Jaane jahaan roothhaa na karo
Posted on: January 15, 2025
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
6025 | Post No. : | 18767 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet #
————————————-
Today I am presenting a song from a lesser known movie ‘Hifaazat-1973’, whose music was composed by R.D. Burman.
If we go through the annual list of Binaca Geetmala of the year 1973 we find the following songs of R.D. Burman featuring there (with their ‘paaydaan number’ given in the bracket).
1) ‘Anaamikaa’ (title song at number 4, other at no 36),
2) ‘Do Chor-1972’ (at no.8 & 19),
3) ‘Raaja Raani’ (at no 10 & 21),
4) ‘Seeta Aur Geeta-1972’ (at no.11),
5) ‘Mere Jeewan Saathi’(at no.13),
6) ‘Do Phool’(at no.15),
7) ‘Parichay-1972’(at no 25),
8) ‘Rampur Kaa Laxman-1972’ (at no.28),
9) ‘Jheel Ke Us Paar’ (at no. 24) and
10) ‘Shehzaadaa-1972’ (at no. 37).
We observe that as many as thirteen compositions of R.D. Burman figured in the annual list. In addition there were some more songs of Pancham that just failed to make it to the annual list).
‘Yaari hai imaan mera’ from ‘Zanjeer-1973’ was the topper of that year followed by ‘Bobby’ and ‘Victoria No.203’ on 2 and 3 numbers respectively.
Today’s movie ‘Hifaazat-1973’ was directed by K.S.R. Dass (or Doss) for Balakrishna Movies. It was produced by R.V. Venkateswarulu and B. Susheela Devi. It had Vinod Mehra, Asha Sachdev, Narendranath, Kumud Chhugani, Coca Cola, Sikandar and Kanhaiyalal. They were supported by Anand, Prem Kumar, Raghavan, Mamta, Baby Indira, Bhima Raju, Balbir Singh, Prakash and Jyothilakshmi. Ashok Kumar, Madan Puri, Ranjeet and Iftekhar had a friendly appearance in this movie. Lalita Pawar was the guest artiste in this movie. Editing of this film was done by K.S.R. Das, Kandaswamy where Sivam was his associate. And, Dialogues of this movie were written by Prem Kapur. This movie was from a genre of ‘social moives’ and it was passed by Censor Board on 30.05.1973. It has four songs which were written by Majrooh Sultanpuri and music was composed by R.D. Burman. Kishore Kumar and Asha Bhonsle are the playback singers for the songs in this movie.
Following is the brief about this movie as summarized by me after watching this movie on YouTube.
Kishore (Vinod Mehra) and Asha (Asha Sachdev) love each other and want to marry. Their fathers Kanhaiyalal (Kapur but liked to be called as Camphor) and Ashok Kumar (Judge Ram Prasad) respectively are friends. However, Kishore’s father is initially reluctant and do not agree for this alliance but later on surrenders to what his son wants. So he gives his nod for the marriage to Judge Ram Prasad.
But, at the same time the ‘family priest’ of Kishore’s father discloses upon him that Asha is not the real daughter of Judge Ram Prasad and she is an adopted one. Also Asha’s family is suffering from some ‘curse’ and they are ‘cursed’ family where except Asha is the surviving member and others are no more. Asha got to listen to this conversation and judge Ram Prasad has to tell her truth about her real father (played by Iftekhar). Knowing this Kishore’s father now cancels the marriage of Kishore and Asha. Judge Ram Prasad tries to convince Camphor but he is adamant. Kishore is present upstairs and he secretly listens to what his father has said to the judge.
Kishore and Asha decide to go to the parental house ‘Sona Mansion (haveli) of Asha which is in Kashipur village and which is known to be a ‘haunted place’. On the way they meet a Saw Mill owner (Madan Puri), and Sewak Singh (Narendranath). No body helps Kishore with the address of ‘Sona Mansion’ but Sewak helps him and he Sewak is actually ‘eyeing’ on Asha. Sewak’s mother (Lalita Pawar) wants her son to do some good work and earnings. But he wants the property to be transferred on his name by his mother. Kishore and Asha reach the ‘Sona mansion’ and stay there to unearth the ‘suspense’ in the ‘haveli’. Meanwhile Sewak tries to molest Asha and later on tries to rape her. Lajjo (Kumud Chhugani) loves Sewak but Sewak doesn’t like her now. Lajjo knows about Sewak’s intentions and she informs Kishore when Sewak and his friends trapped Asha in the Jungle. Sewak’s mother is in between visiting the ‘haveli’ and one such time Kishore notices this. Lajjo is murdered but her body disappears. Finally the goons are settled by Kishore and by the time he reaches the ‘haveli’ Sewak is killed. But who kills him? Asha is saved by Kishore but somebody attacks Kishore and is trying to finish him. Who is this? At the same time Sewak’s mother also reaches the ‘haveli’ and finds her son’s body there. She knows who has killed her son. Who is that person?
How Kishore and Asha get to know the truth and what is the ‘curse’ that Asha’s parents were affected by is finally wiped out. What was it and how it was done is the movie all about. Why the movie was titled as ‘Hifaazat’ and what was ‘protected’ can be get to know by watching this movie which is available on internet on a video sharing platform.
There are four songs in this movie. The first two are ‘roothhna manaana’ songs first by the heroine and second by the hero for each other. One song out of these two songs, where the girl is pacifying her boy-friend i.e. the song ‘mere hamraahee mere pyaar’, was posted on the blog on 27.06.2023. This was the debut song from this movie on the blog.
The third song is a ‘gypsy’ song which is by the ‘khaanabadosh’s in their camp on the jungle route of the ‘haveli’ where Kishore and Asha had to halt in the night. This ‘gypsy’ song was presented by Shree Satyajit jee on the blog on 26.06.2024.
The fourth song is a ‘joie de vivre’ song when Asha sets out of the ‘haveli’ as Kishore is out for some ‘shopping’ and Asha takes this opportunity to roam freely in the ‘haseen waadiyon’ mein. 🙂
Today I am presenting the third song of this movie and the second ‘roothhna manaana’ song from this movie, where it is the turn of the boy to sing a song to pacify the girl. His fault is that he has been late in reaching the place where the meeting was fixed and he is already delayed from the appointed time. Lyrics are by Majrooh Sultanpuri and music is composed by R.D. Burman. Kishore Kumar is the singer. Vinod Mehra lip-syncs the song trying to explain himself to Asha Sachdev.
Let us now listen to this lesser heard Kishore Kumar song.
Audio
Video
Song-Jaane jahaan roothhaa na karo (Hifaazat)(1973) Singer-Kishore Kumar, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
jaan e jahaan
roothhaa
naa karo
koyee jee naa sakey
aisaa
naa karo
jaan e jahaan
roothhaa
naa karo
koyee jee naa sakey
aisaa
naa karo◦◦
do hee
pal mein
bhoole
meraa pyaar
tum kyaa jaano
kyaa hai
intezaar
naadaan ho abhee
samjhaa
to karo
jaan e jahaan
roothhaa
naa karo
koyee jee naa sakey
aisaa naa karo
ab do
ham ko
chaahe jo sazaa
ho gayee ab to
ham se ye khataa
jaane do sanam
jhagdaa naa karo
jaan e jahaan
roothhaa naa karo
koyee jee naa sakey
aisaa
naa karo
jaan e jahaan
roothhaa
naa karo
koyee jee naa sakey
aisaa
naa karo
aisaa
naa karo
aisaa
naa karo




Leave a comment