Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Bhookh


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5422 Post No. : 17784

“Bhookh” (1947) was produced and directed by Dr Safdar Aah Sitapuri. The movie had Sheikh Mukhtar, Husna, Kanhaiyalal, Agha, Laddan, Narmada Shankar, Abu Baker, Ghulam Hussain, Miss Kiran etc in it.

“Bhookh” (1947) had eight songs in it. Two songs have been covered in the blog.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4391 Post No. : 15757

I have carried an impression in my mind for a long time that in the 1940s, Anil Biswas rarely used full-throated playback singers like Shamshad Begum, Zeenat Begum, Zohrabai Ambalewaali, Munawwar Sultana etc. This is based on my listening many songs composed by Anil Biswas during the last about one decade. To check my ‘hypothesis’, I glanced through all the songs composed by Anil Biswas which have been tagged under his name in our Blog.

In addition, I went through a couple of websites on Hindi film songs and my excel-sheets of songs for the period 1931-50, partially taken from HFGK. The main conclusions of my ad-hoc research are as under:

  1. Zeenat Begum and Munawwar Sultana did not sing for Anil Biswas though both of them had shifted to Mumbai sometime in 1944.
  2. Although Shamshad Begum had shifted to Mumbai along with the musical team of Ghulam Haider in 1942, Anil Biswas gave her chance to sing under his music direction for the first time in the film ‘Bhookh’ (1947).
  3. Anil Biswas took Zohrabai Ambalewaali for the first time in the film ‘Gramophone Singer’ (1938) followed by ‘Hum Tum Aur Woh’ (1938). After a gap of nearly 9 years, she got a chance to sing for him in ‘Naiyya’ (1947) which happened to be her last film with Anil Biswas as a playback singer.
  4. Ameerbai Karnataki and Anil Biswas started their musical career almost simultaneously in Mumbai during 1935-36 and she sang for him in a couple of films as an actor-singer. But as a playback singer, she got a chance to sing under the music direction of Anil Biswas for the first time in ‘Kismet’ (1943). With the popularity of her songs in this film, Ameerbai Karnataki became one of the topmost playback singers of Hindi films.

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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

VINTAGE SHAMSHAD BEGUM…..Song No- 5
——————————————

1947 was an important year not only for the Nation, but also for the Film industry that sadly said ‘Good Bye’ to many of its popular Muslim artistes, who chose to migrate to the new nation PAKISTAN, created on the basis of Religion. The departure of many talented and popular, successful artistes and technicians was an immediate blow to the film industry, but the void thus created was soon filled up with its own personnel ‘waiting in the wings’ to take over. India never had a shortage of talented people, but it was Pakistan, who faced problems in establishing its New Film Industry. Their major problem was shortage of Financiers and Producers-who were mostly Hindus and who either shifted to India or got killed in the riots and their studios were burnt down by the rioters.
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