Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Satyajit Rajurkar’ Category


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5196 Post No. : 17177

Music is an irresistible thing. It energizes the soul and is a great stress buster. Indian film music especially is very enchanting and melodious to listen.

Years back, during the age of black and white movies, there was not much variety in music. If you listen to old Hindi songs, you will find almost the same beats. The music was simple, yet it was very melodious. Singers like Mohd Rafi, Kishore Kumar, Mukesh, Lata and Asha were simply outstanding and still their magic is alive.

Although the times have changed and so is the pattern of music. There are varieties of music such as pop, rock, jazz and many more. But still if you compare a new old Hindi song (from 70s and 80s) with any of the latest ones, you will of course find a huge difference. New Old Hindi songs, though outdated, are still most demanded by the people.

The greatest appeal of the 70s is that it combines the simple and casual comfort of pop culture with the elaborate razzmatazz of disco combined with the introduction of electronic instruments and melodious compositions.

The new old retro music of 70s and 80s has done wonders in the Hindi film Industry in those times. These ‘New Old Hindi film songs’ are still favorites and not just among people of old age but also among youngsters. This is because of the fact that New Old Hindi songs used to have more voice transitions and high and low notes which makes their performance more appealing to the listeners. The New Old Hindi songs are always in, unaffected by latest ones.

Now what draws us to the swinging 70s is its rare combination of simple retro chick and disco dazzle. The decade in which women asserted their individuality through carefree dressing. An era when macho men wore florid shirts with broad collars. A time frame that broke out of the formal dress code to celebrate casual style and then climaxed the ‘me-decade’ as it was the beginning of ‘anything goes’ culture and a form of self-expression.

It was a period of ‘paradigm shift’ as far as the Bollywood heroine is concerned. Gone was the demure, submissive leading lady of the 60s and in stepped the empowered, modern heroine of the 70s.

Early 70s heralded with Mumtaz popularizing diaphanous fabrics and layered saris. Sharmila Tagore’s elaborate bouffant, arched eyebrows and Cleopatra-like winged eyeliner became her signature style. The mid-70s witnessed the simple and conservative chick of Hema Malini and Jaya Bhaduri.

The late 70s showcased the emancipated, modern woman whose clothes and accessories reflected her Westernized persona. The pleasantly plump form of a heroine morphed into the slim and lanky hippie look. Svelte Parveen Babi popularized the dancer’s leotard and body suit. ‘Bobby’ launched sweet 16, Dimple Kapadia dressed in true American High School style togged in miniskirts, bikini, hot pants and crop tops.

As for the Bollywood heroes of 70s , mixed era of romances and action flicks – saw a lot of variety from silk-lungi -kurtas and Guru Shirts favored by Rajesh Khanna and hardy denim jackets and bell bottom jeans ported by Amitabh and Dharmendra.

The first half of 70s was ruled by Rajesh Khanna and the latter half by Amitabh Bachchan, romances and then violent vendetta films.

And last but not the least, the 70s gave us excellent and retro songs and mega hits like ‘Sholay’, ‘Bobby’, ‘Amar Akbar Anthony’, ‘Deewaar’ etc.

Here I leave you with my above thoughts to take you to today’s entertaining song. The song is sung mainly by Kishore Kumar, Asha Bhonsle but voices of RD Burman and Bhupinder Singh also figure in chorus. Anand Bakshi is the lyricist and music is trademark RD Burman.

The song is picturised as a party dance song on Shashi Kapoor, Leena Das, Sarita, Sujata and many others.

Lyrics of the song were sent by Prakashchandra.

Video

Audio

Song-Hey mujhe dil de (Mr Romeo)(1973) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Anand Bakshi, MD-RD Burman
RD Burman, Bhupinder Singh
All
Kishore Kumar + Asha Bhonsle

Lyrics (Provided by Prakashchandra)

bablaa bablaa aaa haaa
bablaa bablaa aaa haaa
bablaa bablaa aaa haaa
bablaa bablaa aaa haaa

pampaa papamm papapam
pampaa papamm papapam

hey aey mujhe dil de
nahin to sunn ley ae
main kya karoonga
kya karogey
hey hey mujhe dil de
hmm hmm
nahin to sunn le ae
main kya karoonga
ha kya karoge

main kisi ke naam se
likh ke chitthi pyaar ki
bhej doonga ghar tere
naam tera muft mein
badnaam ho jaayegaaaa
main kisee ke naam se
ha
likh ke chitthi pyaar ki
ha
bhej doonga ghar tere
ha
naam tera muft mein
ha
badnaam ho jaayegaaaa aa
phir uske baad
hogaa kyaa
soch ley ae hey hey ae
jaan ley ae

pappaa paaa ppaappaa
papapaa paaa paaa
pappaa paaa ppaappaa
papapaa paaa paaa
pappaa paaa ppaappaa
papapaa paaa paaa
pappaa paaa ppaappaa
papapaa paaa paaa
pappaa paaa ppaappaa
papapaa paaa paaa
pappaa paaa ppaappaa
papapaa paaa paaa
papapaa paaa paaa
pappaa paaa ppaappaa
papapaa paaa paaa
papapaa paaa paaa
pappaa paaa ppaappaa
papapaa paaa paaa
weeee weee wee wee wee wee
taraa raaa
taraa raaa
tuttuooo paa aaaa
weeee weee wee wee wee wee
taraa raaa
taraa raaa
tuttuooo paa aaaa

bablaa bablaa aaa haaa
bablaa bablaa aaa haaa
bablaa bablaa aaa haaa
bablaa bablaa aaa haaa

hey aey
mujhe dil de
kyon
nahin to sun ley ae ae
main kya karoongaa
kya karogey
hey hey ae
mujhe dil de
nahin to sun ley ae ae
main kya karoongaa
bolo bolo bolo bolo
kal subah akhbaar mein
likha hoga pyaar mein
maine kar lee khudkushi
pyaar tera shehar mein
badnaam ho jaayega
kal subah akhbaar mein
ha
likha hoga pyaar mein
ha
maine kar lee khudkushi
ha
pyaar tera shehar mein
ha
badnaam ho jaayega
phir uske baad
hoga kya
soch le ae hey hey aey ae
jaan le ae

pappaa paaa paa paa
ppaappaa
papapaa paaa paaa
pappaa paaa paa paa
ppaappaa
papapaa paaa paaa
pappaa paaa paa paa
ppaappaa
papapaa paaa paaa
pappaa paaa paa paa
ppaappaa
papapaa paaa paaa

