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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘“Aankh” song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naag Champa”(1958) was produced and directed by Vinod Desai for Vinod Films, Bombay. This mythological movie hadNirupa Roy, Manhar Desai, Kammo, Sapru, Sundar, Baby Uma, Lalita Pawar, C J apndey, Dubey, Santosh Kumar, Uma Dutt, Nemo, R Khanna, Chhotelal, Maqbool, Devchand etc in it.

This movie had six songs in it.

One song from the movie has been covered in the past. Here is the second song from “Naag Champa”(1958) to appear in the blog. This song is sung by Lata and female chorus. Anjaan and Indra Kapoor are jointly credited as the lyricist of this song. Music is composed by Manna Dey.

Only the audio of this rare song is available. Seeing that Lata sang as many as four songs in this movie, one can assume that she sang for the leading lady, viz Nirupa Roy. So my guess is that this song was picturised on Nirupa Roy and others playing her sahelis.

I have not been able to get a word (may be more) right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Song-Nainon mein gori kise basa liya (Naag Champa)(1958) Singer-Lata, Lyrics-Anjaan + Indra Kapoor, MD-Manna Dey
Chorus

Lyrics

aa aa aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa

aa aa aa
nainon mein gori kise basa liya
mushqil mein jaan kyun phansa liya
pyaar ka khel gori
khel ke chori chori
kaahe dil ko jala liya aa
nainon mein gori kise basa liya
haaye
mushqil mein jaan kyun phansa liya
pyaar ka khel gori khel ke chori chori
kaahe dil ko jala liya aa
bura kiya
bura kiya
bura kiya
aa aa aa aa aa aa aa
aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa

jab lahar koi chaahe
?? gagan ka paana
oho oho ho
bas kinaaron se hi
hota sar takraana
chhal ke tujko
chal na de wo tera man basiya
haa haa
o nainon mein gori kise basa liya
mushqil mein jaan kyun phanaa liya
pyaar ka khel gori
khel ke chori chori
kaahe dil ko jala liya aa aa
bura kiya
bura kiya
bura kiya

man tera deewaana
ban gaya parwaana
oho oho ho
lau se preet laga ke
kaahe jaan jalaana
hai amaanat aur ki wo
dil hai jisko diya
ha ha
aa nainon mein gori kise basa liya
mushqil mein jaan kyo phansa liya
pyaar ka khel gori
khel ke chori chori
kaahe dil ko jala liya aa aa
bura kiya
bura kiya
bura kiya

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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing law.

Today’s song is from a rare and less known film ‘Lakharani’ from 1945.

Although this was a film made by the great Prabhat Film Company of Poona, unlike earlier Prabhat films this movie never became famous or a landmark film. The reasons were many. The main reason was that it was was made in the period when the company had become very weak after V Shantaram left Prabhat Studios along with some of his chosen people from various departments. Secondly, the storyline of this film was far away from the type of films Prabhat had made in the past. True to its tradition, however, the film had a central theme of “open entry for all castes into Hindu temples“. But it was told through a story of tribal folks and allied jungle people, with whom probably, the audience could not  identify themselves.

Thirdly, the songs and music of this film was below average. The music director, Master Krishnarao Phulambrikar (1891-1974) had a reputation of being an Orthodox Sangeet Natak classicist. His songs never became popular except perhaps the multi-language song of Shanta Hublikar in the film ‘Aadmi’ (1939) (‘Manoos’ in Marathi). Even his contemporary Keshvrao Bhole gave more popular songs. His only film giving good music was Rajkamal’s ‘Mali’ (1944), wherein he himself was the hero opposite Ameerbai Karnataki.

The film was directed by Vishram Bedekar – more famous as a playwright and a script writer. His scripts used to be quite complex. He wrote the story of ‘Lakharani’, in addition to directing it. Vishram Bedekar (b. 1906), Marathi and Hindi film director, best known as a writer, was born in Amravati, Eastern Maharashtra. He started his career with the Sangeet Natak company Balwant Sangeet Mandali as a playwright-lyricist. From there, he moved to film-making when the theatre group expanded its box-office draw by producing ‘Krishnarjun Yuddha’, starring the group’s writer-actor Chintamanrao Kolhatkar. Unlike other films produced by Sangeet Natak companies (e.g. Lalitkaladarsh), the film succeeded commercially and he co-directed three more with the group’s owner-producer Vamanrao N Bhatt. He scripted the mythological ‘Pundalik’ (1936) and, according to his autobiography, he also co-directed the film with VN Bhatt.

