Archive for the ‘Post by Satyajit Rajurkar’ Category
Kombda ba baanoo aashiq jhaala
Posted on: March 7, 2018
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3519 | Post No. : | 14132 |
I had promised my co-Atulite and friend Avinash Ji that my next post will be of a song to his liking and which he, as probably many of us, have forgotten in more than four decades since this movie has been released. Some of the readers may be hearing this song for the first time.
This movie was released in the year that I passed out from my school and probably saw it during the intervening period when I left the school and started my junior college. The movie was no great shakes, as in a run-of-the-mill romantic thrillers with the then popular (one of them) jodis of Randhir Kapoor and Rekha. These two acted together in many movies starting with Rampur Ka Laxman (1972), Dharam Karam (1975), Dafaa 302 (1975), Khalifa (1976), Ram Bharose (1977), etc.
Aaj Ka Mahatma (1976) was directed by Kundan Kumar for producers Kundan Kumar and Sharad Kumar, music by Laxmikant and Pyarelal.
The movie stars Randhir Kapoor, Rekha, Ranjeet, Bindu, Manmohan, Manmohan Krishna, Kumud Chuggani, Purnima, Shetty, Keshav Rana, Abhimanyu Sharma, Keshto Mukherjee, Sanjana, Dilip Dutt, Manorama, Rajan Haksar, Jeevan, Anand Joshi, Kirti Kumar, Rajan Kapoor, Narbada Shankar, A.N. Malhotra, Bhagwan Sinha, Deepak, Ramesh Deo, etc
The storyline:
Randhir and Ranvir Verma are twins. Randhir is straightforward, while Ranvir is a petty criminal. These petty thefts add up, and soon the police arrest Ranvir, and he is sentenced to prison. In prison, Ranvir incurs the wrath of a gangster, Tony, and is killed. Randhir undertakes to find the killer, and gets himself arrested, and imprisoned to get to see who the killer is. After getting out from prison, Randhir plans to avenge his brother’s death, without knowing that he himself could endanger his very life, as well the life of his girlfriend, Mala. The song “Chandni chand se hoti hai, sitaron se nahin, pyar bhi ek se hota hai hazaron se nahin…” is still popular.
This song is sung by the one and only Lata Mangeshkar (many a times sounding like sister Usha, in this song), penned by Majrooh Sultanpuri and composed by Laxmikant Pyarelal. It is lip synced by Bindu who is dancing to the song. The lead pair of Randhir Kapoor and Rekha are also present.
The song has a Goan flavour, with strong use of trumpets. There were many songs, based on Goan music, composed by LP after the success of “Na maangoon sona chandi” from Bobby 1973. In 1974, it was “Daaru ki botal mein” from Majboor; in 1976 it was today’s song and “Prem ka rog bada bura” from Dus Numbri; in 1977 they came up with “Hey La la Hey Lala Jhoomo Zara” from Chacha Bhatija; etc.
With this song, Aaj Ka Mahatma (1976) makes its debut on this blog.
I hope this song brings nostalgia to lots of people who were in their teens during the mid-seventies.
