Archive for the ‘Thousandth song for the artist’ Category
Ek hain sab Hindustani
Posted on: January 26, 2024
- In: Asha Bhonsle solo | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Inspirational song | lullaby | Lyrics by Prakashchandra | Lyrics contributed by readers | Number song | Patriotic song | Songs of 1960s (1961 to 1970) | Songs of 1970 | Thousandth song for the artist | Thousandth song in the blog | Yearwise breakup of songs
- 7 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This song post marks the 1000th song of Laxmikant Pyarelal as music directors in the blog.
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Blog Day : |
5670 | Post No. : | 18177 |
Today (26 January 2024) is Republic Day of India.
India became a republic on 26 January 1950. That was easily a red letter day in the history of Modern India. It was on this day that India decided to be a country that would be a democracy where each citizen, irrespective of his caste, creed, religion, gender, economic status etc would enjoy equality without discrimination. The country would be governed according to the acts of Indian constitution that was adopted on this date.
It is to the great credit of India that the country has followed the constitution of India and the ideals of Indian constitution have been followed in spirit and letter. Today, 74 years later, India is in a much better position that what it was when the fledgling nation of India tried to find its feet. Foreign powers, including those who were the erstwhile rulers of India had predicted that India would fall apart in a matter of decades. Those people, long gone by now, have been proved wrong. Then there were foreign powers that kept interfering in the internal affairs of India, trying to destabilize and divide the nation and to keep it backward. Despite their efforts, India kept growing, albeit at glacial pace.
There are people who look back at past with selectively and opine that “hamaare zamaane mein sab kuchh achcha thha“. That was hardly the case if one collects facts and examines them and compare them with other nations of that time, and secondly when we make comparisons with today.
For instance, India today is in a much better position today than in 1950. Literacy rate was 18.3% in 1951. In 1947, it was 12%. It is 77.77 % in 2023. So India had come up a long way. Our literate population may not be all that educated and employable, but good progress has been made. Now we have to ensure that our population is not just literate but are also capable of acting as trained manpower in wide variety of industries. These industries, by the way, were conspicuous by their absence in 1940s, when India became independent and subsequently became a republic.
Economy is the backbone of any industry. Economically India continued to be a very week country till 1990. Present generation Indians will not believe it if they are informed that Indian economy ran on doles and loans till 1990. Foreign currency was scarce and so if some Indian wanted to get foreign currency in order to go abroad, he had to run from pillars to post. If he was lucky, he would get a ridiculously meager amount of foreign currency.
Though Indian constitution was formed with the aim of helping Indians realize their potential and lead dignified lives, the constitution was not really used that way all the time. In a democracy, it is expected that people are allowed to do something unless it is expressly forbidden. But Indian government often passed rules that forbid people to do things unless they were expressly permitted. One such draconian rule was FERA (Foreign Exchange Regulation Act). According to it, all foreign exchange was the property of Government. Holding foreign currency and dealing in it was forbidden. This act killed any kind of industrial and business activities in India because one simply could not import any goods and services from abroad.
It was only in 1999 that this draconian act was repealed and it was replaced by FEMA (Foreign Exchange Management Act). Now keeping foreign currency and trading in it is no longer an offence. One can freely buy foreign currency while going abroad. One can also import foreign items on Amazon etc. paying in foreign currency online. Till 25 years ago, it was expressly prohibited and forbidden.
In any case, foreign exchange was in short supply till 1990 because Indian economy itself was closed and isolated from world economy. Closed economy of USSR was called Iron Curtain. India economy that aped USSR was likewise called Bamboo Curtain.
USSR collapsed in late 1980s and early 1990s. India, whose economy was propped up artificially thanks to USSR, collapsed.
As fate would have it, India miraculously survived. It was very fortuitous that right man found himself becoming appointed as the PM of India in 1991. Once he realized that Indian economy was in dire straits, he systematically and with great planning and due diligence kept bringing in reforms after reforms, and that too in a manner that often flew under the radar yet they were major reforms that altered the course of Indian economy. People who were till then not allowed to be part of Indian economy were now allowed to participate in running the economy. Draconian acts that forbid people to do anything unless expressly allowed were replaced by new acts that allowed everything to be done unless expressly forbidden.
