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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rafi-Asha Bhonsle duet’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3470 Post No. : 13931

The Blog has registered One Crore visitors till 11 pm on 14th January 2018. Heartiest congratulations to Atul ji, Sudhir ji and all our team mates.

It is a mind boggling matter. One Crore visitors in 114 months works out to 87720 visitors per month or 2924 visitors per day, on an average (all figures appoximate). Splitting the hair further, it is 2 visitors per minute or 122 visitors per hour !

As per one report by WordPress, its blogs reach 198 countries in the world. So, probably, wherever English is understood and wherever Hindi music lovers exist, our Blog must be available for readers. In last 5 years, I have received mails from Fiji Islands, Kenya, Newzealand, Australia, U.K., U.S.A., Sharjah, Dubai, Doha, Qatar, Singapur, Hongkong and of course from all over India. These music lovers have comments, queries and opinions to share. I am sure, Atul ji must be getting mails from all over the world.

Statistics aside,it is worthwhile to understand why so many people visit this Blog. In my humble opinion, the following are some of the reasons-

1. It is not just a Blog providing songs, there are complete and accurate Lyrics too.

2. The write ups usually Carry a serious study of the film and the music presented, giving information which is interesting and informative too.

3. Whatever is presented, is highly credible and based on facts, references and verifiable sources.

4. Almost every comment made by the readers is answered either by the writer or one of the admins.

5. Decency,manners,courtesy and respect for readers is maintained in the presentations as well the answers to the queries.

6. There is no place for Religious or Political expressions or derogatory insinuations on anyone, in the presentations or answers to the comments.

7. The Blog provides ease of finding desired film songs.

8. As a Bonus, there is additional information available on Anniversaries of film related personalities, as well as lists of Composers, Lyricists and singers, with their contributions on the Blog.

9. In most cases, the readers get valuable information on old films, artistes and music, exclusively available only here and difficult to find anywhere on internet.

10. Blog caters to Music Lovers of any decades- from the 30s to the latest, through a team of contributors, who range in age from the 80s to the Teens.

11. There are teams of dedicated Lyrics writers and article contributors.

I feel proud to be a member of this team, ably led by the leader- ATUL JI. I wish the Blog many more peaks of successes in coming years.
The Blog has become a Cynosure of the world of Music Lovers, the world over.

Today’s song is from film Jailor-1958. This film from Minerva Movietone was a remake of its own film of the same name, made in 1938. This is a psychological melodrama, describing how a perfectly normal person becomes a bad one and due to circumstances becomes good again. There are shadows of Dr. Jekyll and Mr. Hyde in this film.

Robert Louise Stevenson’s novel of 1886, ” The strange case of Dr. Jekyll and Mr. Hyde ” was first made into a silent film in 1920, followed by a Talkie films in 1931, 1941, and as recent as 2006, in Hollywood. The 1931 film must have obviously inspired the writers of this film in 1938- Kamaal Amrohi and Ameer Haider. The screenplay was by J.K.Nanda and music was composed by Mir Saheb.

For the 1958 edition, the writers’ team continued, wih addition of O.P.Dutta for new dialogues. Madan Mohan composed its music. Sohrab Modi, of course, was the Director and the Hero in both editions of the film. Now he was joined by Kamini Kaushal, Geeta Bali, Abhi Bhattacharya, Nana Palshikar, Rajkumar khatri etc etc.

The film was not received with enthusisam. The role of Sohrab Modi, as the Jailor was not at all accepted by the audience. The role left many questions unanswered- like whether such changes can occur in a person at all or how can someone go to such extreme cruelty etc. Afterall it was a movie. Sohrab Modi excelled in Historical films. Social or family dramas were not a cup of his tea, was established by this film. It is still a wonder, why Modi chose this film for a remake over his many other successful films, for example Pukar-1939 ?

Madan Mohan’s sweet music was a redeeming factor and it did soothe the nerves of the audience after seeing Modi’s performance in this film. The story of the film was….

Dilip (Sohrab Modi) is a good natured kind hearted Jailor. He has a good looking wife Kanwal (Kamini Kaushal) and a doting girl child- Bali (Daisy Irani). Kanwal likes to enjoy modern life , like attending clubs etc, which Dilip does not like. Kanwal does not like her husband. She contacts her ex-lover Dr. Ramesh and both elope. She is not worried about her child also. This shock changes the life of Dilip and he becomes cruel, hot tempered and a nasty person, as if to avenge the world for what happened to him.

Kanwal and her lover meet with an accident. Ramesh loses his sight and Kanwal’s face is badly injured. When Dilip learns about her accident, he brings a repentant Kanwal back home. However he locks her in a room and tortures her, taunts her and tries to take revenge She is not allowed to meet her daughter, who is told that her mother has died. Once the daughter Bali falls sick, but Dilip does not allow Kanwal to tend her daughter also. frustrated and sad Kanwal commits suicide. Due to illness the daughter also dies.

This is another shock for Dilip, but it changes him to his old good nature. he becomes more kind, loving and helpful to others. one of his ex-convicts Prem (Rajkumar Khatri) kills the village rowdy when he tries to trouble his blind sister Chhaya(Geeta Bali) In the jail, Prem requests Dilip to look after his sister. Dilip meets and helps her. He starts loving Chhaaya. Unknown to him , Dr. Ramesh, now blind, comes to the same temple in which Chhaaya lives. they get to know each others and develop love.

When Dilip comes to know about their love, he spends his savings and helps both blind people to get operated upon. They regain sight. Dilip ensures that they are united.

Rajkumar Khatri who had been famous for his roles in Dharmik films so far did a role of a murderer, contrary to his background. This too did not go too well with the audience. Today’s song is actually a combination of contrasting songs. There is a dance by a dance troupe just outside the temple. While the dancer is dancing, singing and luring the public, Dr.Ramesh comes there, singing a Bhajan. Slowly people get attracted to him. After some time all the public, including the dance troupers join Ramesh in his Bhajan and all enter the temple. Now, enjoy this Two- in- one offering…….


Song-Meri hirni jaisi chaal (Jailor)(1958) Singers- Asha Bhonsle, Rafi, Lyrics-Rajinder Krishan, MD-Madan Mohan
Chorus

Lyrics

meri hirni jaisi chaal
o mere ghoonghar waale baal
palat kar dekh le
ho kaali topi waaleyaa
palat kar dekh le
ho kaali topi waaleyaa
meri hirni jaisi chaal
o mere ghoonghar waale baal
palat kar dekh le
ho kaale topi waaleyaa
ae palat kar dekh le
ho kaale topi waaleyaa

o o o

sau dukh ka ek ilaaz
nain mere matwaale
sau dukh ka ek ilaaz
nain mere matwaale
mere aage peechhe phiren raat-din dilwaale
haay mere aage peechhe phiren raat-din dilwaale
hazaaron phirte hain behaal
gale na magar kisi ki daal
palat kar dekh le
o dilbar jaaniya
aa ho
palat kar dekh le
o dilbar jaaniya
meri hirni jaisi chaal
o mere ghoonghar waale baal
palat kar dekh le
ho kaali topi waaleyaa
haaye palat kar dekh le
ho kaali topi waaleyaa

o o meri soorat dekh musaafir reh gaye raste mein
meri soorat dekh musaafir reh gaye raste mein
hoye dil si mahngi cheez bech gaye saste mein
haay hoye dil si mahngi cheez bech gaye saste mein
hazaaron bik gaye pichhle saal
to laakhon bikenge abki saal
palat kar dekh le
o dilbar jaaniya aa ha
palat kar dekh le
o dilbar jaaniya
meri hirni jaisi chaal
o mere ghoonghar waale baal
palat kar dekh le
ho kaali topi waaleyaa
ae palat kar dekh le
ho kaali topi waaleyaa

ho o o o o
o o o
sanwaare sabke bigde kaam
karodon jag me jiske naam
palat kar aa bhi ja
sharan us raam ki
palat kar aa bhi ja
sharan us raam ki
sanwaare sabke bigde kaam
karodon jag mein jiske naam
palat kar aa bhi ja
sharan us raam ki
palat kar aa bhi ja
sharan us raam ki

