Archive for the ‘Feelings of heart’ Category
Tohe Nainon Ki Madira Pilaaungi
Posted on: July 5, 2022
- In: "Aankh" song | Asha Bhonsle solo | Asha Bhonsle songs | Calling the beloved | Century of Blog Days | Century songs for the blog | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Love song | Lyrics by Sudhir | Lyrics contributed by readers | Songs of 1950s (1951 to 1960) | Songs of 1952 | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The Blog completes 5100 days today.
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Blog Day : |
5100 | Post No. : | 17033 |
Today’s song is from an obscure film – ‘Vishwamitra’ (1952).I am sure that 99.9% readers must not have even heard of this film ever. Then why did I select a song from this film to discuss? There is a strong reason for it. When I first saw this film’s name in HFGK a few days ago, I noticed the name of the director and the music director and honestly, I was thrilled ! The director was Kala Maharshi Baburao Painter, one of the pioneers of Indian films- both silent as well as talkie. He was also the mentor of many film luminaries who shone later in their lives. All of them had learnt the ABCD of film making at the feet of Baburao Painter. Great directors like V Shantaram and Master Vinayak were the prominent learners under him.
Any industry, to develop into a profitable one, requires hard work by the pioneers. This applies totally to the Hindi Film Industry in India. The original initiators of the film industry were not any rich people, but the industry took the seeds from ordinary, middle class people.They had no riches, but their zeal, dedication, ambition and desire to achieve goals overtook their poverty and they toiled and moiled to raise the required finance for their projects. We all know about the great Dadasaheb Phalke, who staked everything he owned to achieve his goals and became a name to remember forever. In this endeavor, he was not alone. There was one more person from Kolhapur, who took Phalke’s dream much ahead from silent to talkie films. His name is taken today with awe and respect by film historians. He was Baburao Painter.
Kala Maharshi Baburao Painter (real name Baburao Krishnarao Mestri) was born on 3rd June 1890 at Kolhapur. The success of Dadasaheb Phalke in making films in India inspired Baburao and his cousin brother Anandrao immensely. They too wanted to make films, but it was not possible in Kolhapur. Phalke had gone to England to learn film making and had brought machinery from England. This was beyond the reach of these poor young men.
Anandrao found that a second hand projector was for sale in Null Bazar in Bombay. Crazily, he decided to change the projector into a film camera, by making some structural changes. They sold the family’s gold ornaments and bought the projector. To start with and to get further finance they used it to show films in theaters. They even showed some Hollywood films here. After several attempts, Anandrao was successful in converting the projector into a film camera. Baburao was also with him in this. Unfortunately, Anandrao died suddenly giving a setback to the project.
Baburao now needed finance to go ahead. Luckily a famous classical singer of those days, Tanibai Kagalkar – wife of Bapusaheb Kagalkar and the sister of Vinayakrao Ghorpade (who was the father of child actress and singer Vasanti), invested Rs. 15,000 – an astronomical figure for those times. Baburao established Maharashtra Film Company in Kolhapur and started preparations for making his film ‘Sairandhri’, released in 1919. The cast of this film included 2 women, Gulab Bai aka Kamla Devi and Anusuya Bai aka Susheela Devi. These women were promptly thrown out of their homes and society. They remained with the company and even cooked and washed clothes of artistes, besides acting in the films other times. Gulab Bai aka Kamla Devi later posed for the symbol of Prabhat Film company- playing the tootari with bent body. She married Fattelal, one of the directors of Prabhat Films.
‘Sairandhri’ was a tremendous success. Enthused Baburao Painter made another 15 films. Lokmanya Tilak was so impressed with Baburao’s dedication, he awarded him the title of ‘Cinema Kesari’. Baburao Pendharkar was the General Manager of the company, mainly because he could speak fluent English with customers. Others were V Shantaram, Dhaiber, Damle and Fattelal as his assistants in different departments. Sarpotdar, NH Apte and Vashikar were the scriptwriters and Prof NS Phadke, the novelist, wrote film titles. In the 1920 second half, there was a big fire in the company and all films were burnt.
Baburao Painter started afresh in 1921. He made many mythological and historical films. Baburao was the first to make a social film, ‘Savkari Pash’ on the issue of exploitation of poor farmers by money lenders in the villages. In 1928, a foreign trained film director was appointed from Bombay – Moti B Gidwani, on a fat salary. (He was later to direct the film ‘Khazanchi’ (1941) in Lahore). This caused unrest in the company and resulted in Shantaram, Dhaiber, Damle and Fattelal leaving the company. They established Prabhat Film Company. In 1930, Baburao also left the Maharashtra Film company. When talkie films started he made 7 talkie films, including 2 Hindi films – ‘Pratibha’ (1937) and ‘Matwala Shaayar Ramjoshi’ (1947) along with Shantaram. He then left films and concentrated on his painting and sculpture. In the year 1952, he was forced by his old friend BG Pawar to come to Bombay and direct his film ‘Vishwamitra’. However, most of the shooting was done in Kolhapur itself. Baburao Painter died on 16-1-1954 at Kolhapur.
Baburao’s contribution to Indian film industry-
- He was the first to use colored screens and clothes for realistic effect.
- Indoor filming with artificial lighting.
- Fade out and fade in techniques
- Outdoor shootings; Debaki Bose, in his visit to the studio, was amazed to see Baburao’s working techniques.
- Making sketches of scenes and costumes before shooting.
- Advertising posters. Film booklets with film story and pictures.
All assistants of Baburao Painter became big people. He was simply a God sent gift to the Hindi film industry.
[Author’s Note: Thanks for the information culled from ‘The Encyclopedia of Indian Cinema’ by Ashish Rajadhyaksha, ‘Marathi Cinema in Retrospect’ by Sanjit Narwekar and my own notes.]
Another surprising name was that of the Music Director- B Laxman aka Laxman Berlekar. When the talkie films started, it created tremendous curiosity among not only the audience but also those who loved acting, singing and composing music. Even the great names in these fields had a desire to act, to sing or to compose music for the films. Actors who were legends on the stage dramas like Master Nissar or Bal Gandharva, professional singers like Manik Varma, musicians like Pt Ravi Shankar, and poets like Kazi Nazrul Islam (now the national poet of Bangladesh) did their bits in few films. Most of these professionals contributed in just one or two films and then disappeared from the film line.
Some of the ‘one/two films’ music composers are Imam Baksh – ‘Mr and Mrs Bombay’ (1936), Shankar Rao Khatu – ‘Village Girl’ (1936), Master Ratnakant – ‘Rangbhoomi’ (1935), Pt Hansraj – ‘Mastana Mashooq’ (1936), Harish Bharadwaj – ‘Ahinsa Path’ (1949), Dattaram Gadekar – ‘Vikram Shashikala’ (1949), Chetumal – ‘Bombay’ (1949), Madhukar Golwalkar – ‘Main Abla Nahin Hoon’ (1950), Prafulla Chaudhari – ‘Swayamsidha’ (1949), Madhukar Acharya – ‘Kinaara’ (1949), Kazi Nazrul Islam – ‘Chauranghee’ (1942) etc.
B Laxman was also one such one film wonder in Hindi, though he had been a well known name in Marathi films and stage dramas. Berlekar was born in 1920 at Kolhapur. He loved music from his childhood. He first learnt playing harmonium and then studied in Gandharva Mahavidyalaya. Famous singer Wamanrao Padhye was his teacher.
In those days Ganesh Melas were popular in Maharashtra. Berlekar and Sudhir Phadke acted and sang in mela dramas. Both worked in Shrikrishna Sangeet Mela of Kolhapur. Laxman was very handsome and had a good personality. He acted as a child Prahlad in Hindi film ‘Bhakta Prahlad’ (1934) made by Saraswati Cinetone of Poona. Berlekar sang Hindi ghazals very well he gave music to 7 Marathi films and 1 Kannada film. ‘Vishwamitra’ was the only Hindi film he did. He used different pseudo-names like B Laxman, Dinkar Laxman and LB Sarang (saarang was his favourite Raag).
[Author’s Note: Thanks to ‘मराठी चित्रपट संगीतकार कोष’ for this information.]
Film ‘Vishwamitra’ was made by producer Baswant Pawar under the banner of his own Baswant Films, Bombay. It was directed by Baburao Painter and music was by B Laxman. All the 6 songs and the film story was written by Manohar Khanna (father of MD Usha Khanna). The cast was DK Sapru, Sheela Nayak, Vivek, Madhav Kale, Apte and many others. Today’s song is the second song of this film here.
