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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Feelings of heart’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3470 Post No. : 13934

Aa ha, close to midnight, and we are at the Yippeee-ing hour once again. And the film that we are inviting into the yippeee-land tonight is ‘Hongkong’ from 1962.

There are many films that have taken us to foreign lands, and even around the world. But I am sure you will agree, that the film that has the most songs about foreign places, is this one. Let us just examine – first we have two important cities of south east Asia covered in the song – “Hongkong China Mina Singapore”. Then we have three nations from Africa, covered in the song “Kenya Uganda Tanganika”. An then, in yet one more sojourn abroad, we are taken to visit the Hawaii islands in the song in this post “Hono Lu Lu, Hono Lu Lu, Honolulu, Honolulu”. I am sure, outside of the film ‘Around The World’ (1967), in all probability, it is this film that covers the maximum number of foreign locations in its songs.

As per the Geet Kosh listings, this film is from the production banner of Pachhi Productions, and is directed by Pachhi himself. The star cast is led by Ashok Kumar and B Saroja Devi. Other members of the star cast include KN Singh, Helen, Bhalla, Babu Rao, Kitty, King, Doctor, Balram, Vishwamama, Kundan, Om Prakash, Lilly, and Leo amongst others. The nine songs of this film are written by four songwriters – Shewan Rizvi, Raja Mehdi Ali Khan, SH Bihari and Qamar Jalaalabaadi. However, the song writer for this particular song is not identified. Music is from the mind of OP Nayyar.

Although the film itself is available, I am not able to locate online, the video clip of this song. As an interesting aside, there is a minor discussion around the availability of this complete version of this film in the collector circles. It seems that the video version of this film that is the most easily available, is purported to be an edited and incomplete version, in which the ending of the film has been edited out. And then there are one or two collectors who claim that they have the complete version of this film. Honestly, I have seen both the versions – the one that is more easily available, and the more complete version with a collector friend of mine – with very clear difference in the footage.

Today’s song is sung by Asha Bhosle. This is yet another wonderful and soft creation from OP Nayyar, having a slow paced rhythm. The tune allows to break down the lines of the song into shorter phrases, emphasizing each of the phrase components, and making the song sound more endearing. An enchanting rendering by Asha Bhosle – readily one of her best songs.

The list of earlier songs posted is given below. The nine songs have taken as much as almost six years, to all come on board.

 

Song Title

Post No.

Post Date

Ho Jo Hukum To Meherbaan 5353 28-Jan-12
Hongkong China Mina Singapore 5634 13-Mar-12
O My God Haseenon Ko Kyun De Di Toone Itni Saari Beauty 5640 15-Mar-12
Kenya Uganda Tangenika 5668 21-Mar-12
Muhabbat Karne Waala Muft Mein Badnaam Hota Hai 10889 19-Feb-15
Dekhti Hoon Jidhar 13041 14-Mar-17
Ye Zulfen Aawaara Luta Zamaana Saara 13363 24-Jun-17
Tumhaari Adaaon Pe Ae Husn Waalon 13927 16-Jan-18

 

And so, ‘Hong Kong’ now joins the select list of films that have all their songs showcased on the blog. Welcome to Yippeee-land. 🙂

 

Song – Hono Lu Lu, Hono Lu Lu, Honolulu, Honolulu  (Hongkong) (1962) Singer – Asha Bhosle, Lyrics – [Unattributed], MD – OP Nayyar

Lyrics

hono..o..o..o lulu
hono lulu
honolulu
honolulu
honolulu

jaan e jigar
aaj tu ne
hans ke dekha
jaane kahaan
kho gai main

pyaar ki
ik nazar
aap par hans ke daalungi main
dil agar
aap ke
paas hai to chura loongi main
hono..o lulu
hono lulu
honolulu
honolulu
honolulu

aaj to
ye nigaah
aap par meharbaan ho gayi
lijiye
ab shuru
pyaar ki dastaan ho gayi
aapki
aankh uthi
aur hum hans ke paas aa gaye
kya karen
jaan e mann
aap hi hum se sharma gaye
hono..o..o lulu
hono lulu
honolulu
honolulu
honolulu

jaan e jigar
aaj tu ne
hans ke dekha
jaane kahaan
kho gai main

aaaa aaaa aaa aaaa
aaaa aaaaa aaaa

aaaa aaaaaaa aaaaaa
aaaa aaaaa aaaaaaa aaaaa

aaa aaaaaa. . .

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

हौनो॰॰ओ॰॰ओ॰॰ओ लूलू
हौनो लूलू
हौनोलूलू
हौनोलूलू
हौनोलूलू

जान ए जिगर
आज तूने
हंस के देखा
जाने कहाँ
खो गई मैं

प्यार की
इक नज़र
आप पर हंस के डालूँगी मैं
दिल अगर
आप के
पास है तो चुरा लूँगी मैं
हौनो॰॰ओ लूलू
हौनो लूलू
हौनोलूलू
हौनोलूलू
हौनोलूलू

आज तो
ये निगाह
आप पर महरबां हो गई
लीजिये
अब शुरू प्यार की दास्ताँ हो गई
आपकी
आँख उठी
और हम हंस के पास आ गए
क्या करें
जान ए मन
आप ही हमसे शरमा गए
हौनो॰॰ओ॰॰ओ लूलू
हौनो लूलू
हौनोलूलू
हौनोलूलू
हौनोलूलू

जान ए जिगर
आज तूने
हंस के देखा
जाने कहाँ
खो गई मैं

आsss आssssss आss आsss
आsss आssss आsss

आsss आssssss आsssss
आsss आssss आssssss आssss

आss आsssss ॰ ॰ ॰

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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3470 Post No. : 13931

The Blog has registered One Crore visitors till 11 pm on 14th January 2018. Heartiest congratulations to Atul ji, Sudhir ji and all our team mates.

It is a mind boggling matter. One Crore visitors in 114 months works out to 87720 visitors per month or 2924 visitors per day, on an average (all figures appoximate). Splitting the hair further, it is 2 visitors per minute or 122 visitors per hour !

As per one report by WordPress, its blogs reach 198 countries in the world. So, probably, wherever English is understood and wherever Hindi music lovers exist, our Blog must be available for readers. In last 5 years, I have received mails from Fiji Islands, Kenya, Newzealand, Australia, U.K., U.S.A., Sharjah, Dubai, Doha, Qatar, Singapur, Hongkong and of course from all over India. These music lovers have comments, queries and opinions to share. I am sure, Atul ji must be getting mails from all over the world.

Statistics aside,it is worthwhile to understand why so many people visit this Blog. In my humble opinion, the following are some of the reasons-

1. It is not just a Blog providing songs, there are complete and accurate Lyrics too.

2. The write ups usually Carry a serious study of the film and the music presented, giving information which is interesting and informative too.

3. Whatever is presented, is highly credible and based on facts, references and verifiable sources.

4. Almost every comment made by the readers is answered either by the writer or one of the admins.

5. Decency,manners,courtesy and respect for readers is maintained in the presentations as well the answers to the queries.

