Archive for the ‘“Aankh” song’ Category
Machal ke jab bhi aankhon se
Posted on: September 22, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5179 | Post No. : | 17155 |
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Blog 10-Year Challenge (2012-2022) – Song No. 98
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This date ten years ago (viz 22 September 2012) saw six songs from six different movies getting covered in the blog.
Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 6695 | Jeet jyot tez chamak raha hai | Amar Jyoti (1936) | 8 songs out of 11 songs covered by now |
| 6696 | Unse kehna ki wo pal bhar ke liye aa jaayen | Ek Thi Ladki (1949) | Movie YIPPEED by now |
| 6697 | Boliye sureelee boliyaan | Grih Pravesh (1979) | 3 songs out of 8 covered by now |
| 6698 | Is ishq muhabbat ki kuchh hain ajeeb rasmein | Zulm Ki Pukaar(1979) | One song covered out of six by now |
| 6699 | Chanda se hoga wo pyaara | Main Bhi Ladki Hoon (1964) | Movie YIPPEED by now |
| 600 | Ye chaand to mridang hai | Shri Krishna Arjun Yudhh (1971) | One song covered out of six by now |
It can be observed that two movies (out of six) whose songs were covered on this date ten years ago have since been YIPPEED in the blo. That leaves us with four movies that are still eligible for Blog Ten Year Challenge today (on 22 September 2022).
“Grih Pravesh”(1979) is one such movie.
“Grih Pravesh”(1979) was produced and directed by Basu Bhattacharya for Aarohi Film Makers, Bombay. The movie had Sanjeev Kumar, Sharmila Tagore, Sarika, Manik Dutt, Danny, Dinesh Thakur, Master Bittoo, Sudha Chopra, Satya Bannerjee, Vimal Joshi, Nandlal Sharma, R.S.Chopra, Rajan Verma, Nitin Sethi, Ranjan, Gulzar, Shashi Jain, Nilesh, Khokha Mukerjee, Tarun Mukherjee, Devendra Khandelwal, Priyadarshinee, Master Bharat etc in it.
The movie had eight songs. Three of these songs have been covered by now.
Here is the fourth song from “Grih Pravesh”(1979) to appear in the blog. The song is sung by Bhupinder Singh. Gulzar is the lyricist. Music is composed by Kanu Roy.
The song is picturised on Sanjeev Kumar and Sharmila Tagore.
Lyrics of the song and other details were sent to me by Prakashchandra as far back as in 2012 itself !
video link:
audio link:
Song-Machal ke jab bhi aankhon se (Grih Pravesh)(1979) Singer-Bhupinder Singh, Lyrics-Gulzar, MD-Kanu Roy
Lyrics(Provided by Prakashchandra) (Based on audio link)
machal ke jab bhi aankhon se
chhalak jaate hain do aansoon..oon
machalke jab bhi aankhon se
chhalak jaate hain do aansoon
sunaa hai aabshaaron ko o
badi taqleef hoti hai
machal ke jab bhi aankhon se
chhalak jaate hain do aansoon
machal ke ae jab bhi aankhon se ae
khudaaraa ab to bujh jaaney do
iss jalti huyee lau ko…oooo
khudaaraa ab to bujh jaane do
iss jalti huyee lav/lau ko
charaagon se ae mazaaron ko
badi taqleef hoti hai
charaagon se ae mazaaron ko
badi taqleef hoti hai
machal ke jab bhi aankhon se
chhalak jaate hain do aansoon
machalke jab bhi aankhon se ae
kahoon kyaa aa woh badi maasoomiyat se
poochh baithhe hain aen aen aen
kahoon kyaa woh badi maasoomiyat se
poochh baithhe hain aen
kya sachmuch dil ke maaron ko
badi taqleef hoti hai ae
kya sachmuch dil ke maaron ko o
badi taqleef hoti hai
machal ke jab bhi aankhon se
chhalak jaate hain do aansoon
machalke jab bhi aankhon se ae
tumhaaraa kyaa tumhein to
raah de detey hain kaante bhi…..ee ee ee
tumhaaraa kyaa tumhein to o
raah de dete hain kaante bhee
magar hum khaaksaaron ko o
badi taqleef hoti hai
magar hum khaaksaaron ko o
badi taqleef hoti hai
machhalke jab bhi aankhon se
chhalak jaate hain do aansoon
sunaa hai aabshaaron ko
badi taqleef hoti hai
machal ke jab bhi aankhon se
chhalak jaate hain do aansoon
machalke jab bhi aankhon se
chhalak jaate hain do aansoon
machal ke ae jab bhi aankhon se
chhalak jaate hain do aansoon
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5175 | Post No. : | 17147 |
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Blog 10-Year Challenge (2012-2022) – Song No. 94
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This date ten years ago (viz 18 September 2012) saw nine songs from nine different movies getting covered in the blog.
Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 6662 | Chhuk chhuk chhainyyaan chhaiyyaan | Shehnaayi (1947) | Movie YIPPEED by now |
| 6663 | Ek baar phir se aaja dil mein mere samaa jaa | Elaan (1947) | Movie YIPPEED by now |
| 6664 | Ye thhandi hawaa rangeen fizaa | Son of Alibaba (1955) | 3 songs out of 8 covered by now |
| 6665 | Pyaar beqaraar hai pyaar ki pukaar sun | Yahudi Ki Beti(1956) | 4 songs out of 8 covered by now |
| 6666 | Yaad jab aaye teri | Mohar (1959) | Movie YIPPEED by now |
| 6667 | Taash ke baawan patte | Tamanna(1969) | 3 songs covered out of 5 by now |
| 6668 | Naghma hamaara gaayega ye zamaana | Bundlebaaz (1976) | Movie YIPPEED by now |
| 6669 | Sajna ka kangna kangna mein heera | Sitaaraa (1980) | Movie YIPPEED by now |
| 6670 | Tumse hi roshan hai raat meri | Lorie (1984) | One song out of 4 covered by now |
It can be seen that five movies (out of nine) whose songs were covered on this date ten years ago have since been YIPPEED in the blog. So only four movies are eligiible for Blog Ten Year Challenge today (18 September 2022).
“Son of Alibaba”(1955) is one of the movies. The movie was produced by Darshan and directed by Manu (aka Harald Lewis) for M P Films, Bombay. The movie had Mahipal, Chitra, Chandrashekhar, Maruti,Sheikh aka Shaikh, Manju, Shamim Chaudhary, Ramesh Thakore, Mumtaz, Rajen Kapoor, Mohammad Ali, Gani, Shikha Rai, Babu,
with Guest artistes Shivraj and Nishi.
“Son of Alibaba”(1955) had eight songs in it. Three songs have been covered by now.
Here is the fourth song from “Son of Alibaba”(1955) to appear in the blog. This song is sung by Geeta Dutt and chorus. Prem Dhawan is the lyricist. Music is composed by Sardul Kwatra.
Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics and other details were sent to me by Prakashchandra.