He briefly studied film-making in the UK in 1938. In that same year, he published his first novel, ‘Ranangan’  on his return to India. He joined Prabhat Studios briefly to write Shantaram’s ‘Shejari’ / ‘Padosi’ (1941). In 1944, he returned to the studio to script ‘Ramshastri’, a re-edited version of which, credited to him, was later released as a children’s film entitled ‘Ramshastri Ka Nyay’. In 1945, he directed ‘Lakharani’ which incidentally is Guru Dutt’s début film. He went on to make classic melodramas for Baburao Pendharkar’s New Huns, Baburao Pai’s Famous Pics and Minerva Movietone. He wrote the script for Shantaram’s ‘Amar Bhoopali’ (1951). Later he directed the early productions of Ramsay Brothers, viz. ‘Rustom Sohrab’ (1963) and ‘Ek Nannhi Munni Ladki Thi’ (1970).

Vishram Bedekar worked in modernist frame defined by K Narayan Kale’s generation and GB Shaw. Most of his literary and film works recast stereotypes of pre-WW I Marathi social reform novels into the declamatory style of prose melodrama with increasingly complex storylines. As a playwright, his works include ‘Brahmakumari’, ‘Vaje Paool Apule’ and ‘Tilak Ani Agarkar’ (1980). In 1985, he published his autobiography – ‘Ek Jhaad Ani Don Pakshi’.
(Note: The above bio sketch of Vishram Bedekar is adapted from Encyclopedia of Indian Cinema.)

‘Lakharani’ is important for one reason – Guru Dutt made his acting debut with this film. Guru Dutt (9-7-1925 to 10-10-1964) did the role of Lachman, brother of the heroine Lakharani, in this film. After doing a basic course in dancing from the dance academy of the famous dancer Uday Shanker, in Almora, he joined Prabhat Studios as a choreographer. However, in his first film he was only an actor and an assistant director to Vishram Bedekar. In his second film ‘ Hum Ek Hain’ (1946), he worked as the choreographer and as an assistant to PL Santoshi, the debutant director of the film. Later he was assistant director to Anadinath Bannerjee for the film ‘Mohan’ (1947), to Amiya Chakravarty for the film ‘Girls School’ (1949) and to Gyan Mukherjee for the film ‘Sangram’ (1950). His first stint as an independent director came with iconic film ‘Baazi’ (1951).

Another actor Ramsingh had a major role in the film ‘Lakharani’. Earlier he had done a small role in the film ‘Ramshastri’ (1944). Ramsingh’s name is not very famous or well known, but in his times, he appeared as a hero and also in villain’s role in many films. Information about him was not available anywhere on the internet till today. For the first time, this information is appearing here today. His entry in films and his life story makes a very interesting read.

During the 1942 ‘Quit India’ movement, there was a riot in Allahabad. Police opened fire and along with several other people, Secretary of All University Students Union also was killed. Fearing a backlash from college students, the Government closed down all colleges and vacated the hostels. As a result of this, two persons became homeless. One was Ramchandra Thakur – later to become famous as Kavi Pradeep; and the other was Ramsingh – who became an actor.

After the riots, instead of informing his family about his welfare, Ramsingh left for Bombay and then went on to Poona, to become an actor. He was tall, fair and handsome. V Shantaram hired him as an assistant in the studio. Because he never returned home, his family thought that he must have been killed in the riots and grieved.

One day one of the villagers came to their house and told excitedly, that he had seen a Hindi film and in that film, an actor looked exactly like Ramsingh. The family went to the town and saw the film. Lo and behold ! there he was. Looking just like Ramsingh. Anxiously a group of elders reached Prabhat Studio in Poona and enquired. The officials brought them face to face with their own son – Ramsingh !! Everyone was happy. It seems he did not contact his household just to avoid the police investigations, as he too was an active participant in the agitation.

Ramsingh was born into a rich zamindar family of village Ishanpur in Pratapgarh (UP), in 1920. After graduating, while still doing his MA, he joined films. His first film was ‘Ramshastri’ (1944), then came ‘Chand’ (1944), ‘Lakhrani’ (1945) and ‘Hum Ek Hain (1946) – all Prabhat films. While with Prabhat Studios, he became friendly with Dev Anand and Guru Dutt. In his later years, they would give him a role in almost every film they made.

In his other films, Ramsingh worked with heroine Ranjit Kumari (real name Ranjit Kaur), to whom he got married later on. He was already married while in school and also had 3 children from his first wife. From the second marriage he got 4 children.

