Posts Tagged ‘Khayyam’
Dildaar tu hai mera pyaar tu hai
Posted on: January 16, 2021
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4565 | Post No. : | 16163 |
Today’s song is from the film Bambai ki Billi aka Wild Cat-1960.
This was a Stunt film, produced by Aspy Irani for his own banner – Super Pictures, Bombay. The film was directed by Zahoor Ahmed. The music was by Khayyam. He was assisted by Bipin and Mehboob. This Bipin was a part of Bipin-Babul duo, who gave music to 12 films together as a team. After leaving Khayyam, Bipin assisted Madan Mohan, where Babul was already an assistant. They joined hands and made a pair of Composers as Bipin-Babul.
Film Bambai ki Billi was an interesting film.This was actually the 3rd film with this title. The history of this film is very amusing..The first film was ‘ The Wild Cat of Bombay aka Bambai ki Billi’ – a Silent film made by Imperial films co. in 1927. Their famous actress-heroine Sulochana (Ruby Meyers) was the film’s Heroine and her Hero was one Jamshed. This film was directed by a novice Mohan Bhavnani, who became a big name in later years.
After Talkie films started, Imperial began Talkie remakes of their famous and popular Silent films and in 1936, Imperial made Bambai ki Billi aka Wild Cat of Bombay. The heroine was the same-Sulochana, but this time the Hero was different- Dinshaw Billimorea. Her earlier film Hero Jamshed was also in this film, but did a side supporting role. This time the film was directed by a veteran Nandlal Jaswantlal.(He became a famous director with films like Nagin and Anarkali in the 50s.). Nandlal had already done a Talkie remake of Indira, BA-a popular silent film as Imperial’s Indira MA. This was with Sulochana and D.Billimoria. Bambai ki Billi-36 was a social film,in which Sulochana had done 8 different roles. The roles were Policeman,Gardener, Gambler, Beggar, Hyderabadi gentleman, Banana Seller, a street urchin and an European Blonde girl. By the way, Sulochana is the only actress in Hindi film world, who acted in 4 remake films having same titles and doing the same roles in all films-silent and Talkie. Her films were Madhuri, Indira MA, Bambai ki Billi and Anarkali.
Besides the interesting history of this film title, the film also boasts of a Director, who was the only person in Hindi film industry who disappeared mysteriously – for ever. The name is Aspy Irani. Film was directed by Aspi Irani,who was basically famous for stunt and C grade films. Aspy Irani was an important director from the early films. His full name was ASPANDIAR HORMUSJI IRANI. He was born in the Parsi colony, Panch Gardens in Dadar, Bombay on 8-10-1911. He started work in the film industry after he completed his secondary schooling and as all Parsis are, due to his hard work, he soon attained a top rank in the Industry. He started directing films from 1936,the early Talkie stage, when the influence of Parsi Theatre, fantasies and dramas on folklore was the staple of stunt films. All such films had a basic structure and with a little changes here and there new films hit the screens.
There was a fixed audience for such films, but as the time went by, slowly the taste of the audience changed. However Aspi Irani continued with his style till the end. He did direct few social films also but the handling of social films had a clear stamp of Aspi’s direction.
He must have directed about 50-55 films till the early 80s. Some of his films were, Naya paisa, qaidi no.911,Barood,Shabnam,Badal etc. He was married to actress Husn Bano ( daughter of actress Shareefa).
On a fine morning on 23rd November 1986,Aspi left his home in the morning for work and never ever returned. No one knows what happened to him. Since then there was no trace of this man and officially he was declared ‘missing since 23-11-1986′. What an end to a legend !
The film cast was Kumkum, Sudhir, Mukri, Nazima, TunTun, Chanda Bai, Nazir Kashmiri, Ashalata etc. etc. The Hero of the film was Sudhir – who died about 7 years ago. He was a small time villain in many big films like Deewar etc. This was his First film as a hero.
Bhagwandas Mulchand Luthria (13-4-1931 to 12 May 2014) aka Sudhir was a Bollywood film actor. He was best known for his role in the film Satte Pe Satta with Amitabh Bachchan. He acted in 226 films in a career spanning from 1962 to 2009. He was one of Bollywood’s best known villains from the 1970s through the 1990s.
His first film was Taxi Driver-1954. One gets to see his name appear first time as a male lead in the 1960 Sheikh Mukhtar film ‘Baarood’. And then again in the same year, as the male lead in the film ‘Bambai Ki Billi’. Both films have Kumkum paired opposite to him. In 1961 came the somewhat more appreciated ‘Umar Qaid’, again a Sheikh Mukhtar film, in which Sudhir is paired opposite to a very young Nazima.
In an effort to break into the next level of films, maybe, Sudhir started to work in side roles. He acted in prem patra starring sadhna and shashi kapoor 1962 as Subhash.He appeared in Apna Ghar Apni Kahani (Pyas) opposite Mumtaz in 1968, singing “Jigar me dard kaisa ishko ulfat to nhi kahate” and ‘main ye sochkar uske dar se utha tha’ (Hakeekat), ‘mujhe raat din ye khayal hai’ and ‘mere dil pe andheri sa chhan laga’ from Ek Phool Ek Bhool’.
He often played the second-in-command sidekick to villains Ajit, Prem Nath and Pran, a torturous police inspector, or a sleazy man. He was most known for his shrill voice, long moustache and sideburns. He starred in at least a dozen Amitabh Bachchan movies, such as Deewaar, Kaalia, Majboor, Sharaabi, Satte Pe Satta, Dostana, Shaan and Lal Baadshah.
The 1969 film ‘Mahal’ brought Sudhir in touch with Dev Anand, and thence started an association that would last a lifetime. Starting with ‘Gambler’(1971), Sudhir has appeared in almost every Dev Anand film, whether produced by Navketan or by any other production banner.
Other notable appearances included Feroz Khan’s 1974 hit Khote Sikkay, its sequel Kachche Heere, Dharmatma, as well as Mera Gaon Mera Desh, and roles of a handicapped thief in Dev Anand’s Hare Rama Hare Krishna (1971), as police inspector (Special Appearances) in Subhash Ghai’s Meri Jung (1985) and in the Shah Rukh Khan-starring Baadshah (1999). His last film appearances were in Jhoom Barabar Jhoom (2007) and Victoria House (2009). He was also filmmaker Milan Luthria’s paternal uncle. He died on 12 May 2014 at the age of 70. He had long been suffering from a lung infection. (based on information from wiki and an article of Sudhir ji).
The film had only 7 songs. This was a major change in the HFM. Initially, people had a fascination for film songs and hence in the early cinema of the 30’s average number of songs used to be 15 to 20 songs. In the 40s the number came down to about 10 to 12 songs and in the 50’s the number was between 6 to 8 songs. All the 7 songs of this film were written by Hasarat Jaipuri. Two songs are already covered. this will be the third song today.
