Posts Tagged ‘Dhaniram’
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Blog Day : |
5543 | Post No. : | 18004 |
“Daak Babu”(1954) was produced and directed by Lekhraj Bhakri for Jubilee Pictures, Bombay. The movie had Nadira, Kuldip Kaur, Talat Mahmood, Yashodhara Katju, Radha Kishan, Manmohan Krishna, Ram avatar, Roshan, Uma, Munshi, Ranchodh, Ramdayal, P.N.Sharma etc in it.
“Daak Babu”(1954) had eleven songs in it (including one multiple version song). As many as ten songs have already been covered in the blog. Talat Mehmood and S Balbir were the male playback singers whereas female playback singing was done by Shamshad Begam, Mubarak Begam and Asha Bhonsle.
Here are the details of the songs covered so far:-
| SNo in Blog | Song Title | Singer/s | Lyrics | Posted On | Remarks | |
|---|---|---|---|---|---|---|
| 5417 | Ghir ghir aaye badarwa kaare Multiple version song | Talat Mehmood-Mubarak Begam duet, Talat Mehmood solo | Prem Dhawan | 8 February 2012 | Multiple version song (One duet, one male solo) | |
| 6311 | Ye kyaa hai dhang zamaane ka | Talat Mehmood | Prem Dhawan | 26 July 2012 | ||
| 6950 | Dil ki duniya jagmagaayi | Talat Mehmood-Asha Bhonsle duet | Chaand Pandit | 5 November 2012 | ||
| 7903 | Zindagi mein aaye jab wo kyun unhen thhukra diya | Talat Mehmood | Prem Dhawan | 15 April 2013 | ||
| 12038 | Sapne toot gaye | Asha Bhonsle | Prem Dhawan | 17 May 2016 | ||
| 14600 | Ik pardesi mann bhaaya | Mubarak Begam | Prem Dhawan | 25 August 2018 | ||
| 17074 | Ae dil khushi se pea ley | Asha Bhonsle | Prem Dhawan | 30 July 2022 | ||
| 17675 | Goree gayee tadpaa ke balam siskee dai dai rowey | Shamshad Begam, S Balbir duet | Raja Mehdi Ali Khan | 20 April 2023 | ||
| 17958 | Insaan khilauna matti ka matti ka khilauna hai | S Balbir | Dhaniram (MD) | 21 January 2023 |
Ten songs (out of eleven) have already been covered. That leaves us with one song to be covered. Here is that song. This song is sung by S Balbir, Shamshad Begam, male and female chorus. Only audio of the song is available. Lyrics are by Raja Mehdi Ali Khan. Lyrics contain some words that were commonplace those days but are no longer in use so many people born in recent years may not be familiar with these words, viz tincture, haiza, angeethhi etc.
From the lyrics, it appears top be a nok-jhonk song between the two genders, possibly picturised as a qawwaali. Music is composed by Dhaniram.
Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
With this song, all the songs of “Daak Babu”(1954) have been covered in the blog. The movie thus gets YIPPEED in the blog.
Song-Kisi ke teer e nazar dil pe khaaye baithhe hain (Daak Babu)(1954) Singers-S Balbir, Shamshad Begam, Lyrics-Raja Mehdi Ali Khan, MD-Dhaniram
Male chorus
Female chorus
Lyrics
kisi ke teer e nazar dil pe khaaye baithe hain
hum apne seene pe tincture lagaaye baithe hain
hum apne seene pe tincture lagaaye baithe hain
kisi ke teer e nazar dil pe khaye baithe hain
aa aa aa
haan aan aan aan
haaan
hua hai haizaa hamen aapke khayaalon mein
hua hai haizaa hamen aapke khayaalon mein
maro na hum pe maro jaake haspataalon mein
maro na hum pe maro jaake haspataalon mein
mareez e ishk yahaan
dum dabaaye baithe hain
mareez e ishk yahaan
dum dabaye
aa haan jee
dum dabaaye
aa aa haan
aji dum dabaaye
haan aan aan
aji dum dabaye baithe hain
kisi ke teer e nazar dil pe khaaye baithe hain
aa aa aa aa aa
shaadi mein sab kuchh khoiyo chun chun khaayo maans
teer e nazar mat khaaiyo
ki hoga satyaanaash
aaa aa aa aa aa
lakdi jalee koyela bane koyla jal bane raakh
aeji tum aise begairat ho
na koyla banoge na raakh
gori taane na maaro chale jaayenge
gori taane na maaro
gori taane na maaro chale jaayenge
lakdi koyla banenge jale jaayenge
lakdi koyla banenge jale jaayenge
gori tane na maro gori tane na maro chale jaayenge
jaan fokat mein yoon hi chali jaayegi jee
jaan fokat mein yoon hi chali jaayegi
is ki daal galne nahin paayegi jee
is ki daal galne nahin paayegi
haan aan aan aan
aan aan aan
angeethi pyaar ki hum to jalaaye baithe hain
angeethi pyaar ki hum to jalaaye
haan aan
hum to jalaye
haan aan aan
hum to jalaye
aan aan aan
hum to jalaaye baithe hain
kisi ke teere nazar dil pe khaaye baithe hain
haan aan aan
aan aan aan
aan aan aan
haan aan aan
kooche mein unke jhaadu lagaai tamaam raat
kooche mein unke jhaadu lagaai tamaam raat
deta raha muhalla duhaai tamaam raat
deta raha muhalla duhaai tamaam raat
badle mein dil ke humne diye tumko gham pe gham
badle mein dil ke humne diye tumko gham pe gham
haaye
seene pe lep karke tadapte rahe hain hum
seene pe lep karke tadapte rahe hain hum
uksa raha hai darde judai tamaam raat
uksa raha hai darde judai tamaam raat
deta raha muhalla duhaai tamaam raat
deta raha muhalla duhaai tamaam raat
aan aan aan aan
gali mein pyaar ki
gardan kataye baithe hain
kisi ke teer e nazar dil pe khaaye baithe hain
haan aan aan aan aan aan
haan aan aan
kooche mein unke jhaadu lagaai tamaam raat
kooche mein unke jhaadu lagaai tamaam raat
deta raha muhalla duhaai tamaam raat
deta raha muhalla duhaai tamaam raat
duniya ujaad di meri duniya ujaad di
duniya ujaad di meri duniya ujaad di
haaye
teri gali ke kutton ne dhoti hi faad di
teri gali ke kutton ne dhoti hi faad di
hoti rahegi aaj silaai tamaam raat
hoti rahegi aaj silaai tamaam raat
kooche mein unke jhaadu lagaai tamaam raat
deta raha muhalla duhaai tamaam raat
haa aa aa aa aa
gali me pyaar ki
gardan kataaye baithe hain
gali me pyar ki gardan kataaye
haan aan
gardan kataaye
haan aan aan
gardan kataaye
haan aan aan aan
gardan kataaye baithe hain
kisi ke teer e nazar dil pe khaaye baithe hain
kisi ke teer e nazar dil pe khaaye baithe hai
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5513 | Post No. : | 17958 |
Regulars of the blog would recall that I used to write a lots of posts about my pets between 2012 to 2014. The tales were amusing tales that some people may even dismiss as made up tales. But they were true tales. In one of the posts, I even put up a video link as proof to demonstrate that what I described in that post were facts and not fiction.
