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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rafi-Asha Bhonsle duet’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4042 Post No. : 15167

“Guru Ghantaal”(1956) was produced by R N Sharma and N K Kaushik and directed by S M Yusuf for V K pictures Bombay. The movie had Sheila Ramani, Motilal, Usha Kiran, Agha, Sundar, Mirza Musharraf, Paro, Sheikh, Kesri, Vijaybala, Ravikant, Jagdev etc in it.

The movie had nine songs in it. Five songs have been covered in the past.

Here is the sixth song from “Guru Ghantaal”(1956) to appear in the blog. The song is sung by Rafi and Asha Bhonsle. Khawar Zamaan is the lyricist. Music is composed by Pt Lachchiram.

Only the audio of this rare song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
This is a superb “nok jhonk” duet which deserves to be better known among music lovers.


Song-Ham aapke hain hamse toh parda na keejiye (Guru Ghantaal)(1958) Singers- Rafi, Asha Bhonsle , Lyrics-Khawar Zamaan, MD-Pt Lachchiram
Both

Lyrics

ham aapke hain
humse toh parda naa keejiye
o o o o
aji parda naa keejiye
aji parda naa keejiye
ho
ho o o
ham rooth jaayenge
hamen chheda naa keejiye

arre waah
ho o o o
hamen chheda naa keejiye
aji chheda naa keejiye ae
ho o

ik baat meri gaur se sun leejiye huzoor
ik baat meri gaur se sun leejiye huzoor
farmaayiye farmaayiye
ho o o
farmaayiye farmaayiye
sun lenge ham zaroor
sun lenge ham zaroor

tirchhi nigaah se hamen dekha naa keejiye
dekha naa keejiye
ham aapke hain
haan
ham aapke hain
humse toh parda naa keejiye
ho o o o
aji chheda naa keejiye
humen chheda naa keejiye ae

ho o o

kya jhoothh-moothh baaten banaane se faayda
kya jhoothh-moothh baaten banane se faayda
baithhe bithhaaye hamko
ho o o
baithhe bithhaaye hamko sataane se faayda
sataane se faayda

yoon baat baat par aji roothha naa keejiye
roothha naa keejiye
ham aapke hain
haan
ham aapke hain
humse toh parda naa keejiye
ho o o o
humen chheda naa keejiye
aji chheda naa keejiye ae

ho o o

dar hai ke zamaana kahin majboor naa kar de
dar hai ke zamaana kahin majboor naa kar de
iss pyaar ki duniya se
o o o
iss pyaar ki duniya se kahin door naa kar de
kahin doon na kar de

inn chhoti-chhoti baaton ko socha naa keejiye
socha naa keejiye
ham aapke hain
ham aapke hain
humse toh parda naa keejiye
ho o o o
aji chheda naa keejiye
humen chheda naa keejiye ae

ho o o

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Blog Day : 4029 Post No. : 15145

When you enjoy something, you think nothing of it without jumping on it. On the other hand, if you consider something as a burden, you cannot bring yourself to d it and start postponing it till you can no longer postpone it.

July is one such month when one is required to perform such unpleasant tasks. If one is an Indian tax payer then he must file his tax return by the end of this month. Most people find it an unpleasant task and kep postponing it. When they finally persuade themselves to do it on the last day, they find that others have also got the same idea. And since many people are trying to do the same thing at the same time, the system crashes and that throws things out of gear for everyone concerned.

The government also realises it and the last date is often extended. This year was one such occasion. The last date of filing income tax return has now been extended by one month. The last minute IT return filers will now procrastinate till end of august and will then scramble to file their returns on 31 august 2019, I am sure of it. 🙂

If one is an income tax return filer as well as a central government employee then one has some most unpleasant tasks to perform in this month. This tast is, filling up one’s performance review for the last year. It is called APAR (Annual Performance Appraisal Report).

In the past, things were done manually. Now everything is done online. So, government officers file their APAR as well as ITR electronically.

For someone like me, who is an experienced computer user, filing online APAR and ITR should not be a problem. And these problems can be daunting.

Just like there is a deadline for filing ITR, there is a deadline for APAR as well. Officers in various central governments had time schedule, viz officers would file their self appraisal by 30 june 2019, reporting officer would give his report by 31 july 2019, reviewing officer would give his remark by 31 august 2019 and accepting officer by 15 september etc. Different departments and zones have their own time frame that may be a bit flexible. For instance, in my Railweay zone, one could file self appraisal by 15 july 2019 and reporting officer had to give their review by 5 august 2019 and reviewing officer by 20 august 2019 and accepting officer by 10 september 2019.

Last date for me to file my self appraisal in my APAR was 15 july 2019. It was threatened that after 15 july 2019, the form would move to the next authority (reporting officer) on its own if self appraisal was not done by then. I took no action till 11 july 2019. Then I started to act. I collected data and filled up the relevant portions and then saved the data. That was on friday 12 july 2019.

The next step was to digitally sign it and forward it online to the reporting authority. Digital signature turned out to be a big hassle. Every Government officer has a digital signature ( in a USB token form)with him that he uses for digital signatures for various purposes like filing APAR, authorising purchases etc. These digital signatures are valid only for two years. You merrily use a digital signature and before you realise it, its validity is over. Then one has to apply for new token.

The digital signature that I had successfully used till six months ago was no longer working and so I had obtained a new digital signature. And this was registered in the APAR software as well. But when I tried to sign my APAR form digitally, I got error message. I tried the whole friday and also saturday but I could not get my digital signature working.

I was not the only one struggling with my APAR of course. There were others as well. When I discussed my dilemma with others on the same boat, I was advised that the solution was to de register the digital signature and then re register it.

On monday (15 july 2019), which was the last day for my APAR to be sent, I tried to follow the advice. I de registered the digital signature and then re registered it. Then, with bated breath, I procceeded on to affix digital signature. Much to my relief, this time it worked like a charm and my APAR went through duly digitally signed, to the next authority, viz reporting officer.

I too was reporting officer and/or reviewing officer for many officers and their APARs has arrived on my inbox. So I proceeded to write them. The most satisfying part of the exercise for me was to digitally sign the document and find the satisfying message that the digitally signed document was successfully sent to the next authority. I quickly finished up all APA’s in one day when the going was good and the digital signature was co operating.

That done, I began to feel as if I had won a big battle. Now I began to prepare myself mentally for filing the ITR. Going by past experience, I know that one should not try to file ITR on the last day. One should file it at least a few days in advance when income tax depratment servers are not lightly loaded and respond well. On the last day, one may not even get to access these servers.

In the past, ITR filing was a manual process and it had to be submitted in the local Income tax office, duly taking stampedacknowledgement. It was a hassle and so many people, including me, would pay money to some chartered accountant, who would bring an ITR form and take your signature on it. Then he would fill up the various colums, submit the form to the income tax office and give you the stamped acknowledgement.

The chartered accountant earned his money because it was a work full of hassles. And then the income tax rates kept on changing every year. Moreover, female employees had different income tax rates. So I would just get in touch with a chartered accountant and pay him for filing ITR for me as well as my wife.

Since 2012 or so, it has become possible to file income tax online. One could file it online, and also digitally sign if you had a digital signature with you. I would resolve to have a digital signature for myself, but I could never live up to this resolution. So, the next best thing was to take print our of the online filled form, sign it manually and send it to Income tax department at Bangalore. After a few months, you would receive acknowledgement that your ITR was accepted.

When online filing of ITR became possible, I began to do it for me and my wife.

since this was once in an year exercise, I would forget how I had filled up the ITR the last year and I would start afresh. I was this feeling that I had forgotten how it is done, that was the cause behind my reluctance in filing ITR.

Though the last date for filing ITR was extended to 31 july 2019, I decided that it was high time that I mustered enough courage and be done with it. So, it was on 29 july 2019 that I opened the computer and logged on to the income tax department site. And it was there that I got stuck. What was my user name and password ? With some online query, I realised that once PAN number was the user ID. Then I typed my password on a hunch and it worked. So I was relieved. I was finally logged on to the income tax department site.

I chose the option of filing the return online. I had my form 16 ready with me. I managed to put most values correctly and was pleased that the online calculator agreed with the calculations of form 16. But when I reached the portion that calculated income tax, I found that I was supposed to pay some more tax according to IT department calculation, whereas my form 16 showed that I had paid more tax than needed and IT department owed me some refund.

Where was the discreparcy ? On carefull scrutiny, I realised that I had not mentioned by contribution towards PM national relief fund, which was 100 % tax deductible. But how to enter this figure ? The relevant column of section 80 G was not accepting the figure. Then I realised that the ITR form had another tab for donations under sction 80 G. I went to that tab, filled the details and found that the relevant column in the form now accepted this figure. I also found that now the form 16 figures of income tax matched with the online calculation. So IT department was now in agreement that I had paid all my IT and I owed some refund.

That done, I saved the draft and came to the final part which is always my favourite part, sending the filled up form. I clicked the send button. The form displayed two errors, one was that I had to specify the bank account where refund is to be received. Second error was about using some prohibited special characters. I rectified the errors and clicked the button. This time the form was submitted.

Submission was alright, but form needed to be verified as well. It was only after verification that the IT depratment processes it. The traditional method is take a print out, sigh it and send it by post of IT department at Bangalore. It is the older and non elegant method of doing it, which used to be the method followed by majority of tax filers. But now several method of e verificcation are available and the IT department keeps adding to it. Last time I had done the e verification though online banking. This time I found a new option, viz e verification through Aadhaar. I chose this option. One gets OTP on one’s Aadhar registered mobile and this OTP is then needed to be typed in on the form. When I did not get the OTP for some time, I again clicked the verify by Aadhaar button. When OTP came and I filled it, I had a feeling that second click meant another OTP and the OTP filled my me was for the earlier click and so my e verification would fail.

I was right. My e mail advised me that my e verification had failed.

I braced myself and repeated the process again. This time I patiently waited for the OTP to arrive. It arrived and I keyed in the numbers. Now I received confirmation message that my aadhaar verification was successful, the ITR was submitted and e verified and I did not have to do anything else.

I felt jubilant. Now it was time to do the same for my wife’s ITR. She had sent her IT details to me by whatsapp, but my mobile storage was full and while deleting my storage, I had deleted her IT details as well. I was itching to process my wife’s IT return but I did not have any details to go by.

After lunch time, I phoned my wife and asked her to send her tax details. Armed with those details, I opened the IT department page and tried to log on. But I got an error- username or password incorrect ! I checked again. The username, viz PAN number was right. Was the password incorrect ? How to check it. I found that I had fortunately saved the details of my wife’s later ITR. The password was incorrect. I fed the correct details and was relieved to find the page opening.

Feeding the details was no problem. I find that the details were already filled up in the form. Apparently, IT department already had picked up the details of her IT return from her form 26AS (TRACES). So the details matched perfectly.

So I saved the draft and submitted the return. As for e verification, I thought that I should do it through online banking. I did that and the OTP that came on my wife’s registered mobile was filled. But the e verification could not be done. Perhaps I had done some mistake. I should have logged out of ITax department site before going to bank site. So I decided to do it through Aadhaar verification. On clicking this option, the IT site demanded aadhaar OTP within 2 minutes. This 2 minute limit was not there when I was doing it for my own tax return. Thankfully the OTP arrived in time and I fed the OTP with 30 seconds to spare. This time the e verification was a success. So, I was able to file the IT return of my wife as well.

As always, when the task gets accomplished, I feel that it was easy ! But by the next eleven months, I will have forgotten the process and I would agains get nervous and feel clueless when it is time to file the ITR the next year. 🙂

After this rather long writeup, I struggled to come up with a “suitable” song to go with it. Then I tried to visualise what the lead pair of Hindi movies will do after they accomplish such an important task. They will go outdoors and sing a joyous duet, of course. 🙂

So, here is just that joyous duet song. The song is sung by Rafi and Asha Bhonsle. Hasrat Jaipuri is the lyricist. Music is composed by Satyam.

The movie was directed by K S R Das for PNR Pictures, Madras. the movie had Anil Dhawan, Aruna Irani, Jyoti Laxmi, Narendranath, Jagdeep, Sulochana, Ramaprabha, Brahm Bhardwaj, Shetty, Coca Cola, Shekhar, Swaraj, Prem Kumar, Master Ripple Sapru, Bindu (special appearance), Baby Dolly, Baby Charulata etc in it.

The movie had five songs in it. Two songs have been covered in the past.

The song is picturised on Anil Dhawan and an unfamiliar looking lady. Going by the cast, my guess is that she is Jyoti Laxmi. I request our knowledgeable readers to help identify the lady.


Song-Kya kar diya bata do zara(Raani aur Jaani)(1973) Singers-Rafi, Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Satyam

Lyrics

kya kar diya
bata do zara
ye dil deewaana hua aa aa
kya kar diya
bata do zara
ye dil deewana hua
tumhi ko mana
tumhi ko chaha tumhi ko pooja
haye bolo kya kar diya
bata do zara
ye dil diwana hua

poochha tumhi ne to kya chaahiye ae
hamne kaha ki wafa chaahiye ae

daaman tumhaara na chhodenge hum
waada wafa ka na todenge hum
wafa nibhaao
idhar to aao
wafa nibhaao
idhar to aao
gale lagaao

haaye bolo
kya kar diya
bata do zara
ye dil deewaana hua
aa aa aa
kya kar diya
bata do zara
ye dil deewaana hua

o o o
ru ru ru ru

la ra la la
laralalalala
lalalala

dam se tumhaare jawaan hai bahaar
tum jo kaho to karoon dil nisaar
tumhaare siva hum kidhar jayenge
yahi hum to kadmon pe mar jaayenge

bade haseen ho
ke dilnasheen ho
bade haseen ho
ke dilnasheen ho
mere yakeen ho
haaye bolo kya kar diya
bata do zara
ye dil deewaana hua

haaye
kya kar diya bata do zara
ye dil deewaana hua

nibhaana sajan dil ki har baat ko
samajhna zara dil ke jazbaat ko

khabar hai mujhe teri har baat ki
kadar hai mujhe tere jazbaat ki
tumhi dharam ho
tumhi karam ho
tumhi dharam ho
tumhi karam ho
tumhi sanam ho

haaye bolo kya kar diya
bata do zara
ye dil deewaana hua
aa aa aa
kya kar diya
bata do zara
ye dil deewaana hua

o o o ru ru ru ru
laralalala
laalaalaalaala
lalaalalaa
laalaalaalaalalalaa
laralara
lalalala
o ho ho ho


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4020 Post No. : 15131

“Khilaadi”(1968) was directed by Homi Wadia for Basant Pictures Bombay. This “social” movie had Nadia, Dilip Raj, Uma Bhende, Sujata, Sheikh, Suzie, Amarnath, Wazir Mohammad Khan, Vishwas Kunte, Uma Dutt, Dalpat, Habib etc in it.

The movie had five songs in it. One song has been covered in the past.

Here is the second song from “Khilaadi”(1968) to appear in the blog. This song is sung by Asha Bhonsle and Rafi. Farooque Kaiser is the lyricist. Music is composed by Lala Sattar.

The song is picturised on Dilip Raj and Uma Bhende. Dilip Raj was son of P Jairaj. Uma Bhende, a leading Marathi movie actress, had famously lip synced the popular “Dosti”(1964) song “Gudiya hamse roothi rahogi” earlier.