6. There is no place for Religious or Political expressions or derogatory insinuations on anyone, in the presentations or answers to the comments.

7. The Blog provides ease of finding desired film songs.

8. As a Bonus, there is additional information available on Anniversaries of film related personalities, as well as lists of Composers, Lyricists and singers, with their contributions on the Blog.

9. In most cases, the readers get valuable information on old films, artistes and music, exclusively available only here and difficult to find anywhere on internet.

10. Blog caters to Music Lovers of any decades- from the 30s to the latest, through a team of contributors, who range in age from the 80s to the Teens.

11. There are teams of dedicated Lyrics writers and article contributors.

I feel proud to be a member of this team, ably led by the leader- ATUL JI. I wish the Blog many more peaks of successes in coming years.
The Blog has become a Cynosure of the world of Music Lovers, the world over.

Today’s song is from film Jailor-1958. This film from Minerva Movietone was a remake of its own film of the same name, made in 1938. This is a psychological melodrama, describing how a perfectly normal person becomes a bad one and due to circumstances becomes good again. There are shadows of Dr. Jekyll and Mr. Hyde in this film.

Robert Louise Stevenson’s novel of 1886, ” The strange case of Dr. Jekyll and Mr. Hyde ” was first made into a silent film in 1920, followed by a Talkie films in 1931, 1941, and as recent as 2006, in Hollywood. The 1931 film must have obviously inspired the writers of this film in 1938- Kamaal Amrohi and Ameer Haider. The screenplay was by J.K.Nanda and music was composed by Mir Saheb.

For the 1958 edition, the writers’ team continued, wih addition of O.P.Dutta for new dialogues. Madan Mohan composed its music. Sohrab Modi, of course, was the Director and the Hero in both editions of the film. Now he was joined by Kamini Kaushal, Geeta Bali, Abhi Bhattacharya, Nana Palshikar, Rajkumar khatri etc etc.

The film was not received with enthusisam. The role of Sohrab Modi, as the Jailor was not at all accepted by the audience. The role left many questions unanswered- like whether such changes can occur in a person at all or how can someone go to such extreme cruelty etc. Afterall it was a movie. Sohrab Modi excelled in Historical films. Social or family dramas were not a cup of his tea, was established by this film. It is still a wonder, why Modi chose this film for a remake over his many other successful films, for example Pukar-1939 ?

Madan Mohan’s sweet music was a redeeming factor and it did soothe the nerves of the audience after seeing Modi’s performance in this film. The story of the film was….

Dilip (Sohrab Modi) is a good natured kind hearted Jailor. He has a good looking wife Kanwal (Kamini Kaushal) and a doting girl child- Bali (Daisy Irani). Kanwal likes to enjoy modern life , like attending clubs etc, which Dilip does not like. Kanwal does not like her husband. She contacts her ex-lover Dr. Ramesh and both elope. She is not worried about her child also. This shock changes the life of Dilip and he becomes cruel, hot tempered and a nasty person, as if to avenge the world for what happened to him.

Kanwal and her lover meet with an accident. Ramesh loses his sight and Kanwal’s face is badly injured. When Dilip learns about her accident, he brings a repentant Kanwal back home. However he locks her in a room and tortures her, taunts her and tries to take revenge She is not allowed to meet her daughter, who is told that her mother has died. Once the daughter Bali falls sick, but Dilip does not allow Kanwal to tend her daughter also. frustrated and sad Kanwal commits suicide. Due to illness the daughter also dies.

This is another shock for Dilip, but it changes him to his old good nature. he becomes more kind, loving and helpful to others. one of his ex-convicts Prem (Rajkumar Khatri) kills the village rowdy when he tries to trouble his blind sister Chhaya(Geeta Bali) In the jail, Prem requests Dilip to look after his sister. Dilip meets and helps her. He starts loving Chhaaya. Unknown to him , Dr. Ramesh, now blind, comes to the same temple in which Chhaaya lives. they get to know each others and develop love.

When Dilip comes to know about their love, he spends his savings and helps both blind people to get operated upon. They regain sight. Dilip ensures that they are united.

Rajkumar Khatri who had been famous for his roles in Dharmik films so far did a role of a murderer, contrary to his background. This too did not go too well with the audience. Today’s song is actually a combination of contrasting songs. There is a dance by a dance troupe just outside the temple. While the dancer is dancing, singing and luring the public, Dr.Ramesh comes there, singing a Bhajan. Slowly people get attracted to him. After some time all the public, including the dance troupers join Ramesh in his Bhajan and all enter the temple. Now, enjoy this Two- in- one offering…….


Song-Meri hirni jaisi chaal (Jailor)(1958) Singers- Asha Bhonsle, Rafi, Lyrics-Rajinder Krishan, MD-Madan Mohan
Chorus

Lyrics

meri hirni jaisi chaal
o mere ghoonghar waale baal
palat kar dekh le
ho kaali topi waaleyaa
palat kar dekh le
ho kaali topi waaleyaa
meri hirni jaisi chaal
o mere ghoonghar waale baal
palat kar dekh le
ho kaale topi waaleyaa
ae palat kar dekh le
ho kaale topi waaleyaa

o o o

sau dukh ka ek ilaaz
nain mere matwaale
sau dukh ka ek ilaaz
nain mere matwaale
mere aage peechhe phiren raat-din dilwaale
haay mere aage peechhe phiren raat-din dilwaale
hazaaron phirte hain behaal
gale na magar kisi ki daal
palat kar dekh le
o dilbar jaaniya
aa ho
palat kar dekh le
o dilbar jaaniya
meri hirni jaisi chaal
o mere ghoonghar waale baal
palat kar dekh le
ho kaali topi waaleyaa
haaye palat kar dekh le
ho kaali topi waaleyaa

o o meri soorat dekh musaafir reh gaye raste mein
meri soorat dekh musaafir reh gaye raste mein
hoye dil si mahngi cheez bech gaye saste mein
haay hoye dil si mahngi cheez bech gaye saste mein
hazaaron bik gaye pichhle saal
to laakhon bikenge abki saal
palat kar dekh le
o dilbar jaaniya aa ha
palat kar dekh le
o dilbar jaaniya
meri hirni jaisi chaal
o mere ghoonghar waale baal
palat kar dekh le
ho kaali topi waaleyaa
ae palat kar dekh le
ho kaali topi waaleyaa

ho o o o o
o o o
sanwaare sabke bigde kaam
karodon jag me jiske naam
palat kar aa bhi ja
sharan us raam ki
palat kar aa bhi ja
sharan us raam ki
sanwaare sabke bigde kaam
karodon jag mein jiske naam
palat kar aa bhi ja
sharan us raam ki
palat kar aa bhi ja
sharan us raam ki

o maati ke putle kaahe idhar udhar tu bhatke
o maati ke putle kaahe idhar udhar tu bhatke
jhoothi raah na chalna moorakh
saanchi raah se hat ke
o o o
saachi raah se hat ke
jagat ke jhoothe saare kaam
hai saancha ek usi ka naam
palat kar aa bhi ja
sharan us raam ki
palat kar aa bhi ja

