Archive for the ‘“Aankh” song’ Category
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4654 | Post No. : | 16320 |
Geeta Dutt – Solos and Duets (05)
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Among the first few songs, I had selected for posting in this series, is this group song, with folksy tune. The film is Chaalbaaz(1958), the music is composed by Chitragupt and lyricist is Prem Dhawan. The title of the film evokes memories of Late Sridevi and her double role and the comic act in the film of same title in the year 1989.
The song is a brief one for a group song and the lyrics are very colourful, and not just because of the color-coding. Reminds me of a famous song, a truet of Lata-Rafi-Mukesh, with choruses and Rafi Sahab’s alaaps Ramaiyya vastavaiyya ramaiyya vastavaiyya. This is called a famous song, and we know all about this one.
Present song is not so famous one, but for all I know it might have been a hit and popular one in 1958. Singers are Geeta Dutt, Mohammed Rafi and Usha Mangeshkar. I found it last year on youtube and saved it for this series, as it sounded folksy and peppy, with the clap sounds enhancing the enjoyment. Apart from ‘Qawwali’ the ‘tappa’ genre and other folk forms use the clap as a rhythmic addition in the song, which must be enjoyable for those not actually singing or playing music instrument, as they can also participate. Hindi film songs are a dime a dozen for using ‘claps’ in songs.
A few such songs (non-Qawwali) which come to mind :
Laara lappa laara lappa laai rakhdaa
Na munh chhupaa ke jiyo
Iss duniya mein jeena hai to
Ye chaand ra roshan chehraa
Purvaa suhaani aayi re
Also there are many ‘garba’ songs which had women dancing with accompanying hand claps.
These 4 songs out of 7 are posted in the blog:
| Song | Date posted in the blog |
|---|---|
| Duniya hai aisi chaalbaaz | 21 June 2015 |
| Ho chat mangni to pat shaadi | 7 May 2017 |
| Tin tina ke teena kisi ne dil hai chheena | 17 December 2019 |
| Koi dil ko lage apna apna | 6 April 2020 |
I have found a pdf file containing list of all hindi film songs by Geeta Dutt. But I dont know a way of sorting data, if it is possible in pdf file. I will try to get it converted in excel, that will make it easy to sort data. For example, we can know how many songs Geeta Dutt sang for Chitragupt in her career.
Atulji is doing a great job of collating information of all Lata mangeshkar’s songs year wise viz-a-viz songs posted in the blog. I can see that a similar collation of data is possible with a list of all songs of Geeta Dutt, with the help of this pdf file.
Okay, I found a way. I searched and found 94 times Chitragupt’s name in the pdf list of Geeta Dutt’s songs.
So here goes the stats:
| Sr. no. | Name of singer/s | Total songs with Chitragupt | Songs posted in the blog |
|---|---|---|---|
| 1 | Geeta Dutt | 94 | |
| 2 | Geeta Dutt-Rafi | 28* | |
| 3 | Geeta-Rafi-Usha Mangeshkar | 2 | 0 |
*Includes 4 truets, Two with Usha Mangeshkar and two with Balbeer.
This is the other song of the same team with Bharat Vyas as the lyricist:
Sukhi Nahin Wo Jo..Bhaiya Kaam Karo Mat Aaraam
Balyogi Upmanyu(1958)
Mohd Rafi, Geeta Dutt, Usha Mangeshkar
Chitragupta
Bharat VyasTotal tally in the blog of this team independently is:
| Name | Total songs | Posted |
|---|---|---|
| Chitragupta | 1057 | 488 |
| Prem Dhawan | 936 | 448 |
| Geeta Dutt | 1418 | 908 |
| Usha Mangeshkar | Not available | 203 |
Done with the stats, so let us move to the song, of which only audio is available.
Audio Link:
Song-Hamen maar gayi re tirchhi najariya tori maar gayi (Chaalbaaz)(1958) Singers-Rafi, Geeta Dutt, Usha Mangeshkar, Lyrics-Prem Dhawan, MD-Chitragupta
Male chorus,
female chorus
All chorus
Lyrics
Tinak tinak dhin
dhinak dhinak dhin
tinak dhinak dhin
taat daat dhin tinak
taat dhin
taat tiba bap
bap brrrrrrrrrrr…
ho ooo oooo
ho ooooo
ho ho
ho ho ho ho
hoy ye……
ambuwa ki daal pe jhoole pade
arey saawan mein tere sang naina lade
hamen maar gayi re ae
tirchhi najar tori maar gayi ee ee
hamen maar gayi re ae
tirchhi najar tori maar gayi
kaisi ghadi haay naina lade
dil ko hazaar dukh sehne pade
main to haar gayi re ae
tose sajan main to haar gayi ee
ae ji haar gayi re ae
tose sajan main to haar gayi
aisi najar se sainyyan ne dekhaa
nanha sa jiya mera dol gaya
ha aaa aaaaaa
ho ooooo
aaaa aaaa
ho oooo
aisi najar se saiyyan ne dekhaa
nanha sa jiya mera dol gaya
dheere se aa ke
ghoonghat uthhaa ke
nainon ki boli koyi bol gayaa
haaye
dekhi sooratiya to
reh gaye khade
poonam ki raat jaise
chandaa chadhe
hamen maar gayi re
tirchhi najar tori maar gayi haan aan
hamen maar gayi re
tirchhi najar tori maar gayi
dhokha hai pyaar jaane saara zamaana
phir bhi kisi ne yehaan pyaar huaa
ha oooo oooo
ooo oooo
dhoka hai pyaar jaane saara zamaana
phir bhi kisi ne yehaan pyaar huaa
kis ka kalejaa hai bolo jahaan se
nazron ka teer nahin paar huaa
haay
baithhe hain haathh haay
dil pe dhare
aage teri marzi hai jo bhi kare
hamen maar gayi re ae
tirchhi nazar tori maar gayi ee
haan aan
hame maar gayi re
tirchhi najar tori maar gayi
ae ji haar gayi re
tose sajan main to haar gayi
ooo ooooo ooo
ooooooo
ae ji to haar gayi re
ooooooo
tose sajan main to haar gayi
oooo ooooooo
ae ji haar gayi re
ooooooo
tose sajan main to haar gayi
ae ji haar gayi re
tose sajan main to haar gayi
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4622 | Post No. : | 16269 |
Today’s song is from the film Iqrar-42. This was just one of the many films- coming out of Ranjit’s factory. It was like their emphasis was on churning out films in quantity. They were not much worried about the quality of the films, it would seem to the observer. As such the number of hit and successful films coming out of Ranjit was certainly not very high, unlike New Theatres, Bombay Talkies or Prabhat.