Song-Kombda ba baanu aashiq zhaala (Aaj Ka Mahatma)(1976) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Lyrics
Kombda ba baanu aashiq zhaala
Dekho ree kaisi sundar baala
Kombda ba baanu aashiq zhaala
Dekho ree kaisi sundar baala
Leke aa la aa
Kombda ba baanu
Humko bhula ke
Phirta hai aaj kal
Duje ke sang matwaa la aa
Kombda ba baanu aashiq zhaala
Dekho ree kaisi sundar baala
Leke aa la aa
Kombda ba baanu
Roz kare hai
Koi pyaar ka waada
Magar roz bhula de
Mera dilbar seedha saadha
Haay haay
Roz kare hai
Koi pyaar ka waada
Magar roz bhula de
Mera dilbar seedha saadha
Dekho zara
Arre haan dekho zara
Kisko laaya hai aaj dilwaa la aa
Kombda ba baanu aashiq zhaala
Dekho ree kaisi sundar baala
Leke aa la aa
Kombda ba baanu
Kal ki toh hai baat
Mera dil kiya chori
Aaya aaj dikhaane
Chori kar ke seena jori
aye haay
Kal ki toh hai baat
Mera dil kiya chori
Aaya aaj dikhaane
Chori kar ke seena jori
Jaane nahin
Mujhe pehchaane nahin
Yeh bahana re khoob nikaa la aa
Kombda ba baanu aashiq zhaala
Dekho ree kaisi sundar baala
Leke aa la aa
Kombda ba baanu
O ho meri jaan
Hazaaron mein akeli
Kahaan aan phansi ho
Meri chhoti si albeli
haay haay
O ho meri jaan
Hazaaron mein akeli
Kahaan aan phansi ho
Meri chhoti si albeli
Maano sanam
Ke nahin maano sanam
Humko kahna jo thha wo kah daa la aa
Kombda ba baanu aashik zhaala
Dekho re kaisi sundar baala
Kombda ba baanu aashik zhaala
Dekho re kaisi sundar baala
Leke aa la aa
Kombda ba baanu
Kombda ba baanu aashiq zhaala
Dekho ree kaisi sundar baala
Leke aa la aa
Kombda ba baanu uu
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3497 | Post No. : | 14054 |
Last weekend, during my forced medical leave, I was a bit bored and wanted to watch any old Hindi mystery movie, which I had not seen. My search on You Tube led me to a B grade (or even C grade) movie with good lead stars (Vinod Mehra and Yogita Bali) and even a bit of interesting story line. However, I wasted 1 hr 56 minutes of my time, except for a song which is as good as the old Bappi Da songs.
This song brought out goose pimples in me. It was so enthralling, so melodious, so refreshing, so sweet, excellently penned and composed. Bappi Da probably went back to his basic days of “Chalte Chalte”, “Dil Se Miley Dil”, “Lahoo Ke Do Rang” etc, because this song belongs to the same genre as songs from these movie. I usually do not post songs post 1980s, unless it is absolutely rare and beautiful. This rare gem is from a 1988 thriller titled “Who Milie Thi” aka “Kaun Hai Khooni”. Kishore Kumar comes up with another winner with this romantic number. The song is composed by Bappi Lahiri as mentioned and written by Farook Kaiser. The female voice during the interlude and at the end of the song is of Meena Patki.
Now without prolonging the suspense let me tell you that the song I am talking about is “Chhoo Ne Se Maila Ho Aisa Badan Toone Paaya Hai”. Even today, when I come across such a soft romantic song, the music and the lyrics can take me back to a cherished time, making instantaneous connections to places and times full of evocative memories. The song is penned either by Gauhar Kanpuri or Farooque Kaiser, composed by Bappi Lahiri and is from “Woh Milie Thi” (1988)
For those readers interested in the synopsis, it goes as this:
Amar, young and smart foreign returned Mines Engineer moves to Lalitpur to reopen his own coal mines which were closed down fifteen years back after the mysterious deaths of Amars father and uncle. But before he reaches to his destination he meets a beautiful mysterious girl Milie performing mujra in mysterious Pili Haveli.
While crossing the long and dark valleys, Milie suddenly vanishes and Amar collides with Milie’s skeleton in pitch darkness. Amar’s friend police inspector Vikram tells him that Milie had died five years back and it is her soul that is still around in search of peace. Amar doesn’t believe this and keeps on trailing Milie wherever he sees her. Once while trailing Milie Amar finds inspector Vikrams dead body and is accused for his murder.
Meanwhile Amar goes back to city and gets married but has to run back to Lalitpur leaving his forest night because his friend Vijay meets an accident, After reaching there he finds it was a minor accident. Now one after another incident holds Amar to go back to meet his newly wedded bride. His mother reaches Lalitpur with his bride. Amar happily goes to meet his wife but once again he is forced to leave her by a danger siren. Amar runs towards the source but on the way he is attacked by mysterious people and the police save him. Amar reaches home and finds his bride missing. He runs to find her but is taken on gun point by his own servant John and the real race with the devil starts, a race, in which the devil is only interested to kill Amar.