Song-Nazar ka teer chaley koi na tadbeer chaley(son of Alibaba)(1955) Singer-Geeta Dutt, Lyrics-Prem Dhawan, MD-Sardul Kwatra
Chorus
Lyrics(Provided by Prakashchandra)
nazar kaa teer chaley ae ae
nazar kaa teer chaley ae ae
koyi na tadbeer chaley ae
main bhi jawaan
tu bhi jawaan aan
dil kyaa karey
nazar kaa teer chaley ae ae
koyi na tadbeer chaley ae ae
main bhi jawaan
tu bhi jawaan aan
dil kyaa karey
nazar kaa teer chaley ae ae
ye mast raatein aen
rangeen fizaayein
kal kaun jaaney
aaye na aayein aen
ye mast raatein aen
rangeen fizaayein aen
kal kaun jaaney ae ae
aayein na aayein
falak pe chaand hansey ae ae
falak pe chaand hansey ae ae
zameen per pyaar basey ae ae
main bhi jawaan
tu bhi jawaan aan
dil kyaa karey
nazar kaa teer chaley
koyi na tadbeer chaley ae
main bhi jawaan
tu bhi jawaan aan
dil kyaa karey
nazar kaa teer chaley aey ae ae
aankhon mein bhar ley ae ae
ulfat ki masti..ee
aa jaa basaa ley ae ae
hum dil ki bastee
aankhon mein bhar ley ae ae
ulfat ki masti..eee
aa jaa basaa len
hum dil ki bastee
dekho ji jab shaam dhaley aey ae
dekho ji jab shaam dhaley aey ae
shamaa pe parwaanaa jaley ae
main bhi jawaan
tu bhi jawaan aan
dil kyaa karey
nazar kaa teer chaley ae ae
koyi na tadbeer chaley ae
main bhi jawaan
tu bhi jawaan aan
dil kyaa karey
nazar kaa teer chaley aey ae aen ae ae
Nainon mein kajra lagaai ke
Posted on: August 25, 2022
- In: "Aankh" song | Blog Ten Year Challenge (2012-2022) | expression of love | Feelings of heart | Lata solo | Lata song | Lyrics by Prakashchandra | Lyrics contributed by readers | Song from Unreleased Films of 1950s | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
- 1 Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5151 | Post No. : | 17114 |
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Blog 10-Year Challenge (2012-2022) – Song No. 83
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This date ten years ago (viz 25 August 2012) saw six songs from six different movies getting covered in the blog.
Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 6509 | Badi mushqil hai tumhe bhool jaana | Ham Hain Raahi Pyaar Ke(UR)(1960) | 4 songs covered out of 7 songs |
| 6510 | Main pankhh lagaa ke udd jaaun | Armaan (1953) | Movie YIPPEED by now |
| 6511 | Dost dost na raha pyaar pyaar na raha | Sangam(1964) | Movie YIPPEED by now |
| 6512 | Main to ek khwaab hoon | Himalay Ki God Mein(1964) | Movie YIPPEED by now |
| 6513 | Jeene de ye duniya | Lava(1985) | One song covered out of 7 |
| 6514 | Phir chhidi raat baat phoolon ki | Baazaar (1982) | Movie YIPPEED by now |
It can be observed from the above that four movies, whose songs were covered on this date ten years ago have since been YIPPEED in the blog. That leaves us with two movies that are not yet YIPPEED so they are eligible for Blog Ten YEar Challenge today on 25 August 2022.
“Ham Hain Raahi Pyaar Ke” (1960) was an unreleased movie. This movie was an Ismail Films Production. It had Feroz Khan, Balraj Sahni, Nishi etc in it.
HFGK mentions seven songs in it. Four songs have been covered. Two more songs seem to be available.
Here is the fifth song from “Ham Hain Raahi Pyaar Ke” (1960)(UR) to appear in the blog. The song is sung by Lata Mangeshkar. Tanveer Naqvi is the lyricist. Music is composed by Khayyam.
Lyrics of the song were sent to me by Prakashchandra.
Song-Nainon mein kajra lagaai ke (Ham Hain Raahi Pyaar Ke) (1960)(UR) Singer-Lata, Lyrics-Tanveer Naqvi, MD-Khayyam
Lyrics(Provided by Prakashchandra)
milan ko main chalee
sudh budh sab bisraaye ae ae
jaisey nadiyaa baawree
saagar milan ko jaaye ae
nainon mein kajraa lagaayike
main to chali saj bann`ke
jhaanjhan mori chhankey
chali saj bann`ke
nainon mein kajraa lagaayike
main to chali saj bann`ke
jhaanjhan mori chhankey
chali saj bann`ke
lahar binaa lehraati jaaoon…oon..oon
mann hee mann muskaati jaaoon…oon..oon
yaad padey jab piyaa ki batiyaan
apney se ae sharmaaoon
mann ki umangein chhupaayike
main to chali saj bann`ke
jhaanjhan mori chhankey
chali saj bann` ke
nainon mein kajraa lagaayike
dhadhkan gaaye geet milan ke aey ae aey
joodaa mehkey choodaa khann`key aey ae ae aey ae
simtee jaaoon jis dum guzrey
jhonkhey mast pawan ke
halki chunariyaa udaayike
main to chali saj bann`ke
jhaanjhan mori chhankey
chali saj bann` ke
nainon mein kajraa lagaayike
jaaoon balam tak
bhaagey bhaagey aey ae
jaaoon balam tak
bhaagey bhaagey
kaayaa ?? pag
sadak hai aagey
phir bhi naaheen
kattey dagariyaa…aaa
phir bhi naaheen
katey dagariyaa
mann meraa dhadkann laagey
milan ki aas lagaayike
main to chali saj bann`ke
jhaanjhan mori chhankey
chali saj bann` ke ae
nainon mein kajraa lagaayike
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5133 | Post No. : | 17089 |
Today’s song is from a Costume drama-Jalti Nishani-1957.
There was another film Jalti Nishani made in 1932, by Prabhat Film Company of Poona. It was a bilingual film, made in Hindi and Marathi and the Marathi version was titled ” Agni kankan” ( अग्नी कंकण ). That was the usual story of an honest king, a bad Vazir, a runaway queen with her son and the revenge taken after 20 years. The 1957 film with the same title had almost a similar story with some variations. This film was made by Emsheth productions, produced aptly by a rich person called A.G.Dhanik. It was directed by Tara Harish and the melodious music was provided by the grand old man of Hindi film music – Anil Biswas.
The image of Anil Biswas carved in the minds of Music lovers is that of a smiling person who was respected by one and all in the industry. But few people know that behind that smiling face were many unpleasant events in his life. A failed marriage, loss of all earnings while settling the separation, loss of a dear friend-Mehboob, loss of an young son in Indian Air Force, a failed musician son, a pathetic end of his musical career field in Bombay and a life spent away from Bombay made Anil Biswas a Philosophical person at the end of his life.
I have full respect and liking for him as a person and also as a music melody creator in Hindi films. Today, in this post, we will take a short look at his life and a retelling of some interesting happenings of his life. In his Bio,you will find a less known story of his ambitious but unfortunate son who died untimely. I am not going into the details of his songs and music nor am I going to delve into the details of his interesting early life in Bengal, before coming to the Bombay film world scene. So, here we go….
Anil Biswas,the Bhishma Pitamaha of HFM,was a respected person in the industry.He started from the mid 30s and for the next 25 years or so,he created many everlasting gems in film songs. In Bombay,the Playback was first started by him in the film Mahageet-1937. By the mid 50s his magic started waning and by 1960,he was almost gone from the industry. Initially he did 10-11 films with Sagar,then with Mehboob for National studios and then in Bombay talkies- where his name became immortal with the film Kismet-1943.
He married Ashalata in 1936. Along with her he started variety pictures and they produced films like Laadli-49,Laajawab-50;Badi Bahu-51,Hamdard-53 and Bajuband-54. ( a less known fact is-Anil da had made a Guest appearance in the film Hamdard-53 as a barber.) He also acted in the film Mehman-53 (produced by Ashalata),as a Pujari and a song was shot on him.In both cases he did not get any payments. As a Producer he lost heavily, because Ashalata usurped all the money. Frustrated, he gave up everything and separated from her in 1954.
To sustain life,he bought a Truck and did a business of transportation. In addition he also took the contract for a canteen in Mehboob Studios. He failed in both ventures. By now,his relations with Ashalata were soured and sweet links were established with singer Meena Kapoor-25 years younger to him, since 1948 itself.According to some reports, they got married with each other on 19-3-1957. The death of Brother in law and close friend Pannalal Ghosh in 1960 and younger brother Sunil in 1961 as well as his eldest son- Pradeep,broke his heart. He left Bombay and joined A.I.R. at Delhi on 1-3-1963,where he worked upto 27-6-1975. Later he was a consultant for Nehru University for a few years.
Like many filmi couples,Anil da’s married life was also a failure. In Bombay,he used to stay in a huge bungalow,called ” Asha-Pradeep “, on Vincent Road. From Ashalata,he got 3 sons-Pradeep,Amit and Utpal and 1 daughter-Shikha. His son Utpal formed a pair as Amar-Utpal and gave music to few films. The other son Amit established the First Digital Recording Studio in Bombay. Daughter Shikha too got married and settled.
