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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Aziz Kashmiri


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3907 Post No. : 14964 Movie Count :

4090

Missing Films of 1960s – 102
– – – – – – – – – – – – – – –

As I checked the listings today, I find there still are a good about dozen films of 1960s, and this homework list, that are traceable, available and have to be covered. I was earlier thinking may be just four or five more to go. Ok so, abhi to we are in good stride here, and hope to complete the available list in the next about two weeks. 🙂

Today’s film is ‘Soldier’ from 1969. This film also has an alternate name – ‘Thakur Diler Singh’. And so on YouTube, we find songs available by both names. The film is produced under the banner of PS Pictures, Bombay and is directed by Shyam. An short list of actors – Kumar Ajeet, Deepa, Shyam Kumar, Rajan Haksar, Randhir, Pal Sharma, Parasram, Jagdev, and Bilkis Shabnam.

The Geet Kosh lists 5 songs for this film. All songs are from the pen of Aziz Kashmiri, and the music is by the duo of Sonik Omi. Aziz Kashmiri, by this time in his career, was seasoned songwriter. His active career starts at the beginning of the 1940s, and goes all the way to mid 1970s – a recognized body of work of about 230+ songs from about 50 films. To his credit are such notable films as ‘Himmat’ (1941), ‘Iraada’ (1944), ‘Khamosh Nigaahen’ (1946), ‘Mirza Sahiban’ (1947),’Ek Thi Ladki’ (1949), ‘Dholak’ and ‘Sabz Baagh’ (both 1951), ‘Aag Ka Driya’ and ‘Ek Do Teen’ (both 1953), ‘Dekhi Teri Bambai’ (1961), ‘Bahaaren Phir Bhi Aayengi’, ‘Yeh Raat Phir Na Aayegi’ and ‘Akalmand’ (all 1966) etc. His last film, as per Geet Kosh, is ‘International Crook’ from 1974.

Today’s song is in the voice of Asha Bhosle. Although the video clips of some songs of this film are available, for this particular song, I could locate only the audio clip. From the sound of it, it seems to be a group dance situation. I request other knowledgeable readers and friends to add more information about this song.

Another player from 1960s makes its debut on our blog.  Listen to and enjoy this wonderful creation.

(Audio)

(Video)

Song – Hum Ne Suna Tha Bada Charcha Janaab Ka  (Soldier) (1969) Singer – Asha Bhosle, Lyrics – Aziz Kashmiri, MD – Sonik Omi
Chorus

Lyrics

hum ne sun tha bada charcha janaab ka
nainon ne de daala dhokha sharaab ka
chheen liya chain mera
aa re re re main to maari gai
bajaar saara loot liya o morey raja
bajaar saara loot liya o morey raja
hum ne sun tha bada charcha janaab ka
nainon ne de daala dhokha sharaab ka
chheen liya chain mera
aa re re re main to maari gai
bajaar saara loot liya o morey raja
bajaar saara loot liya o morey raja

bin poochhe mann ghaayal kar gayi
qaatil teri najariya
koi maane ya na maane
hum huye tere deewaane
jo pyaar kare iqraar kare
to ban jaaye afsaane
hoy bin poochhe mann ghaayal kar gayi
qaatil teri najariya
chauraahe pe dekha tujhko
lut gayi beech bajariya re
bajaar saara loot liya o morey raja
bajaar saara loot liya o morey raja

gali gali main naach rahi hoon
tere liye bedardi
kehti hai meri jawaani
kyon qadar na tu ne jaani
ho yaar mere dildaar mere
zaalim hai rut mastaani
hoy gali gali main naach rahi hoon
tere liye bedardi
itna to batla de akela
kya thi teri marzi
bajaar saara loot liya o morey raja
bajaar saara loot liya o morey raja

hum ne sun tha bada charcha janaab ka
nainon ne de daala dhokha sharaab ka
chheen liya chain mera
aa re re re main to maari gai
bajaar saara loot liya o morey raja
bajaar saara loot liya o morey raja

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

हम ने सुना था बड़ा चर्चा जनाब का
नैनों ने दे डाला धोखा शराब का
छीन लिया चैन मेरा
आ रे रे रे मैं तो मारी गई
बाजार सारा लूट लिया ओ मोरे राजा
बाजार सारा लूट लिया ओ मोरे राजा
हम ने सुना था बड़ा चर्चा जनाब का
नैनों ने दे डाला धोखा शराब का
छीन लिया चैन मेरा
आ रे रे रे मैं तो मारी गई
बाजार सारा लूट लिया ओ मोरे राजा
बाजार सारा लूट लिया ओ मोरे राजा