Life is about kabhi khushi kabhi gham. The first time of pet related gham came about in June 2012 when our pet cat nuppy expired. I shared the news with blog regulars in this post.
I notice (in hindsight) that I did not publish any more posts dedicated to my pets after the demise of nuppy. However, one post about my two surviving pets appeared in July 2014. During that time, we were introducing all our regular contributors to the blog. Sadanand jee decided that the contributions of my pets in the running of the blog too needed to be recognised. 🙂 So this post about my pets was not by me but by our regular contributor and fellow pets lover Sadanand Kamath jee. How very kind and considerate of him !
Though I continued to get lots and lots of interersting experiences with my pets, I was not able to summon the same creative juices that I possessed earlier and so I did not post any more pet related posts for nearly eight years. Some of the future posts did mention my pets in passing though, especially posts that described my transfers.
My next pet related post appeared in 2020. This post was to break the news of the demise of my other pet namely Chhote. That was in May 2020.
That left us with one surviving pet from the original three, namely Bhole.
Subsequently, my wife and daughter picked up a pup from the streets of Gorakhpur (where I was based at that time) and named her Izza. My daughter, while staying in her medical college hostel in Mumbai adopted a cat as pet. That cat was named as Bakhtawar Singh aka Bukky. That cat too came to live with us in Gorakhpur.
Lots of developments have taken place since. I have superannuated and retired from service in 2022. One of the major task that we needed to carry out before my superannuation was to ensure that our three pets were taken to Bhopal, where I was to settle down after retirement. Bukky, who had arrived from Mumbai to Gorakhpur by train with my daughter left for Bhopal with my wife and daughter by our car. We had arranged for a driver for this 1000 km long drive. While that driver drove around 700 km, my daughter drove for 300 km. That way the car as well as Bukky arrived at Bhopal. That was in february 2022, four months prior to my retirement.
The month of June 2022 was a very hectic month when I had to carry out all the important works including moving out my household items to Bhopal and vacate my official accomodation at Gorakhpur. I have described it in detail in this post.
The work that gave me the most satisfaction was the work of successfully tranporting the two dogs (Bhole and Izza) by train from Gorakhpur to Bhopal. It was a logistically challenging task. I have discussed the challenges involved in detail in that post.
For Bhole, it was his second train journey. His first train journey was from Bilaspur to Agra cantt in 2015. He was accompanied by Chhote on that occasion. I have discussed that episode in this post.
In Bhopal, I obviously led a retired life. My pets, Bhole and Izza too found themselves having to reconcile themselves to a more sedate life. In Gorakhpur, they would roam around freely in the vast premise (walled all over) as they wished. Here in Bhopal, they needed to be given their walks on the streets while tied up on their leashes. Running around freely was a thing of the past for them.
In order to give them their morning walks, I began to wake up early at 4 AM and take them for their walk, one dog at a time. Even before the morning, the two dogs would bark at night when they saw street dogs on the street infront of the residence. Their bark at night and other times irritated my wife who felt that their bark was disturbing the neighbours. It was my duty to wake up whenever the dogs barked at night and pacify the dogs.
All these disturbances at night plus taking them for their morning walk meant that I felt sleepy in day time. So taking an afternoon nap had become an absolute necessity for me which was not liked one bit by my wife. She felt that she was doing all the hard work of supervising construction work (the house was getting renovated/ expanded now that we had finally arrived to stay there permanently), while I kept sleeping.
The two dogs plus the cat coped well during all the disturbances caused by construction works being carried out. All three managed to escape out of the home on a few occasions giving us anxious moments before we finally managed to locate them, recapture them and bring them back home. Meanwhile we added another kitten, named Chinty, as our pet whom we found at the roof of our house. So we now had two dogs and two cats with us.
The pets needed to visit vets occasionally, either for vaccination or for other urgent reasons. The kitten (then not yet our pet) had to be taken to the vet when we found her sick on the roof of our home. She was dehydrated and needed urgent medical attention. She was given saline daily for a week. She began to respond to the treatment after three days and finally recovered fully. Now she is a healthy and naughty cat who has learnt her lesson. She drinks lots of water whenever she sees water.
Izza and Bukky needed medical attention only during routine occasions, viz vaccinations, but Bhole, the seniormost pet nearing 13 years of age needed regular medical attention. Itching was a constant problem for him and he needed attention for that wherever he stayed. Sometimes he would injure his skin while scratching it with his sharp teeth (hoping to relieve him of his itching), develop wounds and then he would need to be treated by the vet. Bhole first visited a vet (along with his fellow pets) as a pup in Nagpur. Subsequently, he visited vet hospitals in Bilaspur, Izatnagar and Gorakhpur. When Bhole was taken in the car then he knew that he was going to a vet. Unlike many dogs who were afraid of visits to the vet, Bhole looked forward to these visits to vets. Painful injections that most other dogs would be scared of were taken by Bhole without wincing. I would proudly inform this fact to the vet who would be nervous before giving the injection.