All the 7 songs were good. The film was a C grade film , but the Music Director was an A grade composer. Enjoy this Geeta Dutt solo song……
Song-Dildaar tu hai mera pyaar tu hai (Bambai Ka Billi)(1960) Singer-Geeta Dutt, Lyrics-Hasrat Jaipuri, MD-Khayyam
Lyrics
dildaar tu hai
mera pyaar tu hai
ikraar kar lo ji
apna hi maano
apna hi jaano
aankhen chaar kar lo ji
dildar tu hai
mera pyaar tu hai
ikraar kar lo ji
apna hi maano
apna hi jaano
aankhen chaar kar lo ji
meharbaan dekhiye
raat kitni haseen
pyaar ki chaandni
dhal na jaaye kahin
aisa na ho tere liye mar jaayen ham
dildar tu hai
mera pyaar tu hai
ikraar kar lo ji
apna hi maano
apna hi jaano
aankhen chaar kar lo ji
tu mila
to mili
jhoom kar har khushi ee
saikdon rang mein
naach uthhi zindagi ee
mehfil teri jalwe mere teri kasam
dildaar tu hai
mera pyaar tu hai
ikraar kar lo ji
apna hi maano
apna hi jaano
aankhen chaar kar lo ji
dil dukha kar kabhi
chain milta nahin ee
jaan le
zulm ka
phool khilta nahin ee
?? samajh dil ki zubaan
kar na sitam
dildar tu hai
mera pyaar tu hai
ikraar kar lo ji
apna hi maano
apna hi jaano
aankhen chaar kar lo ji
Pehle to aankh milaanaa
Posted on: January 11, 2021
- In: "Aankh" song | "Nok-Jhonk" song | Blog Ten Year Challenge (2011- 2021) | Duet | expression of love | Feelings of heart | Jagjit Kaur songs | Lyrics by Prakashchandra | Lyrics contributed by readers | Rafi Jagjit Kaur duet | Rafi songs | Songs of 1960s (1961 to 1970) | Songs of 1961 | Yearwise breakup of songs
- 3 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4560 | Post No. : | 16156 |
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Blog 10-Year Challenge (2011-2021) – Song No. 1
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Blog Ten year Challenge, which was started in 2019 and which continued in 2020 as well, now enters 2021. This post is the first post for blog ten year challenge (2011-2021).
January 2011 was quite like January 2021, with only one or two songs being posted everyday. Unlike 2021, we already had DOT days in the year 2011 by 11 january 2011. Thankfully, these days I am very particular about avaoiding DOT days at any cost. As a result, the just concluded year 2020 sa NIL DOT days. The only other year in the bloh]g that had NIL DOT days as the year 2017.
This day on 2011 saw only one song being discussed and that song was a song from “Shola Aur Shabnam”(1961) namely Jeet hi lenge baazi ham tum…pyaar ka bandhan toote naa .
“Shola Aur Shabnam”(1961) was directed by Ramesh Sahgal for Parijat Films, Bombay. This “social” movie had Tarla, Dharmendra, Abhi Bhattacharya, M Rajan, Mubarak, Vijaylaxmi, Jeeankala, Sulochana, Leela Mishra, Dhumal, Johny hisky, B N Shukla, B Perera, Baby Chandrkala, Master Akashdeep etc in it.
The movie had ten songs in it. Five songs have been covered in the blog. Here are the details of the songs that have been discussed so far:-
| Blog post number | Song | Date of posting |
|---|---|---|
| 1257 | Jaane kyaa dhoondhti rahti hain | 10 May 2009 |
| 1803 | Jeet hi lenge baazi ham tum…pyaar ka bandhan toote naa | 25 August 2009 |
| 3430 | Ladi re ladi tujhse aankh jo ladi | 11 January 2011 |
| 5983 | Phir wohi saawan aayaa | 21 May 2012 |
| 10393 | Mathura Shyaam chale | 22 October 201 |
The song under discussion today is sung by Rafi and Jagjeet Kaur. Khayyam is the lyricist. Music is composed by Khayyam.
Only the audio of the song is available. I request our knowledgeable readers to thro light on the picturisation of the song. My guess is that the song was picturised on the lead pair of Tarla and Dharmendra.
Lyrics of this song were sent to me by Prakashchandra.
Song-Pehle to aankh milaana (Shola Aur Shabnam)(1961) Singers-Rafi, Jagjeet Kaur, Lyrics-Kaifi Azmi, MD-Khayyaam
Lyrics(Provided by Prakashchandra)
pehle to aankh milaana
phir thhoda sa sharmaana
sharma ke chale jaana
are waah waah waah wah
haan
pahle to paas bulaana
thhoda sa pyaar jataana
ghabra ke chale jaana
arre waah waah waah waah
kaise gori apne dil ki baat labon par laaun
arre kaise gori apne dil ki baat labon par laaun
husn tumhaara bijli jaisa
dekh ke main darr jaaun
main ik hindustani chhori
main kyun pyaar jataaun
main ik hindustani chhori
main kyun pyaar jataaun
itna kar sakti hoon
tujhko dekhoon aur muskaaun
ghoonghat pat ko sarkaana
phir thhoda sa muskaana
muskaa ke chale jana
arre waah waah waah waah
pahle to paas bulaana
thhoda sa pyaar jataana
ghabra ke chale jaana
arre waah waah waah waah
in aankhon ko o gori
tu kitni achchi laage
in aankhon ko o gori
tu kitni achchi laage
hum jaison se aakhir kyun tu haath chhudaakar bhaage
jab tu hans kar aankh milaaye
dil ye dhadkan laage
jab tu hans kar aankh milaaye
dil ye dhadkan laage
jee chaahe main sharmaaker dil rakh doon tere aage
pehle ban thhan ke aana
hamen thoda sa tarsaana
tarsaa ke chale jaana
are waah waah waah waah
kamaal hai
pehle to paas bulaana
thhoda sa pyaar jataana
ghabra ke chale jaana
arre waah waah waah waah
pehle to aankh milaana
phir thhoda sa sharmaana
sharma ke chale jaana
arre waah waah waah waah
Jab prem agan lag jaaye
Posted on: December 13, 2020
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4531 | Post No. : | 16092 |
Today 13th December’2020 is the thirty-third ‘Remembrance Day’of actress Smita Patil(17.10.1955-13.12.1987).
The news of Smita Patil’s sudden demise this day 33 years at the age of just thirty-one came as a shock to millions of movie lovers like me. .
I was staying at Parli-Vaijnath (1985-88) at that time and I remember the next morning when I visited the ‘music recording center’ to meet my friend, he was very sad, and so were many other movie-goers and music lovers who were mourning Smita Patil’s sad demise.
As a tribute to her, here is a song from the ‘1981’ movie ‘Dil E Naadaan’.
“Dil E Naadaan-1981” was directed by C.V. Sridhar for ‘Sri Sanjay Chitra, Madras’. S.M. Sundaram was the executive producer of this movie. It had Rajesh Khanna, Shatrughan Sinha, Smita Patil, Jayaprada, Agha, Shivraj, Keshto Mukherjee, Jagdish Raj, Raj Mehra, Bina Pathak, Ashalata, Kavita Kiron, Vanita, Ashok, Umesh Sharma, Lalita Kumari etc. Om Prakash had done a guest appearance in this movie.
This movie was passed by Censor Board on 11.12.1981 and maybe it was released in the theatres in early 1982, that is why many sources mentioned this movie as a movie of ‘1982’.
This movie had five songs including two songs which had two-parts. Lyrics for all the songs were written by Naqsh Lyallpuri.
Music for this movie was composed by Khayyam. Lata Mangeshkar, Asha Bhonsle, Kishore Kumar and Suresh Wadkar had given their voices to the songs in this movie.
Here is brief about this story as given on ‘Wikipedia’ and reproduced below;
Vikram (Shatrughan Sinha) and Anand (Rajesh Khanna) are best friends, brought up by their mom (Dina Pathak). Anand is an orphan who was adopted by the family as a child and he has never been given the impression that he was an outsider. Vikram and Anand are owner and manager respectively, of an advertising agency in Bombay. Both work for the same organization & love the same woman, Asha (Jaya Prada).
In the organization, Sheela (Smita Patil) works as a deputy to Anand and is in love with him, though Anand is unaware of this. Sheela continues to harbour love for Anand even after finding out he loves Asha, whom Sheela is friends with and also lives with. Vikram frequents a bus stop daily on his way to office, where he always sees Asha. He instantly decides to propose to her. Vikram discloses to Anand that he wants to marry a girl but does not reveal her name. Meanwhile, Vikram’s mother looks for suitable girls for their marriage and declares that she would marry both her sons together on the same day.Sheela becomes confused as to whether she should continue to love Anand in spite of knowing that Anand and Asha love each other. One day, Sheela meets Vikram and as they talk, she says things that indicate she feels lonely and has lost her loved one to another. The next day, Sheela apologizes to Vikram and asks for a 10-day leave. She decides to go to her hometown to forget Anand. However, Asha joins her, as she learns that Anand is going there as well on a business trip. On a rainy day, Sheela is alone in the house when Anand arrives to meet Asha. He learns that Asha is attending a friend’s wedding, but as no train is available for returning, Anand is forced to stay the night. In the midnight, Anand starts feeling cold due to the weather, so he starts drinking. After a few drinks, he starts seeing Sheela as Asha. Despite knowing he is wrong …
(Here the first part of the song happens in the back ground and it is picturized on an actor and actress I am unable to identify with …)
Well, the movie moves forward and…
The next morning…
(reproduced from ‘Wikipedia’)
Anand realizes what has happened and writes a letter to Sheela, asking her to keep the incident a secret for life, as he wants to marry Asha only. However, Asha comes across the letter first and becomes aware of what happened between Sheela and Anand in her absence. She then decides that, as she respects her friendship with Sheela, she will sacrifice her love for Sheela and make Anand marry her instead.
The rest of the story shows what will happen to Vikram and Anand’s friendship after this incident. Will Anand marry Sheela? Will Sheela agree to marry Anand? Will Sheela make Asha marry Anand? Will Vikram marry Asha?
I will not reveal when the second part of the song (few lines only) happens (this part is also played in the background of Rajesh Khanna and Smita Patil seen on screen) in the movie to keep intact the interest of the readers who wish to watch this movie or have not watched this movie so far.
I remember I had watched this movie (I think in early 1983) and liked it then very much for the performances of Rajesh Khanna, Smita Patil, Jayaprada and Shatrughan Sinha.
The songs of this movie are also very nice and I had the good fortune to be able to share them here on the blog.
So far, following four songs from this movie have been covered on the blog;
| SNo. | Song Title | Posted on |
|---|---|---|
| 01 | Chaandni raat mein ek baar tujhe dekha hai | 28.09.2012 |
| 02 | Tera ishq hai meri zindagi | 17.10.2013 |
| 03 | Agar leta hoon tera naam | 11.07.2018 |
| 04 | Dil tera hai jaan bhi hai teri piyaa | 19.08.2020 |
With today’s song all the songs of this movie have now been covered on the blog and it joins the ‘list of movies- all songs covered’.
I could not find the video of this song and only audio is presented in today’s post.
Let us now enjoy today’s song …
Part I (Audio)
Part II (Audio)
Song-Jab prem agan lag jaaye (Dil e Naadaan)(1981) Singers-Asha Bhonsle, Suresh Wadkar, Lyrics-Naqsh Llayalpuri, MD-Khayyam
Both
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(part-1)
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ho o o o o o
jab prem agan lag jaaye
ho o o o o o o
phir chain kahaan se aayae
jab prem agan lag jaaye ae
phir chain kahaan se aaye ae
tan sulgey
man sulgey
anmit si pyaas jagaaye ae
haan
tan sulgey
man sulgey
anmit si pyaas jagaaye ae
ho jab prem agan lag jaaye ae
phir chain kahaan se aaye ae ae
ho o
rang badal kar aayi jaise
saawan rut matwaari ee
ho o o o o o o o
rang badal kar aayi jaise
saawan rut matwaari ee
barkha ki boondaniyaan barsen
ban ban ke chingaari
ho o o
bin tere
ye jaagi
arey
bin tere
ye jaagi
ho jwaala kaun bujhaaye
ho jab prem agan lag jaaye ae
phir chain kahaan se aaye ae ae
ho o
kab se madhur milan ko tarse
kanchan kaayaa mori ee
ho o o o o o o
kab se madhur milan ko tarse
kanchan kaayaa mori ee
mujhko apni baahon mein tu
kas le chori chori ee ho o
main tujhme kho jaaun
haan main tujhme kho jaaun
tu jo ang lagaaye
ho jab prem agan lag jaaye ae
phir chain kahaan se aaye ae ae
ho o
saji sanwaari sej ki rasiyaa
kaliyan ko mehkaa de ae
ho o o o o o o o o
saji sanwaari sej ki rasiyaa
kaliyan ko mehkaa de ae
aaj mere rangon mein koyi
apnaa rang milaa de
ho o o
man chaahe tu meri
sooni maang sajaaye ae
haan
man chaahe tu meri
sooni maang sajaaye ae
ho jab prem agan lag jaaye ae
phir chain kahaan se aaye ae ae
ho jab prem agan lag jaaye ae
phir chain kahaan se aaye ae ae
ho o o
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(part-II/sad version) Asha Bhonsle solo
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saji sanwaari sej ki rasiyaa
kaliyan ko mehkaa de ae
aaj mere rangon mein koyi
apnaa rang milaa de ae ae ae
man chaahe
tu meri
sooni maang sajaaye
man chaahe
tu meri
sooni maang sajaaye
sooni maang sajaaye
sooni maang sajaaye
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4469 | Post No. : | 15965 |
12/10/2020 – 82nd birth anniversary of Nida Fazli
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Aadmi ki talaash
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abhi mara nahin zindaa hai aadmi shaayad
yahin kahin use dhoondho yahin kahin hogaa
badan ki andhi guphaa mein chhupa hua hogaa
badha ke haathh
har ek raushni ko gul kar do
hawaayen tez hain jhande lapet kar rakh do
jo ho sake to unn aankhon pe pattiyan kas do
na koyi paaon ki aahat
na saanson ki awaaz
daraa huaa hai woh
kuchh aur bhi na dar jaaye
badan ki andhhi guphaa se na kuchh kar jaaye
yahin kahin use dhoondho
wo aaj sadiyon baad
udaas udaas hai
khaamosh hai
akelaa hai
na jaane kab koyi pasli phadak utthe us ki
yahin kahin use dhoondho yahin kahin hogaa
barh anaho to use phir libaas pehnaa do
andheri aankhon mein sooraj ki aag dehkaa do
bahut badi hai yeh basti kahin bhi dafnaa do
abhi maraa nahin
zinda hai aadmi shaayad
—- NidaFazli —–
Duniya jise kehte hainjaadu kaa Khilona hai
Mil jaaye to mitti hai kho jaaye to sona hai
Nida Fazli , full name Muqtida Hasan Nida Fazli (12 October 1938 to 8 February 2016) is referring to the mesmerising charm of all things worldly and the fickle mindedness of the self, which keeps hankering after the things not gained, which may or may not be within reach.
The name ‘Nida’ means “to call”. In easy urdu /hindi it would mean “pukaar”. I had considered this name for my daughter. But I was dissuaded from this name, due to the meaning being so ambiguous. Because a call could be happy and good as the “Azaan”, or it could also be a call for attention is bad times or when one is in difficulty or desperation i.e. pukaar.
Here a song from the 1981 film “Aahistaa aahistaa” as part of for ‘dheere dheere songs’ series, written by Nida Fazli. This is a melodious composition by Khayyam. I am including ‘aahistaa aahistaa” in this series as it essentially means the same as ‘dheere dheere”.
Three songs from this movie have been covered in the blog so far :-
| Song | Date posted |
|---|---|
| Kabhi kisi ko muqqammal jahaan nahin miltaa | 31 july 2010 |
| Maana teri nazar mein | 9 July 2012 |
| Jab koi khwaab chamakta hai haqeeqat ban ke | 31 july 2020 |
Padmini Kolhapure and Kunal Kapoor are singing this song on screen. This was a complicated story, I think based on a novel, with Shammi Kapoor and Nanda being the older generation and host of other actors in the cast.
Here is a duet by Asha Bhonsle and Anwar, as a tribute to Poet Nida Fazli on his birth anniversary.
Audio :
Video :
Song-Nazar se phool chunti hai nazar aahista aahistaa (Aahistaa aahistaa) (1981) Singers-Anwar, Asha Bhonsle, Lyrics-Nida Fazli, MD-Khayyam
Both
Lyrics
Nazar se phool chunti hai nazar
nazar se phool chunti hai nazar
aahistaa ahistaa
aahistaa aahistaa
muhobbat rang laati hai magar
muhobbat rang laati hai magar
aahista aahistaa
aahista aahistaa
duaayen de rahe hain ped
mausam jogiyaa saa hai
tumhaara saathh hai jab se
har ek manzar nayaa sa hai
duaayen de rahe hain ped
mausam jogiyaa saa hai
tumhaara saathh hai jab se
har ek manzar nayaa sa hai
haseen lagne lagi har reh-guzar
haseen lagne lagi har reh-guzar
aahistaa aahistaa
aahistaa aahistaa
muhobbat rang laati hai magar
muhobbat rang laati hai magar
aahista aahistaa
aahistaa aahistaa
bahot achche ho tum
bahot achcheho tum
phir bhi hamen tum se
hayaa kyun hai
tumhi bolo hamaare
darmiyaan ye
faasla kyun hai
bahot achcheho tum
phir bhi hamen tum se
hayaa kyun hai
tumhi bolo hamaare
darmiyaan ye faasla kyun hai
mazaa jab hai ke
tay ho ye safar
mazaa jab hai ke
tay ho ye safar
aahista aahistaa
aahista aahistaa
muhobbat rang laati hai magar
muhobbat rang laati hai magar
aahista aahistaa
aahista aahistaa
hamesha se akelepan mein koi
muskuraata hai
ye rishtaa pyaar ka hai
aasmaan se ban ke aataa hai
hamesha se akelepan mein koi
muskuraata hai
ye rishtaa pyaar ka hai
aasmaan se ban ke aataa hai
magar hoti hai dil ko ye khabar
magar hoti hai dil ko ye khabar
aahista aahistaa
aahista aahistaa
muhobbat rang laati hai magar
muhobbat rang laati hai magar
aahista aahistaa
aahista aahistaa
nazar se phool chunti hai nazar
nazar se phool chunti hai nazar
aahista aahistaa
aahista aahistaa
muhobbat rang laati hai magar
muhobbat rang laati hai magar
aahista aahistaa
aahistaa ahistaa
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4441 | Post No. : | 15885 |
Non Film Songs of Mukesh – 02
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These days, new-borns, barely a few hours old are made to wear full pants. It was not the case three and a half decades back at least in my case.
I got my full pant stitched only when I entered High School from primary grade. And, that too since it was mandatory for boys to start wearing full pants from VIII standard. Else, who knows, I would have had to wait for another 3 years for this luxury when I would step into college life. Jeans and readymade pants were an ultra-luxury which would have to wait for some more time.
What “aspect” of the body of a 12-year-old boy gets covered by wearing full pants is something which I have never been able to contemplate till today. Now at 46, I prepare wearing shorts even when going to the market. 🙂 How times change.
With full pants, the amount of pocket money received from parents also started improving. Especially, during and after matriculation, along with the coins, times arrived wherein I started possessing currency notes of 1, 2, 5 and on rare occasions even 10 and 20.
Family visits to restaurants did happen frequently. However, unlike the popular Punjabi la carte option these days, it was more of a combination of 2-3 snacks even for dinner. After matriculation, I developed the audacity of visiting restaurants on my own and ordering food items of my choice. This was basically after returning from college classes which were not so stringent as that of school. Then there was the option of bunking classes too.
Onion uttappa with a cup of tea or limca were my preferred choices. Sitting alone in restaurants and savouring these dishes is an experience I will never forget. At Belgaum, the place from which I hail, there were a few restaurants known for their special dishes. A hotel named “New Grand” established in 1948, had a popular and unique taste of upma which continues to be the talk of the city even today. Recently, the hotel has been demolished and moved away to a nearby location. But the ambience and the taste of food items no longer exits.
There is also a restaurant called “Ajantha” famous for its missal. It continues to be served to this day, but then again, the aroma and the taste of the bygone era is lost forever. Soft and fluffy idlis with unique taste of coconut chutney and sambar continue to be much preferred dish in this hotel to this day.
Quite adjacent to “New Grand” hotel was a theatre named Rex, which has also been now modified into a mini-mall/coffee shop etc. It was in this theatre that I saw my first and only “old Hindi movie” on a big screen.
The movie name was Neel Kamal released in 1968 which I saw in 1991/1992. I basically went to see it for the Rafi saab number Tujhko pukaare meraa pyaar. The storyline was quite annoying for me. Waheeda Rehman must have had a good walking exercise while the film was being made. 🙂
However, apart from the Rafi numbers, I came out of the theatre appreciating Asha Bhosale’s rendition of He rom rom mein basnewaale Ram. Listening and watching these songs which I had heard on radio/tape recorder on the big screen was quite a thrilling experience for me.
Born in 74, by the time I was 18, it was early nineties. Readers of the blog may well acknowledge that I write and present songs mainly from 40’s to 60’s. I sometimes venture into 70’s in case the need arises. So, basically, I discuss songs from an era before I was born. 🙂
Coming to watching old Hindi movies, I must admit that I score very badly on this front. I am yet to watch even classics such as Barsaat (49), Anmol Ghadi (1946), Deedar(1951), Andaz (1949) and a host of such movies. I did buy CD/DVD of many such movies but never cared to watch them.
Coming back to pocket money and my newfound freedom to spend on my own, I got myself involved into buying stamps, coins, books, novels, audio cassettes etc.
During one such venture in a cassettes shop, I came across a two-cassette pack of non-film ghazals of Mukesh. While I was quite familiar with filmi songs, it was on very odd occasions that I heard the NFS of Mukesh on Radio Ceylon. My joy knew no bounds when I caught sight of this pack. However, the joy seemed to be short lived. Let me explain.
The two-cassette pack was priced 55 and I must have hardly had 30 rupees. I was adamant on buying whatever 30 rupees could buy. The shop keeper explained that since it is a pack of two, individual cassettes cannot be sold. And for me to collect another 25 rupees would have taken months. I spent quite a while with him imploring and pleading to sell one of them. After much cajoling he did agree to sell Cassette No 01 priced 27.5 rupees.
The episode did not end with my purchase of one cassette. My next demand (off course free of cost) was the cover of the pack with a debonair looking Mukesh in excellent print staring straight into the eyes of the beholder. With special permission from the bosses, I am reproducing the picture of the cassette cover. I have always been awestruck with the gaze in the eyes of Mukesh in this picture.
The same snap of Mukesh was on the main cover. Now tell me, which Mukesh fan would walk away without possessing this poster.
Digressing, “poster” reminds me of my other craving and madness of collecting model Deepti Bhatnagar’s posters, calendars, advertisements or whatever my eyes would set upon featuring the beauty. This will require a separate and detailed article altogether and thankfully this series gives me ample scope and opportunity of indulging in such revelations. As the film trailers would shout “Coming soon at a theatre near you “, I have revealed the model’s name to keep the post awaited. 🙂
Coming back to the cassette story, the shopkeeper was in no position to yield stating that he himself is not sure if the other cassette would be sold as I had just bought only one. He even threatened to take back what he had just sold and return my money. Counting my blessings, I ran away with this single cassette. The date on which I had bought it was 30 January 1992. The cassette was released by HMV 4 years earlier in February 1988. I know these details since the cassette cover is still in my possession and I had this good habit of writing the date on which I bought such things.
At the shop, it did not cross my mind that I should have tried taking a photostat copy of the back of the pack or even noting the details of the songs that were printed. As for me, mobile phones in 1992 were only in the books of George Orwell, Arthur Clarke etc. 🙂
Well, after a couple of months, I did go back to the shop to purchase the second cassette. Yes, along with the pack cover ofcourse. 🙂
Unfortunately, the shop was selling some other commodities and the cassette guy had vanished. On enquiry, I was told that the earlier guy had closed shop for whatever reasons. I only prayed to God that the reason should not have been the sale of a single cassette for what should have been sold in a pack of two.
For many years, I always wondered what songs Cassette number 2 contained. Now with the advent of internet and the ease with which anything under the sun can be searched, I have got the full details of the cassettes. Interested readers may visit this site for the same.
Readers may be aware that I have posted two articles on the association of Mukesh with Khaiyyam saab in my other series. One article with the filmi songs of the combo and the other featured all the NFS.
Here is the post which covered the all NFS of Mukesh with Khaiyyam saab..
Coming to today’s NFS, I have chosen a Ghalib ghazal composed by Khaiyyam saab. Needless to mention, this ghazal is one of the ten songs in cassette number 01.
This ghazal was first released on records in 1963, as can be seen from the record label above.
Song-Ham rashq ko apne bhi gawaara nahin karte (Mukesh NFS)(1963) Singer-Mukesh, Lyrics-Ghalib, MD-Khayyam
Lyrics
ham rashq ko apne bhi gawaaraa nahin karte
ham rashq ko apne bhi gawaaraa nahin karte
marte hain vale un ki tamannaa nahin karte
marte hain vale un ki tamannaa nahin karte
dar pardaa unhen ghair se hai rabt-e-nihaani ee ee ee
dar pardaa unhen ghair se hai rabt-e-nihaani ee
zaahir kaa ye pardaa hai ki pardaa nahin karte
zaahir kaa ye pardaa hai ki pardaa nahin karte
marte hain vale un ki tamannaa nahin karte
ye baais-e-naumeedi-e-arbaab-e-hawas hai ae ae ae ae
ye baais-e-naumeedi-e-arbaab-e-hawas hai ae
Ghalib ko buraa kahte ho
Ghalib ko buraa kahte ho achchhaa nahin karte ae
Ghalib ko buraa kahte ho achchhaa nahin karte ae
Ghalib ko buraa kahte ho achchhaa nahin karte ae
ham rashq ko apne bhi gawaaraa nahin karte ae ae ae
- In: Asha Bhonsle solo | Asha Bhonsle songs | Blog ten year challenge (2010-2020) | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Guest posts | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1980s (1981 to 1990) | Songs of 1981 | Yearwise breakup of songs
- 1 Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4396 | Post No. : | 15769 |
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Blog 10-Year Challenge (2010-2020) – Song No. 46
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In the ‘Blog Ten-Year Challenge’ for today (31st July 2020) we have one eligible movie – ‘Aahistaa Aahistaa-1981’.
Another movie ‘Swaami-1977’ though officially YIPPEED with all the four known songs of the movie covered may spring some ‘surprise’in future hence it is marked as ‘all songs covered*’ (with a ‘star’ 🙂 ).
As noted in the earlier posts the blog was in its ‘full swing’ ten years back during these days when it saw an average of over six posts per day appearing on the blog.
In today’s case also, on this day ten years back we had six songs posted on the blog as per details given below;
| Song | Movie title-Year | Remarks |
|---|---|---|
| Kabhi kisi ko muqqammal jahaan nahin miltaa | Aahistaa Aaahista -1981 | 02 songs posted |
| Pal bhar mein ye kyaa ho gayaa | Swami-1977 | All songs covered* |
| Main shaayar badnaam | Namak Haram-1973 | All songs covered |
| Na tum bewafaa ho na ham bewafaa hain | Ek Kali Muskaayi-1968 | All songs covered |
| Nainon waali ne haay meraa dil lootaa | Mera Saayaa-1966 | All songs covered |
| Aay haay dilrubaa | Dr Vidya-1962 | All songs covered |
Today we are going to enjoy a song from the movie ‘Aahistaa Aahistaa-1981’ where the music was composed by the genius music director who had given us many timeless classics – Khayyam Saab.
This movie too had many such immortal gems and two of them have already been posted on the blog earlier.
| Song | Posted On |
|---|---|
| Kabhi kisi ko muqqammal jahaan nahin miltaa | 31.07.2010 |
| Maana teri nazar mein | 09.07.2012 |
‘Aahistaa Aahistaa-1981’ was directed by Eesmayeel Shroff for ‘New World Enterprises, Bombay’.
It was produced by Sibte Hasan Rizvi.
It had Shammi Kapoor, Nanda, Padmini Kolhapure, Deven Verma, Shashikala, Ashalata, Aruna Irani, Savita Bajaj, Sudhir Pande, Manisha, Rakesh Bedi, Leela Mishra, Master Sandeep, Baby Waheeda, Baby Gazala, Sunder Taneja, Kalu Singh, Krishnakant Pandya (junior), Deepak, Iliyas Contractor, Pramod Pathak, D.A. Ambaule, Harish, Suresh, Ramesh and others.
The movie introduced Kunal Kapoor and Soni Razdan. Kadar Khan, Rahman and Girish Karnad had a special appearance in this movie.
This movie had eight songs (including a multiple version song) written by Nida Fazli-six songs and Naqsh Lyallpuri – two songs. Music for this movie was composed by Khayyam.
This movie was passed by Censor Board on 05.10.1981.
Today’s song is sung by Asha Bhonsle and written by Nida Fazli.
I have not watched this movie so cannot say much about his movie, but yes, all the songs from this movie are my favourite songs.
Lyrics for the today’s song were sent Prakashchandra.
Let us now enjoy today’s beautiful song …
Song-Jab koi khwaab chamakta hai (Aahistaa Aahistaa)(1981) Singer-Asha Bhonsle, lyrics-Nida Fazli, MD-Khayyam
Lyrics(Provided by Prakashchandra)
jab koi khwaab chamaktaa hai
haqeeqat ban ke
jab koi khwaab chamaktaa hai
haqeeqat ban ke
koi qismat se chalaa aataa hai
qismat ban ke ae ae
jab koi khwaab chamaktaa hai
haqeeqat ban ke
jab kisi maang mein sindoor
bharaa jaataa hai
jab kisi maang mein sindoor
bharaa jaataa hai
aasmaan apni bulandi se utar aataa hai
ek ho jaate hain do naam
muhabbat ban ke
ek ho jaate hain do naam
muhabbat ban ke
koi qismat se chalaa aataa hai
qismat ban ke ae ae
jab koi khwaab chamaktaa hai
haqeeqat ban ke
aaj ki raat hai
ghoonghat mein lajaane ae waali
aaj ki raat hai ghoonghat mein
lajaane waali
choodiyon waali tamannaayein
jagaane waali
ye haseen raat mili hai tujhe
chaahat ban ke
ye haseen raat mili hai ae ae tujhe
chaahat ban ke
koi qismat se chalaa aataa hai
qismat ban ke ae ae
jab koi khwaab chamaktaa hai
haqeeqat ban ke
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Devnagri Script lyrics (Provided by Avinash Scrapwala)
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जब कोई ख्वाब चमकता है
हकीकत बन के
जब कोई ख्वाब चमकता है
हकीकत बन के
कोई किस्मत से चला आता है
किस्मत बन के ए ए
जब कोई ख्वाब चमकता है
हकीकत बन के
जब किसी माँग में सिन्दूर
भरा जाता है
जब किसी माँग में सिन्दूर
भरा जाता है
आसमान अपनी बुलंदी से उतर आता है
एक हो जाते हैं दो नाम
मुहब्बत बन के
एक हो जाते हैं दो नाम
मुहब्बत बन के
कोई किस्मत से चला आता है
किस्मत बन के ए ए
जब कोई ख्वाब चमकता है
हकीकत बन के
आज की रात है
घूंघट में लजाने ए वाली
आज की रात है
घूंघट में लजाने वाली
चूड़ियों वाली तमन्नाएं
जगाने वाली
ये हसीं रात मिली है तुझे
चाहत बन के
ये हसीं रात मिली है तुझे
चाहत बन के
कोई किस्मत से चला आता है
किस्मत बन के ए ए
जब कोई ख्वाब चमकता है
हकीकत बन के
Jhoola kinne daala re
Posted on: March 1, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4244 | Post No. : | 15463 |
“Umrao Jaan” (1981) was produced and directed by Muzaffar Ali. The movie had Rekha, Farooq Sheikh, Naseruddin Shah, Raj Babbar, Shaukat Kaifi, Bharat Bhushan, Satish Shah, Prema Narayan, Dina Pathak, Leela Mishra, Akbar Rashid, Gajanan Jagirdar, Khan Ghizlai, Rita Rani Kaul etc in it.
The movie had ten songs in it. Six of these songs have been covered in the past.
Here is the seventh song from “Umrao Jaan” (1982) to appear in the blog. this song is a classical song which is sung on traditional lyrics. It is sung by Shahida Khan according to HFGK. But it turns out that the song, as seen in the picturization is sung by Ustaad Ghulam Mustafa Khan. Shahid Khan version was the record version of the song.Khayyam is the music director.
Song-Jhoola kinne daala re(Umraao Jaan)(1981) Singer-Ustaad Ghulam Mustafa Khan/Shahida Khan, MD-Khayyam
Lyrics
Ustaad Ghulam Mustafa Khan version
jhoola kinne daala re amraiyya
jhoole mora sainya loon main balainya
re amraiyya
jhoola kinne daala re amraiyya
ambuva ke pedva pe jhoola jhoolat hai
ambuva ke pedva pe jhoola jhoolat hai
garba lagaaye pakad leenhi bainya
re amraiyya
Jhoola kinne daala re amraiyya
jhoola kinne daala re amraiyya
dar mohe laage jiya mora larje ae
dar mohe laage jiya mora larje
haule haule jhoolna jhulaao more sainya
haule haule bhoolna khiladi more sainya
re amraiyya
jhoola kinne daala re amraiyya
re amraiyya
re amraiyya
This article is written by nahm, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4233 | Post No. : | 15443 |
It was the 94th Birth Anniversary of Late Khaiyyam yesterday (18 february 2020).
Born as Mohammed Zahur Khayyam Hashmi(18 February 1927 – 19 August 2019), he started his career as music director, as Sharmaji of duo of Sharmaji-Vermaji with Rehman Verma.
He passed away last year on 19th August 2019, after an illustrious career of more than 4 decades. As per the stats page, he has composed 377 songs in 42 movies, out of which 179 songs are already posted. My personal favourite songs list has to start with the songs of Rafi songs in ‘”Shola aur Shabnam” , include “Bazaar”, “Umrao Jaan”, “Shaam e gham ki Qasam”(Footpath), Rafi solo “hai kali kali ke lab par”, some songs of “Razia Sultan” especially the sehra “Aye khuda Shukr tera”, songs of ‘Kabhi Kabhi”, “bahaaron mera jeewan bhi sanwaaro” (Aakhri Khat) etc.
I cannot forget to mention two songs of “Shankar Husaain” both the unforgettable solos by Rafi and Lata Mangeshar. The list will go all the way to the songs of ‘Phir Subah hogi” . And “Simti hui ye ghadiyaan” of “Chambal Ki Qasam”. The song of “Khandaan” (ye Mulaquat ek bahana hai) and Rafi-Lata duet from “Chambal kiQasam” were special favourites at the All India Radio’s Urdu service afternoon show (Aap ki farmaish ).
From a layman point of view also the songs composed by Khaiyyam are always melodious and have a distinctive style of their own. I can call it almost a ‘Genre”, very similar to the style of “Jaidev”. Jaidev was an assistant to S. D. Burman, but I was able to find any references it Khaiyyam was an assistant to anyone. He may have been as the training is required here also as any other field.
He composed non film songs and ghazals also, almost 34 of which were sung by Mohammed Rafi.
As per Wikipedia :
“On his 89th birthday, Khayyam announced the formation of a charitable trust, Khayyam Jagjeet Kaur KPG Charitable Trust, and decided to donate his entire wealth to the trust to support budding artists and technicians in India. His wealth at the time of announcement was valued at around ₹10 crore (US$1.4 million)”
The song I have selected to present on this occasion is from the film ‘Bambai ki Billi”, alternatively named “Wild Cat”. How does “Bambai” translate of Wild in this instance, I can’t begin to decipher. The singer of this song is Lata Mangeshkar, with chorus. Lyricist is Hasrat Jaipuri, composer is the the one and only Khaiyyam.
The tune of the song is reminiscent of this song from “Kabhi Kabhi”.
Song-Main baaghon ki morni jab naachhon taa taa thaiyya (Bombay Ki Billi )(1960) Singer-Lata, Lyrics-Hasrat Jaipuri, MD-Khaiyyam
Chorus
Lyrics
Jab jab mori paayal baaje
Logan ka aa dil dhhadke
Dekh ke mori chhalbalwa ??
man mein bijuriyaa kadkey ae
ho o
Main baaghon ki morni
Jab naachun taa taa thhaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya aa
Main baaghon ki morni
Jab naachoon taa taa thhaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya hoye
Nain kateele aur sooratiyaa saanwri
hoye hoye hoye hoye hoye
Nain kateele aur sooratiyaa saanwri
Ho gayee main ko dekh ye duniyaa baawri
Hoye
Ho gayee main ko dekhye duniyaa baawri
Haay re ra rararara ra ra
Jinki batiyaan zeher bhari hain
Jaise koi kasaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya hoye
Chaand bhi sharmaaye hai
Mere roop se
hoye hoye hoye hoye hoye
Chaand bhi sharmaaye hai
Mere roop se
Raat bhi din ban jaaye
Badan ki dhoop se
Hoy Raat bhi din ban jaaye
Badan ki dhoop se
Haay re la lalalara la la
Jin raston se chham chham jaaun
Taake mohe sipahiyaa
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya hoye
tu baaghon ki morni
Jab naache taa taa thhaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
baal ye kaale
Pyaar se paale naag hain
hoye hoye hoye hoye hoye
baal ye kaale
Pyaar se paale naag hain
Haathh badha ke chhoo na lenaa
aag hain
hoye
Haathh badha ke Chhoo na lenaa
aag hain
Haay re ra rararara ra ra
Man ki been bajaaun jab jab
Jhoome prem kanhaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya hoye
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4232 | Post No. : | 15441 |
“Sandhya”(1975) was produced by Sunik Kumar and directed by Mirza Masood Baig and Sunil Kumar for Knight Films Bombay. This “social” movie had Aziz Mirza, Nargis Bano, Sunil Kumar, Rajita Thakur, Sharad Kumar, Nilo Roy, Kamal Kapoor, Hira Lal, Ratnamala, Haider Kumar, Dilip Dutt, Mona, Baby Bindu, Misri Lal, Hariram Raheja, Mauji Ram, Radhey Shyam, Mohammed Ali, Haroon, Romeo, Rehana, Surendra Sharma, Prasad, Ashok, Moolchand, M.L.Kapoor, Sajjan Harilalka, Yudhishtir etc in it.
This obscure movie had three different to find songs in it. Two of these songs have been covered in the past.
Here are the details of these two songs:
| S N | Song | Song number in blog | Date of posting |
|---|---|---|---|
| 1 | Zindagi tujhse bahot pyaar kiya hai maine | 11064 | 14-Apr-2015 |
| 2 | Ang ang rang chhalkaaye | 15085 | 23-June-2019 |
Today (18 february 2020) is the birth anniversary of Jaan Nisaar Akhtar (18 February 1914 – 19 August 1976) as well as Khayyam (18 February 1927 – 19 August 2019). Curiously, Their birth anniversary as well as death anniversary fall on the same days (though in different years).
As a tribute to them, here is the third and final song from “Sandhya”(1975). This song is sung by Sulakshana Pandit. Jaan Nisaar Akhtar is the lyricist. music is composed by Khayyam.
Only the audio of the song is available. It sounds like a mujra song to me. I request our knowledgeable readers to throw light on the picturisation of this rare song.
Lyrics of this song were sent to me by Prakashchandra.
Audio link:
Song-Jo palkon par nahin aate wo aansoo kisne dekhe hain (Sandhya)(1975) Singer-Sulakshana Pandit, Lyrics-Jaan Nisaar Akhtar, MD-Khayyam
Lyrics(Provided by Prakashchandra)
ye dilwaale jo dil de kar
silaa chaahein
pataa kab hai ae
ye kyaa maangey
ye kyaa chaahein
kabhi aanchal dhalak jaaye ae
jo baahon se
ye deewaane
(laughing sound)
badan chhoo lein
nigaahon se
pighal jaaye jo honthon ki nami dekhein
machhal jaayen jo aankhon mein hansi dekhen
par aankhon ki
hansi mein
gham ke pehloo
kis ne dekhe hain aen
par aankhon ki
hansi mein
gham ke pehloo
kis ne dekhe hain aen
jo palkon par nahin aate
par nahin aate
woh aansoo kis ne dekhe hain
kabhi chaahein ke ras pee len
nazaaron ka
kabhi chaahein ke tan rach len
bahaaron ka
mehkte phool ye kab
todna chaahein
lapakte ae haath kaliyaan
todnaa aaa chaahein aen aen aen aen
jo shaakhein toot’ti hain
unn ke baazoo kis ne dekhe hain aen
jo shaakhein toot`ti hain
unn ke baazoo kis ne dekhe hain aen
husn-ae-shamma tera
sabki aankhon ka nashaa
pyaar parwaane karein
raqs deewaane karein
par tere dil ki lagi
koi samjha na kabhi
sab ki padti hai nazar
tere jalwon pe magar a a a
dhuaan ban kar
bikhar ke tere gesoo
kis ne dekhe hain
jo palkon par nahin aate
woh aansoo kis ne dekhe hain
- In: Background song | Devnagri script lyrics by Avinash Scrapwala | expression of love | Feelings of heart | Lata solo | Lata song | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Rajesh Khanna present (without lip syncing) | Rajesh Khanna songs | Songs of 1980s (1981 to 1990) | Songs of 1981 | Yearwise breakup of songs
- 4 Comments
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Blog Day : |
4089 | Post No. : | 15230 |
Today (28 september 2019) is the 90th birthday of Lata Mangeshkar (DoB 28 september 1929).
She started her playback career in 1940s and she went on to sing till early 2000s, viz for seven decades ! Mindboggling indeed.
She sang just under 5700 songs in Hindi movies according to our estimate. The blog has 3475 of her songs and so we are one of the rare places on internet where so many of her songs can be accessed at one place.
Another 2000 odd of her songs remain uncovered. it is a matter of time before her remaining songs (that are available) will also find representation in the blog.
On this occasion, here is a song from “Dard”(1981). “Dard”(1981) was produced by Shyam Sundar Shivdasani and directed by Ambreesh Sangal fo Murghan Enterprises, Bombay. This “social” movie had Rajesh Khanna, Hema Malini, Poonam Dhillon, Om Shivpuri, Krishn Dhawan, Pinchoo Kapoor, Shashi Kiran, Madhup Sharma, Kamaldeep, Harjeet, Poornima Jairam, Mazhar Khan (2), Master Raju etc wih special appearance by Ranjeeta.
The movie had seven songs in it. Four songs have already been covered in the past.
Here is the fifth song from “Dard”(1981) to appear in the song. This song is sung by Lata. Naqsh Llayalpuri is the lyricist. Music is composed by Khayyam.
The song is picturised as an expression of love song on Hema Malini and Rajesh Khanna. The song is not lip synced by Hema Malini rather it gets plays in the background.
Lyrics of this song were sent to me by Avinash Scrapwala.
Video
Song-Na jaane kya hua jo toone chhoo liya(Dard)(1981) Singer-Lata, Lyrics-Naqsh Llayalpuri, MD-Khayyam
Lyrics(Provided by Avinash Scrapwala)
Na jaane kyaa huaa
Jo toone chhoo liyaa
Naa jaane kyaa huaa
Jo toone chhoo liyaa
Khilaa gulaab ki tarah
Meraa badan
Nikhar nikhar gayee
Sanwar sanwar gayee
Nikhar nikhar gayee
Sanwar sanwar gayee
Banaa ke aainaa tujhe ae jaaneman
Na jaane kyaa huaa
Jo toone chhoo liyaa aa
Bikhraa hai kaajal fizaa mein
Bheegi bheegi hai shaamein
Boondon ki rimjhim se jaagi
Aag thhandi hawaa mein
Aajaa sanam
ye haseen aag ham
Len dil mein basaa
Naa jaane kyaa huaa
Jo toone chhoo liyaa
Khilaa gulaab ki tarah
Meraa badan
Na jaane kyaa huaa
Jo toone chhoo liyaa aa
Aanchal kahaan
main kahaan hoon
Ye mujhe hosh kyaa hai
Ye bekhudi toone di hai
Pyaar kaa ye nashaa hai
Sun le zaraa
saaz e dil gaa rahaa
Hai naghmaa teraa
Na jaane kyaa huaa
Jo toone chhoo liyaa
Khilaa gulaab ki tarah
Meraa badan
Na jaane kyaa huaa
Jo toone chhoo liyaa aa
Kaliyon ki ye sej mehke
Raat jaage milan ki
Kho jaayein dhadkan mein teri
Dhadkanen mere mann ki
Aa paas aa
teri har saans mein
Main jaaun samaa
Na jaane kyaa huaa
Jo toone chhoo liyaa
Khilaa gulaab ki tarah
Meraa badan
Nikhar nikhar gayee
Sanwar sanwar gayee
Banaa ke aainaa tujhe ae jaaneman
Na jaane kyaa huaa
Jo toone chhoo liyaa
Na jaane kyaa huaa
Jo toone chhoo liyaa
Na jaane kyaa huaa
Jo toone chhoo liyaa
——————————–
Devnagri Script lyrics(Provided by Avinash Scrapwala)
——————————
न जाने क्या हुआ
जो तूने छू लिया
न जाने क्या हुआ
जो तूने छू लिया
खिला गुलाब की तरह
मेरा बदन
निखर निखर गयी
संवर संवर गयी
निखर निखर गयी
संवर संवर गयी
बनाके आइना तुझे अय जानेमन
न जाने क्या हुआ
जो तूने छू लिया आ
बिखरा है काजल फिजा में
भीगी भीगी है शामें
बूंदों की रिमझिम से जागी
आग ठंडी हवा में
आजा सनम
ये हसीं आग हम
ले दिल में बसा
न जाने क्या हुआ
जो तूने छू लिया
खिला गुलाब की तरह
मेरा बदन
न जाने क्या हुआ
जो तूने छू लिया आ
आँचल कहाँ
मैं कहाँ हूँ
ये मुझे होश क्या है
ये बेखुदी तूने दी है
प्यार का ये नशा है
सुन ले ज़रा
साज़ ए दिल गा रहा
है नगमा तेरा
न जाने क्या हुआ
जो तूने छू लिया
खिला गुलाब की तरह
मेरा बदन
न जाने क्या हुआ
जो तूने छू लिया आ
कलियों की ये सेज महके
रात जागे मिलन की
खो जाएँ धड़कन में तेरी
धडकने मेरे मन की
आ पास आ
तेरी हर सांस में
मैं जाऊं समा
न जाने क्या हुआ
जो तूने छू लिया
खिला गुलाब की तरह
मेरा बदन
निखर निखर गयी
संवर संवर गयी
बना के आइना तुझे अय जानेमन
न जाने क्या हुआ
जो तूने छू लिया आ
न जाने क्या हुआ
जो तूने छू लिया आ
न जाने क्या हुआ
जो तूने छू लिया आ
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