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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Saraswati Kumar Deepak


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4079 Post No. : 15218

“Bansari Bala”(1957) was produced by Moghabhai Desai and directed by Nanubhai Vakil for Desai Productions, Bombay. This movie had Chitra, Daljeet, Maruti, Niranjan Sharma, Krishna Kumari, Ram Singh, Tiwari, Mishra, Kamal, Meenu Mumtaz, Wazir Muhammad Khan, Susheel Kumar, Nadir Mota, Razia, Rafiq, Munshi Munakka, Jugnu, Shashimala, Savitri, Jagdish Kamal, Heera Sawant, Sheela Waaz, Suresh Nigam, Master Rajesh, Al Nasir etc in it.

The movie had nine songs in it. Two of these songs have been covered in the past.

Here is the third song from “Bansari Bala”(1957) to appear in the blog. This song is sung by Sudha Malhotra and chorus. Saraswati Kumar Deepak is the lyricist. Music is composed by Kamal Mitra.

It is a very long song, more than 8 minutes long.

The video of the song shows that it is a dance song. I am unable to identify the actors seen in the picturisation. I request our knowledgeable readers to help identify the main dancer (lip syncing in Sudha Malhotra’s voice) as well as others.


Song-Ritu aaye ritu jaaye sakhi ri(Bansari Baala)(1957) Singer-Sudha Malhotra, Lyrics-Saraswati Kumar Deepak, MD-Kamal Mitra
Chorus

ritu aaye ritu jaaye sakhi ri
ritu aaye ritu jaaye sakhi ri
jaaye na man ka meet re ae
jaaye na man ka meet
ritu aaye ritu jaaye sakhi ri
ritu aaye ritu jaaye sakhi ri
jaaye na man ka meet re ae
jaaye na man ka meet

ghar aangan mein goonj raha hai
ghar aangan mein goonj raha hai
manbhaavan sangeet re ae
jaaye na man ka meet
ritu aaye ritu jaaye sakhi ri
ritu aaye ritu jaaye sakhi ri
jaaye na man ka meet re ae
jaaye na man ka meet

aa aa
aa aa
aa aa
aa aa
aa aa

aa aa
aa aa
aa aa
aa aa

barse gagan se aag re
main kaise karoon shringaar re
main kaise karoon shringaar
barse gagan se aag re
main kaise karoon shringaar re
mai kaise karoon shringaar
kali kali ki sej sajaayi
kali kali ki sej sajaayi
phool bane angaar re ae
kaise karoon shringaar
barse gagan se aag re
main kaise karoon shringaar re
main kaise karoon shingaar
barse gagan se
aag re
barse aag barse aag

aayi re aayi re
main khol ghata ke
ghoonghat pat ko
khol ghata ke ghoonghat pat ko
rimjhim karti aayi re
main khol ghata ke ghoonghat pat ko
rimjhim karti aayi re
aayi re
dhol mridang bajaate badal
aa aa aa
aa aa aa
aa aa aa
dhol mridang bajaate baadal
bijli ki shahnaai re
neele gagan ki gali gali mein
neele gagan ki gali gali mein
maine dhoom machaai re
aayi re
aayi re ae
main khol ghata ke ghoonghat pat ko
khol ghata ke ghoonghat pat ko
rimjhim karti aayi re
aayi re

aa aa aa
aa aa aa
aa aa aa
aa aa aa

sakhi ri kaise chham chham
chham paayal bajaaun
sakhi ri kaise chham chham
chham paayal bajaaun
ang ang kaanpe sakhi mora
ang ang kaanpe sakhi mora
kaise main bindiya lagaaun
sakhi ri kaise chham chham
chham paayal bajaaun
sheetal pawan sataaye sajni ee
aa aa
aa aa
aa aa
aa aa
sheetal pawan sataaye
kaise paas piya ke aaun sakhi ri
kaise chham chham
chham paayal bajaaun
sakhi ri kaise chham chham
chham paayal bajaaun

aa aa aa
aa aa aa
aa aa aa
aa aa aa

koi kahiyo piya se jaaye re
mere man ka kamal muskuraaye
koi kahiyo piya se jaaye re
mere man ka kamal muskuraaye
chanchal chitvan it ut dole
gun gun gun
gun gun gun bhanwra bole
chanchal chitvan it ut dole
chanchal chitvan it ut dole
gun gun gun
gun gun gun bhanwra bole
kali kali sharmaaye haaye
koi kahiyo
koi kahiyo piya se jaaye re
mere man ka kamal muskuraaye
koi kahiyo piya se jaaye re
mere man ka kamal muskuraaye

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4007 Post No. : 15111

tum samay ki ret par chhodte chalo nishaan
dekhti tumhen zameen
dekhta hai aasmaan

These uplifiting lines are from the pen of Saraswati Kumar Deepak. The poetry composed sometimes in the early 1950s, was presented as a song in the 1953 film ‘Naya Raasta’. Saraswati Kumar Deepak is a song writer who has been confined to mythological and religious fare for most of his career. Active in the Hindi cinema since 1943, his songs can be heard in films all the way to the end of 1970s.

Remembering Saraswati Kumar Deepak today (8th July) on the anniversary of his passing away. And incidentally, yesterday (7th July) was his birth anniversary also.

He was born on 7th July 1918, at Navsthala Hasanpur in district Bulanshehar in Uttar Pradesh. His original name was Ram Gopal Sharma. Not much information is available about his early years. His education was in Hindi and Sanskrit. He did his BA from Meerut College. As a young man, he had begun writing poetry and prose.

In early forties he came to Bombay, and in 1942 he joined the production house of Fazli Brothers. His first assignment was as the writer of advertisements and promotional material in Hindi, for the films produced by Fazli Brothers. His first song appeared in the film ‘Zabaan’ of 1943 – “Dheere Se Kadam Badhaata Chal, Bigdi Taqdeer Banaata Chal”, which was composed by C Ramchandra and sung by Ishwarlal and Kaushalya. His next song – “Soti Hun Ab Chanda Mujhe Jagaa Dena”, appeared 1944, in the film ‘Badi Baat’. The song was rendered by Amirbai under the direction of Feroze Nizami. This song became very popular in its time, and the name of its writer started getting known somewhat in the industry.

In 1945, his songs appeared in ‘Piya Milan’ and ’Swarn Bhoomi’. However, 1946 became a defining year for him. Four films were released that carried songs written by him – ‘Bhakt Prahlad’, ‘Dev Kanya’, ‘Maansarovar’ and ‘Uttra Abhimanyu’. As the names of these films suggest, yes, they had an effect to have Saraswati Kumar typecast as a writer for religious and mythological films. This categorization he was never able to shake off for the rest of his career.

That is not to say that he did not write other type of songs for other genres of films. The songs “Kahin Ka Deepak Kahin Ki Baati” (‘Aag’, 1948), “Raat Gayi Phir Din Aata Hai” (‘Boot Polish’, 1953, and “Nigaahon Se Dil Mein Chale Aayiega” (‘Hameer Hath’, 1964) are a sampler that represents that wide portfolio of genres he could handle. He has written close to 350 songs for about 100 Hindi films. Besides that, he translated and dubbed the songs and the dialogues for about 25 regional language films.

Saraswati Kumar was not just a song writer. He was also a screenplay writer, a dubbing specialist and a renowned author of literature for children. Books like ‘Haathi Ghoda Paalki’ and ‘Jai Janani, Jai Bharati’ became quite popular and famous. He used to write a lot for All India Radio – plays, songs, sponsored programs etc. for two years, he anchored the program ‘Apni Kahaani, Apni Zubaani’ – sponsored by Bank of Baroda. And above all, as a journalist, he continuously contributed stories and articles for newspapers and magazines.

He passed away in 1986, just after completing his 68 year.

The film ‘Bansari Bala’ is produced by Moghabhai Deasi under the banner of Desai Productions, Bombay, and is directed by Nanubhai Vakil. The cast of actors listed for this film is Chitra, Daljeet, Maruti, Niranjan Sharma, Krishna Kumari, Ram Singh, Tiwari, Mishra, Kamal, Meenu Mumtaz, Wazir Muhammad Khan, Susheel Kumar, Nadir Mota, Razia, Rafiq, Munshi Munakka, Jugnu, Shashimala, Savitri, Jagdish Kamal, Heera Sawant, Sheela Waaz, Suresh Nigam, Master Rajesh, and Al Nasir.

Geet Kosh lists 9 songs for this film. Six songs are written by Pandit Faani and the remaining three are by Saraswati Kumar Deepak. Music direction is by Kamal Mitra. All the three songs which are written by Saraswati Kumar Deepak have been sung by Sudha Malhotra. One of these three is already showcased here on our blog – “Main To Chanda Ki Nagri Se Aayi Re”.

 Today’s lilting song is in the sweet singing voice is of Sudha Malhotra. Words are from the pen of Saraswati Kumar Deepak, and the signature melody is by Chitragupt. On screen, the song is performed by Chitra, who tells about her heart after someone came to her dreams and cast a captivating spell on her. The song is filmed in a garden. And we can see the subject of her aspirations (Daljeet) also present there, although she is not aware as she continues with the song.

The lyrics of this song have been sent in by Nitin Shah.

Listen and enjoy.

 


Song – Mere Nainon Mein, O Mere Sapnon Mein Chupke Se Aa (Bansari Bala) (1957) Singers – Sudha Malhotra, Lyrics – Saraswati Kumari Deepak, MD – Kamal Mitra

Lyrics (Provided by Nitin Shah)

aaaa aaaa
aaaa aaaaa

mere nainon mein
o mere sapnon mein chupke se aaaaaa
aaj kis ne ye jaadu kiya
meri duniya mein
o dil ki bagiya mein chhup chhup ke aa aaaa
aaj kis ne ye jaadu kiya
mere nainon mein
o mere sapnon mein chupke se aaaa
aaj kis ne ye jaadu kiya…..

aaaaa aaaaa aaaa
aaaaa aaaaa aaaa

teer jaane ye kaise laga
mera doley re doley jiya
teer jane ye kaise laga
mera doley re doley jiya
boley man ka papiha piya
boley man ka papiha piya
dard kaisa mujhe de diya aa aa
aaj kis ne ye jaadu kiya
mere nainon me in
o mere sapnon mein chupke se aa aaa
aaj kis ne ye jaadu kiya….

aaaaa aaaaa aaaa
aaaaa aaaaa aaaa

apne mann ki main kaise kahoon
sakhi chup bhi main kaise rahoon
apne mann ki main kaise kahoon
sakhi chup bhi main kaise rahoon
dil ki maujon pe kaise bahoon
dil ki maujon pe kaise bahoon
sakhi dhadke hai mora jiya aa aa
aaj kis ne ye jaadu kiya
mere nainon mein
o mere sapnon me chupke se aa
aaj kis ne ye jaadu kiya

aaaaa aaaaa aaaa
aaaaa aaaaa aaaa

raah mujh ko dikha di nayi
main to hirni si ghayal hui
raah mujh ko dikha di nayi
main to hirni si ghayal hui
aaj kis ki main paagal hui
aaj kis ki main paagal hui ee ee
diya kis ne ye damka diya
aaj kis ne ye jaadu kiya
mere nainon mein
o mere sapnon mein  chup ke se aa
aaj kis ne ye jaadu kiya. . .

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

आss आsss
आss आssss

मेरे नैनों में
ओ मेरे सपनों में चुपके से आ॰॰आ
आज किसने ये जादू किया
मेरी दुनिया में
ओ दिल की बगिया में छुप छुप के आ॰॰आ
आज किसने ये जादू किया
मेरे नैनों में
ओ मेरे सपनों में चुपके से आ॰॰आ
आज किसने ये जादू किया

आssss आssss आsss
आssss आssss आsss

तीर जाने ये कैसे लगा
मेरा डोले रे डोले जिया
तीर जाने ये कैसे लगा
मेरा डोले रे डोले जिया
बोले मन का पपीहा पिया
बोले मन का पपीहा पिया
दर्द कैसा मुझे दे दिया॰॰आ॰॰आ
आज किसने ये जादू किया
मेरे नैनों में
ओ मेरे सपनों में चुपके से आ॰॰आ
आज किसने ये जादू किया

आssss आssss आsss
आssss आssss आsss

अपने मन की मैं कैसे कहूँ
सखी चुप भी मैं कैसे रहूँ
अपने मन की मैं कैसे कहूँ
सखी चुप भी मैं कैसे रहूँ
दिल की मौजों पे कैसे बहूँ
दिल की मौजों पे कैसे बहूँ
सखी धड़के है मोरा जिया॰॰आ॰॰आ
आज किसने ये जादू किया
मेरे नैनों में
ओ मेरे सपनों में चुपके से आ॰॰आ
आज किसने ये जादू किया

आssss आssss आsss
आssss आssss आsss

राह मुझको दिखा दी नई
मैं तो हिरणी सी घायल हुई
राह मुझको दिखा दी नई
मैं तो हिरणी सी घायल हुई
आज किसकी मैं पागल हुई
आज किसकी मैं पागल हुई॰॰ई॰॰ई
दिया किसने ये दमका दिया
आज किसने ये जादू किया
मेरे नैनों में
ओ मेरे सपनों में चुपके से आ॰॰आ
आज किसने ये जादू किया

 


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3950 Post No. : 15026 Movie Count :

4119

Missing Films of 1960s – 107
– – – – – – – – – – – – – – –

The film that is being introduced today is ‘Lav Kush’ from 1967. It was a time when mythological and religious films were still a draw – a draw enough for producers to continue producing this genre of films. It was a crop of artists, producers and financiers who held sway in the decades from the early years of Indian cinema, till maybe 1980s. Beyond that, once that crop withered away – passing away, retiring, or just plain fatigue, this genre of films has seen only a downward slide.

The film is produced by Basant Pictures. Regulars will recall that Basant Pictures is an off shoot of the Wadia Movietone, and both these production banners have witnessed great success in the 1940s and 1950s – Wadia with their stunt films (mostly starring Nadia), and Basant with their religious and social offerings.

The film is directed by SN Tripathi; ah yes, the same person who is also the music director. The cast of actors reads like Jaishri Gadkar, Aseem Kumar, Sheel Kumar, Bela Bose, Bablu, SN Tripathi, Chitra, Dalpat, BM Vyas, Hari Shukla, Bhagwan Sinha, RC Pandey, and Lalita Desai. The film has seven songs listed, and all the seven are penned by songwriter Saraswati Kumar Deepak.1

The song is a dance song in the royal court. The time of narrative is when Lord Ram has safely returned to Ayodhya, He has been crowned as the king, and the Ram Rajya is installed. Things seem to be settling down and moving smoothly. At this juncture, it becomes known that Sita is expecting and should become a mother soon.

This song is played at this time, when a court full of ladies marking this celebration with their good wishes blessings. The lead dancer in this song is Bela Bose. Interesting to note that Bela Bose is known for the ‘other’ types of dances. However, this dance – cast in a combination of semi classical plus folk steps – is no less impressive.

Maybe 5, or 6 films more to go for the 1960s list. Hopefully soon. 🙂

 

Song – Aao Ri Pyaari Behna Hil Mil Gaao Ri  (Lav Kush) (1967) Singer – Suman Kalyanpur, Lyrics – Saraswati Kumar Deepak, MD – SN Tripathi
Chorus

Lyrics

aao ri pyaari behna
hilmil gaao ri
bahurani Seeta ji ki
god bharaao ri
bahurani Seeta ji ki
god bharaao ri
aao ri pyaari behna
hilmil gaao ri
bahurani Seeta ji ki
god bharaao ri
bahurani Seeta ji ki
god bharaao ri

ek maas beeta doosara maas beeta
ye teesara mahina
ye teesara mahina
kacha pakka waar mann ko na bhaawe thaal
dekho bookh laage na
dekho bookh laage na
hare hare amuvaa ki chutney piswaao ri
bahurani Seeta ji ki
god bharaao ri
bahurani Seeta ji ki
god bharaao ri

lag gaya satwaan mahina
dekho jhukna kathin ho gaya
jhukna kathin ho gaya
kaise buhaarengi anganwaa
ke achra khisakne laga
achra khisakne laga
phoolon ki sej pe in ko sulaao ri
bahurani Seeta ji ki
god bharaao ri
bahurani Seeta ji ki
god bharaao ri

tulsi ko pooj ke
suraj devta ki karey vinti Siya
karey vinti Siya
choom choom achra
suhaginan bahu ko aashish de diya
bahu ko aashish de diya
nauven mahine mein to munna khilaao ri
bahurani Seeta ji ki
god bharaao ri
bahurani Seeta ji ki
god bharaao ri

aao ri pyaari behna
hilmil gaao ri
bahurani Seeta ji ki
god bharaao ri
bahurani Seeta ji ki
god bharaao ri

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आओ री प्यारी बहना
हिलमिल गाओ री
बहुरानी सीता जी की
गोद भराओ री
बहुरानी सीता जी की
गोद भराओ री
आओ री प्यारी बहना
हिलमिल गाओ री
बहुरानी सीता जी की
गोद भराओ री
बहुरानी सीता जी की
गोद भराओ री

एक मास बीता दूसरामास बीता
ये तीसरा महिना
ये तीसरा महिना
कच्चा पक्का वार मन को ना भावे थाल
देखो भूख लागे ना
देखो भूख लागे ना
हरे हरे अमुवा की चटनी पिसवाओ री
बहुरानी सीता जी की
गोद भराओ री
बहुरानी सीता जी की
गोद भराओ री

लग गया सातवाँ महिना
देखो झुकना कठिन हो गया
झुकना कठिन हो गया
कैसे बुहारेंगी अंगनवा
के अचरा खिसकने लगा
अचरा खिसकने लगा
फूलों की सेज पे इनको सुलाओ री
बहुरानी सीता जी की
गोद भराओ री
बहुरानी सीता जी की
गोद भराओ री

तुलसी को पूज के
सूरज देवता की करे विनती सिया
करे विनती सिया
चूम चूम अचरा
सुहागिनन बहू को आशीश दे दिया
बहू को आशीश दे दिया
नौवें महीने में तो मुन्ना खिलाओ री
बहुरानी सीता जी की
गोद भराओ री
बहुरानी सीता जी की
गोद भराओ री

आओ री प्यारी बहना
हिलमिल गाओ री
बहुरानी सीता जी की
गोद भराओ री
बहुरानी सीता जी की
गोद भराओ री


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3891 Post No. : 14926 Movie Count :

4076

Missing Films of 1960s – 95
– – – – – – – – – – – – – – –

We come to a very interesting episode of this series. The film I pick for today is ‘Koi Ghulam Nahin’ from 1970. The Geet Kosh listings say that the film has 6 songs, and all of them have been released on 78 rpm gramophone records. As I checked my own collection, I find that all the six songs are available. Just to check, I also went online and discovered that two songs are available on the YouTube. And very interestingly, one of them turns out to be a video. And a very interesting video at that. The song is sung by Rafi Sb, and is performed on screen by MG Ramachandran (MGR), the super star of South Indian cinema.

This heightened my curiosity, and I did some more research. It turns out that MGR has appeared in 13 Hindi films (1 unreleased), between 1951 and 1980. On a hunch, I checked out the production banners. It turns out that for all these 13 films, the production houses are/were located in Madras (now Chennai). So one inference that can be drawn is that all these 13 films might well have been bilingual films, or that they are originally films produced in South Indian language and then dubbed into Hindi.

Since we are dealing with the 1960s, I checked out the other MGR films in this decade. And I find that other than ‘Baghdad’ (1961), for the other MGR films in this decade, viz. ‘Hamen Bhi Jeene Do’ (1962), ‘Meri Bahen’ (1962), ‘Raj Mahal’ (1963), and ‘Nartaki Chitra’ (1965), the songs are not traceable and not available. A possible explanation can be that for these bilingual or dubbed films, no songs were released on gramophone records. And that their video prints are not available too.

Today’s film, ‘Koi Ghulam Nahin’, is produced under the banner of MGR Pictures, madras and is directed by K Shankar. The star cast is listed as MG Ramchandran, Ashokan, Manohar, Chandra Babu, Cho, Jaylalita, Pandhari Bai, Jyotilakshmi, and Baby Rani. The songs are written by Saraswati Kumar Deepak and the music is by SN Tripathi.

Today’s song, is an ode in the praise of the ‘mother’. In the video clip, we can see MGR lip syncing this song sung by Rafi Sb. The lip syncing, as well as in some ways, the odd arrangement of Hindi words in the lines of the song, well indicates the possibility of dubbing, and / or force fitting Hindi lyrics to the tune of a song originally in a South Indian language.

In the video clip, we also see a lady dressed in white, as the song progresses. I don’t want to hazard a guess, and I request other knowledgeable friends and readers to help identify this actress.
[Note: Dr Pradeep Shetty has informed that this actress is Pandhari Bai.]

Today, March 14th, also happens to be the birth anniversary of music director SN Tripathi. This song also makes that anniversary connection for today.

Song – Gaa Re Gaa Mann Aaj Yahi  (Koi Ghulam Nahin) (1970) Singer – Mohammed Rafi, Lyrics – Saraswati Kumar Deepak, MD – SN Tripathi

Lyrics

gaa re gaa mann aaj yahi
tere din ab badal gaye
reh naa udaas
ho naa niraash
sang mein tere gaaye akaash
gaa re gaa mann aaj yahi
tere din ab badal gaye
reh naa udaas
ho naa niraash
sang mein tere gaaye akaash
gaa re gaa mann aaj yahi

jeevan deti hai maa
ganga maiyyaa si hai maa
jeevan deti hai maa
ganga maiyyaa si hai maa
wo hi karey pratipal
dharam ki rakhwaar
dharti ki mamta ka hai vishwaas
wo hi karey pratipal
dharma ki rakhwaar
dharti ki mamta ka hai vishwaas
gaa re gaa mann aaj yahi

tu hi amrit hai maa
jag ko nit deti hai vishwaas
tu hi amrit hai maa
jag ko nit deti hai vishwaas
jag mein agar maa
na milti tum
kaun mere mann mein karta niwaas
gaa re gaa mann aaj yahi

prem jyoti hai maa
tu hi pooja ki devi hai maa
prem jyoti hai maa
tu hi pooja ki devi hai maa
miley mujhe baar baar
madhur madhur maa ka pyaar
maa se bujhi hai mere maan ki ye pyaas
miley mujhe baar baar
madhur madhur maa ka pyaar
maa se bujhi hai mere maan ki ye pyaas
gaa re gaa mann aaj yahi

aadi ant mein tu hai
maa nyaye mein neeti mein tu hai
aadi ant mein tu hai
maa nyaye mein neeti mein tu hai
jis ne diya hai pyaar
aas ki jo bahaar
mili aaj aisi mahashakti
jis ne diya hai pyaar
aas ki jo bahaar
mili aaj aisi mahashakti

arre gaa re gaa mann aaj yahi
tere din ab badal gaye
reh naa udaas
ho naa niraash
sang mein tere gaaye akaash
gaa re gaa mann aaj yahi

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Hindi script lyrics (Provided by Sudhir)
———————————————————-

गा रे गा मन आज यही
तेरे दिन अब बदल गए
रह ना उदास
हो ना निराश
संग में तेरे गाये आकाश
गा रे गा मन आज यही
तेरे दिन अब बदल गए
रह ना उदास
हो ना निराश
संग में तेरे गाये आकाश

जीवन देती है माँ
गंगा मैय्या सी है माँ
जीवन देती है माँ
गंगा मैय्या सी है माँ
वो ही करे प्रतिपाल
धरम की रखवार
धरती की ममता का है विश्वास
वो ही करे प्रतिपाल
धरम की रखवार
धरती की ममता का है विश्वास
गा रे गा मन आज यही

तू ही अमृत है माँ
जग को नित देती है विश्वास
तू ही अमृत है माँ
जग को नित देती है विश्वास
जग में अगर माँ
ना मिलती तुम
कौन मेरे मन में करता निवास
गा रे गा मन आज यही

प्रेम ज्योति है माँ
तू ही पूजा की देवी है माँ
प्रेम ज्योति है माँ
तू ही पूजा की देवी है माँ
मिले मुझे बार बार
मधुर मधुर माँ का प्यार
माँ से बुझी है मेरे मन की प्यास
मिले मुझे बार बार
मधुर मधुर माँ का प्यार
माँ से बुझी है मेरे मन की प्यास
गा रे गा मन आज यही

आदि अंत में तू है
माँ न्याय में नीति में तू है
आदि अंत में तू है
माँ न्याय में नीति में तू है
जिसने दिया है प्यार
आस की जो बहार
मिली आज ऐसी महाशक्ति
जिसने दिया है प्यार
आस की जो बहार
मिली आज ऐसी महाशक्ति

अरे गा रे गा मन आज यही
तेरे दिन अब बदल गए
रह ना उदास
हो ना निराश
संग में तेरे गाये आकाश
गा रे गा मन आज यही


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3859 Post No. : 14873

Greetings all – Basant is here. Today is the celebration of Basant Panchmi.

Of all the wonderful songs that have been created in Hindi films, for celebrating this King of Seasons, I would prefer to place this song today to be amongst the top five. Such a beautiful creation this is.

I myself had not heard of this song, till about five days ago. A friend in our circle enquired whether I had this song. He has been searching for it for some time now. Not being aware of it first hand, I said I will check. And when I located it in my collection, and then heard it for the first time, I am simply bowled over by the soft beauty and the delicious attractiveness of this song. The words, the music and the rendition have all come together in a conspiracy to steal your heart away.

The words are written by Saraswati Kumar Deepak. Ah, the enchantment of the lyrics that say – “चलो तारों के गजरे बना लो सखी” – come, lets make a garland from the stars. The wonderful music is from the mind of Ajit Merchant. The soft and beautiful melody – it makes such a delightful use of chorus lines interspersed with the primary singing voice. And this exquisite rendition is in the voice of Sudha Malhotra. She has rendered some of the loveliest songs in Hindi films. And this one stands right up there with her best – sung ever so sweetly.

The film is ‘Ram Bhakt Vibhishan’ from 1958 – one of the more obscure and unfamiliar productions, whose claim to fame might well just be the lovely music – like this song. The production banner is Rajni Chitr, Bombay. The film is produced by SJ Rajdev and directed by Samar Chatterji. The star cast of this film is listed as Nirupa Roy, Shahu Modak, Prem Adeeb, Krishna Kumari, Shanta Apte, Babu, Kamal, Surendra Kumar, Neema, Sarita, and Bipin Gupta. A total of nine songs are listed for this film. This is the third song for this film to appear here on our blog.

Listen to this lovely creation, and marvel – at the gems that still need to be discovered.

Song – Ritu Raja Ne Teer Chalaaya  (Ram Bhakt Vibhishan) (1958) Singer – Sudha Malhotra, Lyrics – Saraswati Kumar Deepak, MD – Ajit Merchant
Chorus

Lyrics

ritu raja ne. . .

ritu raja ne teer chalaaya
jiya lalchaaya
sajaniyaa..aa..aa
aaya basant
hua birha ka ant
sakhi aaya basant

o o oooo
ooooo oo ooooo
bhanwre chaley. . .
bhanwre chaley
bhanwre chaley gungunaate huye
suno praanon ki bansi bajaate huye
gungunaate huye
gungunaate huye
zara nainon se
zara nainon se naina milaate huye
chalo masti ki basti basaate huye
ritu raja ne
ritu raja ne teer chalaaya
jiya lalchaaya
sajaniyaa..aa..aa
aaya basant
hua birha ka ant
sakhi aaya basant

o o oooo
ooooo oo ooooo
angdaaiyaan. . .
angdaaiyaan
angdaaiyaan le ke pariaan chalin
neele neele gagan ki sundariaan chalin
dekho pariaan chalin
dekho pariaan chalin
badi natkhat hai
badi natkhat rengeeli badi manchali
saari duniya mein machne lagi khalbali
ritu raja ne
ritu raja ne teer chalaaya
jiya lalchaaya
sajaniyaa..aa..aa
aaya basant
hua birha ka ant
sakhi aaya basant

o o oooo
ooooo oo ooooo
chanda taley. . .
chanda taley
chanda taley jhoola daalo sakhi
chalo taaron ki gajre bana lo sakhi
jhoola daalo sakhi
jhoola daalo sakhi
hath chhodo ji
hath chhodo najariya utha lo sakhi
baanke balma ko apna bana lo sakhi
ritu raja ne
ritu raja ne teer chalaaya
jiya lalchaaya
sajaniyaa..aa..aa
aaya basant
hua birha ka ant
sakhi aaya basant

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

ऋतु राजा ने॰ ॰ ॰

ऋतु राजा ने तीर चलाया
जिया ललचाया
सजनीया॰॰आ॰॰आ॰॰आ
आया बसंत
हुआ बिरहा का अंत
सखी आया बसंत

ओ ओ ओssss
ओssss ओs ओssss
भँवरे चले॰ ॰ ॰
भँवरे चले
भँवरे चले गुनगुनाते हुये
सुनो प्राणों की बंसी बजाते हुये
गुनगुनाते हुये
गुनगुनाते हुये
ज़रा नैनों से
ज़रा नैनों से नैना मिलाते हुये
चलो मस्ती की बस्ती बसाते हुये
ऋतु राजा ने॰ ॰ ॰
ऋतु राजा ने तीर चलाया
जिया ललचाया
सजनीया॰॰आ॰॰आ॰॰आ
आया बसंत
हुआ बिरहा का अंत
सखी आया बसंत

ओ ओ ओssss
ओssss ओs ओssss
अंगड़ाइयाँ॰ ॰ ॰
अंगड़ाइयाँ
अंगड़ाइयाँ ले के पारियाँ चलीं
नीले नीले गगन की सुंदरियाँ चलीं
देखो पारियाँ चलीं
देखो पारियाँ चलीं
बड़ी नटखट है
बड़ी नटखट रंगीली बड़ी मनचली
सारी दुनिया में मचने लगी खलबली
ऋतु राजा ने॰ ॰ ॰
ऋतु राजा ने तीर चलाया
जिया ललचाया
सजनीया॰॰आ॰॰आ॰॰आ
आया बसंत
हुआ बिरहा का अंत
सखी आया बसंत

ओ ओ ओssss
ओssss ओs ओssss
चंदा तले॰ ॰ ॰
चंदा तले
चंदा तले झूला डालो सखी
चलो तारों के गजरे बना लो सखी
झूला डालो सखी
झूला डालो सखी
हठ छोड़ो जी
हठ छोड़ो नजरिया उठा लो सखी
बाँके बलमा को अपना बना लो सखी
ऋतु राजा ने॰ ॰ ॰
ऋतु राजा ने तीर चलाया
जिया ललचाया
सजनीया॰॰आ॰॰आ॰॰आ
आया बसंत
हुआ बिरहा का अंत
सखी आया बसंत


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3844 Post No. : 14856

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Discussion on economics-3
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Today is 26 january 2019, a red letter day in the history of Modern India. We all know that India gained independence on 15 august 1947, but what kind of nation we were going to be was not yet decided on that day. It took another two years and five months (896 days to be precise) for the nation to define itself as a Republic where every citizen, irrespective of his background was assured of equality.

Many nations have been formed over the centuries, but it was for a first time that a newly independent nation declared that all its citizens were going to have equal rights. If one looks at the history of USA, we find that that USA was formed on 4 july 1776, but equal rights for all citizens of USA were given much later. In early years of USA, only white males were allowed to vote. Blacks males were allowed to vote more than 100 years later. Females of all races were allowed to vote only from 1920. Seen that way, the constitution of India was, in many way a remarkable achievement for a newly independent nation, a nation so vast in area and population that many “experts” considered int ungovernable and one that was liable to break into pieces.

The constitution of India has served as a very powerful glue to hold this vast nation together. With passage of time, this glue has become more powerful than fevicol. 🙂

A major reason why the country became united and stayed united was the inclusive nature of the constitution where everyone was given six fundamental rights namely:-

Right to equality.
Cultural and Educational Rights.
Right to freedom.
Right against exploitation.
Right to freedom of religion, and.
Right to constitutional remedies.

The above fundamental rights is the magic glue that has kept the nation united. The above rights are exhaustive and all encompassing. We need not look very far. We only only have to look around our neighbourhood to find that many of these rights are not available to citizens in our neighboring countries.

The above fundamental rights basically gives respect and dignity and opportunities to all citizens. Many of these are rights that were not available to our forefathers.

India was an underdeveloped nation at the time of independence. Lots and lots of industrial activities were started which involved creating steel plants, dams, educational institutions, research centers etc. These were set up at places that were till then remote locations. People from all over the country got employment in these newly opened installations.

Movement of these people was largely by trains. So these trains were also a big unifier for the nation.

When people from various backgrounds met and interacted with each other, they got to learn about the language and culture of the place they had moved to.

While interacting with each other, it turned out that they could find some topics of mutual interest. One was Hindi movies and music, and other was Cricket. Hindi movies and music, and also cricket have been great unifiers for Indians.

With so many powerful glues to hold us together, and with gradual prosperity of the nation, Indians of today are far more proud and upbeat about India than they were a few generations ago. I find that I have personally become a nationalist (not a jingoist) and I am quite upbeat about the future of the country.

Here are some of the great things that are happening in India and are going to happen in future:-

1. GDP-When India became independent, it was one of the poorest nations on the face of the earth. This state of affairs continues till 1991, when the economic policy of the nation was finally given a thorough overhaul and the economy was liberalised. In a matter of a little over two decades, India gatecrashed into the list of top 10 economies of the world. Today, India is a member of G-20 group of nations which is a group of top 20 economies in the world. In reality, India should be a member of G-8 as well, seeing that Indian economy is very much in top 8 in the world. When the new figures of GDP are released a few months later, India would find itself as the fifth largest economy in the world, displacing our erstwhile master the Great Britain, who will slip to seventh position behin France. And India will leave these countries behind permanently. New target for India would be to overtake Germany and Japan, and that would be achieved in another one decade, may be less.

2. Steel is to an economy what the skeleton is to a body. An economy cannot be built without steel. There was a time, till 1907, when no steel was produced in India. It was in 1907 that the first steel factory was built by Jamshedji Tata in a place that is now called Jamshedpur. When Tata gave a proposal in 1907 to GIP Railways that they wanted to supply rail for Railway, the then Commissioner of Railway Safety, GIP Railway, Sir Frederick Upcott remarked that he would eat each pound of Railway if this upstart was able to produce that. Much later, British Steel, a steel company was taken over by a Dutch company to form Corus steel, and this Corus Steel was bought by Tata steel in 2007, exactly 100 years after the arrogant remark of a British. Today, India is world’s second largest steel producer behind China, and Britain is no where. Two Indian owned companies (Arcelor Mittal and Tata) are world’s number one and number three steel making companies in order of size of outturn of steel.

3, Soft power-India is a country that produced the largest number of movies in the world. They have fair share of film market in the world but not as much as it could be. But now it seems that India has started to produce movies that are truly world class and they are being appreciated for that. Example- Bahubali pt 2, Dangal.

4. Power of Indian market– Indian market is worth more than $1 trillion and it will become a $4 trillions market within a few years. With reforms such as GST, this is one single market that no one in the world can ignore. So India and its consumers can command high quality products at competitive prices. For example, Chinese companies which have no clue what Cricket and Kabaddi are, are the title sponsors of Indian Premier League and Professional Kabaddi League because they want to enter Indian market riding on the popularity of games that Indians love.

Some naysayers among us (there are quite a few) may tell us that we are nowhere in the world on per capita basis. That is true, but compared to where we were one decade back, India has made tremendous progress.

5. GDP per capita– The GDP per capita today works up to $2000 which is no big deal seeing that the GDP per capita in advanced economies are 20 times or more. Indeed that is the case, but that is because keeping Indians Gareeb has been a stated policy of some parties in India. That is why Indian per capita income remained under $ 400 till two decade ago and under $ 1000 till one decade ago . So India was in the list of Low Income countries till one decade ago. Thanks to opeing up of economy in 1991, the per capita income had grown up five times in last two decades, while it had doubled in last one decade. Now India is in Low Middle Income Group ($ 1025 to $ 4035 per capita group). Next target is graduating to Middle Income group ( $ 4035 to $12475 per capita) group.

6. Future growth of economy– Per capita income above $ 12475 makes a country a high income group country. So Indian per capita income needs to grow six times before India can become a high income country. That can be achieved if Indian resources- both natural as well as human, are upgraded in a big way. In simple terms, it means upgrading the infrastructure and reforming rules, taking unpopular and non populist decisions in the process if required. If India continues to grow at the existing annual growth rate of 7 % per annum then it will take between 25 to thirty years for India to become a high income country. If the growth rate is higher, then the target can be met in a shorter duration. For either case, a lot of input is required.

7. Quality related indices-A country that aspires to grow and join the list of advanced nations cannot do so unless they improve their quality. There are certain quality related indices that give an idea where a country stands. Some of these quality indices are:-
(i)Global Innovation index-India is ranked 57th in 2018- a steady improvement from its 81st position in 2015)
(ii)Global competitive index-India is ranked 58th in WEF’s global competitiveness index of 2018.
(iiiEase of doing business-India is in 77th position in latest ranking, it is a vast improvement from its rankings of 100 and 130 in the preceding years.
(iv)QS rating of top universities- IIT Bombay, the highest ranked Indian university has a world ranking of 162. In Asia, it is 34th, which shows that top Indian universities still need to improve a lot to catch up with advanced Asian economies viz Japan, China, South Kore, Taiwan, Malaysia, Singapor.e
(v)Credit rating- Though not as high as advanced economies, Indian credit rating is good enough to be investment grade, and so Indian business organisations are able to raise loan from foreign financial organisations.

8. India aims to be a $5 Trillions economy by 2023. 3 Trillions will come from service sector, one trillion from agriculture sector and one trillion from manufacturing sector. As far as manufacturing sector is concerned, I can visualise India becoming a big and respected exporter of Engineering goods.

All of the above are possible if Indians value their constitution and make the most of the provisions provided in the constitution. I am quite positive and bullish about the future prospects of India.

On this occasion, here is a rare song from “Subhash Chandra”(1978). ‘This movie was directed by Piyush Bose for A K B Films, Calcutta. The movie had Ashish Ghosh, Amar Dutt, Samar Kumar, Ajit Prakash, N.Vishwanathan, Lamsden, Bown, Smith, Reba Devi, Rama Das ec in it.

The movie had six songs in it. Two of these songs have been covered in the past.

Here is the third song from “Subhash Chandra”(1978) to appear in the blog. This song is sung by Usha Mangeshkar and chorus. Saraswati Kumar Deepak is the lyricist. Music is composed by Aparesh Lahiri.

I take this opportunity to wish a happy republic day to all Indians wherever they are. I have no doubt that this republic day will mark the beginning of some great achievements and accomplishments for india in many fields.


Song-Desh hamaara (Subhash Chandra)(1978) Singer-Usha Mangeshkar, Lyrics-Saraswati Kumar Deepak, MD-Aparesh Lahiri
Chorus

Lyrics

Desh hamaara
Desh hamaara
swarg se sundar desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara

hai apni aankhon ka taara
ye apne praanon se pyaara
Desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara

desh ki maati apni maata
janam janam ka iska naata
desh ki maati apni maata
janam janam ka iska naata
?? yahi pukaara
Desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara

ganga jamuna ki ye paani
kan kan kehta yahi kahaani
ganga jamuna ki ye paani
kan kan kehta yahi kahaani
yahi himalay ne lalkaara
Desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara

Hindu Muslim Sikh Isaai
sada rahe hain bhai bhai
Hindu Muslim Sikh Isaai
sada rahe hain bhai bhai
koi ye kabhi nahin kar paaya
maa ki mamta ka batwaara
Desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara

ye Bangaali ye Gujaraati
ek diye ke sab hai baati
ye Punjaabi ye Madraasi
ham sab bhai Bharatwaasi
??
dharti ka singaar dubaara
Desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara
swarg se sundar desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara
Desh hamaara


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3729 Post No. : 14671

“Veer Arjun”(1952) was produced by Ratilal Punatar and directed by Ramchandra Thakur. The movie had Trilok Kapoor, Nirupa Roy, P Kailash, Mahipal, Suryakant, Vijaysen, Anil, Vasantrao Pahalwan, Dulaari, Rajraani, Nazira, Mahtab, Kumud, Usha, Amirbai Karnataki, Keshav Purohit, Bheem, Banke Bihaari, S N Tripathi, Pesi Patel, Kamlakant, Sachin Ghosh, Kamlesh Thakar, Yashwant Dave, Bhagwandas, Date, Sayyad Patel, Ibrahim, Babu Raje, Yusuf Mahimi etc in it.

The movie, clearly about Arjun from the epic “Mahabharat”, had seven songs in it. Two songs have been covered in the past.

Here is the third song from “Veer Arjun”(1952) to appear in the blog. The song is sung by Asha Bhonsle. Saraswati Kumar Deepak is the lyricist. Music is composed by Avinash Vyas.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Sakhi sapnon mein saajan aaya (Veer Arjun)(1952) Singer-Asha Bhonsle, Lyrics-Saraswati Kumar Deepak, MD-Avinash Vyas

Lyrics

sakhi sapnon mein
ho sakhi sapnon mein saajan aaya
mere nainon mein aake samaaya
sakhi sapnon mein
ho sakhi sapnon mein saajan aaya
mere nainon mein aake samaaya

mere praanon ko aake jagaaya
mere praanon ko aake jagaaya
sakhi sapnon mein
ho sakhi sapnon mein saajan aaya
mere nainon mein aake samaaya

ho o
jaise baadal gambheer
jaise jharne ka neer
ho o
jaise baadal gambheer
jaise jharne ka neer
jaise tarkash ka teer
jaise rann mein randheer
aise rasiya ne
ho
aise rasiya ne ras barsaaya
mere man ke kamal ko khilaaya
sakhi sapnon mein
ho sakhi sapnon mein saajan aaya
mere nainon mein aake samaaya

jaise chanchal chakor
kare chanda se preet
jaise matwaala mor
gaaye saawan ka geet
jaise chanchal chakor
kare chanda se preet
jaise matwaala mor
gaaye saawan ka geet
aise chhaliya ne
ho aise chhaliya ne
man ko lubhaaya
mere nainon ko aake nachaaya
sakhi sapnon mein
ho sakhi sapnon mein saajan aaya
mere nainon mein aake samaaya
sakhi sapno mein
ho sakhi sapnon mein saajan aaya
mere nainon mein aake samaaya


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3692 Post No. : 14603

Mukesh and his Composers – 16
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Today 27 August, we remember Mukesh on his remembrance day.

My last post on his birthday (22 July) was about his collaboration with Bappi Lahiri. We remain with the Lahiri family in this post too as we discuss the songs sung by Mukesh for Bappi Da’s father Aparesh Lahiri.

There are probably more songs sung by Aparesh Lahiri than the films that he composed music for.

Not much information is available on the net and I request knowledgeable readers to write more on his composing career. From the little information, I could gather in connection with this post, I came across a Bengali film named Subhash Chandra (1966). Needless to say it is based on the life and times of one of the most adored and respected freedom fighters of India, Subhash Chandra Bose.

The film in Bengali language seems to have been quite popular from what I could understand. Mukesh who has sung about a dozen Bengali songs has one song in this 1966 particular film too. The same film was made in Hindi and seems to have disappeared without much popularity. In the Hindi version too, Mukesh has sung the same song with the same tune as the Bengali version.
[Ed Note: As per the Geet Kosh, the Hindi version of this film was released in 1978.]

This is the solitary song sung by Mukesh for Aparesh Lahiri and hence there will be no table in this post. 🙂

Evidently, there has not been much research by me in this post and I apologize for the same. However the details were sketchy and since it was the only sung by Mukesh for the said composer, I did not dig much into the career of Aparesh Lahiri.

Much of these details were provided to me by Shri Harish Raghuwanshi and I am thankful to him.

Before I conclude the post, I would like to repeat what a few noted and eminent personalities have said about Mukesh.

Salil Chowdhury: Each word from his lips was a pearl. No one could sing the way Mukesh did, with the right diction, inflexion and intonation. His vocal timbre was out of this world.

Raj Kapoor: I am just a body, Mukesh is my soul.

Anil Biswas: I have lost my son. (on Mukesh’s passing away)

Needless to say, the above quotes speak volumes about Mukesh; the man with the golden voice, playback singer par excellence and the noble soul.

The voice of Mukesh will forever continue to resonate in the world of music.


Song – Yahaan Radha Kund Hai Shyam Kund Hai (Subhash Chandra) (1978) Singer – Mukesh, Lyrics – Saraswati Kumar Deepak, MD – Aparesh Lahiri

Lyrics

jai radheshya..aa..aam
ra..aa.aadheshya..aa..aam
jai radheshya..aa..aam

yahaan radha kund hai
shyam kund hai
aur hai goverdhan
madhur
madhur bansi baaje
yahi to vrindavan
o babu yahi to vrindavan

bansi baar baar boley
radha radha radha
radha..aa..aa
radha..aa..aa..aa..aa
bansi baar baar boley
radha radha radha
radha naam bansi ne suron mein hai bandha
tabhi to kanhaiya baney
raadhika raman
madhur madhur bansi baaje
yahi to vrindavan
o babu yahi to vrindavan

jagat ke dukh ki kaanha suney baani
usi baani ko sun ke bani radha rani
huye radhika ke prem se. . .
pooran. . .  mohan
madhur madhur bansi baaje
yahi to vrindavan
o babu yahi to vrindavan

yahan radha kund hai
shyam kund hai
aur hai goverdhan

jai radheshya..aa..aam. . .
ra..aa.aadheshya..aa..aam
jai radheshya..aa..aam. . .

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

जय राधे श्या॰॰आम
रा॰॰आ॰॰आधे श्या॰॰आ॰॰आम
जय राधे श्या॰॰आम

यहाँ राधा कुंड है
श्याम कुंड है
और है गोवेर्धन
मधुर
मधुर बंसी बाजे
यही तो वृन्दावन
ओ बाबू यही तो वृन्दावन

बंसी बार बार बोले
राधा राधा राधा
राधा॰॰आ॰॰आ
राधा॰॰आ॰॰आ॰॰आ॰॰आ
बंसी बार बार बोले
राधा राधा राधा
राधा नाम बंसी ने सुरों में है बांधा
तभी तो कन्हैया बने
राधिका रमण
मधुर मधुर बंसी बाजे
यही तो वृन्दावन
ओ बाबू यही तो वृन्दावन

जगत के दुख की सुने कान्हा बानी
उसी बानी को सुन के बनी राधा रानी
हुये राधिका के प्रेम से॰॰॰
पूरन॰॰॰ मोहन
मधुर मधुर बंसी बाजे
यही तो वृन्दावन
ओ बाबू यही तो वृन्दावन

यहाँ राधा कुंड है
श्याम कुंड है
और है गोवेर्धन

जय राधे श्या॰॰आम
रा॰॰आ॰॰आधे श्या॰॰आ॰॰आम
जय राधे श्या॰॰आम


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3641 Post No. : 14467

Today (7 july 2018) is the birth centenary of lyricist Saraswati Kumar Deepak (7 july 1918-8 july 1986). His name is mostly associated with songs from religious/ mythological movies. He penned some 400 odd songs in movies in his four decades long career spaning from 1940s till 1970s). This blog has 54 songs penned by him.

On this occasion, here is a song from “Keechak Vadh”(1959). This movie was produced in Marathi and Hindi by Balasaheb (P K) Pathak and directed by Yeshwant Pethekar for Manik Studios, Bombay. The movie had Baburao Pendharkar (Keechak), Sumati Gupte (Draupadi), Shobhna Samarth (Sudeshna), Vishwas Kunte, Vimla Kumari, Helen etc in it.

The movie had seven songs in it. One song has been covered in the past.

Here is the second song from “Keechak Vadh”(1959) to appear in the blog. The song is sung by Lata. Saraswati Kumar Deepak is the lyricist. Music is composed by Master Krishnarao. It is a lovely song that describes the well known mythological tale of matsyabhed during the swayamwar of Draupadi.

This movie is available on internet and some of our regulars have seen it as well. I request them to tell us who lip syncs this song on screen.


Song-Juda swayamwar huyi sayaani jis din paanchaali(Keechak Vadh)(1959) Singer-Lata, Lyrics-Saraswati Kumar Deepak, MD-Master Krishnarao

Lyrics

Juda swayamwar hui sayaani jis din paanchaali
kaha drupad ne suno sabha ke raaja balshaali
ghoom rahi khambe par machhli
tel bhara neeche
parchhaai ko dekh dhanush koi aakar ke kheenche
jiska teer lage machhli par uski paanchaali
kaha drupad ne suno sabha ke raaja balshaali

desh desh ke rajaaon ki bheed huyi bhaari
bhaanti bhaanti ke yodha aaye raaj mukut-dhaari
bhaai ke sang varmala le aayi paanchaali

uski shobha raajsabha mein daamini si damki
soot putr ke uthhte hi wo jwaala si chamki
kaha nahin adhikaar sabha mein
goonj uthhi taali ee
kaha drupad ne suno sabha ke raaja balshaali

khoj rahi hirni si aankhen jeewan ka sathi ee
vipr vesh mein arjun dekha chamk uthhi baati
in aankhon ne un aankhon ko di amrit pyaali ee
kaha drupad ne suno sabha ke raaja balshaali
uthha dhanajay dhanush uthhaaya dekhi parchhai ee
dekhi parchhaai
matsy bhed ho gaya
dwaar par goonji shahnaai

juda swayamwar hui sayaani jis din paanchaali
kaha drupad ne suno sabha ke raaja balshaali


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3574 Post No. : 14319

“Ghaayal” (1951) was a Shri Navratna Pictures Production movie. It was directed by Ramchandra Thakur. The movie had Sheikh Mukhtaar, Ram Singh, Geeta Bali, Yashwant Dave, Pesi Patel,Jawahar Kaul, Sulochana Chatterji, Mirza Musharaf etc in it.

Four songs from this movie have been discussed in the past. Here is the fifth song from forgotten movie. This song is sung by Meena Kapoor. Saraswati Kumar Deepak is the lyricist. Music is composed by Gyan Dutt.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Phool kisi ke haar kisi ka (Ghaayal)(1951) Singer-Meena Kapoor, Lyrics-Saraswati Kumar Deepak, MD-Gyan Dutt

Lyrics

phool kisi ke
haar kisi ka aa aa aa
nain uthha kar dekho baalam
naach raha hai pyaar kisi ka
naach raha hai pyaar

bandhi hui thhi jin aankhon se
in aankhon ki dor
aaj wahi aise badli hai
lagi huyi kis oar
idhar bhi dekho roothe sajan
toot gaya hai taar nadi ka
kisi ka toot gaya hai taar
idhar bhi dekho roothe saajan
toot gaya hai taar kisi ka
toot gaya hai taar
phool kisi ke
haar kisi ka aa aa
nain uthha kar dekho baalam
naach raha hai pyaar kisi ka
naach raha hai pyaar

chaahe ghir ghir aaye badariya
kabhi na chhodoon haath
chaahe badli rahe nazariya
kabhi na chhoote saath
ho bairi
ho bairi
o bairi kyun badal rahe ho
sapnon ka sansaar
kisi ka sapnon ka sansaar
o bairi kyun badal rahe ho sapnon ka sansaar
kisi ka sapnon ka sansaar
phool kisi ke
haar kisi ka aa aa aa
nain uthha kar dekho baalam
naach raha hai pyaar kisi ka
naach raha hai pyaar

khushi manaaoon naachoon gaaun
?? muskaaun
piya tumhaare charnon par main chaand sitaare laaun
piya main chaand sitaare laaun
o nirmohi
o nirmohi
o nirmohi kyun karte ho
jeena bhi bekaar kisi ka
jeena bhi bekaar
o nirmohi kyun karte ho
jeena bhi bekaar kisi ka
jeena bhi bekar
phool kisi ke
haar kisi ka aa aa
nain uthha kar dekho baalam
naach raha hai pyaar kisi ka
naach raha hai pyaar


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15200 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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