Advertisements

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Gyan Dutt


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3574 Post No. : 14319

“Ghaayal” (1951) was a Shri Navratna Pictures Production movie. It was directed by Ramchandra Thakur. The movie had Sheikh Mukhtaar, Ram Singh, Geeta Bali, Yashwant Dave, Pesi Patel,Jawahar Kaul, Sulochana Chatterji, Mirza Musharaf etc in it.

Four songs from this movie have been discussed in the past. Here is the fifth song from forgotten movie. This song is sung by Meena Kapoor. Saraswati Kumar Deepak is the lyricist. Music is composed by Gyan Dutt.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Phool kisi ke haar kisi ka (Ghaayal)(1951) Singer-Meena Kapoor, Lyrics-Saraswati Kumar Deepak, MD-Gyan Dutt

Lyrics

phool kisi ke
haar kisi ka aa aa aa
nain uthha kar dekho baalam
naach raha hai pyaar kisi ka
naach raha hai pyaar

bandhi hui thhi jin aankhon se
in aankhon ki dor
aaj wahi aise badli hai
lagi huyi kis oar
idhar bhi dekho roothe sajan
toot gaya hai taar nadi ka
kisi ka toot gaya hai taar
idhar bhi dekho roothe saajan
toot gaya hai taar kisi ka
toot gaya hai taar
phool kisi ke
haar kisi ka aa aa
nain uthha kar dekho baalam
naach raha hai pyaar kisi ka
naach raha hai pyaar

chaahe ghir ghir aaye badariya
kabhi na chhodoon haath
chaahe badli rahe nazariya
kabhi na chhoote saath
ho bairi
ho bairi
o bairi kyun badal rahe ho
sapnon ka sansaar
kisi ka sapnon ka sansaar
o bairi kyun badal rahe ho sapnon ka sansaar
kisi ka sapnon ka sansaar
phool kisi ke
haar kisi ka aa aa aa
nain uthha kar dekho baalam
naach raha hai pyaar kisi ka
naach raha hai pyaar

khushi manaaoon naachoon gaaun
?? muskaaun
piya tumhaare charnon par main chaand sitaare laaun
piya main chaand sitaare laaun
o nirmohi
o nirmohi
o nirmohi kyun karte ho
jeena bhi bekaar kisi ka
jeena bhi bekaar
o nirmohi kyun karte ho
jeena bhi bekaar kisi ka
jeena bhi bekar
phool kisi ke
haar kisi ka aa aa
nain uthha kar dekho baalam
naach raha hai pyaar kisi ka
naach raha hai pyaar

Advertisements

This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3544 Post No. : 14225

Today’s song is from the film Dhandora-41. It was a Ranjit film, directed by comedian N M Charlie. The music was by Ranjit’s resident composer Gyan Dutt. The song, penned by D N Madhok, is sung by Charlie himself.

What is the meaning of the word Dhandora ? As per the online dictionary, the simplified meaning is Elaan in Urdu, Proclamation in English. In Hindi it is Doundi and in Marathi it is Dawandi (दवंडी).

To understand this concept, we have to go back in time, when the means of communication were not many. The Public orders,Fatwas, New laws or any new announcement from the King for the public was through a Public Crier ( as he was called), with a big drum hanging from his neck onto his tummy. He would stand on a Public platform, like a Chavdi or in the middle of of a Market or Residential street. He would then start playing his drum loudly. When enough crowd had gathered, he would shout in a loud voice about the Proclamation from the authority. This entire process was called Dhandora or Dhandhora or Dhindhora ( the phrase “Dhindhora peetna” means to proclaim loudly ).

After the advent of modern and better communication means, this system was abandoned. However, in smaller villages and rural areas, its variation continued as a means of advertisements. I remember, during the visits to my Nanihal- which was a small town, in the summer holidays, in the early 40’s, we children used to run after the oxen cart in which the ‘Public crier’ or the person doing the advertisement and distributing hand bills sat. He would start banging his drum and shout the ad matter…mostly about a film.

The Hero of film Dhandora-41, who was also its Director, was Film industry’s First Superstar Comedian. Coming from a very humble family, he rose to be the king of Comedy in Hindi films, for a period of over a decade.

By the 1940s the system of Playback was firmly established. This actually came as a great relief to most composers. Till then they had to tolerate terrible non-singers. Now, except for few singing actors, all others could have playback from expert and professional singers. Despite this, in few cases, some producers insisted that their comedians sang their own songs. That is how, you can see songs by comedian Sunder, comedian Yaqub or comedian Charlie. Thank God other comedians like Master Bhagwan, V.H.Desai or Bhudo Advani did not / could not sing !

1945 was the period when Noor Mohammed Charlie was on peak of his popularity. He not only sang his songs, but he also became Hero in few pictures and stories were amended to give him more scope in the films. In the 1950s and the 1960s, this honour went to comedian Johnny Walker. Thank God, he did not sing songs ( though he spoke in his chirpy voice in some songs). Mohammed Rafi compensated enough for him by having a special style of singing and a special voice for Johnny Walker songs.

These days everyone likes the comedy of Amitabh Bachhan. His many films became Hits due to his comedy work. Today most of the Heroes do the comedy part in the film themselves. But till 1970, there used to be a separate slot for a comedian.

Today’s generation knows comedians like Paresh Raval, Anupam Kher etc. For them older comedians are Johnny Lever, Satish Shah or Rajpal Yadav. before that, they can think of Johnny Walker, Mehmood, Keshto Mukherjee, Asit Sen, Dhumal, Jagdeep, Asrani or Deven Verma. But the art of Comedy had started much earlier, in the 1930s and 1940s. Comedians like Ghori, Dikshit, Fatty Prasad, V H Desai, Bhudo Advani were famous. Amongst all the comedians of that era,there was ONE superstar of Comedy- NOOR MOHAMMED CHARLIE.

Noor Mohd. was born on 7-1-1911 at Ranavava, near Porbandar, Gujarat, in a Memon family (Later, comedian Mukri was also a Memon from Konkan area). Not intersted in studies, he was very fond of seeing films, even by stealing money from house, at times-if need be. He was sent to Bombay and worked as an Umbrella Repairer in a shop. His desire to become an actor was so strong that one day he straightaway went to Imperial Film Company’s owner and asked for a job. In the tradition of those days, he was asked if he could sing… His reply was,” I can sing, act, ride, run, fight, cry, laugh, quarrel, dance, play or swim”. He was hired instantly at a salary of Rs. 40 pm.

From 1925 to 1931 he did 9 silent films. In one of these films he did the acting of Charlie Chaplin. It became so popular that he made this get up his Trademark and developed Toothbrush Moustache ,like Charlie Chaplin. he also added ‘Charlie’ to his name. He did his first talkie film ” Zarina” in 1932 and then there was no looking back.

Initially with Sagar Movietone, he shifted to Ranjit and did 17 films with Ranjit. He became so famous and Popular that films were sold on his name. He was the First superstar amongst the comedians. He started to get special songs shot on him in almost every film-much before Johnny Walker in the 1950s. He sang his own songs. he left Ranjit and was the first actor to became a ‘Free-lance’ breaking the Studio system.

Some of his films and songs were famous over all India. In the film Sanjog, he sang ” Palat,tera dhyan kidhar hai “. This line became so famous that young boys in colleges used this line for calling girls,in those days. In the film Dhindhora, he sang ” ek do teen char panch chhe saat aath nau dus gyara bara,teri nazar ne mujhe mara”. ( Raj Kapoor used ‘Ek do teen aaja mausam hai rangeen’ and later Madhuri Dixit’s “Ek do teen” was very famous.) In the film Taqdeer he sang- “Thank you mention not” and ” I am very very Sorry”. This too became popular.

There was a time when Charlie drew more salary than even Prithwiraj kapoor ! He did about 62 films in all. he was the Hero opposite Swarnalata in Chaand Taara-45, hero opposite Leela Chitnis in Ghazal-45 and hero opposite Chandraprabha (Saraswati devi’s sister) in Dulha-46.

He directed only one film,while in Ranjit-Dhandora-41. Charlie sang 36 songs in 15 films.

After partition he opted for Pakistan. he did 6 Urdu, 2 Sindhi and 1 Punjabi films there but was not popular. He came back to India in 1960, but by then here too the position had changed. He did 3 films here. His last film in India was Ranjit’s last film ” Akeli mat Jaiyo”-63 and then that was the end of his film career and that of Ranjit studios too. Due to Visa problem, he had to leave India. He went to USA to live with his son, who had a dairy farm business. He had 6 sons and 6 daughters. Only 1 son-Latif Charlie became an actor In Pakistan. (He died on 19-7-2011). Charlie came back to Pakistan when his wife expired, but later he himself died in Karachi on 30-6-1983.