o maati ke putle kaahe idhar udhar tu bhatke
o maati ke putle kaahe idhar udhar tu bhatke
jhoothi raah na chalna moorakh
saanchi raah se hat ke
o o o
saachi raah se hat ke
jagat ke jhoothe saare kaam
hai saancha ek usi ka naam
palat kar aa bhi ja
sharan us raam ki
palat kar aa bhi ja

aa ha palat kar dekh le
ho kaale topi waaleyaa
meri hirni jaisi chaal
o mere ghoonghar waale baal
palat kar dekh le
ho kaale topi waaleyaa
palat kar aa bhi ja
sharan us raam ki
palat kar aa bhi ja

ae palat kar dekh le
ho kaale topi waaleyaa
hey palat kar dekh le
ho kaale topi waaleyaa

o o o
ye jag hai gham ki aag
roop mera shabnam hai
ye jag hai gham ki aag
roop mera shabnam hai
jab sooraj nikle bol tera phir kya dam hai
ho o o
jab sooraj nikle bol tera phir kya dam hai

mera ek ishaara dekh kaafile ruk jaayen
mera ek ishaara dekh kaafile ruk jaayen
prabhu ungli ek uthaaye to parvat jhuk jaaye
prabhu ungli ek uthaaye to parvat jhuk jaaye

do ghadi baith ke dekh meri zulfon ki chhaaon mein
meri zulfon ki chhaaon mein
tana huaa hai neel gagan ka chhatr prabhu ke gaaon mein
tana huaa hai neel gagan ka chhatr prabhu ke gaaon mein
prabhu ke gaaon mein
is chhtr tale aaraam jo sabko deta hai bedaam
palat kar aa bhi ja
sharan us raam ki
palat kar aa bhi ja
sharan us raam ki
sanwaare sabke bigde kaam
karodon jag mein jiske naam
palat kar aa bhi ja
sharan us raam ki
palat kar aa bhi ja
sharan us raam ki

bol he manvaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam
bol he manwaa raam raam
wahi sanwaare bigde kaam

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3469 Post No. : 13927

Today (16 january 2018) is the 92nd birth anniversary of O P Nayyar (16 january 1926- 28 january 2007).

Instead of discussing his biography and discussing his well known songs, I have decided to pay my tribute to the legendary music director by presenting his full filmography for Hindi movies here.

In summary, O P Nayyar composed music for 73 Hindi movies from 1952 to 1995. He composed 569 songs in these movies. The blog has 462 songs from these movies. 69 out of 73 movies are represented in the blog. Out of these movies represented in the blog, 47 movies are already YIPPEED. So we now have to look for just the remaining 26 movies to look for the balance 107 songs. We are very much in the last lap as far as covering all available O P Nayyar songs in the blog is concerned.

Here is the movie wise breakup:

S No Movie Year Songs in the blog Songs in the movie Balance songs Remarks
1. Aasmaan 1952 8 8 NIL Movie YIPPEED
2. Chham Chhama Chham 1952 9 11 Two
3. Baaz 1953 8 8 NIL Movie YIPPEED
4. Aar Paar 1954 8 8 NIL Movie YIPPEED
5. Mangu 1954 4 4 NIL Movie YIPPEED. Three Other songs composed by Md Shafi
6. Mehbooba 1954 5 5 NIL Movie YIPPEED. Four other songs composed by Roshan
7. Baap Re Baap 1955 11 11 NIL Movie YIPPEED.
8. Miss Coca Cola 1955 8 8 NIL Movie YIPPEED.
9. Mr and Mrs 55 1955 8 8 NIL Movie YIPPEED.
10. Musaafirkhaana 1955 8 8 NIL Movie YIPPEED.
11. Sabse Bada Rupaiyya 1955 6 6 NIL Four other songs composed by Naashaad
12. Bhaagambhaag 1956 10 10 NIL Movie YIPPEED
13. Chhoomantar 1956 10 10 NIL Movie YIPPEED
14. CID 1956 7 7 NIL Movie YIPPEED
15. Dhaake Ki Malmal 1956 7 7 NIL Movie YIPPEED. One more song by Robin Chatterji
16. Ham Sab Chor Hain 1956 9 9 NIL Movie YIPPEED.
17. Mr Lambu 1956 8 8 NIL Movie YIPPEED.
18. Naya Andaaz 1956 11 11 NIL Movie YIPPEED.
19. Shrimati 420 1956 8 9 One
20. Bade Sarkaar 1957 4 4 Movie YIPPEED
21. Duniya Rang Rangeeli 1957 8 8 Movie YIPPEED
22. Johny Walker 1957 6 6 Movie YIPPEED
23. Maai Baap 1957 6 6 Movie YIPPEED
24. Naya Daur 1957 9 9 Movie YIPPEED
25. Qaidi 1957 5 8 Three
26. Tumsa Nahin Dekha 1957 6 6 Movie YIPPEED
27. Ustaad 1957 7 7 Movie YIPPEED
28. 12 O Clock 1958 7 7 Movie YIPPEED
29. Farishta 1958 6 6 Movie YIPPEED
30. Howrah Bridge 1958 8 8 Movie YIPPEED
31. Kabhi Andhera Kabhi Ujaala 1958 5 9 FOUR
32. Mr Qartoon M A 1958 5 8 THREE
33. Mujrim 1958 8 8 Movie YIPPEED
34. Phagun 1958 11 11 Movie YIPPEED
35. Raagini 1958 8 12 FOUR
36. Sone Ki Chidiya 1958 8 8 Movie YIPPEED
37. Do Ustaad 1959 8 8 Movie YIPPEED
38. Basant 1960 10 14 FOUR
39. Jaali Note 1960 8 8 Movie YIPPEED
40. Kalpana 1960 5 10 FIVE
41. Mitti Mein Sona 1960 7 7 Movie YIPPEED
42. Ek Musaafir Ek Haseena 1962 12 12 Movie YIPPEED
43. Hong Kong 1962 7 9 TWO
44. Phir Wohi Dil Laaya Hoon 1963 9 9 Movie YIPPEED
45. Kashmir Ki Kali 1964 9 9 Movie YIPPEED
46. Mere Sanam 1965 9 9 Movie YIPPEED
47. Akalmand 1966 6 9 THREE
48. Bahaarein Phir Bhi Aayengin 1966 6 6 Movie YIPPEED
49. Do Dilon Ki Daastaan 1966 5 8 THREE
50. Love And Murder 1966 2 6 FOUR
51. Mohabbat Zindagi Hai 1966 5 8 THREE
52. Saawan Ki Ghata 1966 8 8 Movie YIPPEED
53. Ye Raat Phir Na Aayegi 1966 8 8 Movie YIPPEED
54. CID 909 1967 6 6 Movie YIPPEED
55. Naseehat 1967 3 6 THREE
56. Dil Aur Mohabbat 1968 6 6 Movie YIPPEED
57. Hamsaaya 1968 7 7 Movie YIPPEED
58. Kahin Din Kahin Raat 1968 7 7 Movie YIPPEED
59. Kismat 1968 5 5 Movie YIPPEED
60. ShreemaanJi 1968 3 6 THREE
61. Sambandh 1969 5 12 SEVEN
62. The Killers 1969 0 6 SIX
63. Aisa Bhi Hota Hai 1971 1 4 THREE
64. Ek Baar Muskuraa Do 1972 8 8 Movie YIPPEED
65. Pran Jaaye Par Vachan Na Jaaye 1973 6 6 Movie YIPPEED
66. Taxi Driver 1973 6 6 Movie YIPPEED
67. Heera Moti 1974 2 6 FOUR
68. Khoon Ka Badla Khoon 1978 1 8 SEVEN
69. Bin Maa Ke Bachche 1979 1 6 FIVE
70. Mangni 1992 1 8 SEVEN
71. Nischai 1992 0 6 SIX
72. Zidd 1994 0 7 SEVEN
73. Muqaddar Ki Baat 1994 0 8 EIGHT
Summary 73 Movies 462 569 107 One NFS is also posted in the blog

Not all of the remaining songs are available. Some of these balance songs may have been lost for ever. For instance, the one remaining song from “Shrimati 420” (1956) viz-“tum to hamre man mein bhagwan ban ke base ho” was only there on the movie and its record was not issued. The movie prints are not available, so this remaining song will remain unavailable and as such this movie will remain un YIPPEED.

