Posts Tagged ‘S N Tripathi’
Jhukaane ko aakaash mahaan
Posted on: January 4, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5283 | Post No. : | 17309 | Movie Count : |
4658 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # (Missing movies of 1973-1)
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Today we commence our journey into the year ‘1973’ in our quest for ‘missing movies’ of this year on the blog.
As this year ‘2023’ begins it set the tone for ‘fiftieth year for the year 1973’. When we complete this year ‘2023’ it will be full ‘fifty years cycle’ for the year ‘1973’.
In the future posts on the blog we will be looking into the complete list of movie released in ‘1973’ and their status on the blog. We will keep adding those missing movies of ‘1973’ on the blog whose songs are available.
Today we introduce the movie ‘Baal Mahaabhaarat-1973’.
It was directed by K. Kameshwar Rao for ‘Venus Mahija Pictures, Madras’.
‘Baal Mahaabhaarat-1973’ was a mythological movie.
It had S.V. Rangarao, Anjali Devi, Nagiya, Chandrakala, S. Varalakshami, Shiv Kumar, Master Muni, Master Prabhakar, Master Shekhar, Baby Sridevi and many more child artistes.
This movie was passed by Censor Board on 24.10.1973.
This movie has seven songs. They were written by Kavi Pradeep (one song) and B.D. Mishra (four songs). yricists name for two songs is not mentioned in HFGK Vol-V (1971-1980).
Here is the list of the songs of this movie :-
| S.No. | Song Title | Lyricist | Singer/s |
|---|---|---|---|
| 01 | O re balmaa tu haay sun le meri baat | Not mentioned | Not mentioned |
| 02 | Bhaag jage Kunti ke us din jis din | Not mentioned | Not mentioned |
| 03 | Narayan teri leela navras sangam | B.D. Mishra | Manna Dey |
| 04 | Gaayen ham naachen ham | B.D. Mishra | Vani Jairam,chorus |
| 05 | Swaagat ho, gurudev ka swaagat ho | B.D. Mishra | Vani Jairam, chorus |
| 06 | Pyaare bade bhaiyya | B.D. Mishra | Vani Jairam |
| 07 | Jhukaane ko aakaash mahaan | Kavi Pradeep | Manna Dey, chorus |
Today’s song is sung by Manna Dey. Lyrics are by Kavi Pradeep. Music for this song is composed by S.N. Tripathi.
When I listened to this song today it brings back many memories of the mythological movies of yesteryears that I watched in my childhood. And since this was a song sung by Manna Dey there is a reason to present it here first.
The singing of Manna Dey and music of S.N. Tripathi bring back memories of many songs from the many mythological movie songs of those years.
I hope readers too will like this song.
Only the audio of this song is available. I think video of this song or the movie (in Hindi) is not available.
I would request knowledgeable readers to throw more light on the movie and its songs.
Let us listen to today’s song now…
With this song the movie ‘Baal Mahaabhaarat-1973’ makes its debut on the blog.
Audio
Song-Jhukaare ko aakaash mahaan (Baal Mahabharat)(1973) Singer-Manna Dey, Lyrics-Kavi Pradeep, MD-S N Tripathi
Chorus
Lyrics
jhukaane ko aakaash mahaan
nayaa sankalp hriday mein thhaan
dekho re ae ae
dekho re
chalaa do pagwaala insaan
chalaa do pagwaala insaan
chalaa do pagwaala insaan /font>
dason dishaaon dolo
dolo o
veer chalaa
darwaaze kholo o
zaraa kar lo is’se pehchaan
likhega ye ek nayaa puraan
dekho re ae
dekho re
chalaa do pagwaala insaan
chalaa do pagwaala insaan
chalaa do pagwaala insaan
aag ka putlaa hai ye praani ee
ismein badaa dam
badaa hai paani
badhhaane maanav kul ka maan
gaadne gagan mein keerti nishaan
dekho re ae
dekho re
chalaa do pagwaala insaan
chalaa do pagwaala insaan
chalaa do pagwaala insaan
yahi hai dhruv
prahlad yahi hai
veer vansh ki yaad yahi hai
shakti ka hai jisko vardaan
chalaa rakhne maata ki aan
dekho re ae
dekho re
chalaa do pagwaala insaan
chalaa do pagwaala insaan
chalaa do pagwaala insaan
jhukaane ko aakaash mahaan
nayaa sankalp hriday mein thhaan
dekho re ae
dekho re
chalaa do pagwaala insaan
insaa aa aa aa aan
Masti bhare hain shokh nazaare
Posted on: October 19, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5206 | Post No. : | 17191 |
“Zingaaro”(1963) was directed by Chandrakant for Jai Films, Bombay. This “costume drama” movie had Jairaj, Jabeen Jaleel, Tiwari, Bela Bose, Laxmi Chhaaya, Aruna Irani, Maruti, Mridula, Babu Raje, Poonam Kapoor, Baburao Pahalwan, Radheshyam, Moolchand, Ghani, Pahalwan, Julien etc in it.
The movie had six songs in it. Three songs have been covered in the past.
Here is the fourth song from “Zingaaro”(1963) to appear in the blog. This song is sung by Suman Kalyanpur. Prem Dhawan is the lyricist. Music is composed by S N Tripathi.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this rare song.
This rare song is the 400th song in the blog from movies released in 1963. To put things in perspective, there were 580 songs in all in movies released in 1963.