[Pancham singing]

bablaa bablaa aaa haaa
bablaa bablaa aaa haaa
bablaa bablaa aaa haaa
bablaa bablaa aaa haaa

hey
hey
mujhe dil de
kyon
nahin to sunn ley ae
kya
main kya karoongi
kya korogi
arrey hey
mujhe dil de
nahin to sun ley
main kyaa karoongi

kya karogi
main tere ho jaaoongi
naaz woh uthhwaaoongi
chaar din ke pyaar mein
ghar tera baazaar mein
neelaam ho jaayega aa
main teri ho jaaoongi

ha
naaz woh uthhwaaoongi
ha
chaar din ke pyaar mein
ha
ghar teraa baazaar mein
ha
neelaam ho jaayega aa
ye mera card hai aey ae
soch ke shaam tak
mujhe tu telephone
kar dena aa

pappaa paaa paa paa
ppaappaa
papapaa paaa paaa
pappaa paaa paa paa
ppaappaa
papapaa paaa paaa
pappaa paaaaaa papapapapa
pappaa paaa paa paa
ppaappaa
papapaa paaa paaa
pappaa paaa paa paa
ppaappaa
papapaa paaa paaa
pappaa paaaaaa papapapapa
pappaa paaa paa paa
ppaappaa
papapaa paaa paaa
pappaa paaa paa paa
ppaappaa
papapaa paaa paaa
pappaa paaaaaa papapapapa


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4646 Post No. : 16308

Rahul Dev Burman – Forgotten Songs – 5
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The fifth song of this series is a beauty from “Ehsaan”, a 1970 movie directed by Shiv Kumar for producer S J Rajdeo. The movie was written by R K Bannerjee, the songs were penned by Majrooh Sultanpuri and composed by R D Burman.

The movie starred Joy Mukharjee, Anjana, Bobby, Rajender Nath, Aruna Irani, Azad, Helen, Johnny Whisky, K. N. Singh, Madan Puri, Rajan Kapoor, Renu, Shabana, Sheri, Sulochana Chattarjee, Sunder, Tun Tun, etc.

The story of this movie, as per the song uploader is that Shalini lives a wealthy lifestyle with her widowed dad, Mohan, and a younger brother, Bobby. Her dad has been entrusted by the Government of India to safeguard a list of the location of India’s secret agents worldwide.

Many gangsters are recruited to try and secure this list for large sums of money, but none succeed. Then one day while Shalini is returning home, she is accosted by hoodlums and abducted.

A young man, Raja, comes to her rescue, and escorts her home. She introduces him to her father, and soon both fall in love with each other. Raja becomes a frequent visitor to the Lal residence and is welcomed by everyone including young Bobby. Mohan approves of Raja, and after consulting his friend, Dinanath, arranges for Shalini to get married to Raja.

What Shalini, Mohan and Bobby do not know is that Raja is a burglar, a safe-cracker, who has been recruited by an underworld Don to gain the confidence of the Lal family, and steal the list of secret agents’ from Mohan’s house – by hook or by crook. Does he succeed?

Three songs out of a total of six have already been posted on this blog.

“Pyasaa Mera Dil Kitni Shaam Se” by Lata Mangeshkar, music by R D Burman, lyrics by Majrooh Sultanpuri from “Ehsaan” (1970). The song is a seduction song and is picturised on Joy Mukharjee and Helen (Lip Syncs).

Video link:

Audio Link:

Song-Pyaasa mera dil kitni shaam se (Ehsaan)(1970) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

Pyaasaa aa Mera Dil
Kitni ee Shaam Se
Aaja Re
Hum Dono Piyen
Ek Hi Jaam Se
Pyaasaa Mera Dil
Kitni Shaam Se
Aaja Re
Hum Dono Piyen
Ek Hi Jaam Se
Pyaasaa Mera Dil

Kab Se Sulag Rahi Hoon Main
Dekho Kahin Jaana Na Sanam
Zara Mere Dil Ko Bhigo De
Teri Nazaron Ki Shabnam
Yoon He Ruke Rehna
Abhi Mujhko Thhaam Ke
Pyaasaa Mera Dil
Kitni Shaam Se
Ho Aaja Re Hum Donon Piyen
Ek Hi Jaam Se
Pyaasaa Mera Dil

Aaja Jab Tak Ho Ujaala
Leke Tujhe Jhoomoon Sajnaa
Choome Tere Honto Ko Ye Pyaala
Pyaalon Ko Main Choomoon Sajnaa
Mukhada Ho Gulaabi
Aaj Tere Naam Se
Pyasaa Mera Dil
Kitni Shaam Se
Aaja Re Hum Donon Piyen
Ek Hi Jaam Se
Pyaasaa Mera Dil

Armaan Hai Tere Sang Behkoon
Gir Ke Uthhoo Main Tere Saath
Armaan Hai Tere Sang Behkoon
Gir Ke Uthhoon Main Tere Saath
Tere Gale Mein Ho Meri Baahein
Mere Dil Pe Ho Tera Hath
Tujhse Chaahat Mein
Mujhe Kitne Kaam Thhe
Pyaasaa Mera Dil
Kitni Shaam Se
ho Aaja Re Hum Dono Piyen
Ek Hi Jaam Se
Pyasaa Mera Dil
Kitni Shaam Se
Aaja Re Hum Donon Piyen
Ek Hi Jaam Se
Pyaasaa Hm Hm Hmm


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4641 Post No. : 16302 Movie Count :

4428

Forgotten Songs of Bappi Lahiri – Song # 2
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For my second song of this series, I wanted to choose a song sung by Bappi Da himself. I was searching the movie and song databases, when I came across this haunting melody.

The years 1976 and 1977, amongst some others, are very special in my life. I had finished my school (SSC) and had entered the collage (Intermediate/11th & 12th) life. You can imagine a teen, who has just finished his, very strict, catholic convent school, entering the next phase in his life (collegian life, where there were no compulsions on wearing the uniforms, carrying a school bag and tiffin (lunch) or dabba, as it was called in my mother tongue (Marathi).

There were lots of other things which were not compulsory as well. I’ll leave it to your own imagination or experience. But the two most important things which I liked were, one – No Monitoring to check if the students attended the collage every day and two – there were 3 theatres/Cinema Halls next to my collage (a total of 9 theatres/cinemas with a radius of 2 – 3 kms.

Another unique thing was that my collage was a co-educational institution, whereas my school was a Boys Only convent. I was quite excited about this fact but came to understand soon enough that I was extremely shy when talking to any girl. Thus, movies were my only source of entertainment.

