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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Feelings of heart’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naqaab”(1955) was produced and directed by Lekhraj Bhakri for Tasveeristaan. The movie had Shammi Kapoor, Madhubala, Asha Mathur, Ajit, Heera Lal, Yashodhara Katju, Maruti etc. in it.

Three songs from this movie have been discussed in the past. Here is the fourth song from the movie. This song is sung by Shamshad Begam. Prem Dhawan is the lyricist. Music is composed by Pt Govindram.

Only the audio of this song is available. It sounds like a club dance song/ mujra song to me. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Dil se dil ka paimaana takra le ik baar (Naqaab)(1955) Singer-Shamshad Begam, Lyrics-Prem Dhawan, MD-Pt Govindram

Lyrics

dil se dil ka paimaana takra le ik baar
dil se dil ka paimaana takra le ik baar
zara chhed de dil ke taar
bhar le aankhon mein pyaar
zara chhed de dil ke taar
bhar le aankhon mein pyaar
roz roz na aayegi ye rangeen bahaar
dil se dil ka paimaana takra le ik baar

angdaaiyaan le le kar hai raat ki raani aayi
angdaaiyaan le le kar hai raat ki raani aayi
is chaand se mukhde par zulfon ki ghata hai chhaayi
kar ulfat ka ikraar
mere baanke dildaar
ye duniya hai din chaar
dil se dil ka paimaana takra le ik baar

matwaale jhoom le
o mastaane jhoom le
matwaale jhoom le
o mastaane jhoom le
ulfat ki shama ke o parwaane jhoom le
ulfat ki shama ke o parwaane jhoom le

ye mast nazar hai tere liye
ye dil ye jigar hai tere liye
kaali zulfen gora mukhda
ye shaam o sahar hai tere liye
kar ulfat ka ikraar mere baanke dildaar
ye duniya hai din chaar
dil se dil ka paimaana takra le ik baar

zara chhed de dil ke taar
bhar le aankhon mein pyaar
roz roz na aayegi ye rangeen bahaar
dil se dil ka paimaana takra le ik baar

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

ना जाने क्यों॰ ॰ ॰ होता है ये ज़िंदगी के साथ
अचानक ये मन
किसी के जाने के बाद
करे फिर उसकी याद॰ ॰ ॰

Aah, Shyama. . . the vivacious, bubbly, chirpy, charming Shyama. That is the image that the mind always carries, of this spirited young lady, so full of life on the screen. Some memories and some reflections are so firmly engraved in the mind that it simply does not register or acknowledge the passage of time and the passing of eras. That is the beauty of these memories – that their beauty simply never fades away.

My very first encounter with her was the song “Mujhe Mil Gaya Bahaana Teri Deed Ka” (film ‘Barsaat Ki Raat’, 1960). I saw this song on Delhi TV, most probably in some edition of the Chitrahaar program. Shama (Shyama) is on screen with Shabaab (Ratna), her younger sister in the film. There is an exchange that leads to certain wrong impressions. Being secretly in love with Amaan (Bharat Bhushan), Shama interprets that conversation to be in her favour. And this happy song of an assumed fulfilment of love is the outcome. The expressions and the rendering of this love song trickled right into the mind and heart of a very young heart, and the lady on the screen became a favorite crush of mine.

A few years later, I would get a chance to see this complete film. And my heart was both joyous and asunder. I got to see more of her scintillating performance, especially the qawwaali “Ji Chaahta Hai Choom Loon Apni Nazar Ko Main”, in which she is brimming with excitement and delight. She makes you feel the thrill that she is experiencing, going in for the kill of the opposite party in the qawwaali competition. Her performance simply takes you along that joyous path of the victory of her singing group over that of Chand Khan’s (Khurshid Bawra’s) group. But then, I was also sad that in the final outcome, she is not the choice of the person she adores and worships. The film ends with her being the loser in the game of love. My heart wept for her, for her love was true and silent, and it made the sacrifice in face of knowing that her beau’s heart is smitten elsewhere. This film remains an all time favorite in my heart.

Then came other films, viewed some years later during college days. Films from the previous three decades were mostly showing as reruns in morning shows (9am to 12 am). We used to skip the morning classes in the college to go visit these unknown unseen films, for the love of that golden era. In that time, I would get to see ‘Aar Paar’ (1954), ‘Shart’ (1954), ‘Chhoo Mantar’ (1956), ‘Makkheechoos’ (1956), ‘Bhai Bhai’ (1956), ‘Sharda’ (1957), ‘Bhaabhi’ (1957), ‘Lala Rukh’ (1958), ‘Zabak’ (1961) and many more. The ‘puppy’ crush was long over and done with, but Shyama was a favorite actress – always would be ready to go see an unseen film, especially if Shyama was part of the cast of actors.

She was born as Khursheed Akhtar, in Lahore. Her date of birth is stated differently in different online sources. The anniversaries table on our blog gives the date as 12th June of 1935. Cineplot gives the date as 7th June, 1935. In his book ‘Beete Kal Ke Sitaare’, Shri Sriram Tamrakar quotes her birth date as 12th July 1933. There are other sources which are at variance with these dates too.

When she was two years old, her family moved to Bombay. Her father was a fruit merchant and had set up a shop in Byculla. With seven siblings, Shyama was part of a large family. School and studies never did interest her. Right from childhood, being a star on the silver screen was her dream. As a child, she had seen a film starring Ishwarlal and Khursheed (the famous singer-actress). She was very impressed by Khursheed’s singing and her acting. On seeing this role, a resolve started to form in her to become an actor. [Ed Note: This picture possibly could be ‘Shaadi’ (1941) or ‘Chandni’ (1942).]