Ramsingh played hero, villain and character roles in 69 films. Some of his notable films, besides the four films from Prabhat Studios are, ‘Gaon’ (1947), ‘Shaheed’ (1948), ‘Khidki’ (1949), ‘Aparadhi’ (1950) – he was the hero, opposite to Madhubala, ‘Sargam’ (1950), ‘Sangram’ (1950), ‘Shrimati ji’ (1952),  ‘Jaal’ (1952), ‘Baaz’ (1953) etc. In the latter part of his career, he only got insignificant roles in B and C grade films and mythologicals. His last films were ‘Sati Sulochana’ (1969), ‘Veer Chhatrasaal’ (1971) and ‘Mere Bhaiya’ (1972); the last two being released after he retired from films.

When film ‘Jaal’ (1952) was imported into West Pakistan (on the East Pakistan quota), the Pak film industry started an agitation against Indian films, demanding a total ban on Indian films in Pakistan, as they believed the Indian films were killing their business. Leader of this agitation was WZ Ahmed, once a successful director/producer in India (from the erstwhile Shalimar Films of Poona and the mentor and husband of actress Neena). Consequently, Indian films were banned in Pakistan, at a later stage.

Ramsingh returned to his native place with Ranjit Kumari and children in 1970 and started doing agriculture. The then UP Chief Minister HN Bahuguna was his classmate and a very good friend. Ramsingh approached him. To help him, Bahuguna established the UP Film Corporation and made Ramsingh its chairman. However, due to political turmoil in the country, Bahuguna left congress and joined the off shoot party Congress For Democracy, against Indira Gandhi. As a result the film corporation was wound up and Ramsingh returned to the agriculture business again. He started drinking heavily, against medical advise and died in 1984, in his village.
(Note: The above bio sketch of Ramsingh is adapted with thanks, from Javed Hamid’s forthcoming book ‘हिन्दी सिनेमा के कुछ जाने अंजाने फनकार’.)

The spelling of film title – ‘Lakharani’, was an enigma. In many places, including the Encyclopedia of Indian Cinema, the film is spelt as LAKHRANI, while the HFGK says LAKHARANI. To get the correct information, I wrote to Shri Harmandir Singh ji. He promptly sent me a copy of the film booklet and confirmed that the correct name is LAKHARANI only. Thanks, Hamraz ji. The cast of the film is Durga Khote, Monica Desai, Azuri, Sapru, Ramsingh, Guru Dutt, etc. The story of this film is,

Bichwa (Durga Khote) is the queen of a devout untouchable community, which is not permitted to enter any temple. Her daughter Lakharani marries the prince from a community of atheists and hence is excommunicated by her own tribe.The devout group has their devotion tested by economic setbacks and a major conflict erupts between them and the atheists’ community. But God materialises on earth, thus solving the problems of belief and its attendant conflicts. Untouchability is abolished and they all can enter temples and worship also.

The film has 6 songs. Though the record numbers are given by HFGK, the name of singers is not mentioned for any song. The lyricist is Qamar Jalaalabaadi and the composer is Master Krishnarao Phulambrikar. No songs were found on the net or the You Tube, so I turned to our in-house collector, Sudhir ji. He promptly informed me that he has 4 songs of this film. On my request he not only sent me 2 songs, but also uploaded today’s song on my request. Thank you Sudhir ji, you are a great help indeed.

Lakharani makes her debut on this Blog today. Enjoy its first ever song. . .

(Ed Note: The title line of this song is modified, after listening to the song. In the Geet Kosh, this song corresponds to the song at sl. no. 6, which is listed as “Ab Moti Giraane Lagi Saawan Ki Ghataayen”. After listening to the song, it is observed that the refrain “Ik Gori Ki Aankhon Se. . .” is repeated after each antaraa, and is the more appropriate title line for the song.)


Song – Ik Gori Ki Aankhon Se Mujhe Pyaar Hua Hai (Lakharani) (1945) Singer -Unidentified Male Voice, Unidentified Female Voice, Lyrics – Qamar Jalaalabaadi, MD – Master Krishna Rao
Unidentified Male + Female Voices
Female Chorus

Lyrics 

ab moti giraane lagi saawan ki ghataayen
bagiya mein bikharne lagi bulbul ki sadaayen

ha ha ha haha

khilne ke liye phool bhi taiyaar hua hai
khilne ke liye phool bhi taiyaar hua hai
mujhe pyaar hua hai
mujhe pyaar hua hai

ik gori ki aankhon se mujhe pyaar hua hai
mujhe pyaar hua hai
sunder meri aashaon ka sansaar hua hai
mujhe pyaar hua hai

o koel duniya ko sunaao ye fasaana
o panchhio gaao meri duniya ko jagaana
o panchhio gaao meri duniya ko jagaana
ab haath pakad haath se iqraar hua hai
mujhe pyaar hua hai
ik gori ki aankhon se mujhe pyaar hua hai
mujhe pyaar hua hai

o gori ki paayal zara jhankaar suna de
ye bhed mere dil ka zamaane ko bataa de..ey..ey
abaad mere phoolon ka sansaar hua hai
mujhe pyaar hua hai
ik gori ki aankhon se mujhe pyaar hua hai
mujhe pyaar hua hai

o nadiya ke lehro ye kinaare ko bata do
toofaan ki maujon ko mera haal suna do..oo..oo
do lehron mein mil jaane ka iqraar hua hai
mujhe pyaar hua hai
ik gori ki aankhon se mujhe pyaar hua hai
mujhe pyaar hua hai