There were some very good movies released in those years which were block-busters like Kabhi Kabhie, Naagin, Adalat, Mehbooba, Kallicharan, Dharam Veer, AAA, etc. During those years, one young romantic pair was quite popular and that was Sachin & Sarikaa. This pair beczme a big hit in those days due to the stupendous success of Geet Gaata Chal (1975). Some of the other movies where they were paired in leading roles were Shyam Tere Kitne Naam, Raksha Bandhan, Zid, Madhu Malti, etc.

One more movie where they acted in romantic lead roles was Pratima Aur Payal released in 1977. My today’s song is a very haunting melody composed and sung by Bappi Lahiri for this movie. I have seen this movie but the memory is very vague about the story line. I only remember that it is told in a flash back about sculptor and a dancer. The story is told to Seema and Vikas – two lovers who bear striking resemblance to Manu, the sculptor and Kala, the dancer, who die a century earlier, in each other’s’ arms.

The movie directed by Sharan Aggarwal for producer B. K. Agarwal, under the banner Shivam Pictures, Bombay. The songs were penned by Rajkavi Inderjit Singh Tulsi, Shiv Kumar Saroj, Indeevar and Gauhar Kanpuri. The composer was Bappi Lahiri. The movie starred Sachin, Sarika, Om Shivpuri, Rita Bhaduri, etc.

I have been unable to locate the video of either the movie or the song being uploaded. Only audio in uploaded.

Today’s song “Soona Hai Jeevan Mera” is composed and sung by Bappi Lahiri and penned by Shiv Kumar Saroj.


Song-Soona hai jeevan mera (Pratima Aur Paayal)(1977) Singer-Bappi Lahiri, Lyrics-Shiv Kumar Saroj, MD-Bappi Lahiri
Aarti Mukherjee

Lyrics

Ho Ho Ho Ho
Ho Ho Ho Ho

Soona Hai Jeevan Mera aa
Chaaron Taraf Hai Andhera
Soona Hai Jeevan Mera aa
Charon Taraf Hai Andhera
Kala Aa aa
Tum Kahaan..aan aan
Tum Kahaan..aan aan
Tum Kahaan
Aa Aa Aa Aa
Soona Hai Jeevan Mera aa
Chaaron Taraf Hai Andhera aa

Tum Bin Kalaa Hai Adhoori ee ee
Apna Milan Hai Zaroori Ee Ee
Tum Bin Kalaa Hai Adhoori ee
Apna Milan Hai Zaroori
Be-Jaan Pratima Mein Saansein Bharo
Devi Kala Ki Kahaan aan
Aa Aa Aa Aa
aa aa aa aa

Soona Hai Jeevan Mera
Hm Hm
Charon Taraf Hai Andhera
Hm Hm
Kala Aa Tum Kahaan..an
Tum Kahaan..an an
Tum Kahaan
Aa Aa Aa Aa
aa aa aa aa

Ha Ha Ha Ha
ha ha ha ha
ha ha ha ha

Khelo Na Tum Aankh Micholi ee
Jeevan Mein Bhar Do Rangoli ee ee
Khelo Na Tum Aankh Micholi ee
Jeevan Mein Bhar Do Rangoli
Saadhana Meri Tum Poori Karo
Kalpana Tum Ho Kahaan aan
Aa Aa Aa Aa
aa aa aa aa

Soona Hai Jeevan Mera
Hm Hm
Charon Taraf Hai Andhera
Hm Hm
Kala Aa Tum Kahaan..aan aan
Tum Kahaan..aan aan
Tum Kahaan
Aa Aa Aa Aa
aa aa aa aa

Pyaasaa Hai Kab Se Yeh Mann n
Bujhaao Tum Man Ki Jalan
Tum Jo Nahin Toh
Kuchh Bhi Nahin
Jaane Tum Ho Kahaan aan
soona hai jeevan mera
chaaron taraf hai andhera
Kala Aa aa aa
Tum Kahaan..aan aan
Tum Kahaan..aan aan
Tum Kahaan aan


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4634 Post No. : 16289

Forgotten Songs of Bappi Lahiri – Song # 1

A lot of water has flowed, in terms of my health, since my last post, almost three years ago. Two/Three other conditions have been diagnosed (which are being treated), by which the general health has taken a back seat. However, the emotional and mental spirit has been great, due to the immense love and support from my family and friends, including my fellow contributors to this blog. However, I have not been able to bring myself to write my new post. Today, after some effort, I have taken the task of writing my next post.

With today’s post I am starting a new series called “”Forgotten Songs of Bappi Lahiri”. However, I will limit my song selections from his early movies. I will also be sticking to my inclination for rare songs.

The song I present today is from the first Hindi movie with which Bappi Da started his successful journey in Hindi films. Nannha Shikari (1973) was written and directed by Shomu Mukharjee (actress Tanuja’s husband and Actress Kajol’s father). The movie was produced by R L Desai for the banner “Mukharjee Bros, Bombay”.

“Nannha Shikari” starred Deb Mukharjee, Tanuja, Master Bunty Behl, Jairaj, Ifteqaar, Laxmi Chaya, Manik Dutt, etc. The songs were penned by Yogesh, S. H. Bihari and Gauhar Kanpuri and composed by Bappi Lahiri.

Although I had seen the movie, I do not remember it. But according to the web the movie seems to be an adventure filled family drams. The plot is that of a little child being on the run as he is the only eye witness to the murder of a judge by a dacoit. The kid comes across a series of adventures before he is rescued from the hands of the dacoit and the ferocious animals in the jungle.

Today’s song “Tu Meri Manzil Main To Rahi Hoon Sanam” is sung by Kishore Kumar with Asha Bhosle and penned by Gauhar Kanpuri. I hope you will enjoy this song which Bappi Da composed when he was just 21 years of age.

This song can be classified as a Cycle song, amongst others.