The results slowly began to come. Three decades have passed after the Indian economy was opened up. Now, Indian Government no longer has to borrow money from IMF (something that almost every neighbor of India still does). Unlike in the past, India is flush with foreign currency because foreigners believe in Indian economy and they invest their money in Indian stock exchange. The foreign businesses have their branches in India. Not just that, some Indian business houses have become global brands.
India still has a long way to go. Indians cannot rest on their laurels. Annual per capita earning of Indians is only $ 2,400 or so. A country is called high income country when annual per capita income of that country crosses $12,000. So Indian per capita income must become five times its present value for India to be considered as a high income nation viz a developed nation. Assuming that the population remains constant, it means India GDP must touch $ 18 trillions. If an economy grows at 7 % per annum, that economy doubles in ten years. With this rule of thumb, we can see that Indian GDP needs to become 5 times its current size. So India will need to keep developing its economy at 7 % per annum for 25 years. If the growth rate could be made higher than 7 % then the target could be achieved in lesser time.
On this occasion, here is a song from ‘Devi’ (1970). ‘Devi’ was produced by TM Kittu & AV Subramaniam and directed by V Madhusudana Rao for Olympic Pictures, Madras. The movie had Nutan, Sanjeev Kumar, Rehman, Lalita Pawar, Farida Jalal, Mehmood, Aruna Irani, Dina Gandhi aka Dina Pathak, Gajanan Jagirdar, Manorama, Madan Puri, Baby Sarika (aka Moppet Suraj), Mukri, Lalita Kumar aka Lalita Sinha, Manmohan Krishna, Vishwa Mehra, Mallik, Sulochana Latkar etc. in it.
The film had five songs in it. Three songs have been covered in the past.
This song, the fourth from the movie to appear in the blog is sung by Asha Bhonsle. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.
Lyrics of this song were sent to me by Prakashchandra many republic days and independence days ago. He had also sent a video link of the song. According to Prakashchandra, the song was picturised on Nutan, Dina Pathak, Baby Sarika aka Moppet Suraj and Manmohan Krishna.
Pyarelal Sharma has been given Padma Bhushan in the list of Padma awards that were announced on 25 January 2024, on the eve of Republic Day. So this song is an appropriate song to mark the occasion.
What is more, this song is the 1000th song of Laxmikant Pyarelal in the blog. They become the second music directors (firs being Shankar Jaikishan) to reach four figures of songs in the blog.
I take this opportunity to wish each and every Indian (wherever they are) a very happy Republic Day. India is marching ahead proudly and is on its way to take its rightful place among the nations of the world.
Audio
Video
Song-Ek hain sab Hindustani (Devi)(1970) Singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics (Provided by Prakashchandra)
ek
ek hain sab hindustani
ek hain sab hindustani
jo do samjhe ae
jo do samjhe
us ki hai ye naadaani ee
do
hum sa bke do haath hain
haath hain apne saath to saare saath hain ae
teen
aagey number teen hai
jhoothh bada bud-soorat hai
aur sach badaa haseen hai
chaar
chaar dishaaon mein sab dhaam
chaar dishaaon mein sab dhaam
purab pachchim uttar dakkhin unn ke naam
ek do teen chaar
chaar ke aagey paanch hai
phoolon mein khushboo hai
aag mein kyaa hai
aanch hai
chhe kaa roop niraalaa hai
aisa waisa darwaaze ka taalaa hai ae
saat
sur hai saat sitaar mein
