Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Sarshar Sailaani


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Blog Day :

5000 Post No. : 16899

When one looks at the songs of Hindi movies, there are lots and lots of songs of the genre of feelings of heart” and “expression of love”. Going by the statistics of the blog, 46 % songs are “feelings of heart” and 25 % of all Hindi movie songs are “expression of love”.

An interesting and spicy version of the above mentioned genre of songs is “nok jhonk” songs or. They may be fewer in number, but they are great fun songs to listen to.

Another variation of such songs is “roothhna-manaana” aka “sulking-appeasing” song.

The blog so far has 61 “nok jhonk” songs that often take place between the lovers, who are often spouses. I had done some research in these songs and I had come to the conclusion that all the roothhna (on the past of the lady) lasts for 2 minutes and 30 seconds in a 3 minutes song, and the lady then relents in the slog overs of the match and then all is well. 🙂

Here is another “nok jhonk”cum “sulking appeasing” song. This song is from “Guru Dakshina”(1950).

“Guru Dakshina”(1950) was produced by Rajasthan Studios, Bombay. This is all the detail that is mentioned about this movie in HFGK.

The movie had eight songs in it. Two songs have been covered in the past.

This third song from the movie is sung by Trilok Kapoor (singer) and Prempal. Prempal is a female singer unlike what the name suggests. Sarshar Sailaani is the lyricist according to the uploader (Mr Girdharilal Vishwakarma, a renowned collector of records). Music is composed by Pt Lachchiram.

This is an interesting song. after the roothna-manaana on the part of the lady, it is the gentleman that sulks, and then quicky gets appeased just in the nick of time as the record time is coming to an end. 🙂


Song-Baalam se munh mod maad ke (Guru Dakshina)(1950) Singers-Trilok Kapoor, Prempal, Lyrics-Sarshar Sailaani, MD-Pt Lachchiram
Both

Lyrics

O baalam se mukh mod maad ke
prem ka naata tod taad ke
gehne kapde chhod chhaad ke
kaahe roothh chali ho gori
kaahe roothh chali
main chali shahar ke thhaane
rapat likhaane
mulzim ko saza dilaane

ho kaisa mulzim
ik Rajput ka bachccha
baat ka kachcha
jo kare mera dil chori
dikhlaaye seena jori
ab bhanwra ban ke kali kali ka
ghoome gali gali

o gori kaahe roothh chali

o o
kisne bhar diye tere kaan
kaun hai aisa beimaan
naam uska batlaao gori
yoonhi kaam na khaa
kyun batlaaun
kyun batlaaun ke nandu naai
usko batlaawe harjaai
sach kehta hai ?? baniya
tera baalam bada ??
teri aankh mein dhool daal ke
ghoome gali gali

o gori kaahe roothh chali

o rajput ki bachchi
kaan ki kachchi
?? se mera mair puraana
nandu ko mera karz chukaana
isi liye karte hain donon
baaten bhali buri
o gori kaahe roothh chali
chhod bhi do taqraar ki baaten
aao karen kuchh pyaar ki baaten
sun le chaukidaar ki baaten
aadhi aadhi raat gaye tu
ghoome gali gali

chaukidaar se mera pehra
gaaon ka numberdaar jo thhehra
chaukidaar ki dekh bhaal ko
ghoomoon gali gali
ho gori kaahe roothh chali
sach kehta hai
teri qasam main sach kehta hoon
pooch ?? jaaye
jo aur ko chaahoon
aao karen phir pyaar ki baaten
chhod ke sab taqraar ki baaten

uhoon
roz roz tu kare ladaai
roz kare meri ruswaai
ab main roothh chala
tumse roothhe meri bala
sach kehti hai
teri qasam main sach kehti hoon
tujhse mil ke khush rehti hoon

aao karen phir pyaar ki baaten
chhod ke sab taqraar ki baaten
aao karen phir pyaar ki baaten
chhod ke sab taqraar ki baaten


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4954 Post No. : 16820

Today’s song is from the film Stage-1951.

The film was made by Jeevan Pictures, Bombay. The producer was G D Chandana and the film was directed by one Vijay Mhatre, who was basically a successful Cinematographer. He got an opportunity of directing a film but could not do much to make the film a Hit, despite having a popular lead pair of Dev Anand and Ramola (Khajanchi-41 fame). This was due to a very weakened run of the mill story of the film. He ended his directorial career with only this film and went back to his comfort zone of remaining a successful Cinematographer.

There were two Music Directors who composed 12 songs of the film. However, HFGK credits only 9 songs with MD’s name. The remaining 3 songs are left ‘ Ram Bharose’. Luckily there was only one Lyricist-Sarashar Sailani, so it is understood that all the songs were written by him only.

Sarashar Sailani was born on 12-3-1925 in Lahore. He was not much educated (not a graduate), but was a school teacher, used to participate in Mushairas. The owner of Jeevan Pictures,Lahore, was Motiram Jain and he was a lover of Shayari and poetry. Motiram liked his shayari. When Motiram started his First film Arsi-47, he invited Sailani to write story, song and dialogues for this film. Arsi-1947 was his first film as a Lyricist. Some songs became popular and Sailani jumped into the film line.

Lachhiram called him for his next film Mohini-47 and Shyamsunder called him for Ek Roz-47. Along with director Daud Chaand, Sailani also shifted to Bombay. However, after the Partition, Daud returned to Lahore but Sailani remained in India. He wrote lyrics. generally he got only low budget films, but he worked with some quality composers like Pt. Amarnath, Husnlal-Bhagatram, Roshan, Chitragupta, Jaidev, A R Qureshi, Hansraj Behl etc.

In all, he wrote 150 songs in 32 films. From 1960 onwards, after the film ‘ Bade ghar ki bahu’, he stopped songwriting and took up only story, dialogue writing, in which he did many good films. some of such films were Bewafa,Baaz,Barsat ki raat,Unpadh,Aayi milan ki bela,Aapki parchhaiyan,Ganga ki laharen, Majboor, Aaye din bahaar ke, Aman, Devar, Gunahon ka devta, kanyadaan,Aya saawan jhoom ke, Anjana etc.etc. His last film as a dialogue writer was Maa aur Mamta-70. He died on 10-4-1969 at Bombay.

One of the Music Directors was Sardar Malik for this film. Sardar Malik today is a lesser known composer compared to other giants of the film industry, but he has created some golden melodies. Born on 13-1- 1925, Sardar Malik had learnt classical music from Ustad Alauddin Khan. He also learned a variety of dancing skills from Pt.Uday Shankar. Some other stars like Guru Dutt and Mohan Sehgal too were part of the troop under Pt. Uday Shankar, same time.

Sardar Malik got his break as a Music Director in a movie called ‘Renuka’ which was released in 1947. Sardar Malik also sang 4 songs in this movie – 2 solo songs and also 2 duets with Zohrabai. But the movie was not a big success and he remained unrecognized. In the same year, he also composed music for a movie ‘Rain Basera’, but that movie too was not successful. In 1949, only one movie was released of Sardar Malik and that was ‘Raaz’. The movie had some wonderful numbers from Rafi, Amirbai and Binapani Mukherjee.

In 1951, Sardar Malik shared the credits with Husnlal Bhagatram and composed a few songs for a movie ‘Stage’, which had lovely numbers sung by Asha Bhosle like ‘Dil Machalne Laga’. Asha Bhosle had excellent control in her voice in the early 50s and her association with Sardar Malik was very special in this era when Lata and Geeta Dutt were at the top.

His next movie was ‘Laila Majnu’ which was a huge success. Sardar Malik composed only 3 songs for this movie ‘Baharon Ki Duniya Pukare’, ‘Tere Dar Pe Aaya Hoon’ and ‘Dekh Li Ae Ishq’. All the other songs were composed by Ghulam Mohammed but the songs showed his versatility and he gained recognition in the film industry. Thokar (1953) established Sardar Malik as a successful composer. Songs like ‘Ae Gham-e-Dil Kya Karoon’ by Talat and Asha Bhosle and ‘Hawa Ghungunayee Fiza Muskayee’ are evergreen numbers.

‘Aulad’ (1954) showed Sardar Malik’s overall class through his magical compositions. This movie had some great numbers like ‘Duniya Tasveer Ha’i (Talat Mahmood) and ‘Tum Salamat Raho Hazar Baras’ (Asha). The same year saw the release of ‘Chor Bazar’ (1954), which had some of the best songs rendered by Lata Mangeshkar. She sang 3 beautiful songs in this movie ‘Chalta Rahe Yeh Karvan’, ‘Huyi Yeh Humse Ye Nadani’ and ‘Dar Dar Ki Thokare Hain’. In the mid-50’s Sardar Malik composed music for a few movies like Ab-e-Hayat-55, Taxi-555-58, Chamak Chandni-57 and Maa Ke Aansoo-59. All these movies had some nice songs. If we observe the decade of the 50s, Asha Bhosle, Talat Mahmood and Rafi sang some of the best songs of Sardar Malik.

The decade of 60’s saw the release of ‘Saranga’ (1960), which can be considered as one of the best movies of Indian Cinema. The title song of the movie sung by Mukesh and the sad version of the same sung by Rafi is still as popular as it was 60 yrs ago. Many veteran music composers consider this movie as the best movie composed by Sardar Malik ever. The same year saw the release of ‘Mera Ghar Mere Bachche’ which contained some great songs sung by Mukesh, my favorite song being the duet of Mukesh with Suman Kalyanpur ‘Baharon Se Poochho’.

Sardar Malik remained active in the first half of the 1960s and composed some outstanding music for second rung movies like Madan Manjari, Bachpan, Pick Pocket, Naag Mohini, Jantar Mantar, Maharani Padmini, Roop Sundari and Main Hoon Jadugar. It was destiny that most of the films he composed for were not box-office successes, but he never compromised on the quality of his music. His career appears to come to an abrupt halt in the mid-60s. The last movie of Sardar Malik was Gynaaniji which was released in 1977. This movie had songs sung by Rafi, Asha, Jaspal Singh and Jagat Singh Jagga. After this he gave music to one film in which all his family was working- Nigahain-1983. He even wrote a few songs for this film.

Sardar Malik gave music to 25 films, composing 199 songs. He sang 8 songs in 2 films-Renuka-47 and Raaz-49.

Sardar Malik had huge knowledge on all forms of Indian Music. He always depended on light background orchestration in many of his songs. He made the use of accordion and flute in many of his songs. As he was classically trained, he had excellent knowledge on various ragas too. Married to noted lyricist Hasrat Jaipuri’s sister, Kausar Jahan (Bilqis), Sardar Malik had three sons – Annu, Abbu and Dabbu Malik. Thanks to his father’s blessings, Annu Malik met with a lot of success in the 1990s and 2000s.

Sardar Malik passed away on January 27th 2006, but the legacy he has left behind will always remain with us.

Today’s song is sung by Master Sonik and Lata mangeshkar. Hindi films had so far, to my knowledge,3 artistes who were blind and into film music. The first was K C Dey, a singer and a music director. The second was Manohal Lal Sonik- again a singer and a music director and the third one was Ravindra Jain who was a Lyricist, singer and a Music Director. Their natural deficiency did not come in the way of their music careers and the industry too gave them the recognition for their talents.

Master Sonik aka Manohar lal Sonik was born on 26-11-1926 in Sialkot, Punjab.By his third year, he lost his vision completely. Undaunted, he learnt music-first from the Music school of Lahore and then from Lucknow. For sometime, he was assistant to pt. Amarnath Batish.

After Partition he joined Delhi A.I.R. Later, he sang 8 songs in 7 Hindi films,namely Chaar Din-49, Stage-51,Kashmir-51, Khaibar-54, Mast Qalandar-55, Inquilab-56 and then after 20 years he sang in film Umar qaid-75 also. He gave music to film Ishwar Bhakti-51 along with Giridhar and then film Mamta-52, with Hansraj Behl.

Meanwhile, his nephew Omprakash Sonik, who was a singer in Delhi A.I.R., proposed working as a team of composers, calling themselves as ” SONIK-OMI “. They got their first film ” Dil ne phir yaad kiya”-66. The songs became popular. They continued to give music till Anadi Dada-93, when Master Sonik died on 9-7-1993. As a team, music was given to another 5 films by Omi alone till the film- Yeh hai basti Badmashon ki-1999. As a team, they gave music to 104 films composing 536 songs.

Today’s song is from the film Stage-51. There was a time between say, 1940 to 1970 when many film stories were woven around the Hero or Heroine being either a part of or an aspirant to be a part of a drama company or a musical group ( some examples are Albela, Hum sab chor hain, Teesri Manzil etc). This gave the producers ample scope and opportunities to include song and dance items in the film without any problem. Stage-51 was also one such movie having a murder mystery of a singer dancer. The film story was….

Prof.Rajan(Raj Mehra) is sad because his family life is spoiled due to the sharp and acidic tongue of his wife(Kuldeep Kaur).His daughter Sudha(Ramola) is with him on this issue.One day he discovers that his college love Kamini(Gulab) is in town as Neelam the stage dancer.He goes to meet her.Both share their grief but Rajan can not help her.In due course, Rajan’s wife learns about Neelam,there is a fight and Rajan is injured by accident.He goes to meet Neelam-who is murdered and police arrest Rajan with blood stained clothes.

Sudha, who is enjoying her boy friend Anand’s(Dev Anand) Birthday party, learns about it. She is determined to find out the real culprit. With help from Anand, his friend Chunnu(Sunder) and some clues, they reach Poona. Sudha joins as Dancer in the previous stage company of Neelam. They get the proof that the Owner of the theatre(Mubarak)is the culprit.

After some chase,suspense and a mock fight(it is funny to see Dev Anand fighting 7-8 gundas at a time),the murderer is caught by the police, Rajan released,Sudha-Anand married and Rajan’s wife reformed.

Let us now listen to the funny song which gives advice on how to be careful in Bombay.


Song- Bach ke chalna meri sarkaar ki ye Bombay hai (Stage)(1951) Singers- Master Sonik , Lata Mangeshkar, Lyricist-Sarshar Sailani, MD- Sardar Malik
Both

Lyrics

sach kahaa kisi ne
bache hamesha
bachke mod ko
hamesha bachke mod ko chaliye
ho bachke
bachke chalna
bachke chalna meri sarkaar
ke ye Bombay hai
ke ye Bombay hai
taxi waalon se hoshiyaar
ke ye Bombay hai
ke ye Bombay hai

hamne is shahar ke andaaz niraale dekhe
hamne is shahar ke andaaz niraale dekhe
har kadam par yahaan dil lootne waale dekhe ae
har kadam par yahaan dil lootne waale dekhe
lut na jaana sare baazaar
ke ye Bombay hai
ke ye Bombay hai
bachke chalna meri sarkaar
ke ye Bombay hai
ke ye Bombay hai

ghar se hum aaye thhe
business koi karne ke liye ae ae
ghar se hum aaye thhe
business koi karne ke liye
ab hain bechain kisi shokh pe marne ke liye ae ae
ab hain bechain kisi shokh pe marne ke liye

bik na jaaye kahin ghar baar
ke ye Bombay hai
ke ye Bombay hai
bachke chalna meri sarkaar
ke ye Bombay hai
ke ye Bombay hai

hamko rah rah ke hansi aati hai in ladkon par
hamko rah rah ke hansi aati hai in ladkon par
phirte hain ishq ladaane ke liye sadkon par r
phirte hain ishq ladaane ke liye sadkon par
aise ladkon se khabardar
ke ye Bombay hai
ke ye Bombay hai

bachke chalna meri sarkaar
ke ye Bombay hai
ke ye Bombay hai
Bombaayyyy


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4476 Post No. : 15979

Yearwise discussion of Lata Mangeshkar songs in HFM: Part IV: Overview of the decade 1946-1950
———————————————————————————————————

When Lata Mangeshkar began her playback career in HFM, she got to sing only nine songs in the first two years (1946 and 1947). By the time the decade ended in 1950, her playback career had seemingly reached dizzying heights. In subsequent years and decades, she would scale far higher peaks.

So far, we have discussed yearwise breakup of songs of Lata Mangeshkar from 1946 to 1950. In this episode we will take a pause and review her career from 1946 till 1950, in what was her first decade (out of so many decades) as a playback singer in HFM.

Here is the yearwise summary of her career from 1946 till 1950:

Year Movies Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1946 Three movies Two music directors 4 4 4 0 0 0 Four lyricists
1947 Three movies Three music directors 5 5 3 1 0 1 Three lyricists
1948 17 movies 14 MDs 50 50 37 6 4 3 19 lyricists
1949 38 movies 15 MDs 133 157 103 35 12 7 35 Lyricists
1950 36 movies 15 MDs 111 143 93 32 14 4 40 lyricists
1946 to 1950 97 movies 31 MDs 305 359 240 74 30 15 66 lyricists

From the above, we notice that Lata Mangeshkar had already sung more songs in five years of her fledgling singing career than what several wellknown HFM singer would sing in their entire careers. To put things in perspective, K L Saigal sang less that 150 HFM songs and Suraiyya sang less that 350 songs in HFM.

While the figures of most columns add up in the above table, the number of music directors and lyricists do not add up, because the same music directors and lyricists who worked with Lata Mangeshkar in one year would often work with her repeatedly in future as well. It is interesting to note that she had already worked with 31 Music directors and 66 lyricists within a five year long playback career. Majority of her songs were solo songs, which meant that music directors had full faith in her voice carrying the playback singing of the movie on her shoulders.

Let us now take a look at the music directors who used Lata Mangeshkar’s voice during this period.

Music directors of Lata Mangeshkar from 1946 to 1950
—————————————————–

Those music directors who composed 10 plus songs with Lata Mangeshkar from 1946 to 1950.

Music Director Number of movies Number of songs
Anil Biswas 8 43
C Ramchandra 14 52
Ghulam Mohammad 6 22
Hansraj Bahl 6 17
Khemchand Prakash 3 14
Naushaad 4 19
Pt Govindram 5 14
Shankar Jaikishan 1 10
Shyam Sundar 6 16
Vasant Desai 4 15
Vinod 3 19

Those who composed less than 10 songs with Lata Mangeshkar from 1946 to 1950.
————————————————————-

Music Director Number of movies Number of songs
Aziz Khan/ Khayyam 1 3
D C Dutt 1 1
Datta Davjekar 1 3
Ghulam Haider 2 8
Gyan Dutt 1 1
Hafeez Khan 1 5
Krishn Dayal B Sc 1 2
Madhusudan Acharya 1 1
Mukund Masurekar 1 1
Naashaad 1 7
P Ramakant 1 5
Paingankar 1 1
Premnath (MD) 1 3
Purushottam 1 1
Ramkrishna Shinde 1 1
S D Burman 1 2
S Mohinder 1 1
Sajjad Hussain 1 2
Wadhwa 1 1

We can see from the above that 50 % of all her songs (175 numbers) were compositions of just four music directors viz. Husnlal Bhagatram, C Ramchandra, Anil Biswas and Ghulam Mohammad. Many music directors who would subsequently use Lata Mangeshkar extensively and create timeless classics with her voice had yet to arrive on the scene.

Similar was the case with lyricists who worked with her. Let us take a look at the lyricists who worked with her during this period.

——————————————————
Lyricists of Lata Mangeshkar from 1946 to 1950
—————————————————–

Lyricists who penned 10 plus songs with Lata Mangeshkar from 1946 to 1950

Lyricist Number of movies Number of songs
Ehsan Rizvi 3 11
Majrooh Sultanpuri 3 13
Mulkraj Bhakri 5 19
Nakshab 5 13
P L Santoshi 9 31
Prem Dhawan 4 13
Pt Narendra Sharma 2 11
Qamar Jalalabadi 5 20
Rajinder Krishan 6 19
Sarshar Sailani 5 11
Shakeel Badayuni 7 28

Lyricists who penned less than 10 songs with Lata Mangeshkar (from 1946 to 1950)
————————————————————-

Lyricist Number of movies Number of songs
A Shah Shikarpuri 1 2
Aabid Gulrej 1/td> 2
Aarzoo Lucknowi 2 4
Anjum Jaipuri 1 2
Asad Bhopali 2 4
Aziz Kashmiri 2 9
Bahzad Lucknowi 2 3
Banwaasi 1 1
Bharat Vyas 1 4
Chandrashekhar 1 2
Chopra 1 1
D N Madhok 2 9
Darbari Lal 1 1
Dewan Sharar 1 1
F M Kaiser 1 1
Feroz 1 1
Gopal Singh Nepali 2 5
Gafil Harnalvi 1 1
Gulshan Jalalabadi 1 1
Habib Sarhadi 1 5
Hasrat Jaipuri 2 9
Huda 1 1
I C Kapoor 4 9
Indeewar 1 1
Jalal Malihabadi 1 1
Kaif Irfani 1 1
Kavi Pradeep 2 5
Khawar Zamaan 1 2
Khumar Barabankwi 1 1
L Meghani 1 5
Lekhraj Bhakri 1 1
Mahipal 2 4
Mashhar 1 1
Moti B A 1 1
Nizam 1 1
Partab 1 1
Prakash 1 1
Pt Indra Chandra 1 1
Pt Mukhram Sharma 1 1
Pt Phani 1 3
Pt Sudarshan 1 1
Raghupat Rai 1 1
Raja Mehdi Ali Khan 5 6
Ramesh Shashtri 1 1
Rammurty Chaturvedi 2 6
Safdar Aah Sitapuri 1 2
Saaghar Nizami 1 1
Shailendra 1 2
Shams Azimabadi 1 1
Shekhar 1 2
Unknown 3 4
Vrajendra Gaur 1 2
Wahid Qureshy 1 2
Wali Sahab 3 5
Zia Sarhadi 1 3

From the above, we notice that some usual suspects like Rajinder Krishan and Majrooh Sultanpuri had already started working with Lata Mangeshkar by this time. They along with three other lyricists had penned one third (117 songs) of the songs that Lata Mangeshkar had sung by then. We also notice that the number of lyricists that she worked with is about twice the number of music directors that she worked with.

We also notice that the blog contains 305 out of 359 Lata Mangeshkar songs from this period. So we have just over 50 more Lata Mangeshkar songs left to be discussed. Most well known songs have already been covered. These 50 odd songs are likely to be lesser known, and even rare songs.

On this occasion, here is one such song. This song is from “Shaadi Ki Raat”(1950). This movie was directed by Yashwant Pethkar for Prakash Pictures, Bombay. This “social” picture had Geeta Bali, Rehman, Vijaylaxmi, Leela Mishra, Jankidas, Ansari, Shanta Kunwar, Baby Durga, , Anwari Bai, Arun etc in it. The movie had twelve songs in it. Pt Govindram was the music director of the movie, but three of the songs were composed by S Mohinder and one by Aziz Hindi.

Three songs have been covered in the past, but none of them were sung by Lata Mangeshkar. The movie had two Lata Mangeshkar solo songs in it. One was composed by S Mohinder and another by Pt Govindram. Both were rare songs.

Here is one of these songs. It is sung by Lata Mangeshkar. Sarshar Sailaani is the lyricist. Music is composed by Pt Govindram.

The song is 70 year old, and I listened to it for the first time just now. What a fresh as dew voice it sounds even today !

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

Lyrics


Song-Kaho Bhabhi meri kab aayegi (Shaadi Ki Raat)(1950) Singer-Lata, Lyrics-Sarshar Sailaani, MD-Pt Govindram

Lyrics

O bhaiyya
O bhaiyya

kaho bhaabhi meri kab aayegi
mere bhaiyya ke man ko lubhaayegi
haan kaho bhaabhi meri kab aayegi
mere bhaiyya ke man ko lubhaayegi
nanhi nanadiya bhaabhi ki baat take
bhaabhi ki baat take
bhaiyya judaai ki ghadiyaan na kaat sake
ghadiyaan na kaat sake
jaane kab tak jiya tadpaayegi
jaane kab tak jiya tadpaayegi
o bhaiyya
kaho bhaabhi meri kab aayegi
mere bhaiyya ke man ko lubhaayegi
haan
kaho bhaabhi meri kab aayegi
mere bhaiyya ke man ko lubhaayegi

jaise chanda sitaaron mein ek hai
jaise chanda sitaaron mein ek hai
meri bhaabhi hazaaron mein ek hai
jaise chanda sitaaron mein ek hai
meri bhaabhi hazaaron mein ek hai
choom lengin
choom lengin mohalle ki goriyaan
chum lengin
choom lengin mohalle ki goriyaan
wo jo mukhde se ghoonghat uthhaayegi
wo jo mukhde se ghoonghat uthhaayegi
o bhaiyya
kaho bhaabhi meri kab aayegi
mere bhaiyya ke man ko lubhaayegi
haan
kaho bhaabhi meri kab aayegi
mere bhaiyya ke man ko lubhaayegi

zara shaadi rachaane ki der hai
zara shaadi rachaane ki der hai
meri bhaabhi ke aane ki der hai
o bhaiyya
meri bhaabhi ke aane ki der hai
usne dekha
usne dekha jo aankhen nikaal ke
saari git mit tumhen bhool jaayegi
o bhaiyya
kaho bhaabhi meri kab aayegi
mere bhaiyya ke man ko lubhaayegi
haan
kaho bhaabhi meri kab aayegi
mere bhaiyya ke man ko lubhaayegi


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4428 Post No. : 15853

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Blog 10-Year Challenge (2010-2020) – Song No. 68
———————————————————————————–

The date ten years ago, viz 1 september 2010 saw as many as seven songs getting discussed in the blog. First post of the aday appeared at 5:45 AM and the seventh post at 9:01 AM ! Ten years from that day, I am surprised myself how I was able to cover seven songs in a matter of little over three hours !

Here are the details of these songs :-

Song Movie title-Year Remarks
Koi nahin mera iss duniyaa mein Daag-1952 All songs covered
Dil matwaalaa laakh sambhaalaa Bewafaa-1952 05 songs posted
Chupke chupke rukte rukte Paying Guest-1957 All songs covered
Dil todna kisi ka ye zindagi nahin hai Pooja Ke Phool-1964 All songs covered
Ye dil hai muhabbat ka pyaasaa Dil Ne Phir Yaad Kiyaa-1966 All songs covered
Daanton taley dabaa kar honth Doli-1969 All songs covered
Tadap ye din raat ki Amrapaali-1966 All songs covered

As many as six out of the seven movies that figured ten years ago, have already been YIPPEED by now. “Bewafa”(1952) is the only movie that still has a few songs left to be covered and that makes this movie the only movie eligible for “Blog Ten Year Challenge” for today (1 september 2020).

“Bewafa”(1952) was produced by Nargis and directed by M L Anand. The movie had Ashok Kumar, Nargis, Raj Kapoor, Neelam, Siddiquie, Sybil, Advani, Nizam, Sheel, Ghosh etc in it. The movie had nine songs in it. The movie made its debut in the blog on this date ten years ago. Six songs from the movie have been covered in the blog so far. Here are the details:-

Song Posted On
Dil matwaalaa laakh sambhaalaa 01.09.2010
Badnaseebi ka gila ae dil ae naashaad na kar 06.07.2012
Tu aaye na aaye teri khushi 01.02.2013
Tumko fursat ho meri jaan 15.02.2013
Kaam haathon ka hai 01.08.2015

Here is the seventh song from “Bewafa”(1952). This song is sung by Lata. Sarshar Sailaani is the lyricist. Music is composed by A QR Qureshi.

The song is picturised on Nargis and Ashok Kumar.

Lyrics of this song were sent to me by Prakashchandra. BTYC details were sent to me by Avinash Scrapwala.

Lyrics were sent by Prakashchandra.

It is interesting to note that the first song of the day today was from “Wafa”(1950) and the next song (this one) is from a movie called “Bewafa”(1952). 🙂

Audio link

Video link:

Song-Ek baar jhalak dikhlaa ke hamen…isi ka naam duniya hai (Bewafa)(1952) Singer-Lata, Lyrics-Sarshar Sailaani, MD-A R Qureshi

Lyrics(Provided by Prakashchandra)

Ek baar jhalak
dikhlaa ke hamein aen
qismat ka sitaraa aa aa doob gayaa
kashti to bechaari ee
kashti thi ee
paani mein kinaaraa doob gaya
aaa aaa aaa aaa aaa aaa aaa
aaa aaa aaa

issi ka naam duniyaa hai
issi ka naam duniyaa hai
to duniya dekh lee maine ae
issi ka naam duniyaa hai

kisi ki aarzoo ka
khoon kar ke
kya milaa mujhko o o o
kya milaa mujhko
kisi ki aarzoo ka
khoon kar ke
kya milaa mujhko o o o
kya milaa mujhko
ke apne dil ki duniya bhi
ujadte dekh lee maine
ke apne dil ki duniya bhi
ujadte dekh lee maine
isi ka naam duniyaa hai

meri aankhon ke aagey
lut rahaa thha
qaafilaa dil ka..aaa…aaa
qaafilaa dil ka
meri aankhon ke aagey
lut rahaa thha
qaafilaa dil ka..aaa…aaa aa
qaafilaa dil ka
qayamat hai ke jeete jee
qayamat dekh lee maine ae
qayamat hai ke jeete jee
qayamat dekh lee maine ae
issi ka naam duniyaa hai

meri andhi jawaani
ne mujhe barbaad kar daala aaa aaa aaa
barbaad kar daala
meri andhi jawaani
ne mujhe barbaad kar daalaa aaa aaa aaa
barbaad kar daala
kissi ki bewafayee par lutaa di zindagi maine
kissi ki bewaffayee par lutaa di zindagi maine
issi ka naam duniyaa hai
to duniya dekh lee maine
issi ka naam duniyaa hai


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4371 Post No. : 15706

“Man Ka Meet”(1950) was directed by Ratibhai Punaatar for Ajit Pictures, Bombay. This “social” movie had Nirupa Roy, Dulaari, Sarita Devi, Shanti Madhok, Manhar desai, Babu Raje, hhagan Romeo, Bhagwan Das, Ibrahim, Maruti, Kamlakant, Barkat Virani, Haridas, Popat, V D Popat etc in it.

The movie had nine songs in it. One song has been covered in the past.

Today (6 July 2020) is the 16th remembrance day of Sardul Kwatra (1928-6 July 2004). As a tribute to him, here is a song from “Man Ka Meet”(1950). This song is sung by Zohrabai Ambalewaali. Sarshar Sailaani is the lyricist. Music is composed by Sardul Kwatra.

Only the audio of the song is available. For the lyrics, it is clear that it is a mujra song. I request our knowledgeale readers to throw light on the picturisation of the song.

Lyrics of this song were sent to me by Avinash scrapwala.


Song-Nigaahon se kehti hai dil ke fasaane(Man Ka Meet)(1950) Singer-Zohrabai Ambalewaali, Lyrics-Sarshar Sailaani, MD-Sardul Kwatra

Lyrics(Provided by Avinash Scrapwala)

hmm hmm hmm
hmm hmm hmm
Nigaahon se kehti hai ae ae
Dil ke fasaane ae ae
Haan aan aan aan
Aan aan aan aan
Jawaani ki baatein
aa aa aa aa
aa aa aa aa
aa aa
Jawaani ki baatein
Jawaani ki baatein
Jawaani hi jaane
Jawaani ki baatein
Jawaani ki baatein
Jawaani hi jaane

Nigaahon se
Nigaahon se raja
Nigaahon se kehti hai
Dil ke fasaane
Dil ke fasaane ae
Jawaani ki baatein
Jawaani ki baatein
Jawaani hi jaane

Jawaani ki gardan ko
Jhukte na dekha
Jawaani ki gardan ko
Jhukte na dekha
Kisi ne ye toofaan rukte na dekha
Kisi ne ye toofaan rukte na dekha
Jawaani ka har teer
Baithha nishaane
Jawaani ka har teer
Baithha nishaane
Haan aan aan aan
Aan aan aan aan aan
Nigaahon se
Nigaahon se raaja
Nigaahon se kehti hai
Dil ke fasaane
Dil ke fasaane ae
Jawaani ki baatein
Jawaani ki baatein
Jawaani hi jaane

Na aana na jaana
Na milna milaana
Na aana na jaana
Na milna milaana
Kabhi ye bahaana
Kabhi wo bahaana
Kabhi ye bahaana
Kabhi wo bahaana
Hamen maar daalaa
Bahaane
Bahaane
Hamen maar daalaa
Bahaane
Bahaane
Haan aan aan aan
Aan aan aan aan aan
Aan aan
Nigaahon se
Nigaahon se raaja
Nigaahon se kehti hain
Dil ke fasaane
Dil ke fasaane ae ae
Jawaani ki baatein
Jawaani ki baatein
Jawaani hi jaane ae


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4141 Post No. : 15303

Today’s song is from film Arsi-1947.

Till recently, I was wondering, what was the meaning of this Title word Arsi. I could not find the meaning anywhere and finally I left my attempts. Then one day, I read the review of this film, in the June 1948 issue of Film India and I got a new piece of wisdom that Arsi was a name of the girl in the film. It was for the first time that I learnt that a name such as Arsi could be a girl’s name in India. Out of curiosity, I checked the 3 ” Boys and Girls Names ” books that I have in my collection, but in none of the books this name was found. At last, I decided to surrender to Guru Google ji, and to my surprise, I learnt that the word means ” Mirror ” !

The film Arsi was made by Jeevan Pictures, Lahore. It was directed by Daud Chaand. All the 11 songs were written by Sarashar Sailani. This was his first film as a Lyricist. The owner of Jeevan Pictures, was Motiram Jain and he was a lover of Shayari and poetry. Sarashar Sailani, who was not much educated (not a graduate), but was a school teacher, used to participate in Mushayras. Motiram liked his shayari. When Motiram started his First film Arsi-47, he invited Sailani to write story, song and dialogues for this film. Some songs became popular and Sailani jumped into film line.

Lachhiram called him for his next film Mohini-47 and Shyamsunder called him for Ek Roz-47. Along with director Daud Chaand, Sailani also shifted to Bombay. However, after the Partition, Daud returned to Lahore but Sailani remained in India. He wrote lyrics. generally he got only low budget films, but he worked with some quality composers like Pt. Amarnath, Husnlal-Bhagatram, Roshan, Chitragupta, Jaidev, A R Qureshi, Hansraj Behl etc.

In all, he wrote 150 songs in 32 films. From 1960 onwards, after film ‘ Bade ghar ki bahu’, he stopped song writing and took up only story, dialogue writing, in which he did many good films. Sarshar Sailani died on 10-4-1969.

In film Arsi-47, there were 2 MDs – Lachhiram Tamar and Shyamsunder. Although HFGK is silent on crediting MDs for any song, those who uploaded the songs on YT have indicated MD names as given on the records. Much is written about Shyamsunder, but not much is available on Lachhiram. Last year, in one of posts, I have given information about Lachhiram Tamar already.

The film’s director was Daud Chaand. Dawood Chand was a prominent film director of 1930’s & 1940’s of Indian cinema. He directed Veer Kaisri (1938), Joshe-e-Islam (1939), Sipahee (1941), Jangee jawan (1943), Paraey Bas main (1946), Aaarsee and Aik roze (1947) and Papeeha Re-48 in India.

In Paksitan he was director of first ever released Pakistan film Tairi Yad (1948). Some of his others films were Hichkoley, Mundri (1949), Sassi (1954), Bulbul (1955), Mirza Sahebaan and Hatim (1956), Muraad (1957), Aalam ara (1959), Sapairan (1961), Khaiber Pass and Ghazala (1963), Reshma (1970), and Bahadra (1973).RAZA MIR (Producer/Director)
He acted in Indian film Shaher say door (1946) but in Pakistan he chose other profession. He was Pakistan’s First film Teri yaad’s (1948) cinematographer and director. He also directed some other films like Baiti (1964), Lakhon main aik (1967), Aaasra and Aneela (1969), Parai aag (1971), Naag muni, Vicharya saathi (1973), Professor and Arzoo (1975) Sohni mahiinwal (1976) and Dil keey daagh (1978). Asif Raza Mir film hero of late 1970’s and early 1980’s and a good TV artist is his son. He died on 24-5-1975 at Lahore, Pakistan.

The cast of the film was Meena (Shorey), Al Nasir, Ajmal, Asha Posley, Zahoor Shah, Bheemsain, Ramlal, Pran, Cuckoo etc etc. When I had first come across the name Asha Posley, in my younger days, I was a bit amused, because the name sounded almost like Asha Bhosle ! When I started writing about old films, I realised that her real name was something else and this was a name acquired by her.

Asha Posley was born Sabira Begum in Patiala, Punjab, British India in 1927. She was given the film name Asha Posley by the renowned music director Ghulam Haider. She made her film debut in a Lahore-made Punjabi film Gawandi (1942) as a supporting actress.Later she played just a few female lead roles in some films starting with film Champa (1945) and then Kamli (1946) in British India. Her films in India were Champa-45, Paraye Bas mein-46, Kamla-46, Badnaami-46, Aai Bahar-46, Pagdandi-47, Ek Roz-47, Arsi-47, Sassi-48 (un released), Roop Rekha-48, Papeeha Re-48 and Barsat ki ek raat-48. She also sang 5 songs in 3 films.

After independence of Pakistan in 1947, her whole family migrated to Lahore, Pakistan including her music director father Inayat Ali Nath and her 2 sisters- actress Rani Kiran and Kausar Perveen who later gained fame in Pakistan as a film playback singer. Her father was the music director for the first-ever released film in Pakistan- Teri Yaad (1948) and Asha Posley played the female lead role in the film opposite Nasir Khan who was a brother of famous Indian actor Dilip Kumar.

Later she was mostly cast in supporting roles opposite comedian actors Nazar and Asif Jah in films both in Urdu and Punjabi languages. She acted in 129 films in total in her career spanning over 4 decades (1942-1986). Her last film was Insaf (1986). She also appeared on Stage, TV and Radio and she was also a part-time singer. Asha Posley was awarded a Special Award for Excellence in 30 years of acting by the prestigious Nigar Awards organization in Pakistan in 1982.

Asha Poslay died on March 26, 1998 at Lahore.

Asha Posley’s case is a sad one. The way Pak film industry treated her in her last days, is no different than what Indian film industry did in the past. She and her family spent hard days and she died in poverty. Only the other day, I came across an article written by film journalist of Pakistan- Navaid Rasheed in The Dawn.com in April 2001. In it, he wrote about her house…..” The humble abode is enveloped in depressive atmosphere. The rooms are in ramshackle condition. The main door leads to a very small room which is without a roof. If it was bigger in size, it would be called a courtyard. Things are helter skelter all over the place. Can somebody imagine that this is a place where a glamorous diva lived not too long ago.

Yes, this place was the last abode of Pakistan film industry’s first heroine Asha Posley who died three years ago. Ever since then the family has been living in a dilapidated state. Not that the things were any better when the actress was alive, in fact she herself was dependent on her brother whose house this is. But at least she was there for them, her being there was enough for them.”

Asha Posley was a very attractive, frank, ever smiling and popular actress in Pakistan. Asha Posley was undoubtedly one of the most modern, bold and flamboyant heroine of the local cinema. Those well-arched eye-brows, deep almond-shaped set of eyes, high cheek bones, the square jaw, the curly jet black locks and the mischievous smile is hard to forget. For a woman who once charmed the cinegoers for so long did not have enough money to make her ends meet at her retirement. Such a sad ending is not what she deserved. But that is exactly what happened.

Ever since Asha Posley was forced to sit home by the ruthless film industry that gave her no work for long, there was not a single day when she didn’t wait to be offered even a small role from the industry. When no one came from the industry to help her, she looked towards the public sector. She requested time and again for help but in vain. Such a talented actress of calibre was fast diminishing into oblivion but no one was bothered to save her. So finally she died unsung in March, 1998. Still no one was effected.

Teri Yaad was the first Pakistani film to be released in 1948 and Asha’s hero in it was Dilip Kumar’s brother Nasir Khan. It was directed by Dawood Chand. Asha Posley belonged to Patiala (India) and was born in 1927. She worked in Radio Pakistan as Riffat Aisha and was in possession of a good voice. Before partition she worked for the first time in Kamli (1946) which was not too successful but owing to her looks, her spicy sense of humour and bold style of conversation, she became pretty famous in film circles.

After partition she also worked in films like Ghalat Fehmi, Shahida and Bulbulall of which proved to be failures. However, when she opted to play a vamp in Sassi, it proved to be very successful. Hence onwards began a long journey of vampish roles for Asha. Her occasional pairing with comedian Nazar in certain films too won accolades for her as a comedy star. One of her memorable films as a vamp was Intezaar featuring Noor Jehan and Santosh Kumar
in the lead. Kismet and Dulla Bhatti were other successful ventures where she put in memorable performances. Her dances too were the main highlight of these films.

Asha’s younger sister Rani Kiran was also a film heroine while another of her sister Kausar Parveen was a famous playback singer of the 50s who died very young. Rani Kiran is still alive but leading a pathetic life.

Asha’s famous films include Toofaan, Mukhra, Hatim, Ashiana, Hum Aik Hein, Khizaan kei Baad, Son of Ali Baba, Mehandi, Pasbaan and others. She made occasional appearances on various television shows where she reminisced her past glory and mentioned for support too. But apparently nothing happened. Nobody could improve her state of affairs, but at least someone can still help her sister Rani Kiran and save her from going the Asha Posley way, out of this world.

This was the fate of discarded artistes…be it Pakistan or India. We can quote many such cases from our own court yards. Thank God, these days the situation is much much better and no such cases are to be seen since few years. Hope this is so even in Pakistan.

Film Arsi-47 was released on 10-4-1948 at Majestic Cinema in Bombay. The screenplay was by M R Bhakhri. Film India magazine June 48 issue featured a review of this film. As usual Baburao Patel had nothing good to say about the story, acting or even the Music. He surely sympathised with the Director, who could not do much with the weak story. The story,in short, as given in the review (minus criticism) is …

Ramesh (Al Nasir) is the son of the village Zamindar. He loves Arsi (Meena), daughter of Bansi, a poor farmer. Unfortunately, the Zamindar himself wants to marry Arsi. When this proposal is declined, Bansi, with his daughter and young son is driven out of the village. Soon after, Bansi dies and Arsi has to sell a Gold Frame, gifted by Ramesh. However, she is accused of stealing it from the Zamindar’s house and is sentenced to 14 years of Jail term.

Her brother grows up. The Brother Mohan (Ajmal) loves and marries dancer Sharada (Asha Posley). The Zamindar dies. After 14 years, Arsi is released. She is employed as a Maid by Ramesh and later they marry also. The End !!! (Thank God !)

The story is too simple and predictable. No wonder Film India criticised it. Today’s song is a duet by S D Batish and Zeenat Begum. One more interesting Trivia. Sarashar Sailani had also acted in this film, but under the name Bheemsain. This was the only film he ever acted in a film.


Song- Duniya chhoote par na chhoote teri gali ka phera (Aarsi)(1947) Singers- S D Batish, Zeenat Begum, Lyrics- Sarshar Sailani, MD- Lachhiram Tamar

Lyrics

Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera
Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera
gali ka phera kaise chhoote
prem ka bandhan kaise toote
gali ka phera kaise chhoote
prem ka bandhan kaise toote
kaise chhodoon kaise chhoote
teri gali ka phera re
haay teri gali ka phera re
Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera

nain milaa ke
mast banaa ke
nain milaa ke
mast banaa ke
jee bharma ke loot liya
haaye loot liya
nain milaa ke
mast banaa ke
jee bharma ke loot liya
haaye loot liya
loot liya sajni ke man ko
loot liya sajni ke man ko
saajan bada lutera re
haaye saajan bada lutera re

Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera

kaise jaadoo daala dil par
teri mast nigaahon ne
kaise jaadoo daala dil par
teri mast nigaahon ne
duniya chhod ke aan lagaaya
duniya chhod ke aan lagaaya
teri gali mein dera re
haaye teri gali mein dera re
Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera

naav bhanwar mein chhod na dena
preet ke matwaare rasiya
naav bhanwar mein chhod na dena
preet ke matwaare rasiya
preet laga ke tod na dena
preet laga ke tod na dena
naazuk hai dil mera re
haaye naazuk hai dil mera re

Duniya chhoote
ho
Duniya chhoote par na chhoote teri gali ka phera
ho teri gali ka phera
chun chun kankar mahal basaaya
log kahen ghar mera aa re
na ghar tera na ghar mera aa aa
chidiya rain basera aa aa aa


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4094 Post No. : 15238

Today’s song is from a film Rakhi-1949. This social film was made by Prakash Pictures,Bombay. It was directed by Dr. Shanti kumar ( he is different than the composer Shanti Kumar Desai). The 10 melodious songs were composed by the Melody-Magicians Husnlal-Bhagatram.

Most of us know that Husnlal and Bhagatram were the brothers of Pt. Amarnath- the eldest brother, who too was a well known, pre Independence music director. However, How many of us know that out of this pair, Bhagatram was the elder brother ? Have you anytime wondered why the younger brother’s name comes first in this pair ?

Normally, when a pair of brothers is referred, it is the elder brother’s name that comes first. For example, Ram-Laxman or Balram – Srikrishna or even Kalyanji – Anand ji, Jatin-Lalit or Anand-Milind. For many years, this matter was bothering me, but I could not find any justification for this unusual way of pairing. I was sure that there must be some story behind this.

Two years ago, the Blog “Songs of yore” published the second part of Husnlal-Bhagatram post on 11-8-2017, based on the interview of Dinesh Prabhakar, son of Husnlal and Ms. Nirmala Devi, wife of Husnlal. During her talk, Nirmala Devi explained the reasons for calling the pair as Husnlal-Bhagatram, inspite of Bhagatram being the elder one and more experienced of the two. Bhagatram had already given music, individually to 9 films, in the late 30s and early 40s, before the pair was formed. Her statement answered my long awaited query about the unusual name of the pair. Here is the related portion of her interview….

” The 90-year old Shrimati Nirmala Devi is an amazing lady. She still has a razor-sharp memory and superb knowledge of music and music personalities of that era. She gave me a lot of interesting information, not available elsewhere – for example, the reason why the younger brother Husnlal’s name comes first in the duo’s name. Her talk also revealed that other family commitments, too, in Delhi were contributory factors for their decline in the film music.

Shrimati Nirmala Devi speaks about her husband (late) Pt Husnlal

DD Kashyap, who was directing Chaand (1944) for Prabhat Films, wanted to engage Pt Amarnath based in Lahore, who was a towering figure in music. As he was heavily preoccupied, he strongly recommended his younger brother Pt Husnlal who was staying with him and assisting him in Lahore-based films of Pancholi and others, assuring Kashyap that Pt Husnlal was no less talented than him. Pt Amarnath was like a father-figure to his younger brothers, especially to Pt Husnlal. A music session was organized to demonstrate Pt Husnlal’s talent. Kashyap was highly impressed. When it was time for Pt Husnlal to proceed for Poona/Bombay, Pt Amarnath, out of concern for his kid-brother, suggested to Kashyap to also engage Pt Bhagatram with him. Kashyap expressed difficulty in arranging the payment for two as the contract was already made out. Pt Amarnath assured him that he should not bother about increasing the fee, but the two brothers must work together. (Thus it was that Bhagatram got appended to Husnlal, forming the duo HB. Another reason why the younger brother’s name preceded the elder brother was simply the aesthetics – Husnlal-Bhagatram sounding better than the other way around.) ”

Dr. Shantikumar directed the film Rakhi-49. No information is available about him anywhere. We only know that he directed 18 films. Starting with film Police-44, he ended his career with film Mahasati Behula-64.

The cast of the film was Kamini Kaushal (real name Uma Kashyap), Karan Dewan, Gope, Yashodhara Katju, Pran, Kuldip, Raj Adeeb (younger brother of Prem Adeeb), Ulhas etc. As time flows, Heroes become character artistes and then they fade out. There are hundreds of old time actors about whom absolutely no information is available. Intense search sometimes yields some results and one feels at peace with whatever is available. One such actor is Ulhas. For many years nothing was known about him except names of his films from HFGK. Over a period a little more about him came to light. Now we know that his real name was M.N.Kaul and that he was a Kashmiri Pandit. He worked in 155 films. Recently I found the following note on Ulhas in ‘ Chinar Shade’ Blog..

He was known as ULHAAS and his real name was M N Kaul. He belonged to a Kashmiri Pandit family from Ajmer. As a young boy, he moved to Poona in 1937 and joined Prabhat Pictures as an actor. His first movie as an actor was ” Wahan “. He worked with stalwarts like A R Kardar and Sohrab Modi.

Chandr Mohan Wattal , another Kashmiri actor of 1930s and 1940s helped him a lot to settle in films .In fact he intervened and requested V Shantaram for his role in “Wahan”. Ulhaas remained loyal to Chandr Mohan wattal for this favour till latter’s death in 1949.

When Bombay Talkies decided to start their New film BASANT, Ulhaas and Mumtaz Shanti were signed as lead pair. Again in the movie PARBAT PE APNAA DERA , he was signed as hero.

Thereafter , he started doing character roles. He played memorable character roles in Guide , Amar, Aadmi, ,Shama Parwana, Sehra, Ziddi, Goonj Uthhi Shehnaayi, Rani Roopmati, Dhaka Ki Malmal, Samrat Prithviraj Chauhan, Kundan, Heer, Mirza Ghalib ,Jhansi Ki Raani , Nai Umar Ki Nai Fasal, Sangharsh , Prem Pujaari, Badi Didi, Do Aaankhen Baarah Haath, Johar Mehmood in Goa.

In his 38 years of career, he acted in many hit movies. His last movie was Sawaal (1982).

We all know about Pran very well, so there is no point in giving his Bio-data here. Few days back I found an article on Pran on http://www.rediffmail.com. This article gave interesting points about Pran’s life, which normally are not known to most people. Here is an excerpt from this article, duly edited by me.
Pran’s full name is Pran Krishan Sikand. Pran wanted to be a photographer and even took up a job as an apprentice in A Das & Co, Delhi.

Pran’s first ever acting role was Sita to Madan Puri’s Ram in Shimla, at a local Ramlila.

Since Pran’s father was a civil contractor with the government, Pran studied at various schools in Kapurthala (Punjab), Unnao, Meerat and Rampur (Uttar Pradesh) and Dehradun (Uttarakhand).

Pran’s first film was in Punjabi called Yamla Jat (1940), where he played a villain. It was a huge hit.

Pran did not tell his father that he was shooting for a movie, as he thought his father would not permit him to have an acting career. When his first interview appeared in a newspaper, Pran asked his sisters to hide the papers. When his father finally learnt of his career, he was not upset as Pran had expected.

In one of his early films, Pran played hero to Noor Jehan in Khandaan (1942).

Pran came to Mumbai from Lahore on August 14, 1947, just a day before India’s Independence, with his wife and one-year-old son Arvind.

According to Pran, one of the most precious things he lost in the Partition was his dog. When Pran became popular, he would name his dogs Bullet, Whisky and Soda.

Before Pran came to Mumbai, he had already acted in 22 films as a villain. Due to the Partition, his career had a brief pause.

When Pran came to Mumbai, he stayed at the Taj Mahal hotel. As he had no work, money started running out, and the family had to shift to smaller and smaller hotels. Finally, they had to stay in a guest house.

After eight months of arriving in Mumbai, Pran — with the help of writer Saadat Hasan Manto and actor Shyam — got a role in Shaheed Latif’s Ziddi (1948), starring Dev Anand and Kamini Kaushal.

Ziddi was a hit. Within a week of its release, Pran signed three more films: S M Yusuf’s Grihasti, Prabhat Films’s Apradhi and Wali Mohammad Wali’s Putli.

BR Chopra’s Afsana (1951) was Pran’s first biggest hit after he shifted to Mumbai.

Pran had three children — Arvind, Sunil and Pinky — and five grandchildren.

Ashok Kumar and Pran were the best of friends and have acted in more than 25 films together, including Afsana, Victoria No 203, Chori Mera Kaam, Chor Ke Ghar Chor, Apna Khoon, Aap Ke Deewane, Raja Aur Rana, Inspector, Lakeeren, Mr X, Pooja Ke Phool, Purab Aur Pachhim, Adhikar, Naya Zamana and Aansoo Ban Gaye Phool.

Pran even played Valmiki in a mythological film called Luv-Kush.

When Pran was signed up for Halaku, Meena Kumari was quite upset but when she saw him in costume, and a few rushes from the film, she was very happy.

Pran would work on his make-up well. He would have an artist at home, who would sketch the kind of look he wanted. Then, his make-up man and wig-maker would work on it.

Pran acted in several Bengali films as well, including Joy Mukherjee’s Sonai Dighe, directed by Ashim Banerjee.

It was Pran who recommended Amitabh Bachchan to Prakash Mehra for Zanjeer, which had been offered to Dev Anand, Raaj Kumar and Dharmendra earlier.

Pran acted with Amitabh in 15 films like Zanjeer, Kasauti, Don, Amar Akbar Anthony, Majboor, Dostana, Naseeb, Kaalia and Sharaabi.

Not many know that Pran was paid more than Amitabh Bachchan. In the 1970s, only Rajesh Khannna was paid more than Pran. In the 1950s and 1960s, only Dilip Kumar, Dev Anand, Raj Kapoor and Rajendra Kumar were paid more than Pran.

Pran started rejecting film offers in the 1990s citing age-related problems. But when Amitabh was going through a rough patch in his career, he requested Pran to act in his film Mrityudaata and Tere Mere Sapne. Pran readily agreed.

During the filming of both Mrituyudata and Tere Mere Sapne, Pran’s legs used to tremble. So he shot most of the scenes in a seated position. After 2000, he made very few guest appearances in films.

Pran is a member of various social organisations, and even had his own football team called the Bombay Dynamos Football Club.
Pran’s favourite word ‘Barkhurdaar’ became immensely popular over the years.

In 2001, Pran got a Padma Bhushan, India’s third highest civilian award from the government of India.

Pran’s biography is titled …And Pran because in most of his movies, his name in the credits would appear last and read as …and Pran. Sometimes, it would be …above all Pran.

Film Rakhi was a typical ” Tear Jerker ” story of a spoiled brother and his sympathetic, protective sister. Shanti kumar was the most suitable director for such stories, as he handled emotional scenes perfectly, in his direction. The story of the film was…..

Shankar(Pran) is the brother of Kamini and is a vagabond.Because of him ,the sister suffers quite a lot, but ties a Rakhi always. Shankar is arrested for fraud and is in Police custody,when Karan Diwan -his sister’s husband is accused of Murder,which he has not done.Knowing this,Shankar runs away from lock up to get the real culprit and when he does,he is shot and dies in the arms of sister Kamini-who ties a Rakhi on his wrist as it is the Rakhi Poonam that day.Highly melodramatic indeed !

Today’s duet is the 4th song to be discussed here. It is sung by Shamshad Begum and Ram Kamlani . Ram Kamlani was Gope’s youngest brother. They were 9 siblings and Ram kamlani was the last one. He was born on 20-10-1919. Though Gope started his career in acting in 1933 and concentrated only on acting, Ram Kamlani dabbled in Acting, Direction, Production and Playback singing too. He entered the film line in late 40s.

As an actor he acted in 9 films like Ajeet, Inaam, Kaajal, Do Raaha, Joi Bangla Desh etc. As a Singer he sang 22 songs in 15 films. Starting with Doosri Shaadi-47, he sang in Ghar ki Izzat, Rangeen Zamaana, Kaajal, Refugee, Pyar ki jeet, Maa ka pyar, Naao, Raakhi, Bahurani, Khamosh Sipahi, Meena Bazar, Malkin, Chaalbaaz, Laal Dupatta etc.

Mostly, he sang for his brother Gope. His songs were generally duets. These were mainly comedy songs,very few were serious ones. His rare solos like,” Bane hai hum to Ghar Jamai'(Ghar ki izzat) and ” Koi samze isse muhabbat”(Meena Bazaar) became popular.

When Gope established Gope Productions, he produced some films and directed some of them,like, Muskurahat, Biradari, Bezuban, Khamosh Sipahi, Hangama etc.

Ram Kamlani died in 1983 in Bombay.

The song is very good to listen to. After all, it was composed by the Melody Magicians !


Song-Mohe laa de reshmi lehenga (Raakhi)(1949) Singers-Shamshad Begam, Ram Kamlani, Lyrics- Sarashar Sailani, MD- Husnlal Bhagatram
Both

Lyrics

mohe la de
ho mohe la de reshmi lehanga
mohe la de
ho mohe la de reshmi lehanga
chaahe sasta mile chaahe mahanga
ho chaahe sasta mile chaahe mahanga
waah ri meri nain michakko
bojh lehange ka kaise uthhaayegi
kaise uthhaayegi
tori patli kamar bal khaayegi
kamar bal khaayegi
tori patli kamar bal khaayegi
kamar bal khaayegi
main na laaunga
ho main na laaunga reshmi lehanga
main na laaunga
ho main na laaunga reshmi lehanga
chaahe sasta mile chaahe mahanga
chaahe sasta mile chaahe mahanga

ho phir laa de chunariya silki ee ee
ho phir laa de chunariya silki
toone baat kahi mere dil ki
ho toone baat kahi mere dil ki
par wo hai videshi mill ki
main na laaunga
main na laaunga chunariya silki

acchha suit sila de parachute ka
parachute ka
acchha suit sila de parachute ka
dil loot legi kisi rangroot ka
ho dil loot legi kisi rangroot ka

aji jaane bhi do chhodo ye bahaane
chhodo ye bahaane
gori sach main kahoon raam jaane
raam jaane, raam jaane, raam jaane

aji jaane bhi do chhodo ye bahaane
chhodo ye bahaane
gori sach main kahoon raam jaane
raam jaane, raam jaane, raam jaane raam jaane
achha to phir raam hi jaane
main to chali bareli
rooth chali mori nain michakko
chhod ke jaan akeli
kanghi le le sheesha le le
rooth naa meri jaan
kanghi le le sheesha le le
rooth naa meri jaan

bhaad mein jhonki kanghi shishe
baand mera saamaan
abe bhaad mein jhonki kanghi sheeshe
baand mera saamaan
main to maike chali
gham le ke chali
main to maike chali
gham le ke chali
duniya waalon
duniya waalon
duniya waalon
duniya waalon
dekho mere ghar ki baat niraali
sabka sheesh jhuke mere aage
par na jhuke gharwaali
gori maike na ja
dukh de ke na ja
gori mayke na ja
dukh de ke na ja
tohe la doonga
ho tohe laa dunga reshami lehanga
tohe la doonga
ho tohe laa doonga reshami lehanga

chaahe sasta mile chaahe mahanga
ho chaahe sasta mile chaahe mahanga


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4052 Post No. : 15181

“Guru Dakshina”(1950) was produced by Rajasthan Studios, Bombay. This is all the detail that is mentioned about this movie in HFGK.

According to HFGK, the movie had at least eight songs in it, and perhaps more. One song from the movie has been covered in the psst.

Here is the second song from the movie. According to HFGK, it is sung by Prempal. Music is composed by Pt Lachchiram. Mr Deepak, a visitor of this blog and a record collector has mentioned Gulab, Prempal and Krishna Rane as the actors in this movie in a comment in YT. He also mentions Saarshaar Saliaani as the lyricist.

I thought that Prempal must be a male actor. But on listening to this song, it appears that Prempal was a lady. And going by the star cast mentioned by Mr Deepak, this song was picturised on Prempal herself.

I request our knowledgeable readers to throw light on the movie as well as on this singer, who makes her debut in the blog with this song.


Song-Bedard zamaana kya jaane kyun dard ke maare rote hain (Guru Dakshina)(1950) Singer-Prempal, Lyrics-Sarshar Sailaani, MD-Pt Lachchiram

Lyrics

bedard zamaana kya jaane
kyun dard ke maare rote hain
wo paas thhe lekin door huye
wo paas thhe lekin door huye
aashaaon ke darpan choor huye
ab hook jigar mein uthhti hai
aur nain humaare rote hain
bedard zamaana kya jaane
kyun dard ke maare rote hain

manjhdhaar khiwaiyya chhod gaya
jeevan ka sahaara tod gaya
jeevan ka sahaara tod gaya
ummeed ki naiya doob gayi
hum baithh kinaare rote hain
bedard zamaana kya jaane
kyun dard ke maare rote hain
bedard zamaana kya jaane
kyun dard ke maare rote hain


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3801 Post No. : 14793

“Guru Ghantaal”(1956) was produced by R N Sharma and N K Kaushik and directed by S M Yusuf for V K pictures Bombay. The movie had Sheila Ramani, Motilal, Usha Kiran, Agha, Sundar, Mirza Musharraf, Paro, Sheikh, Kesri, Vijaybala, Ravikant, Jagdev etc in it.

The movie had nine songs in it. Four songs have been covered in the past.

Here is the fifth song from “Guru Ghantaal”(1956) to appear in the blog. The song is sung by Asha Bhonsle. Khawar Zamaan is the lyricist. Music is composed by Pt Lachchiram.

Only the audio of this rare song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-O jaane waale salaamat jawaani teri (Guru Ghantaal)(1956) Singer-Asha Bhonsle, Lyrics-Khawar Zamaan, MD-Pt Lachchiram

Lyrics

o o o
o o
jaane waale ae
jaane wale ae ae
salaamat jawaani teri
ik nazar dekh ja meharbaani teri
o meharbaani teri

jaane waale salaamat jawaani teri
ik nazar dekh ja meharbaani teri
o meharbaani teri
jaane waale salaamat jawaani teri
ik nazar dekh ja meharbaani teri
o meharbaani teri
o jaane waale ae

tujhko apni kasam
ek nazar dekh ja
ek nazar dekh ja
ho o o
baat karna
ho baat karna na karna
magar dekh ja
kuchh to rah jaaye dil mein nishaani teri
o meharbaani teri
kuchh to rah jaaye dil mein nishaani teri
o meharbaani teri
o jaane waale ae
jane wale salaamat jawaani teri
ik nazar dekh ja meharbaani teri
o meharbaani teri
o jaane waale ae

mast aankhen teri
jaam hai mad bhari
jaam hai mad bhari o o
jhooth maane to le aaina dekh le
aaina dekh le
aaina keh raha hai kahaani teri
o meharbaani teri
aaina keh raha hai kahaani teri
o meharbaani teri
o jaane waale ae
jaane waale salaamat jawaani teri
ik nazar dekh ja meharbaani teri
o meharbaani teri
o jaane waale salaamat jawaani teri
ik nazar dekh ja meharbaani teri
o meharbaani teri
o jaane waale ae ae ae


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3767 Post No. : 14740

“Aabshaar”(1953) was produced and directed by Hasrat Lucknowi for Globe Pictures, Bombay. The movie had Nimmi, Ashok Kumar, Rajkumar, Shyama, Nigar Sultana, Om Prakash, Lalita Pawar, Kuldip, Tiwari, Shyam Lal, Iftikhar, Neelam, Chandni, Leela Pandey etc in it.

The movie had eight songs in it which were penned by three lyricists and composed by three music directors, with five singers lending their voices in these songs.

Two songs from this movie have been covered in the past.

Here is the next song from the movie to appear in the blog. According to HFGK, this song is a multiple version song. One version is sung by Lata and another version by Rajkumari. Sarshar Sailaani is the lyricist. Music is composed by Bhola Shreshtha.

Only Lata version of the song is available and it is a lovely song to listen to. I am sure Rajkumari version would sound just as sweet when we can locate that.
[Editor Note: The Rajkumari version of this song is also now uploaded by Sudhir ji.]

Only the audio of the son is available. I request our knowledgeable readers to throw light on the picturisation of the song.

[Lata Version]

[Rajkumari Version]

Song-Mujhko hai tujhse pyaar kyun (Aabshaar)(1953)Singer-Lata/ Rajkumari, Lyrics-Sarshar Sailaani, MD-Bhola Shreshtha

Lyrics

Lata Version
o o o
o o o
mujhko hai tujhse pyaar kyun
pyaar kyun

mujhko hai tujhse pyaar kyun
mujhko hai tujhse pyaar kyun
ye na bata sakoongi main
ye na bata sakoongi main
mujhko hai tujhse pyaar kyun
pyaar kyun

itni kathor preet kyun
preet ki hai ye reet kyun
itni kathor preet kyun
teri hamesha jeet kyun oon oon oon
teri hamesha jeet kyun
meri hamesha haar kyun
ye na bata sakoongi main
ye na bata sakoongi main
mujhko hai tujhse pyaar kyun
pyaar kyun

mehki hui hawa bhi hai
behki hui ghata bhi hai ae
mehki hui hawa bhi hai
behki hui ghata bhi hai
aise mein haaye dil mera aa aa aa aa
aise mein haaye dil mera
dhadke hai baar baar kyun
ye na bata sakoongi main
ye na bata sakoongi main
mujhko hai tujhse pyaar kyun
pyaar kyun
pyaar kyun
pyaar kyun

Rajkumari Version

mujhko hai. . .
tujhse pya..aar kyon

mujhko hai tujhse pyaar kyon
ye na bata sakoongi main
ye na bata sakoongi main
mujhko hai tujhse pyaar kyon

dil mein khayaal e yaar hai
dil mein khayaal e yaar hai
dil hai khayaal e yaar mein
dil hai khayaal e yaar mein
itna khayaal e yaar kya
itna khayaal e yaar kya
itna khayaal e yaar kyon
ye na bata sakoongi main
ye na bata sakoongi main
mujhko hai tujhse pyaar kyon

aankhen karo na chaar tum
aankhen karo na chaar tum
rooth rahe hain ?? tum
rooth rahe hain ?? tum
aaoge ek baar tum
aaoge ek baar tum
dil ko hai ye aitbaar kyon
ye na bata sakoongi main
ye na bata sakoongi main
mujhko hai tujhse pyaar kyon
ye na bata sakoongi main
ye na bata sakoongi main
mujhko hai tujhse pyaar kyon
pyaar kyon. . .

———————————————————
Hindi Script Lyrics (Provided by Sudhir)
———————————————————

लता की आवाज़

ओ ओ ओ
ओ ओ ओ
मुझको है तुझसे प्यार क्यों
प्यार क्यों

मुझको है तुझसे प्यार क्यों
मुझको है तुझसे प्यार क्यों
ये ना बता सकूँगी मैं
ये ना बता सकूँगी मैं
मुझको है तुझसे प्यार क्यों
प्यार क्यों

इतनी कठोर प्रीत क्यों
प्रीत की है ये रीत क्यों
इतनी कठोर प्रीत क्यों
तेरी हमेशा जीत क्यों॰ ॰ ॰
तेरी हमेशा जीत क्यों
मेरी हमेशा हार क्यों
ये ना बता सकूँगी मैं
ये ना बता सकूँगी मैं
मुझको है तुझसे प्यार क्यों
प्यार क्यों

महकी हुई हवा भी है
बहकी हुई घटा भी है
महकी हुई हवा भी है
बहकी हुई घटा भी है
ऐसे में हाए दिल मेरा॰ ॰ ॰
ऐसे में हाए दिल मेरा
धड़के है बार बार क्यों
ये ना बता सकूँगी मैं
ये ना बता सकूँगी मैं
मुझको है तुझसे प्यार क्यों
प्यार क्यों
प्यार क्यों
प्यार क्यों
प्यार क्यों

राजकुमारी की आवाज़

मुझको है॰ ॰ ॰
तुझसे प्या॰॰आर क्यों

मुझको है तुझसे प्यार क्यों
ये ना बता सकूँगी मैं
ये ना बता सकूँगी मैं
मुझको है तुझसे प्यार क्यों

दिल में ख्याल ए यार है
दिल में ख्याल ए यार है
दिल है ख्याल ए यार में
दिल है ख्याल ए यार में
इतना ख्याल ए यार क्या
इतना ख्याल ए यार क्या
इतना ख्याल ए यार क्यों
ये ना बता सकूँगी मैं
ये ना बता सकूँगी मैं
मुझको है तुझसे प्यार क्यों

आँखें करो ना चार तुम
आँखें करो ना चार तुम
रूठे रहे हैं ?? तुम
रूठे रहे हैं ?? तुम
आओगे एक बार तुम
आओगे एक बार तुम
दिल को है ये एतबार क्यों
ये ना बता सकूँगी मैं
ये ना बता सकूँगी मैं
मुझको है तुझसे प्यार क्यों
ये ना बता सकूँगी मैं
ये ना बता सकूँगी मैं
मुझको है तुझसे प्यार क्यों
प्यार क्यों॰ ॰ ॰


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17000 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17035

Number of movies covered in the blog

Movies with all their songs covered =1329
Total Number of movies covered=4609

Total visits so far

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Active for more than 5000 days.

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