Song-Masti bhare hain shokh nazaare (Zingaaro)(1963) Singer-Suman Kalyanpur, Lyrics-Prem Dhawan, MD-S N Tripathi
Lyrics
Masti bhare hain shokh nazaare
Masti bhare hain shokh nazaare
nikli hoon main bhi zulfen sanwaare
Masti bhare hain shokh nazaare
nikli hoon main bhi zulfen sanwaare
aaja re aaja piyaa
aaja piyaa
aaja piyaa
ho ho ho ho ho ho ho
keh do hawa se mohe chhede naa aa
paa ke akeli mohe ghere naa
yoon na udaaye anchra mera
ghunghraali laten yoon bakhere na
nainon mein bhar ke sapne tumhaare ae
nainon mein bhar ke sapne tumhaare
nikli hoon main bhi ee zulfen samwaare
aaja re aaja piyaa
aaja piyaa
aaja piyaa
ho ho ho ho ho ho ho
bijli si chamke ghataaon mein aen
kaise chaloon main sooni raahon mein
darr darr jaaun main toofaanon se ae
mujhko chhupa le tu nigaahon mein
lahraa ke aaye badra kaare ae
lahraa ke aaye badra kaare
nikli hoon main bhi ee zulfen sanwaare
Masti bhare hain shokh nazaare
nikli hoon main bhi ee zulfen sanwaare
aaja re aaja piyaa
aaja piyaa
aaja piyaa
ho ho ho ho ho ho ho
- In: Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Geeta Dutt songs | Guest posts | Lyrics contributed by readers | Post by Arunkumar Deshmukh | Rare song | SN Tripathi Song (as a Singer) | Songs of 1940s (1941 to 1950) | Songs of 1945 | Yearwise breakup of songs
- 4 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5149 | Post No. : | 17111 |
Today’s song is from the film ‘Aadhaar’ (1945).
This film was made by Geeta Pictures, Bombay. It was directed by Ramanlal Desai and this social film had music by SN Tripathi. The lyricist was MA Razi and the film cast was Umakant, Kokila, Yaqub, Shehzadi, Firoza, Ramesh, Usha , Ahmed and many others.
When film making started in India with silent films in the first decade of the last century, the filmmakers faced an unexpected difficulty. The difficulty was in getting actresses for films. No women were ready to act in the films, as it was considered a very low level profession. Dadasaheb Phalke wrote in his reminiscences how he tried to invite even prostitutes to work in the films and how even they refused saying it was a lower job than even being a prostitute !
Sensing an opportunity in this field, many European, Anglo-Indian and Jew girls joined films as actresses. Since the films were silent, their zero knowledge of Hindi or any regional language was not an obstacle. The dialogues were shown as strips of typed sentences on the screen. The girls also had no objection to giving romantic scenes or even kissing on the screen. Some actresses in those days were Ruby Meyers (Sulochana), Marcia Solomon (Vimla), Rachel Sofaer (Aarti Devi), Miss Rose, Iris Gasper (Sabita Devi), Susan Solomon (Firoza), Effie Hippolet (Indira Devi), Bonnie Bird (Lalita Devi), Esther Abraham (Pramila), Renee Smith (Seeta), Beryl Classen (Madhuri), Winnie Stewart (Manorama), Florence Ezekiel (Nadira), Muriel Alexander (Meera) and many others.
In the second part of the second decade i.e. from 1915 onward, some Indian girls from tawaif families also joined and as a result the count of ‘white skin’ girls started diminishing. After the advent of talkie films, speaking Hindi and singing – if needed, became a requirement for the actresses and automatically the Jew, Anglo-Indian and the European girls disappeared from films. Only a few, who learnt Hindi and singing, survived for a few more years, like Sabita Devi, Meera, Pramila, Sulochana, Madhuri and Firoza etc. Those who left early had no problem, but those who continued had to face the competition with the newer and younger local artistes and one by one they too ended their careers. However, not all ended happily. There was one Jew actress whose life in the last part of her career ended pathetically, in penury and she died unsung. We all know of such ends of many actors like Master Shiraz, Master Nissar, Bhudo Advani etc., but the sad story of the once famous actress is not known much. She acted in this film and her name was FIROZA.
Firoza (real name Susan Solomon) was born in a village in Konkan, Maharashtra on 30-7-1905, into a Bene Isareli Jew community. By the time she finished her education, she was proficient in Hebrew, Marathi, Hindi and English. In spite of opposition from family, she started working in silent films and soon became popular. Some of her films also became famous and hits. She continued working in silent films till 1934, when silent films stopped being made. Due to the family’s opposition, she had to leave her house. She stayed in Bombay.
With the advent of talkie films, she naturally entered talkie films, with ‘Noor E Yaman’ (1935), in a small role. She acted in films like ‘Bhikaran’ (1935), ‘Aansuon Ki Duniya’ (1936), ‘Bharat Ke Laal’ (1936), ‘Jeevan Jyoti’ (1937), ‘Dukhiyari’ (1937), ‘Veerbala’ (1938) etc. Due to her success in films, she fell a prey to false promises and dreamt of working in Hollywood films. She wasted 3 years in this and dejected, started working in films again here with ‘Ek Raat’ (1942), ‘Circus Girl’ (1943), ‘Duniya Diwaani’ (1943), ‘Bhagta Bhoot’ (1943), ‘Andhi Duniya’ (1943), ‘Din Raat’ (1945), ‘Aadhaar’ (1945), ‘Lal Batti’ (1947), ‘Daulat Ke Liye’ (1947), ‘Haatimtai’ (1947), ‘Dilwaale’ (1948) etc.
She became an alcoholic and a chain smoker. She made the mistake of refusing offers from Bombay Talkies and other big banners. Meanwhile she fell in love with actor Chandra Mohan and wished to marry him, but he became a drunkard and died in 1949. Her financial condition became worse. She did small roles in Marathi and Hindi films. ‘Yasmeen’ (1954) was her last film.
She lost her parents and lived alone in a single room, where she died unnoticed one day in early 70s. She was one of the top 5 Jew actresses, included in the Documentary ‘Shalom Bollywood’ made by Danny Ben-Moshe in 2003. Thus ended a talented artiste !.
[Note – There was another Firoza Begum, wife of music director Kamal Dasgupta. She is different. She was a Bangladeshi singer.]
[Ack: Information culled from ‘Beete Kal Ke Sitare’ by S Tamrakar, ‘The Untold Story of Jews in Indian Cinema’ in Sunday Guardian, ‘Women in Hindi Cinema’ by Bhavna, Jigna and Supriya, theoneminute.com and my notes.]
The lead pair of the film ‘Aadhaar’ was Umakant (Desai) and Kokila. Despite my efforts I could not get any information on this actress. First I thought that she is Nirupa Roy, because the real name of Nirupa Roy was Kokila. But this Kokila has been in films since 1937 when Nirupa Roy was only a 6 year old girl. First film of this Kokila was ‘Meri Bhool’ (1937). She also acted in films like ‘Gentleman Daku’ (1937), ‘Dukhiyari’ (1937) in which she sang 1 song also, ‘Prem Sagar’ (1939), ‘Gareeb Ka Laal’ (1939), ‘Wayda’ (1940), ‘Jagat Mohini’ (1940), ‘Meri Khwahish’ (1941). ‘Aadhaar’ seems to be her last film. She appeared like a flash and disappeared like a comet !
Let us know something about the director Ramanlal Desai. There were 2 directors in the film industry- Ramanlal (Lalbhai) Desai and Ramanlal (Bhimbhai) Desai. Both operated in almost the same period. Luckily Ramanlal Bhimbhai Desai was known as ‘The King of Mythologicals’ and the other Desai directed all types of films. Ramanlal Lalbhai Desai was born on 6-9-1915 at Ahmedabad (some sources indicate different year and place). His father was a station master in the BBCI Railway (Bombay-Baroda and Central India Railway). He was educated in Bombay and he studied up to Inter-Arts. He soon left his studies to work as an assistant cameraman and assistant director for ‘Thief of Baghdad’ (1934). In 1935 he shifted to Ganesh Movietone but then came back to Paramount. He was assistant director in ‘Fairy of the Flute’, ‘Guru Ghantal’, ‘Black Ghost’, ‘Burqawali’, ‘Aladdin’, ‘Vagabond Lover’, ‘Madhur Bansari’ etc. He co-directed films like ‘Patriot’, ‘Darpan’ and ‘Mere Saajan’, in Rex Pictures. He was a good editor and a musician.
He became a full fledged director with ‘Daughter of the Jungle’ (1942), ‘Muhabbat Ki Jeet’ (1943), ‘Circus Girl’ (1943), ‘Bhagta Bhoot’ (1943), ‘Rangeela Dost’ (1944), ‘Aadhar’ (1945), ‘Kismat Ka Dhani’ (1946), ‘Jadui Putli’ (1946), ‘Tiger Man’ (1947), ‘Naqali Heera’ (1948), ‘Dhanwale’ (1948), ‘Dilwale’ (1948), ‘Roshni’ (1949), ‘Sangeeta’ (1950), ‘Aab e Hayaat’ (1955), ‘Hum Bhi Kuchh Kam Nahin’ (1958), ‘Minister’ (1959) and ‘Zalim Tera Jawab Nahin’ (1960). He turned to Gujarati films and directed ‘Sole Saaj Singar’ (1977) and ‘Kul Deepak’ (1978). He was working as a Production Supervisor for the film ‘Nastik’ (1954) (credited).
[Thanks to Shri Harish Raghuwanshi ji for allowing me to use some info used here].
Film ‘Aadhar’ was unique, because it featured 4 artistes falling in the category of ‘same name confusion’ – namely, Ramanlal Desai, Shehzadi, Firoza and Kokila. Today’s song is a duet sung by Geeta Dutt and SN Tripathi – the MD himself.
Song- O mere man ke meet aa gaayen suhaane geet (Aadhaar)(1945) Singers- Geeta Roy, SN Tripathi, Lyricist-M A Razi, MD-SN Tripathi
Geeta Roy + SN Tripathi
Lyrics
o mere mann ke meet
aa gaayen suhaane geet
aa gaayen suhaane geet
aa gaayen suhaane geet
o mere mann ke meet
aa gaayen suhaane geet
aa gaayen suhaane geet
aa gaayen suhaane geet
ye mann karta hai gaa re
ye mann karta hai gaa re
cham cham ye chamakte taare
cham cham ye chamakte taare
chanda bhi kare ishaare
chanda bhi kare ishaare
aapas mein kitni preet
aapas mein kitni preet
saawan mein kitni preet
o mere mann ke meet
aa gaayen suhaane geet
aa gaayen suhaane geet
aa gaayen suhaane geet
ye nadi taraane gaaye
ye nadi ee ee
ye nadi taraane gaaye
ulfat ke saaz bajaaye
ulfat ke saaz bajaaye
kyun mann mein aag lagaaye
kyun mann mein aag lagaaye
ye lehron ka sangeet
ye lehron ka sangeet
ye lehron ka sangeet
o mere mann ke meet
aa gaayen suhaane geet
aa gaayen suhaane geet
aa gaayen suhaane geet
o mere mann ke meet
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Hindi script lyrics (Provided by Sudhir Kapur)
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ओ मेरे मन के मीत
आ गायें सुहाने गीत
आ गायें सुहाने गीत
आ गायें सुहाने गीत
ओ मेरे मन के मीत
आ गायें सुहाने गीत
आ गायें सुहाने गीत
आ गायें सुहाने गीत
ये मन करता है गा रे
ये मन करता है गा रे
चम चम ये चमकते तारे
चम चम ये चमकते तारे
चंदा भी करे इशारे
चंदा भी करे इशारे
आपस में कितनी प्रीत
आपस में कितनी प्रीत
सावन में कितनी प्रीत
ओ मेरे मन के मीत
आ गायें सुहाने गीत
आ गायें सुहाने गीत
आ गायें सुहाने गीत
ये नदी तराने गाये
ये नदी ई ई
ये नदी तराने गाये
उल्फ़त के साज़ बजाए
उल्फ़त के साज़ बजाए
क्यों मन में आग लगाए
क्यों मन में आग लगाए
ये लहरों का संगीत
ये लहरों का संगीत
ये लहरों का संगीत
ओ मेरे मन के मीत
आ गायें सुहाने गीत
आ गायें सुहाने गीत
आ गायें सुहाने गीत
ओ मेरे मन के मीत
Aayi bahaar kiye solah singaar
Posted on: August 14, 2022
- In: Blog century song | Celebration Song | Century songs for the blog | Childbirth Celebration Song | Devnagri script lyrics by Sudhir | Duet | Geeta Dutt songs | Geeta Dutt-Laxmi Roy duet | joie de vivre | Laxmi Roy song | Lyrics by Prakashchandra | Lyrics contributed by readers | Songs of 1950s (1951 to 1960) | Songs of 1953 | Yearwise breakup of songs
- 5 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 17100th song post in the blog.
This post also includes the 1500th Hindi lyrics contribution by Sudhir ji.
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Blog Day : |
5140 | Post No. : | 17100 |
We in this blog regularly publish song posts everyday without a fail. The last date when no post appeared in the blog was 25 December 2019 (Blog day number 4177). Today (14 August 2022) is the 5140th day for the blog. So there has been no DOT day for the blog during last 973 days !
When we are this regular, then song posts add up and before we realize, we arrive at the next century mark. The previous century mark was a big occasion when we reached a round figure of 17000 song posts.
Nowadays only one or two songs posts appear in a day whereas more than six songs used to appear daily in the blog ten years ago, as we have been noticing while discussing songs under our Blog Ten Year Challenge series. Even then we reach our centuries fairly regularly. The 17000th song post appeared on 2 June 2022. Today, on 14 august 2022, that is 63 days later, we arrive at the next century song post, namely song post number 17100 !
This is a century song post with some difference. It is the first century post for the blog after the blog became ASAD Bhopali. In other words, it is the first century post after I superannuated from my Railway service and settled down at Bhopal. If I or others thought that the pace of the blog will pick up, that has not happened. In any case, we nowadays are not much concerned about the pace at which we are going. We just ensure that no day should be a DOT date.
The century post is always a special post that showcases a song that is special in one way or the other. All the 170 century songs (yes we have had that many century posts in the blog) have been very special songs. Assuming each of these song to be 3 minutes long, listening to all these songs non stop will require 510 minutes, viz 8 hours 30 minutes ! Assuming someone sets out to listen to all the 17100 songs at the same rate of 3 minutes per song, he will need 51300 minutes, which is 855 hours viz nearly 36 days (non stop round the clock) worth of music !
Regulars have actually listened to all these songs. I, who has published bulk of these song posts have actually listened to all these songs multiple times !
So one can have some rough idea of how much time has gone into the effort of bringing all this collection together at one place. And this is by now an online collaboration of nearly two dozen like minded music lovers who have been putting on enormous amount of time and effort and love into this ongoing online project of collecting and piecing together authentic information about the glorious history of Hindi movie music.
As a result of our collective effort, we have showcased songs from over 4600 movies. More than 1000 singers, more than 800 lyricists and more than 500 music directors are already represented in the blog. 1329 movies have already been YIPPEEE’D.
The above figures may not look very impressive to the uninitiated, but the initiated persons will know that this is perhaps the only place online where all this information is available at one place. For instance, many of the YIPPEEE’D movies had songs that are rare songs. Those missing songs have been specially located and uploaded by us (more specifically by Sudhir Ji). Similarly a few of the special songs (including century songs) were special songs that were uploaded for the first time online while those special posts were published.
During the process of our posts, We found songs that were incorrectly credited in HFGK. we have come across songs that did not find mention in HFGK. We also had occasions when new information about songs and artists were received from comments made by knowledgeable sources. Sometimes even close relatives of the artists commented on our posts and shared invaluable information with us.
All the above facts are extremely satisfying to us who are associated with the blog in various capacities. We feel that we in our own small ways, are contributing our mite to human knowledge . With time, our contribution may find more appreciation, I am sure of it.
I started thinking about a song for the occasion only at the last moment which is my wont these days. I finally zeroed in on this song from ‘Nav Durga’ (1953).
‘Nav Durga’ was produced by Homi Wadia and directed by Babubhai Mistri for Basant Pictures Bombay. The movie had Usha Kiran, Mahipal, SN Tripathi, Sulochana Chatterji, Amarnath, Agha Shapur, Raja Sandow etc. in it. The movie had nine songs in it. Six songs have been covered in the blog so far.
The song being discussed is sung by two sisters. We have hundreds of songs sung by Mangeshkar sisters, but there were other sisters too in HFM. But duets sung by these sisters are few and far between. Suman Kalyanpur (nee Hemadi) has sung a few duets with her sisters, such as Shyama Chittar (nee Hemadi). Geeta Dutt too had a sister called Laxmi Roy, but her sister sang very few songs before vanishing from the HFM after her marriage.
The song under discussion is sung by Geeta Dutt (then Roy) and Laxmi Roy. Ramesh Chandra Pandey is the lyricist. Music is composed by SN Tripathi. This is a joyous song. Geeta Dutt sings initial stanzas. Laxmi Roy’s voice appears towards the later half of the song.
Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Lyrics of the song were sent to me by Prakashchandra.
I take this opportunity to thank one and all for their continued support and encouragement that is providing us with the energy to drive this musical bandwagon on and on. Let this musical bandwagon roll on and on for many more centuries of songs.
Song-Aayi bahaar kiye solah singaar (Nav Durga)(1953) Singers-Geeta Dutt, Laxmi Roy, Lyrics-Ramesh Chandra Pandey, MD-S N Tripathi
Chorus
Lyrics(Provided by Prakashchandra)
aayi bahaar kiye solah singaar
ho o o
aayi bahaar kiye solah singaar
sakhi chamka umangon ka taara
ho sakhi chamka umangon ka taara
chamka umangon ka taara
ho sakhi chamka umangon ka taara
bagiya mein chhaayi umang hai
aaj phoolon mein preetam ka rang hai
ho o
phoolo mein preetam ka rang hai
bagiya mein chhaayi umang hai
aur phoolon mein pritam ka rang hai
ho o
phoolon mein pritam ka rang hai
honthon mein pyaas liye
milne ki aas liye
dulhan ne ghoonghat utaara
ho sakhi chamka umangon ka taara
chamka umangon ka taara
ho sakhi chamka umangon ka taara
aayi bahaar kiye solah singaar
sakhi chamka hai nainon ka taara
ho sakhi chamka hai nainon ka taara
chamka hai nainon ka taara
ho sakhi
chamka hai nainon ka taara
mukhda gulaab sa hai pyaara
jhoole nanha sa raaja dulaara
o jhoole nanha sa raaja dulaara
mukhda gulaab sa hai pyaara
jhoole nanha sa raaja dulaara
o jhoole nanha sa raaja dulaara
maiya ki god bhari
nainon ko jyot mili
jagmag hai aangan humaara
ho sakhi
chamka hai nainon ka taara
chamka hai nainon ka taara
ho sakhi
chamka hai nainon ka taara
aayi bahaar kiye solah singaar
sakhi chamka hai nainon ka taara
ho sakhi
chamka hai nainon ka taara
chamka hai nainon ka taara
ho sakhi
chamka hai nainon ka taara
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
आई बहार किए सोलह सिंगार
हो ओ ओ
आई बहार किए सोलह सिंगार
सखी चमका उमंगों का तारा
हो सखी चमका उमंगों का तारा
सखी चमका उमंगों का तारा
हो सखी चमका उमंगों का तारा
बगिया में छाई उमंग है
आज फूलों में प्रीतम का रंग है
हो ओ
फूलों में प्रीतम का रंग है
बगिया में छाई उमंग है
आज फूलों में प्रीतम का रंग है
हो ओ
फूलों में प्रीतम का रंग है
होठों में प्यास लिए
मिलने की आस लिए
दुल्हन ने घूँघट उतारा
हो सखी चमका उमंगों का तारा
सखी चमका उमंगों का तारा
हो सखी चमका उमंगों का तारा
आई बहार किए सोलह सिंगार
सखी चमका उमंगों का तारा
हो सखी चमका उमंगों का तारा
सखी चमका उमंगों का तारा
हो सखी चमका उमंगों का तारा
मुखड़ा गुलाब सा है प्यारा
झूले नन्हा सा राजा दुलारा
ओ झूले नन्हा सा राजा दुलारा
मुखड़ा गुलाब सा है प्यारा
झूले नन्हा सा राजा दुलारा
ओ झूले नन्हा सा राजा दुलारा
मैया की गोद भरी
नैनों को ज्योत मिली
जगमग है आँगन हमारा
हो सखी
चमका है नैनों का तारा
चमका है नैनों का तारा
हो सखी
चमका है नैनों का तारा
आई बहार किए सोलह सिंगार
सखी चमका है नैनों का तारा
हो सखी चमका है नैनों का तारा
सखी चमका है नैनों का तारा
हो सखी चमका है नैनों का तारा
Mera piyaa tram chalaawe
Posted on: July 17, 2022
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5112 | Post No. : | 17055 |
Today’s song is from a stunt film Ji Haan aka Yes please – 1945.
This film was made under the banner of Gautam Chitra, Bombay. It was directed by a pair of Babubhai Mistry and Ramnik Bhatt. All the 8 songs were written by Pt. Indra and the music was by S.N.Tripathi…who was initially for stunt films and later was famous for Mythological movies. The cast consisted of Agha, Bhagwan,Shanta Patel, Meera, Gulab, Raziya,Azeembhai, Anant Prabhu etc etc.
Based on the major chunk of films made, the first 3 decades of talkie films can be easily named accordingly. For example, the 1930’s decade was the “experimental Decade’ because being a new medium, the filmmakers had no idea as to which type of films would attract the audience. Hence there was a mix of all Genres like Historical, Mythological, Folk stories, stunts, family and what not. The 1950’s decade can decisively be called a ” Mythological and Religious films decade” as 124 such films were made in this period. And the 1940’s decade can be said to be a Gold mine for B and C grade action/stunt and costume films. The contribution of Master Bhagwan in this Genre is incomparable to any other filmmaker in the first 30 years of Talkie era. He was not the ‘ initiator’ but surely a ‘developer’ of action films.
An American -Mike Barnum – runs 2 Blogs on B and C grade Hindi action/stunt films of India. Don’t be surprised. There are a few more foreigners who have extraordinary interest in Indian cinema of the yore and they have their own Blogs. One more example is ” memsaabstory.com’n run by Greta Kemmer. Then there is Tom Daniels too. Mike Barnum writes about Master Bhagwan thus…
” Known to his fans as a comedic sidekick in countless Bollywood films of the Golden Era, Bhagwan (Bhagwan Abaji Palav)played the lead and sometimes also directed numerous B grade comedy-action films throughout the 40’s and the 50’s decade. Bhagwaqn often worked opposite former wrestler Baburao pehelwan. With Bhagwan’s short, stubby stature and Baburao’s handsome physique, they made a popular pair.
Bhagwan entered films during the silent era. After a few years, doing bit parts and supporting roles, he tried his hand at Directing with the 1938 stunt film Bahadur Kissan, starring popular action star Chandrarao. Bhagwan co starred in the film with Hansa Wadkar, Sunetra and Vasantrao pahelwan-another former wrestler who was often seen in his films.
Bahadur kissan-38 was quickly followed by Criminal-39, Vanmohini-40 and Raja Gopichand-41 in which the comedian again acted and directed. Bhagwan’s comedy-stunt film combination became quite popular, but is little remembered today, mostly due to the fact that no prints seem to have survived.
Along with the stunt genre, Bhagwan took his brand of comedy and incorporated Horror in House of Mystery(Bhedi Bangla)-49 and spoofed Tarzan pictures with The Jungle man-50. While the masses enjoyed these little B films, it was not until Albela in 1951 that Bhagwan managed to impress the critics. This little musical comedy (produced under his banner-Bhagwan Art productions) also starred Geeta Bali and Baburao Pehelwan and it struck gold at the box office. Bhagwan tried to duplicate Albela’s success with rangeela and Jhamela-51, but both films flopped.
Sadly, of Bhagwan’s dozens of starring roles, only Albela and the comedy Damaad are currently available to see. Thankfully we can at least enjoy the ads and posters from many of his lost or missing films….. and who knows someday a few of these old classics will be unearthed for all to see ! Some of his films were madadgar, Pyar ki raat, Bahadur kissan, criminal, vanamohini, raja gopichand, Rooplekha, Achhajee, Bhedi bangla, Jungle man, Albela, damaad, Actor, Bhole piya, Joker, Bhoole bhatke, Dushmani, Daughter of the Sea, gunehgar, Sukhi jeevan, Badla, Nagma e sahra, Ji haan, Dosti, Shake hands, matwale, laalach, jalan, Jigar and others. “
Master Bhagwan was unique. He was a very hard working person. In the real sense, he brought in the wave of stunt films in the late 40s. After the films of Master Vithal and Fearless Nadia waned in their popularity by 1944-45, it was Master Bhagwan, who established his own Production house-Jagriti Films and produced several stunt films. he had a set of actors and actresses, which included Baburao pehelwan, Vasantrao pehelwan, Azeem Bhai, Shanta Patel, Chanchal, Leela Gupte, Usha Shukla and Vitha Lokare.
The storyline for most of his films was also fixed. Two young vagabonds-Baburao pehelwan and Bhagwan, come to Bombay in search of employment. One Sethji (Azeembhai ) appoints them to protect him from the local criminal (Vasantrao pehelwan). Sethji has a good looking daughter ( one of the stock Heroines), who has a maid (another girl from the stock). Baburao loves Seth ji’s daughter and Bhagwan loves the maid. After a lot of stunts and fighting scenes, the end would be happy. The same story with changed names and other minor changes was used in almost all his films like Badla, Bahadur, Jalan, Madadgaar, Dosti, Shake hand, Matlabi,Bach ke rehna,Bhole bhale, Jeete Raho or such other films. The audience did not mind . They were happy with the stunts. (Did Nasir Hussain and Manmohan Desai get inspiration from Bhagwan in this matter ?).
There was a time when most Indian heroes of the 60’s and the 70’s were great fans of Bhagwan’s action films. Examples are Kishore kumar and Sanjeev kumar. Actor Shyam was his good friend C.Ramchandra, Raj kapoor, P L Santoshi, Shashdhar Mukherjee and many others were his fans. I can not be counted among these famous ones, but I and Greta memsaab simply love Bhagwan’s action films.
Today I am presenting a fun song from the film Ji Haan-45. Out of 8 songs of the film, 5 were comedy songs. One comedy song is already discussed on this Blog. This will be the second song. Let us now enjoy this song.
Song-Mera piya tram chalaawe (Jee Haan)(1945) Singer-Meera, Lyrics-Pt Indra Chandra, MD-S N Tripathi
Lyrics
Mera piya tram chalaave
maayee re mose ticket maange
Mera piya tram chalaave
maay ree mose ticket maange
mere bachche ki laaj na aawe (?)
mere bachche ki laaj na aawe (?)
maayee re mose ticket maange
Mera piya tram chalaave
maay ree mose ticket maange
saajan mera thumka deta
saajan mera thumka deta
dete dhuaan udaawe
maaye re
dete dhuaan udaawe
mera sainyya afeem khaawe
mera sainyya afeem khaawe
Cheen des ko jaawe ae
Cheen des ko jaawe
baalam mera ??
baalam mera ??
tabla roz bajaawe
maaye re
tabla roz bajaaye
preetam mera charas chadhaawe
preetam mera charas chadhaawe
bhor bhaye ghar aawe ae
bhor bhaye ghar aawe
aate hi ?? bajaawe
maayee re
aate hi ?? bajaawe
maayee re mose ticket maange
mera piya tram chalaawe
maayee re mose ticket maange
mere bachche ki laaj na aawe
mere bachche ki laaj na aawe
maayee re mose ticket maange
mera piya tram chalaawe
maayee re mose ticket maange
mere ghar mein saas ??
mere ghar mein saas ??
jhaadu mujhe bataawe
maayee re
jhaadu mujhe bataawe
nanad akeli chugli kaate
nanad akeli chugli kaate
ik ut aag lagaawe ae
ik ut aag lagaawe
dewra mera bada chorta?
dewra mera bada chorta?
jhumka bech ke khaawe
maayee re
jhumka bech ke khaawe
sainyya hamra bada anaadi
sainyya hamra bada anaadi
munh pe ??
munh pe ??
bolo to aankh dikhaawe
maayee re
bolo to aankh dikhaawe
maaye re mose ticket maange
mera piya tram chalaawe
maaye re mose ticket maange
mere bachche ki laaj na aawe
mere bachche ki laaj na aawe
maaye re mose ticket maange
mera piya tram chalaawe
maaye re mose ticket maange
Baaj rahi shehnaayee
Posted on: June 22, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
5087 | Post No. : | 17012 |
“Janam Janam Ke Phere”(1957) was produced by Subhash Desai and directed by Manmohan Desai for Mukta Films, Bombay. The movie had Nirupa Roy, Manhar Desai,
B.M.Vyas, S.N.Tripathi, Satish Vyas, Amar, Pandey, Kanta Kumari, Malay Sarkar, Champaklala, Krishna Kumari, Mahipal(Guest artiste) etc in it.
The movie had nine songs in it. Eight of these songs have been covered in the blog. Here are the details of the songs:-
| Sr.No. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Janam janam ke phere …saanjh savere sabko ghere, inse na koyi bache re | Rafi, chorus | 16 February 2013 |
| 02 | Tu hai ya nahin bhagwan… kabhi hota bharosa kabhi hota bharam | Lata, Rafi, Manna Dey | 16 June 2012 |
| 03 | Bhadak uthhi hai…aaja naag tohe man mein basaa loon | Lata Mangeshkar | 04 January 2020 |
| 04 | Raah se dharam ki hataanewaala kaun | Lata Mangeshkar | 16 June 2022 |
| 05 | Man ka andhiyaaraa… tan ke tamboore mein do saanson ke taar boley | Manna Dey | 03 June 2012 |
| 06 | Rang birange phoolon ki jhoomein re daaliyaan… kaali kaali ankhiyon ki chhalke re Pyaaliyaan | Geeta Dutt, Manna Dey, chorus | 14 March 2022 |
| 07 | Aatma ki ye … zaraa saamne to aao chhaliye | Mohd Rafi, Lata Mangeshkar | 25 December 2008 |
| 08 | Baaj rahi shehnaayi dekho baaj rahi shenaayi | Lata Mangeshkar | Being discussed today |
| 09 | Ghanan ghanan ghan baaje… aayi mohan milan ki bela | Shamshad Begum, Mohd Rafi, chorus | 05 April 2020 |
Only one song from the movie is left to be covered.
Here is that final song from the movie. The song is sung by Lata Mangeshkar. Bharat Vyas is the lyricist. Music is composed by S N Tripathi.
The song is picturised on Nirupa Roy playing a bride and getting married to the wrong groom. She would not point this out to her elders, rather she would make the most of this opportunity to sing a melancholic song. Singing a melancholic song,(when wronged by fate) was considered the ultimate act of Bhartiya Nari in Hindi movies of those days. Nirupa Roy was one of the leading Bhartiya Naaris of those days. subsequently she graduated to the role of the ultimate Hindi movie maa. 🙂
Amar is also visible in the picturisation.
Lyrics of the song were sent to me by Prakashchandra.
With this song, all the nine songs of “Janam Janam Ke Phere”(1957) get covered in the blog. The movie thus joins the list of movies that have been YIPPEED in the blog.