Audio

Video

Song-Tu meri manzil main to raahi hoon sanam (Nanha Shikaari)(1973) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Gauhar Kanpuri, MD-Bappi Lahiri

Female chorus
Male chorus
All chorus
Both

Lyrics

Hey Hey
Tu Ru Ra, Tu Ru Ra, Tu Ru Ra
Hey Hey
Tu Ru Ra, Tu Ru Ra
Di Di Di Deyaee
La La Lalla
Do Do Do Doooo
La La Lalla
Di Di Di Deyaee ee ee
La Lall Lall Lalla
La Lall Lall Lall Laa aaa

Tu Meri Manzil Main To Raahi Hoon Sanam
Lalla
Tu Meri Manzil Main To Rahi Hoon Sanam
Oo
Ruk Na Jana Tum Kahin Chalke Do Kadam
Yaar Ke
Aa
Pyaar Mein
Aa
Sau Janam
aa aa
Lenge Hum
Yaar Ke
Aa
Pyaar Mein
Aa
Sau Janam
aa aa
Lenge Hum m m
Tu Meri Manzil Main To Rahi Hoon Sanam
Oye Ruk Na Jana Tum Kahin Chalke Do Kadam
Lalla

Chaahe Duniya
Hum Se Roothhe
Wada Aa Na Toote ae ae
O O o o
Dil Ke Badle
Jaan Bhi Jaaye
Saathi ee Na Chhoote
Mann Ke Dhaage
Tumse Baandhe
Aye Mere Preetam m m
Tu Meri Manzil Main To Rahi Hoon Sanam
Oye Ruk Na Jaana Tum Kahin Chalke Do Kadam
Yaar Ke
Aa
Pyaar Mein
Aa
Sau Janam
Aa
Lenge Hum m m
Tu Meri Manzil Main Toh Rahi Hoon Sanam
Oye Ruk Na Jaana Tum Kahin Chalke Do Kadam
lalla

Pyaar Kal Tha
Aaj Bhi Hai
Kal Bhi ee ee Rahega aa aa
Ho Ho Hum Na Honge
Toh
Yeh Kaahani
Achha
Zaamana aa Kahega
Tum Ho Dhaara
Tum Kinaara
Phir Kyun Bichhde Hum m
Tu Meri Manzil Main Toh Raahi Hoon Sanam
Oye Ruk Na Jana Tum Kahin Chalke Do Kadam
Yaar Ke
Aa Ha
Pyaar Mein
Aa Ha
Sau Janam
Aa Ha
Lenge Hum
aa aa aa aa
Tu Meri Manzil Main Toh Rahi Hoon Sanam
Na Na Na
Tu Meri Manzil Main Toh Raahi Hoon Sanam
Aa Ho Ho Deyi You Dideyi Yee Yee You Dideyi Yee Yee
Aa Aa Ha Hahha Ahha ahha
Aa Ho Ho Deyi You Dideyi Yee Yee You Dideyi Yee Yee
Aa Aa Ha Hahha Ahha ahha


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3652 Post No. : 14501

ASAD 10th Anniversary Celebrations – 9
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My last post on our blog has been sometime back. I have been meaning to write about this song which has a couple of rare occurrences in the Hindi Film and Music world and was waiting for an opportune moment.

Recently, I have been fighting my own battles on my health front, having been hospitalised for surgical and advanced interventional pain management procedures, more than a couple of times in the last one year. I have diabetes, which is under control, however it has caused neuropathy in both my feet causing severe pain with tingling and burning sensations. I would like to take this opportunity to create awareness amongst all the readers of this blog that diabetes can be very dangerous and draining and that one should take care of their feet. One’s feet bear the entire weight of one’s body but always fail to get the attention and good care, as with other parts of the body.

Well, coming back to today’s post. Late last month, we, the regular (and irregular) contributors of this blog were told by our beloved SudhirJi, that the blog was to celebrate the 10th anniversary of its creation and that song posts were expected from all the contributors. However, as hard as I tried, I couldn’t stick up to the deadline of sending in our contributions. However, Sudhir Ji would not relent and sent me another request to send in my post. This made me very embarrassed and I made a promise to myself that come what may, I will write my post and send it today, three days after my second extended deadline.

My association with this blog actually started around two years after I started my Facebook group – Rare Hindi Film Songs in 2010. In searching for old and rare songs to post, I would often visit the blog and later I came to know that even Atul Ji, the creator of this blog was a member and a regular visitor of my group. However, it took me almost 4 years to write my first post – for the song “Chup Chup Chup Kyon Baithe Ho” – and send it to Atul Ji for moderation and posting. Since then, I have been sending in my posts in bursts, start and stop.

Till date I have just posted about 20 odd songs, but I feel so much drawn to the Atulites group that I feel I have come to my home group amongst these various people across the world, who share similar passion and views. In particular, Avinash Ji and Sudhir Ji seem to like my kind of songs from movies of the 70s and early eighties, not that others are not encouraging.

My heartiest congratulations to Atul Ji, ASAD, Atulites and all the people who love HFM, on the 10th anniversary of this endeavour !!!

Now coming to today’s song. As I have mentioned above, this is a special song for me as it has a few rare characteristics associated with it, in the HFM world and also since it is quite a rare song. It is from the Pran, Navin Nischol and Rekha starrer ‘Dharma’ released in 1973. Two other songs from this movie have been posted earlier on the blog. For those who haven’t seen the movie or have forgotten it, the plot summary can be read here on IMDB.

Now, coming to this song with ‘Two Rare Occurrences’ for a Hindi movie!

It is an almost eight minute long song, starting with a straight cut and paste of the song “Aur Mera Naam Hai Jameela” sung by Lata Mangeshkar from the 1967 film ‘Night in London’ (composed by Laxmikant Pyarelal and penned by Anand Bakshi). In both the films, Helen is the dancer performing this song on screen. But of course, the choreography is different in the two films. In this clip from ‘Dharma’, only one stanza of the original song from ‘Night In London’ is included and it is about 2 minutes in duration. Well this is one rare thing.

The second and most important rare thing about this song is that after Helen’s initial lip syncing to this cut-paste song, the actual song, sung by Asha Bhosle, is lip synced by four of the best cabaret dancers of that era. Of course after the Numero Uno – Helen – who’s in the first part. The subsequent segments are performed by Faryal, Sonia Sahani, Jayashree T and Bindu.

The video opens with Helen beginning the dance with some male dancers. The music has already begun. We can also see Ramesh Deo with Asit Sen, who is watching the dance wide-eyed and lecherously. They go to another dance bar and Faryal starts her part followed by Sonia Sahni performing in the third bar. In the fourth bar, Jayashree T is performing bhangra. In the last bar, they do drugs with drinks while Bindu is performing. In this film, Madan Puri and Ramesh Deo are together shown to cheat rich men by taking them to clubs and tempting them with wine and women. The song shows Seth Garib Das (Asit Sen) is being trapped by them and this cabaret number is organized for him.

I hope all of you like the interesting facts of this song as well as the song. Please comment.