sa re ga ma pa dha ni
sa ni dha pa ma ga re sa
sur hai saat sitaar mein
saat achchambhe hain saare sansaar mein
aathh
aathh baje hain sun aagey
woh achcha
jo jaldi soye
aur jaldi jaagey
number nau ka hai kehna
number nau ka hai kehna
paas bhalon ke
door buron se tum rehna aa
dus
bas
bas karo ab so jaao
bas karo ab so jaao
meethhe meethhe sapnon mein tum kho jaao…ooo
ek hain sab hindustaani
hmmm….hmmmm…hmmmm….hmm hmmm hmmmm
hmmm….hmmmm…hmmmm….hmm hmmm….hmmm
hmmmmm……hmmm hmmmm
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Hindi script lyrics (Provided by Sudhir)
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एक
एक हैं सब हिंदुस्तानी
एक हैं सब हिंदुस्तानी
जो दो समझे॰॰ए
जो दो समझे
उसकी है ये नादानी
दो
हम सबके दो हाथ हैं
हाथ हैं अपने साथ तो सारे साथ हैं
तीन
आगे नंबर तीन है
झूठ बड़ा बदसूरत है
और सच बड़ा हसीन है
चार
चार दिशाओं में सब धाम
चार दिशाओं में सब धाम
पूरब पश्चिम उत्तर दख्खिन उन के नाम
एक दो तीन चार
चार के आगे पाँच है
फूलों में है खुशबू
आग में क्या है
आंच है
छह का रूप निराला है
ऐसा वैसा दरवाज़े का ताला है
सात
सुर हैं सात सितार में
सा रे गा मा पा धा नि
सा नि धा पा मा गा रे सा
सुर हैं सात सितार में
सात अचम्भे हैं सारे संसार में
आठ
आठ बजे हैं सुन आगे
वो अच्छा
जो जल्दी सोये
और जल्दी जागे
नम्बर नौ का क्या कहना
नम्बर नौ का क्या कहना
पास भलों के
दूर बुरों से तुम रहना
दस
बस
बस करो अब सो जाओ
बस करो अब सो जाओ
मीठे मीठे सपनों में तुम खो जाओ॰॰ओ
एक हैं सब हिंदुस्तानी
ह्म्मम ह्म्ममम ह्म्ममम
ह्म्म ह्म्मम ह्म्ममम
ह्म्मम ह्म्ममम ह्म्ममम
ह्म्म ह्म्मम ह्म्मम
ह्म्ममम ह्म्मम ह्म्ममम
- In: Artist century song in blog | Asha Bhonsle songs | Blog century song | Century songs for the blog | Guest posts | Manna Dey songs | Post by Raja | qawwali | Rafi songs | Song sung by three or more singers | Songs of 1980s (1981 to 1990) | Songs of 1982 | Thousandth song for the artist | Thousandth song in the blog | Yearwise breakup of songs
- 4 Comments
This article is written by Raja, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4270 | Post No. : | 15500 | Movie Count : |
4271 |
Ok, so Atul approached me a few days ago requesting me for a post for a special occasion.
My posts have become very infrequent here – in fact, before my latest post on Sahir’s birth anniversary (8th March), my previous post was on his death anniversary last year (25th October). So a gap of more than 4 months.
But then, like often happens in Test cricket, you wait and wait for a wicket to fall – and when one falls, another quickly follows.
Same has happened here. Following quickly on the heels of the 8th March post, here is another one.
And on such an occasion that I just could not refuse. Let’s just call it the perfect yorker. 🙂
Friends, I am SO honoured here to present Rafisaab’s 3000th song on this blog.
Please allow me now to take a deep breath to let this sink in.
I don’t remember now when we got to Rafisaab’s 1000th and 2000th songs, but as we scale new heights, it feels like we’re entering rarified space.
3000 songs of one artiste on our blog is quite an astonishing achievement. Of course, we’ve already got there with Lata Mangeshkar (she’s going strong with 3500+ right now) but Rafisaab is only the second artiste to hit this milestone here.
Even as I write this post, I feel extremely humbled – and undeserving of this honour. This post is supposed to be a tribute not just to Rafisaab, but to this blog itself.
And there have been so many more here, starting with Atul himself, who deserve to write this. My contributions have dramatically reduced – while there are at least a dozen others (actually many more), who contribute much more, and far more regularly.