However,hardly anything is known about his eldest son Pradeep,anywhere. Here is some information,hitherto not known much,brought specially for our readers.
Pradeep was a very bright student and always topped in school and college. He passed his entrance exam and the interview,with flying colours for entry to NDA college at Poona,to join armed forces. He excelled even in NDA training.Not only was he very popular there but sang well too. He participated in the music Festival of Khadakwasla NDA and sang 3 songs,winning all prizes. He was also a NDA Topper.
Shri Gopinath Talwalkar,an A.I.R. Programmer at Delhi,used to interview the Toppers of NDA every year. That year Pradeep was the Topper, so he was interviewed. Though the interview was in Hindi, after the recording,Pradeep asked Talwalkar,in pure Marathi,whether his interview had been good. Talwalkar was shocked. Pradeep then explained that he was Anil Biswas’s son and he had learnt Marathi from his actress mother Ashalata. Pradeep knew Hindi,Marathi,English and Gujarati languages.
After completing his NDA training,he was posted as Flight cadet at Jodhpur. He was further promoted and became Pilot Officer in 1957. During one Training flight some altitude problems occurred and his plane crashed at Begumpet Airport, Hyderabad, killing Pradeep instantly. This happened in 1961.
This was also the time of crisis for Anil da. He was struggling to survive. Films were not coming to him. Since he married Meena Kapoor, Lata Mangeshkar-a fast close friend of Ashalata , had gone against him and Meena’s singing career was suppressed. He had already lost Pannalal Ghosh and Sunil-his brother and now Pradeep’s death devastated him and he was literally forced to seek employment with Delhi A.I.R., when the opportunity came. After retirement, till his death on 31-5-2003, he spent his life in total anonymity and recluse. So sad for a composer, who was once a fountain of enthusiasm and who was considered Mentor by leading contemporary composers like C.Ramchandra.
Here is an anecdote about C.Ramchandra and Anil Biswas…
On the day of recording the first ever Hindi film song (a chorus song) of C.Ramchandra, (in 1942) all arrangements were done. Chorus singers were ready, musicians were ready and technicians were ready. Suddenly, a set of visitors arrived at the studio. The visitors were all top composers of the day like Anil Biswas, K.Datta, Naval Chatterjee and some others.They all had heard about C Ramchandra, his tunes and his work. They wanted to see how he operated. C Ramchandra had tremendous respect for Anil Biswas. He knew that the contributions of Anil Biswas to Hindi Film Music was praiseworthy. Anil Biswas was a master of harmonization technique in western and Indian music instruments.
C Ramchandra described this event thus-
” It was my great fortune that a senior composer whom I considered as my Guru was present at my first recording. To my greatest surprise all the visitors joined the Chorus group for singing. I just wanted to check if the final take can be taken. I said one ..two..three and the song and music started, but I felt something was wrong. One singer sounded different. I stopped and ran outside to the singers. To my shock it was Anilda who put a Teevr Nishad which was not in my composition. He smilingly asked, is it Ok ? I said respectfully, No Dada, this is not right. He very magnanimously and without further questions agreed and they all sang on my tune only !. ”
Here is one more anecdote about Anil Biswas and Dilip kumar…
A few interesting lines about the duet –‘Aa mohabbat ki basti basayeinge hum’. One afternoon Anil Da at his residence was in the company of celebrated actors –Dilip Kumar and Ashok Kumar. He played on his harmonium and hummed the serious tune of his forthcoming melody -‘Aa mohabbat ki basti basayeinge hum’. As to who will be the female singer, there was absolutely no doubt about Lata; but who will give the male voice? “Dada it should be Talat”-said Ashok Kumar. Whereas Dilip Kumar suggested –“Anil Da, in any case looking at the serious lyrical notes, male singer should be your favorite Mukesh.” Anil Da had something else in his mind. “How if Kishore sings with Lata”- said the maestro. “Kishore!’ –Dilip was taken aback; “if Kishore will sing such a serious song, then ‘Aapka joota aur mera sar (if Kishore will sing such a serious song, my head is ready for your shoe-beating)’” –added Dilip Kumar. “Mein joota le kar aataa hoon, sar tayyar rakho (Be ready with your head, I am bringing my shoe).”
Kishore Kumar was called, who at the first instance, bluntly refused to sing the said duet with Lata. But, the maestro’s conviction prevailed and eventually a heart-throbbing duet was created!
Film Girls school-49 has a very interesting History. As we know the film had 9 songs and there were 2 MDs-Anil Biswas and C Ramchandra (4 and 5 songs each).
This film was produced by Kavi Pradeep under the banner of Lokmanya Productions,Bombay. This was a company floated by him and Amiya Chakrawarty-director of this film. To understand the complexities of Girls school, we must go back a little. In 1942, Anil Biswas was invited by Ranjit @ 1500 pm and by Bombay Talkies @ 2500 pm. As National studio was winding up, AB wanted to make a change anyway, but due to the contract of national he could not join Bombay Talkies openly. He ,however , gave music to film Basant-42 and the name of his brother in Law, Pannalal Ghosh was used as its MD.
Finally when AB joined Bombay Talkies, there were already 2 groups there. One was led by Devika Rani and Amiya Chakraborty and the other was led by S. Mukherjee along with Ashok kumar, Gyan Mukherjee, Pradeep etc- a total of 15 artistes. AB was invited by Devika Rani and that too at 2500 pm,when Pradeep was getting 1500 pm. This irritated Pradeep to no end and he started troubling and finding faults with Anil Biswas. However Anil Biswas gave excellent music to film Kismet and then everyone was happy as the film celebrated jubilees everywhere.
With this background,Anil Biswas joined Girls school as a MD, mainly due to Amiya who knew his calibre. Kavi Pradeep being a producer and a Lyricist started interfering with Anil Bswas’s work and criticising him at every opportunity. AB was fed up. He had already recorded 3 songs and a solo by Lata , ” tum hi kaho,mera man udas kyun na rahe” was to be recorded. Anil Biswas had taken C Ramchandra as his assistant for this film. Though CR was already a popular and well known composer himself, still due to sheer respect for Anil Biswas, he had accepted to be his assistant here. When the tune for Lata’s solo was made, Pradeep passed caustic remarks about it being not so good. There was an altercation between Anil Biswas and Pradeep and Biswas quit then and there and went away.
Automatically, C Ramchandra had to take over as MD for the balance songs. Pradeep was very happy. Next day recording of Lata’s solo song took place under the supervision of C Ramchandra, as planned. Later when Lata came to know that Anil Biswas had left and C Ramchandra had replaced him,she was very angry and said that she would not have recorded the song had she known about AB’s exit. She objected to CR’s taking over and complained to the Artistes association too. (Remember, at that time Lata and CR’s relations had not formed yet, Lata was still with Husnlal.)
Later on in 1954, when O P Nayyar replaced Roshan for Mehbooba-54, Lata took up the issue with the MDs’ association. Anil Biswas was the chairman that time and OPN was boycotted. That time Lata quoted the film Girls school incident to prove that she was ” highly Principled” !
Anyway, this was how C Ramchandra became the next MD of Girls school-49,with 4 duets of Shamshad and 1 solo for Lalita Deulkar. All the 4 duets of this pair are very interesting. However, with all this jhamelas, film Girls school-49 was a total Flop. Pradeep lost heavily and closed the production company forthwith, after just one film.
One peculiar thing with Anil Biswas was that he liked to compose Chorus songs. That is why in almost every film you will find at least one chorus song. Right from his first film to his last film, I checked the song list. Even in his today’s film there are 2 chorus songs. Today’s song also has a chorus in it. It is a good song. Let us enjoy it.
(Information used in this article is from books Sagar Movietone, Mehboob Khan, Journey down melody lane, Ritu aaye Ritu jaaye- Marathi book Anil Biswas, by Sharad Dutt , notes from RMIM with thanks and my notes.)
