Archive for the ‘Raj darbaar song’ Category
Hum tum ye rang roop ye raaten
Posted on: January 13, 2024
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5657 | Post No. : | 18158 |
Today, January 13, 2024, is 94th birth anniversary of music director, Sardar Malik. In his childhood, he had wished to be a singer, but the fate turned him toward music direction. He did not have a prolific career. He never got opportunity to work with top film banners in spite of talents which was reflected in most of the songs he composed. Recently, I had gone through his interview on Vividh Bharati which was probably conducted after his ‘retirement’ from the film world. From his talk, I could visualize him to be a man of principles, a man of least resistance and a man of self-respect which will not allow him to indulge in networking. Lastly, he was a sensitive person who refrained from hurting anyone even if he had suffered from wrongdoings.
Sardar Malik (13/01/1930 -27/01/2006) was born in Kapurthala in a middle-class family. From the childhood, he developed interest in singing. Seeing his interest in music, his father put him under the tutelage of Ustad Mubarak Ali who was a percussionist. One day, he saw an advertisement in the newspaper from Uday Shankar’s India Cultural Center, Almora, inviting applications for admission to the Center. He was keen to join but his parents could not afford the fees. Knowing his interest in music, Maharaja of Kapurthala sponsored him to the Center.
In India Cultural Center, Almora, Sardar Malik learnt from visiting faculties which consisted of poet Sumitra Nandan Pant, Shankaran Namboodiri (Kathakali), Guruji Pillai (Bharatanatyam), Amobi Singh (Manipuri), apart from ballet dance from Uday Shankar. He also learnt music from Ustad Allauddin Khan and Vishnudas Shirali. Mohan Saigal and Guru Dutt were his classmates. Guru Dutt was his room mate also. After the completion of 5-year course, they joined Uday Shankar’s dance troop and traveled all over India performing dances. Sometimes, Sardar Malik gave solo dance performance in place of Uday Shankar whenever the latter was not available due to his illness.
During 1945, due to the after-effect of the World War II, the financial strain compelled Uday Shankar to close down his dance academy. Sardar Malik along with Mohan Saigal and Guru Dutt came to Mumbai to become choreographers in Hindi films. While Prabhat Films took Guru Dutt as choreographer, both Sardar Malik and Mohan Saigal jointly become choreographer for Nanabhai’s Bhatt’s film ‘Chaalis Karod’ (1945). After this, they both decided to give up choreography. While Mohan Saigal become director, Sardar Malik decided to pursue his interest in singing.
Jayant Desai and Ramesh Sehgal, the producer and director, respectively for ‘Renuka’ (1947) heard Sardar Malik singing in a programme. Impressed with his singing and his background, they offered him to compose songs for the film. So, Sardar Malik debuted as the music director for the film, ‘Renuka’ (1947) besides singing 4 songs. The film failed at the box office. But his song compositions for the film got attention from other film makers. His next two films, ‘Raaz’ (1949) and ‘Stage’ (1951) did not fare well either. By this time, Sardar Malik realised that Mohammed Rafi, Mukesh and Talat Mehmood were far superior singers than him. So, he gave up singing and concentrated on Music Direction.
In 1953, Sardar Malik came into limelight with his song, “Ae Gham-e-Dil Kyaa Karoon in ‘Thokar’ (1953) and “Bahaaron Ki Duniya Pukaare Tu Aa Ja” in ‘Laila Majnu’ (1953). In ‘Chor Baazaar’ (1954), “Hui Hai Humse Naadaani Teri Mehfil Mein Aa Baithhe” and in ‘Aab-e Hayaat’ (1955), “Main Gareebon Ka Dil Hoon Watan Ki Zabaan” became very popular. Sardar Malik was getting 2-3 film every year till about 1960. Sardar Malik got real recognition as a music director in ‘Saaranga’ (1960) and ‘Mera Ghar Mere Bachche’ (1960). The songs, “Saaranga Teri Yaad Mein” and “Bahaaron Se Poochho Mere Pyaar Ko Tum” from respective films became very popular. He signed a good number of films after these two films’ musical successes.
While everything was going fine in his career, an incident involving the heated arguments between a top lyricist and a top female playback singer at the time of recording of a song under his baton, destroyed his musical career. The female singer left the recording studio in a huff. Her entire anger fell on Sardar Malik because she felt that he had not supported her during her arguments with the lyricist. Suddenly, he stopped getting booking for recording studios. In the circumstances, he lost almost all the films which either he was working on or were lined up.
Sardar Malik never revealed the names of the top lyricist and the top female singer involved in the arguments. But it was apparent that they were Sahir Ludhianvi and Lata Mangeshkar. Both of them continued to work together but Lata stopped working with Sardar Malik after this episode. During 1960-65, he got mostly B Grade films in the genre of mythology, fantasy and action. During this period, Suman Kalyanpur and Asha Bhosle were his main female singers.
During his two decades of active musical career in films, Sardar Malik composed songs in about two dozen films. ‘Panch Ratan’ (1965) was virtually his last film though he later did ‘Gyaani ji’ (1977) jointly with Premnath.
Post 1965, when Sardar Malik had no work, he faced financial hardship. In a fit of depression, he threw all his collections of 78 RPM gramophone records of his songs in the Arabian Sea. He became a recluse and avoided going out of his house. Hasrat Jaipuri, his brother-in-law and Vishnudas Shirali, his music teacher at India Cultural Center helped him. He started music classes for young children, including his three sons, Anu Malik, Daboo Malik and Abu Malik.
With his eldest son, Anu Malik’s musical career taking off in the 90s, Sardar Malik was a satisfied person. After many years, Sardar Malik traveled outside Mumbai to witness his son, Anu Malik getting National Film Award for the best music director for the film, ‘Refugee’ (2001) in New Delhi.