aa ha palat kar dekh le
ho kaale topi waaleyaa
meri hirni jaisi chaal
o mere ghoonghar waale baal
palat kar dekh le
ho kaale topi waaleyaa
palat kar aa bhi ja
sharan us raam ki
palat kar aa bhi ja

ae palat kar dekh le
ho kaale topi waaleyaa
hey palat kar dekh le
ho kaale topi waaleyaa

o o o
ye jag hai gham ki aag
roop mera shabnam hai
ye jag hai gham ki aag
roop mera shabnam hai
jab sooraj nikle bol tera phir kya dam hai
ho o o
jab sooraj nikle bol tera phir kya dam hai

mera ek ishaara dekh kaafile ruk jaayen
mera ek ishaara dekh kaafile ruk jaayen
prabhu ungli ek uthaaye to parvat jhuk jaaye
prabhu ungli ek uthaaye to parvat jhuk jaaye

do ghadi baith ke dekh meri zulfon ki chhaaon mein
meri zulfon ki chhaaon mein
tana huaa hai neel gagan ka chhatr prabhu ke gaaon mein
tana huaa hai neel gagan ka chhatr prabhu ke gaaon mein
prabhu ke gaaon mein
is chhtr tale aaraam jo sabko deta hai bedaam
palat kar aa bhi ja
sharan us raam ki
palat kar aa bhi ja
sharan us raam ki
sanwaare sabke bigde kaam
karodon jag mein jiske naam
palat kar aa bhi ja
sharan us raam ki
palat kar aa bhi ja
sharan us raam ki

bol he manvaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3470 Post No. : 13930

Missing Films of 1960s – 45
– – – – – – – – – – – – – – –

As I scanned the filmography of Nayyar Sb, presented by Atul ji in his late evening post yesterday, my eyes stopped with a jerk on seeing a ‘0’ in the decade of 1960s. Quick shift to the left and I find that the film is ‘The Killers’ from 1969. And the mind said ‘wow’ again – this film, and that too with Nayyar Sb’s music – how can that be an outsider still. Time to set the record right. So the immediate decision was to debut this film – immediately. 🙂

‘The Killers’ – is a kind of a multi starrer before its time. It brought together Sheikh Mukhtar, Dara Singh and Ajit – all stars in their own right of the genre of stunt / suspense / thriller films. Other players in the star cast are Helen (of course), Bela Bose, Leela Chitnis, Bhagwan, Jagdish Raj, Anwar Husain, Amar, Maruti, Savita, Sushma, Ram Lal, and Kundan etc. And yes, the alternate title of this film, now do not be surprised – ‘Hum Sab Qaatil Hain’, a la ‘Hum Sab Ustad Hain’ and ‘Hum Sab Chor Hain’.  😀 😀

The film is produced under the banner of Sangam Films, Bombay, and is directed by Maruti. The six songs in this film are shared between Aziz Kashmiri (2) and SH Bihari(4). This song is written by SH Bihari. Music – yes OP Nayyar Sb.

A wonderfully composed song, that immediately brings to memory, the similarly paced song – “Hum Ne To Dil Ko Aap Ke Kadmon Mein Rakh Diya”, sung by Rafi Sb and Asha Bhosle for Nayyar Sb in the film ‘Mere Sanam’ (1965). The use of sitar is simply so exquisite.

On screen, the song has been performed so sensuously by Helen, as she showers her graces on to her beau, role played by Dara Singh. In the initial moments of the song, the gentleman seems spooked, watching the lady wearing a towel, and then getting ready. He has this bowled over astounded expression on his face – almost as if, if he was required to say something, then God help the director.

But all in all, a wonderful composition, and performed equally wonderfully on screen by Helen. This is not a dance song, but she has conducted herself extremely tastefully.

With this, the film ‘The Killers’ makes its debut on our blog. And enjoy this lovely song. And the Helen performance.  🙂

 

Song – Nazren Mila Ke Aap Ne Ehsaan Kar Diya  (The Killers) (1969) Singer – Asha Bhosle, Lyrics – SH Bihari, MD – OP Nayyar

Lyrics

hmmm hmmm hmmm
la la la la laaa lalla
hmmm hmmm hmmm hmmm hmmm

nazren mila ke aapne ehsaan kar diya
nazren mila ke aapne ehsaan kar diya
phir se hamaare jeene ka samaan kar diya

mil ke hamen huzoor se
mehsoos ye hua
mil ke hamen huzoor se
mehsoos ye hua
duniya mein aur kuchh bhi nahin
pyaar ke siwa
sab kuchh wafaa ke naam pe
qurbaan kar diya
nazren mila ke aapne ehsaan kar diya

bechain thi hamaari nazar
aap ke bagair
bechain thi hamaari nazar
aap ke bagair
mushqil tha zindagi ka safar
aap ke bagair
baahon mein le ke aap ne
aasaan kar diya
nazren mila ke aapne ehsaan kar diya
phir se hamaare jeene ka samaan kar diya

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

हम्ममम हम्ममम हम्ममम
ला ला ला ला लाss लल्ला
हम्ममम हम्ममम हम्ममम हम्ममम हम्ममम

नज़रें मिला के आपने एहसान कर दिया
नज़रें मिला के आपने एहसान कर दिया
फिर से हमारे जीने का समान कर दिया

मिल के हमें हुज़ूर से
महसूस ये हुआ
मिल के हमें हुज़ूर से
महसूस ये हुआ
दुनिया में और कुछ भी नहीं
प्यार के सिवा
सब कुछ वफा के नाम पे
कुर्बान कर दिया
नज़रें मिला के आपने एहसान कर दिया

बेचैन थी हमारी नज़र
आप के बगैर
बेचैन थी हमारी नज़र
आप के बगैर
मुश्किल था ज़िंदगी का सफर
आप के बगैर
बाहों में ले के आप ने
आसान कर दिया
नज़रें मिला के आपने एहसान कर दिया
फिर से हमारे जीने का समान कर दिया


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3469 Post No. : 13928

The New Year according to Gregorian Calendar started 16 days ago on 1 january 2018. Like most people, we too made new year resolutions. Unlike most people, our new year resolutions of posting one “debutant” song and one “YIPPEE” song daily is still being followed regularly.

Day before yesterday (14 january 2018) was Makar Sakranti and that marked the beginning of another new year, viz Hindu new year. Why we should not make new year resolutions on this occasion as well. In our case, we can resolve to continue our new year resolutions of Gregorian calendar new year. 🙂

The commencement of Hindu new year coincided with the blog clocking one crore (ten millions) visitors to the blog. Is it a coincidence that it happened on this day ! Or is it divine scheme of things. The blog began just under ten years ago on 19 july 2008. Why this date and no other day ? It was much later (in fact only in 2017) that I realised that the Hindu month of Shrawan had started on 19 july 2008, which traditionally provided the most number of songs to HFM. So, I feel that the same divine scheme of things were being played out and implemented at that time as well.

