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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘C Ramchandra


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3786 Post No. : 14770

Today’s song is from the film Safar-1946. This was a film made by Filmistan, directed by a comparatively new person-Bibhuti Mitra. The lyricist was G S Nepali and composer was C.Ramchandra.

This was C Ramchandra’s first film after joining Filmistan. His friend, Kavi Pradeep, who was close to S Mukherjee of Filmistan, had brought C Ramchandra to this company. Now it was imperative for C Ramchandra to make his first film a musical hit, to establish himself, impress the owners and earn respect.

The working conditions at Filmistan were much better than what they were at Jayant Desai’s company, C Ramchandra’s earlier job. This was because, here all the people-atleast the most important ones- were from Bombay Talkies and Discipline and commitment were built into their work pattern. The planning was good and good facilities were provided to its workers.

The cast of film Safar-46 was Shobha, Kanu Roy, V.H.Desai, Haroon, Chandrika, Mumtaj Banu etc etc.

When I talk about film Safar-46, I invariably remember the film ” Maine Pyar kiya”-89. There are many similarities in both films.

First, both films were made by Big banners like Filmistan (Safar-46) and Rajashri (Maine Pyar Kiya-89).

Secondly, the lead pair in both films were unknown and New comers. It was just the second film of Salman Khan-his First film as a Hero. His Heroine Bhagyashree (Patwardhan) was making her Debut with the film Maine Pyar kiya-89. In Safar-46, the Heroine Shobha was totally unknown and she was making her a Debut as a Heroine here. For Kanu Roy, this was the first film as a Hero.

The name Kanu Roy is generally confused with composer Kanu Roy. Actor Kanu Roy was a different person.

Kanu Roy (the Actor) was in reality a name for Nalini Ranjan Roy, born on 9-12-1912 at Jabalpore. He was very fond of acting and so landed at Bombay Talkies, a company started by two Benagalees- Himanshu Roy and Devika Rani. Those days many people from Bengal used to come to Bombay Talkies, but only the capable ones like Amiya Chakravarty, Shashadhar Mukherjee or Ashok Kumar etc could make their careers here.

Kanu Roy started his acting career from the film Basant-1942. His name Nalini was sounding like a Girl’s name in Bombay ( there were already half a dozen Nalinis working in films those days), so it was changed and he opted for Kanu, his pet name in the house. Thus Kanu Roy came into films. Due to his good looks, he even became a lead actor in a few films. Nazrana-46 (UR) was one such film where he was working opposite Kamini Kaushal.

Kanu Roy worked in about 40 odd films from 1942 to 1983 ( Kisi se naa kehna). Kanu Roy also left Bombay Talkies along with S.Mukherjee and others and joined Filmistan. He was in many Filmistan films like, Munim ji, Nastik, Naagin, Jagriti etc. He acted in a Bangla film ‘Samar’ too in 1950.

Kanu Roy (the Composer) gave music to very few films like Uski Kahaani-66, Anubhav-71, Avishkar-74, Tumhara Kallu-76, Grih pravesh-79, Mayuri-81 and Shyamla-79 which was re-censored in 1981 as Woh phir naa aayee. Some people and sites describe him as Geeta Dutt’s brother, but he was not her brother. Her brother was Mukul Roy. Kanu Roy, the composer died in Bombay on 20-12-1981.

Thirdly, the Director of Maine Pyar Kiya, Sooraj Barjatya was making his Debut with this film. ( Later on he made Hits like, Hum apke hai kaun and Hum saath saath hai etc.). For film Safar-46, the Director was Bibhuti Mitra-an import from Calcutta.

It was just his second film. His first film ‘ Angoothi’-43 was a resounding Flop. Actually Ashok Kumar was its Hero and when Angoothi was released Ashok’s film Kismet was making records all over India. Film Angoothi ran only for 3 days and it was then withdrawn from theatres. Normally, in Film Industry, an unsuccessful Director is not touched even with a barge pole, but S. Mukherjee selected him as a Director. ( C Ramchandra has written in his autobiography that this Bibhuti Mitra had a nasty habit of interfering in Music Director’s work, which irritated him. He tolerated him, because this was C Ramchandra’s first film in Filmistan. Anyway, after this film was done, Mitra went back to Calcutta….only to come back again to Filmistan to direct Shabistan-51, for which C Ramchandra was the Music Director. This time, C Ramchandra was ready. When Mitra started his interference, C Ramchandra not only left the film halfway, but also left Filmistan.)

Lastly, the Music Director for Maine Pyar kiya-89 was Ram-Laxman, hardly a known name at all. For Safar-46, C Ramchandra was selected. He had done 10 C grade films and just 5 social films till then and his name had not yet become famous. In spite of this, S.Mukherjee took the risk and trusted his talent, which he had judged correctly. S.Mukherjee was known to judge person’s capabilities accurately. In only one case- that of Lata- he went flat wrong.

Despite the Actors, MDs, Director and the lead pair being either Unknown, making a Debut or less known, both the films became Hits- only because of Music. Both Music Directors, C Ramchandra as well as Ram-Laxman became famous overnight and this became virtually the starting point of their ascent to the Top of HFM. What happened first with Safar-46 repeated itself after 43 years in the success of Maine Pyar Kiya-89 !!!

Besides this similarity, I feel the story of Safar was inspired by a Hollywood film of the year 1934- ‘It happened one night’. Directed by Frank Capra, the film had Clark Gable and Claudette Colbert in the lead. This film had become popular wherever English films were shown in the world. In turn, film Safar-46 inspired many films made in later years, in many languages. Two names come to the mind- Raj-Nargis film Chori Chori-56 and Amir Khan-Pooja Bhatt film ‘ Dil hai nki manata nahin’-1991. Of course in every such film some changes to suit the public taste were made.

Today’s song is sung by Naseem Akhtar. The history of Hindi Films and Music is replete with unsolved mysteries, disputes, misinformation, riddles and puzzles as well as half or wrong informations. Fortunately, there are few dedicated workers who constantly dig out correct information and few matters are thus straightened. Though delayed, at least the true information is available for the future workers.

There was the case of who actually sang the song Dilli se aaya bhai Tingu from film EK THI LADKI-1949. For almost 50-60 years it was believed that Honey O’Brion, who lip synched this song in the film had sung this song herself-though there was no history of her singing any songs anytime. And then the interview of singer Binota Chakraborty (nee Vinita Amladi ) was published in July 2007 issue of the Listeners’ Bulletin of Hamraz ji, and it was revealed that it was she who had actually sung this song !