Sardar Malik passed away on January 27, 2006 at the age of 76 as a happy person with all his sons and grandchildren, Anmol Malik, Armaan Malik and Amaal Malik doing well in their respective music fields.
As I mentioned earlier, ‘Panch Ratan’ (1965) was Sardar Malik’s virtually the last film for which he composed songs. The film was produced by Vinod Doshi and was directed by Kamran. The cast included Randhawa, Parveen Chaudhary, Kamran, Kamal Mehra, Shyam Kumar, Amarnath, Randhir, Meenaxi, Joginder Singh, Saudagar Singh, Madhumati, Laxmi Chhaya, Aruna, Jeevankala etc.
The film had an usual story which most of the ‘B’ grade costume action-drama films would have in Hindi. The film has all the ingredients of this genre of films like sword fights, free style wrestling, horse riding chase and a host of dancers for entertainments. Additionally, this ‘B” grade film had some ‘C’ grade antics by some of the side actors. The gist of the story of the film is as under:
After overthrowing the king of Shamgarh with the help of a treacherous Senapati (Amarnath) of the king, Sangram Singh (Kamran) becomes the ruler with a brutal force. The people are fed up with his oppressive rule. The people of Shamgarh under the leadership of Raja (Randhawa) rise against his rule. Sangram Singh has not only to crush the rebellion led by Raja, he has to settle his personal score also as Raja is in love with his sister, Chandralekha (Parveen Chaudhary).
Sangram Singh kidnaps Raja’s mother (Meenaxi) and as a tit for tat, Raja kidnaps Chandralekha. After kidnapped persons are exchanged, Sangram Singh announces the engagement of Chandralekha with the Prince of Vijaygarh (Randhir). Now Raja has one more reason to fight Sangram Singh for the sake of Chandralekha. Raja successfully leads his fight against Sangram Singh with the help of his other four ‘ratan’ – Birju (Shyam Kumar), Tingoo (Kamal Mehra), Balwant (Saudagar Singh) and one more (I am not able to identify him), to end his brutal rule and brings back the ousted King of Shamgarh.
‘Panch Ratan’ (1965) has 5 songs written by Anjaan (4) and Upendra (1) which have been set to music by Sardar Malik. Two songs from the film have been covered on the Blog. I am presenting the 3rd song, “Hum Tum Ye Rang Roop Ye Raaten from the film to appear on the Blog. The song is rendered by Suman Kalyanpur on the words of Anjaan. It is a dance song picturised on Madhumati.
The occasion is the engagement ceremony of Princess Chandralekha with the Prince of Vijaygarh. It is a ploy by Sangram Singh (Kamran) to capture Raja (Randhawa) and his gang knowing that they would come in disguise. And they do attend the ceremony in disguise. First, Kamal Mehra dances with Madhumati followed by Shyam Kumar. Kamran and Amarnath can be seen during the dance performance.
Video Clip:
Song-Hum tum ye rang roop ye raaten (Panch Ratan)(1965) Singer-Suman Kalyanpur, Lyrics-Anjaan, MD-Sardar Malik
Lyrics:
hum tum
ye rang roop ye raaten
dil jawaan
aur pyaar bhari ye baaten
hum tum
ye rang roop ye raaten
dil jawaan
aur pyaar bhari ye baaten
haaye haaye mehfil ye suhaani
ho na jaaye koi naadaani
haaye haaye mehfil ye suhaani
ho na jaaye koi naadaani
hum tum
ye rang roop ye raaten
dil jawaan
aur pyaar bhari ye baaten
badli badli hai hawaayen
bahki bahki hai fizaa
badli badli hai hawaayen
bahki bahki hai fizaa aa
aaj kya hai hone waala
kyun machalti hai adaa
kyun machalti hai adaa
ham tum
ye rang roop ye raaten
dil jawaan
aur pyaar bhari ye baaten
haaye haaye mehfil ye suhaani
ho na jaaye koi naadaani
ham tum
ye rang roop ye raaten
dil jawaan
aur pyaar bhari ye baaten
kyaa qayaamat unke tewar
kyaa haseen andaaz hai
kyaa qayaamat unke tewar
kyaa haseen andaaz hai…
yaa ilaahi khul na jaaye
dil mein sau sau raaz hain
dil mein sau sau raaz hain
ham tum
ye rang roop ye raaten
dil jawaan
aur pyaar bhari ye baaten
ham tum
ye rang roop ye raaten
dil jawaan
aur pyaar bhari ye baaten
haaye haaye mehfil ye suhaani
ho na jaaye koi naadaani
haaye haaye mehfil ye suhaani
ho na jaaye koi naadaani
ham tum
ye rang roop ye raaten
dil jawaan
aur pyaar bhari ye baaten
——————————————
Hindi script lyrics (Provided by Sudhir)
—————————————-
हम
तुम
ये रंग रूप ये रातें
दिल
जवां
और प्यार भरी ये बातें
हम
तुम
ये रंग रूप ये रातें
दिल
जवां
और प्यार भरी ये बातें
हाय हाय महफिल ये सुहानी
हो ना जाये कोई नादानी
हाय हाय महफिल ये सुहानी
हो ना जाये कोई नादानी
हम
तुम
ये रंग रूप ये रातें
दिल
जवां
और प्यार भरी ये बातें
बदली बदली
हैं हवाएँ
बहकी बहकी
हैं फिज़ा
