Posts Tagged ‘SK Pal’
Geeton Ka Sansaar Yahaan Par
Posted July 19, 2021
on:- In: Blog Anniversary Song | Celebration Song | Devnagri script lyrics by Sudhir | Free Spirit Song | Guest posts | Happy song | joie de vivre | Lyrics contributed by readers | Meena Kapoor solo | Meena Kapoor songs | Post by Sudhir | Revelry song | Songs of 1940s (1941 to 1950) | Songs of 1948 | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4749 | Post No. : | 16484 |
So. Finally it is official.
We are teenagers now, the first step into the growing up years. The childhood years left behind and now the coming of age years are starting.
What started off as a ‘let’s-try-it’ hobby run with the simplest of the simple philosophical musings – “Miley Na Phool To Kaanton Se Dosti Kar Li“, has come of age today and has blossomed into a huge tree with thousands of branches spread out, with roots that are deep and strong, and are full of conviction. A tree that provides shade in terms of solace to the lovers of music, which in turn are spread out all over the globe. This is the world tree of music and songs. This is a tree that has a flavor for every palate, a tree that has fruits of everlasting tastes for the connoisseurs, a tree that conserves and perpetuates that enchanting phenomena that is the lovely Hindi Film Music – this is a tree that has many different meanings and many different treasures for the seekers of pleasure in music. There is a whole universe of music that has settled itself around this tree. Although the desires abounded for flowers, but when none were forthcoming this direction, the protagonist settled for the proverbial thorns to start with. That humble gesture ensured that flowers of all shades and colors, and also, flower bearers of all tastes and wonders, kept on coming together one by one, till a complete orchestra of performers was formed, and the bandwagon got its name.
Thirteen years and counting. And if you talk of counting, here are some counts that will really make you happy with wonder.
Do you know that we have a visitor to this blog, every thirty seconds – the total count (and still counting) is upwards of 14.5 million visitors. Now that is a number to really wonder about.
Do you know that we have been averaging quite, quite close to one new film per day since the inception of this blog. 4749 days today and 4480 films showcased. And oh yes, that is not counting the Non-Film songs categories. Adding them categories, we shall surely be at 1+ new film or new non-film song category per day. Isn’t that a wow that makes one feel like flying.
Do you know that the average daily rate of posting is upwards of three posts per day. Try doing that seven days a week, 365 days a year, and continuously at that rate for 13 years. Try writing a letter each to three friends every day, day on day, for 13 years. My, does that no yet boggle the mind.
And that is where the superlatives start ceasing to have an impact.
13 years – 4,749 days – 16,484 posts. . .
And just ONE person. Now isn’t that something to boggle the google. Especially when we know it is a labor of love, and that it is not an endeavor for remuneration. Ah yes, it does finally boil down to love. As does of course, everything else in this universe.
That one person, carrying the entire earth on his shoulders, like the legendary Atlas. Not pausing for even a day to rest. Of course yes, there have been rarities that we have had dot days. But in the final count, the averages will speak for themselves. No matter how many runs and how many centuries – double, triple – any other batsman has scored, the Don Bradman remains the Don Bradman when the averages are calculated.
Atul ji, over the years that we have been associated for this endeavor, we have completely used up all the possible epithets and adjectives to address our appreciation of your work. And now, we are at a loss to articulate this emotion any further. And will finally end up saying these lines that I borrow from another legend – ABBA,
So I say
Thank you for the music, the songs I’m singing
Thanks for all the joy they’re bringing
Who can live without it? I ask in all honesty
What would life be?
Without a song or a dance, what are we?
So I say thank you for the music
For giving it to me
And not just to me – to this entire world, a compilation that is sans any peers. Who would have thought it could have been possible. Your own words have been that your earliest flights of imagination brought you to a number of maybe 2,500. And that then you would rest.
Aah, but for the passion this ignited, within yourself, and within this motley crew of the musical bandwagon. The counter is ticking oh so close to 16,500 posts. And not a day’s breather seems to be in view. Mightier and stronger and higher we ride the Olympian altitudes. And the bandwagon keeps chugging along, day on day, week on week, month on. . .
I just thought of taking a look at the date of 19th July across our travels. We have had a total of 68 posts that have been celebrating this anniversary, after the intial 19th July post of 2008. Seven posts in 2009, 4 posts in 2010, 5 posts in 2011, 6 posts in 2012, 5 posts again in 2013, then on to 7 posts once again in 2014, 5 posts in 2015, and wow, a whopping 8 posts in 2016, back to 4 posts in 2017, aah – 3 posts in 2018, 4 posts in 2019, back up to 6 posts in 2020, and then today, 4 posts again to celebrate this wondrous milestone. With songs posted across the entire spectrum of decades, from 1936 all the way up to 2002, the celebrations of this anniversary have been multifarious and varied.
Ah but let me not bore you with any more statistics and analyses. And bring you to this song for the celebration today.
Geeton Ka Sansaar Yahaan Par
Took me a while to locate this wonderfully complementary theme song for this celebration. And for its rarity, it is – sorry, it was not yet available online. The film is ‘Nai Reet’ from 1948. The film itself makes a debut on our blog today.
The film has been produced under the banner of India Film Corporation, Bombay and is directed by Shubh Karan Ojha. This relatively obscure film that probably did not garner much attention and box office receipts when it was released in 1948, has the cast listed as Sulochana Chatterjee, Geeta Bali, Rajendra, Krishankant, Tiwari, Badri Prasad, Tara Bai, Leela Mishra, and Ramesh Sinha. Most names are familiar, and I am sure the full cast would be carrying more names.
The film has 8 songs in total. All the songs are written by a team of two songwriters in collaboration – Bal Krishan Gupta and Ratan Kumar Gupta. The footnote that is carried in the Geet Kosh, succinctly states that – “As per the information recieved from Lyricist Bal Krishna Gupta all songs this film were written by both Lyricists working together, i.e. `Kumar-Gupta` (Ratan `Kumar` Gupta + Bal Krishna `Gupta`. However the records carry the name as `Kumar Gupta`.” So by this input, we would also use the lyricist’s name as Kumar-Gupta.
The music is by SK Pal, and the singing voice is that of Meena Kapoor.
And the words – they oh so well sum up the emotions of this celebration today – that here is a universe of songs that has been put together for us.
गीतों का संसार यहाँ पर
मुसकानों का मेला है
पत्ती पत्ती झूम रही
हर फूल में जादू फैला है
A world of songs is here
It is a festival celebration of smiles
Every leaf is swaying with delight
There is a joyous magic spread through every flower
मैं भी अपनी झोली लाई
भर लेने को बिखरी दौलत
मैं भी दौड़ी दौड़ी आई
क्या छोड़ूँ क्या चुन लूँ इस में
लगता बड़ा झमेला है
In haste I come here
To gather this treasure spread about
I try to garner it all in my arms
And the mind is in a dilemma
What all shall I take
And what all shall I leave
एक अनोखा बाग है दुनिया
सुन्दर सुन्दर प्यारा प्यारा
मानो मीठा राग है दुनिया
पागल मन मेरा मस्ती में
कली सा खिल खिल खेला है
What a joyful garden this world is
So beautiful and lovely
The whole world is a sweet melody
And my mind is untamed in passion
Blossoming like new buds playing
Yes, all these emotions run through the mind when I look at this incredible and phenomenal treasure of enchanting melodies – this world of songs, here, with us.
A grand celebration for this inception day milestone.
A wonderful musical greetings to all readers and all members of the musical bandwagon.
And a bagful of wishes and blessings, that this tree may only proliferate further, day by passing day.
And that this journey may never cease.
तमन्ना है ये साथ चलते रहें हम ना बीते कभी ये सफर. . .