Song- Tohe Nainon Ki Madira Pilaaungi (Vishwamitra) (1952) Singers – Asha Bhosle, Lyricist – Manohar Khanna, MD- B Laxman
Lyrics (Provided by Sudhir)
tohe nainon ki madira pilaaungi
ho tohe nainon ki madira pilaaungi
sajanwa..aa aan milo
gori bainyon mein
gori bainyon mein jhuoola jhulaanwungi
sajanwa..aa aan milo
oo oo oo
rut aa gayi
rut aa gayi phir albeli
main kaise rahungi akeli
rut aa gayi
rut aa gayi phir albeli
main kaise rahungi akeli
tohe hirday mein
tohe hirday mein apne bithaanwungi
tohe nainon ki
ho tohe nainon ki madira pilaaungi
sajanwa..aa aan milo
oo oo oo
mere hirday mein
mere hirday mein naache umnagen
jaise saagar ki
jaise saagar ki chanchal tarangen
tohe nainon ki
tohe nainon ki bhaasha saikhaawungi
tohe nainon ki
ho tohe nainon ki madira pilaaungi
sajanwa..aa aan milo
oo oo oo
aa ja aa ja
aa ja mere mann ke baasi
aa ja aa ja
aa ja mere mann ke baasi
mann vyaakul hain ankhiyaan hain pyaasi
aa ja aa ja
kaise jeevan ki
kaise jeevan ki beena bajaawungi
sajanwa..aa aan milo
tohe nainon ki
ho tohe nainon ki madira pilaaungi
sajanwa..aa aan milo
gori bainyon mein
gori bainyon mein jhuoola jhulaanwungi
sajanwa..aa aan milo
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
तोहे नैनों की मदिरा पिलाऊँगी
हो तोहे नैनों की मदिरा पिलाऊँगी
सजनवा॰॰आ आन मिलो
गोरी बईय्यों में
गोरी बईय्यों में झूला झुलावूंगी
सजनवा॰॰आ आन मिलो
ओ ओ ओ
रुत आ गई
रुत आ गई फिर अलबेली
मैं कैसे रहूँगी अकेली
रुत आ गई
रुत आ गई फिर अलबेली
मैं कैसे रहूँगी अकेली
तोहे हिरदे में अपने बिठावूंगी
तोहे नैनों की
हो तोहे नैनों की मदिरा पिलाऊँगी
सजनवा॰॰आ आन मिलो
ओ ओ ओ
मेरे हिरदे में
मेरे हिरदे में नाचें उमंगें
जैसे सागर की
जैसे सागर की चंचल तरंगें
तोहे नैनों की
तोहे नैनों की भाषा सिखावूंगी
तोहे नैनों की
हो तोहे नैनों की मदिरा पिलाऊँगी
सजनवा॰॰आ आन मिलो
ओ ओ ओ
आजा आजा
आजा आजा मेरे मन के बासी
आजा आजा
आजा आजा मेरे मन के बासी
मन व्याकुल है अखियाँ हैं प्यासी
आजा आजा
कैसे जीवन की
कैसे जीवन की बीना बजावूंगी
सजनवा॰॰आ आन मिलो
तोहे नैनों की
हो तोहे नैनों की मदिरा पिलाऊँगी
सजनवा॰॰आ आन मिलो
गोरी बईय्यों में
गोरी बईय्यों में झूला झुलावूंगी
सजनवा॰॰आ आन मिलो
Aadhi raat ko palkon ki chhaaon mein
Posted on: July 3, 2022
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5098 | Post No. : | 17029 | Movie Count : |
4609 |
Hullo Atuldom
Pandit Hariprasad Chaurasia was born on 1st July 1938 to a father who wanted the son to be a wrestler. The obedient son did go to the Akhada and trained with his father along with learning music and practising at a friend’s home.
Pt. Hariji has said once, and I quote, “he was not very good at wrestling but the training had helped him build up strength and stamina which has helped him play the bansuri (flute) to this day.”
Initially he was learning vocal music but switched to playing the flute and Bholanath Prasanna of Varanasi was his guru. After a few years, Annapurna Devi was his guide and that is when he turned to playing the flute left-handed. Panditji is the recipient of numerous awards including the Padma Bhushan and Padma Vibhushan. He has collaborated with Pandit Shiv Kumar Sharma since the 60s with albums like “Call of the Valley”. The Shiv-Hari combo gave music to a few Hindi films too, most of them from YashRaj Films.
Today we are wishing Panditji on turning 84 a few days back with a composition that is from Yash Chopra directed, Firoz A Nadiadwala produced and May 1993 released “Parampara”.
Much of the movie was shot in the famous boarding school of Ajmer -Mayo College. It starred Sunil Dutt, Vinod Khanna, Anupam Kher as the seniors. Raveena Tandon, Neelam Kothari, Aamir Khan, Saif Ali Khan (this was his debut in Hindi films) formed the young brigade. Ashwini Bhave and Ramya Krishnan were cast as Vinod Khanna’s wives – one chosen by him and the other by his father Sunil Dutt. Saif and Aamir were VK’s children who are educated in a boarding school where they sing today’s song. Anand Bakshi wrote the songs.
This is a song which has Amit Kumar and Lata Mangeshkar singing for the collegiates who are enjoying after “lights out” (I have seen this movie a long time back, hope I am correct?)
3rd July a very important date in the life of a singer who has carried the legacy of his family, in HFM. His uncle began as an actor who used to sing his own songs; most of which are popular to this date. I am speaking of the Ganguly family and the uncle I spoke of was Ashok Kumar. 3rd July happens to be the birthdate of Amit Kumar who was born into the Ganguly Family as son of Kishore Kumar (a singer-actor in his own league) and Ruma (who was also an actor-singer).
There are singers and people connected with the arts in Ruma’s lineage too -Ruma’s mother was also a singer. It is hardly surprising that Amit Kumar took to singing early in life. There are interviews available in public Domain where Amit Kumar has spoken about how he used to sing at Durga Pooja pandals and how his mother complained to his ‘Baba’ etc. Amit Kumar has also spoken about how his father “Baba” took him to Bombay (Mumbai back then) and how he began his journey. One thing about Amit Kumar is that he never tried to ape his father. His voice was distinct and we have a few duets of Kishore Kumar and Amit Kumar where the distinction is obvious (two of these are on the blog.)
We have had 58 Amit Kumar songs (only) on the blog. The categories listed on the right hand side of the blog show that he has had duets with all possible male and female playback singers. We also have songs (on the blog) where he has appeared on-screen. Today- 3rd July – we wish Amit Kumar on turning 70.
What!!!! did I say 70!!!! Unbelievable. He is still so youthful when we see him on the various reality shows as judge. He is his father’s biggest fan. And we are his fans. A very Very Happy Birthday Amitda.
Belated Wishes to Pandit Hariprasad Chaurasia on turning an year older.
With this Shiv-Hari song from “Parampara” which makes its debut on the blog.
Video
Audio
Song-Aadhi raat ko palkon ki chhaaon mein (Parampara)(1993) Singers-Lata, Amit Kumar, Lyrics-Anand Bakshi, MD-Shiv Hari
Amit Kumar + Male chorus
Lata + Female chorus
Lata + Amit Kumar
Lyrics
aadhi raat ko
palkon ki chaanv mein
aadhi raat ko
palkon ki chaanv mein
chubh gaya pyaar ka
hey chubh gaya pyaar ka kaanta mere paanv mein
chubh gaya pyaar ka kaanta mere paanv mein
ho aadhi raat ko zulfon ki chhaanv mein
aadhi raat ko zulfon ki chaanv mein
ho pad gayi pyaar ki
haaye
ho pad gayi pyaar ki bedi mere paanv mein
pad gayi pyaar ki bedi mere paanv mein
aadhi raat mein rut paagal ho gayi
rut paagal ho gayi
rut paagal ho gayi
ho aashiq jaag uthhe
ho aashiq jaag uthhe
saari duniya so gayi
aashiq jaag uthhe
saari duniya so gayi
ho aadhi raat mein jaadu chalne lage
ho jaadu chalne lage
jaadu chalne lage
batti bujh gayi
haaye
ho batti bujh gayi
ye dil jalne lage
batti bujh gayi
ye dil jalne lage
ho batti bujh gayi ye dil jalne lage
batti bujh gayi ye dil jalne lage
aadhi raat ka ye mausam khoob hai
ye mausam khoob hai
ye mausam khoob hai
mere saamne
ho mere saamne mera mehboob hai
mere saaamne mera mahboob hai
aadhi raat hai baaki
ho aadhi raat ha baaki
haaye kuchh keejiyee
haaye kuchh keejiye
kuchh keejiye
aadhi raat hai baki
kuchh kijiye
jaldi se
o jaldi se
ubah na hone deejiye
jaldi se subah na hone deejiye
aadhi raat bhi baaton mein kho gayi
baaton mein kho gayi
baaton mein kho gayi
jaane do mujhe
re jaane do mujhe
ab subah ho gayi
jaane do mujhe
ab subah ho gayi
ho aadhi raat ko
ho aadhi raat ko
ho aadhi raat ko
kal phir tu aayegi
kal phir tu aayegi
kal phir tu aayegi
waada aaj ye
ho waada aaj ye tu karke jaayegi
waada aaj ye tu karke jaayegi
waada aaj ye main karke jaaungi
waada aaj ye main karke jaaungi
ho waada aaj ye tu karke jaayegi
waada aaj ye tu karke jaayegi
waada aaj ye main karke jaaungi
waada aaj ye main karke jaungi
ho waada aaj ye tu karke jaayegi
waada aaj ye main karke jaaungi
waada aaj ye tu karke jaayegi
waada aaj ye main karke jaaungi
- In: Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Lata Mangeshkar - Manhar Udhas Duet | Lata song | Love song | Lover's tête-à-tête | Lyrics by Sudhir | Lyrics contributed by readers | Manhar Udhas songs | Post by Peevesie's mom | Songs of 1980s (1981 to 1990) | Songs of 1986 | Yearwise breakup of songs
- 5 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5095 | Post No. : | 17026 | Movie Count : |
4608 |
Hullo Atuldom
‘Cape Fear’ (1962) was a noir psychological thriller that had Gregory Peck, Robert Mitchum and Polly Bergen in the cast and was directed by J Lee Thompson. The movie was based on the 1957 novel ‘The Executioners’ by John D. Macdonald. The movie was the story of an attorney whose family is stalked by a criminal he had helped to send to jail.
‘Mangal Dada (1986) was directed by Ramesh Gupta, had Sunil Dutt, Reena Roy, Amjad Khan, Sarika, Satyendra Kapoor, Achala Sachdev, Farida Jalal, Bhagwan Dada, Birbal etc in its cast. Though it released in 1986 it was launched in 1975. It had music by Kalyanji Anandji and songs were written by Shaily Shailendra, Gauhar Kanpuri, and Indeevar. Asha Bhonsle, Lata Mageshkar, Aarti Mukherjee and Manhar Udhas were the playback singers. It seems Reena Roy’s voice was dubbed by someone else.
‘Qayamat’ (1983) was directed by Raj N Sippy. It had Dharmendra, Shatrughan Sinha, Jaya Prada, Poonam Dhillon, Smita Patil in its cast. (Jaya Prada’s was either a special or guest appearance). Majrooh Sultanpuri and RD Burman were the lyricist and music director for songs that were sung by Asha Bhonsle. One song sequence from this movie is posted on the blog as part of Sudhirji’s series on ‘songs repeated in Hindi films’ – this one “Aaj Phir Jeene Ki Tamanna Hai“.
‘Kanoon Kya Karega’ (1984) was directed by Mukul Anand and had a cast of Suresh Oberoi, Danny, Deepti Naval, Iftekhar, Shraddha Verma, Sharat Saxena etc. in the cast. The music was by Salil Choudhury but I can’t find any songs attributed to this movie. (I think I have seen this on television).