Of course, one knows that there is no formula for successful films. It is also true that A grade actors, well known composers and famous directors alone do not make a hit film. In my opinion, a strong storyline forms a base for good films. That coupled with either factors, enhances the chances of such films being successful at the box office.
In the early 30’s films from new Theatres became successful mainly because their films had strong storylines. Bombay Talkies films of the late 30s and early 40’s became successful due to fresh faces and simple music and songs. Prabhat films had a combination of strong story, social reform subjects and quality actors and directors, which made them successful.
A common thread for these companies was the total involvement of the owners in their business. This, precisely, was the weak point of companies like Sagar and Ranjit. Their owners got engaged in family problems and their Gambling habits. The first to go down was Sagar and Ranjit followed suit when Chandulal Shah lost more than a Crore of rupees in just one deal of ‘Satta’. That is a sad story, anyway.
In 1942, when the industry was having a great shake up, Ranjit had 6 films ready for release and 6 films on floors. You can imagine why Ranjit was called a ‘Factory’ ! Indian film industry has always been alive to the happenings in the country and reflects the national problems and important events in our films.1942 was an year when the II World War was on its peak and it had caused a severe food shortage in the world. Italy had made a silent film ‘Greed’ on this issue. Based on it.Mehboob Khan made a film , Roti’ in India. Mehboob was a socialist and a Nehruvian to the core and so his films like,Mother India or Son Of India were made on socialistic principles. In 1942,Ramchandra Thakur also directed one such film,’Gareeb’.
In India, the Congress had started its Quit India movement, but in our Film Industry it was a Quit studio movement. Many well known film artistes, directors, composers and other related staff moved over to new pastures. 1942, in a sense, became an overhauling of the Film industry with so much movement of people. The following activities changed the scenario to a great extent.
1. A group of disgruntled people in Bombay Talkies, comprising of Rai Bahadur Chunilal, Shashadhar mukherjee, Ashok Kumar, Sawak Vachha and few of their followers left Bombay Talkies, after disagreements with Devika Rani and formed their own outfit – Filmistan.
2. Mehboob Khan separated from National studios and established his own Mehboob Productions. This was also the time when Mehboob and Anil Biswas separated from each others due to some differences.
3. Abdul Rasheed Kardar established his own Kardar studios.
4. V.Shantaram, along with his team left Prabhat- an institution which he established and made a famous one by his directorial contribution. He first joined the Films division and then started his own Raj Kamal Kala Mandir.
5. Wadia Movietone split and the brothers separated. While JBH Wadia, the elder brother, wanted that their company should start making only Social films now, the younger Homi Wadia wanted to continue with Stunt and Action films. He started his own Basant Pictures. Wadia’s star performer Fearless Nadia went with Homi Wadia, whom she married yew years later.
6. Calcutta’s New Theatres started showing signs of disintegration and Debki Bose,P C Barua etc left the New Theatres. Debaki Bose made Apna Ghar’ in Bombay. K L Saigal left new Theatres to do films in Bombay . He did Ranjit’s Bhakta Surdas’ and ‘ Bhanwra’. He of course went back to Calcutta to do a few more films,before coming back to Bombay for Shahjehan and Pawana. He did not/could not go back to Calcutta,as he died after Parwana-47. Saigal, while recording song ‘ Nainheen ko raah dikha” in Bhakta Surdas, did 14 retakes in recordings. His younger brother Mohan Saigal acted as Shri Krishna in this film and he is heard saying” Surdas ji” in the song Nis Din barsat Nain hamare.
7. Composer Vasant Desai did his first independent film ” Shobha” as a Music Director.
8. C Ramchandra did his first Hindi film as a composer- Sukhi Jeevan.
9. Ninu Mujumdar became MD with the film Black Out.
10. Kamal Dasgupta started his Hindi career with film Jawab.
11. Lyricist Ramesh Gupta started with the film Awaz.
12. Lyricist Qamar Jalalabadi started with Zamindar
13. Suraiya entered the Playback with songs in Nai Duniya and Sharda.
14. Hemant Kumar sang his first Hindi song in the film Meenakshi-42.
15. Manna Dey first sang a Hindi song in film Tamanna.
16. Jagmohan Sursagar sang in the first Hindi film-Bhakta Kabir.
17. Nurjahan sang her first Hindi film songs in film Khandan-42, in Lahore.
18. Bharat Bhushan’s first film in a leading role was Bhakt Kabir
19. Madhubala started as Baby Mumtaz in film Basant
From Lahore Dalsukh Pancholi repeated his magic with ‘ Khandaan’-42. This time it was Noorjehan who shook the industry with her songs under Ghulam Haider. Films like Bhakt Kabir,Bhakta Surdas, and Bharat Milap kept the Mythology/religious films in limelight. new Theatres,prabhat,Bombay Talkies etc all brought excellent films in 1942. Barring Bhakta Surdas,Roti and Khandan,there was not much competition to Naushad’s Station Master-42 ,in music.Its music became quite popular and the film celebrated Silver Jubilee. Naushad tasted success for the first time in his career in 1942 and 2 of his 3 films in the year celebrated Silver Jubilees. The other film was Nai Duniya-42.
Let us take a look at some important films of 1942….
Film Barat had music by Ratanlal-brother of khemchand Prakash and he himself as Khemraj.
Film Basant- though it has the name of Pannalal Ghosh as MD, as per HFGK, all the songs were composed by Anil Biswas (because he was still under contract with National Studios) and Ghosh had only done Orchestration and background music.
Bhakta Kabir had music by Himangshu Dutt- the first title holder of ” Sursagar”.
Bhakta Surdas- Gyan Dutt gave 15 hit songs of Saigal and Khursheed. In this film Khursheed sang equally well with Saigal.
Bharat Milap- First film in which Prem Adib and Shobhana Samarth did the roles of Shri Ram and Seeta, which made them famous all over India.
Chauranghee- the only Hindi film for which Kazi nasrul islam gave music and wrote songs too. It was his debut film. Also Debut for Hanuman prasad Sharma as Md and S.Fazli as Director.
Dus Baje- Debut of Baby Shakuntala.
Iqrar- Last film of actress Madhuri (Beryl Classen). Master Vithal-a professional singer from Sholapur sang his only song in a Hindi film.( not the actor)
Jawab- all songs popular, especially kanan devi’s ” Ye duniya Toofan mail”.