Audio link:
Video link:
Song-Baaj rahee shehnaayee dekho baaj rahi shehnaayee (Janam Janam Ke Phere)(1957) Singer-Lata, Lyrics-Bharat Vyas, MD-S N Tripathi
Lyrics
baaj rahee shehnaayee…ee..ee
baaj rahee shenaayee
dekho baaj rahee shehnaayee
angnaa mein
baaj rahee shenaayee
ye duniya diwaani dekho
karti hai manmanee rey ae
ye duniya deewaani dekho
karthi hai manmanee
haayye
jaaney na peer paraayee rey
paraayee rey paraayee
dekho baaj rahee shehnaayee
angnaa mein aen
baaj rahee shenaayee
sab sakhiyaan meri maang sajaayein ae..aen..aen
sab sakhiyaan meri maang sajaayen
main ansuwan haar piroun rey ae ae
duniyaa to hansti hai khil khil aur
main jhar jhar roun rey ae
duniya to hansti hai khil khil aur
main jhar jhar roun re
bin bhanwar kalee murjhaayee murjhaayee
murjhaayee..eee
dekho baaj rahee shehnaayee
angnaa mein aen
baaj rahee shenaayee
sakhiyaan meri mehandi se aey ae ae ae ae ae
sakhiyaan meri mehandi se rangti hain haath rey ae ae
woh kyaa jaanen meraa hai suhaag nahin saath rey ae ae
woh kyaa jaanen meraa hai suhaag nahin saath
mere piyaa ne sudh bisraayee
bisraayee bisraayee..eee
dekho baaj rahee shehnaayee
angnaa mein ae
baaj rahee shenaayee..ee..eee
Saaqiyaa bahaar aayi jhoom jhoom
Posted on: June 14, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
5079 | Post No. : | 17002 |
“Nadirshah”(1968) was produced and directed by S N Tripathi. The movie had Feroz Khan, Naaz, Sheikh Mukhtar, Murad, Minoo, Mumtaz, Hiralal etc in it.
The movie had seven songs in it. Six songs from the movie have been covered in the past.
Here are the details of the song that have been covered in the blog so far :-
| Blog post number | Song | Singer(s) | Date of post |
|---|---|---|---|
| 4925 | Mohammad Shah rangeeley re | Rafi, Suman Kalyanpur | 1 November 2011 |
| 7456 | Phoolon taley ham tumse miley | Lata Mangeshkar | 6 February 2013 |
| 7528 | Sitam hai subah ka aalam | Lata Mangeshkar, Rafi | 20 Februray 2013 |
| 7534 | Jang insaaniyat ki dushman hai | Mahendra Kapoor | 21 February 2013 |
| 7555 | Kaahe ko byaahi bides | Suman Kalyanpur, Shyama Hemmadi | 25 February 2013 |
| 16998 | Hai meri mohabbat jo gunehgaar…daata tere ghar | Suman Kalyanpur | 11 June 2022 |
Here is the seventh and final song from “Nadirshah” (1968) to appear in the blog. The song is sung by Suman Kalyanpur. Majrooh Sultanpuri is the lyricist. Music is composed by S N Tripathi.
The video is not clear. The song is picturised as a mujra dance song in a raj darbaar. The video is not clear. The dancer performing on the song appears to be Mumtaz to me. I request our knowledgeable readers to help identify her.
I have not been able to get a few words right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections in the lyrics as applicable.
With this song, all the seven songs of the movie have been covered in the blog. With this, “Nadirshah”(1968) joins the list of movies that have been YIPPEED in the blog.
Song-Saaqiyaa bahaar aayi jhoom jhoom (Nadirshah)(1968) Singer-Suman Kalyanpur, Lyrics-Majrooh Sultanpuri, MD-S N Tripathi
Lyrics
saaheba jashne tarab
saaz mubaarak baashad
jalwe aeshaj aagaaz mubaarak baashad
saaqiya
saaqiya
saaqiya bahaar aayi jhoom jhoom
saaqiya
bahar aayi jhoom jhoom
rut hai deeweani jaise nayi ho jawaani
rut hai deewaani jaise nayi ho jawaani
bhanwara lubhaaye kali choom choom saaqiya
sqaqiya
bahaqr aayi jhoom jhoom
saaqiyaa
aa aa aa aa aa
hai zamaana shabaab par saaqi
kya khaban hai sharaqb par saaqi
o o o o
humri kaaklkha(?) pe aakar
daal de maahtaab par saaqi
daal de maahtaab par saaqi
saqqiya
saaqiya
bahaar aayi jhoom jhoom
saaqiya
sakiya bahar aayi jhoom jhoom
bhanwara lubhaaye kali
bhanwara lubhaaye kali choom choom
saaqiya
sabka(?) ye husn mile
jaam pe jaam chale
pyaar ki bazm saje
murjhaaye dil bhi khiley
kamsini teri sahar
sun to ae shokh e nazar
kamsini teri sahar
sun to ae shokh e nazar r r r
mausam e gul hain ghame zipt(?) ke sahne waale
aish kar aish yahaan
kehte hain kehne waale
kar le kuchh sair ae chaman
karle kuchh sair ae chaman
daur ae khiza ae pahle
sabka ab ??is rang pe rahne waale
mast hain hawaayen jaise pyaar ki hon raahen
mast hain hawaayen jaise pyaar ki hon raahen
dilwaale jaaye jahaan ghoom ghoom
saaqyaa bahaar aayi jhoom jhoom
saaqiya
aa aa aa aa
sakiya
aa aa aa aa aa aa
aa aa aa aa
aa aa aa aaa
aa aa aa aa
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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