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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Car song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I am quite interested in looking up at songs related statistics in the blog. Seeing that we have notched quite a good number of songs in the blog, we have some good statistics to discuss.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from a film made by Gemini, Madras, namely ‘Sansaar'(1951). It is sung by Lata Mangeshkar and an unknown male, with chorus.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Rajesh Khanna – The Phenomenon – 4
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This post under this series is not in chronological order as far as my ongoing reminiscences about Rajesh Khanna movies are concerned. But this post fits in this series about Rajesh Khanna. This particular movie “Chakravyooh”(1978) was critically acclaimed for the performance of Rajesh Khanna as also for ‘its offbeat story line’ which was at variance with typical Rajesh Khanna-romantic movies that we were used to.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Agar” (1977) was produced by Mohan Rao and directed by Esmaayeel Shroff. The movie had Amol Palekar, Zarina Wahab, Kader Khan, Vijayendra Ghatge, Tuntun, Jagdeep, Gulshan Bawra, Roodi Berde, Brahm Bhardwaj, Krishan Dhawan, Viju Khote, Manmohan Krishna, Dr Shreeram Laagoo, Keshto Mukherji, Maruti Rao, Master Raju etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Dost”(1974) was produced by Premji and directed by Dulal Guha for Suchitra Productions, Bombay. The movie had Dharmendra, Hema Malini, Shatrughan Sinha, Ravinder Kapoor, Kanhaiyalal, Anwar Hussain, Abhi Bhattacharya, Tiwari, Bunty, Naaz, Master Raju, Satyadeep, Altaf, Maruti, Rehman, Madhup Sharma, Deepak, Soni, Bihari, Madhushala, Shetty, Fazloo, Maqbool, Reddy, Amir Ali, Yusuf, Rajrani, Nazir Kashmiri, Chandulal, Pardesi, Nathuram, Mukhtar Ahmed, Chatterji, Ansari etc in it. In addition, there was special appearance by Hinda Kausar and Guest Appearance by Raj Mehra, Asit Sen, Satyen Kapoo and Chand Usmani.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is a song from film Duniya Rang Rangili-57, sung by Asha Bhonsle and Mohd. Rafi. The song is filmed on Johnny Walker and Shyama.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sometimes, things can’t get more rare than this. As we look for rare combination of artists, and especially singers, we come across combinations where two artists have worked together in a song, once or maybe twice in the entire history of Indian cinema. This song today, is one such song. It is a duet, rather I should correct myself, it is a trio of singers. There are two female voices, and one male voice. The male voice is not identified, even in the Geet Kosh listings. The female voices are Shamshad Begum and Hamida Bano. And the year is 1948.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today is monday, 25 july 2016. I was informed yesterday evening by Peevesie’s mom that this day was the birth anniversary of Sudhir Phadke (25 july 1919- 29 july 2002). She added that she unfortunately was not aware of any songs of him.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song for discussion is from a film which is actually…according to some people…”out of Syllabus” for me. The film is Andaz Apna Apna – 1994 and the lovely duet is sung by Vicky Mehta and Behroze Chatterjee.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 15
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‘छ’
“छोड़िए गुस्सा हुज़ूर ऐसी नाराज़ी भी क्या”

वो बादशाह सुरों का (He, the monarch of musical notes)

This phrase is used as the intro caption by one of the fans who uploads many songs of Rafi Sb on YouTube. (His name is Ahsaan Qasim.  He is a dear friend, and part of the wide circle of collector friends).

I have discussed in one of my earlier posts, about Rafi Sb’s cognizance of the emotional intent of a song, and his ability to capture and express its exact flavor and nuance, when he would sing it. This ability made his playback voice so intensely an integral subsumed part of the on screen performance, that his voice seemed to dissolve into the persona on screen, losing its own identity. And Rafi Sb had no favorites in this regard. His voice became the voice of any and every actor who lip synced his songs on screen. No other singer in this domain has been able to emulate This remarkable and pervasive characteristic of Rafi Sb’s singing. Other singers either have a very unique characteristic of their singing voice that is identifiable in every song they have given their voice to, or the identity of their voice matches the identity of some select actors and on screen roles. As I said, the pervasiveness of this ability of Rafi Sb continues to be unmatched.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13400 song posts by now.

This blog is active and online for over 3200 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13466

Number of movies covered in the blog

Movies with all their songs covered =1014
Total Number of movies covered =3696

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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