If he had not gone to Pakistan, who knows he would have prospered here. Mehmood and Johnny Walker consider him as GURU and have copied his actions in films many times. Raj Kapoor and Guru Dutt were also his fans. His film Manorama-44 was remade as Manchala in 1953 with Agha in his role. Thokar-39 was remade as Mai Baap and Taqdeer-43 was remade as Duniya ka Mela, with Mehmood in Charlie’s role.

When he died in Pakistan, no film personality from Pakistan Film industry attended his funeral. He died unsung !

The cast of film Dhandora-41 was Charlie, Husn Bano, Shameem, Dikshit, Ghori, E.Bilimorea, Bhagwan Das, Kesari etc etc.

With a plethora of Comedians in the film, one could easily make out the film’s genre. For the Heroine, Husn Bano, this was something new, because till then, she had been working only in Stunt/action films of Wadia Movietone like, Kala Gulab, Hind Kesari, Desh Deepak, Noor E Yaman etc etc. Husn Bano was the love child of actress Shareefa. Husn Banu was born in Singapore on 8-2-1919. She was very beautiful. She started her career in Calcutta ( just like her mother), by working in New Theatre’s film “Daaku Mansoor-34”. After this film, Shareefa brought her to Bombay and she started getting roles in Wadia films.

When she was selected for Dhandora as a Heroine, this was a new experience for her as she had never worked in a social or a comedy movie. All her experience was for stunt films only.

Husn Bano acted in 53 films and sanf 44 songs in 16 films. She had married Wadia’s director Aspy Irani. Husn Bano worked in films till her last film Akhari Sajda-1977 and then she retired. She had a big house “Shareefa Manzil” in Dadar, Bombay. On 23-11-1986, her husband Aspy Irani left home for work and he simply disappeared. He was never found and was declared as a “Missing Person” by the Police.

The story of film Dhandora-41 was by Charlie himself. He was the Hero and also the Director. Dialogues and most lyrics were by D N Madhok. The story of the film was…..

Two young persons, Pyare (Charlie) and Mansukh(Dikshit) are working as Extras in films. They are actually nobodies, but crave for publicity in some way or the other. Pyare and Mansukh give it a long thought and come up with a crazy idea. It is planned that Mansukh should ‘murder’ Pyare. Then Mansukh will be caught and their names will be flashed on front pages of Newspapers and on Radio news. Thus they will become famous. The murder, of course , has to be only a fake one. Then Pyare would go out of Bombay and appear directly in court, when Mansukh would be convicted.

Everything takes place as planned. Mansukh is arrested. Pyare leaves secretly for Calcutta. In the train Pyare meets Banwari (Bhagwan Das)-a Theatre Manager and his beautiful daughter Kumud (Husn Bano). They continue meeting in Calcutta also and as expected, fall in love. In all this jhamela, Pyare forgets about Mansukh.

One day Pyare comes across a stupid fellow-Uttam ( Charlie’s double role), who looks exactly like him (naturally!). Uttam is the son of Calcutta’s rich person Sir Niranjan (E.Billimoria). For a better period of the film,after Interval, there are many scenes depicting the inevitable and sometimes intentional confusions due to the look-alikes.

In Bombay, Mansukh is dragged to the court and his case starts. There is no Pyare anywhere,as planned. Pyare loses all hope. He is convicted and sentences to death by hanging. Fortunately, when Mansukh is dragged to the Hangman’s rope, Pyare appears and clarifies that he is alive and there was no murder at all. Mansukh is released Baa-ijjat.
The Happy End !

For a long time, the songs of this film were not available anywhere. Luckily Mr. Shalin Bhatt uploaded 4 songs on You Tube, this month only-on 9th March 2018, to be precise. He is one of the few collectors, who upload full and complete songs. May his tribe grow ! There were 9 songs in the film, written by Madhok and Buta Ram Sharma. The music was by Gyan Dutt.

GYAN DUTT (Born 1915/1920 – Died on 3 December 1974) was an early Indian Film Composer and Music Director. He was Music Director for films such as Thokar (1939), Achhut (1940), Bhakta Surdas (1942), Sunehre Din (1949) and Ghayal (1951). Many of his songs were sung by K. L. Saigal. In 1948 he composed seven songs for a young Geeta Roy in the films Chanda Ki Chandani and Hua Savera, although their most notable collaboration was Dilruba (1950) in which Geeta Roy had 10 songs, seven of which were solos for Geeta Roy.