That is not all. Much later, we posted out song post number 11111, which discussed a special song that had voices of four legendary singers. When Sudhir Ji, the author of that wrteup looked back at the blog posts number 1, 11, 111 and 1111, he discovered an amazing pattern. These four songs were solo songs sung by the same four singers, and in the same order in which they lend their voices in the song post number 11111 !

That is not all. I have noticed coincidences involving me that are even more amazing, and they are not limited to this blog. I have shared one amazing coincidence with my friends (including some in this blog as well) that will convince people that these coincidences are some grander scheme of things planned by higher forces. 🙂

Coming to my observations that we need to reiterate our new year resolutions (Gregorian calender version) on new year (Hindu calender version) as well. On the first day of this year (viz Yesterday 15 january 2018), only the first half of the half the resolution (viz posting a debutant song for the day) was fulfilled till late in the night. Sudhir Ji had posted a “debutant” post for the day. I had noticed that he had planned for a “YIPPEE” post as well. But seeing that the “debutant” post had appeared so late, I was afraid that it might become a race against time to fully fulfil the new year resolution. So I decided to lend a helping hand to Sudhir Ji. I prepared this “YIPPEE” writeup and I decided to post it in case Sudhir Ji was strapped for time (which he certainly is these days).

Fortunately, I found that Sudhir Ji succeeded in posting the YIPPEE writeup just in the nick of time yesterday night, and it was that rollicking title song of “China Town”(1962), viz. Rangeen bahaaron se hai gulzaar China Town.

So the song that I had kept as the backup YIPPEE song was not required.

Today (16 january 2018), we find ourself in the same situation as yesterday. The “debutant” movie of the day was done and dusted with first thing in the morning by Sudhir Ji. Sudhir Ji then asked me for the list of YIPPiable movies, aiming to post the YIPPEE movie of today as well, while I concentrated on the O P Nayyar tribute post.

After the O P Nayyar tribute post was published late, I found that Sudhir Ji has prepared for the YIPPEE song of the day, and it was a song that was not available online as far as I can tell. But like last night, we are against racing against time and I do not find Sudhir Ji at the keyboard right now. So I feel that I need to step in and publish the backup YIPPEE song that I had prepared yesterday. That way, Sudhir Ji can publish his YIPPEE article on the next day.

The song that I have in mind is from “Khazaana”(1951). It is sung by Lata. Rajinder Krishan is the lyricist. Music is composed by C Ramchandra.

This song, the eighth and final song from “Khazaana”(1951) is a “joie de vivre” song sung on a moonlit night by a lady in love. This must have been the brief by the music director to the lyricist and what superb lyrics Rajinder Krishan comes up with. And the rendering of this song is divine. After listening to the honey like voice of Lata, I would not like to listen to this voice in any other voice. This is inspired singing at its peak.

“Khazaana”(1951) was produced by Bakshi Jang Bahadur and directed by M Sadiq for Bakshi Brothers, Bombay. This movie had Madhubala, Nasir Khan, Gope, Om Prakash, Cuckoo, Ramesh Thakur, Gujri, Abbas etc. in it.

So going by the cast, it is clear that this song was picturised on Madhubala. Lata singing and Madhubala lip syncing. It would have been a sight for the eyes if the video was available. But it seems that only the audio of this song is available and that too has ended up becoming an obscure song with time. The song deserves to be much better known among music lovers. It is an archtypical “chhaayaageet” song, best heard at night time, with majority of people fast asleep in the comforts of their “razaai”. 🙂

With this song, “Khazaana”(1951) joins the list of movies that have all their songs covered in the blog.


Song – Soyi soyi chaandni hai khoyi khoyi raat hai (Khazaana)(1951) Singer-Lata, Lyrics-Rajinder Krishan, MD-C Ramchandra

Lyrics

soyi soyi chaandni hai
soyi soyi chaandni hai
khoyi khoyi raat hai
naya naya pyaar hai ye
nayi nayi baat hai
soyi soyi chaandni hai
soyi soyi chaandni hai
khoyi khoyi raat hai
naya naya pyaar hai ye
nayi nayi baat hai
soyi soyi chaandni hai

gori gori chaandni mein jiya madhosh hai
ae ae ae ae
hmm hmm hmm
gori gori chaandni mein jiya madhosh hai
tum mere paas ho
tum mere paas ho
bas itna hi hosh hai
itna hi hosh hai
dil mein khushi
dheemi ?? barsaat hai
nayi nayi baat hai
soyi soyi chaandni hai
soyi soyi chaandni hai
khoyi khoyi raat hai
naya naya pyaar hai ye
nayi nayi baat hai
soyi soyi chaandni hai

jhuki jhuki ankhiyan mein man ki tarang hai
ae ae ae ae
hmm hmm hmm hmm
jhuki jhuki ankhiyan mein man ki tarang hai
masti mein jhoom raha
masti mein jhoom raha mera ang ang hai
mera ang ang hai
duniya na jaane sainyya
teri meri baat hai
nayi nayi baat hai
soyi soyi chaandni hai
soyi soyi chaandni hai
khoyi khoyi raat hai
naya naya pyaar hai ye
nayi nayi baat hai
soyi soyi chaandni hai


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3469 Post No. : 13925

Missing Films of 1960s – 44
– – – – – – – – – – – – – – –

There is so much to be explored and to be showcased. This journey of debut songs is taking us down the 1960s path, and almost every day we are discovering fabulous gems of song that most people have not heard.

Today’s film is ‘Flying Circus’ from 1965. The film is produced under the banner of Regal Films, Bombay and is directed by Dhanpat Rai. The star cast is led by Ranjan and Nasreen, and also includes Bela Bose, Neelofer, Rajan Kapoor, Babu Raje, Polson, Shyam, Vishwa Mehra, Shri Bhagwan and Kamini Devi etc. There are six songs listed for this film. Music is composed by Robin Bannerjee. Two lyricists are identified – Farooque Kaiser and Yogesh Gaud. This song is from the pen of Yogesh Gaud.

The singing voices are those of Suman Kalyanpur and Kamal Barot.

The music is the key. An obscure film, and a lesser known music director. But see, what wonders can be created even in these obscure circumstances. From the sound and flow of the song, I am quite sure this is a twin dance song. Also, keeping Nasreen’s name possibly for the leading role, the two names that could possibly be performing this song on screen are Bela Bose and Neelofer, but I am just guessing. I request other knowledgeable readers and friends, to add more information for this film and this song.