Yesterday, we discussed a song from “China Town”(1962). It turns out that there was a movie called “Hongkong” (1962) as well in the same year. “Hongkong” (1962) had music by O P Nayyar. This movie was directed by Paachhi for Paachi Productions, Bombay. This movie had Ashok Kumar, B Saroja Devi, K N Singh, Helen, Bhalla, Babu Rao, Kitty, King, Doctor, Balram, Kundan, Om Prakash etc in it.

This movie had nine songs in it. Seven songs from the movie have been discussed in the blog in the past.

This eighth song from “Hongkong” (1962) begins as a “teasing” song, where Om Prakash tries to play a roadside Romeo, but Helen, the target of Om Prakash’s attentions decides that attack is the best form of defence and boos him heartily. 🙂

The lyrics are quite amusing. The movie had four lyricists (Raja Mehdi ali Khan, Qamar Jalalabadi, Shewan Rizvi and S H Bihari), but sadly the lyricist of this song is not known. The lyricist has let his hair down in this song. He must have enjoyed penning this light hearted song. 🙂 The song is quite long. It has video as well as as audio versions and the lyrics differ in some stanzas. I have provided lyrics and links of both the versions.

Music is of course O P Nayyar, and it would appear that he too must have enjoyed composing this song. the song is sung by his favourite playback singing pair of Rafi and Asha Bhonsle.

Video

Audio

Song-Tumhaari adaaon pe ae husn waalon (Hongkong)(1962) Singers-Rafi, Asha Bhonsle, MD-O P Nayyar

Lyrics
———————————
Video version
———————————

tumhari adao pe ae husnwaalon
haan aan aan aan aan
haaye
tumhaari adaaon pe ae husnwaalon
agar ham na marte
to phir kaun marta
tumhaari adaaon pe ae husnwaalon
agar ham na marte to phir kaun marta

nahin tumsa koi
agar ham na kehte
to ye naaz o andaaz rakkhe hi rehte
na itraao itna tum is baankpan par
nazar lag na jaaye
chalo yoon na tan kar

sharaarat se mud mud ke kya dekhte ho
hamen ya ke apni ada dekhte ho
ham hi jab na honge to phir kya karoge
har ik baat per kis se akda karoge
kise dekh kar sharm aaya karegi
haya kis se munh ko chhupaaya karegi
ye chutki se dil kiska masla karoge
hamen yaad kar kar ke machla karoge
mohabbat ki baaton pe itna na bigdo
zara haath seene pe rakhkar ye keh do
aa aa aa aa aa aa
haaye
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta

ye tum husnwaalon se kya baat karta
haaye ae ae ae ae
ye tum husnwaalon se kya baat karta aa
arre ham na hota to tum kispe marta
ye tum husnwaalon se kya baat karta
arre ham na hota to tum kispe marta

ke soorat se dilbar ho aur dil se patthar
khari baat keh di to bigde huye ho
angoothhe ko daanton se pakde huye ho
zara paas aao
mulaaqaat kar len
agar hans ke dekho to ik baat kar len
aa aa aa aa aa
haaye
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta

ye tum husnwaalon se kya baat karta
are ham na hota to tum kispe marta
ye tum husnwaalon se kya baat karta
are ham na hota to tum kispe marta

koi romeo koi farhaad dekha
jise dekha majnu ka ustaad dekha
liye phirte ho ishq ki chot dil mein
nazar mein safai to hai khot dil mein
tumhen har qadam pe ye hota hai dhokha
jo dekhega tumko
wahi mar mitega
zara dekh le
ham to kuchh aur samjhe
chalo peechhe peechhe
nateeja na socho
bina jaan pehchaan ke baat karna
bahaane banaa kar mukaaqaat karna
bahut khoobsoorat samajhte ho khud ko
zara aaina le ke soorat to dekho
muhabbat haseenon se karne chale hain
koi inko dekho ye marne chale hain

aa aa aa aa
ye tum husn waalon se kya baat karta
arre ham na hota to tum kis pe marta
ye tum husn waalon se kya baat karta
arre ham na hota to tum kis pe marta

tumhaari adaaon pe ae husn waalon
agar ham na marte
to phir kaun marta
tumhaari adaaon pe ae husnwaalon
agar ham na marte to phir kaun marta

————————————-
Audio version
————————————-

tumhari adao pe ae husnwaalon
haan aan aan aan aan
haaye
tumhaari adaaon pe ae husnwaalon
agar ham na marte
to phir kaun marta
tumhaari adaaon pe ae husnwaalon
agar ham na marte to phir kaun marta

nahin tumsa koi
agar ham na kehte
to ye naaz o andaaz rakkhe hi rehte
na itraao itna tum is baankpan par
nazar lag na jaaye
chalo yoon na tan kar

sharaarat se mud mud ke kya dekhte ho
hamen ya ke apni ada dekhte ho
ham hi jab na honge to phir kya karoge
har ik baat per kis se akda karoge
kise dekh kar sharm aaya karegi
haya kis se munh ko chhupaaya karegi
ye chutki se dil kiska masla karoge
hamen yaad kar kar ke machla karoge
mohabbat ki baaton pe itna na bigdo
zara haath seene pe rakhkar ye keh do
aa aa aa aa aa aa
haaye
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta

ye tum husnwaalon se kya baat karta
haaye ae ae ae ae
ye tum husnwaalon se kya baat karta aa
arre ham na hota to tum kispe marta
ye tum husnwaalon se kya baat karta
arre ham na hota to tum kispe marta

karo ladkiyon se na baaten akadkar
police le na jaaye ji gardan pakad kar
hamen dekhte hi chahakne lage ho
hawa lag gayi hai
bahakne lage ho

ye fashion ye makeup
ye tie ye collar
tumhaare to nakhre hain hamse bhi badh kar
do roza jawaani pe phoole huye ho
tum apne budhaape ko bhoole huye ho
hamen dekhte ho nigaahen bachaa kar
sharaafat dikhaate ho nazren jhukaa kar
ho tum kitne chaalaak ham jaante hain
tumhaari nigaahon ko pehchaante hain
chalo tum pe chhodaa tumhi faisla do
ke tum ache bure ho magar ye bata do
aa aa aa
ye tum husnwaalon se kya baat karta
are ham na hota to tum kispe marta
ye tum husnwaalon se kya baat karta
are ham na hota to tum kispe marta

hawaaon mein julfon ko lehraate niklo
chalaate huye teer bal khaate niklo
idhar dekhte ho udhar dekhte ho
giraate ho bijli jidhar dekhte ho

ye lip stick se honthon ko shola banaa kar
kahaan chal diye aag dil mein laga kar
anokha design hai ye sandlon ka
yahi shape hai bas hamaare dilon ka
haseen naazneen ho magar ho sitamgar
ke soorat se dilbar ho aur dil ke patthar
khari baat keh di to bigde huye ho
angoothe ko daanton se pakde huye ho
zara paas aao mulaakaat kar len
agar hans ke dekho to ik baat kar len
aa aa aa aa aa aa
haaye
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta

koi romeo koi farhaad dekha
jise dekha majnu ka ustaad dekha
liye phirte ho ishq ki chot dil mein
nazar mein safaai to hai khot dil mein
tumhen har qadam pe ye hota hai dhokha
jo dekhega tumko
wahi mar mitega
zara dekh le
ham to kuchh aur samjho
chalo peechhe peechhe
nateeja na socho
bina jaan pehchaan ke baat karna
bahaane banaa kar mukaaqaat karna
bahut khoobsoorat samajhte ho khud ko
zara aaina le ke soorat to dekho
muhabbat haseenon se karne chale hain
koi inko dekho ye marne chale hain

aa aa aa aa aa
ye tum husn waalon se kya baat karta
arre ham na hota to tum kis pe marta
ye tum husn waalon se kya baat karta
arre ham na hota to tum kis pe marta

tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta
tumhaari adaaon pe ae husn waalon
agar ham na marte to phir kaun marta


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3469 Post No. : 13926

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 3
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘इ’ – इस जग में कहीं भी रहियो

 

मेरी आवाज़ के पीछे चले आओ
चले आओ
चले आओ॰ ॰ ॰

Aah, only if it were possible in this physical world. The only recourse is to listen to the recordings. That charisma is going to remain alive, till the time there is music on this earth. The magic of Rafi Sb’s voice will never cease.