The movie had three directors – Dilip Bose, Samir Chowdhury and Azeem Malik and was produced by Rama Kapoor, the movie starred Vinod Mehra, Yogeeta Bali in lead roles, supported by Mahesh Anand, Vikas Anand, Bindu, Aruna Irani, Jagdeep, T.P. Jain, Joginder, Kader Khan, Madhu Malini, Ram Mohan, Shobhini Singh, Jayshree T., Veena with special appearences by Shashi Kapoor and Moushumi Chatterjee.
Today (13 february 2018) is the 73rd anniversary of Vinod Mehra (13 February 1945 – 30 October 1990). Here is this gem of a song from a “recent” yet obscure movie as a tribute to Vinod Mehra.
With this song, “Wo Milie Thhi”(1988) makes its debut in the blog.
Video
Audio
Song-Chhoone se maila ho aisa badan toone paaya hai (Wo Milie Thhi)(1988) Singer-Kishore Kumar, Meena Patki, Lyrics-Farooque Kaiser, MD-Bappi Lahiri
Lyrics
Chhoone Se Maila Ho
Aisa Badan Toone Paaya Hai
Saara chaman mujhko
aisa lage teri chhaaya hai
Tu Hai
Mere liye
Main hoon sanam
Tere liye
La lalaa
laa laa lalaa
La lalaa
laa laa lalaa
Chhoone Se Maila Ho
Aisa Badan Toone Paaya Hai
Saara chaman mujhko
aisa lage teri chhaaya hai
Tu Hai
Mere liye
Main hoon sanam
Tere liye
Paayal ki chham chham mein main
Khoya raha
Sapnon ki baahon mein main
Soya raha
Paayal ki chham chham mein main
Khoya raha
Sapnon ki baahon mein main
Soya raha
Tu mili
zindagi mil gayi
aa aa aa aa aa aa
Chhoone Se Maila Ho Aisa Badan Toone Paaya Hai
Saara chaman mujhko aisa lage teri chhaaya hai
Tu Hai
Mere liye
Main hoon sanam
Tere liye
aa aa aa
aa aa aa
aa aa aa aa
aa aa aa
aa aa
Pariyon ki basti se kya
Aayi hai tu
Nainon ke pyaalon mein kya
Laayi hai tu
Pariyon ki basti se kya
Aayi hai tu
Nainon ke pyaalon mein kya
Laayi hai tu
Tu mili
bekhudi mil gayi
aa aa aa aa aa aa
Chhoone Se Maila Ho Aisa Badan Toone Paaya Hai
Saara chaman mujhko aisa lage teri chhaaya hai
Tu Hai
Mere liye
Main hoon sanam
Tere liye
Phoolon ki khushboo si hai
Tujh mein basi
Jaadoo sa karti hai yeh
Teri hansi
Phoolon ki khushboo si hai
Tujh mein basi
Jaadoo sa karti hai yeh
Teri hansi
Tu mili
har khushi mil gayi
aa aa aa aa
Chhoone Se Maila Ho
Aisa Badan Toone Paaya Hai
Saara chaman mujhko
aisa lage teri chhaaya hai
Tu Hai
Mere liye
Main hoon sanam
Tere liye
Laa la laa
Hmm Hmm Hmm hm
Laa laa la laa
Hmm Hmm Hmm Hmm hm
Hmm Hmm Hmm hmm
Hmm Hmm Hmm Hmmm
Laa laa la laa
Hmm Hmm Hmm Hmmm
Takra gaye do baadal ambar pe
Posted on: February 10, 2018
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3494 | Post No. : | 14041 |
My movie watching spree was at its peak during the year 1975 – 76. Mind you, in 1976 I had to appear for my school leaving certificate (the SSC board exam). But being a street smart teen with a knack for remembering most of the things that I came across, I always used to score good marks in my exams. Not that I stood in the top three in my class, but I was not in the bottom three as well. Hope you get my drift.
During the several morning shows I saw, missing my classes, I distinctly remember seeing Mazaaq because it was the movie which I saw on the penultimate day before the school closed for my half yearly exams. It was not a great movie that one can remember (as you can see from the synopsis below), but I had to see it as it was the new release on that day (Friday) and watching movies was my staple diet, so any movie would do.
