Advertisements

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Usha Khanna


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3501 Post No. : 14065

Missing Films of 1960s – 59
– – – – – – – – – – – – – – –

So, on the 3501st day on this blog, I introduce to you the debut film for today.

The film is ‘Sardaar’ from 1967. This year continues to be very fertile, and still another four, and maybe five more films from this year are next in line.

The production banner is M.U.N. films Bombay, and the film is directed by Babubhai Mistry. The film is categorized as a costume drama, with the cast of actors listed as Dara Singh, Sheikh Mukhtar, Ajit, Nishi, Helen, Jayant, Chandrashekhar, Tiwari, Maruti, Arvind Pandya, and Jeevankala. Now this is a very impressive ensemble – we have Sheikh Mukhtar, and Dara Singh, and Ajit, and Chandrashekhar, and Nishi, and Helen, and Jayant, and Tiwari – wow.

The film has seven songs listed. All the songs are written by Asad Bhopali, and the music is composed by Usha Khanna. As I scan the list of songs, some are very familiar and popular songs, and I wonder this film has managed to stay away from being represented on our blog so far.

Today’s song is about the memories of childhood love. It is sung by Lata Mangeshkar. Once you start listening to the song, I am sure the memory cells will respond – ok, well this one, yes, it is a familiar favorite from the radio listening days. Enjoy.

Song – Mera Tumhara Afsaana Hai Kitna Puraana  (Sardaar) (1967) Singer – Lata Mangeshkar, Lyrics – Asad Bhopali, MD – Usha Khanna

Lyrics

mera tumhara afsaana
hai kitna purana
zara yaad karo
bachpan ka zamaana
piya yaad karo
zara yaad karo
mera tumhara afsaana
hai kitna purana
zara yaad karo
bachpan ka zamaana
piya yaad karo
zara yaad karo

kyon ji tumko yaad to hongi
pehli pehli pyaar ki baaten
pehli pehli pyaar ki baaten
chhoti si ik bhool pe laakhon
hoti then taqraar ki baaten
hoti then taqraar ki baaten
mera wo rooth ke jaana
tumhaara manaana
zara yaad karo
bachpan ka zamaana
piya yaad karo
zara yaad karo

din mein sau sau baar tumhaare
paas aane ko ji kehta hai
paas aane ko ji kehta hai
in aankhon mein daal ke aankhen
kho jaane ko ji kehta hai
kho jaane ko ji kehta hai
chhod ke dil tadpaana
mohabbat nibhaana
zara yaad karo
bachpan ka zamaana
piya yaad karo
zara yaad karo

mera tumhara afsaana
hai kitna purana
zara yaad karo
bachpan ka zamaana
piya yaad karo
zara yaad karo

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
मेरा तुम्हारा अफसाना
है कितना पुराना
ज़रा याद करो
बचपन का ज़माना
पिया याद करो
ज़रा याद करो
मेरा तुम्हारा अफसाना
है कितना पुराना
ज़रा याद करो
बचपन का ज़माना
पिया याद करो
ज़रा याद करो

क्यों जी तुमको याद तो होंगी
पहली पहली प्यार की बातें
पहली पहली प्यार की बातें
छोटी सी इक भूल पे लाखों
होती थीं तक़रार की बातें
होती थीं तक़रार की बातें
मेरा वो रूठ के जाना
तुम्हारा मनाना
ज़रा याद करो
बचपन का ज़माना
पिया याद करो
ज़रा याद करो

दिन में सौ सौ बार तुम्हारे
पास आने को जी कहता है
पास आने को जी कहता है
इन आँखों में दाल के आँखें
खो जाने को जी कहता है
खो जाने को जी कहता है
छोड़ के दिल तड़पाना
मोहब्बत निभाना
ज़रा याद करो
बचपन का ज़माना
पिया याद करो
ज़रा याद करो

मेरा तुम्हारा अफसाना
है कितना पुराना
ज़रा याद करो
बचपन का ज़माना
पिया याद करो
ज़रा याद करो

 

Advertisements

This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3490 Post No. : 14022

First of all, I have to express my gratitude to this blog once again, it is only because of this blog that am able to share this post here. Though I have already shared many posts earlier, but today the personality I am writing about is of such a great stature that it is my fortune and blessings of this blog that I am able to do this.

Today we remember Ramchandra Narayandutt Dwivedi whom we fondly admire and respect as ‘Kavi Pradeep’ or ‘Rashtra Kavi Pradeep’ on the anniversary of his birth. He was born on 6th February,1915 and passed away on 11th December,1998 leaving behind a great legacy or even I can say a ‘heritage’ – a national heritage of his immortal poems and his ‘voice’.

I am short of words to add an adjective to describe his ‘voice’, because it cannot be expressed in words. It is an altogether a very different experience or rather divine experience to listen the songs sung by him. For that matter I think people like me who were born in end sixties and seventies or may be little later and even extending to the eighties, must have in their childhood heard his voice/songs playing on loud speakers, radio and in the earlier years of TV in India.

I cannot forget “Aao Bachcho Tumhein Dikhaayein“, and “Ae Mere Watan Ke Logo“, one penned and sung by him and other penned by him, which were/are a ‘must’ on every Independence Day and Republic Day. And how rightly he said the value of ‘our hard fought freedom’ when he is talking to the new generation in this song “Hum Laaye Hain Toofaan Se Kishti Nikaal Ke’.

Then there are few songs which we used to listen when we grow up but can only understand their depth after we actually matured as adults. These are the philosophical song like “Dekh Tere Sansaar Ki Haalat“,  “Mukhda Dekh Le Praani“, “Pinjre Ke Panchhi Re“, “Doosron Ka Dukhdaa Door Karne Waale“, “Kabhi Dhoop Kabhi Chhaaon“, “Hum Ne Jag Ki Ajab Tasweer Dekhi“, “Koi Laakh Kare Chaturaayi“. Listening to these and songs sung by him have always given me a great motivation and inspiration other than giving peace to mind whenever I have felt like down with spirits or depressed and struggling with our day to day adversities.

He always wrote and sung with passion, pouring his heart and his feelings into his creations, and thus his songs whether patriotic, devotional or philosophical, when we listen to them, always take us to an altogether different ‘planet’ that is the magic of his words and his voice.

Like the song “Tere Dwaar Khadaa Bhagwaan“, I have never felt tired of listening to this song. I can listen to it many many times in one go. Then his song on the partition of India – “Aaj Ke Insaan Ko Ye Kya Ho Gaya“; one can just imagine the agony in his feelings and the ‘pain’ this ‘poet’ is going through on the degrading human values.

I would like to share here an incident which proves that if one gets a chance to listen to his songs they straight way take to one’s heart and mind forever and even the new generation cannot escape from his ‘passionate’ and ‘inspirational’ voice if they get that right atmosphere around where his songs are listened to. I was at Kota, in Rajasthan at that time in 1988-89. I had bought this compilation of Kavi Pradeep’s songs released by HMV. I presented this to one of my Senior Colleagues who was from Paudi Garhwal. He had a son and a daughter who was around 4-5 years old at that time.

After a gap of around 6-7 years when I was on tour to New Delhi I got a chance to visit this senior of mine and stay with them. As we were discussing his daughter came to me and said ‘Uncle, aap wahi Uncle ho na jinhone hamen Kavi Pradeep ji ki cassette di thi’.

What I want to put here is that if we the citizens of this country nurture good values, of course including the great heritage of our history, arts and culture, and pass them on to new generations, it will be certainly of a great help to instil in them the love for the nation and respect towards the great freedom fighters, soldiers of this country, the country – the land itself and our historical and cultural values.

Hindi movies already are doing great job in the service of nation and national integration. And Kavi Pradeep’s contribution in this cause is simply great and his poetry and songs need to be continuously passed on to the new generation to rouse patriotic values and love for the nation and its great historical heritage.

On this blog we always have this opportunity to share the works of such great persons and their art which they use as a ‘medium’ to reach people and in service of the ‘greater cause’ – ‘the nation’. And we have a long long way to go in this purpose of sharing his poetry /songs that he wrote for Hindi Movies. As per the ‘statistics’ page of this blog, we have till now posted only 167 (I hope this is the latest updated figures) out of the 531 songs he wrote for HFM.

Today I am sharing one of his songs which is written and sung by himself. This song, when I initially sent almost three years ago to Atul ji, I thought was a non-filmy song. As the link available then didn’t mention anything about this song. However, thanks to this book ‘Kavi Pradeep Ka Hindi Sahitya Mein Avdaan’ by Dr. Dinesh Chandra Awasthi which I got few months back and came to know that this song is actually from a ‘recent’ 1983 movie ‘Jai Baba Amarnath’ and not from a yesteryears movie or an NFS.

I like this song very much and it is ‘philosophical’ background song in the movie (as can be seen from the video of this song available now) and in the picturization of this song we can see Vikram Gokhale, Bina and others.

‘Jai Baba Amarnath’ was directed by BR Ishara for ‘King Movies’. It was produced by Badriprasad Joshi. It had Vikram Gokhale, Beena, Mahipal, BM Vyas, Surya Kumar, Anant Marathe, Maheshwari, Master Vikas, Mohan Choti, Meghna, Ratna Bhushan, Nayna Bhatt, Champshi Bhai, Ashalata, Bhagwan, Tun Tun, S Madan, Surekha Rane, Karunakar Pathak, Baiju Raja, Nanak Singh, Lakhan, Amit, Mishrilal, Hangama, Jaya Kaushalya, and Mahesh Desai.

The songs in this movie were sung by Kavi Pradeep, Mahendra Kapoor, Usha Khanna, Suresh Wadkar, Chandrani Mukerjee and Dilraj Kaur. The records were released by ‘Music India’. Sujit Sen and Subramaniam were Assistant Directors for this movie. SA Kadar was the Chief Assistant Director. Dahya Bhai was the Cameraman for this movie. The editing for this movie was done by LD Bhatia. Story of this movie was written by Pandit R Priyadarshi. Kavi Pradeep wrote the songs for this movie and music was composed by Usha Khanna.

This movie was passed by Censor Board on 11.01.1983.

I have to confess here that I wished to write a detailed biographical write up (though I am not good in doing it like our senior members and other members) on Kavi Pradeep. I had actually started with it, but could not devote the time required, and so I am presenting a much briefer article about him. But that does not deprive us in enjoying this wonderful creation in his loving memory in our hearts. I will try to write his biographical sketch with more information about the movies he worked for in another article, as possible.

Let us now enjoy this philosophical yet motivational song, which is written and sung by Kavi Pradeep and composed by Usha Khanna. The movie ‘Jai Baba Amarnath’ makes its debut today on our blog.

 

Song – Udti Chidiya Behta Paani (Jai Baba Amarnath) (1983) Singer – Kavi Pradeep, Lyrics – Kavi Pradeep, MD – Usha Khanna

Lyrics

udti chidiya..aa..aa
behta paani..ee..ee
inki kahaani kisne jaani
udti chidiyaa..aa..aa
behta paani..ee..ee
inki kahaani ee kisne jaani
duniya waalo suno
isi ko kehte zindagani
udti chidiya
behta paani
inki kahaani kisne jaani

jeewan to hai ek ramta jogi re
bhatakta jogi
kise pata kiski shaam
kal kahaan hogi re
kal kahaan hogi
dharti waalo suno
ye hain shabd aasmaani
udti chidiya..aa 
behta paani.ee
inki kahaani  kisne jaani

bada hi ajeeb hai ye
duniya ka mela
duniya ka mela
karodon ki bheed mein hai
har koi akela
yahaan har koi akela
sun’ne waalo suno
ye hai santon ki vaani
udti chidiya..aa 
behta paani..ee
inki kahaani  kisne jaani

sansaar ke hain bade
tedhe medhe raaste
tedhe medhe raaste
ye tamaam raaste hain
hum sab ke waaste
hum sab ke waaste
chalne waalo suno safar mein
rakhna saavdhani
udti chidiya..aa
behta paani..ee
inki kahaani..ee kisne jaani
udti chidiya..aa
behta paani..ee
inki kahaani..ee kisne jaani

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
उड़ती चिड़िया॰॰आ॰॰आ
बहता पानी॰॰ई॰॰ई
इनकी कहानी किसने जानी
उडती चिड़िया॰॰आ॰॰आ
बहता पानी॰॰ई॰॰ई
इनकी कहानी॰॰ई किसने जानी
दुनिया वालो सुनो
इसीको कहते ज़िंदगानी
उडती चिड़िया॰॰आ
बहता पानी॰॰ई
इनकी कहानी किसने जानी

जीवन तो है एक रमता जोगी रे
भटकता जोगी
किसे पता किसकी शाम
कल कहाँ होगी रे
कल कहाँ होगी
धरती वालो सुनो
ये हैं शब्द आसमानी
उडती चिड़िया॰॰आ
बहता पानी॰॰ई
इनकी कहानी॰॰ई किसने जानी

बड़ा ही अजीब है ये
दुनिया का मेला
दुनिया का मेला
करोड़ों कि भीड़ में है
हर कोई अकेला
यहाँ हर कोई अकेला
सुनने वालो सुनो
ये है संतों कि वाणी
उडती चिड़िया॰॰आ
बहता पानी॰॰ई
इनकी कहानी॰॰ई किसने जानी

संसार के हैं बड़े
टेढ़े मेढे रास्ते
टेढ़े मेढे रास्ते
ये तमाम रास्ते हैं
हम सब के वास्ते
हम सब के वास्ते
चलने वालो सुनो सफर में
रखना सावधानी
उडती चिड़िया बहता पानी॰॰ई
इनकी कहानी॰॰ई किसने जानी
उडती चिड़िया॰॰आ
बहता पानी॰॰ई
इनकी कहानी॰॰ई किसने जानी


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3485 Post No. : 13999

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# The Special Voices of the decade – 2 # Anwar #
———————————————–———————-

Welcome all to this second article under this ‘series’.

In this ‘series’ we are discussing the ‘Special Voices’ which emerged on the horizon of HFM in the years of Seventies, and who in their own way have left an indelible mark in the minds of ‘music lovers’ leaving behind legacy of many many memorable songs.

These ‘Special Voices’ are those singers who make their entry in Hindi Film Music when the legends like Mohd Rafi, Kishore Kumar, Manna Dey and Mukesh, Mahendra Kapoor among Male Singers and Lata Mangeshkar, Asha Bhonsle, among female singers were already ruling the Hindi Film Music scene. Still, these new voices, when they entered into HFM, took the audience by storm. Some of them were successful enough and popular too, and they continue to sustain for a long time.

However, some, though they shine very brightly as they appear on the scene, but were not able to sustain for a long time and slowly fade away from the scene and may be from the memory of many people too. In any case all of them gave us many fabulous songs and memories to cherish forever. Some of these Singers continued to enjoy being favorites among music directors and audience and/ or both and were successful in keeping themselves going and singing.

But some were not lucky enough and were sidelined with or without any reason. Politics, ego, discrimination and hypocrisy play their roles around us in every sphere of life, and Cinema too has always been influenced by these factors. Many talented people have been affected by this. And so, if one compares the number of songs their final tally read one will conclude that they were not successful or popular as the other established singers of their time who were ruling the charts at that time.

But, numbers are not the true test and so in these cases they will not justify the immense talent these people possess.

One of such talented Singer is the name – Anwar Hussain or Anwar as he is better known by. The voice that was said to be the ‘closest’ to, and having a ‘strange resemblance’ with the voice of Rafi Saab.

Anwar was born on 1st February, 1949 in Mumbai. His father Aashiq Hussain was an accomplished harmonium player and assistant to the famous Music Director Ghulam Haider. His father also used to play sitar. This familiar film and music background inspired young Anwar to take on music and singing. Looking at his interest in singing, his father took him to Ustad Abdul Rehman Khan for training in classical music. Here Anwar took a rigorous training for more than ten years.

Simultaneously he was also doing stage shows where he used to sing songs of Rafi Saab. He was noticed by the famous S. Hazara Singh who took him to Poona to sing with his musical group. While Anwar was going around doing the stage shows and singing in marriage functions, he always wanted to do playback singing for movies. His friends were also encouraging him always and telling him that his voice was very much similar to that of Rafi Saab’s voice.

Music director Kamal Rajasthani who was also struggling then to establish himself as a music-director in Hindi film world, spotted Anwar during one of his stage shows and he gave him a break as a playback singer in the movie ‘Mere Ghareeb Nawaaz’ (1973). Kamal Rajasthani also gave him further training to polish his talent.

Anwar made his debut in Hindi films with this song ‘Kasmein Hum Apni Jaan Ki Khaaye Chale Gaye’. Though initially he rehearsed for a different song but was finally given this solo and to sing. It so happened that Rafi Saab was present in the same studio where mixing of this song was being done and when Rafi Saab listened to this song, he asked his secretary when did he recorded this one. One can easily assume that the praise and showering coming straight from the ‘living legend’ then would have been more than enough for someone to establish himself in the industry and make a great career.

However, unfortunately, ‘stars’ were not in favor of Anwar and his career didn’t take off after his debut as he expected it to be. When he recorded his first song he was just twenty years old. So, it was still a long way to go for him. But in spite of the ‘perfect start’ with ‘Mere Ghareeb Nawaaz’, he had to wait for almost four years to get his next chance to sing in Hindi films.

And that too came up after lot of struggle and making visits to several music directors. As told by Anwar himself he used to visit many music directors and play his first recorded song to get work. Many of them appreciated him, but also told him that since Rafi Saab was already there so they didn’t see any reason to have him song for them. In a very recent interview of 2016 Anwar has given vent to his feelings, and his mistakes too, which he admits were mainly responsible to ruin his career in HFM.

Well, coming back to his looking for work, he met many of the leading and famous music directors of that time but nothing materialized. Finally, when he contacted Mehmood who was then busy in the making of ‘Kunwaara Baap’ (1974). He got some respite, as Mehmood assured him to give songs in his next movie ‘Janta Hawaldar’ (1979). Mehmood took him to music director Rajesh Roshan. The latter took him on as a playback singer, without asking him any questions, as he was aware of Mehmood’s ‘music sense’.

And after that as we are all aware the songs of ‘Janta Hawaldar’ were liked immensely by the public specifically “Hamse Ka Bhool Huyi“and “Teri Aankhon Ki Chaahat Mein”.

The song that was first recorded for this movie was “Teri Aankhon Ki Chaahat Mein”. After recording, Mehmood took to play it for Rajesh Khanna who was shooting at ‘Filmalaya Studios’ for another movie. When he listened to this song his reaction was – “Bade dinon ke baad Rafi saab ne bade mood mein gaana gaya hai”.

After this movie he started getting offers and some of his notable songs came in movies like ‘Qurbaani’ (1980), ‘Aahista Aahista’ (1981), ‘Naseeb’ (1981), ‘Prem Rog’ (1982), ‘Vidhaata’ (1982), ‘Arpan’ (1983), ‘Sohni Mahiwal’ (1984), ‘Ham Hain Laajawaab’ (1984), ‘Ye Ishq Nahin Aasan’ (1984), ‘Heer Raanjha’ (1992), etc.

His career lasted for almost twenty years from 1973 to 1993. And as mentioned by him in the interview on RS TV he sang about 1000 to 1500 songs for the movies (I am not aware if this is only for Hindi Movies or it includes other language movies too. Knowledgeable readers are requested to throw more light on this.)

In this same interview the anchor noted and I also vaguely remembered that people initially thought that Anwar was the son of Rafi Saab. It should be noted here that from 1973 to 1980 when Rafi Saab was still alive, he got very less opportunities of singing in movies. Though he got the opportunity to sing with Kishore Kumar, Manna Dey, Suresh Wadkar, Asha Bhonsle, Sudha Malhotra and others he didn’t get that much if we compare it with other singers and that too specially Rafi Saab himself had said about him that he is the best one who could fill the gap after him.

But nothing magical happened and thus a talented singer’s career come to a sad end.

Other than the songs that I mentioned above I like his “Koyee Pardesi Aaya Pardes Mein  and “Haathon Ki Chand Lakeeron Ka”. I would also like to mention the song “Yaar Dagaa De Gaya Dulhan Ko Le Gaya” which is having his voice along with Manna Dey and Jaspal Singh. Another famous song by him is “Mohabbat Ab Tijaarat Ban Gayi Hai”, which he sang for Jeetendra in 1983 for the film ‘Arpan’ which is his other song I like very much and it was quite popular too in those years.

There are many of his songs which I like or which had been popular, however I have mentioned above only those songs which give me ‘nostalgic’ feeling most. So far (if the data is updated and correct) we have only eleven of his songs posted on the blog; and not a single one of his from the melodious musical ‘Ahista Ahista’ has been posted so far on the blog. But, well, that gives us an opportunity to discuss them in future.

Today’s song is closer to my heart and very nostalgic for me. For today’s post initially, I strongly felt to share the song “Nazar Se Phool Chunti Hai Nazar” from ‘Aahista Aahista’, but I skipped it for future. The second option was the beautiful song from ‘Janta Hawaldar’ – “Teri Aankhon Ki Chaahat Mein” (this was available and shared by me long back in 2012, but still to be posted). However, for today, I have selected this song from ‘Be-Shaque’ (1980). Because this way I can also introduce this movie on the blog.

This was a song in my vague memory and I was sure that it was sung by Mohd Rafi. It was in my wish list of the songs that I wish to see on our blog. Before I could search and prepare for it one fine day I noticed that it has been posted for the film ‘Laal Bangla’ (1966). But when I checked again, I found that it does not have the same lines that were in my memory for so long. Confused, I keep on searching and finally succeeded in getting the song which I think I have heard many many years back. Now I got to know that this is sung by Anwar and not by Mohd Rafi. But interestingly, the music for the films ‘Laal-Bangla’ and the movie for today’s song, is composed by the same music director Usha Khanna. The lyrics of this song are penned by Nandi Khanna.

I have not watched this movie and would request our knowledgeable readers to throw more light on this film and the songs from this film. Also, I would like to note here that when I shared this song long back I had only the video of this song which has only one stanza. At that time I thought the song was only this one stanza. Now after almost five years I have been able to find the full version of this song (but audio only) which is being presented with this post today.

The film ‘Be-Shaque’ was directed by Kashinath for Surya Gayatri Productions, Bombay. It had Yogita Bali, Mithun Chakravarty, Sonia Sahni, Jalal Agha, Amrish Puri, Asha Chandra, Suresh Chatwal, Mohan Choti, Pental, Raj Bibra and Shakti Kapoor. This movie has four songs (as per HFGK Vol-V) – two penned by Anjaan, and one each by Ravindra Rawal and Nandi Khanna. Music is by Usha Khanna. Anwar, Asha Bhonsle, Suresh Wadkar and Usha Khanna gave their voices to the songs in this movie. On screen this song is lip synced by Mithun Chakravarty.

(Sources – Rajya Sabha TV – ‘Guftagoo’ with Anwar and other articles on singer Anwar available on internet)

Today 1st February being the sixty-ninth birth anniversary of Anwar Hussain or Anwar, let us wish a very happy birthday to him and a healthy and peaceful life ahead. Enjoy this wonderful song. . .

 

Video (Partial)

Audio (Complete)

Song – Haseen Haseen Waadio (Be-shaque) (1980) Singer – Anwar, Lyrics – Nandi Khanna, MD – Usha Khanna

Lyrics
(Based on Audio Version)

haseen haseen
waadiyo..o..o
haseen haseen
waadiyo..o ..o
unse ye kaho
aa gayaa hai wo
jiska tumko thha intezaar
haseen haseen
waadiyo..o ..o
unse ye kaho
aa gayaa hai wo
jiska tumko thha intezaar
haseen haseen
waadiyo..o ..o

mausam. . .
dekho mujhe leke chalaa aaya hai yahaan
haaye
mausam. . .
dekho mujhe leke chalaa aaya hai yahaan
lekin. . .
sapnon ki raani jaane chhupi hai kahaan
haay
mausam. . .
dekho mujhe leke chalaa aaya hai yahaan
jaane wo bekhabar
aayegi kab nazar
pehli baar
haseen haseen
waadiyo..o ..o
unse ye kaho
aa gayaa hain wo
jiska tumko thha intezaar
haseen haseen
waadiyo..o ..o

koel. . .
dekho kaise piya piya shor machaaye
koel. . .
dekho kaise piya piya shor machaaye
dil mein
ik bujhi bujhi si aag lagaaye
haaye
koel. . .
dekho kaise piya piya shor machaaye
pyaar mein dard ka
aa rahaa hai mazaa
beshumaar
haseen haseen
waadiyo..o ..o
unse ye kaho
aa gayaa hain wo
jiska tumko thha intezaar
haseen haseen
waadiyo..o ..o

keh do. . .
aana hai to aa ke lag jaaye wo galey
keh do. . .
aana hai to aa ke lag jaaye wo galey
varna hum hain manmauji
ye lo hum to chale
keh do. . .
aana hai to aa ke lag jaaye wo galey
ab to hain baj uthhe
jhan jhanaa ke mere
dil ke taar
haseen haseen
waadiyo..o ..o
unse ye kaho
aa gayaa hain wo
jiska tumko thha intezaar
haseen haseen
waadiyo..o ..o
unse ye kaho
aa gayaa hain wo
jiska tumko thha intezaar
waadiyo..o ..o
unse ye kaho

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
हसीन हसीन
वादियो॰॰ओ॰॰ओ
हसीन हसीन
वादियो॰॰ओ॰॰ओ
उनसे ये कहो
आ गया है वो
जिसका तुमको था इंतज़ार
हसीन हसीन
वादियो॰॰ओ॰॰ओ
उनसे ये कहो
आ गया है वो
जिसका तुमको था इंतज़ार
हसीन हसीन
वादियो॰॰ओ॰॰ओ

मौसम॰॰॰
देखो मुझे लेके चला आया हैं यहाँ
हाए
मौसम॰॰॰
देखो मुझे लेके चला आया हैं यहाँ
लेकिन॰॰॰
सपनों कि रानी जाने छुपी हैं कहाँ
हाए
मौसम॰॰॰
देखो मुझे लेके चला आया हैं यहाँ
जाने वो बेखबर
आएगी कब नज़र
पहली बार
हसीन हसीन
वादियो॰॰ओ॰॰ओ
उनसे ये कहो
आ गया है वो
जिसका तुमको था इंतज़ार
हसीन हसीन
वादियो॰॰ओ॰॰ओ

कोयल॰॰॰
देखो कैसे पिया पिया शोर मचाये
कोयल॰॰॰
देखो कैसे पिया पिया शोर मचाये
दिल में॰॰॰
इक बुझी बुझी सी आग लगाए
हाय
कोयल॰॰॰
देखो कैसे पिया पिया शोर मचाये
प्यार में दर्द का
आ रहा हैं मज़ा
बेशुमार
हसीन हसीन
वादियो॰॰ओ॰॰ओ
उनसे ये कहो
आ गया है वो
जिसका तुमको था इंतज़ार
हसीन हसीन
वादियो॰॰ओ॰॰ओ

कह दो॰॰॰
आना है तो आ के लग जाए वो गले
कह दो॰॰॰
आना है तो आ के लग जाए वो गले
वरना हम है मनमौजी
ये लो हम तो चले
कह दो॰॰॰
आना है तो आ के लग जाए वो गले
कह दो
आना है तो आ के लग जाए वो गले
अब तो है बज उठे
झन झना के मेरे
दिल के तार
हसीन हसीन
वादियो॰॰ओ॰॰ओ
उनसे ये कहो
आ गया है वो
जिसका तुमको था इंतज़ार
हसीन हसीन
वादियो॰॰ओ॰॰ओ
उनसे ये कहो
आ गया है वो
जिसका तुमको था इंतज़ार
हसीन हसीन
वादियो॰॰ओ॰॰ओ


 


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3467 Post No. : 13915

Missing Films of 1960s – 42
– – – – – – – – – – – – – – –

IS Johar had a lead of three years over Raj Kapoor. His film ‘Mera Naam Johar’, released in 1967, preceded the great showman’s masterpiece ‘Mera Naam Joker’ which came in 1970. It is a matter of conjecture now, as to who inspired whom. 🙂

So this film is the debut film for today. IS Johar was going very strong, and travelling to many destinations  in the 1960s. In 1965 we saw him in ‘Goa’ with Memood. In 1966, he travelled to ‘Kashmir’. Then in 1967, along with the proclamation that his name is ‘Johar’, he also appeared in ‘Bombay’. His next trip was somewhat delayed, considered that he travelled overseas to ‘Hong Kong’ in 1971, once again in Mehmood’s company.

The film is produced under the banner of Sudershan Chitra, Bombay, and is directed by Saran Kant. Besides himself in lead role, other members of the cast include Sonia Sahni, Dhoomal, Aruna Irani, Raj Mehra and Tiwari amongst others. The film has 6 songs listed. Music is from the mind of Usha Khanna. Two songwriters are listed – Asad Bhopali and Qamar Jalaalabaadi. However, only three of the songs have a specific lyricist identified. For this song, the lyricist name has not been identified. This song is written by Qamar Sb. (This information is actually available in the addenda to the volume IV of Geet Kosh, which I missed referring to earlier.)

The song is delivered in a very comical situation. And the songwriter has written some very catchy lines to match the situation. Apparently it seems that IS Johar and Sonia Sahni have to make a getaway from the clutches of the villain’s gangsters, who are blocking the roads even, and screening the people coming and going. And the way out found by the hero is something that can happen only in IS Johar films. They form a funeral procession, and they have Sonia Sahni acting like a dead body, being carried in the traditional funerary ‘takht’ on the shoulders of a group of people. IS Johar, with his head tonsured and wearing only a dhoti, seems to be the epitome of the prime mourner, carrying the traditional fire in a ‘matka’.

He leads the singing, with this song in the voice of Mahendra Kapoor. The group of people accompanying him includes people who are playing the ‘dholak’ and ‘khartaal’ etc. The procession meets the villain’s henchmen in a sort of a road block. And IS Johar is singing and telling the entire real story – that the dead body is  actually ‘zinda’ (alive), and that they are making good an escape with no one the wiser.

The play acting is so convincing that the henchmen who are leading this group of baddies, actually come forward and shoulder the funerary carriage for some distance, even singing along with the group. A most hilarious situation contrived by the director, and so brazenly and blatantly executed by IS Johar and company. IS Johar looks so convincing in his role as a fake mourner, and as he sings along the lines in which he is indicating the truth of the situation, only if someone would listen ‘between the words’. . . – “Jaane Waala Chala Hai Dekho Rok Sakey Na Koi” 🙂

See, listen and enjoy.

 

Song – Ram Naam Satya Hai Gopal Naam Satya Hai  (Mera Naam Johar) (1967) Singer – Mahendra Kapoor, Lyrics – Qamar Jalaalabaadi, MD – Usha Khanna
Chorus

Lyrics

ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai

jo chaahe wo kar sakta hai
kabhi na chhodo aas
jo chaahe wo kar sakta hai
kabhi na chhodo aas
sada parbhu par karo bharosa
keh gaye johar das
bolo
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai

kabhi aatma mar nahin sakti
rehti hai ta-binda
kabhi aatma mar nahin sakti
rehti hai ta-binda
log jinhen bejaan samajhte
hotey hain wo zinda
bolo
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai

insaanon ke bas mein kya hai
kaahe akde banda
insaanon ke bas mein kya hai
kaahe akde banda
logo punya kamaate jaao
dete jaao kandha
bolo
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai

baat ram ki ram hi jaane
honi thi so hoi
baat ram ki ram hi jaane
honi thi so hoi
jaane waala chala hai dekho
rok sakey na koi
bolo
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है

जो चाहे वो कर सकता है
कभी ना छोड़ो आस
जो चाहे वो कर सकता है
कभी ना छोड़ो आस
सदा प्रभु पर करो भरोसा
कह गए जौहर दास
बोलो
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है

कभी आत्मा मर नहीं सकती
रहती है ता-बिंदा
कभी आत्मा मर नहीं सकती
रहती है ता-बिंदा
लोग जिन्हें बेजान समझते
होते हैं वो ज़िंदा
बोलो
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है

इन्सानों के बस में क्या है
काहे अकड़े बंदा
इन्सानों के बस में क्या है
काहे अकड़े बंदा
लोगो पुण्य कमाते जाओ
देते जाओ चंदा
बोलो
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है

बात राम की राम ही जाने
होनी थी सो होई
बात राम की राम ही जाने
होनी थी सो होई
जाने वाला चला है देखो
रोक सके ना कोई
बोलो
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है

 


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3465 Post No. : 13906

Missing Films of 1960s – 41
– – – – – – – – – – – – – – –

1960s is turning out to be a very interesting era. Notwithstanding the known popular songs, it is the unfamiliar and the forgotten songs that are turning out to be absolutely fantastic entertainment.

Take today’s debut film – ‘Dilruba’ from 1967. Ah yes, I know there might be some eyebrows raised in surprise – but well, ‘Dilruba’ is an earlier film, and aren’t we familiar with it. And that its songs are very much present on our blog. And goodness yes, the film has been yippeee’d already. Well I guess you are right on all counts, except that the film ‘Dilruba’ that has been yippeee’d already is a film from 1950. The film that I am bringing on board today is a same name film, but it is from 1967. Yes, this same name confusion sometimes makes miss some new items.

And to share a very interesting aside here. The songs of this 1967 film have been uploaded by Sa Re Ga Ma on their YouTube channel. And I can’t believe it myself, that a seasoned organization like Sa Re Ga Ma is making such blunders. Maybe the old timers in the company are gone, and the new crop are just following an employment opportunity by rote. You know, they have uploaded the audios of the songs of 1967 film, with an image of the poster of the 1950 film. Quite a blunder this one is.

So the 1967 ’Dulruba’ comes from the banner of Festival Films, Bombay. It is directed by Mohammed Husain. The cast of actors includes Kumkum, Madan Puri, Madhumati, Helen, Shyam Kumar, Ajeet, Maruti etc. The film has 5 songs, for which the music has been composed by Usha Khanna. The five songs are written by three songwriters – Asad Bhopali, Javed Anwar and SH Bihari. This particular song comes from the mind of Asad Bhopali. Again, an aside which may just be a reminder for the regulars. The name Javed Anwar is actually a set of two poets working together. Javed is Manoharlal Khanna, father to Usha Khanna the MD, and Anwar is Raheel Gorakhpuri.

The singing voices are those of Asha Bhosle and Usha Mangeshkar. What a charming twin dance song this one is. I myself am also hearing it for the first time. With let us say, names of three dancers in the list of actors – Helen, Kum Kum and Madhumati – I don’t even want to start guessing which two of them would be performing this song on screen. I request our more knowledgeable readers to please add more information about this film, this song and its picturization.

So with this hit, the film ‘Dilruba’ from 1967 opens its account here on the blog today.  A wow song that I am sure you will enjoy.

Song – Haaye Allah Kyon Hum Ne Pyaar Kiya Tum Se  (Dilruba) (1967) Singer – Asha Bhosle, Usha Mangeshkar, Lyrics – Asad Bhopali, MD – Usha Khanna
Asha Bhosle + Usha Mangeshkar

Lyrics

haaye allah kyon hum ne pyaar kiya tum se
haaye allah kyon hum ne pyaar kiya tum se
pehle ye dard na tha
rang yun zard na tha
pehle ye dard na tha kya mila tum se
haaye allah kyon hum ne pyaar kiya tum se
haaye allah kyon hum ne pyaar kiya tum se

shokh nazren sharaabi ishaara
chheen kar le gaya dil hamara
shokh nazren sharaabi ishaara
chheen kar le gaya dil hamara
zindagi ki kasam
har jafaa har sitam
zindagi ki kasam
har jafaa har sitam
hans ke karna pada hai gawaara
haaye allah kyon hum ne pyaar kiya tum se
haaye allah kyon hum ne pyaar kiya tum se

kabhi khud aa gey bin bulaaye
kabhi laakhon bahaane banaaye
kabhi khud aa gey bin bulaaye
kabhi laakhon bahaane banaaye
dil hi dil mein sanam
sochte hain ye hum
dil hi dil mein sanam
sochte hain ye hum
jaane apne ho ya tum paraaye
haaye allah kyon hum ne pyaar kiya tum se
haaye allah kyon hum ne pyaar kiya tum se
pehle ye dard na tha
rang yun zard na tha
pehle ye dard na tha kya mila tum se
haaye allah kyon hum ne pyaar kiya tum se
haaye allah kyon hum ne pyaar kiya tum se

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

हाए अल्लाह क्यों हमने प्यार किया तुमसे
हाए अल्लाह क्यों हमने प्यार किया तुमसे
पहले ये दर्द ना था
रंग यूं ज़र्द ना था
पहले ये दर्द ना था क्या मिला तुमसे
हाए अल्लाह क्यों हमने प्यार किया तुमसे
हाए अल्लाह क्यों हमने प्यार किया तुमसे

शोख नज़रें शराबी इशारा
छीन कर के गया दिल हमारा
शोख नज़रें शराबी इशारा
छीन कर के गया दिल हमारा
ज़िंदगी की कसम
हर जफा हर सितम
ज़िंदगी की कसम
हर जफा हर सितम
हंस के करना पड़ा है गवारा
हाए अल्लाह क्यों हमने प्यार किया तुमसे
हाए अल्लाह क्यों हमने प्यार किया तुमसे

कभी खुद आ गए बिन बुलाये
कभी लाखों बहाने बनाए
कभी खुद आ गए बिन बुलाये
कभी लाखों बहाने बनाए
दिल ही दिल में सनम
सोचते हैं ये हम
दिल ही दिल में सनम
सोचते हैं ये हम
जाने अपने हो या तुम पराये
हाए अल्लाह क्यों हमने प्यार किया तुमसे
हाए अल्लाह क्यों हमने प्यार किया तुमसे
पहले ये दर्द ना था
रंग यूं ज़र्द ना था
पहले ये दर्द ना था क्या मिला तुमसे
हाए अल्लाह क्यों हमने प्यार किया तुमसे
हाए अल्लाह क्यों हमने प्यार किया तुमसे


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3462 Post No. : 13892

“Johar in Bombay” (1967) was directed by Shantilal Soni for Thakkar Films, Bombay. The movie had I S Johar, Sonia Sahni, K N Singh, Rajendranath, Madan Puri, Polson, Jeevankala etc in it.

This movie was one of several “Johar in…” series on movies, a bit like the “Carry on…” series of movies in Hollywood.
In this particular movie, I S Johar ties up with Rajendranath, both playing good for nothing slackers who somehow manage to save the coutry (if not the world) from evil scientists out to destroy the country (if not the world).

The movie had six songs in it. Five of these songs have been covered in the blog. Here is the sixth and final song from “Johar in Bombay” (1967). This song is a rare song in the sense that it is not available as a standalone song on YT as of now. The song is a roadside tamasha song where I s Johar and Rajendranath and seen performing a streetside dance alongwith their love interests- Sonia Sahni and Jeewankala (?). The dance performance have elements of punjabi folk dance followed by Maharashtrian lavani folk dance.

The song is sung by Mahendra Kapoor, S Balbir, Usha Timothy and Krishna Kalle. Qamar Jalalabadi is the lyricist. Music is composed by Usha Khanna.

Today (9 january 2018) happens to be the birth anniversary of Mahendra Kapoor (9 january 1934-27 september 2008). Quite fortuitously, this happens to the 300th song of Mahendra Kapoor in the blog. So this is a perfect tribute to the singer in the blog.

It also happens to be the 15th death anniversary of Qamar Jalalabadi (9 january 2003). So this song serves as a tribute to Qamar Jalalabadi as well.

With this song, “Johar in Bombay” (1967) joins the list of movies that have all their songs covered in the blog.


Song-Naach sasure naach nakhra ab na chalega (Johar in Bombay)(1967) Singers-Mahendra Kapoor, Balbir, Usha Timothy, Krishna Kalle, Lyrics-Qamar Jalalabadi, MD-Usha Khanna
Male singers together
Female singers together

Lyrics

kaise hote khel tamaashe
arre is duniya ke beech
o bandar se insaan bane
to insaan se ban gaye reechh

naach susure naach
nakhra ab na chalega
hoy naach susure naach
nakhra ab na chalega
naacha to haiwaan se insaan banega

hoy hoy
naacha to haiwaan se insaan banega
naach baaba naach
nakhra ab na chalega
naacha to haiwaan se insaan banega
naacha to haiwaan se insaan banega
naach baaba naach
nakhra ab na chalega

baari barsi khatan gaya
te khatak ke lyaanda taala
baari barsi khatan gaya
hoy
hoy baari barsi khatan gaya
te khatak ke lyaanda taala
ho ladki gulaab jaisi
aur ?? reechh hai saala
he ladki gulaab jaisi

baari barsi khatan gaya
te khatak ke lyaanda aara
baari barsi khatan gaya
te khatak ke lyaanda aara

ho taane mujhe dene waale
jaa dekha ishq tumhaara
ho taane mujhe dene waale

naach susure naach
nakhra ab na chalega

naach baaba naach
nakhra ab na chalega

ho saari nagariya
aa aa aa aa aa aa
saari nagariya ruk ruk dekhe
kaisi nautanki aayi
aga bai
kaisi nautanki aayi re
arre dekho yaaron khel naya
sasure ko nachaaye janwaai
sasure ko nachaaye janwaai
janwaai
janwaai

aga bai
ji ji ji ji ji ji
aga bai
ji ji ji ji ji

dil mein chhupaa hai
ae ae ae ae
dil mein chhupaa hai
pyaar kisi ka
karne chale hain bhalaai
haay raam
karne chale hain bhalaai

sasure ka bahaana hai
tere dil mein basi hai lugaai
lugaai
tere dil mein basi hai lugaai
lugaai
lugaai

ji ji ji ji ji ji ji
aga bai
ji ji ji ji ji ji ji

naach susure naach
nakhra ab na chalega

naach baaba naach
nakhra ab na chalega

oy naach sasure
naach baaba
naach sasure
naach baaba


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3458 Post No. : 13874

“Johar in Bombay” (1967) was directed by Shantilal Soni for Thakkar Pictures, Bombay. The movie had I S Johar, Sonia Sahni, K N Singh, Rajendranath, Madan Puri, Polson, Jeevankala etc in it.

This movie was a slapstick comedy where I S Johar and Rajendranath fumble their ways to glorious feats like defeating the nefarious designs of evil scientists with the help of Alladin’s jinn thanks to Alladin’s lamp that I S Johar accidentally comes across in his antique shop.

The movie had six songs in it. Four of these songs have been covered in the blog. All of them were covered in 2011. After a gap of over seven years, here is the next song from “Johar in Bombay” (1967) to appear in the blog. This song is a comedy song which is a parody of some popular songs of that era.

Mahendra Kapoor is the singer. The lyricist of the song is not known. Music is composed by Usha Khanna.

The song is picturised in the usual light hearted manner on I S Johar and others, meant to appeal mainly to low brow audiences. 🙂


Song-Meri pyaari pyaari soorat ko kisi ki chhuri na lage (Johar in Bombay)(1967) Singer-Mahendra Kapoor, Lyrics-Usha Khanna

Lyrics

meri pyaari pyaari soorat ko
kisi ki chhuri na lage
chashme baddur
chhuriyon ko chhupa lo bakshe mein
police ki nazar na lage
chashme baddur

yoon na peechhe phira karo
dhandha koi kiya karo
yoon na peechhe phira karo
dhandha koi kiya karo
tumse badhkar kaanyiyaan hoon main
chaal samajh kar chala karo
meri pyaari pyaari soorat ko
kisi ki chhuri na lage
chashme baddur

zara saamne to aao pagle
chhup chhup ladne mein kya raaz hai
zara main bhi to dekhoon zaalima
tu kaisa teerandaaj hai
zara saamne to aao pagle

bahaaron aag barsaao
koi bandook laaya hai
koi dambook laaya hai
o hunter
maut ban jaao
koi bandook laaya hai
koi dambook laaya hai
giro ae pattharon
in dusmanon ke kaale haathon par
chalo ae goliyon
kambakht gaddaaron ke seenon par
bahaaron aag barsaao
koi bandook laaya hai
koi dambook laaya hai

yaahoo
yaahoo
chaahe koi mujhe jungli kahe
kehne do ji kehta rahe
hum jang ke toofaanon mein gire hain
hum tang karenge
chaahe koi mujhe jungli kahe
yaahoo
yaahoo
yaahoo
yaahoo


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The small girl in the song with this post celebrates her 52nd birthday today—unbelievable she is so young. The birthday list on our blog says she is 1965 born, also the Filmfare awards list page says she was all of 15 when in 1980 she won the Best Supporting Actress award for her depiction of a rape victim (in ‘Insaaf Ka Taraazu’). She seems to have been around forever. I just do not want to use the phrase ‘past her prime.’ Come to think of it she is younger to the Khans who are ruling the industry these days.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 35
– – – – – – – – – – – – – – –

Her name is listed as the fourth lady music director in Hindi cinema. But then, that is where the comparison ends. The first three names considered are Ishrat Sultana, better known as Bibbo, then Jaddan Bai, and then we have Khorshed Minocher-Homji, more popularly known as Saraswati Devi. These stalwart composers from the earlier decades (1930s and 40s) of Indian cinema, were formally trained in Hindustani classical music, which also defined their style and the types of songs they composed.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (19 july 2017) is the ninth birth anniversary of the blog. This blog was started on this date in 2008. When I check up, I find that the first post of the blog was posted at 1:54 A M on 19 july 2017. In other words, I was wide awake at the early hours of that day. The fact that 19 july was a saturday and therefore holiday may have been the reason why I was still awake at that time.
Read more on this topic…


Advertisements

Important Announcement

(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14000 song posts by now.

This blog is active and online for over 3500 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14065

Number of movies covered in the blog

Movies with all their songs covered =1081
Total Number of movies covered =3836

Total visits so far

  • 10,103,766 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,566 other followers

Bookmark

Bookmark and Share

Category of songs

Archives

Current Visitors

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Stumble

Historical dates

Blog Start date: 19 july 2008

Active for more than 3500 days.

Advertisements
%d bloggers like this: