Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Lachhiram


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6378 Post No. : 19776

Madhubala-1950, A Ranjit Movietone film, directed by Prahlad Dutt had music by Pt.Lachhiram. The cast of the film was Madhubala, Dev Anand, Jeevan, Randhir, Manju, Ram Avatar and others.

We have been taught in our school that 2=2 is 4. But in life, sometimes 2+2 is also 22 like, when a Love marriage is by the willing consent of both the families, or getting a child after 10 years of marriage or when your son stands First and wins a Gold medal in his MBBS course, it is the 2+2=22 ! Similarly when ‘Rati’ and ‘Madan’ come together, it is 2+2=22 ! In our language, when the eternal beauty Madhubala pairs with the handsome, young Dev Anand it is 2+2=22 again.

In the film Madhubala-1950, when these two were paired, no wonder people were ecstatic and crowded the cinema halls. No one bothered if the story was weak or the music was third rate. These two were enough to please them. Here, of course the story was good and the music too !
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4996 Post No. : 16892

Today 23rd March, 2022 is the ninety-second Martyrdom Day of the great revolutionary of India, Bhagat Singh and his two comrades – Sukhdev and Rajguru. Bhagat Singh, Sukhdev, and Rajguru were hanged to death on 23rd March, 1931 by the then British Government in India. Every year on 23rd March we pay our tributes to these great martyrs on blog.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4004 Post No. : 15108 Movie Count :

4194

Missing Films of 1960s – 113
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Famous last words, and all the associated idiomatic paraphernalia that goes along – well, it has happened with me too. 🙂 On Monday last (1st July), while posting the 112th episode of this series, I had, with much fanfare announced that no more films of 1960s are traceable at present. And the very same day, our dear Sadanand ji pointed me towards a link on YT – a song uploaded by Shri Girdhari Lal ji (of Jodhpur), from the film ‘Rang Raliyaan’ of 1962. This film is on the list of 79 films that I posted in that article – list of films that are still to be traced.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The playback system came in to vogue some time in 1935 in Bombay film industry. The system really got stabilized only from early 40s. At that time,  among the female playback singers, Ameerbai Karnataki, Rajkumari, Zohrabai Ambaalewaali and Shamshad Begum dominated the Hindi film industry. There were other playback singers like Parul Ghosh, Zeenat Begum, Hamida Bano, Naseem Akhtar, Mohantara Talpade, Dilshad Begum etc. While a few among them had migrated to Pakistan, others  playback singers either could not stand against the competition with the well- established playback singers or they had to give up their careers, probably for domestic and personal reasons.
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