Moving ahead with the next instalment of this series. Picking up next letter ‘इ’, I bring to the blog this wonderful favourite song, which has become a rarity these days. I could not find this song online. Another collector in his own channel has, with deliberation, posted a very short clip of this song. I can see comments from other listeners, requesting for posting the complete song. But of course, some people, you know. . .

The song is from the film ‘Pyaar Ki Jeet’ from 1962. The film is produced under the banner of Roopvani Films and is directed by Vasant Painter. The cast of actors includes Mahipal, Indira, Heeralal, Ratnamala, Pal Sharma, SK Shukla, Baby Shobha, Kalpana, Mohan Choti, Arun, and Polson amongst others.

Only four songs are listed for this film. The songs are written by Qamar Jalaalabaadi and the music direction is by Sudhir Phadke.

In this song, the voice accompanying Rafi Sb’s, is of Asha Bhosle. The song has such an endearing flow, and when it comes to end after two antaraas, it seems almost abrupt. It builds into such a comfortable listen that, when it ends, the feeling it leaves behind is – ‘it ended too soon, there should be more’. Simple words, simple melody, rendered with deliberate softness and slowness. What a lovely song which is full of sadness of separation. Very touching.

Song – Is Jag Mein Kahin Bhi Rahiyo (Pyaar Ki Jeet) (1962) Singer – Asha Bhosle, Mohammed Rafi, Lyrics – Qamar Jalaalabaadi, MD – Sudhir Phadke

Lyrics

is jag mein kahin bhi rahiyo
meri preet bhool na jaiyo

is jag mein kahin bhi rahiyo
meri preet bhool na jaiyo

is jag mein kahin bhi rahiyo. . oo. . oo. .

ye lahu nahin hai pag mein
aasha ka lahu behta hai
tum sun jo sako to sun lo
beh beh ke tumhen kehta hai
aasha ko tod na jaiyo. . oo. . oo. .
meri preet bhool na jaiyo
is jag mein kahin bhi rahiyo. . oo. . oo. .

is lahu ko ik din sajni
sindoor banana hoga
teri maang sajaani hogi
doli mein bithaana hoga
us din ki khoj mein rahiyo. . oo. . oo. .
meri preet bhool na jaiyo
is jag mein kahin bhi rahiyo
meri preet bhool na jaiyo

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
इस जग में कहीं  भी रहियो
मेरी प्रीत भूल ना जइयो

इस जग में कहीं  भी रहियो
मेरी प्रीत भूल ना जइयो

इस जग में कहीं  भी रहियो॰॰ ओ॰॰ ओ॰॰

ये लहू नहीं है पग में
आशा का लहू बहता है
तुम सुन जो सको तो सुन लो
बह बह के तुम्हें कहता है
आशा को तोड़ ना जइयो॰॰ ओ॰॰ ओ॰॰
मेरी प्रीत भूल ना जइयो
इस जग में कहीं भी रहियो॰॰ ओ॰॰ ओ॰॰

इस लहू को इक दिन सजनी
सिंदूर बनाना होगा
तेरी मांग सजानी होगी
डोली में बिठाना होगा
उस दिन की खोज में रहियो॰॰ ओ॰॰ ओ॰॰
मेरी प्रीत भूल ना जइयो
इस जग में कहीं  भी रहियो
मेरी प्रीत भूल ना जइयो


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3467 Post No. : 13917

“China Town”(1962) was produced and directed by Shakti Samant for Shakti films, Bombay. The movie had Shammi Kapoor, Shakila, Helen, Madan Puri, S N Bannerji, Mridula, Jeewankala, Gautam Mukherji, Kanu Roy, Shetty, Samson, Keshav, Khursheed, Tuntun, Rasheed Khan, Polson, F C Chang, Khatana, Fazal, Abdul, Lydia, Deendayal, Balaram, Ranjeet Sood, Shamsher Singh, Master aziz, Master Aslam, Aruna, Ram Reddy, Bina, Mauji Singh, B Bannerji, Bhattacharya, Minu, Mohan, Omi etc in it.

The movie had eight songs in it. Six of these songs have been covered in the blog.

Here is the seventh song from “China Town”(1962) to appear in the blog. This song is a duet sung by Asha Bhonsle and Rafi. Majrooh Sultanpuri is the lyricist. Music is composed by Ravi.

The song is sung in qawaali style but it is picturised as a mujra style dance song on a dancer who lip syncs in Asha Bhonsle’s voice whom I am unable to identify as well as on Shammi Kapoor, playing her client, who sings in Rafi’s voice. It seems that Shammi Kapoor is in disguise and is on a spying mission.

I request our knowledgeable readers to help identify the female dancer.

Video

Song-Bada qaatil hai mera yaar china chin chin chu (China Town)(1962) Singers-Asha Bhonsle, Rafi, Lyrics-Majrooh Sultanpuri, MD-Ravi

Lyrics

humse mat poochho ke hum kya kar gaye
kis tarah nazron ka daaman bhar gaye
koi inki shokhiyaan dekha kiya
aa aa aa aa
hum to inki saadgi per mar gaye

haaye
alla kasam
o bada qaatil hai mera yaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu

haath mein teer na talwaar china chin hin chu
haath mein teer na talwaar china chin hin chu

haaye ye naaj ki jis naaj pe laila mit jaaye
haaye ye naaj ki jis naaj pe laila mit jaaye
haaye ye husn ki jis husn pe duniya lut jaaye
dil ise dekhe to mushqil hai ki khaamosh rahe
mera jimma hai
kisi ko bhi agar hosh rahe

haaye haaye haaye haaye sadqe
hai kuchh aisa mera dildaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu

haath mein teer na talwaar china chin chin chu
haath mein teer na talwaar china chin chin chu

inki har baat pe nikle na mera dam kaise
inki har baat pe nikle na mera dam kaise
ye adaayen hon to qurbaan na hon hum kaise
kabhi is tarah khafa
jaise koi pyaar kare
kabhi khaamosh
ki jaise koi ikraar kare
aur
kabhi ikraar mein inkaar china chin chin chu

bada qaatil mera dildaar china chin chin chu
bada qaatil mera dildaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu
haath mein teer na talwaar china chin chin chu
haath mein teer na talwaar china chin chin chu

humne chaaha thha ki zaalim ko na chaahenge kabhi
humne chaaha thha ki zaalim ko na chaahenge kabhi
ik sitamgaar se ab yoon na nibhaayenge kabhi
par karen kya
ki hum hi hoke khafa bhool gaye
jab mili aankh
to sab jaur o jafa bhool gaye

o kasam khuda ki
kya karen
aa hi gaya pyaar china chin chin chu
o bada qaatil hai mera yaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu

haath mein teer na talwaar china chin chin chu
haath mein teer na talwaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu
bada qaatil hai mera yaar china chin chin chu
o bada
qaatil
mera yaar
china chin chin chu
bada qaatil


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3465 Post No. : 13909

“Bus Conductor”(1959) was produced by Ashok Bhambhri and directed by Dwarka Khosla for Sharda Films, Bombay. the movie had Shyama, Premnath, Amarnath, Maruti, Satish Batra, Sujata, Umesh Sharma, ramlal, Khairati, Narbada Shankar, Ameer NBano, Sadhana, Surya Kumar, Helen, Kanchanmala, Sheila Vaz, Cuckkoo etc in it.

The movie had six songs in it. Four of these songs have been covered in the past.