Song- Aisa jaam pila nazron se hosh rahe na baaqi re (Jalti Nishaani)(1957) Singers- Hemant Kumar, Lata Mangeshkar , Lyrics-Qamar Jalalabadi, MD-Anil Biswas
chorus
Lata + Chorus
Lyrics
o o o saaqi ee re ae ae
saaqi re ho
saaqi re ho
saaqi re ho
saaqi re ho
hey ae ae
aisa jaam pila nazaron se
hosh rahe na baaqi re
saaqi re ho
saaqi re ho
saaqi re ho
saaqi re ae ae
aaj lage kyun ujda ujda
bhara hua maikhaana aa aa
aa aa aa aa
aa aa aa aa
jisko nazren dhoondh rahi hain
aen aen aen aen
aen aen aen aen
kaha hain wo deewaana ji
kaha hain wo deewaana
ye kaisi mehfil il il il il
ye kaisi mahfil hai jismein
pyaasaka hai khud saaki re ae ae
saaqi re ho
saaqi re ho
saaqi re ho
saaqi re ho
hey ae ae aisa jaam pila nazron se
hosh rahe na baaqi re
saaqi re ho
saaqi re ho
saaqi re ho
saaqi re ae
ek mein din hai raat ek mein
chhalke do paimaane
ae ae ae ae ae
ae ae ae ae ae ae
kiski kismat mein kya likha aa aa aa
aa aa aa
aa aa aa
ye kismat hi jaane he ji
ye kismat hi jaane
koi na jaane is mehfil mein
kaun rahega baaki re ji jee
kaun rahega baaki re
saaqi re ho
saaqi re ho
saaqi re ho
saaqi re ho
he ae ae ae
aisa jaam pila nazron se
hosh rahe na baaqi re
- In: "Aankh" song | Asha Bhonsle solo | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Kum Kum Dance Song | Lyrics by Prakashchandra | Lyrics contributed by readers | Mujra song | Post by Sudhir | Songs of 1950s (1951 to 1960) | Songs of 1960 | Vagaries Of Love | Yearwise breakup of songs
- Leave a Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5104 | Post No. : | 17043 |
———————————–
This Week, That Year – 10
———————————–
03Jul – 09Jul, 2012
OK so, another week. Just made it in time this time. 🙂
This thing about the ten year recalls and reminiscences, it surely brings up some very interesting experiences. And I believe, the one connected with this week, will be one of the most interesting. Before getting into the numbers game, let me share this first.
Ten years back, as I was checking out and reviewing the activities on the blog for the seven day period – 3rd July to 9th July, 2012, I came across this very interesting exchange in the comments section of the one of posts of that week. It happened on the 8th of July. That day, as many as 6 posts were published. And the blog achieved a major milestone. The sixth song that got posted on that day is “Ye Wohi Geet Hai Jisko Maine”, in the voice of Kishore Kumar. The film is ‘Maan Jaaiye’ from 1972. The song is written by Naqsh Lyallpuri and the music is by Jaidev. With this post and song, the blog reached the 6200th milestone.
Writing on the occasion of completing 62 centuries, Atul ji had pointed out that the latest century (from 6101 to 6200) was achieved in 20 days. He also wrote that it was slower than the fastest that the blog had covered till then – which was sixteen days. But also that it was faster than the immediate preceding century (6001 to 6100) which had been accomplished in 27 days. The rest of the article with the post also makes a very interesting reading.
In the comments section, there is an exchange between Atul ji and myself, which is oh so pertinent for this 10 year recall of our own history. I reproduce the comments here verbatim, and I am sure you will see the immediate connection. I had written,
Oh wow,
another century already.Atul ji,
Sometimes I do get caught unawares. 🙂
Congratulations – a wonder is unfolding, as we go on day by day, adding more to this wonderful collection. Mark my words, dear Atul ji and all other dear friends on this blog. Seven to ten years down the road, we will be viewing this as our own history, and will wonder . . . ‘Oh, did we really came up this path.’
Congratulations again, to ALL.
Rgds
Sudhir
To my observation, Atul ji had responded as follows,
Thanks.
You are right. If we can continue for ten years at this rate, then the collection of songs here, alongwith the nuggets of valuable informations being gathered will become a priceless source of reference for music lovers.
In the context of where we were at that time, this exchange would have been regarded as wishful thinking. We were about 4 years into this journey as of that date. Our view into the future was more an apprehension rather than an educated expression of planning and resolve. Reading this exchange from 10 years ago, and in the context of where we are today with this journey, we can very aptly term this as visionary. Ha. Sure. Was it really so visionary at that juncture? Of course we did not know. It was an instinctive expression of what-if-then kind of a thought in our minds.
But then reading these words after ten years, it really gives such an exhilarating feeling of triumph and realization – yes, we did make it, and we did make it in great style, with continued strength and sustained consistency for all to see. And more than just a wonder – we HAVE a blog that surely is – “a priceless source of reference for music lovers“.
In the post Atul ji had specifically pointed out that although the pace on the blog may not be chugging along as fast as he would like to (at that time), but that he was very happy with the consistency of effort and the great feeling of continued success that was brought in by the fact that our onward progression continued to bring up milestone after milestone on the blog. Yes, ‘exhilarating’ surely is the right word.
The pace has surely slowed down significantly. But the spirit of continuity and forward progress has never faltered. In four years we had breached the 6200th mark. In the ten years since, we have added almost another eleven thousand posts, another eleven thousand songs, which just wishful thinking back then. As I have written earlier also, we have run out of epithets and qualifiers for this ongoing wonderful journey of music.
And it continues. . . 😀
I return to the numbers game and the review of the postings from that week. The following table contains the day by day information of the posts from that week.
| Blog Ten Year Challenge (2012-2022) Series | |||||||||
| Sl. No. | Movie Name | Year | HFGK NoS | ASAD NoS | Possible UT | Deb/Yip | Milestone | Film Status | Pending |
| 3-Jul-12 | |||||||||
| 1 | Do Gunde | 1959 | 6 | 7 | Yippeee’d | ||||
| 2 | Duniya Jhukti Hai | 1960 | 8 | 3 | Pending | 5 | |||
| 3 | Aplam Chaplam | 1961 | 7 | 4 | 2 | Pending-c | 1+ 2 UT | ||
| 4 | Laal Kothi | 1978 | 4 | 1 | D | Pending | 3 | ||
| 5 | Hum Paanch | 1980 | 8 | 3 | D | Pending | 5 | ||
| 6 | Jawaani Deewaani | 1972 | 6 | 6 | Yippeee’d | ||||
| 7 | Teri Kasam | 1982 | 6 | 1 | D | Pending | 5 | ||
| 4-Jul-12 | |||||||||
| 1 | Daasi | 1944 | 11 | 7 | Pending | 4 | |||
| 2 | Anaarkali | 1953 | 12 | 12 | Yippeee’d | ||||
| 3 | Samundar | 1957 | 8 | 8 | Yippeee’d | ||||
| 4 | Sehra | 1963 | 8 | 8 | Yippeee’d | ||||
| 5 | Geet Gaaya Pattharon Ne | 1964 | 9 | 9 | Yippeee’d | ||||
| 5-Jul-12 | |||||||||
| 1 | Navrang | 1959 | 12 | 12 | Yippeee’d | ||||
| 2 | Kavi Kaalidas | 1959 | 9 | 10 | Y | Yippeee’d | |||
| 3 | Pyaar Ki Pyaas | 1961 | 9 | 6 | 1 | Pending-c | 2+ 1 UT | ||
| 4 | Son of India | 1962 | 9 | 9 | Yippeee’d | ||||
| 5 | Roop Sundari | 1964 | 7 | 6 | D | Pending | 1 | ||
| 6-Jul-12 | |||||||||
| 1 | Badi Bahu | 1951 | 8 | 8 | Yippeee’d | ||||
| 2 | Taatar Ka Chor | 1955 | 6 | 5 | 1 | D | Yc | 1 UT | |
| 3 | Naya Andaaz | 1956 | 11 | 11 | Yippeee’d | ||||
| 4 | Pilpili Saahab | 1954 | 9 | 5 | Pending | 4 | |||
| 5 | Phoolon Ki Sej | 1964 | 9 | 6 | 1 | Pending-c | 2+ 1 UT | ||
| 6 | Anokha Daan | 1972 | 5 | 5 | Yippeee’d | ||||
| 7-Jul-12 | |||||||||
| 1 | Hamaari Baat | 1943 | 10 | 10 | D | Yippeee’d | |||
| 2 | Dulaari | 1949 | 12 | 12 | Yippeee’d | ||||
| 3 | Minister | 1959 | 6 | 3 | Pending | 3 | |||
| 4 | Ramman | 1954 | 10 | 5 | D | Pending | 5 | ||
| 5 | Shrimaan Satyawaadi | 1960 | 7 | 7 | Yippeee’d | ||||
| 6 | Sant Gyaneshwar | 1964 | 8 | 6 | Pending | 2 | |||
| 8-Jul-12 | |||||||||
| 1 | Gunjan | 1948 | 9 | 4 | 1 | D | Pending-c | 4+ 1 UT | |
| 2 | Baazaar | 1949 | 16 | 16 | 1 | Yc | 1 UT | ||
| 3 | Aankhen | 1950 | 8 | 8 | Yippeee’d | ||||
| 4 | Doraaha | 1952 | 8 | 5 | Pending | 3 | |||
| 5 | Do Kaliyaan | 1968 | 8 | 8 | Yippeee’d | ||||
| 6 | Maan Jaaiye | 1972 | 3 | 3 | BC – 6200 | Yippeee’d | |||
| 9-Jul-12 | |||||||||
| 1 | Baaz | 1953 | 8 | 8 | Yippeee’d | ||||
| 2 | Laal Kunwar | 1952 | 11 | 8 | 3 | Yc | 3 UT | ||
| 3 | Khilona | 1970 | 6 | 6 | Yippeee’d | ||||
| 4 | Ladki Pasand Hai | 1971 | 8 | 1 | D | Pending | 7 | ||
| 5 | Aahistaa Aahistaa | 1981 | 8 | 5 | Pending | 3 | |||
As the table shows, a total of 40 songs were posted in that week, at a daily average of about 5.7 songs per day. Wow. What a powerhouse of energy it has been.
Another week of no repeats – meaning that 40 films got showcased that week. Of these, nine films had made their debut that week. And yes, during that week, one film was Yippeee’d. That is the 1959 film ‘Kavi Kaalidas’, which got Yippeee’d on 5th July of 2012. Since that week, during the past 10 years, another 21 of the 40 films that were represented, have been Yippeee’d.
About the decade preferences, here is the break up
1930s – (none)
1940s – 6
1950s – 16
1960s – 10
1970s – 6
1980s – 2
As always, the distribution is obviously weighed down in the decades of 50s and 60s.
Of the 40 films from that week, 19 films still continue to have ‘Pending’ status. Of these 19 ‘Pending’ films, for 6 of them the Geet Kosh indicates that maybe all song were not released as gramophone records. We may not see a complete Yippeee status for these films
The song presented today is from the 1960 film ‘Duniya Jhukti Hai’. The songs of this film are from the pen of Rajendra Krishan and music is from the mind of Hemant Kumar. Just to remind readers – this is the film that contains the iconic popular song “Phoolon Se Dosti Hai Kaanton Se Yaari Hai”. This song was posted during the week under review – on 3rd July, 2012. Another very famous and popular song of this film is “Gumsum Sa Ye Jahaan, Ye Raat Ye Hawa”.
Our dear Arun ji has provided the following summary of this film,
DUNIYA JHUKTI HAI (1960) was a Wadia Movietone film, which was a surprise. Wadia Movietone was known only to make stunt or costume films of B grade. This was a social film trying to give a message that Evil work never pays.
Anyway, the producer/director was JBH Wadia himself and the music was by Hemant Kumar, ably assisted by Rizbert, his loyal companion of many movies. This Rizbert was from Goa and was an expert like other Goanese in film industry, in making notation based tunes.
One more interesting point about this film was that there were 3 Agha’s in this film. One was actor Agha Jan, the other was cinematographer Agha Hasham and the third was Agha Jani Kasmiri who wrote the story, screenplay and dialogues of the film.
Mohan is an honest to the core young man, in love with a girl. The girl ditches him by marrying some rich man. Mohan is frustrated and he becomes a gunda, joins a gang of a Boss whom no one has seen. He also changes his name to Bankelal. (Sunil Dutt).
One day this Banke saves a child Munna (Daisy Irani) from drowning and they become close friends as Munna has no father. Munna’s mother Laxmi (Shyama) does not approve this and warns Munna to keep away from Banke, as he is a gunda.
Munna falls ill and Banke visits him, promising him to reform and become a good man. He goes and surrenders to the police, but police want him to help them capture the Boss. The Boss is already looking for Banke as he does not want to lose him. He kidnaps Munna to blackmail Banke to return to his fold. There is a fight and when Banke is about to kill the Boss (BM Vyas), Laxmi reveals that Boss is Munna’s father. Boss runs away but is killed by the police.
Banke marries Laxmi and they live happily with Munna.
The song is a mujra song, which is performed on screen by Kumkum. The quality of the video is not great, and it is difficult to identify the other performers present in the scene. Dear Prakash ji has helped to identify the dancer Kumkum and two other performers present in this clip – Wasti and Kesar.
A wonderfully crafted song that has been performed equally well by Kumkum. A great reminder, and a great recall – where we were ten years ago, and what were our hopes and aspirations.
The lyrics for this song have been sent in by Prakash ji. Listen to this less heard, but a really beautiful melody.
Great memories.
Video
Audio
Song – Laagi Tumse Najariya Laagi, Najariya Laagi, Saanwariya Laagi Re (Duniya Jhukti Hai) (1960) Singer – Asha Bhosle, Lyrics – Rajendra Krishan, MD – Hemant Kumar
Lyrics (Provided by Prakashchandra)
laagi tumse ae
laagi tumse najariyaa laagi
najariyaa laagi
saanwariyaa laagi re
dum bhar ko..oo
dum bhar ko padat nahin chaaina
lage kya naaina
ke nindiya bhaagi re
laagi tumse najariyaa laagi
najariyaa laagi
saanwariya laagi re
laagi tumse ae ae
kat jaaye ab aankhon mein
har raat gin gin taare ae ae
katt jaaye ab aankhon mein
har raat gin gin taare
ae ishq tere haathon
hum jaan se bhi haare
begaane huye ae apne saare
laagi tumse ae
laagi tumse najariya laagi
najariya laagi
saanwariya laagi re
dum bhar ko padat nahin chaaina
lagey kya naaina
ke nindiya bhaagi re
laagi tumse aey ae ae
mat poochh zindagi mein
ye pyaar kya kya laayaa..aa
mat poochh zindagi mein
ye pyaar kya kya laayaa..aa
aankhon mein ashq aaye
gham dil mein muskuraaya
ye ishq magar kab ghabaraaya
laagi tumse ae ae
laagi tumse najariya laagi
najariyaa laagi
saanwariya laagi re
dum bhar ko padat nahin chaaina
lagey kya naaina
ke nindiya bhaagi re
laagi tumse aey ae ae
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
लागि तुमसे॰॰ए
लागि तुमसे नजरिया लागि
नजरिया लागि
साँवरिया लागी रे
दम भर को॰॰
दम भर को पड़त नहीं चैना
लागे क्या नैना
के नींदिया भागी रे
लागि तुमसे नजरिया लागि
नजरिया लागि
साँवरिया लागी रे
लागि तुमसे॰॰ए
कट जाये अब आँखों में
हर रात गिन गिन तारे
कट जाये अब आँखों में
हर रात गिन गिन तारे
ए इश्क़ तेरे हाथों
हम जान से भी हारे
बेगाने हुए अपने सारे
लागि तुमसे॰॰ए
लागि तुमसे नजरिया लागि
नजरिया लागि
साँवरिया लागी रे
दम भर को पड़त नहीं चैना
लागे क्या नैना
के नींदिया भागी रे
लागि तुमसे॰॰ए॰॰ए
मत पूछ ज़िंदगी में
ये प्यार क्या क्या लाया
मत पूछ ज़िंदगी में
ये प्यार क्या क्या लाया
आँखों में अश्क आए
ग़म दिल में मुस्कुराया
ये इश्क़ मगर कब घबराया
लागि तुमसे॰॰ए
लागि तुमसे नजरिया लागि
नजरिया लागि
साँवरिया लागी रे
दम भर को पड़त नहीं चैना
लागे क्या नैना
के नींदिया भागी रे
लागि तुमसे॰॰ए॰॰ए
Tohe Nainon Ki Madira Pilaaungi
Posted on: July 5, 2022
- In: "Aankh" song | Asha Bhonsle solo | Asha Bhonsle songs | Calling the beloved | Century of Blog Days | Century songs for the blog | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Love song | Lyrics by Sudhir | Lyrics contributed by readers | Post by Arunkumar Deshmukh | Songs of 1950s (1951 to 1960) | Songs of 1952 | Yearwise breakup of songs
- 6 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The Blog completes 5100 days today.