There were a few composers who were neither here nor there. Gyan Dutt was one of them. True, in his time there was no Parallel cinema, but Critics were very much there. Though he operated from 1937 to 1965-almost 30 years, he never became famous as some of his contemporaries like, Anil Biswas, C.Ramchandra, Naushad etc. He was a Bengali born in Bangalore. There are conflicting reports not only about his Birth year (1915 or 1920),but also about Birth place. Some sources say he was born in East Bengal.

As was the practice those days, Gyan Dutt ( real name Jnanan Dutt) was employed by Ranjit studios ( “we have more stars in our studio that there are in the sky”), along with other composers. He composed music for 25 films in Ranjit from 1937 to 1940. Khemchand Prakash, who replaced him in Ranjit did 20 films from 1940 to 1945 and then it was Bulo C Rani who did about 25 films after 1945 onwards. For most films of Gyan Dutt in Ranjit the film directors were Gujaratis like, Jayant Desai, Chaturbhuj Doshi, Chandulal Shah, Manibhai Vyas etc. He was called Pandit Gyan Dutt.

In those days, hero and Heroines used to sing their own songs. Thus his songs were sung by Waheedan bai, Khatoon, Kalyani,Sunita Devi, Ila Devi, Madhuri, Sitara, Indubala, Vasanti, Savita Devi, Miss Rose, Meera, Gauhar, Snehprabha Pradhan etc.Among males it was Ishwarlal, Kantilal, Ghori, Bilimoria, Charlie etc.

Gyan Dutt gave music to 58 films, but songs from only Saigal’s Bhakta Surdas-42 and Raj kapoor’s Sunehre Din 49 are well known. Actually songs of Aapki Marzi-39 and Sant Tulsidas-39 were also popular in those days. Khursheed sang many songs for him. He also sang a few songs himself. His last film was janam janam ke Saathi-1965.

Gyan Datt remained employed with Ranjit Movietone and gave music is many films including Toofani Toli(1937), Bazigar (1938), Gorakh Maya (1938), Nadi kinare (39), Musafir (1940). In Toofani Toli he made Wahidan bai (Mother of Nimmi) sing “Kyon Naianan mein neer bahaye”. Many singers like Kantilal, Kalyani, Rajkumari, Khursheed and Manna Dey sang his songs. His last film was Janam janam ke saathi (1965) in which duet was sung by Mukesh & Suman Kalyanpur, Hemant Kumar &Indrani Roy.The most notable among his compositions being Sunehre Din (1949) and the song – Maine Dekhi Jag Ki Reet Meet Sab Jhoote Pad Gaye sung by Mukesh and Shamshad Begum.

His death came on 3-12-1974 in Bombay. Unfortunately except for a small time less known composer Sapan Chakravarty,no one from the film industry attended his funeral and a good composer died unsung, unknown and all alone.

Here is a song which is a precursor to many subsequent songs of Hindi films. It starts counting straight up to Twelve… a typical comedy song. Enjoy…..


Song-Ek Do Teen Chaar paanch chhe saat aathh (Dhandhora)(1941) Singer-Noor Md Charlie, Lyrics-D N Madhok, MD-Gyan Dutt

Lyrics

Ek Do Teen Chaar
paanch chhe saath aathh
nau das gyaarah baarah

Ek Do Teen Chaar
paanch chhe saath aathh
nau das gyaarah baarah
teri nazar ne
mujhe maara
teri nazar ne
mujhe maara
teri nazar ne
mujhe maara
baarah gyarah das nau
aath saat chhe paanchh
chaar teen do ek
meri taraf zara dekh
meri taraf zara dekh
meri taraf zara dekh
baarah gyarah das nau
aath saat chhe paanchh
chaar teen do ek
meri taraf zara dekh
meri taraf zara dekh
meri taraf zara dekh
Ek Do Teen Chaar
paanch chhe saath aathh
nau das gyaarah baarah
teri nazar ne mujhe maara
teri nazar ne mujhe maara
teri nazar ne mujhe maara