Song – Geeton Ka Sansaar Yahaan Par (Nai Reet) (1948) Singer – Meena Kapoor, Lyrics – Kumar-Gupta, MD – SK Pal
Lyrics
geeton ka sansaar yahaan par
muskaanon ka mela hai
mela hai
geeton ka sansaar yahaan par
muskaanon ka mela hai
mela hai
mela hai
patti patti jhoom rahi
jhoom rahi
patti patti jhoom rahi
jhoom rahi
har phool mein
har phool mein jaadu phaila hai
muskaanon ka mela hai
mela hai
mela hai
geeton ka sansaar yahaan par
muskaanon ka mela hai
mela hai
main bhi apni jholi laai
main bhi apni jholi laai
bhar lene ko bikhri daulat
main bhi daudi daudi aayi
kya chhodoon kya chun loon is mein
kya chhodoon kya chun loon is mein
lagta bada jhamela hai
muskaanon ka mela hai
mela hai
mela hai
geeton ka sansaar yahaan par
muskaanon ka mela hai
ek anokha baag hai duniya
ek anokha baag hai duniya
sundar sundar pyaara pyaara
maano meetha raag hai duniya
maano meetha raag hai duniya
paagal mann mera masti mein
paagal mann mera masti mein
kali sa khil khil khela hai
muskaanon ka mela hai
mela hai
mela hai
geeton ka sansaar yahaan par
muskaanon ka mela hai
mela hai
mela hai
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
गीतों का संसार यहाँ पर
मुसकानों का मेला है
मेला है
गीतों का संसार यहाँ पर
मुसकानों का मेला है
मेला है
मेला है
पत्ती पत्ती झूम रही
झूम रही
पत्ती पत्ती झूम रही
हर फूल में
हर फूल में जादू फैला है
मुसकानों का मेला है
मेला है
मेला है
गीतों का संसार यहाँ पर
मुसकानों का मेला है
मेला है
मैं भी अपनी झोली लाई
मैं भी अपनी झोली लाई
भर लेने को बिखरी दौलत
मैं भी दौड़ी दौड़ी आई
मैं भी दौड़ी दौड़ी आई
क्या छोड़ूँ क्या चुन लूँ इस में
क्या छोड़ूँ क्या चुन लूँ इस में
लगता बड़ा झमेला है
मुसकानों का मेला है
मेला है
मेला है
गीतों का संसार यहाँ पर
मुसकानों का मेला है
एक अनोखा बाग है दुनिया
एक अनोखा बाग है दुनिया
सुन्दर सुन्दर प्यारा प्यारा
मानो मीठा राग है दुनिया
मानो मीठा राग है दुनिया
पागल मन मेरा मस्ती में
पागल मन मेरा मस्ती में
कली का खिल खिल खेला है
मुसकानों का मेला है
मेला है
मेला है
गीतों का संसार यहाँ पर
मुसकानों का मेला है
मेला है
मेला है
- In: Bharat Vyas - Shanta Thakkar Songs | Bharat Vyas Songs as a Singer | Devnagri script lyrics by Sudhir | Duet | Guest posts | Lyrics by Sudhir | Lyrics contributed by readers | Parody song | Post by Arunkumar Deshmukh | Shanta Thakkar Songs | Songs of 1940s (1941 to 1950) | Songs of 1943 | Yearwise breakup of songs
- 10 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : | 3744 | Post No. : | 14701 |
Today’s song is from a comparatively less known film, ‘Prem Sangeet’ (1943). It was produced and directed by WZ Ahmed, under his own banner, Shalimar Pictures, Poona. The music was by its resident MD SK Pal aka Suryakant Pal (nephew of MD Ramchandra Pal, who was with Bombay Talkies). The lyricist was Bharat Vyas. The cast of the film was Neena, Jairaj, H Prakash, Shanta Thakkar, Rajkumari Shukla, Tiwari, Anwar, Gulab, Randhir and many more. The song is sung by Bharat Vyas and Shanta Thakkar.
Bharat Vyas (18-12-1918 to 4-7-1982) wrote 1247 songs in 189 films. In addition, he acted in 3 films, ‘Ghulami’ (1945), ‘Prithviraj Sanyogita’ (1946) and ‘Maa’ (1952). He directed a film also – ‘Rangila Rajasthan’ (1949). He sang 8 songs in 6 films – ‘Prem sangeet’ (1943), ‘Mann Ki Jeet’ (1944), ‘Ghulami’ (1945), ‘Chandralekha’ (1948), ‘Navrang’ (1959) and ‘Santaan’ (1980). He was one of the MDs for film ‘Rangila Rajasthan’ and had composed 3 songs. Shanta Thakkar, who sang with him was also not a regular singer. She had sung just one song in ‘Nirdosh’ (1941), and after today’s song, she sang one more song in ‘Mann Ki Jeet’ (1944) – only 3 songs in career.
There are many books on Hindi film related subjects in almost all languages. Most books give factual or biographical information. There was one author – Saadat Hasan Manto – whose books combined facts, myths, opinions, humour and lascivious stories about the film people he came in contact with, while he was in India before partition. I have some of his books like Meena Bazaar, Stars from Another Sky, and Dastavej Vol 5. One gets to know about the conditions prevailing in the film world in those times, through the eyes of one amongst them. Manto was close to many heroes like Shyam, Ashok kumar and others like Nazir Ahmed, Rafiq Ghaznavi etc. In one of his books, he has revealed the inside story how a shy housewife – Shahida – became a popular film heroine Neena and what magic her mentor (husband later on) WZ Ahmed played to convert her.