|
Blog Day : |
5100 | Post No. : | 17033 |
Today’s song is from an obscure film – ‘Vishwamitra’ (1952).I am sure that 99.9% readers must not have even heard of this film ever. Then why did I select a song from this film to discuss? There is a strong reason for it. When I first saw this film’s name in HFGK a few days ago, I noticed the name of the director and the music director and honestly, I was thrilled ! The director was Kala Maharshi Baburao Painter, one of the pioneers of Indian films- both silent as well as talkie. He was also the mentor of many film luminaries who shone later in their lives. All of them had learnt the ABCD of film making at the feet of Baburao Painter. Great directors like V Shantaram and Master Vinayak were the prominent learners under him.Any industry, to develop into a profitable one, requires hard work by the pioneers. This applies totally to the Hindi Film Industry in India. The original initiators of the film industry were not any rich people, but the industry took the seeds from ordinary, middle class people.They had no riches, but their zeal, dedication, ambition and desire to achieve goals overtook their poverty and they toiled and moiled to raise the required finance for their projects. We all know about the great Dadasaheb Phalke, who staked everything he owned to achieve his goals and became a name to remember forever. In this endeavor, he was not alone. There was one more person from Kolhapur, who took Phalke’s dream much ahead from silent to talkie films. His name is taken today with awe and respect by film historians. He was Baburao Painter.
Kala Maharshi Baburao Painter (real name Baburao Krishnarao Mestri) was born on 3rd June 1890 at Kolhapur. The success of Dadasaheb Phalke in making films in India inspired Baburao and his cousin brother Anandrao immensely. They too wanted to make films, but it was not possible in Kolhapur. Phalke had gone to England to learn film making and had brought machinery from England. This was beyond the reach of these poor young men.
Anandrao found that a second hand projector was for sale in Null Bazar in Bombay. Crazily, he decided to change the projector into a film camera, by making some structural changes. They sold the family’s gold ornaments and bought the projector. To start with and to get further finance they used it to show films in theaters. They even showed some Hollywood films here. After several attempts, Anandrao was successful in converting the projector into a film camera. Baburao was also with him in this. Unfortunately, Anandrao died suddenly giving a setback to the project.
Baburao now needed finance to go ahead. Luckily a famous classical singer of those days, Tanibai Kagalkar – wife of Bapusaheb Kagalkar and the sister of Vinayakrao Ghorpade (who was the father of child actress and singer Vasanti), invested Rs. 15,000 – an astronomical figure for those times. Baburao established Maharashtra Film Company in Kolhapur and started preparations for making his film ‘Sairandhri’, released in 1919. The cast of this film included 2 women, Gulab Bai aka Kamla Devi and Anusuya Bai aka Susheela Devi. These women were promptly thrown out of their homes and society. They remained with the company and even cooked and washed clothes of artistes, besides acting in the films other times. Gulab Bai aka Kamla Devi later posed for the symbol of Prabhat Film company- playing the tootari with bent body. She married Fattelal, one of the directors of Prabhat Films.
‘Sairandhri’ was a tremendous success. Enthused Baburao Painter made another 15 films. Lokmanya Tilak was so impressed with Baburao’s dedication, he awarded him the title of ‘Cinema Kesari’. Baburao Pendharkar was the General Manager of the company, mainly because he could speak fluent English with customers. Others were V Shantaram, Dhaiber, Damle and Fattelal as his assistants in different departments. Sarpotdar, NH Apte and Vashikar were the scriptwriters and Prof NS Phadke, the novelist, wrote film titles. In the 1920 second half, there was a big fire in the company and all films were burnt.
Baburao Painter started afresh in 1921. He made many mythological and historical films. Baburao was the first to make a social film, ‘Savkari Pash’ on the issue of exploitation of poor farmers by money lenders in the villages. In 1928, a foreign trained film director was appointed from Bombay – Moti B Gidwani, on a fat salary. (He was later to direct the film ‘Khazanchi’ (1941) in Lahore). This caused unrest in the company and resulted in Shantaram, Dhaiber, Damle and Fattelal leaving the company. They established Prabhat Film Company. In 1930, Baburao also left the Maharashtra Film company. When talkie films started he made 7 talkie films, including 2 Hindi films – ‘Pratibha’ (1937) and ‘Matwala Shaayar Ramjoshi’ (1947) along with Shantaram. He then left films and concentrated on his painting and sculpture. In the year 1952, he was forced by his old friend BG Pawar to come to Bombay and direct his film ‘Vishwamitra’. However, most of the shooting was done in Kolhapur itself. Baburao Painter died on 16-1-1954 at Kolhapur.
Baburao’s contribution to Indian film industry-
- He was the first to use colored screens and clothes for realistic effect.
- Indoor filming with artificial lighting.
- Fade out and fade in techniques
- Outdoor shootings; Debaki Bose, in his visit to the studio, was amazed to see Baburao’s working techniques.
- Making sketches of scenes and costumes before shooting.
- Advertising posters. Film booklets with film story and pictures.
All assistants of Baburao Painter became big people. He was simply a God sent gift to the Hindi film industry.
[Author’s Note: Thanks for the information culled from ‘The Encyclopedia of Indian Cinema’ by Ashish Rajadhyaksha, ‘Marathi Cinema in Retrospect’ by Sanjit Narwekar and my own notes.]
Another surprising name was that of the Music Director- B Laxman aka Laxman Berlekar. When the talkie films started, it created tremendous curiosity among not only the audience but also those who loved acting, singing and composing music. Even the great names in these fields had a desire to act, to sing or to compose music for the films. Actors who were legends on the stage dramas like Master Nissar or Bal Gandharva, professional singers like Manik Varma, musicians like Pt Ravi Shankar, and poets like Kazi Nazrul Islam (now the national poet of Bangladesh) did their bits in few films. Most of these professionals contributed in just one or two films and then disappeared from the film line.
Some of the ‘one/two films’ music composers are Imam Baksh – ‘Mr and Mrs Bombay’ (1936), Shankar Rao Khatu – ‘Village Girl’ (1936), Master Ratnakant – ‘Rangbhoomi’ (1935), Pt Hansraj – ‘Mastana Mashooq’ (1936), Harish Bharadwaj – ‘Ahinsa Path’ (1949), Dattaram Gadekar – ‘Vikram Shashikala’ (1949), Chetumal – ‘Bombay’ (1949), Madhukar Golwalkar – ‘Main Abla Nahin Hoon’ (1950), Prafulla Chaudhari – ‘Swayamsidha’ (1949), Madhukar Acharya – ‘Kinaara’ (1949), Kazi Nazrul Islam – ‘Chauranghee’ (1942) etc.
B Laxman was also one such one film wonder in Hindi, though he had been a well known name in Marathi films and stage dramas. Berlekar was born in 1920 at Kolhapur. He loved music from his childhood. He first learnt playing harmonium and then studied in Gandharva Mahavidyalaya. Famous singer Wamanrao Padhye was his teacher.
In those days Ganesh Melas were popular in Maharashtra. Berlekar and Sudhir Phadke acted and sang in mela dramas. Both worked in Shrikrishna Sangeet Mela of Kolhapur. Laxman was very handsome and had a good personality. He acted as a child Prahlad in Hindi film ‘Bhakta Prahlad’ (1934) made by Saraswati Cinetone of Poona. Berlekar sang Hindi ghazals very well he gave music to 7 Marathi films and 1 Kannada film. ‘Vishwamitra’ was the only Hindi film he did. He used different pseudo-names like B Laxman, Dinkar Laxman and LB Sarang (saarang was his favourite Raag).