But since I am a big Rafisaab fan, I think Atul approached me for this. (In fact there are even bigger Rafisaab fans here – but let’s not start comparing. :-))
Having said all that, let’s talk a bit about Rafisaab here – and our love for him.
I say “our”, because I know I speak for everyone here when I say, we all love Rafisaab here. Only the degree might differ.
Speaking for me personally (and maybe for others too), it has never been about just Rafisaab’s voice.
Sure, for his voice alone, he would easily have had a special place in my heart. That divinity in his voice, his ability to transport me into a different realm altogether, the intonations, the “thehraav” – all of these put him on a level that’s stratospheric for me.
I have spent hours listening to Rafisaab, often intending to listen to just one song. 🙂 I’d listen to one, then get tempted to listen to another, then another, and so on. And before I’d realize it, the minutes would turn into hours. I’ve even spent all night listening to him (ok, that was a few years ago, when I coul stay awake all night). 🙂
It has been said many times before, and by many, but I will say it again – at least in HFM, I haven’t seen any singer with the versatility of Rafisaab. He could deliver every single song in exactly the mood and range required for it. Which is why he could do rock and pop singing just as comfortably as he could do bhajans and ghazals.
Rafisaab could totally get you into any mood the song demanded. He could just mesmerize you into it.
One moment he’s singing the breezy “pukaarta chala hoon main” or the sensuous “aaja re aa zaraa”, the next he’s singing the bhajan “sukh ke sab saathi”. 🙂
One moment, you’re imagining yourself as Shammi Kapoor with “aaja aaja main hoon pyaar tera”, the next you’re Bharat Bhushan lamenting “o duniya ke rakhwaale”. 🙂
They said of Rafisaab that he was an extremely shy and quiet person outside the recording room. You could barely hear his voice.
But once, in the room, recording?
He was a totally different person.
He would be so totally immersed in the song, giving it the very best he could, that you couldn’t believe it was the same person who, outside the room, hardly ever spoke.
In this sense, Rafisaab was a thorough professional. He always sought to give his very best, regardless of who the composer was.
In stature, he was often far higher than most of the composers he sang for. So it is only normal that composers might have hesitated to ask him for a retake, and could have just gone with whatever had been recorded, even if they were not fully satisfied.
But such was Rafisaab’s humility, such was his professionalism, such was his lack of ego, that he would ask the composer if it was ok – and if the composer had any suggestions for improvement, Rafisaab would redo it to the composer’s satisfaction.
That is truly the sign of greatness of an artiste.
And, considering how many successful artistes end up with ego too to match, Rafisaab stands out as an exception.
There are so many other things about Rafisaab that speak of the greatness of him as a human being.
There are other examples of Rafisaab’s nature that are also endearing.
For example, the fact that he sang for composers for a nominal fee, even just a token one rupee, because he knew they could not afford to pay him fees compatible with his stature.
Even in the royalty issue, which resulted in his fallout with Lata, his stand was typical. I don’t want to play judge here, and talk about whether his/Lata’s action was right or wrong, but it was typical of Rafisaab to feel that he had been adequately compensated for the work he had done, and shouldn’t ask for more.
Rafisaab’s generosity went beyond the industry. He provided financial support to people who did not even know who their benefactor was.
All of this, without the slightest arrogance. When someone would praise one of his songs, Rafisaab would just smile and point upwards , as if to say “sab ooparwaale ki kripa hai”.
There’s SO much one could learn from Rafisaab and his values. Ever-polite, ever-professional, ever-helpful, ever-smiling, ever-humble. And ever the family man too, because he always enjoyed spending time with his family.
I’ve written many times about him here – and much of what I’m saying here is repetitive (and possibly boring), but it always gives me great joy to write about Rafisaab, whatever the occasion.
I invariably then write about his character and not just his songs, because his character amazes me just as much as his amazing voice.
So the fact that we have now got 3000 songs of Rafisaab on this blog is a hugely satisfying achievement. My hearty congratulations to Atul, and to everyone else who has been part of this process.