“Zahreela” (2001) was also directed by Raj N Sippy (he seemed to have been in love with the plot.) The movie’s cast was Mithun Chakravarthy, Om Puri, Kashmera Shah, Gulshan Grover, Shalini Kapoor, etc. The songs were written by Dev Kohli and Anand-Milind were the music directors. Abhijeet, Sudesh Bhonsle, Jaspinder Narula, Purnima, Sonu Nigam, and Preeti Uttam were the playback singers.
I am sure the reader is thinking why I have listed all these movies here. Well all the Hindi films were inspired from ‘Cape Fear’. This statement will give us an idea of the story of all the movies.
This post has a song from ‘Mangal Dada’ which is written by Gauhar Kanpuri and is sung by Manhar Udhas and Lata Mangeshkar.
Gauhar Kanpuri made his debut in Bollywood in 1967 but the real breakthrough came in 1975 when he wrote the songs for Sunil Dutt’s ‘Zakhmee’. After ‘Zakhmee’ he regularly associated with Bappi Lahiri. Many of the songs he wrote went on to become popular:- “Abhi Abhi Thi Dushmani” (Zakhmee), “Ae Mere Humsafar Ae Meri Jaan-e-Jaan” (‘Baazigar’ – 1993), “Tumhe Geeton Mein Dhaaloonga” (‘Saawn Ko Aane Do’ – 1979) to name some. In his career of nearly 25 years he wrote around 300 songs for almost 120 films. The statistics page of our blog says that there are 22 songs written by him on the blog. He was born on 1st October 1932 and passed away on 29th June 2002.
[Author’s Note: The matter for this post has been extracted from Cinemaazi article – ‘Gauhar Kanpuri – Lyricist‘. And I found this site has given atulsongaday.me as its source. Back to starting point? 🙂 ]
30th June is the birth anniversary of Shri Kalyanji Veerji Shah of the Kalyanji-Anandji music director duo. He would have been 94. I am sure we have enough material on the blog on this music duo and Kalyanji bhai, in particular. We all know that the musical journey of Kalyanji Bhai began when he played the ‘been music‘ for ‘Nagin’ in 1954. A journey that went on for almost 46 years with one popular song following the other. Each and every lover of HFM will have a personal playlist of Kalyanji-Anandji song. The blog has 630 songs of this duo from a possible 1435.
Today’s song must be a rare occasion when K-A associated with Gauhar Kanpuri. I haven’t found a video link to the song; but I am assuming that it is filmed on Sunil Dutt and Reena Roy.
Song – Kadam Kadam Tera Pyaar Hum Paate Rahen Sanam (Mangal Dada) (1986) Singer – Lata Mangeshkar, Manhar Udhas, Lyrics – Gauhar Kanpuri, MD – Kalyanji Anandji
Lata Mangeshkar + Manhar Udhas
Lyrics (Provided by Sudhir)
oo oo oo
oo oo oo oo
oo oo
oo oo
oo oo
aa aa aa
aa aa aa
kadam kadam tera pyaar hum
paate rahen sanam
kadam kadam tera pyaar hum
paate rahen sanam
tu mera rahe
main teri rahoon
tu mera rahe
main teri rahoon
rahen saathi janam janam
kadam kadam tera pyaar hum
paate rahen sanam
lab pe tera naam ho
aankhon mein pyaar ho
aankhon mein pyaar ho
khushboo teri dil mein ho
saanson mein pyaar ho
saanson mein pyaar ho
duniya mein hai ye pyaar hi
sabse bada dharam
kadam kadam tera pyaar hum
paate rahen sanam
kadam kadam tera pyaar hum
paate rahen sanam
aaa aaa aaa
aaaa aaaa aaaa
aaa aaa aaa
aaaa aaaa aaaa
chaahe kahin bhi tum raho
aur hum rahen kahin
aur hum rahen kahin
honge juda hum nahin
itna to hai yakeen
itna to hai yakeen
vaada kiya hai dekhna
toote na ye bharam
kadam kadam tera pyaar hum
paate rahen sanam
tu mera rahe
main teri rahoon
rahen saathi janam janam
kadam kadam tera pyaar hum
paate rahen sanam
oo oo oo
hmmm hmmm hmmm hmmm hmmm
hmmm hmmm hmmm hmmm hmmm
hmmm hmmm hmmm hmmm hmmm
hmmm hmmm hmmm hmmm hmmm
hmmm hmmm hmmm hmmm hmmm
hmmm hmmm hmmm hmmm hmmm
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
ओ ओ ओ
ओ ओ ओ ओ
ओ ओ
ओ ओ
ओ ओ
आ आ आ
आ आ आ
कदम कदम तेरा प्यार हम
पाते रहें सनम
कदम कदम तेरा प्यार हम
पाते रहें सनम
तू मेरा रहे
मैं तेरी रहूँ
तू मेरा रहे
मैं तेरी रहूँ
रहें साथी जनम जनम
कदम कदम तेरा प्यार हम
पाते रहें सनम
लब पे तेरा नाम हो
आँखों में प्यार हो
आँखों में प्यार हो
खुशबू तेरी दिल में हो
साँसों में प्यार हो
साँसों में प्यार हो
दुनिया में है ये प्यार ही
सबसे बड़ा धरम
कदम कदम तेरा प्यार हम
पाते रहें सनम
कदम कदम तेरा प्यार हम
पाते रहें सनम
आ आ आ
आ आ आ
आ आ आ
आ आ आ
चाहे कहीं भी तुम रहो
और हम रहें कहीं
और हम रहें कहीं
होंगे जुदा हम नहीं
इतना तो है यकीन
इतना तो है यकीन
वादा किया है देखना
टूटे ना ये भरम
कदम कदम तेरा प्यार हम
पाते रहें सनम
तू मेरा रहे
मैं तेरी रहूँ
रहें साथी जनम जनम
कदम कदम तेरा प्यार हम
पाते रहें सनम
ओ ओ ओ
हम्मम हम्मम हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम हम्मम हम्मम
- In: "Nok-Jhonk" song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lata song | Lata-Usha Mangeshkar duet | Lover's tête-à-tête | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1961 | Twin songs | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5094 | Post No. : | 17024 |
———————————–
This Week, That Year – 9
———————————–
26Jun – 02Jul, 2012
Ah yes, long gap. My intention has been to make this series a weekly affair. But then – ‘man proposes, everybody else disposes’ keeps happening with me. 😀 . And so, intentions aside, this series has been a victim of my preoccupations / laziness / lack of creativity – howsoever I may say it. But of course, no excuses are relevant.
Rear view mirror scenario on the blog, of the week that was – 26th Jun to 2nd July of 2012. Let us take a look at the numbers first.
Here is the table that shows the daily postings on the blog for that week.
| Blog Ten Year Challenge (2012-2022) Series | |||||||||
| Sl.No. | Movie Name | Year | HFGK NoS | ASAD NoS | Possible UT | Deb/Yip | Milestone | Film Status | Pending |
| 26-Jun-12 | |||||||||
| 1 | Mahaa Pooja | 1954 | 9 | 4 | D | Pending | 5 | ||
| 2 | Dhaake Ki Malmal | 1956 | 8 | 8 | Yippeee’d | ||||
| 3 | Sangam | 1964 | 8 | 8 | Yippeee’d | ||||
| 4 | Taangaawaali | 1955 | 9 | 7 | 2 | Yc | 2 UT | ||
| 5 | Chhote Sarkar | 1974 | 4 | 4 | D | Yippeee’d | |||
| 27-Jun-12 | |||||||||
| 1 | Bhoot Bangla | 1965 | 6 | 6 | Yippeee’d | ||||
| 2 | Anaamika | 1973 | 5 | 5 | Yippeee’d | ||||
| 3 | Jheel Ke Us Paar | 1973 | 6 | 5 | Pending | 1 | |||
| 4 | Khushboo | 1975 | 4 | 5 | Yippeee’d | ||||
| 5 | Baalika Badhu | 1976 | 6 | 7 | Yippeee’d | ||||
| 28-Jun-12 | |||||||||
| 1 | Laalten | 1956 | 8 | 4 | D | Pending | 4 | ||
| 2 | First Love | 1961 | 6 | 6 | Yippeee’d | ||||
| 3 | Khoobsurat | 1952 | 8 | 8 | AC – 100 (SH Behari) |
Yippeee’d | |||
| 4 | NFS – CH Atma | 1960 | 0 | 3 | D | Yippeee’d | |||
| 29-Jun-12 | |||||||||
| 1 | Miss Frontier Mail | 1936 | 4 | 4 | D | Yippeee’d | |||
| 2 | Amar Jyoti | 1936 | 11 | 7 | Pending | 4 | |||
| 3 | Baarood | 1960 | 7 | 7 | Yippeee’d | ||||
| 4 | Naghma | 1953 | 10 | 11 | Yippeee’d | ||||
| 30-Jun-12 | |||||||||
| 1 | Sannaata | 1966 | 5 | 5 | D | AC – 1800 (Lata Mangeshkar) | Yippeee’d | ||
| 2 | Saheli | 1965 | 6 | 6 | Yippeee’d | ||||
| 3 | Johnny Mera Naam | 1970 | 6 | 6 | Yippeee’d | ||||
| 4 | Kathputli | 1971 | 8 | 2 | D | Pending | 6 | ||
| 5 | Johar Mehmood in Hongkong | 1971 | 6 | 4 | D | Pending | 2 | ||
| 1-Jul-12 | |||||||||
| 1 | Jugnu | 1947 | 8 | 8 | Yippeee’d | ||||
| 2 | Duniya | 1968 | 6 | 6 | Y | Yippeee’d | |||
| 3 | Aap Ki Kasam | 1974 | 6 | 6 | Y | Yippeee’d | |||
| 4 | Ek Mahal Ho Sapnon Ka | 1975 | 5 | 7 | Yippeee’d | ||||
| 5 | Son of India | 1962 | 9 | 9 | Yippeee’d | ||||
| 2-Jul-12 | |||||||||
| 1 | Garam Coat | 1955 | 6 | 6 | D | Yippeee’d | |||
| 2 | Chhoti Bahen | 1959 | 9 | 9 | Yippeee’d | ||||
| 3 | 12 O`clock | 1958 | 7 | 7 | Yippeee’d | ||||
| 4 | Ardhaangini | 1959 | 7 | 7 | Yippeee’d | ||||
| 5 | Hum Matwaale Naujawaan | 1961 | 7 | 6 | Pending | 1 | |||
A total of 33 songs were posted in that week, at an average of about 4.7 songs per day. The pageant of the calendar covered is four decades – from 1936 to 1976. Break up of films by decade is as follows,
1930s – 2 (Both from 1936)
1940s – 1 (Jugnu, 1947)
1950s – 12
1960s – 9
1979s – 9
No film got repeated and so we covered 33 films during that week, Well actually, it is 32 films and 1 NFS. The NFS was a song by CH Atma.
