Tum jo roothhe to dushman zamaanaa hua
Posted on: August 28, 2025
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Today’s song is a Qawwali from the film Hurricane Hansa-1937.
The Indian film industry was still in its childhood in 1937. It had been just 6 years since the first Talkie film was made in India. The initial years were of experimentation. The filmmakers were trying various topics in their films.
Indian audiences may be from different states and languages, but Mythological and Stunt films were common favourites all over India. From the first decade when the first silent movies were made till the 1960s, these two genres continued unabated.
Most of us like to see films, be it on a TV, in a cinema hall, or through DVD. Some like old films, some like new films. Did you ever see films like, Khooni Khanjar, Dagabaj Doctor, Shaitan ka paash, Char chakram, Daku Rani Talwarwali, Jaadu ka dandaa, Zinda Laash, Revolver Rani, Sinbad-Aladdin-Alibaba, Flying man, Fighter Sheela, Khooni Darinda, Tarzan aur Jadugar, Tarzan aur Jadui Chiraag, Golden Gang, Murde ki jaan khatare mein, or Jadui putli ?
I bet none of these movie names have been even heard by you ever. These are all STUNT FILMS or in other words ‘C’ grade films. In India I really wonder how the classification or Grading of films is done, or who is the person or the body authorised to do it. Because Censor Certificates do not label A, B or C grades at all.
Then how does this happen ?
My guess is that films are graded on two counts- One, The cost of production or Budget and the class of stars in it and Two, The class of people for whom the film is made or directed, like the Rich, middle and the Poor class. Whatever the basis, there is a very thin line between A and B grade films, while between these two and the C grade films, the line is very Bold and thick indeed !
Stunt films, Costume films, fantasy films and purely Religious films are normally treated as C grade films. These film do not carry any prestige, the actors working in them are exclusive to C grade films, the production values and the budget is quite low and most important, they are ALWAYS shown in theatres situated in older parts of the town, single screens, or only for Morning shows or in Theatres generally frequented by lower strata of society. A person seeing/loving or craving for such films is generally considered a ‘Low’ creature and a person with ‘child brain’.
In India, this is the fate of C grade films. Actually these films have everything that A and B grade films have, like, story, songs, dances, fights etc, but still, the treatment given to handling of the story etc. in the films is very poor or lacking in expertise.
Stunts have improved, Technology has evolved but the participation of Zippy the Monkey, Tiger the Horse, Moti the Dog, parrots, snakes and khatara cars named Rolls Royce ki beti and Austin ki Bachhi is missing ! The contribution of Fearless Nadia in making Stunt films popular can not be denied, but then she had the backing of companies like Wadia Movietone. Basant pictures, Ranjit, etc. When you read the stories of these films please don’t employ Logic or common sense to it. This was a different world altogether. The set of actors was fixed, many times the composers were unheard of or they were known composers now in bad shape, the Directors were typical and the production houses were exclusive to churn out such films.
It is, nevertheless, a fact that many well known and famous actors and actresses of the 40s and 50s evolved from the stunt films of yore. Examples are Jairaj or Master Bhagwan. Can you believe that this roly-poly Bhagwan dada was a great body-builder when he started in stunt films in the late 30s ? Lalita Pawar(Amboo), Madhuri, Rampyari, Miss Moti, Sabita Devi, and Sulochana (Ruby Myers) are some female examples who graduated to Social films via Stunt films.
C grade films were those films which were made by not so famous banners, almost unknown actors, directors and composers. Usually C grade films used to be action/stunt films, made on shoestring budgets, having a fixed storyline resembling Tarzan, Hercules or Hollywood action films of Robin Hood, with the background of a jungle, Tribal people, King-Queen-wicked Vazir and similar stories. C grade films were always quickies, made on shoe-string budgets. During the late 30s and 40s, Master Bhagwan action films used to be completed in about Rs. 50,000 only- including studio rent, sets, artistes’ fees and other expenses. C grade films had a captive audience comprising factory workers, daily wagers, Low grade earners and students. However, such films used to rake in big profits to the film makers. Therefore, even top class banners sometimes made C grade films, to make up for their losses in big film flops.
There were certain production houses that specialised and thrived on such films, like Paramount films, Jagriti films, Mohan pictures, Wadia Movietone etc etc. The actors and actresses of such films were fixed. Since the studio system was in vogue, the film studios usually had their actors and directors fixed. Music directors were of no consequence, so anybody would do. Well known composers like C.Ramchandra used to take another name while composing music for C grade action films. Music assistants of famous composers used to give music to such films. Well known composers falling on bad days also gave music to such films. C grade films rarely made Commercial records for their film songs, so such songs are a real rarity even with big collectors.