It was only in my twenties that I heard this sweet song and was floored by it. This song has Asha Bhonsle and Pancham at one of their best. I hope many of you remember this song and those who haven’t can marvel at this beautiful melody.
The movie synopsis:
The movie story deals with Vinod who is in search for job. One day he rescues Dr. Aruna (Irani) from a fire, and when she recovers, he steals a certificate in the name of Heeralal Mehta, certifying that the person is medically mentally challenged. He changes the name on the certificate, goes around acting mad, getting food & clothing for free. He also involves his down and out friend, Raja (Mehmood) in this scheme.
The Police are informed about Vinod, and in order to escape he re-locates to Bangalore. Once there he applies and gets a job as a Manager with the Narang family business, meets with Moushumi and both fall in love with each other. One day Moushumi’s dad comes across the certificate, and also a newspaper notice about Vinod’s escapade and his mental condition. He fires Vinod and asks him never to meet Moushumi again.
Vinod returns to Bombay, gets another certificate from Dr. Irani, this time certifying that he is sane, and he past actions were just a joke, and returns to Bangalore – only to find that Moushumi is about to married to another man her dad has chosen for her. The rest of the movie is about what happens next?
The movie stars Vinod Mehra, Moushami Chatterji, Aruna Irani, Iftekhar, Asrani, Mukri, Keshto Mukherjee, Agha, Bhagwan, Shobha Khote, Viju Khote, Paintal, etc. It is directed by Kumar for producers Jayantha Mukherjee, Ritesh Mukherjee (Moushami’s husband in real life). The music is composed by Rahul Dev Burman and the songs are penned by Yogesh Gaud.
“Takra Gaye Do Baadal Ambar Pe” by Asha Bhonsle with monologues in the interludes by Vinod Mehra, composed by R D Burman and penned by Yogesh Gaud from “Mazaaq 1975”.
Song-Takra gaye do baadal ambar pe (Mazaaq)(1975) Singer-Asha Bhonsle, Lyrics-Yogesh, MD-R D Burman
Vinod Mehra
Lyrics
Takraa gaye do
Baadal ambar pe ae
Takraa gaye do o
Baadal ambar pe ae
Toh barasne lagi
Boondein bikhar ke ae
Takraa gaye do o
Baadal ambar pe ae ae
Toh barasne lagi
Boondein bikhar ke ae
Takraa gaye do o
Maushami,
Kitna pyaaraa naam hai
Is naam ka saath toh
Har mausam se hai
Chaahe woh sardi ka ho
ya garmi ka
Patjhad ka ho
ya saawan ka
Ahh Chhodo
Jaao
Bade woh ho tum m
Naam mera
Jod diya
Mausam se sanam m
Mausam
Phir bhi
Mausam hai sanam m
Naam mera
Joda na bataa
Khud se kyun balam
Mujhse milaao yeh nain to
Aise na jalaao mere mann ko o o o
Takraa gaye do o
Baadal ambar pe ae
Toh barasne lagi
Boondein bikhar ke ae ae
Takraa gaye do
Yeh saawan ka mausam to khoobsoorat hai hi
Lekin tumhaari is khubsoorat umar ne
Ise aur bhi khubsoorat bana diya hai
Jaane
Aayi
Kaisi yeh umar
Ban ke kali
Khilne lagi
Sooni raah par r
Tan mein
Mann mein
Uthhi yeh lehar r
Tujhse sajan
Takraaye mann
jaaoon main bikhar
Aag lage re saawan ko o
Chhoo gaya mere daaman ko o o
Takraa gaye do o
Baadal ambar pe ae
Toh barasne lagi
Boondein bikhar ke ae
Takraa gaye do o
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This is the 3300th song by Lata Mangeshkar as a playback singer in the blog.
| Blog Day : | 3482 | Post No. : | 13987 |
Having overcome the guilt of not contributing any song posts to one of my favourite blogs, I now feel mentally at ease.
My younger son got married recently. All our energy and resources were directed towards making this event a great success. We were very lucky that everything went as planned and now both my boys are happily married and have moved into their own sweet homes. Me and my wife now have the task of downsizing our 5 bedroom house to a more manageable 2 or 3 bedroom house. This process will be completed within the next 3 to 6 months.
