Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Samay Bada Balwaan


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5319 Post No. : 17442

#the Decade of Sixties – 1961 – 1970 #
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“Samay Bada Balwaan-1969” was directed by Sohrab Modi for ‘Minerva, Bombay’.

It had Sohrab Modi, Mehtab, Shailesh Kumar, Shahida, Aruna Irani, David, Manto and others. It was a social drama film.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I apologize to the readers if they feel that I seem to be stuck in the second half of 60s, while I am selecting songs from Usha Khanna’s films. It seems to be true. Hard as I may try, I am not able to extricate myself from the films of the years from 1966 to 1970. And the reason is that I simply keep bumping into one wonderful gem after another, and the music itself compels me to continue writing about this era of Usha ji’s career. From all counts that I can admit so far, the 60s was the most prolific and the also the most tuneful decade for this composer.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

As I am selecting more songs to post for the composer Usha Khanna, I am actually faced by the dilemma on which ones to post first and which to defer. Every film that she has composed for, contains such musical gems that it is a wonder. Being relegated to the B/C grade films most of the time, Usha Khanna has still done a yeoman’s service to the Hindi film music, producing one great melody after another. Coming across the names of the films for which she has composed music, the first reaction is ‘haanh?, what was that name again’, that is the level of obscurity which pervades her creations.
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