As many as 9 films made their debut that week. And yes, 2 films got Yippeee’d in that week – ‘Duniya’ (1968) and ‘Aap Ki Kasam’ (1974). Just as an aside, I did a quick check on the Yippeee status of films, till that week. When the week started, we were 3 years, 11 months and 7 days ahead of the blog initiation date of 19 July, 2008. Want to take a guess as to how many films had been Yippeee’d till then? I myself was a little surprised at the number. By that date, we had already Yippeee’d 135 films on the blog. Majority of this list is from the 1950s and 1960s. Surprise item is that there is one film from 1939. Besides, there are 12 films from 1940s, and 17 films from 1970s. The remaining 105 films are from the two decades of 50s and 60s. We were 6,133 posts old on 26th June.
The week saw two major milestone achieved. On 28th June, with the song “Beech Bajariya Mori Chunariya Sar Se Sarki Jaaye” from film ‘Khoobsurat’ of 1952, SH Behari arrived at his first century milestone. He had made his debut on the blog on 1st December, 2008, and completed his first century in a little more than three and a half years. On 30th June, with the song “Koi Bechaara” from the film ‘Sannata’ of 1966, Lata Mangeshkar breached the 1,800 mark on the blog.
Of all the 33 films that were showcased that week, 25 have been Yippeee’d since then. Seven films continue to be tagged with ‘Pending’ status. One film, ‘Tangaawaali’ from 1955 carries the conditional Yippeee tag. Of the 9 songs in this film, 7 are already posted here. However two songs are not released on 78rpm record. The video of the film has not yet surfaced on public domain. So we tag those two songs as untraceable (UT). And pending their discovery, we tag the film with the status as conditionally Yippeee’d (Yc).
During this current week, two songs of pending films in this week have been posted as part of the ten year challenge series. One song from the 1973 film ‘Jheel Ke Us Paar’ – “Haaye Bichhua Das Gayo Re”, was posted by Avinash ji on 27th June, and actually Yippeee’d that film too. And just a little while ago today, Atul ji has posted the song “Kaaraj Ki Jyot Sadaa Hi Jarey” from the 1936 film ‘Amar Jyoti’. So the numbers given above get modified as pending films reduced to 6 and the number of Yippeee’d films now is 26.
And with the song that I bring to the blog in this post, these numbers will change once again. This song is from the 1961 film ‘Hum Matwaale Naujawaan’. This film so far has only one song remaining to be posted. With this post on the blog, the film will also get Yippeee’d. Pending films list is further reduced to 5 and the Yippeee’d films number increases to 27.
The song is a real gem – a vintage Chitragupt creation. The music director is well known for his melodious commpositions. And this song is a very fine example of his creativity and talent. I listened to this song today, after tons of years, jiggling my memory of the radio listening days. And I am surprised that this melody has been waiting in the wings for so long. This film made its debut here on 28th October, 2010. The previous posted song (fifth one from the film) came on to the blog on 29th September, 2018. The final song of the film comes on board today, after more than eleven and a half years of its debut.
The song is such an endearing duet of Lata and Usha Mangeshkar. The lyrics are from the pen of Mahjrooh Sb.
The words of the song indicate as being a male-female duet. But since it is sung as a all female duet, it is possible that this duet may be a performance by two actresses on screen, one taking the role of the male person. The male person is trying to woo the lady and invites her to visit his alley, And the lady appears to be putting up a refusal to the gentleman’s advances.
A very lively melody, that is a hallmark of Chitragupt’s music. Jiggling memories of the wonderful music that we used to enjoy on the radio.
Listen and enjoy.
Song – Aana Kabhi Hamre Duaar Saanwal Goriya (Hum Matwaale Naujawaan) (1961) Singer – Lata Mangeshkar, Usha Mangeshkar, Lyrics – Majrooh Sultanpuri, MD – Chitragupt
Chorus
Lyrics (Provided by Prakashchandra)
ghar ki hamaare gori
yahi hai dagariya
ho o o o
o o o
aana kabhi hamre duaar saanwal goriya
aana kabhi hamre duaar saanwal goriya
jhootha pardesia ka pyaar saanwal goriya
jhootha pardesia ka pyaar saanwal goriya
jit dolun ut dole zaalim
saath hamaare ho ke
haaye haaye saath hamaare ho ke
jit dolun ut dole zaalim
saath hamaare ho ke
hum to nahin kuchh kehte
khaali raah khade hain roke
haaye haaye raah khade hain roke
o o o
mal mal ke hatheli
reh jaaun main akeli
mal mal ke hatheli
reh jaaun main akeli
kar nahin paaun pukaar saanwal goriya
jhootha pardesia ka pyaar saanwal goriya
aana kabhi hamre duaar saanwal goriya
aanchal ko lehraati pagli
pag pag mudti jaaye
jabse tu ne chheda
lat meri aur bhi udti jaaye
haaye haaye aur bhi udti jaaye
ho o o
ari o gulab juhi
ab ke bhi dekh yun hi
ari o gulab juhi
ab ke bhi dekh yun hi
rutth chali jaaye bahaar saanwal goriya
aana kabhi hamre duaar saanwal goriya
jhootha pardesia ka pyaar saanwal goriya
dekh rahi main
chhalki jaaye tere dil ki pyaali
haaye haaye tere dil ki pyaali
dekh rahi main
chhalki jaaye tere dil ki pyaali
tod ke mera dil
kya paaogi o jhumkewaali
haaye haaye ri o jhumkewaali
ho o o
teri gali aaun bairi
tujhe tadpaaun bairi
aawe tab dil ko
qaraar saanwal goriya
aana kabhi hamre duaar saanwal goriya
hat
jhootha pardesia ka pyaar saanwal goriya
aana kabhi hamre duaar saanwal goriya
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
घर की हमारे गोरी
यही है डगरीया
हो ओ ओ
ओ ओ ओ
आना कभी हमरे दुआर सांवल गोरीया
आना कभी हमरे दुआर सांवल गोरीया
झूठा परदेसिया का प्यार सांवल गोरीया
झूठा परदेसिया का प्यार सांवल गोरीया
जित डोलूँ’ उत डोले ज़ालिम
साथ हमारे हो के
हाय हाय साथ हमारे हो के
जित डोलूँ’ उत डोले ज़ालिम
साथ हमारे हो के
हम तो नहीं कुछ कहते
खाली राह खड़े हैं रोके
हाय हाय राह खड़े हैं रोके
ओ ओ ओ
मल मल के हथेली
रह जाऊन मैं अकेली
मल मल के हथेली
रह जाऊन मैं अकेली
कर नहीं पाऊँ मैं पुकार सांवल गोरीया
झूठा परदेसिया का प्यार सांवल गोरीया
आना कभी हमरे दुआर सांवल गोरीया
आँचल को लहराती पगली
पग पग मुड़ती जाये
जबसे तूने छेड़ा
लट मेरी और भी उड़ती जाये
हाय हाय और भी उड़ती जाये
हो ओ ओ
अरी ओ गुलाब जुही
अब के भी देख यूंही
अरी ओ गुलाब जुही
अब के भी देख यूंही
रुठ चली जाये बहार सांवल गोरीया
आना कभी हमरे दुआर सांवल गोरीया
झूठा परदेसिया का प्यार सांवल गोरीया
देख रही मैं छलकी जाये
तेरे दिल की प्याली
हाय हाय तेरे दिल की प्याली
देख रही मैं छलकी जाये
तेरे दिल की प्याली
तोड़ के मेरा दिल
क्या पाओगी ओ झुमकेवाली
ओ ओ ओ
तेरी गली आऊँ बैरी
तुझे तड़पाऊँ बैरी
आवे फिर दिल को
क़रार सांवल गोरीया
आना कभी हमरे दुआर सांवल गोरीया
हट
झूठा परदेसिया का प्यार सांवल गोरीया
आना कभी हमरे दुआर सांवल गोरीया
Tu Ne Ye Kaisi Duniya Banaai
Posted on: June 28, 2022
- In: Amit Kumar - Jaishree Shivram Duet | Amit Kumar songs | Duet | Feelings of heart | Guest posts | Jaishree Shivram Solo Songs | Jaishree Shivram Songs | philosophical song | Poignant Song | Post by Avinash Scrapwala | Songs of 1980s (1981 to 1990) | Songs of 1988 | Yearwise breakup of songs
- 4 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5093 | Post No. : | 17022 | Movie Count : |
4610 |
Pancham’s Music – Eighties (1981-1990) – 8 (1988)
In today’s post we move on to Pancham’s music in 1988.
In the previous posts under this series we have already seen how the number of movies where music was composed by RD Burman was on a ‘reducing’ trend since 1986, as compared to the previous years from 1981 to 1985. Here is the list of movies from the year 1988 where music for these movies was composed by him.
|
Sl. No. |
Movie Title | Director | Lyricist | Date of Censor Certificate |
Status on the Blog |
| 1 | Faislaa | S. Ramanathan | Majrooh Sultanpuri | 25.01.1988 | 1 of 4 songs posted |
| 2 | Khareedaar* | Kartik Mehta | Indivar, Gulshan Bawra | 29.01.1988 | No songs posted |
| 3 | Mil Gayi Manzil Mujhe | Moeen Amjad | Anand Bakshi | 05.12.1988 | No songs posted |
| 4 | Naamumkin | Hrishikesh Mukherjee | Anjaan | 12.08.1988 | 1 song posted |
| 5 | Raamaa-O-Raamaa | Mirza Brothers | Anand Bakshi, Usman Aarif | 24.11.1988 | Being introduced today |
| 6 | Zalzalaa | Harish Shah | Gulshan Bawra,
Indivar |
27.04.1988 | No songs posted |
(*Co Music Director – Usha Khanna)
Today I am presenting a song from the movie ‘Rama O Rama’. I was aware of the title song of this movie since long as this song was featured in one of the albums of songs sung by Amit Kumar. Also I did like this song very much.