As a young girl, she was quite mischievous and full of pranks. Her elder sisters would admonish her for being such a tomboy. In her own words (from an interview on Cineplot) she says that she always wanted a hungama, indulge in a little romance. But she was very disciplined and cultured too. She never smoked, or drank all her life. And she never appeared in a swimsuit throughout her career. She was very true to her Muslim upbringing and family traditions.

In 1944/45 she and her sisters and friends, one day went to see the shooting of a film at a studio in Dadar (Bombay). The shooting of the film ‘Zeenat’ (1945) was in progress. The specific sequence being filmed was the now iconic all female qawwaali “Aahen Na Bharin, Shiqwe Na Kiye”. As luck would have it, Shaukat Hussain Rizvi, the director of the film, wanted to have more girls to join the singing group. He asked this group of onlooker young ladies whether they would like to join the filming of this song. Without hesitation, Khursheed raised her hand. Rizvi Sb picked her to join the group and play the dholak. In the video of this song, one can see her sitting in the second row behind the main singers, wearing a traditional cap, with a dholak in her lap. The young lady got a billing in the star credits as Baby Khursheed. She was just about 10 years old.

Her father was very upset that his daughter had made this impromptu decision, and was set against her joining films. However, her mother and her sisters prevailed upon him and calmed him to get his consent to permit her to work in films. So out went the school and studies, and the little Khurshid started her career doing child roles and extras. By her own estimates, she probably has appeared 80 films in which she was just an extra or a chorus girl.

‘Nai Maa’ is a 1946 film, which Shyama herself indicates as being her first formal role as a child star. The film is from the banner of Prakash Pictures – the production house of the Bhatt brothers – Vijay and Shankar Bhai. With the consideration that there already were two actresses named Khursheed in the industry, Vijay Bhatt suggested for her to change her name to avoid same-name-confusions. He thought of the name ‘Shyama’. The young Khursheed happily took it on, and this name turned to be her career and her destiny.

Getting seriously into small roles as a child and a teenage artist, she did two very important things. One, she refused to be disheartened by the long succession of bit-roles and being a supporting cast member. Two, she took on to get trained in music and dance, and spent a good slice of her developmental years under the tutelage of the famous Badri Prasad, the multi-talented artist active in the industry at that time. Her perseverance paid off. Her roles started to get more prominent, and her co-stars the more famous ones. She appeared as the younger sister to KL Saigal in ‘Parwaana’ (1947). The same year, she also appeared as the younger sister of Motilal in ‘Beete Din’. On to 1949, and she was now the younger sibling of actor Shyam in the film ‘Kaneez’.

In 1950, she got a very prominent role as the wayward younger sister of Shyam and Karan Dewan in the film ‘Chhoti Bhaabhi’. The title role was played by Nargis (paired with Karan Dewan), but the role played by Shyama was pivotal as the rebellious daughter in the family, who is on the verge of eloping with Yakub, a self serving con-man. Then came 1951 – she was paired as the love interest of Balraj Sahni in ‘Hum Log’; and the same year, she got to play a prominent role in ‘Taraana’ as the third part of the love triangle completed by Dilip Kumar and Madhubala.

It was in 1952 that she was able to belie the popular adage in the industry – ‘once an extra, always and extra’. But this graduation was not without its moments of anxiety and a heart stopping near miss. IS Johar was looking for an effervescent and a lively young new face as the lead for his maiden directorial venture – ‘Shrimati Ji’. Familiar with Shyama and her capabilities from their earlier films together viz., ‘Chhoti Bhaabhi’ (1950) and ‘Ek Teri Nishaani’ (1949), Johar chose Shyama from a list of over 100 candidates for the role. Shyama was excited and happy with this groundbreaking development in her career.

But a scare was still in store, and the career that we see, was almost never. A couple of reels had been shot. One day on the studio floor, one of the financiers was present. On seeing Shyama, he made a curt remark that this girl is too thin to impress in a leading role, and walked away. One can imagine the turmoil that followed, with doubts appearing in the minds of the entire team. Shyama herself notes that she went home and cried all night – here was a once in a lifetime break that suddenly became so close to slip out of her fingers. After the crying session was over, she pulled herself together and made a resolve to address even this issue. Next day, she went out to seek medical help. Whoever would think of a thing like a diet to ‘gain’ weight? She went on a crash diet to do exactly this – gain weight. In a short period of time, she gained a reasonable amount of weight, and went right back in to complete the film.

One more significant episode occurred in the year 1951. Shyama was filming for ‘Sazaa’; she was the second lead to Nimmi and again, the third vertex of the love triangle that includes Dev Anand and Nimmi. The director and cinematographer of this film was Fali Mistry. Affections developed between the two, and two got married. Her family would have preferred a Muslim son-in-law. Fali Mistry being a Parsi, her father did not accept her new venture in life. She did get support from her mother, who was present at the small and quiet ceremony for the wedding. Her father  did not communicate with her for years. Shyama mentions in her interview that the ice between them was eventually broken when she gave birth to her first son, and went to him to get his blessings.

One of the understandings between Shyama and Fali was that she would continue to work in films. Apparently there were other suitors also, but as per herself, the proposals did not go further because the gentlemen did not agree to allow her to continue her work.