Also, on the day of the said marriage, after finishing all the major events, I unfortunately, snapped the Achilles’ tendon in my right leg. I had to be rushed to the hospital and had my leg put in a a fiberplast cast. I have been told to use crutches and/or a wheel chair so as not to put any pressure on the leg. Thus, I am not at home for the next six weeks and have ample time to present some interestingly rare songs on this blog.
Now, as I sit down to write today’s post, I fondly recall this gem of a song, which used to feature in one of my audio cassettes titled R D Burman with Lata Mangeshkar. If you are hearing this song for the first time, I would suggest that you listen to it at least two or three times. This song grows on you.
Well that’s an interesting expression. How or why does a particular song grow on you ?
For me, I think it has to do with either it’s rarity, complexity or uniquity (is that a word?).
If there’s a lot going on in a song, it can take a number of listens to pick up on the big picture, as you may be focusing on one thing in particular. It takes time to build that picture up. Sometimes I listen to a song I have listened to a lot and still pick up on things I had never noticed before. If a song has a unique nature to it, it can take me time to adjust to it.
Today’s song is from an obscure movie, Savera from 1972, which makes its debut on this blog. It is the second song from the movie to appear in the blog. I distinctly remember having seen this movie but I hardly remember the story line. I just remember that Rehana Sultan is Saroj who loves Jatin (Kiran Kumar) but, unwillingly, under family pressure, goes on to marry Amar (Anil Dhawan). However, while being married, she is pregnant with Jatin’s child, which she is unaware of. I only remember this much and even this may be 100% wrong. However, we are here to appreciate this beautiful song.
Tons and tons of material has been written about our favourite Pancham Da aka Rahul Dev Burman. My saying anything further will be like showing a lamp to the sun, a cliché used widely in Hindi. The song, sung by Lata Mangeshkar and penned by Majrooh Sultanpuri.
Ed note: This rare song, a song that grows on you with repeated listening, is the 3300th song by Lata Mangeshkar as a playback singer in the blog.
Song-Main to deewaani tere liye o re piya(Sawera)(1972) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
Hmm hmm hmm hmm hmm
Laa la laa la
Laa la laa la
Hmm Hmm Hmm Hmm
Tujhpe Luta Di Ye Zindgaani Re
Main To Deewaani
Hmm Hmm Hmm Hmm
Laa La Laa La aa
Tera Pyaar Le ke
Dooloon Nazaaron Mein
Udta Hai Panchhi
Jaise Bahaaron Mein
Yeh Mere Tan Se
Kisi Ki Mehak Aaye
Poochhe Pawan Se
Kaliyaan Ishaaron Mein
Unko Khabar Kya Mujh pe
Kaisi Jawaani Re
Main To Deewaani
Tere Liye
O Re Piya
Main To Deewaani
Tujhpe Luta Di
Ye Zindgaani Re
Main To Deewaani
Apne Piya Ke
Dil Mein Utar Ke Main
Soyi Sanwar Ke
Jaagi Nikhar Ke Main
Mohe Mila Jo
Rang Sajan Se
Chhalki phiroongi
Wohi Rang Bhar Ke Main
Laagoon Abhi Se Balma
Kaisi Suhaani Re
main to deewaani
Tere Liye
O Re Piya
Main To Deewaani
Tujhpe Luta Di
Ye Zindagaani Re
Main To Deewaani
Kya Jaanoon Sajna
Sansaar Ki Baatein
Maine To Seekhi Hain
Do Pyaar Ki Baatein
Hai Mera Mandir
Teri Nigaahon Mein
Aur Meri Pooja
Tujhse Mulaakaatein
Tujhpe Khatam Hai Saiyaan
Meri Kahaani Re
Main To Deewaani
Tere Liye
O Re Piya
Main To Deewaani
Tere Liye
O Re Piya
Main To Deewaani
Tujhpe Luta Di
Ye Zindgaani Re
Main To Deewaani
Tere Liye
O Re Piya
Main To Deewaani
- In: Asha Bhonsle solo | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Satyajit Rajurkar | Rare song | Songs of 1970s (1971 to 1980) | Songs of 1973 | Yearwise breakup of songs
- 14 Comments
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3478 | Post No. : | 13973 |
Rare Gems – Laxmikant Pyarelal
————————————
Being a fellow contributor to the ASAD blog, one is privy to being in the WhatsApp group, which while reading through the posts sometime back I came across my name and I was surprised. Atul Ji, the creator of ASAD had mentioned that my name had come up as the one with the longest absence from the group, with my last post more than two years ago.
It’s true and I would like to sincerely apologise to one and all about this. It can be attributed to many reasons including work etc, but it was never the lack of interest. My love for HFM and listening to it (and that too rare songs) is what gives me the maximum pleasure and acts as a real pain killer and a soother of sorts.
I have been meaning to post this song from almost immediately after my last post here. It is as rare as songs can go and would fit in to any programs broadcasted by SLBC (Radio Ceylon for us old timers) like Bhoole Bisre Geet or Jaane Pehchane Geet, etc
I would like to take this opportunity to discuss some aspects of the music of Laxmikant Pyarelal, the composers of this fab song. It is a fact that I started liking and then following their music immediately after the super hit “Bobby” in 1973. What I found was a huge repatriorie of successful and hit songs, right from their first movie as music directors – Parasmani 1963.
Before this they worked as assistants and instrumentalists with Shankar Jaikishan and Kalyanji Anandji. They also helped their friend Rahul Dev Burman during his first movie as composer, “Chote Nawab” (1961). Pyarelal Ji himself told me, during my visit to his house in September of 2013, that Pancham was exactly that – a composer. He had just composed the tunes of the songs from his first movie, but the preludes, interludes, counter melody and the background music was composed and conducted by Laxmikant Pyarelal.
The Laxmi-Pyare Jodi have composed and conducted music for more than 600 movies. According to my friend Bobby Singh Ji, who has thus written on his website (Bobby Talks Cinema) – “Laxmikant, was more inclined towards composing and Pyarelal into the arrangement. In fact Pyarelal is considered to be one of the top 5 arrangers in Hindi Film Music History, with outstanding knowledge of Indian Musical Instruments’ Arrangements.”
The melody of the song in today’s post is simply superb.In fact, Laxmi-Pyare had an uncanny knack of producing real gems for B or even C grade films. The guitar and flute, specially in the postlude is simply mesmerising. The instruments used were Bass Guitar, Electric Organ, Trumpet, Thrombone, Drums, Piano as well as Saxaphone by Manohari Da.
This song is from “Sweekar” released in 1973. The censor certificate is dated 18th May 1973. The movie starred Mahendra Sandhu, Hansa Maker, Namit Kapoor, A K Hangal, Raj Mehra, Shaukat Kaifi, Keshto Mukharjee, Kesho Rana, etc, with a special appearance of Gulshan Arora. It was written and directed by Sudhendru Roy for producers C D Shah and Harish Upadhyay for Filmlands Productions.
I had seen the movie when it was released but have forgotten the story. If any reader can shed some light on the story, kindly do so for the benefit of other readers.
With this song, Sweekar (1973) makes a debut on this blog.
Editor’s note: This song has ended up being as rare as the posting by the contributor. 🙂 I last heard this song in 1970s. Prakashchandra recently sent the lyrics of this and other song from the movie. So there are our regulars who remember this song, no matter how obscure it is. The song is picturised on Hansa Maker and Namit Kapoor, as informed by Prakashchandra.