Khandan- Entry of Nur jahan, from Lahore. All her songs are popular.
Muqabala- First Talkie film with double role of Heroine- Nadia. Babhubhai Mistri’s magic in trick scenes.
Nai Duniya- Suraiya’s first song in Hindi film.
Roti- Begum Akhtar’s role and 6 songs.
Savera- First film of Arun Ahuja and Nirmala Devi.
Sharada- Naushad gives good songs.
Station Master- Hit film with songs.
Zamindar- Shanta Apte goes to Lahore all the way
All in all, the year 1942 was an eventful year for the industry. Indian audience enjoyed a variety of Genres in film offerings and a feast of Naushad’s songs, Bhajans and New artistes.
Film Iqrar-42 did not have lilting music or popular songs. It had the usual story of a Love Triangle around Madhuri, for whom this was her last film in the career. After this film she retired from films, got married and simply disappeared from public life. After 50 years, she was searched and discovered by an organisation, for a function to honour the Silent Era artistes – Madhuri and Jairaj. Film Iqrar-42 was directed by Manibhai Vyas and the cast was Madhuri, Motilal, Rama Shukul,Bhagwan Das, Tarabai and many others.
One more interesting actress in the cast was Tarabai. She is none other than the elder sister of famous dancer actress Sitara Devi. Born in 1905, Tara/ Tara Devi / Tarabai was a good dancer. She started film career with Silent films like Malti Madhav, Bambai ki sethani etc. She started Talkie films with Vasantsena-31. She played the role of Princess Octavia in the film Yahudi ki Ladki-33, along with K L Saigal.
She acted in many films like Shehar ka jadu-34, Savitri 37, Narsi Bhagat-40, Sasural -41. She acted in film Haiwaan-40, along with her two other actress sisters,namely Alaknanda and Sitara Devi. This may be the First Hindi film, in which 3 sisters played roles in one film.
It seems the mother of Alaknanda and Tara was different from that of Sitara, but the father was the same-Pt.Sukhdev. Alaknanda and Tara were not their real names. In fact, the real name of Tara/Tarabai was Triveni.
She married co-star Marutirao Pehelwan, left films and they settled in Dhule,in Maharashtra. They started a Dairy business. Their son was the famous dancer Gopi Krishna. Marutirao was already married, still Tara married him. His surname was Gawali (Milkman).
Soon they separated and Tara married a small businessman Sonthalia from Calcutta. We do not know why, but Tarabai returned to Bombay and started working in films. But now she was reduced to a Junior Artiste (Extra) and got only negligible roles. She lived in Bandra slum. There is no information about her after this.
Her son Gopi Krishna (real name Gopal )stayed with his maternal Grandfather, Pt. Sukhdev, who trained him in Dancing. Gopikrishna came to Bombay, with the name Gopikrishna Sonthaliya and stayed with Sitara Devi, but he was soon thrown out. He spent bad days,staying in chawl etc, before he became famous as a Choreographer and actor. ( some new information from RMIM forum, with thanks.)
Today’s song is sung by one Master Vithal of Sholapur. His real name was Vithal Channa. He used to sing Saigal’s songs and did many mehfils privately, to earn a living. This is his only song in a Hindi film. With this song he makes a Debut on this Blog, with all his songs covered !
Song- Aankhon mein paani kis liye zindagani kis liye (Iqraar)(1942) Singer- Master Vithal of Sholapur, Lyricist- Not known, MD- Khemchand Prakash
Lyrics
Aankhon mein paani ee ee
kis liye ae ae
zindagaani ee
kis liye
Aankhon mein paani ee ee
kis liye ae ae
zindagaani ee
kis liye
hans hans ke rulaane ke
hans hans ke rulaane ke
ro ro ke hansaane ke
ro ro ke hansaane ke
mil mil ke bichhohne ke ae ae
mil mil ke bichhohne ke ae ae
ban ban ke bigadne ke
ban ban ke bigadne ke
ye sapne kahaani kis liye
ye sapne kahaani kis liye
ye zindagaani kis liye
aankhon mein paani kis liye
ye zindagaani kis liye
aankhon mein paani kis liye
ye zindagaani kis liye
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4607 | Post No. : | 16238 |
“CID Girl”(1959) was produced by P D Lamba and directed by Ravindra Dave for Shanti Niketan Films, Bombay. This “social” movie had Geeta Bali, Balraj Sahni, Subbiraj, Kanhaiyalal, Patanjali, Ki=umud Tripathi, Helen, Visha Mehra, Mohan Choti, Pal Sharma, Kathana, Ravikant, Masood, Billoo, Shashi, Satpal, Sayyad, Rehana, Anari Begam, Chachajee, Ashani Kumar etc in it.
The movie had seven songs in it. One song from the movie has been covered in the past.
Here is the second song from “CID Girl”(1959) to appear in the blog. This song is sung by Asha Bhonsle. Hasrat Jaipuri is the lyricist. Music is composed by Roshan in O P Nayyar style.
Only the audio of the song is available. From the sounds of it, the song appears to be a club dance song. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Ankhiyon mein dil khoyaa batiyon mein dil khoya(CID Girl)(1959) Singer-Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Roshan
Lyrics
ankhiyon mein dil khoya
batiyon mein dil khoya
main ise dhoondh loongi baabu u u hu
ankhiyon mein dil khoya
batiyon mein dil khoya
main ise dhundh lungi babu u u hu
mukh mera chaand taara
marta hai jag saara
rakhna ji dil par kaabu u u hu
ankhiyon mein dil khoya
batiyon mein dil khoya
main ise dhoondh loongi baabu u u hu
jaadu hai anokha meri chaal ka
chaal ka
goli si chalaaye til gaal ka
tum laakh bacho
hey bacho
hey bacho
hey bacho
baanki adaayen meri daku u u hu
mukh mera chand taara
marta hai jag saara
rakhna ji dil par kaabu u u hu
ankhiyon mein dil khoya
batiyon mein dil khoya
main ise dhoondh lungi baabu u u hu
aankhon me chhupa ke ae ji pyaar ko
pyaar ko
deewaana banaayen hum aapko
ho ho ho ho ho ho ji
aankhon me chhupa ke ae ji pyaar ko
pyaar ko
deewaana banaayen hum aapko
ke main jab hansoon
ke hansoon
ke hansoon
ke hansoon
dilo pe chal jaye jaadu u u hu
mukh mera chaand taara
marta hai jag saara
rakhna ji dil par kaabu
ankhiyon mein dil khoya
batiyon mein dil khoya
main ise dhoondh loongi baabu u u hu
aise to na dekho humen ghoor ke
ghoor ke
karo ji nazaara bas door se
o ho ho ho ho ho ji
aise to na dekho humen ghoor ke
ghoor ke
karo ji nazaara bas door se
paas aana nahin
ke nahin
ke nahin
ke nahin
jaal sunahara mere gesu
mukh mera chaand taara
marta hai jag saara
rakhna ji dil par kaabu u u hu
ankhiyon mein dil khoya
batiyon mein dil khoya
main ise dhoondh loongi baabu u u hu
ankhiyon mein dil khoya
batiyon mein dil khoya
main ise dhoondh loongi baabu u u hu
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4604 | Post No. : | 16234 |
Today 24th February’2021 is the ninety-third birth anniversary (24 February 1928 – 22 January 2017) of Lyricist Jaswant Rai Sharma popularly known to us by his pen name Naqsh Lyallpuri.
