Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Car song’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5569 Post No. : 18041

Hullo Atuldom

Simi Garewal – a lady who has very beautiful hair, posture, elegance etc. was born on 17th October – turns a year older today. She played a teacher to a teenager Rishi Kapoor in ‘Mera Naam Joker’ (1970) and is Manoj Kumar’s fiance too. Three years later, she played Amitabh Bachchan’s friend in ‘Namak Haraam’ (1973) when that character needed an emotional support when he felt betrayed by his best friend. But these were not her first appearances in the film industry.

Simi was first seen in 1962 releases ‘Tarzan goes to India’, ‘Son of India’ & ‘Raaz Ki Baat’ (1971 UR). I remember seeing her on television when Doordarshan screened the 1965 films ‘Teen Deviyan’, ‘Johar Mehmood in Goa’, & ‘Do Badan’. All of these films may not have had Simi as the central character, but she was noticed for her style and apparently westernized way of carrying herself.

She depicts similar style in today’s song too. She looks as if the song is a mirror of her real life attitudes. The song is from the 1977 released, Asrani directed film ‘Chala Murari Hero Banane’. The song shows Simi trying to teach Asrani, who has newly attained stardom, the ways to cope with the ‘filmy way of life’.

The song is written by Yogesh & RD Burman has composed it in the manner of “Mera Naam Hai Shabnam” from ‘Kati Patang’ (1970). The main difference being the ‘Kati Patang’ song was filmed as a club number & today’s is a road-song.

Happy Birthday to the actress, producer, director, television program host Simi Garewal on turning a year older. Born in the year 1947, she 76 years old today.

Video

Audio

Song-Paas aao naa (Chala Muraari Hero Banane)(1977) Singer-Asha Bhonsle, Lyricist-Yogesh, MD-RD Burman
Simi
Chorus

Lyrics (Provided by Prakashchandra)

kya soch rahe ho
pyaar karte ho
aur sochte ho
chchchchchch
un hoon
hmm
naughty

socho mat
kho jaao
sab bhool jaao
dekho meri taraf
dekho
kya main sochti hoon
unhoon
jo dil mein aata hai
wahi karti hoon
jitni duniya ki parwaah karoge
apne aap se door hote jaaoge
so lets go
kahin door chalen

aaaa aaaa aa haa
ya ya ya yaaaa
yayayayaaa
yayayayaaaaa
yayayaayaaaaa
yayayayaaa

ru ru ru ru
ru ru ru ru ru ru ru ru

kya hai samaaa
kaisi haseen
bikhri hai ye ae
tanhaaiyaan
rangon ki mele hain
hum tum akele hain
aise mein kuchh socho na
paas aao na
(ru ru ru)
tarsaao na aa aa
(ru ru ru)
ae jaane jaan
(ru ru ru)

hmm
hmm
phir sochne lage ho
un’hoon
dekho kitni khoobsurat raat hai
is’nt it lovely
is’nt it romantic
aur main
main bhi is raat ki tarah hoon
masti bhari
mujh mein kho jaao
paas aao
paas aao na

laa aa aa aa haa
tum ho jawaan
main hoon jawaan
phir kyun sahen aen
ye dooriyaan
madhosh baahon mein
pyaasi nigaahon mein
aaj to kho jaao naa haa
paas aao na
(ru ru ru)
tarsaao naa
(ru ru ru)
ae jaane jaan aan
(ru ru ru ru. . .)

[Extra stanza in Audio Link]
hmmm…mmm..mmmm…mmmm
huhhh life is to live
yes..sss
live every moment of it
or else you will find
you are loosing
the most beautiful
the most precious gift of all
the gift of youth
listen
youth is beauty
youth is life
youth is love
so let yourself go
come on

aa aaaa aaaa hhaa aaaa aaaa
aa aaaa aaaaaa haaaa aaaa
aatee hain kyon..on
(ru ru ru)
angdaayiyaan aaan aaa
(ru ru ru)
samjho zaraa aaa aaa
(ru ru ru)
gehraayiyaan aan aaa
(ru ru ru)
dhadkanein gaati hain
tumko bulaati hain
jaane tum gum ho kahaan
hey aeyye aey ae ae
paas aao naa
(ru ru ru)
tarsaao naa aaan aaaa
(ru ru ru)
ae jaane jaan aaan aaa haaa aaa aaa
(ru ru ru)


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5449 Post No. : 17855

Hullo Atuldom

19th June is the birthday of actor Raj Kiran. He will be 73 today.

Recently I saw Mahesh Bhatt’s ‘Arth’ (1982) and I thought such a good-looking person. He was playing the part of Raj who falls in love with the recently jilted Pooja (Shabana Azmi); that was an odd pairing. But they looked good together. Raj Kiran had made his debut in 1975 through BR Ishara’s ‘Kaagaz Ki Nao’ with Sarika as his co-star. His next release was ‘Shiksha’ (1978) which was directed by S Ramanathan. It was produced by Tarachand Barjatya – meaning Rajshri productions.

The movie had Urmila Bhatt and Iftekhar playing Raj’s parents. Beena Banerjee & Benjamin played villagers who lives are effected by Vijay Gupta’s (Raj Kiran) reckless driving. Vijay’s father is a strict person who feels that giving him a proper punishment for this recklessness will make his son a better person. So instead of bailing him out of the situation the father throws him out of the house. Vinay takes up a job as a driver at a rich man’s place (I think that was Pinchoo Kapoor) under a new name – Vinay & also doesn’t disclose his lineage. Vinay (a.k.a Vijay) also comes across the family that was effected by his recklessness, helps them in various ways so that they come to terms with and out of their misfortune. That was the simple story of ‘Shiksha’.

Bappi Lahiri was the music director of the songs in this movie which were written by Gauhar Kanpuri. I have seen the shoot of a part of the opening song of this film.

The music-part of the song before an antara was shot on the road out side the building which was my maayka. There was a lot of activity on our road on that day. Suddenly we saw a few shops spring up. Then we found the reason for all the activity as we saw large reflectors, and crowds build up. Now, there is a park opposite my building at Andheri where suddenly there were people sitting under huge beach-style umbrellas. I think that was the time of some holidays or vacation so we kids (all aged below 12) were allowed lots of time in the park by our parents. Then we saw a car drive up with a whole lot of men and ramming through the newly set up shops. Then the shops got reset and the same thing happened again. Sometime later, a person involved in all of this came up and rang the bell at my home asking for water, cold if possible. And my mom gave him a few bottles of water that is when she made inquiries about what the shoot was all about. I remember that she gathered info that it was a new boy who was playing the hero, and this is going to be part of the song. I don’t know if she recognized Jagdeep who was the only known face in the whole setup; maybe she would have if he was not in that funny wig.

If we see the video of the song this incident happens from 3:52, when the car is shown driving from under a flyover which is the Gokhale Bridge of Andheri West. The vehicle drives past Barucha Baug also known as Parsi Colony (in our area). The cars comes down the road and takes a left turn and runs into those shops. My building is seen in the background at 3:58 seconds into the song. The building in the background at 4.02 was the staff quarters of Tata Housing Centre (where my aunt used to stay; in fact her house itself is seen very clearly). This 20 seconds of the song was shot on a sunny day outside my home in Andheri. One can say ‘My personal 20 seconds of Bollywood’ 🙂 with my building and Tata colony being seen again at 4.18 of the song.

Now the readers may have guessed the reason that I have chosen this Bappi Lahiri sung & directed song to go with today’s post that is wishing Raj Kiran a very Happy Birthday. He is said to have gone missing for the last few decades; his last released film was ‘Chudail No. 1’ in 1999.

Then I read Rishi Kapoor’s quote somewhere “I’ve been wondering where Raj had disappeared. The question was haunting me for a very long time. Then these rumours of Raj being no more began doing the rounds. I was really disturbed. How can a colleague with whom I shared a really good times, just vanish from the face of earth? I decided to look up Raj’s elder brother Govind Mahtani to find out about Raj. I was so relieved when Govind told me that Raj was alive. But he was confined to an institution in Atlanta due to health problems. … apparently, he looks after his own treatment by working within the institution. It’s a heart-rending situation for an actor who was so successful at one time”.

Hope this once upon a time handsome looking actor is fine.