Some common and regular names one found in Action/Stunt films are, Nadia, Boman Irani, Sayani, Bilimoria bros, Cooper sisters, Zohra Khatun, Ameena Khatun, Khatun Bai, Prakash, Adjania, Noorjehan (sr.), Moosa Pehelwan, Vasantrao Pehelwan, Baburao Pehelwan, Marutirao Pehelwan, Azim bhai, Basheer, Ali, Bachha, Chandra Rao, Harishchandra Rao, Shankar Rao, Master Bhagwan, Mirajkar, Jamshed, John Cavas, Lalita Pawar, Navin chandra…and many such names. Barring a few names like Lalita Pawar, Bhagwan, Nadia etc, all the other action film actors remained unknown. No one knows anything about them.Actors like Baburao pehelwan, Marutirao Pehelwan ( He was the Hero in the First Gujarati Talkie film ‘ Narsi Mehta ‘), Chandra Rao, Sayani etc were quite famous in their times, but except their Filmography (thanks to HFGK), nothing more is known about them. All of them ended with only mere names !
Sometimes Gems are found in these C grade films. Remember the famous qawali- Hamen to loot liya mil ke husn walon ne- which had the honour of becoming the prestigious 5000th song in this Blog ? This was from a C grade film- AL HILAL.
In my younger age I was fond of stunt films and used to travel to theatres in the Old city part of Hyderabad, to watch films featuring Kamran (father of famous choreographer and Director Farah khan and Director, comedian, Anchor Sajid Khan), Naazi, Bhagwan and many such actors.” Adventures of Captain Marvel” (seen 7 times) and “Trip to the Moon” (seen 5 times) were my favourites from Hollywood’s Republic Serial productions.
In the 50s and 60s, some respectability to these stunt films was brought by actors like Mahipal, Ranjan, Dara Singh, Azad, Hemant Birje etc. The set of Heroines was also fixed to Mumtaz, Tabassum,Vijaya Chaudhary, Indira, Nishi etc. Mumtaz started with Stunts and graduated to greater heights and was counted in Top actresses of her days. Costume and Stunt films like Baaz, Insaniyat and Azaad etc were made respectable by the stars acting in them. Over a period the picture changed and nowadays every alternate film has breath-taking stunts done by almost all top Heroes, thanks to SFX, of course !
The C grade stunt films were the cheapest ones to make. Compared to the investment, the profits used to be very good. Producers of stunt/action films tried their best to get the directors, Lyricists and the MDs at minimum rates. For this, sometimes they pretend to give opportunities to new aspirants. This had double benefits. One, being new, he depended upon the producers – thus the films were virtually directed by the producers only. Secondly they needed to be paid near to nothing. This way money was saved…to hell with quality !
Besides specific audiences of workers,daily wagers and such other lower social strata, the stunt films had their own fixed Producers, Directors and even the actors. Most times, a set of action film actors was regular and specific to the production houses. For example, Fearless Nadia, John Cavas, Sayani Atish, Boman Shroff, the Billimorea brothers, Basheer etc were fixtures in stunt films of Wadia Movietone. Master Bhagwan, Chandrarao, Harischandra rao, Azeembhai, Vasantrao and Baburao pehelwan, Leela Gupte, Prakash, Habeeb etc were with stunt films made by Bhagwan and Harischandra rao.
Besides the human actors , some trained animals as well as a car and a motorcycle were also fixtures in stunt films. What’s more, these non-living and non -human participants too were named. So, you had Punjab ka Beta (Horse), Gunboat (Dog), and Austin ki Beti (car) in films made by Wadia Movietone. For Basant Pictures, it was Rajpoot (Horse), Moti (Dog) and Austin ki Bachhi (Car), even the Motorcycle had a name-Ruuniyo !
In addition to all this, actors with odd and weird names were to be always found in stunt film casts. Have you ever heard actors with names like Bajar Battu, Phool kumari, Maruti pehelwan, Batatac, Mitthoo Miyaan, Fatty Prasad, Boken Chattu, Minu the Mystic, Manchi Tuthi, Gareeb Raja, Kurbaan Jaoon, Pandit Dukhi, Vilayatu, Loveji Lavangiya, Adam Sandow, Sandow Safar, Dunlop, Chic Chak and a very strange name CHEMIST ! This name is found in 5-6 films.
The actors working in such stunt films were fixed with almost every studio or producer. They had no chances of working in big banners or Social films. They either kinew no acting or their skills were specific to stunt films like say, fighting, Horse riding, jumping, sword fighting etc. Their charges were also very low. In case the producer himself was acting, then there was no question of making actual payment( though on paper they may be getting some payments). producers like Master Bhagwan, Chandra rao Kadam etc. used to follow this method.
The audience of stunt films did not come to see histrionic talents of the actors, or listen to heavenly music. All they wanted to see was DareDevil action, fighting, 2-3- ‘ maar Daala’ Dances and villain ki bharpoor ‘Kutai ” and “Pitai “. Therefore all matters concerning getting quality actors, famous directors or well known composers never arose for these films. It used to be a thrilling experience to see these action/stunt films in a theatre and enjoy the loud comments and active participation of the audience in the film. When dances were shown whistles were common and when the hero started beating the villain, the audience enthusiastically encouraged the hero and shouted ” Maar saale ko” or similar motivating phrases ! I have enjoyed all this first person, several times and done it several times too ! I feel sorry that the current generation is missing all this fun.
Film Hurricane Hansa -37 was a stunt film, featuring Fearless Nadia. After her superhit film ” Hunterwali”-1935, Nadia had created her own audience throughout India. Though sophisticated public and critics looked down upon stunt films, Nadia was the Queen of such films and her captive audience simply adored her. I was one of her ardent fans and have practically seen almost all her films, in their second, third or even fourth runs. To see her old films in the morning show slots, I had to travel to various corners of old Hyderabad city and sit in the dilapidated, Bed-bug infested, torn seated theatres bearing names like Taj Mahal Talkies, Paradise talkies, Krishna Talkies, Zamrrud mahal Talkies and Palace Theatre. Her films were liked by people not only for Nadia’s daring stunts, but also for the stunts of her Horse-Punjab ka beta, her Dog-Moti and the dabba model car-Austin ki beti, which sometimes overshadowed some human actors in the films !
The story of Hurricane Hansa- 1937 was a routine one which fitted most Nadia films, with minor changes here and there.
The kingdom of Hurricane was overpowered by its evil Vazir-Zalim Singh (Sayani). The king Veer Singh ( master Mohammed) is injured, the queen is killed and one daughter Padma (Husn Bano) is kidnapped. Hansa (Nadia) the king’s surviving daughter takes her father on her Horse-Punjab ka beta and escapes to an obscure village. She is determined to win back her kingdom and make her father king again. She dons Men’s attire and a mask and rides in the night to help the oppressed and punish the oppressor. One day she meets Diler (Sardar Mansur), son of Zalim Singh. Initially she is skeptical about him, but soon realises that he is a good fellow and they fall in love promptly, without wasting any more time.
After the customary nok jhok, running around trees and singing songs, they finally decide to attack Zalim Singh. In the final encounter Hansa kills Zalim Singh in the fencing fight. The king is reinstated and Hansa is free to enjoy life with Diler….
The film was full of ” ajeeb-o- garib Karname ” of the Horse-Punjab ka Beta. He not only saves Hansa a few times, but also plays Cupid, when he pushes Diler into a pond in which Hansa is bathing ! Paisa vasool…
Here is a Qawwali from this film, sung by Ahmed Dilawar and Chorus. Enjoy this old style….
Song-Tum jo roothhe to dushman zamaana hua (Hurricane Hansa)(1937) Singer- Ahmed Dilawar, Lyricist- Unknown, MD- Master Mohammed
Chorus
Lyrics
aa aa aa aa
aaa aaa aaa
aaa aaa aaa
usne kaha tu kaun hai
maine kahaa main hoon fakeer
usne kaha tera pata
maine kaha ke dar-badar
ameeree
ae ameeree thee to aisee thhee
ke apna ghar luta baithhe
fakeeree lee to aisee lee
ke tere dar pe aa baithhe
tum jo roothhe to dushman zamaana hua
phir koi aashnaa aashnaa na hua
tum jo roothhe to dushman zamaana hua
phir koi aashnaa aashnaa na hua
tum jo roothhe to dushman zamaana hua
tum jo roothhe to dushman zamaana hua
phir koi aashnaa aashnaa na hua
phir koi aashnaa aashnaa na hua
aa aa aa aa
aahat pe kaan dar pe nazar
??
hafiz ne aake keh diya
mehndee lagee maa(?)
bas khoon tapak pada nigahe(?)
intezaar mein
aap aaye naheen to kaza aa gayee
aap aaye naheen to kaza aa gayee
aap aaye naheen to kaza aa gayee
aap aaaaa
aaye naheen to kaza aa gayee
khatm is zindagee ka fasaanaa hua
khatm is zindagee ka fasaanaa hua
tum jo roothhe to dushman zamaana hua
tum jo roothhe to dushman zamaana hua
tum jo roothhe to dushman zamaana hua
tum jo roothhe to dushman zamaana hua
phir koi aashnaa aashnaa na hua
tum jo roothhe to dushman zamaana hua
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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