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

अब मोती गिराने लगीं सावन की घटाएँ
बगिया में बिखरने लगीं बुलबुल की सदाएं

हा हा हाहा

खिलने के लिए फूल भी तैयार हुआ है
खिलने के लिए फूल भी तैयार हुआ है
मुझे प्यार हुआ है
मुझे प्यार हुआ है

इक गोरी की आँखों से मुझे प्यार हुआ है
मुझे प्यार हुआ है
सुंदर मेरी आशाओं का संसार हुआ है
मुझे प्यार हुआ है

ओ कोयल दुनिया को सुनाओ ये फसाना
ओ पंछीओ गाओ मेरी दुनिया को जगाना
ओ पंछीओ गाओ मेरी दुनिया को जगाना
अब हाथ पकड़ हाथ से इक़रार हुआ है
मुझे प्यार हुआ है
इक गोरी की आँखों से मुझे प्यार हुआ है
मुझे प्यार हुआ है

ओ गोरी की पायल ज़रा झंकार सुना दे
ये भेद मेरे दिल का ज़माने को सुना दे॰॰ए॰॰ए
आबाद मेरे फूलों का संसार हुआ है
मुझे प्यार हुआ है
इक गोरी की आँखों से मुझे प्यार हुआ है
मुझे प्यार हुआ है

ओ नदिया की लहरों ये किनारे को बता दो
तूफान की मौजों को मेरा हाल सुना दो॰॰ओ॰॰ओ
दो लहरों में मिल जाने का इक़रार हुआ है
मुझे प्यार हुआ है
इक गोरी की आँखों से मुझे प्यार हुआ है
मुझे प्यार हुआ है


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pagli Duniya”(1944) was directed by Aspi for Ranjit Movietone, Bombay. The movie had Mumtaz Shanti, Motilal, Shekh Mukhtar, Kanhaiyalal, Ashraf Khan, Pratima Devi, Keshri, Hadi, Taimur Gharpare, Alice, Revashankar etc in it.

The movie had twelve songs in it. One song from the movie has been covered in the past.

Here is the second song from “Pagli Duniya”(1944) to appear in the blog. This song is sung by Amirbai Karnataki. Butaram Sharma is the lyricist. Music is composed by Bulo C Rani.

Only the audio of this song is available. assuming that Mumtaz Shanti was the leading actress in the movie, this song was almost certainly lip synced by her.


Song-Kyun aankh milaayi thhi gar aankh churaani thhi(Pagli Duniya)(1944) Singer-Amirbai Karnataki, Lyrics-Buta Ram Sharma, MD-Bulo C Rani

Lyrics

kyun aankh milaayi thhi
gar aankh churaani thhi
kyun aankh milaayi thhi
gar aankh churaani thhi
dil mein kisi bekas ke
kyun aag lagaani thi
dil mein kisi bekas ke
kyun aag lagaani thi
kyun aankh milaayi thhi

ye socha na thha
ulfat ek jhoothhi ee ee tasalli hai
ye socha na thha
ulfat ek jhoothhi ee ee tasalli hai
ek waham mohabbat hai
ye baat na jaani thhi
ek waham mohabbat hai
ye baat na jaani thhi
kyun aankh milaayi thhi

jiska teri furkat ne
ae ae ae ae ae ae
afsaana bana daala
afsaana bana daala
wo meri ummeedon ki
chhoti si kahaani thhi
wo meri ummeedon ki
chhoti si kahaani thhi
kyun aankh milaayi thhi
gar aankh churaani thhi
kyun aankh milaayi thhi


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Hamaara Adhikaar”(1970) was directed by Devi Sharma for Janta Chitra, Bombay. The movie had Vishal Anand, Kumud Chhugaani, Aruna Irani, Niranjan Sharma, Dinesh Hingoo, Janki Das, maneesha etc in it.

This by now forgotten movie, which was earlier named “Baap Bahu aur Beta”, had six songs in it that ended up becomimg as obscure as the movie itself. I do not recall having heard of the movie or any of its songs during its time.

