Advertisements

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Asha Bhonsle


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4012 Post No. : 15119

“Baabul Ki Galiyaan”(1972) was directed by Satya Dev Narang for Narang Films Combines, Bombay. This “social” movie had Hema Malini, Sanjay Khan, Sonia Sahni, Jagdeep, Shatrughan Sinha, David, Asit Sen, Manmohan Krishna, Bipin Gupta, Jayshree T, Savita, Brahmchaari, Kuljeet, Chandrima Bhaduri, Satyen Kappu, Tuntun, Hiralal, S N Bannerji, Bharm Bhardwaj, C S Dubey, Johny Whisky, Dilip Dutt, Birbal, Majnu, Abhimanyu Sharma, Pal Sharma, Tiwari, Ramesh Kumar etc in it.

The movie had five songs in it. One song (the most popular song from the movie) has already been covered in the past.

Here is the second song from the movie to appear in the blog. This song appears 3904 days after the first song appeared in the blog on 3 november 2008.

The song is sung by Asha Bhonsle. Rajinder Krishan is the lyricist. Music is composed by Ravi.

The song is picturised as a nagin dance song on Hema Malini. So Mushfiqur Rahim, the Bangladeshi wicketkeeper batsman has another Naagin dance song for his reference and necessary action. 🙂

The picturisation shows a snake charmer playing been and making a snake to sway (what people mistakenly believe to be snake dance), with Sanjay Khan looking on. I thought that the sapera is Bhagwan, but the star cast does not mention his name. I request our knowledgeable readers to help identify him.


Song-Bairi chhod de mera raasta (Baabul Ki Galiyaan)(1972) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Ravi

Lyrics

bairi chhod de mera raasta
tujhe baali umar ka vaasta
ab jaane de
ab jaane de
bairi chhod de mera raasta
tujhe baali umar ka vaasta
ab jaane de
ab jaane de

thhar thhar kaanpe naazuk tan mora
it ut doley bebas mann mora
thhar thhar kaape naazuk tan mora
it ut doley bebas mann mora
main to chali thhi pi ki nagariya
rok li toone kaahe dagariya
jaane de
ab jaane de
bairi chhod de mera raasta
tujhe baali umar ka vaasta
ab jaane de
ab jaane de

bedardi kyun peechhe pada hai mere
laaj ke maare painyaan padoon main tere
bedardi kyun peechhe pada hai mere
laaj ke maare painyaan padoon main tere
der bhayi to sang saheli
daal na den koi jhhoothi paheli
ab jaane de
ab jaane de
bairi chhod de mera raasta
tujhe baali umar ka vaasta
ab jaane de
ab jaane de

Advertisements

This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4011 Post No. : 15118

“Ummeed”(1971), though described as a 1971 release in HFGK, appears to be a movie of early 1960s, which for some reasons was released late. This movie was directed by Nitin Bose for Rajan Films, Bombay. The movie had Ashok Kumar, Nanda, Joy Mukherji, Leela Naidu, Tarun Bose, Leela Mishra, Chandrima Bhaduri, Hazara Singh, Parashram, Husaain, Ravikant, Nazeer Kashmiri, Ramesh, Laxmi Chhaya, Jeewankala, Madhumati, Jankidas, Sabita Chatterji, Tunyun, Agha etc in it.

The movie had seven songs in it. Five songs have already been covered.

Today is the birth anniversary of Bimal Roy (12 july 1909- 8 january 1966). Bimal Roy directed some memorable movies like such as Do Bigha Zamin, Parineeta, Biraj Bahu, Madhumati, Sujata, Parakh, Bandini etc. All these movies are already YIPPEED in the blog.

Bimal Roy was also associated with some other movies in different capacities. For instance, he had edited “Ummeed”.

As a tribute to the famous Bimal Roy, here is a song from “Ummeed”(1971). The song is sung by Asha Bhonsle. Shakeel Badayuni is the lyricist. Music is composed by Ravi.

The song is picturised as a seduction song on Madhumati, with Tarun Bose playing the seductee.


Song-Thhodi si aur pee le (Ummeed)(1971) Singer-Asha Bhonsle, Lyrics-Shakeel Badayuni, MD-Ravi

Lyrics

thhodi si aur pee le
o rangeele
phir allah hi allah
phir allah hi allah
allah hi allah khair wallah
haaye
thhodi si or pee le
o rangeele
phir allah hi allah
phir allah hi allah
allah hi allah
khair sallah haaye
thodi si aur pee le

kismat ne aaj teri mehfil sajaai hai
fasle bahar tere kadmon mein aayi hai
kismat ne aaj teri mehfil sajaai hai
fasle bahaar tere kadmom mein aayi hai
milti hai kisko aisi rang rangeeli raat wallah
thhodi si aur pee le
o rangeele
phir allah hi allah
phir allah hi allah
allah hi allah khair sallah haay haay
thhodi si aur pee le

shola hai tere aage
shabnam ko bhool ja
aaj apne hosh kho de
har gham ko bhool ja
saaqi se le le tu ik jaam badhaa ke haath wallaah
thhodi si aur pee le
o rangeele
phir allah hi allah
phir allah hi allah
allah hi allah khair sallah
thhodi si aur pee le

har shai pe aaj teri daulat ka raaz ho
kal kya ho kaun jaane
jo kuchh ho aaj ho
har shai pe aaj teri daulat ka raaz ho
kal kya ho kaun jaane
jo kuchh ho aaj ho
jeene ka maja lele maan le meri baat tu wallah
haay
thhodi si or pee le o rangeele
phir allah hi allah
phir allah hi allah
allah hi allah khair sallah
haay
thodi si aur pee le


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4006 Post No. : 15110

“Labelaa”(1966) was directed by Bhagwan for Young India Entertainers, Bombay. The movie had Sujit Kumar and Kum Kum in lead roles. Others in the movie were Bhagwan, Om Prakash, Helen, Bela Bose, Ratanmala, Maruti, Anwar Husain etc in it.