Here is the fifth song from “Bus Conductor”(1959) to appear in the blog. The song is sung by Rafi, Asha Bhonsle and chorus. Noor Dewasi is the lyricist. Music is composed by Bipin Babul.

Only the audio of this song is available. Guessing from the OP Nayyar like music as well as the lyrics, this song has to be a dance song where the lead pair accompanied by other dancers indulge in this “teasing war” of the genders. The tune alternates between Punjabi folk music and Maharashtrian Lavani folk music.

I have not been able to get a few words right in the lyrics. I request our readers with keener ears and understanding of the languages to help fill in the blanks/ suggest corrections. I also request our knowledgeable readers to throw light on the picturisation of this song.


Song-Paas hamaare aayiye aji door se na tadpaaiye (Bus Conductor)(1959) Singers-Rafi, Asha Bhonsle, Lyrics-Noor Dewasi, MD-Bipin Baabul
Male chorus
Female chorus

Lyrics

paas hamaare aayiye
aji door se na tadpaayiye
yaad mein teri raat raat bhar
dil se nikle haaye
o balle
o balle
o balle
haath main jodoon jaaiyiye
na sabzbaagh dikhlayiye
are jhooth tu bole baat baat mein
sharm na tujhko aaye
hoy
hoy
hoy

o o o
jis dil mein kisi ka pyaar nahin
wo paththar hai dildaar nahin
tu baaten kar bekaar nahin
yahaan chalega tera waar nahin
aakhaan mann lo saada soneyo
kaahe ko tarsaaye
o balle
o balle
o balle
haath main jodoon jaayiye
na sabzbaagh dikhlaayiye

aa aa aa aa aa
kaaye naache bhaangda chhi chhi chhi
baba hamsa hathoda ji ji ji
aai ga
kaaye naache bhangda chhi chhi chhi
baba hamcha hathoda ji ji ji

patli kamar hai tirchhi nazar hai
chaangli hi baai
ji haan ji haan ji
ji haan ji haan ji
ji haan ji haan ji ji
bagey sundar hai pora
rang bhi hai gora
moonchhen hain bal khaayi ee
ji haan ji haan ji
ji haan ji haan ji ji
ji haan ji haan ji ji
dil dil se milaa lo ji ji ji
haaye rama duhai hai ji ji ji
ji ji ji

shaava

le paas main tere aa gayi
le teer nazar ke kha gayi
ab to dede haath haath mein kaahe ko sharmaaye
haaye
haaye
haaye
oye sadke jaawaan goriye
oye ganne di ye poriye
tu ho jiske saath saath
wo maat kabhi na khaaye
o balle
o balle
o balle
yeaah haha ha
o balle balle balle balle balle
he he he he he
hoy hoy hoy hoy hoy
balle balle balle balle balle
haay haay haay haay haay
hoy hoy hoy hoy hoy
balle balle balle balle balle


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 2
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘आ’ – आ तुझको बुलाएँ ये प्यासी निगाहें

 

जाने वाले फिर नहीं आते
जाने वाले की याद आती है

The dear ones who depart this world, do never return; just the memories remain. And then, just as another poet has said, “यादों का सहारा ना होता, हम छोड़ के दुनिया चल देते”. If we did not have the bracing support of the memories, life would really have been a difficult journey to tread. Memories make us experience the past emotions once again, and in a manner, give us the strength to permeate the emotions of sorrow that may linger after the departure of a loved one.

There is a blessing for us lovers of music, in that the sounds and the images have been preserved, for the past about a hundred years plus, and this repository allows us to visit and visit again to refresh some very dear memories.

The best are always the favorites. Like Rafi Sb. As Atul ji has observed in a recent post, that about half of all that he has rendered is already hosted on our blog also. And that means, there is still another half that we have to resurrect and bring on to showcase here. Quite some consolation that this endeavor promises to keep us busy for a good amount of foreseeable future.

Today’s delightful duet is from the film ‘Pyaara Dushman’ from 1955.  Another light romantic song – we encounter a hesitant gentleman, and the lady who is encouraging him on, asking him to have no fear. The accompanying singer is Asha Bhosle. Lyrics are by Saba Afghani. The lilting and endearing music composition is by Nisar Bazmi. Incidentally, just yesterday, Atul ji has posted another song from this film – a solo by Rafi Sb. Though not a rare occurrence, it is interesting to note such quick progression sometimes. 🙂

[Note: Another thing that I would like to add is that I am more or less the culprit for the near miss for the solitary post yesterday. The song from ‘Lagaan’ (Arun ji’s post) that appeared around 1.30 in the morning today, was supposed to have been online sometimes by evening yesterday. But then I got swamped with certain other priorities, and could not complete all the steps of post preparation in good time. Atul ji is just the cavalry that appears in time, before the end of the film. 🙂 ]

Song – Aa Tujhko Bulaayen Ye Pyaasi Nigaahen (Pyaara Dushman) (1955) Singer – Asha Bhosle, Mohammed Rafi, Lyrics – Saba Afghani, MD – Nisar Bazmi
Mohammed Rafi + Asha Bhosle

 

Lyrics

aa tujhko bulaayen
ye pyaasi nigaahen
ae jaan e jahaan
tu hai kahaan
aa jaa
abhi to dil hai jawaan
naya naya hai jahaan
abhi to dil hai jawaan
naya naya hai jahaan

pyaar ke raste bade nashile
pyaar ke raste bade nashile
mere behke kadam
mujhe thaam e sanam
mere behke kadam
thaam e sanam
chal na sakoon main
ab kya karoon main
abhi to dil hai jawaan
naya naya hai jahaan
abhi to dil hai jawaan
naya naya hai jahaan

pyaar ka chaska
nahin hai bas ka
pyaar ka chaska
nahin hai bas ka
hai aankhon mein sharam
mera dil hai naram
hai aankhon mein sharam
dil hai naram
anjaan hoon main
kaise kahoon main
abhi to dil hai jawaan
naya naya hai jahaan
abhi to dil hai jawaan
naya naya hai jahaan

kaahe ka darr hai
kahaan nazar hai
nai dagar hai
yahi fikar hai
karo is ka na gham
bahut achha sanam
karo is ka na gham
achha sanam
hum hain tumhaare
tum ho hamaare
abhi to dil hai jawaan
naya naya hai jahaan
abhi to dil hai jawaan
naya naya hai jahaan

aa tujhko bulaayen
ye pyaasi nigaahen
ae jaan e jahaan
tu hai kahaan
aa jaa
abhi to dil hai jawaan
naya naya hai jahaan
abhi to dil hai jawaan
naya naya hai jahaan

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आ तुझको बुलाएँ
ये प्यासी निगाहें
ए जान ए जहां
तू है कहाँ
आ जा
अभी तो दिल है जवां
नया नया है जहां
अभी तो दिल है जवां
नया नया है जहां

प्यार के रस्ते बड़े नशीले
प्यार के रस्ते बड़े नशीले
मेरे बहके कदम
मुझको थाम ए सनम
मेरे बहके कदम
थाम ए सनम
चल ना सकूँ मैं
अब क्या करूँ मैं
अभी तो दिल है जवां
नया नया है जहां
अभी तो दिल है जवां
नया नया है जहां

प्यार का चस्का
नहीं है बस का
प्यार का चस्का
नहीं है बस का
है आँखों में शरम
मेरा दिल है नरम
है आँखों में शरम
दिल है नरम
अंजान हूँ मैं
कैसे कहूँ मैं
अभी तो दिल है जवां
नया नया है जहां
अभी तो दिल है जवां
नया नया है जहां

काहे का डर है
कहाँ नज़र है
नई डगर है
यही फिकर है
करो इस का ना ग़म
बहुत अच्छा सनम
करो इस का ना ग़म
अच्छा सनम
हम हैं तुम्हारे
तुम हो हमारे
अभी तो दिल है जवां
नया नया है जहां
अभी तो दिल है जवां
नया नया है जहां

आ तुझको बुलाएँ
ये प्यासी निगाहें
ए जान ए जहां
तू है कहाँ
आ जा
अभी तो दिल है जवां
नया नया है जहां
अभी तो दिल है जवां
नया नया है जहां


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Yesterday (24 december 2017) was Rafi’s birth anniversary and today (25 december 2017), apart from being Christmas, is the birth anniversary of Naushad.