Here is the first song from “Hamaara Adhikaar”(1970) to appear in the blog. The lively song is sung by Asha Bhonsle and Kishore Kumar. Kaifi Azmi is the lyricist. Music is composed by Chitragupta.

This song was pictured on the lead pair of Vishal Anand and Kumud Chhugaani jumping up and down in a garden, which was popularly and erroneously described as running around trees those days. 🙂

I request our knowledgeable readers to throw light on this movie.

With this song, “Hamaara Adhikaar”(1970) makes its debut in the blog.

audio

Video

Song-Bumpam bumpam parara…Ankhen mila gori gori baahon mein aa (Hamaara Adhikaar)(1970) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Kaifi Azmi, MD-Chitragupta
Both

Lyrics

bumpam bumpam pararaaa
bumpam bumpam parara ra
bumpam bumpam pararaaa
bum paramparara
bumpam bumpam pararaaa
bumpam bumpam parara ra
bumpam bumpam pararaaa
bum paramparara

aankhen mila aa
gori gori baahon mein aa
apnon se ae
gussa bhi kya aa
aankhen mila aa
gori gori baahon mein aa
apnon se ae
gussa bhi kya aa
mere bhole dilbar
jaata hai kahaan an
mere sapne lekar
jaata hai kahaan aan
mere sapne lekar
jaata hai kahaan aan
gale lag ja haseen haseen hai nazaara
bumpam bumpam pararaaa
bumpam bumpam parara ra ra
bumpam bumpam pararaaa
bum paramparara
bumpam bumpam pararaaa
bumpam bumpam parara ra ra
bumpam bumpam pararaaa
bum paramparara

meri jaan
main bhi dil bhi
tujhpe kurbaan
keh bhi de ae
chupke se haan
meri jaan
main bhi dil bhi
tujhpe kurbaan
keh bhi de
chupke se ha
mera kehna toone maana bhi nahin
mera koi armaan jaana bhi nahin
mera koi armaan jaana bhi nahin
tabhi to dil bujha bujha hai bechaara
bumpam bumpam pararaaa
bumpam bumpam parara ra ra
bumpam bumpam pararaaa
bum paramparara

bumpam bumpam pararaaa
bumpam bumpam parara ra ra
bumpam bumpam pararaaa
bum paramparara

roothe sanam
de de hamko apne sab gham
sun bhi le ae
tere hain ham
roothe sanam
de de hamko apne sab gham
sun bhi le ae
tere hain ham
mere dil ki dhadkan
tanha to nahin ee
koi tanha main hi rusva to nahin een
koi tanha main hi rusva to nahin een
ye zulfen bhi zara zara hain aawaara

bumpam bumpam pararaaa
bumpam bumpam parara ra ra
bumpam bumpam pararaaa
bum paramparara
bumpam bumpam pararaaa
bumpam bumpam parara ra ra
bumpam bumpam pararaaa
bum paramparara


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kaale Baadal”(1951) was directed by Anand Thakur for National Film of India production. The movie had Meena, Pushpa Hans, Shyam, Gope, Jeevan, Raj Mehra, Ramesh Sinha, Tabassum, Hansa, M. Rajan, Pratima Devi etc in it.

The movie had nine songs in it. Seven of these songs have been covered in the past.

Here is the eighth song from “Kaale Baadal”(1951) to appear in the blog. This song is sung by Sulochana Kadam. Rajinder Krishan is the lyricist. Music is composed by Shyam Sundar.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Teri nazar ne meri nazar se…o baalam o rasiya (Kaale Baadal)(1951) Singer-Sulochana Kadam, Lyrics-Rajinder Krishan, MD-Shyam Sundar

Lyrics

teri nazar ne meri nazar se
keh di dil ki baat
chupke chupke ho gayi dil mein aen
khushiyon ki barsaat

o baalam
o rasiya
main teri tu mera re
o baalam
o rasiya
main teri tu mera re
ek ishaare mein dil maine kar diya tere hawaale
ek ishaare mein dil maine kar diya tere hawaale
deta hai dil tujhe duaayein
deta hai dil tujhe duaayein
o o
teer chalaane waale mere
o baalam
o rasiya
main teri tu mera re
o baalam
o rasiya
main teri tu mera re

soone dil mein huye ujaale
armaanon ne li angdaai
soone dil mein huye ujaale
armaanon ne li angdaai
sun mere saajan
sun mere balaam
sun mere saajan
sun mere baalam
o mat ban’na harjaai
o baalam
o rasiya
main teri tu mera re
o baalam
o rasiya
main teri tu mera re


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bahaadur” (1953) was directed by Ratibhai Punatkar for Ranjit Movietone, Bombay. The movie had Suresh, Shyama, Roopmala, Amarnath, Anwar Hussein, Shammi, Rajendra Singh, Ibrahim, Prem Kumar, Moti Sood etc in it.