The movie had six songs in it. Two songs from the movie have been covered in the blog.

Here is the third song from “Labelaa”(1966) to appear in the blog. This song is sung by C Ramchandra Asha Bhonsle and chorus. Anand Bakshi is the lyricist. Music is composed by C Ramchandra.

The song is picturised as a dance song on Bhagwan Dada and Bela Bose, with many others also present. I request our knowledgeable readers to help identfy the other actors visible in the picturisation. The video has several cuts so putting together entire lyrics is a tall order and there may be errors in the lyrics. I request our readers with keener ears to help correct the lyrics.


Song-Raat din kis tarah ab guzaara karen (Labelaa)(1966) Singers-C Ramchandra, Asha Bhonsle, Lyrics-Anand Bakshi, MD-C Ramchandra
Both
Chorus

Lyrics

yeah

waah

aah

arre waah
hahahaahaha
hahaha

raat din kis tarah ab guzaara karen
tu hamen ham tujhe na pukaara karen
lalalaaluralu
lalalaaluralu
hahaahauaha
lalaallalularalu

raat din kis tarah ab gujaara karen
tu hamen ham tujhe na pukaara karen

chup rahen
bas nazar se ishaara karen
ae dil mere dil
huaa ru
aa padi hai mushqil
huaa ru
dil ki baat
laahu
kaise kahen
laa hu
kaise kahen
kaise sun rahi hai mahfil
ae dil

har kisi baat ka ek fasaana bana
o deewaani sabhi ko diwaana bana

lalalalluralu
lalalaluraalu
hahahahuahua
lalalaluraaru

har kisi baat ka ek fasaana bana
o deewaani sabhi ko deewaana bana
aaj tu heer ko bhi nishaana bana
ae dil mere dil
huaaru
ha kar yaahu yaahu


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4001 Post No. : 15102

The movie “Jantar Mantar”(1964) was directed by Radhakant for Omkar enterprises, Bombay. This “kalpnik” movie had Mahipal, Vijaya Chaudhary, Ulhas, Sherri, Jeewankala, Babu Raje, Mridula, Qamar, Ghanshyam, Ajeet Kumar, Dubey, Kesri, Saiyyad, Rajmala, Madhumati etc in it.

The movie had six songs in it. Two songs have been covered in the past. The first song was discussed on 21 march 2009 and the second song on 21 march 2019, exactly ten year later in the “blog ten year challenge” series.

Here is the third song from “Jantar Mantar”(1964) to appear in the blog. The song is sung by Asha Bhonsle and Kamal Barot. Hasrat Jaipuri is the lyricist. Music is composed by Sardar Malik.

The song is picturised as a synchronised dance song in a rajdarbaar, which was a standard song and dance situation in B grade Hindi movies of those days, with Kamal Barot being one of the singers. 🙂 My guess is that the two female dancers are Vijaya Chaudhary and Jeewankala. Nevertheless, I request our knowledgeable readers to help identify the actors visible in the picturisation of this song.


Song-Ik deewana aayega ik mastaana aayega (Jantar Mantar)(1964) Singers-Asha Bhonsle, Kamal Barot, Lyrics-Hasrat Jaipuri, MD-Sardar Malik
Both

Lyrics

ik deewaana aayega
ik mastaana aayega
ik deewaana aayega
ik mastaana aayega
nain mila ke
muskura ke
door kahin le jaayega aa
ik deewaana

dil hai ghaayal
dard paagal
shokh ada to kehti hai
achcha
dil hai ghaayal
dard paagal
shokh ada to kehti hai
ho o lat ye kaali
hatt
jhoomne waali khoi khoi rehti hai
haay haay
ek sitamgar jaan se pyaara
dil se phir na jaayega aa
ik deewaana aayega
ik mastaana aayega
nain mila ke
muskura ke
door kahin le jaayega aa
ik deewaana

main albeli phool chamali
palkon beech chhupa loongi
sach rey
main albeli phool chamali
palkon beech chhupa loongi
ho o
bin badra ki hoon main bijli
chaand galey se laga loongi

tauba
ek chakora pyaar ka bhanwra
dil se dil takraayega aa
ik deewaana aayega
ik mastaana aayega
nain mila ke
muskura ke
door kahin le jaayega aa
ik deewaana

dil to pyaasa
raat milan ki
aaj khushi ka thhikaana kya
dil to pyaasa
raat milan ki
aaj khushi ka thhikaana kya
ho o
kheench na laaye jo kisi ko
pyaar bhaara wo taraana kya

kya kehne
jalne waala dil jalega
aag mein aag lagaayega aa
ik deewaana aayega
ik mastaana aayega
ik deewaana aayega
ik mastaana aayega
nain mila ke
muskura ke
door kahin le jaayega aa
ik deewaana


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4000 Post No. : 15100

Today (1 july 2019) happens to be the first day of the month (pehli taareekh). People today arev no longer as happy and bullish about pehli taareekh as they were till a few decades back, nevertheless it remains an important day for people.

This time, it happens to be monday, the first working day as well. 😉 It is as if one is beginning a new month with a clean slate, with the first working day of the week. 🙂 There are people who dread mondays. I am sure regulars of this blog are not among such people. 🙂

This day happens to be quite an important day for the blog as well. Today is the 4000th day for this blog ! 4000 days of continous vibrant existence, with posts almost every day !

Out of 4000 days, there have been 217 dot days (5.4 % days) when no posts were published, otherwise there have been posts everyday on 3783 days (94.6 %) out of these 4000 days !

The peak daily strike rate of this blog was 4.626 posts a day on 1902th day of the blog on 2 october 2013 when 8800th post was posted. Those were the days when covering six songs in a day was considered normal in the blog. The strike rate began to fall from 2015 onwards and today on the 4000th day of the blog we are on 15100 only !

Did I say post number 15100 ? Yes, I did. Today on the 4000th day of the blog, we reach another century post, namely post number 15100 in the blog.

Many of our writeup contents, like our strike rate of posts have dried up as well, nevertheless we still summon enough creative juices for special occasions. Blog century post is one such special occasion.

This writeup is a labour of love (a favourite phrase for this blog) and it covers a topic that I wanted to cover on 5 june 2015, which was world environment day. Though I had considerable data on this topic, I was not able to convert all that data into useful and interesting information in the limited time that I could summon by that date. So I decided that this topic would be covered while discussing post number 15100. I discussed the matter with Sudhir Jee and requested him to find a suitable song. Finally we zeroed in on a song that is quite appropriate and suitable for the occasion as well as the topic being discussed in the song.

The topic of this writeup is environment. This writeup covers a man who has singlehandedly performed a Herculean task ( भगीरथ प्रयास) in the area of environment.

Who is this man and what he has done ?

Jitu Kalita, a Jorhat-based journalist who writes a popular column on nature in Prantik, an Assamese magazine, was stalking vultures when he found himself on the far side of Aruna sapori (sapori is the Assamese word for island), entering a forest, when a visibly perturbed tribal man practically attacked him and chased him off the land.

Later, Jitu Kalita managed to pacify the man and he convinced him that he was a journalist and not a poacher as apprehended by the tribal man. It was then that the tribal man, named Jadav Payeng, gradually opened up to Jitu Kalita and Jitu Kalita had the biggest news scoop of his career.

He is a man called Jadav “Molai” Payeng, a native of Assam. A man in his late 50s, he is an ordinary man who lives in a village near Jorhat (Assam). A tribal man of Mising tribe of Assam, he makes his living by milking his cattles and selling their milk.

When he was young, he lived with his parents and family is an island on River Brahamputra, near a small town called Kokilamukh located on south bank of the river.

In 1965, there was a big flood and that devastated the island (called Kartic sapori or Aruna sapori). Jadav Payeng’s family decided to move to another island to the north, namely Majuli island (which incidentally is the biggest river island in the world).

Before relocating, acute poverty compelled his parents to leave five-year-old Jadav in the care of Anil Borthakur, a court-master at the District Judge Court in Jorhat, who looked after his schooling.

In 1979, after he had appeared for his matriculation examination in a Jorhat School, Jadav Payeng visited his native place during summer season. What he saw there devastated him. He saw hundreds of dead snakes or the dry and hot sands. These snakes, which were washed ashore that island during rainy season, had died in summer because there was no vegetation growing in the sands that could protect and nurture these snakes. Jadav Payeng was heart broken. If snakes could die like this, then in future humans can likewise die if there is no vegetation to protect and nurture them- he thought. And he resolved to do something about that.

He approached forest department (where he had worked as a labourer in their project of afforestation), but they refused to help him and stated that it was not possible to do what he wanted.

Jadav Payeng asked the elders who lived in that area about some suitable vegetations that could be grown there. They advised him to grow world’s tallest grass. Initially confused, he later came to know that they described bamboo as world’s tallest grass. They also provided him some seeds.

Jadav Payeng began to plant seeds regularly from that day in 1979. Initially it was bamboo, and later, when Bamboo trees formed a decent enough self sustaining vegetation, he began to plant other variety of seeds as well.

Jada Payeng kept on and on for more than three decades unsung, unknown, unheralded. He obviously had genuine passion for the task that he could go on and on singlehandedly for this long without any support.

It was only thanks to the chance discovery by nature photographer Jitu Kalita that people came to know about this forest which was grown singlehandedly by one man.

This forest became so large and so thick that wild animals like Elephants (from Dibrugarh), Rhinos (from Kaziranga) and tigers (from Karbi anglong) found their way into his forest.

This jungle was named Mulai kathoni (Mulai jungle) by the local people, where Mulai was his nickname.

Jadav Payeng had built his tribal style home (known as Changghar – house on stilts in the Mising style) in the jungle where he lived with his family (wife and three kids). When the herd of elephants first arrived in the jingle in 2008, they overran his home.

He stood and watched from a distance and realised the magnitude of what he had done. While the others watched on, baffled, he was overcome with joy. And he had every reason to be – he has succeeded in bringing life (that too wildlife) back to the island.

But his celebrations were short-lived. A few days later, angry villagers, having assessed the damage to their crops, blamed Mulai Kathoni for attracting the elephants. One mob manifested their anger by cutting down trees while another set fire to a patch at the far end. He reckons he lost one tenth of the forest in that first wave of mindless violence.

Fortunately, things calmed down since. The forest department too realised that wild elephants had gone to this “new” jungle that they knew nothing about till then. The ex-gratia payment for damaged crops offered by the Forest Department, the media attention and accolades bestowed on Payeng helped in suppressing the rage of the villagers.

What was empty sandbar had transformed into a full fledged jungle spread over 1360 acres (550 hectares). The forest now had around 5000 trees of over 100 different species, all singlehandedly planted by him. The vegetation included shimloo, shishoo, bhelo, gamari, segun, jamun, aam, kathol, shirish, dimolu, kohee, koroi, arjuna, amla, kadam, krishnasure, aizar, two types of neem, bagori etc (all local names). Most he planted himself; others grew from the seeds dispersed by winds, birds and the Brahmaputra. The forest now had fullfledged fauna consisting of Elephants, tigers, rhinos , deers, monkeys, rabbits, vultures and other birds etc !

Central Park in Manhattan in New York, a famous man made jungle is spread over 843 acres (341 hectares). It was created thanks to the efforts of many men and machinery.

If Central Park is larger than countries of Monaco(202 hectares) and Vatican city (44 hectares), then this forest (now called mulai kathonibari or Mulai forest) is larger than Gibralter (area 680 hectares) of Great Britain and comparable to area cocos island of Australia (1373 hectares).

Jadav Payeng’s fame spread slowly. Initially it was confined to local media. From 2012 till 2015, he became known mainly among academic circles and he was honoured by JNU (2012) where he was hailed as Forest Man of India. In 2013, he was honoured by Indian Institute of Forest Management.

Earlier, only people have access to corridors of power used to get government awards. Now a days, public are being encouraged to nominate people for such awards. That is how many unknown and unsung people are being recognised these days. That is how someone recommended his name for Padmshree Award and he received Padmshree Award at the hands of President Pranob Mukherji in 2015.

The Padmshree recognition caught the eyes of media and gave him world wide recognition. Many TV channels of various languages have visited him and have featured him in their TV programs. Even International media have covered him. He began to be called nationwide and even abroad to attend seminars and conferences.

Though a school drop out, he has vast knowledge about nature and he talks like an environmentalists that he actually is. He has knowledge which many theoretical environmentalists may not be aware of. For instance, he knows that Rhinos, Elephants and ungulates prefer to eat three different kinds of grasses. He is not familar with the English or scientific names of these grasses though.

He gets invited all over India and also abroad. wherever he goes, he is on the lookout for seeds of plants, which he keeps in his pocket. He manages to bring all these seeds with him to his native place in Assam and then plants them in the forest.

All this fame and recognition has not changed him. he is the same humble person that he was earlier. He did all this not for awards, but because he strongly believed in the cause. That is how he could go about this tast unrecognised and unsung for three decades.

Though not formally educated, he is an environmentalist at heart. He insists that Environment schience should be made compulsory in primary schools. Every kid, when he starts schooling should be given two saplings. He should be responsible for their care. By the time he leaves school some one decade later, his two plants would be full fledged trees. As for senior people not in school, they should plant one plant and nurture it. That way everyone of us would ensure our continued survival in earth.

“Man is responsible for the well-being of all animals and birds in this world,” Payeng explains. “If man does not take care of all animals, who will?”

Jadav Payeng lived in his hut in his jungle till 2011. Then he moved to “mainland”, namely a village called Eklong Mising Gaon near Kokilamukh in Jorhat in 2011, mainly to take care of the schooling needs of his three children.

He still goes to his jungle regularly from his “mainland” home, which involves walk on foot for a few kilimeters, followed by a treacherous boat ride over a stream of River Brahmputra, then walk of a few kilometeres, then another boat ride in another treacherous stream of river Brahmputra, and finally a trek of several kilometers before he reaches his jungle. Then the same trek back home.

To appreciate the logistics, I have provided the google earth image of his forest. One can also see the vastness of the river. As mentioned above, this small island is larger than some small nations of the world. The jungle grown by Jadav Payeng itself is larger than the smallest nations of the world.

Island in River Brahmpurta with Mulai forest
———————————————

Bird’s eye view, with River Brahmputra seen- See how wide is the river. The area to the north of mulai forest is Majuli island.
——————————————————————————————————————————–

It gives me great pleasure to introduce Jadav Payeng, the great self made environmentalist of India. What he singlehandedly achieved despite absolute lack of resources, encouragement and guidance is simply astonishng and out of the world. I am happy that his efforts were finally recognised, even if it took more than three decades.

I hope that we will not just pay lip service to his contributions, but that we will actually try and do out sincere bit for nature and environment.

The song that accompanies this writeup talks about the effects of hot weather as well. So pretty lady- Helen, who else, beseeches her beau to take her to Shimla, seeing how hot it is in the city. Let us grow more threes, so the temperatures in our cities remain under control. Else, even hill cities where people like to go to during summer will become as hot as plain during summer season. We are already witnessing this.

This song is from “Mud Mud Ke Na Dekh” (1962). The song is sung by Asha Bhonsle. Prem Dhawan is the lyricist. Music is composed by Hansraj Bahl.

On the occasion to 15100th song on 4000th day of the blog, I thank one and all for their continued support and well wishes. We have access to much better support from our fellow music lovers, much better support than what Jadav Payeng enjoyed, so I hope that we will be able to keep our musical bandwagon rolling on and on for as many years as possible.


Song-Ye hai june ka maheena aaye bada hi paseena (Mud Mud Ke Na Dekh)(1960) Singer-Asha Bhonsle, Lyrics-Prem Dhawan, MD-Hansraj Bahl

Lyrics

ye hai june ka maheena
aaye bada re paseena

ho ho ho ho
mar gayi garmi se
le chal shimle baabu
mar gayi garmi se
le chal shimle baabu
are le chal shimle baabu
main mar gayi garmi se
le chal shimle baabu
main mar gayi garmi se
are le chal shimle baabu

kaale pad gaye gaal gulaabi
naina pad gaye peele
kaale pad gaye gaal gulaabi
naina pad gaye peele
kabhi na poochha toone re baabu
ho ho ho
kabhi na poochha tooune re baabu
thanda sharbat peele
main mar gayi garmi se
le chal shimle baabu
main mar gayi garmi se
le chal shimle baabu

nainital mein bachpan beeta
srinagar mein jawani
nainital mein bachpan beeta
srinagar mein jawani
toone meri kadar na jaani haaye ae ae re
tune meri kadar na jaani
ja re rajasthani
main mar gayi garmi se
le chal shimle baabu
main mar gayi garmi se
le chal shimle baabu

dekh ke kaale kaale baadal
main to nikli ghar se
dekh ke kaale kaale baadal
main to nikli ghar se
jaane kiski lagi najariya
haaye ae ae re
jane kiski lagi najariya
chale gaye
main mar gayi garmi se
le chal shimle baabu
main mar gayi garmi se
le chal shimle baabu


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3993 Post No. : 15086 Movie Count :

4139

Hullo All

Todays’ post features a rather new song. It is only 19 years old. It is from “Fiza” (2000) which was directed by Khalid Mohammed who used to be known as a film critic before he got into film-making. He has made “Fiza”; “Zubeida”; “Tehzeeb” and “Silsilay”. He is also the son of yesteryear actress Zubeida about whom our in-house encyclopaedia has written in this article.

Before “Zubeida” Khalid Mohammed made “Fiza” with Jaya Bachchan, Karishma Kapoor, Hritik Roshan, with Neha and Bikram Saluja (in miniscule roles of the love interests of Hritik and Karishma). The movie also had Sushmita Sen, Manoj Bajpayee, Isha Koppikar and Asha Sachdev in guest appearances. If I am not wrong this was Jaya Bachchan’s comeback into commercial cinema after being away for many years. Before this she had acted in “Hazaar Chaurasi Ki Maa” but that was what is called an off-beat or art film.

The movie’s story was:

Six years after Fiza’s (Karishma Kapoor) brother, Aman (Hrithik Roshan) disappears during the 1993 Mumbai riots, she goes to look for him. When she does find him, to her horror she sees that he has joined a terrorist group. She forces him to come home, and he finally re-unites with their mother (Jaya Bachchan). However, his allegiance and thoughts make him want to join the terrorist network, led by Murad Khan (Manoj Bajpai). A confrontation with two men who harass Fiza leads to Aman revealing his involvement with the terrorist network in front of his sister, mother and the police. His mother’s grief and disappointment eventually lead her to commit suicide. Fiza tries once more to find her brother, with the help of Anirudh (Bikram Saluja). Aman has been sent on a mission to kill two powerful politicians; when he does succeed in assassinating them, his own terrorist group tries to kill him. He escapes and Fiza follows him. They confront each other and with the police closing in on him, he asks her to kill him. After much persuasion Fiza kills her brother. Aman dies saying the first Kalma in Islam, “La illa ha ill Allah, Mohammad dur Rasullalah”

Karishma Kapoor was the first Kapoor daughter to enter the film industry if one chooses to forget her paternal aunt (bua) Ritu (Kapoor) Nanda’s walk in the rain in “Shri 420” and Sanjana Kapoor’s (Shashi Kapoor’s daughter) brief film career. She managed to find her spot in the industry by her hardwork and succeeded on her own terms. She began her journey in 1991 as a teenager opposite (south actor) Harish and went on to act in close to 65 films which had her pair with Govinda in some hit comedies of the mid-nineties. Her roles in the 1996 release “Raja Hindustani” and 1997 “Dil Toh Paagal Hai” (DTPH) made audiences realise the range in her abilities. DTPH also got her a National Award and Filmfare and Zee awards for best supporting actress. “Fiza” and “Zubeida” were movies where she was the only actor who was a star. It is amazing that these movies are remembered for her work in them inspite of her fan-following for the masala movies that she worked in that period.

Today she turns a year older (girls never tell their age :)) but doesn’t look her age as she has maintained herself wonderfully. The reason I chose this lesser known song is it shows her dancing abilities, her beauty and the expressiveness of her eyes. The song is sung by Asha Bhonsle, written by Sameer and Anu Malik is the music director. The song occurs when a group of Fiza’s ex-class fellows comment on how serious a person she is and doesn’t live-life like youngsters; partying and relaxing etc. Isha Koppikar (in the lavender casuals) who is one of her friends asks Fiza to prove the others wrong. Bikram Saluja is also present.

Wish You a Very Happy Birthday Lolo a.k.a. Karishma Kapoor.

Naachoon Naachoon! Na na na naachoon!


Song-Naachoon naachoon (Fiza)(2000) Singer-Asha Bhonsle, Lyrics-Sameer, MD-Anu Malik
Chorus

Lyrics

badtameezi pe hum aa gaye toh
tum shareefon kaa phir kya hoga
hain sheeshe ke ghar tumhaare
maaraa pathhar toh phir kya hoga

naachoon naachoon
na na na naachoon
naachoon naachoon
na na na naachoon
naachoon naachoon
na na na naachoon
naachoon naachoon
na na na naachoon

aankh milaoongi
aankh churaoongi
dil dhadkaoongi
hosh udaaoongi
ai sab ko mana loongi
sab roothh gaye toh kya
main naachoon bin paayal
ghunghroo toot gaye toh kya
main naachoon bin paayal
ghunghroo toot gaye toh kya
naachoon naachoon
na na na naachoon
nachoon naachoon
na na na naachoon

aankh milaoongi
aankh churaoongi
dil dhadkaoongi
hosh udaaoongi
ai sab ko mana loongi
sab rooth gaye toh kya
main naachoon bin paayal
ghunghroo toot gaye toh kya
main naachoon bin paayal
ghunghroo toot gaye toh kya
naachoon naachoon
na na na naachoon
nachoon naachoon
na na na naachoon

kuchh mushqil thhi meri
zara der se aayi hoon
lekin main mohabbat ke
nazraane laayi hoon
naachoon naachoon
na na na naachoon
naachoon naachoon
na na na naachoon

kuchh mushqil thhi meri
zara der se aayi hoon
lekin main mohabbat ke
nazraane laayi hoon
dil kaanch ke hote hain
ye toot gaye toh kya
main naachoon bin paayal
ghunghroo toot gaye toh kya
main naachoon bin paayal
ghunghroo toot gaye toh kya
naachoon naachoon
na na na naachoon
nachoon naachoon
na na na naachoon

maana ke duniya mein
har kadam pe dhokha hai
auron pe nahin lekin
mujhe khud pe bharosa hai
naachoon naachoon
na na na naachoon
nachoon naachoon
na na na naachoon

maana ke duniya mein
har kadam pe dhokha hai
auron pe nahin lekin
mujhe khud pe bharosa hai
jo kachche dhaage thhe
woh toot gaye toh kya
main naachoon bin paayal
ghunghroo toot gaye toh kya
main naachoon bin paayal
ghunghroo toot gaye toh kya
main naachoon bin paayal
ghunghroo toot gaye toh kya
main naachoon bin paayal
ghunghroo toot gaye toh kya
naachoon naachoon
na na na naachoon
naachoon naachoon
na na na naachoon
naachoon naachoon
na na na naachoon


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3956 Post No. : 15032

“Neelofar”(1957) was produced and directed by P N Arora for All India Pictures , Bombay. This costume drama movie had Chitra, Suresh, Nishi, Sundar, Shyam Kumar, Helen, Vimla, Amar, Vazeer Mohammad Khan etc in it.

The movie had five songs which were composed by two different music directors and two different lyricists. All five songs were female solos sung by three singers.

Three songs from the movie have been covered in the past.

Here is the fourth song from “Neelofar”(1957) to appear in the blog. This song is sung by Asha Bhonsle and chorus. Hasrat Jaipuri is the lyricist. Music is composed by Basant Prakash.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Naazuk bahaar hoon dil ka karaar hoon (Neelofar)(1957) Singer-Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Basant Prakash
Female chorus

Lyrics

naazuk bahaar hoon
dil ka karaar hoon
duniya hai mujhpar nisaar
haay main to laayi hoon aankhon mein pyaar
haay main to laayi hoon aankhon mein pyaar
naazuk bahaar hoon
dil ka karaar hoon
duniya hai mujhpar nisaar
haay main to laayi hoon aankhon mein pyaar
haay main to laayi hoon aankhon mein pyaar

zulfen ghataayen aankhen paimaana
ye aankhen paimaana
meri adaa par mausam deewaana
ye mausam deewaana
zulfen ghataayen aankhen paimaana
meri adaa par mausam deewaana
saaj o singaar hoon
saaqi ka pyaar hoon
duniya hai mujhpar nisaar
haay main to laayi hoon aankhon mein pyaar
haay main to laayi hoon aankhon mein pyaar

jaadoogaron ki jaadoogari hoon
main jaadoogari hoon
jannat se aayi neelam pari hoon
main neelam pari hoon
jaadoogaron ki jaadoogari hoon
jannat se aayi neelam pari hoon
chalti kataar hoon
teer o talwaar hoon
duniya hai mujhpar nisaar
haay main to laayi hoon aankhon mein pyaar
haay main to laayi hoon aankhon mein pyaar

behki nazar se dil ka payaam lo
lo dil ka payaam lo
aankhen milaa kar mera salaam lo
lo mera salaam lo
behki nazar se dil ka payaam lo
aankhen milaa kar mera salaam lo
dil ka khumaar hoon
husn mazedaar hoon
duniya hai mujhpar nisaar
haay main to laayi hoon aankhon mein pyaar
haay main to laayi hoon aankhon mein pyaar


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3955 Post No. : 15031

“Balidaan”(1971) was produced by Arun Verma and directed by Ravi Tandon. This movie had Manoj Kumar, Saira Banu, Dev Kumar, Anwar Hussan, Bindu, Manmohan etc in it.

This obscure movie had six songs in it. One song from the movie has been covered in the blog. That one song was discussed nine years ago, viz on 22 august 2010 by Raja.

I was not aware of the movie, but it turned out that Ava, our knowldegeable regular was not only aware of the movie, she also pointed out that Ravi Tandon (father of Raveena Tandon) made his debut as a director with this movie.

Now, nine years later, here is the second song from “Balidaan”(1971) to appear in the blog. This song is a dance song which is sung by Asha Bhonsle, with a few lines by Mahendra Kapoor. I am unable to tell who is the female dancer lip syncing in Asha Bhonsle’s voice. She vaguely resembles Bindu, but I cannot be sure. I request our knowledgeable readers to help identify her. Manoj Kumar lip syncs in Mahendra Kapoor’s voice in the picturisation of this dance song. There are many others in the picturisation. I can identify Manmohan among them.

Verma Malik is the lyricist. Music is composed by Shankar Jaikishan.

I am unable to get a couple of worrds right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Song-Haay haay re daiyya muyi main to kyun jawaan hui(Balidaan)(1971) Singers-Asha Bhonsle, Mahendra Kapoor, Lyrics-Verma Malik, MD-Shankar Jaikishan

haaye haaye
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
mangta hai dil kabhi koi kabhi koi
maangta hai dil kabhi koi kabhi koi
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui

pukaarte hain mujhko ab jawaan chhokre
kahte hain aao paas mere jaan chhokre
arre har shareef nazar beimaan ho gayi
jawaan hoke main to pareshaan ho gayi
ho deewane chanda haaye deewaane chanda
arre thhaam meri bainya mera aur nahin koi
haaye re daiyya moyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
haaye
maangta hai dil kabhi koi kabhi koi
maangta hai dil kabhi koi kabhi koi
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui

koi meri kalaai mein kangana fansa gaya
ungli mein pyar se koi chhalla chadha gaya
koi to meri baahon se aake lipat gaya
zulfon ko chhed chhed ke jhumka palat gaya
oye ?? dena haay
?? dena
main tere gale lag lag baar baar royi
haaye re daiyya muyi main to kyun jawaan hui
haye re daiyya muyi main to kyun jawaan hui
maangta hai dil kabhi koi kabhi koi
maangta hai dil kabhi koi kabhi koi
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui

masti se bhari teri ye naadaan jawaani
sab jaante huye bhi ye anjaan jawaani
duniya ki nigaahon mein ye toofaan jawaani
ye teri zindagi ka imtihaan jawaani
o jawaan gori haaye
o jawaan gori
ari aaj tere sab kal tera nahin koi

haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui
maangta hai dil kabhi koi kabhi koi
maangta hai dil kabhi koi kabhi koi
haay
haaye re daiyya muyi main to kyun jawaan hui
haaye re daiyya muyi main to kyun jawaan hui


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3941 Post No. : 15017

“Insaaf Ka Taraazu”(1980) was produced and directed by B R Chopra for B R Films, Bombay. This movie was inspired from an American movie called “Lipstick” (1976). The movie was a rape and revenge movie. Many people who thronged to watch “Insaaf Ka Taraazu”(1980) were attracted to the movie hall because of this fact.

The movie had Zeenat Aman, Raj Babbar (new discovery), Deepak Parashar (new discovery), Padmini Kolhapure, Shreeram Lagoo, Simi Garewal, Iftekhar, Jagdish Raj, Vijay Sharma, Prem Sagar, Sunil Dhawan, Om Shivpuri, Sujit Kumar, Yunus Parvez, Sudha Shivpuri etc in it, with Hiralal in a guest appearance and Dharmendra in a special appearance.

“Insaaf Ka Taraazu”(1980) had four songs in it. Three of these songs have been covered in the past.

The details of the songs from the movie that have been covered earlier :-

1 Insaaf ka taraazu 8774 27-Sep-13
2 <Log aurat ko faqat jism samajh lete hain 13021 8-Mar-17
3 Hazaar khwaab haqeeqat ka roop le lenge 14913 8-Mar-19

The three songs that have been covered so far were serious songs all penned by Sahir Ludhianvi. The fourth and final song under discussion is a light hearted happy teasing song picturised on Padmini Kolhapure, Zeenat Aman (playing her sister)and Deepak Parashar (playing her would be jeeja ji). Sahir Ludhianvi demonstrates that he was capable of penning superb light hearted non jhonk songs as well.

The song is sung by Asha Bhonsle, Hemlata and Mahendra Kapoor.

With this song, allthe four songs are covered and “Insaaf Ka Taraazu”(1980) joins the list of movies that have been YIPPEED in the blog.