ek ek hain do
ek ek hain do
murge ?? dil mat ro
do do hain chaar
do do hain chaar
mujhe tera intezaar
do do hain chaar
mujhe tera intezaar
Ek Do Teen Chaar
paanch chhe saath aathh
nau das gyaarah baarah
teri nazar ne mujhe maara
teri nazar ne mujhe maara
teri nazar ne mujhe maara

chaar aur do chhe
chaar aur do chhe
jee bhar ke deedaar le
chaar aur do chhe
jee bhar ke deedaar le
jee bhar ke deedaar le
Ek Do Teen Chaar
paanch chhe saath aathh
nau das gyaarah baarah

dus aur dus bees
aur dus tees
aur dus pachaas
ae dus chaalees
aur dus pachaas
aur dus saath
aur dus sattarrr

chaudhvin ke chaand se mera yaar nahin kamtar
chaudhvin ke chaand se mera yaar nahin kamtar
andheriya hai raat
sajan aao mere ghar
andheriya hai raat
sajan aao mere ghar
andheriya hai raat
sajan aaibo ke jaibo
andheriya hai raat
sajan aiyo ke jaiyo
andheriya hai raat
sajan aibo ke jaibo

assi aur bees sau
chup kyon ho
kuchh kaho
assi aur bees sau
chup kyon ho
kuchh kaho
chup kyon ho
kuchh kaho
chup kyon ho
kuchh kaho

Ek Do Teen Chaar
paanch chhe saath aathh
nau das gyaarah baarah
baarah gyarah das nau
aath saat chhe paanchh
chaar teen do ek
meri taraf zara dekh
meri taraf zara dekh
meri taraf zara dekh


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3527 Post No. : 14168

Today’s song is from film ‘Adhoori Kahani’ (1939).

This film is made by Ranjit Movietone of Sardar Chandulal Shah. A lot has already been written about him, Gauhar Mamajiwala and Ranjit Studios, so I am skipping that part. In the late 30s and early 40s, i.e. from about 1937 to 1947, Hindi film industry was making films emphasizing social reforms, society needs, peaceful coexistence of different religions and also raising a voice against the sinful customs prevalent then in Indians, all over the country. Some of the topics were, child marriages, marriages between the very young and the old, dowry demands, disowning parents, gambling, criminal activities etc.

Major film companies like Ranjit, Bombay Talkies, New Theatres, Prabhat Films etc. were the torch bearers in this campaign. After the country’s Independence and by the end of the 40’s decade, the taste of the audience started changing rapidly and within a short period the type of films produced took a 180 degrees’ turn. Now the films handled comedy, crime stories, modern love stories and in general, light entertainment became the sole purpose of seeing a film.Thus the role of films as a ‘reformer or a ‘teacher/preacher’ ended and films handling such themes got a poor response from the same audience.

Of course, 1939 was the initiation period for such a change. The first generation actors, directors and composers were still on the top and the film stories too were made in preaching style. The music was quite slow and influenced by stage/dramas/classical songs. Ranjit Movietone used to produce films like a factory. At any given time at least 2 to 3 film shootings were going on different floors. In its production life, Ranjit produced 175 films, including films in Marathi and Tamil. However, Calcutta’s New Theatres made 177 films, holding the Indian Record (perhaps the world record too).

Somehow, I feel that due to Saigal’s films, notably ‘Devdas’ (1935), the film makers of the late 30s were inclined to show death of the lead player of their films. If not, there was a kind of a tinge of sadism in some of the films made during this period. For example, I can quote Minerva’s ‘Jailor’ (1938) and ‘Main Haari’ (1940), ‘Adhoori Kahaani’ (1939), Kardar’s ‘Paagal’ (1940) and ‘Pooja’ (1940), Prabhat’s ‘Aadmi’ (1939), New Theatre’s ‘Badi Didi’ (1939) and ‘Dushman’ (1939), Sagar Movietone’s ‘Ek Hi Rasta’ (1939), Mehboob’s ‘Aurat’ (1940), Circo’s ‘Geeta’ (1940), New Theatres ‘Nartaki’ (1940), Mehboob’s ‘Behan’ (1941) and few other films. In all these and such films there was a serious theme – tragedy, sadism, psychotic behaviour, perversion and similar not so good emotions.

It was the pure and innocent love stories of Devika Rani and Ashok Kumar that gave relief to the audience. No wonder, a naive and extremely visible awkward Ashok kumar became popular on this background, as a help to him. By the mid 1940’s and end of the decade, the total trend of film stories had taken a drastic turn, as mentioned earlier.