Similarly, the name of MD Mohan Junior (Ajamil-48 and Dana pani-52) was treated as the cover-name of MD Madan Mohan. After about 60 years, it was proved that Mohan junior (Real name- Mohan kanoji Rajpoot) was a Gujarati composer and a different person-and NOT Madan Mohan. Even mMadhubala Jhaveri who sang for him also confirmed this in an answer to a Telephone call made to her.

It was commonly believed that the MD pair of “VASANT-RAMCHANDRA” ( Kalakar, Suhagan of 1954) was short forms of Vasant Desai and C Ramchandra. The myth of almost 65 years was busted when it was revealed that C Ramchandra himself had said, that it was not him, but they were Vasant Prabhu and Ramchandra Vadhavkar.

One more example is that of Child actor Shashi Kapoor. It was popularly believed that Shashi Kapoor (Deewar, Trishul, Dharmaputra fame) had acted as a child artist in about 25 films. This misinformation was cleared when the real child artist-Shashichand Kapoor gave an interview on Cineplot and Maitri Manthan, explaining that it was him who had acted in 21 films as child actor (Bhakta Prahlad-46 etc). Shashi Kapoor (Deewar wala) had actually done only 5 child roles-in Aag-48, Bhakta Bilwamangal-48, Patanga-49, Sangram-50 and Aawara-51.

In case of today’s singer-Naseem Akhtar also, the same thing is happening. It was popularly believed that Naseem Akhtar is the sister of Sardar Akhtar( wife of Mehboob Khan) and Bahar Akhtar( wife of A.R.Kardar),but it is NOT TRUE !

Both Sardar Akhtar-known as Daari and Bahar Akhtar-known as Bahaaro were tawayafs of Hiramandi Lahore. When A R Kardar eloped with Bahar Akhtar and married her, Sardar Akhtar registered a Police complaint of abduction. Kardar and his family were arrested and put in lock up. It was only after Bahar’s statement that she married Kardar on her own choice, they were released. Sardar Akhtar herself later married Mehboob Khan.

Naseem Akhtar’s father was a Sarangi player. They were originally from Kashmir. She was born in 1924. She started singing on Lahore Radio. Impressed with her singing style, composer Pt. Amarnath gave her a break in Nishani-1942. Till then she used to sing at rich persons functions and mehfils etc. after Nishani, she came to Bombay to sing for Khooni Laash-43. She never acted in any films. She sang in Bhai, Ek din ka Sultan, 40 karod, Flat no.9, Pehli nazar, Ratnavali, Dharma, Sanyasi, Tadbir, Shahjehan, Nek Parveen, Safar, keemat, Sohni Mahiwal, Bhanwar, Ek Roz, Doli, Parai aag etc. She sang for Naushad, Ghulam Mohd, Anil Biswas, Shyam sunder, Ghulam Hyder, Rafiq Gaznavi, Govind Ram, Sajjad Hussain, Firoze Nizami and C.Ramchandra. She sang 67 songs in 38 films.

She left for Pakistan after Partition and sang in few films,but was not successful She got married to Rauf Maula, a Producer and settled as housewife. It seems, she died in Lahore on 11-5-2007.

Out of the 10 songs of film Safar-46, 6 songs have already been discussed. This is the 7th song. The song is quite good, however some other songs of this film had more melodious tunes and catchy rhythms.


Song-Dil jo diya kehne lage aaj na(Safar)(1946) Singer- Naseem Akhtar, Lyrics-G S Nepali, MD- C Ramchandra

Lyrics

dil jo diya
dil jo diya
kahne lage aaj naa
dil jo diya
kahne lage aaj naa
mujhse
mujhse mil ke gaye bhole bhaale saajna
o mere
o mere saajna
saajna aa
mujhse
mujhse mil ke gaye bhole bhaale saajna
dil jo diya
kahne lage aaj naa
mujhse mil ke gaye bhole bhaale saajna

daal milee daal se ae ae ae ae
phool mila phool se
phool se
daal milee daal se ae ae ae ae
phool mila phool se
ham bhee mil gaye kaheen pe raaste kee dhool se
kahne lage ae ae
maan jaao
ek maheena
main kah naa sakee naa
taar mere
taar mere dil ke uthhe jhanjhana
mujhse
mujhse mil ke gaye bhole bhaale saajna
o mere
o mere saajna
saajna aa
mujhse
mujhse milke gaye bhole bhaale saajna
dil jo diya
kahne lage aaj naa
mujhse mil ke gaye bhole bhaale saajna

mere prem ke kumkum
khilo tum hanso tum
aise hee mere baag mein uss roz bhee khilna
jis roz hamaara ho kisee kunj mein milna
aise hee mere baag mein uss roz bhee khilna
jis roz hamaara ho kisee kunj mein milna
nain miley jinse hamaare
jinse hamaare
ab unki
abb unki yaad mein hai jaagna
mujhse
mujhse mil ke gaye bhole bhaale saajna
o mere
o mere saajna
saajna aa
mujhse
mujhse mil ke gaye bhole bhaale saajna
dil jo diya
kahne lage aaj naa
mujhse mil ke gaye bhole bhaale saajna

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3726 Post No. : 14664

“Roshni”(1949) was directed by Ramanlal Desai for Standard Pictures Corporation, Bombay. The movie had Rehana, Nihal, Mumtaz Ali, Sophia, Benjamin, Pran, Harun, Chaand Burque, Sita Bose, V H Desai, Kesri, Shyam lal, Ramlal, Kamal Krishn, Gulnar, Indira, Shyama, zarina, Ishrat etc in it.

The movie had nine songs in it. Five songs from the movie have been covered in the past. Here is the fifth song from “Roshni”(1949) to appear in the blog.

This song is sung by Lalita Deulkar and chorus. P L Santoshi is the lyricist. Music is composed by C Ramchandra.

The song is a cute and interesting song where a desi lady wonders about the lifestyle of western people and dreams of copying them. 🙂 Her observation and conclusion about them is quite hilarious. She observes that these western people walk around with a “phaasi ka phanda” around their necks. 🙂 To her, a “mem” walks around holding a “chhatri” in her hard and she fantasises about doing the same, with her “beau” who would be suitably “westernised” as well, wearing a long hat. 🙂

Watching the video of the song would have been fun, but unfortunately the video is not available. Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Jiya chaahe ke ud jaayen ham (Roshni)(1949) Singer-Lalita Deulkar, Lyrics-P L Santoshi, MD-C Ramchandra

Lyrics

jiya chaahe
aa ha ha
jiya chaahe
ke ud jaayen ham
haan ud jaayen ham
jahaan chamke bijaliyaan cham cham cham
jiya chaahe
aa ha ha
jiya chaahe

suna hai shahar mein
sab kuchh hai bikta
aa aa aa
suna hai shahar mein
sab kuchh hai bikta
dikhne mein mahanga
lene mein sasta
dikhne mein mahanga
lene mein sasta

khareedengen dil mein jo aaye hamaare
khareedengen dil mein jo aaye hamaare
ham kya kisi se kam
ham kya kisi se kam
cham cham cham
jiya chaahe
aa ha ha
jiya chaahe
ke ud jaayen ham
haan ud jaayen ham
jahaan chamke bijaliyaan cham cham cham
jiya chaahe
aa ha ha
jiya chaahe

lambi lambi sadken
oonche oonche bangle
ae ae ae
lambi lambi sadken
oonche oonche bangle
sair karen saahab
mem ko sang le
sair karen saahab
mem ko sang le

ham bhi ghoomenge leke
chhoti si chhatri
ham bhi ghoomenge leke
chhoti si chhatri
bada sa hat pahne mera sanam
bada sa hat pahne mera sanam
cham cham cham
jiya chaahe
aa ha ha
jiya chaahe
ke ud jaayen ham
haan ud jaayen ham
jahaan chamke bijaliyaan cham cham cham
jiya chaahe
aa ha ha
jiya chaahe

shahar waale hote hain aashiq niraale
ae ae ae
shahar waale hote hain aashiq niraale
phirte hain gale mein phaansi si daale
phirte hain gale mein phaansi si daale
bajaate hain seeti wo
karte ishaare
bajaate hain seeti wo
karte ishaare
dekha ki koi chali
chham chham chham
dekha ki koi chali
chham chham chham
jiya chaahe
aa ha ha
jiya chaahe
ke ud jaayen ham
haan ud jaayen ham
jahaan chamke bijaliyaan cham cham cham
jiya chaahe
aa ha ha
jiya chaahe


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3713 Post No. : 14641

Today (17 september 2018) is the 19th rememberance day of Hasrat Jaipuri (15 April 1922 – 17 September 1999). Hasrat Jaipuri (and also Shailendra and Shankar Jaikishan) made his debut with “Barsaat”(1949). What a sensational debut it was for this musical team. This team of lyricists and music director lasted for nearly two decades and the team was broken, first by the death of Shailendra and then by the death of Jaikishan. Also, Raj Kapoor, after the box office failure of “Mera Naam Joker”(1970) dropped his entire music team and signed up an entirely new team, beginning with “Bobby”(1973).

Hasrat Jaipuri’s best work was indeed with Shankar Jaikishan. Two of his songs, both composed by Shankar Jaikishan, won him filmfare best lyricist award for “Bahaaron phool barsaao”(Suraj)(1966) and “Zindagi ek safar hai suhaana”(Andaaz)(1971).

Most of Hasrat Jaipuri’s major songs have already been covered in the blog. He penned a little over 1000 songs in HFM. This blog has 645 of his songs so far.

As a tribute to Hasrat Jaipuri, here is a song from “Sher Dil”(1965). This movie was directed by Chaand for Pinky Films, Bombay. This “Costume” movie had Dara Singh, Parveen Chaudhary, Jayant, Padma Chauhan, Uma Dutt, Shakeela Bano Bhopali, Bhagwan, Hari Malik, Sunanda, Majnu, Ridku, Nazeer Kashmiri, Amir Ali etc in it.

This song, the title song of the movie, is the second song from the movie to appear in the blog. The song is sung by Manna Dey and chorus. Hasrat Jaipuri is the lyricist. Music is composed by C Ramchandra.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Main hoon sherdil (Sher Dil)(1965) Singer-Manna Dey, Lyrics-Hasrat Jaipuri, MD-C Ramchandra
Chorus

Lyrics

main hoon sher dil
main hoon sher dil
main hoon sher dil
main hoon sher dil
chaand se bhi door
mere pyaar ki manzil
main hoon sher dil
main hoon sher dil
aa hahahaahahaha
aa ha ha
lalalalala
lalalala
main hoon sher dil
main hoon sher dil

main watan ka pyaar hoon
pyaar ki bahaar hoon
dushmanon ke waaste
teer hoon talwaar hoon
gham ki nadiyon mein hoon
aas ka saahil
main hoon sher dil
main hoon sher dil
aa hahahaahaha
aa ha ha
lalalalalala
lalalala
main hoon sher dil
main hoon sher dil

aasra gareeb ka
hoon dhani naseeb ka
aasra gareeb ka
hoon dhani naseeb ka

khaaq mein milaaun main
hausla raqeeb ka
aaye mere saamne
koi bhi qaatil
main hoon sher dil
main hoon sher dil
aa hahahaahaha
aa ha ha
lalalalala
lalalala
main hoon sher dil
main hoon sher dil

aman ka sipaahi hoon
pyaar ka main raahi hoon
zaalimon ke waaste
zulm hoon tabaahi hoon
dharam hai insaaniyat
pyaar ka bismil
main hoon sher dil
main hoon sher dil
aa hahahaha
aahahaha
lalalalalaala
main hoon sher dil
main hoon sher dil
main hoon sher dil
main hoon sher dil


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3711 Post No. : 14638

Today’s song is from a film Manorama-1944. HFGK does not mention singers’ names, but the voices are that of Chitalkar and Hamida Banu with chorus. The film Lyricist was Anjum Pilibhiti and the MD was C Ramchandra.

Last week we had discussed a New pair of names fitting under ” The Same Name Confusion” series, which came first time, only on this Blog. The names were similar sounding Ramola and Romilla. Our Sadanand ji had also added some new information about Romilla, in his comments. This is how informations get updated. Thank you, Sadanand ji.

Today we have yet another New pair-again first time on this Blog- which are not similar sounding names, but have exactly the same spellings. The name is Naseem, who was a part of the film’s cast along with Leela Chitnis, Ishwarlal, N M Charlie, Kantilal, Mubarak, Alaknanda and others.

NASEEM is the name which caused confusion in the 40s, because two actresses with the same name were working in the films at the same time. Generally, the younger one was mentioned as (Junior), but in some films she is just mentioned as Naseem. These are the films which are coolly added to the Senior Naseem’s Filmography, because she was more famous. This is exactly what happens in such cases of SNC. One has to take extra efforts to credit the right films to the right artiste. Most of the times, this is a very tedious job and may take months to get the right answer which can be defended with corroborative evidence. All these old artistes are no more and not every artiste’s information is available. particularly those artists who created confusion and either left the films or the country or the world, are the toughest cases as no information is available on them in India and Pak sites do not give full information on pre-independence films or artists.

Interestingly, the problem of Same Name Confusion is non existent in Hollywood. Not because there are no such names, but because they are very alert and take preventive measures. No one can act in films or on TV, unless he is registered with the ‘ Screen Actors Guild ‘ (estd 1933). They have a strict rule that no two actors will have same names. If a New actor comes with a same name that is already existing on the rolls, he is required to change his name before registration, or add a prefix or a suffix. That is why this problem is not there in Hollywood, in spite of more than 130,000 active members.

Though in India, no such system operates, this problem has almost become extinct in recent times, because of a variety of names ( unlike the western world) available now. Now, let us see more about these two Naseems. First, the senior one.

Born on 2-9-1920,at Delhi -ROSHAN ARA aka Naseem Bano was the daughter of a famous classical singer Shamshad Begum. She too was very good looking . She was called ” Chhamiya” due to her adakari while singing. Naseem was so beautiful that even is school days her beauty was discussed by people. When sh was in school,once she came to Bombay and happened to see the shooting of ” Silver King-35″. She was so impressed with it that she decided to become an actress.

When Sohrab modi proposed to cast her as a Heroin in his “Hamlet”,her family flatly refused but gave in after Naseem sat on a Hunger Strike !. For her second film,’ Khan Bahadur’ she was advertised as a ‘ Beauty Queen’. (Later her daughter Saira bano also got this title). After some films like Divorce,Meetha Zahar and Vasanti,the most important film of her life and also for Minerva Movietone, PUKAR-39 was launched. In this film she enacted the role of Empress Noorjahan,opposite equally handsome actor Chandramohan as Jehangir. She looked cute and beautiful as Queen in the get up. She became an All India star overnight and got the Title ” Pari-Chehra ” from the critics. Her song ‘ Zindagi ka saaz” became so famous that thousands of records were sold in no time.

She married producer Director Mohammed Ehsaan, in 1942. They started their own company- Tajmahal Films and produced Ujala, Begum, Mulaqat and Ajeeb Ladki. The couple had two children- Sultan Ahmed and Saira Banu. After 1947,she stopped singing and did only acting.

Naseem acted in limited films,like Hamlet, Divorce, khan bahadur, Vasanti, Meetha Zahar, Pukar, Ujala, Chal chal re Naujawan, Chandni Raat, Main Haari, begum, Mulakat, Sheesh mahal, Anokhi Ada, Baghi, Shabistan, Sindbad the Sailor, Betaab, Ajeeb Ladki, and Nausherwan E Adil. She did only 20 films. She sang 42 songs in 14 films.

When her mother Shamshad Begum “Chhamiya” died in 1983,many newspapers,magazines and Internet sites published erroneous news that the famous singer Shamshad Begum had died.

In 1953, her husband deserted her and went to Pakistan with the negatives of her films. He made money and Naseem became famous and Popular in Pakistan, without going there. She took her children and went to England for few years, but came back to India to make her daughter an actress.

Naseem Bano died on 20-6-2002.

Naseem bano was never a singer, but she sincerely tried to improve her singing. Her voice was thin and there was a tremor in it,so it sounded sweet( just like Talat).

Naseem Jr. or Miss Naseem Jr. was younger sister of actress Shameem. She was born in Lahore on 8-2-1930. Her father had a shop and he was a General merchant. She was educated in Islamia Girls school, Bombay where she was staying with her actress sister Shameem. After Matriculation, she too wanted to become an actress. While in school she did many dramas. At the age of 13, she did an uncredited small role in film Salma-43.

Her first major film was Jwar Bhata-44- also the first film of Dilip kumar and Mrudula. Her second film was Manorama-44. She acted in few more films Sanyasi-45, Zeenat-45, Door Chalen-46, Amar Raj-46, Jeewan Sapna-46 and Mera Geet-46.

She had a hot temperament and could not get along with co stars and the Directors. Soon the offers diminished. She got married and returned to her hometown-Lahore along with her husband. She did only few films, but it was enough to cause confusion. Her films Jeewan Swapna-46 and Door chalen-46 are generally credited to Naseem Sr.’s filmography.

You will find one more name in the cast-Alaknanda. In Hindi films, there were many sister-pairs who worked as actresses, but in the history of Hindinfilms-both Silent as well as Talkie- there have been only 3 sets of 3 sisters who worked as actresses in the same periods. The first set was of Zubeida, Sultana and Shehzadi in the early 30s. Then in the 40s came the second set of Alaknanda, Tara and Sitara Devi. In the 50s, the last Trio of Padmini, Ragini and Lalitha worked in same period. After this, to my knowledge, no such Trio of actresses came on the screen. If you count step-sister also, then Mehtab was the step sister of Zubeida, Sultana and Shehzadi trio. This made the only Quartet of Sister Actresses in Hindi Film History ever ! Even their mother Fatima acted, directed and Produced films, to boot !! Only their father did not join films !!!

Alaknanda was born in or around 1910 in a Banares situated Mishra family. her clan had a tradition of singing in temples for the last 5 centuries. The family had close relations with Nepal and its Royal family. Her Grandfather was a court singer. Her grandmother and mother were from Nepal, so Alaknanda called herself as ‘ half Nepalese ‘.

When her father wanted to train her and her younger sister Tara, in Dancing and music, there was opposition from their society. Therefore the family moved to another corner of Banares and he started a Music school and trained children of Royal families from Bengal. In one of their visits to Calcutta, Sitara Devi was born in Calcutta. Alaknanda’s first Talkie film was Suryakumari-33. She worked in 38 films till late 40s. She had sung 15 songs in 7 films. She got Cancer and died sometime in or around 1947. Not much information is available about her or her sister Tara/Tara Devi/Tarabai. Vithal Pandya, in his book mentions that in her last days, Tara stayed in Bombay slums and worked as extra in films in her old age.( Famous dancer Gopi krishna was her son) Sitara Devi, on the contrary,lived a famous,rich and majestic life, with several marriages. That’s life, anyway.

The Hero of the film was Ishwarlal, who was a fixture in Ranjit for 13 years. ISHWARLAL was born on 9-10-1911 at Ghanghaniya,Kathewar,Gujrat, as Ishwarlal Hariprasad Doshi.

He belonged to a Jain family. His father was in Police department at Kathiawar Agency. His father died when Ishwarlal was just 3 year old and mother raised him.

After Matriculation, he completed Teaching Diploma at the age of 16, but did not a job as he was underage.He came to Bombay, where his brother had some business, in 1927 to act in films. Ishwarlal was very handsome.

He got a job in Ranjit Studios. He started with silent films at a salary of Rs. 35 pm.His first Talkie film was Bhutiya Mahal-1932.Then came Char Chakram-32.He started acting and singing in films.Initially he sang only duets.Meanwhile,with Jwalamukhi-36,he became Hero.He sang many songs in Ranjit films,but the records are not available.Those days,not all songs of the film were recorded for commercial purpose.

In Billi-38,he sang a duet with Sunita devi and also in Aaj ka Hindustan.In Ummeed-41,he had a duet with Nurjahan.In Pyaas-41,he sang with S.Pradhan.

He got to sing a solo song for the first time in 1942 in Fariyaad. In Jabaan, under C.Ramchandra,he sang 7 songs.

Some of his films were-
Diwali, Dheeraj, Chandni, Bhola shikar, Nadira, Sitamgar, Veer babruwahan, Barrister’s wife, College kanya, Desh dasi, Keemti aansoo, Dil ka daku, Jwalamukhi, Sajni, Dil farosh, Adhuri kahani, Thokar, Holi, Pyar, Bansari Lalkar, Chirag, Us paar etc.

He worked in Ranjit for 13 years. Then he worked with Prafull pictures, Sun art, Wadia, Hind pictures and Atre Pictures also.

In 1945,he was the hero of Noorjehan in Badi Maa,but he had no songs, in fact his last songs were in Us Paar-1944. His singing stopped completely when Rafi gave him playback in film Sharbati Aankhen-45.

Then he did character roles in Subhadra,Mahasati tulsi vrinda,Sanskar,Naulakha haar,Khuda ka banda etc.

He acted in 86 films. He also directed 11 films. He sang36 songs in 14 films. His last film released was was kahani kismet ki-73
He was married in 1931 to a loyal wife kamalabai. They had no issues. Due to excessive smoking he contracted lung diseases and died on 22-1-1969 in Bombay.

With today’s song, film Manorama-44 makes its Debut on this Blog.

(Credits- Vithal Pandya’s books, Film Directory, Beetehuedin blog, Harish Raghuwanshi ji, HFGK and my notes )


Song-Taaron ki chhainyyaan mein jamuna kinaare(Manorama)(1944) Singers-C Ramchandra, Hamida Bano, Unknown male voice, Lyrics-Anjum Pilibhiti, MD-C Ramchandra
Chorus
C Ramchandra + Chorus

Lyrics

Taaron ki chhainyyaan mein jamuna kinaare
Taaron ki chhainyyaan mein jamuna kinaare
gaawe khushi ke geet gin gin
gaawe khushi ke geet
ho
jiyo raam jiyo
dhobi ke laal jiyo
ho jiyo raam jiyo
dhobi ke laal jiyo

ho ho ho ho

ho o o
dhobiyaa ko chahai
haan
dui dui mehariya
haan
dhobiyaa ko chaihai
dui dui mehariya
ek ghar aur ek ghaat
ek se mangaawen chiilam tambaaku
ek se mangaawen chilam tambaaku
ek se karihen preet
hilmil
gaawen khusi ke geet
ho
ho jiyo raam jiyo
dhobi ke laal jiyo
ho
jiyo raam jiyo
dhobi ke laal jiyo

ho ho ho ho

zulfon mein daal phoolinwa dhobiyaa
moonchhon pe daike taav
zulfon mein daal phoolinwa dhobiyaa
moonchhon pe daike taav
bainyya pakad mohe chhatiyaa lagaike
bainyya pakad mohe chhatiyaa lagaike
jobna liyo hai jeet
hamra jobna liyo hai jeet

ho jiyo jiyo raam jiyo
dhobi ke laal jiyo
ho jiyo raam jiyo
dhobi ke laal jiyo

ho ho ho ho

taas mein jeete nahile ko dahila
dahile ko jeete ghulaam
haan
taas mein jeete nahile ko dahila
dahile ko jeete ghulaam
hamri ?? bitiya re tori
hamri ?? bitiya re tori
?? ne li hai jeet
haay raam
?? ne li hai jeet
ho

jiyo
ho jiyo raam jiyo
dhobi ke laal jiyo
ho jiyo raam jiyo
dhobi ke laal jiyo

ho ho ho ho

na main maangoon kotha atariya
na kuchh maangoon aur
na main maangoon kotha atariya
na kuchh maangoon aur
godi mein dhobiya ke hamre gosainyya
godi mein dhobiya ke hamre gosainyya
jaaye umariya beet
hamri jaaye umariya beet

ho
jiyo jiyo raam jiyo
dhobi ke laal jiyo
ho jiyo raam jiyo
dhobi ke laal jiyo

ho ho ho ho


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3690 Post No. : 14597

“Shaarda”(1957) was produced and directed by L V Prasad for Prasad Productions. It was a Hindi remake of Tamil original original Tamil film ‘Edhir Paradhathu’ (1955). The movie had Meena Kumari, Raj Kapoor, Raj Mehra, Shyama, Gope, Manorama, Om Prakash, Agha etc.in it.

The movie had nine songs in it. Eight songs from the movie have been covered so far. Here are the details of these eight songs:-

Song Title

Post No.

Post Date

Lahraaye jiyaa balkhaaye jiyaa 2083 24-Oct-09
Chaahe zindagi se kitnaa bhi bhaag le 2814 20-Aug-10
O chaand jahaan wo jaayen 3351 15-Dec-10
Jap jap jap jap jap re 10006 22-Jul-14
Raghupati Raghav Raajaraam 11202 23-Jun-15
Bhaagwaan zara dheere bol 13322 9-Jun-17
Aaju re baaju naaju kaaju re 13629 3-Oct-17
Achcha hai mauqa kisne hai roka 14592 21-Aug-18

Here is the ninth and final song from “Shaarda”(1957) to appear in the blog. This song is picturised as a drunkard song on Raj Kapoor. Those who have seen Mukesh sing a drunkard song in “Jaagte Raho” (1959),could well expect Mukesh to sing this song, but this song is sung by Manna Dey ! Rajinder Krishan is the lyricist. Music is composed by C Ranmchandra.

The song situation in this song is rather more sombre than what was the case in “Jaagte Raho” (1959), as far as I can tell. IT is a rather lesser known drunkard song, but it can for that reason, may be regarded as a forgotten gem.

With this song, “Shaarda”(1957) joins the list of movies that have all their songs covered in the blog.


Song-Duniya ne to mujhko chhod diya (Shaarda)(1957) Singer-Manna Dey, Lyrics-Rajinder Krishan, MD-C Ramchandra

Lyrics

duniya ne to mujhko chhod diya
khoob kiya
arey khoob kiya
botal ki taraf munh mod diya
botal ki taraf munh mod diya
khoob kiya arrey ae khoob kiya

wo ghadiyaan khawaab ki ghadiyaan thhin een een
mai jin ghadiyo mein jaaga tha
duniya ki khushi ek saaya thhi
duniya ki khushi ek saaya thhi
main jiski lagan mein bhaaga thha
main jiski lagan mein bhaaga thha
paanvon ko jo mere tod diya
khoob kiya
arrey khoob kiya
botal ki taraf munh mod diya
khoob kiya
arrey ae khoob kiya

jab mujhse zamaana door hua aa aa aa aa
jab mujhse zamaana door hua
botal ne kaha
bataaun kya kaha
nahin bataata
achcha bataata hoon
har dard ke mare ko ek din
to padti hai zaroorat to meri
padti hai zaroorat to meri
toote huye dil ko jod diya
khoob kiya
arrey khoob kiya
duniya ne to mujhko chhod diya
khoob kiya
arrey ae khoob kiya


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3686 Post No. : 14592

“Shaarda”(1957) was produced and directed by L V Prasad for Prasad Productions. It was a Hindi remake of Tamil original original Tamil film ‘Edhir Paradhathu’ (1955). The movie had Meena Kumari, Raj Kapoor, Raj Mehra, Shyama, Gope, Manorama, Om Prakash, Agha etc.in it.

The movie had nine songs in it. Seven songs from the movie have been covered so far.

Here is the eighth song from “Shaarda”(1957) to appear in the blog. This song is sung by C Ramchandra and Asha Bhonsle. Rajinder Krishan is the lyricist. Music is composed by C Ramchandra.

Like most C Ramchandra duets, this song is picturised as a romantic comic side plot song. The song is picturised on Agha and a lady whom I am unable to identify. I request our knowledgeable readers to help identify her.


Song-Achcha hai mauqa kisne hai roka (Shaarda)(1957) Singers-C Ramchandra, Asha Bhonsle, Lyrics-Rajinder Krishan, MD-C Ramchandra
Both

Lyrics

achha hai mauqa
kisne hai roka
ho jaaye pyaar zara zara
dekho ji dekho
dena na dhokha
hai aitbaar zara zara

achcha hai mauqa
kisne hai roka
ho jaaye pyaar zara zara
dekho ji dekho
dena na dhokha
hai aitbaar zara zara

dil ka ye bangla
rakha hai khaali
kab se tumhaare liye ae
hum jaante hain
karte ho kya kya
tum bhi hamaare liye ae

dil ka ye bangla
rakha hai khaali
kab se tumhaare liye ae
hum jaante hain
karte ho kya kya
tum bhi hamaare liye

pyaar hai jaaga
jab se hai laaga
nainon ka paad(?) zara zara
dekho ji dekho
dena na dhokha
hai aitbaar zara zara

duniya hai dariya
tum ek lehar ho
main hoon tumhaara kinaara
humne bhi tumko samjha hua hai
jaan se dil se hamaara

jitna tumhe hai
utna humen hai
dil ka bukhaar zara zara
dekho ji dekho
dena na dhokha
hai aitbaar zara zara

pyaar ki baaten
dekho ji ??

kal hi register kar doonga shaadi
duniya jale to jale
??
kal hi register kar doonga shaadi
duniya jale to jale
hai aitbaar zara zara
dekho ji dekho
dena na dhokha
hai aitbaar zara zara
achcha hai mauqa
kisne hai roka
ho jaaye pyaar zara zara
dekho ji dekho
dena na dhokha
hai aitbaar zara zara


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3682 Post No. : 14578

Today’s song is from the film Mera Munna-1948. This film was made by Minerva Movietone. However, it was not directed by Sohrab Modi, but by an outsider- Vishram Bedekar.

Nostalgia ! This feeling is very common amongst Senior Citizens. However, middle age or young people too may indulge in Nostalgia of their favourite times in life or even an incident. Nostalgia is defined as ” Sentimental yearning for the past”. Everyone has some sweet memories of the past. When alone,one indulges in Nostalgia. Sometimes it is shared with the near and dear ones. Many times, an event, an old friend, an old movie or a film songn or an old house,town or anything on this Earth can trigger Nostalgia, if happy memories are connected with it. When you visit your first company where you started your career, surely Nostalgic memories will haunt you.

Same thing happened to C.Ramchandra, when he visited Minerva Movietone in 1948 to sign a contract for giving music to its film ‘Mera Munna’. It was Minerva Movietone, where, in 1936, he had begun his training in Music Composition. After his first film as a Hero-” Naganand “-35 bombed badly ( the first show had only 7 people in the audience-who also left in the interval. Naturally, there were no further shows of the film ! ), he shifted from Kolhapur to Bombay, looking for suitable jobs.

One day he learnt that a big actor from a drama company was about to start a film studio and that recruitment was going on, he decided to try his luck there. Selling a Gold medal he had won in some competition, he stitched a coat and went for the interview. It was Sohrab Modi who took his interview and appointed him as an assitant worker on a salary of Rs. 15 pm. In the two and half to three years that he spent in Minerva, in the beginning of his struggle, he learnt many things.

At Minerva, his first teacher was Bundu Khan as MD. Second was Habib Khan. Next was B.S.Hoogan. C Ramchandra learnt notation writing and use of western instruments for indian ragas. After Hoogan, came Meer Saheb. He was truly a very knowledgeable musician and C Ramchandra learnt many things from him. Actually the training of Meer Saheb gave him the confidence that he too could give music and make tunes. During Meer Saheb’s tenure in Minerva, C Ramchandra became friendly with an young actor and director- Master Bhagwan. He was acting and directing a film ‘Bahadur Kissan’-38. Meer Saheb was the Music Director for this film. Most work was done by C Ramchandra, on behalf of Meer saheb. During this period Bhagwan and he became very good friends.

One day Bhagwan offered C Ramchandra an opportunity to give music to a Tamil film, which Bhagwan was to direct. C Ramchandra gladly did it. After doing one more Tamil film in Madras/Kerala, C Ramchandra got his first Hindi film ” Sukhi Jeevan”-42 as a music director-thanks to Master Bhagwan who was its director. This was the beginning of an eventful and illustrious career of C Ramchandra, who gave music in 112 films, composing 947 songs. He also sang 198 songs in 77 films during his career.

When Sohrab Modi sent a call to him to come for composing songs for one of his films, C Remembered remembered all this. While in Minerva, he knew Modi as a strict disciplinarian and a kind soul. In the subsequent period, C Ramchandra was impressed with the extraordinary success of Minerva movies like Pukar-39, Sikander-41 and Prithwi Vallabh-43. Afterall, his and Minerva’s careers had started together only ! Though he had become a famous and successful Music Director now with films like Shehnai, Saajan, Nadiya ke paar and Khidki etc amongst his 30 odd films, he went to meet Modi.

There was a tremendous change in circumstances when he left Minerva in 1938 and today when Minerva requested him to work for them in 1948. He had become so big that he could have easily refused to work for them, but he was not ungrateful. C Ramchandra has described this meeting to one of his friends, Isak Mujawar thus…

” When I entered the office of Minerva, after 10 years, I realised that while I had grown in my stature, Minerva had lost some of its sheen and its place among the top studios. Whatever I had learned while working here had made my foundation so strong that I could never repay Minerva’s debt fully. As I entered, I saw the same tall, well built Sohrab Modi and by his side Mehtab was sitting next to him. As soon as I crossed the door, both of them stood up. I was embarrassed. I went ahead and touched his feet. He murmured something and hugged me. I did Namaste to Mehtab ji. Modi talked briefly about his film and their expectations about the music. Then with a little hesitation, he asked me my fees. I smiled and said, “Give me just One Rupee, sir. That’s my fees for Minerva”. However, they did not agree and a nominal token fees was fixed. I signed the contract “.

Those were the days when artistes gratefully acknowledged the help they received in their early careers !

There is a name in the film’s cast- Wazir Mohammed Khan, who made his name written in Hindi film History for ever, for being the first ever singer on the screen, when he sang ” de de khuda ke naam par “, in film Aalam Ara-1931, India’s first Talkie film. Despite my efforts, I could not get any information about him, from any source at my disposal.

W.M.Khan was a Pathan. His first film was ‘Alam Ara’-31 and his last film was also Aalam Ara-73. he sang a song in the first film and again the same song in the similarly titled film Alam Ara-56. I saw him on the screen first time in film Kabuliwala-61, in which he lip synched the famous song ” Aye mere pyare watan…”. W.M.Khan acted in 73 films. He sang 6 songs in 4 films, namely Alam Ara-31, Sair e paristan-34, Dard e dil-34 and after 22 years he sang his first song again in film Alam Ara-56- though no record was issued for it. When he acted in the third version of Aalam Ara in 73, he became the first male actor to have worked in 3 films with the same title, from the very first Talkie film. The next and the only other actor to achieve this feat was Ashok kumar, who acted in Kangan-39, kangan-59 and kangan-72. The only female actress to achieve this feat was Sulochana ( Ruby Meyers) who had acted in Anarkali-28, Anarkali-35 and Anarkali-53.

Today’s song is the second song in a span of one month, which talks of ‘going to Bombay’, after a song from film ‘Kirti’-42, posted on 19-7-2018. The singer’s name of today’s song is not mentioned in HFGK. I hear 2 separate voices in the song, but people with better hearing than me can know more about the voices.
( credits- Autobio of C Ramchandra, Isak Mujawar’s book, Flash back, HFGK, MuVyz, and my notes )


Song-Chale chak chak chak chak rail (Mera Munna)(1948) Singers-Unknown child voice 1, unknown child voice 2, Lyrics-Qamar Jalalabadi, MD-C Ramchandra

Lyrics

chale chak chak chak chak rail
chale chak chak chak chak rail
chalo jee zara Bambai chalen
haan Bambai chalen
lage ismein na paani na tel
lage ismein na paani na tel
chalo jee zara Bambai chalen
haan Bambai chalen

hamne baapu ki ghanti churaayi
hamne baapu ki ghanti churaayi
maan ke aanchal ke jhande banaayi
maan ke aanchal ke jhande banaayi
hamne ghar mein banaaye hai rail
hamne ghar mein banaaye hai rail
chalo jee zara Bambai chalen
haan Bambai chalen
chale chak chak chak chak rail
chalo jee zara Bambai chalen
haan Bambai chalen

baapu laayenge jaa kar langoti
baapu laayenge jaakar langoti
maata laayenge ?? ki ??
maata laayenge ?? ki ??
ham khilaunon se bhar lenge rail
ham khilaunon se bhar lenge rail
chalo jee zara Bambai chalen
haan Bambai chalen
chale chak chak chak chak rail
chalo jee zara Bambai chalen
haan Bambai chalen

mere chaachaa jee Bambai se aayenge
mere chaachaa jee Bambai se aayenge
ghoda laayenge
tamtam bhi laayenge
ghoda laayenge
tamtam bhi laayenge
laayenge tota maina ka khel
laayenge tota maina ka khel
chalo jee zara Bambai chalen
haan Bambai chalen
chale chak chak chak chak rail
chalo jee zara Bambai chalen
haan Bambai chalen
lage ismein na paani na tel
chalo jee zara Bambai chalen
haan Bambai chalen


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3666 Post No. : 14538

“Bahaadur”(1944) was directed by Bhagwan for Jagriti Pictures, Bombay. This stunt movie had Baburao Pahalwan, Bhagwan, Samson, Bhagwandas, Dharpure, Yashwant, Shanta Patel, Bibi, Surekha, Nirasha etc in it.

The movie had eight songs in it.

Here is the first from “Bahaadur”(1944) to appear in the blog. HFGK is silent about the singers of this movie. The uploader (our own Mr Sadanand Kamath) identifies the singers as Hamida Bano and C Ramchandra.

Ehsan Rizvi is the lyricist. Music is composed by C Ramchandra.

Only the audio of the song is available. Assuming that Bhhagwan and Shanta Patel were the lead pair in the movie, it would appear that the song was picturised on them. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

With this rare song, “Bahaadur”(1944) makes its debut in the blog.


Song-Aao more pyaare saanwariya(Bahaadur)(1944) Singers-Hamida Bano, C Ramchandra, Lyrics-Ehsan Rizvi, MD-C Ramchandra
Both

Lyrics

Aao more pyaare saanwariya
aao more pyaare saanwariya
man ki
man ki sooni nagariya
man ki
man ki sooni nagariya aa aa aa
pihu pihu bole papeeha
pihu pihu bole papeeha
chhaayi hai
chhaayi hai kaali badariya
chhaayi hai
chhaayi hai kaari badariya aa aa
aao more pyaare saanwariya

aayi mere man ko sajan yaad tihaari
aayi mere man ko sajan yaad tihaari
laagi mere man mein ye aankhon ki kataari
laagi mere man mein ye aankhon ki kataari

bane kyun un un
bane kyun prem pujaari
bane kyun un un
bane kyun prem pujaari
baanki hai tori najariya
un hoon
tori najariya
aao more pyaare saanwariya

maine wahaan tumko nazar kah ke pukaara
maine wahaan tumko nazar kah ke pukaara
kiski nigaahon ne kiya phir ye ishaara
kiski nigaahon ne kiya phir ye ishaara

maine aen aen
maine papeeha ko pukaara
maine
maine papeeha ko pukaara aa aa aa
aaya main teri atariya aa aa aa
aaya main teri atariya

man ki
man ki sooni nagariya
man ki
man ki sooni nagariya aa aa aa
aao more pyaare saanwariya


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3663 Post No. : 14532

“Naghma e Sahra”(1945) aka Song of desert was directed by Bhagwan for Jagriti Pictures, Bombay. This Constume drama movie had Master Vitthal, Khursheed Junior, Bhagwan, amarnath, Bhagwandas, Kavita devi, Shanta Patel, Vasant, Nawaz etc in it.

The movie had seven songs in it. One song has been covered in the past.

Here is the second song from “Naghma e Sahra”(1945) to appear in the blog. HFGK is silent about the lyricist. The uploader (our own Mr Sadanand Kamath) identifies the singers as Hamida Bano and C Ramchandra, and I agree with this identification.

Ehsan Rizvi is the lyricist. Music is composed by C Ramchandra.

Only the audio of the song is available. assuming that Bhhagwan and Shanta Patel were the lead pair in the movie, it would appear that the song was picturised on them. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Kisi ki yaad kisi ko aayi (Naghma e Sahra)(1945) Singers-Hamida Bano, C Ramchandra, Lyrics-Ehsan Rizvi, MD-C Ramchandra
Both

Lyrics

kisi ki yaad kisi ko aayi
kisi ki yaad kisi ko aayi

mujhko to maaloom nahin
ye ulfat ke afsaane
yaad kisi ki chhalkaaye kyun
aankhon ke paimaane
ye kaisi baat sunaayi ee ee
ye kaisi baat sunaayi ee ee
kisi ki yaad kisi ko aayi
kisi ki yaad kisi ko aayi

kyun dil ka raaj chhupati ho
hmm hmm hmm
jab dil ka chor pakadta hai
duniya to ab jaan gayi
jo do dil ka afsaana hai
teri yaad yahaan tak laayi ee ee
teri yaad yahaan tak laayi ee ee
kisi ki yaad kisi ko aayi
kisi ki yaad kisi ko aayi

jo munh se baat nikalti hai ae ae
wo afsaana ban jaati hai ae
mast nazar chup rah kar bhi ee
apna bhed bataati hai

hai ulfat mein ruswaayi ee ee
hmm hmm
hai ulfat mein ruswaayi ee ee
kisi ki yaad kisi ko aayi
kisi ki yaad kisi ko aayi


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3613 Post No. : 14406

“Amardeep” was a movie that was made by Shivaji Productions and directed by T. Prakash Rao in 1958. It was a remake of the Tamil “Amara Deepam” (1956) which also directed by T. Prakash Rao; which itself was a remake of the 1942 English film “Random Harvest” which was based on the novel of the same name by James Hilton. There was also a Bengali movie in 1957 “Harano Sur” on the same story. (all this information is thanks to Wikipedia) So that means there were audiences for this kind of sentimental stories.

The Tamil and Hindi versions had Padmini playing the character of Roopa who takes care of the hero- Dev Anand in Hindi and Shivaji Ganesan in Tamil- after he meets with an accident and forgets his past with Vyjayantimala (in Hindi) and Savitri (in Tamil). I had heard from my dad that he had seen the movie at the time of its release -first day first show and when the Tamil version released in a morning show (that was the name for the 9 or 10 A.M. show) he saw that too. I don’t remember what his review of the movie was but he had told me that the Hindi movie had 12 songs in it; the most popular one being “dekh humein awaaz na dena o bedard zamaane” having two versions.

Before I wrote this post, I sat through the movie. A decent movie, not exactly a tear-jerker but full of emotions on the part of the central characters. Plus, we have Pran putting in an act of possessive and hot- tempered “mangetar” (fiancé) of Vyjayantimala. So, there is scope for little fisticuffs at the climax. Then we also are surprised by the fact that the heroines are sisters who are separated in their childhood as the father gives away the younger daughter for cash to a wealthy man so that he can treat his sick elder daughter. And when the sisters, who are in love with the same man realise this, the elder one sacrifices her love and conveniently comes in the way when Pran fires at Dev Anand. There is a strained comedy track involving Johnny Walker and Mukri (which we could have done without). I hope this gives a brief idea about what the movie was all about. ??

There was one more reason for me to sit through this movie. I was trying to locate a song and its relevance in the movie. The song if it had ever been shot should have appeared here at 43:35 or thereabouts of the movie as we can see Dev and Vyjayantimala roaming around a mela and she has got some balloons in her hand. I was also trying to get the balloons (gubbaare) as it is the birthday of a keen follower of the blog. We also call him our in-house encyclopedia. Our dear Shri. Arunkumar Deshmukh turns a year younger today(9 june 2018).

Wishing him a musical journey with us forever with this song by a singer- music composer about whom he has provided us vast information. Rajinder Kishan is the lyricist. It has an “Eena meena deka” feel to it. Specially the opening and interlude music piece. I would love to know if it was ever picturised, if so on whom and if not why such a lively song was left out of the movie, it would have lightened the proceedings.


Song-Le lo le lo gubbaare (Amardeep)(1958) Singer-C Ramchandra, Lyrics-Rajinder Krishan, MD-C Ramchandra

Lyrics

le
lo
arre le lo le lo
lelo lelo gubbaare
le lo le lo
lelo gubbaare lelo
rang birange pyaare saare
rangbirange pyaare saare
le lo le lo lelo lelo gubbaare

sukde ko patle
arre phoole ko mote
darshan bhaari naam hai chhote
kaliyon se halke lelo
phoolon se pyaare lelo
rang birange pyaare pyaare
rangbirange pyaare pyaare
le
lo
le lo
le lo
lelo lelo gubbaare

neele
are peele
hai neele peele hare gulaabi
jhoome hawa mein jaise sharaabi
dole talab mein dole
saaqi ke dwaare dole
rangbirange pyaare pyaare
rangbirange pyaare pyaare
le
lo
le lo le lo
lelo lelo gubbaare

baba bhi khele
aur baby bhi khele
jodi salaamat o baabu lele
chamke tumhaari waah waah
ulfat ke taare wah wah
rangbirange pyaare pyaare
rangbirange pyaare pyaare
le
lo
le lo le lo
lelo lelo gubbaare aeeeee


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has exactly 14800 song posts by now.

This blog is active and online for over 3800 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14800

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Movies with all their songs covered =1155
Total Number of movies covered =4046

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