This movie had eight songs in it that were written by six lyricists and the songs had five voices in them. Five of these songs have been covered in the blog. That leaves us to cover three songs that unsurprisingly are rare song which are not easily available.

Here is the sixth song from “Bahaadur”(1953). This song is sung by Ashima Bannerji. Surjeet Sethi is the lyricist. Music is composed by S Mohinder.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Mohabbat ke zamaane nigaahon ke fasaane (Bahaadur)(1953) Singer-Ashima Bannerji, Lyrics-Surjeet Sethi, MD-S Mohinder

Lyrics

mohabbat ke zamaane
nigaahon ke fasaane
mohabbat ke zamaane
nigaahon ke fasaane
na bhoole hain
na bhoolenge
na bhoolenge
mohabbat ke zamaane
nigaahon ke fasaane

na bhoole naaz tera
haay andaaz tera
tere naghme sunaata hai ae ae
tere naghme sunaata hai
ye dil ka saaz mera
ye dil ka saaz mera
sune kya toone mere
kabhi dil ke taraane
sune kya toone mere
kabhi dil ke taraane
na bhoole hain
na bhoolenge
na bhoolenge
mohabbat ke zamaane
nigaahon ke fasaane

wo tera muskaraana
wo mera dil churaana
judaai deke mujhko wo o o
judaai deke mujhko wo
tera chupke se jaana
tera chupke se jaana
abhi hain yaad mujhko
wo beete din suhaane
na bhoole hain
na bhoolenge
na bhoolenge
mohabbat ke zamaane
nigaahon ke fasaane
mohabbat ke zamaane
nigaahon ke fasaane


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (9 november 2017) is the death anniversary of Ghulam Haider ( 1908- 9 november 1953). He left this world when he was jist in his 40s, but by that time he had revolutionised the HFM scenario.

In the earlier days, Hindi film music was based on classical music and common people failed to identify much with them. It was Ghulam Haider, who introduced the revolutionary concept that HFM should draw from folk music. He introduced Punjabi folk music style songs in HFM and the rest, as they say, was history. Other music directors too began to compose music based on folk music of other regions like UP, Bangal, Maharashtra, Gujrat etc and that made HFM immensely popular among ordinary people. And that popularity continues to this date.

Though Ghulam Haider made his debut as a music director in 1930s with “Swarg Ki Seedhi”(1935) and “Majnu”(1935), he came into his own starting from 1941 when he delivered “Khazaanchi”(1941), “Khaandaan”(1942), and “Zameendaar”(1942). All these three movies were musical blockbusters. All three movies have already been YIPPEED in the blog.

Overall, Ghulam Haider composed music for 24 Indian movies where he composed some 189 songs. 22 movies and 113 songs of Ghulam Haider are covered in the blog. Six of these movies have been YIPPEED.

“Poonji”(1943) is not yet YIPPEED. “Poonji” (1943) was directed by Vishnu R pancholi and Ravindranath Dave for Pancholi Art Pictures, Lahore. This movie had M Ismail, Raagini, Jayant, Manorama, Ajmal, Baby akhtar, Durga Mota, Miss Pandey, Anwari, G N Butt etc in it. Four out of ten songs from the movie have been covered in the past. Here is the fifth song from “Poonji”(1943) to appear in the blog. It is sung by Shamshad Begam. The lyricist (there were three of them in the movie) is not known. Music is composed by Ghulam Haider, of course.

I have not been able to get one word (may be more) right in the lyrics. I request our readers with keener ears to help fill in the blanks suggest corrections as applicable.


Song-Balamwa re sajanwa re jab se naina se naina lage (Poonji)(1943) Singer-Shamshad Begam, MD-Ghulam Haider

balamva re
sajanva re
jab se naina se naina lage
balamvaaa
sajanva re
jab se naina
balam
jab se naina
saajan
jab se naina se naina lage

more man ki duniya
baagi(?) kasur hai nyaara
more man ki duniya
baagi(?) kasur hai nyaara
hai jisne jeeta
usne sab kuch hara
hai jisne jeeta
usne sab kuch hara
saanvariya
prem lagan ho jis ke man mein
saari rain jage
re balam
jab se naina
saajan
jab se naina se naina lage
balamvaa
sajanva re
jab se naina balam
jab se naina saajan
jab se naina se naina lage

chupke chupke nainon mein aaye
chupke chupke nainon mein aaye
aur dheere dheere man mein samaaye
aur dheere dheere man mein samaaye
sanvariya re
nainan baan lage more man mein
ho re
sanvariya re
nainan baan lage more man mein
ghaayal kaise bache
re balam
jab se naina
saajan
jab se naina se naina lage
balamva re
sajanva re
jab se naina se naina lage

o bhole baalam
preet ki reet anokhi
o bhole baalam
preet ki reet anokhi
ye ki nahin jaati zaalim kisi se
nain mile tab hoti
ye ki nahin jaati zaalim kisi se
nain mile tab hoti
saanvariya re
laakh chhupa lo
man ki duniya
ho re
saanwariya re
laakh chhupa lo
man ki duniya
daaku chor thhage
re balam
jab se naina
saajan
jab se naina se naina lage
balamvaa
sajanva re
jab se naina
balam
jab se naina
saajan
jab se naina se naina lage