[Author’s Note: Thanks to ‘मराठी चित्रपट संगीतकार कोष’ for this information.]
Film ‘Vishwamitra’ was made by producer Baswant Pawar under the banner of his own Baswant Films, Bombay. It was directed by Baburao Painter and music was by B Laxman. All the 6 songs and the film story was written by Manohar Khanna (father of MD Usha Khanna). The cast was DK Sapru, Sheela Nayak, Vivek, Madhav Kale, Apte and many others. Today’s song is the second song of this film here.
Song- Tohe Nainon Ki Madira Pilaaungi (Vishwamitra) (1952) Singers – Asha Bhosle, Lyricist – Manohar Khanna, MD- B Laxman
Lyrics (Provided by Sudhir)
tohe nainon ki madira pilaaungi
ho tohe nainon ki madira pilaaungi
sajanwa..aa aan milo
gori bainyon mein
gori bainyon mein jhuoola jhulaanwungi
sajanwa..aa aan milo
oo oo oo
rut aa gayi
rut aa gayi phir albeli
main kaise rahungi akeli
rut aa gayi
rut aa gayi phir albeli
main kaise rahungi akeli
tohe hirday mein
tohe hirday mein apne bithaanwungi
tohe nainon ki
ho tohe nainon ki madira pilaaungi
sajanwa..aa aan milo
oo oo oo
mere hirday mein
mere hirday mein naache umnagen
jaise saagar ki
jaise saagar ki chanchal tarangen
tohe nainon ki
tohe nainon ki bhaasha saikhaawungi
tohe nainon ki
ho tohe nainon ki madira pilaaungi
sajanwa..aa aan milo
oo oo oo
aa ja aa ja
aa ja mere mann ke baasi
aa ja aa ja
aa ja mere mann ke baasi
mann vyaakul hain ankhiyaan hain pyaasi
aa ja aa ja
kaise jeevan ki
kaise jeevan ki beena bajaawungi
sajanwa..aa aan milo
tohe nainon ki
ho tohe nainon ki madira pilaaungi
sajanwa..aa aan milo
gori bainyon mein
gori bainyon mein jhuoola jhulaanwungi
sajanwa..aa aan milo
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
तोहे नैनों की मदिरा पिलाऊँगी
हो तोहे नैनों की मदिरा पिलाऊँगी
सजनवा॰॰आ आन मिलो
गोरी बईय्यों में
गोरी बईय्यों में झूला झुलावूंगी
सजनवा॰॰आ आन मिलो
ओ ओ ओ
रुत आ गई
रुत आ गई फिर अलबेली
मैं कैसे रहूँगी अकेली
रुत आ गई
रुत आ गई फिर अलबेली
मैं कैसे रहूँगी अकेली
तोहे हिरदे में अपने बिठावूंगी
तोहे नैनों की
हो तोहे नैनों की मदिरा पिलाऊँगी
सजनवा॰॰आ आन मिलो
ओ ओ ओ
मेरे हिरदे में
मेरे हिरदे में नाचें उमंगें
जैसे सागर की
जैसे सागर की चंचल तरंगें
तोहे नैनों की
तोहे नैनों की भाषा सिखावूंगी
तोहे नैनों की
हो तोहे नैनों की मदिरा पिलाऊँगी
सजनवा॰॰आ आन मिलो
ओ ओ ओ
आजा आजा
आजा आजा मेरे मन के बासी
आजा आजा
आजा आजा मेरे मन के बासी
मन व्याकुल है अखियाँ हैं प्यासी
आजा आजा
कैसे जीवन की
कैसे जीवन की बीना बजावूंगी
सजनवा॰॰आ आन मिलो
तोहे नैनों की
हो तोहे नैनों की मदिरा पिलाऊँगी
सजनवा॰॰आ आन मिलो
गोरी बईय्यों में
गोरी बईय्यों में झूला झुलावूंगी
सजनवा॰॰आ आन मिलो
- In: "Aankh" song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | KS Raagi - Razia Begum Duet | KS Raagi Songs | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Post by Avinash Scrapwala | Razia Begum Songs | Songs from Unreleased Films of 1940s | Songs of 1940s (1941 to 1950) | Songs of 1948 | Yearwise breakup of songs
- Leave a Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5091 | Post No. : | 17017 |
Today’s song is from ‘Hamraaz’, an unreleased film from the 1940s. This movie is listed in HFGK Vol-II (1941-1950) on page number 607 – Appendix-1, movie number 1214. This movie is mentioned as presented by Rahnuma Pictures. No information is available about the cast, and director etc. of this movie.
There are eight songs listed for this movie. Music director’s name is mentioned as Shankar Lal. Lyricist names are mentioned as Shyam Hindi and Kamran Momin. Shyam Hindi is credited with five songs, and Kamran Momin is credited with two songs. The lyricist’s name for one song is not mentioned. This is the song we are going to listen today.
Few songs from this movie are available online in audio format, Thanks to the music lovers who have uploaded them on YouTube. This song is uploaded by Shalin Bhatt, a name that many readers will be familiar with.
The song presented today is a duet, in the voices of KS Raagi and Razia Begum.
The list of songs in this movie, as per the Geet Kosh, is given below.
|
Sl. No. |
Song Title | Lyricist | Singer |
Posted On |
|
01 |
Ga Re Manwaa Gaa | Shyam Hindi | ||
|
02 |
Ghoonghat Mein Sharmaaye Dulhaniya | Kamran Momin | ||
|
03 |
Baat Kuchh Aisi Wah Hamse Kah Gaye | Shyam Hindi | ||
|
04 |
Cham Cham Chamken Taare | Shyam Hindi | ||
|
05 |
In Do Matwaale Nainon Mein | — | KS Raagi,
Razia Begum |
Being presented today |
|
06 |
Aabaad Hai Saraa Jahaan | Shyam Hindi | ||
|
07 |
Khushi Chaaron Taraf Chhaayi | Shyam Hindi | ||
|
08 |
Aa Jaa Papeehe Geet Sunaa De | Kamran Momin | Geeta Dutt | 23.11.2020 |
As we can see from the above table, only one song from this movie has been posted so far and that was on 23.11.2020.
Today’s song is a beautiful romantic song. I would request knowledgeable readers to throw more light on this movie and its songs.