In Bhopal, we initially took our pets to Government Vet Hospital at Bhopal. But that was far off and inconvenient. We subsequently discovered a private vet located nearby. We found him quite good and competent. So we would take our pets to his clinic whenever required. His place was within 5 minutes drive from our residence. It was while getting Bhole treated that he suggested a change of diet for Bhole to rid him of his perennial itching problem. He suggested that instead of chicken (which seemingly Bhole was allergic of) he needed to be fed fish. So Bhole’s diet was changed. The changed diet seemed to work because Bhole’s itching problem stopped. Moreover, his hunger seemed good. He would finish off his meals eagerly and would still feel hungry. He began to seek something to eat in morning to, in addition to his two meals at noon and evening.
Ironically all that eating did not help his weight any. He was a slim dog right from the beginning. He weighed an estimated 24 KG during his prime. I say estimated because he would not allow himself to be lifted by one of us, which was a prerequisite for the combined weight to be taken on a scale. The human weight would then get subtracted from the combined weight taken with a struggling Bhole to get the dog’s weight. Chhote would happily co-operate in this exercise, so we could measure his weight accurately as 25 KG.
When the vet at Bhopal took Bhole’s weight (on a scale where only the pet needed to stand), I proudly stated that he was 24 KG, but I was unpleasantly surprised to note that his weight turned out to be 18 KG. It meant Bhole had lost considerable weight for various reasons viz age, his struggles with ailments etc. This loss of weight and advancing years etc did not prevent him from displaying his swagger though.
When he went on his walks, other dogs, including large dogs like German Shepherds got nervous. Bhole would normally ignore the barking of other dogs, but if he took notice and barked back, the barking dog (and his owner if any) would nervously turn back. 🙂 I would proudly boast to other dog walkers who tended to show agression towards Bhole that the dog better be aware. Bhole, I informed them, had been a street fighter all his life and he had taken on packs of fierce dogs and has survived to tell the tale. I do not think that the German Shepherds and other such show off dogs would be able to do what Bhole had achieved in his prime. Bhole had incredible level of tolerance and he could tolerate the bite of a dog and survive, but if Bhole bit back, the other dog would be in serious trouble. Bhole had strong jaws and large teeth. Most dogs instinctively noticed and realised this fact and so gave Bhole a wide berth when he went on his walks.
The name of Bhole, like that of other pets was given by my wife. The name, to my mind was quite appropriate. Bhole (synonym of Lord Shiva) would take the vish (venom) so that his fellow pets (and human beings) could enjoy amrit. He often did not receive credits for his achievements from my wife. Only I appreciated the qualities and achievements of Bhole and took pride in owning him. Bhole instinctively knew what he was supposed to do and was not supposed to do. While Chhote behaved like a human kid and got away with it, Bhole realised that he could not get away by behaving like Chhote and adjusted his behaviour accordingly. He also realised he he should not expect a preferential treatment from my wife. He could rely upon me though. Most of his life was spent with me, so for much of his life he felt wanted and cared for.
All was seemingly well till the morning of 17 august 2023. He had fully eaten up his evening meal last evening. I was sure he would demand something to eat in the morning. In the morning of 17 August 2023, I took Bhole for a walk. He took a lesser distance walk than what he had taken the last morning and came back. Then I took Izza for her walk. Their morning walks were over by 5:15 AM or so.
It was from around 7 AM or so that I noticed Bhole in distress. He would not normally make such agonised sounds that he was making. I informed my wife. She noticed Bhole’s distress. She felt that the end was near. I phoned the vet and we took Bhole to him. While the vet was examining Bhole, my wife noticed a government sanitary worker standing near a government garden. She went there and discussed matters with him in case his help was needed. He gave my wife his phone number and assured all help if needed.
The vet took the blood sample and temperature and found them all right. It was the heart beat that was irregular. Bhole was given saline so that his body could receive some nourishment. Bhole was silent all this while giving us hope that he would recover. But a little while later, he started making the same distress sounds. The vet suggested that things would stabilise after some time and then he should be given his meal.
Back home, Bhole kept acting in the same way. We tried to give him a clean secluded place with no light. He tried to rest there. At lunch time we tried to feed him, but Bhole was in no condition to eat.
We allowed him to stay there as before.
Bhole stayed there without making any sounds. In the evening, when I went there and touched him, I realised that Bhole was rid of all his distress. He was no longer alive. I informed my wife of this fact.
When our other two pets expired, only one of us was around. In this case, both of us were available. The daugter was not there. She was in a train and she was due to arrive by night.
My wife phoned up the sanitary worker whom she had met earlier in the day. The worker promised that he would arrange everything and the body would be buried in a secluded place not far from our residence.
The daughter arrived at night. Necessary arrangements were made at night. Next morning on 18 August, the sanitary worked phoned at 8 AM and informed that arrangements had been made. He arrived at our residence in his bike. Bhole’s body was kept in car boot and we drove behind the worker’s bike. He took us to a vast ground that spreads for many acres. It is a largely abandoned government property. A colleage of that sanitary worker had dug up the earth at an isolated place. Bhole was buried there.
We left the place and came back home. The sanitary worker came home. My wife asked how much she should pay. He said Rs 2000. My wife, who was prepared to pay much more paid him and thanked him profusely. We were relived that we were able to give Bhole a decent and dignified farewell that he, as our 13 year old companion richly deserved.
So Bhole (2 october 2010-17 august 2023) bid us farewell and with that a long chapter in our lives got closed. He gave us many memorable moments during these 13 years as one can find out from the writeups whose links have been provided above. Any creature who is born has to die. In case of dogs, it is a matter of just over ten years. Bhole lived nearly as long as a normal dog is expected to live.
In my post on Chhote, I had opined that my pets were like “Shaapit gandarv” and “shaapit dev”. In ancient mythology, gandharv or Em>dev of devlok would commit some misdeeds for which they would get cursed and sentenced to spend time on Earth. On begging forgiveness, their sentence would be made lighter. Either the tenure would be reduced or they would be allowed to spend time on earth under less challenging conditions. It would appear to me that in case of nuppy, the period of sentence was two years and in case of Chhote, it was nine years. Bhole, who could not deal with people like his fellow pets, was similarly not able to reason with the person cursing him, so he ended up carrying out his full sentence on earth. No matter what, he may have left satisfied that we as his owners tried to take as good a care of him as we could and we gave him as dignified a farewell as we could. Personally I feel that I did my best for Bhole, as indeed for Chhote three years ago. If there is anything like “karma” or so, I have hopefully earned good marks in the ledger of “karma” .