We in the blog try to combine such anniversaries and discuss songs that such artists may have combined to create. And it goes without saying that the collaboration of Rafi and Naushad has been a long and fruitful one.

I counted each and every song that had the voice of Rafi and which was composed by Naushad. I found that the two were associated in 40 movies and 160 songs, beginning from “Pahle Aap”(1944) and ending with “Love and God” (1986).

Contributors may think that they have such a large number of Rafi-Naushad songs to chose from if they have to sent their guest articles, or lyrics, but that is not so.

All songs created by Rafi and Naushad beginning from “Pahle Aap”(1944) upto “Ganwaar”(1970) have already been covered in the blog. This 16 year span covers all the magnum opus that Naushad created (and utilised Rafi’s voice in them) viz. Pehle Aap , Anmol Ghadi, Shahjahaan, Mela, Andaaz, Chaandni Raat, Dillagi, Dulaari, Baabul, Daastaan, Deedaar, Jaadoo, Aan, Baiju Baawra, Deewaana, Amar, Shabaab, Udan Khatola, Mother India, Sohni Mahiwal, Kohinoor, Mughal e Azam, Ganga Jamuna, Son of India, Mere Mehboob, Leader, Dil Diya Dard Liya, Saaz Aur Aawaaz, Paalki, Ram aur Shyam, Aadmi, Sangharsh and Ganwaar have already been YIPPEED and so all Rafi songs in these movies have been covered as well.

In fact, 146 out of 160 songs created by the collaboration of Rafi and Naushad have already been covered in the blog.

By 1970, Naushad and his generation of oldtimer music directors were already upstaged by the new generation of music directors led by R D Burman. Naushad collaborated with Rafi in seven more movies during 1970s and 1980s. And it is in these movies that offer us the remaining Naushad compositions with Rafi’s voice.

Following are the movies that offer us the last remaining Rafi songs under Naushad’s baton.

Movie Year No of songs in the blog with Rafi No of songs in the movie with Rafi Remarks
Taangewaala 1972 1 4 The song under discussion in the writeup
My Friend 1974 1 4
Sunahra Sansaar 1975 0 1
Chambal Ki Raani 1979 0 1
Love and God 1986 1 6
Total 3 16 13 songs remaining

Peevesie’s mom discussed a Rafi-Naushad song from “Dharam Kaanta” (1982) and all Rafi songs of this movie thus got covered. So this movie just avoided getting figured in the table above.

The table above mentions that no Rafi songs from “Taangaawaala”(1972) has been covered. That was before the song under discussion. This song under discussion is a Rafi-Asha Bhonsle duet from “Taangewaala”(1972). the song is penned by Majrooh Sultanpuri. Music is composed by Naushad.

The song is picturised as a roadside tamasha song on Rajendra Kumar and Mumtaz. They are shown doing publicity for a movie called “Kaala Chor”. People who lived through that era will recall that movies that were being shown in the local movie halls were given street to street publicity. A man, fancying himself to be the local version of Ameen Sayani would announce about the movie seated on a cycle rickshaw. He would play songs as well (not necessarily from the movie being advertised). Kids were especially interested in the pamphlets of the movie that he would distribute among people.

The picturisation is a filmy version of those days of door to door publicity campaigns for movies. 🙂 This picturisation would certainly bring back fond memories for those who lived through that era. The lyrics by Majrooh Sultanpuri are truly outstanding.

With this song done and dusted, now just 13 more Rafi-Naushad songs are left to be covered before we raech what can be described as a mega YIPPEE landmark of all Rafi-Naushad songs getting covered in the blog.


Song-Do deewaane aaye ek tamaasha laaye (Taangewaala)(1972) Singers-Rafi, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-Naushad

Lyrics

aao aao
aao aao
are aao aao
are aao aao
aao aao

do deewaane
aaye
ek tamaasha
laaye
dekho sau feesdi film ye
bole naache gaaye
kaho kya jhoothh baat hai
nahin
to bas phir dekho bhaalo
jawaani ke gun gaa lo
ho do deewaane
aaye
arre ek tamaasha
laaye
dekho sau feesdi film
ye bole naache gaaye
kaho kya jhoothh baat hai

nahin
to bas phir dekho bhalo
jawaani ke gun gaa lo

aao dekho pyaare
ye khel tumhen lalkaare
naam hai kaala chor
ye picture bhaaraat ki mashoor

laaraa loo
laaraa loo
arre
laaraa loo
laaraa loo
laaraa loo
dushman se wo fight
jo huliya kar de tight
are scene hazaaron ismein
maara maari se bharpoor
huntar kadke
paanch aane mein
ghoda bhadke
paanch aane mein
chhaati dhadke
paanch aane mein
dekho mere yaar jawaani khel ajab dikhlaaye
haa haa
do deewaane

aaye
arre ek tamasha
laaye
dekho sau feesdi film ye
bole naache gaaye
kaho kya jhoothh baat hai

nahin
to bas phir dekho bhaalo
jawani ke gun gaa lo

kismat unki phooti
ye picture jinse chhooti
biwi bachchon ko dikhla
aur tu bhi jaldi dekh
laara loo
laara loo
arre
laara loo
laara loo
laara loo
kaam mera samjhaana
phir peechhe na pachhtaana
touring talkie ke jaane mein
din hain bas do ek
aao dekho

paanch aane mein
aankhen senko
paanch aane mein
dil bhi phenko
paanch aane mein
jo mukhda parde par dekho
sapne mein bhi aaye

arre do deewaane
aaye
ek tamasha
laaye
dekho sau feesdi film ye bole naache gaaye
kaho kya jhoothh baat hai
nahin
to bas phir dekho bhalo
jawani ke gun gaa lo

Indian news reel

khel se pehle logon
duniya ki khabren dekho
dekho kaise sailaabon mein bahte hain ghar baar

kahin kaal
bhoochaal
arre laaraloo laaraloo laaraloo

kaise milta ration
ration ke oopar bhaashan
bhaashan jispe hoti hai
neta ki jai jai kaar

Paris London
paanch aane mein
Turkey German
paanch aane mein
chal Washington
paanch aane mein
dekh le apni aankh se koi chaand pe kaise jaaye
ho o
do deewaane aaye
ek tamaasha laaye
dekho sau feesdi film ye bole naache gaaye
kaho kya jhoothh baat hai
nahin
to bas phir dekho bhalo
jawaani ke gun gaa lo


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

Wishing all a Merry Christmas. Also remembering Guru Gobind Singh on his 351st Jayanti today. I know for Christmas we should say “Merry Christmas” but unfortunately, what does one wish for Guru Gobind Singh Jayanthi. My apologies to all our Sikh friends for my ignorance.
I believe there is a confusion regarding the exact date. As per the Gregorian calendar it could be any date from December 22nd to January 15th as the Indian calendar says Saptami of Shukla Paksh in Paush month. I also read in some newspapers that there are almost weeklong celebrations in many parts of India.

But my today’s post is to remember one of India’s topmost music director of the 40s, 50s & 60s. He began by assisting Ustaad Jhande Khan, Ustaad Mushtaq Hussain etc in the late 30s. He composed for his first independent film “Prem Nagar” in 1940 and with A.R. Kardar’s “Nayi Duniya” (1942) he got his first credit as music director. Now I know that all the stalwart- followers of this blog would have guessed that I am talking about Naushad.

Something which I realised as I sat to write this post is “wow! Yesterday was Mohd. Rafi’s birth anniversary and today is Naushad saab’s. Interesting”

As I always say, I am no authority to write about any of the stalwarts that graced the Bollywood film scene in the golden era of Hindi film music. Or for that matter of any age and time as I only love the music created by them and don’t know anything personally, whatever I know is hearsay or whatever I have read up over the years. But our Rajaji had written a very beautiful post Duniya chhote yaar na chhoote on the occasion of Naushad’s death anniversary.