Song-Angdaaiyaan le le kar tanhaaiyon mein aksar (Sweekaar)(1973) singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics (Provided by Prakashchandra)
angdaiyaan le lekar
tanhaaiyon mein aksar
main sochti rehti hoon
kahin pyaar ho na jaaye
ikraar ho na jaaye
ae dil
ae dil
angdaaiyaan le lekar
tanhaaiyon mein aksar
main sochti rehti hoon
kahin pyaar ho na jaaye
ikrar ho na jaaye
ae dil
ae dil
sulge rang roop mera
paani mein aag jaisa
sandal se is badan se
lipte koi naag jaisa
ruswaaiyon se dar kar
parchhaaiyon se chhup kar
kuch dhoondhti rahti hoon
kahin pyaar ho na jaaye
ikraar ho na jaaye
ae dil
ae dil
sapnon mein ho gayi hai
saajan se baat jaise
lagta hai aa rahi hai
meri baaraat jaise
shehnaaiyan yoon sun kar
shehnaaiyon ki dhun par
main jhhoomti rehti hoon
kahin pyaar ho na jaaye
ikraar ho na jaaye
ae dil
ae dil
jaane woh preet apni
jaane paraayi hoon
kya ho jo meet mann ka
thhoda harjaai ho
harjaaiyon se mil kar
gehraaiyon mein kho kar
main sochti rahti hoon
kahin pyaar ho na jaaye
ikraar ho na jaaye
ae dil
ae dil
angdaiyaan le le kar
tanhaaiyon mein aksar
main sochti rehti hoon
kahin pyaar ho na jaaye
ikraar ho na jaaye
ae dil
ae dil
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
अंगड़ाइयाँ ले ले कर
तन्हाइओं में अक्सर
मैं सोचती रहती हूँ
कहीं प्यार हो ना जाये
इक़रार हो ना जाये
ए दिल
ए दिल
अंगड़ाइयाँ ले ले कर
तन्हाइओं में अक्सर
मैं सोचती रहती हूँ
कहीं प्यार हो ना जाये
इक़रार हो ना जाये
ए दिल
ए दिल
सुलगे रंग रूप मेरा
पानी में आग जैसा
संदल से इस बदन से
लिपटे कोई नाग जैसा
रुसवाईओं से डर कर
परछाईंओं से छुप कर
कुछ ढूंढती रहती हूँ
कहीं प्यार हो ना जाये
इक़रार हो ना जाये
ए दिल
ए दिल
सपनों में हो गई है
साजन से बात जैसे
लगता है आ रही है
मेरी बारात जैसे
शहनाईयां यूं सुन कर
शहनाईओं की धुन पर
मैं झूमती रहती हूँ
कहीं प्यार हो ना जाये
इक़रार हो ना जाये
ए दिल
ए दिल
जाने वो प्रीत अपनी
जाने पराई हूँ
क्या हो जो मीत मन का
थोड़ा हरजाई हो
हरजाईओं से मिल कर
गहराईओं में खो कर
मैं सोचती रहती हूँ
कहीं प्यार हो ना जाये
इक़रार हो ना जाये
ए दिल
ए दिल
अंगड़ाइयाँ ले ले कर
तन्हाइओं में अक्सर
मैं सोचती रहती हूँ
कहीं प्यार हो ना जाये
इक़रार हो ना जाये
ए दिल
ए दिल
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Rahul Dev Burman – Forgotten Songs – 4
——————————————-
When I started this series, I thought it would be an easy task to pick up these forgotten songs one by one for posting. However, after three posts I now realise that, with so many of the Pancham gems not posted here, it is quite a difficult task. After pondering on the task for some time, the solution, which was always logical, was staring at me right in the face. Go alphabetically!!
Read more on this topic…
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Rahul Dev Burman – Forgotten Songs – 3
——————————————
The third song song of this series is a beauty from “Phir Kab Milogi”, a 1974 movie produced by Hari Mehra, directed by Hrishikesh Mukharjee. The songs were penned by Majrooh Sultanpuri, composed by R D Burman and sung by Kishore Kumar, Lata Mangeshkar, Mukesh.
Read more on this topic…
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Rahul Dev Burman – Forgotten Songs – 2
———————————————
The second song of this series is a lovely duet from the 1973 film “Chhalia”. This movie was a United Movie Arts presentation, produced by Sudesh Raj Gupta and directed by Mukul Dutt. Cinematography is by K K Mahajan, songs are penned by Rajinder Krishan and composed by Rahul Dev Burman. The six songs are sung by Asha Bhosle, Lata Mangeshkar, Kishore Kumar, Mohd Rafi, Mukesh and Vani Jayram. Three of these songs are already posted here and this post will leave two more solos by Asha Bhosle to be posted.
Read more on this topic…
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