About two years back Sadanand Kamath ji had also written about her in one of his articles on song from film ‘Ek Raat’ (1942). I have used some part of his story along with additional information gathered from the All India Film Directory and Who’s Who – 1946, some Pakistani sites and my notes to make her story a wider one.
Neena (real name Shahida) was born on 18th July 1919 in Aligarh in a cultured Muslim family. She was the eldest of six siblings. Her father was Prime Minister of a small state. Later he was appointed as a magistrate in Lucknow. Subsequently, he became a member of Federal Public commission. She studied in Aligarh and completed her graduation. During her college days, Moshin Abdullah fell in love with her. They got married and she settled for her domestic duty. Her husband got a job in Bombay Talkies laboratory where Shashdhar Mukherjee was his colleague. Shahida accompanied her husband and stayed in Malad.
When WZ Ahmed set up his film production company, Shalimar Pictures, Moshin Abdullah joined him in the same capacity which he was holding in Bombay Talkies and shifted to Poona (Pune) with his wife Shahida. Probably it was during this period that WZ Ahmed came to know about Shahida and offered her the lead role in his first film ‘Ek Raat’ (1942). Even though her husband was connected with Hindi films and her sister-in-law (husband’s sister), Renuka Devi (Begum Mirza) was an established actress in Bombay Talkies, Shahida was not interested in pursuing a career in films. It was her husband who persuaded her to take the lead role in ‘Ek Raat’ (1942) offered by WZ Ahmed. Saadat Hasan Manto, in his book ‘Stars From Another Sky’ has pointed out that for Moshin Abdullah, Shahida taking up the role in the film was a necessity as he was always short of money due to his gambling habit.
Before the film went on floor, a massive publicity of the film with Shahida getting her screen name ‘Neena’ as a mystery woman was launched, with giant billboards on the roads of Karachi – without showing her face. This created a suspense and she started getting fan mail too, before her film was released. The film was first released in Karachi on 18th July 1942 where it ran for 9 weeks. With the positive feedback from the cine goers, the film was next released in Hyderabad (Deccan) followed by an all-India release. The film was a box office success.
WZ Ahmed announced his next film ‘Mann Ki Jeet’ (1944) with Neena and Shyam in the lead roles. However, in the meantime, he released a quickie , his second film ‘Prem Sangeet’ (1943) with Neena and Jairaj in lead roles without much publicity as there was no more mystery about Neena. His concentration was now on ‘Mnan Ki Jeet’ (1944). She was quite good looking. In 1945, she was voted “The best dressed beauty of the Indian film world” award from I.F.J.A. She worked in only 5 films, ‘Ek Raat’ (1942), ‘Prem Sangeet’ (1943), ‘Mann Ki Jeet’ (1944), ‘Prithviraj Sanyogita’ (1946) and ‘Meerabai’ (1947). One more ambitious film was planned and announced – ‘Shri Krishna Bhagwan’, in which she was to play Radha. However due to partition and their migration to Pakistan, this was cancelled.
WZ Ahmed in his capacity as a producer-director was virtually in full control of Neena. Her husband Moshin Abdullah being removed from Shalimar Pictures for not doing his allotted work, had lost his grip over his wife. On the other hand, Neena found wide differences in attitudes towards her of WZ Ahmed who was courteous and her husband who was not only swindling her money in gambling but he was also a womaniser. Slowly, she became close to WZ Ahmed. In 1946, Neena divorced her husband and married WZ Ahmed.
After the partition, both WZ Ahmed and Neena migrated to Pakistan lock stock barrel, leaving the staff of Shalimar Pictures in a lurch as many of the staff had not received their salary for months. In August 1948, Bombay High Court adjudged WZ Ahmed, the sole proprietor of Shalimar Pictures as insolvent. Thus the saga of a ‘mystery woman’ of Hindi films ended in mysterious circumstances.
Although, Ahmed was declared as insolvent, the workers of Shalimar made an attempt to revive the Shalimar Pictures company. They pooled their resources and Bharat Vyas produced a movie, ‘Rangeela Rajasthan’ in 1949, under the banner of Shalimar Pictures. Many ex employees like Bharat Vyas , SK Pal and Shyama Dulari etc. worked for free. However this last attempt was also not enough to save the company and it was sold out, to pay the dues of suppliers etc.
In Pakistan, Neena worked for her husband’s 2 films – ‘Roohi’ (1954) and ‘Vaada’ (1957). The third film remained unfinished, and she retired to remain a housewife – a second time. She died sometime in April 1990, in Karachi.