‘Rama O Rama’ was directed by Mirza Brothers for Mirza Brothers Films Pvt Ltd’. It had Raj Babbar, Kimi Katkar, and debutant Aasif. The cast also included Pran, Raza Murad, Kiran Kumar, and Gulshan Grover. Supporting cast of this movie included Shammi, Shiva, Vishakha, Prabha Mathur, Shaila Khan, Murari Sharma, Rohit, Sridhar, Master Imran, Master Lovely, Baby Aisha, Master Javed, and others.
The story and screenplay of this movie was written by Mirza Brothers. And editing of this movie was done by Vijay Pande.
The film has 6 songs. Lyrics for the songs in this movie are written by Anand Bakshi and Usman Aarif. Music is composed by RD Burman. Asha Bhonsle, Amit Kumar, Mohd Aziz, Jayshree Shivram, Iqbal Siddiqui gave their voices to the songs in this movie.
This movie included the following sound tracks,
| Sl. No. | Song Title | Lyricist | Singer/s |
| 01 | Ae Haseen Naazneen | Anand Bakshi | Mohd Aziz |
| 02 | Barson Ke Baad Dekha | Aarif | Iqbal Siddiqui |
| 03 | Rama O Rama | Anand Bakshi | Jayshree Shivram |
| 04 | Taubaa Aashiq Aur Aisa | Anand Bakshi | Asha Bhonsle, Mohd. Aziz |
| 05 | Rama O Rama | Anand Bakshi | Amit Kumar, Jayshree Shivram |
| 06 | Ae Haseen Naazneen | Anand Bakshi | Mohd Aziz |
Today’s song is sung by Amit Kumar and Jayshree Shivram. On screen the male version is lip-synced by debutant Aasif. I am unable to identify the actress lip-syncing the female version on screen.
This was Amit Kumar’s first recording after the death of Kishore Kumar (he has mentioned about this in an interview). We can see the difference in his voice in singing of this song. He does sound like Pancham Da in the alaap “Raama O Raama”. This is a poignant song we can see how he has poured his heart in this song.
I have not watched this movie. But as mentioned above I only remember the today’s song from this movie since long or since 1988/89 I think. Yesterday was the eighty-third birth anniversary of musical genius RD Burman. Let us listen to his this poignant composition. I am sure you will like this composition very much.
With this post the movie ‘Rama O Rama’ makes its debut on the blog.
Duet Version
Female Solo Version
Song – Tu Ne Ye Kaisi Duniya Banaai (Rama O Rama) (1988) Singers – Amit Kumar, Jaishree Shivram, Lyrics – Anand Bakshi, MD – RD Burman
Lyrics
Duet Version
hmm hmm hmm hmm hmm
hmm hmm hmm hmm
he he he he he he ae he he he he ae ae
ho ru ru ru ru ru ru oo oo oo
ru ru ru ru ru ru oo oo oo
raama o raama aa
raama o raama aa aa aa
raama o raamaa
raama o raama aa aa aa
tu ne ye kaisi ee ee
duniya banaai ee
tu ne ye kaisi ee ee
duniya banaai
ho loon naam tera
doon main duhaayee
raama o raama aa
raama o raama aa aa aa
raama o raama aa
raama o raama aa aa aa
tu ne ye kaisi ee ee
duniya banaai ee
oo oo oo oo
oo oo oo oo oo oo
haa
haa
gham se mulaaqaaton ka ye din hai
kuchh aakhri baaton ka ye din hai
ho mujhse wo ye kehne aa rahi hai
wo chhod kar mujhko jaa rahi hai
ye pyaar hai
yaa hai bewafaai
raama o raama aa
raama o raama aa aa aa
raama ho raama aa
raama o raama aa aa aa
tu ne ye kaisi ee ee
duniya banaai
oo oo oo oo
oo oo oo oo oo oo
haa
haa
doon main mubaarak
shikwaa karoon main
tu hi bataa de
ab kya karoon main
chaaha thha tujhko
is aarzoo se
tu ne magar mere hi lahu se
haathhon mein apne
mehndi rachaayi
raama o raama aa
raama o raama aa aa aa
raama ho raama aa
raama o raama aa aa aa
tu ne ye kaisi ee ee
duniya banaai
jaane main bewaa hoon
ya suhaagan
mujhsi na hogi
koyi abhaagan
mera pati daulat ka pujaari
bachche mere
galiyon ke bhikhaari
honthhon pe mere
fariyaad aayi ee ee
maa baap chheene
phir bhaai chheenaa
mushqil kiya is duniya ne
jeena aa
ho duniya keg ham se to main
naa tootaa
phir aaj kismat ne mujhko loota
phir thhes mere dil pe lagaayi
ho
raama o raama aa
raama o raama aa aa aa
raama ho raama aa
raama o raama aa aa aa
tu ne ye kaisi ee ee
duniya banaai
ho loon naam tera
doon main duhaayee
ho raama o raama aa
raama o raama aa aa aa
ho ho o
raama ho raama aa
raama o raama aa aa aa
Female Solo Version
raama o raama aa
raama o raama aa aa aa
raama o raama aa
raama o raama aa aa aa
tu ne ye kaisi ee ee ee
duniya banaai ee
tu ne ye kaisi ee ee ee
duniya banaai ee
loon naam tera
doon main duhaayee
raama o raama aa
raama o raama aa aa aa
aa aa aa
raama o raama aa
raama o raama aa aa aa
jaane main bewaa hoon
ya suhaagan
mujhsi na hogi
koyi abhaagan
mera pati daulat ka pujaari
bachche mere
galiyon ke bhikhaari
honthhon pe mere
fariyaad aayi ee ee
ho o o o
raama o raama aa
raama o raama aa aa aa
raama o raama aa
raama o raama aa aa
logon ko sab kuchh
tu ne diya hai
mera to sab kuchh
tu ne liya hai
apnaa nahin
mujhe apnon ka gham hai
ik maa ko
bhookhe bachchon ka gham hai
is gham se de de
mujhko rihaayee ee
raama o raama aa
raama o raama aa aa aa
raama o raama aa
raama o raama aa aa
tu ne ye kaisi ee ee ee
duniya banaai ee
tu ne ye kaisi ee ee ee
duniya banaai ee
loon naam tera aa aa aa
doon main duhaayee ee
raama o raama aa
raama o raama aa aa
raama o raama aa aa aa
raama o raama aa
Bataao Tumhen Pyaar Kaise Karoon
Posted on: June 27, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5092 | Post No. : | 17020 |
We are in the fag-end of the month of June of this year 2022. As I had mentioned earlier that this month is a special for many of us due to the many anniversaries falling in this month i.e., anniversaries of relatives, friends and as well as anniversaries of many artists too. Today we celebrate birth anniversary of our beloved music genius Rahul Dev Burman, and one post has already been posted on the blog remembering Pancham.
Today 27th June, 2022 is also the seventy-second birth anniversary of singer Nitin Mukesh (born on 27th June, 1950). We wish him a very happy birthday today and also wish him a healthy and peaceful life ahead.
On this occasion I am once again going back to the songs from the movie ‘Santosh’ (1989). There is one duet sung by Nitin Mukesh and Asha Bhonsle in this movie which is yet to be posted on the blog. This song is lying ready with us since long and I take this opportunity to present it today here on the blog.
‘Santosh’ was an East-n-West Movies presentation. It was produced and directed by Balbir Wadhawan. Hansraj Wadhawan was the production controller of this movie. It has Manoj Kumar, Rakhee, Hema Malini, Shatrughan Sinha, Prem Chopra, Nirupa Roy, Kamini Kaushal, Amjad Khan, Madan Puri, Sarika, Abhi Bhattacharya, Krishna Dhawan, Pichoo Kapoor, Om Shivpuri, Praveen Kumar, and others. Story of ‘Santosh’ is written by Kaushal Bharti. Editing of this movie was done by VV Kamat (assisted by Ashok Naik).
This movie has seven songs written by Santosh Anand (six songs) and Manoj Kumar (one song). Music for this movie was composed by Laxmikant-Pyarelal. I have earlier mentioned the details of the songs of this movie in my previous posts, so I am not going to repeat them again here.
As mentioned above today’s song is sung by Nitin Mukesh and Asha Bhonsle and on screen it is lip-synced by Manoj Kumar and Hema Malini. This song is a nice duet to watch and listen.