Video

Audio

Song-Yaari hai phoolon se meri yaari hai (Shiksha)(1978) Singer-Bappi Lahiri, Lyrics-Gauhar Kanpuri, MD-Bappi Lahiri
Chorus

Lyrics

yaari hai
phoolon se meri yaari hai
pyaari hai ae
kali bhi mujhe pyaari hai
din doobey yaa shaam dhaley
gaatey huye
hum to chaley
arre yaari hai
phoolon se meri yaari hai
arre pyaari hai ae
kali bhi mujhe pyaari hai
din doobey yaa shaam dhaley
gaatey huye
hum to chaley
yaari hai
phoolon se meri yaari hai
laa laalaa
laaa laalaalaalaa
laaa laa laa
laa laa laa laa

jab hum jhoomen
ambar ghoomey
chalte hain to
raahen chale saathh mere
mastaaane hum
hum ko kya gham
rehti hardam
manzil mere haath mein ae ae
arre yaari hai
phoolon se meri yaari hai
pyaari hai ae
kali bhi mujhe pyaari hai
din doobey yaa shaam dhaley
gaatey huye
hum to chaley
arre yaari hai
phoolon se meri yaari hai
laaa laalaaaa
laaa laalaalaalaa
laaa laa laa
laaa laaa laa laa laa

aandhi toofaan
baadal bijli
ban ke tan ke
rukte nahin ham kahin
duniya mein to
jo hai ab hai
apna sab hai
kal hamne dekha nahin een een
arre yaari hai
phoolon se meri yaari hai
arre pyaari hai ae
kali bhi mujhe pyaari hai
din doobey yaa shaam dhaley
gaatey huye
hum to chaley
arre yaari hai
phoolon se meri yaari hai
arre pyaari hai ae
kali bhi mujhe pyaari hai

laaa laalaalaa
laaa laalaalaalaa
laaa laa laa laa
laa laaa laa laa laa
ho ho
laaa laalaalaa
laaa laalaalaalaa
laaa laa laa laa
laa laaa laa laa laa
ho ho
laaa laalaalaa
laaa laalaalaalaa
laaa laa laa laa
laa laaa laa laa laa
ho ho

————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————

यारी है
फूलों से मेरी यारी है
प्यारी है
कली भी मुझे प्यारी है
दिन डूबे या शाम ढले
गाते हुये हम तो चले
अरे यारी है
फूलों से मेरी यारी है
अरे प्यारी है
कली भी मुझे प्यारी है
दिन डूबे या शाम ढले
गाते हुये हम तो चले
अरे यारी है
फूलों से मेरी यारी है

लाss ला ला ला लाल्ला ला लाs
लाss ला ला ला लाल्ला ला लाs

जब हम झूमें
अबार घूमे
चलते हैं तो
राहें चलें साथ में
मस्ताने हम
हम को क्या ग़म
रहती है हरदम
मंज़िल मेरे हाथ में
यारी है
फूलों से मेरी यारी है
प्यारी है
कली भी मुझे प्यारी है
दिन डूबे या शाम ढले
गाते हुये हम तो चले
अरे यारी है
फूलों से मेरी यारी है

लाss ला ला ला लाल्ला ला लाs
लाss ला ला ला लाल्ला ला लाs

आँधी तूफान
बादल बिजली
बन के तन के
रुकते नहीं हम कभी
दुनिया में तो
जो है अब है
अपना सब है
कल हमने देखा नहीं
अरे यारी है
फूलों से मेरी यारी है
प्यारी है
कली भी मुझे प्यारी है
दिन डूबे या शाम ढले
गाते हुये हम तो चले
अरे यारी है
फूलों से मेरी यारी है

ला ला ला लाss ला लाss
ला ला ला ला लाss लाss लाल्ला
हो हो
ला ला ला लाss ला लाss
ला ला ला ला लाss लाss लाल्ला
हो हो
ला ला ला लाss ला लाss
ला ला ला ला लाss लाss लाल्ला
हो हो
ला ला ला लाss ला लाss
ला ला ला ला लाss लाss लाल्ला
हो हो


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5435 Post No. : 17823

It was somewhere in the middle of may 2023 (17 may 2023, to be exact) that plans to have a meeting of blog regulars at Mumbai began to be explored. The idea began to take shape when Sudir jee, alongwith Bakshish Singh jee planned to visit Mumbai for one week towards the end of May till first week of June ( week beginning 29 may 2023 and ending on 4 June 2023).

The initial response was like we all will be busy in prior engagements towards the end of may, it is not the season to visit Mumbai etc. But after initial hiccups, things began to take shape. It was decided that 2 June 2023 would be a suitable date. Mumbai based regulars readily confirmed their availability on that date, except one who was not available at Mumbai on those dates. The messages were marked to other regulars spread over India as well. Avinash Scrapwala was always ready to join from Vadodara. Regulars based at Bangalore and nearby stated that they would be unable to join due to prior engagements.

Even I began to warm up to the idea. The only time I had joined a gangout at Mumbai was in December 2014. That meeting is still fresh in my mind, even though nearly nine years have passed after that meeting. During that meeting, I had the good fortune to meet lots and lots of Blog regulars. Mumbai regulars like M/s Sadanand Kamath, Nitin Shah, nahm had joined the meeting. Khyati Bhatt flew over from USA and was there in the meeting. Our youthful and energetic Bharat Upadhyay jee (sadly no longer with us) was there and he was one of the most enthusiastic organiser of that meet that took place in a Hotel not very far from the Mumbai airport. He had also invited a few HFM related stalwarts who were not our blog regulars. Legendary Mumbai based names like Nalin Shah and Suresh Chandvankar were invited by him and they joined the meeting. From Delhi, Sudhir jee and Ganti jee had joined. It was quite a gathering of HFM enthusiasts.

One Mumbai based regular who could not make it to the meeting at that time was our beloved inhouse encyclopaedia Mr Arunkumar Deshmukh as his wife had sadly passed away just prior to the scheduled meeting. After the gangout, those who were still at Mumbai went to see him. I had arrived at the meeting from Raipur (from an early morning flight) and I had to leave by an evening flight, so I could not meet him during that visit.

On many occasions, Arunkumar Deshmukh jee has expressed his fond hope that he would be able to meet me sometime in future. I too was just as eager to meet him.

This meeting afforded me the opportunity to meet him. That was one of the main reasons why I felt that I must attend this meeting. What is more, he was the host of this gangout at his residence !

I am based at Bhopal at present, which is well connected by air to Mumbai. Like the previous Mumbai Gangout, I wanted to be able to return back on the same day. Flight timings suited my plan. So I immediately booked an early morning flight from Bhopal to Mumbai that arrived Mumbai by 10:30, well before 11 AM, which was the scheduled time for the gangout to begin. I also booked the ticket for return flight, which was at 8:05 PM that arrived Bhopal at 9:30 PM.

Very next day, I got e mail message from the airways that my flight was rescheduled to 12:30 afternoon and would land at Mumbai at 2 PM. What a letdown ! I quickly cancelled that ticket and booked ticket for another flight. This flight left Bhopal at 10:35 AM and arrived Mumbai at 12 noon. From there to the venue of the meeting was about half an hour drive by cab. So I hoped to arrive by 12 :30, hopefully not missing much of the activity at the gangout.

As days passed, Mr Satish Shenoy, based at Bangalore confirmed that he too would attend the meeting. That made it three regulars that I would meet for the first time. Arun Jee, Shenoy jee, and Avinash Scrapwala. Avinash Scrapwala too was going to meet me and Sudhir Jee for the first time and he hoped to set a record of meeting the maximum number of blog regulars. 🙂

I had not informed my wife and daughter that I planned to visit Mumbai. I wanted to inform them just one day prior to my departure. They became aware as I tried to take printout of the boarding pass on the printer. My kitten saw a printer for the first time and she tried to find out how this device works. 🙂 When my daughter looked at the printout she enquired where I was going. I told her Mumbai. My wife, who overheard me, correctly guessed that it must be to meet my blog regulars. “you will go like this ? Quickly go out and get your haircut”- She ordered me. So I walked down the street to the nearby haircut saloon and got my haircut. She too had heard about Arun Jee. I had shown her books authored by him. So she was already much impressed. You are going to meet such a famous man and you are going empty handed, She chided me. Going empty handed and meeting blog regulars, that is how it has been with me all these years. But then I used to live alone those days. My wife was not there to take care of such fine details. My wife and daughter went out and picked what they considered an appropriate item to be carried with me at the meeting.

The flight was at 10:35. It meant I had to reach the airport by 8:30. I typically wake up at 4 AM in the morning and take my two dogs on their morning walk, one dog at a time. Their walk was over by 5 AM. In addition to being a dog walker, I am their chef too. Normally I get their meals ready by 8:30. On this date, I got their meals ready by 6:30, hoping that my wife/ daughter would feed the dogs in time in my absence. I was myself ready in all respects by 7 AM.

My wife had woken up early to prepare breakfast for me, but the daughter, who was supposed to drop me to the airport (11 km away) was a late riser. I wondered if she would wake up in time. Luckily she woke up early by her standards and I arrived the airport well in time.

Every airport is different form other airports and things work differently in all airports. So it is always better to arrive early at an airport that is new for one. Bhopal airport is new for me. I have gone there a few times to drop my daughter or to pick her up, but it was for the first time that I was going there to catch a flight. I found Bhopal airport building quite a small building that had just four or five gates. In contrast, Mumbai or Delhi have different terminals, and each terminal has say one hundred gates or so. Some gates (half of them) in Bhopal have aprons too, which means passengers can directly board the aircraft or deplane the aircraft via the apron, instead of being carried to the plane or to the terminal via buses. In some airports they simply walk upto the plane from the terminal or get down from the plane and go to the terminal (as in Gorakhpur 🙂 ) .

