay. This “social” movie had Kishore Kumar, I S Johar, Sonia Sahni, Praveen Chaudhary, Kamal Kapoor, Raj Kishore, V Gopal, Majnoon, Jeewankala, Madhu Malti, Wazeer Mohammad Khan, Kumar, Tuntun, Hari Shivdasani, Pratima Devi, Khursheed, Kaajal, Rajinder Singh, S K Khosla, Ram Kamlani, etc in it.

The movie had nine songs in it. Six of these songs have been covered in the past.

Here is the seventh song from “Akalmand”(1966) to appear in the blog. This song is sung by Asha Bhonsle and Usha Mangeshkar. Aziz Kashmiri is the lyricist. Music is composed by O P Nayyar.

Only the audio of the song is available as far as I can tell. From the sounds of it, the song appears to be a synchronised dance song. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Baalmaa saajna duniya bhula di tere pyaar ne (Akalmand)(1966) Singers-Asha Bhonsle, Usha Mangeshkar, Lyrics-Aziz Kashmiri, MD-O P Nayyar

Lyrics

baalma
saajna aa
baalma
saajna aa
duniya bhula di tere pyaar ne
tere pyaar ne
tere pyaar ne
baalma
saajna aa
baalma
saajna aa
duniya bhula di tere pyaar ne
tere pyaar ne
tere pyaar ne baalma aa

dekha pehli baar tumhen
haay kya nazaara thha
dekha pehli baar tumhen
haay kya nazaara thha
kis tarah bataayen tumhen
haal jo hamaara thha aa
kis tarah bataayen tumhen
haal jo hamaara thha
loota hain dil ye bekraar ne
bekaraar ne
bekraar ne
baalma
saajna aa
baalma
saajna aa
duniya bhula di tere pyaar ne
tere pyaar ne
tere pyaar ne
baalma aa

ho jo mere bas mein to
motiyon mein taul doon
ho jo mere bas mein to
motiyon mein taul doon
pyaar hai kisi se tumhen
bhed saara khol doon
pyaar hai kisi se tumhen
bhed saara khol doon
thhaani hai kya dil mein sarkaar ne
sarkaar ne
sarkaar ne
baalma
saajna aa
baalma
saajna aa
duniya bhula di tere pyaar ne
tere pyaar ne
tere pyaar ne
baalma
saajna aa
baalma
saajna aa
duniya bhula di tere pyaar ne
tere pyaar ne
tere pyaar ne baalma


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14800 song posts by now.

This blog is active and online for over 3800 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14840

Number of movies covered in the blog

Movies with all their songs covered =1158
Total Number of movies covered =4057

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