Let us enjoy this beautiful song now …
Bataao tumhe pyaar kaise karoon
Video (Partial)
Audio (Full)
Song – Bataao Tumhen Pyaar Kaise Karoon (Santosh) (1989) Singers – Asha Bhosle, Nitin Mukesh, Lyrics – Santosh Anand, MD – Laxmikant Pyaarelal
Lyrics
ye aankhon se aankhon ka milna hai kya
bina bole hothon ka hilna hai kya
mujhe inka matlab to samjhaaiye
khayaalon mein phoolon ka khilna hai kya
na yun chup raho mujhko aawaz do
mujhe ghut ke marne ki aadat nahin
bataao tumhe ae …
bataao tumhe pyaar kaise karoon
bataao tumhe pyaar kaise karoon
mujhe pyaar karne ki aadat nahin
main jaisa bhi hoon
haan
jaisa bhi hoon
saamne hoon khadaa aa
mujhe kuchh chhupaane ki aadat nahin
bataao tumhe pyaar kaise karoon
mujhe pyaar karne ki aadat nahin
ye aankhon se aankhon ka milna hai kya
ye aankhon se aankhon ka milna hai kya
bina bole hothon ka hilna hai kya
mujhe inka matlab to samjhaaiye
khayaalon mein phoolon ka khilna hai kya
na yun chup raho mujhko aawaz do
na yun chup raho mujhko aawaz do
mujhe ghut ke marne ki aadat nahin
mujhe itni fursat mili hai kahaan
mujhe itni fursat mili hai kahaan
jo padhta tumhaare nayan ki ghazal
mujhe aaj lagta hai sach maan lo
ye chehra nahin hai gulaabi kamal
ye dil kaise chori kiya jaayega
ye dil kaise chori kiya jaayega
mujhe dil churaane ki aadat nahin
aa aa aa
aa aa aa
aa aa aa aa
mujhe kuchh huaa hai pataa hai tumhe
badi nam hawaa hai pataa hai tumhe
badan jal rahaa hai ragon mein magar*
lahu jam gaya hai pataa hai tumhe*
lo sar jhuk gaya hai tumhe kya khabar
lo sar jhuk gaya hai tumhe kya khabar
mujhe sar jhukaane ki aadat nahin
main jaisa bhi hoon
haan
jaisa bhi hoon
saamne hoon khadaa aa
mujhe kuchh chhupaane ki aadat nahin
bataao tumhe pyaar kaise karoon
mujhe pyaar karne ki aadat nahin
[Author’s Note: * In the video version these lines are in the voice of Asha Bhonsle, while the audio version has them in Nitin Mukesh’s voice.]
- In: "beach" song | Baag/Bagiya song | Boat song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Post by Sudhir | Rafi solo | Rafi songs | Songs of 1960s (1961 to 1970) | Songs of 1966 | Yearwise breakup of songs
- 13 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5092 | Post No. : | 17019 |
My first real jaan-pehchaan with this actor happened in 1970. The film – ‘Anand’. He plays the role of Dr. Prakash Kulkarni, friend of Dr. Bhaskar Bannerji (Amitabh Bachchan). His role was impressive and touching. At the climax of the film, when Anand is battling for his last breaths, Bhaskar is not present. He has gone on a last ditch hunt for a miracle medicine. Prakash is the doctor present in the room besides Renu (Sumita Sanyal), attending to Anand. It is 4.15 early morning.The final moments arrive. Anand requests for the spool tape player to be put on. Prakash realizes – the worst is about to happen. He asks the attending nurse to prepare an injection. And while the tape is playing Anand calls out for Babu Moshai, and his breathing ceases. Prakash is stunned and cannot move. There is horror and grief and dejection writ large on his face. These moments, this expression, the welling of tears in his eyes, and the unwilling acceptance of a final defeat – left an imprint on my mind strong enough to now remember the name of this actor – Ramesh Deo.
And then, the familiar face with now a recognized name – I could see him in many more films that followed. I would also become familiar with his earlier roles in Hindi films starting with ‘Aarti’ in 1962. I would see these earlier films, later as reruns or on Doordarshan. And somehow, he always made an impact on my mind with his performances. In ‘Khilona’ (1970), as Kishore, the wayward ghar-jamaai (resident son-in-law) of the Thakur Suraj Singh’s (Bipin Gupta) household, he is hell bent on throwing out a pregnant Chand (Mumtaz) for obvious inheritance gains. In 1971, one sees him in ‘Mere Apne’ as Arun Gupta, a low middle income householder, who tricks an aged Anandi Devi (Meena Kumari) to come and live in his home as an unpaid full time servant. In ‘Joru Ka Ghulam’ (1972), he is Ramesh, the scheming nephew of the rich businessman Shyamlal (Om Prakash), who continuously siphons off part of whatever money he handles in the business.
Then in ‘Jeevan Mrityu’ (1970), he plays the role of barrister P Amarnath, one of the three baddies (along with Harishchandra (Ajit) and Ramakant (Krishan Dhawan)), who commit a fraud at a bank and implicate Ashok (Dharmendra). Later, when Ashok returns and plans revenge against these three, he first destroys them financially through stock market wrangling. At this point in the film, there is a scene with an excellent performance by Ramesh Deo. As the news comes in that all their investment is lost at the stock market, it effects the brain of barrister Amarnath, and he goes mad. There is a two minutes long sequence with an editing gap of 15 seconds in between, which is performed by him. He goes mad, he cries, he laughs, he proclaims he wants to be rich, and then he runs out of the office room. He meets Ashok outside. Ashok is supposedly dead. So there is now a reaction of fear and horror, he runs away from him, crashes into a parked car, then runs off on to the road and is hit by another car. This sequence which is about 700 feet of reel length is supposedly shot as a single performance sequence. His histrionics are impressive and authentic.
Ramesh Deo, a veteran of almost 300 Hindi films, about 200 Marathi films, 30 Marathi stage plays with almost a thousand live performances – passed away on 2nd February earlier this year. Besides the impressive portfolio of stage and screen performances, he also has to his credit being the producer of many TV serials, documentaries and approximately 250 ad films through his own production company – Ramesh Deo Productions. A part of this body of work was also directed by him.
He traces his ancestry to the Rajput clans of Jodhpur. His great grandfather and grandfather were engineers who were part of the team that built the Jodhpur palace. Later they were invited by Shahu Maharaj of Kolhapur, for constructing newer parts of the city. His grandfather was appointed as the chief engineer of the project. Later, his father, who studied law, became the legal advisor in the city administration of Kolhapur.
Ramesh was born in Kolhapur on 30th January, 1926. After his normal school and college education, he got introduced to films through Dinkar Patel, a Marathi film maker, who was a family friend. Once when Dinkar Patel was filming in Kolhapur, Ramesh and a group of his friends went to see the shooting. Quite unexpectedly, Dinkar Patel invited the group to join a scene in a college sequence being filmed, as students. The film was ‘Paatlachi Por’ (released in 1951). As per Ramesh, it was by this chance participation that the film bug bit him, and he decided to make acting as a career. This is in 1950.
He started his career as a junior artist and soon graduated to featured roles. His first notable performance that received critical acclaim was as a villain in ‘Andhala Magto Ek Dola’ (1956). Later, he signed up as a villain for ‘Saata Janmaachaa Sobati’, but was offered the lead instead when the hero was removed. Never typecast, many of his films’ publicity material would have a teaser asking audiences to guess whether he was the hero or villain!
Through the 1950s, Ramesh confined himself to Marathi cinema and stage, Then happened a chance encounter. The drama troupe he was working with was traveling in the rural Maharashtra. Having tea at a roadside tea shop, he realized that no one knew him as an actor. He felt let down within, that after having worked in the industry for almost a decade, he was a nobody for the common man. The same common man would readily recognize and acknowledge Hindi film stars. And he made up his mind to move to Hindi cinema also.
His first role in a Hindi film was in ‘Aarti’ 1962. And after that there was no looking back. In film after film in the sixties, he made a mark for himself, and a firm position in the Hindi film industry as a character artist. At 96, when he passed away, he was still actively working. In a manner of speaking, he died literally with his boots on.
The song being presented today is from the film ‘Love And Murder’ from 1966. The film is produced under the banner of Adarshlok, Bombay and is directed by Raja Paranjape. The brief star cast is listed as Prithviraj, Ramesh Deo, Jaimala, Heeralal, Helen, Kammo, Edwina, and Chandrakant Gokhale. Ramesh Deo plays the role of Ranjit, apparently a small time con-man, but in reality he is the unknown boss of the underworld gang. The plot of the film is available on MuVyz website at Love And Murder – Plot.
On screen, the song is performed by Ramesh Deo. The quality of the video is not very good, and I am not able to identify the lady companion for whom Ramesh is lip syncing this song. I request other knowledgeable readers to please help identify the lady actor in this video clip.
Ramesh Deo – a lasting presence in Marathi and Hindi cinema. A career that goes from 1950 to 2022. Seventy two years of active work in the cinema and theater industry – this must be a record of some sort. He had completed 96 years of his life’s journey when he bid the forever good bye to the world. As mentioned earlier, literally with his boots on – still actively working when he passed away.
He leaves behind his wife and two sons. Seema Deo, his spouse of 59 years, is a lasting romance of his life. This must also be a record of some sorts – the two appeared in more than 50 films as husband wife or as lovers. Ramesh had first seen her in a suburban train while heading to a studio and realized that she too was looking for film work. “That day, I got a plum assignment. We introduced ourselves, became friends, and soon got married,” he had said. Today, their children, actor-filmmaker Ajinkya Deo and filmmaker Abhinay Deo (‘Delhi Belly’) have done them proud.
Peace and divinity be with you Ramesh Deo. It has been an especially long innings. You will always be remembered for the huge variety of roles that you presented.
Good Bye.