Oh, and in all the discussion about Rafisaab and his 3000th song, I almost forgot.
There’s another milestone to celebrate today – today’s song also happens to be the 15500th song on the blog.
Yes, 15,500.
There was a time, in the early years of the blog, when every century was a major milestone. Then, as the centuries began getting clocked with regularity, the celebration around them decreased. We had entered the chiliad league, so our major milestones became 1000, 2000, 3000 and so on….now past 15000.
The 100s became minor milestones.
While this is understandable to some extent after 155 centuries, I still think every century deserves to be celebrated.
Let us NEVER forget that EVERY song involves a fair amount of effort, and though contributors (*cough*, *cough*) do their bit, every song still requires time & effort from Atul/Sudhirji. And they’ve put this effort 100 times, since 15400. So, I definitely think they deserve appreciation and a round of applause for this.
Now onto the song for today.
You can always trust Atul to unearth songs that have long faded from people’s memory. Or maybe they never got attention when they were released.
The same applies to films too. After all, the Hindi film industry is prolific, with hundreds of films being released every year, and thousands of songs.
As a result, many songs and films never get attention.
This blog has always tried to unearth such songs and films, and to give them their share in the limelight, even if it is several years after their release. After all, every song involves a lot of effort from many artistes. And for a film? The effort is several times more – involving so many more people, in various capacities, each one playing his/her role hoping to see the film succeed at the box-office.
I don’t know the success rate of films, but I’d say there are far more films that don’t click at the box-office, than those which do. Let’s not get into reasons here – I’m no pundit – but I do always like to acknowledge the effort that has gone into making a film anyway.
Why so much of a build-up in this post?
Because the song for today has as much to do with the film as with the song itself.
Prima facie, the song looks like a routine song. It’s a qawwali, with its usual nok-jhok, and, as isn’t uncommon in movies, with disguises. 🙂
Now I’m a sucker for qawwalis, so even though this probably isn’t in the same league as many more illustrious ones, I’m happy to just listen to it, and enjoy it.
Besides, this was 1982 – and by then, qawwalis were slowly on the decline. The times had changed, and naturally films had to reflect the changed times.
So I wouldn’t judge this qawwali, keeping other classics in mind. 🙂
When Atul sent me an e-mail requesting me for a write-up, he explained why he picked this song. It has to do with not just the song, but the film as well.
This is what he said:
The song that I have chosen for the occasion is a special song. It is a rare song. It is composed by an obscure music director called B T Singh. It is the only song of B T Singh with Rafi in his career. HFGK mentions that music was arranged and composed by Uttam Singh. He could be assistant to B T Singh.
The movie is an obscure movie called “Chambal Ke Daaku”(1982). This movie was Produced by R S Sandhu , written and directed by S Azhar for S L Cheema films, Bombay.
The USP of the movie was “Real dacoits pesented first time on screen.”
The movie had real dacoits viz Mohar Singh, Madho Singh, Fateh Singh, Lakhan Singh, Kalyan Singh and hundred of ex dacoits, and actors like Nazneen, Javed Khan, Madhumalini, Sulochana, Malti Joshi, Yasmeen, Birbal, Dushyant, Deep, Ashok, S S Khan, Nirmal Singh, Shamsher Singh, Jeewan Singh, Joginder Singh, Amreek Singh, Joginder Singh Laddhar, Mahendra Singh, Chandrakala, Ramesh Deo, Sohel Khan, Joga Singh, Sayyad Khan, Praveen Lakhad, Gajendra Gadge, Rajkumar, Baw Brar, Shabbir Khan, Guest apppearances by Padma Khanna, Hina Kausar, Mahendra, Raza Murad etc.”
Wow!
So now we have a film here where real-life dacoits just decided to act in a film. Maybe there are other examples too (what about “Jis Desh Mein Ganga Behti Hai”)?
In any case, it is a rather fascinating scenario. And of course, when I learnt about this, my mind began working overtime, imagining all sorts of things.