बिन पूछे मन घायल कर गई
क़ातिल तेरी नजरिया
कोई माने या ना माने
हम हुये तेरे दीवाने
जो प्यार करे इक़रार करे
तो बन जाये अफसाने
होय बिन पूछे मन घायल कर गई
क़ातिल तेरी नजरिया
चौराहे पे देखा तुझको
लुट गई बीच बजरिया रे
बाजार सारा लूट लिया ओ मोरे राजा
बाजार सारा लूट लिया ओ मोरे राजा

गली गली में नाच रही हूँ
तेरे लिए बेदर्दी
कहती है मेरी जवानी
क्यों क़दर ना तू ने जानी
हो यार मेरे दिलदार मेरे
ज़ालिम है रुत मस्तानी
होय गली गली में नाच रही हूँ
तेरे लिए बेदर्दी
इतना तो बतला दे अकेला
क्या थी तेरी मर्ज़ी
बाजार सारा लूट लिया ओ मोरे राजा
बाजार सारा लूट लिया ओ मोरे राजा

हम ने सुना था बड़ा चर्चा जनाब का
नैनों ने दे डाला धोखा शराब का
छीन लिया चैन मेरा
आ रे रे रे मैं तो मारी गई
बाजार सारा लूट लिया ओ मोरे राजा
बाजार सारा लूट लिया ओ मोरे राजा

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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3870 Post No. : 14888

Today’s song is from film Tara-49. The cast of the film was Majnu, Kuldip Kaur, Jawahar kaul, Shyama,Nayantara, Chand Burke etc etc. This is a duet song sung by Satish Batra and Premlata. Aziz Kasmiri’s songs were composed by the melody master Vinod. The film was directed by R D Parinja.

I like to discuss less heard and not so famous films, because it gives me an opportunity to dig out information on the forgotten small time and big time artistes of yore. Some of the names are not even heard by the new generation and no wonder. That way, older film buffs of my age group (75 to 80) are not aware of the new and current Bollywood superstars- even if they are very popular and famous. With films making(rather raking) business in crores these days ( anything between 100 to 200 crores), every alternate actor is a superstar for a period of 2 to 3 years !

TARA-1949 was truly an obscure film,because when it was released,for unknown reasons,it went off the theatres within a week’s time and never came for even a second run,like other movies.
All my efforts to see this film came to a nought. I was keen to see this film,as its MD was VINOD,who had become popular due to the immortal Lara Lappa song from EK THI LADKI-49.

This film had 12 songs. Vinod had a penchant for giving chance to new/less known singers in his films. Thus Vinata Amladi(Dilli se aaya bhai Tingu fame) and Gandhari (Rane),Meenal Wagh, Satish Batra etc got opportunities in film world. In the 12 songs of the film Vinod had used as many as 7 singers-
Gandhari (Rane), Premlata, Uma Devi(Tun Tun), Raj kumari, Geeta Roy, Hameeda Bano and Satish Batra-the only male singer.

Vinod had another(good) habit. He liked to have atleast 1 or 2 fun songs in his films.In this film also there were 2 fun songs.

1. Mithhaai ki dukaan meri Dilli ke baazaar mein(Taara) Gandhari(Rane) and
2. Pyaar karna ho to yaaron kar lo teliphoon(Taara) Satish Batra and Rajkumari.

The director of this film was Mr.R.D.Parinja. He started his career as a Cinematographer in Bombay Talkies in its haydays.
He filmed Izzat, Prem kahani, Jeevan Prabhat,and Savitri-all 37 films, and then Kangan,Azaad,Jhoola,Bandhan,Naya sansar and Kismet.
When he was in Bombay Talkies,the German pair of Director Franz Osten and Cinematographer Joseph Wirsching were also there. He must have learnt a lot from them(or did he ?).

When Parinja left Bombay Talkies in its waning bad times he tired to produce and Direct films on his own.
first it was Sona Chandi-46 and then it was Tara-49.
After Tara,the film and the producer/Director disappeared into obscurity for ever.

Jawahar Kaul was the Hero of the film and the Heroine was not Shyama ( she was still a struggling artiste doing titbit roles) but Kuldip Kaur in this film. This was one of the few films where she was Heroine. Otherwise she was a perfect Vamp in films. Her life story is different . Saadat Hasan Manto has written several pages on her in his book ” Dastavez”-Volume 5 and as his wont was, it was not a flattering description of Kuldip.

Kuldip Kaur was born sometime in 1927 and brought up like a princess. Her spoiled Sardar husband wanted his wife to be like a modern westernized lady. He wanted his wife to learn swimming and rub shoulders with the club-going English elite based in Lahore and Amritsar.Once exposed to the club culture, Kuldip Kaur also started getting a taste of its dark side.

Since Lahore was a film city, Kuldip Kaur started dreaming about becoming a film actress. According to one story, Kuldip Kaur started admiring the professional qualities of actor Pran Nath, who was in film acting in Lahore since 1940, when he successfully performed the role of a hero in Punjabi film “Yamla Jutt” (The Simple Peasant).

By July and August of 1947, communal violence erupted into a full-fledged exercise in ethnic cleansing, with Muslims on one side and Sikhs and Hindus on the other. Both Lahore and Amritsar were engulfed in the worst sectarian violence in recent history.

Both Pran and Kuldip Kaur were made to leave Lahore in a jiffy, leaving virtually every belonging behind. Her own village being right on the border was also not peaceful. So Kuldip Kaur left straight for Bombay. According to one story, in order to impress Pran, Kuldip Kaur
decided to bring Pran’s stranded car from Lahore to Bombay. In a gesture of unprecedented daredevilry, she travelled from the safety of Amritsar to Lahore and drove Pran’s car first to Amritsar and then all the way to Bombay, where she handed over
the keys to a surprised but grateful Pran.

After leaving for Bombay, Kuldip Kaur’s contact with her parents and in-laws got diminished. On arrival in Bombay, Kuldip Kaur made up her mind to plunge headlong into the film industry. She was prepared to act in Hindi/Urdu as well as Punjabi films. The experts of film industry were of the opinion that her large piercing eyes and her flat chin made her an ideal choice for the role of a vamp.
The first ranking heroines of the time included Naseem Bano, Madhubala, Nargis, Suraiya and Nutan. Other heroines included Binarai, Shyama, Nimmi, Nirupa Roy, Meena Shori, Nigar Sultana, Veena and Kamini Kaushal. There was a shortage of ladies willing to perform the role of vamps.
One of Kuldip Kaur’s first films was a Punjabi blockbuster “Chaman” (1948). Within the same year Kuldip Kaur acted in two Hindi/Urdu films “Ziddi” and “Grahasthi“. All her 1948 films did well. After that she never looked back and went from strength to strength. At one stage Kuldip
Kaur was so busy in her film roles that for a long duration she did not visit Punjab.

In 1949, Kuldip Kaur worked in at least two films “Ek Thi Ladki” and “Kaneez”. “Ek Thi Ladki” was a blockbuster. Music Director Vinod composed some great tunes for this movie. “Kaneez” did not do too well.In 1950, Kuldip Kaur acted in two great musical Hindi movies “Samadhi” and “Adhi Raat” and did two Punjabi movies “Madaari” and “Chhai”. 1951 was a great year for her: she played the roles of vamps in six movies – “Stage”, “Rajput”, “Nai Zindagi”, “Ek Nazar”, “Afsana” and “Mukhra”. Her role in film “Afsana” received critical acclaim.
1952 was another great year for Kuldip Kaur. She worked in four movies – “Shisham”, “Nau Bahar”, “Baiju Bawra” and “Anjaam”. Again her role was highly praised in what became an all-time classic, “Baiju Bawra”. In 1953 again, Kuldip Kaur had four films – “Mashooka”, “Baaz”, “Anarkali” and “Aabshar”. Of these, “Anarkali” was a super hit and her role stole the limelight. 1954 proved another great year. She was featured in three movies – “Lal Pari”, “Gul Bahar” and “Daak Babu”. 1955 was one of her busiest professional years. She played the bad girl’s role in “Teer Andaz”, “Miss Coca Cola”, “Mast Qalandar” and “Jashan”.

In 1956, things slowed down a bit. She worked in two films, but none was released. Two of Kuldip Kaur starrers spilled over into the new year and were released in 1957. These were “Sheroo” and “Ek Saal”. In 1958 Kuldip Kaur had her roles in two films “Sahara” and “Panchyat”. In 1959, she did three films – “Pyaar Ka Rishta”, “Mohar” and “Jagir”. Out of these, one film, “Mohar,” was a great musical. Its music composed by Madan Mohan was simply outstanding. When Kuldip had fewer Hindi films in hand, she worked in Punjabi films.
1960 started as a reasonably good year for Kuldip Kaur. She had a Hindi film, “Maa Baap,” and a Punjabi film, “Yamla Jutt”.But during this very year, her life was cut short when she got some thorns in her feet and legs and she pulled those out by herself. True to her character of a daredevil woman, she did not seek medical advice immediately. Her sores became not only septic, but she contracted tetanus too, which was then incurable.

Kuldip Kaur died on 3rd February 1960. She worked in 69 films.

Jawahar kaul was one Hero, about whom not much is written about. That is because hardly any of his film was famous, nor was he known for his acting prowess or good looks like say Karan Dewan or Bharat Bhushan. I remember him in films like Khidki-48, Dekh kabira roya-57 and Bhabhi-57. Jawahar Kaul was born into a Nehru family on the 27th of September in the year 1927 in the place once revered as the heaven of India – Srinagar, Kashmir. When Jawahar was six days old, his grandfather’s sister adopted him, and his surname was subsequently changed to Kaul. Kaul did his Intermediate from the Punjab University and then went to the town of Rawalpindi. After spending some time there, he decided to go to Mumbai. His parents were not in favour of it and hence he convinced them that he would complete his graduation from the Pune University. He had a deep attraction for films from an early age and hence wanted to try his luck in the industry. In the 1940s, Dadar had three studios – Ranjit, Shri Sound and Supreme and hence was the epicenter of Indian cinema. Jawahar made Dadar his address.
He was always short on money as his family wasn’t aware of his venture into cinema. He often slept at the studio of Prabha Pictures. Due to his Kashmiri background – his looks, complexion, height were impressive, and he started getting work soon. Jawahar started his career doing minor roles. He used to potray supporting characters in big films. He made his debut while playing actor Kishor Sahu’s younger brother in the 1945’s ‘Veer Kunal’. In this year, he was seen in the role of ‘Humayun Mahawat’ in ‘Ek Din Ka Sultan’ which was made by Sohrab Modi. His first main lead role was in the flick ‘Khidki’ which was made in 1948. He was paired with Rehana for the same.

In Dadar, he became good friends with Radhakishan Mehra. Mehra used to live in the Lallubhai Mansion where Dada Bhagwan and Prabha Shankar Yagnik, ( brother of stunt film actor Navin Yagnik), the production managers of films used to stay too. It wasn’t long when Prabha Shankar and Kaul became good friends and started sharing their apartment. Their trio and friendship became popular in the film circle. Pyarelal Satoshi was friends with Radhakrishnan, and when he became a producer, he cast Kaul in his first movie. Kaul’s debut did average business, but the songs were a hit. Soon Kaul was seen in films like Azadi Ki Raah Par, Apni Chhaya, Kathputli, Pehli Jhalak, Laal Batti, Sahib Biwi Aur Ghulam, etc. He was a legend of the Black and White Cinema. He was a superstar in the films made in the 1960s. Throughout his career, he worked only in a few selected flicks, but he was able to efficaciously enrapture the audience’s attention.

Jawahar was never happy about his career- the way it went. he had wanted it to be more successful. Anyway after his last film Zalim-1980, he left acting and joined as a Production Manager with Jwala Pictures of Sandeep Sethi. After two years he became his Secretary for the next 17 years. Meanwhile he produced a film-” Agniputra “, with Mithun Chakrawarty. It took a long time to release finally in 2000. Not only it was a flop, it also gave a heavy financial burden on him. However, his only son and producer daughter Shabanam Kapoor repaid everything. Today Jawahar is about 92 years and lives peacefully in Andheri,Mumbai. He looks after his school and college ‘ Children’s welfare Centre, nearby.

Jawahr Kaul acted in 31 films starting from a small role in Geet Govind-1947. I remember his role in my favourite film Dekh kabira Roya-1957.

In film Tara-49, there were two names which need a spotlight on them, because they are not a very popular or well known names. Sometimes a memorable role in a film becomes totally identified with the actor doing it. Many times the role name gets attached to him and he is known by that name popularly. off hand I know atleast two such names. One is ofcourse Gabbar singh. Amjad Khan did that role so intensely that this name became his identity. Second example is Meena Shorey. In her entire life time she was always known as the Lara Lappa Girl…that song from film Ek thi ladki-49 became her second name. There was also a name Bajarbattu, which many readers must have seen in the cast of old films of B and C grades. This was the name of actor Anant Apte, who did the role of Bajarbattu in film Amar jyoti-1936. The name stuck to him and till his last film he was billed as Bajarbattu in every subsequent film.

Similarly actor Majnu’s real name was Harold Lewis, but due to his role in his first film as Hero-Laila Majnu-1935, he became popular as Majnu only, till end of his career. MAJNU-Harold Lewis – was a Punjabi Christian.He was the childhood friend of Roop K.Shorey. When Shorey wanted to make his second film, he chose Harold as a Hero. The film was MAJNU-1935,which was a satirical spoof on the old Laila-Majnu story. There were many stunts and in one scene Majnu is tied up on railway track by the villain. The film became a hit and Harold was renamed MANJU for his film career.

He appeared in almost all of Shorey’s films.He was also doing films with other producers.In 1942 he did a double role in Nishani and in 1943 he directed his first film Paapi. Shorey also gave him a film Badnami-1946 for direction and it was here that Majnu met I.S.Johar who wrote the story and Dialogues of Badnami.

Majnu paired with I.S.Johar in EK THI LADKI-1949,the debut film of Johar.Later they made a comedy pair in 10 films,including the hit HUM SAB CHOR HAIN-1956.

Majnu acted in 77 films,from 1935 to 1966 film Akalmand-also with Johar for the last time.
Majnu directed 8 films including,Paapi-43,Badnami-46,Son of Alibaba-55,Tatar ka chor-55 baghi sardar-56,Chandu-58 etc.

The other less known name was Chand Burke. Chand Burke made her debut in Maheshwari Productions’ Kahan Gaye (1946), which Niranjan wrote and directed. They fell in love on the sets and got married in 1945. Thereafter, Chand appeared in a number of films made in Lahore, and was widely known as “the Dancing Lily of the Punjab.”

Partition and her subsequent migration to Bombay adversely affected her career. After “Hamari Manzil,” which was released in 1949, Chand Burke went into complete oblivion. It was Raj Kapoor who selected her for that important role as children’s tormentor in “Boot Polish,” over 200 other contestants, her screen-test convincing Raj Kapoor that she was a talented actress. Some of her well known films were Basant Bahar-56, yahudi ki beti-56, Adalat-58 and Lajwanti-58.

Chand was the only one in a family of twelve brothers and sisters to have joined the films (her brother S. M. Burke, I.C.S., was a Minister to the Scandina­vian countries for Pakistan). Chand ob­tained judicial separation by mutual consent from her husband, writer-director Niranjan in 1954.

She was also married to Sunder Singh Bhavnani- grandfather of superstar Ranveer Singh. She is also related to Suneeta Kapoor.

She acted in about 30 films. Her last film was Pehchan-72.

Let us now listen to the well tuned duet of Premlata and Satish Batra. this will be the 9th song from this film.

( Thanks to apnaorg, cineplot, netttv4u.com, beetehuedin.com, film directory 1946, HFGK, cinerang by Isak Mujawar, MuVyz and my notes, for information used and adapted in this post.)


Song- Duniya se nyaare hain khel hamaare (Taara)(1949) Singers- Satish Batra, Premlata, Lyrics- Aziz Kashmiri
MD- Vinod
Both

Lyrics

Duniya se nyaare hain khel hamaare
ho o khel hamaare
Duniya se nyaare hain khel hamaare
ho khel hamaare
khelo praan pyaare
khelo preetam pyaare ae ae
khelo praan pyaare
khelo preetam pyaare ae ae
duniya hamko
dekhe aate jaate saanjh sakhaare
duniya hamko
dekhe aate jaate saanjh sakhaare

hum duniya se aankh bacha kar
hum duniya se aankh bacha kar
karen ishaare ae
karen ishaare
karen ishaare ae
karen ishaare

Duniya se nyaare hain khel hamaare
ho o khel hamaare

isko duniya kahe muhabbat
hum isko ik khel kahen
aankh michauli aankhon ki
dil ka dil se mel kahen

haan aan aan
ye mel kabhi na chhoot sake
ye mel kabhi na chhoot sake
koi laakh jatan kar haare
Duniya se nyaare hain khel hamaare
ho o khel hamaare

deepak par jal gaya patanga
bol gaya hai duniya waalon
haan haan ae duniya waalon
bol gaya
jeewan hai ek khel
khel mein
apne sab armaan nikaalo
haan haan
armaan nikaalo
bol gaya
aas paas chanda se khele ae ae
aas paas chanda se khele ae ae

taare ban armaan hamaare
taare ban armaan hamaare
Duniya se nyaare hain khel hamaare
ho o khel hamaare
Duniya se nyaare hain khel hamaare


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3863 Post No. : 14880

“Akalmand”(1966) was directed by Roop K Shorey for Mukul Pictures, Bombay. This “social” movie had Kishore Kumar, I S Johar, Sonia Sahni, Praveen Chaudhary, Kamal Kapoor, Raj Kishore, V Gopal, Majnoon, Jeewankala, Madhu Malti, Wazeer Mohammad Khan, Kumar, Tuntun, Hari Shivdasani, Pratima Devi, Khursheed, Kaajal, Rajinder Singh, S K Khosla, Ram Kamlani, etc in it.

The movie had nine songs in it. Seven of these songs have been covered in the past.

Here is the eighth song from “Akalmand”(1966) to appear in the blog. This song is sung by Bhupinder Singh and Mahendra Kapoor. Aziz Kashmiri is the lyricist. Music is composed by O P Nayyar. HFGK mentions the name of G M Durrani as well in this song, but I am unable to notice the voice of G M Durrani in the song.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

The ninth and final song from the movie viz “jab mile pata” , appears to be a laapata song as no details of this song are available. It appears that this song was only in the movie and its records were not made. I request our knowledgeable readers to tell us about this missing song. This movie will remain one song short of YIPPEEhood unless we are able to locate this missing ninth song from the movie.


Song-O bekhabar tujhe kya pata(Akalmand)(1966) Singers-Bhupinder Singh, Mahendra Kapoor,Lyrics-Aziz Kashmiri, MD-O P Nayyar
Chorus

Lyrics

o bekhabar tujhe kya pata
mile dil jise wo hai baadshaah
o bekhabar tujhe kya pata
mile dil jise wo hai baadshaah
wo jo dard duniya ka baant le
wo vasher nahin een een
wo vasher nahin
wo to hai khuda
o bekhabar tujhe kya pata

tode jo kisi ka dil koi
kehte hain falak hil jaata hai
ik parda nasheen ki baat hai kya
dhoondhe se khuda mil jaata hai
ye bhed ki baat kahen kaise
dil waalon ne kya kya dekh liya
mansoor chadha jab sooli par
duniya ne thamasha dekh liya

hai khuda ka bhi yahi faisla
haa aa aa aa aa aa aa
hai khuda ka bhi yahi faisla
mile dil jise wo hai baadshaah
wo jo dard duniya ka baant le
wo vasher nahin
wo to hai khuda
o bekhabar tujhe kya pata

kehte hain ki duniya se pehle
dil waalon ki tasweer bani

phir husn bana
phir ishq bana
phir aashiq ki taqdeer bani

deewaane hamen gaafil na samajh
hum aashiq hain anjaan nahin
har baat ko khoob samajhte hain
hain akalmand
naadaan nahin

jo kisi ke gham se ho aashnaa
haan aan aan aan

jo kisi ke gham se ho aashnaa
wo vasher nahin
wo to hai khuda
o bekhabar tujhe kya pata


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3804 Post No. : 14798

“Akalmand”(1966) was directed by Roop K Shorey for Mukul Pictures, Bombay. This “social” movie had Kishore Kumar, I S Johar, Sonia Sahni, Praveen Chaudhary, Kamal Kapoor, Raj Kishore, V Gopal, Majnoon, Jeewankala, Madhu Malti, Wazeer Mohammad Khan, Kumar, Tuntun, Hari Shivdasani, Pratima Devi, Khursheed, Kaajal, Rajinder Singh, S K Khosla, Ram Kamlani, etc in it.

The movie had nine songs in it. Six of these songs have been covered in the past.

Here is the seventh song from “Akalmand”(1966) to appear in the blog. This song is sung by Asha Bhonsle and Usha Mangeshkar. Aziz Kashmiri is the lyricist. Music is composed by O P Nayyar.

Only the audio of the song is available as far as I can tell. From the sounds of it, the song appears to be a synchronised dance song. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Baalmaa saajna duniya bhula di tere pyaar ne (Akalmand)(1966) Singers-Asha Bhonsle, Usha Mangeshkar, Lyrics-Aziz Kashmiri, MD-O P Nayyar

Lyrics

baalma
saajna aa
baalma
saajna aa
duniya bhula di tere pyaar ne
tere pyaar ne
tere pyaar ne
baalma
saajna aa
baalma
saajna aa
duniya bhula di tere pyaar ne
tere pyaar ne
tere pyaar ne baalma aa

dekha pehli baar tumhen
haay kya nazaara thha
dekha pehli baar tumhen
haay kya nazaara thha
kis tarah bataayen tumhen
haal jo hamaara thha aa
kis tarah bataayen tumhen
haal jo hamaara thha
loota hain dil ye bekraar ne
bekaraar ne
bekraar ne
baalma
saajna aa
baalma
saajna aa
duniya bhula di tere pyaar ne
tere pyaar ne
tere pyaar ne
baalma aa

ho jo mere bas mein to
motiyon mein taul doon
ho jo mere bas mein to
motiyon mein taul doon
pyaar hai kisi se tumhen
bhed saara khol doon
pyaar hai kisi se tumhen
bhed saara khol doon
thhaani hai kya dil mein sarkaar ne
sarkaar ne
sarkaar ne
baalma
saajna aa
baalma
saajna aa
duniya bhula di tere pyaar ne
tere pyaar ne
tere pyaar ne
baalma
saajna aa
baalma
saajna aa
duniya bhula di tere pyaar ne
tere pyaar ne
tere pyaar ne baalma


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3651 Post No. : 14497

“Baaghi Sardaar”(1956) was directed by Majnoo for Baroda Theatre Super Movies, Bombay. This “costume drama” (Veshbhoosha Pradhan) movie had Daljeet, Chitra, Majnoo, Ameeta, Amarnath, Prithvipal, Sheikh, Ramesh Thakar, Helen, Kammo, Shakuntala, Satish batra, Kanchanmala, Jugal Kishore etc in it.

The movie had eight songs in it. Two songs from the movie have been covered in the past.

Here is the third song from “Baaghi Sardaar”(1956) in the blog. This song is sung by Mubarak Begam. Aziz Kashmiri is the lyricist. Music is composed by B N Bali. It is a nice song to listen to at evening time. 🙂

Only the audio of the song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Ye mausam suhaana rut hai suhaani (Baaghi Sardaar)(1956) Singer-Mubarak Begam, Lyrics-Aziz Kashmiri, MD-B N Bali

Lyrics

hmm hmm
hmm hmm
hmm hmm
hmm hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm

ye mausam suhaana
rut hai suhaani
teri deewaani
teri deewaani
ye mausam suhaana
ye rut hai suhaani
main teri deewaani
teri deewaani
ye mausam suhaana

meri zindagi ki bahaaron mein tu hai
aa aa aa aa aa
aa aa aa aa aa
meri zindagi ki bahaaron mein tu hai
nigaahon mein tu hai
nazaaron mein tu hai
nigaahon mein tu hai
nazaaron mein tu hai
tera dard hai zindagi ki nishaani
main teri deewaani
teri deewaani
ye mausam suhaana
ye rut hai suhaani
main teri deewaani teri deewaani
ye mausam suhaana

main kadmon mein tere sitaare bichhaa doon
aa aa aa aa
aa aa aa aa
main kadmon mein tere sitare bichha doon
tere dil mein chaahat ki shamma jala doon
tere dil mein chaahat ki shamma jala doon
sunaaun tujhe apne dil ki kahaani
main teri deewaani
teri deewaani
ye mausam suhaana
ye rut hai suhaani
main teri deewaani
teri deewaani
hmm hmm hmm
hmm hmm hmm
hmm hmm hmm hmm hmm
hmh hmm hmm


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3620 Post No. : 14425

“Himmat”(1941) was directed by Roop K Shoreyfor Kamala Movietone Limited, Punjab. The movie had Ragini, Majnu, Beg, Radha, Zahoor Shah, Manorama, Ghulam Qadir, Mala, Malti, Ramesh, Ranchhod, Jaan etc in it.

The movie had ten songs in it. One song has been covered in the blog and that was long back in 2012.

Here is the second song from “Himmat”(1941). This song is sung by Umrazia Begam and Karimdad Khan. Aziz Kashmiri is the lyricist. Music is composed by Pt Govindram.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Ye baat bata saajan (Himmat)(1941) Singers-Umrazia Begam, Karimdad Khan, Lyrics-Aziz Kashmiri, MD-Pt Govindram

Lyrics

Ye baat bata saajan
haan aan aan aan
Ye baat bata saajan
tum bin jee na lage
haaye saajan
haan aan aan aan
mujhe ho gaya kya saajan n n
mujhe ho gaya kya saajan
tum bin jee na lage
haaye saajan

ye baat bata sajni
haan aan aan
ye baat bata sajni
mujh pardesi par
haaye sajni
haan aan aan
kiyaa jaadoo kya sajni ee ee
kiyaa jaadoo kya sajni
mujh pardesi par
haaye sajni

aao phoolon se pyaar karen
haan aan aan aan
aao phoolon se pyaar karen
kabhi nahin bichhdenge
haaye saajan
haan aan aan aan
ham ye iqraar karen aen aen
ham ye iqraar karen
kabhi nahin bichhdenge
haaye saajan
aao phoolon se pyaar karen
haan aan aan haan
aao phoolon se pyaar karen
preet ki baazi mein
haaye sajni
haan aan aan
ham jeet aur haar karen aen
haan aan aan aan
ham jeet aur haar karen
preet ki baazi mein
haaye sajni

aitbaar dilaana mujhe
haan aan aan aan
aitbaar dilaana mujhe
tum pardesi ho
haaye saajan
haan aan aan aan
kahin chhod na jaana mujhe ae ae
kahin chhod na jaana mujhe
tum pardesi ho
haaye saajan
aitbaar dilaana mujhe
haan aan aan aan
aitbaar dilaana mujhe
main pardesi hoon
haaye sajni
haan aan aan
kahin bhool na jaana mujhe ae ae ae
kahin bhool na jaana mujhe


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nishaani”(1942) was produced and directed by Roop K Shorey for Shorey Pictures, Lahore. The movie had Majnu, Raagini, Rooplekha, M D Kanwar, Ghulam Qadir, K Singer, Rani, Mala, Ramesh, Jaan, Kapoor, Sharma etc in it.

This movie had ten songs in it. Four of these songs have been covered in the past. Here is the fifth song from “Nishaani”(1942) to appear in the blog. The song is sung by Shamshad Begam. Aziz Kashmiri is the lyricist. Music is composed by Pt Amarnath.

Only the audio of this song is available. i request our knowledgeable readers to throw light on the picturisation of this song.


Song-Shyam dil leke roothh gaye (Nishaani)(1942) Singer-Shamshad Begam, Lyrics-Aziz Kashmiri, MD-Pt Amarnath

Lyrics

shyaaam
dil leke roothh gaye
shyaaam
dil leke roothh gaye
main dekhti hi reh gayi
main dekhti hi reh gayi
haan
meethhi chot kaleje pe
haan
meethhi chot kaleje pe
aise jo kaise seh gayi
aise jo kaise seh gayi
shyaaam
dil leke roothh gaye
shyaaam
dil leke roothh gaye

hanste aaye shyaam salone
hanste aaye shyaam salone
raadha raani ke ae ae
raadha raani ke ae ae
raadha raani ke man mohne
raadha raani ke man mohne
sakhi dekh ke shyaam ko
masti ke saagar mein bah gayi
saagar mein bah gayi
sakhi dekh ke shyaam ko
masti ke saagar mein bah gayi
saagar mein bah gayi

shyaaam
dil leke roothh gaye
jamuna oar gaye girdhaari
jamuna oar gaye girdhaari
dekhti reh gayi
haan
dekhti reh gayi main dukhiyaari
man ki baat
man ki baat
nikal kar man se
man ki baat
man ki baat
nikal kar man se ae
honthon pe reh gayi
honthon pe reh gayi

shyaaam
dil leke roothh gaye

meethi meethhi murli sun kar
hans padi
prem ke moti chun kar
shyam ki bansi ee prem sandesa aa
shyam ki bansi prem sandesa aa
chupke se keh gayi
chupke se keh gayi
shyaaam
dil leke roothh gaye
shyaaam
dil leke roothh gaye


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Janmpatri”(1949) was directed by K P Shahani for Popular Productions, Bombay. This “social” movie had Sudha Rao, Hameed, Zebunnissa, Chandabai, Vijay Kumar, Leela Gupte, A Shah, Susheela, Mazeer Kashmiri, Pran, Ratan Piya, Khatana, Shamo, Abdul etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ramman” (1954) was produced by Gemini Dewan and directed by Hiren Bose for Metropolitan Films Production, Bombay. The movie had Karan Dewan, Meena Shorey, Cuckoo, Om Prakash, Purnima, Majnu, Gulab, Randhir, V. Panchotia etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

While discussing HFM in this blog, we have come across artists with same names who often get confused among each others. We in this blog call it “same name confusion”- a phrase coined by Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia. He has written lots of articles in this blog, as well as elsewhere, trying to clear confusions about artists with similar names.
Read more on this topic…


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(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 15000 song posts by now.

This blog is active and online for over 3900 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15005

Number of movies covered in the blog

Movies with all their songs covered =1167
Total Number of movies covered =4107

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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