Audio

Video

Song – Arey Saaqi Jo Kal Ki Hai Bachi Baaki (Dharma) (1973) Singer – Lata Mangeshkar, Asha Bhosle, Omi, Lyrics – Verma Malik, MD – Sonik-Omi

Lyrics

yaar ki nigaahon me
pyaar ki mehfil me
saahib main rahti hoon
aashiqon ke dil me
aur mera naam hai jameela

har ek dil ko dhadakne ki aadat huyi
main jis gali se bhi guzri qayamat huyi
log nazren bichaane lage
log nazren bichaane lage
haal dil ka sunaane lage
yaar ki nigaahon me
pyaar ki mehfil me
saahib main rahti hoon
aashiqon ke dil me
aur mera naam hai jameela

arey saaqi
jo kal ki hai
bachi baaki
usi ka daur chal jaaye
arey saaqi
jo kal ki hai
bachi baaki
usi ka daur chal jaaye
utha parda
dekh jalwa
ke sheeshe mein
jawani ab utar jaaye
arey saaqi

rani hoon main raat ki
tu hai galiyon ka raaja
aa
rani hoon main raat ki
tu hai galiyon ka raaja
soyi hui jawani ko
tu chhoo ke zara jaga ja
meri nigahein, aadayen ye baahein bulaayen
veeraa. . .
hahh veeraa. . .aah
la laa la laa la laa la laa

o ho
machal ke pee
sambhal ke pee
paimane mein maikhaana doob na jaaye
machal ke pee
sambhal ke pee
paimane mein maikhaana doob na jaaye
arey saaqi

dil le ja nishaani
badi meherbaani
haaye dil le jaa nishaani
badi meherbaani
teri jiyegi
teri jiyegi jug jug jawaani
o mere dil jaani
teri jiyegi jug jug jawaani
ho mere dil jaani
haaye
ve sun sajna
ve sun makhna
tu yaad rakhna
ke yaari toot na jaaye
ve sun sajna
ve sun makhna
tu yaad rakhna
ke yaari toot na jaaye
ve sun sajana..aa..aa. . .

dum mein dum hai to dum laga
duniya kya hai nasha hi nasha
aasmaan ke baadal to
kuchh bhi nahin
mazaa to tab hai ke
zameen pe baadal bana
mere humdum
raat hai kam
ke baaton mein
ye saari
raat na jaaye
mere humdum. . .
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

यार की निगाहों में
प्यार की महफिल में
साहिब मैं रहती हूँ
आशिक़ों के दिल में
और मेरा नाम है जमीला

हर एक दिल को धड़कने की आदत हुई
मैं जिस गली से भी गुज़री क़यामत हुई
लोग नज़रें बिछाने लगे
लोग नज़रें बिछाने लगे
हाल दिल का सुनाने लगे
यार की निगाहों में
प्यार की महफिल में
साहिब मैं रहती हूँ
आशिक़ों के दिल में
और मेरा नाम है जमीला

अरे साक़ी
जो कल की है
बची बाकी
उसी का दौर चल जाये
अरे साक़ी
जो कल की है
बची बाकी
उसी का दौर चल जाये
उठा पर्दा
देख जलवा
के शीशे में
जवानी अब उतार जाये
अरे साक़ी

रानी हूँ मैं रात की
तू है गलियों का राजा

रानी हूँ मैं रात की
तू है गलियों का राजा
सोई हुई जवानी को
तू छू के ज़रा जगा जा
मेरी निगाहें अदाएं ये बाहें बुलाएँ
वीरा॰ ॰ ॰
हाहह वीरा॰ ॰ ॰ आहह
ल ला ल ला ल ला ल ला

ओ हो
मचल के पी
संभाल के पी
पैमाने में मैखाना डूब ना जाये
मचल के पी
संभाल के पी
पैमाने में मैखाना डूब ना जाये
अरे साक़ी

दिल दे जा निशानी
बड़ी मेहरबानी
हाय दिल दे जा निशानी
बड़ी मेहरबानी
तेरी जिएगी
तेरी जिएगी जुग जुग जवानी
ओ मेरे दिल जानी
तेरी जिएगी जुग जुग जवानी
हो मेरे दिल जानी
हाए वे सुन सजना
वे सुन मखना
तू याद रखना
के यारी तू ना जाये
वे सुन सजना
वे सुन मखना
तू याद रखना
के यारी तू ना जाये
वे सुन सजना॰॰आ॰॰आ॰॰आ

दम में दम है तो दम लगा
दुनिया क्या है नशा ही नशा
आसमां के बादल तो
कुछ भी नहीं
मज़ा तो तब है के
ज़मीं पे बादल बना
मेरे हमदम
रात है कम
के बातों में
ये सारी
रात ना जाये
मेरे हमदम॰ ॰ ॰


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3522 Post No. : 14144

Gaddaar (1973) was produced and directed by Harmesh Malhotra and starred Vinod Khanna, Yogita Bali, Pran, Iftekhar, Madan Puri, Anwar Hussain, Ranjeet, Manmohan, Ajit, Padma Khanna, etc. The three songs in this movie were penned by Anand Bakshi and were composed by Laxmikant Pyarelal.

Watching this movie, during its initial release and many a times subsequently, always gave me pleasure. It is a kind of story which you usually read in a James Hadley Chase novel or some Hollywood heist caper. A major heist goes off as planned, until one person double crosses the team. The rest of the movie is about how those involved hunt for the traitor who has disappeared with the loot from their last big heist.

The movie is an intriguing and gripping thriller that boasts of brilliant performances, witty dialogues and much more. You should definitely not miss this one.

As Greta Memsaab says, she was “positively riveted to my chair” while watching this movie. Read her review of this movie here

A reviewer on IMDB says;

“Solid cast with Pran, Iftekhar, Anwar Hussain, Madan Puri, Vinod Khanna, Manmohan, Ranjit, Ajit, etc. All are good. The plot is very good. It is probably based on some English crime novel. Unlike a typical Hindi movie, there are no clear heroes and villains. There are shades of gray which is unusual and makes the movie worth watching. Also, every character seems to have something special in him in spite of so many of them. Snowy locations are spectacular in this. “

Today(10 march 2018) is Padma Khanna’s 69th birthday. We, all here at Atuldom, wish her a long and healthy life. She currently lives in New Jersey, USA and is the founder and principal of Indianica Academy, where she and others teach youngsters Kathak and fusion dances to Indian Folk dancing for Bollywood enthusiasts.

We celebrate her birthday with this fast cabaret song sung by Lata Mangeshkar, penned by Anand Bakshi and composed by Laxmikant Pyarelal. It is lip synced by Padma Khanna as she dances with the dance master Oscar (of Vijay Oscar Team). The song has heavy prelude and postlude music with an Arabian feel and tempo.

“Gaddaar”(1973) makes its debut in the blog with this song.

