Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Usha Khanna


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5651 Post No. : 18147

Hullo Atuldom

“Lakshmi” (1982) which was directed by B. S. Thapa; produced by Raja Desai & Raja Roy.

The story was revolving around Reena Roy’s character -Lakshmi; Raj Babbar played her husband Vijay Singh & son Ajay Singh. Ranjeet played a pimp who has a change of heart & emotion when Lakshmi addresses him as ‘Bhaiyya’ & pleads him to help her keep herself ‘GANGA KI TARAH PAVITRA’ inspite of being a courtesan. Nadira played the owner of the ‘Kotha’ where Lakshmi takes refuge in her bid to escape goons. She also has a change of thinking & heart when she sees Ranjeet standing up for Lakshmi when Kadar Khan (in a guest appearance)-playing a daku- tries to molest her. Nadira eventually takes sanyaas but not before seeing Lakshmi give birth to her daughter (she was pregnant with her second child when she had landed at the kotha)

Saw this film (and heard of it for the first time today) this afternoon on Doordarshan. Then I recalled that today (7 January 2024) is Reena Roy’s janamdin. She turns 67. She was seen in a lot of regular heroine type of roles before “Nagin” happened in 1976 and audiences & filmmakers saw what she was capable of. Movies by J. Om Prakash ‘Asha’, ‘Arpan’, ‘Apnapan’ etc. also helped her consolidate her place in Bollywood.

“Lakshmi” was a film on similar lines (like those J Om Prakash movies mentioned above) where her character goes through a lot of hardships before she dies in the climax. Dina Pathak, Jeetendra, Vinod Mehra, Sulakshna Pandit, Raj Mehra, Danny Denzongpa, Birbal, Seema Deo all had either special or guest appearances. Only Ranjeet, Bharat Kapoor & Raj Babbar had longer screen time.
As I read the background of Raja Roy, I found that he was Reena Roy’s brother & that explains why all those named under guest & special appearances were there in the cast. They have all been involved in Reena Roy’s journey in the industry at some time or the other.

Usha Khanna was the music director for songs written by Sahir Ludhianvi, Indeevar & Kaifi Azmi. Asha Bhonsle, Amit Kumar, Mahendra Kapoor were the playback singers used. The film had 6 songs of which the following two (both written by Sahir Ludhianvi) are on the blog.

Song Date of post Remarks
Jalwon se dil behla lo zamaane waalon 26 July 2013 lyrics by Avinashji
Seeta bhi jahaan sukh paa na saki 25 October 2018 post by Rajaji

Today’s is the pre-climax song, after which Bharat Kapoor dies and the film moves on to become a courtroom drama, where eventually the Public Prosecutor turns pleader for the accused. 🙂 This song is written by Kaifi Azmi.
Happy Birthday to Reena Roy.


Song-Shaam peene ki phir na aayegee is shaam ke baad(Lakshmi)(1982) Singer-Asha Bhonsle, Lyrics-Kaifi Azmi, MD-Usha Khanna

Lyrics

aa aa aa aa
aa aa aa
aa aa aa
aa aa aa aa
shaam peene ki phir na aayegi
shaam peene ki phir na aayegi
shaam peene ki phir na aayegi
is shaam ke baad
shaam peene ki phir na aayegi
is shaam ke baad
rooh lahraayegi rakt(?) farmaayegi
rooh lahraayegi rakt(?) farmaayegi
pyaas mit jayegi tan man ki
is jaam ke baad
ho
shaam peene ki phir na aayegi
is shaam ke baad

meri nazron mein jo tezi hai
wo khanjar mein nahin
aa aa aa
aa aa aa aa aa
meri nazron mein jo tezi hai
wo khanjar mein nahin
jitni honthon mein hai
utni kisi saaghar mein nahin
aur kya chaahiye inaam
aur kya chahiye inaam
is inaam ke baad
ho
shaam peene ki phir na aayegi
is shaam ke baad

dil ye patthar to nahin hai
ki machal hi na sake

aa aa aa aa
aa aa aa aa
dil ye patthar to nahin hai
ki machal hi na sake
toone yoon humko pukaara
ke sambhal hi na sake
kiska paighaam sunen hum
kiska paighaam sunen hum
tere paighaam ke baad
ho
shaam peene ki phir na aayegi
is shaam ke baad

ho
shaam peene ki phir na aayegi
is shaam ke baad


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5573 Post No. : 18045

# Superstar Child Artist – Junior Mehmood # 15
——————————————————–

It has been over eight years now that we started this series for the songs picturised on actor Junior Mehmood. We started with songs sung by Mohd Rafi for Junior Mehmood and later on added more songs sung by other singers for Junior Mehmood. There are still few songs yet to be posted which we discovered in recent years that are picturised on Junior Mehmood.

Junior Mehmood was a ‘star attraction’ in growing years of people like me who were born in late sixties or early seventies, and whatever of his movies we get to watch in our childhood days where he was a part of the movie, were always entertaining and enjoyable. Many of these movies had songs picturised on Junior Mehmood and that was an additional attraction always. These songs have been highly entertaining too. Junior Mehmood inspired by the dancing skills of his guru the great comedian actor Mehmood, had developed his style of dancing which was likened by all i.e. children as well as the grown-ups and adults watching his movies.

In the earlier articles we have read about the biography and also the filmography (till 1980) of Junior Mehmood and how he achieved ‘stardom’ in his childhood days and how he was referred to as a ‘Superstar Child Artiste’ in those years. However Junior Mehmood could not achieve the same success as a grown-up adult actor in his later films.

Under this series ‘Superstar Child Artist – Junior Mehmood’, today I present a song from the movie ‘Simla Road-1969’. So far we have posted songs sung by Mohd Rafi, Hemlata, Shanti Mathur, Asha Bhonsle, Sushma Shreshtha, Lata Mangeshkar, Suman Kalyanpur and Shamshad Begum in this series. Today we add one more singer i.e. Sarla Kapoor who lent her voice to Junior Mehmood in this song, which is a ‘Qawwali’ song.

“Simla Road-1969” was directed by Jugal Kishore for his home productions ‘Jugal Productions, Bombay’. The cast of this movie included Dev Kumar, Sarita, Jugal Kishore, K.N. Singh, Madhumati, Jayshree T., Brahm Bharadwaj, Leela Mishra, Murad, Junior Mehmood, Mirza Musharraf, Dilip Dutt, Manohar Deepak, Maruti and others. “Simla Road-1969” has six songs written by Asad Bhopali and the music for this movie was composed by Usha Khanna. The singers who lend their voice in this movie are Suman Kalyanpur, Sharda, Usha Khanna, Sarla Kapoor, Mohd Rafi, and Krishna Kalle. Three songs from this movie have already been posted on the blog earlier. I guess that this movie is not available online, though video of its songs are available now.

I was looking for the story of this movie and had reproduced a text from an online source and there is also very brief information about this movie available on other site but I found some difference among these two summaries. So I hold it and also I was looking for the character name of the respective actor. Finally I again went through all the earlier posts on the blog, and find that our in-house encyclopaedia Respected Shri Arunkumar jee has already mentioned the about the story of this movie in his comments (on a previous post covering another song of this movie) and that too as I wished it could be 🙂 . Here I am giving below the same text for the interested readers.

SIMLA ROAD (1969) story was one which was used by many, many people, including Jugal Kishore himself earlier. It was supposed to be a ‘Cloak and dagger’ type movie, having a strong story line, but alas, the Hero was Dev Kumar-with a stony body and a stony face too!

Mr. Kumar, a noted businessman is murdered. When his neighbour reaches his bungalow, he finds Shanker there. Shanker (Dev kumar) is in love with Kumar’s sister Veena (Sarita).Sharma (Jugal kishore) accuses Shanker of murder and he is arrested, but Shanker escapes and wounded by police bullet, is found by dancer Rita (Madhumati), who loves him. Bhupat (K.N.Singh)-ex dacoit, catches Shanker.Bhupat and Kumar were thieves but Kumar refuses to give him his share or even recognise him, so Bhupat wants to kill him, but he is murdered by somebody else. Bhupat tortures Shanker for that loot. Veena now hates him.
Now there are twists in the story. Shanker (as expected) happens to be a CBI officer to unearth stolen money. After few more twists, understandings and misunderstandings etc, the murder mystery is solved by Dev Kumar.
The murderer actually is….. 🙂

Now coming back to song under discussion, we can see Junior Mehmood with many other child artistes and Jayshree T performing on this song. It seems to be an attempt to divert the attention of the ‘guards’ who are holding Dev Kumar and Sarita in captivity, in order to get them freed. By the time this song dance performance comes to end the team of Jayshree T and Junior Mehmood get success in their motive. We can also see Jugal Kishore and other artistes in the picturisation of this song. ( I am unable to identify some key persons there). People who have watched earlier movies of Junior Mehmood from the late sixties and early seventies will certainly enjoy this wonderful performance by him and this overall composition.

Let us enjoy this song now…


Song-Maalan dil le gayee re maalan dil le gayee (Simla Road)(1969) Singers – Sarla Kapoor, Usha Khanna, Lyrics-Asad Bhopali, MD-Usha Khanna
Junior Mehmood, chorus

Lyrics

Yaaron dil thhaam ke
Meri kahaani suno
Dil ka fasaanaa
Mohabbat ki zabaani suno
Suno
Suno
Suno

Woh phoolon ki raani
Woh jaane e bahaar
Woh maasoom chehra
Woh zulfen pareshaan
Woh phoolon ki raani
Woh jaane e bahaar
Woh maasoom chehra
Woh zulfen pareshaan
Wo aankhon mein masti
Wo gaalon pe laalee
Zamaane se jiski adaa hai niraalee
Wo
Woh maalan dil le gayee re
Maalan dil le gayee
Maalan dil le gayee re
Maalan dil le gayee

haan haan dil le gayee re
maalan dil le gayee

Woh chaman mein thhi khadee
Jab nazar us se ladee
Haan
Woh chaman mein thhi khadee
Woh thhi khadee
Haan khadee

Haan
Woh chaman mein thi khadee
Jab nazar us se ladee

Aa aa aa aa aa aa aa
o o o
Jaag uthhaa
Dard e jigar
Na rahi apni khabar
Jaag uthhaa
Dard e jigar

Dard e jigar
Dard e jigar
Jaag uthhaa
Dard e jigar
Na rahi apni khabar

Sambhaala bahot dil
Magar dil na sambhlaa
Woh jo muskuraaye
To ye munh se niklaa
Kya
Maalan dil le gayee re
Maalan dil le gayee
Maalan dil le gayee re
Maalan dil le gayee

aa haa dil le gayee re
Maalan dil le gayee

Aa aa aa aa aa aa
aa aa aa aa aa aa

Aa aa aa aa aa aa
Aa aa aa

Jaan jaaye ke rahe
Koyi ab kuchh bhi kahe
Haan
Jaan jaaye ke rahe
Haan ji jaaye
Chaahe rahe
haan
Jaan jaaye ke rahe
Koyi ab kuchh bhi kahe

Aa aa aa aa aa
aa aa aa aa
Maine sochaa hai yahi
Dekhna hogaa yahi
Maine sochaa hai yahi
Haan jee yahi
Haan yahi ee
Maine sochaa hai yahi
Dekhna hogaa yahi

Woh meri banegi
Main uskaa banoongaa
Woh dulhan banegi
Main dulhaa banoongaa
Kaun
Maalan dil le gayee re
Maalan dil le gayee
Haan haan dil le gayee re
Maalan dil le gayee

O ho dil le gayee re
Maalan dil le gayee ee

Mere mehboob na dar
Aa gayaa hoon main idhar
Haan mere mehboob na dar
Mere mehboob na dar
Haan
Mere mehboob na dar
Aa gayaa hoon main idhar

Aa aa aa aa aa aa
Aa aa aa aa aa aa
Aa aa aa
Yaaron ka yaar hoon main
Tera dildaar hoon main
Yaaron ka yaar hoon main
Haan haan tera yaar hoon main
Yaaron ka yaar hoon main
Tera dildaar hoon main

Dekhne mein hoon main
Chhotaa sa bachchaa
Magar dil hai achchhaa
Mera pyaar sachchaa
Phir bhi
Dil le gayee re
Maalan dil le gayee
Maalan dil le gayee re
Maalan dil le gayee

Woh phoolon ki raani
Woh jaane e bahaar
Woh maasoom chehra
Woh zulfen pareshaan
Woh phoolon ki raani
Woh jaane e bahaar
Woh maasoom chehra
Woh zulfen pareshaan
wo aankhon mein masti
wo gaalon pe laalee
zamaane se jiskee adaa hai niraalee
wo maalan
dil le gayee re maalan
dil le gayee
Maalan dil le gayee re
Maalan dil le gayee
Maalan dil le gayee re
Maalan dil le gayee
Maalan dil le gayee re
Maalan dil le gayee


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5565 Post No. : 18034 Movie Count :

4835

#the Decade of Eighties – 1981 – 1990 #
————————————————————————
(A Tribute to Kishore Kumar – The Versatile Genius)

Today (13 October 2023) we pay our tributes to the ‘versatile genius’ Kishore Kumar (04.08.1929 – 13.10.1987) on his thirty-sixth ‘Remembrance Anniversary’.

Much has already been written about Kishore Kumar in the media and on this blog too. So I am not going to repeat the same today. But I would like to mention that Kishore Kumar will be discussed till HFM exists on this planet. Much will be written about him till the HFM exists on this planet. People of future generations will keep coming across his songs and his biography and his acting and musical skills and his writing skills and his directing skills and … we can go on adding about this multifaceted personality, and a simple yet sometimes eccentric human being.One needs to into depth into his life to understand Kishore Kumar fully. So people will keep discoving facts about him.

On this occasion I am presenting a lesser heard song sung by Kishore Kumar. I became aware of this song a little while ago. This song is from the ‘1988’ movie ‘Aakhri Muqaabla’. I was unaware about this movie till recently. I had never listened to this song in the past. I became aware of this song thanks to the book – ‘When Ardh Satya met Himmatwaala- The many lives of 1980s’ Bombay Cinema’ by Avijit Ghosh which I added to my library recently. The author mentions this song under ‘super songs that never hit the charts’ (from the eighties). On the musical front the decade of ‘eighties’ was ruled by ‘Bappi Lahiri’ music and of many songs that people would like to forget about, but there was also ‘unforgetteble’ music created during this decade and today’s song is one such song. Listening to the today’s song also reminds me of a composition from the movie ‘Sitamgar-1985’ which was composed by R.D. Burman. However the today’s song is composed by Usha Khanna. The singer for the both songs is Kishore Kumar.

Today’s song is from the movie ‘Aakhiri Muqaabla’ (passed by Censor Board on 19.12.1988).

‘Aakhiri Muqaabla’ was directed by Sudesh Chandra Issar for ‘Lily Films, Bombay’. It was produced by Dr D.D. Singh and Mrs Baljinder Kaur. The cast of this movie included Shashi Kapoor, Suresh Oberoi, Rajan Sippy, Divya Rana, Padmini Kapila, Puneet Issar, Asha Sachdev, Paintal, Shammi, Dev Kumar, Brahmachari, Pradeep Kumar, Chandrashekhar, Junior Mehmood, Chand Usmani, Mac Mohan, Nandita Thakur, Ram Mohan, Bob Christo, Tej Sapru, Shivraj, Dharmesh Tiwari, Vyjanti, Jerry, Asha Sharma and others. This movie introduced D.D. Singh and Palaaki Singh. And the movie had Dharmendra in an ‘above all-special appearance’.

Story of this movie was written by Jag Mohan Singh. Screenplay was by Surinder Kaul and Dialogues were written by Raja Bedi. Editing of this film was done by Padmakar Nirbhavane.
There were thrree lyricists in this movie. They are Gauhar Kanpuri, Jag Mohan Singh and Indeevar. Kishore Kumar (who had passed away in 1987), Asha Bhonsle and Suresh Wadkar had given their voices to the songs in this movie. Music for this movie was composed by Usha Khanna. This movie has total three songs including the multi-part song under discussion. However the lyricistwise breakupfor the individual songs is not known. An Audio link of the song mentions the lyricist name as Indeevar for this song but it needs to be confirmed. The link mentions Usha Khanna’s voice in the duet version, but her name does not appear in the title of this movie under the list of singers for this movie.

This song is available in three parts. The first part is played in background and video of this song is available. This song is played when the titles are rolling and we can see Shashi Kapoor as a Doctor and others on the screen. The video of the second part could not be found as of now. The third part is played at the end of the movie in the background. Here we can see Shashi Kapoor, Rajan Sippy, Padmini Kapila, and Divya Rana on the screen. Also seen is Dharmendra smiling as ‘all ends well’ 🙂

I hope readers will enjoy this song. It is a philosophical song.

Let us listen to this song now …

With this song the movie ‘Aakhiri Muqaabla-1988’ makes its debut on the blog.