A lilting fast paced dance number, I am sure you are going to like.  Enjoy

 

Song – Lag Gaya Re Lag Gaya Re Teer Nishaane Pe  (Flying Circus) (1965) Singer – Suman Kalyanpur, Kamal Barot, Lyrics – Yogesh Gaud, MD – Robin Bannerjee
Suman Kalyanpur, Kamal Barot

Lyrics

lag gaya
lag gaya
lag gaya re lag gaya re
teer nishaane pe
lag gaya re lag gaya re
teer nishaane pe
jaaye kya bachke koi meri nigaahon se
lag gaya re lag gaya re
teer nishaane pe
jaaye kya bachke koi meri nigaahon se
lag gaya

aaj aalam hai ye bekhudi ka
dil ke armaan bas mein nahin hain
aaj aalam hai ye bekhudi ka
dil ke armaan bas mein nahin hain
hum ko mehsoos yun ho raha hai
jaise hum is zameen par nahin hain
jaise hum is zameen par nahin hain
lag gaya
lag gaya
lag gaya re lag gaya re
teer nishaane pe
lag gaya re lag gaya re
teer nishaane pe
jaaye kya bachke koi meri nigaahon se
lag gaya

aaj naghmon ki masti mein dekho
doob jaayige ye duniya saari
aaj naghmon ki masti mein dekho
doob jaayige ye duniya saari
jis taraf bhi nigaahen uthengi
nazar aayegi surat hamaari
nazar aayegi surat hamaari
lag gaya
lag gaya
lag gaya re lag gaya re
teer nishaane pe
lag gaya re lag gaya re
teer nishaane pe
jaaye kya bachke koi meri nigaahon se
lag gaya

aaj kadmon mein dekho mein hamaare
bijliyaan laakh bal kha rahin hain
aur sajde mein har ik ada ke
laakh nazren bichhin ja rahi hain
laakh nazren bichhin ja rahi hain
lag gaya
lag gaya
lag gaya re lag gaya re
teer nishaane pe
lag gaya re lag gaya re
teer nishaane pe
jaaye kya bachke koi meri nigaahon se
lag gaya

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

लग गया
लग गया
लग गया रे लग गया रे
तीर निशाने पे
लग गया रे लग गया रे
तीर निशाने पे
जाएगा बचके कोई मेरी निगाहों से
लग गया रे लग गया रे
तीर निशाने पे
जाएगा बचके कोई मेरी निगाहों से
लग गया

आज आलम है ये बेखुदी का
दिल के अरमान बस में नहीं हैं
आज आलम है ये बेखुदी का
दिल के अरमान बस में नहीं हैं
हमको महसूस ये हो रहा है
जैसे हम इस ज़मीन पर नहीं हैं
जैसे हम इस ज़मीन पर नहीं हैं
लग गया
लग गया
लग गया रे लग गया रे
तीर निशाने पे
लग गया रे लग गया रे
तीर निशाने पे
जाएगा बचके कोई मेरी निगाहों से
लग गया

आज नग़मों की मस्ती में देखो
डूब जाएगी ये दुनिया सारी
आज नग़मों की मस्ती में देखो
डूब जाएगी ये दुनिया सारी
जिस तरफ भी निगाहें उठेंगी
नज़र आएगी सूरत तुम्हारी
नज़र आएगी सूरत तुम्हारी
लग गया
लग गया
लग गया रे लग गया रे
तीर निशाने पे
लग गया रे लग गया रे
तीर निशाने पे
जाएगा बचके कोई मेरी निगाहों से
लग गया

आज कदमों में देखो हमारे
बीजलियाँ लाख बलखा रही हैं
आज कदमों में देखो हमारे
बीजलियाँ लाख बलखा रही हैं
और सजदे में हर इक अदा के
लाख नज़रें बिछीं जा रही हैं
लाख नज़रें बिछीं जा रही हैं
लग गया
लग गया
लग गया रे लग गया रे
तीर निशाने पे
लग गया रे लग गया रे
तीर निशाने पे
जाएगा बचके कोई मेरी निगाहों से
लग गया


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3468 Post No. : 13923

Now, none of the regulars can say they have not heard this song. In a film that boasts of more than one song that competes for the title of the best song in the film, this song surely is one of the best songs in this film. Wow – that sure is saying something for the quality of songs of this film. In 1962, music director Ravi has been active as an independent music director for about seven years now, and he already has about 30 films behind him, that he has composed for. His films include such notable hits as ‘Ek Saal’ (1957), ‘Dilli Ka Thug’ (1958), ‘Ghar Sansaar’ (1958), ‘Chaudhvin Ka Chaand’ (1960), ‘Ghunghat’ (1960), ‘Gharaana’ (1961), ‘Modern Girl’ (1961), ‘Bombay Ka Chor’ (1962) and many more. And then in 1962, out comes this Shammi Kapoor, Shakila, Helen starrer called ‘China Town’ – and the popular response is “Baar Baar Dekho, Hazaar Baar Dekho”. Oh yes, the songs of this film – one just does not feel done with them, no matter how many times you have heard them.

Produced and directed by Shakti Samant, the cast of actors includes such notables – Shammi Kapoor, Shakila, Helen, Madan Puri, SN Bannerjee, Keshav Rana, TunTun, Rashid Khan, Polson, Samson, Shetty, Jeevankala, Mridula and about twenty more names.  Songwriter of all the eight songs in this film is Majrooh Sultanpuri, and the music, already mentioned, is by Ravi.

Eight songs in all, seven of which have already been showcased on our blog. And we come to the yippeee night for this film, brining on board this last, but not the least, songs of this film. It is a lovely composition, and just by listening to it, even without the visual, the image that comes to mind is – Helen. Ravi has tried to recreate the magic of “Mera Naam Chin Chin Chu” – albeit a slower pace, and has done a great composition.

But wait. What is this that I discover? The song that we have always heard in the film, and also as generally available in most uploads – goodness that song is missing from the listings in Geet Kosh. This question took up most of my time today afternoon and evening. I must admit that either I have been forgetful, or plain ignorant. Other folks may already know this, but this song has two versions, which, as I discovered after some leg work on the internet and searching my own collection, are quite different from each other, in terms of wordings. The tune and the melody is exactly the same but the words are noticeably different.

The Geet Kosh listing shows the title of this song as “Laakhon Haseenon Se Hai Gulzar China Town”. But as we play the video clip of this film, this song appears as the film beginning song, with the title line changed to “Rangeen Bahaaron Se Hai Gulzar China Town”. This latter version is the one that is the most available in all the searches one makes online. It is almost as if the former version does not exist. I checked in my collection, and am relieved to find that I have both versions in the folder of this film. And then, with some more intense search online, I am finally also able to locate a Sa Re Ga Ma upload, which is the “Laakhon Haseenon” waala version. The upload comment specifically states that this recording is from the vinyl record prepared from the sound track. There is some error here possibly, because the sound track version is “Rangeen Bahaaron Se”. I checked some more and then I am able to locate an Eraksoldies upload of an SLBC (Sri Lanka Broadcasting Corp) program that presents all songs of this film. Knowing this is an SLBC recording, these songs are quite surely from 78 rpm records. And this selection contains the “Laakhon Haseenon” waala version. I checked again in my collection, and sure enough, this version in my collection also is from a 78 rpm recording. So anyways. . .

What may have been the reason to make two versions, is not clear at this time. We know that it was an era that all songs were recorded twice, once for the 78 rpm record, and once for the final sound track. We see many instances that the two versions are different, in that there is either a different antaraa, or an additional antaraa in the sound track version. More noticeably, the difference in the two versions generally is the music – different lengths of preludes and interludes, maybe an extra couplet in the beginning, subtle variations in the music arrangement and the instruments used. However, it is only rarely that we see that there is a considerable variation in the wordings of different lines themselves. It is generally accepted that the 78 rpm version is released first. Also generally that both versions are recorded simultaneously. But yes, there are known cases where these two recordings may have been done at different points in time, as per circumstantial requirements. Recall the song of ‘Chhalia’ (1960) in which the song “Chhalia Mera Naam. . .” was re-recorded for sound track after the censors raised objections to some words in the original recording.