On this occasion as a tribute to him we present a song written by him for the ‘1981’ movie ‘Dard’.
Music for this movie was composed by Khayyam Saab with whom Naqsh Lyallpuri has collaborated to create many memorable songs for Hindi Films.
‘Dard-1981’ (conflict of emotions) was directed by Ambrish Sangal for ‘Murghan Enterprises, Bombay’. It was produced by Shyam Sundar Shivdasani. It had Rajesh Khanna, Hema Malini, Poonam Dhillon, Om Shivpuri, Krishan Dhawan, Pinchoo Kapoor, Shashi Kiran, Madhup Sharma, Kamaljeet, Harjeet, Poornima Jairam, Mazhar Khan, and Master Raju Shreshtha.
Actress Ranjeeta made a ‘friendly appearance’ in this movie.
Story of this movie was written by Aruna Sangal. Its screenplay and dialogues were written by V.K. Sharma. Narendra Goel was the Chief Assistant Director of this movie.
Kamlakar was the editor of this movie and he was assisted by Babubhai Shah.
This movie had seven songs and lyrics for all the seven songs (including one multiple version song) in this movie were written by Naqsh Layallpuri and Music was composed by Khayyam Saab.
Lata Mangeshkar, Kishore Kumar, Asha Bhonsle and Bhupinder had given their voices to the songs in this movie.
Lata Mangeshkar had two solo songs, Kishore Kumar, Asha Bhonsle and Bhupinder have one solo song each and there were two duets sung by Asha Bhonsle and Kishore Kumar in this movie.
So far, the following five songs (including one multiple version song) from this movie have been posted on the blog;
| SNo | Song Title | Posted On |
|---|---|---|
| 01 | Aisi haseen chaandni pehle kabhi na thhi | 21.09.2012 |
| 02 | Pyaar ka dard hai meethha meethha pyaara pyaara | 19.07.2018 |
| 03 | Ahl e dil yoon bhi nibha lete hain Multiple version song | 18.02.2019 |
| 04 | Na jaane kya hua jo toone chhoo liya | 28.09.2019 |
| 05 | Qubool kijiye pehle salaam aankhon ka | Being presented today |
Today’s song is the sixth song from this movie to be posted on the blog.
On screen this song is lip synced by actress Ranjeeta for Asha Bhonsle’s voice and we can see in the picturisation Mazhar Khan enjoying this performance while others are seen in the background of this song.
Let us now listen to this song …
Video
Audio
Song-Qubool keejiyee pehle salaam aankhon ka (Dard)(1981) Singer-Asha Bhonsle, Lyrics-Naqsh Llayalpuri, MD-Khayyam
Lyrics
Aa aa aa
aa aa aa aa
Qubool kijiye ae
Qubool kijiye
pehle salaam aankhon ka aa
Qubool kijiye
Pehle salaam aankhon ka aa
Phir aap chaahen to
Phir aap chaahen to
Haazir hai jaam aankhon ka aa
Qubool kijiye
Dilon mein shammaa si
Raushan hui mohabbat ki ee ee ee
Dilon mein shammaa si
Raushan hui mohabbat ki ee ee ee ee
Huaa hain aankhon se
Huaa hain aankhon se
Jab bhi kalaam aankhon ka aa
Huaa hain aankhon se
Jab bhi kalaam aankhon ka aa
Qubool kijiye
Nigaahe naaz se behlaa ke loot leti hai
Ae ae ae ae
Nigaahe naaz se behlaa ke lut leti hai
Ae ae ae ae ae
Khabar hain aapko
Khabar hain aapko
Ye bhi hai kaam aankhon ka aa
Khabar hain aapko
Ye bhi hai kaam aankhon ka aa
Qubool kijiye
Main bekaraar hoon
Main bekaraar hoon oon
Main bekaraar hoon
Le leeje mujhe baahon mein
Khuli kitaab hai
Jaana payaam aankhon ka
Khuli kitaab hai
Jaana payaam aankhon ka aa
Qubool keejiye pehle salaam aankhon ka aa
Phir aap chaahen to
Haazir hai jaam aankhon ka aa
Qubool keejiye
Qubool keejiye
Qubool keejiye ae ae ae ae
Qubool keejiye
————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————
आ आ आ आ आ आ आ
कुबूल कीजिये ए
कुबूल कीजिये पहले सलाम आँखों का आ
कुबूल कीजिये
पहले सलाम आँखों का आ
फिर आप चाहें तो
फिर आप चाहें तो
हाज़िर हैं जाम आँखों का आ
कुबूल कीजिये
दिलों में शम्मा सी
रोशन हुई मोहब्बत कि ई ई ई
दिलों में शम्मा सी
रोशन हुई मोहब्बत कि ई ई ई
हुआ हैं आँखों से
हुआ हैं आँखों से
जब भी कलाम आँखों का आ
हुआ हैं आँखों से
जब भी कलाम आँखों का आ
कुबूल कीजिये
निगाहें नाज़ से बहला के लूट लेती हैं
ए ए ए ए ए
निगाहें नाज़ से बहला के लूट लेती हैं
ए ए ए ए ए
खबर है आपको
खबर है आपको
ये भी है काम आँखों का आ
खबर है आपको
ये भी है काम आँखों का आ
कुबूल कीजिये
मैं बेकरार हूँ
मैं बेकरार हूँ
मैं बेकरार हूँ
ले लीजिये मुझको बाहों में ए ए ए
खुली किताब हैं
जाना पयाम आँखों का
खुली किताब हैं
जाना पयाम आँखों का आ
कुबूल कीजिये पहले सलाम आँखों का आ
फिर आप चाहें तो
हाज़िर हैं जाम आँखों का आ
कुबूल कीजिये
कुबूल कीजिये
कुबूल कीजिये ए ए ए
कुबूल कीजिये
- In: "Aankh" song | Devnagri script lyrics by Avinash Scrapwala | Guest posts | Lyrics contributed by readers | Melancholic song | Pathos | Post by Avinash Scrapwala | Songs of 1940s (1941 to 1950) | Songs of 1947 | Yearwise breakup of songs | Zohrabai Ambalewaali solo | Zohrabai Ambalewaali song
- Leave a Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4601 | Post No. : | 16227 |
| S.No. | Song Title | Singer | Posted On |
|---|---|---|---|
| 01 | Aayi milan ki bahaar re, aa jaa saanwariya | Zohrabai Ambalewali | 02.04.2013 |
| 02 | Saawan bhaadon nain hamaare baras rahe din raat | Zohrabai Ambalewali | |
| 03 | Naiyya jeewan ki doley, haule, haule, haule | Master Ramesh | |
| 04 | Jhoome jiya aaye piya ho, jhoole hiya naache jiya | Shamshad Begam | |
| 05 | Siyaram Ram Siyaram, tan ka pinjara soona soona | Ashraf Khan | 25.06.2019 |
| 06 | Raam naam kya japna … | Ashraf Khan |
HFGK Vol-II does not mention the name of the lyricist for this movie however our respected Sadanand ji in his comments here on the post ‘Siyaram Ram Siyaram, tan ka pinjara soona soona’ has mentioned that lyricist for this movie was Dr. Safdar Aah Sitapuri.
Music for this movie was composed by Anil Biswas. Editor’s note:-According to Girdharilal Vishwakarma (a well known record collector), A R Qureshy is the music director for this song.
Today 21st February’2021 is the thirty-first ‘remembrance anniversary’ (1918 -21.02.1990) of singer Zohrabai Ambalewali.
As a tribute to her here is song from ‘Naiyya-1947’ sung by Zohrabai Ambalewali. Music is composed by Anil Biswas.
I had come across this song in August’2014 and since then it is lying to be posted. However, in between its link that I had shared initially also become obsolete but luckily, I got the audio of this song which is uploaded for listening.
Let us now enjoy this wonderful song remembering Zohrabai Ambalewali who had given us many many memorable and unforgettable songs in HFM history.
Song-Saawan bhaadon nain hamaare (Naiyya)(1947) Singer-Zohrabai Ambalewali,Lyrics-Safdar Aah Sitapuri, MD-A R Qureshi (according to Girdharilal Vishwakarma (a well known record collector)
Lyrics
saawan bhaadon
saawan bhaadon nain hamaare
baras rahe din raat
baras rahe din raat
saawan bhaadon
saawan bhaadon nain hamaare
baras rahe din raat
baras rahe din raat
saawan bhaadon
saansen gin gin din kaaten
aur taare gin gin raat
saansen gin gin din kaaten
aur taare gin gin raat
baras rahe din raat
saawan bhaadon
saawan bhaadon nain hamaare
baras rahe din raat
baras rahe din raat
saawan bhaadon
ho o o
ankhiyaan khud darshan ko tarsen aen
rimjhim rimjhim barsen aen
ho o o
ankhiyaan khud darshan ko tarsen aen
rimjhim rimjhim barsen aen
nis din hoti hai nainon se
aankhon ki barsaat
nis din hoti hai nainon se
aankhon ki barsaat
baras rahe din raat
saawan bhaadon
saawan bhaadon nain hamaare
baras rahe din raat
baras rahe din raat
saawan bhaadon
chhoot gaya hai
saath sahaaraa aa aa
chhoot gaya hai
saath sahaaraa aa aa
naao bhanwar mein door kinaara
ghor andhiyaari raat
naao bhanwar mein door kinaara
ghor andhiyaari raat
baras rahe din raat
saawan bhaadon
saawan bhaadon nain hamaare
baras rahe din raat
baras rahe din raat
saawan bhaadon
————————————–
Devnagri Script lyrics(Provided by Avinash Scrapwala)
————————————–
सावन भादों
सावन भादों नैन हमारे
बरस रहे दिन रात
बरस रहे दिन रात
सावन भादों
सावन भादों नैन हमारे
बरस रहे दिन रात
बरस रहे दिन रात
सावन भादों
साँसे गिन गिन दिन काटे
और तारे गिन गिन रात
साँसे गिन गिन दिन काटे
और तारे गिन गिन रात
बरस रहे दिन रात
सावन भादों
सावन भादों नैन हमारे
बरस रहे दिन रात
बरस रहे दिन रात
सावन भादों
ओ ओ अँखियाँ तुझ दर्शन को तरसे ए ए
रिम झिम रिम झिम बरसे ए
ओ ओ अँखियाँ तुझ दर्शन को तरसे ए ए
रिम झिम रिम झिम बरसे ए
निस दिन होती है
नैनों से आंसुओं की बरसात
निस दिन होती है
नैनों से आंसुओं की बरसात
बरस रहे दिन रात
सावन भादों
सावन भादों नैन हमारे
बरस रहे दिन रात
बरस रहे दिन रात
सावन भादों
छूट गया है ए
साथ सहारा आ आ
छूट गया है ए
साथ सहारा आ आ
नाव भँवर में दूर किनारा
घोर अंधियारी रात
नाव भँवर में दूर किनारा
घोर अंधियारी रात
बरस रहे दिन रात
सावन भादों
सावन भादों नैन हमारे
बरस रहे दिन रात
बरस रहे दिन रात
सावन भादों
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4570 | Post No. : | 16174 | Movie Count : |
4405 |
Today’s song is a rare song from a C grade Stunt film-Khooni Laash-43. This film was made by Amrit pictures. The name of Producer or the Director of this film is not mentioned in HFGK. This is one of the several problems of the C grade Stunt/ Action films, made on shoestring budgets. Most times the film booklet was not issued and in maximum cases the song records were also not issued commercially. In some films, selected songs are available on records. In the cast also only 4 names are given. The music director was K.Narayan Rao.
K. Narayan Rao is known to be a composer of C grade action/stunt films. No book or Encyclopedia gives information about his Bio data. All the information is available only via the HFGK only.