– Were they active dacoits, wanted by the police? If so, how did they get to act? Or had they served their sentence, and reformed? In which case, they shouldn’t be judged on their past, of course.
– How much were they paid?
– Was it maybe just a smart move for the producer to co-opt real-life dacoits so that not only does he have a USP, but he also has access to their expertise, and could film in locations he wouldn’t otherwise dare to?
– How did co-stars, and the rest of the crew feel? Imagine having chai with a real-life dacoit. You’d probably not want to upset him, or even crack a joke about him, for fear of him taking offence at it
– In the shooting scenes, was anyone worried that the dacoits might just get excited and take it all too literally?
Such thoughts, and more, came to my mind, because this was reel life and real life potentially getting mixed up. The key word here is “potentially”. 🙂
Chambal itself was a common film theme in those days – especially in the 70s and early 80s. Films mirror real-life events, and dacoity used to be in the news off and on in those days. There were plenty of dacoit films made in that time, the most famous being Sholay, of course. 🙂
I remember VP Singh, CM of UP (1980-82) came down hard on dacoity in his time, and even got a lot of praise for it. But soon after, there was a major dacoity, as if to spite him – and he offered to resign as CM.
I myself used to travel a lot by train from Orissa to Delhi in the early 80s, and go through Gwalior-Morena (I think Dholpur in Rajasthan also), which I think is the Chambal area. The landscape would be “interesting”, and would trigger my imagination. 🙂
Anyway, enough of digression.
Back to the song, it is sung by Rafisaab (of course), together with Asha Bhosle and Manna Dey. Rafisaab passed away in 1980, so it’s possible this is one of his last few songs – unless the film took a while to get released.
I must admit I couldn’t recognise many faces – but Ramesh Deo is, of course, unmistakeable.
Hope you enjoy the song, and imagine yourself singing it with real-life dacoits in Chambal Valley. 🙂
And once again, congratulations to the blog for clocking Rafisaab’s 3000th, and the blog’s 15500th.
Audio
Video
Song-Uljhan ho chaahe koi aa jaaye mushqil (Chambal Ke Daaku)(1982) Singers-Rafi, Asha Bhonsle, Manna Dey, Lyrics-Gauhar Kanpuri, MD-B T Singh
Male chorus
Female chorus
Lyrics
banaayenge bhanwar mein raasta
aur lahron pe saahil
bhanwar kehte hain uljhan ko o
lahar ka naam hai ae ae mushqil
uljhan ho chaahe koi aa jaaye mushqil
uljhan ho chaahe koi aa jaaye mushqil
mil ke rahegi yahin apni manzil
mil ke rahegi yahin apni manzil
kehta hai aaj yehi mera dil
uljhan ho chaahe koi aa jaaye mushqil
uljhan ho chaahe koi aa jaaye mushqil
kahaan se aaye ho
bolo ji kya iraada hai
Ji kya iraada hai
hamaari baat hai
ya doosron se waada hai
ye dil ka raaz hai
dil mein hi rehne do dilbar
haan rehne do dilbar
banega baat ka afsaana honthon pe aa kar
dilon ke raaz ko
o o o o o o
dilon ke raaz ko
nazron se ham to
kehte hain
kehte hain
kehte hain
ham si haseenon ko samjho na gaafil
gaafil
ham si haseenon ko samjho na gaafil
uljhan ho chaahe koi aa jaaye mushqil
uljhan ho chaahe koi aa jaaye mushqil
haaye
haseen adaaon ka rangeen nazaara dekhenge
nazaara dekhenge
ham apni aankh se kismat ka taara dekhenge
haaye ae ae ae
ae ae ae
aa aa aa aa aa
aa aa aa aa
nazar nawaaz
nazaaron mein jee nahin lagta
haaye ae ae
haseen chaand sitaaron mein aen
jee nahin lagta
sa ni ma dha pa ni
dhi ma pa ni sa
sa ni sa dha ni
pa dha
ma pa
ma ga ma
ga re ga sa re
sa re ga ma pa
nigaah e naaz ka hamko ishaara mil jaaye
ishaara mil jaaye
hamen bhi jeene ka
koi sahaara mil jaaye
isharaa paaoge ae ae ae
isharaa paaoge
jhaanko hamaari aankhon mein
aankhon mein
aankhon mein
chaand se chehre pe
taaron ki jhilmil
jhilmil
chaand se chehre pe taaron ki jhilmil
uljhan ho chaahe koi aa jaaye mushqil
uljhan ho chaahe koi aa jaaye mushqil
samajh gaya hoon main
dil aur nazar ke afsaane
nazar ke afsaane