Through the 1950s, as well as early sixties, Shyama was in the top bracket of leading ladies in Hindi cinema. A golden period in her career, her popularity can be gauged by the fact that 82 of her films were released in the period from 1952 to 1960. In 1954 alone, 14 of her films came on the silver screen, and 13 in the year 1955. In all 27 films in a period of two consecutive years is a record in itself. An interesting aspect of her career has been that while she was in demand as the leading lady, she continued to do all kinds of roles, including second lead and even as a vamp. By her own admission, she was never too much hung up on being the leading lady, but was always more interested in the content of the role. In fact her only Filmfare award is for her performance in ‘Sharda’ in 1957 – as the best female actor in a supporting role. In the later part of 1960s, she transitioned into character roles and continued to work till the end of 1980s. Her last film as a character artist is ‘Hathyaar’ released in 1989.

Fali Mistry passed away unexpectedly in 1979, leaving behind a family of two sons and one daughter.

In the past 3, 4 days I was in travel myself, and was disconnected from the net for part of that time. Settling back after returning, as I processed through the email backlog, I got to see this message from Harish Raghuvanshi ji, informing about the sad demise of Shyama. She was 82, and as per her latest interviews some years back, she was quite satisfied with the full life she had led, and with her accomplishments on the silver screen.

As I sorted through the list of her songs as yet unpublished on our blog, searching for an appropriate song for this tribute, I came across this chirpy and playful song from the film ‘Ghar Basaa Ke Dekho’ from 1963. I had not heard it before. As I played this song, it struck me as so much Shyama herself, and I knew this is the song so suitable to go along with the write up about her. On screen, she leads the singing and dancing within a group of friends. Some of the faces are familiar, but I am unable to place any names. I request our knowledgeable readers and friends to help identify other actresses supporting Shyama in this song.

The words are from the pen of Rajendra Krishan and the lilting music comes from the mind of Chitragupt. The singing voices are of Suman Kalyanpur, Usha Mangeshkar and chorus. Shyama gets to lip sync most of the lines of Suman Kalyanpur, and the lines sung by Usha Mangeshkar are shared between more than one of the supporting ladies on screen.

A wonderful expression of a philosophy of life, that one can surmise from her interviews, was very dear to Shyama herself. The thought behind the bubbly vivacity in this song is just the same thought that first made her raise her hand unhesitatingly to Rizvi Sb’s query on who would like to join the filming of the group song (qawwaali song in ‘Zeenat’). That is Shyama.

Or to put it more correctly now – that was Shyama. Only the memories remain now.

bichhad kar chale jaao hum se kahin
magar ye na kehna mohabbat nahin

magar ye na kehna mohabbat nahin . . .

Dear Shyama, RIP – Rest In Playfulness, Always 🙂

[Acknowledgements: source material for the above article is referred from articles and interviews published on the blogs Cineplot, Beete Huye Din (by Shishir Krishna Sharma), Wikipedia, and a profile article in the book ‘Beete Kal Ke Sitaare’ by Shri Sriram Tamrakar.]

[Ed Note: This song also is a remembrance of Chitragupt; reviving memories of this prolific music director on the anniversary of his birth – 16th November.]

 

Song – Jidhar Jee Mein Aaya Udhar Hum Chale (Ghar Basaa Ke Dekho) (1963) Singer – Suman Kalyanpur, Usha Mangeshkar, Lyrics – Rajendra Krishan, MD – Chitragupt
Suman Kalyanpur + Usha Mangeshkar
Chorus

Lyrics

jidhar jee mein aaya
udhar hum chale
jidhar jee mein aaya
udhar hum chale
hamen duniya se kya
wo marey ya jaley
wo marey ya jaley
hamen duniya se kya
wo marey ya jaley
wo marey ya jaley

jinki kismet mein aish likha hai
aish karte hain aur jeete hain
jinki kismet mein aish likha hai
aish karte hain aur jeete hain
aah bharna hai jinki kismet mein
aah bharte hain ashq peete hain
zindagi kya hai ek hungaama
ek hungaama roz ho jaaye
kehkahon ke bagair kya jeena
zindagi kehkahon mein kho jaaye
jidhar jee mein aaya
jidhar jee mein aaya
udhar hum chale
hamen duniya se kya
wo marey ya jaley
wo marey ya jaley
hamen duniya se kya
wo marey ya jaley
wo marey ya jaley

aadmi ko mili hain kyon aankhen
dekh le jis qadar nazaare hain
aadmi ko mili hain kyon aankhen
dekh le jis qadar nazaare hain
baag tera hai phool tere hain
aur tere hi chaand taare hain
zindagi naam hain bahaaron ka
hum bahaaron ka ras nichodenge
zindagi ek baar milti hai
ek armaan bhi na chhodenge
jidhar jee mein aaya
jidhar jee mein aaya
udhar hum chale
hamen duniya se kya
wo marey ya jaley
wo marey ya jaley
hamen duniya se kya
wo marey ya jaley
wo marey ya jaley

zindagi teri ek hulchul hai
raqs hai saaz hain taraana hai
zindagi teri ek hulchul hai
raqs hai saaz hain taraana hai
ik jagah par qayaam kya karna
har chaman tera aashiaana hai
ek pal bhi na fikr mein beete
muskuraata ja geet gaata ja
aur duniya jo raah mein aaye
ek thokar usey lagaata ja
jidhar jee mein aaya
jidhar jee mein aaya
udhar hum chale
hamen duniya se kya
wo marey ya jaley
wo marey ya jaley
hamen duniya se kya
wo marey ya jaley
wo marey ya jaley

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

जिधर जी में आया
उधर हम चले
जिधर जी में आया
उधर हम चले
हमें दुनिया से क्या
वो मरे या जले
वो मरे या जले
हमें दुनिया से क्या
वो मरे या जले
वो मरे या जले

जिनकी क़िस्मत में ऐश लिखी है
ऐश करते हैं और जीते हैं
जिनकी क़िस्मत में ऐश लिखी है
ऐश करते हैं और जीते हैं
आह भरना है जिनकी क़िस्मत में
आह भरते हैं अशक पीते हैं
ज़िंदगी क्या है एक हंगामा
एक हंगामा रोज़ हो जाये
कहकहों के बगैर क्या जीना
ज़िंदगी कहकहों में खो जाये
जिधर जी में आया
जिधर जी में आया
उधर हम चले
हमें दुनिया से क्या
वो मरे या जले
वो मरे या जले
हमें दुनिया से क्या
वो मरे या जले
वो मरे या जले

आदमी को मिली हैं क्यों आँखें
देख ले जिस कदर नज़ारे हैं
आदमी को मिली हैं क्यों आँखें
देख ले जिस कदर नज़ारे हैं
बाग तेरा हैं फूल तेरे हैं
और तेरे ही चाँद तारे हैं
ज़िंदगी नाम हैं बहारों का
हम बहारों का रस निचोड़ेंगे
ज़िंदगी एक बार मिलती है
एक अरमान भी ना छोड़ेंगे
जिधर जी में आया
जिधर जी में आया
उधर हम चले
हमें दुनिया से क्या
वो मरे या जले
वो मरे या जले
हमें दुनिया से क्या
वो मरे या जले
वो मरे या जले

ज़िंदगी तेरी एक हलचल है
रक़्स है साज है तराना है
ज़िंदगी तेरी एक हलचल है
रक़्स है साज है तराना है
इक जगह पर क़याम क्या करना
हर चमन तेरा आशियाना है
एक पल भी ना फिक्र में बीते
मुसकुराता जा गीत गाता जा
और दुनिया जो राह में आए
एक ठोकर उसे लगाता जा
जिधर जी में आया
जिधर जी में आया
उधर हम चले
हमें दुनिया से क्या
वो मरे या जले
वो मरे या जले
हमें दुनिया से क्या
वो मरे या जले
वो मरे या जले


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (16 november 2017) is an important day for HFM. It was on this day 100 years ago that music director Chitragupta (16 november 1917- 14 january 1991) was born.

He composed music in 143 Hindi movie. In addition, he composed for Bhojpuri movies as well (including in the very first Bhojpuri movie).

Chitragupta made his debut in HFM in 1946. He came into his own during the net two decades. Chitragupta was mostly confined to B grade movies where he gave A grade music. He was one of the few HFM composers who could adapt to the demands of South Indian producers. Most A grade movies that Chitragupta got to compose for were South Indian productions.

And what great songs Chitragupta has composed. Quite a few of his songs have gone on to become iconic songs. If someone was leaving his home after a disagreement with his sibling, then he was bound to mention the immortal “Bhaabhi”(1957) song- Chal ud jaa re panchhi” in the note that he would leave behind. I have actually seen one such note.

In the first school that I attended as a tiny tot, the school prayer that we sang every morning was “tumhi ho maata pita tumhi ho”. The school management was suitably impressed with this “Main Chup Rahongi”(1962) song to adopt it as the school prayer. And that school was by no means the only such school.

Even today, the best English Babu-Desi Mem song is the wonderful “Vaasna”(1968) song “Jodi hamaari banega kaise jaani”. The archtypically philosophical Pradeed song “kabhi dhoop kabhi chhaaon” is a Chitragupta composition.

Chitrgupta was a person who would not approach people for work and he was content working with smaller budget producers. He for indtance never met Raj Kapoor during hi active career (which coincided with Raj Kapoor’s active career). Raj Kapoor met him for the first time in late 1980s when Chtragupta’s music director songs Anand-Milind introducd him to Raj Kapoor. and Raj Kapoor then stated taht he would have signed up Chitragupta if only he had approached him during his days.

Chitragupta composed around 1000 songs in movies in 143 plus movies. This blog has 401 of his compositions.

27 out of 143 of his movies are not yet represented in the blog. On the occasion of the birth centenary of Chitragupta, here is a song from a as yet unrepresented movie called “Bank Robbery”(1969). This B grade stunt movie was directed by Maruti for Kiran Films, Bombay. The movie had an archtypical B grade cast of Dev Kumar, Nivedita, Anwar Hussain, Madhumati, Shaminder, Shefali Chaudhary, Kundan, Samson, Johny Whisky, Tunyun, K Kumar, Amrit Rana, Bazid Khan, G H Shaam, Ramesh Bhatia, Chandru, Sheila R, Saeeda, Jayshree, Maruti etc in it.

Here is a song from the movie that should be considered a forgotten gem. This song is sung by Lata. Prem Dhawan is the lyricist. Music is composed by Chitragupta.

The movie had five songs in it and they had the voices of four female singers and one male singer. Only the audio of the song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

With this song, “Bank Robbery” (1969) makes its debut in the blog.


Song-Ae jaane jaana ye tumne na jaana (Bank Robbery)(1969) Singer-Lata, Lyrics-Prem Dhawan, MD-Chitragupta

Lyrics

ae jaane jaana
ye tumne na jaana
kitna mujhe tumse pyaar hai ae
ae jaane jaana
ye tumne na jaana
kitna mujhe tumse pyaar hai
tum sangdil ho
tumhen kya bataayen
dil kis liye beqaraar hai
ae jaane jaana
ye tumne na jaana

jhilmil jhilmil chanda ki kirnen
utri hain kuchh gungunaati
jhilmil jhilmil chanda ki kirnen
utri hain kuchh gungunaati
gumsum gumsum khoye kahaan ho
o mere sapnon ke saathi
tum pass ho
phir bhi lagta hai jaise
ab tak hamen intzaar hai
ae jaane jaana
ye tumne na jaana

maana manzil dushwaar hogi
mushqil bahut hongin raahein
maana manzil dushwaar hogi
mushqil bahut hongin raahein
humko dar kya jab meharbaan hain
ik humsafar ki nigaahein
har mod pe ab chaman khil gaye hain
har raaste par bahaar hai ae
ae jaane jaana
ye tumne na jaana
kitna mujhe tumse pyaar hai
ae jaane jaana
ye tumne na jaana


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (16 november 2017) is the 50th death anniversary of Roshan (14 july 1917- 16 november 1967).

It was a Roshan composition that was the first song to be discussed in the blog nine years ago. Roshan composed 424 songs in 55 released movies (plus one unreleased movie) during his 18 years long career from 1949 to 1967. This blog contains 326 of his songs, covering songs from all of his released movies. As many as 30 of these movies have already been YIPPEED in the blog. So now we have 98 more Roshan compositions left to be covered from 25 unYIPPEED movies (plus one unreleased movie).

Some of the unYIPPEED movies have just one song left to be covered but those songs are rare songs which I have not been able to locate. “Bedardi”(1951) and “Naubahaar”(1952) are two movies which have remained unYIPPEED because the final song of these movies have so far proved to be elusive.

As a tribute to Roshan, here is a song from “Raag Rang”(1952).

“Raag Rang”(1952) was the inhouse production of Geeta Bali and her siblings. The movie was produced by Har Darshan Bali and directed by Digvijay Bali for Bali Sisters, Bombay. The movie had Ashok Kumar (then 41 years old) starring opposite Geeta Bali (then 22 years old). The movie also had Ruma Guha Thakurta, Sudha Bali, Madan Puri, Agha, Raja Paranjpe, Sundar, Janki Das, S Nazir etc in it.

Nine songs (out of 11) from this movie have been discussed in the past. Here is the tenth and penultimate song from the movie to appear in the blog.

This song is sung by Lata. Sarshar Sailaani is the lyricist. Music is composed by Roshan.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song. Seeing that Lata sang eight songs in it, my guess is that she sang these songs (including this one) for Geeta Bali.


Song-Shaque nahin rupaye mein paai ka (Raag Rang)(1952) Singer-Lata, Lyrics-Sarshar Sailaani, MD-Roshan

Lyrics

shaq nahin rupaye mein paai kaa
duniyaa hai naam safaai kaa
shaq nahin rupaye mein paai kaa
duniyaa hai naam safaai kaa

ye duniyaa
ye duniyaa heraa pheri hai
kabhi teri hai to kabhi meri hai
kabhi teri hai to kabhi meri hai
tudunaa tudunaa shur
kali kali manshur
o oh oh baabuji
o baabuji
khel safaai kaa
shaq nahin rupaye mein paai kaa
duniyaa hai naam safaai kaa
shaq nahin rupaye mein paai kaa
duniyaa hai naam safaai kaa

chatak chatak chatakhaare lekar
sun’ne waale mere taraane
muft bari ke gaye zamaane
jald nikaalo do do aane
o naa naa naa
ek aanaa ham nahin maangtaa
time hai ye mahangaai kaa
shaq nahin rupaye mein paai kaa
duniyaa hai naam safaai kaa
shaq nahin rupaye mein paai kaa
duniyaa hai naam safaai kaa

dhan daulat ke matwaalon ki
har baat niraali hoti hai
har baat niraali hoti hai
baazaar mein nikle deewaalaa
aur ghar mein deewaali hoti hai
aur ghar mein dewaali hoti hai
hai ye bhi
hai ye bhi rang jamaai kaa
shaq nahin rupaye mein paai kaa
duniyaa hai naam safaai kaa
shaq nahin rupaye mein paai kaa
duniyaa hai naam safaai kaa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mad Bhare Nain”(1955) was produced by R L Anand and directed by Hem Chundar for Fortune Films, Bombay. The movie had Kishore Kumar, Bina rai, David, Yashodhara Katju, Badri Prasad, Mishra, Durga Khote, Nazir Hussain, Achala Sachdev, Sarita, Bhupendar Kapoor, etc in it with Sundar billed in a guest appearance.

Five songs from this movie have been discussed in the past. Here is the sixth song from the movie. This song is sung by Lata. Shailendra is the lyricist. Music is composed by S D Burman.

Only the audio of this song is available. My guess is that this expression of love song was picturised on Bina Rai. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Leke jiya piya kahaan jaaoge (Mad bhare Nain)(1955) Singer-Lata, Lyrics-Shailendra, MD-S D Burman

Lyrics

o o o o
leke jiya piya kahaan jaaoge
bandh chuki hai pyaar ki dori ee
leke jiya piya kahaan jaaoge
chain leke chain tum kahaan paaoge
chain leke chain tum kahaan paaoge
kab talak chhupegi ye chori o o
leke jiya piya kahaan jaaoge
kahaan jaaoge

man ki gali aisi sajan
man ki gali aisi
o o o o o
man ki gali aisi
paane ko tum aaye ho
ab jo is gali se gaye
jaan leke jaaoge
ab jo is gali se gaye
jaan leke jaaoge
chain leke chain tum kahaan paoge
kab talak chhupegi ye chori
o o o
leke jiya piya kahaan jaaoge
kahaan jaaoge

pahunch ke manzil pe
laut jaane se haasil kya
o o o o o
pahunch ke manzil pe
laut jaane se haasil kya
pyaar ke pehlu mein jo ghabraye wo dil dil kya
o o o o
dar gaye toofaan se to us paar kaise jaaoge
dar gaye toofaan se to us paar kaise jaaoge
chain leke chain tum kahaan paaoge
kab talak chhupegi ye chori
o o o
leke jiya piya kahaan jaaoge
bandh chuki hai pyaar ki dori
leke jiya piya kahaan jaaoge
chain leke chain tum kahaan paoge
chain leke chain tum kahaan paoge
kab talak chhupegi ye chori o o o
leke jiya piya kahaan jaaoge kaahaan jaaoge


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

What does one do when one wakes up early in the morning.? My daily routine is to take my two pets on their morning walks one by one. I have stuck to this routine unfailingly irrespective of the weather. While most fair weather morning walkers give up when the weather becomes foul, I perform my morning walk even when it is raining, it is fog, it is cold etc. Or rather, one can say that my pets insist on going on their morning walks and I accompany them.

Just as the weather is variable, what one encounters during the walk also changes. On mornings of foul weather conditions, we are the only morning walkers, but on fair weather conditions, lots of fair weather creaturers, human as well as others can be seen.

Non human morning walkers that we encounter are street dogs and monkeys. How our dogs react to them and how they reach to the dogs differ from dog to dog. I will describe these and other interesting eperiences of our morning walks in detail in some other post which would basically discuss my pets. As it happens, the last time I discussed my pets was in may 2015. So a detailed writeup on them is now overdue.

This post is appearing at morning time. No, today is an exception when I am not going on a morning walk. No, it is not that I am suddenly feeling lazy. Not at all. At present I am travelling and so I may not be able to find much time to post today. Nevertheless, here is a good morning song to greet all.

The song is a good good morning song, viz a fair weather morning song, when people have no trouble waking up and feeling pleased.
“jag” in fact sings songs of joy on such mornings as this song describes. 🙂 The mornings in the parts of india where I stay and move around are nowhere like the good morning as described in the song, but nevertheless we do have such good mornings elsewhere.

The song is sung by Khan Mastana and Kalyani Das. Zia Sarhadi is the lyricist. Music is composed by Pt Govindram. This song is from “Dil Ki Duniya”(1949) and it happens to be the fourth song (out of ten) from the movie to appear in the blog.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

I have not been able to get a few words right in the song. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Song-Hua sawera saare jag ne khushi ka gaana gaaya(Dil Ki Duniya)(1949) Singer-Khan Mastana, Kalyani Das, Lyrics-Zia Sarhadi, MD-Pt Govindram
Male chorus
Female chorus

ho ho hua sawera
hua sawera

ho ho hua sawera hua sawera
hua sawera saare jag ne
khushi ka gaana gaaya

haan khushi ka gaana gaaya
hua sawera saare jag ne
khushi ka gaana gaaya

haan khushi ka gaana gaaya
man apna bahlaaya

ho o o o o
wo mela(?) jaane waala haaye
ab tak ghar na aaya
wo mela(?) jaane waala haaye
ab tak ghar na aaya
ab tak ghar na aaya
ab tak ghar na aaya

hua sawera saare jag ne
khushi ka gaana gaaya

haan khushi ka gaana gaaya
hua sawera saare jag ne khushi ka gaana gaaya
haan khushi ka gaana gaaya
man apna bahlaaya aa aa
man apna bahalaya

ho o
thhumak thhumak kar chali dhobaniya
ghaat pe kapde dhone
ghaat pe kapde dhone
ho thhumak thhumak kar chali dhobaniya
ghaat pe kapde dhone
ghaat pe kapde dhone
chaal anokhi dekh ke jiski
man mora lalchaaya
chaal anokhi dekh ke jiski
man mora lalchaaya
khushi ka gaana gaaya aa
khushi ka gaana gaaya

ho
ro ke dekha
hans ke dekha
phir bhi chain na aaye
phir bhi chain na aaye
jab (?) ker dekha vyaakul man ka
phir bhi bhed na paaya
jap(?) ker dekha vyaakul man ka
phir bhi bhed na paaya

hua sawera saare jag ne
khushi ka gaana gaaya
haan khushi ka gaana gaaya

wo mela(?) jaane waala haaye
ab tak ghar na aaya
wo mela(?) jaane waala haaye
ab tak ghar na aaya
ab tak ghar na aaya
ab tak ghar na aaya
ab tak ghar na aaya


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all Atulites

Today’s birthday girl was a Miss India winner in the year when my family got a TV for the first time ever. Prior to that whatever I have seen on TV (read Doordarshan) was either in other people’s houses or my chachu’s home. (As I have previously mentioned on many occasions. Those days nobody minded other people’s kids or adults too for that matter, coming in to see TV) I remember having got used to seeing the live relay of the Republic day parades, Filmfare Awards Nites, test matches, Wimbledon and opening ceremonies of Olympics or Asiad etc. They had a different charm to them specially when there would be no repeat telecasts and we used to either wake up early or sit up late to see live relays of overseas events.

One such live event which I tried never to miss was the Femina Miss India Contest. I have seen it almost every year till 1995 (then they became too commercial as so many other things in our lives.) So in the year 1984 we had this very cutely pretty (if there is such an expression) Juhi Chawla winning the Miss India crown. Then when she went to represent India at the Miss Universe contest I made it a point to sit through that too. Here she had worn a very lovely Ghaghara Choli and that got her the best costume award, it made her look so Indian that any Indian would have been proud to carry that look. In the final listing she was placed number five, even that was not a small achievement I am sure. But that gave her the ticket to a career in front of the camera. She has been a model & went on to become one of Hindi film industry’s reigning goddesses. I saw a little of two of her last releases and I was so happy that she has not been relegated to mother or aunt roles but has been getting strong female characters. “Gulab Gang” (2014) has her playing a conniving and shrewd politician, Sumitra Bagrecha, who uses people. Then came “Chalk n Duster” where she played a teacher who takes a stand against the commercialization of the Indian private education system. If she had Madhuri Dixit as her co actor in Gulab Gang she had Shabana Azmi with her in Chalk ‘n’ Duster. And in both movies it was difficult to judge who was better than whom. She has been a producer in partnership with Shahrukh Khan and Aziz Mirza. She is also the co-owner of the Kolkata cricket team in the IPL. What varied interests indeed. Her only regret was that she discontinued her dancing lessons after just three years but has been training in classical music for some time now.

Since I mentioned that Juhi Chawla had won the Best Costume at the Miss Universe I thought we will also have her in a song where she is donning a Ghaghara Choli and looking lovely/ pretty. The song is from the 1993-Mahesh Bhatt directed-Tahir Hussain produced- “Ham Hain Raahi Pyaar Ke”. This movie had her play Vyjayanti Iyer who runs away from home and a marriage to a person she can’t stand. She takes refuge in Amir Khan’s home (initially without his knowledge), who has a bunch of kids to take care of. She becomes the go-between for the kids and their mama, falls in love with the mama and day dreams today’s song. It is sung by Alka Yagnik and Kumar Shanu. The song got Alka Yagnik a National Award for best singer and the movie got Juhi her Best Actress Filmfare Award. The song also fetched Sameer the best lyricist Filmfare Award. Nadeem-Shravan were the music directors.

Still liking your performances; Happy Birthday to you Juhi Chawla.


Song-Ghoonghat ki aad se dilbar ka (Ham Hain Raahi Pyaar Ke)(1993) Singers-Alka Yagnik, Kumar Sanu, Lyrics-Sameer, MD-Nadeem Shrawan

Lyrics

ghoonghat ki aad se dilbar kaaa
deedaar adhooraaa rehta hai
ghoonghat ki aad se dilbar kaaa
deedaar adhooraaa rehta hai
jab tak na pade aashiq ki nazar
jab tak na pade aashiq ki nazar
singaar adhoora rehta hai
ghoonghat ki aad se dilbar ka

ghoonghat ki aadh se dilbar ka
deedaar adhoora rehta hai
jab tak na mile nazron se nazar
jab tak na mile nazron se nazar
ikraar adhoora rehta hai
ghunghat ki aad se dilbar ka

dilbar ka dilbar ka dilbar ka
dilbar ka dilbar ka dilbar ka

gore mukhde se ghunghta hataane de
ghadi apne milan ki toh aane de
mere dil pe nahin mera kaabu hai
kuch nahi yeh toh chaahat ka jaadoo hai
badhti hi jaati hai sanam
pyar ki yeh bekhudi ho

do premiyon ke na milne se ae
sansaar adhooraa rehta hai
jab tak na pade aashiq ki nazar
jab tak na pade aashiq ki nazar
singaar adhoora rehta hai
ghoonghat ki aad se dilbar ka
dilbar ka dilbar ka dilbar ka
haan dilbar ka dilbar ka dilbar ka

baagh mein gul ka khilna zaroori hai
haan mohabbat mein milna zaroori hai
paas aane ka achchha bahaana hai
kya karoon main ke mausam deewaana hai
dil mera dhadkaane lagi
abb toh yeh dewaangi ho
bina kisi yaar ke jaane jaan aa
yeh pyaar adhooraa rehta hai
jab tak na mile nazron se nazar
jab tak na mile nazron se nazar
ikraar adhoora rehta hai

ghoonghat ki aad se dilbar ka
dilbar ka dilbar ka dilbar ka
dilbar ka dilbar ka dilbar ka
haan dilbar ka dilbar ka dilbar ka
haan dilbar ka dilbar ka dilbar ka
dilbar ka dilbar ka dilbar ka
o dilbar ka dilbar ka dilbar ka
haan dilbar ka dilbar ka dilbar ka
dilbar ka dilbar ka dilbar ka


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kaale Baadal”(1951) was directed by Anand Thakur for National Film of India production. The movie had Meena, Pushpa Hans, Shyam, Gope, Jeevan, Raj Mehra, Ramesh Sinha, Tabassum, Hansa, M. Rajan, Pratima Devi etc in it.

The movie had nine songs in it. Seven of these songs have been covered in the past.

Here is the eighth song from “Kaale Baadal”(1951) to appear in the blog. This song is sung by Sulochana Kadam. Rajinder Krishan is the lyricist. Music is composed by Shyam Sundar.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Teri nazar ne meri nazar se…o baalam o rasiya (Kaale Baadal)(1951) Singer-Sulochana Kadam, Lyrics-Rajinder Krishan, MD-Shyam Sundar

Lyrics

teri nazar ne meri nazar se
keh di dil ki baat
chupke chupke ho gayi dil mein aen
khushiyon ki barsaat

o baalam
o rasiya
main teri tu mera re
o baalam
o rasiya
main teri tu mera re
ek ishaare mein dil maine kar diya tere hawaale
ek ishaare mein dil maine kar diya tere hawaale
deta hai dil tujhe duaayein
deta hai dil tujhe duaayein
o o
teer chalaane waale mere
o baalam
o rasiya
main teri tu mera re
o baalam
o rasiya
main teri tu mera re

soone dil mein huye ujaale
armaanon ne li angdaai
soone dil mein huye ujaale
armaanon ne li angdaai
sun mere saajan
sun mere balaam
sun mere saajan
sun mere baalam
o mat ban’na harjaai
o baalam
o rasiya
main teri tu mera re
o baalam
o rasiya
main teri tu mera re


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kismat Ka Sitaara”(1947) was directed by Nanubhai Vakil for Mohan Pictures, Bombay. This stunt movie had Prakash, amirbai Karnataki, Rafiq, Ansari, Kamal Rani, Devraj, Agha Shapur, Abdul Ghani, Shekh Asgar, Sheikh Burhan, C Sharma, Anees, Rukhsana, Rekha Pawar etc in it.

This obscure movie had eleven songs in it.

Here is the first song from “Kismat Ka Sitaara”(1947) to appear in the blog. This song is sung by Amirbai Karnataki. Roopbani is the lyricist. Music is composed by A R Qureshi.

Seeing that Amirbai Karnataki had acted in the movie, it is clear that the song was picturised on herself.

With this song, “Kismat Ka Sitaara”(1947) makes its debut in the blog.


Song-Teer lagaa teer haaye kya karoon (Kismat Ka Sitaara)(1947) Singer-Amirbai Karnataki, Lyrics-Roopbani, MD-A R Qureshi

Lyrics

Teer laga teer haaye kya karoon
lut gayi taqdeer haaye kya karoon
teer laga teer haaye kya karoon
lut gayi taqdeer haaye kya karoon
husn unka dekh kar ho gaya zakhmi jigar
husn unka dekh kar ho gya zakhmi jigar
dil mein tasweer haaye kya karoon
lut gayi taqdeer haaye kya karoon
dil mein tasweer haaye kya karoon
lut gayi taqdeer haaye kya karoon

paas aakar chal diya
dil ko chura kar chal diya
paas aakar chal diya
dil ko chura kar chal diya
koi thha bedardi main kya karoon
lut gayi taqdeer haaye kya karoon
koi thha bedardi main kya karoon
lut gayi taqdeer haaye kya karoon

mera sab kuchh kho gaya
dil bhi unka ho gaya
mera sab kuchh kho gaya
dil bhi unka ho gaya
meri taqdeer haaye kya karoon
lut gayi taqdeer haaye kya karoon
meri taqdeer haaye kya karoon
lut gayi taqdeer haaye kya karoon
teer laga teer haaye kya karoon
lut gayi taqdeer haaye kya karoon


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bahaadur” (1953) was directed by Ratibhai Punatkar for Ranjit Movietone, Bombay. The movie had Suresh, Shyama, Roopmala, Amarnath, Anwar Hussein, Shammi, Rajendra Singh, Ibrahim, Prem Kumar, Moti Sood etc in it.

This movie had eight songs in it that were written by six lyricists and the songs had five voices in them. Five of these songs have been covered in the blog. That leaves us to cover three songs that unsurprisingly are rare song which are not easily available.

Here is the sixth song from “Bahaadur”(1953). This song is sung by Ashima Bannerji. Surjeet Sethi is the lyricist. Music is composed by S Mohinder.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Mohabbat ke zamaane nigaahon ke fasaane (Bahaadur)(1953) Singer-Ashima Bannerji, Lyrics-Surjeet Sethi, MD-S Mohinder

Lyrics

mohabbat ke zamaane
nigaahon ke fasaane
mohabbat ke zamaane
nigaahon ke fasaane
na bhoole hain
na bhoolenge
na bhoolenge
mohabbat ke zamaane
nigaahon ke fasaane

na bhoole naaz tera
haay andaaz tera
tere naghme sunaata hai ae ae
tere naghme sunaata hai
ye dil ka saaz mera
ye dil ka saaz mera
sune kya toone mere
kabhi dil ke taraane
sune kya toone mere
kabhi dil ke taraane
na bhoole hain
na bhoolenge
na bhoolenge
mohabbat ke zamaane
nigaahon ke fasaane

wo tera muskaraana
wo mera dil churaana
judaai deke mujhko wo o o
judaai deke mujhko wo
tera chupke se jaana
tera chupke se jaana
abhi hain yaad mujhko
wo beete din suhaane
na bhoole hain
na bhoolenge
na bhoolenge
mohabbat ke zamaane
nigaahon ke fasaane
mohabbat ke zamaane
nigaahon ke fasaane


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(© 2008 - 2017) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13700 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13734

Number of movies covered in the blog

Movies with all their songs covered =1031
Total Number of movies covered =3756

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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