Video
Audio
Song – Tere Gesuon Ka Saaya Meri Jaan Jis Ne Paaya (Love And Murder) (1966) Singer – Mohammed Rafi, Lyrics – Aziz Kashmiri, MD – OP Nayyar
Lyrics
tere gesuon ka saaya
meri jaan jis ne paaya
tere gesuon ka saaya
meri jaan jis ne paaya
usey mil gayi khudaai
usey mil gayi khudaai
wo naseeb le ke aaya
tere gesuon ka saaya
meri jaan jis ne paaya
usey mil gayi khudaai
wo naseeb le ke aaya
tere gesuon ka saaya
ye reshmi andhera
jo baney naseeb mera
ye reshmi andhera
jo baney naseeb mera
main na aaftaab dekhoon
main na aaftaab dekhoon
kabhi umr bhar khudaaya
tere gesuon ka saaya
meri jaan jis ne paaya
usey mil gayi khudaai
wo naseeb le ke aaya
tere gesuon ka saaya
is dil ki ye khata hai
ke ye tujh pe mar mita hai
is dil ki ye khata hai
ke ye tujh pe mar mita hai
isey kaise main sambhaloon
isey kaise main sambhaloon
ye to ho gaya paraaya
tere gesuon ka saaya
meri jaan jis ne paaya
usey mil gayi khudaai
wo naseeb le ke aaya
tere gesuon ka saaya
mere dil mein dard bhar de
ya jala ke khaaq kar de
mere dil mein dard bhar de
ya jala ke khaaq kar de
meri khaaq bhi kahegi
meri khaaq bhi kahegi
mujhe yaar ne mitaaya
tere gesuon ka saaya
meri jaan jis ne paaya
usey mil gayi khudaai
wo naseeb le ke aaya
tere gesuon ka saaya
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
तेरे गेसूओं का साया
मेरी जान जिस ने पाया
तेरे गेसूओं का साया
मेरी जान जिस ने पाया
उसे मिल गई खुदाई
उसे मिल गई खुदाई
वो नसीब ले के आया
तेरे गेसूओं का साया
मेरी जान जिस ने पाया
उसे मिल गई खुदाई
वो नसीब ले के आया
तेरे गेसूओं का साया
ये रेशमी अंधेरा
जो बने नसीब मेरा
ये रेशमी अंधेरा
जो बने नसीब मेरा
मैं ना आफताब देखूँ
मैं ना आफताब देखूँ
कभी उम्र भर खुदाया
तेरे गेसूओं का साया
मेरी जान जिस ने पाया
उसे मिल गई खुदाई
वो नसीब ले के आया
तेरे गेसूओं का साया
इस दिल की ये ख़ता है
के ये तुझ पे मर मिटा है
इस दिल की ये ख़ता है
के ये तुझ पे मर मिटा है
इसे कैसे मैं संभालूँ
इसे कैसे मैं संभालूँ
ये तो हो गया पराया
तेरे गेसूओं का साया
मेरी जान जिस ने पाया
उसे मिल गई खुदाई
वो नसीब ले के आया
तेरे गेसूओं का साया
मेरे दिल में दर्द भर दे
या जला के ख़ाक
मेरे दिल में दर्द भर दे
या जला के ख़ाक
मेरी ख़ाक भी कहेगी
मेरी ख़ाक भी कहेगी
मुझे यार ने मिटाया
तेरे गेसूओं का साया
मेरी जान जिस ने पाया
उसे मिल गई खुदाई
वो नसीब ले के आया
तेरे गेसूओं का साया
Haaye Bichhua Das Gayo Re
Posted on: June 27, 2022
- In: Asha Bhonsle solo | Asha Bhonsle songs | Blog Ten Year Challenge (2012-2022) | expression of love | Feelings of heart | Guest posts | Lover's Complaint | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1973 | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5092 | Post No. : | 17018 |
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Blog 10-Year Challenge (2012-2022) – Song No. 57
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Welcome all to this post under ‘blog ten year challenge 2012-2022’.
Today we are celebrating eighty-third birth anniversary of one of the greatest music genius of our country Rahul Dev Burman (27 June 1939 – 4 January 1994), or ‘Pancham’ Da as he is fondly known by all of us. Today we do have a movie under ‘Blog Ten-Years challenge’ where he has composed music. And in fact all the movies presented ten years back in 2012 on this day i.e. 27th June have their music composed by RD Burman only.
One song from this movie was presented on the blog on 27.06.2012 with other four movies that were represented on the blog that day. Yes! There were five songs posted on this day 27th June in ‘2012’.
|
Song Title |
Name of the movie |
Remarks |
| Pyaar Kartaa Jaa | Bhoot Banglaa-1965 |
Yippeee’d |
| Jaaun To Kahaan Jaaun | Anaamika-1973 |
Yippeee’d |
| Chal Chale Ae Dil | Jheel Ke Us Paar-1973 |
5 of 6 songs posted |
| Bechaara Dil Kyaa Kare | Khushboo-1975 |
Yippeee’d |
| Bade Achchhe Lagte Hain | Baalika Badhu-1976 |
Yippeee’d |
I am presenting a song from the movie ‘Jheel Ke Us Paar’ (1973), which is the only movie from the above list not yet ‘Yippeee’ed’ on the blog.
‘Jheel Ke Us Paar’ was directed by Bhaapie Soni for his home productions. It had Dharmendra, Mumtaz, Prem Chopra, Junior Mehmood, Ranjeet, Fariyaal, Veena, Anwar Hussain, Iftekhar, Urmila Bhatt, Sujata, Polsan, Baby Chiku, Madan Keni, Rajan Kapoor, Altamash Gazanvi, Yogita Bali , Jagdish Raj (in Guest Apprearance) and Pran (Special Appearance). This movie was passed by Censor Board on 28.08.73 that is almost forty-nine years back now.
Lyricist for this song is Anand Bakshi and music is composed by RD Burman.
As I had mentioned in my earlier post I do remember to have watched this movie in my childhood days but have forgotten it now.
This movie had made its debut on the blog on 13.01.2012 with its song “Kya Nazaare Kyaa Sitaare” A wonderful song written by Anand Bakshi, and composed by Pancham Da and sung by none other than Kishore Kumar. This song is my one of the most favorite song from this movie.
The second song from this movie to come on the blog was “Baabul Tere Baagaan Di Main Bulbul“, another good song from this movie sung by Lata Mangeshkar. This was posted on the blog on 30.05.2012.
Another well-known and engrossing song from this movie sung by Lata Mangeshkar, “Chal Chale Ae Dil… Jheel Ke Us Paar“, was the third song posted from this movie on the blog, and this was exactly ten years back on 27.06.2012.
The fourth song from this movie was posted after a long gap on 27.04.2020 and this was the song “Do Ghoont Mujhe Bhi Pilaa De Sharaabi“, And the fifth song from this movie was posted recently on 30.05.2022 which was “Keh Rahe Hain Ye Aansoo Baraste Huye“. Singer for both these songs is Lata Mangeshkar.
Today’s song is the sixth and the final song from this movie, which is sung by Asha Bhonsle, this being the only song sung by her in this movie. On screen it is Yogeeta Bali is lip-syncing this song and she is trying to woo Dharmendra who is not at all interested in this ‘sensuous trap’ 🙂 and wants to leave the place immediately 🙂 .
Lyrics for the today’s song were sent by Prakashchandra.
Let us now listen to the today’s song and enjoy this musical creation by Pancham Da.
Video
Audio
Song – Haaye Bichhua Das Gayo Re (Jheel Ke Us Paar) (1973) Singers – Asha Bhosle, Lyrics – Anand Bakshi, MD – RD Burman
Lyrics (Provided by Prakashchandra)
haay bichhua aa aa
anhh…
das gayo re ae
haay ae bichhua aa
das gayo re ae ae
haay bichhua aa aa
das gayo re ae
meethi meethi hone lagi ee
mere tan man mein jalan
aa meethi meethi hone lagi ee
mere tan man mein jalan
mujhko bachaa le ae
mere sajan
jaldi se kar tu koi jatan
haay meri maa aa aa
meri maa aa
haay meri maa aa aa
haay meri maa
haa
haa ha
haa aa
aa haa haa
haay bichhua aa aa
das gayo re ae
main to yoon hi bani
deewaani
toone meri kadar nahin ki
kabhi bhoole se bhi diljaani
toone meri khabar nahin lee ee
nas nas mein sajan
huyi aisi chubhan
lagi aisi lagan
toote mera badan
main mar gayi dard se ae
ke meraa aa aa aa
bachnaa mushkil hai mitwa
haay bichhua aa aa
das gayo re ae
haay bichhua aa aa
das gayo re ae
meethi meethi hone lagi ee
mere tan man mein jalan
aa meethi meethi hone lagi ee
mere tan man mein jalan
mujhko bachaa le ae
mere sajan
jaldi se kar tu koi jatan
haay meri maa aa aa
meri maa aa
haay meri maa aa aa
haay meri maa aa
naa to maara
naa zindaa chhodaa
dank aisaa lagaaya hai ae
pyaar tere pe
thhoda thhoda
mujhe gussaa bhi aaya hai
are o bewafaa
aankhen na chura
kar koi dawaa ya
koi duaa
pachhtaayega baad mein ae
ke meraa aa aa aa
bachna mushkil hai mitwa aa
haay bichhua aa aa
das gayo re ae
haay bichhua aa aa
das gayo re ae
meethi meethi hone lagi ee
mere tan man mein jalan
aa meethi meethi hone lagi ee
mere tan man mein jalan
mujhko bachaa le ae
mere sajan
jaldi se kar tu koi jatan
haay meri maa aa aa
haay meri maa aa
haay meri maa aa aa
haay meri maa aa
aa aa aa
aa aa
aa haa haa aa
haay bichhua aa aa
das gayo re ae
haay bichhua aa aa
das gayo re ae
- In: "Aankh" song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | KS Raagi - Razia Begum Duet | KS Raagi Songs | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Post by Avinash Scrapwala | Razia Begum Songs | Songs from Unreleased Films of 1940s | Songs of 1940s (1941 to 1950) | Songs of 1948 | Yearwise breakup of songs
- Leave a Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5091 | Post No. : | 17017 |
Today’s song is from ‘Hamraaz’, an unreleased film from the 1940s. This movie is listed in HFGK Vol-II (1941-1950) on page number 607 – Appendix-1, movie number 1214. This movie is mentioned as presented by Rahnuma Pictures. No information is available about the cast, and director etc. of this movie.
There are eight songs listed for this movie. Music director’s name is mentioned as Shankar Lal. Lyricist names are mentioned as Shyam Hindi and Kamran Momin. Shyam Hindi is credited with five songs, and Kamran Momin is credited with two songs. The lyricist’s name for one song is not mentioned. This is the song we are going to listen today.
Few songs from this movie are available online in audio format, Thanks to the music lovers who have uploaded them on YouTube. This song is uploaded by Shalin Bhatt, a name that many readers will be familiar with.
The song presented today is a duet, in the voices of KS Raagi and Razia Begum.
The list of songs in this movie, as per the Geet Kosh, is given below.
|
Sl. No. |
Song Title | Lyricist | Singer |
Posted On |
|
01 |
Ga Re Manwaa Gaa | Shyam Hindi | ||
|
02 |
Ghoonghat Mein Sharmaaye Dulhaniya | Kamran Momin | ||
|
03 |
Baat Kuchh Aisi Wah Hamse Kah Gaye | Shyam Hindi | ||
|
04 |
Cham Cham Chamken Taare | Shyam Hindi | ||
|
05 |
In Do Matwaale Nainon Mein | — | KS Raagi,
Razia Begum |
Being presented today |
|
06 |
Aabaad Hai Saraa Jahaan | Shyam Hindi | ||
|
07 |
Khushi Chaaron Taraf Chhaayi | Shyam Hindi | ||
|
08 |
Aa Jaa Papeehe Geet Sunaa De | Kamran Momin | Geeta Dutt | 23.11.2020 |
As we can see from the above table, only one song from this movie has been posted so far and that was on 23.11.2020.