anaar ek hai
aur uske do hain deewaane
deewaana kaun hai
duniya ko ye bataana hai
yahi bataana hai
nazar ke teer se taqdeer aazmaana hai
jo hoshiyaar hai
ae ae ae ae ae
jo hoshiyaar hai
duniya usi ke kaabil hai
kaabil hai
kaabil hai
mehfil se baahar bhi hai ek mehfil
mehfil
mehfil se baahar bhi hai ek mehfil
uljhan ho chaahe koi aa jaaye mushqil
uljhan ho chaahe koi aa jaaye mushqil
kahin uljhan hai
kahin mushqil hai
kahin mehfil kahin manzil
ye lo mera fasaana
ye kissa hai puraana
oho
hamaara dil na todo
oho
ye dil ki bat chhodo
oho
mere nazdeek aao
oho
qayaamat na uthhaao
oho
tumhaara dil hai patthar
aha
magar tum ho sitamgar
oho
mujhe tarpaaya tumne
oho
mujhe uljhaaya tumne
oho
tujhe hamne pooja
oho
mere dil mein hai dooja
oho
kahaan hai wo kidhar hai
oho
idhar hai ye udhar hai
Kuchh bhooli huyi yaaden
Posted on: November 4, 2017
- In: Artist century song in blog | Artist's debut song/ movie | Artistwise statistics | Blog century song | Car song | Century songs for the blog | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Kishore Kumar solo | Kishore Kumar songs | Lyrics contributed by readers | Nostalgic song | Rare song | Songs of 1970s (1971 to 1980) | Songs of 1973 | Songs picturised in cities | Statistics of lyricists | Thousandth song for the artist | Thousandth song in the blog | Yearwise breakup of songs
- 18 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws. This is the 13700th post for the blog and 1000th post as a lyricist for Rajinder Krishan
Century posts in this blog are quite frequent. There have been 136 such centuries already as far songs in the blog are concerned. We also have centuries by artists (quite frequent) as well as by contributors (a bit less frequent).
Thousandth post, whether they are for the blog, or the artists or the contributors are quite rare though. There have been only 13 such occasions for the blog. Only five artists and two contributors have completed their set of thousand posts in the blog.
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Jab Tak Ye Sansaar Nachaaye
Posted on: October 1, 2017
- In: "roadside tamaasha" song | Devnagri script lyrics by Sudhir | Duet | fun timepass song | Guest posts | Lyrics contributed by readers | Monkey song | Mukesh songs | Mukesh Usha Mangeshkar duet | Multi part song | Multiple version song | philosophical song | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1966 | Street singing | Thousandth song for the artist | Thousandth song in the blog | Usha Mangeshkar songs | Yearwise breakup of songs
- 5 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This post celebrates the 1000th song of Majrooh Sultanpuri on our blog.
rok sakta hamen zindaan e balaa kya majrooh
hum to awaaz hain deewaaron se chhan jaate hain
Powerful lines, written while he was in prison – no, not under the British rule; that happened back in 1946-47. This was a second time he was imprisoned c1950-51, under the regime of a free India. A poet with leftist leanings, his progressive writings were considered a threat by the British regime (which is understandable), and also considered a threat by then government of Morarji Desai (in Bombay). A song titled ‘Aman Ka Jhanda’ was sung at a meeting of poor labor class workers in the Parel area. Being the author, and the on stage presenter of this song, drew the ire of the establishment, and arrest warrants were issued in his name. He was arrested after being underground for some time, and sentenced to one year imprisonment. Morarji Desai suggested that he may render an apology for his writings, and he would be a free man. In response, the young revolutionary poet wrote this couplet.
rok sakta hamen zindaan e balaa kya majrooh
hum to awaaz hain deewaaron se chhan jaate hain
No walls of a prison
No tyranny of a jailer
Has the power to bind me
I am the voice (of conscience)
That permeates through
The walls of confinement
[Note: zindaan = jailer]
Remembering Majrooh Sb on the 98th anniversary of his birth today (1st October).