Film ‘Adhoori Kahaani’ was one of those dark story films, where three main characters commit suicide in the film. The film was directed by Chaturbhuj Doshi, and the music was provided by Gyan Dutt, a paid employee of Ranjit. The cast of the film was Durga Khote, Prithviraj Kapoor, Rose, K Datey, Ila Devi, Ishwarlal, Yaqub, Khatoon, Mirza Musharraf, Meera etc etc.

The name ‘Meera’ is one of those which cause ‘Same Name Confusion’. Luckily, the other Meera (Mishra) started her acting career only in 1946, when this Meera was in the last phase of her career. Still many sites, books and writers mix up their filmography. Meera was an Anglo-Indian girl in Hindi films. During the silent film era a lot many European and Anglo-Indian girls acted in films. Few of them continued even after Talkie films started and very few like Sulochana and Sabita Devi etc. became successful even in the films for a considerable time. Some of these girls were, Ruby Meyers – Sulochana, Iris Gasper – Sabita Devi, Susan Soloman – Firoza begum (not the singer), Effie Hippolet – Indira Devi, Bonnie Bird – Lalita Devi, Esther Abraham – Pramila, Renee Smith – Sita Devi, Berryl Classen – Madhuri, Winnie Stewert – Manorama Senior, Erine Issac Daniels – Manorama Junior, Florence Ezekiel – Nadira, Sophie Abraham – Romilla, Rose Musleah – Rose, Lilian Ezra – Lilian, Mercia Soloman – Vimla, Rachel Sofaer – Arti Devi, Rachel Cohen – Ramola Devi, Patience Cooper, Violet Cooper, Ermelin – Sudhabala etc.

Meera’s real name was Muriel Alexander. She was born on 10-11-1919. She was from a respectable family. Her father was Superintendent – Local Audit in AG’s office. Brother E. Alexander was a national level cricketer. She passed her Inter-science exam from Benaras Hindu University. It was through one Mr. Seal, who was a manager in Adarsh Chitra, that she got her first break in film ‘Dhuwaandhaar’ (1935). It is not known if she sang any song in that film, as no records are available. My guess is that, besides acting, she must have sung few songs in that film. [Author’s Note: ‘Dhuwaandhaar’ was also the debut film for Leela Chitnis.]

Her name first appears as an actress and singer in film ‘Bhabhi’ (1938), in which she sang 3 solo songs. From 1935 to 1938, she must have sung many songs, but singers names are not mentioned in the available information on the available gramophone records. Thus many singers’ credit during this period have been lost. After ‘Bhabhi’, her name appears in ‘Nirmala’ and ‘Vachan’ (both from 1938) in which she sang 1 solo and 3 duets. She acted and sang songs in films of Ranjit, Prakash and Minerva Movietone films. [Author’s Note: Amirbai Karnataki also suffered due to this missing singer’s information situation.]

As per information available Meera acted in ‘Dolti Naiya’ (1934), ‘Dhuwandhar’ (1935), ‘Bhabhi’ (1938), ‘Wahaan’ (1938), ‘Adhoori Kahaani’ (1939), ‘Taatar Ka Chor’ (1940), ‘Paak Daaman’ (1940), ‘Chingaari’ (1940), ‘Armaan’ (1942), ‘Meri Duniya’ (1942), ‘Mauj’ (1943), ‘Krishna Bhakt Bodana’ (1944), ‘Ji Haan’ (1945), ‘Sham Savera’ (1946), ‘Ye Hai Duniya’ (1948) and ‘Sansaar’ (1951). In the film ‘Nirmala’ she only sang.

Another name in the cast is that of Ishwarlal.  Ishwarlal was born on 9-10-1911 at Ghanghaniya, Kathewar, Gujrat, as Ishwarlal Hariprasad Doshi. He belonged to a Jain family. After matriculation, he came to Bombay to act in films. Ishwarlal was very handsome. He got a job in Ranjit Studios. His first film was ‘Bhootiya Mahal’ (1932). Then came ‘Chaar Chakram’, also 1932.