Song-Pyaar koi kam kam kare (Khilaadi)(1968) Singers-Asha Bhonsle, Rafi, Lyrics-Farooque Kaiser, MD-Lala Sattar

Lyrics

pyaar koi kam kam kare
haaye alla
dheer dhare ji zara dheer dhare
kaahe gori chham chham kare
haaye alla
bijli gire ji dil pe bijli gire

pyaar koi kam kam kare
kaahe gori chham chham kare

hove ruswa na meri jawaani
mujhpe itni karo meharbaani
dil hai haazir abhi pyaar kar lo
phir na aayegi rut ye suhaani

duhaai duhaai mere saajna
koi kya karega tera saamna
haaye pyaar koi kam kam kare
haaye allah
dheer dhare ji zara dheer dhare
kaahe gori chham chham kare
haaye alla
bijli gire ji dil pe bijli gire

pyaar koi kam kam kare
kaahe gori chham chham kare

tu jo chaahe to kismat bana loon
dil ki dhadkan mein tujhko chhupa loon

aisi nazron se dekho na balma
hosh apne main kaise sambhaaloon
nasha hai sanam ye mere pyaar ka
bharosa nahin hai tere pyaar ka
haaye kaahe gori chham chham kare
haaye allah
bijli gire ji dil pe bijli gire

pyaar koi kam kam kare
haaye alla
dheer dhare ji zara dheer dhare
kaahe gori chham chham kare
pyaar koi kam kam kare ae ae


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3905 Post No. : 14959 Movie Count :

4088

Missing Films of 1960s – 100
– – – – – – – – – – – – – – –

Ah, finally, we get to a new type of century today. This series of bringing on board the missing films of 1960s becomes the series that has clocked 100 posts – a first one for our blog. This series got initiated three and half years ago on 30th September, 2015, and we arrive at the century station for it, at the rate of about 2 to 3 songs per month on average. The pace could have been faster, yes, but well, we have what we have. 🙂

As you must be aware, this series got kicked off by the efforts of Khyati Ben. She got into the exercise to check how many films of the 1960s (period from 1961 to 1970) have been brought on board our blog, and which ones are still waiting to be included. She came up with a list of some 190+ films, still waiting in the wings. The analysis resulted in this exercise, to bring on board as many of these 190+ films are traceable / available. And it got assigned to yours truly. 🙂

I will wait to present the final analysis of numbers, as there is still about seven of eight more films that are traceable and will be represented here. So bear with me for a little more time for that.

The film that we bring on board today is an obscure and lesser known film by the name ‘Ek Masoom’ from 1969. The interesting thing about this film is that although the gramophone records of this film have been available, the film itself was not available for a very long time. Finally, the film surfaced about a year ago, and I acquired a copy of it through a collector friend. Video clips of some of the songs are now available on the YouTube.

The film is produced under the banner of GNS Films Bombay, and is directed by Akhtar Khalid. The cast of actors listed for this film is Tanuja, Saleem Durrani, Prem Chopra, Surendra, Abhi Bhattacharya, Uma, Azra, Sulochana, Helen, Jagdeep, Murad, Mohan Choti, and Baby Masoom. I have a concern about this list. The name of Saleem Durrani is included. However, I have seen the film, and the Saleem Durrani (the cricketer) that we are familiar with, is not visible in this film. The lead actor opposite to Tanuja is a different person. One possibility is that this actor also has the name Saleem Durrani, or has used this name in this film. I request our more knowledgeable readers to please help to identify the male actor in this song. The face is completely new and unfamiliar.

The film itself is a cops and robbers tale and Mohan Choti plays the role of a gangster boss. The lead person, whom we are trying to identify, plays a triple role in this film. He appears in different situations with different names, causing a lot of confusion to the people around him. And then finally, there is court room drama where all the three appear one by one, and the mystery of the correct identity is solved.

The film does not have much to write home about. The direction and editing is below par and leaves a lot to be desired. The storyline moves with fits and starts. But the songs – now that is a different story, as usual. Seven songs are listed for this film. The music is by N Dutta. The lyricist’s name is just very, very unfamiliar – Fareed Tonki. As I checked some more, I find his name in just one more film – ‘Zaalim Tera Jawab Nahin’ (1960), and one unreleased film ‘Aqidat Ke Phool’. Checking on our blog, I find that one creation by him is posted here. This is a famous non-film qawwaali – “Raste Alag Alag Hain Thikaana To Ek Hai”. So the gentleman is represented already on our blog, although no other information is traceable so far about him. His name, Fareed Tonki, suggest that he may be from the town named Tonk, in Rajasthan.

The song that I present today is an exquisite duet of Rafi Sb and Asha Bhosle – such a lovely lost gem this one is. The composition is easy paced and and light, and the rendition is very soft and soothing. A very pleasing song to hear to. (Of course, the song is much better heard than viewed.) On screen, it is Tanuja, and this gentleman that I am not able to identify.

Song – Poochh Le Dil Se Mere Ho Na Agar Mera Yakeen  (Ek Masoom) (1969) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Fareed Tonki, MD – N Dutta
Mohammed Rafi + Asha Bhosle

Lyrics

hmmmmm mmmmmm mmmm
hmmmmm mmmmmm mmmm
hmmmm hmmmm hmmmm hmmm

pooch le
dil se mere
ho na agar mera yakeen
pooch le dil se mere
ho na agar mera yakeen
pooch le dil se mere
ho na agar mera yakeen
main mohabbat hoon
mohabbat ke siwa kuchh bhi nahin
ae sanam
teri kasam
mujhko to hai tujh pe yakeen
par zamaane ka ye kehna
hai ke tu mera nahin
pooch le dil se mere
ho na agar mera yakeen

har taraf phaili hain ye
rangeeniaan rukhsaar ki
har taraf phaili hain ye
rangeeniaan rukhsaar ki
tere hi dum se to hai
shadaabiaan gulzar ki
tu jahaan rakhe kadam
phool khilen laakhon wahin
pooch le dil se mere
ho na agar mera yakeen

saamne tu hai mere
aur main tujhe dekha karoon
saamne tu hai mere
aur main tujhe dekha karoon
tere jalwon mein ab
shaam o sehar khoi rahoon
chhod ke daaman tera
jaaun na main aur kahin
ae sanam
teri kasam
mujhko to hai tujh pe yakeen

dil mera hai aaina
gar hai nazar pehchaan le
pehle hi pehchaan ke
dil hai diya ye jaan le
hum se kyon duniya jaley
ulfat koi jurm nahin
pooch le dil se mere
ho na agar mera yakeen
main mohabbat hoon
mohabbat ke siwa kuchh bhi nahin
pooch le dil se mere
ho na agar mera yakeen

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

हम्मममम म्मममम म्मम
हम्मममम म्मममम म्मम
हम्ममम हम्ममम हम्ममम हम्म

पूछ ले
दिल से मेरे
हो ना अगर मेरा यकीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं
मैं मोहब्बत हूँ
मोहब्बत के सिवा कुछ भी नहीं
ए सनम
तेरी कसम
मुझको तो है तुझ पे यकीं
पर ज़माने का ये कहना
है के तू मेरा नहीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं

हर तरफ फैली हैं ये
रंगीनियाँ रुखसार की
हर तरफ फैली हैं ये
रंगीनियाँ रुखसार की
तेरे ही दम से तो है
शादाबियाँ गुलज़ार की
तू जहां रखे कदम
फूल खिलें लाखों वहीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं

सामने तू है मेरे
और मैं तुझे देखा करूँ
सामने तू है मेरे
और मैं तुझे देखा करूँ
तेरे जलवों में अब
शाम ओ सहर खोई राहून
छोड़ के दामन तेरा
जाऊँ ना मैं और कहीं
ए सनम
तेरी कसम
मुझको तो है तुझ पे यकीं

दिल मेरा है आईना
गर है नज़र पहचान ले
पहले ही पहचान के
दिल है दिया ये जान ले
हम से क्यों दुनिया जले
उलफत कोई जुर्म नहीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं
मैं मोहब्बत हूँ
मोहब्बत के सिवा कुछ भी नहीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3896 Post No. : 14938

We had this post last year on the same date by Avinashji where he has written about the background of the movie “Woh Main Nahi”(1974). He has listed all the famous songs and movies of Navin Nischol. Most of the songs which I like are in that list.