By that logic, it would seem that the “Laakhon Haseenon” waala version is recorded earlier and the “Rangeen Bahaaron Se” version which appears in the sound track was probably done later. The former, 78 rpm version carries two antaraas, and the latter soundtrack version carries three antaraas. And there is a sizeable modifications of words themselves. Now what prompted these wording changes – that needs to be explored. I would request our knowledgeable readers and friends to please add information related to this query.

The earlier songs posted for this film are listed below.

Baar Baar Dekho Hazaar Baar Dekho 617 25-Jan-09
Dekho Ji Ek Baalaa Jogi 3486 2-Feb-11
Yamma Yamma Yamma Tu Parwaana Main Shamma 4858 21-Oct-11
Hum Se Na Poochho Hum Kahaan Chale 11688 24-Dec-15
Ye Rang Na Chhootega Ulfat Ki Nishaani Hai 13586 15-Sep-17
Bada Qaatil Hai Mera Yaar China Chin Chin Chu 13917 14-Jan-18

 

Of the above listed songs, the “Yamma Yamma Yamma. . .” song actually includes two songs, which are listed at nos. 5 and 6 in the Geet Kosh. And the song “Bada Qaatil Hai Mera Yaar. . .” is the song listed at no. 8 in the Geet Kosh.

So we bring to Yippeee land, this most musical film, that started its journey on our blog close to – goodness, nine years. Wow. Maybe one day we shall do an analysis on the patterns in the time taken to bring all songs of a film on board. Maybe it brings out some interesting results.

Enjoy both these “Rangeen Bahaaren” and “Laakhon Haseeen” versions of the song. And welcome ‘China Town’ to Yippeee land. 🙂

[Ed Note: Ah yes, and the titling on the video clip (it is uploaded in the Rajshri channel) is also incorrect. They have captioned the upload as “Thandi Bahaaron Se. . .” whereas it is very clearly heard as ‘Rangeen Bahaaron Se. . .”.]

[Video Version – from Fim Clip]

[Audio Version – from Gramophone Record]

Song – Rangeen Bahaaron Se Hai Gulzaar China Town  (China Town) (1962) Singer – Asha Bhosle, Lyrics – Majrooh Sultanpuri, MD – Ravi
Chorus

Lyrics

Video Version
rangeen bahaaron se hai gulzar china town

shehar waalon ki shaam e bahaar china town
aa ke to dekho ek baar china town
china town
china town
china town

ho oo
dekho dekho
idhar to dekho
dil ki ye raahen
hawaayen
ye rang raliyaan
ho oo
behki behki
ye mehki mehki
zulfon ki bhaanti
balkhaati
lehraati kaliyaan
nomoshkaar

rangeen bahaaron se hai gulzar china town
shehar waalon ki shaam e bahaar china town
aa ke to dekho ek baar china town
china town
china town
china town

oo oo
chung chung cheena
o chun chun chinna
kehte hain pyaare
ishaare
sambhal ke zara
oo oo
babu aana
par kho na jaana
ye dil ka pyaala
matwaala
na chhalke zara
bo-shu
rangeen bahaaron se hai gulzar china town
shehar waalon ki shaam e bahaar china town
aa ke to dekho ek baar china town
china town
china town
china town

oo oo
kar le baaten
pyaari hain raaten
tujhko duniya se
begaana
ho jaana hai to aa
oo oo
kar le baaten
pyaari hain raaten
tujhko duniya se
begaana
ho jaana hai to aa
aa-shu
rangeen bahaaron se hai gulzar china town
shehar waalon ki shaam e bahaar china town
aa ke to dekho ek baar china town
china town
china town
china town
china town
china town

Audio Version

laakhon haseenon se hai gulzar china town
dil waalon ki hai shaam e bahaar china town
aa ke to dekho ek baar china town
china town
china town
china town

oo oo
chung chung cheena
qaatil haseena
karti hai pyaare
ishaare
sambhal ke zara
oo oo
babu aana
par kho na jaana
ye dil ka pyaala
matwaala
na chhalke zara
bo-shu
laakhon haseenon se hai gulzar china town
dil waalon ki hai shaam e bahaar china town
aa ke to dekho ek baar china town
china town
china town
china town

oo oo
kar le baaten
pyaari hain raaten
tujhko deewaana
mastaana
ho jaana hai to aa
oo oo
khud hai masti
yahaan ki basti
haare alam ko
har gham ko

bhulaana hai to aa
aa-shu
laakhon haseenon se hai gulzar china town
dil waalon ki shaam e bahaar china town
aa ke to dekho ek baar china town

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
विडियो संस्करण
रंगीं बहारों से है गुलज़ार चाइना टाउन
शहर वालों की शाम ए बहार चाइना टाउन
आ के तो देखो एक बार चाइना टाउन
चाइना टाउन
चाइना टाउन
चाइना टाउन

हो ओ॰॰॰
देखो देखो
इधर तो देखो
दिल कि ये राहें
हवाएँ
ये रंग रलियाँ
हो ओ॰॰॰
बहकी बहकी
ये महकी महकी
ज़ुल्फों की भांति
बलखाती
लहराती कलियाँ
नोमोष्कार

रंगीं बहारों से है गुलज़ार चाइना टाउन
शहर वालों की शाम ए बहार चाइना टाउन
आ के तो देखो एक बार चाइना टाउन
चाइना टाउन
चाइना टाउन
चाइना टाउन

ओ ओ॰॰॰
चुँग चुँग चीना
ओ चुन चुन चिन्ना
कहते हैं प्यारे
इशारे
संभाल के ज़रा
ओ ओ॰॰॰
बाबू आना
पर खो ना जाना
ये दिल का प्याला
मतवाला
ना छलके ज़रा
बो-शू
रंगीं बहारों से है गुलज़ार चाइना टाउन
शहर वालों की शाम ए बहार चाइना टाउन
आ के तो देखो एक बार चाइना टाउन
चाइना टाउन
चाइना टाउन
चाइना टाउन

ओ ओ॰॰॰
कर ले बातें
प्यारी हैं रातें
तुझको दुनिया से
बेगाना
हो जाना है तो आ
ओ ओ॰॰॰
कर ले बातें
प्यारी हैं रातें
तुझको दुनिया से
बेगाना
हो जाना है तो आ
आ-शू
रंगीं बहारों से है गुलज़ार चाइना टाउन
शहर वालों की शाम ए बहार चाइना टाउन
आ के तो देखो एक बार चाइना टाउन
चाइना टाउन
चाइना टाउन
चाइना टाउन
चाइना टाउन
चाइना टाउन

औडियो संस्करण
लाखों हसीनों से है गुलज़ार चाइना टाउन
दिल वालों की है शाम ए बहार चाइना टाउन
आ के तो देखो एक बार चाइना टाउन
चाइना टाउन
चाइना टाउन
चाइना टाउन