Video

Song-Wai wai main jal gayi (Gaddaar)(1973) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o

Wai wai
Main jal gayi
Hmmmmm
Yeh aag hai ya jawaani
Wai wai
Main jal gayi
Hmmmmm
Yeh aag hai ya jawaani
Aag bujha de
Pyaas mitaa de
Dil dhadka de
O dilbarjaani wai wai
Main jal gayi

Main nahin jaanti ee kya
Tera anjaam ho o o ga
Sabke hothon pe le ee kin
Tera he naam hoga
Tu rahe ya
Na rahe tu
Rahegi lekin
Teri kahaani wai wai
Main jal gayi
Hmmmmm
Yeh aag hai ya jawaani
Wai wai
Main jal gayi

Mere hazaaron deewa aa ne
Maine tujhko chuna aa hai
Tujhsa aashiq jahaan aa mein
Dekha hai na suna hai
Lekin mere
Husn se darna
Ishq mein karna
Na beimaani wai wai
Main jal gayi
Hmmmmm
Yeh aag hai ya jawaani


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3519 Post No. : 14132

I had promised my co-Atulite and friend Avinash Ji that my next post will be of a song to his liking and which he, as probably many of us, have forgotten in more than four decades since this movie has been released. Some of the readers may be hearing this song for the first time.

This movie was released in the year that I passed out from my school and probably saw it during the intervening period when I left the school and started my junior college. The movie was no great shakes, as in a run-of-the-mill romantic thrillers with the then popular (one of them) jodis of Randhir Kapoor and Rekha. These two acted together in many movies starting with Rampur Ka Laxman (1972), Dharam Karam (1975), Dafaa 302 (1975), Khalifa (1976), Ram Bharose (1977), etc.

Aaj Ka Mahatma (1976) was directed by Kundan Kumar for producers Kundan Kumar and Sharad Kumar, music by Laxmikant and Pyarelal.

The movie stars Randhir Kapoor, Rekha, Ranjeet, Bindu, Manmohan, Manmohan Krishna, Kumud Chuggani, Purnima, Shetty, Keshav Rana, Abhimanyu Sharma, Keshto Mukherjee, Sanjana, Dilip Dutt, Manorama, Rajan Haksar, Jeevan, Anand Joshi, Kirti Kumar, Rajan Kapoor, Narbada Shankar, A.N. Malhotra, Bhagwan Sinha, Deepak, Ramesh Deo, etc

The storyline:

Randhir and Ranvir Verma are twins. Randhir is straightforward, while Ranvir is a petty criminal. These petty thefts add up, and soon the police arrest Ranvir, and he is sentenced to prison. In prison, Ranvir incurs the wrath of a gangster, Tony, and is killed. Randhir undertakes to find the killer, and gets himself arrested, and imprisoned to get to see who the killer is. After getting out from prison, Randhir plans to avenge his brother’s death, without knowing that he himself could endanger his very life, as well the life of his girlfriend, Mala. The song “Chandni chand se hoti hai, sitaron se nahin, pyar bhi ek se hota hai hazaron se nahin…” is still popular.

This song is sung by the one and only Lata Mangeshkar (many a times sounding like sister Usha, in this song), penned by Majrooh Sultanpuri and composed by Laxmikant Pyarelal. It is lip synced by Bindu who is dancing to the song. The lead pair of Randhir Kapoor and Rekha are also present.

The song has a Goan flavour, with strong use of trumpets. There were many songs, based on Goan music, composed by LP after the success of “Na maangoon sona chandi” from Bobby 1973. In 1974, it was “Daaru ki botal mein” from Majboor; in 1976 it was today’s song and “Prem ka rog bada bura” from Dus Numbri; in 1977 they came up with “Hey La la Hey Lala Jhoomo Zara” from Chacha Bhatija; etc.

With this song, Aaj Ka Mahatma (1976) makes its debut on this blog.

I hope this song brings nostalgia to lots of people who were in their teens during the mid-seventies.

Audio

Video

Song-Kombda ba baanu aashiq zhaala (Aaj Ka Mahatma)(1976) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal

Lyrics

Kombda ba baanu aashiq zhaala
Dekho ree kaisi sundar baala
Kombda ba baanu aashiq zhaala
Dekho ree kaisi sundar baala
Leke aa la aa
Kombda ba baanu
Humko bhula ke
Phirta hai aaj kal
Duje ke sang matwaa la aa
Kombda ba baanu aashiq zhaala
Dekho ree kaisi sundar baala
Leke aa la aa
Kombda ba baanu

Roz kare hai
Koi pyaar ka waada
Magar roz bhula de
Mera dilbar seedha saadha
Haay haay
Roz kare hai
Koi pyaar ka waada
Magar roz bhula de
Mera dilbar seedha saadha
Dekho zara
Arre haan dekho zara
Kisko laaya hai aaj dilwaa la aa
Kombda ba baanu aashiq zhaala
Dekho ree kaisi sundar baala
Leke aa la aa
Kombda ba baanu

Kal ki toh hai baat
Mera dil kiya chori
Aaya aaj dikhaane
Chori kar ke seena jori
aye haay
Kal ki toh hai baat
Mera dil kiya chori
Aaya aaj dikhaane
Chori kar ke seena jori
Jaane nahin
Mujhe pehchaane nahin
Yeh bahana re khoob nikaa la aa
Kombda ba baanu aashiq zhaala
Dekho ree kaisi sundar baala
Leke aa la aa
Kombda ba baanu

O ho meri jaan
Hazaaron mein akeli
Kahaan aan phansi ho
Meri chhoti si albeli
haay haay
O ho meri jaan
Hazaaron mein akeli
Kahaan aan phansi ho
Meri chhoti si albeli
Maano sanam
Ke nahin maano sanam
Humko kahna jo thha wo kah daa la aa
Kombda ba baanu aashik zhaala
Dekho re kaisi sundar baala
Kombda ba baanu aashik zhaala
Dekho re kaisi sundar baala
Leke aa la aa
Kombda ba baanu
Kombda ba baanu aashiq zhaala
Dekho ree kaisi sundar baala
Leke aa la aa
Kombda ba baanu uu


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3497 Post No. : 14054

Last weekend, during my forced medical leave, I was a bit bored and wanted to watch any old Hindi mystery movie, which I had not seen. My search on You Tube led me to a B grade (or even C grade) movie with good lead stars (Vinod Mehra and Yogita Bali) and even a bit of interesting story line. However, I wasted 1 hr 56 minutes of my time, except for a song which is as good as the old Bappi Da songs.

This song brought out goose pimples in me. It was so enthralling, so melodious, so refreshing, so sweet, excellently penned and composed. Bappi Da probably went back to his basic days of “Chalte Chalte”, “Dil Se Miley Dil”, “Lahoo Ke Do Rang” etc, because this song belongs to the same genre as songs from these movie. I usually do not post songs post 1980s, unless it is absolutely rare and beautiful. This rare gem is from a 1988 thriller titled “Who Milie Thi” aka “Kaun Hai Khooni”. Kishore Kumar comes up with another winner with this romantic number. The song is composed by Bappi Lahiri as mentioned and written by Farook Kaiser. The female voice during the interlude and at the end of the song is of Meena Patki.