With advancing age, one becomes less emotional and more philosophical. It took me one day to come up with an obituary for nuppy and two days for an obituary on Chhote, it had taken me 5 days to write an obituary for Bhole. When I went through the earlier obituaries that are detailed and heartfelt, I thought that Bhole too deserved an obituaty from me.
So here it is. I hope Bhole is now reunited with his fellow pets nuppy and Chhote in their original forms as gandharv or dev as the case may be.
The songs that I used in case of other two obituaries were songs that fitted the bill perfectly. I had specially located those songs.
The song that I have chosen with this post was already earmarked to be posted today. It just happens that the song fits the bill for this obituary as well. The song talks of Insaan being a “khilauna mitti ka.” Be it insaan or any other creature, we are all mortals and we all have to leave the world some day.
This philosophical song is sung by S Balbir and chorus. Dhaniram is the lyricist as well as the music director. The song is from “Daak Babu”(1954). This movie was produced and directed by Lekhraj Bhakri for Jubilee Pictures, Bombay. The movie had Nadira, Kuldip Kaur, Talat Mahmood, Yashodhara Katju, Radha Kishan, Manmohan Krishna, Ram Avatar, Roshan, Uma, Munshi, Ranjhodh,Ramdayal, P.N.Sharma etc in it.
“Daak Baabu”(1954) had eleven songs in it. nine songs have been covered so far. This song is the tenth song from the movie to appear in the blog.
I had earmarked this song to be posted on today (22 August 2023) because this date is the birth anniversary of Balbir (DoB 22 August 2026- DoD unknown).
With this song, we pay tribute to a singer who sang quite a few memorable songs during the golden era of HFM before he vanished from the scene without leaving any trace. This song in a way speaks for each of us. It reminds us of this inalienable and inevitable fact that we all are mortal, and we all have to leave one day or the other. So we better get reconciled to it.
I have reconciled myself to the fact that we will not have Bhole in our midst again. But his memories will remain. I am sure we will remember him fondly just as we keep remembering his two fellow pets even today.
Lyrics of this song were sent to me by Prakashchandra.
Song-Insaan khilauna matti ka (Daak Babu)(1954) Singer-S Balbir, Lyrics-Dhaniram, MD-Dhaniram
Male chorus
Lyrics(Provided by Prakashchandra)
insaan khilauna matti kaa
matti kaa khilaunaa hai ae aey ae
matti kaa khilaunaa hai ae
insaan khilauna matti kaa
matti ka khilaunaa hai ae ae ae
matti ka khilaunaa hai ae
insaa..aaan
aa aaa aaa
aa aaa aaaaa
insaan khilauna matti kaa
matti ka khilaunaa hai ae ae
matti kaa khilaunaa hai ae
insaan khilauna matti kaa
matti ka khilaunaa hai ae (insaan..aaa aaan aaa)
matti ka khilaunaa hai ae (haan aan aaa haan aaan aaa aaaa insaan)
rang rangeelaa banaa khilaunaa
banaa khilaunaa aan aaa aan
sakht jaay ke
huaa salonaaa
huaa salonaa aa aaa
kood phaand mein bachchon ne jab
kood phaand mein aen aen aen
kood phaand mein aen aen aen aen
kood phaand mein aen aen
kood phaand mein bachchon ne jab
dharti par de maaraa aa aaa aaa
choor choor woh huaa khilaunaa aaa aan aa aaa
phir nahin judney ae waalaa aaa aaa
insaan khilaunaa matti kaa
matti ka khilaunaa hai ae ae
matti ka khilaunaa hai ae
insaan khilaunaa matti kaa
insaan (matti ka khilaunaa hai)
haan aaan aaaa aaaaa aa (matti ka khilaunaa hai)
insaan
isee tarah hai teri zindagi
teri zindagee ee ee ee ee ee ee
teri zindagee ee ee ee ee
teri zindagee ee ee
isee tarah hai teri zindagi
teri zindagee eee ee eee ee
kadam kadam par dar hai ae
ke dar hai
kadam kadam par dar hai ae ae
ye hai faani
ye hai faani..ee
ye hai ae faani
ye hai faanee
iski naheen umar hai
manzil hai ae ae ae ye ae ae
ek safar kee ee ee
do din kooch karegaa aaa aaa
saath chalegee izzat nekee ee
aur naa koyi chalegaa aaa aa aaa
jaan boojh kar kyon kartaa hai
jaan boojhkar r
jaan boojh kar r r r
jaan boojh kar r r r
jaan boojh kar kyon kartaa hai
tu naadaani ee bandey aey ae
raah prabhu ki chal kar pagley aey ae ae
kaat jagat ke ae phandey aey ae aey
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5389 | Post No. : | 17675 |
“Daak Babu”(1954) was produced and directed by Lekhraj Bhakri for Jubilee Pictures, Bombay. The movie had Nadira, Kuldip Kaur, Talat Mahmood, Yashodhara Khatju, Radha Kishan, Manmohan Krishna, Ram avatar, Roshan, Uma, Munshi, Ranjhodh, Ramdayal,P.N.Sharma etc in it.
The movie had eleven songs in it. Eight songs have been covered in the blog.
Here is the ninth song from the movie to appear in the blog. This song is sung by Shamshad Begam, S Balbir and female chorus. Raja Mehdi Ali Khan is the lyricist. Music is composed by Dhaniram.
Only audio of the song is avilable. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of this song were sent to me by Prakashchandra.
Song-Goree gayee tadpaa ke balam siski dai dai rowey(Daak Babu)(1954) Singer-Shamshad Begam, S Balbir, Lyrics-Raja Mehdi Ali Khan, MD-Dhaniram
Female chorus
Lyrics(Provided by Prakashchandra)
ho o o ho ooo oooo
goree gayee tadpaa ke
balam siski dai dai rowey ae
goree gayee tadpaa ke
balam siski dai dai rowey
haathon mein munh ko chhupaake balam
siski dai dai rowey ae
haathon mein munh ko chhupaa ke
balam siski dai dai rowey
angnaa mein rowey
kuthariyaa mein rowey
haayye ae angnaa mein rowey ae
angnaa mein rowey
kuthadiyaa mein rowey
jaagey balam jab
sab jag sowey haayye
jaagey balam jab
sab jag sowey ae
duniyaa se nazren bachaa ke balam
siski dai dai rowey ae
duniyaa se nazarein bachaake balam
siski dai dai rowey
goree gayee tadpaa ke
balam siski dai dai rowey
attariya se chandaa deekhey
bhaabhi aadhi raat
atariya se chandaa
atariya se chandaa deekhey
bhaabhee aadhi raat
chandaa ko lagey aag rey balam nahin saath
chandaa ko lagey aag
chandaa ko lagey aag rey balam nahin saath
neeley gagan mein aen
taaron ki aayee hai baaraat
bhaabhee
taaron ki aayee hai baaraat
piyaa na aaye zindaa aa aaa
piyaa na aaye zindaa aa aaa aaa
rowoongi main to saari raat rey
chandaa ko lagey aag
chandaa ko lagey aag rey
balam nahin saath
ataariyaa se chandaa deekhey
bhaabhi aadhi raat
haayye kaisi khushi ke din aaye aey ae
haayye aey ae ae aey ae ae
kaisi khushi ke din aaye ae ae
jiyaa muskaaye rey
nazar sharmaaye rey aey ae
jiyaa muskaaye rey
nazar sharmaaye rey aey ae
hmm mmm hmmm
ang ang lachkaa jaaye rey
samajh mein na aaye rey
samajh mein na aaye rey aey ae ae
aey ae
jiyaa muskaaye rey
nazar sharmaaye rey aey ae
jiyaa muskaaye rey
nazar sharmaaye rey aey ae
kyun baat baat pe honthh tere muskaaye rey
kyun baat baat pe honthh tere muskaaye rey
mere nainaa loot ke
pyaar kisee kaa laaye rey
tere nainaa loot ke
pyaar kisee kaa laaye rey
haan aan aa aaa haaan
praan papeehaa yehee gaaye
haayye aey ae ae
praan papeehaa yehee gaaye ae ae
jiyaa muskaaye rey
nazar sharmaaye rey aey ae
jiyaa muskaaye rey
nazar sharmaaye rey aey ae
Ae dil khushi se pea ley
Posted on: July 30, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5125 | Post No. : | 17074 |
“Daak Baabu”(1954) was producer and directed by Lekhraj Bhakri for Jubilee Pictures, Bombay. The movie had Nadira, Kuldip Kaur, Talat Mahmood, Yashodhara Katju, Radha Kishan, Manmohan Krishna, Ram Avatar, Roshan, Uma, Munshi, Ranjhodh,Ramdayal, P.N.Sharma etc in it.
“Daak Baabu”(1954) had eleven songs in it. Six songs have been covered so far.
Here is the seventh song from “Daak Baabu”(1954) to appear in the blog. The song is sung by Asha Bhonsle. Chaand Pandit is the lyricist. Music is composed by Dhaniram.
Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of the song were sent to me by Prakashchandra.
audio link:
Song-Ae dil khushee se pea le (Daak Baabu)(1954) Singer-Asha Bhonsle, Lyrics-Chaand Pandit, MD-Dhaniram
Lyrics(Provided by Prakashchandra)
ae ae dil khushee se pee le ae ae ae
aansoo ye pyaar ke hain
ae ae dil khushee se pee le ae ae ae
aansoo ye pyaar ke hain
inn aansoo`on mein tukdey ae
meri pukaar ke hain..aen…aen
aansoo ye pyaar ke hain
ae ae dil khushee se pee ley ae ae ae
aansoo ye pyaar ke hain
nazron mein bas rahee hain
raahee ki laakh raahein
kab tak bichhee rahengee ee
raahon mein ye ae nigaahein
qismat mein ab to shaayad
din intezaar ke hain aen aen aen
aansoo ye pyaar ke hain
ae ae dil khushee se pee le ae ae ae
aansoo ye pyaar ke hain
yoon baat badhtey badhtey
ik ban gayaaa..aaa fasanaa
dushman hi bann gayaa hai ae
hum par jaisey(?) zamaanaa
ik jaan hai ae bechaaree
taaney hazaar ke hain aen aen aen
aansoo ye pyaar ke hain
ae ae dil khushee se pee le aey ae aey ae ae
aansoo ye pyaar ke hain ..aen
Barkha ki rut hai baanke balamwaa
Posted on: August 17, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4778 | Post No. : | 16530 |
We are in the midst of Saawan, the 5th month of the Hindu calendar. Besides, being a holy month for Hindus, it is also a month for romanticism. After experiencing the scorching summer for a couple of months, rains bring a great relief to the people. By the time, the month of saawan starts, the rains have already transformed not only the dry agricultural fields into green but also the surroundings areas. Also, in the saawan month, the intensity of the rains gets reduced allowing the inter-play of showers and soft sunrays. All these changes in the climate make the atmosphere congenial for romanticism. Longing, rejoicing and separation become the part of the romantic month of saawan for those in love. Poets, writers and artists have been inspired by the romaticism of saawan in their works.
In ‘Meghdoot’, written by Kalidas about 1600 years ago, there is no direct reference to ‘saawan’ in the poems. But the reference to the clouds gives an indication of the rainy season when the exiled Yaksha on a mountain sees a cloud perched on the peak. He requests the cloud to deliver his message to his beloved in the Himalayan city of Alaka. Probably, this was the inspiration for some ‘saawan’ songs in Hindi films, the popular one being saawan ke baadalon unse ye jaa kaho from ‘Rattan’ (1944).
In the 14th century, Amir Khusrau wrote a ‘saawan’ poem, ‘amma mere baba ko bhejo ri ke saawan aaya’. The poem was written in a form of the conversation between the mother and her newly married daughter staying in her sasural (in-law’s place). The full song is as under:
amma mere baba ko bhejo ri ke saawan ayaa
beti tera baba to boodha ri ke saawan ayaa
amma mere bhai ko bhejo ri ke saawan ayaa
beti tera bhai to baala ri ke saawan ayaa
amma mere mamu ko bhejo ri ke saawan ayaa
beti tera mamu to baanka ri ke saawan ayaa
Probably, Amir Khusrau wrote this piognant poem in the background of a convention among the some of the Hindu families that the newly married daughters stay with their parents during the month of saawan, among other reasons, to celebrate the festivals like Naag Panchami, Teej, Raksha Bandhan, Shri Krishna Janmashtmi etc. for the first time after the marriage. In olden days, it was either father, brother or the maternal uncle who would bring the newly married girl to her parent’s house. Khusrau’s poem is the reflection of a newly married girl who is longing to visit her parent’s house in the month of saawan but unable to visit as her father is too old and her brother is too young to undertake the journey to fetch her.
As against this, for the girl whose marriage has been fixed, the month of saawan is the longing for her fiancé. There is an eagerness to meet him. The mood of joie de vivre is well expressed in Shailendra’s lyrics in aaye re din saawan ke in the film ‘Gaban’ (1966).
The rejoicing mood in Meerabai’s bhajan, barse boondiyaan saawan ki which Lata Mangeshkar sang, became very popular though it was a non-film song. I will not be surprised if other poets of Bhakti movements at that period also wrote on the month of saawan.
In the Urdu drama, ‘Inder Sabha’ (1850s) which was written in verses by Amanat Lucknawi, there is a ghazal praying for the early arrival of ‘saawan’. He had used the metaphor of saawan in various romantic instances, like the swirling of beloved’s ‘zulfen’ and ‘dupatta’ to that of the clouds of saawan. A somewhat similar metaphor was used by Raja Mehdi Ali Khan in the mukhda of the song, zulfon ki ghata lekar saawan ki pari aayi in ‘Reshmi Roomaal’ (1961).
This was an unique ghazal in the sense that it had two matla (the first she’r) and had used ‘radif ‘(repeat words) – ‘saawan ki’ in all the 11 she’rs of the ghazal. One can say that it was a ‘saawan dominated’ ghazal. The first two she’rs of the ghazal are as under:
dil ko marghoob hai thandi hawa jo saawan ki
maangta hoon main sada haq se duwa saawan ki
yaad aata hai wo sabza wo ghata saawan ki
shaql dikhlaaye kahin jald khuda saawan ki
And lastly, Amanat Lacknawi writes:
ae ‘Amanat’ yah nikaali hai zameen tu ne nayi
pahle thhi kiski ghazal tere siwa saawan ki
Not all the poets used in their poems, the context of ‘saawan’ in the conventional sense of romance, separation and rejoice. Neeraj used the month of saawan in one of his ghazals to depict the ironies of life. He said:
ab ke saawan mein ye sharaarat mere saath huyi
mera ghar chhod kar kul shahar mein barsaat huyi
zindagi bhar to huyi guftugoo ghairon se magar
aaj tak hamse na hamaari mulaakaat huyi
Hindi film music has also been influenced by ‘saawan’ songs since the sound films appeared in 1931. Unfortunately, in the initial period of sound films, the songs were rarely released on gramophone records. Due to non-availability of the films’s print, most of songs from the films of early 1930s have been lost. The earliest ‘saawan’ song’ from the Hindi films for which I could get the mukhda of the song is from ‘Maharani’ (1934) in which the song ‘saawan ghan barse chaatak kyun tarse’ was listed. However, the song is not available. As far as I know, the earliest ‘saawan’ song from Hindi films that is available for listening (also for watching) is naahin aaye ghanshyam from the film ‘Devdas’ (1935). There has been a steady flow of ‘saawan’ songs in Hindi films since the inception of sound films.
Some of the ‘saawan’ songs in Hindi films which are of my liking (not an exhaustive list) are as under:
saawan aaye na aaye – Sadhana (1939)
saawan ke nazaare hain – Khazaanchi (1941)
kayi din se saawan barasta hai rimjhim rimjhim – Samaaj (1954)
thandi thandi saawan ki phuhaar – Jagate Raho (1956)
do boonden saawan ki – Phir Subah Hogi (1958)
garjat barsat saawan aayo re – Barsaat Ki Raat (1960)
deewaana huwa baadal saawan ki ghata chhaayi – Kashmir Ki Kali (1964)
saawan ke din aaye sajanwa aan milo – Bhumika (1977)
saawan ki aayi bahaar re – Junoon (1978)
lagi aaj saawan ki phir wo jhadi hai – Chaandni (1989)
Notwithstanding my above list, if someone was to ask me to instantly give one example of ‘saawan’ song from the Hindi films, the first song that will invariabnly come to my mind is rimjhim gire saawan sulag sulag jaaye man from ‘Manzil’ (1979) The reason is that I had watched the film and the song was picturised on Amitabh Bachchan and Maushumi Chatterjee in the midst of real rains. This song gives a real feel of the atmosphere of the month of saawan.
Our Blog has covered as many as 99 ‘saawan’ songs. The count could be more as tagging of few ‘saawan’ songs may have been missed. I am presenting today, a lovely ‘saawan’ song, ‘barkha ki rut hai baanke balamwa saawan ka aaya mahina’ from the film ‘Papeeha Re’ (1948). HFGK is silent on the singers of the song. However, I am fairly sure that the two voices sound like that of Munawwar Sultana and Zeenat Begum.
From the lyrics of the song, it appears that Zeenat Begam is singing for an actress doing a male character in this song sequence.
Audio Clip:
Song-Barkha ki rut hai baanke balamwa saawan ka aaya maheena (Papeeha Re)(1948) Singers-Munawwar Sultana, Zeenat Begam, Lyrics-Mulkraj Bhakri, MD-Dhaniram
Both
Lyrics
barkha ki rut hai baanke balamwa
saawan ka aaya maheena
o na jaa pardes
o na jaa pardes
na jaa
na jaa haan
mera mushqil tum bin jeena
saawan ka aaya maheena
tum to chale pardesiya
yahaan laagega kaise jiya
o piya
kaahe ka jadoo kiya
jo thhaa jaana chhod ke hamko
jo thhaa jaana chhod ke hamko..o o o
kaahe ka jaadoo kiya
o raaja
phir kaahe ka jaadoo kiya
barkha ki rut hai baanke balamwa
saawan ka aaya maheena
naukri karne ko jaana zaroori
gori jaana zaroori
aayi badi majboori
dil mein tu apne aake basaa le mori
aake basaa le
phir kaahe ki doori sajaniya
phir kaahe ki doori
barkha ki rut hai baanke balamwa
saawan ka aaya maheena
maar tu goli naukari ko
o raaja naukari ko
morey raaja
rah jaa tu mere paas
dekh sooratiya bhookh mitegi mori
bhookh mitegi
nainon ki jaayegi pyaas
o morey raaja
nainon ki jaayegi pyaas
barkha ki rut hai baanke balamwa
saawan ka aaya maheena
na ro tu na ro
na ro tu na ro
o meri raani na ro
o meri raani
kaahe bhayi tu udaas
ab to karoonga teri main chaakri
ho teri main chaakri
tera banoonga daas
o meri raani
tera banoonga daas
barkha ki rut hai baanke balamwa
saawan ka aaya maheena
Tu chanda main chaandni
Posted on: January 24, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4573 | Post No. : | 16176 |
“Papiha Re”(1948)was produced by Kuldeep Sahgal and directed by Dawood Chand for Kuldeep Pictures, Bombay. The movie had Amarnath, Akhtari, Pran, Asha Posley, Mumtaz Begum, G N Butt etc in it.
The movie had 12 songs in it. One song has been covered in the past.
Here is the econd song from “Papiha Re”(1948) to appear in the blog. This song is sung by Zeenat Begam and Dhaniram. Lyrics are by Mulkraj Bhakri. Music is composed by Dhaniram ho as making his debut as a music director ith this movie.
Only the audio of the song is available. I request our knoledgeable readers to thro light on the picturisation of this song.
Song-Tu chanda main chaandni (Papiha Re)(1948) Singers-Zeenat Begam, Dhaniram, Lyrics-Mulkraj Bhakri, MS-Dhaniram
Both
Lyrics
Tu chanda main chaandni ee
tu chanda main chaandni
ho tera mera
mera tera
janm janm ka saath
haath pakadkar chhod na dena
rahe haath mein haath
hamaara rahe haath mein haath
tu chanda main chaandni ee
main baaghon ki morni
main baaghon ki morni
aur tu ghata ghanghor
main sajan teri baawri
aur tu mera chitchor
main pyaasi ik boond hoon saajan
main pyaasi ik boond hoon saajan
tu meri barsaat
haath pakadkar chhod na dena
rahe haath mein haath
hamaara rahe haath mein haath
tu chanda main chaandni ee
ho o o
aan basi tu dil mein mere
ho o o
aan basi tu dil mein mere
jaise phool mein baagh
in nainon ko o
en nainon ko
hardam laagi tere daras ki pyaas
tere bina mohe kuchh na bhaaye
tere bina mohe kuchh na bhaaye
bhool gaya har baat
haath pakadkar chhod na dena
rahe haath mein haath
hamaara rahe haath mein haath
tu chanda main chaandni ee
>milke na bichhden do dil saajan
aisa ho jaaye pyar
bhool ke bhi patjhad na aaye
hardam rahe bahaar
hum tum donon jab mil baithen
hum tum dono jab mil baithhen
rahe sada phir saath
haath pakadkar chhod na dena
rahe haath mein haath
Phir wahi naghma suna de
Posted on: October 9, 2020
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4466 | Post No. : | 15953 |
These days I am searching for movies where only one song was covered. I discussed one such movie in my earlier post here where only one song from the movie was posted. Now I have come across another such movie. It is “Shaahi Baazaar”(1957). The movie made its debut in the blog with the song ‘dil mastaane jhoom le aaj gulon ko choom le’ which was posted on 29.01.2017. That remains the only song from the movie in the blog so far.
I had mentioned it in my post that I was revisiting and listening to many Hemant Kumar songs during recent months. This exercise gave me immense pleasure. Around the same time our respected Arun Kumar ji had posted this NFS from Hemant Kumar – main saaz bajaaun tum gaao. After listening to it I was totally lost in the magic of the voice of Hemant Kumar. It went down memory lane to my ‘cassettes collecting years’ from ‘1985 to 2004’ when I used to listen to such songs contained in my prized collections of cassettes.
After that I was following with our editors for one of the ‘vintage favorites’ of Hemant Kumar which I had shared earlier to post but somehow it didn’t materuialise. Nevertheless, another vintage favorite of Hemant Kumar (from my wish list) was again posted by Arun Kumar ji which was ‘wo khushnaseeb hai jinko yahaan qaraar mila’.
I came across today’s song when I noted one comment on ‘YouTube’ that this song was an ‘NFS’ but it clarified by someone that it was from the movie ‘Shaahi Baazaar-1957’ and maybe it was not included in the movie. When I checked in HFGK Vol-III for this movie’s song it was listed there. So, I am presenting this wonderful song today here on the blog.
“Shaahi Baazaar-1957” was directed by Balwant Dave and Padmakant Pathak for ‘Chandni Chitra Productions’, Bombay. It was produced by G.A. Thakur and Lim Bilimoria.
‘Shaahi Baazaar-1957’ was a ‘costume drama’ movie. The movie had Chitra, Mahipal, Rajkumar, Sapru, Maruti, Ramesh Thakur, Chaman Puri, Naazi, Helen, Sheila Vaz, Tuntun, Bhalerao and others. Mirza Musharraf and Sheikh make guest appearance in the movie.
The movie had eight songs which were sung by six singers viz. Geeta Dutt, Hemant Kumar, Asha Bhonsle, Shamshad Begam, Mohd Rafi and Balbir. Lyrics of these songs were penned by four lyricists – Raja Mehdi Ali Khan (2 songs), Aziz Kashmiri (4 songs), and Pandit Shivraj and Madan Parihar – one song each.
Music was composed by two music directors Dhani Ram and S. Haridarshan.
Today’s song is written by Pt Shivraj and it is sung by Hemant Kumar. HFGK is silent about the music director of this song.
This movie was passed by Censor Board on 27.03.1957.
Let us now enjoy today’s song in the voice of Hemant Kumar. I am sure one will immediately fall in love with this voice. The song grows on you as we listen to this song repeatedly. The composition spells magic . I am not sure if it is by Dhani Ram as many YT comments mention or it is by S. Haridarshan. Lyrics by Pandit Shivraj are beautifully penned.
I would request knowledgeable readers to throw more light on this movie and its songs. Actor Mahipal and actress Chitra (I guess) can be seen in the picturization of this song.)
Video
Audio
Song-Phir wahi naghma suna de (Shaahi Baazaar)(1957) Singer-Hemant Kumar, Lyrics-Pt Shivraj, MD-Dhaniram
Lyrics
phir wahi naghmaa sunaa de ae
phir wahi naghmaa sunaa de
dil ko deewaana banaa de ae
saaz-e-dilkash chhed de ae
chhed de ae
phir wahi naghmaa sunaa de ae
ghamzadaa khwaabon mein ae khoyaa aa
dard hai pehlu mein soya aa
ghamzadaa khwaabon mein khoyaa aa
dard hai pehlu mein soya aa
yaad phir naa be-wafaa ki ee
yaad phir naa be-wafaa ki
dil mein ik toofaan uthhaa de
dil mein ik toofaan uthhaa de ae
saaz-e-dilkash chhed de ae
chhed de ae
phir wahi naghmaa sunaa de ae
bhool jaa aa aa aa aa
bhool jaa aa
bhool jaa guzri wo raatein
pyaar o ulfat ki wo baatein
bhool jaa guzri wo raatein
pyaar o ulfat ki wo baatein
ho sakegaa jo naa apnaa aa
ho sakegaa jo naa apnaa aa
dil se us but? ko bhoolaa de
dil se us but? ko bhoolaa de ae
saaz-e-dilkash chhed de ae
chhed de ae
phir wahi naghmaa sunaa de
——————————————–
Devnagri script lyrics (Provided by Avinash Scrapwala)
——————————————–
फिर वही नगमा सुना दे ए
फिर वही नगमा सुना दे
दिल को दीवाना बना दे ए
साज़ ए दिलकश छेड़ दे ए
छेड़ दे ए
फिर वही नगमा सुना दे ए
ग़मज़दा ख़्वाबों में ए खोया आ
दर्द है पहलु में सोया आ
ग़मज़दा ख़्वाबों में खोया आ
दर्द है पहलु में सोया आ
याद फिर ना बे-वफ़ा कि ई
याद फिर ना बे-वफ़ा कि
दिल में इक तूफ़ान उठा दे
दिल में इक तूफ़ान उठा दे ए
साज़ ए दिलकश छेड़ दे ए
छेड़ दे ए
फिर वही नगमा सुना दे ए
भूल जा आ आ आ आ
भूल जा आ
भूल जा गुजरी वो रातें
प्यार ओ उल्फत कि वो बातें
भूल जा गुजरी वो रातें
प्यार ओ उल्फत कि वो बातें
हो सकेगा जो ना अपना आ
हो सकेगा जो ना अपना आ
दिल से उस बुत को भूला दे
दिल से उस बुत को भूला दे ए
साज़ ए दिलकश छेड़ दे ए
छेड़ दे ए
फिर वही नगमा सुना दे ए
Bala se hasraten mit jaayen
Posted on: October 14, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4105 | Post No. : | 15256 |
“Shole”(1953) was directed by B R Chopra for Hira Films. The movie had had Ashok Kumar, Bina Rai, Purnima, Jeevan, Mohana, Manmohan Krishna, Mirza Musharaf, Romi, Naaz, Uma Dutt etc in it.
The movie had eight songs in it, including two multiple version songs.
Seven songs from the movie have been covered in the past.
Here is the list of the songs of the movie that have been covered in the past:
| S N | Song | Song number in blog | Date of posting |
|---|---|---|---|
| 1 | Mera dil kabhi roye kabhi gaaye re MD-Dhaniram | 2216 | 4-Dec-09 |
| 2 | Anokhaa jaadoogar Bhagwaan Multiple version song MD-Dhaniram | 3519 | 13-Feb-11 |
| 3 | Nigaahen mila MD-Dhaniram | 9527 | 5-Mar-14 |
| 4 | Ghadi ghadi bhar jiya bekaraar ho…aaja gali baalma MD-Dhaniram | 14706 | 20-Oct-18 |
| 4 | Ae dil tu kahin le chal Multiple version song MD-Nareshwar Bhattcharji | 15189 | 27-Aug-19 |
Here is the eighth and final song from “Shole”(1953) to appear in the blog. This song is sung by Geeta Dutt. Majrooh Sultanpuri is the lyricist. It is the only song in the movie penned by Majrooh Sultanpuri. Other songs were penned by Kamil Rashid (4), Saraswati Kumar Deepak (2) and Sahir Ludhianvi (1).
Music is composed by Dhaniram.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
I have not been able to get one (may be more) word right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.
With this song, “Shole”(1953) joins the list of movies that have all their songs covered in the blog.
Song-Bala se hasraten mit jaayen (Shole)(1953) Singer-Geeta Dutt, Lyrics-Majrooh Sultanpuri, MD-Dhaniram
Lyrics
bala se hasraten mit jaayen
dil barbaad ho jaaye
hamen manzoor hai sab kuchh
jo tu aabaad ho jaaye
jo chaahe sahenge door se gham
ab yoon hi pyaar nibhaayenge hum
ab yoon hi pyaar nibhaayenge hum
kismat ne dhaaya hai wo sitam
tujhe paa ke bhi chain na aayenge hum
ab yoon hi pyaar nibhaayenge hum
jo chaahe sahenge door se gham
khush hoke hamen karen dil se juda
khush hoke hamen karen dil se juda
ye bhi to hai ik andaaz e wafa
ye bhi to hai ik andaaz e wafa
samjhenge muhabbat ka ??
tujhe kis roz yaad na aayenge hum
ab yoon hi pyaar nibhaayenge hum
jo chaahe sahenge door se gham
ujdi hui is mehfil ki qasam
toote huye saaz e dil ki qasam
jinse ?? dhadkan jaag uthhe
ab aise bhi geet na gaayenge ham
ab yoon hi pyaar nibhaayenge hum
jo chaahe sahenge door se gham
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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