Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Seeta Agrawal


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6393 Post No. : 19832

ہر ایک بات پہ کہتے ہو تم کہ تو کیا ہے

تمہیں کہو کہ یہ انداز گفتگو کیا ہے

نہ شعلہ میں یہ کرشمہ نہ برق میں یہ ادا

کوئی بتاؤ کہ وہ شوخ تند خو کیا ہے

یہ رشک ہے کہ وہ ہوتا ہے ہم سخن تم سے

وگرنہ خوف بد آموزی عدو کیا ہے

چپک رہا ہے بدن پر لہو سے پیراہن

ہمارے جیب کو اب حاجت رفو کیا ہے

جلا ہے جسم جہاں دل بھی جل گیا ہوگا

کریدتے ہو جو اب راکھ جستجو کیا ہے

رگوں میں دوڑتے پھرنے کے ہم نہیں قائل

جب آنکھ ہی سے نہ ٹپکا تو پھر لہو کیا ہے

وہ چیز جس کے لیے ہم کو ہو بہشت عزیز

سوائے بادۂ گلفام مشک بو کیا ہے

پیوں شراب اگر خم بھی دیکھ لوں دو چار

یہ شیشہ و قدح و کوزہ و سبو کیا ہے

رہی نہ طاقت گفتار اور اگر ہو بھی

تو کس امید پہ کہیے کہ آرزو کیا ہے

ہوا ہے شہہ کا مصاحب پھرے ہے اتراتا

وگرنہ شہر میں غالبؔ کی آبرو کیا ہے

हर एक बात पे कहते हो तुम कि तू क्या है
तुम्हीं कहो कि ये अंदाज़-ए-गुफ़्तुगू क्या है

न शो’ले में ये करिश्मा न बर्क़ में ये अदा
कोई बताओ कि वो शोख़-ए-तुंद-ख़ू क्या है

ये रश्क है कि वो होता है हम-सुख़न तुम से
वगर्ना ख़ौफ़-ए-बद-आमोज़ी-ए-अदू क्या है

चिपक रहा है बदन पर लहू से पैराहन
हमारे जैब को अब हाजत-ए-रफ़ू क्या है

जला है जिस्म जहाँ दिल भी जल गया होगा
कुरेदते हो जो अब राख जुस्तुजू क्या है

रगों में दौड़ते फिरने के हम नहीं क़ाइल
जब आँख ही से न टपका तो फिर लहू क्या है

वो चीज़ जिस के लिए हम को हो बहिश्त अज़ीज़
सिवाए बादा-ए-गुलफ़ाम-ए-मुश्क-बू क्या है

पियूँ शराब अगर ख़ुम भी देख लूँ दो-चार
ये शीशा ओ क़दह ओ कूज़ा ओ सुबू क्या है

रही न ताक़त-ए-गुफ़्तार और अगर हो भी
तो किस उमीद पे कहिए कि आरज़ू क्या है

हुआ है शह का मुसाहिब फिरे है इतराता
वगर्ना शहर में ‘ग़ालिब’ की आबरू क्या है

No need to say here that the above ghazal is the kalam of Mirza Ghalib. His takhallus is his signature in the last Shair. Like the painters sign at the bottom of the canvas. Newer trend here is the thumb impression, biometric is the new signature. Going back in time.

The trigger for the above ghazal is here in the last stanza of this song:

aakaash se taare toot padey
aankh se tapki jo meri daastaan

Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3894 Post No. : 14932

“Baaje Ghunghroo”(1962) was directed by Shivraj Shrivastava for Ram Raj Films, Bombay. The movie had Manhar Desai, Nalini Chonkar, Sheela Kashmiri, Leela Misra, Manju, Jagdish Kanwal, Nazir Kashmiri, Jugal Kishore, Keshri, Baby Farida, Baby Kokila, BA, Khan etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3723 Post No. : 14659

“Zaalim Jaadoogar”(1960) was produced and directed by Sultan for Firdaus Films Bombay. This movie, a fantasy movie had Hercules, Neeta, Rajrani, Shaam, Sujata Kumari, Harbans, Kenny, Leela, Bagla, Maqbool, Begam, Ameer Ahmad, Hameed Majnu, Zippy, Ghulam Hussain, Mansoor, Md Sandow, Moosa, Gopal, Badri Narayan, Shaukat, Saban Ali, Om Prakash etc in it.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA-GOLDEN 50s (Pushp-4)
————————————

In India there are at least two places where true secularism is strictly followed. One of them is our Armed Forces. There is no discrimination in the Armed Forces on Religion/race/caste/colour or State. In almost every Army establishment you will find a Mosque,a Mandir and a Church along with a common hall for meditation for all other faiths. People from all states join the Forces. One may say,why then are there Jaat Regiments, Maratha Regiments, Mahar Regiments, Punjab Regiments ? It must be understood that these are the names given by the Britishers to recognise the special qualities of that region. It has nothing to do with Caste or Language. The Commandant of a Maratha Regiment can be a Punjabi officer also.
Read more on this topic…


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