So here’s a duet by Rafi and Asha Bhonsle which was written by Verma Malik. Music direction was by Sonik Omi. Visiting the movie after a full year on the occasion of Navin Nischol’s anniversary.


Song-Ise patli kamar mein na daal ke lahanga khisak jaayega (Woh Main Nahin)(1974) Singers-Asha Bhonsle, Rafi, Lyrics-Verma Malik, MD-Sonik Omi
Male chorus
Female chorus

Lyrics

jhigi jhigi jhigi jhigi jhigi jhina
jhina na re

jhina re jhina ha aa
jhigi jhigi jhigi jhigi jhina re jhina
na re

jhina re jhina haa

hey jhoole jhoole jhoole re jhoole
jhoole re ae
jhool jhool jhool jhool jhool jhoole
hey hey ha haa

hey ae’
mera roop mera rang
mere chalne ke dhang
mera ik ik ang
jaise udti patang hai
aaaa
kayi tujhse malang karen ankhiyon ki jung
meri bholi si jawaani
in aashikon se tang hai
koi rakhta nazar
koi deta hai jigar
koi aahen bhar bhar kar mujhko pukaarta
haan
par tujhsa na dekha maine koi harjaayi
jo andar se marta hai
upar se maarta
arre kaisa tu mard jo hai dil ka sarad
uthh himmat dikha
zaraa saamne toh aa
aa aa
are aa na

hahahahaha
hahahaha

arri dhaai inch ki kamar hai teri
aur pandrah gaz ka lehenga aa aa
haay
chhil gayi kamar bos(?) ki jaisi
toh ye sauda padega mehanga
haan
ri isse patli kamar mein na daal
ke lehanga khisak jaayega
isse patli kamar mein na daal
ke lehanga khisak jaayega
teri umar ka naazuk saal
teri umar ka naazuk saal
uspe tu chale mor ki chaal
ke lahanga
ummm
ke lehenga khisak jaayega

haai haai
isse patli kamar mein na daal
ke lehanga khisak jaayega

arri samjhi

jaa re jaa re
tu dil ko zara sambhaal
nahin to dil michak jaayega
tu dil ko zara sambhaal
nahi to dil michak jaayega
main samajh gayi teri chaal
main samajh gayi teri chaal
ja buri nazar na daal
nahin to dil
hmmm
nahin to dil michak jaayega
ja buri nazar na daal
nahin to dil michak jaayega

nazar hai duniya ki buri
o zara sambhal ke rehna saanwri
nazar hai duniya ki buri
o zara sambhal ke rehna saanwri

o ho o o o
sambhal ke rehna aata hai
arre tu kyun jal jal jaata hai
yoon dil na todo
aji tum peechha chhodo
meri jaan idhar to aa ja
arre hatt ja ja
ja ja
isse kar de kisi ke naam
roop tera dhalak jaayega

haaye
isse kar de kisi ke naam
roop tera dhalak jaayega

ja buri nazar na daal
nahin to dil michak jaayega

bol de kya chaahta hai tu
arre milne kise aata hai tu
bol de kya chaahta hai tu
arre milne kise aata hai tu
oh ho o o
arri chaahta hoon deedaar ko
aur milne aaya yaar ko

kisne bulwaaya
o tujhko lene aaya
agar main shor machaaoon
uthha le jaaoon
jaaoon

phenkoon jo zulf ka jaal
jaal mein atak jaayega
phenkoon jo zulf ka jaal
jaal mein atak jaayega

haay haay
isse patli kamar mein na daal
ke lehenga khisak jaayega

arre hatt
rok na raahen
daal baahon mein baahen
main ungli pe nacha doon
tere chhakke chhuda doon
teri yahaan daal gale na
tera bhi zor chale na
mera gussa bura hai
mera ghoonsa bura hai
laga kar haath to dekho
chhuda kar haath to dekho
bahut dekhe hain aise
na dekhe mere jaise
tere jaise hain kaise
mere jaise hain aise
aise
aise
haan

hahahaaha


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3880 Post No. : 14904

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 34
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘ह’ – हमने भी प्यार किया, नज़रों को चार किया ॰ ॰ ॰

– – – –

॰ ॰ ॰दिल का सूना साज़ तराना ढूंढेगा
तीर ए निगाह ए नाज़ निशाना ढूंढेगा॰ ॰ ॰

It is your words that tell of this predicament. Seasons come and go, as they have, year on year on year. . .  but the one who this heart wants to listen to again, has not returned after going away. . .

– – – –

With today’s song, we come to the end of this series of duets of Rafi Sb. This series got initiated on Rafi Sb’s birth anniversary (24th Dec) in 2017.  Having gone through 33 episodes, we come to the closure with the Hindi alphabet letter ‘ह’. On the way, over the past almost 15 months, we have touched upon many a wonderful duet songs that simply perpetuate the legend of this divine voice. A blessing that we shared the same time and the planet with him for a certain period of time. The association, and its lasting awareness, has been such a lovely enchanting experience, that has left in the mind two opposing emotions – happiness and regret.  Happiness that we have a wonderful legacy treasure bequeathed to us by this voice. And regret that there could have been more, but alas not destined to be. God works in his own mysterious ways, and we are but mortals subject to his method and his directions.

So much has been said – about Rafi Sb, in this series, and by other contributors on this blog. And by many others, writing about him on various platforms and publications. Satish Shenoy ji, in a comment earlier today, has written – “Any number of posts on Rafisaab are welcome, even at the cost of repetition”.  Yes, eventually there is a limit to words, and to the expressions.  But even after reaching that limit, the heart feels that enough has not been said.  What more could be said, I don’t know.  But I know that “कल और आएंगे॰॰॰ हमसे बेहतर कहने वाले” – and more will be said and written about Rafi Sb, in ways that has not found an expression as yet.  Such is the magic of this wondrous voice, I believe.

Today’s song is from the 1962 film ‘Mall Road’.  The singing accompaniment is Asha Bhosle.  Words are from the pen of Prem Warburtani and the music is from the mind of Sudarshan.

For the record, the complete list of previous songs in this series is given below,