The first film of K Narayan Rao seems to be Madari Mohan-40, where he joined hands with another composer Prof. B R Deodhar. In 1943 he gave music to Pistolwali,Khazanchi Ka beta,Khooni Laash and Duniya Deewani.In 44,it was Lehri Cameraman and Qatil. In 46,he gave music to Royal mail, Khooni, Reporter, Maaf Kijiyega and Dhokebaaz. In 47-Extra Girl, Chabuk sawar and Sher E Bangal. In 48-Bahadur Naresh, Jungle Goddess, and white Face. 1949-Jagriti, Nakli Baap, Chunnu Munnu and Billi. 1950- Meri Asha and Meherbani. Then in 1959 came his last film with Lacchhiram- Hazar Pariyan. Thus he gave music to 25 films, but not even one film was a Hit, nor was any of his songs famous.
People like Narayan Rao reflect the kind of artistes that were used in C grade films. The audience of such films was typical. They were not worried about the film story or the songs. All that they looked for was sensational dangerous stunts, fighting, a little raw comedy and a reasonably good looking Heroine. With these basic requirements, stunt films did not need well known actors, MDs, Directors or story writers. These films touched the baser emotions of the audience which was generally the lower strata of the society, daily earners and uneducated lot.
Most of us like to see films, be it on a TV, in a cinema hall, or through DVD. Some like old films, some like new films.
Did you ever see films like, Khooni Khanzar, Dagabaj Doctor, Shaitaan ka paash, Char chakram, Daku Rani Talwarwali, Jaadu ka dandaa, Zinda Laash, Revolver Rani, Sindbad-Alladin-Alibaba, Flying man, Fighter Sheela, Khooni Darinda, Tarzan aur Jadugar, Tarzan aur Jadui Chiraag, Golden Gang, Murde ki jaan khatare mein,or Jadui putli ?
I bet none of these movie names have been even heard by you ever. These were all STUNT FILMS or in other words ‘C’ grade films.
In India I really wonder how the classification or Grading of films was done, or who was the person or the body authorised to do it. Censor Certificates do not label A B or C grades at all. Then how does this happen ?
My guess is that films are graded on 2 counts- One, The cost of production or Budget and the class of stars in it and Two, The class of people for whom the film is made or directed, like the Rich, middle and the Poor class. Whatever the basis, there is a very thin line between A and B grade films, while between these two and the C grade films, the line is very Bold and thick indeed !
Stunt films, Costume films, fantasy films and purely Religious films were normally treated as C grade films. These film did not carry any prestige, the actors working in them were exclusive to C grade films, the production values and the budget was quite low and most important, they were ALWAYS shown in theatres situated in older parts of the town, single screens, or only for Morning shows or in Theatres generally frequented by lower strata of society.
A person seeing/loving or craving for such films was generally considered a ‘Low’ creature and a person with ‘child brain’.
In India ,this was the fate of C grade films. Actually these films had everything that A and B grade films had, like, story, songs, dances, fights etc, but still, the treatment given to handling of the story etc in the films was very poor or lacking in expertise.
Stunts have improved, Technology has evolved but the participation of Zippy the Monkey, Tiger the Horse, Moti the Dog, parrots, snakes and khatara cars named Rolls Royce ki beti and Austin ki Bachhi is missing ! The contribution of Fearless Nadia in making Stunt films popular can not be denied, but then she had the backing of companies like Wadia Movietone, Basant Pictures, Ranjit, Sagar, National etc. When you read the stories of these films please don’t employ Logic or common sense to it.
This was a different world altogether. The set of actors was fixed, many times the composers were unheard of or they were known composers now in bad shape, the Directors were typical and the production houses were exclusive to churn out such films.
It is, nevertheless, a fact that many well known and famous actors and actresses of the 40s and 50s evolved from the stunt films of yore. Examples are Jairaj or Master Bhagwan.Can you believe that this roly-poly Bhagwan dada was a great body-builder when he started in stunt films in the late 20s and 30s ? Lalita Pawar(Amboo), Madhuri, Rampyari, Miss Moti, Sabita Devi, and Sulochana (Ruby Myers) are some female examples who graduated to Social films via Stunt films.
C grade films were those films which were made by not so famous banners, almost unknown actors directors and composers. Usually C grade films used to be action/stunt films, made on shoestring budgets, having a fixed storyline resembling Tarzan, Hercules or Hollywood action films of Robin Hood, with the background of a jungle, Tribal people, King-Queen-wicked Vazir and similar stories.
C grade films were always quickies, made on shoe-string budgets. During the late 30s and 40s, Master Bhagwan action films used to be completed in about Rs. 50,000 only- including studio rent, sets, artistes’ fees and other expenses. C grade films had a captive audience comprising factory workers, daily wagers, Low grade earners and students. However, such films used to rake in big profits to the film makers. Therefore, even top class banners sometimes made C grade films, to make up their losses in big film flops.
There were certain production houses specialised and thriving on such films, like Paramount films, Jagriti films, Mohan pictures, Wadia Movietone etc etc. The actors and actresses of such films were fixed. Since the studio system was in vogue, the film studios usually had their actors and directors fixed. Music directors were of no consequence, so anybody would do. Well known composers like C.Ramchandra used to take another name while composing music for C grade action films. Music assistants of famous composers used to give music to such films. Well known composers falling on bad days also gave music to such films. C grade films rarely made Commercial records for their film songs, so such songs are a real rarity even with big collectors.
Some common and regular names one found in Action/Stunt films are, Nadia, Boman Irani, Sayani, Bilimoria bros, Cooper sisters, Zohra Khatun, Ameena Khatun, Khatun Bai, Prakash, Adjania, Noorjehan (sr.), Moosa Pehelwan, Vasantrao Pehelwan, Baburao Pehelwan, Marutirao Pehelwan, Azim bhai, Basheer, Ali, Bachha, Chandra Rao, Harishchandra Rao, Shankar Rao, Master Bhagwan, Mirajkar, Jamshed, John Cavas, Lalita Pawar, Navin chandra…and many such names.
Barring a few names like Lalita Pawar, Bhagwan, Nadia etc, all the other action film actors remained unknown. No one knows anything about them.Actors like Baburao pehelwan, Marutirao Pehelwan ( He was the Hero in the First Gujarati Talkie film ‘ Narsi Mehta ‘), Chandra Rao, Sayani etc were quite famous in their times, but except their Filmography (thanks to HFGK), nothing more is known about them. All of them ended with only mere names !