Today’s song is a beautiful romantic song. I would request knowledgeable readers to throw more light on this movie and its songs.
Let us now enjoy the today’s song …
Song – In Do Matwaale Nainon Mein Saagar Chhalke (Hamraaz) (UR) (1940s) Singers – KS Raagi, Razia Begum, Lyrics – Unattributed, MD – Shankar Lal
KS Ragi + Razia Begum
Lyrics
in do matwaale nainon mein
saagar chhalken
in do matwaale nainon mein
saagar chhalken ae
neechi nazarein
laambi palkein
neechi nazarein
laambi palkein
in do matwaale nainon mein
matwaale nainon mein
in do matwaale nainon mein
saagar chhalken
in do matwaale nainon mein
saagar chhalken ae
ithhlaayi muskaayi kaliyaan
muskaayen ithhlaayen
aise jaise sundar naaren
apne se sharmaayen
aise jaise sundar naaren
apne se sharmaayen
ghabraake bal khaayen
in do matwaale nainon mein
saagar chhalken ae
in do matwaale nainon mein
saagar chhalken ae
honth hain tere amrit pyaale
meri pyaas bujhaa de ae
honth hain tere amrit pyaale
meri pyaas bujhaa de
pal bhar ko muskaade
muskaade ae ae
pal bhar ko muskaade
muskaade
sapnon mein kho jaaun mujhko
aisa geet sunaa de
aisa geet sunaa de
sapnon mein kho jaaun mujhko
aisa geet sunaa de
asia geet sunaa de
pal bhar ko muskaade
haan
pal bhar ko muskaade
in do matwaale nainon mein
saagar chhalken
in do matwaale nainon mein
saagar chhalken ae
neechi nazarein
laambi palkein
neechi nazarein
laambi palkein
in do matwaale nainon mein
matwaale nainon mein
in do matwaale nainon mein
saagar chhalken ae ae
in do matwaale nainon mein
saagar chhalken ae
————————————————
Hindi Script Lyrics (Provided by Sudhir Kapur)
————————————————
इन दो मतवाले नैनों में
सागर छ्लकें
इन दो मतवाले नैनों में
सागर छ्लकें
नीची नज़रें
लाम्बी पलकें
नीची नज़रें
लाम्बी पलकें
इन दो मतवाले नैनों में
मतवाले नैनों में
इन दो मतवाले नैनों में
सागर छ्लकें
इन दो मतवाले नैनों में
सागर छ्लकें
इठलाई मुस्काई कलियाँ
मुस्काएं इठलाएँ
ऐसे जैसे सुन्दर नारें
अपने से शर्माएं
ऐसे जैसे सुन्दर नारें
अपने से शर्माएं
घबरा के बलखाएं
इन दो मतवाले नैनों में
सागर छ्लकें
इन दो मतवाले नैनों में
सागर छ्लकें
होंठ हैं तेरे अमृत प्याले
मेरी प्यास बुझा दे
होंठ हैं तेरे अमृत प्याले
मेरी प्यास बुझा दे
पल भर को मुस्का दे
मुस्का दे
पल भर को मुस्का दे
मुस्का दे
सपनों में खो जाऊँ
मुझको ऐसा गीत सुना दे
ऐसा गीत सुना दे
सपनों में खो जाऊँ
मुझको ऐसा गीत सुना दे
ऐसा गीत सुना दे
पल भर को मुस्का दे
हाँ
मुस्का दे
इन दो मतवाले नैनों में
सागर छ्लकें
इन दो मतवाले नैनों में
सागर छ्लकें
नीची नज़रें
लाम्बी पलकें
नीची नज़रें
लाम्बी पलकें
इन दो मतवाले नैनों में
मतवाले नैनों में
इन दो मतवाले नैनों में
सागर छ्लकें
इन दो मतवाले नैनों में
सागर छ्लकें
Daddy Tum Auntie Se Pyaar Karte Ho
Posted on: June 20, 2022
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5085 | Post No. : | 17009 | Movie Count : |
4607 |
Hullo Atuldom
3rd Sunday of June is celebrated as Father’s Day and yesterday (19th June) was Father’s Day this year. The day is meant to honor Fatherhood and Paternal Bonds as well as the influence of fathers in society. In the USA, father’s day was founded by Sonora Smart Dodd, and celebrated on the third Sunday of June, for the first time, in 1910. The day is held across the world on various dates and different regions have their own traditions of honoring Fatherhood.
Here I would like to mention that Sonora Smart Dodd was the daughter of American Civil War veteran William Jackson Smart whom she held in very high esteem. Along with her father, she shared the raising of her five siblings, after the death of her mother. While hearing a church sermon about the newly recognized Mother’s Day, Sonora felt strongly that fatherhood needed recognition as well and suggested June 5th (her own fathers’ birthday) as a possible date for father’s day. The Ministerial Alliance of the Spokane County (the county where they lived) chose the third Sunday instead.
That is how Father’s Day came about to be on third Sunday of June and complements similar celebrations honoring family members such as Mother’s Day, Siblings’ Day and Grandparents’ Day.
Today we shall have a Father-Son song and continue with the celebration of Father’s Day here on our blog. We have a song from the film ‘Aamne Saamne’ (1982). The star cast of the film is Mithun Chakravarthy, Bindiya Goswami, Aarti Gupta, Tarun Ghosh, Dinesh Thakur, Leela Mishra, Kamal Kapoor etc. The film was released in January 1982 – 40 years already, wow!!! (Now I realize why I didn’t get to see it in the cinema hall back then. I was in the middle of preparing for my class 10 boards).
‘Aamne Saamne’ (not to be confused with the 1967 film with the same name, starring Sharmila Tagore and Shashi Kapoor, which has already been Yippeee’d on the blog) was produced by Shakti Samanta and directed by his son Ashim Samanta. Madan Joshi was the dialogue writer, KK Shukla wrote the story and screenplay. The songs of this film were written by Anjaan and (our very own) Panchamda was the music director. Kishore Kumar, Amit Kumar, Asha Bhonsle, RD Burman were the playback singers used. I think it is the voice of Vanita Mishra for the young boy in today’s song in duet with Panchamda for Mithun. This song may remind some people of “Papa Ko Mummy Se Pyaar Hai” from film ‘Andaz’ (1971).
The movie had a plot similar to the Rajesh Khanna starrer ‘Sachcha Jhootha’ (1970). Mithun has a double role where the simpleton Gopi from the village is spotted by Johnny, who is a stage-singer by day and a criminal by night. Johnny trains Gopi to take his place on stage so that he has an alibi if caught by the cops – age old formula, I am sure repeated later in ‘Dhoom 3’ (2013). Then there is a tiny angle of a child, who is on the lookout for his father, and has a photo of his parents to help him. Madhu Malhotra is the mother in the photo. This was Ashim Samanta’s debut as director, and Aarti Gupta’s first lead role.
With today’s post we are wishing (rather belatedly) Mithun Chakravarthy on turning 72 on 16th. May he continue to be busy with whatever his heart is after. May we get to see more of him.
The agenda closer to home of this post is to wish the Father of this blog, our very own fearless leader- Atul ji on his birthday today. Last year we had a wonderful post with the song “Main Nikla O Gaddi Le Ke” by Avinash ji on the same date. In that post Avinash ji has called the Blog a ‘gaddi’ which is driven by ‘engine’ Atul ji and all of team members and followers ‘wagons’ of this BANDWAGON. I fully endorse his thoughts.
Thanking Atul ji for taking us along with him on this grand journey of music and knowledge sharing. Thanking him also for giving us this platform and encouraging novices like me into writing out our thoughts. As always, I wish he gets more time with his family, pets, friends, music and the blog.
With this song, ‘Aamne Saamne’ (1982) makes its debut on the blog.
Audio
Song – Daddy Tum Auntie Se Pyaar Karte Ho (Aamne Saamne) (1982) Singer – Vanita Misra, RD Burman, Lyrics – Anjaan, MD – RD Burman
Mithun Chakravarty
Bindiya Goswami
Lyrics (Provided by Sudhir)
daddy
tum chup kyon ho
hmm,
nahin to
auntie
tum chup kyon ho
main
nahin to
main sab jaanta hoon
kya jaante ho
daddy
tum auntie se pyaar karte ho
o daddy tum auntie se pyaar karte ho
o daddy tum auntie se pyaar karte ho
lekin mujhse darte ho
chup shaitaan kahin ka
auntie tum daddy se pyaar karti ho
o auntie tum daddy se pyaar karti ho
lekin mujhse darti ho
a a bura mat maan’na
bachcha hai
kehne do na
achcha hai
lallall la
lallall la
la lallall la
lallall la
lallall la
la lallall la
o daddy ki nazar
jhukti nahin
auntie ki nazar
uth’ti nahin
peechhe reh gaya
saara shehar
gaadi ye kahin
rukti nahin
arre
chalo utro
utro neeche
aage tum chalo
main peechhe peechhe
o chori se tum aankhen chaar karte ho
daddy tum auntie se pyaar karte ho
hutt tere ki
jhonka bhi diya
doli nahin
mauka bhi diya
boli nahin
daana to bahut
daala magar
chidiyon ne munh kholi nahin
arre
lo ye choclate
aur chup ho jaao
achcha
tum mujhe rishwat dete ho
o yaani ke
tum iqraar karte ho
o daddy tum auntie se pyaar karte ho
khel khel mein
baat kya hui
aansoo nikle
khoyi hansi
auntie ne mujhe
pappi jo di
mummy ki mujhe
yaad aa gayi
auntie ko daddy meri mummy bana do
mujhse agar tum pyaar karte ho
o daddy tum auntie se pyaar karte ho
lekin mujhse darte ho
ha ha ha ha
ha ha ha ha
lallall la
lallall la
la lallall la
o ho ho ho
lallall la
lallall la
la lallall la
lallall la
lallall la
la lallall la
lallall la
lallall la
la lallall la
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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