Waheeduddin Ziauddin Ahmed, the smart brain behind showing tempting dreams to a housewife and making her an actress in 5 films, died in a hospital in Lahore, after a prolonged illness, on 15-4-2007. It was/is believed by some even now that Neena sang her own songs initially. However, during one of his visits to India , Ahmed made it very clear that ALL songs including those attributed to Neena were sung by Sitara Kanpuri only. This is recorded in Listener’s Bulletin no. 134 of July 2007. So, there should be no doubt whatsoever about this. After his death in Lahore, the leading Newspaper of Pakistan, ‘The Dawn’ wrote a short obituary on him, on 17th April 2007. It throws light on his work. Here it is..
W.Z. Ahmed, 91, one of the most outstanding film directors of the subcontinent, passed away at a local hospital late on Sunday night (15-4-2007). He was suffering from an infection of the lung. He was laid to rest at the Bagh-i-Rehmat graveyard on Monday afternoon.
After coming up with a series of films in only five years, Wahiduddin Ziauddin Ahmed, was not as prolific as some of his successors in the film industry. He directed-produced five films before the partition of the sub-continent: ‘Aik Raat’, ‘Mann Ki Jeet’, ‘Prem Sangeet’, ‘Prithaviraj- Samyukta’ and ‘Mira Bai’ — all released between 1942 and 1947.
After partition, he made just two films ‘Roohi’ and ‘Wada’, while a third one, ‘Wafa Ki Ada’, remained incomplete. The country’s environment was obviously not suited to his brand of cinema and his creation as one of his masterpieces, ‘Roohi’, has the distinction of being the first-ever film to be banned in Pakistan. The government said the film generated ‘class hatred’, and if that was not bad enough, portrayed a ‘rich married woman having an affair with a young, unmarried man’.
The ban was later revoked and ‘Roohi’ was released in 1954. The same year W.Z. Ahmed was at the forefront of the campaign against the screening of Indian films. The protest was known as ‘Jaal agitation’ after a Dev Anand-starrer of the same name that had been imported out of East Pakistan’s quota — a limited number of Indian films were allowed into Pakistan until then — and then brought over to West Pakistan. The protest led to the arrest of Mr Ahmed and many others in Lahore.
Mr Ahmed owned the Shalimar Pictures in Pune and another studio in Madras before 1947. Some very famous writers and lyricists worked for Shalimar, including Josh Malihabadi, Krisan Chander, Ramanand Sagar, Akhtar-ul-Iman and Sagar Nizami. He established the W.Z. Studio at Wahdat Road in Lahore after some years after partition. He spent many years of his life pursuing the ideal of a filmmakers’ cooperative.
Sanaullah Khan Gandapur, who worked as an assistant to W.Z. Ahmed, remembers his guru as an excellent story-writer and a director with a vision and skill to mould actors according to his requirement. “He was a man of diversified interests and immense knowledge,” Mr Gandapur says.
Mr Ahmed was born in Gujarat, India, in 1916 where his father was a senior police officer. He is said to have been moved into entering filmdom by K.L. Sehgal’s Dev Das. It is said Mr Ahmed went to watch Dev Das and was so disappointed with the production that he decided to direct films himself.
He married twice. His first wife was a daughter of Sir Ghulam Husain Hidayatullah. Later on, he married Shahida, who acted in films under the adopted name of Neena. She died a few years ago (April 1990). Mr Ahmed had a son, Fariduddin Ahmed, and a daughter, Afia Rabbani.
Fariduddin Ahmed, well known as Farid Ahmed, was a talented filmmaker who married television and stage actor and producer, Samina Ahmed. Farid died in 1993.
Today’s song is a duet and is a parody of the famous and popular song from film ‘Jhoola’ (1941) – “Main To Dilli Se Dulhan Laaya Re”, sung by Arunkumar and Rehmat Bano. It was filmed on Mumtaz Ali and a debutant actress Shehzadi (not the sister of Zubeida, Sultana and Mehtab). I feel in this song some other tunes of songs are also present, but I could not identify them. This was the first ever song sung by Bharat Vyas in Hindi films.