I make it a point to take a window seat so that I could watch outside from the window. I watch as the aircraft taxies on the airport and reaches to the edge of the runway. After the plane reaches the end of the runway, the plane starts running on the track picking up speed and finally the plane takes off. In a matter of seconds, the plane is way above in the sky and structures on the ground start looking like small specks. I try to identify structures like road, railway lines, rivers etc. It helps if you know the route the plane flies over. They you can try to identify landmarks visible undeneath. I had not done any such prior research this time so I was not able to identify any landmarks as the plane flew towards Mumbai.

With a flight just over one hour, you do not have to wait much. The airhostess starts distributing eatables. She would have barely served four rows of passengers when announcement is made that the aircraft is reaching Mumbai. I wonder why these aircrafts distribute foodstuff on such small duration flights, when they do not have enough time to carry out this task fully.

Watching the plane land on the aircraft is another interesting process as far as I am concerned. The structures on ground, including even the airport looks so small from above. It comes as a great relief when the aircraft actually lands where it is supposed to land and then actually ends up at just the gate where it is scheduled to stop. The apron is connected to the plane and the passengers troop out. I had made it a point to have just a hand bag and no checked in baggage, so all I had to to was to come out of the airport.

Coming out of the airport is one thing, you also need to go to your destination. I am a novice when it comes to booking vehicles on Ola, Uber etc. Mr Arunkumar Deshmukh had sent me (and others) whatsapp message inviting us to his place. That message contained the address of his residence. My daughter, who spent four years in Mumbai doing her MBBS, is an expert in such matters. I had whatsapped this message to her and asked her to book a cab for me. After I landed, I asked her to book the cab. She asked me what terminal I was at. I was in terminal one, which is smaller than terminal two (or so it seemed to me). She booked an Ola cab and messaged the details to me. In a matter of minutes, I found the cab bearing just the registration number as in my message turning up exactly where I stood. I am used to long waits for cabs elsewhere, so getting a cab so fast was quite a pleasant surprise for me. I boarded the cab, gave the driver the OTP and I was on my way. While on the way, I checked up the blog. I found that Sudhir Jee had commented on my post for the day, where he had mentioned that Peevesie’s mom too was going to attend the gang out. That came as a pleasant surprise. It meant I was going to meet not three, but four blog regulars for the first time. Soon, the number would swell even more, as Peevesie and her husband too would join later in the afternoon.

The cab reached a place and the driver stopped. He asked me whether this was where I had to go. How could I know ? I told him that I would find out for myself and told him that he may go. I entered a side lane. When I looked back from where I came, I saw a 16 storey building across the road . Arun Jee had mentioned that his building was opposite a 16 storey building called Avinash. When I looked at that building, it was indeed named Avinash. I crossed the road, entered the gate and asked the watchman guarding Avinash where was the building called “Jyoti Apartments”. He pointed me out towards the building directly across the road (from where I had just come by crossing the road). I could see JYOTI written on that building. So I went back across the road and entered the gate. While entering, I could see A , B, C written on different portions of the building. I asked the watchman where was B 13. He informed me that it was on the first floor on the B wing. I went there, climbed up to the first floor and found a door. Before I could think of how to get the door opened, the door opened and I found Arun Jee standing there. He had watched me arriving from the window. On the right side room, I saw a gathering of all the regulars. Arun Jee was one person I met for the first time, Peevesie’s mom (unexpectedly pleasant surprise), Satish Shenoy jee and Avinash Scrapwala were the other “new” persons I met for the first time. Sudher jee, Bakshish Jee, Sadanand Kamanth jee, and Nitin Shah jee, whom I have met in the past, were also there. Then there was a Mumbai based person Subhash jee, who I guess was an acquaintance of Bakshish Jee, and he was an extremely knowledgeable person about HFM, just like Bakshish jee.

One can say that some seriously knowledgeable HFM lovers were gathered together in that one room. That room incidentally had hosted many more HFM related people in the past. I was quite familiar with this room, as Arun Jee had shared his photographs with fellow HFM lovers and experts, or relatives of all HFM related artists, taken in that room.

While we discussed all sorts of matters, including HFM, a few photographs got clicked and shared on our whatsapp group. Some people who had not joined the meeting offered their remarks on these photographs.

Prima facie, our talks would look like small chit chat. But some of the discussion that took place would be considered stuff of breaking news in the field of HFM, and also in some other fields. For example, Sudhir Jee, on a query whether we will run out of songs after 25000 songs, stated that the list of songs that are contained in HFGK were based on the information available at that time. Many more recordings of songs, in HFM as well as NFS, are becoming available that are not yet available online. (They are available with Sudhir Jee, of course. 🙂 )

While discussing other matters, I stated that I used to bathe in Ganga jal and drink Ganga jal, when I stayed at Jamalpur, but I became aware of this fact much later. As it is, Jamalpur got Ganga water from 15 KM long pipeline that brought Ganga river water from Munger. In response, Sudhir jee informed us that when Lutyen’s New Delhi was established, it got its water supply not from River Yamuna that flows in Delhi, but pure Ganga water from the hills of Uttarakhand through upper Ganga canal. It turns out that Sudhir jee’s colony too gets this water. So Sudhir jee has been drinking ganga jal and bathing in it since his childhood. 🙂

While on the matters of HFM, Sudhir Jee gifted me an external hard drive containing all the 17800 songs that have been covered in the blog. This drive contains all the version of the songs, including multiple versions. So the actual number of songs in the disk is more than 27000 !

While all this discussion was going on, lunch time was announced by Arun Jee. Arun jee had singlehandedly prepared a sumptuous lunch for all of us that contained a variety of dishes. I eat sparingly, but even I can tell that the food was quite tasty. I especially like aamras and the dahi, both made by Arun Jee himself.

In the afternoon, Peevesie and her husband arrived. So we had the good fortune of meeting as many as three members of Peevesie’s household. Only two members, viz her father and her brother were missing, else the entire family would have been present. By the way, even Peevesie’s father has a post in the blog.

While most of us are movie lovers, Peevesie and her husband are actually into film making. So we do have a fim maker among us. Peevesie is a costume designer while her husband is a photography enthusiast. He took a few nice group photograph of all of us.

Satish Shenoy jee had flown out from Bangalore and his return flight was at 7 PM or so. At 4 PM, he booked a cab for himself and announced that his cab was arriving in three minutes time. So he took leaves of us and was on his way to the airport. My flight was one hour later. Unlike Shenoy jee, I was a novice when it came to booking a cab, so I whatsapped my daughter asking her to book a cab for me from my present location to Terminal 2. I hoped that the cab would turn up after say ten minutes or so, but immediately message flashed on my mobile that the cab would arrive in one minute. So I hurriedly bid farewell to all the participants. I came down, along with Sudhie jee and Avinash jee, who came down to see me off. Soon enough, a cab arrived at just the location it was supposed to arrive. I boarded the cab and I left for the airport.

It was such a nice and memorable meeting. I had hoped to meet four new people. I ended up meeting twice that number. Plus I met four old acquaintances. I was carrying sweet memories of the meeting with me that would last me a long time. I was feeling very happy with the world.

I arrived at terminal 2. It is Mumbai airport’s domestic as well as international terminal. It is quite vast, and at the same time, things there are quite automated, which was not the case nine years ago, when I had gone back from the same airport terminal after the previous gang out in 2014. One needed to arrive at the airport well in advancce if one was new to it. There are so many gates. But before that , one needed to find out your gate by going to your airways counter. After knowing the gate number, you needed to find how to go in. The first hurdle is the security check for you as well as your luggage. Which queue to join ? It turns out that you could join any queue of your choice. After successfully negotiating the security check, you, alongwith your belonging, had to go past doors that opened when you scanned the QR code of your boarding pass. The gate would then open automatically, allowing you to pass. This feature was not there the last time I boarded a flight from Mumbai. Mumbai airport has clearly been following the best practices that are being followed elsewhere. Just imagine how fast and painless it becomes for the passengers when we use technology.

After entering into the area that contains gates, there are miles upon miles to walk before you reach your gate. It turned out that gates of a few flights were changing slightly, and my flight was also one whose gate changed a bit. Moreover, the flight was late. By the time I boarded it and it left, the flight was already one hour late. But surprisingly, it was announced that the flight time was just one hour. So it meant that the flight would arrive Bhopal by 10 PM. And that is what happened. Coming out with just a hand bag, and quickly out of the exit, I found my wife was looking out for me. I entered the vehicle, driven by the daughter and we were home by around 10:45 PM.
The dogs were happy to see me. I would take them for their evening walk at 6 PM. It turned out that neither my wife nor daughter had bothered to take them for their evening walks. So I took them for their evening walk, some five hours late, and they went out happily with me.

By the time I fell asleep, it was already midnight. I had a sound and happy sleep. But as always, I woke up at 4 AM ext morning to take the dogs for their morning walk.

I felt sleepy throughout the next day and the blog saw just one post for the day. Next day I began to write (type) about my visit to Mumbai, so that I could get it published by monday morning. I am waiting for others too to write about this meeting, but surprisingly, no article had arrived in my mail till then. May be they will start coming in after my post appears.