बदली बदली हैं हवाएँ
बहकी बहकी हैं फिजा
आज क्या है
होनेवाला
क्यों मचलती है अदा
क्यों मचलती है अदा
हम
तुम
ये रंग रूप ये रातें
दिल
जवां
और प्यार भरी ये बातें
हाय हाय महफिल ये सुहानी
हो ना जाये कोई नादानी
हाय हाय महफिल ये सुहानी
हो ना जाये कोई नादानी
हम
तुम
ये रंग रूप ये रातें
दिल
जवां
और प्यार भरी ये बातें
क्या क़यामत
उनके तेवर
क्या हसीन
अंदाज़ है
क्या क़यामत उनके तेवर
क्या हसीं अंदाज़ है
या इलाही
खुल ना जाएँ
दिल में सौ सौ राज़ हैं
दिल में सौ सौ राज़ हैं
हम
तुम
ये रंग रूप ये रातें
दिल
जवां
और प्यार भरी ये बातें
हम
तुम
ये रंग रूप ये रातें
दिल
जवां
और प्यार भरी ये बातें
हाय हाय महफिल ये सुहानी
हो ना जाये कोई नादानी
हाय हाय महफिल ये सुहानी
हो ना जाये कोई नादानी
हम
तुम
ये रंग रूप ये रातें
दिल
जवां
और प्यार भरी ये बातें
Mere dil mein bhara hai pyaar
Posted on: January 6, 2024
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5650 | Post No. : | 18145 |
“Khufia Mahal”(1964) was produced and directed by Akkoo for Amar Films, Bombay. The movie had Jairaj, Chitra, Sherry, Sheikh, Mohammad Ali Steelman, Kasim, Mohmmad Ghori, Nanak Singh, Akram, Mohammad, Rafiq, Baburao Pahalwan, with Tun Tun, Mohna, Jilani, Arvind Kumar, Malik, Maqbool, Joshibala, Mohan Modi, Gope Raj, Pal Sharma etc in it. It had guest appearances by Azad, Sundar, Ram Rasila, and Indira Bansal. In addition, the movie had wrestlers King Kong, J.D. Goldstein, and wonders Apeman, Gorilla, Jin, Flying Horse, and Mahal. A ‘Mermaid’ fish (16ft long) is also listed by HFGK in the cast of the movie.
“Khufiya Mahal”(1964) had seven songs in it. Two songs have been covered in the past.
Here is the third song from the movie to appear in the blog. This song is sung by Asha Bhonsle and Usha Mangeshkar. Shyam Hindi is the lyricist. Music is composed by Chaand Pardesi.
The song is picturised as a synchrinised dance song in a rajdarbaar on two female dancers. I am unable to identify the dancers. I request our knowledgeable readers to help identify them.
The video is of poor quality, but something is better than nothing. The audio thankfully is clear enough.
Song-Mere dil mein bhara hai pyaar (Khufiya Mahal)(1964) Singers-Asha Bhonsle, Usha Mangeshkar, Lyrics-Shyam Hindi, MD-Chaand Pardesi
Lyrics
mere dil mein
ho mere dil mein
bhara hai pyaar
naa ja dil tod ke
mere dil mein
bhara hai pyaar
na ja dil tod ke
o na munh mod ke
na mujhe chhod ke
o na munh mod ke
na mujhe chhod ke
na sitam tod ke
haaye
mere dil mein
ho mere dil mein
bhara hai pyaar
naa ja dil tod ke
mere dil mein
bhara hai pyaar
naa ja dil tod ke
haaye
dil mein ummeeden
labon pe taraane
dil mein ummeeden
labon pe taraane
aa aa aa aa
aa aa aa
jawaan ho gaye hain
khushi ke zamaane
jawaan ho gaye hain
khushi ke zamaane
muskura ke zara
ik nazar to mila
muskura ke zara
ik nazar to mila
chain aayegaa haaye
mere dil mein
ho mere dil mein
bhara hai pyaar
naa ja dil tod ke
mere dil mein
bhara hai pyaar
naa ja dil tod ke
haaye
mausam suhaana hawaaon mein masti
mausam suhaana hawaaon mein masti
aa aa aa aa aa
behakne lagi hai mere dil ki basti
behakne lagi hai mere dil ki basti
jhoomta hai jahaan
hai nashe mein samaa
jhoomta hai jahaan
hai nashe mein samaa
ye samaa phir kahaan aan
haaye
mere dil mein
ho mere dil mein
bhara hai pyaar
na ja dil tod ke
mere dil mein
bhara hai pyaar
na ja dil tod ke
o na munh mod ke
na mujhe chhod ke
o na munh mod ke
na mujhe chhod ke
na sitam tod ke
haaye
mere dil mein
ho mere dil mein
bhara hai pyaar
na ja dil tod ke
mere dil mein
bhara hai pyaar
na ja dil tod ke
haaye
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5638 | Post No. : | 18129 |
“Zarak Khan”(1963) was directed by Harbans for Shanti Niketan Films, Bombay. The movie had Jairaj, Chitra, Sheila, Harman, Baby Fareeda, Tiwari, Kumud Tripathi, Naazi, Wazir Muhammad Khan, Ravi Khanna, Ravikant, Shivji, Rafia, Madhumati, Sujata etc in it.
“Zarak Khan”(1963) had six songs in it. Five songs were written by Anand Bakshi and one was penned by Saba Rampuri.
Four songs from “Zarak Khan”(1963) have been covered in the past. The fourth song was posted on 13 june 2015. After that, there has been a long gap of eight years when no song from this movie was covered.
There is good reason from that. The remaining songs are rare songs that were not available.
When I checked now, I found that another song from the movie had become available. Here is this song.
This song is sung by Asha Bhonsle with some gibberish words uttered by a couple of male voices. Anand Bakshi is the lyricist. Music is composed by S Mohinder.