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- In: "chaand" song | "How did I forget to post this song earlier" song | "wooing" song | Actor singing his song | Actor-Singer song | Artist century song in blog | Blog century song | Calling the beloved | Century songs for the blog | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | How come this song was not posted earlier | Kishore Kumar solo | Kishore Kumar songs | Love song | Lyrics by Peevesie's mom | Lyrics contributed by readers | One singer singing for two actors | Post by Raja | Songs of 1960s (1961 to 1970) | Songs of 1968 | Thousandth song for the artist | Thousandth song in the blog
- 13 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
As I write out this post today, I have strong emotions attached to it.
It is a huge honour for me to write this post. I have to thank Atul for giving me the opportunity to do so.
Just a few days ago, Atul sent me an e-mail asking me if I could do a write-up for Kishore Kumar’s 1000th song on this blog. And of course, I immediately mailed back “Sure”. I wouldn’t miss this opportunity – it is indeed a very special occasion and a huge honour for me.
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- In: Actor-Singer song | Blog century song | Calling the beloved | Century songs for the blog | Debut song of artist | Devnagri script lyrics by Sudhir | Expecting the beloved | expression of love | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | Post by Sudhir | Rare song | Song excluded from movie | Songs of 1940s (1941 to 1950) | Songs of 1943 | Thousandth song for the artist | Thousandth song for the blog | Thousandth song in the blog | Unreleased song | Yearwise breakup of songs
- 52 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The counter has been stuck at double one triple nine, for three days now. That, I am sure, will have beaten all the records in the books.
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Teri aawaaz ki jaadoogari se
Posted on: July 31, 2013
- In: Artist century song in blog | Century songs for the blog | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Rafi solo | Rafi songs | Songs of 1960s (1961 to 1970) | Songs of 1968 | Thousandth song for the artist | Thousandth song in the blog | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This is the 2000th song of Rafi discussed in the blog.
Truly, a man for all seasons, and a voice for all reasons. A person like him comes maybe once in a millennia. And a voice like his is probably a unique manifestation of God’s own will, maybe once in the sustenance of an entire creation. It seems as if the poet Iqbaal wrote his famous couplet for him, and him alone.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Happy 83rd – the year of life.
And Happy 70th – the year of active career.
Lata Mangeshkar, born this day in 1929, started her singing career in 1942, the year she turned 13.
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Geet kitne gaa chuki hoon
Posted on: May 23, 2012
- In: Artist century song in blog | Asha Bhonsle NFS | Asha Bhonsle solo | Asha Bhonsle songs | Biography of artists | Biography of singer | Blog century song | Century songs for the blog | Guest posts | NFS | Post by Sudhir | Songs of 1950s (1951 to 1960) | Songs of 1960 | Thousandth song for the artist | Thousandth song for the blog | Thousandth song in the blog | Yearwise breakup of songs
- 22 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The year – 1997. For the first time ever (October ’97), an Indian artist is being honored as the ‘Artist of the Month’ by MTV channel on cable TV. At the age of 64, a Maharashtrian housewife who loves to cook, and is a grandmother, Asha Bhosle graced the honors. And mind you, this recognition is voted for by the MTV audience, a population that primarily consists of teen agers. At an age when most people in many walks of life are either retired or contemplating a more relaxed and sedate life, this diva of Hindi film music, went on to completely reinvent herself. At the age of 64, with a new makeover, she rose once again to become the queen of funky pop.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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