On this occasion, I have picked a cute motor gaadi song. In olden days, road vehicles were called Motor or motor gaadi. People were used to bullock carts or horse driven carts. Driving these vehicles meant urging the animal to move faster. This was गाडी हाँकना . The lady in the song considers a motor gaadi to be similar to a bail gaadi that is runs by the process of हाँकना. To the lady and her sahelis, a driver is a “dalaiver”.

These days, if you are going to meet someone, you would want the driver to drive faster. But in olden days, people including ladies would have an opposite request. They would want the driver to drive slow. Reason, either their dupatta or chunri is threatening to fly away, or, as in this case, “doley hai manwa”.

This cute song is from “Dil Ki Basti”(1949).

“Dil Ki Basti”(1949) was produced by S M Yusuf and directed by Wahid Qureshi for Aaina Pictures, Bombay. The movie had Nigar Sultana, Masood, Yashodhara Katju, Amar, Mirza Musharraf, Urmila, Tewari, Ramlal, Ismail, Lalita Pawar etc in it.

“Dil Ki Basti”(1949) had nine songs in it. Eight songs have been covered in the past.

Here is this ninth and final song from the movie. This song is sung by Zohrabai Ambalewaali and female chorus. Nazim Panipati is the lyricist. Music is composed by Ghulam Mohammad.

With this song, all the songs of “Dil Ki Basti”(1949) are covered in the blog. The movie thus koins the list of movies that have been YIPPEED in the blog.


Song-Motor hauley hauley haank dalaiver (Dil Ki Basti)(1949) Singer-Zohrabai Ambalewali,Lyrics–Nazim Panipati, MD-Ghulam Mohammad
Female chorus

Lyrics(Provided by Prakashchandra)

motor hauley haulye haank dalaiver
doley hai manwaa
doley hai manwaa kisee ka doley hai manwaa
kisee ka doley hai manwaa
motor hauley hauley haank dalaiver
doley hai manwaa

motor waaley kee matwaalee ee
jhooth-moothh sharmaaye
motor waaley kee matwaalee ee jhooth-moothh sharmaaye
man mein laddoo phoot rahey hain
oopar se ghabraaye
jo kuchch man ke andar bhed chhupaa hai
kholey hai manwaa

doley hai manwaa kisee ka doley hai manwaa
kisee kaa doley hai manwaa
motor hauley hauley haank dalaiver
doley hai manwaa

bhaiyya driver ek passinger chori chori taakey ae
bhaiyya driver ek passenger chori chori taakey ae
mukh se ghoonghat udd udd jaaye
dekhey hain sharmaake
apney man ko man ke saath
sakhee ree doley hai manwaa

doley hai manwaa kisee kaa doley hai manwaa
kisee kaa doley hai manwaa
motor hauley hauley haank dalaaiver
doley hai manwaa

bhaiyya driver teri motor
pharr pharr kartee jaaye aey ae
hho pharr pharr karthee jaaye aey ae
oo oo ooo
ooo oooo ooo oo ooo
bhaiyya driver teri motor
pharr pharr karthee jaaye aey ae
hho pharr pharr karthee jaaye aey ae

badaa majaa ho aisey mein petrole khatham ho jaaye
badaa majaa ho aisey mein petrol khatham ho jaaye
chhup chhup ankhiyaan dekh rahee hai
pee ko /dekho/?? boley hai manwaa
doley hai manwaa kisee kaa doley hai manwaa
kisee kaa doley hai manwaa
motor hauley hauley haank dalaiver
doley hai manwaa


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5393 Post No. : 17689 Movie Count :

4746

In this article, I propose to explore the film ‘Mimi’ (2021) which was a remake of a Marathi film, ‘Mala Aai Vhhaychy!’ (2011) [meaning, I want to be a mother]. The film is about surrogacy. The Marathi film was produced by Samruoddhi Porey, a lawyer in Bombay High Court. The story was based on one of the surrogacy cases she handled in the High Court. The film won the National Film Award for the best feature film in Marathi. While the Marathi film was a complete melodrama, ‘Mimi’ (2021) added some situational comedy elements to reduce the impact of melodrama.

‘Mimi’ (2021) was produced by Dinesh Vijan under the banner of Maddock Films and was directed by Laxman Utekar. The star cast included Kirti Sanon, Pankaj Tripathi, Sai Tamhankar, Manoj Pahwa, Supriya Pathak, Evelyn Edwards, Aidan Whytock, Jacob Smith, Jaya Bhattacharya etc.

The film was majorly shot in Mandwa in Rajasthan during October to December 2019 and thereafter in around Jaipur in February-March 2020. When only 5 days’ shooting was required for completion of the film, the imposition of first coronavirus lockdown on March 25, 2020, derailed the completion schedule. The leftover shooting could be completed only in January 2021 and the patchwork shooting involving the foreign artists for continuity purposes were completed thereafter. Film was planned for a theatrical release in May 2021 when the second wave of coronavirus forced the authorities to clamp lockdown from the mid-April 2021. So, ‘Mimi’ (2021) got released on the digital platforms – Netflix and Jio TV on July 27, 2021.

The gist of the story of the film, ‘Mimi” (2021) is as under:

Mimi (Kriti Sanon), a dancer in a small town in Rajasthan is aspiring to be an actor in Bollywood. For her aspiration to become true, she needs to earn money for the preparatory work in becoming an actor which she tries to do so by her dance programme. But this does not give her enough money.

An American couple are in India who are looking for a surrogate mother. When staying in a hotel in Rajasthan, they watch Mimi’s dance and zeroes on her as the possible surrogate mother. They entrust their driver, Bhanu (Pankaj Tripathi) as a middleman to convince Mimi for surrogacy. After initial reservation, Mimi agrees to become the surrogate mother for the American couple for Rs.20 lakhs which will more than take care of her preparatory expenses to become an actor in Bollywood. She signs the contract of surrogacy. After a successful surrogacy procedure in a hospital, Mimi is declared pregnant. The American couple is happy. They take care of Mimi’s financial requirements for the next few months before they depart for the USA.

Now, the problem for Mimi is how to conceal her pregnant tummy from her parents and the rest of society in her town. Mimi lies to her parents that she is going to Mumbai for 9 months for a film shoot. She shifts to stays with her friend, Shama (Sai Tamhankar) who is her singing/dancing partner for the dance shows and stays in the other part of the town. On the instructions of the American couple, Bhanu also joins her.

After few weeks, the American couple returns to India to check the progress of Mimi’s pregnancy. They take her to the doctor for a check-up which reveals that the child is likely to be born with some deformity. Both Mimi and the American couple are shocked. The American couple returns to US without informing Mimi and advises her through Bhanu that she should get the child aborted. Mimi refuses to do abortion and instead she and Bhanu return to her home town in Rajasthan. Now the pregnancy is known to her parents as well as the town. To hide her surrogacy, Mimi tells her parents that while in Mumbai, she got married to Bhanu and the child in the womb was that of Bhanu. After some hesitation, Mimi’s parents accept to take care of her.

Few weeks later, Mimi delivers a baby boy with fair skin, blue eyes and the blond hair. People make fun of Bhanu as to how he could be father of such a fair skin and blond boy. In the meanwhile, Bhanu’s real wife and mother also comes to know that he has a son from a different woman. Bhanu, however, successfully convinces that the boy is born out of surrogacy, and he has only lent his name as Mimi’s husband to hide the truth. Due to his unique unusual appearance, the boy is loved by all around him. Both Mimi’s and Bhanu’s families accept the baby boy. They are all happy with a growing child around them. Raj is now 4-year-old.

After watching a viral short video of Mimi dancing with Raj, the American couple visits India and land in Mimi’s house. They demand the child back as per the contract. Mimi, who is now emotionally attached to Raj, refuses to part with Raj to the American couple. They plead that his wife, out of depression, tried to commit suicide and only the child would bring happiness in her. Neither Mimi nor their family is ready to hand over the child. The American couple decide to take the legal course to settle the issue. Mimi’s family also consults a lawyer who tells them that to fight the case, Raj would need to be present in the court for every hearing. Mimi does not want 4-year Raj to go through such an ordeal and confuse him further about his status. She decides to handover Raj to the American couple.

The film ends with the entire Mimi and Bhanu families unanimously agreeing to handover Raj to the American couple only to be told by them that they have already adopted an Indian girl child as they feel that Raj would be happy with Mimi, his biological mother.

The film raises the important issues – social, emotional, and legal, concerning surrogacy. After watching the film, the audience would be forced to think as to how far surrogacy is morally and ethically right due to its commercial nature. Anyway, in India, under the new Surrogacy (Regulation) Rules, 2022, the commercial surrogacy has been banned. Even for altruistic surrogacy, there are very tough conditions to be met before getting approval for a surrogate mother.

The film was critically acclaimed. Kirti Sanon was appreciated for her performance as a surrogate mother. Pankaj Tripathi’s performance was excellent. Other actors fitted very well in their respective roles. Due to coronavirus, the entire financial arithmetic of the film’s budget went awry, first because of the delay in release of the film and secondly, it did not get the theatrical release. With the passage of time, the film has stated to have not only recovered the cost but has also earned some profit as per box office report.