He started acting and singing in films. Initially he sang only duets. Meanwhile, with ‘Jwalaamukhi’ (1936), he became a hero. He sang many songs in Ranjit Films, but the records are not available. Those days, not all songs of the film were recorded for commercial purpose. In ‘Billi’ (1938), he sang a duet with Sunita Devi. In ‘Aaj Ka Hindustan’ (1940), he sang two solos. In ‘Ummeed’ (1941), he had a duet with Noorjahan. In ‘Pyaas’ (1941), he sang with S Pradhan. In 1942, got two solo songs and two duets to sing in ‘Fariyaad’ under the baton of Khemchand Prakash. In ‘Zabaan’, under C Ramchandra, he sang 7 songs.

Some of his films were-

Diwali, Dheeraj, Chandni, Bhola Shikar, Nadira, Sitamgarh, Veer Babruwahan, Barrister’s Wife, College Kanya, Desh Dasi, Keemti Aansoo, Dil Ka Daaku, Jwaalamukhi, Sajni, Dil Farosh, Adhoori Kahaani, Thokar, Holi, Pyar, Bansari, Lalkar, Chirag, Us paar.

In 1945, he was the hero opposite to Noorjehan in ‘Badi Maa’, but he had no songs. In fact his last songs were in ‘Us Paar’ (1944). Then he did character roles in Subhadra, Mahasati Tulsi Vrinda, Sanskar, Naulakha Haar, Khuda Ka Banda etc.

His last film was ‘Meri Soorat Teri Aankhen’ in 1963.

He was married to a loyal wife Kamalabai. Due to excessive smoking he contracted lung diseases and died on 22-1-1969 in Bombay.

‘Adhoori Kahaani’ was a modernisation fable based on a story by famous Gujarati writer Gunwant Rai Acharya. screenplay, dialogues and lyrics were by JS Kashyap, Cinematography was by LN Varma and the music was composed by Gyan Dutt. The film was hailed as one of the best by Director Chaturbhuj Doshi.

The film’s story is. . .

The educated and liberal thinking Harbala (Durga Khote) is married to Seth Gopaldas (Keshav Rao Datey), a rich zamindar. He is a highly conservative type of husband with old time thinking. He neither approves nor likes the modern ways of his wife Harbala and tries to criticise and oppress her at every small thing. They have two children- Somnath (Prithviraj Kapoor) and Neelam (Rose). Gopaldas always accuses Harbala that she is spoiling the children and not treating them with discipline.

Fed up with this torture, harassment and his authoritarian traditionalism, Harbala commits suicide. Both children feel guilty. Hatred towards father drives them to commit suicide after their mother.

Having lost all family, Seth Gopaldas repents, but it is too late. The film ends with a hope that in the future, a less oppressive society will emerge. For now, the story is unfinished tale or Adhoori Kahani. (652)

 

The film had 12 songs of which nine are written by Kashyap, 2 songs by Mrs. Bhagyavati Ramya and one song by PL Santoshi. With this song, the film ‘Adhoori Kahani’ makes its debut on the Blog.

 


Song – So Ja Lalna So Ja (Adhoori Kahaani) (1939) Singer – Miss Meera, Lyrics – JS Kashyap ‘Natwaan’, Music – Gyan Dutt

Lyrics (Provided by Sudhir)

so ja lalna so jaa
so ja lalna so jaa
maa ki godi
maa ki godi hai tera ghar
jeevan se tu aaya thak kar
so ja lalna so jaa
maa ki godi
maa ki godi hai tera ghar
jeevan se tu aaya thak kar
so ja lalna so jaa

is gulshan mein haar nahin hai
swarg hai ye sansaar nahin hai
is gulshan mein haar nahin hai
swarg hai ye sansaar nahin hai
so jaa
lalna
so jaa

aao godi
tumhen sula doon
meethi meethi (?? ??) doon
aankhon mein jal dhaara baha kar
tan man ka sab taap bujha doon
aankhon mein jal dhaara baha kar
tan man ka sab taap bujha doon
jeevan ka santaap mita doon
so jaa
lalna
so jaa

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

सो जा ललना सो जा
सो जा ललना सो जा
माँ की गोदी
माँ की गोदी है तेरा घर
जीवन से तू आया थक कर
सो जा ललना सो जा
माँ की गोदी
माँ की गोदी है तेरा घर
जीवन से तू आया थक कर
सो जा ललना सो जा

इस गुलशन में हार नहीं है
स्वर्ग है ये संसार नहीं है
इस गुलशन में हार नहीं है
स्वर्ग है ये संसार नहीं है
सो जा
ललना
सो जा

आओ गोदी
तुम्हें सुला दूँ
मीठी मीठी (?? ??) दूँ
आँखों में जल धारा बहा कर
तन मन का सब ताप बुझा दूँ
आँखों में जल धारा बहा कर
तन मन का सब ताप बुझा दूँ
जीवन का संताप मिटा दूँ
सो जा
ललना
सो जा


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3522 Post No. : 14145

“Naao” (1948) was directed by D N Madhok for Mansarovar Pictures, Bombay. The movie had Jairaj, Nigar Sultana, Misra, Badri Prasad, Dulari, Krishna Kumari, Amir Banu, David Abraham etc in it.