Only audio of the song is available. The song sounds like a Raj darbaar dance song. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Ho nakkaaraa bola ye dil ka shola bhadka mubaarak ho(Zarak Khan)(1963) Singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-S Mohinder
Unknown male voice 1
Unknown male voice 2
Lyrics
Ho o o nakkaaraa bola
ye dil ka shola
nakkaaraa bola
ye dil ka shola
bhadka mubaarak ho o
pungaawa pungaawa pul pul bola
chillanoko
pungaama pungaama pul pul bola
jaaneman shaam hai suhaani
chhed koi pyaar ki kahaani ee
jaaneman shaam hai suhaani
chhed koi pyaar ki kahaani
aaj saaree duniya jawaan hai
aaj har shai pe hai jawaanee
chillanoko
ho nakkaaraa bola
ye dil ka shola
bhadka mubaarak ho o
pungaawa pungaawa pul pul bola
chillanoko
pungaawa pungaawa pul pul bola
mastiyon mein khoya hai zamaana
kaun jaane kya hai ho jaanaa aa
mastiyon mein khoya hai zamaana
kaun jaane kya hai ho jaanaa
aankh bhee hai thhodee see deewaanee
dil bhee hai thhoda saa deewaanaa
chillaanoko
ho o nakkaaraa bola
ye dil ka shola
bhadka mubaarak ho o o
pungaawa pungaawa pul pul bola
chillanoko
pungaawa pungaawa pul pul bola
kaun teer kaun hai nishaanaa
jo na samjhe wo hai deewaanaa aa
kaun teer kaun hai nishaanaa
jo na samjhe wo hai deewaanaa
pal bhar ki hain ye bahaaren
pal bhar ka hai aashiyaanaa
chillanoko
ho nakkaaraa bola
ye dil ka shola
bhadka mubaarak ho o o
pungaawa pungaawa pul pul bola
chillanoko
pungaawa pungaawa pul pul bola
aa aa aa aa
pungaawa pungaawa pul pul bola
aa aa aa aa
Mera phool badan kumhlaaye re
Posted on: November 15, 2023
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5598 | Post No. : | 18073 | Movie Count : |
4848 |
In Hindi film industry, there are some well-known cinematographers who have turned directors. Some of them had a successful stint as director while some had to revert to cinematography. A few of the names who graduated from cinematographer to director were Nitin Bose, Bimal Roy, Fali Mistry, Ravi Nagaich, Govind Nihalani, Santosh Sivan etc. Some of them worked simultaneously as a cinematographer and a director in some films.
I guess, it must be a challenging for a cinematographer to be a director and a cinematographer at the same time in a film. While a cinematographer is mainly concern with light, the composition of shots, the camera movements etc, a director is mainly concerned with the performances of the actors facing the camera as detailed in the screenplay written in consultation with him. The scenes conceived by the director have wider perspective through his eyes while the cinematographer sees them performing through his camera lenses. Sometime the coverage area of performances as watched by the director may not fit in the camera frames. Hence it becomes necessaity for a director-cinematographer to have an experienced chief assistant director to assist him.
I find from the online sources that Ravi Nagaich, the Cinematographer and Director has a good number of films in which he was director-cinematographer. And he had a good success ratio in such films in terms of box office results. Most of his films belonged to the genre of spy thriller/action which required some trick photography and the special effects.
I came to know about Ravi Nagaich for the first time when I watched his first Hindi film as a director, ‘Farz’ (1967) in the theatre. I was attracted to this film because it was a spy thriller in the format of James Bond films. I had already watched two James Bond films, ‘Dr. No’ (1962) and ‘From Russia With Love’ (1963). I was curious as to how the film was adapted to the Indian setting. With ‘Jigri Dost’ (1969), ‘Himmat’ (1970), ‘Keemat’ (1973 and ‘Kaala Sona’ (1975), Ravi Nagaich’s name had become synonymous with action/thriller films providing pure entertainment for the audience.
Born in Atruali (Aligarh district), Ravikant Nagaich (05/07/1931 – 06/01/1991) was regarded as a wizard of the special effects cinematography. Unfortunately, he is one of the least discussed film personalities on the internet. I did not find a detailed profile on him except a couple of short articles which did not give any background as to how he landed in the Telugu film industry in early 1960s. The earliest reference to his association with the film was in Wadia Brothers’ ‘Zimbo’ (1958) where his name appeared as an assistant to photography. So, his initial training in cinematography and special effects may be from the Wadia Brothers under their regular, Babubhai Mistry, a wizard in special effects.
Those days, Telugu film producers used to prefer mythological films, mostly with N T Rama Rao as the lead actor. Ravi Nagaich with his experience in trick photography and special effects got an early opportunity to become an independent cinematographer for Telugu film, ‘Seetha Ram Kalyanam’ (1961). After working as cinematographer in about half-a dozen Telugu films, Ravi Nagaich directed his first Hindi film, ‘Farz’ (1967) which was based on a Telugu hit film, ‘Gudachari 116’ (1966) for which he was the cinematographer. The film became a runway hit making Jeetendra in the role of a ‘deshi’ James Bond, a star and Ravi Nagaich, his successful foray in the film direction.
Ravi Nagaich’s subsequent Hindi films such as ‘Jigri Dost’ (1969), ‘Himmat’ (1970), ‘The Train’ (1970), ‘Haseenon Ka Devta’ (1971), ‘Keemat’ (1973), ‘Kaala Sona’ (1975), ‘Surakasha’ (1979), ‘Waardaat’ (1981), ‘Saahas’ (1981), ‘Raksha’ (1981) and ’Shapath’ (1984) followed his trade-mark genre of action-thriller with fast paced narratives. He had also directed a few films in the genre of romantic dramas such as ‘Pyaaar Ki Kahaani’ (1971), ‘Mere Jeevan Saathhi’ (1972) etc. While in the 1970s, most of his films became box office hit, in the 1980s, his preferred genre of films was becoming out of date resulting in a series of flop films for him. ‘Duty’ (1986) with Govinda was his last Hindi film as a director which failed at the box office. Probably Govinda in the role of a tough cop in the film was not what the audience expected to watch him. He directed his last film in Kannada, a 3D children’s film, ‘Super Boy’ (1986).
