Archive for the ‘Lata song’ Category
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“Sitaara”(1955) was directed by S K Ojha for All India Pictures, Bombay. The movie had Vyjyanti Mala, Pradeep Kumar, Shashikala, Om Prakash, Gope, Jayant, Begam Para, Ram Avtar, Shaam Kumar, Amar, Helen, Mirza Musharraf, Protima Devi, Badri Prasad, Parasram, Munshi Munaqqa, Indira bansal, T N Charlie etc in it.
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Aane waale ko aana hogaa
Posted on: December 20, 2015
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“Sohni Mahiwal” (1958) was a Chaudhary Art Production movie. It was directed by Raja Nawathe. The movie had Bharat Bhushan, Nimmi, Kumar, Achla Sachdev, Mukri, Lotan, Chand Burque, Om Prakash etc in it.
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Kahaa bhi na jaaye piyaa
Posted on: December 20, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Nirmohi”(1952) was produced by Shriram Sharma and directed by Baij Sharma for Sheetal Movies, Bombay. The movie had Nutan, Sajjan, Amarnath, Raj Mehra, Leela Mishra, C L Kaveesh, Neeru, Kanchan, Chaman Puri, Master Ratan, Rani, Kamla, Srilekha etc in it.
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Jaane kitni baar hriday se
Posted on: December 19, 2015
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Genius of Jaidev – 38
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The only song by Lata out of six songs from 1969 film ‘Sapna’ is presented here. It is not only melodious but also a heart-touching song describing the pangs of a ‘Virahini’ (separated naayika). B N Mangal’s simple lyrics are set to tune by genius Jaidev adding situation required pathos that brings tears, whenever I hear it. (Which is quite often) Aise ‘nithhur piya’ ko maarne ko bhi man karta hai. It goes without saying that the divine voice of Lata is a major contributing part in creating that effect.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
SHANKAR-JAIKISHEN IN THE 50s…..Song No. 10…Last song of the series
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We have come to the end of this series.
Shankar-Jaikishen gave us tremendous pleasure by providing some exceptional melodies and iconic songs during the decade of 1950s. All in all, Hindi film music could be considered to be at its zenith during 1950s. Masters like Naushad, C.Ramchandra, Shankar Jaikishan, Hemant Kumar, Ravi, Roshan, Chitragupta and many more composers regaled us with their best songs during this decade. The dream run of the decade of 50s ended like all dreams and the HFM started going downwards from then onwards. HF M Somehow kept up thefreshness and sweetness of their melodies till the latter half of the 60s. With the changing pattern of the public taste and the sociological changes in the Indian societies, thestress became more on instant satiation rather than lasting satisfaction. This led to songs which became popular for a few months and were then forgotten after that. The period of remaining in public memory went on reducing and today’s songs hardly stay in memory for a month or so ( exceptions excepted).
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Mori bipdaa aan haro
Posted on: December 15, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
SHANKAR-JAIKISHEN IN THE 50s…Song No. 9
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Today’s song is from the film Pooja-54. It was a social film made by Verma Films. The producer and director was Bhagwandas Verma and the music was by Shankar Jaikishan. The cast of the film was Bharat Bhushan, Poornima, Shakuntala, Omprakash, Ulhas, Badri Prasad,Heeralal etc etc. The lyricists were Shailendra and Hasrat Jaipuri. The film had nine songsin it. Six of these songs are already discussed in the Blog.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Kahin Aur Chal”(1968) was one movie which few people have seen because this movie was withdrawn after one show in one movie hall by its maker. That is how it was Tolaram Jalani, the maker of this movie, who was not interested in releasing the movie and was more interested in balancing his books for income tax purposes by showing this movie as a loss making venture for him.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Jigar”(1949) was directed by Bhagwan for Chandni Chitra Production. The movie had Bhagwan, Leela Gupte, Vasantrao, Baburao etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
SHANKAR- JAIKISHEN IN THE 50s…Song No. 8
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Should an actor working as a Hero be necessarily good looking ? In India, yes ! If one sees the list of heroes from 1931 till recent time, one will find that on 99% of the occasions, the Heroes were handsome, good looking,tall and with good physique- irrespective of whether they could act or not. Not that there were no heroes who were ordinary looking, but by and large they were exceptions or they were the producers or directors themselves ( like Kishore Sahu ) or their sons etc. The Indian audience had a mind set that a film Hero must be good looking and the Heroine must be beautiful-preferably.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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