The movie had ten songs in it. Two songs have been covered in the past.

Here is the third song from “Naao” (1948) to appear in the blog. This song is sung by Shamshad Begam. D N Madhok is the lyricist. Music is composed by Gyan Dutt.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Meri kahaani sun ja o jaane waale (Naao)(1948) Singer-Shamshad Begam, Lyrics-D N Madhok, MD-Gyan Dutt

Lyrics

meri kahaani sun ja
o jaane waale
o o jaane waale o
meri kahaani sun ja
o jaane waale
o jaane waale o
kuchh na jubaan se main kahoongi
chup rahoongi
kuchh na jubaan se main kahoongi
chup rahoongi
aankhon mein aankhen aake daal de
likha milenga ek fasaana
matwaale o o jaane waale o
meri kahaani sun ja
o jaane waale o
o jaane waale o

mere dil ko dil mein le lo
mere armaanon se khelo kahin na jaao
mere dil ko dil mein le lo
mere armaanon se khelo kahin na jaao
aao ji kar len do do baaten ye barsaaten
aao ji kar len do do baaten ye barsaaten
dekho ji yoon hi beet na jaaye
baadal ye ghir ghir aaye kaale kaale ho
o jaane waale o
meri kahaani sun ja
o jaane waale o o
jaane waale o


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chanda Ki Chaandni” (1948) was directed by S S Vasan for Gemini Combines. The movie had M. K. Radha, Yashodhara Katju, Sundari Bai, V. N. Janki, H. Krishnamurthy, Ranjan, L. Narayan Rao, S. Pillai, T. R. Rajkumari etc in it.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Toady’s song is from film ‘Achhoot’ (1940),sung by composer Gyan Dutt and singer actress Vasanti.

The second world war started from 1939, but its effects started being felt in India after 1940 only. The Government became alert and sensitive. Lots of restrictions were put on Imports and Exports. All exports to Germany and Japan were banned. Foreign travel came under Government microscope. Imports were restricted to only essential goods. Raw film stock came under Government control (and naturally became available freely in black market at exorbitant price). Taking advantage of the situation, Government declared that those film production houses who help Government in its war efforts, by making films with pro Govt. themes, would get raw film on priority.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Dukhiyaari”(1948) was directed by D K Ratan for Jeevan Jyot Kala Mandir, Bombay. The movie had Surendra, Trilok Kapoor, Meena, Ranjeet Kumari, Cuckoo, Chaand Burque, Majnu, Bhudo Advani, Ramesh Mohan, Chandramohan etc in it.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film ‘Chaand Taara’ (1945). This song is sung by Noor Mohammed ‘Charlie ‘ and chorus. Today (30th June) is the anniversary of Charlie’s passing away in 1983. This song is in his memory. This song also happen to be a parody song. No, no, I am not doing a series on parody songs. It is just a coincidence that I got hold of a second rare song which is also a parody song.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film ‘Anban’ (1944) (pronounced as un-bun). So far, only one song from this film has been discussed on our blog in 2011. This is, therefore, the second song from this film. No songs of this film are available anywhere like You Tube etc. Then, how did I get introduced to  this song ? There is a story behind this.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nurse” (1943), also known as CHHOTI MAA, was directed by Chaturbhuj Doshi for of Ranjit Movietone, Bombay. The movie had Khursheed, Arun Ahuja, Prabha, Anil Kumar, Indira, Sheikh etc. in it.
Read more on this topic…


Advertisements

Important Announcement

(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14400 song posts by now.

This blog is active and online for over 3600 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14449

Number of movies covered in the blog

Movies with all their songs covered =1146
Total Number of movies covered =3938

Total visits so far

  • 10,471,392 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,610 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Archives

Stumble

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Historical dates

Blog Start date: 19 july 2008

Active for more than 3500 days.

Advertisements
%d bloggers like this: