Posts Tagged ‘Raja Pandit’
Na chhedo mohe ro doongi piyarwaa
Posted on: August 21, 2021
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4782 | Post No. : | 16535 | Movie Count : |
4559 |
Today’s song is from a film which is 86 years old- Pardesi Sainya-1935.
When I choose a film song for a post, there is always a thought behind it. Sometimes the cast consists of some actor who spilled over from the silent era and is on the verge of ending his career now. Sometimes the Director or the Music Director is absolutely unknown or a first timer on our Blog. Such and similar matters arouse my interest and I start gathering information about these people. Many times, I am the first person to write about that actor or director etc.
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Preet Kaise Karoon Pardesi Piya
Posted on: April 3, 2015
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The Wonderful Sounds of 1930s – 3
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It is 1934 and the fledgling Hindi talkie film industry is in its fourth year only. The volume of business is slowly continuing to grow. In the three years prior i.e. 1931-33, a total of 161 films were certified by the Censor Board. 1934 saw a sharp increase in production and in all, 120 new films were certified in this year. And this production is coming not just from Bombay. Of course, a major share is produced in Bombay, but almost a quarter of this number comes from the production studios in Calcutta. Then come Pune, Kolhapur and Lahore – really just a handful. But still signifying that the production of Hindi films was a focus at multiple centers around the subcontinent.
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