During his filmy career, Ravi Nagaich directed 25 Hindi films. His films followed the format of mainstream cinema with emphasis on pure entertainment for the audience. Ravi Nagaich had groomed Teja, his assistant in Cinematography while in Mumbai. Unfortunately, Ravi Nagaich passed away on January 6, 1991, depriving him of watching the success of his protégé, who has now become one of the top most producer-director-cinematographer in Telugu film industry.
‘Rani Aur Lalpari’ (1975) was Ravi Nagaich’s only film in the genre of children’s musical fantasy (one can also tag the film as ‘Fairy Tale’) for which he was the director and the cinematographer. The film was produced under the banner of Guru Enterprising Movies, Madras (now Chennai). Baby Rani was in the lead role with Reena Roy in the role of Lalpari. Rest of the cast was star-studded which included Rajendra Kumar, Asha Parekh, Jeetendra, Neetu Singh, Prem Nath, Feroz Khan, Agha, Ramesh Deo, Seema Deo, Aruna Irani, Mahipal, Padma Khanna, Jagdeep, Janakidas, Lalita Kumari, Narendra Nath, Preeti Ganguly, Deny Denzongpa etc. The film’s story and screenplay were written by the well-known Marathi poet, lyricist and writer, G D Madgulkar.
The story of the film is as under:
Rajendra (Rajendra Kumar) and his wife, Kamla (Asha Parekh) live with their daughter Rani (Baby Rani), her maternal uncle, Ramlal (Satyen Kappu) and the aunt (Lalita Kumari). Rajendra leaves for a long business tour leaving Kamla and Rani with her selfish uncle, Ramlal and his cruel wife. After the completion of his business trip, Rajendra is on his way back home when the family gets the news that he has died in a plane accident. Shortly thereafter, Rani’s mother, Kamla goes into coma, and she is almost clinically dead. This leaves Rani to face the cruelty of her aunt and the uncle Ramlal.
Pappu (Master Abbas) is Rani’s best friend with whom she shares her problems with him about the aunt who treats her cruely. After listening her, Pappu tells her that her story is the same that of Cinderella. He tells her the story of Cinderella in which Lalpari takes Cinderella to heaven. He suggests Rani to meet Lalpari (Reena Roy) who will take her to heaven to bring her mother to life. From here onwards, Rani is in her imaginary travel to heaven.
Lalpari takes Rani to heaven, and she pleads with Yamaraj (Prem Nath) to make her mother alive so that she can take her back to the earth. Yamaraj says that those who come here cannot go back. He says that other than this, he can give her any boon. She asks Yamaraj to give her a younger brother. He gives her that boon and asks her as to where her younger brother is. She says that he is yet to be born. By asking this boon, Rani has actually tricked Yamaraj to make her mother live. Thus, Rani succeeds in bringing back alive her mother. She also meets her father who is also alive, as he was only injured in the plane accidents.
The film had 8 songs written by Balkavi Bairagi and set to music by Vasant Desai. Two of the songs are very longish in duration. The first one is the song depicting the story of Cinderella which is of nearly 20 minutes duration. It is picturised mainly on Jeetendra, Neetu Singh and Reena Roy. The second longish song depicts the story of Gullivar (Feroz Khan) which is of nearly 8 minutes duration. In this song, there is a lot of trick photography and special effects.
I am presenting the first song from the film which is a different song than the two longish songs discussed above. The song is ‘mera phool badan kumhlaaye re’, rendered by Asha Bhosle. The song is picturised on Aruna Irani in the role of Menaka, the celestial nymph to seduce Chitragupt (Jagdeep) to get information on whereabouts of Rani’s mother and father from his records.
Video Clip:
Song-Mera phool badan kumhlaaye re (Raani aur Laalpari)(1975) Singer-Asha Bhonsle, Lyrics-Balkavi Bairaagi, MD-Vasant Desai
Chorus
Lyrics
hmmhmmhmm
hmmhmmhmm
aa aa aa aa
aa aa aa aa
aa aa aa
aa aa aa aa
aa aa aa
aa aa aa aa
mera phool badan kumhlaaye re
mera phool badan kumhlaaye re
o piya baadal banke barso
o piya baadal banke barso
o mera phool badan kumhlaaye re
mera phool badan kumhlaaye re
o o o
o o o o
meri kanak chhadi si kamar
kamar mein bhanwar
bhanwar bhi gehra aa aa aa
mera sone jaisa rang
rang mein racha basa har ang
ang pe kaamdev ka pehra aa aa aa
bin maali baag sukhaaye ae ae ae
o mera phool badan kumhlaaye re
mera phool badan kumhlaaye re
o o o
o o o o
main chandan van ki gandh
gandh mein palken karli band
adhar par rasbheeje angaare
anoothi aag kare manoharee
kahaan hai ras ki madhur phuhaar
baras ja ek nahin sau baar
ye tapan sahi na jaaye ae ae ae
o mera phool badan kumhlaaye re
mera phool badan kumhlaaye re
o piya baadal banke barso
o piya baadal banke barso
mera phool badan kumhlaaye re
mera phool badan kumhlaaye re
Aankh milee hai pyaar hogaa
Posted on: November 13, 2023
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5596 | Post No. : | 18071 |
“Alibaba Aur Chaalis Chor”(1954) was produced and directed by Homi Wadia for Wadia Bothers, Bombay. The movie had Shakila, Mahipal, B.M.Vyas, S.N.Tripathi, Maruti, Sharda, Lalita Kumari, Shalini,Ismail,Azim, Dalpat,Shree Bhagwan, Sardar Mansoor, Aftab, Chanda,Pushpa, Helen, Shapur Aga, Patel, M.K.Hasan, Mithoo miya, Bismilla, Rajkumar, Abdulla, Korega, Yadav, Julian etc in it.