Now without prolonging the suspense let me tell you that the song I am talking about is “Chhoo Ne Se Maila Ho Aisa Badan Toone Paaya Hai”. Even today, when I come across such a soft romantic song, the music and the lyrics can take me back to a cherished time, making instantaneous connections to places and times full of evocative memories. The song is penned either by Gauhar Kanpuri or Farooque Kaiser, composed by Bappi Lahiri and is from “Woh Milie Thi” (1988)

For those readers interested in the synopsis, it goes as this:

Amar, young and smart foreign returned Mines Engineer moves to Lalitpur to reopen his own coal mines which were closed down fifteen years back after the mysterious deaths of Amars father and uncle. But before he reaches to his destination he meets a beautiful mysterious girl Milie performing mujra in mysterious Pili Haveli.

While crossing the long and dark valleys, Milie suddenly vanishes and Amar collides with Milie’s skeleton in pitch darkness. Amar’s friend police inspector Vikram tells him that Milie had died five years back and it is her soul that is still around in search of peace. Amar doesn’t believe this and keeps on trailing Milie wherever he sees her. Once while trailing Milie Amar finds inspector Vikrams dead body and is accused for his murder.

Meanwhile Amar goes back to city and gets married but has to run back to Lalitpur leaving his forest night because his friend Vijay meets an accident, After reaching there he finds it was a minor accident. Now one after another incident holds Amar to go back to meet his newly wedded bride. His mother reaches Lalitpur with his bride. Amar happily goes to meet his wife but once again he is forced to leave her by a danger siren. Amar runs towards the source but on the way he is attacked by mysterious people and the police save him. Amar reaches home and finds his bride missing. He runs to find her but is taken on gun point by his own servant John and the real race with the devil starts, a race, in which the devil is only interested to kill Amar.

The movie had three directors – Dilip Bose, Samir Chowdhury and Azeem Malik and was produced by Rama Kapoor, the movie starred Vinod Mehra, Yogeeta Bali in lead roles, supported by Mahesh Anand, Vikas Anand, Bindu, Aruna Irani, Jagdeep, T.P. Jain, Joginder, Kader Khan, Madhu Malini, Ram Mohan, Shobhini Singh, Jayshree T., Veena with special appearences by Shashi Kapoor and Moushumi Chatterjee.

Today (13 february 2018) is the 73rd anniversary of Vinod Mehra (13 February 1945 – 30 October 1990). Here is this gem of a song from a “recent” yet obscure movie as a tribute to Vinod Mehra.

With this song, “Wo Milie Thhi”(1988) makes its debut in the blog.

Video

Audio

Song-Chhoone se maila ho aisa badan toone paaya hai (Wo Milie Thhi)(1988) Singer-Kishore Kumar, Meena Patki, Lyrics-Farooque Kaiser, MD-Bappi Lahiri

Lyrics

Chhoone Se Maila Ho
Aisa Badan Toone Paaya Hai
Saara chaman mujhko
aisa lage teri chhaaya hai
Tu Hai
Mere liye
Main hoon sanam
Tere liye
La lalaa
laa laa lalaa
La lalaa
laa laa lalaa

Chhoone Se Maila Ho
Aisa Badan Toone Paaya Hai
Saara chaman mujhko
aisa lage teri chhaaya hai
Tu Hai
Mere liye
Main hoon sanam
Tere liye

Paayal ki chham chham mein main
Khoya raha
Sapnon ki baahon mein main
Soya raha
Paayal ki chham chham mein main
Khoya raha
Sapnon ki baahon mein main
Soya raha
Tu mili
zindagi mil gayi
aa aa aa aa aa aa
Chhoone Se Maila Ho Aisa Badan Toone Paaya Hai
Saara chaman mujhko aisa lage teri chhaaya hai
Tu Hai
Mere liye
Main hoon sanam
Tere liye

aa aa aa
aa aa aa
aa aa aa aa
aa aa aa
aa aa

Pariyon ki basti se kya
Aayi hai tu
Nainon ke pyaalon mein kya
Laayi hai tu
Pariyon ki basti se kya
Aayi hai tu
Nainon ke pyaalon mein kya
Laayi hai tu
Tu mili
bekhudi mil gayi
aa aa aa aa aa aa
Chhoone Se Maila Ho Aisa Badan Toone Paaya Hai
Saara chaman mujhko aisa lage teri chhaaya hai
Tu Hai
Mere liye
Main hoon sanam
Tere liye

Phoolon ki khushboo si hai
Tujh mein basi
Jaadoo sa karti hai yeh
Teri hansi
Phoolon ki khushboo si hai
Tujh mein basi
Jaadoo sa karti hai yeh
Teri hansi
Tu mili
har khushi mil gayi
aa aa aa aa
Chhoone Se Maila Ho
Aisa Badan Toone Paaya Hai
Saara chaman mujhko
aisa lage teri chhaaya hai
Tu Hai
Mere liye
Main hoon sanam
Tere liye
Laa la laa
Hmm Hmm Hmm hm
Laa laa la laa
Hmm Hmm Hmm Hmm hm
Hmm Hmm Hmm hmm
Hmm Hmm Hmm Hmmm
Laa laa la laa
Hmm Hmm Hmm Hmmm


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3494 Post No. : 14041

My movie watching spree was at its peak during the year 1975 – 76. Mind you, in 1976 I had to appear for my school leaving certificate (the SSC board exam). But being a street smart teen with a knack for remembering most of the things that I came across, I always used to score good marks in my exams. Not that I stood in the top three in my class, but I was not in the bottom three as well. Hope you get my drift.

During the several morning shows I saw, missing my classes, I distinctly remember seeing Mazaaq because it was the movie which I saw on the penultimate day before the school closed for my half yearly exams. It was not a great movie that one can remember (as you can see from the synopsis below), but I had to see it as it was the new release on that day (Friday) and watching movies was my staple diet, so any movie would do.

It was only in my twenties that I heard this sweet song and was floored by it. This song has Asha Bhonsle and Pancham at one of their best. I hope many of you remember this song and those who haven’t can marvel at this beautiful melody.

The movie synopsis:

The movie story deals with Vinod who is in search for job. One day he rescues Dr. Aruna (Irani) from a fire, and when she recovers, he steals a certificate in the name of Heeralal Mehta, certifying that the person is medically mentally challenged. He changes the name on the certificate, goes around acting mad, getting food & clothing for free. He also involves his down and out friend, Raja (Mehmood) in this scheme.