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Saudaagar”(1951) was produced by S V Moongre and directed by M I Dharmsey for West Hind Pictures, Bombay. The movie had, Rehana, Naseer Khan, Suraiyya Choudhary, Bhudo Advani, Shakuntala, Ratan Kumar, Balam, K N Singh etc in it.

This movie had ten songs in it that were sung by six singers, penned by three lyricists and composed by two music directors.

One song from the movie has been covered in the past.

Here is the second song from “Saudaagar”(1951) to appear in the blog. This song is sung by Lata. P L santoshi is the lyricist. Music is composed by C Ramchandra.

Only audio of this song is available. My guess is that this song was picturised on Rehana.

The audio skips at one place and I have not been able to get the lyrics right at that place (or may be at some more places). I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Song – Kahaan jaaoge huzoor meri nazron se door (Saudaagar) (1951) Singer – Lata, Lyrics – PL Santoshi, MD – C Ramchandra

Lyrics

kahaan jaaoge huzoor
meri nazron se door
bachke jaaoge huzoor
kahaan jaaoge huzoor
meri nazron se door
bachke jaaoge huzoor
kahaan jaaoge huzoor

aankhon se aaye thhe
dil mein samaaye thhe
hamne teri khaatir sadme kya kya na uthaaye thhe
kyun chhod chale bedardi
kyun chhod chale bedardi
kiya aisa kya kusoor
kahaan jaaoge huzoor
kahaan jaaoge huzoor
meri nazron se door
bachke jaaoge huzoor
kahaan jaaoge huzoor
meri nazron se door
bachke jaaoge huzoor
kahaan jaaoge huzoor

ho o o o
jisko tu aabaad karey
usko hi barbaad karey
phir bhi dil rotey rotey
tujhko hardam yaad karey
tujhko hardam yaad karey
ho o o o o
jisko tu aabaad karey
usko hi barbaad karey
phir bhi dil rotey rotey
tujhko hardam yaad karey
tujhko hardam yaad karey
aisi meri haalat kar di
anokha ye ulfat ka dastoor
kahaan jaaoge huzoor
kahaan jaaoge huzoor
meri nazron se door
bachke jaaoge huzoor
kahaan jaaoge huzoor
meri nazron se door
bachke jaaoge huzoor
kahaan jaaoge huzoor

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

कहाँ जाओगे हुज़ूर
मेरी नज़रों से दूर
बचके जाओगे हुज़ूर
कहाँ जाओगे हुज़ूर
मेरी नज़रों से दूर
बचके जाओगे हुज़ूर
कहाँ जाओगे हुज़ूर

आँखों से आए थे
दिल में समाये थे
हमने तेरी खातिर सदमे क्या क्या ना उठाए थे
क्यों छोड़ चले बेदर्दी
क्यों छोड़ चले बेदर्दी
किया ऐसा क्या क़ुसूर
कहाँ जाओगे हुज़ूर
कहाँ जाओगे हुज़ूर
मेरी नज़रों से दूर
बचके जाओगे हुज़ूर
कहाँ जाओगे हुज़ूर
मेरी नज़रों से दूर
बचके जाओगे हुज़ूर
कहाँ जाओगे हुज़ूर

हो ओ ओ ओ
जिसको तू आबाद करे
उसको ही बर्बाद करे
फिर भी दिल रोते रोते
तुझको हरदम याद करे
तुझको हरदम याद करे
हो ओ ओ ओ
जिसको तू आबाद करे
उसको ही बर्बाद करे
फिर भी दिल रोते रोते
तुझको हरदम याद करे
तुझको हरदम याद करे
ऐसी मेरी हालत कर दी
अनोखा ये उलफत का दस्तूर
कहाँ जाओगे हुज़ूर
कहाँ जाओगे हुज़ूर
मेरी नज़रों से दूर
बचके जाओगे हुज़ूर
कहाँ जाओगे हुज़ूर
मेरी नज़रों से दूर
बचके जाओगे हुज़ूर
कहाँ जाओगे हुज़ूर


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Gareebi”(1949) was directed by Ramchandra Thakur for Ranjit Movietone, Bombay. the social movie had Geeta Bali, Jairaj, Nirupa Roy, P Kailash, Usha Kiran, Baanke Bihaari, Rmesh Thakur, M K Hasan, Bhupat rai, Tarabai, Jairam, Jawahar Kaul etc in it.