Let us now enjoy the today’s song …
Song – In Do Matwaale Nainon Mein Saagar Chhalke (Hamraaz) (UR) (1940s) Singers – KS Raagi, Razia Begum, Lyrics – Unattributed, MD – Shankar Lal
KS Ragi + Razia Begum
Lyrics
in do matwaale nainon mein
saagar chhalken
in do matwaale nainon mein
saagar chhalken ae
neechi nazarein
laambi palkein
neechi nazarein
laambi palkein
in do matwaale nainon mein
matwaale nainon mein
in do matwaale nainon mein
saagar chhalken
in do matwaale nainon mein
saagar chhalken ae
ithhlaayi muskaayi kaliyaan
muskaayen ithhlaayen
aise jaise sundar naaren
apne se sharmaayen
aise jaise sundar naaren
apne se sharmaayen
ghabraake bal khaayen
in do matwaale nainon mein
saagar chhalken ae
in do matwaale nainon mein
saagar chhalken ae
honth hain tere amrit pyaale
meri pyaas bujhaa de ae
honth hain tere amrit pyaale
meri pyaas bujhaa de
pal bhar ko muskaade
muskaade ae ae
pal bhar ko muskaade
muskaade
sapnon mein kho jaaun mujhko
aisa geet sunaa de
aisa geet sunaa de
sapnon mein kho jaaun mujhko
aisa geet sunaa de
asia geet sunaa de
pal bhar ko muskaade
haan
pal bhar ko muskaade
in do matwaale nainon mein
saagar chhalken
in do matwaale nainon mein
saagar chhalken ae
neechi nazarein
laambi palkein
neechi nazarein
laambi palkein
in do matwaale nainon mein
matwaale nainon mein
in do matwaale nainon mein
saagar chhalken ae ae
in do matwaale nainon mein
saagar chhalken ae
————————————————
Hindi Script Lyrics (Provided by Sudhir Kapur)
————————————————
इन दो मतवाले नैनों में
सागर छ्लकें
इन दो मतवाले नैनों में
सागर छ्लकें
नीची नज़रें
लाम्बी पलकें
नीची नज़रें
लाम्बी पलकें
इन दो मतवाले नैनों में
मतवाले नैनों में
इन दो मतवाले नैनों में
सागर छ्लकें
इन दो मतवाले नैनों में
सागर छ्लकें
इठलाई मुस्काई कलियाँ
मुस्काएं इठलाएँ
ऐसे जैसे सुन्दर नारें
अपने से शर्माएं
ऐसे जैसे सुन्दर नारें
अपने से शर्माएं
घबरा के बलखाएं
इन दो मतवाले नैनों में
सागर छ्लकें
इन दो मतवाले नैनों में
सागर छ्लकें
होंठ हैं तेरे अमृत प्याले
मेरी प्यास बुझा दे
होंठ हैं तेरे अमृत प्याले
मेरी प्यास बुझा दे
पल भर को मुस्का दे
मुस्का दे
पल भर को मुस्का दे
मुस्का दे
सपनों में खो जाऊँ
मुझको ऐसा गीत सुना दे
ऐसा गीत सुना दे
सपनों में खो जाऊँ
मुझको ऐसा गीत सुना दे
ऐसा गीत सुना दे
पल भर को मुस्का दे
हाँ
मुस्का दे
इन दो मतवाले नैनों में
सागर छ्लकें
इन दो मतवाले नैनों में
सागर छ्लकें
नीची नज़रें
लाम्बी पलकें
नीची नज़रें
लाम्बी पलकें
इन दो मतवाले नैनों में
मतवाले नैनों में
इन दो मतवाले नैनों में
सागर छ्लकें
इन दो मतवाले नैनों में
सागर छ्लकें
Koi aankh milaa ke dekhe
Posted on: June 2, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5067 | Post No. : | 16983 |
———————————————–—————————————
Blog 10-Year Challenge (2012-2022) – Song No. 49
————————————————————————————–
Today’s song is from the movie ‘Ye Zindagi Kitni Haseen Hai-1966’.
This movie is eligible for representation on the blog today as one of its’ songs was posted ten years back on 02.06.2012.
This day (2 June) that year (in 2012) saw as many as five posts on the blog as per details given below.
| Song | Movie title(Year) | Remarks |
|---|---|---|
| Sur saritey kalyaanmayi | Prabhu Ki Maaya(1955) | 5 of 9 songs posted |
| Bahut aasaan hai chilman se lagkar muskuraana | Rangeen Raatein(1956) | All songs covered |
| Bahut purdard hai ye sunanewaalon | Birha Ki Raat(1950) | All songs covered |
| Khudaara yoon dil naa todo | Ye Zindagi Kitni Haseen Hai(1966) | 4 of 7 songs posted |
| Ye pyaar thhaa ya kuchh aur thhaa | Prem Rog(1982) | 4 of 6 songs posted |
Out of the five movies mentioned above all songs of two movies viz. ‘Rangeen Raatein-1956’ and ‘Birha Ki Raat-1950’ have been covered. That leaves with us three movies viz. ‘Prabhu Ki Maaya-1955’, ‘Ye Zindagi Kitni Haseen Hai-1966’ and ‘Prem Rog-1982’ that still offers us songs that are yet to be covered.
I am presenting a song from the movie ‘Ye Zindagi Kitni Haseen Hai-1966’. I had not watched this movie and I don’t remember whether I have listened to the songs of this movie except one song ‘nange baazu nangi raanen husn ka ye meyar nahin’, a song that I became aware of when it was posted on the blog.
When our dear Prakash ji sent the lyrics for the remaining songs of this movie I decided to take them, and also become aware about this movie and its songs.
‘Ye Zindagi Kitni Haseen Hai-1966’ was directed by R.K. Nayyar for ‘R.K. Nayyar Films, Bombay’. It was a social movie.
This movie had Ashok Kumar, Joy Mukherjee, Sayra Bano, Motilal, Sayeeda Khan, Madan Kumar, Shyam Chatterjee, Mohsin Abdulla, Badri Prasad, Manmohan and others.
This movie had seven songs (including one multiple version song*) as detailed in HFGK Vol-IV (1961-1970).
Lyrics for all the songs of this movie are written by Rajinder Krishan and music is composed by Ravi.
The list of the songs of this movie is as given below.
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Pehle aankh ladaayiye | Mohd Rafi | 07.05.2012 |
| 02 | Khudaara yoon dil naa todo | Mohd Rafi | 02.06.2012 |
| 03 | Dekho ye deewaana, roz ek kahaani ek fasaana sunaana chaahta hai | Asha Bhonsle | |
| 04 | Nange baazu nangi raanen husn ka ye meyaar nahin | Mohd Rafi | 27.10.2021 |
| 05 | Khudaara yoon dil naa todo | Asha Bhonsle | 02.06.2012 |
| 06 | Jeene ka agar andaaz aaye to kitni haseen hai zindagi | Asha Bhonsle | 08.03.2012 |
| 07 | Koyi aankh milaa ke dekhe, koyi pyaar jataa ke dekhe | Asha Bhonsle | Being discussed today |
*After going through the above list we have something to correct on the statistics of the blog. We need to correct the total number of songs posted to five instead of four, as we have already covered the multiple version song ‘khudaara yoon dil naa todo’.
That gives us only two songs from this movie to be covered on the blog. (It took me sometime to clear this confusion as Prakash ji had sent lyrics for three songs to be covered.
However, the song ‘muhabbat rang laayegi haseena maan jaayegi’ has also been covered and it is the same song which starts with the lines – ‘pehle aankh ladaayiye, phir aage badhh jaayiye’ (Prakash ji – kindly note please)).
That brings us to today’s song which is sung by Asha Bhonsle. Sayeeda Khan is seen performing on this songs with many other female artists, including Saira Bano.
As mentioned above lyrics for today’s song are by Rajinder Krishan and music is composed by Ravi.
Let us enjoy today’s song now …
Video
Audio
Song-Koi aankh milaa ke dekhe (Ye Zindagi Kitni Haseen Hai)(1966) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Ravi
Lyrics(Provided by Prakashchandra)
koyi aankh milaa ke dekhe
koyi pyaar jataa ke dekhe
dilwaalon leke aayi hoon main
ankhiyon ke baan
koyi hai jo aake rakh de
nishaane pe jaan
koyi hai jo aake rakh de
nishaane pe jaan
pyaar mein jeenewaale laakhon
marnewaala koyi naa
pyaar mein jeenewaale laakhon
marnewaala koyi naa
ishq di khaatir jaan ka saudaa
karnewaala koyi naa
dilwaale to ek adaa pe hote hain qurbaan
koyi hai jo aake rakh de
nishaane pe jaan
koyi hai jo aake rakh de
nishaane pe jaan
deewaana to pyaar karegaa
zulfon ki zanjeer se ae
deewaana to pyaar karegaa
zulfon ki zanjeer se
paa legaa wo manzil apni
ek nazar ke teer se
ishq mein jaan bachaanewaale
hote hain naadaan
koyi hai jo aake rakh de
nishaane pe jaan
koyi hai jo aake rakh de
nishaane pe jaan
jeenewaala kya jaane jo
marne mein aaraam hai ae
jeenewaala kya jaane jo
marne mein aaraam hai
dopahar ki garmi se to
achchhi thhandi shaam hai
ghaayal ho ja ho jaayegi
har mushqil aasaan
koyi hai jo aake rakh de
nishaane pe jaan
koyi hai jo aake rakh de
nishaane pe jaan
koyi aankh milaa ke dekhe
koyi pyaar jataa ke dekhe
dilwaalon leke aayi hoon main
ankhiyon ke baan
koyi hai jo aake rakh de
nishaane pe jaan
koyi hai jo aake rakh de
nishaane pe jaan
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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