ओ ओ॰॰॰
चुँग चुँग चीना
क़ातिल हसीना
करती है प्यारे
इशारे
संभल के ज़रा
ओ ओ॰॰॰
बाबू आना
पर खो ना जाना
ये दिल का प्याला
मतवाला
ना छलके ज़रा
बो-शू
लाखों हसीनों से है गुलज़ार चाइना टाउन
दिल वालों की है शाम ए बहार चाइना टाउन
आ के तो देखो एक बार चाइना टाउन
चाइना टाउन
चाइना टाउन
चाइना टाउन

ओ ओ॰॰॰
कर ले बातें
प्यारी हैं रातें
तुझको दीवाना
मस्ताना
हो जाना है तो आ
ओ ओ॰॰॰
खुद है मस्ती
यहाँ की बस्ती
हारे अलम को
हर ग़म को
भुलाना है तो आ
आ-शू
लाखों हसीनों से है गुलज़ार चाइना टाउन
दिल वालों की है शाम ए बहार चाइना टाउन
आ के तो देखो एक बार चाइना टाउन
चाइना टाउन
चाइना टाउन
चाइना टाउन
चाइना टाउन
चाइना टाउन

 


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3467 Post No. : 13920

 

Rewind back – goodness – 46 years. This song is from 1971, and the dear melody that we all love is quite alive and well.

Two names that we remember, and honor today – Chitragupt and Kaifi Azmi. Today, it is the birth anniversary of Kaifi Azmi and it is the passing away remembrance day for Chitragupt.

Back in 1971, Chitragupt is passing through his silver anniversary in the tinsel town, and Kaifi Azmi is celebrating his 20th in the same industry.

Chitragupt, born in 1917, started his career with Hindi films in 1945-46. In 1971, his journey has thus far passed through about 130 films, and he has composed approximately 930 songs so far. Kaifi Azmi, born in 1919, started to write for Hindi films in 1951. In 1971, he has thus far written approximately 225 songs for about 50 films.

With such illustrious and prolific careers behind them, it is a wonder that these two stalwarts did not get together till 1970 – almost two decades and more, that both of them had been active in the industry. Their coming together film in 1970 is ‘Hamaara Adhikar’. Then, in 1971, both collaborated once again for creating the songs for ‘Saaz Aur Sanam’. And then, that’s it. These two are the only films, and a handful of songs that these two worked on together.

‘Saaz Aur Sanam’ is a production from the banner of Wadia Movietone and is directed by JBH Wadia. The list of actors reads like – Premendra, Rekha, Suresh Chatwal, Sapru, Purnima, Bhagwan, Asit Sen, Kirti Kumar, Panna Kapoor, Bismillah, Dalda, Rajni Bala, Renu, Brahmachari, Ratan Kumar, Hercules, Dayanand, and Arvind etc.

Premendra is a name that we encounter for the first time in the film ‘Deedaar’ of 1970. He appears in ‘Holi Aayee Re, again in 1970, then in two films in 1971 – ‘Duniya Kya Jaane’ and ‘Saaz Aur Sanam’. And then this name does not appear any more in the listings. Four films, and that’s it. Rekha, who has just made her debut, also in 1970 with the film ‘Saawan Bhadon’ (opposite to Navin Nischol), continues to be active in the Hindi film industry to date.

The singing voice is of Lata Mangeshkar. The song is performed on screen by Rekha. The two protagonists – Rekha and Premendra – are both in their night-wear. It is clearly a ‘roothna – manaana’ category of song. Premendra is the one who is doing the sulking, and Rekha is the one who is trying to appease him. the hints of playfulness and naughtiness that we would see more of in her subsequent films, are quite visible in this song. Plus the original analysis that Atul ji has once done – it takes about three and a half minutes to “appease” a “sulking” hero or heroine, as the case may be. 🙂

A heartfelt salute to Chitragupt and to Kaifi Azmi on this day today. And a dearly wonderful song to celebrate. Listen and enjoy.

 

Song – Na Rootho Hamen Paas Aane Bhi Do  (Saaz Aur Sanam) (1971) Singer – Lata Mangeshkar, Lyrics – Kaifi Azmi, MD – Chitragupt

Lyrics

na rootho
hamen paas aane bhi do
na rootho
hamen paas aane bhi do
chalo hum gunehgaar jaane bhi do
jaane bhi do
na rootho
hamen paas aane bhi do
chalo hum gunehgaar jaane bhi do
jaane bhi do

nahin tum nahin
dil deewaana hua hai
nahin tum nahin
dil deewaana hua hai
tumhen pyaar karte zamaana hu hai
zamaana hu hai
lagi dil ki. . .
ladi dil ki kabhi tum bujhaane bhi do
na rootho
hamen paas aane bhi do
chalo hum gunehgaar jaane bhi do
jaane bhi do

kahaan ye kahaan
hum zyaada haseen hain
kahaan ye kahaan
hum zyaada haseen hain
na dekho ab aise
burey bhi nahin hain
burey bhi nahin hain
nigaahon se
nigaahon se nigaahen milaane bhi do
na rootho
hamen paas aane bhi do
chalo hum gunehgaar jaane bhi do
jaane bhi do

jawaan roop ka
hum khazaana luta den
jawaan roop ka
hum khazaana luta den
tumhaare kadam par zamaana luta den
zamaana luta den
ye dil kya hai
ye dil kya hai hamen dil gawaane bhi do
na rootho
hamen paas aane bhi do
chalo hum gunehgaar jaane bhi do
jaane bhi do

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

ना रूठो
हमें पास आने भी दो
ना रूठो
हमें पास आने भी दो
चलो हम गुनहगार जाने भी दो
जाने भी दो
ना रूठो
हमें पास आने भी दो
चलो हम गुनहगार जाने भी दो
जाने भी दो

नहीं तुम नहीं
दिल दीवाना हुआ है
नहीं तुम नहीं
दिल दीवाना हुआ है
तुम्हें प्यार करते ज़माना हुआ है
ज़माना हुआ है
लगी दिल की॰॰॰
लगी दिल की कभी तुम बुझाने भी दो
ना रूठो
हमें पास आने भी दो
चलो हम गुनहगार जाने भी दो
जाने भी दो

कहाँ ये कहाँ
हम ज़्यादा हसीं हैं
कहाँ ये कहाँ
हम ज़्यादा हसीं हैं
ना देखो अब ऐसे
बुरे भी नहीं हैं
बुरे भी नहीं हैं
निगाहों से॰॰॰
निगाहों से निगाहें मिलाने भी दो
ना रूठो
हमें पास आने भी दो
चलो हम गुनहगार जाने भी दो
जाने भी दो

जवां रूप का
हम खजाना लूटा दें
जवां रूप का
हम खजाना लूटा दें
तुम्हारे कदम पर ज़माना लुटा दें
ज़माना लुटा दें
ये दिल क्या है॰॰॰
ये दिल क्या है हमें दिल गवाने भी दो
ना रूठो
हमें पास आने भी दो
चलो हम गुनहगार जाने भी दो
जाने भी दो


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3467 Post No. : 13916

“Khilona”(1970) was directed by Chandar Vohra for Prasad Productions, Madras. the movie had Sanjeev Kumar,, Mumtaz, Jeetendra, Durga Khote, Bipin Gupta, Ramesh Deo, Chaand Usmaani, Shabnam, Malika, Jaishree, Shatrughan Singha, Jagdeep, Aruna Roy, Mridula, Jagnu Jain, Guddi, Master Satyajit etc in it.

The movie had six songs in it. Five of these songs have been covered in the past.

Here is the sixth and final song from “Khilona”(1970) to appear in the blog. This song is a Hinglish song which is sung by Asha Bhonsle and Kishore Kumar. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a “making someone jealous” genre of light hearted song. I have not seen the movie, so I can only guess what the picturisation is all about. it appears to me that Jagdeep wants to amke his wife (played by Malika) jealous and for that he plays the ruse of singing this romantic son with Rosie (played by Shabnam) in a part. I request our knowledgeable readers to tell me if my guess is correct.

With this song, “Khilona”(1970) joins the list of movies that have all their songs covered in the blog.


Song-Roz roz rosie tumko pyaar karta hai (Khilona)(1970) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

roz roz rosie
roz roz rosie
roz roz rosie
tumko pyar karta hai
roz roz rosie tumko pyaar karta hai
roz roz rosie tumko pyaar karta hai
roz roz rosie tumko pyaar karta hai
aye man tum kaahe ko inkaar karta hai
roz roz rosie tumko pyaar karta hai
roz roz rosie tumko pyaar karta hai
laalaalaa laalaalaalaa
laaraalaalalaala

ouch uyi
uyi

come let us dance
this is romance
come let us dance
this is romance
hahahaaha haay
phooli hai saans

dont be so smart
dont break my heart
start
stop
stop

hey man kyun hamko bekaraar karta hai
roz roz rosie tumko pyaar karta hai
roz roz rosie tumko pyaar karta hai

one two three four
kya hai chit chor
one two three four
kya hai chit chor
you
you
you sing like kishor
but shaadi ka date
o yes
september eight

oh
very late
darling wait
hey man kyun hampe atyaachar karta hai
roz roz rosie tumko pyaar karta hai
roz roz rosie tumko pyaar karta hai

tu hai bulbul
sach hai bilkul
haan
tu hai bulbul

oh
sach hai bilkul
you are wonderful
lag ja gale
ae
lag ja gale
dunia jale

come
chham chham chham chham chhachham chhachham
hey girl hum tumpe dil nisaar karta hai
roz roz rose bhi tumko pyaar karta hai
roz roz rose bhi tumko pyaar karta hai
hey girl tum kaahe ko inkaar karta hai

roz roz rosie tumko pyaar karta hai
roz roz rosie tumko pyaar karta hai


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3467 Post No. : 13914

“Kaise Kahoon”(1945) was directed by Moti B Gidwani for Pancholi Art Pictures, Lahore. The movie had Raagini, Jageerdaar, Akhtar, Najam, G N Butt, Durga Mota etc in it.

The movie had eleven songs in it. One song has been covered in the past.

Here is the second song from “Kaise Kahoon”(1945) to appear in the blog.

HFGK is silent about the singer of the movie. The uploader of the song (our own Mr Sadanand Kamath) mentions Zeenat Begam as the singer.

Qamar Jalalabadi is the lyricist. Music is composed by Pt Amarnath.

Ony the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Toote huye do dil tere darbaar mein aaye (Kaise Kahoon)(1945) Singer-Zeenat Begam, Lyrics-Qamar Jalalabadi, MD-Pt Amarnath

Lyrics

toote huye do dil
toote huye do dil
tere darbaar mein aaye
bhagwaan
bhagwaan inhen kaun milaaye
ae ae
kaun milaaye
toote huye do dil
tere darbaar mein aaye
bhagwaan
bhagwaan inhen kaun milaaye
ae ae
kaun milaaye
toote huye do dil

ek baag ke do phoolon ko
toofaan ne ghera
aakaash ke do taaron pe
chhaaya hai andhera
ek baag ke do phoolon ko
toofaan ne ghera
aakaash ke do taaron pe
chhaaya hai andhera
ab raah inhen
ab raah inhen kaun dikhaaye ae ae
toote huye do dil
toote huye do dil
tere darbaar mein aaye
bhagwaan
bhagwaan inhen kaun milaaye
ae ae
kaun milaaye
toote huye do dil

do phool jo hanste thhe
wo ab rone lage hain
do phool jo hanste thhe
wo ab rone lage hain
do haath mile
milke juda hone lage hain
do haath mile
milke juda hone lage hain
bhagwaan inhen
bhagwaan inhen kaun milaaye ae ae
toote huye do dil
toote huye do dil
tere darbaar mein aaye
bhagwaan
bhagwaan inhen kaun milaaye
ae ae
kaun milaaye
toote huye do dil

in aankhon mein kal pyaar thha
aaj hai paani
patthar ka bhi dil mom hua
sun ke kahaani
jin aankhon mein kal pyaar thha
aaj hai paani
patthar ka bhi dil mom hua
sun ke kahaani
bhagwaan tujhe
bhagwaan tujhe raham na aaye
toote huye do dil
toote huye do dil
tere darbaar mein aaye
bhagwaan
bhagwaan inhen kaun milaaye


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3466 Post No. : 13913

“Saloni” (1952) was directed by J P Advani for Goodluck pictures. This movie had Ashok Kumar, Nalini Jaywant, Purnima, Gulab, Mohana etc in it.

The movie had eight sons in it. Three of these songs have been covered in the past.

Here is the fourth song from “Saloni” (1952) to appear in the blog. The song is sung by Lata. Arjun Dev Ashq is the lyricist. Music is composed by Basant Prakash.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Meri veena ke sur saat re (Saloni)(1952) Singer-Lata, Lyrics-Arjun Dev Ashq, MD-Basant Prakash

Lyrics

meri veena ke sur saat re
meri veena ke sur saat re
sur saat re man bhaat re
meri veena ke sur saat re
meri veena ke sur saat

pahle sur ne li angdaayi
bas gaya man mein harjaai
dooje sur baaje shahnaayi
dooje sur baaje shahnaayi
mil gayi man ko maat re
meri veena ke sur saat re
meri veena ke sur saat

teeje sur mein dil ki dhadkan
kaanp gaya bholi ka tan man
chauthhe sur mein baithha dekho
chauthhe sur mein baithha dekho
koi lagaaye ghaat re
meri veena ke sur saat re
meri veena ke sur saat

koi khada ye soch raha hai ae ae
koi khada ye soch raha hai
baaqi suron mein kya rakkha hai
soch sako to itna jaano
soch sako to itna jaano
badlenge din raat re
meri veena ke sur saat re
meri veena ke sur saat


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13900 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13930

Number of movies covered in the blog

Movies with all their songs covered =1050
Total Number of movies covered =3798

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Blog Start date: 19 july 2008

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