Ab Jeene Ka Mausam Aaya Dillagi 1966 24-Dec-17 Asha Bhosle
Aa Tujhko Bulaayen Ye Pyaasi Nigaahen Pyaara Dushman 1955 28-Dec-17 Asha Bhosle
Is Jag Mein Kahin Bhi Rahiyo Pyaar Ki Jeet 1962 16-Jan-18 Asha Bhosle
x
Utho Bulbulo Tod Do Teeliyaan Khaamosh Sipaahi 1950 9-Feb-18 Geeta Dutt
x
Ek Dil Hai Ek Jaan Hai Ek Jaan e Jaan Shaque 1976 12-Feb-18 Asha Bhosle
Ae Chanda Tu Dena Gawaahi Holiday In Bombay 1963 15-Feb-18 Asha Bhosle
O Tera Chhup Chhup Ke Chale Aana Sangraam 1965 23-Feb-18 Kamal Barot
x
x
Kahiye Kaisa Mizaaj Hai Aapka Salaam Memsaab 1961 11-Mar-18 Asha Bhosle
Khush Kar Diya Tu Ne Mere Rama Jeet 1972 22-May-18 Lata Mangeshkar
Gori Naagan Ban Ke Na Chala Karo Naache Naagin Baaje Been 1960 23-May-18 Suman Kalyanpur
Ghar Waale Ghar Nahin Pyaar Ki Raahein 1959 2-Jun-18 Geeta Dutt
Chaandni Chhitki Hui Hai Muskuraati Raat Hai Hamaara Ghar 1950 4-Jun-18 Geeta Roy
Chhail Chhabeela Rang Rangeela Kaun Nagar Se Aaya Madan Manjari 1961 11-Jun-18 Kamal Barot
Jab Ghadi Bole Chaar Gori Kar Ke Singaar Gambler 1960 12-Jun-18 Suman Kalyanpur
Jhuk Ke Zameen Choom Raha Aasmaan Dhoop Chhaaon 1954 15-Jun-18 Asha Bhosle
x
Tumhen Kaise Kahoon O Ji O O O Naach Ghar 1959 17-Jun-18 Lata Mangeshkar
Thodi Si Zindgani Raja Beete Na Jawaani Lakshmi Pooja 1957 18-Jun-18 Shamshad Begum
Dilli Waale Saahb Ghajab Kar Daala Re Bhikhaari 1949 28-Jun-18 Binapani Mukherji
Dheere Dheere Mohabbat Jawaan Ho Gai Bhai Bahen 1969 3-Jul-18 Asha Bhosle
Nazar Ne Loota Hai, Ada Ne Maara Hai Police Detective 1960 9-Jul-18 Lata Mangeshkar
Toote To Toote Koi Dil Ka Sahaara Lagan 1971 25-Aug-18 Asha Bhosle
Thehar Zara O Jaan e Mann Ladki Bholi Bhaali 1976 20-Sep-18 Usha Khanna
Daal Bhi De Zulfon Ki Chhaon Ramu Dada 1961 21-Sep-18 Lata Mangeshkar
x
x
Pyaar Ki Baaten Koi Na Jaane Yaad Teri Phir Aaye Magic Carpet 1964 3-Oct-18 Asha Bhosle
x
Baanke Teerandaaz Jaan Le Le Na Ho Naraaz Sun To Le Haseena 1958 4-Oct-18 Asha Bhosle
Bhaiya Re Bhaiya Re Bhaiya Naiya Chhuaao Na Bharat Milaap 1965 11-Oct-18 Kamal Barot
Mehfil Mein Tere Husn Ka Deewaana Kaun Hai Rooplekha 1962 29-Oct-18 Suman Kalyanpur
Ye Bheegi Bheegi Raat Gagan Par Taaron Ki Baraat Dr Z 1959 31-Oct-18 Mohammed Rafi
Raat Andheri Gayi Gayi Gayi Rangeela Raja 1960 16-Nov-18 Asha Bhosle
Lijiye Dil Ka Nazraana, Lijiye Aankh Ka Shukraana Naya Kaanoon 1965 29-Nov-18 Asha Bhosle
Wo To Chutki Mein Dil Le Ke Chalte Huye Shaadi Ki Raat 1950 12-Jan-19 Raja Gul
Shamma Pe Parwaana Jalne Se Darta Nahin Shola Jo Bhadke 1961 20-Jan-19 Suman Kalyanpur
x
Sun Gori Khol Zara Ghunghat Ka Door Phool Bane Angaarey 1963 21-Jan-19 Kamal Barot
Hamne Bhi Pyaar Kiya, Nazron Ko Chaar Kiya Mall Road 1962 3-Mar-19 Asha Bhosle
क्ष x
त्र x
ज्ञ x

So much more seems to be still wound up inside that needs to be said.  And all that needs to be said, is probably already present in the words that Rafi Sb has sung in his life.  Just to say that he is incomparable, comes to mind the lines he has already uttered,

ना तुम सा कोई जमाने भर में
तुम्हीं को चाहा मेरी नज़र ने॰ ॰ ॰

Maybe some more needs to be said.  Maybe another series of Rafi Sb songs will come about.  Nahm ji has also restarted one of her pending series just last week.  Still a good number of his songs are waiting to be posted here – about a couple of thousands more to go. A lot of opportunity still – to write more about him.  So yes, maybe another series of his songs, who knows.For now, let us listen to this song today – and the words that will come to mind are

हो गया दिल पे मेरे तेरी आवाज़ का जादू”.

Aameen.

Song – Hamne Bhi Pyaar Kiya, Nazron Ko Chaar Kiya  (Mall Road) (1962) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Prem Warburtani, MD – Sudarshan
Mohammed Rafi + Asha Bhosle

Lyrics 

hum ne bhi pyaar kiya
nazron ko chaar kiya
sau sau bahaane kar ke
tera deedaar kiya
hum ne bhi pyaar kiya..aa

kaisa ye pyaar kiya
dil beqaraar kiya
kar ke ishaare hamen
haaye re maar diya
kaisa ye pyaar kiya..aa

dekha jo tu ne hamen
nazren chura ke
hum bhi rahenge tere
dil mein samaa ke
mujh se na poochho
mere dil ki kahaani
dil bhi deewaana tere
main bhi deewaani
dekha jo tu ne hamen
nazren chura ke
hum bhi rahenge tere
dil mein samaa ke
mujh se na poochho
mere dil ki kahaani
dil bhi deewaana tere
main bhi deewaani
hum ne bhi pyaar kiya
nazron ko chaar kiya
sau sau bahaane kar ke
tera deedaar kiya
hum ne bhi pyaar kiya..aa

chaahe mita do
chaahe kuchh bhi sazaa do
hum hain tumhaare
hamen dil mein basa lo
lehron ka paas rahe
jaise kinaara
aise hi rahe jag mein
saath hamaara
chaahe mita do
chaahe kuchh bhi sazaa do
hum hain tumhaare
hamen dil mein basa lo
lehron ka paas rahe
jaise kinaara
aise hi rahe jag mein
saath hamaara

hum ne bhi pyaar kiya
nazron ko chaar kiya
sau sau bahaane kar ke
tera deedaar kiya
hum ne bhi pyaar kiya..aa

———————————————————
Hindi Script Lyrics (Provided by Sudhir)
———————————————————

हमने भी प्यार किया
नज़रों को चार किया
सौ सौ बहाने कर के
तेरा दीदार किया
हमने भी प्यार किया॰॰आ

कैसा ये प्यार किया
दिल बेक़रार किया
कर के इशारे हमें
हाए रे मार दिया
कैसा ये प्यार किया॰॰आ

देखा जो तूने हमें
नज़रें चुरा के
हम भी रहेंगे तेरे
दिल में समा के
मुझ से ना पूछो मेरे
दिल की कहानी
दिल भी दीवाना तेरा
मैं भी दीवानी
देखा जो तूने हमें
नज़रें चुरा के
हम भी रहेंगे तेरे
दिल में समा के
मुझ से ना पूछो मेरे
दिल की कहानी
दिल भी दीवाना तेरा
मैं भी दीवानी
हमने भी प्यार किया
नज़रों को चार किया
सौ सौ बहाने कर के
तेरा दीदार किया
हमने भी प्यार किया॰॰आ

चाहे मिटा दो
चाहे कुछ भी सज़ा दो
हम हैं तुम्हारे हमें
दिल में बसा लो
लहरों के पास रहे
जैसे किनारा
ऐसे ही रहे जग में
साथ हमारा
चाहे मिटा दो
चाहे कुछ भी सज़ा दो
हम हैं तुम्हारे हमें
दिल में बसा लो
लहरों के पास रहे
जैसे किनारा
ऐसे ही रहे जग में
साथ हमारा

हमने भी प्यार किया
नज़रों को चार किया
सौ सौ बहाने कर के
तेरा दीदार किया
हमने भी प्यार किया॰॰आ


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3822 Post No. : 14823

‘PANCHAM-RAFI’ Jodi’s Variety Songs – 4
– – – – – – – – – – – – – – – – – – – – –

Today 4th January is the twenty fifth ‘Remembrance Day’ (27th June’1939- 04th January’1994) of the ‘versatile genius’ RD Burman or our beloved Pancham Da. One cannot believe that it is twenty five years now since Pancham Da left us. His songs are a daily routine for me and maybe many like me, and so it never appears that he is not there. He is always there with us – the music lovers.

I wish to send an article with other song composed by Pancham for this occasion, however could not finish that article hence I for today’s occasion I am sharing herewith one of my already pending article under the series ‘Pancham-Rafi Jodi’s variety songs. We already have the following songs earlier in this series posted on the blog;

Jaag devta naag devta

Raqqaasa mare naam

Maine kab chaaha ke doolha banoonga

So coming back after a long gap in this series, today we have song composed by RD Burman from the movie ‘Takkar’ (1980). Today’s song of ‘Pancham – Rafi Jodi Songs’ is a melodious devotional song.

‘Takkar’ is a Padmalaya Films Production. produced by GA Sheshagiri Rao and directed by K Bapaiyaa. The movie had Sanjeev Kumar, Zeenat Aman, Jeetendra, Jayaprada, Vinod Mehra (double role), Bindiya Goswami, Ranjeet, Mac Mohan, Ashok Kumar, Kamini Kaushal, Sujit Kumar, Jeevan, Mukri, Asrani, Shivaraj, Leela Chitnis, Komila Virk, Jalal Agha, Mohan Choti, Master Bittoo, A. Abdul Hameed, Mac Mohan, Umesh Sharma, Swaraj Gupta, Anand Mohan, Umesh Khanna, K N Reddy, Pawan Babu, Asha Sachdev, Prema Narayan etc. in it.

As per HFGK this movie was passed by Censor Board on 07.04.1980. It had total seven songs in it wherein Asha Bhonsle, Kishore Kumar, Lata Mangeshkar, Mahendra Kapoor, and Mohd Rafi gave their voices to the songs in this movie. Lyrics for this movie were written by Anand Bakshi and Music was composed by R.D. Burman.

I do not remember to have heard this song till this post. Also from the list of other songs of this movie they don’t seem familiar to me. Though I am aware that there was this movie in those days, but have not watched it then and even till date. This is the second song from this film to appear on the blog.

Here is the brief about this film that Atul ji mentioned while posting the first song from this film (on 09.09.2013) – Moorty Ganesh Ki Andar Daulat Desh Ki.

In today’s song Sanjeev Kumar and Zeenat Aman are lip syncing in Mohd Rafi and Asha Bhonsle’s voice respectively on the screen. Ashok Kumar, Kamini Kaushal, Jeevan, Bindiya Goswami and others are seen in the song.

From the video of the song one can assume that Zeenat Aman looks for her ‘Shyam’ in Sanjeev Kumar and Ashok Kumar seems to find the spiritual one, few seem to be interested in Kanhaiyya’s moorty itself and Sanjeev Kumar preparing to take on the evils or he too wants to get this ‘moorty’. Only those who have watched this movie can help us.

But the song is a nice hummable one. As mentioned above lyrics of this song are by Anand Bakshi and it is composed by RD Burman.

Let us now enjoy this interesting song.

Song – Maakhan Chor Nandkishore Manmohan Ghanshyam Re (Takkar) (1980) Singer – Mohammed Rafi, Asha Bhonsle, Lyrics – Anand Bakshi, MD – RD Burman
Mohammed Rafi + Asha Bhonsle

Lyrics

maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

arey maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

devki maa ne janam diya aur
maiyya yashoda ne paala aa aa aa
devki maa ne janam diya aur
maiyya yashoda ne paala aa
tu gokul ka gwaala
bindraban ka bansari waala aa

ho aaj teri bansi phir baaji
mere mann ke dhaam re
kitne tere roop re
kitne tere naam re

ho maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

kaali naag ke saath ladaa tu
zaalim kans ko maara aa aa aa
kaali naag ke saath ladaa tu
zaalim kans ko maara aa aa
baal awasthaa mein hi tune
khela khel ye saara

tera bachpan
tera jeewan
jaise ek sangraam re
kitne tere roop re
kitne tere naam re

o maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re ae
kitne tere naam re ae

tu ne sabka chain churaaya
o chitchor kanhaiyya aa aa aa
tu ne sabka chain churaaya
o chitchor kanhaiyya
o o o
o jaane kab ghar aaye dekhe
raah yashoda maiyya
arey vyaakul radha dhoondhe shyam
na aaya ho gayi shaam re
kitne tere roop re
kitne tere naam re

o maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re ae …


———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

अरे माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

देवकी माँ ने जनम दिया और
मैय्या यशोदा ने पाला आ आ आ
देवकी माँ ने जनम दिया और
मैय्या यशोदा ने पाला आ
तू गोकुल का ग्वाला
बिंद्राबन का बंसरी वाला आ

हो आज तेरी बंसी फिर बाजी
मेरे मन के धाम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

हो माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

काली नाग के साथ लड़ा तू
ज़ालिम कंस कों मारा आ आ आ
काली नाग के साथ लड़ा तू
ज़ालिम कंस कों मारा आ आ
बाल अवस्था में ही तुने
खेला खेल ये सारा

तेरा बचपन
तेरा जीवन
जैसे एक संग्राम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

ओ माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे ए
कितने तेरे नाम रे ए

तुने सबका चैन चुराया
ओ चितचोर कन्हैय्या आ आ आ
तुने सबका चैन चुराया
ओ चितचोर कन्हैय्या
ओ ओ ओ
जाने कब घर आये देखे
राह यशोदा मैय्या
अरे व्याकुल राधा ढूंढें श्याम
न आया हो गयी शाम रे
कितने तेरे रूप रे
कितने तेरे नाम रे


ओ माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे ए
कितने तेरे नाम रे ए …


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3806 Post No. : 14801

Today’s song is a very very special song. It is from film Roomal-49. Four songs from this film are already discussed. Luckily, this song was yet to be discussed, as if waiting for me. It is a duet of Mohd. Rafi and Asha Bhosle. Written by Nazim Panipati, it is composed by Hansraj Behl. HFGK is silent on the MD’s name for all songs, though there were two of them- Hansraj Behl and Aziz Khan. However, there are other references to confirm that Behl was composer for this song, namely 1. The uploader has mentioned his name 2. Rafi’s Excel sheet mentions his name and 3. Behl’s name is mentioned for this song in book ‘ Rafinama’ by Isak Mujawar.

Now, coming to the point why this song is special.The reason is….this is the First ever duet of Rafi and Asha Bhosle. Rafi had started Playback recording from 1944 and Asha started from 1948. Within one year, Asha sang a duet with Rafi in film Roomal-49. Another film Lekh was also made in 1949 and they sang in that film too, but Roomal duet was the First one to be recorded.

Incidentally, Asha and Rafi had the maximum duets in HFM. They sang a total of 806 duets from 1949. Their last duet came on the screen in film Kala Coat-1993 ( 13 years after Rafi had left us.)-MD Iqbal Gill. Asha Bhosle and Rafi created 3 records during their journey together-
1. Maximum duets – 806
2. Maximum duets in one MD’s films – 92 duets in OPN’s films.
3. Rafi-Asha maximum duets in one film- Basant-60 – 11 duets
(Ed note-The blog has 514 Rafi-Asha Duets, including this song.)

Mohd. Rafi was the only singer who sang duets with the 3 major female actor singers of the 40s. He sang with Noorjehan (Jugnu-47), Khurshid ( Aage Badho-47) and Suraiya (Kajal-48 and in 11 more films).

Besides the known and well known female singers, Rafi sang duets with some ‘ not so well known ‘ female singers too. Some of them are Laxmi Rai, Kumudini Dikshit, Lakshmi shankar, Gandhari Rane, Promodini Desai, Razia Begum, Malti Pande, Pushpa Huns, Ramola, Pushpa Pagdhare, Pratibha, Kanchan, Poornima, Meena Patki, Jyoti, Kamla Sista, Kaushi Gidwani, Savita Suman, Sumitra Lahiri, Sagarika Mukherji, Krishna Bose, Krishna Mukherji, etc etc.

Rafi sang maximum songs with Laxmikant-Pyarelal (369), followed by Shankar-Jaikishen – 341, Chitragupt-247, Ravi-235, O P Nayyar-197, Kalyanji – Anandji – 169, Naushad-149, Madan Mohan-169, R D Burman-122, Usha Khanna-114, Sonik- Omi-104 and N Dutta-102. ( all figures from book Rafinama by Isak Mujawar).

Rafi sang only 1 duet with Meena Kapoor in film Aabroo-56. There is another song having voices of Meena, Rafi,Asha and Manna Dey in Tajmahal-63). This is understandable considering Anil da’s opinion about Rafi’s singing !

Film Roomal-49 was directed by Ramchandra Thakur. He was born on 17-12-1908 at Suver ( noe Umedgadh) in Sabarkantha Dist. Gujarat. From his 9th year onwards he was educated in Bombay. He completed his M.A. in Pali language, to become a Teacher but not so good results forced him to join Film industry. He had already written articles on films. He had also translated sound recordist Minoo Katrak’s book in Hindi and Gujarati.
He joined the Marketing department of Sagar Movietone. After Baburao Patel headed that department, he was shifted as asstt. director. He co directed film Gramophone Singer, along with Virendra Desai-the owner’s son-who later married Nalini jaywant despite he being already married.

Thakur’s first film as an independent director was ‘Civil Marriage’-40, in which Snehprabha Pradhan made her debut. He worked for Ranjit, Prakash and other banners. Her directed 20 films. His last film was Nawab Sirajuddoula-67. He mainly directed Mythologicals, social and comedy films.
He was a multifaceted person. He knew and could speak 11 languages. He wrote scripts for film Baiju Bawra-52 and several Gujarati films. He also directed 2 Gujarati films. He wrote 4 research based Novels. His article on Sagar Movietone has become a reference point for researchers.
Ramchandra Thakur died on 31-10-1992. (adapted from ‘ Sagar Movietone’-Biren kothari)

The cast of film Roomal-49 was Nargis, Rehman, Jairaj, Jeevan, Badriprasad, Jillobai, Cuckoo, Jankidas etc etc.

Jillobai (real name Zuleikha Ibrahim), born in 1905, in Bombay, was a Tawayef from Delhi. She started from stage dramas and then silent films. During this period, Master Nissar was attracted towards her, but being a shrewd woman, she spurned his advances, only after lot of money was spent on her by him. She acted in more than 100  Talkie films and also sang 3 songs in 3 films initially. Her first talkie film was  India’s first Talkie film Aalam Ara-1931, in which she sang one song also. She acted in many popular films like Anarkali-35, Kissan Kanya-37, Pukar-39, Sikander-41, Taqdeer-43, Zeenat-45, Jugnu- 47, Mother India-57, Mughal-e-Azam-60 etc etc. Her last film seems to be Suhani Raat-74. (I thank Sudhir ji and Pramod Godbole ji for providing additional information) .

Nazim Panipati, who wrote the songs of film Roomal-49, along with Mulkraj Bhakri and Rupbani, was born in lahore in 1920. His real name was Muhammed Ismail Khan. He was the younger brother of Dirctor/Lyricist Wali sahab. Due to his hobby of writing shairi, he was introduced to Dalsukh Pancholi and Roop k. Shorey. He first wrote songs for Punjabi films. His first film as a Lyricist in Hindi was Zamindar-42. He shifted to Bombay and wrote 80+ songs in 25 films. His last film in India was Sheesham-52. Then he migrated to Pakistan. He wrote more than 120 songs for Pak Television and Punjabi/Urdu films. He died in Lahore on 18-6-1998.

Today’s song by Rafi, Asha and chorus looks to be a fun comedy song. Enjoy this song….


Song-Lo dum daba ke Bhaage….hamen darr kaahe ka(Roomaal)(1949) Singers- Rafi, Asha Bhonsle, Lyrics-Nazim Panipati, MD- Hansraj Bahl
Both
Unidentified Male Voice 1, Unidentified Male Voice 2, Unidentified Male Voice 3
Chorus

Lyrics

aa
ha aa aa aa
aa aa aa
lo dum dabaa ke bhaage
warrant laane waale ae
khud ban gaye hain ulloo
ulloo banaane waale

aji haan aan aan
ulloo banaane waale
haan aan
ulloo banaane waale

haan aan aan aan aan aan aan
ulloo banaane waale
haan aan
ulloo banaane waale

ham sab ke sab
ham sab ke sab
ham sab ke sab
ham sab ke sab
hoshiyaar
hamen darr kaahe ka
hamen darr kaahe ka
hamen darr kaahe ka
hamen hai darr kaahe ka
hamaara beda ho gaya paar
beda ho gaya paar

hamaara beda ho gaya paar
hamen darr kaahe ka
hamen darr kaahe ka
hamen darr kaahe ka
hamen hai darr kaahe ka

paas nahin hai
paisa dhela
babu ji paisa dhela
lala ji paisa dhela
oy hoy hoy hoy
paisa dhela
phir bhi laga hua hai
mela
hai mela
ab to mangal
shukkar hafta
ab to mangal
shukkar hafta
har din hai itwaar
aji haan
har din hai itwaar
laa la
lallalalla
lallalalla laa
hamen darr aah
hamen darr ee
hamen darr ooh
hamen darr kaahe ka
hamen hai darr kaah
e ka

khelo koodo naacho gaao
every thing is happy now
every thing is happy now
kuchh na kuchh to
mil jaata hai
kuchh na kuchh to mil jaata hai
naqd ho ya udhaar aar
naqd ho ya udhaar
mere yaar
khushi mein naach
tu apni maan
mere dildaar
hamen darr
hamen darr
hamen darr
hamen darr kaahe ka
hamen hai darr kaahe ka

ham hain engine
tum ho lorry
dil hai armaanon ka thhaana
ham hain thaanedaar
aji haan
ham hain thaanedaar
aji haan
ham hain thaanedaar

o thhaanedaar
o thhaanedaar
o thhaanedaar
o thhaanedaaaaar
hamen darr
hamen darr
hamen darr
hamen darr kaahe ka
hamen hai darr kaahe ka

ka..ahe ka

ka..ahe ka

 


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3805 Post No. : 14799

“Rickshaawaala”(1960) was produced by Shankar Mehta-M Acharya and K C Verma and directed by Shankar Mehta for Kala Darpan, Bombay. This “social” movie had Johny Walker, Anita Guha, Radhakishan, Kuldeep Kaur, Ramlal, Jagdev, Minu Mumtaz, Jagdeesh Kanwal, Sadhana, Mohan Modi, Darshan, Dukhiya, Radheshyam, Krishn Billa, C K Shah, Sayyad, Satpal, Dinanath, Devraj, Moolraj, Amir Ali, Murari, Rasheed, Bela, Sheela etc in it.

The movie had seven songs in it. One song has been covered in the past.

Here is the second song from “Rickshaawaala”(1960) to appear in the blog. The song is sung by Asha Bhonsle and Rafi. Jaan Nisaar Akhtar is the lyricist. Music is composed by N Datta.

Only the audio of the song is available. It seems certain that Rafi had sung by Johny Walker. Asha Bhonsle most likely had sung for Anita Guha. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of the song.


Song-Jawaani mein to ik dil ki (Rickshawala)(1960) Singers-Asha Bhonsle, Rafi, Lyrics-Jaan Nisar Akhtar, MD-N Datta
Both

Lyrics

jawaani mein to
jawaani mein to ik dil ki zaroorat ho hi jaati hai
nigaahen mil bhi jaati hain
muhabbat ho bhi jaati hai
jawaani mein to
jawaani mein to ik dil ki

bataao ham dabaayen kis tarah dil ki umangon ko
bataao ham dabaayen kis tarah dil ki umangon ko
tumhen dekhen to bekaabu tabeeyat ho hi jaati hai
tumhen dekhen to bekaabu tabeeyat ho hi jaati hai
nigahen mil hi jaati hain
muhabbat ho hi jaati hai
muhabbat ho hi jaati hai
jawaani mein to
jawaani mein to ik dil ki

nahin aasaan tumse apne dil ki baat keh dena
nahin aasaan tumse apne dil ki baat keh dena
magar jab muskura do tum
to himmat ho hi jaati hai
magar jab muskura do tum
to himmat ho hi jaati hai
nigaahen mil hi jaati hain
muhabbat ho hi jaati hai
muhabbat ho hi jaati hai
jawaani mein to
jawaani mein to is dil ki

haseenon ki to jebon par inaayat ho hi jaati hai
samjhe bhai haan
haseenon ki to jebon par inaayat ho hi jaati hai
yahan par aane waalon ki hajaamat ho hi jaati hai
yahan par aane waalon ki hajaamat ho hi jaati hai

nigahen mil hi jaati hain
muhabbat ho hi jaati hai
muhabbat ho hi jaati hai
jawaani mein to
jawaani mein to ik dil ki

hamen dil ki zaroorat hai na in rangeen adaaon ki
haay haay
hamen dil ki zaroorat hai na in rangeen adaaon ki
magar kadke hain
paison ki zaroorat ho hi jaati hai
magar kadke hain
paison ki zaroorat ho hi jaati hai

nigaahen mil hi jaati hain
muhabbat ho hi jaati hai
jawaani mein to
jawaani mein to ik dil ki


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3786 Post No. : 14769

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 30
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘ल’ – लीजिये दिल का नज़राना, लीजिये आँख का शुक्राना ॰ ॰ ॰

– – – –

आवाज़ दे कर हमें तुम बुलाओ ॰ ॰ ॰ 

Ah yes, that is what the heart desires, but sadly, that will happen no more. . . you are so far away now, that our supplications so sent, do not reach you any more.

– – – –

OK, wow, another gem from the radio listening days. And what a wonderful reminder this song is. The film is ‘Naya Kanoon’ from 1965, and Rafi Sb is accompanied by Asha Bhosle in this song. Given that Madan Mohan is the music director, I am a little surprised that Lata does not figure in this film at all. Eight songs in all, with four female solos, and one duet (this one) – all carry the voice of Asha Bhosle. Possibly this recording may have been done during the time when there was a stand off between Lata ji and Rafi Sb. Still surprising that Madan Mohan did not get Lata to sing even one of the solo songs. Or possibly, other reasons, circumstances may have intervened.

The film is directed by RC Talwar for the banner of Manchanda Productions, Bombay. The main star cast is listed as Ashok Kumar, Vaijayantimala, Bharat Bhushan, Poornima, Nishi, Leela Mishra, Badri Prasad, Kamal Mehra, and Om Prakash among others. There are eight songs in this film, or may be seven, because one song is a multi version song sung as a solo by both Rafi Sb and Asha Bhosle. All songs are from the pen of Hasrat Jaipuri, except one, which is written by Saraswati Kumar Deepak.

On screen, this song is filmed a recording studio song. The two singers – Bharat Bhushan and Vijayantimala, are recording this song in a studio. Or maybe the song is being broadcast live.  As we see the three stanzas, there are short visual interludes, and the dresses of the two artistes are different in each stanza. The intervening scenes convey a message as if displaying the rising popularity, as well as prosperity of the singer.

Bharat Bhushan in this 1965 film is a distant call from his heydays of ‘Baiju Baawra’ in 1952. Decidedly not looking any younger, but he is also looking much more morose. As the visual clip starts and the music comes on, the mind gets into position for a fast paced light hearted duet. But the expression on the face of the hero conveys as if he is going to break into “Maayoos To Hoon Waade Se Tere. . .” 🙂 🙂 .

Regardless, a very breezy composition which will tickle a few memories in the minds of radio listeners.  Listen and relive those memories.

 

Song – Lijiye Dil Ka Nazraana, Lijiye Aankh Ka Shukraana  (Naya Kanoon) (1965) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Hasrat Jaipuri, MD – Madan Mohan

Lyrics 

lijiye dil ka nazraana
lijiye aankh ka shukraana
ye preet banegi afsaana
bolo to sahi hai kya marzi
bolo to sahi hai kya marzi
lijiye dil ka nazraana
lijiye aankh ka shukraana
ye preet banegi afsaana
bolo to sahi hai kya marzi
bolo to sahi hai kya marzi

aankh ne dekha to dil ne paa liya
meethi baaton ne hamne behka liya
pyaar mein hum bhi tumhaare ho gaye
tum miley to hum khushi se kho gaye
kadmon mein khada hai deewaana
bolo to sahi hai kya marzi
bolo to sahi hai kya marzi
lijiye dil ka nazraana
lijiye aankh ka shukraana

dil bade armaan se laaya hoon main
ye kali toofaan se laaya hoon main
meri palken jhuk rahi hain laaj se
tum hamaare ho chuke ho aaj se
aaya hai shama ka parwaana
bolo to sahi hai kya marzi
bolo to sahi hai kya marzi
lijiye dil ka nazraana
lijiye aankh ka shukraana

aur bhi duniya mein laakhon chaand hain
aapke aage magar wo maand hain
aur bhi duniya mein laakhon phool hain
aapke aage magar wo dhool hain
haazir hai tumhaara mastaana
bolo to sahi hai kya marzi
bolo to sahi hai kya marzi
lijiye dil ka nazraana
lijiye aankh ka shukraana
ye preet banegi afsaana
bolo to sahi hai kya marzi
bolo to sahi hai kya marzi
lijiye dil ka nazraana
lijiye aankh ka shukraana

———————————————————
Hindi Script Lyrics (Provided by Sudhir)
———————————————————

लीजिये दिल का नज़राना
लीजिये आँख का शुक्राना
ये प्रीत बनेगी अफसाना
बोलो तो सही है क्या मर्ज़ी
बोलो तो सही है क्या मर्ज़ी
लीजिये दिल का नज़राना
लीजिये आँख का शुक्राना
ये प्रीत बनेगी अफसाना
बोलो तो सही है क्या मर्ज़ी
बोलो तो सही है क्या मर्ज़ी

आंख ने देखा तो दिल ने पा लिया
मीठी बातों ने हमने बहका लिया
प्यार में हम भी तुम्हारे हो गए
तुम मिले तो हम खुशी से खो गए
कदमों में खड़ा है दीवाना
बोलो तो सही है क्या मर्ज़ी
बोलो तो सही है क्या मर्ज़ी
लीजिये दिल का नज़राना
लीजिये आँख का शुक्राना

दिल बड़े अरमान से लाया हूँ मैं
ये काली तूफान से लाया हूँ मैं
मेरी पलकें झुक रही हैं लाज से
तुम हमारे हो चुके हो आज से
आया है शमा का परवाना
बोलो तो सही है क्या मर्ज़ी
बोलो तो सही है क्या मर्ज़ी
लीजिये दिल का नज़राना
लीजिये आँख का शुक्राना

और भी दुनिया में लाखों चाँद हैं
आपके आगे मगर वो माँद हैं
और भी दुनिया में लाखों फूल हैं
आपके आगे मगर वो धूल हैं
हाजिर है तुम्हारा मस्ताना
बोलो तो सही है क्या मर्ज़ी
बोलो तो सही है क्या मर्ज़ी
लीजिये दिल का नज़राना
लीजिये आँख का शुक्राना
ये प्रीत बनेगी अफसाना
बोलो तो सही है क्या मर्ज़ी
बोलो तो सही है क्या मर्ज़ी
लीजिये दिल का नज़राना
लीजिये आँख का शुक्राना


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

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Movies with all their songs covered =1176
Total Number of movies covered =4169

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