Archive for the ‘Post by Shekhar Gupta’ Category
Tum bhulaaye na gaye
Posted on: May 31, 2012
This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a contributor to this blog.
Feroza Begum was the better-half of the famed music director Kamal Dasgupta who composed many Bangla movie and private songs and some unforgettable Hindi ones too – in particular for Jawab (1942) and Hospital (1943) which numbers are very much availableon this blog.
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Main to Ram ratan dhan paayo
Posted on: May 28, 2012
This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a contributor to this blog.
Many have sung Meera bhajans – from classical greats like M.S. Subbulakshmi to Bollywood greats such as Lata Mangeshkar … and so many in between – and to their credit. But for me, Juthika Roy’s vocals and expression seem to be made for Meera bhajans. Her Meera numbers touch even my atheist heart! Juthika Roy’s private numbers are galore, but she seems to have sang for only three movies: Lalkar (1944) under the baton of C Ramchandra, Ratnadeep (1952) under Robin Chatterjee (Hindi and Bangla versions) and the Bangla movie Dhooli (1954) under Ranjan Sarkar.
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Aa muhabbat ki basti basaayenge ham
Posted on: May 27, 2012
This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a contributor to this blog.
My all-time favourite Lata-Kishore duet is from the Famina Production’s Fareb (1953) ” Aa, mohabbat ki basti basaayenge hum”, in which the duo are at their soulful best in expressing the pangs of separation of the two lovers, so poignantly captured in Majrooh Sultanpuri’s breath-taking imagery “dekh dharti se aakaash hai kitni door!”
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Shama par jalke bhi parwaana
Posted on: May 26, 2012
This article is written by Shekher Gupta, a fellow enthusiast of Hindi movie music and a new contributor to this blog.
Without detracting one bit from her merit, capability and musico-longevity, I have to admit that I am not a fan of Asha Bhosle in the same manner as I am of Lataji. That said, there are quite a few of Ashaji’s evergreens – some of them lesser known than her racy raunchy numbers – which touch me more or less the same as some of Lataji’s best.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a new contributor to this blog.
Growing up in India, one of the memorable numbers that I heard in my childhood on the two sides of a 78 rpm gramophone record from my late father’s collection was “Bhaarat ki ek sannari ki hum katha sunaate hain” in Vijay Bhatt’s seminal Ram Rajya (1943).
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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