The Police are informed about Vinod, and in order to escape he re-locates to Bangalore. Once there he applies and gets a job as a Manager with the Narang family business, meets with Moushumi and both fall in love with each other. One day Moushumi’s dad comes across the certificate, and also a newspaper notice about Vinod’s escapade and his mental condition. He fires Vinod and asks him never to meet Moushumi again.

Vinod returns to Bombay, gets another certificate from Dr. Irani, this time certifying that he is sane, and he past actions were just a joke, and returns to Bangalore – only to find that Moushumi is about to married to another man her dad has chosen for her. The rest of the movie is about what happens next?

The movie stars Vinod Mehra, Moushami Chatterji, Aruna Irani, Iftekhar, Asrani, Mukri, Keshto Mukherjee, Agha, Bhagwan, Shobha Khote, Viju Khote, Paintal, etc. It is directed by Kumar for producers Jayantha Mukherjee, Ritesh Mukherjee (Moushami’s husband in real life). The music is composed by Rahul Dev Burman and the songs are penned by Yogesh Gaud.

“Takra Gaye Do Baadal Ambar Pe” by Asha Bhonsle with monologues in the interludes by Vinod Mehra, composed by R D Burman and penned by Yogesh Gaud from “Mazaaq 1975”.

Audio

Video

Song-Takra gaye do baadal ambar pe (Mazaaq)(1975) Singer-Asha Bhonsle, Lyrics-Yogesh, MD-R D Burman
Vinod Mehra

Lyrics

Takraa gaye do
Baadal ambar pe ae
Takraa gaye do o
Baadal ambar pe ae
Toh barasne lagi
Boondein bikhar ke ae
Takraa gaye do o
Baadal ambar pe ae ae
Toh barasne lagi
Boondein bikhar ke ae
Takraa gaye do o

Maushami,
Kitna pyaaraa naam hai
Is naam ka saath toh
Har mausam se hai
Chaahe woh sardi ka ho
ya garmi ka
Patjhad ka ho
ya saawan ka

Ahh Chhodo
Jaao
Bade woh ho tum m
Naam mera
Jod diya
Mausam se sanam m
Mausam
Phir bhi
Mausam hai sanam m
Naam mera
Joda na bataa
Khud se kyun balam
Mujhse milaao yeh nain to
Aise na jalaao mere mann ko o o o
Takraa gaye do o
Baadal ambar pe ae
Toh barasne lagi
Boondein bikhar ke ae ae
Takraa gaye do

Yeh saawan ka mausam to khoobsoorat hai hi
Lekin tumhaari is khubsoorat umar ne
Ise aur bhi khubsoorat bana diya hai

Jaane
Aayi
Kaisi yeh umar
Ban ke kali
Khilne lagi
Sooni raah par r
Tan mein
Mann mein
Uthhi yeh lehar r
Tujhse sajan
Takraaye mann
jaaoon main bikhar
Aag lage re saawan ko o
Chhoo gaya mere daaman ko o o
Takraa gaye do o
Baadal ambar pe ae
Toh barasne lagi
Boondein bikhar ke ae
Takraa gaye do o


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3491 Post No. : 14025

Joshila is a 1973 Bollywood thriller film directed by Yash Chopra. The film stars Dev Anand, Raakhee, Hema Malini, Pran, Bindu, Madan Puri, Manmohan Krishna, Padma Khanna, A. K. Hangal, Sulochana Latkar, Sudhir, Hercules, Master Satyajeet, I. S. Johar, Vikas Anand, Roopesh Kumar, Iftekhar, Jagdish Raj and Mahendra Sandhu.

Joshila was directed by Yash Chopra, produced by Gulshan Rai for Trimurti Films, written by Akhtar ul-Iman, Akhtar Mirza, Gulshan Nanda and C. J. Pavri, cinematography by Fali Mistry, edited by Pran Mehra and was released on the 19th of October 1973. The playback was by Asha Bhosle, Kishore Kumar, Lata Mangeshkar and Dev Anand, lyrics were by Sahir Ludhianvi and the composer was R D Burman.

The storyline (according to IMDB) is:

Jailor Manmohan Krishan is responsible for looking after convicts undergoing sentences of rigorous imprisonment. He has a young, beautiful and captive daughter named Shalini. Shalini is a poet, one day while reciting her poetry, she meets with a young man, who introduces himself as Amar, who also happens to be a poet himself. The two of them spend beautiful moments together and finds themselves attracted to each other. Shalini wants to find out why Amar is in jail. She is told in no uncertain terms that Amar is in jail for murder – for killing the brother of his former lover, Sapna. She also found out that this is not true and would strive to the best of her merit to get Amar release from jail because she is in love with him and would like to marry him.

In this song, Padma Khanna lip syncs and dances with a male counterpart (unidentified) to “Kaanp Rahi Main” in Joshila 1973 sung by Asha Bhonsle, penned by Sahir Ludhianvi and composed by Rahul Dev Burman,

There were eight songs in the movie, of which four have been covered earlier in this blog. This is the fifth song to be posted.

Audio

Video

Song-Kaanp rahi main (Josheela)(1973) Singer-Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-R D Burman

Lyrics

Aaaaaaa

Kaanp rahi main
Abhi zara thham jaanam
Baaki hai ae ae
raat abhi
Haanf rahi main
Le loon zara dum jaanam
Na kar ye ae
baat abhi

Toone ae
O re mere jaani
Jo hai jee mein thhaani
Us’se daroon main
daroon main
daroon main
Tu jo
Paass mere aaye
Jaan meri jaaye
Aahen bharoon main
Th Th Tha Tara tara th ra
Th Th Tha Tara tara th ra
Aaaaaaaa
Jaane de re
Rok zara
haath abhi
Kaanp rahi main
Abhi zara thham jaanam
Baaqi hai ae
raat abhi
Haanf rahi main
Le loon zara dum jaanam
Na kar ye ae
baat abhi

Abhi ee ee
Gul hai diye saare
Paass aaja pyaare ae
Ban ja deewaana
deewaana
Zarra mast main bhi ho loon
Toh ye tujhe boloon
Tu hai nishaana
Th Th Tha Tara tara th ra
Aaaaaaaa
Main bhi hoon
Tu bhi hai
saath abhi
Kaanp rahi main
Abhi zara thham jaanam
Baaki hai ae
raat abhi
Haanf rahi main
Le loon zara dum jaanam
Na kar ye ae
baat abhi
Kaanp rahi main
Kaanp rahi main


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FIFTEEN years. This blog has over 18300 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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