The film has 7 songs, all written by Amitabh Bhattacharya and set to music by A R Rahman. I present the first song, ‘chhoti si chiraiyya udke chali kis gaaon’ to appear on the Blog. The song is sung by Kailash Kher. This is a very emotional song played in the background when Mimi and her families starts the day’s activities waking up Raj from the bed, getting him bathe and feeding him. He is ready with his new dress and the baggage to travel. There are melodramatic scenes involving Mimi, her family and neighbours during the duration of the song. Raj, unaware of the his final disconnect with his biological mother and the family, is in a happy mood. The family travels in the car with Raj and reach the premises to hand him over to the American couple as the background song comes to an end.

The prelude and interlude music have some shades of Carnatic style which add to the poignancy of the song.

Video Clip:

Audio Clip:

Song-Chhoti si chiraiyya udke chali kis gaaon(Mimi)(2021) Singer-Kailash Kher, Lyrics-Amitabh Bhattacharya, MD-A R Rahman
Chorus

Lyrics

chhoti si chiraiyya aa
chhoti si chiraiyya
udke chali kis gaaon
chhoti si chiraiyya aa
chhoti si chiraiyya
udke chali kis gaaon
reh gaya daana
reh gaya paani
sooni bhayi amuwaa ki chhaaon
muniya mori
sooni bhayi amuwaa ki chhaaon
chhoti si chiraiyya aa
chhoti si chiraiyya
udke chali re kis gaaon aan

ajab niraali moh ki maaya
samjhe samajh nahi aaye
angna se tohri chehak to jaaye
tohri mehak nahin jaaye
nain samandar saath bhale par
bhare na karejwaa ke ghaav
muniya mori
bhare na karejwaa ke ghaav
chhoti si chiraiyya aa
chhoti si chiraiyya

de vidaayi mein tujhe kya keemti saamaan
de jaa nindiya rain ki subah ki le muskaan
bhar ke apni chonch mein
le jaa hamre praan
aa aa aaa aa
chhoti si chiraiyya
chhoti si chiraiyya
udke chali kis gaaon
reh gaya daana
reh gaya paani
sooni bhayi amuwaa ki chhaaon
muniya mori
sooni bhayi amuwaa ki chhaaon
muniya mori
sooni bhayi amuwaa ki chhaaon


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5356 Post No. : 17567 Movie Count :

4720

#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # (Debutante Movie-Koi Jeeta Koi Haaraa-1976)
——————————————-——————————
(A tribute to Shashi Kapoor on his birth anniversary 18th March)
——————————————-————————————————————————-

Today 18th March’2023 is the eighty-fifth birth anniversary of actor-producer and director Shashi Kapoor.

He was born on 18th March’1938 and he passed away on 4th December’2017 at the age of seventy-eight.

Shashi Kapoor needs no introduction. There is a long list of movies he acted in. Many movies in the ‘seventies’ had him playing ‘lead’ or ‘supporting’ roles, and he was part of many movies of that decade (1971-1980) and even later.
Shashi Kapoor who started as a ‘child artist’ in Hindi movies later became Assistant Director, Actor, Producer and Director. He won many accolades and awards in his long film career.

As a tribute to him today I am presenting a song from one of his movies from the ‘seventies’.

We will get introduced to this movie on the blog today. This movie is ‘Koi Jeeta Koi Haaraa-1976’.

It was directed by for Sameer Ganguly for ‘Lakshmi Movies’.

‘Koi Jeeta Koi Haaraa-1976’ was produced by Anand Bhargava. This movie was passed by Censor Board on 09.06.1976.

The cast of this movie included Saira Banu, Shashi Kapoor, Romesh Sharma, Farida Jalal, Nazeer Hussain, Urmila Bhatt, Krishnakant, Manik Dutt, Jagdish Raj, Sharad Kumar, Pinchoo Kapoor, Master Shaka, Lalita Kumari, Tiger Kapoor, and others with Narendranath and Ranjeet.

Jagdeep and Junior Mehmood had a friendly appearance in this movie.

Story of this movie was written by the ‘Lakshmi Movies Story Department’. Scenario and dialogues of this movie was written by Agha Jani Kashmiri. Screenplay of this movie was written by Naiem. Editing of this movie was done by V.K. Naik.

‘Koi Jeeta Koi Haaraa-1976’ has five songs in it which all were written by Anand Bakshi. Music for this movie was composed by Laxmikant-Pyarelal.
Lata Mangeshkar, Kishore Kumar, Asha Bhonsle and Mohd Rafi had given their voices to the songs in this movie.

Here is the list of songs in this movie :-

SNo Song Title Singer/s
01 O baba, shaadi tum o baba na karnaa Lata Mangeshkar
02 Ban gayi baat baaton mein … Kishore Kumar, Asha Bhonsle
03 Ae, oh, chup raho naa… aaj ham tum donon Kishore Kumar, Asha Bhonsle
04 Teri meri baat nahin kismat ka khel hain saara… Koi jeeta koi haaraa Mohd Rafi
05 Hamne har ek galat kaam kiya hai … Kishore Kumar

I have neither watched this movie nor I have any recollections of songs associated with this movie’s name. However when I listened to the songs of this movie I find today’s song a little familiar and one which I had listened to earlier on radio or elsewhere.

Today’s song is sung by Kishore Kumar and Asha Bhonsle. It is a ‘romantic song’ which is picturised on Shashi Kapoor and Saira Banu.

We can also see Romesh Sharma driving towards he end of the song.

Let us now listen to the song and remember Shashi Kapoor, thanking him for giving us so many fond memories of his movies and the various characters he essayed on the screen, some of which become memorable and unforgettable in the history of Indian Cinema.

Video

Audio including dialogues

Song-Ban gayee baat baaton mein (Koi Jeeta Koi Haara)(1976) singers-Kishore Kumar, Asha Bhonsle, Lyrics-Anand Bakshi, Music-Laxmikant-Pyarelal

Lyrics

ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein
ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein
yaad teri aayegi re
neend nahin aayegi
lambi kaali raaton mein

arey ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein
yaad teri aayegi re
neend nahin aayegi
lambi kaali raaton mein

ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein

phir aayegaa
mausam
phoolon ke khilne kaa
ho phir aayegaa
mausam
phoolon ke khilne kaa
jaataa hoon main
kar ke waadaa
phir milne kaa
phoolon ke mausam mein
na miley to
milenge ham barsaaton mein ae
ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein

ho jo jaanaa thha aa
to pehle ae
door zaraa rehnaa thhaa
ho jo jaanaa thha
to pehle ae
door zaraa rehnaa thhaa
jo kuchh bhi kehnaa thhaa
wo pehle kehnaa thhaa
ab tarsaate ho
jab de dee
jaan tumhaare haathhon mein ae

arey ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein
hey ae ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein

ho ab kaise din
guzrenge
jab tak hogaa aanaa
ho ab kaise din
guzrenge
jab tak hogaa aanaa

dil ke armaanon se
tab tak
dil behlaanaa aa
kho jaaungi
main dil ke
armaanon ki
baaraaton mein ae

hey ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein
arey ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5085 Post No. : 17009 Movie Count :

4607

Hullo Atuldom

3rd Sunday of June is celebrated as Father’s Day and yesterday (19th June) was Father’s Day this year. The day is meant to honor Fatherhood and Paternal Bonds as well as the influence of fathers in society. In the USA, father’s day was founded by Sonora Smart Dodd, and celebrated on the third Sunday of June, for the first time, in 1910. The day is held across the world on various dates and different regions have their own traditions of honoring Fatherhood.

Here I would like to mention that Sonora Smart Dodd was the daughter of American Civil War veteran William Jackson Smart whom she held in very high esteem. Along with her father, she shared the raising of her five siblings, after the death of her mother. While hearing a church sermon about the newly recognized Mother’s Day, Sonora felt strongly that fatherhood needed recognition as well and suggested June 5th (her own fathers’ birthday) as a possible date for father’s day. The Ministerial Alliance of the Spokane County (the county where they lived) chose the third Sunday instead.

That is how Father’s Day came about to be on third Sunday of June and complements similar celebrations honoring family members such as Mother’s Day, Siblings’ Day and Grandparents’ Day.

Today we shall have a Father-Son song and continue with the celebration of Father’s Day here on our blog. We have a song from the film ‘Aamne Saamne’ (1982). The star cast of the film is Mithun Chakravarthy, Bindiya Goswami, Aarti Gupta, Tarun Ghosh, Dinesh Thakur, Leela Mishra, Kamal Kapoor etc. The film was released in January 1982 – 40 years already, wow!!! (Now I realize why I didn’t get to see it in the cinema hall back then. I was in the middle of preparing for my class 10 boards).