Sometimes Gems were found in these C grade films. Remember the famous qawali- Hamen to loot liya mil ke husn walon ne- which had the honour of becoming the prestigious 5000th song in this Blog ? This was from a C grade film- AL HILAL-58
In my young age I was fond of stunt films and used to travel to theatres in Old city of Hyderabad, to watch films featuring Kamran (father of famous choreographer and Director Farah khan and Director, comedian, Anchor Sajid Khan), Naazi, Bhagwan and many such actors.” Adventures of captain marvel and Trip to the Moon” were my favourites from Hollywood’s Republic Serial productions.
In the 50s and 60s,some respectability to these stunt films was brought by actors like Mahipal, Ranjan, Dara Singh, Azad, Hemant Birje etc. The set of Heroines was also set to Mumtaz, Tabassum,Vijaya Chaudhary, Indira, Nishi etc. Mumtaz started with Stunts and graduated to greater heights and was counted in Top actresses of her days. Costume and Stunt films like Baaz, Insaniyat and Azaad etc were made respectable by the stars acting in them.Interestingly, some famous actresses like Meena Kumari, Shobhana Samarth,Nirupa Roy, etc had acted in stunt C grade films initially.
Over a period the picture changed and nowadays every alternate film has breath-taking stunts done by almost all top Heroes, thanks to SFX, of course !
I am not aware about the film’s story or other details. The cast shown in HFGK is Baburao (Pehalwan), Shanta Rin, E.Bilimoria and Ali. Obviously Eddie Bilimoria was the hero and Shanta Rin must have been the Heroine. Dinshaw and Eddie Billimoria were the brothers who were active from silent films upto films of 50’s decade through the Talkie era, but they always featured in C grade films and hence even their long careers did not make them big stars.
Today’s song from this film is sung by Naseem Akhtar. In fact this was her first hindi film in Bombay for which she sang songs. Naseem Akhtar ‘s father was a Sarangi player. They were originally from Kashmir. She was born in 1924. She started singing on Lahore Radio. Impressed with her singing style,composer pt. Amarnath gave her a break in Nishani-1942. Till then she used to sing at rich people’s functions and mehfils etc. after Nishani,she came to Bombay to sing for Khooni Laash-43.She never acted in any films.She sang in Bhai, Ek din ka Sultan, 40 karod, Flat no.9, Pehli nazar, Ratnavali, Dharma, Sanyasi, Wamiq Azra, Tadbir, Shahjehan, Nek Parveen, Safar, Keemat, Sohni Mahiwal, Bhanwar, Ek Roz, Doli, Parai aag etc. She sang for Naushad, Ghulam Mohd, Anil Biswas, Shyamsunder, Ghulam Hyder, Rafiq Gaznavi, Govind Ram, Sajjad Hussain, Firoze Nizami and C.Ramchandra.
She sang 72 songs in 40 films in India. She left for Pakistan after Partition and sang in a few films, but was not successful. She got married and settled as a housewife. It seems she died in Lahore on 11-5-2007 at the age of 87 years.
With this song, film Khooni Laash-1943 makes its Debut on this Blog.
Song- Loot liya loot liya nainan ne haay ree (Khooni Laash)(1943) Singer- Naseem Akhtar, Lyricist- Shevan Rizvi, MD- K Narayan Rao
Lyrics
Loot liya
Loot liya nainan ne
haaye ree
haaye ree
Loot liya
Loot liya nainan ne
haaye ree
haaye ree
nazar uthhaana halke se
haay
nazar uthhaana halke see
kaale gusuon ki ye zulfen
haaye
kaale gusuon ki ye zulfen
das liyo das liyo naagan ne
haay
das liyo das liyo naagan ne
haay naagan ne
haay
Loot liya
Loot liya nainan ne
haaye ree
haay ree
Loot liya
Loot liya nainan ne
haaye ree
haay ree
kahaan hai ??? raha aa aa aa
milte hi ??
?? nazar ka
aayi aawaaz lehron se
chalaa aaye ??
maar diya
maar diya
chitwan ne
haay
maar diya
maar diya
chitwan ne
haay chitwan ne
haaye
Loot liya
Loot liya nainan ne
nainan ne
haay ree
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4563 | Post No. : | 16160 |
“Ghar” (1945) was a Sunrise Production movie. It was directed by V M Vyas. The movie had Jamuna, Nawab, Molina, Yakub, Kalyani, Dulari, Iftikar, W. M. Khan, Mohan, Mirza Musharaff etc in it.
Three songs from this movie have been discussed in the past.
Here is the fourth song from “Ghar”(1945) to appear in the blog. This rare song is sung by Rajkumari. Roopbani is the lyricist. Music is composed by A R Qureshi.
Only the audio of this melancholic song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Meri aankhon ke aansoo (Ghar)(1945) Singer-Rajkumari, Lyrics-Roopbani, MD-A R Qureshi
Lyrics
Meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
duniyaa aa
duniya kahin badnaam na kar de
haan badnaam na kar de
meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
vidhwa hai tu
tera ujda suhaag
vidhwa hai tu
tera ujda suhaag
tujhe hansna bhi paap
tujhe rona bhi paap
tujhe hansna bhi paap
tujhe rona bhi paap
aap na rowo
na hamko rulaao
na hamko rulaao
aap na rowo
na hamko rulaao
na hamko rulaao
meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
poori ??
bani suhaagan
poori ??
bani suhaagan
ho gayi vidhwa
main abhaagan
choodiyaan tooti
aur kesar bikhra
choodiyaan tooti
aur kesar bikhra
meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
koi nahin jo dewe dilaasa
koi nahin jo bandhaa de aasha
vidhwa vidhwa naam hai mera aa
aansoo peena kaam hai mera aa
dharti mujhe marne nahin deti
duniya mujhe jeene nahin deti
kaise kaatoon dukhiyaa jeewan
Bhagwaan mujhe batlaao
Bhagwaan mujhe batlaao o
meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4560 | Post No. : | 16157 |
“Jai Shree”(1956) was directed by Balchandra Shukla and Harsukh Bhatt for Rajshree Productions, Bombay. HFGK mentions that Rajshree Productions had apparently bought the distribution rights of this movie and had released it under the banner of Ratndeep Pictures.
The movie had Nimmi, Pradeep Kumar, Lalita Pawar, Jeewan, Jayant, Radhakishan, Roopmala, Chaman Puri, Kesri, Gadadhar Sharma, Jagdeesh Kanwal, Baby Daisy Irani, Master Vijay Kumar etc in it.
This “social” movie had eight songs in it. Two song has been covered in the past.
Here is the third song from “Jai Shree”(1956) to appear in the blog. This song is sung by Shamshad Begam, Lata and chorus. Gopal Singh Nepali is the lyricist. Music is composed by Chitragupta.
Only the audio of this “sahelis teasing a lady” song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
Kaahe ko pardesiya se aankh tu ladaaye (Jai Shree)(1956) Singers-Shamshad Begam, Lata, Lyrics-Gopal Singh Nepali, MD-Chitragupta
Chorus
Lyrics
kaahe ko pardesiya se aankh tu ladaaye
udta hua panchhi kabhi haath nahin aaye
kaahe ko pardesiya se
kaahe ko pardesiya se aankh tu ladaaye
udta hua panchhi kabhi haath nahin aaye
kaahe ko pardesiya se
o o o
o o o
udta hua panchhi jaane apna thhikaana
udta hua panchhi jaane
udta hua panchhi jaane apna thhikaana
jhoom uthhi main sun ke uska taraana
sakhi uska taraana
jhoom jhoom ke ji kahin sar na ghoom jaaye
sar na ghoom jaaye
udta hua panchhi kabhi haath nahin aaye
kaahe ko pardesiya se
o o o
o o o
maine to dekha thha zara yoon hi machal ke
maine to dekha thha zara yoon hi machal ke
nazro ke saath gaya dil hi uchhal ke
sakhi dil hi uchhal ke
kaske rahi jab kamaan
teer kyun chalaaye
teer kyu chalaaye
udta hua panchhi kabhi haath nahin aaye
kaahe ko pardesiya se
o o o
o o o
dekhte hi aisa laga
mil chuke hain khwaab mein
dekhte hi aisa laga
dekhte hi aisa laga
mil chuke hain khwaab mein
kuch nahin soojha to sakhi uthh padi jawaab mein
jee uthh padi jawaab mein
pyaar to pehle hansaaye phir hansi udaaye
phir hansi udaaye
udta hua panchhi kabhi haath nahin aaye
kaahe ko pardesiya se
kaahe ko pardesiya se aankh tu ladaaye
udta hua panchhi kabhi haath nahin aaye
kaahe ko pardesiya se
Pehle to aankh milaanaa
Posted on: January 11, 2021
- In: "Aankh" song | "Nok-Jhonk" song | Blog Ten Year Challenge (2011- 2021) | Duet | expression of love | Feelings of heart | Jagjit Kaur songs | Lyrics by Prakashchandra | Lyrics contributed by readers | Rafi Jagjit Kaur duet | Rafi songs | Songs of 1960s (1961 to 1970) | Songs of 1961 | Yearwise breakup of songs
- 3 Comments
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Blog Day : |
4560 | Post No. : | 16156 |
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Blog 10-Year Challenge (2011-2021) – Song No. 1
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Blog Ten year Challenge, which was started in 2019 and which continued in 2020 as well, now enters 2021. This post is the first post for blog ten year challenge (2011-2021).
January 2011 was quite like January 2021, with only one or two songs being posted everyday. Unlike 2021, we already had DOT days in the year 2011 by 11 january 2011. Thankfully, these days I am very particular about avaoiding DOT days at any cost. As a result, the just concluded year 2020 sa NIL DOT days. The only other year in the bloh]g that had NIL DOT days as the year 2017.
This day on 2011 saw only one song being discussed and that song was a song from “Shola Aur Shabnam”(1961) namely Jeet hi lenge baazi ham tum…pyaar ka bandhan toote naa .
“Shola Aur Shabnam”(1961) was directed by Ramesh Sahgal for Parijat Films, Bombay. This “social” movie had Tarla, Dharmendra, Abhi Bhattacharya, M Rajan, Mubarak, Vijaylaxmi, Jeeankala, Sulochana, Leela Mishra, Dhumal, Johny hisky, B N Shukla, B Perera, Baby Chandrkala, Master Akashdeep etc in it.
The movie had ten songs in it. Five songs have been covered in the blog. Here are the details of the songs that have been discussed so far:-
| Blog post number | Song | Date of posting |
|---|---|---|
| 1257 | Jaane kyaa dhoondhti rahti hain | 10 May 2009 |
| 1803 | Jeet hi lenge baazi ham tum…pyaar ka bandhan toote naa | 25 August 2009 |
| 3430 | Ladi re ladi tujhse aankh jo ladi | 11 January 2011 |
| 5983 | Phir wohi saawan aayaa | 21 May 2012 |
| 10393 | Mathura Shyaam chale | 22 October 201 |
The song under discussion today is sung by Rafi and Jagjeet Kaur. Khayyam is the lyricist. Music is composed by Khayyam.
Only the audio of the song is available. I request our knowledgeable readers to thro light on the picturisation of the song. My guess is that the song was picturised on the lead pair of Tarla and Dharmendra.
Lyrics of this song were sent to me by Prakashchandra.
Song-Pehle to aankh milaana (Shola Aur Shabnam)(1961) Singers-Rafi, Jagjeet Kaur, Lyrics-Kaifi Azmi, MD-Khayyaam
Lyrics(Provided by Prakashchandra)
pehle to aankh milaana
phir thhoda sa sharmaana
sharma ke chale jaana
are waah waah waah wah
haan
pahle to paas bulaana
thhoda sa pyaar jataana
ghabra ke chale jaana
arre waah waah waah waah
kaise gori apne dil ki baat labon par laaun
arre kaise gori apne dil ki baat labon par laaun
husn tumhaara bijli jaisa
dekh ke main darr jaaun
main ik hindustani chhori
main kyun pyaar jataaun
main ik hindustani chhori
main kyun pyaar jataaun
itna kar sakti hoon
tujhko dekhoon aur muskaaun
ghoonghat pat ko sarkaana
phir thhoda sa muskaana
muskaa ke chale jana
arre waah waah waah waah
pahle to paas bulaana
thhoda sa pyaar jataana
ghabra ke chale jaana
arre waah waah waah waah
in aankhon ko o gori
tu kitni achchi laage
in aankhon ko o gori
tu kitni achchi laage
hum jaison se aakhir kyun tu haath chhudaakar bhaage
jab tu hans kar aankh milaaye
dil ye dhadkan laage
jab tu hans kar aankh milaaye
dil ye dhadkan laage
jee chaahe main sharmaaker dil rakh doon tere aage
pehle ban thhan ke aana
hamen thoda sa tarsaana
tarsaa ke chale jaana
are waah waah waah waah
kamaal hai
pehle to paas bulaana
thhoda sa pyaar jataana
ghabra ke chale jaana
arre waah waah waah waah
pehle to aankh milaana
phir thhoda sa sharmaana
sharma ke chale jaana
arre waah waah waah waah
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