Solo (Part I) (video)


Duet (Audio)

Solo Part III (Audio)

Solo part I and III (Audio)

Song-Zindagi kya hai kaantaa hai ya phool (Aakhri Muqaabla)(1988) Singer-Kishore Kumar, Lyrics-Gauhar Kanpuri/Indeevar/Jag Mohan Singh, MD-Usha Khanna
Unidentified voice

Lyrics

————————-
Part I
————————-
zindagi kya hai ae
kaantaa hai yaa phool
kaantaa samajhnaa hai bhool
zindagi hai phool

jeewan hai maalaa
sukh dekh ke motee ee
in motiyon se
jeewan mein jyoti
jeewan hai maalaa
sukh dekh ke motee ee
in motiyon se
jeewan mein jyoti ee ee
zindagi kya hai ae
aansoo hai yaa muskaan
aansoo nahin naadaan
zindagi hai muskaan

tez badi ye samay ki
dhaaraa hai ae
aashaa niraashaa
iskaa kinaaraa hai
tez badi ye samay ki
dhaaraa hai
aashaa niraashaa
iskaa kinaaraa hai ae ae
zindagi kya hai
toofaan hai yaa patwaaar
toofaan na samjho yaar
zindagi hai patwaaar
zindagi kya hai ae
kaantaa hai yaa phool
kaantaa samajhnaa hai bhool
zindagi hai phool

————————————-
(Duet version)
————————————
zindagi kya hai
toofaan hai yaa patwaaar
toofaan
toofaan
toofaan

toofaan na samjho yaar
zindagi hai patwaaar
zindagi kya hai ae
kaantaa hai yaa phool
kaantaa
naa naa
naa naa

saanson ki bagiyaa
man apnaa maali
pyaar ki khushboo
aashaa ki daali ee
saanson ki bagiyaa
man apnaa maali ee
pyaar ki khushboo
aashaa ki daali ee ee ee
zindagi kya hai
maati hai yaa sonaa
maati
maati
maati

maati samajh ke na khonaa aa
zindagi hai sonaa

jeewan hai maalaa
sukh dekh ke motee ee
in motiyon se
jeewan mein jyoti
jeewan hai maalaa
sukh dekh ke motee
in motiyon se
jeewan mein jyoti ee ee
zindagi kya hai ae
aansoo hai yaa muskaan
aansoo
aansoo
aansoo oo

aansoo nahin naadaan
zindagi hai muskaan

tez badi ye samay ki
dhaaraa hai
aashaa niraashaa
iskaa kinaaraa hai
zindagi kya hai
toofaan hai yaa patwaaar
toofaan
toofaan
toofaan

toofaan na samjho yaar
zindagi hai patwaaar
zindagi kya hai ae
kaantaa hai yaa phool
kaantaa
naa naa
naa naa

———————————–
(Part-III with dialogues, dialogues are not included here)
———————————-
zindagi kya hai ae
kaantaa hai yaa phool
kaantaa samajhnaa hai bhool
zindagi hai phool

jeewan hai maalaa
sukh dekh ke motee ee
in motiyon se
jeewan mein jyoti
jeewan hai maalaa
sukh dekh ke motee ee
in motiyon se
jeewan mein jyoti ee ee
zindagi kya hai ae
aansoo hai yaa muskaan
aansoo nahin naadaan
zindagi hai muskaan

————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————–
भाग I
————-
ज़िंदगी क्या है ए
कांटा है या फूल
कांटा समझना है भूल
ज़िंदगी है फूल

जीवन है माला
सुख देख के मोती ई
इन मोतियों से
जीवन में ज्योति
जीवन है माला
सुख देख के मोती ई
इन मोतियों से
जीवन में ज्योति ई ई
ज़िंदगी क्या है ए
आँसू है या मुस्कान
आँसू नहीं नादान
ज़िंदगी है मुस्कान

तेज़ बड़ी ये समय की
धारा है ए
आशा निराशा
इसका किनारा है
तेज़ बड़ी ये समय की
धारा है ए
आशा निराशा
इसका किनारा है ए ए
ज़िंदगी क्या है
तूफ़ाँ है या पतवार
तूफ़ाँ न समझो यार
ज़िंदगी है पतवार
ज़िंदगी क्या है ए
कांटा है या फूल
कांटा समझना है भूल
ज़िंदगी है फूल

————————————-
(युगल गीत )
———————————–
ज़िंदगी क्या है
तूफ़ाँ है या पतवार
तूफान
तूफान
तूफान
तूफ़ाँ न समझो यार
ज़िंदगी है पतवार

ज़िंदगी क्या है ए
कांटा है या फूल
कांटा
ना ना
ना ना

साँसों की बगिया
मन अपना माली ई
प्यार की खुशबू
आशा की डाली ई
साँसों की बगिया
मन अपना माली ई
प्यार की खुशबू
आशा की डाली ई ई ई
ज़िंदगी क्या है
माटी है या सोना
माटी
माटी
माटी
माटी समझ के न खोना आ
ज़िंदगी है सोना

जीवन है माला
सुख देख के मोती ई
इन मोतियों से
जीवन में ज्योति
जीवन है माला
सुख देख के मोती ई
इन मोतियों से
जीवन में ज्योति ई ई
ज़िंदगी क्या है ए
आँसू है या मुस्कान
आँसू
आँसू
आँसू
आँसू नहीं नादान
ज़िंदगी है मुस्कान

तेज़ बड़ी ये समय की
धारा है ए
आशा निराशा
इसका किनारा है
ज़िंदगी क्या है
तूफ़ाँ है या पतवार
तूफान
तूफान
तूफान
तूफ़ाँ न समझो यार
ज़िंदगी है पतवार
ज़िंदगी क्या है ए
कांटा है या फूल
कांटा
ना ना
ना ना
———————————–
(भाग III संवादों के साथ, संवाद यहाँ पर शामिल नहीं किए गए हैं)
————————————-
ज़िंदगी क्या है ए
कांटा है या फूल
कांटा समझना है भूल
ज़िंदगी है फूल

जीवन है माला
सुख देख के मोती ई
इन मोतियों से
जीवन में ज्योति
जीवन है माला
सुख देख के मोती ई
इन मोतियों से
जीवन में ज्योति ई ई
ज़िंदगी क्या है ए
आँसू है या मुस्कान
आँसू नहीं नादान
ज़िंदगी है मुस्कान


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5562 Post No. : 18030

Hullo Atuldom

“Saajan ki Saheli” (1980) was a film that was produced & directed by Saawan Kumar Tak (9th August 1936- 25th August 2022). The songs were written by Majrooh Sultanpuri (1st October 1919- 25th May 2000) & Saawan Kumar Tak. Usha Khanna (d.o.b. 7th October 1941) was the music director. Asha Bhonsle, Sulakshana Pandit, Mohd Rafi, Mahendra Kapoor, Suresh Wadkar & Usha Khanna (herself) were the playback singers.

The film was a typical, simplistic melodrama. It was the story of a young unmarried girl who gets pregnant, giving birth to a girl but refusing to accept the child. On growing up the girl discovers the truth of her birth, tracks her mother down. The girl teams up with her mother’s husband to get her mother admit the parentage & accept her, even if her own love-life is compromised in the situation.

Nutan played mother to Rekha. Rajendra Kumar was Nutan’s husband & Anil Dhawan (guest appearance) the cause of Nutan’s pregnancy. Suresh Oberoi played a ‘Narad’ kind character giving the viewer a feeling that he is the villain. Vinod Mehra was a singer who falls in love with Rekha.

This film came in the period when Rekha was having a successful run at the box-office after being appreciated for her role in “Khubsoorat”. In fact 1980 was a Jackpot year of her career as she was seen in 12 films including a guest appearance in the Marathi film ‘Fatakadi’. I have seen the lavani sequence from that film a long time ago. ‘Jise tu kubool kar le’ (never heard of this film), ‘Jyoti Bane Jwala’ (a guest appearance), ‘Kali Ghata’, ‘Jal Mahal’, ‘Agreement ‘, ‘Neeyat’, ‘Judaai’, ‘Ram Balram’, ‘Maang Bharo Sajna’, ‘Aanchal’, & ‘Khubsoorat’ were the films of 1980 & I have seen all of them & 50% of them in a cinema hall. She was appreciated in “Saajan ki Saheli” also. Nutan was the other saving grace of this film.

Today on the occasion of Rekha’s 69th birthday we shall have a stage song from this Saawan Kumar film. The singers in the song are Usha Khanna, Suresh Wadkar & Mahendra Kapoor.

With this song we also wish Belated birthday wishes to Usha Khanna & think of Majrooh Sultanpuri whose birthdays just went by.

This post celebrated Rekha’s birthday on the blog 10 years back.


Song-Aaye hain wo mazaar pe ghoonghat utaar ke (Saajan Ki Saheli)(1980) Singers-Mahendra Kapoor, Suresh Wadkar, Usha Khanna, Lyrics-Majrooh Sultanpuri, MD-Usha Khanna
Chorus

Lyrics

marne ke baad hamaari yaad mein
aansu bahaate hain
nawaazish hai ye unki
aaj wo
do gul chadhaate hain
mazaar e ishq to kaanton ke bhi
kaabil nahin hota
Allaah
wo sar khole hamaari
kabr pe deewaanawaar aaye
arre isi ko maut kehte hain to ya rab
baar baar aaye ae ae

ke aaye hain wo mazaar pe
ghoonghat utaar ke
aaye hain wo mazaar pe
ghoonghat utaar ke
mujhse naseeb achhe hain
mujhse naseeb achhe hain
arre mere mazaar ke ae ae
aaye hain wo mazaar pe
ghoonghat utaar ke
aaye hain wo mazaar pe
ghoonghat utaar ke

aaye hain
aaye hain
arre aaye hain
aaye hain
aaye hain wo mazaar pe
ghoonghat utaar ke
aaye hain wo mazaar pe
ghoonghat utaar ke

ab to wo bhi
ishq ke
maare nazar
aane lage
arre unki bhi neend udd gayi
taare nazar aane lage
arre dil pareshaan
arre aankh veeraan
haan haan zulf barham
lab khaaaaa mo o o o osh
ab to wo kuchh aur bhi
pyaare nazar aane lage
aake hamaari kabr pe
toone jo muskura diya
bijli chamak ke gir padi
saara kafan jala diya
haaye
chain se so raha thha main
Allah
chain se so raha thha main
odhe kafan mazaar mein
aur yahaan bhi sataane aa gaye
kisne pata bata diya
yahaan bhi sataane aa gaye
kisne pata bata diya

aaye hain
aaye hain
arre aaye hain
aaye hain
aaye hain wo mazar pe
ghoonghat utaar ke
aaye hain wo mazaar pe
ghoonghat utaar ke
mujhse naseeb achhe hain
mujhse naseeb achhe hain
mere mazaar ke ae ae
aaye hain wo mazaar pe
ghoonghat utaar ke
aaye hain wo mazaar pe
ghoonghat utaar ke

bijli kabhi giri
kabhi saiyyaad aa gaya
hamne to chaar din bhi na dekhe bahaar ke
hamne to chaar din bhi na dekhe bahaar ke
saiyyad tere hukm e rih ai ka shukariyaa aa aa
hum to kafas mein kaat chuke din bahaar ke
hum to kafas mein kaat chuke din bahaar ke
hum to kafas mein kaat chuke din bahaar ke

arre waada wo kar gaye thhe
suno
mujhse shaam ka aa
waada wo kar gaye thhe
suno
mujhse shaam ka aa aa
to kaise katenge chaar pahar intzaar ke

to kaise katenge chaar pahar intzaar ke
to kaise katenge chaar pahar intzaar ke

kiya thha waada ke aayenge wo charaag jale
tamaam raat charaagon se
dil ke daagh jale ae ae ae
jaa dekha tera waada
haaye re tera waada
jaa dekha tera waada
haaye re tera waada

jaa dekha tera waada
haan dekha tera waada
ja dekha tera waada
haaye re tera waada
o jaa dekha tera waada
haaye re tera waada

ke haaye
ke haaye
kaise kate umariyaaa aa aa
aas hi aas mein beeti jaaye ae ae
hamre nayan daras bin tarse ae ae
tum bin baalam
kachhu na suhaaye ae
tori preet ke kaaran mose
roothhe apne paraaye
sab roothhe
ik tum mat roothiyo
tum ruthiyo to gazab hoi jaaye re
ja dekha tera waada
haaye re tera waada

jaa dekha tera waada
haaye re tera waada

jaa dekha tera waada
haan dekha tera waada

jaa dekha tera waada
haaye re tera waada
jaa dekha tera waada
haaye re tera waada
jaa dekha tera waada
haaye re tera waada


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5477 Post No. : 17899 Movie Count :

4784

= = = = = = = = = = =

The Voice of Mukesh #73
– – – – – – – – – – – – –

The search for songs of Mukesh continues as we close in on his last set of remaining songs that are yet unpublished on the blog. With the current count (prior to this post) at 818, there still is a good number of songs to be tracked and brought on board. The revised and updated Mukesh Geet Kosh (compiled by Shri Harish Raguvanshi of Surat) which was released in November of 2020, puts the number of Hindi songs identified at 980. The breakup of this number is given as
Film songs – 897
Version songs – 4
Non-film songs – 79

There are another 73 songs identified and listed in the Mukesh Geet Kosh, which are film and non-film songs in regional languages.

On our blog, confining ourselves to Hindi songs only, the total songs thus far published are 818, of which 24 are non-film songs. So we still have a fair number of songs still to be posted here – a number of 162. It would appear that we are quite easily placed to continue posting Mukesh songs. But going forward also continues to become more and more difficult as the songs become more and more difficult to trace.

Well, I should also not make it sound so difficult, because in the recent couple of years, there is a sudden spurt in the online availability of songs. More and more songs are becoming available as more and more music lovers, collectors and music companies have begun uploading heretofore unavailable and rare songs. Probably the pandemic put a new perspective to the vulnerability of life itself. Probably there is good money to be made as the online advertising business is becoming more and more lucrative, and the option to monetize and earn money from advertisements is bringing about a kind if revolution in the online availability of music.

I will not dwell further on this analysis – that is not my purpose. Just an expression that we are in a situation where now a huge number of songs have become available online – songs that before a couple of years ago were considered as hard to trace.

Considering our blog, these numbers now suggest that there are 103 film songs, and 55 non film songs that we still have to bring on board to cover the “official” complete set of Mukesh songs. The path going forward does not seem to be all that difficult after all.

However, this year, and especially this week, is special. The birth centenary of this soulful singer falls on the coming Saturday, 22nd July. It is a once in a life time celebration. With the help of our resident Mukesh expert, Mahesh ji, we are planning to post Mukesh songs every day of this week – songs that are rare, obscure and less heard.

After having gone through 818 songs, we have pretty much touched almost all songs of Mukesh that are well known. Now we are reaching out to the lesser known films, which have songs that have gone unnoticed and belong to the category of unheard or lesser heard songs, if not rare. And not to err on the side of omission, there is a good number of non-film songs that are still waiting to be brought on board.

Launching this week of celebration, we already have a post earlier in the day from Mahesh ji from an almost obscure film ‘Farz Aur Pyaar’ from 1971. With this post, I bring on board another song from the 1970s.

The film is ‘Apraadhi’ from 1974. I checked and find that this film is making its debut today on the blog. The film comes from the banner of CS Productions, Bombay and it is directed by Jugal Kishore, a name that is quite well familiar I am sure. The lead pair in this film is Kiran Kumar and Yogita Bali. The rest of the cast is listed, as per Geet Kosh – Imtiaz, Jaishri T, Chandrashekhar, Bhagwan, Jagdish Raj, Rajan Haksar, Keshto Mukherjee, Mohan Sherry, Brahmchari, Maruti, Gopal Sehgal, Mumtaz Begum, Shri Bhagwan, Baby Neeta, Master Vijay, Satya Devi, Ratna, Naginder, Sattar, Rajpal, Omi Chopra, Bholanath, Madhu, Sheila, Geeta, Gop, Jugal Kishore, and Shashi Chauhan.

The film has 4 songs. All songs have been penned by Hasrat Jaipuri and the music is composed by Usha Khanna. The song list has one solo song by Mukesh, two solo songs by Suman Kalyanpur, and one duet of Suman Kalyanpur with Mahendra Kapoor.

Today’s Mukesh song is performed on screen by Kiran Kumar. The film is a crime thriller, with Kiran Kumar playing the role of a police inspector who goes underground in disguise to track drug dealer and a murderer. On screen we see this song being performed in a tonga to begin with. The tonga is being driven by Yogita Bali, who also appears in a disguise. In the beginning of the video clip, actors Bhagwan and Gopal Sehgal make a very brief entry, before the camera cuts to the tonga and cyclists on the road.

Let us listen to this wonderful rendition. Mukesh is what he is – makes every song an endearing experience. How that song gets used on screen, now that is a different matter.

Video

Audio

Song – Main Dhool Ka Udta Baadal  (Apradhi) (1974) Singer – Mukesh, Lyrics – Hasrat Jaipuri, MD – Usha Khanna

Lyrics

main dhool ka udta baadal
main dhool ka udta baadal
gaata lehraata jaaun
manzil meri main na jaanu
phir bhi chalta jaaun

main dhool ka udta baadal
main dhool ka udta baadal
gaata lehraata jaaun
manzil meri main na jaanu
phir bhi chalta jaaun

duniya mujhko kuchh bhi samjhe
sab ke main to kaam aaun
yaar ka main yaar bhi hoon
yaar ka main saath nibhaaun
naa farishta aadmi hoon
sabke jee ki roshni hoon
roshni hoon
main dhool ka udta baadal
gaata lehraata jaaun
manzil meri main na jaanu
phir bhi chalta jaaun
main dhool ka udta baadal
main dhool ka udta baadal

nafraton se door hoon main
pyaar meri zindgani
hoon sabhi ke dil ka pyaara
kya budhaapa kya jawaani
mere peechhe ye zamaana
aasmaan par aashiyaana
aashiyaana
main dhool ka udta baadal
gaata lehraata jaaun
manzil meri main na jaanu
phir bhi chalta jaaun
main dhool ka udta baadal
main dhool ka udta baadal

main dhool ka udta baadal
main dhool ka udta baadal

main dhool ka udta baadal

————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————

मैं धूल का उड़ता बादल
मैं धूल का उड़ता बादल
गाता लहराता जाऊँ
मंज़िल मेरी मैं ना जानूँ
फिर भी चलता जाऊँ

मैं धूल का उड़ता बादल
मैं धूल का उड़ता बादल
गाता लहराता जाऊँ
मंज़िल मेरी मैं ना जानूँ
फिर भी चलता जाऊँ

दुनिया मुझको कुछ भी समझे
सब के मैं तो काम आऊँ
यार का मैं यार भी हूँ
यार का मैं साथ निभाऊँ
ना फरिश्ता आदमी हूँ
सबके जी की रोशनी हूँ
रोशनी हूँ
मैं धूल का उड़ता बादल
गाता लहराता जाऊँ
मंज़िल मेरी मैं ना जानूँ
फिर भी चलता जाऊँ
मैं धूल का उड़ता बादल
मैं धूल का उड़ता बादल

नफ़रतों से दूर हूँ मैं
प्यार मेरी ज़िंदगानी
हूँ सभी के दिल का प्यारा
क्या बुढ़ापा क्या जवानी
मेरे पीछे ये ज़माना
आसमां पर आशियाना
आशियाना
मैं धूल का उड़ता बादल
गाता लहराता जाऊँ
मंज़िल मेरी मैं ना जानूँ
फिर भी चलता जाऊँ
मैं धूल का उड़ता बादल
मैं धूल का उड़ता बादल

मैं धूल का उड़ता बादल
मैं धूल का उड़ता बादल

मैं धूल का उड़ता बादल


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5456 Post No. : 17871

#the Decade of Sixties – 1961 – 1970 #
———————————————————————
Today’s song is from the movie ‘Bandish’ from 1969.

I was not aware of this song till 2018 when I took up to present a write-up on singer Jaspal Singh for the song “Jin Khoja Tin Paayian Gehre Paani Paith” from the movie ‘Paayal Ki Jhankaar’ (1980) which was posted on the blog on 02.04.2018. This article is a part of the series I am presenting on the ‘special voices of the seventies’ and Jaspal Singh is one of those voices. So far I have presented nine posts in this series and there are more yet to come in the future.

Jaspal Singh is the singer of today’s song. Let us first go through his journey in Bollywood which I had mentioned in the above post. Since this background is necessary for today’s post also. I am reproducing below, the edited text from the above mentioned post of 02.04.2018.

Jaspal Singh was born on 23rd March 1943 in Amritsar, Punjab. (However on all official records his date of birth had been recorded as 28th March 1943). His father was running a hotel and their hotel was once situated just opposite to the famous Golden Temple in Amritsar’. Their hotel was later demolished and was compensated for by the government, as mentioned by him in his interview on RSTV-Guftagoo. He is one of five siblings – four brothers and one sister, again as per his interview on RSTV-Guftagoo.

Jaspal Singh completed his graduation from Amritsar and later on persuaded LLB from Ghaziabad. However, he was neither interested in business nor doing the advocacy. His only interest was to sing and become a play back singer which his mother and sister supported well. Since his childhood he was fond of singing and he was singing in his school and college functions and was popular among his circles in Amritsar. He was also been invited for singing in functions. He too, like other upcoming singers, was a great fan of Rafi Saab whom he admires a lot. Later on he got a chance to sing with Rafi Saab in films which was a great day for him.

His journey to movies and becoming a play back singer was full of hard work and struggle and he succeeded only because he had this talent, passion and instinct to become a play back singer for movies. It so happened that his sister got married and was settled in Bombay (now Mumbai). This came like a blessing for young Jaspal Singh who thereafter kept visiting Bombay, initially during the summer vacations and thereafter more often, to fulfill his dream of becoming a playback singer for movies.

His sister, knowing about his passion and intentions, persuaded her husband to try that Jaspal Singh gets an opportunity to sing in movies. Their continued efforts resulted in Usha Khanna ji giving him his first break for playback singing in 1969, in the movie ‘Bandish’. His first recorded song was a solo song “Dekho Logo Ye Kaisa Zamaana”, which went quite unnoticed.

Usha Khanna ji give him another chance in 1969 to sing in the movie ‘Anjaan Hai Koi’, this time a duet with Mahendra Kapoor which due to its tune and words was somewhat noticed and reach a larger audience. I have presented this duet of Mahendra Kapoor and Jaspal Singh from ‘Anjaan Hai Koi’ on the blog on 01.02.2023, which is “Beta Khel Mat Matka“.

 In today’s post I am going to present the first song sung by Jaspal Singh for Hindi films which went unnoticed then. For this song Jaspal Singh was credit with his original name i.e. Jaspal Singh Phokela.

‘Bandish’ (1969) was directed by Charandas Shokh for JJ Films, Bombay. It had Sonia Sahni, Shailendra, Azra, Ulhas, Brahmachari, Shyam Kumar, Sarita Devi, SK Prem, Mirza Musharraf, Uma Dhawan, Sushma, Kundan, Dhanraj, Habib, Madhumati, Manmohan and others.

This movie has six songs composed by Usha Khanna. Akmal Hyderabadi is the lyricist of the songs in this movie. Asha Bhonsle, Krishan Kalle, Mohd Rafi, and Jaspal Singh (as Jaspal Phokela) are singers for the songs in this movie. Two songs from this movie have been posted on the blog earlier.

Here is the brief about the story of this movie as mentioned by Shri Arunkumar ji in his comments on the song “Jaaiye Jaaiye Huzoor, Aapko Kis Ne Roka Hai” of this movie posted on the blog earlier.

The story of this film is about CID Inspector Anand, who is a courageous, loyal and is devoted to elimination of traitors of the country. I thought this was CBI’s job, but the producers of this film firmly believed that CID does this work. Anand is sent abroad to many countries and returns victorious every time after eliminating traitors. But the supply of traitors is in plenty in India, hence he is appointed now in India.

He meets Shabnam in a train journey and becomes involved with her. The traitors kidnap Shabnam (why her?) and Anand and they are brought to Lobo’s den. He wants secret information from Anand. That time Anand realizes that Shabnam is their accomplice. He escapes from there and finds out that Shabnam’s father is held by the traitors. After few reels, Anand, as expected, traces the culprits, arrests them and also captures Shabnam. Culprits are handed over to the police and Shabnam, he keeps for himself!

Now coming to the hero of this movie i.e. Shailendra. Here we need to correct ourselves and replace the information about him as mentioned in the song ‘”Abhi To Raat Baaqi Hai“, as there seems to be the ‘same name confusion’ about two different actors named Shailendra.

The lead actor Shailendra in this movie ‘Bandish’ is actually Parduman or Praduman Singh Randhawa. He is the son of Dara Singh from his first wife Bachno Kaur. He was born on 12th April 1946. Dara Singh wanted his eldest son to become a wrestler like him. However Praduman was interested in films.

He was a co-producer of the movie ‘Nasihat’ (1967) with Saudagar. This movie was a home production of Dara Singh where his brother Randhawa was also the actor.

Praduman then appeared in movies like ‘Aankhen’ (1968) (where he played the role of Akram) and ‘Ganga Tera Paani Amrit’ (1971) (where he played the role of Ballu, a friend of Shatrughan Sinha) where he was credited as Parduman.

He handled the publicity of the movie ‘Isi Ka Naam Duniya Hai’ (1962) (with DR Bhonsle and Chandu).* He also worked as title designer for ‘Hare Kaanch Ki Chooriyaan’ (1967) and as a title artist for the movie ‘Upkaar’ (1967).*
*(This information is confirmed from the titles of these three movies)

It is later in ‘Bandish’ that he changed his name for screen as Shailendra. It seems that he quit the film industry later and settled down as a farmer at Meerut (UP). He has two sons and a daughter.

In this regard I would like to mention that the information about Praduman Sing Randhawa mentioned in ‘Wikipedia’ is more authentic in my view compared to other many sources where they have even included the movie ‘Teesri Kasam’ (1966) and many other movies considering him as ‘Shailendra’. However I would request knowledgeable readers to add additional information about him and correct us wherever required. Our dear Prakash ji had mentioned in his comments on the song of ‘Ganga Tera Paani Amrit’ about guessing this person with Shatrughan Sinha as Parduman Randhawa long back.

Well, now coming to today’s song which on screen is performed by the actor–comedian Brahmachari.

I tried to look for detailed information about his journey to films. But sadly there is no biographical information about Brahmachari available as of now. We checked with many sources but as of now only the following information can be presented here.

Born as Murari Lal Vashishtha, Brahmachari started his film career with the movie ‘Dus Lakh’ (1966). He went on to act over one hundred and fifty movies (as per filmography available on internet/YouTube link). We have seen him in many movies e.g. ‘Ek Naari Ek Brahmachari’ (1971), ‘Mere Jeevan Saathi’ (1972), ‘Ek Mahal Ho Sapnon Ka’ (1975), ‘Fakeera’ (1976), ‘Ek Se Badh Kar Ek’ (1976), ‘Kaalia’ (1981) etc. I am not mentioning complete list here in this post. ‘Kaali Topi Laal Roomal’ from the year 2000 is said to be his last movie.

Actor Brahmachari has two sons and a daughter. Both of his sons are famous actor i.e. Puneet Vashishtha and Harsh Vashishtha. His daughter’s name is Renu Sharma. Sunaina Vashishtha is the wife of Brahmachari.

Actor Brahmachari passed away on 1st August’2001. This is mentioned by his son Puneet in his comment on the above ‘YouTube’ link.

Let us now listen to today’s song where Brahmachari is lip syncing for the voice of Jaspal Singh. Also seen in picturisation are many beautiful ladies whom I am unable to identify. That also reminds me of the well-known song “Rekha O Rekha Jab Se Tumhe Dekhapicturised on Brahmachari and Tabassum in the movie ‘Adhikaar’ (1971). I am not aware if he got to perform any other songs too. I think there may be a few more. I request our knowledgeable readers to help add more songs picturised on Brahmachari.

Over to the today’s song now. This song  is a nice song to listen to and watch too. The video of the song has three stanzas whereas the audio has one stanza less. The location of the picturisation of this song looks like Mumbai’s Taj Hotel, Gateway of India,  and around the sea and other locations in Mumbai.

 

Video

Audio

Song – Dekho Logo Ye Kaisa Zamaana (Bandish) (1969) Singer – Jaspal Singh, Lyrics – Akmal Hyderabadi, MD – Usha Khanna

Lyrics

dekho logo
ye kaisa zamaana
sambhaalo sambhaalo
hua main deewaana
tang badan pe
tang libaada
tang badan pe tang libaada
jaane haseenon ka kya hai iraada

dekho logo
ye kaisa zamaana
sambhaalo sambhaalo
hua main deewaana
tang badan pe
tang libaada
tang badan pe tang libaada
jaane haseenon ka kya hai iraada

nayi zindagi ka naya rang dekho
nayi zindagi ka naya rang dekho
zamaana dikhaata hai ang ang dekho
na aanchal hai laamba
na daaman kuchh zyaada
na aanchal hai laamba
na daaman kuchh zyaada
dekho logo
ye kaisa zamaana
sambhaalo sambhaalo
hua main deewaana
tang badan pe
tang libaada
tang badan pe tang libaada
jaane haseenon ka kya hai iraada

badan pairhan mein
samaata nahin hai
badan pairhan mein
samaata nahin hai
chaman ab chaman mein
samaata nahin hai
chhalakne laga hai
suraahi se baada (?)
chhalakne laga hai
suraahi se baada (?)
dekho logo
ye kaisa zamaana
sambhaalo
sambhaalo
hua main deewaana
tang badan pe tang labaada
tang badan pe tang labaada
jaane haseenon ka kya hai iraada

idhar dekhiyega
udhar dekhiyega
idhar dekhiyega
udhar dekhiyega
nazar hai pareshaan
kidhar dekhiyega
nigaahen to kam hain
nazaare zyaadaa
nigaahen to kam hain
nazaare zyaadaa
dekho logo
ye kaisa zamaana
sambhaalo sambhaalo
hua main deewaana
tang badan pe
tang libaada
tang badan pe tang libaada
jaane haseenon ka kya hai iraada

dekho logo
ye kaisaa zamaana
sambhaalo sambhaalo
hua main deewaana
tang badan pe
tang libaada
tang badan pe tang libaada
jaane haseenon ka kya hai iraada

————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————

देखो लोगो
ये कैसा ज़माना
संभालो संभालो
हुआ मैं दिवाना
तंग बदन पे
तंग लिबादा
तंग बदन पे तंग लिबादा
जाने हसीनों का क्या है इरादा

देखो लोगो
ये कैसा ज़माना
संभालो संभालो
हुआ मैं दिवाना
तंग बदन पे
तंग लिबादा
तंग बदन पे तंग लिबादा
जाने हसीनों का क्या है इरादा

नई ज़िंदगी का नया रंग देखो
नई ज़िंदगी का नया रंग देखो
ज़माना दिखाता है अंग अंग देखो
ना आँचल है लांबा
ना दामन कुछ ज़्यादा
ना आँचल है लांबा
ना दामन कुछ ज़्यादा
देखो लोगो
ये कैसा ज़माना
संभालो संभालो
हुआ मैं दिवाना
तंग बदन पे
तंग लिबादा
तंग बदन पे तंग लिबादा
जाने हसीनों का क्या है इरादा

बदन पैरह्न में
समाता नहीं है
बदन पैरह्न में
समाता नहीं है
चमन अब चमन में
समाता नहीं है
छलकने लगा है
सुराही से बादा (?)
छलकने लगा है
सुराही से बादा (?)
देखो लोगो
ये कैसा ज़माना
संभालो संभालो
हुआ मैं दिवाना
तंग बदन पे
तंग लिबादा
तंग बदन पे तंग लिबादा
जाने हसीनों का क्या है इरादा

इधर देखिएगा
उधर देखिएगा
इधर देखिएगा
उधर देखिएगा
नज़र है परेशान
किधर देखिएगा
निगाहें तो कम हैं
नज़ारे ज़्यादा
निगाहें तो कम हैं
नज़ारे ज़्यादा
देखो लोगो
ये कैसा ज़माना
संभालो संभालो
हुआ मैं दिवाना
तंग बदन पे
तंग लिबादा
तंग बदन पे तंग लिबादा
जाने हसीनों का क्या है इरादा

देखो लोगो
ये कैसा ज़माना
संभालो संभालो
हुआ मैं दिवाना
तंग बदन पे
तंग लिबादा
तंग बदन पे तंग लिबादा
जाने हसीनों का क्या है इरादा


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5450 Post No. : 17857 Movie Count :

4770

Hullo Atuldom

Logon Ki Zubaan Par Apna Naam Hai Pehla” – this post of mine spoke of how I made it to the Gangout of like-minded HFM lovers who also go by the name ‘Atulites’ of ‘Atuldom’. How Sudhir ji set the ball rolling in the beginning of May and after numerous back-n-forth messages (at that time I was not a party to the discussions) June 2nd was fixed as the date for the Gangout. I was happy that I could attend the Gangout & be a part of the enthusiastic group that is highly knowledgeable about all things related to music – not necessarily only Hindi Films, especially finding new information & saving it up for posterity.

Our in-house Encyclopedia ji has lots of information saved up as hand-written notes which he is sharing regularly on this blog as also a few other sites on-line, so we can say he is digitalizing available knowledge. Then Sudhir ji – he is helping Atulji in uploading information-laden posts & also taking back-up of all the material available on this blog onto a hard-drive which contains all the songs & posts available on the blog up until that date – meaning the hard drive has 17800 posts which accompany the 27000 songs with all versions that are present on the blog. (This in addition to whatever it takes to be gainfully employed.) Just two examples, there are others in this bandwagon.

Like Avinash ji has said two years ago, in his post for the song “Main Nikla O Gaddi Le Ke“. Atul ji is the ‘engine’ that is driving this train – the blog. The coaches of the train or the ‘wagons’ of the bandwagon are the team members who are on this exciting journey of exploring & discussing HFM & some non-film music too.

I noticed a few more things on the day of the Gangout. Atul ji is a good listener; doesn’t speak much. It is the best way to gather knowledge. No wonder his posts are full of statistics, news & gives updated background on whatever topic he writes on. He listened attentively when Bakshish ji spoke about how he became a huge bhakt of the legend KL Saigal. He was with us barely for 4 and a half hours which I personally felt was too little. I would have liked to hear him speak his mind too. I was waiting for his ‘Atulisms’ (a term coined by our Raja ji). May be next time.

Since after the Gangout, I have been looking for a song that would describe the feeling of Gang vis-a-vis Atul ji. And I don’t why the word jamghat was fixed in my head as a possible word in the song. I know jamghat doesn’t mean group (mandli), it means a crowd. But I still kept looking for a song that had that word. I sent out ‘help’ message to Avinash ji. I must thank Avinash ji for pointing to today’s song.

The song does showcase what Atulites feel for Atul ji :-

tumhe jamghata aashiqon ka milega
magar koi mujhsa nahi milega

Meaning ‘you will find admirers all round but none like me‘.

Personally, I would like to change a few words in the mukhda of today’s song

aapko jamghata aashiqon ka milega
magar atulites sa nahi milega

After Avinash ji sent me the YouTube link to the song I looked up for details of the song. I found that it was from an absolutely obscure film ‘Padosi Ki Biwi’, that came in 1988. The name of the film itself would have been a put off and I am sure the movie would have sank without a trace as the title sounds like that of a ‘C’ grade movie. The film was directed by Mohan Bhakri and produced by Chandresh U. Doshi. Looking up for details about Mohan Bhakri came up with facts that he is related to Manoj Kumar, Lekhraj Bhakri etc. i.e. he is cousin to Manoj Kumar and nephew to Lekhraj Bhakri. I also found that Mohan Bhakri has directed some forgettable films like ‘Khooni Murda’ (1989), ‘Kabrastaan’ (1988) etc.

Then I looked for the star cast – Deepak Parashar, Asha Sachdev, Pooja Saxena, Jawed Khan (not the Javed Khan who got famous in the 1986 TV serial ‘Nukkad’), Raza Murad, Satish Kaul, Madhu Malhotra etc were part of this film. Usha Khanna was the music director & Hasrat Jaipuri was the lyricist. The song today is in the voices of Anwar and Anuradha Paudwal; such greats wasted in this type of film was my personal thought. I dared not look for the synopsis of the film.

Before we get to the song, let me reiterate what I have said in my post on this date last year-

Thanking Atul ji for taking us along with him on this grand journey of music & knowledge sharing. Thanking his also for giving us this platform and encouraging novices like me into writing out our thoughts. As always, I wish he gets more time with his family, pets, friends, music and the blog.

Wishing Atul ji – A Very Happy Birthday, and Many Many Happy Returns of this Special Day.

 

Audio

Video

Song – Tumhen Jamghata Aashiqon Ka Milega (Padosi Ki Biwi) (1988) Singer – Anwar, Anuradha Paudwal,  Lyrics – Hasrat Jaipuri, MD – Usha Khanna

Lyrics (Provided by Sudhir)
[Note: Lyrics are based on the audio clip. The video clip has one less antara.]

tumhen jamghata aashiqon ka milega
magar koi mujh sa mila na milega
ho oo oo
tumhen jamghata aashiqon ka milega
magar koi mujh sa mila na milega

oo oo oo
tumhen mehfilen aashiqon ki milengi
magar koi mujh si mili na milegi
tumhen mehfilen aashiqon ki milengi
magar koi mujh si mili na milegi

tum jahaan bhi jaaogi
sab hi tumko chaahenga
apna sar jhukaayenge
pyaar bhi jataayenge
tum to aisa roop ho
har jawaan aayega
dhal gaya shabaab to
chhod ke wo jaayega
oo oo oo
na hongi wo aahen
na honge wo aansoo
dikhaawe ki wo sirf aahen bharenge
tumhen jamghata aashiqon ka milega
magar koi mujh sa mila na milega

tum ho meri aarzoo
tum ho meri justju
tum ho meri aabroo
tum ho mere rubaru
tum na dil ko todna
saath ye na chhodna
tum ko pyaar ki kasam
munh na mujhse modna
oo oo oo
tumhen chaahne waale laakhon milenge
magar koi mujh si mili na milegi
tumhen mehfilen aashiqon ki milengi
magar koi mujh si mili na milegi

koi mujh sa dhoondh ke
dikhaaiye dikhaaiye
tum pe jo bhi mar mitey
aisa le ke aaiye
tum kaho to jaan doon
ik ishaara kijiye
imtihaan pyaar ka
lijiye ji lijiye
oo oo oo
salaam e mohabbat tumhen sab karenge
janaaza na dekhogi lekin marenge
tumhen jamghata aashiqon ka milega
magar koi mujh sa mila na milega
tumhen mehfilen aashiqon ki milengi
magar koi mujh si mili na milegi

————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
तुम्हें जमघटा आशिक़ों का मिलेगा
मगर कोई मुझ सा मिला ना मिलेगा
हो ओ ओ
तुम्हें जमघटा आशिक़ों का मिलेगा
मगर कोई मुझ सा मिला ना मिलेगा

ओ ओ ओ
तुम्हें महफ़िलें आशिक़ों की मिलेंगी
मगर कोई मुझ सी मिली ना मिलेगी
तुम्हें महफ़िलें आशिक़ों की मिलेंगी
मगर कोई मुझ सी मिली ना मिलेगी

तुम जहां भी जाओगी
सब ही तुमको चाहेंगे
अपना सर झुकाएँगे
प्यार भी जताएँगे
तुम तो ऐसा रूप हो
हर जवान आएगा
ढल गया शबाब तो
छोड़ कर वो जाएगा
ओ ओ ओ
ना होंगी वो आहें
ना होंगे वो आँसू
दिखावे की वो सिर्फ आहें भरेंगे
तुम्हें जमघटा आशिक़ों का मिलेगा
मगर कोई मुझ सा मिला ना मिलेगा

तुम हो मेरी आरज़ू
तुम हो मेरी जुस्तजू
तुम हो मेरी आबरू
तुम हो मेरे रूबरू
तुम ना दिल को तोड़ना
साथ ये ना छोड़ना
तुमको प्यार की कसम
मुंह ना मुझसे मोड़ना
ओ ओ ओ
तुम्हें चाहने वाले लाखों मिलेंगे
मगर मुझ सी कोई मिली ना मिलेगी
तुम्हें महफ़िलें आशिक़ों की मिलेंगी
मगर कोई मुझ सी मिली ना मिलेगी

कोई मुझ सा ढूंढ के
दिखाइए दिखाइए
तुम पे जो भी मर मिटे
ऐसा ले के आइये
तुम कहो तो जान दूँ
इक इशारा कीजिये
इम्तिहान प्यार का
लीजिये जी लीजिये
ओ ओ ओ
सलाम ए मोहब्बत तुम्हें सब करेंगे
जनाज़ा ना देखोगी लेकिन मरेंगे
तुम्हें जमघटा आशिक़ों का मिलेगा
मगर कोई मुझ सा मिला ना मिलेगा
तुम्हें महफ़िलें आशिक़ों की मिलेंगी
मगर कोई मुझ सी मिली ना मिलेगी


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5416 Post No. : 17760

#the Decade of Sixties – 1961 – 1970 #
———————————————————————

“Daada-1966” was directed by Kedar Kapoor for ‘Amar Jyot Films, Bombay’. It was a ‘social genre’ film.

It had Dara Singh, Jayanthi, Savita, Sudhir, Tiwari, Helen, Mohan Choti, Rajan Haksar, Laxmichhaya, Gauri, Saudagar Singh, Leela Mishra, Mridula, Mirza Musharraf, Ram Avtar, R. Tiwari, Aasi, Anand, Mala, Meena, Manna, Hardit Singh, Basant Singh, Rinku and others.

“Daada-1966” has five songs. All of them were written by Asad Bhopali. Music was composed by Usha Khanna.

Movies with this title ‘Daada’ were released in the years ‘1949’, ‘1966’ and ‘1979’. Out of these three the music for the ‘Daada’ of ‘1966’ and ‘1979’ was composed by Usha Khanna. Music composer for ‘Daada-1949’ was Nashaad.

Following is the list of songs in this movie ‘Daada-1966’ as mentioned in HFGK Vol-IV (1961-1970)

SNo Song Title Singer/s Posted On
01 Yaaron ki mehfil mein aa Mahendra Kapoor
02 Do nain haay haay tere do nain Usha Khanna, Mukesh
03 Chali mathura ki gujariyaa Lata Mangeshkar
04 Saawan ka mausam hai Asha Bhonsle
05 Tera mera pyaar koyi aaj kal ki to baat nahin Usha Khanna, Mukesh 07.10.2015

It can be seen from the above table that only one song from this movie has been posted on the blog so far. This song was presented by Mahesh ji on the blog.

Today I present the second song from this movie. It is sung by Mahendra Kapoor. It is a nice hummable song. This song seems to be a party song or song in a ‘club dance party’.

Only the audio of this song is available.

This movie ‘Daada-1966’ seems to be an obscure and forgotten movie of its time as its video is unavailable as of now on internet.

Lyrics for the song are by Asad Bhopali and music is composed by Usha Khanna.

I would request knowledgeable readers to add more information about this movie and its songs.

Let us now enjoy this song …


Song-Haaye yaaron ki mehfil mein aa (Daada)(1966) Singer-Mahendra Kapoor, Lyrics-Asad Bhopali, MD-Usha Khanna

Lyrics

haaye ae ae
yaaron ki mehfil mein aa
haaye ae ae
yaaron ki mehfil mein aa
ham se naa daaman bachaa aa
saanson ki garmee
baahon ki narmee
paighaam hai zindagi kaa aa
haaye ae ae
yaaron ki mehfil mein aa

ye khanakti hansee
ye lachaktey badan n
ye khanakti hansee
ye lachaktey badan
is chaman ka hai har phool
jaan e chaman
ham manchalon ki
zindaadilon ki
ham manchalon ki
zindaadilon ki
duniyaa hai
sabse judaa aa aa
haaye ae ae
yaaron ki mehfil mein aa

saaz jaage to
naghmein chhalakne lagey ae
saaz jaage to
naghmein chhalakne lagey
baahen lehraayin
paaon thhirakne lagey ae
aanchal ka udnaa
zulfon ka mudnaa
aanchal ka udnaa
zulfon ka mudnaa
barsaa rahaa hai nashaa aa
haaye ae ae
yaaron ki mehfil mein aa

dekh wo mast aankhon ke
saaghar chaley ae
dekh wo mast
aankhon ke
saaghar chaley
ab kise hosh hai
jo sambhal kar chaley ae
aa muskuraa le
kuchh gungunaa len
aa muskuraa le
kuchh gungunaa len
kal kaa kise hain pataa aa aa
haaye ae ae
yaaron ki mehfil mein aa
ham se naa daaman bachaa aa
saanson ki garmee
baahon ki narmee
paighaam hai zindagi kaa aa
haaye ae ae
yaaron ki mehfil mein aa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5411 Post No. : 17748

#the Decade of Sixties – 1961 – 1970 #
————————————————————————

For some obvious reasons, nowadays I am looking for the songs sung by Bhupinder Singh in his early career. There are many unforgettable songs sung by him in the later period which I hope would be bringing on the blog in the near future. In addition there are some lesser known songs sung by him in the early days of his career which are yet to be represented on the blog.

I am trying to bring these missing songs here.

Today I am presenting a song sung by him from the movie “Khoon Ka Khoon-1966”.

This song is sung by three singers’ viz. Usha Khanna (the composer of this song), Kamal Barot and Bhupinder Singh.

I guess that this movie might be an obscure movie of its time and hence forgotten easily.

“Khoon Ka Khoon-1966” was directed by Kamran for ‘K.F. Films, Bombay’. It had Dara Singh, Nishi, Kamran, Tiwari, Shyam Kumar, Sunder, Kamal Mehra and others.

As per HFGK Vol-IV (1961-1970) this movie has five songs – all written by S.H. Bihari. Music for this movie was composed by Usha Khanna.

Here is the list of songs in this movie (with their respective singer/s).

SNo Song Title Singer/s Posted On
01 Shamaa haseen mehfil bhi jawaan Usha Khanna
02 Ishaaron hi ishaaron mein samjho to jaanoon Lata Mangeshkar 13.01.2020
03 Abhi ban jaayegi baat ban jaayegi Lata Mangeshkar
04 Adaa ke teer laakhon hain jeegarwaale nahin miltey Usha Khanna, Kamal Barot, Bhupinder Singh
05 Le ke dil mein pyaar aaye, ho ke beqaraar aaye Asha Bhonsle, chorus

It can be seen from the above table that only one song from this movie has been posted on the blog.

Today we present the second song – a qawwali song – from this movie on the blog. As mentioned the song is sung by Usha Khanna, Kamal Barot and Bhupinder Singh.
Lyrics are b S.H. Bihari and music is composed by Usha Khanna.

Only audio of this song is available.
Let us now enjoy this song…

Editor note:-With this song, S H Bihari now has 200 songs in the blog as a lyricist.


Song-Adaa ke teer laakhon hain jigarwaale nahin milte(Khoon Ka Khoon)(1966) Singers-Usha Khanna, Kamal Barot, Bhupinder Singh , Lyrics-S.H. Bihari, MD-Usha Khanna
Usha Khanna + Kamal Barot
Usha Khanna + Kamal Barot + Bhupinder Singh

Lyrics

adaa ke teer laakhon hain
jigarwaale nahin miltey
adaa ke teer laakhon hain
jigarwaale nahin miltey
nazaarein to hazaaron hain
nazaarwaale nahin miltey

nahin miltey ae
nahin miltey
nahin miltey
nahin miltey

adaa ke teer laakhon hain
jeegarwaale nahin miltey

ye maanaa hamne
is duniyaa mein
dilwaalon ke mele hain

ye maanaa hamne
is duniyaa mein
dilwaalon ke mele hain

koi to baat hai aisi
ke ham ab tak
akele hain ae

ke ham ab tak
akele hain
bahot milte to hain lekin
asarwaale nahin miltey

nahin miltey
nahin miltey
nahin miltey
nahin miltey

adaa ke teer laakhon hain
jigarwaale nahin miltey

zamaanaa apne matlab se
hameshaa dil lagaataa hai
zamaanaa apne matlab se
hameshaa dil lagaataa hai

wafaa ke naam ko badnaam
karnaa
sab ko aataa hai
aji haan
sab ko aataa hai
wafaa par jaan den aise
hunarwaale nahin miltey

nahin miltey ae
nahin miltey
nahin miltey
nahin miltey

adaa ke teer laakhon hain
jigarwaale nahin miltey
adaa ke teer laakhon hain
jigarwaale nahin miltey


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5410 Post No. : 17746

#the Decade of Sixties – 1961 – 1970 #
————————————————————————

‘duniyaa kehti hai mujhko paagal,
main kehtaa duniyaa ko paagal’

The above are the lines by Kishore Kumar from a famous interview given to none other than Lata Mangeshkar (probably in the end seventies or early eighties). I also remember that these lines with a picture of Kishore Kumar were a part of cover photo of the film magazine ‘Madhuri’ or ‘Filmfare’ in those years. (I am forgetting he particular year).

Well the part of this interview of Kishore Kumar by Lata Mangeshkar is already available on internet.

But, I was not aware that these famous lines were a part of a song sung by Kishore Kumar himself.

Today I present this song. The above lines are available in the audio version, but they are not included in the video version of this song.

This song is from the movie ‘Haay Mera Dil-1968’.

“Haay Mera Dil-1968” was directed by Ved & Madan for ‘Manohar Films’.

It was produced by Lalchand Thapar.

It had Kishore Kumar, Kumkum, I.S. Johar, Prem Chopra, Madan Puri, Raj Mehra, Majnu, Lakshamichhaya and others.

Story, screenplay and dialogues of this movie were written by Jagdish Kamal. Editing of this movie was done by Prabhakar Gokhale.

This movie has six songs. They are written by Anand Bakshi (one song), S.H. Bihari (two songs) and P.L. Santoshi (one song). Lyricists for two songs are not mentioned in Geet Kosh Vol-IV (1961-1970).

Music for ‘Haay Mera Dil-1968’ was composed by Usha Khanna.

Lata Mangeshkar, Mohd Rafi, Manna Dey, Usha Khanna, and Kishore Kumar had given their voices to the songs in this movie.

A brief about the story of this movie has been mentioned by Shri Sudhir ji in his post while presenting a song from this movie on 20.10.2011.

I am reproducing the text as given below.

The storyline is a typical kidnap-child-for-revenge-mother-searching-for-child-villians-captured-happy-ending type of a story. And to make it musical, the kidnapped child grows up to be a dancer. Kumkum plays both the roles of the mother and daughter. Kishore is a lazy unemployed young fellow, who loves this stage dancer in his dreams. IS Johar and Majnu play a team of bumbling detectives who are engaged by the mother to search for her daughter. Prem Chopra was still in the early years of his career, and not yet stereo typed as a villain. In this film he plays the role of Kishore Kumar’s elder brother, concerned about the future and well-being of his younger brother. There is a very detailed review of this film available on Memsaab’s blog at Haaye Mera Dil.

(The review itself is a delight to read. )

So far, three songs from this movie “Haay Mera Dil” have been presented on the blog.
Today I present the fourth song from this movie which is sung by Kishore Kumar. It is Kishore Kumar himself who is seen performing on this song. We can see Kishore Kumar with a photo of Kumkum in his hand and he is singing this song thinking of her.

This song is a nice song to listen to and I remember to have listened to it earlier on radio without knowing which movie it was from.

Let us enjoy the song now…

Lyrics for the today’s song are by S.H. Bihari and music is composed by Usha Khanna.

Audio

Video

Song-Ho o bas qayaamat ho gayee (Haaye Mera Dil)(1968) Singer-Kishore Kumar, Lyrics-S H Bihari, MD-Usha Khanna

Lyrics

ha ha ha ha
duniyaa kehti mujhko paagal
arey
main kehtaa duniyaa ko paagal
haay
haay mera dil

ho o o
bas qayaamat ho gayi
ho o o
bas qayaamat ho gayi
ik haseen
naazneen
se mohabbat ho gayi ee
ho o o o
bas qayaamat ho gayi

neend apni kho gayi
dillagi mein ae dil gayaa aa aa
neend apni kho gayi
dillagi mein ae dil gayaa aa aa
aur deewaanaa hamen
naam yaaron mil gayaa aa
husn ki
ishq pe
ye inaayat ho gayi ee
ho o o o
bas qayaamat ho gayi

ham khayaalon mein miley
yoon mulaaqaatein huyin een
ham khayaalon mein miley
yoon mulaaqaatein huyin een
honthhon pe naa aayengi
unse jo baatein huyi een
bas yahi
jaan lo
duniyaa jannat ho gayi ee
ho o o o
bas qayaamat ho gayi

ho gaye khaamosh ham
bezubaanon ki tarah
ho gaye khaamosh ham
bezubaanon ki tarah
baat logon mein chali
ye fasaanon ki tarah
har zubaan
har nazar
ko shikaayat ho gayi ee
ho o o
bas qayaamat ho gayi
ho o o o
bas qayaamat ho gayi
ik haseen
naazneen
se mohabbat ho gayi ee
ho o o o
bas qayaamat ho gayi


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

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