Without much build-up I will come directly to today’s song. I was looking for a song that would bring Mohd. Rafi and Naushadsaab together and also fulfil the criteria of being from my growing up years. I landed on “Dharam Kanta”. This movie had six songs of which three were duets- Mohd. Rafi with Bhupinder (already posted) and with Asha Bhonsle two songs- one is posted. Here is the next one. The songs of the movie were penned by Majrooh Sultanpuri.


Song-Tera naam liya dil thhaam liya (Dharam Kaanta)(1982) Singers-Asha Bhonsle, Rafi, Lyrics-Majrooh Sultanpuri, MD-Naushad

Lyrics

dil ke bazaar mein
daulat nahin dekhi jaati
pyar ho jaaye toh
soorat nahin dekhi ee jaati
aaaaa aaaaaa
aaaaaa aaaaaa
ek adaa par yeh dil o jaan
nichhaawar kar doon oon oon
maal achchaa ho toh keemat nahin dekhi ee jaati

ulfat ko zamaan kya jaane
aaaaaa
aaa aaa aaa
ulfat ko zamaana kya jaane
ulfat se toh hamne kaam liya
ke tera naam liya
dil thhaam liya
tera naam liya
dil thhaam liya
tera naam liya
naam liya
naam liya
tera naam liya
dil thhaam liya
tera naam liya
hum bhi to inhin do baaton par
badnam huye
ilzaam liya
ke tera naam liya
dil thhaam liya
tera naam liya
dil thhaam liya
tera naam liya
naam liya
naam liya
tera naam liya
dil thhaam liya
tera naam liya

parda bhi hai
aur parda bhi nahin
jalwa bhi hai
aur jalwa bhi nahin
aaa aaa aaaa
aaa aaa aaa aa
chilman kahin padi ho
sarakti zaroor hai
dilwaalon ki nigaah
pahunchti zaroor hai
kangan ho choodiya hon
magar pichchli raat ko
koi na koi cheez khanakti zaroor hai ae
parda bhi hai
aur parda bhi nahin
jalwa bhi hai
aur jalwa bhi nahin
jalwa bhi hai
aur jalwa bhi nahin
andaaz yahi dikhlaake sanam
dil toone mera bedaam liya
ke tera naam liya

dil thhaam liya
tera naam liya
dil thhaam liya
tera naam liya
dil thhaam liya
tera naam liya
dil thhaam liya
tera naam liya
naam liya
naam liya
tera naam liya
dil thhaam liya
haan tera naam liya
dil thaam liya
haan tera naam liya


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 1
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘अ’ – अब जीने का मौसम आया

kya kahoon
kuchh kahaa nahin jaaye. . .

Really so – our utterances and our thoughts well nigh come to a helpless pause. The more I want to substantiate these thoughts, the more difficult I find to avoid repeating myself. And yet, the voice of Rafi Sb, the limitless nuances of emotions it carries, the multitude of expressions carried in thousands of songs – that voice, that divinity descended from the heavens, continues to perpetuate afresh, with every song that is played. There seems no end to this variety.

Another year has passed without him. Over the years, many imitators have come, but none have lasted. Month in and month out, there are stage shows arranged by music lovers, in many cities and abroad too. Aspiring singers continue to sing his songs, trying to find that matching groove, that may bring their voice closer to the original sound. But alas, that is a bridge too far.

His voice is the genuine sound of the soul itself. No manner of training, no amount of practice, will bring that quality into the emotions of singing. It can only be a gift – it IS a gift, only a gift. A gift that stays and sustains only with a soul that has the humility to acknowledge it as such. And a thought comes to mind; what would be antecedents of this soul, that God chose him to bestow this divine gift. The incomparable goodness of being, the profound purity of the mind, the connected-ness with what may be termed as divinity. . . we may think up so many such epithets and yet will not be able to define and measure the totality of the personality that is Rafi Sb. In all His creation over all the aeons, He chose him to be this voice. And thence ends, our ability to delineate any more.

– – – – –

Coming to the song for today. A while back, I had posted a series of Rafi Sb songs from ‘अ’ to ‘ह’. In the closing episode of that series, I had reiterated that there still are such very lovely songs of Rafi Sb that are awaiting their entry here. And that, as I had conducted my search for solo songs for that series, I had come across a sizeable body of duet songs of Rafi Sb, that could well make up another series. And Raja ji had immediately taken me up on this remark, and wrote that he would be eagerly awaiting its publication.

Been a while now to the previous series. (Interested readers can find the summary list of songs in that series, in its last song at “Hum To Pehli Hi Nazar Mein De Chuke Hain Dil Tumhen“). It got initiated on Rafi Sb’s birth anniversary in 2015 and was completed in April 2017 – 37 songs in all. Today, it is another similar anniversary, and maybe a good time to initiate the proposed (and requested) series.

So here we are, with the first song of the this new series of Rafi Sb duets –from ‘अ’ to ‘ह’. I have done some more filtering and selection, and I hope to bring to you some of the very best of the as yet un-posted and maybe even unheard duets of Rafi Sb.

Today’s superb song is from the 1966 film ‘Dillagi’. The words are from the pen of Majrooh Sb, and the music is from the then very new duo of composers – Laxmikant Pyaarelal. The singing voice accompanying Rafi Sb is Asha Bhosle. The song is kind of a regular ‘in-the-park-and-around-the-tree’ genre. The young lovers are expressing their feelings to each other – that the time for living has now come, that they have met.

The intonations are lovely, the pace is unhurried, the words by Majrooh Sb are just so beautiful. This is a song that I remember having heard on the radio. But searching for this online, when I found its video, I simply fell more in love with this song. Maybe the HD quality of the clip has something to do with it. But more than that, it is also the on screen performances rendered by Mala Sinha and Sanjay.

A wonderful love song – to fall in love with. Listen and enjoy.

 

Song – Ab Jeene Ka Mausam Aaya (Dillagi) (1966) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Majrooh Sultanpuri, MD – Laxmikant Pyaarelal
Mohammed Rafi + Asha Bhosle

Lyrics

ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya

rukh pe mere jo thi
gard e gham dhul gayi
rukh pe mere jo thi
gard e gham dhul gayi
haaye
zulfen jaana teri
har shikan khul gayi
nahin ye tan mera
tumhaari baahon mein
bahaaren balkhaati
chalin hain raahon mein
nahin ye tan mera

tumhaari baahon mein
bahaaren balkhaati
chalin hain raahon mein
raahon mein
ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya

tum sadaa saath ho
yun mere pyaar ke
tum sadaa saath ho
yun mere pyaar ke
jaise rehta hai dil
mere rukhsaar pe
nasheeli aankhon ki
sadaa se peete hain
tumhin pe martey the
tumhin pe jeete hain
nasheeli aankhon ki
sadaa se peete hain
tumhin pe martey the
tumhin pe jeete hain
jeete hain
ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya

teesra kyon rahe
hum pe saaya kiye
teesra kyon rahe
hum pe saaya kiye
haaye
keh do suraj se doobey
ab khuda ke liye
abhi to din aaya
khuda khuda kar ke
abhi kahaan dekha
kisi ko jee bhar ke
abhi to din aaya
khuda khuda kar ke
abhi kahaan dekha
kisi ko jee bhar ke
jee bhar ke
ab jeene ka
ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya

hmmm hmmm hmmm
hmmm hmmm hmmm
aa haa haa o ho ho
aa haa haa o ho ho

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया

रुख पे मेरे जो थी
गर्द ए ग़म धूल गई
रुख पे मेरे जो थी
गर्द ए ग़म धूल गई
हाए
ज़ुल्फें जाना तेरी
हर शिकन खुल गई
नहीं ये तन मेरा
तुम्हारी बाहों में
बहारें बलखाती
चलीं हैं राहों में
नहीं ये तन मेरा
तुम्हारी बाहों में
बहारें बलखाती
चलीं हैं राहों में
राहों में
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया

तुम सदा साथ हो
यूं मेरे प्यार के
तुम सदा साथ हो
यूं मेरे प्यार के
जैसे रहता है तिल
मेरे रुखसार पे
नशीली आँखों की
सदा से पीते हैं
तुम्हीं पे मरते थे
तुम्हीं पे जीते हैं
नशीली आँखों की
सदा से पीते हैं
तुम्हीं पे मरते थे
तुम्हीं पे जीते हैं
जीते हैं
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया

तीसरा क्यों रहे
हम पे साया किए
तीसरा क्यों रहे
हम पे साया किए
कह दो सूरज से डूबे
अब खुदा के लिए
अभी तो दिन आया
खुदा खुदा कर के
अभी कहाँ देखा
किसी को जी भर के
अभी तो दिन आया
खुदा खुदा कर के
अभी कहाँ देखा
किसी को जी भर के
जी भर के
अब जीने का
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया

हम्म हम्म हम्मम
हम्म हम्म हम्मम
हम्म हम्म हम्मम
हम्म हम्म हम्मम
आ हा हा ओ हो हो
आ हा हा ओ हो हो


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (24 december 2017) is an important day for HFM lovers. It is the birth anniversary of the one and only Mohammad Rafi (24 december 1924- 31 july 1980).

Even those Indians who are not into HFM became aware to today being Rafi sahab’s birthday as soon as they opened the google browser. Today’s google has a Rafi google doodle on its home page for Indian visitors. A click on this doodle takes visitor’s to wikipedia’s page on Rafi.

We in this blog know much more about Rafi than the information contained on the wikipedia link of Rafi, of course. This is a day when we pay our tributes to Rafi by writing special articles and discussing Rafi songs that are not yet covered in the blog.

Though the blog is supposed to have seen lots and lots of Rafi related articles today, so far we have had only two articles. Our regulars made comments in our whatsapp group like “Avinash ji has scored the first run on the blog today.” followed by Raja’s “hurriedly” written article with the comment “have just sent the post. Hurriedly done. A test player, forced to bat in a T20. 🙂 ”

Raja was feeling like a test player of 1970s who is more comfortable scoring 36 in 60 overs rather than one who is required to score at a strike rate of knots sending the balls to all corners like tracer bullets. :).

If Raja felt like Gavaskar, then I felt like Dhoni, who would play the sheet anchor role even in T20 till 19 overs, who would then try to score all the runs in the final over. 🙂

when we discuss anniversaries of HFM artists, we tend to look back at the career of the artist, remembering his memorable songs. We have done it many times in the past. Seeing that many of us tend to think of cricket even while discussing HFM, I have been trying to bring a cricketing concept in the blog- viz statistics. These days I try to present a statistical analysis of artists which is my way of paying tribute to the artist. Seeing that HFM statists are not readily available, I have to do the statistical analysis myself. The results that I get are often very interesting.

Take the statistics of Rafi for instance. It is known that Rafi sang just under 5000 songs in HFM during his 35 years career from 1944 till 1980. But what about deeper into these statistics ? Doing ABC analysis on them for instance.

I did just that and I came up with some interesting results.

Rafi worked with 14 major composers who composed more than 100 songs each with him. These 14 major composers composed 2763 songs with Rafi which works out to about 56 % of all Rafi songs.

These music directors are:

Music Directors wise songs
Music Director No of songs in the career with Rafi
Laxmikant Pyarelal 409
Shankar Jaikishan 388
Chitragupta 280
Ravi 271
O P Nayyar 217
Kalyanji Anandji 191
Madan Mohan 165
Naushad 159
R D Burman 129
N Datta 120
Usha Khanna 117
Sonik Omi 110
S D Burman 106
S N Tripathi 101
Total 2763

Then there are 45 music directors who composed in double figures (viz between 10 to 99) with Rafi. Together they composed 1530 songs with Rafi.

So these 59 composers composed 4293 Rafi songs viz 86 % of all Rafi HFM songs.

Then there is this figure of 173 music directors who composed between one to nine songs each with Rafi. Their total output adds up to 517 songs which may look small, but it is a figure bigger than the HFM career aggregates of some well known and even legendary playback singers.

Laxmikant Pyarelal, who worked the most with Rafi composed 8 % of all Rafi songs in HFM. Laxmikant Pyarelal worked with Rafi is a whopping 174 movies. I find it interesting that Anand Bakshi penned as many as 267 out of these 409 songs, whereas Majrooh Sltanpuri is a distant second with just 55 songs. Rafi and Laxmikant Pyarelal worked with 22 lyricists, and some well known lyricists viz Gulshan Bawra, Bharat Vyas, Santosh Anand etc penned just one Rafi song each for Laxmikant Pyarelal.

“Khilona”(1970) is one of the 174 movies where Laxmikant Pyarelal employed the voice of Rafi. In fact, Laxmikant Pyarelal tended to use Rafi’s voice in every movie where they composed, unless they were specifically asked to use some other voice. Laxmikant Pyarelal could not use Rafi in “Bobby”(1973) because Raj Kapoor specifically wanted Shailendra Singh’s voice for Rishi Kapoor in this movie. But later on, Laxmikant Pyarelal used Rafi’s voice with a vengeance for Rishi Kapoor in his subsequent movies where Laxmikant Pyarelal were the music directors.

“Khilona”(1970) was directed by Chandar Vohra for Prasad Productions, Madras. the movie had Sanjeev Kumar,, Mumtaz, Jeetendra, Durga Khote, Bipin Gupta, Ramesh Deo, Chaand Usmaani, Shabnam, Malika, Jaishree, Shatrughan Singha, Jagdeep, Aruna Roy, Mridula, Jagnu Jain, Guddi, Master Satyajit etc in it.

The movie had six songs in it. Four of these songs have been covered in the past. Today, Rafi’s birth anniversary gives us an opportunity to discuss yet another song from the movie.

This song is sung by Asha Bhonsle and Rafi, Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a mujra song. Jeetendra goes to a koha and watches a mujra performance. There he imagines that the mujra is being perfomed by Mumtaz.

I am unable to identify the actress who is actually the mujra performer. I request our knowledgeable readers to help identify her.

As can be seen, we have covered nearly half of all Rafi songs, and we still have lots and lots of great Rafi songs yet to be covered. So we will continue to be able to discuss Rafi songs for many more years to come. Of course I dream of a day when we will be able to cover all the Rafi songs that are available.


Song-Main sharaabi nahin main sharaabi nahin (Khilona)(1970) Singers-Asha Bhonsle, Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

uthh gayi mehfil
bujh gayi shamma
dhal gayi raat gulaabi ja
uthh gayi mehfil
bujh gayi shamma
dhal gayi raat gulaabi ja
ek ghoont bhi aur na tujhko
peene doongi sharaabi ja
sharaabi ja
sharaabi ja
sharaabi ja

hmmm
main sharaabi nahin
main sharaabi nahin
main sharaabi nahin
main sharaabi nahin
aankhon se peene mein kuchh kharaabi nahin
main sharaabi nahin
main sharaabi nahin
main sharaabi nahin
main sharaabi nahin

aah
aah

mujhpe karle yaqeen
main nashe me nahin

aah
aa
mujhpe karle yaqeen
main nashe mein nahin

kisliye phir sanam dagmagaaye kadam
ye hai masti teri sharbati aankh ki
ye nazar hai janaab
ye nahin hai sharaab
rang kya is nazar ka gulaabi nahin
main sharaabi nahin
main sharaabi nahin
main sharaabi nahin
main sharaabi nahin

ab piye to sanam tujhko meri kasam
aah
ab piye to sanam tujhko meri kasam
is tarah rooth kar pher li kyun nazar
aankh bojhal hui khaali botal hui
ji nahin par bhara
aur la
aur la

ek katra nahin
bas zara bhi nahin
tu sharaabi nahin
tu sharaabi nahin
tu sharaabi nahin
tu sharaabi nahin
aankhon se peene mein kuchh kharaabi nahin
main sharaabi nahin
main sharaabi nahin
main sharaabi nahin
main sharaabi nahin


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13900 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

Total number of songs posts discussed

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Movies with all their songs covered =1054
Total Number of movies covered =3803

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