‘Aamne Saamne’ (not to be confused with the 1967 film with the same name, starring Sharmila Tagore and Shashi Kapoor, which has already been Yippeee’d on the blog) was produced by Shakti Samanta and directed by his son Ashim Samanta. Madan Joshi was the dialogue writer, KK Shukla wrote the story and screenplay. The songs of this film were written by Anjaan and (our very own) Panchamda was the music director. Kishore Kumar, Amit Kumar, Asha Bhonsle, RD Burman were the playback singers used. I think it is the voice of Vanita Mishra for the young boy in today’s song in duet with Panchamda for Mithun. This song may remind some people of “Papa Ko Mummy Se Pyaar Hai” from film ‘Andaz’ (1971).

The movie had a plot similar to the Rajesh Khanna starrer ‘Sachcha Jhootha’ (1970). Mithun has a double role where the simpleton Gopi from the village is spotted by Johnny, who is a stage-singer by day and a criminal by night. Johnny trains Gopi to take his place on stage so that he has an alibi if caught by the cops – age old formula, I am sure repeated later in ‘Dhoom 3’ (2013). Then there is a tiny angle of a child, who is on the lookout for his father, and has a photo of his parents to help him. Madhu Malhotra is the mother in the photo. This was Ashim Samanta’s debut as director, and Aarti Gupta’s first lead role.

With today’s post we are wishing (rather belatedly) Mithun Chakravarthy on turning 72 on 16th. May he continue to be busy with whatever his heart is after. May we get to see more of him.

The agenda closer to home of this post is to wish the Father of this blog, our very own fearless leader- Atul ji on his birthday today. Last year we had a wonderful post with the song “Main Nikla O Gaddi Le Ke” by Avinash ji on the same date. In that post Avinash ji has called the Blog a ‘gaddi’ which is driven by ‘engine’ Atul ji and all of team members and followers ‘wagons’ of this BANDWAGON. I fully endorse his thoughts.

Thanking Atul ji for taking us along with him on this grand journey of music and knowledge sharing. Thanking him also for giving us this platform and encouraging novices like me into writing out our thoughts. As always, I wish he gets more time with his family, pets, friends, music and the blog.

With this song, ‘Aamne Saamne’ (1982) makes its debut on the blog.

 

Video

Audio

Song – Daddy Tum Auntie Se Pyaar Karte Ho (Aamne Saamne) (1982) Singer – Vanita Misra, RD Burman, Lyrics – Anjaan, MD – RD Burman
Mithun Chakravarty
Bindiya Goswami

Lyrics (Provided by Sudhir)

daddy
tum chup kyon ho

hmm,
nahin to

auntie
tum chup kyon ho

main
nahin to

main sab jaanta hoon

kya jaante ho

daddy
tum auntie se pyaar karte ho

o daddy tum auntie se pyaar karte ho
o daddy tum auntie se pyaar karte ho
lekin mujhse darte ho
chup shaitaan kahin ka

auntie tum daddy se pyaar karti ho
o auntie tum daddy se pyaar karti ho
lekin mujhse darti ho
a a bura mat maan’na
bachcha hai
kehne do na
achcha hai

lallall la
lallall la
la lallall la
lallall la
lallall la
la lallall la

o daddy ki nazar
jhukti nahin
auntie ki nazar
uth’ti nahin
peechhe reh gaya
saara shehar
gaadi ye kahin
rukti nahin

arre
chalo utro
utro neeche

aage tum chalo
main peechhe peechhe
o chori se tum aankhen chaar karte ho
daddy tum auntie se pyaar karte ho

hutt tere ki
jhonka bhi diya
doli nahin
mauka bhi diya
boli nahin
daana to bahut
daala magar
chidiyon ne munh kholi nahin

arre
lo ye choclate
aur chup ho jaao
achcha
tum mujhe rishwat dete ho

o yaani ke
tum iqraar karte ho
o daddy tum auntie se pyaar karte ho

khel khel mein
baat kya hui
aansoo nikle
khoyi hansi
auntie ne mujhe
pappi jo di
mummy ki mujhe
yaad aa gayi
auntie ko daddy meri mummy bana do
mujhse agar tum pyaar karte ho

o daddy tum auntie se pyaar karte ho
lekin mujhse darte ho

ha ha ha ha
ha ha ha ha

lallall la
lallall la
la lallall la

o ho ho ho

lallall la
lallall la
la lallall la
lallall la
lallall la
la lallall la
lallall la
lallall la
la lallall la


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4914 Post No. : 16735 Movie Count :

4555

Hullo Atuldom

Time for a yearly roundup!!!! 2021 coming to a close. 2022 just a sunrise away. Hope we have different experiences in 2022, experiences that make us glad and bring a smile to our lips which stays the whole year.

I am sure Atulji or Sudhirji or one of the other blog-contributors, who have the patience to go through the statistics etc., will give us a table of how many new movies debuted on the blog in 2021, and other related info about which date saw how many posts etc. But the best that happened this year, IMO, is the series that Atulji undertook to enlist all the movies, music directors etc that Lata Mangeshkar was associated with in her looonnngg career.

On the way out of 2021 here is a song from the 1993 release “Shatranj”. A movie that I saw at the time of its release on cable TV, before the Satellite TV Tsunami hit us. It was produced by Arun S. Thakur, directed by Aziz Sejawal, had music by Anand Milind, and Sameer was the lyricist. S P Balasubramaniam, Abhijeet, Udit Narayan, Jolly Mukherjee, Kumar Sanu, Sudesh Bhonsle, Jayshree (popular as Bombay Jayshri in classical music circles), Poornima, Sadhana Sargam (i.e. all the good singers of the 90s) were used in the movie.

Kadar Khan was the dialogue writer of the movie which begins like “Chalti ka Naam Gaadi” (CKNG) which means we have three brothers -bachelors- who are reared by the eldest brother Dharamraj (Kadar Khan), the other two brothers being Dino and Dinky (Jackie and Mithun). The eldest brother has a problem with the female gender of the populace (like Ashok Kumar in CKNG), the other two don’t have any such issues and Renu & Radha (Divya Bharaati and Juhi Chawla) are their girl friends. Then there is a female called Rosie (Jamuna who appeared in a few films in the 80s and 90s, not much is known about her) who is shown to like the elder brother Dharamraj since childhood (Sarfaraz Khan, Kadar Khan’s own son played the younger Dharamraj). The reason for Dharamraj’s problem with females is shown as his step-mother who was nasty to him and his brothers as children.

The story has the necessary villain in the character of Prajapati (Kiran Kumar) the manager to the brothers’ father’s (Vikas Anand) business and also his killer. He is cheating the brothers’s step-mother and step-brother (Shakti Kapoor) and using their business as a front for his illegal activities (what else). The brothers have some misunderstandings with Dharamraj when Renu & Radha enter their lives, which get resolved; then the hard-feelings towards the step-family also is sorted out and the cause of all the problems in their lives (Prajapati) is brought to his logical end. And then “The End”.

Oh I forgot to mention a few more tributes that the movie paid to CKNG. CKNG had ‘Mohan Garage’ here the brothers have ‘Dharam Garage’. There was a ‘car’ in CKNG even this movie had a ‘car’ important to the story. CKNG begins with a song on the pet car, this one too begins with a song on the car. Additionally the brothers have a pet Monkey/ Chimpanzee. So let us have the movie debuting on the blog with the film-opening song that shows us the bonding between the brothers. This song is in the voices of SPB, Abhijeet and Udit Narayan.

There used to be a show called ‘Superhit Muqabla’ on Doordarshan Metro of those years (28 years back) which was on the lines of the legendary Binaca Geetmala. The show used to retire songs from the list of popular songs, which were complied based on vinyl records and cassette sales & and viewership of the show as such, after a 25 week run to make place for newer songs, very much like Binaca Geetmala. And songs of “Shatranj” (1993) were on this show for many weeks.

With this song we also say thank you to the entertainer Kadar Khan who left us today, in 2018, in Canada, where he was staying with his sons following his retirement from Bollywood. His last release was ‘Hogaya Dimaagh ka Dahi” in 2015 October (after a gap of seven years when ‘Mehbooba’ and ‘Deshdrohi’ released). He was a recipient of three Filmfare awards viz:

Best Dialogue for “Meri Awaz Suno” in 1982.

Best Comedian for “Baap Numbri Beta Dus Numbri” in 1991.

Best Dialogue (again) for “Angaar” in 1993.

He was conferred the Padma Shri, posthumously in 2019 by the Government of India.

He was 81 when he passed away.