Audio
Song – Main To Aagre Se Joota Laaya Re Ho Rani Ji (Prem Sangeet) (1943) Singers – Bharat Vyas, Shanta Thakkar, Lyrics – Bharat Vyas, Music – SK Pal
Lyrics (Provided by Sudhir)
main aagre se
main jaipur se
o main aagre se
o main jaipur se
main aagre se joota laaya re
ho rani ji
main aagre se joota laaya re
ho rani ji
main jaipur se chunri laayi re
ho raja ji
main jaipur se chunri laayi re
ho raja ji
o main aagre se joota laaya re
ho rani ji
aao paniya
aao paniya bharan ko chalen
haan haan paniya bharan ko chalo na re
haan chalo na re
ui chalo na re
aao paani pioge raja
na na chaai pilaao
na na paani pio
na na chaai pilaao
na na paani pio
pio pio
ye paani ka pyaala hai
pio pio
main naahin piunga
main naahin piunga
hato to to to. . .
mora jiya ghanda mera
keh sakoon ganwaar hai
mora jiya ghanda mera
keh sakoon ganwaar hai
hua hai qusoor humse zuroor
maaf hamen karo huzoor
khaao khaao kasam
tum ram ji ki
haan haan ram ji ki
hanuman ji ki
ho siya jaanki ki
aaj gori women ko haraaya re
ho ram ji
aaj gori women ko haraaya re
ho ram ji
main aagre se
o main jaipur se
o main aagre se
o main jaipur se
main aagre se joota laaya re
ho rani ji
main aagre se joota laaya re
ho rani ji
main jaipur se chunri laayi re
ho raja ji
main jaipur se chunri laayi re
ho raja ji
ho main aagre se
main aagre se joota laaya re
ho rani ji
———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
मैं आगरे से
मैं जयपुर से
हो मैं आगरे से
हो मैं जयपुर से
मैं आगरे से जूता लाया रे
हो रानी जी
मैं आगरे से जूता लाया रे
हो रानी जी
मैं जयपुर से चुनरी लाई रे
हो राजा जी
मैं जयपुर से चुनरी लाई रे
हो राजा जी
ओ मैं आगरे से जूता लाया रे
हो रानी जी
आओ पनियां
आओ पनियां भरन को चलें
हां हां पनियां भरन को चलो ना रे
हाँ चलो ना रे
ऊई चलो ना रे
आओ पानी पीओगे राजा
ना ना चाय पिलाओ
ना ना पानी पियो
ना ना चाय पिलाओ
ना ना पानी पियो
पीओ पीओ
ये पानी का प्याला है
पीओ पीओ
मैं नाहीं पीऊँगा
मैं नाहीं पीऊँगा
हटो टो टो टो॰ ॰ ॰
मोरा जिया घणा मेरा
के सकूँ गंवार है
मोरा जिया घणा मेरा
के सकूँ गंवार है
हुआ है क़ुसूर हमसे जुरूर
माफ हमें करो हुज़ूर
खाओ खाओ कसम तुम राम की
हाँ हाँ राम जी की
हनुमान जी की
हो सिया जानकी की
आज गोरी वुमेन को हराया रे
हो राम जी
आज गोरी वुमेन को हराया रे
हो राम जी
मैं आगरे से
ओ मैं जयपुर से
हो मैं आगरे से
हो मैं जयपुर से
मैं आगरे से जूता लाया रे
हो रानी जी
मैं आगरे से जूता लाया रे
हो रानी जी
मैं जयपुर से चुनरी लाई रे
हो राजा जी
मैं जयपुर से चुनरी लाई रे
हो राजा जी
हो मैं आगरे से
ओ मैं आगरे से जूता लाया रे
हो रानी जी
Band Kaliyon Ko Gudgudaayegi
Posted July 16, 2017
on:- In: aspirations | Aspirations of Love | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Happy song | joie de vivre | Lyrics contributed by readers | Post by Sadanand Kamath | Sitaara Kanpuri Solo Songs | Sitaara Kanpuri Songs | Song about Nature | Songs of 1940s (1941 to 1950) | Songs of 1947 | Yearwise breakup of songs
- 2 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
‘Shehzaadi’ (1947) is a film about which not much information is available online except that it was produced under the banner of Shalimar Pictures owned by WZ Ahmed and the film belonged to the costume drama genre. I had searched extensively on the internet about the star cast and the director but drew a blank. Earlier, I had even a doubt whether the film was actually released.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 30
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The date was 11th March 1947. The place was Jeevan House, Bombay. The Secretary of the Progressive Writers Association (PWA) was reporting the proceedings of its weekly meeting. Around 50 poets and writers had assembled at the meeting. Among them were Josh Malihabadi, Saghar Nizami, Dr Safdar Aah Sitapuri, Majaz Lucknawi, Ali Sardar Jafri, Vishwamitra Adil, Kaifi Azmi, Sahir Ludhianvi and Majrooh Sultanpuri.
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