“Alibaba Aur Chaalis Chor”(1954) had eight songs in it. Five songs have been covered in the past.
Here is the sixth song from the movie to appear in the blog. This song is sung by Shamshad Begam and female chorus. Raja Mehdi Ali Khan is the lyricist. Music was composed by S N Tripathi and Chitragupta.
The song is picturised as a rajdarbaar dance song. The dancer lipsyncing this song could be either Pushpa or Chanda. Prakashchandra, who sent me the lyrics of this song is not sure about the identification of the dancer lip syncing the song. I request our knowledgeable readers to help identify her.
Video link:
Song-Aankh milee hai pyaar hoga (Alibaba Aur Chaalis Chor)(1954) Singer-Shamshad Begam, Lyrics-Raja Mehdi Ali Khan, MD-S N Tripathi/Chitragupta
Lyrics(Provided by Prakashchandra)
aankh milee hai pyaar hogaa
dil pe nazar kaa waar hogaa
aankh milee hai pyaar hogaa
dil pe nazar kaa waar hogaa
neechee nazar thhee
kisko khabar thhee
teer jigar ke paar hogaa
aankh milee hai pyaar hogaa
dil pe nazar kaa waar hogaa
dekho ji ye dil toote naa aaa
dekho ji ye dil tootey naa aaa
hamse nazar ye roothey naa aa
hamse nazar ye roothey naa aa
karke bahaanaa
chhod na jaanaa
jeena meraa dushwaar hogaa
aankh milee hai pyaar hogaa
dil pe nazar kaa waar hogaa
aankh milee hai pyaar hogaa
dil pe nazar kaa waar hogaa
shokh nigaahein teree sanam..mmm
shokh nigaahein teree sanamm..mm
dil mein samaa jaa meri qasam..mmm
dil mein samaa jaa meri qasam..mmm
tum ho hamaarey
hum hain tumhaare
tumse yehee iqraar hogaa
aankh milee hai pyaar hogaa
dil pe nazar kaa waar hogaa
aankh milee hai pyaar hogaa
dil pe nazar kaa waar hogaa
neechee nazar thhee
kisko khabar thhee
teer jigar ke paar hogaa
aankh milee hai pyaar hogaa
dil pe nazar kaa waar hogaa
aankh milee hai pyaar hogaa
dil pe nazar kaa waar hogaa
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5269 | Post No. : | 17278 |
Today’s song is an ‘all female qawwaali song’ from the 1964 movie ‘Jaadui Angoothi’.
So far, I have been presenting qawwaalis from the decade of seventies on the blog. For a change today, I am presenting this one from the decade of sixties. In fact, today’s song was lying with me since long and Initially I sent only the audio of this song (the only vailable version at that time). But now the movie as well as the video of this songs has become available online.
‘Jaadui Angoothi’ of 1964 alias ‘Magic Ring’ was directed by AM Khan for AM Khan Productions, Bombay’. It had Chitra, Manhar Desai, Sheri, Krishna Kumari, SK Shaam, Anil Kashmiri, Jilani, Uma Khosla, Violet, Ameerbai Karnataki, Sujata, Saroj, Sabina, Balwant Sharma, Kallan, Bagla, Chaman, Deva Kumari, Kanta Kumari, Polson and others.
This movie had five songs composed by Suresh Kumar. Lyrics were written by Anjaan and Zafar Rahi. Here is the list of songs of this movie.
| Sl No | Song Title | Lyricist | Singer/s | Posted On |
| 01 | O Sanan Nanana Hawaa Lehraaye | — | Asha Bhonsle | 08.09.2020 |
| 02 | Kahaan Nazar Takraayi | Zafar Rahi | Mahendra Kapoor | 09.01.2014 |
| 03 | Zamaane Ke Hazaaron Gham…Bujh Gaya Dil Ka Diyaa | Zafar Rahi | Subir Sen | 21.05.2022 |
| 04 | Ude Nainon Se Gulaal | Anjaan | Kamal Barot, Mahendra Kapoor | |
| 05 | Dam Bhar Hai Judaa, To Haal Hai Ye… | — | Not mentioned |
HFGK mentions Anjaan and Zafar Rahi for one song each on the movie details page of this movie and in ‘Addenda’ it further mentions Zafar Rahi as lyricist for song number three. The songwriter for song nos. 1 and 5 are not specifically identified. Asha Bhonsle, Mahendra Kapoor, Minoo Purshottam, Sulochana Chavhan, Subir Sen and Kamal Barot have given their voices to the songs in this movie.
Story and screenplay of this movie was written by Munshi Nayaab, and dialogues were written by AK Khan. Editing of this movie was done by GG Patil and he was assisted by Rohi Das.
As mentioned in the above table three songs from this movie have been posted on the blog earlier. Today’s song is the fourth song of this movie to be presented on the blog.
Singers’ name for the today’s song is not mentioned in HFGK Vol-IV (1961-1970). Also, I am unable to identify the actresses who are performing this song on screen. I would request knowledgeable readers to help in identifying the actresses lip-syncing this song. The lady sitting on the throne is most likely Chitra.
While listening to this song when it ends it seems that it is not a full version of this song, but in the movie (available online) also only this much part is available for this song.
Let us now enjoy oday’s song.
Dam bhar hain judaa to haal hai ye. . .
Song – Dum Bhar Hain Juda To Haal Hai Ye (Jaadui Angoothi) (1964) Singers – Unidentified Female Voice 1, Unidentified Female Voice 2, Lyrics – [Unattributed], MD – Suresh Kumar
Unidentified Female Voice 1 + Unidentified Female Voice 2
Chorus
Lyrics
dum bhar hain judaa to haal hai ye
dil toot gaya to kya hoga
gar uski mohabbat ka daaman
kahin chhoot gaya to kya hoga
dum bhar hain judaa to haal hai ye
dil toot gaya to kya hoga
gar uski mohabbat ka daaman
kahin chhoot gaya to kya hoga
dum bhar hain judaa to haal hai ye
ga ma pa
ni pa ma ga ma pa
pa ni ni pa sa ni
pa ni pa
ma pa ma
ga ma ga saa
ga ma pa
aa aa aa aa aa
aa aa aa aa aa
na koi rang rahaa
ab haseen nazaaron mein ae
taraane ab na chhiden shokh
aabshaaron mein ae ae
har ek rehguzar hai
sooni soooni aur udaas
koi raunaq na rahi ab to
chaa..nd taaron mein
in khoyi khoyi aankhon mein
bas wohi saanwali surat hai
bas wohi saanwali surat hai
surat hai
saanwali surat hai
dil ke veeraane mein hardam
bas wo hi mohini murat hai
bas wo hi mohini murat hai
murat hai
mohini murat hai
aane ki abhi ummeed to hai
aane ki abhi ummeed to hai
waade pe abhi aitbaar to hai
waade pe abhi aitbaar to hai
aa aa aa aa aa aa. . .
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
दम भर हैं जुदा तो हाल है ये
दिल टूट गया तो क्या होगा
गर उसकी मोहब्बत का दामन
कहीं छूट गया तो क्या होगा
दम भर हैं जुदा तो हाल है ये
दिल टूट गया तो क्या होगा
गर उसकी मोहब्बत का दामन
कहीं छूट गया तो क्या होगा
दम भर हैं जुदा तो हाल है ये
ग म प
नी प म ग म प
प नी नी प स नी
प नी प
म प म
ग म ग स
ग म प
आ आ आ आ आ
आ आ आ आ आ
ना कोई रंग रहा अब हसीं नज़ारों में
तराने अब ने छिड़ें शोख आबशारों में
हर एक रहगुज़र है सूनी सूनी और उदास
कोई रौनक ना रही अब तो चाँ॰॰द ता॰॰रों में
इन खोई खोई आँखों में
बस वही साँवली सूरत है
बस वही साँवली सूरत है
सूरत है
साँवली सूरत है
दिल के वीराने में हरदम
बस वो ही मोहिनी मूरत है
बस वो ही मोहिनी मूरत है
मूरत है
मोहिनी मूरत है
आने की उम्मीद तो है
आने की उम्मीद तो है
वादे पे अभी एतबार तो है
वादे पे अभी एतबार तो है
आ आ आ आ आ आ ॰ ॰ ॰
Saaqiyaa bahaar aayi jhoom jhoom
Posted on: June 14, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
5079 | Post No. : | 17002 |
“Nadirshah”(1968) was produced and directed by S N Tripathi. The movie had Feroz Khan, Naaz, Sheikh Mukhtar, Murad, Minoo, Mumtaz, Hiralal etc in it.
The movie had seven songs in it. Six songs from the movie have been covered in the past.
Here are the details of the song that have been covered in the blog so far :-
| Blog post number | Song | Singer(s) | Date of post |
|---|---|---|---|
| 4925 | Mohammad Shah rangeeley re | Rafi, Suman Kalyanpur | 1 November 2011 |
| 7456 | Phoolon taley ham tumse miley | Lata Mangeshkar | 6 February 2013 |
| 7528 | Sitam hai subah ka aalam | Lata Mangeshkar, Rafi | 20 Februray 2013 |
| 7534 | Jang insaaniyat ki dushman hai | Mahendra Kapoor | 21 February 2013 |
| 7555 | Kaahe ko byaahi bides | Suman Kalyanpur, Shyama Hemmadi | 25 February 2013 |
| 16998 | Hai meri mohabbat jo gunehgaar…daata tere ghar | Suman Kalyanpur | 11 June 2022 |
Here is the seventh and final song from “Nadirshah” (1968) to appear in the blog. The song is sung by Suman Kalyanpur. Majrooh Sultanpuri is the lyricist. Music is composed by S N Tripathi.
The video is not clear. The song is picturised as a mujra dance song in a raj darbaar. The video is not clear. The dancer performing on the song appears to be Mumtaz to me. I request our knowledgeable readers to help identify her.
I have not been able to get a few words right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections in the lyrics as applicable.
With this song, all the seven songs of the movie have been covered in the blog. With this, “Nadirshah”(1968) joins the list of movies that have been YIPPEED in the blog.
Song-Saaqiyaa bahaar aayi jhoom jhoom (Nadirshah)(1968) Singer-Suman Kalyanpur, Lyrics-Majrooh Sultanpuri, MD-S N Tripathi
Lyrics
saaheba jashne tarab
saaz mubaarak baashad
jalwe aeshaj aagaaz mubaarak baashad
saaqiya
saaqiya
saaqiya bahaar aayi jhoom jhoom
saaqiya
bahar aayi jhoom jhoom
rut hai deeweani jaise nayi ho jawaani
rut hai deewaani jaise nayi ho jawaani
bhanwara lubhaaye kali choom choom saaqiya
sqaqiya
bahaqr aayi jhoom jhoom
saaqiyaa
aa aa aa aa aa
hai zamaana shabaab par saaqi
kya khaban hai sharaqb par saaqi
o o o o
humri kaaklkha(?) pe aakar
daal de maahtaab par saaqi
daal de maahtaab par saaqi
saqqiya
saaqiya
bahaar aayi jhoom jhoom
saaqiya
sakiya bahar aayi jhoom jhoom
bhanwara lubhaaye kali
bhanwara lubhaaye kali choom choom
saaqiya
sabka(?) ye husn mile
jaam pe jaam chale
pyaar ki bazm saje
murjhaaye dil bhi khiley
kamsini teri sahar
sun to ae shokh e nazar
kamsini teri sahar
sun to ae shokh e nazar r r r
mausam e gul hain ghame zipt(?) ke sahne waale
aish kar aish yahaan
kehte hain kehne waale
kar le kuchh sair ae chaman
karle kuchh sair ae chaman
daur ae khiza ae pahle
sabka ab ??is rang pe rahne waale
mast hain hawaayen jaise pyaar ki hon raahen
mast hain hawaayen jaise pyaar ki hon raahen
dilwaale jaaye jahaan ghoom ghoom
saaqyaa bahaar aayi jhoom jhoom
saaqiya
aa aa aa aa
sakiya
aa aa aa aa aa aa
aa aa aa aa
aa aa aa aaa
aa aa aa aa
Chehre se naqab e husn uthhaa
Posted on: March 19, 2022
- In: Blog Ten Year Challenge (2012-2022) | Body part song | Chehra song | Dance song | Lyrics by Prakashchandra | Lyrics contributed by readers | Raj darbaar song | Songs of 1970s (1971 to 1980) | Songs of 1974 | Suman Kalyanpur solo | Suman Kalyanpur songs | Yearwise breakup of songs
- Leave a Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4992 | Post No. : | 16887 |
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Blog 10-Year Challenge (2012-2022) – Song No. 32
————————————————————————————–
This date ten years ago (viz 19 March 2012) saw four songs from four different movies getting covered in the blog. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 5656 | Mit nahin sakta kabhi likha huaa taqdeer ka | Sansaar (1951) | 6 songs covered so far out of 14 |
| 5657 | Nasheeli hawaa hai samaa hai suhaana | Commercial Pilot Officer(1963) | 3 songs covered so far out of 6 |
| 5658 | Wo zindagi to thhi ab tak teri panaahon mein | Neelkamal(1968) | Movie YIPPEED by now |
| 5659 | Pukaarti hai muhabbat kareeb aa jaao | Daastaan e Laila Majnu(1974) | One song covered so far out of 11 |
One movie out of four, whose songs were covered on 19 march 2012 has since been YIPPEED. The other three movies are eligible for Blog Ten Year challenge today.
“Daastaan e Laila Majnu”(1974) is one of the eligible movies.
“Daastaan e Laila Majnu”(1974) was produced and directed by R L Desai for Chandra Art, Bombay. The movie had Anaamika, Kanwaljit,Dheeraj Kumar(special appearance), Jayshree.T., Satyajeet, K.N.singh, B.M.Vyas, S.N.Tripathi, Dulari, Mohan Sherry etc in it.
The movie had 11 songs in it. One song has been covered so far and that was ten years ago.
So after a gap of exactly ten years, here is the second song from “Daastaan e Laila Majnu”(1974) to appear in the blog.
The song is sung by Suman Kalyanpur. Jaan Nisaar Akhtar is the lyricist. Iqbal Qureshi is the music director.
The song is picturised on Jayshree T, with Anamika and Dhiraj Kumar also visible as royals. Laila Majnu tale is a medieval tale, that is why Jayshree T dance should not be called a cabarat dance, but that dance and also the music sounds and looks every inch a cabarat dance song to me. 🙂 Hindi movies are in any case not known for attentions to details and accuracy of facts.
Lyrics of the song were sent to me by Prakashchandra.
audio link:
video link:
Song-Chehrey se naqab-e-husn uthhaa (Daastaan e Laila Majnu)(1974) Singer-Suman Kalyanpur, Lyrics-Jaan Nisaar Akhtar, MD-Iqbal Qureshi
Lyrics(Provided by Prakashchandra)
chehrey se ae naqab-e-husn uthhaa aa
jaan-e-adaa aaa aaChehre se naqaab e husn uthhaa (Daastaa
hum bhi tera jalwaa..aaa…aa..aa dekhengey
shaayad koyi bijli
dil pe girey…aey ae
haan dil pe girey ae
achchaa hai tamaashaa aa aa aa dekhengey
chehrey se naqab-e-husn uthhaa..aa…aaa
jaan-e-adaa..aaa..aa
hum bhi tera jalwaa aa aa aa..aa dekhengey
nazrein jo milengi nazron se ae ae
kuchch aur woh sharmaa jaayengey
nazrein jo milengi nazron se ae ae
kuchch aur woh sharmaa jaayengey
dekhengey to meri aankhon mein aen
haan aankhon mein aen
apney hi tamanna..aa…aaa…dekhengey
chehrey se naqaab-e-husn uthhaa aa aaa
haan jaan-e-adaa aaa
hum bhi tera jalawaa aaa aa aa aa dekhengey
jo un`ki khushee woh meri khushee ee ee
jab pyaar kiyaa to pyaar kiyaa aa aa
jo un`ki khushee woh meri khushee ee ee
jab pyaar kiyaa to pyaar kiyaa aa
ae dard-e-muhabbat
dard-e-wafaa…aaa..aa
haan dard-e-wafaa..aa..aa
kaisey tujhey ruswaa aa aa aa dekhengey
chehrey se naqab-e-husn uthhaa aa aa
haan jaan-e-adaa aa
hum bhi tera jalawaa aa aa aa dekhengey
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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