Video


Audio

Song-Ek se bane do do se bane teen (Shatranj)(1993) Singers-S P Balasubrahmaniam, Abhijeet, Udit Narayan, Lyrics-Sameer, MD-Anand Milind

Lyrics

ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
humsa koi hoga nahin
arre humsa koi hoga nahin
Londan ho chaahe ho cheen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen

apni yeh gaadi hai
sabse agaadi hai
dekho ajooba hai yeh
apni yeh gaadi hai
sabse agaadi hai
dekho ajooba hai yeh
koi ye jaane na
isko pehchaane na
apni mehbooba hai yeh
hum jo bulaate hain
yeh daudi aati hai
hum jo bulaate hain
yeh daudi aati hai
jeevan ki raahon mein
khushiyan lutaati hai
aisi yahaan gaadi kahaan
sabse hai ye behtareen

chham chham
chham chham
chham chham
kaali saadi waali (chham chham)
ladki bholi bhali (chham chham)
aise na bal kha ke chal (chham chham)
gori gori baahen (chham chham)
qaatil teri adaayein (chham chham)
dil mera jaayen machal
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen

uthhte hain sote hain
hanste hain rote hain
rehte hain hum saath saath
sapne sajaate hain
masti lutaate hain
chaahe ho din chaahe raat
hum ek dooje ka
daaman na chhodenge
mar jaayenge lekin rishta na todenge
hum jo miley
toh hai wahi
tasveer aisi haseen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
humsa koi hoga nahin
hey humsa koi hoga nahin
londan ho chaahe ho cheen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum zidhar se guzrein
woh safar ho rangeen


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4716 Post No. : 16424

Hullo Atuldom

Today’s post takes one more movie to YYIIPPEEEEHood.

“Khwaab” (1980) was a crime, court room drama genre movie with some romance and great songs thrown in for making it a complete entertainer. It had a cast of Ranjeeta, Yogita Bali, Mithun Chakraborty, Naseeruddin Shah, with Ashok Kumar, Madan Puri, Utpal Dutt leding the supporting cast which also had Chaman Puri, Birbal, Jagdish Raj, Sujit Kumar, Yunuz Parvez, Dinesh Thakur etc. It was directed by Shakti Samanta, had dialogues by Dr. Rahi Masoom Reza, songs were written and composed by Raindra Jain. Hemlata, Yesudas, Suresh Wadkar, Jaspal Singh and Mohd. Rafi were the playback singers.
The movie had four songs three of which are on the blog as follows:

Song Date of posting Remarks
Tu hi wo haseen hai 31 july 2015
Ek aas luye vishwaas liye 20 July 2020
Ham khwaab ko badal denge haqeeqat mein 22 September 2020 a very good post by Nahmji where she spoke about the usage of the English alphabet ‘K’ in Indian languages

Today’s song is an ‘outdoors song’ possibly inspired by the “jootaa hai japani” song from “Shri 420” (1955). We see Mithun walking, singing and dancing his way to Bombay (as it used to be called back then) and Raj Kapoor’s potli on a stick is replaced by a suitcase. On the way he sees Ranjeeta zipping past in an open Red car complete with sunglasses and Red Hat etc. These aspects -the open car had to be Red and two seater; the driver dressed smartly and slightly haughty- were mandatory to establish character-traits. And by the time the song comes to a close Mithun sees that Ranjeeta’s car has stalled- another mandatory. 🙂 The singer is K J Yesudas.

We are having this song to Wish Mithunda a very Happy birthday- may the song and dance and entertainment continue forever.

Video


Audio

Song-Banjaara main nahin magar (Khwaab)(1980) Singer-Yesudas, Lyrics-Ravindra Jain, MD-Ravindra Jain

Lyrics

banjaara main nahin magar
mujhe har nayi dagar
banjaara main nahin magar,
mujhe har nayi dagar
bulaaye apni oar
aur main
chalta hi jaaoon
bas chalta hi jaoon
chalta hi jaaoon
bas chalta hi jaaoon
banjaara main nahin magar,
mujhe har nayi dagar
bulaaye apni oar
aur main
chalta hi jaaoon
bas chalta hi jaaoon
chalta hi jaaoon
bas chalta hi jaaoon

(lift please)

neele gagan si oonchi
oonchi meri manzil hai
pankh bina usse chhoona
mushkil bada mushkil hai
ooncche ooncche
iraade hain mere
apne hi sang
waade hain mere
main koi banjaara toh nahin magar
mujhe har nayi dagar
bulaaye apni oar
aur main
chalta hi jaaoon
bas chalta hi jaaoon
chalta hi jaaoon
bas chalta hi jaoon

husn haseen raahon ka
bas ek nazar dekhoon
fursat hai kahaan mujhe itni
jo thaher thaher dekhoon
husn hanseen raahon ka
bas ek nazar dekhoon
fursat hai kahaan mujhe itni
jo thaher thaher dekhoon

paaonv mein bijli hai
aur aag hain seene mein
ek ajab sa nasha hai
iss haal mein jeene mein
abhi toh safar
shuru hi kiya hai
rukna nahin
ye soch liya hai
main koi banjaara toh nahin magar
mujhe har nayi dagar
bulaaye apni oar
aur main
chalta hi jaaoon
bas chalta hi jaaoon
chalta hi jaaoon
bas chalta hi jaaoon


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4694 Post No. : 16382

Remembrance Day   —    Laxmikant Shantaram Kudalkar (of Laxmikant-Pyarelal)

Today is the 23rd remembrance day of Laxmikant S. Kudalkar one half of the music composer duo fondly known as L-P.  They were the sole torch bearers by 1988, of the melodious music of the golden era of HFM.   Though RD Burman was still around, but doing very few films.  L-P it seems never took a breather, till the demise of  Laxmikant on 25.05.1998.  I personally don’t know of any instance where Pyarelal composed a film score alone.

Laxmikant–Pyarelal received won 7 awards and 15 nominations for best music direction in the Filmfare awards.

Filmfare Award for Best Music Director– Won

1965 Dosti
1968 Milan
1970 Jeene Ki Raah
1978 Amar Akbar Anthony
1979 Satyam Shivam Sundaram
1980 Sargam
1981 Karz

They have composed close to 3000 songs out of which 896 are posted.  So the tally is so close to 900 mark.   Today is actually Remembrance Day of Sunil Dutt also.  I could have easily found a song by L-P featuring Sunil Dutt to post, but I was reminded of this wonderful group song from ‘Tezaab’ in a video forward in the family group.

Belgaum city has been put under strict lock down for the extended weekend from Friday to Monday.  The video is maybe shot last year showing empty streets, markets and by-lanes of the city.  It was moving very fast, so I failed to recognise much of the blurred views. This song from ‘Tezaab’ 1988 was playing in the background, so I decided to do this song post.  I have always liked the song for the humming in the background, and night journey in the battered vehicle with a broken wind shield.  Chunky Pandey and his friends are singing this song.  While sad looking Madhuri Dixit and Anil Kapoor are trying to enjoy their antics.  Second stanza is filmed on these two with background singing by Alka Yagnik and Shabbir Kumar.  Nitin Mukesh is giving playback to Chunky Pandey.

Peevesie’s Mom would have liked to post this as Chunky Pandey’s song, I suspect.  But I have it as a night song from ‘Tezaab’ by Nitin Mukesh.  That’s how I remembered it and had thought of including it in the ‘Chaandni Raatien’ series.  But since there is no moon visible here, nor it is mentioned in the song, so desisted.

The other day after reading Madhuri’s birthday post on 15th May, I remembered many songs.  Even started one post for a Madhuri song, but could not complete it.  That one is also a hit L-P score.  But for now, that song will have to wait.

For a five-minute song, this is having only 2 stanza’s.  So, I looked for audio version, thinking that it may have an extra stanza.  But there is no extra stanza in the audio version, which is slightly longer with repetition of mukhda.

So, let’s enjoy this hummable, slow, melodious, pensive, meaningful song, written by Javed Akhtar.

And remember Laxmikant Kudalkar, the musician.

Video

Audio

Song – So Gaya Ye Jahaan, So Gaya Aasmaan (Tezaab) (1988), Singer – Nitin Mukesh, Alka Yagnik, Shabbir Kumar, Lyrics – Javed Akhtar, MD – Lakshmikant Pyarelal
Chorus

Lyrics

hmmm mmmmmm
hmmm mmmmmm
hmmm mmmmmm
hmmm mmmmmm

so gaya ye jahaan
so gaya aasmaan
so gaya ye jahaan
so gaya aasmaan
so gayeen een
hain saari manzilien
o saari manzilein
so gayaa hai rastaa
so gaya ye jahaan (hmmmm)
so gaya aasmaan (hmmmm)
so gayeen een (hmmmm)
hain saari manzilien (hmmmm)
o saari manzilein (hmmmm)
so gayaa hai rast aa(hmmmm)
so gaya ye jahaan (hmmmm)
so gaya aasmaan (hmmmm)

raat aayi to wo jin ke ghar thhe
wo ghar ko gaye so gaye
raat aayi to ham jaise
awaara phir nikle
raahon mein aur kho gaye
raat aayi to wo jin ke ghar thhe
wo ghar ko gaye so gaye
raat aayi to ham jaise
awaara phir nikle
raahon mein aur kho gaye
iss gali uss gali
iss nagar uss nagar
jaayen bhi to kahaan
jaana chaahein agar
ho oo so gayeen een (hmmmm)
hain saari manzilien (hmmmm)
o saari manzilein
so gayaa hai rastaa
so gaya ye jahaan
so gaya aasmaan
so gaya ye jahaan
so gaya aasmaan

kuchh meri suno
kuchh apni kaho
ho paas to aise ea
chup na raho o
ham paas bhi hain
aur door bhi hain
azaad bhi hain
majboor bhi hain
kyun pyar ka mausam
beet gayaa
kyun ham se zamaana
jeet gayaa aa
har ghadi mera dil
gham ke ghere mein hai ea
zindagi door tak ab
andhere mein hai
andhere mein hai ea ea
andhere mein hai

ho so gayeen een
hain saari manzilien
o saari manzilein en
so gayaa hai rastaa
so gaya ye jahaan (hmmmm)
so gaya aasmaan (hmmmm)
so gaya ye jahaan (hmmmm)
so gaya aasmaan (hmmmm)

hmmm mmmmmm
hmmm mmmmmm
hmmm mmmmmm
hmmm mmmmmm

————————————————————
Hindi Script Lyrics
(Provided by Sudhir)
————————————————————

हम्ममम म्ममममम
हम्ममम म्ममममम
हम्ममम म्ममममम
हम्ममम म्ममममम

सो गया ये जहां
सो गया आसमान
सो गया ये जहां
सो गया आसमान
सो गईं॰॰॰
हैं सारी मंज़िलें
सो गया है रस्ता
सो गया ये जहां (हम्ममम)
सो गया आसमान (हम्ममम)
सो गईं॰॰॰ (हम्ममम)
हैं सारी मंज़िलें (हम्ममम)
ओ सारी मंज़िलें (हम्ममम)
सो गया है रस्ता (हम्ममम)
सो गया ये जहां (हम्ममम)
सो गया आसमान (हम्ममम)

रात आई तो वो जिनके घर थे
वो घर को गए सो गए
रात आई तो हम जैसे
आवारा फिर निकले
राहों में और खो गए
इस गली उस गली
इस नगर उस नगर
जाएँ भी कहाँ
जाना चाहें अगर
हो ओ सो गईं॰॰॰ (हम्ममम)
हैं सारी मंज़िलें (हम्ममम)
ओ सारी मंज़िलें
सो गया है रस्ता
सो गया ये जहां
सो गया आसमान
सो गया ये जहां
सो गया आसमान

कुछ मेरी सुनो
कुछ अपनी कहो
हो पास तो ऐसे॰॰॰
चुप न रहो
हम पास भी हैं
और दूर भी हैं
आज़ाद भी हैं
मजबूर भी हैं
क्यूँ प्यार का मौसम
बीत गया
क्यूँ हमसे ज़माना
जीत गया
हर घड़ी मेरा दिल’
ग़म के घेरे में है
ज़िंदगी दूर तक अब
अंधेरे में है
अंधेरे में है॰॰॰
अंधेरे में है

हो सो गईं॰॰॰
हैं सारी मंज़िलें
ओ सारी मंज़िलें
सो गया है रस्ता
सो गया ये जहां (हम्ममम)
सो गया आसमान (हम्ममम)
सो गया ये जहां (हम्ममम)
सो गया आसमान (हम्ममम)

हम्ममम म्ममममम
हम्ममम म्ममममम
हम्ममम म्ममममम
हम्ममम म्ममममम


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4594 Post No. : 16219

“Warrant”(1975) was directed by Pramod Chakraborty for N P International, Bombay. The movie had Dev Anand, Zeenat Aman, Dara Singh, Satish Kaul, Ajit, Pran, Jankidas, Sulochana, Aparna Chaudhary, Seema Kapoor, Jagdish Raj, V Gopal, Birbal, Habeeb, Pal Sharma, Rajan Kapoor, Kirti, Viju Khote, Ujagar Singh, Lamba, Ratan Gaurang, Praveen Pal, Bunty, Madan Puri, Joginder etc in it.

The movie is described as a “social” movie in HFGK, but it was an “action” movie, ie Dev Anand style action movie. 🙂

I have not seen the movie, but from what I can guage from the picturisation of the songs, Dev Anand plays a crook escaping from the law with Zeenat Aman as his accomplice. Zeenat Aman would play a similar role with Amitabh Bachchan in “Don”(1978) and that movie, unlike “Warrant” (1975) went on to become a super duper hit mainly thanks to Amitabh Bachchan’s superb performance.

I have noticed that the story line of Dev Anand movies of 1970s used to be great but Dev Saab’s insistence on playing the hero in these movies ensured that the movies failed to do justice to the story and they would get forgotten soon. Thankfully, Dev Saab would often reject some movies and his roles in those movies were then given to some other actor and that actor enacted the roles with aplomb. For instance, Dev saab had rejected the movie “Tumsa Nahin Dekha”(1957). That role was then offered to a strugling actor called Shammi Kapoor and we all know that the movie “Tumsa Nahin Dekha”(1957) launched the career of Shammi Kapoor. 16 years later, Dev saab refused another movie. This movie was then offered to another struggling actor. He played the role so well that the movie launched him as the next big star. That movie, which Dev saab rejected was “Zanjeer”(1973) which was offered to Amitabh Bachchan and the rest is history.

Had Dev saab not rejected “Tumsa Nahin Dekha”(1957) and “Zanjeer”(1973) then HF world may not have discovered Shammi “yahoo” Kapoor and Amitabh “angry young man” Bachchan. And these movies, with Dev Saab in lead roles would have done some moderate business and the movie would have ended up along the lines of say “Warrant”(1975).

I can say the same about other Dev Saab starrer movies like “Ye Gulistaan Hamaara”(1973), “Des Pardes”(1978) etc. They all had great story line, but they failed to do justice to the story line and ended up as normal movies instead of all time super hits.

Coming to “Warrant”(1975), the songs of this movie had caught the imagination of HFM lovers during its time. Its song Ruk jaana O jaana hamse do baatein karke chali jaana was a big rage, thanks to the unique “kuk kuk” sound contained in it. Other songs too were very popular.

The movie had four songs in it. Three songs have been covered in the blog so far.
Here are the details :-

Blog post number Song Date of posting Blog day
102 Ruk jaana O jaana hamse do baatein karke chali jaana 18 September 2008 62
10515 Main tumse mohabbat karti hoon 19 November 2014 2315
15323 Ladi najariya ladi chali re phuljhadi 3 December 2019 4155

One can see that the most popular song of the movid, Ruk jaana O jaana hamse do baatein karke chali jaana was covered in the blog within two months after the launch of the blog. But the second song from the movie was covered six years later. The third song was discussed after another five years.

So a movie with just four songs has not yet been YIPPEED in the blog in nearly 12 years !

Here is the fourth and final song from the movie. This song “suno bhai baaraati” was quite popular during its time.

I have not watched the movie. I watched the picturisation of the song just no. Song is great but the picturisation would not impress people who insist on trying to find logic in the proceedings. The picturisation shows Dev saab and Zeenat Aman being pursued by police. A Christian wedding is taking place in a nearby church. The hero and heroine go and get dressed as groom and bride and give police the slip. I never knew that one can get dressed in wedding dress so fast. where did they locate their dresses so fast ? And how come the people gathered to attend the wedding in the Church started celebrating the fake wedding of our hero and heroine with such gusto and theyeven sang chorus in Konkani in the song ?

Here is the song. It is sung by Kishore Kumar. Anand Bakshi is the lyricist. Music is composed by R D Burman.

I am unable to mnote don the Konkani portion sung by the chorus. I request our knowledgeable readers familiar with Konkani to help fill in the Konkani lyrics.

ith this song, all the four songs of “Warrant”(1975) get covered in the blog and the movie thus joins the list of movies that have been YIPPEED in the blog.

Audio

Video

Song-Suno bhai baaraati (Warrant)(1975) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman

Lyrics

(konkani words)

suno bhai baaraati
suno bhai baaraati
arre dulha dulhan ko akela zara chhodo
pyaar bhari baaten karen jeevan saathi
suno bhai baaraati
suno bhai baaraati

haan
badi mushkil se dil milte hain
armaanon ke gul khilte hain
jeevan mein bas ek baar
badi mushkil se dil milte hain
armaanon ke gul khilte hain
jeevan mein bas ek baar
saajan sajni ko akele zara chhodo
mil ke gale lahraayen deepak baati
suno bhai baaraati
suno bhai baaraati
haan

(konkani words)

haan
upar se hum rangeele hain
andar se hum sharmeele hain
dekho na humen is tarah
upar se hum rangeele hain
andar se hum sharmeele hain
dekho na humen is tarah
ladka ladki ko akela zara chhodo
raat milan ki hai ik baar aati
suno bhai baaraati
suno bhai baaraati

hey
kaam karo sab apna apna
dekh rahe hain hum ek sapna
premi hain khoye huye ae
kaam karo sab apna apna
dekh rahe hain hum ek sapna
premi hain khoye huye
arre gudda guddi ko akela zara chhodo
phir dekho preet kya hai rang laati
suno bhai baaraati
suno bhai baaraati

(konkani words)


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FIFTEEN years. This blog has over 18300 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2024) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

18305

Number of movies covered in the blog

Movies with all their songs covered =1411
Total Number of movies covered=4951

Total visits so far

  • 16,472,061 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 5000 days.

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