The movie had eight songs in it. Two songs from the movie have been covered in the blog. Those songs were discussed as far back as in 2011.

Now, after the passage of more that six years, here is the third song from “Gareebi”(1949) to appear in the blog. This song is sung by Rafi. Rajinder Krishan is the lyricist. Music is composed by Bulo C Rani.

Only the audio of this rare song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

The audio is not clear and I have not been able to get the lyrics right to my satisfaction. I request our readers with keener ears to help fill in the blanks/ suggest corrections in the lyrics as applicable.


Song-Kisi se hamne ye poochha (Gareebi)(1949) Singer-Rafi, Lyrics-Rajinder Krishan, MD-Bulo C Rani

Lyrics

kisi se hamne ye poochha
mohabbat kis ko kehte hain
nazar ka teer maara aur boley
isko kehte hain
nazar ka teer maara aur boley
isko kehte hain
kisi se hamne ye poochha
mohabbat kis ko kehte hain
nazar ka teer maara aur boley
isko kehte hain
nazar ka teer maara aur boley
isko kehte hain

ada se muskuraaye
dil pe ik bijli gira daali
ada se muskuraaye
dil pe ik bijli gira daali
dil pe bijli gira daali
tadap kar yoon kaha dil ne
tadap kar yoon kaha dil ne
muhabbat isko kehte hain
tadap kar yoon kaha dil ne
muhabbat isko kehte hain

ye kaisa dard hai dil mein
jo dil ko achha lagta hai
ye kaisa dard hai dil mein
jo dil ko achha lagta hai
jo dil ko achha lagta hai
yahi wo dard hai dard e
yahi wo dard hai dard e
mohabbat jisko kehte hain
yahi wo dard hai dard e
mohabbat jisko kehte hain
kisi se hamne ye poochha
mohabbat kis ko kehte hain
nazar ka teer maara aur boley
isko kehte hain
nazar ka teer maara aur boley
isko kehte hain


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Padmini” (1948) was directed by Wali Sahab for Punjab Film Corporation. The movie had Mumtaz Shanti, Ashok Kumar, Mumtaz Ali, Samson, Maya Devi, Neelam, Bibi, Ibrahim, Harun, Sultana, A Shah etc. in it.

Four songs from this movie have been discussed in the past. Here is the fifth song from “Padmini”(1948) to appear in the blog. HFGK is silent about the singers of this song. On listening to this song, it becomes abundantly clear that this song is a duet sung by Geeta Dutt and Ashok Kumar. Wali Sahab is the lyricist. Music is composed by Ghulam Haider.

Only the audio of this song is available. Seeing that Mumtaz Shanti and Ashok Kumar were the lead pair in this movie, my guess is that this song was picturised on them. Nevertheless, I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Sapera been bajaayo re…teer tore nainon ka hua kalejwa ke paar(Padmini)(1948) Singers-Geeta Dutt, Ashok Kumar, Lyrics-Wali Sahab, MD-Ghulam Haider

Lyrics

saperaa been bajaayo re
tu to mhaari gali mein aayo re
main to chaloongi thaare saath
teer tore nainon kaa
huaa kalejavaa ke paar
teer tore nainon kaa

lagaa re teer tore nainon kaa
lagaa man mein teer tore nainon kaa

o o
gori ri gori re more baandh de haath dou raase se
mori kaat de naar gandaase se
main to chhup jaaun thaare saanche se
main to chhup jaaun thhaare saanche se ae
meraa jeenaa hai dushwaar
teer tore nainon kaa
huaa kalejwaa ke paar
teer tore nainon kaa

lagaa re teer tore nainon kaa
lagaa man mein teer tore nainon kaa

o o
tan kaa baaje baansuri re
more man kaa baaje saaz
saaz more man kaa baaje saaz
taar na tod is taar ke re teri
bhagwan raakhe laaj

aaj mohe dipak raag sunaayo re
tu to mhaari gali mein aayo re
main to chaloongi thhaare saath
teer tore nainon kaa
huaa kalejavaa ke paar
teer tore nainon kaa
lagaa re teer tore nainon kaa
lagaa man mein teer tore nainon kaa


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(© 2008 - 2017) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13800 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13806

Number of movies covered in the blog

Movies with all their songs covered =1031
Total Number of movies covered =3767

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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