Song-Hai jo yehi pyaar ka trailer to picture na jaane kya hogi(Insaaf ka Taraazu)(1980) Singers-Asha Bhonsle, Mahendra Kapoor, Hemlata, Lyrics-Sahir Ludhainvi, MD-Ravindra Jain
Asha Bhonsle + Hemlata
All
Deepak Parashar

Lyrics

jeeja ji
didi ko dekhe
hmm
didi jeeja ji ko
main bhookhi pyaasi baithi hoon
ye nahin hosh kisi ko
chup saali
saali nahin
sister-in-law
sister-in-law

hai jo yahi
hai jo yahi pyaar ka trailer
to picture na jaane kya hogi
hai jo yahi pyaar ka trailer
to picture na jaane kya hogi
o hero ji
heroine ji
ab aur rehearsal jaane do o
hai jo yahi pyaar ka trailer
to picture na jaane kya hogi

na maangoon ghoda
na maangoon haathi
maangoon hoon keval
only
only
maangoon hoon keval l l
sabji chapaati
kyun yunhi tar tar bheja hai khaati
bheja hi tum donon ka nahin hai
warna kabhi ki main kha bhi jaati
tu baaz nahin aati
kya baaz aaun
tum khud hi socho
faake se meri
hai jaan jaati
mujhko bacha lo
shaadi ke din tak
ghat jaayega warna aa aa
aaj ik baaraati
chaawal bhi dhare hain
kaddu bhi hai kaata

o ho
kyun sar pe chadhe hai
jaa goondh le aata

achcha ji
hai jo yahi
o ho ho
hai jo yahi pyaar ka trailer
to picture na jaane kya hogi
hai jo yahi pyaar ka trailer
to picture na jaane kya hogi

is bhootni ko
ghar se bhaga do
jaldi se iski o o o o
shaadi racha do

haan ji
kya kasht pahuncha hai
ye to bata do
what is the trouble sir
main kisko dekhoon
tum jija ji ho
apne sa husband isko bhi la do

arre husband jaanti hai
pati pati

pata hai
are pata nahin
pati pati

is jaisa budhu main to na loongi
chahe gaddhe mein ae ae ae ae
mujhko gira do
hmm
gaali deti hai saali

saali de sakti hai gaali
ladka to hai dekha
achcha
langdaata hai thoda
oooon
aur baat kare to
hak hak haklaata hai thoda

aa maaroongi
o sister ji
o mister ji
ye maara maari jaane do

jaane do
hai jo yahi
o o o
hai jo yahi pyaar ka trailer
to picture na jaane kya hogi
hai jo yahi pyaar ka trailer
to picture na jaane kya hogi


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3939 Post No. : 15014

“Naughty Boy”(1962) was produced and directed by Shakti Samanta. The movie had Kishore Kumar, Kalpana, Omprakash, Sundar, Madan Puri, Kanu Roy, Krishnkant, Kundan, Praveen Paul, Shivraj, Sulochana Cahtterji, Prretibala, Nand Kishore, Masud, Paachhi, Manjula, Samar Chatterji, Kamaldeep, etc in it.

The movie had eight songs in it.

The details of the songs from the movie that have been covered in the past :-

1 Sa sa sa sa re 3558 23-Feb-11
2 Ho ho dil dhadka 7483 10-Feb-13
3 Ho gayee shaaam dil badnaam 10177 30-Aug-14
4 Ab to batla arre zaalim 10222 8-Sep-14
5 Jahaan bhi gaye ham o mere hamdam 10861 11-Feb-15
6 Rang ye duniya badalti hai badal ja pyaare 14417 12-Jun-18
7 Nazren mila ke jo duniya ki nazron se dare 14725 31-Oct-18

Here is the eighth and final song from “Naughty Boy”(1962) to appear in the blog. The song is sung by Asha Bhonsle. Shailendra is the lyricist. Music is composed by S D Burman.

The picturisation shows this song as a bar dance/ club dance song where a lady dancer (Kalpana ?) singing near the table occupied by Kishore Kumar, looking like Joy Mukherji. For a moment I thought that Kishore Kumar was apeing Joy Mukherji, but then I realised that Kishore Kumar was the maternal uncle (Mama) of Joy Mukherji, and why would he ape the mannerisms of someone who was half his age and a newcomer.

I request our knowledgeable readers to help identify the dancer.

With this song, a very small (under two minutes long) song, “Naught Boy”(1962) now has all its songs covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.


Song-Tum mere pehchaane phir bhi ho anjaane (Naughty Boy)(1962) Singer-Asha Bhonsle, Lyrics-Shailendra, MD-S D Burman

Lyrics

tum mere pehchaane
phir bhi ho anjaane
main to yahaan
kahaan tum kahaan
ho o o
ho o o
tum mere pehchaane

dekho na mujhe tum hoke hairaan
meri tumhaari hai puraani pehchaan
jab talak mere tan mein hai jaan
mere rahoge tum mere mehmaan
dhokhe mein na aao
kaise bhi aazmaao
o ho
ho o ho ho
tum mere pehchaane
phir bhi ho anjaane
main to yahaan
kahaan tum kahaan
ho o o
ho o ho
tum mere pehchaane
phir bhi ho anjaane
main to yahaan
kahaan tum kahaan
ho o o
ho o o
tum mere pehchaane


Advertisements

Important Announcement

(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 15100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15120

Number of movies covered in the blog

Movies with all their songs covered =1172
Total Number of movies covered =4153

Total visits so far

  • 11,917,282 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,740 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Archives

Stumble

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Advertisements
%d bloggers like this: