Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Rafi NFS


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I am thankful to Ava Suri who, about a month back, had suggested to me to consider presenting a NFS ghazal ‘saaqi ki har nigaah pe bal khaa ke pee gaya’ (1965) sung by Rafi. Let me confess that I had missed listening to this great ghazal of Jigar Moradabadi all these years. This request gave me an opportunity to study in detail the ghazals of Jigar Moradabadi who was considered the last icon of classical Urdu poetry. He was such an interesting personality that I am tempted to write a full length article on him for the Blog which I will do in the near future.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Kitni raahat hai dil toot jaane ke baad
zindagi se mile maut aane ke baad

Aah! the bliss of being free of illusions. As if someone has removed the coloured glasses from my eyes through which the world used to look colourful. The feeling is not always pleasant but it is a honest and truer state to be in. Keeping one's eyes closed so that one is able to avoid the unpleasant things and pretend that all is well, is a self defeating attitude. Once the truth is out in the open and accepted than it is something one faces and deals with in our own way. Out of the clouds of delusions. Only then the correct runway can be found and safe landing in possible.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Chaandni Raaten : Song no. 5
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Song no. 05 of the series is a non – film song or rather a ghazal. Singer is Mohammed Rafi, judging by the voice it appear to be late 60’s recording. As the date of the song is not available anywhere that I could find, just making a guess. The poet of this very predictable ghazal is Muzaffar Shahjahanpuri. Now it the turn of music Directors name. The link on youtube is giving the name as Iqbal Qurieshi, and the comments on the youtube imply that the composer is Chhote Iqbal. Myswar.com and the excel sheets are playing it safe and giving the name as just “Iqbaal”. May be the knowledgeable readers of the blog will be able to clarify the name of the composer. By looking in the myswar.com I found the year of the song which is 1970.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Remembering Rafi Sb today, on his anniversary of birth.

A voice like his, and a persona like him, has been a very unique and a very different presence in the film industry. Sadanand ji wrote in his write up earlier today, about Rafi Sb’s ability to so absolutely match his voice with the personality of the on screen performer, that the viewer would forget that it is a different voice in the playback, and would simply see and hear the on screen person. This ability of his, was a natural gift that was born from the personality that he was.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

After listening to some of the evergreen non-filmy songs during the last few days, I have come to the conclusion that non-filmy songs have their own style of compositions with tunes and melody getting primacy over orchestration. The musical instruments used in such songs are minimum. Most of these songs give a feel of devotional songs in one way or the other. In romantic songs, there is the devotion towards lovers/beloved. The patriotic songs are devotion to the country. Of course, the bigger canvass of the devotional songs (bhajans) is the spiritualism and devotion to the Almighty. In the 60s, ghazals and bhajans formed a bulk of the non-filmy songs.
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